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Gardeners' World is now an hour long. | 0:00:02 | 0:00:04 | |
We can celebrate even more wonderful gardens and have more tips to | 0:00:04 | 0:00:09 | |
keep your garden looking good throughout the whole year. | 0:00:09 | 0:00:13 | |
Hello and welcome to Gardeners' World. | 0:00:20 | 0:00:23 | |
Of course, this is the season of fruitfulness, | 0:00:24 | 0:00:27 | |
and no fruit is more sumptuous than the quince. | 0:00:27 | 0:00:32 | |
Quinces are a fruit just full of mystery and magic, as well | 0:00:32 | 0:00:37 | |
as being delicious. | 0:00:37 | 0:00:39 | |
One of my favourite stories about it is the fact that in | 0:00:39 | 0:00:42 | |
the 16th and 17th century, quinces were mashed up into a kind of paste | 0:00:42 | 0:00:49 | |
for curing baldness. | 0:00:49 | 0:00:50 | |
Probably gained because many quinces are covered with a tiny | 0:00:50 | 0:00:53 | |
little fluff. | 0:00:53 | 0:00:55 | |
Bald men would take this quincey paste and slap it on their | 0:00:55 | 0:01:00 | |
heads and leave it as a kind of quince mulch | 0:01:00 | 0:01:05 | |
to encourage hair growth. | 0:01:05 | 0:01:07 | |
I love the thought of all these Tudor and Jacobean men | 0:01:07 | 0:01:12 | |
walking the streets of London with what amounted to | 0:01:12 | 0:01:16 | |
a toupee made of jam on their heads. | 0:01:16 | 0:01:19 | |
A quince has a kind of floral fragrance that you can just | 0:01:25 | 0:01:29 | |
put in a room and it acts as a pomander. | 0:01:29 | 0:01:32 | |
Or if you add it to apples, one quince to about 20 apples, | 0:01:32 | 0:01:36 | |
it just infuses them with a delicacy that no apple has ever had. | 0:01:36 | 0:01:41 | |
And it makes marvellous jelly and membrillo, | 0:01:41 | 0:01:43 | |
which is a kind of set jelly you eat with cheese. | 0:01:43 | 0:01:46 | |
It is good eating, except for the fact that you have to cook it. | 0:01:46 | 0:01:50 | |
You can never, ever eat quince raw. | 0:01:50 | 0:01:53 | |
On tonight's programme, Frances Tophill is in Devon, | 0:01:57 | 0:02:01 | |
-where she has the results of her veg trial. -This is nice and fresh. | 0:02:01 | 0:02:05 | |
-It is sweet, it is easy to eat. -This is definitely the winner for me. | 0:02:05 | 0:02:09 | |
So everyone is agreed? | 0:02:09 | 0:02:11 | |
Carol is exploring autumn colour. | 0:02:11 | 0:02:14 | |
Look at this, it's all fresh colour. | 0:02:14 | 0:02:16 | |
It's like spring all over again, but it's autumn. | 0:02:16 | 0:02:19 | |
And I am visiting the garden of Lord and Lady Heseltine. | 0:02:19 | 0:02:23 | |
Do you actually garden together? | 0:02:23 | 0:02:25 | |
He is the master gardener, I am the slave labour. | 0:02:25 | 0:02:28 | |
That is a very unrepresentative view of the truth, if I may say so. | 0:02:28 | 0:02:32 | |
And I shall be planting strawberries and bringing in my bananas | 0:02:34 | 0:02:39 | |
for protection because it was jolly cold here this morning. | 0:02:39 | 0:02:43 | |
Still a few roses flowering here in the Cottage Garden. | 0:02:56 | 0:02:59 | |
The sunflower Vanilla Ice is going strong, no problem there at all. | 0:02:59 | 0:03:03 | |
My new cut flower beds have been pretty good, | 0:03:03 | 0:03:06 | |
I'd say about six out of ten. | 0:03:06 | 0:03:08 | |
Plants like this dahlia, Grenadier, were put in here because we | 0:03:08 | 0:03:12 | |
had lost the label, didn't know how it was going to flower. | 0:03:12 | 0:03:15 | |
If I had known it was Grenadier, I would have put it in | 0:03:15 | 0:03:17 | |
the Jewel Garden, because that is where it belongs. | 0:03:17 | 0:03:19 | |
It won't be coming back in here next year. | 0:03:19 | 0:03:22 | |
On this bed, we had more annuals. | 0:03:22 | 0:03:23 | |
Most of them have finished and been taken up. | 0:03:23 | 0:03:26 | |
The distophylla is still going, a little bit more flowering in that. | 0:03:26 | 0:03:30 | |
But I want to fill this empty space and I'll fill the whole bed | 0:03:30 | 0:03:34 | |
eventually with some bulbs for next spring. | 0:03:34 | 0:03:36 | |
The thing to bear in mind when you're making a cutting | 0:03:43 | 0:03:46 | |
garden, or cutting bed or patch of any kind, is that this is a crop. | 0:03:46 | 0:03:51 | |
This is not decorative in the garden in particular, | 0:03:51 | 0:03:54 | |
it is designed to be at its most decorative when harvested and | 0:03:54 | 0:03:58 | |
brought into the house. | 0:03:58 | 0:04:01 | |
Daffodils are easy-peasy. | 0:04:03 | 0:04:06 | |
The basic rule of all bulbs is to plant it at least its own | 0:04:06 | 0:04:11 | |
height below the soil. | 0:04:11 | 0:04:14 | |
It would certainly do | 0:04:14 | 0:04:16 | |
no harm to have twice its own height of soil above it. | 0:04:16 | 0:04:19 | |
So there, there and there. That will be the soil level. | 0:04:19 | 0:04:23 | |
That is quite a deep hole. | 0:04:23 | 0:04:25 | |
Obviously any daffodil with a reasonably long stem can be | 0:04:26 | 0:04:29 | |
grown as a cut flower. | 0:04:29 | 0:04:31 | |
I have chosen Pheasant's Eye because not only | 0:04:31 | 0:04:33 | |
do I like it, you've got this | 0:04:33 | 0:04:35 | |
white petal with this intense golden middle, | 0:04:35 | 0:04:38 | |
but also it is very fragrant. | 0:04:38 | 0:04:40 | |
Quite a few daffodils are fragrant so look out for them. | 0:04:40 | 0:04:43 | |
So we'll just take that out. | 0:04:44 | 0:04:47 | |
A decent-sized hole like that and pop it in. | 0:04:49 | 0:04:52 | |
When you're planting for cut flowers, | 0:04:52 | 0:04:55 | |
you want to plant closer together than you would normally. | 0:04:55 | 0:04:59 | |
So I will dig another hole here. | 0:05:00 | 0:05:04 | |
Like that. | 0:05:06 | 0:05:08 | |
Daffodils are pretty adaptable. | 0:05:15 | 0:05:18 | |
And pretty unfussy about where they grow. | 0:05:20 | 0:05:23 | |
In principle, like all bulbs, they like fairly good drainage. | 0:05:23 | 0:05:27 | |
They don't want to be too dry. | 0:05:27 | 0:05:29 | |
In practice, they will grow in most places as long as they get | 0:05:29 | 0:05:33 | |
some sunshine. | 0:05:33 | 0:05:34 | |
We'll get one more at the back. | 0:05:36 | 0:05:37 | |
Now, you can plant tulips in exactly the same way. | 0:05:40 | 0:05:44 | |
But for cut flowers, | 0:05:44 | 0:05:46 | |
there is another method which is very effective. | 0:05:46 | 0:05:49 | |
It is quite early for tulip planting. There's no panic. | 0:05:49 | 0:05:53 | |
Normally you are advised not to begin until after Bonfire Night, | 0:05:53 | 0:05:57 | |
till 6th November, and right through till Christmas is absolutely fine. | 0:05:57 | 0:06:01 | |
But that is because you want to avoid the risk of tulip fire, | 0:06:01 | 0:06:07 | |
and the fungi which causes tulip fire are killed off by cold. | 0:06:07 | 0:06:12 | |
So the idea is, | 0:06:12 | 0:06:13 | |
when you plant them in cold weather, | 0:06:13 | 0:06:15 | |
as they start to grow there is much less risk of them being affected. | 0:06:15 | 0:06:17 | |
But if you're not worried about that, and there has been | 0:06:17 | 0:06:20 | |
no evidence of tulip fire in this part of the garden ever, | 0:06:20 | 0:06:22 | |
then you can plant them in October. | 0:06:22 | 0:06:25 | |
I will start by digging a trench. | 0:06:30 | 0:06:32 | |
The secret of getting tulips with nice, long, | 0:06:44 | 0:06:48 | |
strong stems is to plant them as deep as you possibly can. | 0:06:48 | 0:06:53 | |
So choose a type, | 0:06:53 | 0:06:56 | |
like the Triumph series or the lily-flowered ones, | 0:06:56 | 0:06:59 | |
that aren't too early flowering, | 0:06:59 | 0:07:01 | |
because they tend to have shorter stems. | 0:07:01 | 0:07:03 | |
Nice, upright tulips with long, strong stems. | 0:07:03 | 0:07:06 | |
Then, in the bottom of the trench, add some grit. | 0:07:06 | 0:07:11 | |
And by adding grit to the bottom, I am ensuring that they'll | 0:07:17 | 0:07:22 | |
get good drainage and therefore will perform as well as they can. | 0:07:22 | 0:07:26 | |
And then we plant the bulbs directly onto the grit. | 0:07:36 | 0:07:41 | |
I've got a number here, I've got Queen of Night, got Ballerina. | 0:07:41 | 0:07:46 | |
I think Queen of Night makes the most fantastic cut flower. | 0:07:46 | 0:07:49 | |
When you're planting in this method, | 0:07:57 | 0:07:59 | |
you can plant much closer than you normally would. | 0:07:59 | 0:08:01 | |
We can put that like that. And that like that. | 0:08:01 | 0:08:06 | |
Like that. | 0:08:07 | 0:08:09 | |
Queen of Night is a really dark, dark tulip. | 0:08:13 | 0:08:17 | |
It's not black, because it's touched with hints of plum | 0:08:18 | 0:08:24 | |
that shine through the deep, rich purple. It is very late, too. | 0:08:24 | 0:08:29 | |
It won't start flowering until early-to-mid May. | 0:08:29 | 0:08:33 | |
I have had this flowering into June, if the weather is a bit cold in May. | 0:08:33 | 0:08:37 | |
So a late, very dramatic flower. | 0:08:37 | 0:08:41 | |
Now I just need to backfill that. Fill in there. | 0:08:43 | 0:08:48 | |
I do appreciate that growing cut flowers is not something that | 0:08:53 | 0:08:57 | |
everybody has space or even the inclination for. | 0:08:57 | 0:09:00 | |
But if you do, give it a go, because it is | 0:09:00 | 0:09:03 | |
a great way of bringing the garden indoors throughout the season. | 0:09:03 | 0:09:10 | |
Nick Bailey has been going round the country over the last few weeks, | 0:09:10 | 0:09:14 | |
giving more general help to gardens, | 0:09:14 | 0:09:17 | |
using his experience and skill to transform them from slightly | 0:09:17 | 0:09:21 | |
lost, unused spaces into an area that the whole family can enjoy. | 0:09:21 | 0:09:27 | |
This week he is in London. | 0:09:27 | 0:09:29 | |
I am here in Dulwich, my stamping ground. | 0:09:33 | 0:09:36 | |
I am visiting a little city garden which | 0:09:36 | 0:09:39 | |
has a lot to deliver from a small and tricky space. | 0:09:39 | 0:09:43 | |
This garden has been suppressed for years | 0:09:50 | 0:09:52 | |
by the shade of a large tree, | 0:09:52 | 0:09:54 | |
which has caused the turf to die out and all the plants to stretch. | 0:09:54 | 0:09:58 | |
But the tree's gone and it presents a fantastic opportunity | 0:09:58 | 0:10:01 | |
to bring the garden back to life. | 0:10:01 | 0:10:03 | |
In this far corner, there's a kids' play area. | 0:10:03 | 0:10:06 | |
It's looking a bit sad, it's quite dark as well, so I'm not going | 0:10:06 | 0:10:09 | |
to be able to grow anything in there, but I'm going to | 0:10:09 | 0:10:11 | |
put down a layer of mulch and improve the play space. | 0:10:11 | 0:10:15 | |
This bed, which was previously shaded out, | 0:10:15 | 0:10:18 | |
is now a great opportunity for growing fruit, | 0:10:18 | 0:10:21 | |
so I'm going to put some whitecurrants and redcurrants | 0:10:21 | 0:10:23 | |
in here, that the family can easily harvest. | 0:10:23 | 0:10:26 | |
And I'm going to replace this patchy lawn with brand-new turf, | 0:10:26 | 0:10:30 | |
refresh the whole area | 0:10:30 | 0:10:32 | |
and make a lovely space that the family can sit out in. | 0:10:32 | 0:10:35 | |
Just get this out of the way. | 0:10:38 | 0:10:40 | |
Now, for this play area I'm going to do three different things. | 0:10:40 | 0:10:44 | |
I'm going to put down a timber retaining edge. | 0:10:44 | 0:10:47 | |
Then I'm going to put down a geotextile, and that will stop | 0:10:47 | 0:10:50 | |
the weeds coming up. And then finally, some loose dry bark | 0:10:50 | 0:10:53 | |
that the kids can play on. | 0:10:53 | 0:10:55 | |
Now, this stuff is incredibly useful, it's a complete | 0:11:16 | 0:11:18 | |
barrier to weeds and it allows water to permeate through. | 0:11:18 | 0:11:22 | |
It does have one slight issue, in as much as it tends to shred | 0:11:22 | 0:11:25 | |
on the edges. So I tuck it underneath. | 0:11:25 | 0:11:27 | |
With the play area finished, it's now time to set to | 0:11:44 | 0:11:47 | |
on this newly light border, and it's the ideal place to grow fruit. | 0:11:47 | 0:11:52 | |
Now, this soil is surprisingly rich, given it's been under a tree, | 0:11:59 | 0:12:02 | |
so I really don't need to improve it to get the tayberry growing, | 0:12:02 | 0:12:04 | |
and it's quite rampant so it will quickly spread across | 0:12:04 | 0:12:07 | |
the fence and give lots of harvesting opportunities. | 0:12:07 | 0:12:10 | |
So that's the last of the fruit into this new fruit border, | 0:12:18 | 0:12:21 | |
but I also put something else in here - | 0:12:21 | 0:12:24 | |
Galium odoratum or woodruff. It's a fantastic little ground-cover | 0:12:24 | 0:12:27 | |
plant, beautiful little white flowers in spring, | 0:12:27 | 0:12:30 | |
and it doesn't mind growing in dappled shade. | 0:12:30 | 0:12:32 | |
So it will work brilliantly, almost as a mulch underneath these | 0:12:32 | 0:12:36 | |
berries just here. Now, the little alpine strawberries on the front | 0:12:36 | 0:12:39 | |
are absolutely fantastic for kids cos they keep cropping | 0:12:39 | 0:12:43 | |
and most of their fruit tends to be hidden by the foliage, | 0:12:43 | 0:12:46 | |
so they are not always stolen by the birds. | 0:12:46 | 0:12:48 | |
All of these plants have been really compromised by the shade in | 0:12:53 | 0:12:56 | |
the garden in the past and they are really beyond redemption. | 0:12:56 | 0:12:59 | |
So, this sad cherry is going to go. | 0:12:59 | 0:13:01 | |
I'm going to dig out the whole root of the tree here. | 0:13:05 | 0:13:07 | |
The reason for that is, the root stock at the base of the cherry | 0:13:07 | 0:13:10 | |
will start shooting up suckers if I leave it there | 0:13:10 | 0:13:13 | |
or cut it flat with the ground, so I'm going to get the whole lot out. | 0:13:13 | 0:13:16 | |
And actually, that's not the healthiest root, also, | 0:13:16 | 0:13:19 | |
it really wouldn't have been a good plant long-term. | 0:13:19 | 0:13:22 | |
So, I've finished off digging over the whole area | 0:13:35 | 0:13:37 | |
and there's two reasons for that. One - it makes the soil | 0:13:37 | 0:13:41 | |
nice and loose, so that I can rake out and end up with a decent | 0:13:41 | 0:13:44 | |
level surface to put the new turf on. And number two - | 0:13:44 | 0:13:46 | |
it means that the soil will be open, | 0:13:46 | 0:13:48 | |
so the new turf can root well into it. | 0:13:48 | 0:13:51 | |
So this not-so-fancy footwork is just a bit of a plot shuffle, | 0:13:51 | 0:13:55 | |
so I'm just compressing the soil down. It allows you to get rid of | 0:13:55 | 0:13:59 | |
any air pockets or divots in the soil, once you've done that initial | 0:13:59 | 0:14:02 | |
fork and rake over, and then once I've done my plot shuffle, | 0:14:02 | 0:14:05 | |
I'll do a final rake over which will have it ready for the turf to | 0:14:05 | 0:14:08 | |
go down. | 0:14:08 | 0:14:10 | |
Work backwards when you're raking, to ensure you have a level surface, | 0:14:10 | 0:14:14 | |
but when it comes to laying turf, you need to work forwards. | 0:14:14 | 0:14:17 | |
In other words, you are working on top of the turf | 0:14:17 | 0:14:19 | |
you've just laid, on boards, which help settle it in | 0:14:19 | 0:14:23 | |
and ensure a good connection with the turf roots and the soil. | 0:14:23 | 0:14:26 | |
So, as you can see, I'm laying the turf in a tessellated pattern, | 0:14:28 | 0:14:32 | |
a little bit like bricks. In other words, the turf is staggered | 0:14:32 | 0:14:35 | |
and that helps it stabilise and stops it moving around. | 0:14:35 | 0:14:38 | |
So, I'm just making sure that this turf is knitted together - | 0:14:40 | 0:14:44 | |
in other words, the soil is connecting with the soil | 0:14:44 | 0:14:48 | |
on the edge of the next piece of turf. | 0:14:48 | 0:14:51 | |
Well, that's not bad for a day's work. | 0:14:55 | 0:14:58 | |
So, down at the bottom there's now a decent play area for the kids, | 0:14:58 | 0:15:01 | |
lots of space and nice and safe down there. | 0:15:01 | 0:15:03 | |
Off to the side, the mini fruit garden is established | 0:15:03 | 0:15:06 | |
with the currants and strawberries. | 0:15:06 | 0:15:09 | |
And I've managed to get a decent patch of turf into the centre of | 0:15:09 | 0:15:12 | |
the garden that the family will be able to enjoy. | 0:15:12 | 0:15:14 | |
Alan Power has been going behind the scenes | 0:15:24 | 0:15:27 | |
with those managing our most prestigious gardens, | 0:15:27 | 0:15:30 | |
and in the last of his films, he is in County Down. | 0:15:30 | 0:15:34 | |
Having been head gardener for three years | 0:15:36 | 0:15:38 | |
here at Mount Stewart in Northern Ireland, | 0:15:38 | 0:15:40 | |
it's a garden I truly fell in love with during my time | 0:15:40 | 0:15:43 | |
and I'm back here today to team up with the current head gardener, | 0:15:43 | 0:15:46 | |
Neil Porteous, to find out what happens behind the scenes | 0:15:46 | 0:15:50 | |
to look after these stunning gardens. | 0:15:50 | 0:15:52 | |
Neil has access to a wonderful archive of original plans | 0:15:56 | 0:15:59 | |
and designs, left by the garden's creator, Lady Londonderry, | 0:15:59 | 0:16:02 | |
which inform his work here every day. | 0:16:02 | 0:16:04 | |
There's just hints on the front of all of these books, | 0:16:06 | 0:16:10 | |
you know, whether it's Ward's field notes, | 0:16:10 | 0:16:12 | |
whether it's the little scribes on the back of the plans, | 0:16:12 | 0:16:15 | |
but Mount Stewart House and Gardens Exterior - | 0:16:15 | 0:16:18 | |
and I've spotted the Italian garden illuminated by night. | 0:16:18 | 0:16:22 | |
It's brilliant. This was done in 1934 for George V's | 0:16:22 | 0:16:28 | |
silver jubilee. These are beautiful, exotic flowering trees | 0:16:28 | 0:16:31 | |
like the South African pea tree, Psoralea pinnata, | 0:16:31 | 0:16:34 | |
-or the Japanese Sophora. -Are you working towards this? | 0:16:34 | 0:16:38 | |
-This is the pinnacle, isn't it? -This is what you're after, is it? | 0:16:38 | 0:16:41 | |
Yeah. These are her drawings, actually. She's the architect, | 0:16:41 | 0:16:44 | |
these are scale drawings, she's annotated them to give some | 0:16:44 | 0:16:47 | |
-of the hard landscaping details. -Even the style of brickwork that | 0:16:47 | 0:16:51 | |
she was after. And it's just lovely to see the amount of information | 0:16:51 | 0:16:55 | |
that you've got available, that you can actually | 0:16:55 | 0:16:58 | |
put Edith back into the garden. | 0:16:58 | 0:17:00 | |
One of the most original features in the garden is the topiary, | 0:17:04 | 0:17:07 | |
inspired by Lady Londonderry's fascination with Irish mythology. | 0:17:07 | 0:17:11 | |
Jason up here is working on one of our more intricate pieces, | 0:17:13 | 0:17:17 | |
this is The Huntress. Most of the formation of these pieces | 0:17:17 | 0:17:21 | |
of topiary is actually tying the shoots of the yew and | 0:17:21 | 0:17:25 | |
stopping it, to make it sort of bush up. | 0:17:25 | 0:17:27 | |
And what you are really looking to do, eventually, is be able | 0:17:27 | 0:17:30 | |
to cut about a quarter of an inch round the frame... | 0:17:30 | 0:17:32 | |
-Right. -..to get the basic shape. -So it's not a hedge-cutter job? | 0:17:32 | 0:17:36 | |
No, no. Long-term, what we want for this is to put the figure, | 0:17:36 | 0:17:40 | |
the head of the figure back to how she was. | 0:17:40 | 0:17:43 | |
And she had a bit of hair and she had a sort of Robin Hood kind of | 0:17:43 | 0:17:46 | |
hat with a feather in it. So, eventually, you know, | 0:17:46 | 0:17:49 | |
we want to be able to add all of that detail in as well as the | 0:17:49 | 0:17:52 | |
bow and arrow and the quiver and all of that, you know. | 0:17:52 | 0:17:54 | |
-And have you told Jason this? -Not yet, no. | 0:17:54 | 0:17:57 | |
No, better...better leave him. | 0:17:57 | 0:17:58 | |
Restoring the topiary to its former glory is just one | 0:18:02 | 0:18:04 | |
way of bringing the garden closer to Lady Londonderry's original vision. | 0:18:04 | 0:18:08 | |
Mount Stewart benefits from a warm microclimate, which enabled her | 0:18:10 | 0:18:13 | |
to include exotics from around the world in her planting schemes. | 0:18:13 | 0:18:17 | |
Staying faithful to her plans means Neil and his team have to | 0:18:19 | 0:18:22 | |
raise many unusual plants from seed. | 0:18:22 | 0:18:25 | |
So I've come up to the nursery at Mount Stewart to meet Alan, | 0:18:25 | 0:18:28 | |
the head propagator. Having the ability, the skills | 0:18:28 | 0:18:31 | |
and the facilities to propagate and look after the future | 0:18:31 | 0:18:34 | |
of the collection is absolutely fundamental | 0:18:34 | 0:18:37 | |
and I'm really excited to see it because none of it existed | 0:18:37 | 0:18:40 | |
when I was here as head gardener. | 0:18:40 | 0:18:42 | |
-This is where the magic happens. -This is where the magic happens. | 0:18:48 | 0:18:51 | |
-The magic beach. -Yeah, we built these cabinets | 0:18:51 | 0:18:53 | |
and it's all about generating a nice little microclimate. | 0:18:53 | 0:18:57 | |
We have a sand bed and under that we have a soil cable buried | 0:18:57 | 0:19:01 | |
-and they are about six inches apart. -And that's giving the bottom heat | 0:19:01 | 0:19:04 | |
-to the plants? -Bottom heat - 18 to 20 degrees. | 0:19:04 | 0:19:07 | |
-Yeah. -The sand is important too, cos you can water that nicely | 0:19:07 | 0:19:11 | |
and then you get this nice sort of humid atmosphere | 0:19:11 | 0:19:15 | |
which is perfect for germinating seedlings. | 0:19:15 | 0:19:17 | |
We've plants from all over the world. Currently we are | 0:19:17 | 0:19:20 | |
working on a project growing plants from South Africa... | 0:19:20 | 0:19:23 | |
You just cannot buy these plants out in the trade, | 0:19:23 | 0:19:28 | |
so that's the importance of the nursery here, | 0:19:28 | 0:19:30 | |
to grow all these rare plants, | 0:19:30 | 0:19:33 | |
to build up the collection in Mount Stewart is really what we are about. | 0:19:33 | 0:19:37 | |
That's brilliant. | 0:19:37 | 0:19:38 | |
In this house, | 0:19:45 | 0:19:46 | |
everything is just ready to go out into the garden here now. | 0:19:46 | 0:19:49 | |
So this the final stage of what we've seen? | 0:19:49 | 0:19:51 | |
This is the final stage of production | 0:19:51 | 0:19:53 | |
and it's a lovely controlled environment here. | 0:19:53 | 0:19:55 | |
It's really exciting, this metrosideros here. | 0:19:55 | 0:19:59 | |
-We're well pleased with that plant. -Nice. | 0:19:59 | 0:20:02 | |
That's grown from seed and that's about two and a half, | 0:20:02 | 0:20:05 | |
maybe three years' work, that. | 0:20:05 | 0:20:07 | |
Fantastic. Thank you for that. | 0:20:07 | 0:20:09 | |
-No problem. -Right, I'm going to go and catch Neil, then. -Very good. | 0:20:09 | 0:20:11 | |
Thanks, Alan. Cheers, all the best. Take care. | 0:20:11 | 0:20:14 | |
Planting this tree is another step | 0:20:17 | 0:20:19 | |
towards achieving Lady Londonderry's goal | 0:20:19 | 0:20:21 | |
of conserving some of the world's rarest plants. | 0:20:21 | 0:20:24 | |
Cracking. Good. | 0:20:29 | 0:20:31 | |
That's great. It's so nice to put something in the ground. | 0:20:31 | 0:20:34 | |
I know, and it's such a beautiful plant. | 0:20:34 | 0:20:36 | |
This is the Metrosideros excelsa, New Zealand Christmas tree, | 0:20:36 | 0:20:40 | |
and it's a beautiful, sheltered, sunny spot. | 0:20:40 | 0:20:44 | |
In July it'll be covered in this filamentous, beautiful red flowers. | 0:20:44 | 0:20:48 | |
It'll be just a picture. | 0:20:48 | 0:20:50 | |
I've been on quite a journey with you and your team today. | 0:20:52 | 0:20:55 | |
To see the records and the work that you've been doing, | 0:20:55 | 0:20:58 | |
learning about Mount Stewart and Lady Edith to... | 0:20:58 | 0:21:01 | |
The propagation is fantastic, | 0:21:01 | 0:21:03 | |
knowing that the collection is secure | 0:21:03 | 0:21:04 | |
and not just secure but developing rapidly for the future, | 0:21:04 | 0:21:07 | |
so hopefully we'll enjoy it for many years to come. | 0:21:07 | 0:21:10 | |
Thank you very much. Thank you. | 0:21:10 | 0:21:12 | |
Well, certainly the topiary | 0:21:19 | 0:21:22 | |
puts my Nigel to shame. No, not you, this thing here, matey. | 0:21:22 | 0:21:26 | |
Haven't quite worked out how to get a bow and arrow in there, | 0:21:26 | 0:21:29 | |
but I will and I fully intend to have a ball made out of yew | 0:21:29 | 0:21:33 | |
inside the topiary Nigel's mouth | 0:21:33 | 0:21:35 | |
because that's where it belongs, isn't it? | 0:21:35 | 0:21:37 | |
Come on. | 0:21:37 | 0:21:39 | |
It was almost frosty this morning here at Longmeadow | 0:21:44 | 0:21:48 | |
and there was a real chill in the air. | 0:21:48 | 0:21:50 | |
Now, most plants can cope with that | 0:21:50 | 0:21:53 | |
down to about minus two, three, or four, | 0:21:53 | 0:21:56 | |
but there's one plant here in the Jewel Garden | 0:21:56 | 0:21:59 | |
that absolutely will not tolerate any cold at all. | 0:21:59 | 0:22:03 | |
This is the banana. | 0:22:07 | 0:22:11 | |
Ensete ventricosum Maurelii... | 0:22:11 | 0:22:13 | |
..and by any name, it is simply splendid. | 0:22:15 | 0:22:19 | |
But it just is not hardy, | 0:22:20 | 0:22:23 | |
so I need to lift it and preserve it. | 0:22:23 | 0:22:26 | |
And all this is this year's growth, | 0:22:27 | 0:22:31 | |
which means that I can cut it all off | 0:22:31 | 0:22:34 | |
in the knowledge that it will replace itself next year. | 0:22:34 | 0:22:37 | |
I have to say, it feels very vandalistic, | 0:22:38 | 0:22:41 | |
but I know I'm helping out. | 0:22:41 | 0:22:43 | |
If I just cut across like that, I can work my way through it. | 0:22:43 | 0:22:46 | |
This kind of destructive yet protective work is only necessary | 0:22:46 | 0:22:51 | |
for the ensete bananas, which are completely tender. | 0:22:51 | 0:22:55 | |
If you grow musa - Musa basjoo is the most common one - | 0:22:55 | 0:22:59 | |
you can leave them outside. | 0:22:59 | 0:23:00 | |
As long as you build some sort of protection, | 0:23:00 | 0:23:02 | |
a wigwam wrapped with fleece or packed with straw, | 0:23:02 | 0:23:05 | |
they should be OK, and of course the crucial thing, | 0:23:05 | 0:23:08 | |
the absolutely crucial thing, | 0:23:08 | 0:23:09 | |
is to remove it before it needs it, so when it isn't cold. | 0:23:09 | 0:23:15 | |
Isn't that just fantastic... | 0:23:18 | 0:23:20 | |
..as a beautiful piece of design? | 0:23:21 | 0:23:25 | |
That curve and line and the colour. | 0:23:25 | 0:23:27 | |
It does feel very hard to destroy it. | 0:23:30 | 0:23:33 | |
But then you just have to have faith | 0:23:34 | 0:23:36 | |
that it can recreate and recreate for years to come. | 0:23:36 | 0:23:38 | |
I could just cut across there and it would regrow, | 0:23:43 | 0:23:47 | |
but the reason I want to keep the stem tall is that next year, | 0:23:47 | 0:23:51 | |
new leaves will come from all the way up it, | 0:23:51 | 0:23:55 | |
so I will get more height, and eventually, | 0:23:55 | 0:23:58 | |
if the stem is up nice and high, | 0:23:58 | 0:24:00 | |
we'll get a really tall, dramatic display. | 0:24:00 | 0:24:03 | |
That one can come off. That's the top. | 0:24:04 | 0:24:07 | |
Last one. | 0:24:10 | 0:24:11 | |
Right, now I've got to dig it up. | 0:24:16 | 0:24:19 | |
Given what an enormous plant it is, | 0:24:19 | 0:24:22 | |
the roots are actually surprisingly small. | 0:24:22 | 0:24:25 | |
They are exceptionally thirsty and hungry plants, | 0:24:25 | 0:24:29 | |
so they like really rich soil, which is why they do well here. | 0:24:29 | 0:24:33 | |
And as much water as you can give them, almost literally. | 0:24:33 | 0:24:36 | |
Right, up we come. | 0:24:36 | 0:24:38 | |
There we go. | 0:24:39 | 0:24:41 | |
It's so wet. Come out now! | 0:24:51 | 0:24:54 | |
You're going to have to move, Nige. | 0:25:02 | 0:25:04 | |
They need to be stored | 0:25:17 | 0:25:20 | |
packed in something to protect the roots | 0:25:20 | 0:25:23 | |
and to allow them to grow, | 0:25:23 | 0:25:24 | |
because although we don't want the leaves to grow, | 0:25:24 | 0:25:27 | |
it will develop new roots over winter. | 0:25:27 | 0:25:29 | |
If we pull this there... | 0:25:29 | 0:25:32 | |
Stay there. | 0:25:36 | 0:25:38 | |
This is a mixture of ordinary potting compost | 0:25:42 | 0:25:46 | |
with 50% of leaf mould, and leaf mould is good | 0:25:46 | 0:25:49 | |
because it's very low in nutrition | 0:25:49 | 0:25:53 | |
but a really good texture for the roots to grow in | 0:25:53 | 0:25:57 | |
and it holds moisture quite well. | 0:25:57 | 0:25:59 | |
I want it to go into hibernation, really, | 0:26:08 | 0:26:10 | |
just to gently grow a little bit. | 0:26:10 | 0:26:13 | |
Ideally, if you can keep it between five and about 12 degrees, | 0:26:13 | 0:26:18 | |
it'll be healthy, but it won't grow. | 0:26:18 | 0:26:21 | |
Keep it fairly dry. | 0:26:21 | 0:26:22 | |
Just water it very lightly and check up on it, | 0:26:22 | 0:26:25 | |
put your hand into the compost | 0:26:25 | 0:26:27 | |
and if it feels dry, give it a little bit more water, | 0:26:27 | 0:26:30 | |
then gradually you introduce it to heat and light in about April, | 0:26:30 | 0:26:36 | |
so it's ready to plant out mid-May. | 0:26:36 | 0:26:38 | |
I'm going to put this in the tool shed, | 0:26:38 | 0:26:40 | |
because last year I kept it in the greenhouse | 0:26:40 | 0:26:42 | |
and it was too warm and it grew too much, | 0:26:42 | 0:26:44 | |
whereas the tool shed, although it's in the way, is absolutely perfect. | 0:26:44 | 0:26:48 | |
If I can lift it on my own. | 0:26:48 | 0:26:50 | |
Oi! | 0:26:52 | 0:26:54 | |
That's my banana put to bed for the winter, | 0:27:02 | 0:27:05 | |
but some gardens are just revving up now. | 0:27:05 | 0:27:08 | |
Carol has been to visit one of them. | 0:27:09 | 0:27:12 | |
Once upon a time, us gardeners would be thinking about tidying up, | 0:27:16 | 0:27:20 | |
cutting everything back at this time of year, but not here. | 0:27:20 | 0:27:24 | |
Here, it's all about plants reaching their peak. | 0:27:24 | 0:27:29 | |
Everything's a celebration. | 0:27:29 | 0:27:31 | |
You really feel it's all saying to you, "Let's have a party." | 0:27:31 | 0:27:34 | |
This place is a family affair. | 0:27:38 | 0:27:40 | |
Paul Picton's father came here after the Second World War | 0:27:40 | 0:27:44 | |
to manage the nursery, | 0:27:44 | 0:27:45 | |
which specialised in growing Michaelmas daisies. | 0:27:45 | 0:27:49 | |
Today, they're best known for housing the National Collection. | 0:27:49 | 0:27:53 | |
But as well as their asters, | 0:27:53 | 0:27:55 | |
they've got a wonderful array of herbaceous plants. | 0:27:55 | 0:27:59 | |
So this whole garden, really, | 0:27:59 | 0:28:01 | |
its emphasis is on this time of year, isn't it? | 0:28:01 | 0:28:04 | |
Yes, it is, absolutely, Carol. | 0:28:04 | 0:28:05 | |
It was originally designed to be a border | 0:28:05 | 0:28:08 | |
full of nothing but Michaelmas daisies, | 0:28:08 | 0:28:11 | |
but what we like to do now is to show people how they can associate | 0:28:11 | 0:28:16 | |
their Michaelmas daisies with lots of other autumn-flowering plants. | 0:28:16 | 0:28:20 | |
A lot of gardens are closing down now, aren't they? | 0:28:20 | 0:28:23 | |
People are saying, "Oh, it's time to cut the plants down, | 0:28:23 | 0:28:25 | |
"get indoors by the fire, put the crumpets on." | 0:28:25 | 0:28:29 | |
-But out here, look at it, it's all fresh colour. -It is. | 0:28:29 | 0:28:32 | |
It's like spring all over again, but it's autumn. | 0:28:32 | 0:28:34 | |
If you've got a small garden, there are lots of lessons to learn here, | 0:28:34 | 0:28:38 | |
aren't there, about how you can bring this fabulous colour? | 0:28:38 | 0:28:41 | |
There are indeed. | 0:28:41 | 0:28:42 | |
The smaller the garden, the more important it is to make sure | 0:28:42 | 0:28:45 | |
-you have colour for every month of the year. -And anybody could do it. | 0:28:45 | 0:28:49 | |
Easy, straightforward plants to grow. | 0:28:49 | 0:28:51 | |
The main thing to remember with them | 0:28:51 | 0:28:53 | |
is to keep them in a sunny situation. | 0:28:53 | 0:28:55 | |
-Very few like to grow in shady spots. -Yes. | 0:28:55 | 0:28:58 | |
But there are all manner of plants through here, aren't there, | 0:28:58 | 0:29:01 | |
that people can use? | 0:29:01 | 0:29:02 | |
You know, you've got these whacks of goldenrod. | 0:29:02 | 0:29:05 | |
Those are some of my favourite things, really, | 0:29:05 | 0:29:07 | |
for mixing with the Michaelmas daisies in the autumn, goldenrods. | 0:29:07 | 0:29:11 | |
-Solidago. -Yeah. | 0:29:11 | 0:29:14 | |
What's this one, Paul? | 0:29:14 | 0:29:15 | |
-It's fascinating. -Believe it or not, | 0:29:15 | 0:29:17 | |
I know it looks old, like me, | 0:29:17 | 0:29:19 | |
but it's actually a new variety of autumn-flowering Michaelmas daisy. | 0:29:19 | 0:29:25 | |
-Is it? -It's called Chilly Fingers. | 0:29:25 | 0:29:28 | |
Chilly Fingers! | 0:29:28 | 0:29:29 | |
It's a complete delight. | 0:29:29 | 0:29:30 | |
And it does look like you, it's terribly elegant. | 0:29:30 | 0:29:33 | |
And a bit ragged around the edges. | 0:29:33 | 0:29:36 | |
And what a wealth of plants there are here. | 0:29:46 | 0:29:49 | |
What wonderful texture and sculpture and scale. | 0:29:49 | 0:29:53 | |
In the background up here there's an enormous Eupatorium | 0:29:53 | 0:29:56 | |
looking down on the proceedings. | 0:29:56 | 0:29:59 | |
And then the dainty, twiggy growth of this | 0:29:59 | 0:30:01 | |
Althaea cannabina. | 0:30:01 | 0:30:03 | |
Their pink bulbs suspended from its branches and it's really | 0:30:03 | 0:30:07 | |
lovely and dainty. | 0:30:07 | 0:30:08 | |
And then there are masses and masses of asters. | 0:30:08 | 0:30:12 | |
And don't you just love the way this Ageratina altissima | 0:30:12 | 0:30:15 | |
'Chocolate' flows through the planting? | 0:30:15 | 0:30:19 | |
And this sweeps down to this wonderfully frivolous plant. | 0:30:19 | 0:30:24 | |
You just have to touch it with these soft inflorescences. | 0:30:25 | 0:30:30 | |
But in total contrast are these | 0:30:30 | 0:30:32 | |
big round solid pom poms of the Dahlia, | 0:30:32 | 0:30:35 | |
just finishing this piece of the border off. | 0:30:35 | 0:30:38 | |
It's magnificent. | 0:30:38 | 0:30:40 | |
What a kaleidoscope of colour. | 0:30:42 | 0:30:44 | |
The rich gold of Rudbeckia, Kniphofias and Bidens. | 0:30:44 | 0:30:48 | |
And the blues of Salvias and Aconites are so telling. | 0:30:48 | 0:30:54 | |
And if vivid, vibrant colours aren't your thing, | 0:30:54 | 0:30:57 | |
there are plenty of pretty pastels to choose from. | 0:30:57 | 0:31:01 | |
This is a Japanese anemone, Lady Gilmour. | 0:31:01 | 0:31:04 | |
And in the background, | 0:31:04 | 0:31:06 | |
the dainty arching pose of this Nicotiana really define combination. | 0:31:06 | 0:31:12 | |
So why do some plants leave it till now to come into flower? | 0:31:25 | 0:31:29 | |
It's all down to a process called photoperiodism, | 0:31:29 | 0:31:32 | |
which is simply the response that some organisms have | 0:31:32 | 0:31:36 | |
to changes in day length. | 0:31:36 | 0:31:38 | |
As nights get longer, it triggers these plants into flower, | 0:31:38 | 0:31:42 | |
which significantly increases their chances of being pollinated. | 0:31:42 | 0:31:47 | |
So just as we have been moaning the shorter days, | 0:31:47 | 0:31:51 | |
these plants joyously burst into flower in all their glory. | 0:31:51 | 0:31:57 | |
Whatever your taste, there are plants that can allow you to | 0:32:01 | 0:32:06 | |
express yourself in your garden right the way through the autumn. | 0:32:06 | 0:32:10 | |
Well, certainly my asters that I planted in here about a month ago, | 0:32:17 | 0:32:21 | |
specifically chosen for their ability | 0:32:21 | 0:32:24 | |
to flower in some slight shade, | 0:32:24 | 0:32:27 | |
are doing very nicely indeed. | 0:32:27 | 0:32:30 | |
Now, coming up in the programme. | 0:32:30 | 0:32:31 | |
Zephaniah Lindo looks at the mysteries | 0:32:31 | 0:32:34 | |
and the magic of fungi in the soil. | 0:32:34 | 0:32:37 | |
And we can take each of those fungal strands and join them together, | 0:32:37 | 0:32:40 | |
it would stretch all the way to the moon. | 0:32:40 | 0:32:42 | |
Frances Tophill gives us the results of the vegetable trials | 0:32:42 | 0:32:46 | |
that she's been conducting at RHS Rosemoor. | 0:32:46 | 0:32:49 | |
But first of all, we have a visit that I made a couple of weeks ago | 0:32:49 | 0:32:53 | |
to a garden that has been created from scratch over the last 40 years. | 0:32:53 | 0:32:58 | |
And its maker is better known for his role in government | 0:32:58 | 0:33:03 | |
than in the garden. | 0:33:03 | 0:33:05 | |
I met Lord and Lady Heseltine at Chelsea Flower Show this year. | 0:33:12 | 0:33:17 | |
Now, I knew that Lord Heseltine had created an arboretum, | 0:33:17 | 0:33:21 | |
but I didn't know the extent and depth of his passion | 0:33:21 | 0:33:26 | |
for gardening in general. | 0:33:26 | 0:33:28 | |
So when they kindly offered to show me around the garden | 0:33:28 | 0:33:32 | |
that they have both created over the last 40 years, | 0:33:32 | 0:33:35 | |
of course I jumped at the opportunity. | 0:33:35 | 0:33:38 | |
Now, when did you start gardening? | 0:33:51 | 0:33:54 | |
Well, I started... I suppose the first experience was when I went | 0:33:54 | 0:33:58 | |
away to school and the headmaster gave every new boy | 0:33:58 | 0:34:01 | |
a square yard of mud and a packet of Virginia stock seeds. | 0:34:01 | 0:34:05 | |
And I methodically covered and six weeks later | 0:34:05 | 0:34:09 | |
I had a sea of colour, and I was hooked. | 0:34:09 | 0:34:11 | |
And when did you come here? | 0:34:11 | 0:34:13 | |
Well, Ann and I came here in 1976 and when we came here we had | 0:34:13 | 0:34:17 | |
a lot of land, but it had not been gardened or cultivated or anything | 0:34:17 | 0:34:23 | |
like that and slowly we started trying to do something about it. | 0:34:23 | 0:34:29 | |
Over the past four decades, Lord Heseltine has created | 0:34:29 | 0:34:33 | |
a number of gardens across 70 acres of his estate. | 0:34:33 | 0:34:37 | |
They include several large expanses of water, a rill, | 0:34:37 | 0:34:41 | |
a trough garden and a wall garden, but he hasn't done this all alone. | 0:34:41 | 0:34:46 | |
Along with his team of gardeners, | 0:34:46 | 0:34:48 | |
all the work is a joint effort with his wife Lady Ann. | 0:34:48 | 0:34:52 | |
Has the wall garden always been a productive garden, a decorative one? | 0:34:52 | 0:34:57 | |
We wanted an aviary, we wanted a fruit garden, | 0:34:57 | 0:35:00 | |
we wanted a seating area and we wanted a herb garden. | 0:35:00 | 0:35:04 | |
So these four quartiles have got a central point. | 0:35:04 | 0:35:08 | |
We went off to Villandry, | 0:35:08 | 0:35:09 | |
which has to be one of the great world gardens, 12 acres. | 0:35:09 | 0:35:13 | |
And we thought we could replicate it here. | 0:35:13 | 0:35:15 | |
-Of course you could. -Hence all the green. | 0:35:15 | 0:35:19 | |
Tell me about these pavilions, I suppose they are. | 0:35:19 | 0:35:21 | |
-We call them kiosks. -OK. | 0:35:21 | 0:35:23 | |
Because that's what they call them in Turkey. | 0:35:23 | 0:35:26 | |
They have those similar things. | 0:35:26 | 0:35:27 | |
-We saw them in Istanbul, do you remember? -Yeah. | 0:35:27 | 0:35:29 | |
So the whole thing from the beginning has been | 0:35:29 | 0:35:33 | |
a sort of hodgepodge of advice or inspiration from other gardeners. | 0:35:33 | 0:35:37 | |
Don't forget the elephants. | 0:35:37 | 0:35:38 | |
I went on a tour of India with the Furniture History Society | 0:35:38 | 0:35:43 | |
and came back having bought two enormous marble elephants. | 0:35:43 | 0:35:47 | |
And the problem is, they're much too big for the house, | 0:35:47 | 0:35:51 | |
so in the winter, I'm afraid, they're swathed like mummies. | 0:35:51 | 0:35:54 | |
Do you actually garden together? | 0:35:54 | 0:35:57 | |
-No. -A bit. -Sometimes. | 0:35:57 | 0:36:00 | |
If there's a huge bit of slashing down, we do it together. | 0:36:00 | 0:36:04 | |
He's the master gardener, I'm the slave labour. | 0:36:04 | 0:36:08 | |
No, that's a very unrepresentative view of the truth, if I may say so. | 0:36:08 | 0:36:12 | |
Do you have any real difference in tastes at all? | 0:36:12 | 0:36:16 | |
Is there a fault line which neither of you can really cross? | 0:36:16 | 0:36:20 | |
No, I mean, I'm colour-blind, I can't see red against green. | 0:36:20 | 0:36:24 | |
Ann has got a very good colour appreciation. | 0:36:24 | 0:36:28 | |
Ann will say, "That's nice," or, "That's not nice," or, | 0:36:28 | 0:36:31 | |
"You ought to do more of that," or whatever. | 0:36:31 | 0:36:33 | |
And then it falls to me to get on and get it done. | 0:36:33 | 0:36:37 | |
It sounds a silly question, but do you eat all your fruit and veg? | 0:36:45 | 0:36:49 | |
No. We do lots of things. | 0:36:49 | 0:36:51 | |
We do the bottling and freezing and chutney and jams and stuff, | 0:36:51 | 0:36:55 | |
but, you know, it's far more than we can possibly consume. | 0:36:55 | 0:36:58 | |
This is quite new. | 0:36:58 | 0:37:00 | |
Using this form for the pear on this background. | 0:37:00 | 0:37:04 | |
I mean, normally pears are on walls. | 0:37:04 | 0:37:06 | |
-Yeah. -But they seem to be very happy with it. | 0:37:06 | 0:37:08 | |
It certainly looks healthy. | 0:37:08 | 0:37:11 | |
This is one enormous border. | 0:37:19 | 0:37:21 | |
I know you've broken it up into different sections. | 0:37:21 | 0:37:23 | |
How important are the borders to you? | 0:37:23 | 0:37:26 | |
I think that they're very important | 0:37:26 | 0:37:28 | |
because they are part of the changing pace. | 0:37:28 | 0:37:32 | |
You move from the water areas to the open places with big trees | 0:37:32 | 0:37:37 | |
and shrubberies. | 0:37:37 | 0:37:39 | |
-But then you want something that's a bit tarty. -A bit of colour. | 0:37:39 | 0:37:43 | |
A bit colourful. | 0:37:45 | 0:37:46 | |
This guy, this Kniphofia is a star. | 0:37:46 | 0:37:49 | |
It's as if he knew you were coming. | 0:37:49 | 0:37:51 | |
So you are running a major garden on the scale with any of | 0:37:51 | 0:37:55 | |
the largest gardens in the country, really. | 0:37:55 | 0:37:58 | |
It's quite a thing, isn't it? | 0:37:58 | 0:37:59 | |
It's crazy. | 0:37:59 | 0:38:01 | |
Absolutely mad. | 0:38:01 | 0:38:03 | |
On an estate this size, | 0:38:06 | 0:38:08 | |
his and hers golf buggies are the preferred mode of transport. | 0:38:08 | 0:38:12 | |
We're off to the arboretum which contains over 3,000 different trees. | 0:38:20 | 0:38:26 | |
It's when you start an arboretum and deliberately planting trees | 0:38:28 | 0:38:32 | |
as a kind of collection... | 0:38:32 | 0:38:34 | |
You need an awful lot of imagination. | 0:38:34 | 0:38:36 | |
People think that and it goes with the same argument, | 0:38:36 | 0:38:40 | |
"You're only doing it for the future." | 0:38:40 | 0:38:42 | |
Of course future generations will benefit from it, | 0:38:42 | 0:38:45 | |
but if you're in your mid-40s, when you start, by the time you reach | 0:38:45 | 0:38:50 | |
your mature age, if we may be frank, you have got things you worship. | 0:38:50 | 0:38:55 | |
It's been 40 years. What's given you most pleasure over that time? | 0:38:55 | 0:38:58 | |
It must be just driving around and being surprised because | 0:38:58 | 0:39:05 | |
you see changes, things grow into each other, | 0:39:05 | 0:39:08 | |
they create a pattern that you didn't know existed, | 0:39:08 | 0:39:11 | |
they create colour combinations that you hadn't imagined. | 0:39:11 | 0:39:15 | |
And if you couple that with the incredible therapy | 0:39:15 | 0:39:20 | |
of closing the door and you move | 0:39:20 | 0:39:22 | |
into a world which is completely sort of... | 0:39:22 | 0:39:26 | |
absorbing and therapeutic... | 0:39:26 | 0:39:30 | |
But you know, it's ours, we do it. | 0:39:30 | 0:39:34 | |
We did it, and it's a huge privilege. | 0:39:34 | 0:39:37 | |
In the soil beneath our trees and woodlands and gardens | 0:39:45 | 0:39:49 | |
lives one of the largest organisms in the world, | 0:39:49 | 0:39:53 | |
and it is one of the gardener's best friends. | 0:39:53 | 0:39:57 | |
And Zephaniah Lindo travelled to Bangor in North Wales to meet | 0:39:57 | 0:40:01 | |
Professor Davey Jones to learn more about it. | 0:40:01 | 0:40:05 | |
Davey, you've brought us down to the woods today to show | 0:40:06 | 0:40:09 | |
me something really exciting. | 0:40:09 | 0:40:10 | |
Do you want to tell me what it is that we're going to see? | 0:40:10 | 0:40:13 | |
Yeah, so, today the plan is to look at some mycorrhizas. | 0:40:13 | 0:40:16 | |
They are what I would consider the life force of this woodland, really. | 0:40:16 | 0:40:21 | |
You know, we're quite used to seeing the trees, | 0:40:21 | 0:40:23 | |
but actually, associated with all those trees, | 0:40:23 | 0:40:26 | |
underneath the ground there's a massive network of this | 0:40:26 | 0:40:29 | |
fungal hyphae, and that's really what's keeping these trees | 0:40:29 | 0:40:31 | |
alive for most of the year, I think. | 0:40:31 | 0:40:34 | |
The tree is providing the fungus with carbon, | 0:40:34 | 0:40:36 | |
which allows it to grow. | 0:40:36 | 0:40:38 | |
In return, the fungus is bringing back all of the nutrients and | 0:40:38 | 0:40:41 | |
goodness from the decomposing organic matter and the litter | 0:40:41 | 0:40:44 | |
that's fallen off the trees and taking it back to the tree. | 0:40:44 | 0:40:47 | |
So in this environment, then, with there being so much of them, | 0:40:47 | 0:40:50 | |
how easy are they to find? You know, can you see them with the naked eye? | 0:40:50 | 0:40:53 | |
Well, why don't we just go and have a look now? | 0:40:53 | 0:40:56 | |
-So, let's see what we can see. -OK. Yeah, cool. | 0:41:03 | 0:41:06 | |
So, if we just scrape away the soil surface, we should be able to | 0:41:08 | 0:41:11 | |
just see under here all of that dense, white mycorrhizal matter. | 0:41:11 | 0:41:17 | |
I mean, this is a perfect example here. | 0:41:17 | 0:41:19 | |
You can actually see the growing front. | 0:41:19 | 0:41:21 | |
Each of those little white strands, | 0:41:21 | 0:41:23 | |
that's just a dense mycorrhizal network, because the tree, | 0:41:23 | 0:41:27 | |
when it loses the leaves in the autumn, | 0:41:27 | 0:41:29 | |
it can take back most of the nutrients but not all of them, | 0:41:29 | 0:41:31 | |
so what the mycorrhiza does is basically takes the rest of | 0:41:31 | 0:41:34 | |
them back to the tree. | 0:41:34 | 0:41:35 | |
We can see the mycorrhiza in the patch there, | 0:41:35 | 0:41:38 | |
but in this sort of area, how much will there be? | 0:41:38 | 0:41:40 | |
So, if we, for example, take this area here, | 0:41:40 | 0:41:43 | |
we could take each of those mycorrhizal fungal strands and | 0:41:43 | 0:41:47 | |
join them together into, you know, a big rope. | 0:41:47 | 0:41:49 | |
We could anchor it here and it would stretch all the way to the moon. | 0:41:49 | 0:41:54 | |
Fascinating! | 0:41:54 | 0:41:55 | |
'So, that explains mycorrhizal fungi with regards to trees, | 0:41:57 | 0:42:01 | |
'but what about mycorrhiza in other garden plants? | 0:42:01 | 0:42:04 | |
'These plantains often grow as garden weeds, | 0:42:05 | 0:42:09 | |
'and their roots are packed with mycorrhizal fungi, but they're not | 0:42:09 | 0:42:13 | |
'visible to the naked eye, | 0:42:13 | 0:42:14 | |
'so we've taken a sample back to the lab to put under the microscope.' | 0:42:14 | 0:42:18 | |
What we can see here is actually... This is the root here, | 0:42:20 | 0:42:24 | |
the root surface, and these are the root hairs coming off, | 0:42:24 | 0:42:27 | |
normally into the soil. And this is the mycorrhizal hyphae coming out. | 0:42:27 | 0:42:30 | |
This is the one coming from the soil | 0:42:30 | 0:42:32 | |
into the docking station inside the root. | 0:42:32 | 0:42:34 | |
And then, when it finds a cell where it wants to exchange... | 0:42:34 | 0:42:38 | |
the goods, essentially, | 0:42:38 | 0:42:40 | |
it forms a hand-like structure inside the cell to exchange | 0:42:40 | 0:42:43 | |
nutrients one way and to get the sugar coming in the other way. | 0:42:43 | 0:42:47 | |
So it's not like a parasite. | 0:42:47 | 0:42:49 | |
Yeah, these organisms have evolved for millions of years to be | 0:42:49 | 0:42:52 | |
together, and the root's actually inviting the fungus into it, | 0:42:52 | 0:42:56 | |
because it knows that if it invites the right fungus into it, | 0:42:56 | 0:42:59 | |
ie the mycorrhizal fungus, in return for the sugar that it feeds | 0:42:59 | 0:43:03 | |
that fungus, it will get all of those nutrients back. | 0:43:03 | 0:43:06 | |
So they have formed a very intimate relationship. | 0:43:06 | 0:43:09 | |
'And it's a relationship we gardeners can take advantage of. | 0:43:10 | 0:43:14 | |
'You can use the fungus already present in your soil to | 0:43:14 | 0:43:17 | |
'benefit other plants in the garden.' | 0:43:17 | 0:43:21 | |
We've already had a look in the lab at some of the plantago, | 0:43:21 | 0:43:24 | |
the plantains, that we commonly find in the garden, | 0:43:24 | 0:43:27 | |
and they're incredibly mycorrhizal. | 0:43:27 | 0:43:29 | |
I mean, up to 90% of the root system is infected by the mycorrhiza. | 0:43:29 | 0:43:33 | |
And if we just take one of those out of the ground, | 0:43:33 | 0:43:36 | |
we can just chop up the soil and the roots that are contained in it... | 0:43:36 | 0:43:40 | |
and then mix it with some potting compost, for example, | 0:43:40 | 0:43:45 | |
with a slow-release fertiliser, preferably. | 0:43:45 | 0:43:48 | |
Something like bonemeal would be perfect for this, | 0:43:48 | 0:43:50 | |
because, at the end of the day, | 0:43:50 | 0:43:51 | |
what they want is somewhere nice to live, and it doesn't matter who... | 0:43:51 | 0:43:55 | |
..they get into bed with, essentially. | 0:43:56 | 0:43:58 | |
If they're getting carbon from the plants, or sugar, | 0:43:58 | 0:44:00 | |
which is what they want, they will hook up to any plant, | 0:44:00 | 0:44:04 | |
so it's all perfect for gardeners, really. | 0:44:04 | 0:44:06 | |
'Who would have thought that adding the roots of | 0:44:08 | 0:44:11 | |
'a weed to your compost could actually help the plants flourish?' | 0:44:11 | 0:44:15 | |
This strawberry bed gave a really good crop this summer. It was great. | 0:44:29 | 0:44:34 | |
And walking on it won't help, Nelly! But it's about three years old, | 0:44:34 | 0:44:38 | |
and it's standard practice to replace strawberries when | 0:44:38 | 0:44:42 | |
they reach three or four years. | 0:44:42 | 0:44:44 | |
And ideally, you do it in a rolling way so you replace a third or | 0:44:44 | 0:44:46 | |
a quarter of your stock every year. | 0:44:46 | 0:44:48 | |
And chuck away the old plants, because they accumulate viruses. | 0:44:48 | 0:44:52 | |
The slight complication is that you mustn't plant into ground that | 0:44:52 | 0:44:58 | |
has grown strawberries for at least three years and ideally about four. | 0:44:58 | 0:45:01 | |
So you need to have three or four different plots. | 0:45:01 | 0:45:05 | |
So I'm going to plant some more here... | 0:45:05 | 0:45:08 | |
which has never grown strawberries before. | 0:45:08 | 0:45:10 | |
And I've bought some bare-root plants. | 0:45:10 | 0:45:12 | |
You won't find these in most garden centres, | 0:45:12 | 0:45:15 | |
but they're very easy to get online. | 0:45:15 | 0:45:17 | |
And a bare-root strawberry doesn't look like much at all. | 0:45:17 | 0:45:21 | |
There you are. That is the plant. | 0:45:21 | 0:45:25 | |
Now, you want ground that is well drained but rich. | 0:45:25 | 0:45:31 | |
And don't plant them too close together. | 0:45:31 | 0:45:33 | |
These might be small plants, | 0:45:33 | 0:45:35 | |
but they need spacing at least 12 inches apart. | 0:45:35 | 0:45:39 | |
I will put three across a bed like this and then plant them in a grid. | 0:45:39 | 0:45:44 | |
That gives them room to develop. | 0:45:44 | 0:45:46 | |
One large plant will give you more fruit than two small ones. | 0:45:46 | 0:45:51 | |
And I'm going to add a little bit of mycorrhizal fungi. | 0:45:51 | 0:45:55 | |
I love the idea of chopping up the plantain roots. | 0:45:55 | 0:45:59 | |
And if you've got plantains in your lawn, there you are - | 0:45:59 | 0:46:02 | |
fabulous source of mycorrhiza. | 0:46:02 | 0:46:04 | |
So, we'll make a planting hole. | 0:46:04 | 0:46:06 | |
And, as with all mycorrhizal fungi, it's contact that is important. | 0:46:06 | 0:46:11 | |
So, the fungi must actually touch the roots to work. | 0:46:11 | 0:46:18 | |
So sprinkle some on the bottom of the hole and just | 0:46:20 | 0:46:23 | |
a little bit on the roots themselves. | 0:46:23 | 0:46:26 | |
So, direct contact, and then firm that round. | 0:46:26 | 0:46:28 | |
It's a bit of a fiddle adding the mycorrhizal fungi under each one, | 0:46:31 | 0:46:36 | |
but actually it does, apparently, especially with strawberries, | 0:46:36 | 0:46:40 | |
make a big difference. | 0:46:40 | 0:46:41 | |
And when you're planting them - obviously you've got nice roots - | 0:46:41 | 0:46:44 | |
you don't want to scrunch the roots up, | 0:46:44 | 0:46:47 | |
so make a deep enough hole for the roots to go in and try and | 0:46:47 | 0:46:51 | |
plant it so that the crown, which is there, is above soil level. | 0:46:51 | 0:46:55 | |
You don't want to expose the roots, so not too high, | 0:46:55 | 0:46:58 | |
and it's not buried. But just pull it round so it's like that. | 0:46:58 | 0:47:04 | |
This is Mara des Bois, which is a perpetual strawberry | 0:47:06 | 0:47:10 | |
so will crop from midsummer right through till now, really. | 0:47:10 | 0:47:16 | |
And the reason I've chosen Mara des Bois is because, | 0:47:16 | 0:47:19 | |
having grown them before, I know that they really have good taste. | 0:47:19 | 0:47:23 | |
And in the end, that's what counts | 0:47:23 | 0:47:25 | |
if you're growing something like strawberries. It's all about taste. | 0:47:25 | 0:47:29 | |
And Frances Tophill has been doing a test all summer on four | 0:47:29 | 0:47:34 | |
different vegetables - | 0:47:34 | 0:47:36 | |
beans, sweetcorn, cucumbers and tomatoes. | 0:47:36 | 0:47:41 | |
And today, she brings us the result of these months of work. | 0:47:41 | 0:47:46 | |
It's the final day of our trial here at RHS Rosemoor in Devon. | 0:47:50 | 0:47:54 | |
We've been growing beans, sweetcorn, cucumbers and tomatoes. | 0:47:54 | 0:47:59 | |
We've sown them all from seed, we've pricked them all out, we've planted | 0:47:59 | 0:48:02 | |
them all out and we've watered and fed them throughout the season. | 0:48:02 | 0:48:05 | |
And they've done exactly the same at RHS Harlow Carr in Yorkshire. | 0:48:05 | 0:48:09 | |
And today is our final harvest. | 0:48:09 | 0:48:11 | |
So we're going to compare them all for yield | 0:48:11 | 0:48:13 | |
and, more importantly, for their taste. | 0:48:13 | 0:48:15 | |
'It's been a good year for beans here at Rosemoor. | 0:48:17 | 0:48:20 | |
'All the varieties have done very well. | 0:48:20 | 0:48:22 | |
'Cobra is the best yielder down here, | 0:48:22 | 0:48:25 | |
'and up north it's violet podded. But it's all about taste. | 0:48:25 | 0:48:28 | |
'We've cooked the beans and drafted in the taste buds of | 0:48:28 | 0:48:30 | |
'some local allotmenteers.' | 0:48:30 | 0:48:34 | |
Sweet. I like the texture of that one. That's crunchy. | 0:48:34 | 0:48:37 | |
-So you like violet podded. -Yes. -And you like cobra. | 0:48:37 | 0:48:41 | |
-I think I would grow these. -So you're going for helda. | 0:48:41 | 0:48:44 | |
I like this one. | 0:48:44 | 0:48:46 | |
-It's got texture, hasn't it? -So you like the helda. -Yes, I like helda. | 0:48:46 | 0:48:49 | |
-And I like that one. -Cobra for you. -Yes. | 0:48:49 | 0:48:52 | |
-So, which one's your favourite, then? -This one. -That's helda. | 0:48:52 | 0:48:54 | |
Interesting! Thank you very much! | 0:48:54 | 0:48:57 | |
'The helda just edges it with our allotment growers, but what | 0:48:57 | 0:49:01 | |
'do Francesco from RHS Harlow Carr and Pete from RHS Rosemoor think?' | 0:49:01 | 0:49:06 | |
-I do prefer the helda, though. -I agree. -Yes. | 0:49:06 | 0:49:09 | |
And actually speaking to other people, | 0:49:09 | 0:49:11 | |
that's the general favourite on taste so... | 0:49:11 | 0:49:13 | |
I'm going to be controversial and go with Cobra, I prefer Cobra. | 0:49:13 | 0:49:17 | |
-You like that best? -Hm. -Yeah, yeah. | 0:49:17 | 0:49:18 | |
The cucumbers in the colder conditions of Harlow Carr | 0:49:21 | 0:49:23 | |
have done surprisingly well for a traditionally tender crop. | 0:49:23 | 0:49:26 | |
But they've been outshone by the Rosemoor cucumbers | 0:49:26 | 0:49:29 | |
which have produced significantly more. | 0:49:29 | 0:49:32 | |
At both sites, Burpless Tasty Green are well ahead, | 0:49:32 | 0:49:35 | |
Marketmore coming second | 0:49:35 | 0:49:36 | |
and the unusual looking Crystal Apple bringing up the rear. | 0:49:36 | 0:49:40 | |
When it comes to flavour, | 0:49:40 | 0:49:42 | |
the heritage variety Marketmore is our clear favourite. | 0:49:42 | 0:49:45 | |
Despite its prickly appearance, it was incredibly sweet and tasty. | 0:49:45 | 0:49:49 | |
Sadly, all of the tomatoes here at Rosemoor had blight | 0:49:52 | 0:49:55 | |
and had to be destroyed. | 0:49:55 | 0:49:57 | |
Luckily, Harlow Carr escaped the dreaded disease. | 0:49:57 | 0:50:00 | |
Their best cropping tomato is Tumbler, | 0:50:00 | 0:50:02 | |
with Tumbling Tom Yellow second | 0:50:02 | 0:50:04 | |
and Hundreds and Thousands third. | 0:50:04 | 0:50:06 | |
Thank you for bringing your tomatoes down, Francesco, | 0:50:08 | 0:50:11 | |
cos of, you know, ours have got blight. | 0:50:11 | 0:50:13 | |
But interestingly, even though we got blight, | 0:50:13 | 0:50:16 | |
we actually had more weight here in Devon than you had in Yorkshire, | 0:50:16 | 0:50:19 | |
-didn't you? -Yes. | 0:50:19 | 0:50:20 | |
-Actually, today, I like the yellow flavour... -Mm-hm. -..more. | 0:50:20 | 0:50:24 | |
I think I agree with you, yeah. | 0:50:24 | 0:50:26 | |
Yeah, I think the yellow one is the winner today. | 0:50:26 | 0:50:29 | |
Agreed, I think Tumbling Tom Yellow, interestingly, | 0:50:29 | 0:50:32 | |
from Yorkshire is tastier than the others. | 0:50:32 | 0:50:35 | |
Well, this is our last harvest, the sweetcorn. | 0:50:42 | 0:50:45 | |
And, Pete, it looks like it's doing really well down here. | 0:50:45 | 0:50:47 | |
Yeah, it has, it's done really good this year. | 0:50:47 | 0:50:49 | |
We've got lots of good cobs here | 0:50:49 | 0:50:51 | |
and this Mirai Picnic here that I'm picking now | 0:50:51 | 0:50:54 | |
has really picked up. If you remember when it was planted, | 0:50:54 | 0:50:56 | |
they were small little plants, | 0:50:56 | 0:50:57 | |
we didn't think they were going to do too well. | 0:50:57 | 0:50:59 | |
And how about you, Francesco? | 0:50:59 | 0:51:01 | |
-Sadly, we haven't had any yet. -OK. | 0:51:01 | 0:51:03 | |
But I am confident we will get some in a couple of weeks' time. | 0:51:03 | 0:51:05 | |
But two weeks isn't so bad, I guess. | 0:51:05 | 0:51:07 | |
-No, I can wait that long. -Yeah, fair enough. | 0:51:07 | 0:51:10 | |
Once the sweetcorn is harvested, it is carefully counted and recorded. | 0:51:10 | 0:51:14 | |
Mirai Picnic has come out tops, | 0:51:14 | 0:51:16 | |
Swift is second, | 0:51:16 | 0:51:17 | |
followed by Northern Extra Sweet. | 0:51:17 | 0:51:19 | |
So Mirai Picnic is winning the yield race, | 0:51:19 | 0:51:21 | |
let's see how it does in the taste test. | 0:51:21 | 0:51:24 | |
Yes, this is nice and fresh. | 0:51:24 | 0:51:26 | |
It's the sweetest, it's easiest to eat. | 0:51:26 | 0:51:28 | |
It's nice and juicy and sweet. This is definitely the winner for me. | 0:51:28 | 0:51:31 | |
So, a really clear winner, then? Everyone's agreed, Mirai Picnic? | 0:51:31 | 0:51:35 | |
-Yes, definitely. -Definitely. -Yeah. | 0:51:35 | 0:51:37 | |
I think that's everything sweetcorn should be. | 0:51:37 | 0:51:40 | |
-That is just, you know, delicious. -Is there a winner? | 0:51:40 | 0:51:43 | |
-I'm tempted with Mirai Picnic. -So am I. | 0:51:44 | 0:51:47 | |
That's what everyone else said too! | 0:51:47 | 0:51:49 | |
-It is delicious, isn't it? -It is. | 0:51:51 | 0:51:54 | |
So, in terms of the north-south divide, what have you learned? | 0:51:54 | 0:51:58 | |
The south, we are ahead, we've got a much sort of earlier cropping time. | 0:51:58 | 0:52:02 | |
-Mm-hm. -I think it's to fair to say | 0:52:02 | 0:52:04 | |
-we've probably got higher yields as well... -Yeah. -..in the south. | 0:52:04 | 0:52:07 | |
Completely agree with you, | 0:52:07 | 0:52:08 | |
warmer temperatures means the crops grow bigger quicker | 0:52:08 | 0:52:11 | |
and as a result, more productive. | 0:52:11 | 0:52:14 | |
-So kind of what you'd expect, really. -Yes. | 0:52:14 | 0:52:17 | |
After tasting all of our crops, Helda beans, | 0:52:17 | 0:52:20 | |
Tumbling Tom Yellow tomatoes, | 0:52:20 | 0:52:23 | |
Marketmore cucumbers | 0:52:23 | 0:52:25 | |
and Mirai Picnic sweetcorn are the victors. | 0:52:25 | 0:52:29 | |
Well, it's not been the most scientific of experiments | 0:52:29 | 0:52:31 | |
but I've had a lot of fun doing this | 0:52:31 | 0:52:33 | |
and we'd love to know how you've got on too | 0:52:33 | 0:52:35 | |
so please let us know through the Facebook page. | 0:52:35 | 0:52:37 | |
There's no question that taste has got to be the arbiter | 0:52:44 | 0:52:49 | |
of the best vegetables to grow. | 0:52:49 | 0:52:51 | |
And with your strawberries, it is a good idea | 0:52:51 | 0:52:54 | |
to have some means of covering them because frost can lift them | 0:52:54 | 0:52:58 | |
and expose the roots. | 0:52:58 | 0:53:01 | |
So if they can be kept frost-free, they will develop much better. | 0:53:01 | 0:53:05 | |
I made this veg plot in April and it's been very productive | 0:53:12 | 0:53:16 | |
and you can see that it's set up for winter. | 0:53:16 | 0:53:18 | |
Nice chard growing, we've garlic growing on either side. | 0:53:18 | 0:53:21 | |
Broccoli, cabbages. | 0:53:21 | 0:53:24 | |
These artichokes grown from seed, which I sowed in March, | 0:53:24 | 0:53:27 | |
have grown strongly and will start cropping well next year. | 0:53:27 | 0:53:30 | |
What didn't crop so well were my pumpkins and squashes | 0:53:30 | 0:53:33 | |
but now is the time to pick them, however big they are. | 0:53:33 | 0:53:38 | |
And when you pick pumpkins or squashes, | 0:53:38 | 0:53:42 | |
you want to make sure that you don't damage the stem. | 0:53:42 | 0:53:46 | |
So pick them in a T. | 0:53:46 | 0:53:49 | |
So, if we take this Turk's Turban, | 0:53:49 | 0:53:51 | |
we do a cut there and a cut there. | 0:53:51 | 0:53:55 | |
So what you've got is a T-shape on top and we can take that off. | 0:53:55 | 0:53:59 | |
And the reason for that is it means that we don't leave a wound, | 0:53:59 | 0:54:02 | |
that will die back and leave a nice strong stem. | 0:54:02 | 0:54:07 | |
And what I have to do with them, | 0:54:07 | 0:54:08 | |
it's feeling nice and hard, it's just rather small, | 0:54:08 | 0:54:11 | |
is ripen them as much as possible. | 0:54:11 | 0:54:13 | |
So I put them in a sunny spot. | 0:54:13 | 0:54:16 | |
The reason why these didn't do very well | 0:54:18 | 0:54:21 | |
is because it was rather cold in July and August. | 0:54:21 | 0:54:25 | |
And it didn't really heat up till the second part of August | 0:54:25 | 0:54:28 | |
and September and that was too late. | 0:54:28 | 0:54:30 | |
There we go. | 0:54:33 | 0:54:35 | |
This one is a Green Hokkaido. | 0:54:35 | 0:54:38 | |
And that is my rather meagre harvest. | 0:54:38 | 0:54:40 | |
I can now take the foliage, put it on the compost heap, | 0:54:42 | 0:54:46 | |
dig the ground over, because it's heavy I'll dig it with a spade, | 0:54:46 | 0:54:49 | |
leave the clods nice and big and let the worms and the weather | 0:54:49 | 0:54:52 | |
break it down slowly over winter. | 0:54:52 | 0:54:55 | |
Now, I don't know about winter | 0:54:55 | 0:54:57 | |
but if you're thinking of this weekend, here are some jobs for you. | 0:54:57 | 0:55:01 | |
Unless you live somewhere very warm, | 0:55:04 | 0:55:07 | |
chances of your tomatoes ripening any more are minimal. | 0:55:07 | 0:55:12 | |
Better to cut your losses and harvest them. | 0:55:12 | 0:55:14 | |
Red ones can be stored by making them into sauce and freezing them | 0:55:14 | 0:55:18 | |
and green ones will ripen if you put them into a drawer with a banana. | 0:55:18 | 0:55:23 | |
Pull up the top growth, dig the beds over | 0:55:23 | 0:55:26 | |
and you can use the greenhouse either for storing tender plants | 0:55:26 | 0:55:29 | |
or growing winter veg. | 0:55:29 | 0:55:31 | |
Whether you've grown them yourself from seed or you're buying them, | 0:55:33 | 0:55:36 | |
now is the time to plant out wallflowers | 0:55:36 | 0:55:39 | |
and then the roots can get established | 0:55:39 | 0:55:42 | |
and they will grow away faster and stronger next spring. | 0:55:42 | 0:55:46 | |
If they're a little straggly, | 0:55:46 | 0:55:47 | |
pinch out the growing tips to create a nice strong, bushy plant. | 0:55:47 | 0:55:51 | |
And by the way, if you're planting them with tulips, | 0:55:51 | 0:55:54 | |
and they make a great combination, | 0:55:54 | 0:55:56 | |
always plant the wallflowers first and then the tulips in between. | 0:55:56 | 0:56:00 | |
Although most fig trees are still covered in fruit, | 0:56:02 | 0:56:06 | |
none of them, unfortunately, will ripen. | 0:56:06 | 0:56:09 | |
So you should remove all figs, | 0:56:09 | 0:56:11 | |
except for those smaller than a pea | 0:56:11 | 0:56:14 | |
because not only will the immature figs never ripen, | 0:56:14 | 0:56:18 | |
they will also inhibit the development of next year's crop. | 0:56:18 | 0:56:22 | |
It is important that after you've harvested your squashes | 0:56:27 | 0:56:31 | |
that you put them somewhere to ripen and the best thing to do | 0:56:31 | 0:56:34 | |
is simply put them on a table or a windowsill | 0:56:34 | 0:56:36 | |
with as much sun as possible | 0:56:36 | 0:56:39 | |
and leave them there until the weather turns. | 0:56:39 | 0:56:42 | |
But, of course, as much sun is possible means | 0:56:42 | 0:56:45 | |
there's got to be some sun in the first place. | 0:56:45 | 0:56:47 | |
So we'd better find out what the weather's going to be like | 0:56:47 | 0:56:50 | |
this weekend. | 0:56:50 | 0:56:51 | |
Hello! Come on, snish-snosh. | 0:59:06 | 0:59:08 | |
Well, that's it for today and also for this series. | 0:59:13 | 0:59:17 | |
But I'll be back here at Longmeadow next March | 0:59:17 | 0:59:20 | |
and most of our programmes next year will be a full hour long. | 0:59:20 | 0:59:26 | |
So have a really good winter and I'll see you again next spring. | 0:59:26 | 0:59:30 | |
Until then, bye-bye. | 0:59:30 | 0:59:32 | |
Come on, you lot. Come on, down you get. There's a good girl. | 0:59:33 | 0:59:36 | |
Come on, you. Down you go. | 0:59:36 | 0:59:39 | |
Come on. | 0:59:39 | 0:59:41 |