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Hello. Welcome to Gardeners' World. | 0:00:05 | 0:00:08 | |
We're at that lovely time of year | 0:00:08 | 0:00:10 | |
when the garden is changing almost by the hour. | 0:00:10 | 0:00:12 | |
But there is still a real sense, | 0:00:12 | 0:00:14 | |
certainly here in the Jewel Garden anyway, | 0:00:14 | 0:00:17 | |
of the orchestra warming up - it's not yet really playing its tune. | 0:00:17 | 0:00:21 | |
It's changing all the time, | 0:00:21 | 0:00:23 | |
but at the moment it's all just different levels of green | 0:00:23 | 0:00:27 | |
with touches of intense colour, like the crown imperials, | 0:00:27 | 0:00:31 | |
like the Euphorbia characias. Just a few tulips starting, | 0:00:31 | 0:00:35 | |
but there could be twice as many tomorrow, and by next week, | 0:00:35 | 0:00:38 | |
probably they'll all be out - the change is happening so fast. | 0:00:38 | 0:00:42 | |
This week, Nick Bailey is on the trail of Shakespeare's poisons | 0:00:44 | 0:00:47 | |
and love potions. | 0:00:47 | 0:00:49 | |
Cupid's arrow fell on a little white flower, | 0:00:50 | 0:00:53 | |
turning it purple with love's wound, hence its power as an elixir. | 0:00:53 | 0:00:57 | |
We catch up with Frances Tophill to see how her | 0:01:00 | 0:01:03 | |
veg trail is going at RHS Rosemoor. | 0:01:03 | 0:01:05 | |
And last year in April, we went to Pashley Manor | 0:01:09 | 0:01:13 | |
where their annual tulip festival was in full swing. | 0:01:13 | 0:01:16 | |
Are the tulips going to come out on time? | 0:01:18 | 0:01:20 | |
Are they going to be desperately early? | 0:01:20 | 0:01:23 | |
Are they going to be late? | 0:01:23 | 0:01:26 | |
You know, people think I'm 85, and actually I'm only 58, you know. | 0:01:26 | 0:01:32 | |
And seeing as we're celebrating all things Shakespeare, | 0:01:39 | 0:01:42 | |
it's fitting that I'm continuing my new veg beds | 0:01:42 | 0:01:45 | |
because they are woven exactly in the style that | 0:01:45 | 0:01:49 | |
vegetables were grown in and during Shakespeare's time, | 0:01:49 | 0:01:52 | |
which coincidently was exactly the period that this house | 0:01:52 | 0:01:56 | |
and garden were first made. | 0:01:56 | 0:01:59 | |
But first, I'm going to sow some flowers in the new cutting garden. | 0:02:10 | 0:02:14 | |
Now, what have you got? | 0:02:15 | 0:02:17 | |
What have you got? | 0:02:17 | 0:02:19 | |
Those are the seeds I was going to sow, Nellie! | 0:02:21 | 0:02:23 | |
Right. | 0:02:25 | 0:02:26 | |
I was going to sow Bupleurum in my cutting garden... | 0:02:26 | 0:02:30 | |
and I'm not any more. | 0:02:30 | 0:02:33 | |
Come on. | 0:02:33 | 0:02:35 | |
Right, our second attempt. | 0:02:42 | 0:02:45 | |
So, not Bupleurum, but bells of Ireland, | 0:02:45 | 0:02:48 | |
which again are grown essentially for their foliage. | 0:02:48 | 0:02:52 | |
I've covered the ground just hoping it will keep it a little bit drier. | 0:02:52 | 0:02:58 | |
So, rake that off. That's not too wet. | 0:02:58 | 0:03:01 | |
There we go. | 0:03:05 | 0:03:07 | |
Using a board as a spacer, so I need to be that far away from it. | 0:03:07 | 0:03:12 | |
Now, bells or Ireland I always treat as a hardy annual. | 0:03:14 | 0:03:18 | |
Sow them direct after all frost has passed, but here, | 0:03:18 | 0:03:22 | |
even though it's fairly cold and wet here, | 0:03:22 | 0:03:24 | |
we've never had any problems with them. | 0:03:24 | 0:03:26 | |
My biggest problem are dogs eating your seeds before you can sow them. | 0:03:26 | 0:03:31 | |
Draw my drill. | 0:03:33 | 0:03:36 | |
As ever, it is quite important to try and sow these thinly. | 0:03:36 | 0:03:40 | |
Get the last one out. | 0:03:42 | 0:03:44 | |
It's funny how the last seed will stick in the crease of the packet. | 0:03:44 | 0:03:48 | |
There you go. | 0:03:48 | 0:03:50 | |
And then just sprinkle them along. | 0:03:50 | 0:03:53 | |
Now, this time of year, the soil tends to be damp and warm, | 0:03:53 | 0:03:58 | |
so it should germinate fast. | 0:03:58 | 0:04:00 | |
I wouldn't expect to see anything for a few weeks. | 0:04:00 | 0:04:05 | |
So, what bells of Ireland will give me, Moluccella, | 0:04:05 | 0:04:08 | |
is these greens which fade into a kind of almost yellow, | 0:04:08 | 0:04:14 | |
which against either bright colours or very pale colours | 0:04:14 | 0:04:18 | |
acts like a really good foil. | 0:04:18 | 0:04:19 | |
You need that levelling influence in any kind of flower arrangement | 0:04:19 | 0:04:23 | |
and therefore in your cutting garden. | 0:04:23 | 0:04:26 | |
I'm going to add now some plants. This is ammi, Ammi visnaga, | 0:04:26 | 0:04:32 | |
which is like a kind of posh cow parsley. | 0:04:32 | 0:04:35 | |
It has a slightly rounded umbel of white flowers | 0:04:35 | 0:04:40 | |
made up of hundreds of little florets. | 0:04:40 | 0:04:43 | |
And then, as you can see, very loose, finely cut foliage. | 0:04:43 | 0:04:47 | |
I'm just going to put a row along here. | 0:04:47 | 0:04:51 | |
And I'll use my measuring device again | 0:04:51 | 0:04:54 | |
and just plant them out. | 0:04:54 | 0:04:57 | |
Ammi, whether it be Ammi majus or Ammi visnaga, | 0:04:57 | 0:05:00 | |
grows much better if you sow it in September rather than spring. | 0:05:00 | 0:05:06 | |
You can get seed and sow it as late as early April, | 0:05:06 | 0:05:11 | |
but it never develops half as well. | 0:05:11 | 0:05:15 | |
So, if you haven't sown it now, buy it as a plant and then buy some seed | 0:05:15 | 0:05:19 | |
and grow them yourself for next year. | 0:05:19 | 0:05:22 | |
Around the time of Shakespeare's death in 1616, | 0:05:34 | 0:05:37 | |
tulips began to be amongst the most valuable things on this planet | 0:05:37 | 0:05:42 | |
and people made and lost vast fortunes. | 0:05:42 | 0:05:46 | |
And this beautiful flower became a symbol of greed and wealth | 0:05:46 | 0:05:52 | |
and man's insatiable desire to possess | 0:05:52 | 0:05:57 | |
that which it thinks is most valuable. | 0:05:57 | 0:06:00 | |
Well, here in the Spring Garden, | 0:06:00 | 0:06:02 | |
I try and use tulips in a completely different way. | 0:06:02 | 0:06:06 | |
I want them to weave in and out of what else is going on, | 0:06:06 | 0:06:10 | |
to blend, to highlight, | 0:06:10 | 0:06:12 | |
so you got the lovely lily flowered West Point. | 0:06:12 | 0:06:17 | |
It's yellow and these petals curve up and they twist and they open out. | 0:06:17 | 0:06:22 | |
And the Spring Green, which is chunkier, | 0:06:22 | 0:06:26 | |
but delicate because you get this green flash on a white background, | 0:06:26 | 0:06:29 | |
so you get this spring lightness of touch. | 0:06:29 | 0:06:33 | |
Now, of course, tulips are magnificent | 0:06:33 | 0:06:36 | |
and now we can just enjoy them as a flower, but very people grow them | 0:06:36 | 0:06:41 | |
in such quantity or with such panache as they do at Pashley Manor. | 0:06:41 | 0:06:48 | |
And we went along last year when were at their very best. | 0:06:49 | 0:06:52 | |
I've always, since the age four onwards, | 0:07:01 | 0:07:04 | |
been interested in gardening. | 0:07:04 | 0:07:06 | |
We moved here in 1981... | 0:07:08 | 0:07:12 | |
when it was, to say the least, a bit of a muddle, | 0:07:12 | 0:07:18 | |
but we have the most wonderful views and beautiful countryside. | 0:07:18 | 0:07:22 | |
My life is surrounded by the garden. | 0:07:24 | 0:07:27 | |
It's enough to keep me fully occupied every waking moment. | 0:07:27 | 0:07:31 | |
That is what I really enjoy. | 0:07:31 | 0:07:34 | |
It might interest you to know how this tulip festival started. | 0:07:38 | 0:07:43 | |
A friend of ours telephoned me to say, | 0:07:43 | 0:07:46 | |
"Do you realise what this year is?" | 0:07:46 | 0:07:49 | |
I said, "Not particularly." | 0:07:49 | 0:07:51 | |
And they said, | 0:07:51 | 0:07:52 | |
"It is the 400th anniversary of the first tulip to be landed in Europe. | 0:07:52 | 0:07:57 | |
"I think you should have a tulip festival." | 0:07:57 | 0:08:01 | |
So, roughly, that's what we did. | 0:08:01 | 0:08:04 | |
And we slowly increase the size, so we went for the second year | 0:08:04 | 0:08:08 | |
we were very proud of having 5,000 tulips in the garden, | 0:08:08 | 0:08:12 | |
and the next year 7,500, | 0:08:12 | 0:08:14 | |
and then we got over the 10,000 a year or two later. | 0:08:14 | 0:08:18 | |
This year we planted best part of 25,500 tulips. | 0:08:18 | 0:08:23 | |
I think it's 107 different varieties. | 0:08:23 | 0:08:26 | |
One of the things that's exciting is | 0:08:31 | 0:08:33 | |
the anticipation of the build-up to it. | 0:08:33 | 0:08:35 | |
Are the tulips going to come on time? | 0:08:35 | 0:08:38 | |
Are they going to be desperately early? | 0:08:38 | 0:08:41 | |
Are they going to be late? | 0:08:41 | 0:08:44 | |
You know, people think I'm 85, and actually I'm only 58, you know. | 0:08:44 | 0:08:49 | |
One of the great joys of this garden is Keith, our head gardener. | 0:08:52 | 0:08:57 | |
Keith has worked with us all his working life | 0:08:57 | 0:09:00 | |
and he came as a schoolboy in the holidays | 0:09:00 | 0:09:03 | |
and then he went to horticulture college and then he came back here. | 0:09:03 | 0:09:08 | |
And I appointed Keith at a very young age to be head gardener. | 0:09:08 | 0:09:13 | |
This board here has one of my favourite colour combinations | 0:09:13 | 0:09:16 | |
of tulips with the green star here | 0:09:16 | 0:09:19 | |
with the green streak as a lily flowered. | 0:09:19 | 0:09:21 | |
And then you have the white as well with it, | 0:09:21 | 0:09:23 | |
which is just almost a pure white version of it, | 0:09:23 | 0:09:25 | |
so they create a really nice combination together. | 0:09:25 | 0:09:28 | |
And we found it's a real winner over the years. | 0:09:28 | 0:09:30 | |
Tulips in containers can be really good. | 0:09:32 | 0:09:34 | |
You can create a really good, long lasting effect | 0:09:34 | 0:09:36 | |
if you double layer your planting. | 0:09:36 | 0:09:38 | |
Put one layer of tulips in quite deep into the pot, add two | 0:09:38 | 0:09:41 | |
or three inches of compost and then another layer of tulips above. | 0:09:41 | 0:09:44 | |
And the lower ones come through behind the higher bulbs | 0:09:44 | 0:09:47 | |
and you'll get a much longer flowering period | 0:09:47 | 0:09:49 | |
and helps to fill the pot and makes it feel really dense and full. | 0:09:49 | 0:09:53 | |
With the tulips, we'll use underplanting, | 0:10:04 | 0:10:06 | |
predominately forget-me-nots, | 0:10:06 | 0:10:08 | |
cos they'll come in most of the ranges of colours for the tulips. | 0:10:08 | 0:10:11 | |
We also use red Bellis in the hot borders. | 0:10:11 | 0:10:14 | |
You have a bit of a love-hate with them, I suppose, | 0:10:16 | 0:10:19 | |
because they're superb at this time of year, | 0:10:19 | 0:10:22 | |
they give us such a good show with this volume of tulips in the garden. | 0:10:22 | 0:10:25 | |
But we're almost cursing them at times because | 0:10:25 | 0:10:27 | |
it's putting us so far behind, | 0:10:27 | 0:10:29 | |
but they're certainly something we're never going to be without. | 0:10:29 | 0:10:33 | |
When we lift the bulbs off, they finish flowering, | 0:10:33 | 0:10:36 | |
they'll be boxed up and donated to local charities, | 0:10:36 | 0:10:39 | |
things such as hospices and nursing homes | 0:10:39 | 0:10:41 | |
and they'll plant them in their grounds | 0:10:41 | 0:10:43 | |
and then we'll have a brand-new, | 0:10:43 | 0:10:45 | |
fresh batch of bulbs for the next season | 0:10:45 | 0:10:47 | |
to guarantee the perfect flowering. | 0:10:47 | 0:10:50 | |
One thing is whether I have a favourite tulip. | 0:10:55 | 0:10:59 | |
It depends, really. | 0:10:59 | 0:11:00 | |
I suppose I would say Queen of the Night, | 0:11:00 | 0:11:04 | |
that near-black tulip. | 0:11:04 | 0:11:06 | |
It's so elegant and so distinctive. | 0:11:06 | 0:11:10 | |
But I particularly enjoy a tulip called Angelique, | 0:11:10 | 0:11:14 | |
which is very attractive, | 0:11:14 | 0:11:16 | |
and happens to be my wife's name, | 0:11:16 | 0:11:19 | |
so it all fits in nicely. | 0:11:19 | 0:11:22 | |
I'm often asked whether I mind our garden | 0:11:25 | 0:11:29 | |
being filled up with visitors. | 0:11:29 | 0:11:31 | |
They answer is, certainly no, I don't. | 0:11:31 | 0:11:33 | |
They spur us on to try and see that we do a good job. | 0:11:33 | 0:11:38 | |
And it's pleasure to show people something which | 0:11:38 | 0:11:42 | |
frankly we're quite proud of. | 0:11:42 | 0:11:44 | |
Pashley Manor is open for its tulip festival until the 7th of May. | 0:11:57 | 0:12:04 | |
If you go to our website you'll get all the details of how to get there | 0:12:04 | 0:12:07 | |
and what time it opens and all that kind of thing. | 0:12:07 | 0:12:10 | |
Hopefully I'll have this done long before the 7th of May. | 0:12:10 | 0:12:13 | |
This was how vegetables and herbs would have been grown | 0:12:17 | 0:12:20 | |
from medieval times right up till the Stuart time, | 0:12:20 | 0:12:25 | |
at the end of Shakespeare's life. | 0:12:25 | 0:12:26 | |
And then things started to change in the 17th century. | 0:12:26 | 0:12:30 | |
And when this house was built | 0:12:30 | 0:12:32 | |
this is how the garden would have been made, | 0:12:32 | 0:12:36 | |
with woven beds - I've used hazel, | 0:12:36 | 0:12:38 | |
just normal bean sticks that you can buy, hazel bean sticks, | 0:12:38 | 0:12:43 | |
and chestnut posts. | 0:12:43 | 0:12:45 | |
And I've done these four beds, | 0:12:45 | 0:12:47 | |
but I'm going to make another little one now. | 0:12:47 | 0:12:51 | |
And you start with a post, which have been sharpened | 0:12:51 | 0:12:54 | |
and I've cut down to size, but you can see they're pretty substantial. | 0:12:54 | 0:12:58 | |
Quite a lot has to go in the ground | 0:12:58 | 0:13:00 | |
because there's a lot of pressure by the sticks. | 0:13:00 | 0:13:03 | |
The upside of that is they're really strong. | 0:13:03 | 0:13:06 | |
And chestnut has two huge virtues. | 0:13:06 | 0:13:09 | |
The first is, it's really good at surviving in wet soil. | 0:13:09 | 0:13:13 | |
Makes brilliant posts, it doesn't rot. | 0:13:13 | 0:13:16 | |
Well, if it does, it does so very slowly. | 0:13:16 | 0:13:18 | |
And the second virtue is, it's dead easy to split. | 0:13:18 | 0:13:21 | |
So, if I get a splitting axe like that... | 0:13:21 | 0:13:24 | |
And that's it. I've got two posts. | 0:13:26 | 0:13:28 | |
That's the easiest bit of the whole operation. | 0:13:33 | 0:13:37 | |
The absolute critical thing if you're doing this yourself is | 0:13:37 | 0:13:40 | |
to get your post, whatever you use, dead straight. | 0:13:40 | 0:13:43 | |
You'll have to forgive me, I'm going to huff and puff. | 0:13:44 | 0:13:48 | |
Here we go. | 0:13:49 | 0:13:51 | |
And who said... | 0:14:00 | 0:14:02 | |
that gardening... | 0:14:02 | 0:14:04 | |
was a sedate activity? | 0:14:04 | 0:14:07 | |
So, I'm going to start that end, | 0:14:12 | 0:14:14 | |
and what I'll do is, so it doesn't break, | 0:14:14 | 0:14:17 | |
you twist at the same time as bending. | 0:14:17 | 0:14:19 | |
So, nail the top corners to stop them springing up, | 0:14:27 | 0:14:32 | |
and then cut the excess posts clean. | 0:14:32 | 0:14:35 | |
That's all there is to it. | 0:14:35 | 0:14:37 | |
A few weeks ago, Frances Tophill started a trial, | 0:14:38 | 0:14:41 | |
at RHS Rosemoor in Devon, of vegetable seeds, | 0:14:41 | 0:14:45 | |
and we went down there to see how she's getting on. | 0:14:45 | 0:14:49 | |
A few weeks ago, at the beginning of April, I sowed ridge cucumber, | 0:14:51 | 0:14:55 | |
sweetcorn and tomato seeds to kick off the veg trial I'm running, | 0:14:55 | 0:14:59 | |
to find out which varieties give the best crop | 0:14:59 | 0:15:01 | |
and, crucially, the best taste. | 0:15:01 | 0:15:04 | |
The cucumbers and sweetcorn aren't ready yet... | 0:15:04 | 0:15:06 | |
..but the tomatoes got off to a flying start. | 0:15:07 | 0:15:10 | |
Our tomato seedlings are up and ready to be pricked out. | 0:15:19 | 0:15:23 | |
Now, basically, you can see in this pot, it's quite congested. | 0:15:23 | 0:15:26 | |
We have six in here, and there's not enough room for them to grow - | 0:15:26 | 0:15:29 | |
but, as well as that, there comes a point in every seed's life | 0:15:29 | 0:15:32 | |
where it's used all the goodness form the endosperm in the seed, | 0:15:32 | 0:15:35 | |
and now it really has nothing to live on. | 0:15:35 | 0:15:37 | |
So, I'm potting it from this low-nutrient compost | 0:15:37 | 0:15:39 | |
into something a little bit more nutrient rich. | 0:15:39 | 0:15:42 | |
So, we've got a slow-release fertiliser in there, | 0:15:42 | 0:15:44 | |
just a basic multipurpose compost. | 0:15:44 | 0:15:46 | |
This is Tumbler F1, | 0:15:46 | 0:15:48 | |
which means it's very good for going in a hanging basket - | 0:15:48 | 0:15:51 | |
which is great, because all our tomatoes will be, eventually, | 0:15:51 | 0:15:54 | |
going into hanging baskets - | 0:15:54 | 0:15:56 | |
but, for now, they need to go into this slightly bigger pot, | 0:15:56 | 0:15:58 | |
where they will grow on a little bit more. | 0:15:58 | 0:16:01 | |
The idea with this is we want to get as much root out as possible - | 0:16:03 | 0:16:07 | |
always pull these plants out by the leaves. | 0:16:07 | 0:16:10 | |
If we crush this stem, the plant will not grow back again. | 0:16:10 | 0:16:13 | |
So, a damaged leaf isn't the end of the world - | 0:16:13 | 0:16:16 | |
a damaged stem is bad news. | 0:16:16 | 0:16:18 | |
And gently pulling, | 0:16:18 | 0:16:21 | |
so we have as much root as can be with the plant. | 0:16:21 | 0:16:26 | |
That can just be gently pushed in. | 0:16:29 | 0:16:31 | |
Generally speaking, | 0:16:31 | 0:16:32 | |
when you pot something from one container to another, | 0:16:32 | 0:16:35 | |
or even to the ground, | 0:16:35 | 0:16:36 | |
you want the soil to be at the same level in the pot | 0:16:36 | 0:16:38 | |
as it is in its new position, but with this tomato, | 0:16:38 | 0:16:41 | |
I'm actually going to bury it a little bit deeper - | 0:16:41 | 0:16:43 | |
it's about half an inch of extra compost - | 0:16:43 | 0:16:47 | |
and that just stops this plant from getting too leggy once it grows up, | 0:16:47 | 0:16:51 | |
makes it a more robust specimen. | 0:16:51 | 0:16:53 | |
And that's it. | 0:16:55 | 0:16:57 | |
A bit of water, and I'll put this back into the polytunnel, | 0:16:57 | 0:16:59 | |
where it'll get bigger and stronger until it's ready to be hardened off. | 0:16:59 | 0:17:04 | |
If you want to join our trial, then it's not too late. | 0:17:04 | 0:17:06 | |
You can go to our website for a list of the seeds that we're growing, | 0:17:06 | 0:17:09 | |
and you can let us know | 0:17:09 | 0:17:10 | |
how your plants are getting on via our Facebook page. | 0:17:10 | 0:17:14 | |
You can have that bit, there. | 0:17:26 | 0:17:27 | |
There we go. | 0:17:27 | 0:17:29 | |
We'll be going back to Rosemoor | 0:17:29 | 0:17:31 | |
to see how Frances is getting on very soon. | 0:17:31 | 0:17:34 | |
And this is done for the moment, this little bed, here. | 0:17:34 | 0:17:38 | |
It's designed for growing lots of lovely vegetables, | 0:17:38 | 0:17:43 | |
and, so, I think I'd better start. | 0:17:43 | 0:17:46 | |
Now, in honour of the Tudor nature of these beds, | 0:17:53 | 0:17:56 | |
and also Shakespeare's birthday and death, | 0:17:56 | 0:18:00 | |
I think we should have a Tudor vegetable in here first. | 0:18:00 | 0:18:04 | |
I'm going to plant some skirret. | 0:18:04 | 0:18:06 | |
In Shakespeare's time, it was a very common root vegetable - | 0:18:06 | 0:18:09 | |
in fact, right the way through from medieval England | 0:18:09 | 0:18:13 | |
up until the 19th century, | 0:18:13 | 0:18:14 | |
most vegetable gardens would grow it, | 0:18:14 | 0:18:16 | |
both for its vegetable, | 0:18:16 | 0:18:18 | |
which is somewhere between carrot and parsnip, | 0:18:18 | 0:18:20 | |
and also for medicinal purposes - | 0:18:20 | 0:18:22 | |
it was used as a poultice for sores, | 0:18:22 | 0:18:25 | |
and people believed that it warded off the plague. | 0:18:25 | 0:18:27 | |
They would fry them in butter or roll them in flour, | 0:18:27 | 0:18:29 | |
and they were sweet - and that was the key, | 0:18:29 | 0:18:31 | |
because remember, this is a time before sugar was widely available. | 0:18:31 | 0:18:35 | |
So, any sweet root vegetable was highly prized. | 0:18:35 | 0:18:39 | |
You'd simply plant them so that they're level with the soil, | 0:18:39 | 0:18:42 | |
and they will die right back in winter. | 0:18:42 | 0:18:46 | |
And if I put them here, this will stay here. | 0:18:47 | 0:18:50 | |
They like good drainage, but also plenty of moisture. | 0:18:50 | 0:18:53 | |
Well, they're going to get plenty of moisture, that's for sure. | 0:18:53 | 0:18:56 | |
As part of our celebration of Shakespeare's birth and death, | 0:18:58 | 0:19:02 | |
Nick Bailey has been looking at | 0:19:02 | 0:19:04 | |
the horticultural and botanical references in his work. | 0:19:04 | 0:19:08 | |
I've been head gardener here at Chelsea Physic Garden | 0:19:12 | 0:19:14 | |
for six years - but that's just a small blip in the garden's history. | 0:19:14 | 0:19:18 | |
It was established in 1673 to train apothecaries | 0:19:18 | 0:19:22 | |
in the identification and use of medicinal plants - | 0:19:22 | 0:19:24 | |
in other words, they needed to determine between | 0:19:24 | 0:19:27 | |
the good and the ill, the poisons and the potions. | 0:19:27 | 0:19:30 | |
A huge step towards this understanding came in 1597, | 0:19:32 | 0:19:35 | |
just as Shakespeare was hitting his stride as a playwright | 0:19:35 | 0:19:38 | |
when John Gerard published his Herball, | 0:19:38 | 0:19:40 | |
a general history of plants. | 0:19:40 | 0:19:42 | |
It really would have been the most extensive | 0:19:45 | 0:19:48 | |
book on botany at its time. | 0:19:48 | 0:19:49 | |
Now, it's unclear whether Gerard and Shakespeare | 0:19:49 | 0:19:53 | |
would have been aware of each other, but they were certainly neighbours, | 0:19:53 | 0:19:56 | |
they moved in the same in the same social circles, | 0:19:56 | 0:19:58 | |
and it's been that an illustration in the front cover here | 0:19:58 | 0:20:02 | |
is of Shakespeare - the only illustration during his lifetime. | 0:20:02 | 0:20:05 | |
Now, if this is true, it would mean that there's a stronger link | 0:20:05 | 0:20:09 | |
between him and this bible of botany. | 0:20:09 | 0:20:12 | |
So, let's look at some examples of plants, | 0:20:14 | 0:20:16 | |
potions and poisons in the works of the bard, | 0:20:16 | 0:20:19 | |
and see if Gerard can help identify what exactly they were. | 0:20:19 | 0:20:22 | |
"No warmth, no breath, shall testify thou liveth. | 0:20:25 | 0:20:28 | |
"The roses in thy lips and cheeks shall fade to paly ashes, | 0:20:29 | 0:20:34 | |
"and in this borrowed likeness of shrunk death, | 0:20:34 | 0:20:36 | |
"thou shalt continue two and forty hours, | 0:20:36 | 0:20:39 | |
"and then awake as from a pleasant sleep." | 0:20:39 | 0:20:43 | |
So, what was this mystery substance? | 0:20:43 | 0:20:45 | |
One likely candidate is Atropa belladonna, | 0:20:47 | 0:20:49 | |
also known as deadly nightshade - | 0:20:49 | 0:20:51 | |
but which in Gerard's Herball is known as sleeping nightshade. | 0:20:51 | 0:20:55 | |
Gerard says that while a small amount leads to madness, | 0:20:55 | 0:20:58 | |
a moderate amount causes a dead sleep - | 0:20:58 | 0:21:00 | |
just what Juliet was after. | 0:21:00 | 0:21:02 | |
There's plenty of skulduggery in Denmark, too. | 0:21:04 | 0:21:07 | |
"Upon my secure hour, thy uncle stole | 0:21:09 | 0:21:12 | |
"with juice of cursed hebenon in a vial, | 0:21:12 | 0:21:14 | |
"and in the porches of mine ears | 0:21:14 | 0:21:16 | |
"did pour the leprous distilment." | 0:21:16 | 0:21:19 | |
This time, Shakespeare explicitly identifies the substance used - | 0:21:21 | 0:21:24 | |
hebenon, or henbane. | 0:21:24 | 0:21:26 | |
And, again, Gerard is a possible source. | 0:21:29 | 0:21:33 | |
It causes an unquiet sleep, and is deadly to the party. | 0:21:33 | 0:21:37 | |
Henbane really can be deadly, but the reason we grow it here | 0:21:45 | 0:21:48 | |
is because of its historic medicinal use. | 0:21:48 | 0:21:50 | |
Of course, I'm wearing gloves to protect my hands | 0:21:50 | 0:21:53 | |
while I'm collecting the seeds, and, if we break down that seed, | 0:21:53 | 0:21:56 | |
we've got where the most toxic, toxic part of the plant is, | 0:21:56 | 0:22:00 | |
where the poison is. | 0:22:00 | 0:22:01 | |
Now, later in the play, | 0:22:02 | 0:22:04 | |
Hamlet kills Ophelia's father, | 0:22:04 | 0:22:06 | |
and this, of course, triggers Polonius' son | 0:22:06 | 0:22:08 | |
to seek revenge on Hamlet. | 0:22:08 | 0:22:10 | |
Poison is, again, the chosen method, | 0:22:12 | 0:22:14 | |
but this time on the tip of a sword - | 0:22:14 | 0:22:17 | |
and, for Gerard, the ideal concoction for this | 0:22:17 | 0:22:20 | |
kind of foul play was aconite, or wolfsbane. | 0:22:20 | 0:22:23 | |
He writes, "Wolfsbane is a deadly medicine, | 0:22:25 | 0:22:28 | |
"wherewith the hunters poison their spears, darts and arrows | 0:22:28 | 0:22:32 | |
"that bring present death." | 0:22:32 | 0:22:34 | |
Now, like henbane and like atropa, aconite is very, very poisonous, | 0:22:40 | 0:22:45 | |
but the difference is, | 0:22:45 | 0:22:47 | |
this is actually a useful garden ornamental. | 0:22:47 | 0:22:49 | |
You can see the buds are starting to form just here, | 0:22:49 | 0:22:51 | |
and it produces this really intense, deep, deep blue flower - | 0:22:51 | 0:22:55 | |
all round, a great garden plant, well worth growing - | 0:22:55 | 0:22:58 | |
keep your gloves on. | 0:22:58 | 0:22:59 | |
Of course, it's not all tragedy in Shakespeare. | 0:23:02 | 0:23:06 | |
There's the odd comedy, too - | 0:23:06 | 0:23:07 | |
and, once again, plants loom large, | 0:23:07 | 0:23:10 | |
often in the form of handy love potions. | 0:23:10 | 0:23:12 | |
"Fetch me that flower, the herb I showed thee once. | 0:23:14 | 0:23:17 | |
"The juice of it, on sleeping eyelids laid | 0:23:17 | 0:23:19 | |
"will make or man or woman madly dote | 0:23:19 | 0:23:22 | |
"upon the next living creature that he sees." | 0:23:22 | 0:23:25 | |
Love-in-idleness is, in fact, Viola tricolor, | 0:23:27 | 0:23:29 | |
which has a long history of use in herbalism. | 0:23:29 | 0:23:32 | |
Shakespeare's story has it | 0:23:32 | 0:23:34 | |
that Cupid's arrow fell on a little white flower, | 0:23:34 | 0:23:37 | |
turning it purple with love's wound - | 0:23:37 | 0:23:39 | |
hence its power as an elixir. | 0:23:39 | 0:23:41 | |
There's no evidence in Gerard or anywhere else | 0:23:44 | 0:23:47 | |
that Viola tricolor has any love-inducing effects. | 0:23:47 | 0:23:50 | |
In fact, today it's more commonly used | 0:23:50 | 0:23:52 | |
to scatter across the tip of a salad just for pretty adornment. | 0:23:52 | 0:23:56 | |
I've tried it, and I must say, | 0:23:56 | 0:23:57 | |
it's had no perceivable effect on my love life. | 0:23:57 | 0:24:00 | |
The thing that I love about Shakespeare | 0:24:06 | 0:24:08 | |
and plants is you feel that he's describing them | 0:24:08 | 0:24:12 | |
from personal experience - it's intimate and it's personal, | 0:24:12 | 0:24:16 | |
and that really comes through in all his work. | 0:24:16 | 0:24:19 | |
But one plant that was around in his time - | 0:24:19 | 0:24:23 | |
it was introduced just about the time of his birth - | 0:24:23 | 0:24:26 | |
was the potato, | 0:24:26 | 0:24:27 | |
and I'm sure he wasn't intimate and personal what that, | 0:24:27 | 0:24:30 | |
because it was regarded with suspicion | 0:24:30 | 0:24:32 | |
when it first arrived - and, in fact, for the next 200 years, | 0:24:32 | 0:24:36 | |
as food only fit for animals or the very poorest. | 0:24:36 | 0:24:40 | |
And the delicious potatoes that we savour now | 0:24:40 | 0:24:43 | |
certainly wouldn't have been a Shakespearean experience. | 0:24:43 | 0:24:46 | |
However, the ones that I've been growing in bags | 0:24:46 | 0:24:50 | |
have been doing well, | 0:24:50 | 0:24:52 | |
and it's time for the next stage. | 0:24:52 | 0:24:54 | |
You may remember that I planted a couple of seed potatoes | 0:25:01 | 0:25:05 | |
in this bag a few weeks ago. | 0:25:05 | 0:25:07 | |
I put them in the greenhouse, kept them watered - | 0:25:07 | 0:25:10 | |
and they've grown, they've really grown well. | 0:25:10 | 0:25:12 | |
This is about 18 inches tall. They are romping away. | 0:25:12 | 0:25:16 | |
But as soon as you see them reach the top of the bag, | 0:25:16 | 0:25:18 | |
it is important to earth them up. | 0:25:18 | 0:25:21 | |
I'm just using a normal, peat-free compost, | 0:25:21 | 0:25:25 | |
and just pop them around the growth. | 0:25:25 | 0:25:29 | |
You won't harm the growth in any way by covering it up. | 0:25:29 | 0:25:32 | |
I'll let this grow back up another foot or so, | 0:25:32 | 0:25:35 | |
and then I'll top it up again to the top of the bag, | 0:25:35 | 0:25:38 | |
and that will maximise the quantity - | 0:25:38 | 0:25:41 | |
and hopefully the quality - of the tubers I harvest. | 0:25:41 | 0:25:45 | |
But remember, keep them well watered. | 0:25:45 | 0:25:48 | |
That is the key to good potatoes. | 0:25:48 | 0:25:51 | |
Now, you may not be growing potatoes in a bag, | 0:25:51 | 0:25:54 | |
but here are some other jobs you can do this weekend. | 0:25:54 | 0:25:58 | |
Now is the ideal time | 0:26:04 | 0:26:05 | |
for planting out any kind of potatoes. | 0:26:05 | 0:26:08 | |
If you're short of space, a very good way to grow them is simply | 0:26:09 | 0:26:13 | |
to make a hole in the ground and pop them in using a grid pattern - | 0:26:13 | 0:26:18 | |
and this is especially good if you're growing them in raised beds. | 0:26:18 | 0:26:22 | |
The new growth of the potatoes won't appear for a few weeks, | 0:26:26 | 0:26:30 | |
so, to use the ground to the maximum effect, | 0:26:30 | 0:26:33 | |
plant out seedlings of lettuce, rocket, or sow some radish - | 0:26:33 | 0:26:38 | |
and this will grow and be eaten | 0:26:38 | 0:26:41 | |
before it gets shaded out by the potatoes. | 0:26:41 | 0:26:44 | |
If you haven't yet cut back your pelargoniums, | 0:26:46 | 0:26:48 | |
this is something you should do now, | 0:26:48 | 0:26:50 | |
and this will stop them getting leggy | 0:26:50 | 0:26:52 | |
and encourage nice, strong, fresh growth. | 0:26:52 | 0:26:55 | |
Also, give them a feed - liquid seaweed is fine - | 0:26:55 | 0:26:59 | |
and feed them once a week | 0:26:59 | 0:27:01 | |
for the next few months. | 0:27:01 | 0:27:03 | |
If left to its own devices, | 0:27:05 | 0:27:07 | |
sage becomes a woody shrub with fewer and fewer leaves, | 0:27:07 | 0:27:13 | |
but if you cut it back hard, | 0:27:13 | 0:27:15 | |
this will produce a mass of fresh leaves | 0:27:15 | 0:27:19 | |
that are ideal for cooking with. | 0:27:19 | 0:27:20 | |
Now, don't compost the clippings. | 0:27:23 | 0:27:26 | |
Either use them in the kitchen | 0:27:26 | 0:27:27 | |
or, if you've got a fireplace or a barbecue, put them on that, | 0:27:27 | 0:27:30 | |
and they'll fill a room or flavour the food with the most | 0:27:30 | 0:27:34 | |
beautiful fragrance of sage. | 0:27:34 | 0:27:36 | |
LAMBS BLEAT | 0:27:38 | 0:27:40 | |
Come on. | 0:27:47 | 0:27:48 | |
Now, you want a drink, too, don't you? | 0:27:48 | 0:27:51 | |
Nellie will give you a hand. | 0:27:51 | 0:27:54 | |
We've got a couple of orphan lambs... | 0:27:54 | 0:27:56 | |
Get down now, this is not for you. | 0:27:56 | 0:27:58 | |
..which we're having to bottle-feed, because the mum died, | 0:27:58 | 0:28:03 | |
and we're having to look after them. | 0:28:03 | 0:28:06 | |
Which my son, who is a sheep farmer, | 0:28:06 | 0:28:11 | |
has delegated to me for the next four weeks. | 0:28:11 | 0:28:13 | |
Go on, there you go. There you are. | 0:28:13 | 0:28:15 | |
The dogs are rolling all over the chionodoxas, | 0:28:15 | 0:28:18 | |
which I planted last year for the first time. | 0:28:18 | 0:28:19 | |
They're a little late, but they're coming up. | 0:28:19 | 0:28:22 | |
Everything is bursting out. | 0:28:22 | 0:28:25 | |
Well, from all the varied animals here at Longmeadow, and me, | 0:28:26 | 0:28:31 | |
that's it for today - | 0:28:31 | 0:28:33 | |
and I'll see you here next time. Until then, bye-bye. | 0:28:33 | 0:28:37 | |
Come on, let's go back. | 0:28:37 | 0:28:38 |