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We're all obsessed with having lovely houses. | 0:00:02 | 0:00:04 | |
-Wow, what a difference. -Yeah. | 0:00:04 | 0:00:06 | |
-Looks great, doesn't it? -It does. It's so impressive. | 0:00:06 | 0:00:09 | |
But the road to perfection isn't an easy ride. | 0:00:10 | 0:00:14 | |
Whoa! What have you done? | 0:00:14 | 0:00:16 | |
I've had enough. Literally. Dugh! | 0:00:16 | 0:00:19 | |
How do you choose the right builder for the job? | 0:00:20 | 0:00:23 | |
That's another seven years' bad luck, as if I need it. | 0:00:23 | 0:00:26 | |
We've scoured Britain for pairs of builders... | 0:00:26 | 0:00:28 | |
I really hope we get this job because we're nearly out of fuel. | 0:00:28 | 0:00:31 | |
..who think they've got what it takes... | 0:00:31 | 0:00:34 | |
We will go in full guns blazing, I think. | 0:00:34 | 0:00:36 | |
..to pitch against each other... | 0:00:36 | 0:00:37 | |
-The job's in the bag. -..and win work. | 0:00:37 | 0:00:41 | |
Can you come round and pull me out? | 0:00:41 | 0:00:43 | |
That's what happens when you get to 40, mate! | 0:00:43 | 0:00:45 | |
Only one pair will win each job. | 0:00:45 | 0:00:47 | |
Told you. | 0:00:47 | 0:00:49 | |
Got one in the bag, brother. | 0:00:49 | 0:00:50 | |
-But... -Oops! -..they're going to be put through the ultimate wringer. | 0:00:52 | 0:00:56 | |
-It's like dealing with The Three Stooges. -Heh-heh-heh. | 0:00:56 | 0:00:58 | |
The losing pairs will be scrutinising their work. | 0:00:58 | 0:01:02 | |
Can anyone else hear the sucking of builders' teeth? | 0:01:02 | 0:01:05 | |
For our first job, we're just outside London | 0:01:11 | 0:01:14 | |
in a commuter hotspot where the average semi | 0:01:14 | 0:01:17 | |
will set you back an eye-watering half a million quid. | 0:01:17 | 0:01:21 | |
We're down south in Croydon. | 0:01:21 | 0:01:24 | |
So who is looking to get the builders in today? | 0:01:24 | 0:01:27 | |
This tucked-away two-bed detached is home to Sara Pevsner, | 0:01:27 | 0:01:31 | |
her partner and three and a half-year-old son, Mateo. | 0:01:31 | 0:01:35 | |
So, we moved here about 18 months ago from more central London, | 0:01:35 | 0:01:40 | |
which was noisy, smelly and dirty. | 0:01:40 | 0:01:42 | |
And now we're in woodlands, peace, quiet. | 0:01:42 | 0:01:45 | |
Nature is wonderful. I love it here. | 0:01:45 | 0:01:48 | |
Sara's already renovated this house top to bottom, so what's left to do? | 0:01:48 | 0:01:54 | |
The cupboard under the eaves is the dumping ground from tidying away. | 0:01:54 | 0:01:58 | |
I chuck everything in there cos there's nowhere else for it to go. | 0:01:58 | 0:02:02 | |
Storage is a huge problem in this house. | 0:02:02 | 0:02:05 | |
And how much has Sara got for this important but fiddly job? | 0:02:05 | 0:02:09 | |
The budget, I'd like to be around 500. | 0:02:09 | 0:02:11 | |
It is a small project, but the same rules apply | 0:02:11 | 0:02:15 | |
whatever the size of job, | 0:02:15 | 0:02:17 | |
as those in the know will tell you. | 0:02:17 | 0:02:19 | |
If you're looking to get some building work done, get a builder | 0:02:19 | 0:02:21 | |
that is specific for the job that you actually want doing. | 0:02:21 | 0:02:24 | |
If you want a loft conversion, then don't call the plumber in. | 0:02:24 | 0:02:26 | |
Get three quotes. | 0:02:26 | 0:02:28 | |
Even write it down in terms of exactly what you want doing. | 0:02:28 | 0:02:31 | |
Tell all three builders exactly the same thing. | 0:02:31 | 0:02:34 | |
That way, you can compare all three quotes quite equally. | 0:02:34 | 0:02:37 | |
Today's trio of builders are raring to go... | 0:02:39 | 0:02:42 | |
-This is really nice. -Oh, yes. -..and are full of ideas. | 0:02:42 | 0:02:45 | |
Cor, look at that. It's lovely. | 0:02:45 | 0:02:47 | |
It's a lovely place up here, John, isn't it? | 0:02:47 | 0:02:49 | |
They all know they've got to create new storage for the cupboard. | 0:02:49 | 0:02:51 | |
Do you think it's Arts and Crafts? | 0:02:51 | 0:02:53 | |
Yeah. It means lots of nice woodwork. | 0:02:53 | 0:02:56 | |
But it's their individual designs that will set them apart. | 0:02:56 | 0:02:59 | |
HARD KNOCK | 0:02:59 | 0:03:01 | |
Ooh, I love that sound. | 0:03:01 | 0:03:03 | |
First up, it's burly bears Simon and John. | 0:03:03 | 0:03:06 | |
-Hello! -Hello. -How are you? I'm John. | 0:03:06 | 0:03:08 | |
They've travelled an hour and a half to get here. | 0:03:08 | 0:03:11 | |
-You've got a very lovely house, I have to say. -Thank you. | 0:03:11 | 0:03:13 | |
But are they really going to be able to add the wow factor Sara wants? | 0:03:13 | 0:03:17 | |
-Do you think you could both get in there? -We could live in there. | 0:03:17 | 0:03:20 | |
Come on, let's have a little go. | 0:03:20 | 0:03:22 | |
Don't get stuck, boys. | 0:03:22 | 0:03:24 | |
Well, it's actually bigger than you think. | 0:03:24 | 0:03:25 | |
Yeah, it's quite cosy in here, isn't it? | 0:03:25 | 0:03:27 | |
-That's all right, that. -Oh, these are my shoes for today. | 0:03:27 | 0:03:30 | |
All right, then, big fella. What's your idea, then? | 0:03:31 | 0:03:34 | |
These two met six years ago and quickly developed | 0:03:34 | 0:03:36 | |
a great working relationship. | 0:03:36 | 0:03:38 | |
The thing is with me and Simon, | 0:03:38 | 0:03:39 | |
our skill set is bricklaying and plastering. | 0:03:39 | 0:03:41 | |
If you get the shell right, everything else is easy. | 0:03:41 | 0:03:45 | |
This is going to make a noise! | 0:03:45 | 0:03:46 | |
Even though we have sort of quite different skills, | 0:03:48 | 0:03:50 | |
it sort of lends itself to working with each other, doesn't it? | 0:03:50 | 0:03:53 | |
The thing is, really, Simon likes to chat and I like a chat. | 0:03:53 | 0:03:55 | |
-Yeah, that's all we do is to chat. -So we haven't finished talking yet. | 0:03:55 | 0:03:58 | |
Time to size up that cupboard. | 0:03:58 | 0:04:00 | |
My missus would tell me I need one of these for my shoes. | 0:04:00 | 0:04:03 | |
Before they pitch their big ideas to Sara... | 0:04:03 | 0:04:06 | |
-So, what's your thinking then, John? -Shelf all the way along there. | 0:04:06 | 0:04:09 | |
-Yeah. -With the tall boots. -Yeah. -Mirror on the back. | 0:04:09 | 0:04:12 | |
-Yep. -And then just doing, like, two shelves. | 0:04:12 | 0:04:15 | |
So you've got... | 0:04:15 | 0:04:17 | |
..shoe, shoe, like that. | 0:04:17 | 0:04:22 | |
And then behind each shelf, mirror. | 0:04:22 | 0:04:24 | |
This is a boutique shoe shop. | 0:04:24 | 0:04:27 | |
Ladies' footwear might not be the boys' forte, but they think | 0:04:27 | 0:04:30 | |
their idea will display the shoes to their full potential. | 0:04:30 | 0:04:34 | |
But will Sara agree? | 0:04:34 | 0:04:36 | |
My idea is like a shoe shop theme. | 0:04:36 | 0:04:38 | |
-Yeah. -That's the cupboard... -We're going to stagger the shelves. | 0:04:38 | 0:04:42 | |
Are they going to go back with the slope? | 0:04:42 | 0:04:44 | |
So the top one will be bigger | 0:04:44 | 0:04:45 | |
-and then the next one will go in slightly. -Yeah, yeah. | 0:04:45 | 0:04:48 | |
So you've still got access. | 0:04:48 | 0:04:49 | |
But that way, they're all on display and they're all accessible. | 0:04:49 | 0:04:52 | |
-You make drawers. Drawers. -Staggered. -Yeah. -Like steps. | 0:04:52 | 0:04:55 | |
And pull them all out. | 0:04:55 | 0:04:56 | |
You pull them out, but you just have a couple on display in front. | 0:04:56 | 0:04:59 | |
Go for a white shelf and put a mirror back on it. | 0:04:59 | 0:05:02 | |
Where the shelves are, the top shelf now, you paint all that white, | 0:05:02 | 0:05:06 | |
-and you put a glass shelf across the whole thing. -Right, OK. | 0:05:06 | 0:05:09 | |
But then, you can actually see all the shoes at the same time. | 0:05:09 | 0:05:12 | |
Because you can see through to what else there is down there, yeah. | 0:05:12 | 0:05:14 | |
OK, that's a good idea. | 0:05:14 | 0:05:16 | |
John and Simon's boutique shop look with glass shelving | 0:05:18 | 0:05:21 | |
and mirrored fronts sounds tres chic, | 0:05:21 | 0:05:24 | |
but what will it cost? | 0:05:24 | 0:05:27 | |
The price for that was 470. | 0:05:27 | 0:05:29 | |
All right. Well, that sounds good. | 0:05:29 | 0:05:32 | |
Sara's keeping her cards close to her chest, but it's not over yet. | 0:05:32 | 0:05:37 | |
Next up, clean-cut duo Wayne and Steph. | 0:05:39 | 0:05:42 | |
-Hello! -Hello. -I'm Wayne. -Hi, Sara. -Pleasure to meet you. -Come on in. | 0:05:42 | 0:05:45 | |
They'll have to come up with something special to win this job. | 0:05:45 | 0:05:49 | |
-Right. -A bit bijou, isn't it? | 0:05:49 | 0:05:51 | |
-Cup of tea? -Yeah! | 0:05:52 | 0:05:55 | |
These hard grafters have been working together | 0:05:55 | 0:05:58 | |
for the last two years. | 0:05:58 | 0:05:59 | |
I'm a carpenter by trade. | 0:05:59 | 0:06:01 | |
-I do a little bit of everything. Your local handywoman. -Ha! | 0:06:01 | 0:06:04 | |
We do a lot with copper. We do a lot of upcycling. | 0:06:04 | 0:06:07 | |
Things that are a little bit unique. | 0:06:07 | 0:06:09 | |
You know, don't throw it away, let's make it into something else. | 0:06:09 | 0:06:12 | |
We like to recycle it and re-love it. | 0:06:12 | 0:06:14 | |
Well, they'll need a slick design | 0:06:14 | 0:06:15 | |
to beat Simon and John's boutique concept. | 0:06:15 | 0:06:18 | |
There's a lot of space here that's not being used the moment. | 0:06:18 | 0:06:22 | |
Do you remember the job we did with the copper rails for shoe racks? | 0:06:22 | 0:06:26 | |
-Yes. -It's got a lot of stiletto heels | 0:06:26 | 0:06:28 | |
-which would work perfect for that. -Yeah. | 0:06:28 | 0:06:30 | |
So what's a copper shoe rail and how will it go down with Sara? | 0:06:30 | 0:06:35 | |
How do you feel about upcycling some copper pipe? | 0:06:36 | 0:06:39 | |
-Great. -Yeah? | 0:06:39 | 0:06:41 | |
Into upcycling and into copper. | 0:06:41 | 0:06:43 | |
Well, Wayne's got a bit of a mock-up. | 0:06:43 | 0:06:45 | |
And I've taken a pair of your vintage shoes from your cubby hole | 0:06:45 | 0:06:50 | |
so that we can show you... | 0:06:50 | 0:06:53 | |
-And the beauty of that, it can still hangs that way... -Yeah. | 0:06:53 | 0:06:56 | |
..so it doesn't fall off. | 0:06:56 | 0:06:57 | |
Before, there was quite big gaps between the shelves. | 0:06:57 | 0:07:00 | |
-This way, we can get quite a lot of rails in there. -Yeah. | 0:07:00 | 0:07:02 | |
So this door, what do you think? | 0:07:02 | 0:07:05 | |
Go saloon-style because of the space? | 0:07:05 | 0:07:06 | |
-Rather than one big door? -Yeah, definitely. | 0:07:06 | 0:07:08 | |
And just hang the rails within it, | 0:07:08 | 0:07:10 | |
-so it all opens out and it all sings. -Yeah, lovely. | 0:07:10 | 0:07:12 | |
-Be nice if the light came on all at the same time. -I know, yeah. | 0:07:12 | 0:07:15 | |
Hm, sounds good. | 0:07:16 | 0:07:18 | |
Wayne and Steph are using copper throughout the design with | 0:07:18 | 0:07:21 | |
pipe-ends as hooks for accessories and lengths of piping for shoes. | 0:07:21 | 0:07:26 | |
It's a neat idea, but how much will it cost? | 0:07:26 | 0:07:30 | |
So in terms of budget... | 0:07:31 | 0:07:32 | |
..we're going to do it for £500. | 0:07:34 | 0:07:36 | |
OK. | 0:07:36 | 0:07:37 | |
So, Wayne and Steph's copper piping is 30 quid more expensive than | 0:07:37 | 0:07:41 | |
Simon and John's shop display. | 0:07:41 | 0:07:44 | |
But there's still one team left to pitch - | 0:07:44 | 0:07:46 | |
vintage duo Charis and Chris. | 0:07:46 | 0:07:49 | |
-Well, this is much smaller than I thought. -Oh, yeah. Very small. | 0:07:49 | 0:07:52 | |
Very small. | 0:07:52 | 0:07:54 | |
They'll have to pull out all the stops to win this job. | 0:07:54 | 0:07:57 | |
I haven't worn high-heel boots for quite a few years now, | 0:07:57 | 0:07:59 | |
so you'll have to explain that again. | 0:07:59 | 0:08:01 | |
-You mean wellies, do you? -I've never worn wallie...wellies. | 0:08:01 | 0:08:04 | |
Well, yes, you are a wally! | 0:08:04 | 0:08:06 | |
-Charis. -Are you coming in to actually do some work then, or what? | 0:08:06 | 0:08:10 | |
Yeah, yeah, yeah. | 0:08:10 | 0:08:11 | |
It may come as no surprise - | 0:08:11 | 0:08:12 | |
these two have known each other for 20 years. | 0:08:12 | 0:08:15 | |
Chris is the plumber, obviously. | 0:08:15 | 0:08:17 | |
And I love playing with wood and metal and stuff and when we work | 0:08:17 | 0:08:19 | |
together, we can come up with some really awesome ideas. | 0:08:19 | 0:08:22 | |
All you have to do is help her but make it look like it's her idea. | 0:08:22 | 0:08:26 | |
They're going to have to work together to come up with | 0:08:28 | 0:08:32 | |
a winning design. | 0:08:32 | 0:08:33 | |
-Do you do you know what? I've had an idea. -Hmm. | 0:08:33 | 0:08:35 | |
You know what you can do with her boots? If you have, like, | 0:08:35 | 0:08:37 | |
two dowels sticking out, | 0:08:37 | 0:08:39 | |
and you stick the foot of the boots and the bottom and it hangs out. | 0:08:39 | 0:08:42 | |
Hmm. | 0:08:42 | 0:08:44 | |
They're going to need to | 0:08:44 | 0:08:45 | |
give the shoe racks the big sell to win the pitch. | 0:08:45 | 0:08:48 | |
We were thinking you could take the shelves out completely and have | 0:08:48 | 0:08:51 | |
your shoes kind of hooked on rails. | 0:08:51 | 0:08:54 | |
You could do that down both sides if you want | 0:08:54 | 0:08:56 | |
and maybe keep just a couple of the shelves for your wedges. | 0:08:56 | 0:08:59 | |
That would be nice, yeah. | 0:08:59 | 0:09:01 | |
We need to get a reclaimed door, to match the others, don't we? | 0:09:01 | 0:09:04 | |
Oh, they wanted the door. | 0:09:04 | 0:09:05 | |
If we had double doors, and they opened out like that, | 0:09:05 | 0:09:07 | |
so you've got them on the outside there, | 0:09:07 | 0:09:09 | |
and then everything's still inside. | 0:09:09 | 0:09:11 | |
Great. That sounds really nice. | 0:09:11 | 0:09:12 | |
What about the jewellery? | 0:09:12 | 0:09:14 | |
-Didn't she want that hanging somewhere? -Yeah. You need, I think, | 0:09:14 | 0:09:18 | |
some kind of grate over this, | 0:09:18 | 0:09:20 | |
like a metal mesh where you can just hang all your little earrings | 0:09:20 | 0:09:23 | |
all over it. | 0:09:23 | 0:09:24 | |
Basically, cover every surface in the hookable, pinable, | 0:09:24 | 0:09:28 | |
you know, areas, so that you're just making the best use of that space. | 0:09:28 | 0:09:33 | |
Yeah. That sounds really interesting, yeah. | 0:09:33 | 0:09:35 | |
To make the design a one-off, | 0:09:35 | 0:09:37 | |
Charis and Chris plan to find reclaimed doors, | 0:09:37 | 0:09:40 | |
and as well as shelving | 0:09:40 | 0:09:41 | |
and storage for shoes, | 0:09:41 | 0:09:42 | |
they've also thought about | 0:09:42 | 0:09:44 | |
Sara's jewellery. | 0:09:44 | 0:09:45 | |
So what's the damage for this | 0:09:45 | 0:09:47 | |
unique design? | 0:09:47 | 0:09:48 | |
The cost is mainly labour for doing that. | 0:09:48 | 0:09:51 | |
Depending on the door, about £300 for materials. | 0:09:51 | 0:09:54 | |
For all of that, we can... It would probably be around £1,200. | 0:09:54 | 0:09:58 | |
Right, OK. | 0:09:58 | 0:10:00 | |
Crikey! | 0:10:00 | 0:10:01 | |
That's well over double the budget AND the other two quotes. | 0:10:01 | 0:10:04 | |
All three pitches are in. | 0:10:08 | 0:10:10 | |
It's up to Sara to decide | 0:10:12 | 0:10:13 | |
whether she wants to hire any of today's teams. | 0:10:13 | 0:10:17 | |
Well, that was a small job. How did you get on? | 0:10:17 | 0:10:19 | |
John put a good price in for 470. | 0:10:19 | 0:10:21 | |
-What did you do? -500 all-in. | 0:10:21 | 0:10:24 | |
Ours came in at £1,200. | 0:10:24 | 0:10:26 | |
Though, we must've... We had more materials, I think. | 0:10:26 | 0:10:29 | |
-1,200? -Is that 1,200? You're joking. | 0:10:29 | 0:10:31 | |
No. No, no. | 0:10:31 | 0:10:33 | |
There's nothing more the builders can do. | 0:10:34 | 0:10:37 | |
Only the winners' phone will ring. | 0:10:37 | 0:10:39 | |
Will it be Simon and John's shoe shop look, 30 quid under budget? | 0:10:41 | 0:10:46 | |
Wayne and Steph's copper design, bang on budget? | 0:10:46 | 0:10:49 | |
Or Charis and Chris' shoe and jewellery display design, | 0:10:49 | 0:10:53 | |
700 quid over budget? | 0:10:53 | 0:10:56 | |
PHONE RINGS | 0:10:56 | 0:10:58 | |
-Hello? -Hi, it's Sara here. | 0:11:06 | 0:11:09 | |
I would like for you and Steph to do my cupboard. | 0:11:09 | 0:11:14 | |
-Yay! -Yeah! | 0:11:14 | 0:11:17 | |
Fantastic. | 0:11:17 | 0:11:18 | |
Why did you choose us? | 0:11:18 | 0:11:20 | |
I think you were the people that had | 0:11:20 | 0:11:22 | |
-the best idea of what I was aiming for. -Ah, fabulous. | 0:11:22 | 0:11:26 | |
And it's a job in the bag for Wayne and Steph. | 0:11:26 | 0:11:29 | |
-Yeah! -Oh, that's nice. | 0:11:29 | 0:11:31 | |
But the losers are a job down. | 0:11:31 | 0:11:34 | |
Not us. I'd be interested to see that pipe work | 0:11:35 | 0:11:38 | |
-that they wanted to do. -Yeah. | 0:11:38 | 0:11:40 | |
Just going to have a measure up, | 0:11:40 | 0:11:41 | |
I think we'll get some shelves in there. What do you reckon? | 0:11:41 | 0:11:44 | |
I want to see them both in the cupboards together. | 0:11:44 | 0:11:46 | |
And you will! | 0:11:47 | 0:11:49 | |
The losing builders will be all eyes | 0:11:49 | 0:11:50 | |
watching Wayne and Steph's every move. | 0:11:50 | 0:11:53 | |
Off to work we go. | 0:11:55 | 0:11:56 | |
Having paid a deposit, | 0:11:59 | 0:12:01 | |
work on Sara's cupboard begins in Wayne's workshop in his back garden. | 0:12:01 | 0:12:04 | |
The man cave. | 0:12:06 | 0:12:07 | |
I'm quite excited to see what they get up to in there. | 0:12:07 | 0:12:10 | |
And the losing builders are all eyes as they begin work. | 0:12:10 | 0:12:14 | |
-He's got a lovely workshop. -I'm in love with the workshop. -Yeah. | 0:12:14 | 0:12:17 | |
I built it so that I didn't create any mess in the main house. | 0:12:17 | 0:12:20 | |
-Am I the honorary cavewoman, then? -WAYNE LAUGHS | 0:12:20 | 0:12:23 | |
I'm very privileged to be allowed in here, you know. | 0:12:23 | 0:12:25 | |
You are, you are extremely privileged. | 0:12:25 | 0:12:28 | |
Even my wife never comes in here! | 0:12:28 | 0:12:30 | |
Wayne's first job is to build the saloon-style doors | 0:12:32 | 0:12:35 | |
by gluing timber planks together. | 0:12:35 | 0:12:37 | |
Cost - just over £3 a plank. | 0:12:37 | 0:12:40 | |
-I don't like the idea of MDF and brand-new... -Wood. | 0:12:40 | 0:12:43 | |
It's upsetting me, Chris. I don't know what to do. | 0:12:43 | 0:12:46 | |
-I don't like it. -I don't like it! I want it to stop. | 0:12:46 | 0:12:48 | |
Sara really wants a door | 0:12:48 | 0:12:50 | |
that matches her original one that's in the bedroom. | 0:12:50 | 0:12:52 | |
So we've had to buy some pine planks that match that. | 0:12:52 | 0:12:56 | |
It's not going to match, though, is it, babe? | 0:12:56 | 0:12:58 | |
While Wayne cracks on with the doors, | 0:12:58 | 0:13:01 | |
Steph's prepping the copper rails that will hold Sara's shoes. | 0:13:01 | 0:13:04 | |
Go on, Steph. Get stuck in. | 0:13:04 | 0:13:06 | |
They cost about £2.50 a metre. | 0:13:06 | 0:13:09 | |
You can see it's a bit grubby, | 0:13:09 | 0:13:10 | |
so I've got a bit of steel wool here and abracadabra. | 0:13:10 | 0:13:14 | |
-That's a magic word, that, John, isn't it? -Yeah. | 0:13:14 | 0:13:16 | |
-Abracadabra, isn't it? -Yeah. | 0:13:16 | 0:13:18 | |
Look at that. And not only that, | 0:13:18 | 0:13:20 | |
you can get a work-out for the bingo wings. | 0:13:20 | 0:13:23 | |
It really is a work-out. I'll have to try this! | 0:13:24 | 0:13:27 | |
Steph's given her guns a proper work-out, buffing all 12 pipes. | 0:13:28 | 0:13:33 | |
Next, the stop ends, the bits that fit the pipes onto the wall. | 0:13:33 | 0:13:37 | |
When you're drilling, if you put a bit of masking tape | 0:13:37 | 0:13:41 | |
over the area before you drill, it stops the drill from slipping. | 0:13:41 | 0:13:45 | |
-Tape on there. -Yeah. | 0:13:45 | 0:13:47 | |
-This seems to me like a strange way to be doing these ends. -Mm-hmm. | 0:13:47 | 0:13:50 | |
Well, that's the theory, at least. | 0:13:50 | 0:13:52 | |
That's something I used to do years ago | 0:13:52 | 0:13:54 | |
when I didn't know what I was doing. | 0:13:54 | 0:13:56 | |
Right, goggles on. | 0:13:56 | 0:13:57 | |
You're very brave to be filming my first attempt. | 0:13:59 | 0:14:02 | |
Ah, come on. You're an old pro, surely? | 0:14:03 | 0:14:06 | |
-Ooh. -Oh! | 0:14:06 | 0:14:07 | |
Let's use the right drill. | 0:14:07 | 0:14:09 | |
I think you should use the right drill bit, not a... | 0:14:09 | 0:14:11 | |
-And take the drill off the hammer. -Yes. | 0:14:11 | 0:14:13 | |
-STRAINED DRILLING -Hello. | 0:14:13 | 0:14:14 | |
Ooh, that's an awful noise. | 0:14:14 | 0:14:16 | |
Think she's got a problem there with that drill. | 0:14:18 | 0:14:20 | |
We're going to try the smaller one. | 0:14:22 | 0:14:23 | |
Straight through, see? | 0:14:26 | 0:14:27 | |
-Aw! -That's lovely, isn't it! -Easy. -Look. | 0:14:27 | 0:14:30 | |
Oh, dream! | 0:14:30 | 0:14:32 | |
Do you think my drill bit's sharper than your drill bit, Wayne? | 0:14:32 | 0:14:35 | |
-Maybe. -Ooh. -Maybe. | 0:14:35 | 0:14:37 | |
Cos I use my drill bits more than you use your drill bits. | 0:14:37 | 0:14:39 | |
Oh, I see! It's like that, is it? | 0:14:39 | 0:14:41 | |
Having given up with Wayne's drill bit, she's now using her own. | 0:14:43 | 0:14:47 | |
This is going to get hot. | 0:14:47 | 0:14:49 | |
-I'll get you a fresh egg in a minute. -And guess what? | 0:14:49 | 0:14:52 | |
There we go. That was actually melting my gloves. | 0:14:53 | 0:14:56 | |
Got them massive gloves on again. | 0:14:57 | 0:14:59 | |
The glove-wearing's really, really dangerous. | 0:14:59 | 0:15:01 | |
You get your gloves sucked into that drill bit, you've had it, mate. | 0:15:01 | 0:15:04 | |
-That's a finger gone. -Our builders in the know | 0:15:04 | 0:15:06 | |
have a thing or two to say about safety. | 0:15:06 | 0:15:08 | |
Using the right safety gear is very important. | 0:15:08 | 0:15:11 | |
For safety, goggles. | 0:15:11 | 0:15:13 | |
It's really important to keep them somewhere they won't get scratched. | 0:15:13 | 0:15:16 | |
If they do get scratched, | 0:15:16 | 0:15:17 | |
they could actually be a hindrance and not a help. | 0:15:17 | 0:15:19 | |
Ear defenders used to be those massive things but actually, | 0:15:19 | 0:15:22 | |
they've got lightweight ones now and very easy to have round | 0:15:22 | 0:15:24 | |
your neck all the time, and if you've got little ears like me, | 0:15:24 | 0:15:27 | |
they fit right in. | 0:15:27 | 0:15:28 | |
That's how we're going to fix that to Sara's sloping ceiling. | 0:15:28 | 0:15:32 | |
And then, that will pop straight into there. | 0:15:32 | 0:15:36 | |
To then come out to the elbow, to then create the rail. | 0:15:36 | 0:15:40 | |
By Jove, she's done it! | 0:15:40 | 0:15:43 | |
Well, one really small bit of it, anyway. | 0:15:43 | 0:15:45 | |
Well, yeah, look. She has scratched that fitting, with them pliers. | 0:15:45 | 0:15:49 | |
The slats for Wayne's doors are stuck together, but they're weak. | 0:15:49 | 0:15:53 | |
I'd love it if it went straight out the window with that. Uhh! | 0:15:54 | 0:15:58 | |
So he's going to strengthen them with painted MDF panels. | 0:15:58 | 0:16:02 | |
Cos it's MDF, it needs priming. | 0:16:02 | 0:16:04 | |
Cos what it is, MDF for your first coat | 0:16:04 | 0:16:06 | |
just sucks out the moisture out the paint. | 0:16:06 | 0:16:08 | |
If you don't have any primer, | 0:16:08 | 0:16:10 | |
you could use the top coat but just water it down. | 0:16:10 | 0:16:12 | |
I don't like the idea of this at all, no. | 0:16:12 | 0:16:15 | |
It would have been much nicer to get a reclaimed door. | 0:16:15 | 0:16:17 | |
He's got a very tidy workshop, though. | 0:16:17 | 0:16:20 | |
And before long, they're done. | 0:16:20 | 0:16:22 | |
There's one thing guaranteed to put a smile on any builder's face | 0:16:22 | 0:16:26 | |
at the end of a hard day. | 0:16:26 | 0:16:27 | |
-Where's my cup of char? -Cup of char? | 0:16:27 | 0:16:30 | |
There is only one T in team. | 0:16:30 | 0:16:31 | |
It's mine. | 0:16:31 | 0:16:33 | |
-That's not very nice, Steph, is it? -Team member and all that. | 0:16:33 | 0:16:37 | |
I want to see what they're going to do when they get in the house. | 0:16:37 | 0:16:39 | |
Me, too, Charis. | 0:16:39 | 0:16:41 | |
All they have to do now is wait for the paint to dry | 0:16:41 | 0:16:43 | |
and fit a few more copper ends and they'll be able to install it. | 0:16:43 | 0:16:47 | |
Next up, we're in leafy suburbia. | 0:16:51 | 0:16:54 | |
An area with easy access to the city on the edge of a rural escape | 0:16:54 | 0:16:58 | |
and where house prices are almost bang on the national average. | 0:16:58 | 0:17:03 | |
We're up north in Urmston, just outside Manchester. | 0:17:03 | 0:17:07 | |
So, who's looking to get the builders in? | 0:17:07 | 0:17:11 | |
This three-bed semi has been home to Christine and Jim Morgan | 0:17:11 | 0:17:14 | |
for the last 17 years. | 0:17:14 | 0:17:16 | |
Those two laurels are looking all right, aren't they? | 0:17:16 | 0:17:18 | |
They're lovely, yeah. I like those. | 0:17:18 | 0:17:20 | |
They've got the inside just right. | 0:17:20 | 0:17:22 | |
But the same can't be said for the backyard. | 0:17:24 | 0:17:27 | |
-It's a small garden. It's just full of blue sheds. -No, there's only... | 0:17:27 | 0:17:30 | |
-There are only two of them. -I know, but I'm saying because... | 0:17:30 | 0:17:33 | |
And a very nice new shed. The trouble is, too many sheds. | 0:17:33 | 0:17:35 | |
Too many sheds, yeah. | 0:17:35 | 0:17:36 | |
So they need to be gone so we've got somewhere | 0:17:36 | 0:17:39 | |
-to have a drink, enjoy ourselves. -Yeah. | 0:17:39 | 0:17:41 | |
Just rubbish left in here. | 0:17:41 | 0:17:44 | |
Oh, you're joking? Flipping heck. | 0:17:44 | 0:17:46 | |
-The sooner it's done, the better. -Good. | 0:17:46 | 0:17:48 | |
What I'd like is a nice brick-built barbecue, | 0:17:48 | 0:17:52 | |
a seating area, new fencing. | 0:17:52 | 0:17:55 | |
So, how much have Christine and Jim got | 0:17:55 | 0:17:57 | |
to transform their shed-filled garden? | 0:17:57 | 0:18:00 | |
Our budget is... | 0:18:00 | 0:18:01 | |
..three, three and a half thousand, tops. | 0:18:01 | 0:18:04 | |
Brace yourself, Jim. | 0:18:04 | 0:18:05 | |
Any builder will tell you digging out and rebuilding a back garden | 0:18:05 | 0:18:09 | |
is always pricey. | 0:18:09 | 0:18:10 | |
It's good to have a plan when you're doing your garden, | 0:18:11 | 0:18:14 | |
so that you can get all the first fixes right. | 0:18:14 | 0:18:16 | |
If using electrics, it's got to be buried underground. | 0:18:16 | 0:18:18 | |
You don't want to put a load of paving down | 0:18:18 | 0:18:20 | |
and then find you've got to dig it all up. | 0:18:20 | 0:18:22 | |
Always measure accurately, | 0:18:22 | 0:18:23 | |
draw the space so you know exactly what you're working with. | 0:18:23 | 0:18:26 | |
You can put a nice piece of decking in but it can be useless | 0:18:26 | 0:18:29 | |
if you can't fit a table on it, for example. | 0:18:29 | 0:18:31 | |
So make sure you know what you want. | 0:18:31 | 0:18:33 | |
All three pairs of today's builders plan to dig out and rebuild | 0:18:33 | 0:18:37 | |
the garden, but the finish is where we'll see a real difference | 0:18:37 | 0:18:40 | |
between the designs. | 0:18:40 | 0:18:42 | |
Fortunately, this fragrant bunch are brimming with ideas | 0:18:42 | 0:18:47 | |
and they're all determined to win the job. | 0:18:47 | 0:18:50 | |
We'll have this done by dinnertime and get the steak on, eh? | 0:18:51 | 0:18:54 | |
First to quote are trendy twosome Sian and Jon. | 0:18:54 | 0:18:58 | |
-Morning. -Good morning. -Is it Christine? -It is, yes. | 0:18:58 | 0:19:01 | |
Hi, I'm Sian. | 0:19:01 | 0:19:03 | |
They'll need to come up with a winning garden idea. | 0:19:03 | 0:19:06 | |
-Ah-ha. So... -We should draw a plan and take some measurements. | 0:19:06 | 0:19:10 | |
Is that the royal we? You should draw a plan | 0:19:10 | 0:19:12 | |
-and I'll take the measurements. -Yes, madam. | 0:19:12 | 0:19:15 | |
-Are we ready? -Aye. -I've heard that before. | 0:19:16 | 0:19:19 | |
Having known one another for over 20 years, | 0:19:19 | 0:19:21 | |
it's clear who's in charge. | 0:19:21 | 0:19:24 | |
I can definitely tell when I'm working with her on a project. | 0:19:24 | 0:19:26 | |
I'll say, "Can we not do it this way?" | 0:19:26 | 0:19:29 | |
But Sian will quite adamantly say that she wants to do it this way. | 0:19:29 | 0:19:33 | |
Measure twice, cut once. | 0:19:33 | 0:19:35 | |
I think he's trying to say I'm bossy! | 0:19:35 | 0:19:37 | |
They'll have to work together if they want to secure this job. | 0:19:38 | 0:19:41 | |
So, what's their plan? | 0:19:41 | 0:19:43 | |
I think we're all about opening up the space, getting rid of those | 0:19:43 | 0:19:46 | |
sheds, creating a fantastic barbecue area and... | 0:19:46 | 0:19:50 | |
They want all of this gone, don't they? All this shingle. | 0:19:50 | 0:19:53 | |
They've got to convince Christine and Jim | 0:19:53 | 0:19:55 | |
that they have a winning idea. | 0:19:55 | 0:19:57 | |
The idea that we had is to create some kind of flow as you're | 0:19:57 | 0:20:01 | |
-coming out of the house. -We need to add some curves. -Yeah. | 0:20:01 | 0:20:03 | |
-Yes. -I think it'll work well and draw your eye to that barbecue. | 0:20:03 | 0:20:08 | |
And then maybe tie this area in to this area with the patio. | 0:20:08 | 0:20:13 | |
And having a really beautiful colour palette. | 0:20:13 | 0:20:16 | |
Dove greys, light greys to deep charcoals. | 0:20:16 | 0:20:19 | |
Something along the lines of a grey like this, a paver. | 0:20:19 | 0:20:22 | |
You know, I was kind of thinking of having a sort of pale, | 0:20:22 | 0:20:25 | |
warm grey on the fence panels. | 0:20:25 | 0:20:27 | |
It's all about details, isn't it, | 0:20:27 | 0:20:29 | |
and making it really, really neat and tidy. | 0:20:29 | 0:20:32 | |
I think we could work wonders with this space, actually. | 0:20:32 | 0:20:35 | |
Not too modern, but something that's a little bit of a twist. | 0:20:35 | 0:20:40 | |
Sian and Jon's modern look includes | 0:20:40 | 0:20:42 | |
a curved pathway, sweeping through | 0:20:42 | 0:20:43 | |
artificial grass from the house | 0:20:43 | 0:20:45 | |
to a raised barbecue area. | 0:20:45 | 0:20:47 | |
They're offering a lot, | 0:20:47 | 0:20:50 | |
but at what price? | 0:20:50 | 0:20:52 | |
And that is 3,980, plus VAT. | 0:20:52 | 0:20:55 | |
Wow! | 0:20:55 | 0:20:56 | |
With VAT, that's nearly £4,800. | 0:20:56 | 0:20:59 | |
1,300 over Jim and Christine's budget. | 0:20:59 | 0:21:03 | |
But it's not over yet. | 0:21:03 | 0:21:05 | |
Next up against the trendy twosome are grafters Chris and Mark. | 0:21:06 | 0:21:10 | |
-Best behaviour now. -Yes. | 0:21:10 | 0:21:13 | |
-Look, you can see where it's been leaking recently. -Mental. | 0:21:13 | 0:21:17 | |
The lads' bromance developed eight years ago, | 0:21:17 | 0:21:20 | |
but as in most relationships, only one can wear the trousers. | 0:21:20 | 0:21:24 | |
That's me. Come on, it is me. | 0:21:24 | 0:21:27 | |
-It is me. -Do I not wear trousers? | 0:21:27 | 0:21:29 | |
Yeah, yeah, short ones. | 0:21:29 | 0:21:31 | |
You dream it, we built it. | 0:21:33 | 0:21:36 | |
So, what's their vision for Christine and Jim's garden? | 0:21:36 | 0:21:39 | |
Maybe a bit of a Mediterranean feel. | 0:21:39 | 0:21:42 | |
-Some terracotta... -Sounds good. | 0:21:42 | 0:21:45 | |
Put a bit of a theme to the garden, won't it? | 0:21:45 | 0:21:48 | |
Sounds exotic. Will Christine and Jim warm to it? | 0:21:48 | 0:21:52 | |
I don't know how you'd think about | 0:21:52 | 0:21:54 | |
something like a Mediterranean sort of feel. | 0:21:54 | 0:21:56 | |
Not too overdone, you know, just a nice terracotta path, | 0:21:56 | 0:22:01 | |
a chimney in the corner. | 0:22:01 | 0:22:03 | |
They wanted the barbecue in this area, | 0:22:03 | 0:22:05 | |
but what I'm going to suggest is that they're not facing with | 0:22:05 | 0:22:08 | |
their back to the party and we put it this way round, | 0:22:08 | 0:22:11 | |
so they're enjoying everyone and of course, they'll be having raves on, | 0:22:11 | 0:22:14 | |
if they want to throw out a few shapes, they can. | 0:22:14 | 0:22:16 | |
-Big box, little box, you know. -Big box! -Whoop-whoop! | 0:22:16 | 0:22:18 | |
Get the old-school raving going. | 0:22:18 | 0:22:20 | |
Your barbecue, we'd love that to be | 0:22:20 | 0:22:22 | |
-in that corner of the garden, just there. -OK. | 0:22:22 | 0:22:24 | |
But turn it around, so if you have got family here... | 0:22:24 | 0:22:26 | |
You're talking to them as you're cooking. | 0:22:26 | 0:22:28 | |
-Oh, so you're...? -Yes, exactly. | 0:22:28 | 0:22:30 | |
To complement the Mediterranean theme, | 0:22:31 | 0:22:33 | |
Chris and Mark have come up with | 0:22:33 | 0:22:35 | |
a circular terracotta paving design | 0:22:35 | 0:22:37 | |
for the back of the garden. | 0:22:37 | 0:22:38 | |
They've clearly thought hard about | 0:22:38 | 0:22:40 | |
the look, but what's the cost? | 0:22:40 | 0:22:42 | |
We know that we can get this job, including materials, for £4,900. | 0:22:44 | 0:22:50 | |
Whoa! That's nearly £125 more than Sian and Jon. | 0:22:50 | 0:22:55 | |
-Thank you very much for your time. -Yes. | 0:22:55 | 0:22:56 | |
Finally, bidding against the other two builders are young guns | 0:22:58 | 0:23:02 | |
Faiz and Tom. | 0:23:02 | 0:23:03 | |
They'll need a killer plan to win the job. | 0:23:03 | 0:23:06 | |
If we're going to have the barbecue, I think we should get it away | 0:23:06 | 0:23:09 | |
from the house and have it in this corner. | 0:23:09 | 0:23:11 | |
Flag up to three-quarters way and a quarter artificial grass. | 0:23:11 | 0:23:14 | |
Get a feel for it. | 0:23:14 | 0:23:16 | |
-Enjoying it there, lad? -Yeah. It's nice, this. -Yeah? Brilliant. | 0:23:16 | 0:23:18 | |
I've got a vision. I can see it finished. | 0:23:18 | 0:23:21 | |
Kids, no fear, cats in safety's here. | 0:23:21 | 0:23:24 | |
The boys might be young-looking but they claim to have the full Monty. | 0:23:24 | 0:23:28 | |
Plastering, tiling, joinery, plumbing. | 0:23:28 | 0:23:32 | |
They do say jack of all trades and master of none, but for me, | 0:23:32 | 0:23:35 | |
it's the other way round - master of them all. | 0:23:35 | 0:23:38 | |
I would like to keep some of these to use as a feature. | 0:23:38 | 0:23:40 | |
We bring ideas that are different and outside the box. | 0:23:40 | 0:23:43 | |
Ooh. So what have they got in mind for here? | 0:23:43 | 0:23:46 | |
I think a lovely Indian stone. | 0:23:46 | 0:23:48 | |
Get rid of these horrible blue sheds. | 0:23:48 | 0:23:50 | |
Depending on price, | 0:23:50 | 0:23:52 | |
if we get some lights running round the perimeter of the cladding. | 0:23:52 | 0:23:54 | |
-Yeah. -So, evening, dusk time, the lights come on. -Yeah, yeah. | 0:23:54 | 0:23:58 | |
Let's see if Christine and Jim are illuminated by the idea. | 0:23:58 | 0:24:02 | |
In terms of setting the tone and the mood in the garden, | 0:24:02 | 0:24:05 | |
we are looking within the budget to add between eight to ten lights, | 0:24:05 | 0:24:10 | |
scattered around. | 0:24:10 | 0:24:11 | |
Now, that's interesting. | 0:24:11 | 0:24:12 | |
Yeah, maybe a little step to go on to the barbecue. | 0:24:12 | 0:24:15 | |
-Like a tandoor. -A what, sorry? -A tandoor. -Oh, right. | 0:24:15 | 0:24:18 | |
For your kebabs and your lamb chops. | 0:24:18 | 0:24:19 | |
Is that how they make the naan bread? | 0:24:19 | 0:24:21 | |
Yeah, that's how you make your naan bread, fresh. | 0:24:21 | 0:24:24 | |
-Mmm. Dinnertime. -Yeah. -Forget burritos, dinnertime. | 0:24:24 | 0:24:27 | |
Keep your mind on the job, lads! | 0:24:27 | 0:24:29 | |
And what about the barbecue itself? | 0:24:29 | 0:24:31 | |
We were thinking of putting an arch on, maybe could smoke some fish | 0:24:31 | 0:24:35 | |
in the top of it, or something like that. | 0:24:35 | 0:24:37 | |
Tom and Faiz have majored on lighting | 0:24:38 | 0:24:40 | |
and placed the barbecue | 0:24:40 | 0:24:41 | |
at the back of the garden. | 0:24:41 | 0:24:43 | |
In front of the house, they plan | 0:24:43 | 0:24:45 | |
to lay a mix of Indian stone | 0:24:45 | 0:24:47 | |
and artificial grass. | 0:24:47 | 0:24:48 | |
Time to see what their quote | 0:24:48 | 0:24:50 | |
comes in at. | 0:24:50 | 0:24:52 | |
So, as far as costing goes, we've got you all in at £3,300. | 0:24:52 | 0:24:57 | |
-That's everything we've discussed. -Mm-hmm. | 0:24:57 | 0:25:00 | |
That's £200 under budget. | 0:25:00 | 0:25:03 | |
Nearly 1,500 less than the cheapest of their rivals. | 0:25:03 | 0:25:05 | |
Nice to meet you. | 0:25:07 | 0:25:09 | |
They've all pitched, but Christine and Jim | 0:25:09 | 0:25:11 | |
don't have to choose any of them. | 0:25:11 | 0:25:13 | |
-How did you get on? -We were actually over budget. | 0:25:13 | 0:25:16 | |
-We decided to go for it. -We've done that as well. | 0:25:16 | 0:25:18 | |
I'm not one to blow my own trumpet, but I think we'll have this one. | 0:25:18 | 0:25:21 | |
-Yeah. -I don't want to know about any of your trumpets, to be honest! | 0:25:21 | 0:25:24 | |
THEY LAUGH | 0:25:24 | 0:25:26 | |
The builders can't do any more. They have to wait. | 0:25:27 | 0:25:30 | |
So, will it be Sian and Jon's modern look? | 0:25:30 | 0:25:35 | |
Chris and Mark's Mediterranean theme? | 0:25:35 | 0:25:38 | |
Or the cheapest of the three, Faiz and Tom's lighting design? | 0:25:38 | 0:25:43 | |
Only the winners' phone will ring. | 0:25:43 | 0:25:46 | |
-PHONE RINGS -Ooh! | 0:25:52 | 0:25:54 | |
Ooh! There's the phone. | 0:25:54 | 0:25:56 | |
Hello, Jon speaking. | 0:25:59 | 0:26:00 | |
After quite a bit of deliberations, | 0:26:00 | 0:26:03 | |
Chris and I would like you to do the work for us. | 0:26:03 | 0:26:07 | |
Oh, fantastic news. | 0:26:07 | 0:26:08 | |
Really looking forward to working on your garden with you. | 0:26:08 | 0:26:11 | |
Look forward to seeing you. | 0:26:11 | 0:26:13 | |
-Brilliant. -OK. -Thanks again. -See you soon, bye-bye. -Bye. | 0:26:13 | 0:26:18 | |
-Oh, tickety-boo. -I know, excellent! | 0:26:18 | 0:26:20 | |
-Right, that's it, done. -Done. | 0:26:20 | 0:26:23 | |
I'm going to enjoy bossing you around on that one, Jon. | 0:26:23 | 0:26:25 | |
Yeah, let's see. | 0:26:25 | 0:26:27 | |
Lucky Jon! The losers walk away empty-handed. | 0:26:27 | 0:26:30 | |
At least one of us has got a job! | 0:26:30 | 0:26:33 | |
It's all about numbers. | 0:26:33 | 0:26:34 | |
The more enquiries you get, the more you're going to hit. | 0:26:34 | 0:26:37 | |
The law of average means we're getting the rest of them. | 0:26:37 | 0:26:39 | |
I'm confident about that! | 0:26:39 | 0:26:41 | |
-What are you having for tea tonight, mate? -Tin of beans, mate. | 0:26:41 | 0:26:45 | |
-Now we've got no work on. -THEY LAUGH | 0:26:45 | 0:26:47 | |
Sian and Jon have a big job on their hands, | 0:26:51 | 0:26:53 | |
turning Christine and Jim's cluttered backyard | 0:26:53 | 0:26:56 | |
into an easy-to-maintain social space. | 0:26:56 | 0:26:59 | |
So what do you need to do if you're | 0:26:59 | 0:27:01 | |
getting the builders to do your garden? | 0:27:01 | 0:27:03 | |
Make sure the area is as safe as possible and make sure there's | 0:27:03 | 0:27:05 | |
a clear route so that we can get in and out as easily possible. | 0:27:05 | 0:27:08 | |
If you've got any precious plants or statues | 0:27:08 | 0:27:10 | |
that you don't want to break, put them somewhere safe. | 0:27:10 | 0:27:13 | |
You might want to let your neighbours know that we'll be in, | 0:27:13 | 0:27:15 | |
making a bit of noise. | 0:27:15 | 0:27:16 | |
It's important to keep them sweet. | 0:27:16 | 0:27:18 | |
It's two weeks later and Sian and Jon start work at Christine | 0:27:19 | 0:27:23 | |
and Jim's house, transforming the shed-filled garden into | 0:27:23 | 0:27:27 | |
a minimal escape, perfect for entertaining. | 0:27:27 | 0:27:31 | |
And the losing builders are all eyes. | 0:27:31 | 0:27:34 | |
Let's see what they've done. | 0:27:34 | 0:27:36 | |
The build is in three stages. | 0:27:38 | 0:27:41 | |
First, they'll clear the site. | 0:27:41 | 0:27:43 | |
Next, the build. | 0:27:43 | 0:27:45 | |
A pathway will lead up through the centre | 0:27:45 | 0:27:48 | |
to a large raised patio | 0:27:48 | 0:27:50 | |
and new lights and fencing | 0:27:50 | 0:27:51 | |
will be added. | 0:27:51 | 0:27:52 | |
Finally, the finishing touches, | 0:27:52 | 0:27:54 | |
including laying artificial grass | 0:27:54 | 0:27:56 | |
and a barbecue. | 0:27:56 | 0:27:58 | |
While Sian is off shopping for materials, | 0:27:58 | 0:28:00 | |
Jon and his team waste no time clearing the entire garden. | 0:28:00 | 0:28:05 | |
Where are all these people coming from? | 0:28:05 | 0:28:07 | |
They've got a minibus out the front. | 0:28:07 | 0:28:09 | |
And before long, it's curtains for those offending blue sheds. | 0:28:09 | 0:28:14 | |
I didn't know this was full of stuff. | 0:28:15 | 0:28:17 | |
It's the worst thing that happens when you open someone's shed | 0:28:17 | 0:28:20 | |
-and see a load of... -I didn't think of all that. | 0:28:20 | 0:28:22 | |
But that's not stopping Jon and his team. | 0:28:25 | 0:28:28 | |
If we'd got that, it would've been just me and you doing all that work! | 0:28:28 | 0:28:32 | |
Make me a labourer. | 0:28:32 | 0:28:34 | |
It takes an entire morning of hard graft to clear the rubbish | 0:28:35 | 0:28:39 | |
and the skip is full to bursting. | 0:28:39 | 0:28:42 | |
And just as it is clear... | 0:28:42 | 0:28:44 | |
-Ooh! Bloomin' heck. -Afternoon. | 0:28:44 | 0:28:46 | |
She likes swerving off from jobs, doesn't she? | 0:28:46 | 0:28:49 | |
..Sian's back from her shopping trip. | 0:28:49 | 0:28:52 | |
-Yes, we've made a good start. -Sheds have gone. | 0:28:52 | 0:28:55 | |
Sun shining, blue skies. You've got absolutely... | 0:28:55 | 0:28:57 | |
-Can't ask for more, can you? -..shedloads done. | 0:28:57 | 0:28:59 | |
-Excuse the pun, "shedloads". -Yeah. | 0:28:59 | 0:29:01 | |
So, yeah, I'm sorry I haven't been digging. | 0:29:01 | 0:29:04 | |
-Right, so you're off now. -You'll get over it, though, won't you? | 0:29:04 | 0:29:06 | |
I feel sorry for Jon. | 0:29:06 | 0:29:08 | |
But she didn't just pop out for a pint of milk. | 0:29:09 | 0:29:11 | |
She's picked up three tonnes of crushed aggregate | 0:29:11 | 0:29:14 | |
and 3.5 tonnes of sand. | 0:29:14 | 0:29:16 | |
These will make the foundations for the patio and pathway. | 0:29:16 | 0:29:20 | |
So we've got to move it round the back now. | 0:29:20 | 0:29:23 | |
But before any of this can be put down, | 0:29:23 | 0:29:25 | |
some essential preparations need to be made. | 0:29:25 | 0:29:28 | |
They are creating the trench for where the curved step's going to be. | 0:29:28 | 0:29:33 | |
They're digging down to where they've got a solid base. | 0:29:33 | 0:29:35 | |
And then we can put some concrete blocks down which will form the base | 0:29:35 | 0:29:38 | |
for the sort of wall. | 0:29:38 | 0:29:40 | |
Next, the pathway needs a solid foundation. | 0:29:40 | 0:29:44 | |
So a thin layer of crushed aggregate | 0:29:44 | 0:29:47 | |
is laid and then flattened with a wacker plate. | 0:29:47 | 0:29:49 | |
-They've got an army of people, haven't they? -Yup. | 0:29:49 | 0:29:52 | |
With the whole team busy, Sian starts painting the shed. | 0:29:52 | 0:29:56 | |
This paint colour's called Blackened. | 0:29:56 | 0:29:59 | |
It's not actually black but it's called Blackened. | 0:29:59 | 0:30:01 | |
-She'll have that whipped in a couple of hours, no doubt. -Yeah. | 0:30:01 | 0:30:05 | |
Look quite Mediterranean, I think, when it's done. | 0:30:05 | 0:30:07 | |
Sian's getting her hands dirty. Painting. | 0:30:07 | 0:30:10 | |
Good job it's not a very big shed. | 0:30:10 | 0:30:12 | |
That's got to be the worst job ever. Just painting that pebbledash. | 0:30:13 | 0:30:16 | |
I hate that. | 0:30:16 | 0:30:17 | |
She could be there a while. | 0:30:17 | 0:30:19 | |
Ugh! | 0:30:19 | 0:30:21 | |
As the day draws to an end, | 0:30:21 | 0:30:23 | |
Jon puts in the first of the new fence panels and the new design | 0:30:23 | 0:30:26 | |
of the garden has started to be blocked out. | 0:30:26 | 0:30:29 | |
But there's still an awful lot left to do. | 0:30:29 | 0:30:32 | |
-TOM WHISTLES -Massive, massive job. -Oh, yeah. | 0:30:32 | 0:30:35 | |
Back in Croydon, Wayne and Steph set to work | 0:30:42 | 0:30:45 | |
transforming Sara's dumping ground into a glamorous shoe cupboard. | 0:30:45 | 0:30:50 | |
Go on, Wayne. | 0:30:50 | 0:30:51 | |
But before the copper pipes can be fitted, | 0:30:51 | 0:30:54 | |
Steph's freshening up the walls. | 0:30:54 | 0:30:56 | |
We're using a wipeable paint. | 0:30:56 | 0:30:58 | |
If she's hanging shoes over the copper pipes, and one of the heels, | 0:30:58 | 0:31:02 | |
you know, makes a mark or whatever, | 0:31:02 | 0:31:03 | |
she's always got that option just to be able to wipe the wall. | 0:31:03 | 0:31:06 | |
That is a proper cool idea. | 0:31:06 | 0:31:08 | |
Steph's almost finished the painting. | 0:31:10 | 0:31:12 | |
It's always nice to work in big spaces. | 0:31:12 | 0:31:16 | |
I wouldn't be able to fit in there, would I? | 0:31:16 | 0:31:18 | |
No, we definitely weren't going to get in there together, were we? | 0:31:18 | 0:31:21 | |
And Wayne's fitting his barn doors. | 0:31:21 | 0:31:23 | |
Yeah, that looks good. | 0:31:25 | 0:31:26 | |
And homeowner Sara's found an excuse for a sneaky peek. | 0:31:28 | 0:31:32 | |
-Two teas, guys! -Oh, fantastic! | 0:31:33 | 0:31:36 | |
Oh, she's a lovely lady, John, bringing up a couple of teas. | 0:31:36 | 0:31:39 | |
Yeah, a cup of tea. | 0:31:39 | 0:31:40 | |
-Getting there. -Hey, wow! Doors. | 0:31:40 | 0:31:43 | |
-Hello! -I don't come with the cupboard. -Oh, shame. | 0:31:45 | 0:31:48 | |
But I'm getting very friendly with it! | 0:31:48 | 0:31:50 | |
I know it intimately now. | 0:31:50 | 0:31:52 | |
Super. | 0:31:52 | 0:31:54 | |
Painting done. | 0:31:55 | 0:31:57 | |
Knees sore. | 0:31:57 | 0:31:58 | |
So far, it's looking good. | 0:31:58 | 0:32:01 | |
Right, it's just the copper now. | 0:32:01 | 0:32:03 | |
Steph just has the last of the copper pipes to cut. | 0:32:03 | 0:32:06 | |
Uh, it's completely stuck. | 0:32:06 | 0:32:07 | |
How have I got that so wedged? | 0:32:09 | 0:32:11 | |
Go on, Steph, you can do it. | 0:32:11 | 0:32:13 | |
Ugh! | 0:32:13 | 0:32:14 | |
Steph might be stuck, but that's not stopping Wayne. | 0:32:14 | 0:32:17 | |
Three down, one more to go. | 0:32:17 | 0:32:19 | |
-He just cracks on. -Oh, he's cracked on. | 0:32:19 | 0:32:21 | |
-Leave her to it! -Yeah. "I don't want to be here all day, Steph, | 0:32:21 | 0:32:24 | |
"I'm just going to get on with it." | 0:32:24 | 0:32:26 | |
But... | 0:32:26 | 0:32:27 | |
-That shoe's just fallen off. -Ooh! | 0:32:27 | 0:32:29 | |
THEY LAUGH | 0:32:29 | 0:32:31 | |
Fortunately, quick-thinking Wayne comes up with a modification | 0:32:31 | 0:32:35 | |
that will hold the shoes in place. | 0:32:35 | 0:32:37 | |
This next rail is going to be closer to the wall, | 0:32:37 | 0:32:40 | |
so when it's closer to the wall the shoe won't fall out. | 0:32:40 | 0:32:43 | |
The build is finished. | 0:32:43 | 0:32:45 | |
Ooh, look at my pipe, isn't it shiny? | 0:32:45 | 0:32:48 | |
The cupboard is dressed... | 0:32:48 | 0:32:50 | |
Check out the heels on those. | 0:32:50 | 0:32:51 | |
These are just for cleaning round the house. | 0:32:51 | 0:32:54 | |
..and their work is done. | 0:32:54 | 0:32:56 | |
-There we go. That's that. -Cool. | 0:32:56 | 0:32:58 | |
Wayne and Steph have spent two long days in Sara's cluttered cupboard. | 0:33:04 | 0:33:09 | |
-It was a very small cupboard with a lot of shoes in it. -Tiny. | 0:33:11 | 0:33:14 | |
What will the losing builders make of their hard work? | 0:33:14 | 0:33:18 | |
So, yes, let's have a look. | 0:33:18 | 0:33:20 | |
-Here we go. -Let's see what they do. | 0:33:20 | 0:33:22 | |
Very nice. | 0:33:26 | 0:33:27 | |
-Well, that looks nice, doesn't it? -Yeah. | 0:33:27 | 0:33:29 | |
The sleek saloon doors open to reveal the treasure trove of shoes | 0:33:29 | 0:33:34 | |
Sara always wanted. | 0:33:34 | 0:33:37 | |
-Look at those, John. -Look at those babies. | 0:33:37 | 0:33:40 | |
The clever use of recycled copper gives a modern, elegant feel. | 0:33:40 | 0:33:44 | |
-Top job. -That is tidy. | 0:33:45 | 0:33:48 | |
I reckon she'll be happy with that. | 0:33:48 | 0:33:49 | |
I mean, it's basically what she wanted, wasn't it? | 0:33:49 | 0:33:51 | |
They get a ten out of ten from me for that one, John. | 0:33:51 | 0:33:54 | |
-No arguments there. -Ten out of ten. | 0:33:54 | 0:33:55 | |
The losing teams are impressed, but what will Sara make of it? | 0:33:55 | 0:33:59 | |
Wayne and Steph are about to find out. | 0:33:59 | 0:34:02 | |
I hope she likes it. | 0:34:02 | 0:34:04 | |
-Here we go. -Ah! | 0:34:05 | 0:34:07 | |
Ooh. | 0:34:08 | 0:34:11 | |
Ooh! | 0:34:11 | 0:34:12 | |
All my babies. | 0:34:16 | 0:34:18 | |
Wow, it's amazing! | 0:34:20 | 0:34:22 | |
They're ready to be plucked like fruit from a tree. | 0:34:23 | 0:34:26 | |
They've done exactly what they said they would. | 0:34:26 | 0:34:28 | |
-That's what she wanted, isn't it? -I'm very pleased. | 0:34:28 | 0:34:31 | |
I want one! | 0:34:31 | 0:34:33 | |
I love the copper. It's something nice to look at | 0:34:33 | 0:34:35 | |
and it's also very useful. | 0:34:35 | 0:34:36 | |
-Ah, that's nice. -I'm over the moon. | 0:34:36 | 0:34:39 | |
It's wonderful. | 0:34:39 | 0:34:40 | |
Back up north in Urmston, | 0:34:45 | 0:34:47 | |
Christine and Jim have got Sian and Jon in to transform the neglected | 0:34:47 | 0:34:52 | |
garden into a space they can enjoy with friends and family. | 0:34:52 | 0:34:55 | |
And guess what? Sian's still painting. | 0:34:55 | 0:34:59 | |
Still on that corner! | 0:34:59 | 0:35:00 | |
Stupid, stupid idea to paint this shed. | 0:35:03 | 0:35:07 | |
THEY LAUGH | 0:35:07 | 0:35:09 | |
It's just taking ages. | 0:35:10 | 0:35:12 | |
I feel like I've been doing it all month! | 0:35:12 | 0:35:14 | |
Oops, missed a bit! | 0:35:16 | 0:35:18 | |
We're just putting the fence panelling on now. | 0:35:19 | 0:35:22 | |
-It's looking good. -And it's going to be nice and smooth. | 0:35:22 | 0:35:24 | |
-Is it going to be nice and level, though? -Uh, yeah. | 0:35:24 | 0:35:27 | |
It's going to be perfectly level so when I paint it... | 0:35:27 | 0:35:30 | |
-Look out, yeah. -Yeah. | 0:35:30 | 0:35:31 | |
It's going to be level so her paint comes out level. | 0:35:31 | 0:35:33 | |
These bespoke cladded fences | 0:35:33 | 0:35:35 | |
are a great way of covering up a neighbour's less attractive ones. | 0:35:35 | 0:35:39 | |
And now that shed's finally painted... | 0:35:39 | 0:35:42 | |
She's given up on the pebbledash! | 0:35:42 | 0:35:44 | |
..Sian moves on to painting the cladded fences. | 0:35:44 | 0:35:48 | |
The replacement fence panels on the right-hand side were chosen by | 0:35:49 | 0:35:53 | |
Christine and Jim at £35 each. | 0:35:53 | 0:35:56 | |
The ultimate in zero-maintenance options for a garden | 0:35:56 | 0:36:00 | |
is artificial grass. | 0:36:00 | 0:36:02 | |
Sian's using this to frame the pathway, | 0:36:02 | 0:36:05 | |
so gets Christine to choose which one she'd like. | 0:36:05 | 0:36:08 | |
Turf that you screw down can't be turf, can it, really? | 0:36:08 | 0:36:11 | |
-You know what? -I think that, yeah. | 0:36:11 | 0:36:13 | |
-If you're going to do it, then you do it well. -Exactly. | 0:36:13 | 0:36:15 | |
Because it's an artificial grass | 0:36:15 | 0:36:17 | |
so you don't want it to look artificial, | 0:36:17 | 0:36:19 | |
you want it to look really beautiful and really plush and quite natural. | 0:36:19 | 0:36:22 | |
It's not for me. | 0:36:22 | 0:36:23 | |
I think it's the one that looks the most natural in the garden. | 0:36:23 | 0:36:26 | |
-Really nice. This is the one. -Yeah. | 0:36:26 | 0:36:27 | |
I'll sit in there with a glass of wine, actually. | 0:36:27 | 0:36:30 | |
I was thinking, "Oh, that'd be nice!" | 0:36:30 | 0:36:32 | |
-Personally, I like it cos I don't like mowing the lawn. -Yeah. | 0:36:32 | 0:36:35 | |
For the path, Sian is cutting the tiles into irregular sizes | 0:36:36 | 0:36:40 | |
to create a modern look. | 0:36:40 | 0:36:42 | |
I like how they come off-centre. | 0:36:44 | 0:36:46 | |
This is a very cost-effective silver-grey sandstone, | 0:36:46 | 0:36:50 | |
so good price point from local builders' merchants, | 0:36:50 | 0:36:53 | |
around about £20 a metre. | 0:36:53 | 0:36:55 | |
The path is going to come out from the step and then curve around, | 0:36:55 | 0:36:59 | |
an organic curve, going to the beautiful curved wall. | 0:36:59 | 0:37:04 | |
Using curves doesn't just add interest, | 0:37:04 | 0:37:06 | |
it softens all those hard edges. | 0:37:06 | 0:37:09 | |
So, that's the plan. Matt says it's far easier if they'll cut through | 0:37:09 | 0:37:14 | |
the path after it's set, so after the cement's gone off. | 0:37:14 | 0:37:17 | |
And then we'll mark out where the curve is and then cut it after. | 0:37:17 | 0:37:21 | |
That's the easiest way, apparently. | 0:37:21 | 0:37:23 | |
-I've laid a few of those, mate! -Overlay and cut it out, much easier. | 0:37:23 | 0:37:27 | |
Having already painted the fence panels with a grey primer, | 0:37:34 | 0:37:38 | |
Sian is now giving them a once-over with a light grey top coat. | 0:37:38 | 0:37:42 | |
I've got a nice top tip for you here. | 0:37:42 | 0:37:44 | |
When you've had your nutritious soup lunch, | 0:37:44 | 0:37:46 | |
wash out the pot and use it for paint. | 0:37:46 | 0:37:48 | |
It's tiny, so it's really easy and nice and light, | 0:37:48 | 0:37:50 | |
so you don't have to carry the full tin. | 0:37:50 | 0:37:53 | |
and you don't feel the guilt of throwing away a plastic pot! | 0:37:53 | 0:37:55 | |
May keep it forever. | 0:37:55 | 0:37:57 | |
Christine and Jim have chosen to have more lights | 0:37:57 | 0:38:00 | |
than originally planned. | 0:38:00 | 0:38:01 | |
Luckily, they told the team early. | 0:38:01 | 0:38:03 | |
So we've got some lighting around the back. | 0:38:04 | 0:38:06 | |
But actually, it's far better to do lighting while you're doing | 0:38:06 | 0:38:09 | |
the garden design then think, "Oh, should we have done it?" | 0:38:09 | 0:38:11 | |
and three months later, | 0:38:11 | 0:38:13 | |
get an electrician in to start digging up, etc. | 0:38:13 | 0:38:15 | |
They're there late! It's like us, mate! | 0:38:16 | 0:38:19 | |
It's the final day of the build and the garden is taking shape. | 0:38:24 | 0:38:28 | |
The limestone pavers for the path and patio are laid, | 0:38:28 | 0:38:32 | |
the fences are up and painted... | 0:38:32 | 0:38:34 | |
It's coming along all right. | 0:38:34 | 0:38:36 | |
..and Sian is making final adjustments to the new lights. | 0:38:36 | 0:38:40 | |
They're very, very cute. | 0:38:40 | 0:38:43 | |
The grey matches the paint on the fence panels perfectly and they've | 0:38:43 | 0:38:46 | |
got these really cute little brass details which I really like, | 0:38:46 | 0:38:48 | |
so I'm pretty happy with those, yeah. | 0:38:48 | 0:38:51 | |
To prep for the artificial grass, | 0:38:51 | 0:38:53 | |
the team put down on a layer of sand that's compacted and levelled. | 0:38:53 | 0:38:56 | |
A membrane is added to keep the weeds at bay and, finally, | 0:38:56 | 0:39:00 | |
the grass is neatly fitted, just like a carpet. | 0:39:00 | 0:39:03 | |
Look how different that looks, mate. | 0:39:03 | 0:39:05 | |
Yeah, it looks really good. | 0:39:05 | 0:39:07 | |
I'm really pleased with it, actually. | 0:39:07 | 0:39:09 | |
It kind of just lifts the garden, doesn't it? | 0:39:09 | 0:39:11 | |
Everything's grey, so now it's got that splash of greenery. | 0:39:11 | 0:39:13 | |
Started getting the pot plants in, clean it all, so, you know, | 0:39:13 | 0:39:17 | |
keep the client happy! A bit tired. | 0:39:17 | 0:39:19 | |
It's just one final push now to get the garden finished. | 0:39:23 | 0:39:27 | |
Time to add those all-important accessories. | 0:39:27 | 0:39:30 | |
I feel like I've been painting this garden for weeks | 0:39:31 | 0:39:34 | |
and the boys are bringing in the barbecue. | 0:39:34 | 0:39:37 | |
Apparently there's 733 pieces and 1,257 drawings. | 0:39:37 | 0:39:41 | |
TOM SNIGGERS | 0:39:41 | 0:39:42 | |
The size of them instructions, as well! | 0:39:42 | 0:39:44 | |
I bet that folds out like a plan. | 0:39:44 | 0:39:46 | |
Oh, God, let's get going on it | 0:39:48 | 0:39:49 | |
or we're going to be here till midnight. | 0:39:49 | 0:39:51 | |
-Don't drop it. -Meow! | 0:39:52 | 0:39:54 | |
This heavy-duty high-end barbecue is the business at £549. | 0:39:56 | 0:40:02 | |
So I don't want to cement it together until we've absolutely | 0:40:02 | 0:40:05 | |
confirmed that it's OK to position it where it is, but for now, | 0:40:05 | 0:40:07 | |
they kind of get the idea so they'll be able to see the garden as it is. | 0:40:07 | 0:40:11 | |
It's a little bit out, isn't it? | 0:40:11 | 0:40:12 | |
Finishing touches. | 0:40:14 | 0:40:15 | |
That looks nice, that. Yeah, I like that. | 0:40:15 | 0:40:17 | |
-Does that actually work? -Of course it does! | 0:40:17 | 0:40:20 | |
-That's not straight. -Oh. | 0:40:20 | 0:40:21 | |
-Right, job done, eh? -Job done. You've done OK. | 0:40:25 | 0:40:28 | |
Quite like your hard work. | 0:40:28 | 0:40:30 | |
-I hope Christine and Jim love it. -So do I. | 0:40:30 | 0:40:32 | |
Eight days ago, Christine and Jim's garden was a neglected, | 0:40:35 | 0:40:39 | |
characterless box of a backyard full of sheds. | 0:40:39 | 0:40:43 | |
The sheds in the back were an eyesore, weren't they? | 0:40:43 | 0:40:45 | |
Yeah, definitely. | 0:40:45 | 0:40:46 | |
-Yeah, it needed doing, didn't it? Outdated. -Yeah, it was horrible. | 0:40:46 | 0:40:50 | |
So what will the losing builders think of Sian and Jon's hard work? | 0:40:50 | 0:40:55 | |
Let's see what the craic is. | 0:40:55 | 0:40:57 | |
-Massive difference, isn't it? -Yeah. | 0:41:00 | 0:41:03 | |
-I think that's really nice. -Yeah, I agree. | 0:41:06 | 0:41:09 | |
The entire garden has been ripped up and the old slabs and weeds replaced | 0:41:09 | 0:41:14 | |
with a stone pathway and easy-to-maintain artificial grass. | 0:41:14 | 0:41:18 | |
Look at the difference in that, what they've got. | 0:41:18 | 0:41:21 | |
-Complete transformation. -Yeah, yeah, yeah. | 0:41:21 | 0:41:23 | |
No, it does look nice, you know? | 0:41:23 | 0:41:25 | |
There's a new fence in a cool grey, | 0:41:25 | 0:41:26 | |
an elegant backdrop to | 0:41:26 | 0:41:27 | |
the entertaining area Christine and Jim wanted. | 0:41:27 | 0:41:30 | |
Well done. | 0:41:30 | 0:41:32 | |
And where once the battered sheds stood | 0:41:32 | 0:41:34 | |
now proudly rests a state-of-the-art barbie on a paved patio. | 0:41:34 | 0:41:38 | |
They've done a great job. | 0:41:40 | 0:41:41 | |
No-one can deny that whatsoever, can they? | 0:41:41 | 0:41:44 | |
Perfect for those balmy summer nights. | 0:41:44 | 0:41:47 | |
Well, it does look nice, you know, the finished product. | 0:41:47 | 0:41:49 | |
-They should be proud of themselves. Which no doubt they are! -Yup. | 0:41:50 | 0:41:55 | |
The builders like it, but now | 0:41:55 | 0:41:56 | |
Sian and Jon are about to find out what Christine and Jim think. | 0:41:56 | 0:42:00 | |
-It was grim, wasn't it, that garden? -Yeah, all those sheds. | 0:42:02 | 0:42:04 | |
It was absolutely grim. | 0:42:04 | 0:42:05 | |
Oh! | 0:42:05 | 0:42:07 | |
Yeah. | 0:42:11 | 0:42:12 | |
-I'm dead chuffed with this. -Oh, God! Brilliant. | 0:42:18 | 0:42:22 | |
They look really pleased with it. | 0:42:22 | 0:42:24 | |
-Wow! -Look how big it looks! -Yeah. That's brilliant. | 0:42:24 | 0:42:28 | |
-Absolutely lovely. -It's amazing, the transformation. | 0:42:28 | 0:42:30 | |
Yeah, I would never have believed this garden could look so big. | 0:42:30 | 0:42:35 | |
I did really well on this garden. | 0:42:35 | 0:42:37 | |
We'll keep it as it is! | 0:42:38 | 0:42:40 | |
Can't wait for the nice balmy nights, have a good drink! | 0:42:40 | 0:42:42 | |
-Barbecue and a drink. -And a barbecue. | 0:42:42 | 0:42:44 | |
Low maintenance and wine. | 0:42:44 | 0:42:46 | |
-Fantastic! -Oh, God! | 0:42:47 | 0:42:49 | |
Christine and Jim are overwhelmed. | 0:42:49 | 0:42:51 | |
Let's leave the last word to Sian and Jon. | 0:42:51 | 0:42:55 | |
I'm really pleased and I think | 0:42:55 | 0:42:56 | |
they will really, really enjoy that garden. | 0:42:56 | 0:42:59 |