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We're all obsessed with having lovely houses. | 0:00:02 | 0:00:05 | |
-Wow! -I know. -Oh, my goodness. | 0:00:05 | 0:00:08 | |
It looks great. So bright in here. | 0:00:08 | 0:00:10 | |
Ugh! | 0:00:10 | 0:00:12 | |
But the road to perfection isn't an easy ride. | 0:00:12 | 0:00:16 | |
Just let's do it in order. | 0:00:16 | 0:00:17 | |
It's like dealing with the Three Stooges. | 0:00:17 | 0:00:19 | |
Ooh, she's getting bossy. | 0:00:19 | 0:00:20 | |
How do you choose the right builder for the job? | 0:00:20 | 0:00:22 | |
-You love it. -JOHN LAUGHS | 0:00:22 | 0:00:24 | |
We've scoured Britain... | 0:00:24 | 0:00:26 | |
-Are you ready? -I'm ready, babe. | 0:00:26 | 0:00:28 | |
..for pairs of builders... | 0:00:28 | 0:00:30 | |
-Bit posher than your house, mate, isn't it? -I don't know, mate. | 0:00:30 | 0:00:33 | |
..who think they've got what it takes... | 0:00:33 | 0:00:35 | |
Well, they're out of it, anyway. So what are you doing? | 0:00:35 | 0:00:38 | |
..to pitch against each other and win work. | 0:00:38 | 0:00:40 | |
Right, first question - is the kettle on? | 0:00:40 | 0:00:43 | |
Only one pair will win each job. | 0:00:43 | 0:00:45 | |
Yeah, baby! | 0:00:45 | 0:00:47 | |
Number one in the bag, Micky boy. | 0:00:47 | 0:00:49 | |
-But... -Oh! | 0:00:49 | 0:00:52 | |
..they're going to be put through the ultimate wringer. | 0:00:52 | 0:00:55 | |
-Ooh! -Oh! | 0:00:55 | 0:00:57 | |
The losing pairs... | 0:00:57 | 0:00:58 | |
-I'd love to be a househusband. -..will be scrutinising their work. | 0:00:58 | 0:01:01 | |
Can anyone else hear the sucking of builders' teeth? | 0:01:01 | 0:01:04 | |
I don't like the idea of this at all. No. | 0:01:04 | 0:01:07 | |
-Oh, my word! -Oh, my... | 0:01:07 | 0:01:08 | |
We're kicking off in suburbia, in an area famous for football, | 0:01:11 | 0:01:15 | |
which is a stone's throw from a thriving city centre where | 0:01:15 | 0:01:18 | |
house prices are just under the national average. | 0:01:18 | 0:01:22 | |
We're up north in Stretford, South Manchester. | 0:01:22 | 0:01:25 | |
This three-bed Edwardian semi is home to drama teacher, Karen, | 0:01:28 | 0:01:33 | |
and her ten-year-old son, Emerson. | 0:01:33 | 0:01:35 | |
They moved into the property nine years ago. | 0:01:35 | 0:01:38 | |
It was the first house I ever saw and I absolutely fell in love with | 0:01:38 | 0:01:41 | |
it from outside, and knew this was the house I was going to live in. | 0:01:41 | 0:01:45 | |
Karen's renovated the house from top to bottom. | 0:01:45 | 0:01:48 | |
So, what's left to do? | 0:01:48 | 0:01:50 | |
Since I bought it, I've been kind of doing a room each year. | 0:01:50 | 0:01:53 | |
And this year, it's the cellar. | 0:01:53 | 0:01:56 | |
It's already been converted into two rooms, but it's basic | 0:01:56 | 0:01:59 | |
to say the least. | 0:01:59 | 0:02:01 | |
It's really cold down there and there's lots of breeze in there, | 0:02:01 | 0:02:05 | |
and drafts and spiders. | 0:02:05 | 0:02:08 | |
Careful, darling. | 0:02:09 | 0:02:11 | |
So, Karen wants to evict the incy wincies and turn the bigger | 0:02:11 | 0:02:16 | |
space into a playroom for her train-obsessed son, Emerson. | 0:02:16 | 0:02:19 | |
I think it's about time he had his own space to play. | 0:02:21 | 0:02:23 | |
He has autism and ADHD, | 0:02:23 | 0:02:25 | |
and it's going to help him with his creativity. | 0:02:25 | 0:02:28 | |
You know, he wants to be an inventor as well. | 0:02:28 | 0:02:31 | |
So, I think it's going to help him with his inventions. | 0:02:31 | 0:02:35 | |
So, just how much has Karen got to spend on her | 0:02:36 | 0:02:39 | |
inventor's lab playroom? | 0:02:39 | 0:02:41 | |
The budget for this is £1,500. | 0:02:41 | 0:02:44 | |
However, if we do go over, we go over, the room needs doing. | 0:02:44 | 0:02:49 | |
Karen's work is merely cosmetic, but building work in cellars | 0:02:49 | 0:02:53 | |
needs careful planning. | 0:02:53 | 0:02:54 | |
If you're going to turn a dark basement into an extra room, | 0:02:55 | 0:02:58 | |
think about lighting as it will really brighten it up. | 0:02:58 | 0:03:00 | |
Make sure you put some heating in if there's none there already. | 0:03:00 | 0:03:03 | |
Finishing and furnishings are so important when you finish a project. | 0:03:03 | 0:03:06 | |
The more homely you can make it, | 0:03:06 | 0:03:08 | |
the more times you'll end up spending there. | 0:03:08 | 0:03:10 | |
So, let's see which builders are bidding for this job. | 0:03:11 | 0:03:14 | |
They all know they're pitching to transform a draughty cellar to | 0:03:16 | 0:03:20 | |
a vibrant playroom. But it's their designs that will set them apart. | 0:03:20 | 0:03:24 | |
First up are young guns Faiz and Tom. | 0:03:24 | 0:03:27 | |
Just check if you've got any... | 0:03:28 | 0:03:31 | |
..ketchup on you today, our kid, yeah. | 0:03:31 | 0:03:33 | |
They've been working up ideas in the cafe. | 0:03:33 | 0:03:36 | |
-Hi! -Morning, Karen. You OK? Faiz. Nice to meet you. | 0:03:36 | 0:03:39 | |
-Please, come in. -Thank you. | 0:03:39 | 0:03:40 | |
Mind your head when you come down here, Tom. | 0:03:42 | 0:03:44 | |
Time to size up that cellar. | 0:03:45 | 0:03:48 | |
It'd be fun working down here. | 0:03:49 | 0:03:51 | |
-You can't even put your hard hat on, can you? -No. | 0:03:51 | 0:03:53 | |
You're nearly going through the ceiling! | 0:03:53 | 0:03:56 | |
Fortunately, these two are ready for any job. | 0:03:57 | 0:04:01 | |
Plastering, tiling, joinery, plumbing. | 0:04:01 | 0:04:05 | |
They say Jack of all trades and master of none, but for me, | 0:04:05 | 0:04:07 | |
it's the other way round - master of them all. | 0:04:07 | 0:04:10 | |
So, what's the plan for the playroom? | 0:04:12 | 0:04:14 | |
If we can do some sort of train-track theme in here, | 0:04:14 | 0:04:18 | |
that would be nice. We want to offer the customer something | 0:04:18 | 0:04:21 | |
that she's getting most for her money. | 0:04:21 | 0:04:23 | |
Faiz and Tom are on track with the design, | 0:04:23 | 0:04:25 | |
but they've got to convince Karen they've got the winning idea. | 0:04:25 | 0:04:29 | |
We're going to make a train track | 0:04:29 | 0:04:30 | |
and it's going to go through the wall | 0:04:30 | 0:04:32 | |
and make the wall into a bridge. | 0:04:32 | 0:04:34 | |
And then it's going to return back through the wall | 0:04:34 | 0:04:36 | |
-and come back into the room. -Wow. | 0:04:36 | 0:04:38 | |
Shelving systems on that side for books, toys. | 0:04:38 | 0:04:41 | |
-We've spoke about any lights? -Yeah. | 0:04:41 | 0:04:44 | |
Some sort of lighting system around the top. | 0:04:45 | 0:04:48 | |
-You know, LED strip lights. -Yes. | 0:04:48 | 0:04:50 | |
So, whatever mood Emerson's in, he can change the colour and have | 0:04:50 | 0:04:53 | |
-a chill out. -Great. | 0:04:53 | 0:04:55 | |
Faiz and Tom plan to box in Karen's washing machine, | 0:04:55 | 0:04:58 | |
as well as lay carpet and build some under-stairs storage. | 0:04:58 | 0:05:01 | |
But the jewel in the crown is a suspended train track | 0:05:01 | 0:05:05 | |
that will travel through the wall. | 0:05:05 | 0:05:07 | |
So, what's the cost? | 0:05:07 | 0:05:09 | |
All in, Karen, we're going to have £1,000 on materials | 0:05:09 | 0:05:12 | |
-and £500 labour. -OK. -We'll do | 0:05:12 | 0:05:14 | |
-as much as we can within the couple of days. -Brilliant, lovely. | 0:05:14 | 0:05:17 | |
So, just remember whoever you choo-choo choose... | 0:05:17 | 0:05:19 | |
we're going to do that! | 0:05:19 | 0:05:21 | |
I love it, I love it, Tom, I love it. | 0:05:21 | 0:05:23 | |
Ah, Tom, what a comedian. | 0:05:23 | 0:05:25 | |
But they've not won the job yet. | 0:05:27 | 0:05:29 | |
Up against Faiz and Tom are family firm, Tracey and Daryll. | 0:05:29 | 0:05:33 | |
Sorry, but you need to wake up this morning. | 0:05:33 | 0:05:36 | |
And I think we know who's in charge. | 0:05:37 | 0:05:39 | |
-It needs to be done cos they're moving in. -Yes, I'm doing it. | 0:05:39 | 0:05:42 | |
Right, I'll just go and check something in the bathroom. | 0:05:42 | 0:05:44 | |
I do most of the work and my mother gets most of the money. | 0:05:44 | 0:05:49 | |
I'd describe you as being multi-skilled. | 0:05:49 | 0:05:51 | |
I'm going to have to take these off, then, aren't I? | 0:05:51 | 0:05:53 | |
I need to clone you, that's what I need to do. | 0:05:53 | 0:05:55 | |
You don't half get weird sometimes. | 0:05:55 | 0:05:58 | |
With five children and three grandchildren... | 0:05:58 | 0:06:01 | |
Don't you knock yourself out. Whoa! | 0:06:01 | 0:06:03 | |
..Tracy knows a thing or two about playrooms. | 0:06:03 | 0:06:06 | |
What a great space. | 0:06:06 | 0:06:07 | |
What I'm thinking of doing here is making this like a train station, | 0:06:07 | 0:06:11 | |
paint it so it looks like a tunnel. | 0:06:11 | 0:06:12 | |
-And then the outside, make it look like brickwork. -Yeah. | 0:06:12 | 0:06:15 | |
And across the top, put his name in, like, | 0:06:15 | 0:06:17 | |
as if you would have on a train station sign. | 0:06:17 | 0:06:20 | |
Tracey's train station mural | 0:06:20 | 0:06:21 | |
certainly sounds like it will appeal, | 0:06:21 | 0:06:23 | |
but they've got to convince Karen it's better than Faiz and Tom's. | 0:06:23 | 0:06:27 | |
-That's your chimney breast in the cellar. -Uh-huh. | 0:06:27 | 0:06:29 | |
We were thinking if we painted the centre of the chimney breast black. | 0:06:29 | 0:06:33 | |
-Yeah. -And then brick wallpapered it up... -Uh-huh. | 0:06:33 | 0:06:36 | |
..it would look like a train tunnel. | 0:06:36 | 0:06:38 | |
-Ah! -So we just thought he might quite like that. | 0:06:38 | 0:06:40 | |
-I know I'd probably... -He would. -I'd probably quite like that. | 0:06:40 | 0:06:43 | |
-In terms of the floor... -Yeah. | 0:06:43 | 0:06:44 | |
-..I reckon we go for that road map carpet. -Yeah, I do. | 0:06:44 | 0:06:47 | |
Road and trains, so everything's on it so that he can... | 0:06:47 | 0:06:50 | |
So, it's a carpet to give warmth. | 0:06:50 | 0:06:51 | |
-Yeah, but he can play on the floor. -Play on it as well. | 0:06:51 | 0:06:54 | |
You know when you get the little rolls of car mats you play on? | 0:06:54 | 0:06:56 | |
-It's basically that, but it's the whole floor. -Oh, wow. OK. | 0:06:56 | 0:06:59 | |
So, it's got trains, cars, all sorts of things on it, roads, | 0:06:59 | 0:07:02 | |
that kind of thing. | 0:07:02 | 0:07:04 | |
As well as a train tunnel mural and vehicles play carpet, | 0:07:04 | 0:07:07 | |
Tracey and Daz plan to build some bench storage | 0:07:07 | 0:07:10 | |
with a long shelf above. | 0:07:10 | 0:07:12 | |
But can they do all this within Karen's £1,500 budget? | 0:07:12 | 0:07:16 | |
Including everything, all the materials, we're coming in at 1,850. | 0:07:16 | 0:07:19 | |
-Uh-huh. -OK? -Yeah. | 0:07:19 | 0:07:21 | |
So, their quote is £350 over Faiz and Tom's, and Karen's budget. | 0:07:21 | 0:07:28 | |
Cor, blimey. | 0:07:28 | 0:07:29 | |
Finally, bidding against the other two are no-nonsense lads, | 0:07:29 | 0:07:33 | |
Mark and Chris. | 0:07:33 | 0:07:34 | |
-Try and stand up properly. -Nearly, no. | 0:07:34 | 0:07:38 | |
They've been joined at the hip for the last three years. | 0:07:38 | 0:07:41 | |
-I call his mum, Mum. -Yeah. -That says it all. | 0:07:41 | 0:07:44 | |
-And dad, Dad. -And his dad, Dad. | 0:07:44 | 0:07:46 | |
OK, mate. Don't make me well up, Mark. It is. | 0:07:46 | 0:07:50 | |
You dream it, we build it. | 0:07:52 | 0:07:55 | |
They'll need to think big to beat the competitors in the pitch. | 0:07:55 | 0:07:58 | |
So, storage. | 0:07:58 | 0:08:00 | |
-Storage. -Paramount to a playroom, right? -Yeah. | 0:08:01 | 0:08:05 | |
Fun, vibrant, lots of storage. | 0:08:05 | 0:08:09 | |
All the benching going all the way round as far as we can. | 0:08:09 | 0:08:12 | |
-And seating going round. -They're going to make it fun and functional. | 0:08:12 | 0:08:15 | |
But will Karen like it enough to hire them over the others? | 0:08:15 | 0:08:19 | |
Full seating area to go round from the side wall, the back wall, | 0:08:19 | 0:08:23 | |
and into the alcove. | 0:08:23 | 0:08:25 | |
Your storage seating would all be carpet-lined inside, | 0:08:25 | 0:08:28 | |
-so it will be all nice. -Oh, lovely, OK. -Yes. | 0:08:28 | 0:08:31 | |
Joint some carpet. Even if we do | 0:08:31 | 0:08:33 | |
one big colour, cut some sections out with some patterns, | 0:08:33 | 0:08:36 | |
maybe circles, squares, a couple of different types of carpet, | 0:08:36 | 0:08:41 | |
different textures, maybe, | 0:08:41 | 0:08:43 | |
just to make the room look a little bit more interesting. | 0:08:43 | 0:08:45 | |
-Stand out. -Yeah. -Yeah. And that's where we sit. | 0:08:45 | 0:08:49 | |
Great, it sounds wonderful. | 0:08:49 | 0:08:51 | |
Mark and Chris plan to use funky | 0:08:51 | 0:08:53 | |
covered patchwork and bundles | 0:08:53 | 0:08:55 | |
of seating storage to create | 0:08:55 | 0:08:57 | |
a fun and vibrant play area. | 0:08:57 | 0:08:59 | |
But what's it going to cost? | 0:08:59 | 0:09:01 | |
Price. | 0:09:02 | 0:09:03 | |
-We're on top budget at £,1500. -OK, that's great, that's fine. | 0:09:06 | 0:09:09 | |
I am going to try and make this as perfect as we can for you. | 0:09:09 | 0:09:13 | |
Brilliant. | 0:09:13 | 0:09:15 | |
-Thank you. -Thank you. -Thank you very much. -Nice to meet you. | 0:09:15 | 0:09:18 | |
They've all pitched, but Karen doesn't have to go with any of them. | 0:09:18 | 0:09:22 | |
-How did everybody get on? -I thought it was good. | 0:09:24 | 0:09:26 | |
-It wasn't just a child wanting some fancy bedroom. -Yeah. | 0:09:26 | 0:09:29 | |
It was a real need for somebody that was really going to enjoy it. | 0:09:29 | 0:09:32 | |
We did try to have a think if we could underpin it and take down | 0:09:32 | 0:09:36 | |
the floor and everything within the £1,500 budget, | 0:09:36 | 0:09:39 | |
but that was a bit too much! | 0:09:39 | 0:09:40 | |
THEY LAUGH | 0:09:40 | 0:09:43 | |
Keep it together, guys. | 0:09:43 | 0:09:44 | |
The builders can't do any more. They just have to wait. | 0:09:46 | 0:09:51 | |
Karen could go for Faiz and Tom's bang-on-budget train track idea. | 0:09:51 | 0:09:56 | |
Or Tracey and Daryll's pricier mural. | 0:09:56 | 0:09:59 | |
Or Chris and Mark's carpet patchwork, also on budget. | 0:09:59 | 0:10:03 | |
Only the winning team's phone will ring. | 0:10:08 | 0:10:11 | |
PHONE RINGS | 0:10:20 | 0:10:23 | |
Hm. Mm! | 0:10:23 | 0:10:25 | |
-Hello. -Hi, is that Faiz? | 0:10:29 | 0:10:31 | |
Speaking. Is it Karen? | 0:10:31 | 0:10:33 | |
I'd love to give you the job. | 0:10:33 | 0:10:35 | |
We're going to be absolutely wowed by it. It sounds great. | 0:10:35 | 0:10:38 | |
Brilliant, brilliant. That's good news. | 0:10:38 | 0:10:40 | |
That's good news, definitely. | 0:10:40 | 0:10:42 | |
Tom's doing a little dance for us now! | 0:10:42 | 0:10:44 | |
Emerson's going to be absolutely made up with this. | 0:10:44 | 0:10:47 | |
-Yeah, he will. -OK. -Bye-bye. | 0:10:47 | 0:10:49 | |
-Yes! -Done. Sorted. Get in. | 0:10:51 | 0:10:54 | |
-We're in! -We're in. | 0:10:54 | 0:10:56 | |
That's made my day, that. | 0:10:56 | 0:10:58 | |
-So, we've got something good to look forward to. -Yeah. | 0:10:58 | 0:11:00 | |
It's a job in the bag for Faiz and Tom. | 0:11:00 | 0:11:03 | |
Losers leave empty-handed. | 0:11:03 | 0:11:06 | |
I dread to think what they'll say when they're watching on later. | 0:11:06 | 0:11:09 | |
-Oh. -Oh. | 0:11:09 | 0:11:12 | |
-That's a bit of a shame. -Bit disappointing, that. | 0:11:12 | 0:11:14 | |
-Of course... -It was a job that everybody wanted. | 0:11:14 | 0:11:17 | |
Of course. You know... | 0:11:17 | 0:11:18 | |
Definitely, definitely a little bit gutted over this one. | 0:11:18 | 0:11:21 | |
-Yeah. -But, hey, onto the next one. | 0:11:21 | 0:11:24 | |
-Onto the next one, mate. -Onto the next one. | 0:11:24 | 0:11:26 | |
Karen's basement will soon become a playroom for her son, Emerson. | 0:11:26 | 0:11:31 | |
If you're planning to get the builders in, | 0:11:31 | 0:11:33 | |
here's a few things to consider. | 0:11:33 | 0:11:35 | |
Make sure you have a big clear-out because a blank canvas | 0:11:36 | 0:11:39 | |
means that we can get started straightaway. | 0:11:39 | 0:11:41 | |
Order everything in advance if you can just to avoid any hold-ups. | 0:11:41 | 0:11:45 | |
If you can give us a parking space outside the job, | 0:11:45 | 0:11:47 | |
it would make our life a lot easier to get materials in and rubbish out. | 0:11:47 | 0:11:50 | |
It's day one of the job. Karen's cleared the basement... | 0:11:53 | 0:11:57 | |
-Here we go. -..and the losers are all eyes. | 0:11:57 | 0:12:00 | |
I'm looking forward to it. | 0:12:00 | 0:12:02 | |
Faiz and Tom have a lot to do to convert the cold cellar into a warm, | 0:12:03 | 0:12:07 | |
vibrant playroom. | 0:12:07 | 0:12:09 | |
The main unique design was the train track that's going to be... | 0:12:09 | 0:12:12 | |
Going through the wall and back through again. | 0:12:12 | 0:12:14 | |
-So, we're looking forward to doing that. -Yeah. | 0:12:14 | 0:12:16 | |
That's a way off yet, lads. | 0:12:16 | 0:12:18 | |
-We should get cracking, then, shouldn't we? -Yeah. | 0:12:18 | 0:12:20 | |
Can't stand around talking all day, can we, Tom? | 0:12:20 | 0:12:22 | |
Not both of us, anyway. | 0:12:22 | 0:12:23 | |
But before they can start work, Tom needs to get all the timber | 0:12:24 | 0:12:28 | |
for the storage down to the basement. | 0:12:28 | 0:12:30 | |
I wonder how many times you'll bang your head on this today, Tom. | 0:12:32 | 0:12:35 | |
I had to turn round to get down there! | 0:12:35 | 0:12:37 | |
We're going to struggle getting the long lengths down there. | 0:12:37 | 0:12:40 | |
Mm. | 0:12:40 | 0:12:41 | |
-Tight, that, isn't it? -Yeah. | 0:12:41 | 0:12:43 | |
-No chance of getting that wood down those stairs, isn't it? -Yeah. | 0:12:43 | 0:12:46 | |
Last one. | 0:12:46 | 0:12:47 | |
This is tricky access so Tom's come up with a nifty idea. | 0:12:47 | 0:12:51 | |
-Chisel. Ooh! -Oh! | 0:12:54 | 0:12:56 | |
Savage! | 0:12:56 | 0:12:59 | |
You've not smashed through the window yet, Tom? | 0:12:59 | 0:13:01 | |
Might have taken a slightly more delicate approach | 0:13:01 | 0:13:03 | |
to taking the glass out. | 0:13:03 | 0:13:04 | |
There we go. Saves us up and down the stairs all day. | 0:13:06 | 0:13:09 | |
Easier for me cos I just tell you to do it. | 0:13:09 | 0:13:11 | |
His quick thinking has saved them having to cut the wood outside. | 0:13:14 | 0:13:17 | |
Genius. | 0:13:17 | 0:13:19 | |
HE SINGS ANGELICALLY | 0:13:19 | 0:13:21 | |
HE GROWLS | 0:13:21 | 0:13:23 | |
Timber in, Tom cracks on with the boxing in of utilities, | 0:13:26 | 0:13:31 | |
but there's a flaw in his design. | 0:13:31 | 0:13:33 | |
Ah! | 0:13:33 | 0:13:35 | |
That's going to be a bit of an issue. | 0:13:37 | 0:13:39 | |
-Can't get the powder in. -He's trying to throw it in there. | 0:13:43 | 0:13:46 | |
Throwing it in, yeah. | 0:13:46 | 0:13:47 | |
We've got a big problem here. | 0:13:47 | 0:13:49 | |
Well, not a big problem, but another couple of hours' work | 0:13:49 | 0:13:52 | |
I've just caused myself by not thinking things through properly. | 0:13:52 | 0:13:55 | |
Tom, I'm sorry, mate. | 0:13:55 | 0:13:57 | |
We're going to ridicule you now forever. | 0:13:59 | 0:14:01 | |
Tom's got a plan, but it's not going to speed things up. | 0:14:01 | 0:14:04 | |
I'm going to cut this timber, | 0:14:04 | 0:14:06 | |
put a little hatch on here to be able to do that. | 0:14:06 | 0:14:09 | |
Quick thinking. | 0:14:11 | 0:14:12 | |
Got there in the end, Tom. | 0:14:15 | 0:14:17 | |
The design idea that won Faiz and Tom the pitch | 0:14:20 | 0:14:23 | |
was a suspended train track that will run through the wall of the basement | 0:14:23 | 0:14:28 | |
-and back round in a loop. -We're going to put four by two timbers for the track to sit on to. | 0:14:28 | 0:14:33 | |
We want the four by two to go straight through the wall. | 0:14:33 | 0:14:36 | |
-It was a good idea sending that through the wall. -Yeah. | 0:14:36 | 0:14:38 | |
Having measured where they want the track to go, | 0:14:40 | 0:14:43 | |
Faiz starts with making the hole for the tunnel. | 0:14:43 | 0:14:45 | |
The lads have built the track up high so the space below | 0:14:48 | 0:14:52 | |
can still be used by Emerson for his toys and seating. | 0:14:52 | 0:14:55 | |
Putting our braces on the ceiling to hold up our track's | 0:14:58 | 0:15:02 | |
going to be running along. | 0:15:02 | 0:15:04 | |
They look like railway sleepers. | 0:15:04 | 0:15:05 | |
The sleepers are in, but no sleep for us, unfortunately. | 0:15:05 | 0:15:09 | |
Yeah. No sleep, late night. | 0:15:09 | 0:15:13 | |
Least he's staying later to get done what he's got to do. | 0:15:13 | 0:15:15 | |
-Bless him. -It's bespoke ideas like this that set you apart | 0:15:15 | 0:15:19 | |
from your competitors. | 0:15:19 | 0:15:20 | |
The seven metres of wood cost £80 | 0:15:21 | 0:15:24 | |
including brackets and, now it's fixed and sturdy, | 0:15:24 | 0:15:27 | |
it's ready for the track. | 0:15:27 | 0:15:29 | |
We'll be back with Faiz and Tom later. | 0:15:29 | 0:15:32 | |
Next job today is in a commuter hot spot where the average | 0:15:39 | 0:15:43 | |
detached house will set you back a wallet-clenching £750,000. | 0:15:43 | 0:15:48 | |
We're down south in Woking, Surrey. | 0:15:48 | 0:15:51 | |
In need of builders are Giovanna and Ross Hood, | 0:15:51 | 0:15:54 | |
who moved into this three-bed detached with their two children, | 0:15:54 | 0:15:58 | |
ten-month-old Noah and two-and-a-half-year-old Mia | 0:15:58 | 0:16:01 | |
just two weeks ago. | 0:16:01 | 0:16:02 | |
I think what I really liked about the house was the space, | 0:16:02 | 0:16:06 | |
a nice, big garden for the children. It really has some great potential. | 0:16:06 | 0:16:10 | |
Potential, yeah. | 0:16:10 | 0:16:11 | |
Are you going up the stairs? | 0:16:11 | 0:16:13 | |
I tried to do as much painting as I could. | 0:16:13 | 0:16:15 | |
-So I painted and decorated the kids' rooms. -But now there is the big, | 0:16:15 | 0:16:20 | |
big work to be done. | 0:16:20 | 0:16:22 | |
And that big work means starting with their bedroom. | 0:16:22 | 0:16:25 | |
The master bedroom has been the same since the house was built. | 0:16:25 | 0:16:28 | |
So, there is wallpaper all over it, which is a kind of '70s style. | 0:16:28 | 0:16:35 | |
The wardrobes, they fall apart. | 0:16:35 | 0:16:38 | |
It's just not functional. | 0:16:39 | 0:16:41 | |
This is a forever home. | 0:16:41 | 0:16:42 | |
We just want it to be a warm and comfortable place that we can go | 0:16:42 | 0:16:45 | |
and relax in and go to sleep, and be at one with. | 0:16:45 | 0:16:49 | |
So, just how much have Ross and Giovanna | 0:16:49 | 0:16:52 | |
got to transform their bedroom? | 0:16:52 | 0:16:54 | |
£2,000-£2,500 we would like to put in, | 0:16:54 | 0:16:57 | |
which we hope will include the flooring, all the wall recovered, | 0:16:57 | 0:17:01 | |
the refurbishment of the wardrobes, and plastering of the ceiling. | 0:17:01 | 0:17:05 | |
That's quite a bit of work for the budget, but our builders | 0:17:05 | 0:17:08 | |
are full of tips on keeping the price down. | 0:17:08 | 0:17:11 | |
Use a specialised builder. | 0:17:12 | 0:17:13 | |
They often have better contacts for the materials | 0:17:13 | 0:17:16 | |
and because they do that job all the time, they're generally quicker - | 0:17:16 | 0:17:19 | |
cuts down on labour costs. | 0:17:19 | 0:17:21 | |
Ask your builder if he can get discount on materials | 0:17:21 | 0:17:23 | |
as we often get trade discounts. | 0:17:23 | 0:17:26 | |
It's a good idea to have a contingency plan on any budget, | 0:17:26 | 0:17:29 | |
up to around 25%. | 0:17:29 | 0:17:31 | |
So, let's see which builders are bidding for this job. | 0:17:31 | 0:17:35 | |
They're all going to have to sort out the storage | 0:17:35 | 0:17:37 | |
and give the room a major makeover. | 0:17:37 | 0:17:39 | |
So, it's the ideas they have for those all-important | 0:17:39 | 0:17:42 | |
finishing touches that will win over Ross and Giovanna. | 0:17:42 | 0:17:45 | |
Fortunately, today's eager beavers are brimming with ideas. | 0:17:47 | 0:17:50 | |
I really hope we get this job. Because we're nearly out of fuel! | 0:17:50 | 0:17:53 | |
And they're all champing at the bit to win the job. | 0:17:53 | 0:17:56 | |
-I like the job. -Yeah? -I think it's quite straightforward. -Yeah, yeah. | 0:17:56 | 0:18:00 | |
First to quote are smooth operators Martin and Mick. | 0:18:00 | 0:18:03 | |
Hello. | 0:18:04 | 0:18:06 | |
They've spent more than an hour on the road so they don't want | 0:18:06 | 0:18:09 | |
to walk away empty-handed. | 0:18:09 | 0:18:11 | |
Oh, I quite like this wallpaper, Mick. | 0:18:11 | 0:18:14 | |
It's easy to get carried away, especially in a bedroom with... | 0:18:14 | 0:18:17 | |
LAUGHTER | 0:18:17 | 0:18:19 | |
These two have been inseparable for the last six years. | 0:18:19 | 0:18:24 | |
Yeah, I'd like to think I was a modern-day builder. | 0:18:24 | 0:18:27 | |
I try to use technology to our advantage. | 0:18:27 | 0:18:30 | |
I'm a carpenter, general builder, | 0:18:30 | 0:18:32 | |
and I normally do all the horrible stuff. | 0:18:32 | 0:18:35 | |
No, you get to do some nice stuff too. | 0:18:35 | 0:18:38 | |
They'll need to come up with | 0:18:38 | 0:18:39 | |
an eye-catching design to win the pitch. | 0:18:39 | 0:18:42 | |
3370. | 0:18:42 | 0:18:44 | |
2360. | 0:18:44 | 0:18:45 | |
You can do anything with this room. I mean, it's a full makeover. | 0:18:45 | 0:18:49 | |
It's a new floor. It's new wardrobes. | 0:18:49 | 0:18:52 | |
What I'm thinking is we're going to have to... | 0:18:52 | 0:18:54 | |
We're going to be able to bring that straight across. | 0:18:54 | 0:18:56 | |
We're going to make this opening | 0:18:56 | 0:18:58 | |
the right size to take three mirrored sliding doors. | 0:18:58 | 0:19:01 | |
But now they've got to convince Giovanna and Ross. | 0:19:01 | 0:19:04 | |
Right, guys, so essentially you've got the two wardrobes at the moment. | 0:19:04 | 0:19:07 | |
We're thinking three mirrored wardrobe doors. | 0:19:07 | 0:19:10 | |
These clearly aren't working the way they should be. | 0:19:10 | 0:19:14 | |
So, I'm not sure we'll be saving anything, really. | 0:19:15 | 0:19:18 | |
We would build them in so that whole space filled across there. | 0:19:18 | 0:19:20 | |
Yeah, OK. So, from wall-to-wall, that would be completely full. | 0:19:20 | 0:19:23 | |
Wall-to-wall, yeah. And then inside this bespoke wardrobe, | 0:19:23 | 0:19:27 | |
we would want to split it into three. | 0:19:27 | 0:19:29 | |
Hang on, one thing I haven't seen in here - a TV. | 0:19:29 | 0:19:32 | |
Yeah, but perhaps they don't like watching telly in bed. | 0:19:32 | 0:19:35 | |
Who doesn't like watching TV in bed? | 0:19:35 | 0:19:37 | |
-I don't. -Really? Well, that don't surprise me, to be fair, mate. | 0:19:37 | 0:19:40 | |
I can imagine you sitting in silence. | 0:19:40 | 0:19:42 | |
I have to after working with you all day, talking all the time. | 0:19:42 | 0:19:45 | |
In the middle, if you wanted to slide that wardrobe door open, | 0:19:45 | 0:19:47 | |
you can watch some TV and if you don't want it on show, | 0:19:47 | 0:19:49 | |
-you put it away again. -That's quite a cool idea. -So that's | 0:19:49 | 0:19:52 | |
quite a cool idea. And then lay your laminate floor for you, | 0:19:52 | 0:19:54 | |
-and fit your skirting board as well, and decorate everything. -Yeah. | 0:19:54 | 0:19:58 | |
Martin and Mick's big idea is a bespoke fitted wardrobe with three | 0:19:58 | 0:20:03 | |
mirrored sliding doors, a built-in TV and a new floor. | 0:20:03 | 0:20:07 | |
But can they do it for the £2,500 budget? | 0:20:07 | 0:20:10 | |
So, the price we've got... | 0:20:12 | 0:20:14 | |
..is 4,480. | 0:20:16 | 0:20:18 | |
That is almost double the budget. | 0:20:19 | 0:20:22 | |
We're definitely going to have to think about that cos that is | 0:20:22 | 0:20:25 | |
quite a bit more than we expected. | 0:20:25 | 0:20:26 | |
But we didn't quite know what to expect when we came out, | 0:20:26 | 0:20:29 | |
so it's good to know. | 0:20:29 | 0:20:31 | |
But their rivals are still to pitch. | 0:20:31 | 0:20:33 | |
Hoping to beat Martin and Mick are burly bears Simon and John. | 0:20:37 | 0:20:41 | |
-Hello, how are you doing? -Hiya. | 0:20:41 | 0:20:43 | |
They'll need a cracking plan to get the job. | 0:20:43 | 0:20:46 | |
-It's a nice size. -Yeah, it's a good size, mate. | 0:20:47 | 0:20:49 | |
There's someone in there trying to get out. Stay in there! | 0:20:53 | 0:20:57 | |
These two building buddies each bring their own unique set of skills | 0:20:57 | 0:21:02 | |
-to every job. -Yeah, my main skills are making a cup of tea. | 0:21:02 | 0:21:06 | |
Cup of tea! | 0:21:06 | 0:21:07 | |
I do all the brickwork, you do plastering. | 0:21:07 | 0:21:11 | |
-You lend your hand to most things, don't you? -Yeah. | 0:21:11 | 0:21:13 | |
I take plumbing and chippy work. | 0:21:13 | 0:21:16 | |
We'd like to get it bang up-to-date, modern-looking bedroom. | 0:21:16 | 0:21:20 | |
I supposed, to some degree, minimalistic, really. | 0:21:22 | 0:21:24 | |
Now they've got to persuade Ross and Giovanna | 0:21:24 | 0:21:27 | |
their minimalist bedroom idea is better | 0:21:27 | 0:21:30 | |
than Martin and Mick's with a hidden TV. | 0:21:30 | 0:21:32 | |
We'd like to bring it up to modern times, replaster the ceiling, | 0:21:32 | 0:21:36 | |
we'll take all of the carpets up, obviously, | 0:21:36 | 0:21:38 | |
we'll fix all the floorboards that you said are squeaking. | 0:21:38 | 0:21:40 | |
-Yeah. -Sort that all out. -MDF doors floor-to-ceiling. | 0:21:40 | 0:21:44 | |
Yeah, yeah. I'll go along with that. | 0:21:44 | 0:21:46 | |
I thought of just doing a nice simple picture rail frame | 0:21:46 | 0:21:49 | |
all the way round. If you pick the colour and then we can do it | 0:21:49 | 0:21:52 | |
to match the room, I don't know what sort of colours you had in mind. | 0:21:52 | 0:21:55 | |
Probably some kind of greys, neutrals, | 0:21:55 | 0:21:57 | |
maybe some darker blues or greens. | 0:21:57 | 0:22:00 | |
We'd like to drag it kicking and screaming into the 21st-century. | 0:22:00 | 0:22:03 | |
-OK. -And hopefully everyone will be happy. | 0:22:03 | 0:22:06 | |
Simon and John's sleek modern look will include a built-in wardrobe, | 0:22:08 | 0:22:12 | |
a replastered ceiling and a new laminate floor. | 0:22:12 | 0:22:16 | |
It's a complete makeover. But what's the cost? | 0:22:16 | 0:22:19 | |
So, our price for all of that is... | 0:22:19 | 0:22:22 | |
..£6,000. | 0:22:25 | 0:22:26 | |
-Yeah. -OK, wow. | 0:22:26 | 0:22:28 | |
-Yeah. -Yeah. -Yeah. | 0:22:28 | 0:22:29 | |
-Wow. -Exactly. | 0:22:29 | 0:22:32 | |
Those modern bespoke wardrobes have pushed the price a whopping | 0:22:32 | 0:22:36 | |
three-and-a-half-grand over budget. | 0:22:36 | 0:22:39 | |
Do you think there is anything | 0:22:39 | 0:22:41 | |
you can do to try to keep the price a bit lower? | 0:22:41 | 0:22:44 | |
The best way would be obviously to take away the bespoke wardrobes. | 0:22:44 | 0:22:48 | |
If we did that, we could get the price down to 2,500... | 0:22:48 | 0:22:53 | |
-OK. -..and also that includes you purchasing the wardrobe doors | 0:22:53 | 0:22:57 | |
-and the wooden floor. -OK. | 0:22:57 | 0:23:00 | |
With a bit of quick thinking, Simon and John | 0:23:00 | 0:23:03 | |
have smashed their price down to match Giovanna and Ross's budget | 0:23:03 | 0:23:06 | |
of two-and-a-half grand. | 0:23:06 | 0:23:08 | |
Finally, bidding against the other builders are diamond geezers | 0:23:09 | 0:23:13 | |
-Elliot and Paul. -It's very dated. It's going to take a lot more work | 0:23:13 | 0:23:16 | |
than they think it's going to take. | 0:23:16 | 0:23:18 | |
They'll need a sharp design to beat their rivals. | 0:23:18 | 0:23:21 | |
I think we should keep them, though. | 0:23:21 | 0:23:22 | |
-It's quite vintage. -Yeah. | 0:23:22 | 0:23:25 | |
I'm the brains, he's the brawn. | 0:23:25 | 0:23:28 | |
Hold on a minute, oi. That's right. | 0:23:28 | 0:23:30 | |
Elliot, hurry up, mate. | 0:23:30 | 0:23:31 | |
I wear the trousers, he just tells me what colour. | 0:23:31 | 0:23:34 | |
Damp problems. A lot of paint build-up | 0:23:35 | 0:23:37 | |
where it's obviously come off and stuff. A lot of making good. | 0:23:37 | 0:23:41 | |
I think our unique part within this will actually be coming and spraying | 0:23:41 | 0:23:44 | |
this with a sprayer because not a lot of people have seen it, | 0:23:44 | 0:23:47 | |
not a lot of people use it. | 0:23:47 | 0:23:48 | |
For the time it will take to spray it, you ain't going to do it | 0:23:49 | 0:23:52 | |
-in half the time. -Yeah. -And obviously we know that... | 0:23:52 | 0:23:55 | |
And we know it's going to be a perfect finish as well. | 0:23:55 | 0:23:57 | |
-Yeah. It's seamless, isn't it, with that? -Yeah. | 0:23:57 | 0:24:00 | |
So, Elliot and Paul plan to make a splash | 0:24:00 | 0:24:03 | |
with their unusual paint sprayer. | 0:24:03 | 0:24:05 | |
Time to sell their ideas to Ross and Giovanna. | 0:24:05 | 0:24:08 | |
I think the main point for us is the finish. | 0:24:08 | 0:24:11 | |
So, basically what we'll do is, once we've plastered, | 0:24:11 | 0:24:13 | |
we spray all the fresh plaster. | 0:24:13 | 0:24:16 | |
So we don't have to prime it out first. | 0:24:16 | 0:24:19 | |
It's called an airless spray machine. | 0:24:19 | 0:24:21 | |
It puts on three coats at once so the finish is seamless. | 0:24:21 | 0:24:26 | |
You can't get a better finish than that. That's the best finish | 0:24:26 | 0:24:29 | |
-you can get. -Sure. Yeah. | 0:24:29 | 0:24:30 | |
The only issue is obviously these wardrobes. | 0:24:30 | 0:24:32 | |
I think you're better off buying prepacked units that we can just | 0:24:32 | 0:24:36 | |
put together, put them in. | 0:24:36 | 0:24:37 | |
Otherwise, if they want that bespoke, you're looking at | 0:24:37 | 0:24:40 | |
hundreds and hundreds and hundreds of pounds worth of cost. | 0:24:40 | 0:24:44 | |
We were kind of thinking maybe something like this, | 0:24:44 | 0:24:47 | |
-as a bifold door. -Yeah. -Two would be one size, | 0:24:47 | 0:24:49 | |
-one would be another size. -That would be OK | 0:24:49 | 0:24:52 | |
if they're a slightly different size. That's fine. | 0:24:52 | 0:24:55 | |
So, as well as using a high-quality paint sprayer, | 0:24:55 | 0:24:58 | |
Elliot and Paul plan to do all the plastering | 0:24:58 | 0:25:01 | |
and fit prepacked wardrobe units with bifold doors. | 0:25:01 | 0:25:05 | |
But what's all this going to cost? | 0:25:05 | 0:25:08 | |
So, our price for that... | 0:25:08 | 0:25:10 | |
..materials and labour, would be 6,100. | 0:25:12 | 0:25:15 | |
-Right, OK. -Crikey. That's the highest of all three quotes, | 0:25:15 | 0:25:20 | |
a whopping £3,600 over budget. | 0:25:20 | 0:25:23 | |
How long would that take you to do? | 0:25:24 | 0:25:26 | |
We've allowed six days. | 0:25:26 | 0:25:28 | |
-Six days, OK. -That's it. | 0:25:28 | 0:25:29 | |
They've all pitched. But Giovanna and Ross | 0:25:29 | 0:25:32 | |
don't have to choose any of them. | 0:25:32 | 0:25:35 | |
-How much are you charging, boys? -We went in at 6.1. | 0:25:36 | 0:25:40 | |
-Yeah. -That was labour... | 0:25:40 | 0:25:41 | |
LAUGHTER | 0:25:41 | 0:25:42 | |
That was labour AND materials. | 0:25:42 | 0:25:44 | |
I thought he said 6.1! | 0:25:44 | 0:25:46 | |
We maybe understand that, if we want to do everything, | 0:25:49 | 0:25:52 | |
we have to spend more than our original budget, | 0:25:52 | 0:25:54 | |
or, if we want to spend our original budget, | 0:25:54 | 0:25:56 | |
we have to compromise on the room. | 0:25:56 | 0:25:57 | |
The builders can't do any more. | 0:25:57 | 0:26:00 | |
They have to wait. | 0:26:00 | 0:26:02 | |
Will it be the cheapest of the three, | 0:26:02 | 0:26:05 | |
John and Simon's modern design? | 0:26:05 | 0:26:07 | |
Elliot and Paul's pricey paint spray? | 0:26:07 | 0:26:10 | |
Or Martin and Mick's hidden TV design? | 0:26:10 | 0:26:13 | |
Only the winner's phone will ring. | 0:26:16 | 0:26:18 | |
PHONE RINGS OUT | 0:26:18 | 0:26:20 | |
-Hello. -Hi, Simon. | 0:26:23 | 0:26:25 | |
Hello. This is Simon, yeah, and John. | 0:26:25 | 0:26:27 | |
We just wanted to give you a call to say we would love to accept. | 0:26:27 | 0:26:30 | |
-Brilliant. -Yeah! -Thank you very much. -That's brilliant. | 0:26:30 | 0:26:33 | |
-We're really excited. -Yeah. -Excellent. Thanks very much. | 0:26:33 | 0:26:35 | |
Have a good evening, gents. Bye-bye. | 0:26:35 | 0:26:37 | |
-Beautiful! -Beautiful! | 0:26:37 | 0:26:39 | |
They were able to come in and let us get something in budget that we | 0:26:39 | 0:26:43 | |
wanted to do, so they were willing to help this compromise | 0:26:43 | 0:26:46 | |
-on what we wanted. -The job's in the bag for Simon and John. | 0:26:46 | 0:26:50 | |
I dread to think what the losers are going to say later. | 0:26:50 | 0:26:54 | |
I'm actually looking forward to watching John and Simon, | 0:26:54 | 0:26:56 | |
cos I hear one of them's ambidextrous | 0:26:56 | 0:26:58 | |
and they're actually useless with both hands. | 0:26:58 | 0:27:00 | |
A bit disappointed, but... | 0:27:02 | 0:27:04 | |
Yeah, I suppose. You get what you pay for, at the end of the day. | 0:27:04 | 0:27:06 | |
Now, Ross and Giovanna need to empty those wardrobes. | 0:27:14 | 0:27:18 | |
But what else should you do ahead of your builders starting work? | 0:27:18 | 0:27:22 | |
Ask if there's anything they need you to supply | 0:27:22 | 0:27:24 | |
and then shop around to make sure you get the best deal. | 0:27:24 | 0:27:27 | |
One paramount point to remember is communication | 0:27:27 | 0:27:31 | |
with your builder is key. | 0:27:31 | 0:27:33 | |
Be prepared for the unexpected. | 0:27:33 | 0:27:35 | |
Things do go wrong and there are unforeseen challenges on the way. | 0:27:35 | 0:27:38 | |
Simon arrives to start work on Ross and Giovanna's bedroom. | 0:27:40 | 0:27:44 | |
But it appears he's a man down. | 0:27:44 | 0:27:46 | |
John's running a bit late this morning. | 0:27:46 | 0:27:48 | |
So I'm going to crack on. | 0:27:48 | 0:27:50 | |
I've got the most important thing, my surrogate John, my radio. | 0:27:50 | 0:27:55 | |
And the losers are all eyes watching him work alone. | 0:27:55 | 0:27:59 | |
I might as well take all these old curtains down. | 0:27:59 | 0:28:02 | |
Well, old Gok Wan might make a lovely floral dress out of it, | 0:28:02 | 0:28:06 | |
I suppose. I look quite tall now. | 0:28:06 | 0:28:08 | |
What do you think? Beautiful. | 0:28:10 | 0:28:11 | |
I think that suits Simon, doesn't it? | 0:28:11 | 0:28:13 | |
Yeah, I think he'll probably wear that out. | 0:28:13 | 0:28:15 | |
Over the next five days, Simon and John, when he turns up, | 0:28:15 | 0:28:20 | |
need to strip the wallpaper, pull the carpet up and fit new flooring, | 0:28:20 | 0:28:23 | |
build two custom wardrobes, | 0:28:23 | 0:28:25 | |
reboard and plaster the ceiling | 0:28:25 | 0:28:27 | |
and give the whole room a lick of paint. | 0:28:27 | 0:28:29 | |
That's a lot of work for one. | 0:28:29 | 0:28:32 | |
You can tell it's quiet, John's not here, eh? | 0:28:32 | 0:28:34 | |
No-one's laughing just yet. | 0:28:34 | 0:28:36 | |
And Simon's not wasting any time. | 0:28:37 | 0:28:39 | |
That wallpaper is coming off next. | 0:28:39 | 0:28:41 | |
You see hot water dripping when you first pick it up, you see? | 0:28:41 | 0:28:45 | |
If it drips on you, you'll know it. | 0:28:45 | 0:28:47 | |
And you won't be going too beautiful after that. | 0:28:47 | 0:28:49 | |
So what I would normally do is start at the top, | 0:28:49 | 0:28:51 | |
keep this flat to the wall, | 0:28:51 | 0:28:53 | |
and any drips that do come off it here | 0:28:53 | 0:28:55 | |
will be running down the wall and not on you. | 0:28:55 | 0:28:58 | |
Hence why you never steam above your head. | 0:28:58 | 0:29:00 | |
But it's not long before there's a problem. | 0:29:04 | 0:29:06 | |
For some reason, no power. | 0:29:06 | 0:29:09 | |
Kaput, I think. | 0:29:13 | 0:29:14 | |
With the steamer out of action, | 0:29:16 | 0:29:18 | |
Simon goes into demolition mode with the wardrobes. | 0:29:18 | 0:29:21 | |
I like the way Simon rips into stuff. | 0:29:21 | 0:29:23 | |
He's like a man of my own nature. | 0:29:23 | 0:29:25 | |
-He's like you, he likes to make a mess. -Yeah. | 0:29:27 | 0:29:29 | |
-But then let somebody else tidy it up. -And then get out. | 0:29:29 | 0:29:31 | |
The wardrobes are out and, as if by magic... | 0:29:31 | 0:29:34 | |
There you go. Miracles do happen. | 0:29:36 | 0:29:38 | |
The steamer's come back to life. | 0:29:38 | 0:29:40 | |
And it's not long before the whole room is nearly stripped. | 0:29:41 | 0:29:45 | |
But just as he's almost finished... | 0:29:45 | 0:29:47 | |
That sounds like a van. Oh, here he is! | 0:29:47 | 0:29:49 | |
-Oi, oi! -Oi, oi! | 0:29:51 | 0:29:53 | |
-About time! -Better late than never. | 0:29:53 | 0:29:55 | |
-Seeing as you're stripping... -Yeah. -I'll get you to do | 0:29:57 | 0:30:00 | |
a bit of pole dancing. | 0:30:00 | 0:30:02 | |
No, that's a whole different show, John, that is, mate. | 0:30:02 | 0:30:04 | |
Keen to find out what all the noise is about, | 0:30:09 | 0:30:11 | |
Giovanna comes up for a snoop. | 0:30:11 | 0:30:14 | |
Whoa! What have you done? | 0:30:14 | 0:30:16 | |
I left him here all morning and he's ruined the place, Giovanna! | 0:30:16 | 0:30:21 | |
Wow! | 0:30:21 | 0:30:22 | |
I've had to come in and keep him under control. | 0:30:24 | 0:30:26 | |
-Good. -So I know it's just this one room he's doing. | 0:30:26 | 0:30:29 | |
Wow, the cupboard! | 0:30:31 | 0:30:33 | |
Always looks worse before it gets better. | 0:30:33 | 0:30:35 | |
-I think it looks better. -Yeah, it does, definitely looks better. | 0:30:35 | 0:30:39 | |
-Enjoy the rest of the afternoon. -Thank you. -And we'll see you later. | 0:30:40 | 0:30:43 | |
Next, it's time to tackle those harder to reach places. | 0:30:44 | 0:30:49 | |
They're stilts, to make my life easier. | 0:30:49 | 0:30:51 | |
Rumpelstiltskin! | 0:30:53 | 0:30:54 | |
Well, I thought I could work on a circus at the weekends. | 0:30:54 | 0:30:57 | |
Well, you do like to clown around. | 0:30:59 | 0:31:02 | |
Oh, look at that, perfect! | 0:31:02 | 0:31:03 | |
Till he slips on a bit of paper. | 0:31:03 | 0:31:06 | |
It's the only way I can match Simon's calves, anyway. | 0:31:06 | 0:31:10 | |
Big legs. Big legs, because I'm the one that goes all the way | 0:31:10 | 0:31:13 | |
up and down the stairs all the time. | 0:31:13 | 0:31:14 | |
LAUGHTER | 0:31:14 | 0:31:16 | |
-Do they have a weight limit, those stilts? -Oh, they must have. | 0:31:16 | 0:31:20 | |
He'll be in Giovanna's living room if he's not careful! | 0:31:21 | 0:31:25 | |
Next, they need to tackle the '70s sculpted ceiling. | 0:31:25 | 0:31:29 | |
Their plan is to put plasterboard | 0:31:29 | 0:31:31 | |
over the whole thing to ensure a smooth finish. | 0:31:31 | 0:31:34 | |
A lot of the time, in old buildings, the joists are not straight, | 0:31:34 | 0:31:37 | |
they're curved. So, what we do, | 0:31:37 | 0:31:40 | |
we mark the joists and then we fix our boards straight onto that. | 0:31:40 | 0:31:43 | |
We can see where they are all the time, and it's a good, solid fixing. | 0:31:43 | 0:31:46 | |
He's never going to nail that with a nail gun?! | 0:31:46 | 0:31:49 | |
You do know we're creating competition for ourselves, now. | 0:31:49 | 0:31:52 | |
Tradesmen will be able to do their job quicker. | 0:31:52 | 0:31:54 | |
Oh, he ain't good on the old gun there. | 0:32:02 | 0:32:04 | |
Once the batons are fixed to the joists, the plasterboard can go up. | 0:32:04 | 0:32:09 | |
Oh, he's keen, ain't he? | 0:32:09 | 0:32:10 | |
Ain't messing about, Si. | 0:32:10 | 0:32:12 | |
You love it. | 0:32:17 | 0:32:18 | |
The build is underway, but they've still got to fit the wardrobes | 0:32:19 | 0:32:23 | |
and plaster and paint the whole room. | 0:32:23 | 0:32:25 | |
They're a long way off being finished. | 0:32:25 | 0:32:27 | |
Back up north in Stretford, Manchester, | 0:32:34 | 0:32:37 | |
young guns Faiz and Tom have been hard at work | 0:32:37 | 0:32:41 | |
turning Karen's basement into a playroom for her son, Emerson. | 0:32:41 | 0:32:45 | |
The suspended support for the train set is in. | 0:32:45 | 0:32:48 | |
Now, it's time for the fun bit. | 0:32:48 | 0:32:50 | |
-Hi. -Hiya. -What can we do for you? | 0:32:51 | 0:32:53 | |
How much is six metres of track? | 0:32:53 | 0:32:56 | |
Well, the easiest thing to do, | 0:32:56 | 0:32:57 | |
you can start with a track pack or you can buy it individually, | 0:32:57 | 0:33:00 | |
it depends on which way you want to go. | 0:33:00 | 0:33:02 | |
I seem to remember us going there. | 0:33:02 | 0:33:04 | |
The train track that you used to have. | 0:33:04 | 0:33:07 | |
The two-foot ones are about £3 each. | 0:33:07 | 0:33:09 | |
-Oh, right. -So you're looking at about just under 50 quid | 0:33:09 | 0:33:11 | |
-for your track. -Under budget! | 0:33:11 | 0:33:13 | |
And your transformer's about £36, for a basic one. | 0:33:13 | 0:33:16 | |
-Yeah. -Which would actually get you going. | 0:33:16 | 0:33:18 | |
-Cheers, chief. Top man. -Costing £200, | 0:33:18 | 0:33:21 | |
the lads are chuffed that the train track won't eat too much | 0:33:21 | 0:33:25 | |
into their limited £1,500 budget. | 0:33:25 | 0:33:27 | |
Got that, yes! | 0:33:27 | 0:33:29 | |
The cellar has heat. | 0:33:34 | 0:33:35 | |
The white goods are boxed in and the train track in place. | 0:33:35 | 0:33:39 | |
It's now just a matter of adding some finishing touches. | 0:33:39 | 0:33:43 | |
So, we're just getting the chalkboard out. | 0:33:43 | 0:33:46 | |
Whenever drilling through a piece of wood, | 0:33:46 | 0:33:48 | |
always put another piece of wood on the back | 0:33:48 | 0:33:50 | |
because when you drill through, | 0:33:50 | 0:33:52 | |
it prevents any break-out and damage to the back of the wood. | 0:33:52 | 0:33:55 | |
-That's a good idea. -Yeah. Nice idea, that chalkboard. | 0:33:58 | 0:34:02 | |
It's all one nice hole gone through the whole thing. | 0:34:02 | 0:34:04 | |
Next, the carpet. | 0:34:06 | 0:34:08 | |
It's cost £150 for 4x4 metres - | 0:34:08 | 0:34:12 | |
a lot on a limited budget, | 0:34:12 | 0:34:13 | |
but essential to make the playroom feel cosy. | 0:34:13 | 0:34:17 | |
-Carpet layers too. -Wow, fair play. | 0:34:17 | 0:34:20 | |
-Squeeze in! -It's quite tricky, this. | 0:34:20 | 0:34:22 | |
The final push and, before they run out of steam, | 0:34:26 | 0:34:30 | |
the boys are keen to play with their toys. | 0:34:30 | 0:34:32 | |
All right, moment of truth. | 0:34:32 | 0:34:34 | |
-Are you ready, Tom? -Yeah. | 0:34:35 | 0:34:37 | |
Go on, then. | 0:34:37 | 0:34:39 | |
THEY LAUGH | 0:34:39 | 0:34:40 | |
Can you do your tester | 0:34:40 | 0:34:42 | |
-to see whether there's any power going through? -Oh, dear! | 0:34:42 | 0:34:45 | |
Train says no. Train says no. | 0:34:45 | 0:34:48 | |
That was a bit disappointing. | 0:34:48 | 0:34:50 | |
Looks nice, anyway. | 0:34:51 | 0:34:53 | |
LAUGHTER | 0:34:53 | 0:34:54 | |
Looks nice, anyway. Yeah, yeah, try and play it cool, play it cool, | 0:34:54 | 0:34:58 | |
Rodders, play it cool. | 0:34:58 | 0:34:59 | |
You reckon he's plugged it in? | 0:34:59 | 0:35:01 | |
Can hear it this time. | 0:35:03 | 0:35:05 | |
Yeah, boy! | 0:35:05 | 0:35:07 | |
Is that it? | 0:35:09 | 0:35:10 | |
Just give it a nudge. | 0:35:10 | 0:35:12 | |
Yes! | 0:35:13 | 0:35:15 | |
Oh, you've got to give it a little push, have you? | 0:35:18 | 0:35:21 | |
She's off! | 0:35:21 | 0:35:22 | |
Let it go, let it go! | 0:35:23 | 0:35:25 | |
Yes, man. There we go. | 0:35:25 | 0:35:27 | |
Next stop...home. | 0:35:27 | 0:35:30 | |
Loving the tunnel. | 0:35:31 | 0:35:33 | |
Job done. And, hopefully, it'll be just the ticket. | 0:35:33 | 0:35:37 | |
Three days ago, this basement felt abandoned. | 0:35:40 | 0:35:44 | |
So good to get rid of that. | 0:35:44 | 0:35:45 | |
So, will the losers give Faiz and Tom's playroom the thumbs up? | 0:35:46 | 0:35:50 | |
-I'm looking forward to it, let's see what happens. -Yeah. | 0:35:50 | 0:35:53 | |
Fair play, Tom and Faiz. | 0:35:58 | 0:36:00 | |
Good job, lads. | 0:36:00 | 0:36:02 | |
-Cosy and inviting. -Yeah. | 0:36:02 | 0:36:04 | |
There's plenty of storage. | 0:36:04 | 0:36:07 | |
So good, getting rid of the washer and dryer and everything, | 0:36:07 | 0:36:10 | |
-and all those. -Yeah. | 0:36:10 | 0:36:11 | |
Loads of space for Emerson to play, and the main feature - | 0:36:11 | 0:36:15 | |
the train track that loops through the wall. | 0:36:15 | 0:36:17 | |
It looks smart, that, doesn't it? The train track looks cool. | 0:36:18 | 0:36:21 | |
The builders have given it their seal of approval. | 0:36:21 | 0:36:24 | |
But now it's the moment of truth for Faiz and Tom. | 0:36:24 | 0:36:27 | |
Karen and Emerson are about to see the playroom for the first time. | 0:36:30 | 0:36:34 | |
Here's hoping they'll like it. | 0:36:34 | 0:36:36 | |
Exciting. | 0:36:37 | 0:36:39 | |
Oh, wow! | 0:36:52 | 0:36:54 | |
-Jaw drop! -Jaw drop. | 0:36:54 | 0:36:56 | |
That's it, that's what we're looking for. | 0:36:56 | 0:36:58 | |
Yeah, that's the exact reaction. | 0:36:58 | 0:37:01 | |
-This is amazing. -Look at the lights on the wall! | 0:37:01 | 0:37:05 | |
-The rail track going through the... -Oh.... | 0:37:05 | 0:37:08 | |
It's really, really good. | 0:37:08 | 0:37:10 | |
-Please? -Very pleased. -Are you? | 0:37:10 | 0:37:13 | |
It all came together in the end, didn't it? | 0:37:13 | 0:37:15 | |
That's nice, watching that. Makes me happy. | 0:37:15 | 0:37:17 | |
-I'm about to give you a hug. -Oh, my darling. Thank you. | 0:37:17 | 0:37:21 | |
Aw! I'm about to give you a hug. | 0:37:21 | 0:37:25 | |
It's fantastic. A beautiful place for Emerson | 0:37:28 | 0:37:32 | |
and the fact that he's happy, it means everything. | 0:37:32 | 0:37:35 | |
This is his special den. | 0:37:35 | 0:37:36 | |
Two very happy customers. | 0:37:38 | 0:37:40 | |
Happy days. I'm buzzing. | 0:37:40 | 0:37:42 | |
-We happy with that, then? -It's nice to watch. | 0:37:42 | 0:37:44 | |
-Yeah, it was, man. -Takes you back. | 0:37:44 | 0:37:46 | |
Back down south in Woking, Surrey, | 0:37:54 | 0:37:56 | |
Simon and John are hard at it on Ross and Giovanna's bedroom. | 0:37:56 | 0:38:00 | |
The oak laminate floor is down, | 0:38:00 | 0:38:02 | |
the ceiling is boarded and the flatpack wardrobes are going in. | 0:38:02 | 0:38:06 | |
I think with this, you've just got to make sure when you're drilling, | 0:38:08 | 0:38:11 | |
you get it as straight as possible, as square as possible, really. | 0:38:11 | 0:38:14 | |
Yeah, where's your levels, then, son? | 0:38:14 | 0:38:16 | |
And also a good tip, clamp them together. | 0:38:16 | 0:38:19 | |
-It's a clever device. -I got a clever device right here. | 0:38:19 | 0:38:23 | |
Using a flatpack carcass and making it bespoke by plastering it in | 0:38:26 | 0:38:31 | |
is a cost-effective way of making the whole unit feel handmade. | 0:38:31 | 0:38:36 | |
Clever boys! | 0:38:36 | 0:38:37 | |
If you've not done plastering before, just use | 0:38:37 | 0:38:40 | |
little buckets like that. That little bucket | 0:38:40 | 0:38:42 | |
will do five square metres. | 0:38:42 | 0:38:43 | |
And it'll take you roughly two hours for that one bucket. | 0:38:43 | 0:38:47 | |
They're now well into the build. | 0:38:47 | 0:38:49 | |
So, what do they think their chances are of finishing on time? | 0:38:49 | 0:38:53 | |
Our time management skills are a bit off at the minute. | 0:38:54 | 0:38:57 | |
Yeah. We thought five days, | 0:38:57 | 0:38:58 | |
I think it's going to be more like seven or eight. | 0:38:58 | 0:39:02 | |
I think we've charged 1975 prices, John, that's the only problem. | 0:39:02 | 0:39:05 | |
-'70s prices! -I think they WAS a bit out. | 0:39:07 | 0:39:10 | |
So you're at a loss, then? | 0:39:10 | 0:39:11 | |
This one, really underpriced it. | 0:39:11 | 0:39:14 | |
So it's good for them, not so good for us. | 0:39:14 | 0:39:18 | |
But, you never know, there's loads of work to be done in the house | 0:39:19 | 0:39:22 | |
-so they might ask us back. -Yeah, I was going to say, | 0:39:22 | 0:39:24 | |
they'll definitely want you back at them prices! | 0:39:24 | 0:39:26 | |
It's quite time-consuming, this old cupboard building, I have to say. | 0:39:26 | 0:39:30 | |
From your local Swedish manufacturer. | 0:39:30 | 0:39:32 | |
Voila, soft close drawers. Good for your undies, John. | 0:39:34 | 0:39:38 | |
You'd get one pair of yours on that, wouldn't you, mate? | 0:39:38 | 0:39:41 | |
Now on the seventh day, two days over schedule, | 0:39:44 | 0:39:48 | |
they've drafted in decorator Wayne to try and catch up. | 0:39:48 | 0:39:52 | |
But Simon isn't so impressed with slow coach John. | 0:39:52 | 0:39:55 | |
Wayne has actually painted the whole room three times | 0:39:56 | 0:39:59 | |
and John hasn't put one handle on yet. | 0:39:59 | 0:40:02 | |
I'm not saying you've been there a long time, John, | 0:40:02 | 0:40:04 | |
but there is cobwebs forming on you. | 0:40:04 | 0:40:06 | |
Next, Simon fits the spotlights. | 0:40:06 | 0:40:08 | |
Oh, I am a geezer, ain't I? | 0:40:08 | 0:40:11 | |
And the decorating is done. | 0:40:11 | 0:40:14 | |
That's come out all right! | 0:40:14 | 0:40:16 | |
The boys are on the home stretch. | 0:40:16 | 0:40:18 | |
Wayne's focusing on the skirting while Simon finesses the floor. | 0:40:18 | 0:40:23 | |
I'd love to be a househusband. | 0:40:23 | 0:40:25 | |
Cleaning all day, oh, it's great. | 0:40:25 | 0:40:27 | |
Would you not put the floor down afterwards, | 0:40:27 | 0:40:29 | |
when you've done all the work? | 0:40:29 | 0:40:31 | |
With all the dirty work done, it's time for the finishing touches. | 0:40:32 | 0:40:36 | |
Always wash your hands before you put white curtains up. | 0:40:36 | 0:40:39 | |
After a lot of graft and elbow grease, | 0:40:39 | 0:40:42 | |
Ross and Giovanna's room is ready. | 0:40:42 | 0:40:44 | |
-What do you reckon, then, Si? -I reckon, mate, | 0:40:46 | 0:40:49 | |
if this was my bedroom, I would be 100% happy. | 0:40:49 | 0:40:52 | |
Yeah, I'd be well happy with this, yeah. | 0:40:52 | 0:40:54 | |
-Cheers, John. -Cheers, Si. | 0:40:54 | 0:40:56 | |
Seven days ago, Ross and Giovanna's bedroom was stuck in the '70s. | 0:40:58 | 0:41:03 | |
So, what will the losing builders make of Simon and John's hard work? | 0:41:06 | 0:41:10 | |
This should be interesting, Mick. | 0:41:10 | 0:41:12 | |
-Credit where credit's due. -Yeah. | 0:41:21 | 0:41:23 | |
They've done...they've done a cracking job. | 0:41:26 | 0:41:29 | |
Simon and John's minimal look is complete. | 0:41:30 | 0:41:34 | |
They've rebuilt the wardrobes and put in a smart laminate oak floor. | 0:41:34 | 0:41:39 | |
Ours would have been just like that, mate. Yeah? | 0:41:41 | 0:41:44 | |
Well, if you had seven days in it, of course it would! | 0:41:44 | 0:41:47 | |
And modern decor to boot. | 0:41:48 | 0:41:50 | |
Compared to what it was when they started... | 0:41:50 | 0:41:52 | |
For the money, it's unbelievable. | 0:41:52 | 0:41:54 | |
The builders like it. | 0:41:54 | 0:41:55 | |
But now it's the moment of truth for Simon and John. | 0:41:55 | 0:41:59 | |
They're watching on as Giovanna shows Ross | 0:41:59 | 0:42:01 | |
the room for the first time. | 0:42:01 | 0:42:03 | |
-Here we go. -Right, here we go, John. -Here we go. -Have a little look. | 0:42:06 | 0:42:09 | |
It's a big moment for the boys. | 0:42:09 | 0:42:12 | |
-Wow, what a difference! -Yeah. -You like it? -I do. | 0:42:16 | 0:42:19 | |
I think that blue's fantastic. | 0:42:19 | 0:42:21 | |
-Are they happy, John? -Yeah. | 0:42:21 | 0:42:24 | |
Yeah, look, they're made up. | 0:42:24 | 0:42:27 | |
-Loads of space. -Yeah! | 0:42:27 | 0:42:28 | |
For the budget, that's an outstanding job. | 0:42:29 | 0:42:32 | |
-I think it's a lovely job. -I think so. | 0:42:32 | 0:42:35 | |
Oh, yeah, all nice and fresh inside as well. | 0:42:35 | 0:42:37 | |
-They were well happy, weren't they? -Very good. -Yeah, that's cool. | 0:42:37 | 0:42:40 | |
And seeing the finished room has given Ross some inspiration. | 0:42:40 | 0:42:44 | |
It's a great first few steps and we just need to try and keep | 0:42:44 | 0:42:47 | |
the momentum going and try and transfer some of the good work | 0:42:47 | 0:42:50 | |
-in here to the rest of the house. -Yeah, yeah, definitely. Definitely. | 0:42:50 | 0:42:53 | |
Well, John, I've just got to say, I think that looks... | 0:42:56 | 0:42:59 | |
-That looks... -BOTH: -..beautiful! | 0:42:59 | 0:43:02 |