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Britain has a long and proud gardening heritage. | 0:00:02 | 0:00:05 | |
And a passion for plants that goes back centuries. | 0:00:05 | 0:00:08 | |
But all is not well in our once green and pleasant land. | 0:00:08 | 0:00:12 | |
-Front gardens paved over. -Our lawns lacklustre. | 0:00:12 | 0:00:16 | |
And rare wild flowers on the brink of extinction. | 0:00:16 | 0:00:19 | |
So we need you... | 0:00:19 | 0:00:21 | |
..to help us... | 0:00:21 | 0:00:22 | |
..in our campaign... | 0:00:22 | 0:00:24 | |
..to help rediscover... | 0:00:24 | 0:00:25 | |
..our passion for gardening. | 0:00:25 | 0:00:27 | |
We're going to give you the best gardening tips. | 0:00:27 | 0:00:30 | |
And revealing British gardens | 0:00:30 | 0:00:33 | |
that will quite simply take your breath away. | 0:00:33 | 0:00:36 | |
It's time to plant... | 0:00:37 | 0:00:39 | |
..and prune... | 0:00:39 | 0:00:40 | |
..and sharpen your shears. | 0:00:40 | 0:00:42 | |
Let the Great British Garden Revival begin! | 0:00:42 | 0:00:46 | |
'On tonight's show, Matt James wants us all to get planting shrubs. | 0:01:26 | 0:01:30 | |
'But first, I'm on the glasshouse revival campaign.' | 0:01:30 | 0:01:33 | |
For me, these grand glasshouses show the best that Britain has to offer. | 0:01:38 | 0:01:43 | |
Cutting edge architecture and horticulture under one roof. | 0:01:43 | 0:01:47 | |
'Under this immense glass construction are plants | 0:01:47 | 0:01:50 | |
'from right across the globe. | 0:01:50 | 0:01:52 | |
'Golden cestrums from Chile... | 0:01:52 | 0:01:55 | |
'rain daisies from South Africa... | 0:01:55 | 0:01:57 | |
'and kangaroo paws from Australia. | 0:01:57 | 0:01:59 | |
'But this type of exotica is rare.' | 0:02:00 | 0:02:02 | |
In our own gardens we've lost sight of the great potential | 0:02:04 | 0:02:07 | |
of growing under glass. | 0:02:07 | 0:02:08 | |
Where once we grew the world under glazed canopies, | 0:02:08 | 0:02:12 | |
now our greenhouses are full of a humdrum collection | 0:02:12 | 0:02:16 | |
of plants and boring veg. | 0:02:16 | 0:02:18 | |
I want to restore adventure, flair and excitement to our gardens. | 0:02:18 | 0:02:22 | |
I want to push our plant collections to their very limits. | 0:02:22 | 0:02:25 | |
So join me, Diarmuid Gavin, for my Great British Glasshouse Revival. | 0:02:25 | 0:02:30 | |
'To help with my revival, I've been meeting people | 0:02:30 | 0:02:33 | |
'who are restoring our great glasshouse heritage...' | 0:02:33 | 0:02:36 | |
I mean, it's like the last of the great conservatories to be restored, | 0:02:36 | 0:02:40 | |
it's a work of art. | 0:02:40 | 0:02:42 | |
'..showing you how to make your very own mini-glasshouse wonderland...' | 0:02:42 | 0:02:46 | |
What I'm doing here is creating a miniature world. | 0:02:46 | 0:02:49 | |
It does bring me back to those days of watching Blue Peter | 0:02:49 | 0:02:53 | |
during my childhood. | 0:02:53 | 0:02:54 | |
'..and I get a lesson in tropical pruning from a lady | 0:02:54 | 0:02:57 | |
'whose plant collection is not to be trifled with.' | 0:02:57 | 0:03:00 | |
-So what about this bit up here? -No, no, no. -What's wrong with it? | 0:03:00 | 0:03:03 | |
You'll be in serious trouble. | 0:03:03 | 0:03:05 | |
'To start my revival, | 0:03:09 | 0:03:10 | |
'I've come to the National Botanic Gardens of Wales to visit | 0:03:10 | 0:03:13 | |
'the largest single-span glasshouse anywhere in the world.' | 0:03:13 | 0:03:16 | |
This is really a perfect example of what great | 0:03:20 | 0:03:23 | |
glasshouses are all about. | 0:03:23 | 0:03:25 | |
A beautiful space that's been filled with interesting | 0:03:25 | 0:03:28 | |
and exotic species, talking points at every turn. | 0:03:28 | 0:03:33 | |
This place really knocks your socks off with its grand | 0:03:34 | 0:03:37 | |
architectural ambition. | 0:03:37 | 0:03:39 | |
What better place for me to host my revival? | 0:03:39 | 0:03:42 | |
'Under this elegant dome is a 3,500 square metre spectacle | 0:03:45 | 0:03:48 | |
'of my favourite sort of flora. | 0:03:48 | 0:03:51 | |
'And growing under glass like this allows us | 0:03:51 | 0:03:53 | |
'to massively extend the range of plants in our gardens. | 0:03:53 | 0:03:57 | |
'But if we don't maintain and use our greenhouses, | 0:03:59 | 0:04:02 | |
'that potential will be lost, and our gardens could become | 0:04:02 | 0:04:05 | |
'identikit spaces filled with the same old boring varieties.' | 0:04:05 | 0:04:09 | |
I like adventurous design, | 0:04:12 | 0:04:14 | |
and sometimes I even like to break the rules. | 0:04:14 | 0:04:17 | |
So it should come as no surprise that I'm absolutely | 0:04:17 | 0:04:20 | |
fascinated by glasshouses and greenhouses. | 0:04:20 | 0:04:24 | |
I remember seeing my first ever glasshouse. | 0:04:24 | 0:04:27 | |
I was about six or seven. | 0:04:27 | 0:04:30 | |
We went to the National Botanic Gardens in Dublin. | 0:04:30 | 0:04:32 | |
It was hot and there were plants like big triffids coming at you. | 0:04:32 | 0:04:37 | |
Huge bananas shooting up and even producing fruit. | 0:04:37 | 0:04:41 | |
Absolutely gorgeous. Ever since then, I've been hooked. | 0:04:41 | 0:04:44 | |
'But I'm not the only one who's been bitten by the glasshouse bug. | 0:04:51 | 0:04:56 | |
'Simon Goodenough, the gardens' curator, is a kindred spirit.' | 0:04:56 | 0:04:59 | |
Simon, what is it that you love about glasshouses? | 0:05:01 | 0:05:04 | |
Oh, I think, when you walk into a glasshouse like this, I mean, | 0:05:04 | 0:05:08 | |
the structure is just so awe inspiring, but the ability to | 0:05:08 | 0:05:12 | |
grow such a wide range of plants and bring it to the people and say, | 0:05:12 | 0:05:15 | |
"Look at this, this is nature, and we've tamed it." | 0:05:15 | 0:05:19 | |
Why do you think it's important that we still have these things, | 0:05:19 | 0:05:22 | |
because people are travelling to all sorts of different countries | 0:05:22 | 0:05:25 | |
and seeing everything? | 0:05:25 | 0:05:26 | |
Without a doubt, the pressure is on, | 0:05:26 | 0:05:29 | |
particularly countries where these plants come from. | 0:05:29 | 0:05:32 | |
Mediterranean zones, a great deal of pressure on the land | 0:05:32 | 0:05:36 | |
and many of these plants are extremely vulnerable, | 0:05:36 | 0:05:39 | |
they're on the point of extinction in some cases. | 0:05:39 | 0:05:41 | |
We've got plants in here that are almost impossible to grow | 0:05:41 | 0:05:44 | |
that we've had success with. | 0:05:44 | 0:05:46 | |
So it's that sort of excitement which gets me going. | 0:05:46 | 0:05:49 | |
And people can take that excitement back home? | 0:05:49 | 0:05:52 | |
Yeah, you can do it in your own home. | 0:05:52 | 0:05:54 | |
Get some seeds of something unusual, grow it, happy days. | 0:05:54 | 0:05:58 | |
'I want everyone to join my revival and celebrate growing exotic plants. | 0:05:58 | 0:06:04 | |
'And whether you call them glasshouses or greenhouses, | 0:06:04 | 0:06:07 | |
'if I've inspired you to get one, | 0:06:07 | 0:06:09 | |
'there are a range of things to consider.' | 0:06:09 | 0:06:11 | |
Now you've made the decision, you are going to buy a greenhouse | 0:06:14 | 0:06:17 | |
and you're going to fill it with loads of lovely plants. | 0:06:17 | 0:06:20 | |
But the problem is there's so much choice! Where do you start? | 0:06:20 | 0:06:24 | |
Well, let me guide you through. | 0:06:24 | 0:06:26 | |
'Glass, plastic, aluminium, wood, | 0:06:26 | 0:06:29 | |
'lean-to's or free-standing, | 0:06:29 | 0:06:31 | |
'there's a whole language to get to grips with. | 0:06:31 | 0:06:33 | |
'But first things first, size matters.' | 0:06:33 | 0:06:35 | |
I just know that you're going to fall in love with your greenhouse, | 0:06:35 | 0:06:39 | |
and you're going to want to spend so much time there, | 0:06:39 | 0:06:42 | |
so at the very start, make the decision | 0:06:42 | 0:06:45 | |
to make it as big as you can. | 0:06:45 | 0:06:46 | |
This one is perfect, shelves on one side for potting up | 0:06:46 | 0:06:50 | |
and you can grow tall tomatoes on the other side. | 0:06:50 | 0:06:54 | |
Loads of space. | 0:06:54 | 0:06:55 | |
'But lean-to greenhouses are often smaller, more economical | 0:06:56 | 0:07:00 | |
'and cheaper to heat, and great if you're short on space.' | 0:07:00 | 0:07:03 | |
So, where are you going to put this new greenhouse? | 0:07:04 | 0:07:07 | |
Well, choose a spot that's nice and bright and light | 0:07:07 | 0:07:11 | |
and sheltered from the wind. | 0:07:11 | 0:07:13 | |
Make sure you have access all the way round the structure | 0:07:14 | 0:07:18 | |
so you can clean the glass. | 0:07:18 | 0:07:20 | |
'Some greenhouses are made from polycarbonate, which means | 0:07:20 | 0:07:23 | |
'they can be a lot more economical but they may not last as long.' | 0:07:23 | 0:07:28 | |
I like real glass in a greenhouse because it's traditional. | 0:07:28 | 0:07:31 | |
It's easy to keep clean but I like to use toughened glass | 0:07:31 | 0:07:35 | |
because if it does break, it won't shatter into very dangerous pieces. | 0:07:35 | 0:07:40 | |
'Next think about the frame. | 0:07:41 | 0:07:43 | |
'You've got two main choices, wood or aluminium, | 0:07:43 | 0:07:46 | |
'which can be cheaper and maintenance-free.' | 0:07:46 | 0:07:49 | |
But you know what I think, wood is always going to be the best. | 0:07:50 | 0:07:55 | |
It's a natural material | 0:07:55 | 0:07:56 | |
and it'll look beautiful in the natural surroundings of your garden. | 0:07:56 | 0:08:00 | |
Ventilation is a must in every greenhouse. | 0:08:00 | 0:08:03 | |
You need good air circulation. | 0:08:03 | 0:08:05 | |
Adding some heat might be an important factor. | 0:08:08 | 0:08:10 | |
One source of heat could be this wonderful big paraffin lamp. | 0:08:10 | 0:08:14 | |
This one you just plug in. | 0:08:15 | 0:08:18 | |
'Overall, my best piece of advice is to take a little bit of time | 0:08:18 | 0:08:21 | |
'and consider your choices. | 0:08:21 | 0:08:23 | |
'And then the right greenhouse for you will give you | 0:08:23 | 0:08:26 | |
'a lifetime of gardening adventures.' | 0:08:26 | 0:08:28 | |
'A glasshouse provides an opportunity to grow all types of | 0:08:32 | 0:08:36 | |
'botanical treasures, | 0:08:36 | 0:08:37 | |
'but first you need to decide which types of plants you really | 0:08:37 | 0:08:40 | |
'want to grow, and which types of climate they'll need to thrive. | 0:08:40 | 0:08:44 | |
'Hot, humid and jungly, or warm, dry and sunny?' | 0:08:44 | 0:08:48 | |
I've done some gardening in South Africa | 0:08:50 | 0:08:52 | |
and one of the plants that I love to use in a planting scheme | 0:08:52 | 0:08:56 | |
is their national flower, and that's the protea. | 0:08:56 | 0:08:59 | |
Aren't they wonderful, structural and exotic? | 0:08:59 | 0:09:02 | |
But did you realise you could grow some of these | 0:09:02 | 0:09:06 | |
proteas in your own garden if you had a temperate glasshouse? | 0:09:06 | 0:09:10 | |
A temperate house is really quite simple, | 0:09:10 | 0:09:12 | |
it's like the house I'm standing in. | 0:09:12 | 0:09:14 | |
It just means a very bright glasshouse that's well | 0:09:14 | 0:09:17 | |
ventilated but one that's kept free from frost, so you may need | 0:09:17 | 0:09:22 | |
some insulation and you may need some heat on those frosty evenings. | 0:09:22 | 0:09:27 | |
Otherwise just keep it nice and bright. Don't let it be too steamy. | 0:09:27 | 0:09:30 | |
Get some seed into a gritty compost | 0:09:30 | 0:09:33 | |
and after a while something like this should germinate. | 0:09:33 | 0:09:36 | |
'But maybe a warm Mediterranean-type climate | 0:09:40 | 0:09:43 | |
'isn't quite doing it for you. | 0:09:43 | 0:09:45 | |
'If that's the case, you might want to turn the heat and humidity up.' | 0:09:45 | 0:09:49 | |
We've just seen the temperate house, but now we're in my favourite, | 0:09:54 | 0:10:00 | |
the really exotic tropical house. | 0:10:00 | 0:10:02 | |
Look, I'm swinging out underneath the arches of one of these | 0:10:06 | 0:10:09 | |
massive philodendron leaves. | 0:10:09 | 0:10:11 | |
It is a type of species, | 0:10:11 | 0:10:13 | |
a type of foliage you'd expect to see in a jungle. | 0:10:13 | 0:10:16 | |
Look at these dramatic aerial roots. | 0:10:16 | 0:10:18 | |
These plants will want to be really quite warm, | 0:10:18 | 0:10:21 | |
they'll want an awful lot of moisture | 0:10:21 | 0:10:22 | |
so a good maintenance system of coming in every morning, | 0:10:22 | 0:10:26 | |
damping down, using a hose, letting steam rise. | 0:10:26 | 0:10:29 | |
And because they're so vigorous, they'll need some re-pruning, | 0:10:29 | 0:10:33 | |
and you'll need to train them up along the rafters. | 0:10:33 | 0:10:36 | |
In the past we've used a lot of these plants | 0:10:36 | 0:10:38 | |
such as the philodendron or the Monstera, | 0:10:38 | 0:10:41 | |
the Swiss cheese plant, as house plants. | 0:10:41 | 0:10:43 | |
They don't want to be there, set them free! | 0:10:43 | 0:10:45 | |
Build a tropical greenhouse. | 0:10:45 | 0:10:48 | |
'And I'm certainly not the first person to fall under the spell of | 0:10:48 | 0:10:52 | |
'growing these magical plants. | 0:10:52 | 0:10:53 | |
'It's a passion that has captivated people for centuries. | 0:10:53 | 0:10:57 | |
'In Britain, a desire for exotic foods | 0:11:00 | 0:11:03 | |
'gave birth to the first glasshouse. | 0:11:03 | 0:11:06 | |
'In the 17th and 18th centuries, | 0:11:06 | 0:11:08 | |
'orangeries became popular for growing citrus trees, | 0:11:08 | 0:11:11 | |
'and simple wooden-framed glass structures were utilised for growing | 0:11:11 | 0:11:15 | |
'tropical fruits such as pineapples. | 0:11:15 | 0:11:17 | |
'But the golden age of the glasshouse was the Victorian era, | 0:11:17 | 0:11:20 | |
'and the elaborate conservatories at Kew are evidence of the desire | 0:11:20 | 0:11:24 | |
'to collect, cultivate and master nature that soon became | 0:11:24 | 0:11:28 | |
'the obsession of the aristocracy as well as scientists.' | 0:11:28 | 0:11:31 | |
Any self-respecting Lord or Earl would have their own glasshouse, | 0:11:32 | 0:11:36 | |
or collection of glasshouses, | 0:11:36 | 0:11:38 | |
to show off their expansive and expensive collection of plants. | 0:11:38 | 0:11:43 | |
'This is the Victorian Conservatory at Wentworth Castle near Barnsley. | 0:11:45 | 0:11:50 | |
'Its restoration is nearing completion, and I've come to | 0:11:51 | 0:11:54 | |
give the curator, Michael Klemperer, a hand with a few final stages.' | 0:11:54 | 0:11:59 | |
So, Michael, how old is this building? | 0:12:00 | 0:12:02 | |
This building was commissioned in 1876 by the Earl of Wentworth. | 0:12:02 | 0:12:08 | |
He was an extremely rich man, | 0:12:08 | 0:12:09 | |
he was almost like the Abramovich of his day. | 0:12:09 | 0:12:12 | |
It was right up to the minute, he had electricity in it. | 0:12:12 | 0:12:14 | |
Buckingham Palace didn't have electricity at the time. | 0:12:14 | 0:12:17 | |
He wanted a tropical hothouse to show off to his friends. | 0:12:17 | 0:12:20 | |
He also wanted it as a showcase of his power and wealth really. | 0:12:20 | 0:12:24 | |
'In the late 1800s, | 0:12:25 | 0:12:27 | |
'this really was the ultimate in horticultural bling, | 0:12:27 | 0:12:30 | |
'state of the art in its design | 0:12:30 | 0:12:32 | |
'and home to an incredible selection of plants. | 0:12:32 | 0:12:35 | |
'Visitors would have been amazed | 0:12:35 | 0:12:37 | |
'as they first entered the conservatory. | 0:12:37 | 0:12:40 | |
'After the Second World War, and then the Earl's death in 1951, | 0:12:40 | 0:12:45 | |
'the estate fell into disrepair, | 0:12:45 | 0:12:47 | |
'and the glasshouse slowly became derelict. | 0:12:47 | 0:12:50 | |
'But in 2002, the Wentworth Castle Heritage Trust was formed | 0:12:50 | 0:12:54 | |
'and raised £3.7 million for work to begin on restoration.' | 0:12:54 | 0:12:59 | |
It was taken off to a big workshop in Barnsley, er, shot blasted, | 0:13:00 | 0:13:05 | |
any parts that needed repairing repaired and all stuck back together. | 0:13:05 | 0:13:09 | |
And how many layers of paint were found on the...? | 0:13:09 | 0:13:12 | |
There was over 50 layers of paint found on the metalwork, | 0:13:12 | 0:13:15 | |
so it was held up by paint almost. | 0:13:15 | 0:13:17 | |
To see a true original come back to life must be hugely exciting? | 0:13:18 | 0:13:22 | |
It's magnificent. I mean, it's like the last of the great conservatories | 0:13:22 | 0:13:26 | |
to be restored and it's truly fantastic. It's a work of art. | 0:13:26 | 0:13:29 | |
'With the beds and borders full of freshly raked soil, it's time for | 0:13:30 | 0:13:34 | |
'the first leafy arrival.' | 0:13:34 | 0:13:36 | |
So, I've had the great honour of | 0:13:36 | 0:13:39 | |
planting the first plant in the new life of this wonderful glasshouse. | 0:13:39 | 0:13:43 | |
But by next week, this little guy will have plenty of friends. | 0:13:43 | 0:13:47 | |
Oh, yeah. | 0:13:47 | 0:13:48 | |
All of this will be planted up with nearly £20,000 worth of new plants | 0:13:48 | 0:13:52 | |
that have been specially selected from around the world. | 0:13:52 | 0:13:55 | |
And the new life, the new era of | 0:13:55 | 0:13:57 | |
this magnificent glass palace really begins. | 0:13:57 | 0:14:00 | |
It's a magical moment. | 0:14:00 | 0:14:02 | |
'Back in the conservatory of the Botanic Gardens of Wales, | 0:14:08 | 0:14:11 | |
'I'm going to show you how a glasshouse doesn't need to be grand. | 0:14:11 | 0:14:15 | |
'You can capture their magic in the tiniest space imaginable.' | 0:14:15 | 0:14:19 | |
When explorers from this country were going to foreign lands and | 0:14:23 | 0:14:27 | |
discovering wonderful species that they wanted to bring back to | 0:14:27 | 0:14:30 | |
Britain two or three hundred years ago, it was very hard to get them | 0:14:30 | 0:14:33 | |
here until somebody discovered a thing called the Wardian Case. | 0:14:33 | 0:14:38 | |
What they discovered was you could create miniature environments | 0:14:38 | 0:14:41 | |
and trap moisture and allow for plenty of light, | 0:14:41 | 0:14:44 | |
and when they arrived in Britain, all their plants, | 0:14:44 | 0:14:47 | |
all their cuttings were still good and fresh. | 0:14:47 | 0:14:50 | |
'The Wardian Case was the direct forerunner of the modern terrarium, | 0:14:50 | 0:14:53 | |
'and I'm going to show you all the stages of setting one up. | 0:14:53 | 0:14:57 | |
'The first ingredient is some grit or gravel | 0:14:58 | 0:15:01 | |
'to line the bottom of your container.' | 0:15:01 | 0:15:03 | |
It does bring me back to those days of watching | 0:15:04 | 0:15:07 | |
Blue Peter during my childhood, seeing things being created. | 0:15:07 | 0:15:11 | |
'The next layer is some fresh multi-purpose compost, | 0:15:11 | 0:15:14 | |
'mixed with grit, and, importantly, charcoal. | 0:15:14 | 0:15:18 | |
The charcoal will continue to purify any gases | 0:15:18 | 0:15:22 | |
that are released by the plants or their roots. | 0:15:22 | 0:15:25 | |
'The design for my terrarium landscape is | 0:15:25 | 0:15:27 | |
'a mini-shop of horrors featuring a range of carnivorous plants.' | 0:15:27 | 0:15:30 | |
What I'm planting now is a pitcher plant. | 0:15:32 | 0:15:35 | |
It seduces flies to come in with some scent that it gives off. | 0:15:35 | 0:15:40 | |
'Pitcher plants like these grow naturally in moist boggy areas, | 0:15:40 | 0:15:44 | |
'and for extra texture and colour, | 0:15:44 | 0:15:46 | |
'I'll be using the dramatic pink leaves of Fittonias.' | 0:15:46 | 0:15:49 | |
I think the effect that we have to go for today is Jurassic Park. | 0:15:51 | 0:15:55 | |
With a bit of a Jurassic gardener. | 0:15:56 | 0:15:57 | |
Mind you, not as Jurassic as some of the others. | 0:15:57 | 0:16:01 | |
'The final plant to add to the terrarium is my favourite, | 0:16:01 | 0:16:04 | |
'and quite a naughty little monster.' | 0:16:04 | 0:16:06 | |
This is the one that all children really love, the Venus fly trap. | 0:16:08 | 0:16:12 | |
Once the flies, tiny flies wander in they touch some almost | 0:16:12 | 0:16:16 | |
invisible hairs and trigger these jaws to shut very dramatically. | 0:16:16 | 0:16:22 | |
I'll show you how it does it. | 0:16:22 | 0:16:24 | |
Here's one that's very open, just to the front. | 0:16:24 | 0:16:27 | |
We'll see if this takes to it. Ah! There you go. | 0:16:27 | 0:16:29 | |
And I still find that very exciting. | 0:16:31 | 0:16:33 | |
It's a great project for kids, very cost-effective, | 0:16:33 | 0:16:37 | |
and it's not only terrariums you can use, | 0:16:37 | 0:16:40 | |
here's a collection done in glass dishes, or jars, or bottles. | 0:16:40 | 0:16:45 | |
Look at that wonderful orchid growing in a bottle, | 0:16:45 | 0:16:49 | |
and because it has aerial roots it doesn't need compost. | 0:16:49 | 0:16:52 | |
With the cacti you're creating a lovely dry environment | 0:16:52 | 0:16:56 | |
and very warm environment by surrounding that by glass. | 0:16:56 | 0:16:59 | |
There's a lot of grit and sand around the base. | 0:16:59 | 0:17:02 | |
'To help me with a few final touches, | 0:17:02 | 0:17:04 | |
'I've taped some old cutlery to some bamboo canes. | 0:17:04 | 0:17:07 | |
'And to build some decorative layers to my landscape, | 0:17:08 | 0:17:11 | |
'I'm adding sand...' | 0:17:11 | 0:17:13 | |
I'll smooth that out. | 0:17:13 | 0:17:15 | |
'..and two different types of moss.' | 0:17:15 | 0:17:18 | |
I'll just make it a little bit more textural by putting in | 0:17:18 | 0:17:21 | |
sphagnum moss and then this wonderful Spanish moss. | 0:17:21 | 0:17:25 | |
'To finish, lightly water the plants, | 0:17:27 | 0:17:29 | |
'and clean off the glass and foliage.' | 0:17:29 | 0:17:32 | |
Don't let them dry out but they don't want to be too moist. | 0:17:32 | 0:17:35 | |
'And then one last addition.' | 0:17:35 | 0:17:38 | |
For my final flourish, | 0:17:38 | 0:17:40 | |
you can't have a terrarium, can you, without a dinosaur? | 0:17:40 | 0:17:43 | |
So this little lad | 0:17:43 | 0:17:45 | |
is going to have his new home | 0:17:45 | 0:17:49 | |
that he's going to be wandering through. | 0:17:49 | 0:17:52 | |
And pretty much there you have it. | 0:17:52 | 0:17:55 | |
A new indoor world. | 0:17:55 | 0:17:58 | |
A miniature glasshouse... | 0:18:01 | 0:18:03 | |
..for your home. | 0:18:05 | 0:18:06 | |
'I defy anyone not to be the most popular dad in the world | 0:18:10 | 0:18:14 | |
'after making this.' | 0:18:14 | 0:18:15 | |
If you'd like to transform your greenhouse from something | 0:18:28 | 0:18:31 | |
ordinary into something really special, | 0:18:31 | 0:18:34 | |
you need to consider your plant collection. | 0:18:34 | 0:18:37 | |
The right choice of plants could make your greenhouse come alive. | 0:18:37 | 0:18:41 | |
'If there's one plant that screams exotic and is absolutely | 0:18:44 | 0:18:47 | |
'tailor-made to be grown in a greenhouse, it's the orchid. | 0:18:47 | 0:18:51 | |
'I've come to Burnham Nurseries in Devon | 0:18:53 | 0:18:56 | |
'to meet Sarah Ritterhausen, | 0:18:56 | 0:18:57 | |
'the third generation of one of Great Britain's most knowledgeable | 0:18:57 | 0:19:01 | |
'orchid growing families.' | 0:19:01 | 0:19:03 | |
What do you love about these creatures? | 0:19:03 | 0:19:05 | |
I think the fascinating thing about the orchid family is it's just | 0:19:05 | 0:19:08 | |
so huge. There's thousands and thousands of species and hybrids. | 0:19:08 | 0:19:12 | |
And they're all united by, really, one thing in people's minds, | 0:19:12 | 0:19:15 | |
-they're exotic, aren't they? -Yeah, yeah. | 0:19:15 | 0:19:17 | |
You've got cooler growing orchids from higher up the mountains, | 0:19:17 | 0:19:20 | |
higher altitudes, and then the lower down the mountains you go, | 0:19:20 | 0:19:23 | |
it's warmer and more sort of steamy and tropical. | 0:19:23 | 0:19:27 | |
The idea of the glasshouse to greenhouse is to recreate | 0:19:27 | 0:19:30 | |
the conditions that you'd find in the jungles. | 0:19:30 | 0:19:33 | |
That humidity is probably the main thing, | 0:19:33 | 0:19:36 | |
and the warmth, keeping that warmth in, definitely, yes. | 0:19:36 | 0:19:39 | |
'In recent years, moth orchids have been bred to survive in our dry, | 0:19:39 | 0:19:43 | |
'centrally heated homes, and have become readily available and cheap. | 0:19:43 | 0:19:48 | |
'But there's so much more to orchids than this, | 0:19:48 | 0:19:51 | |
'and with a glasshouse comes a wonderful opportunity to grow | 0:19:51 | 0:19:55 | |
'a much more exciting and diverse range.' | 0:19:55 | 0:19:57 | |
Immediately you come in here, the atmosphere changes. | 0:19:59 | 0:20:02 | |
-It's that bit warmer. -Yeah, a little bit warmer, | 0:20:02 | 0:20:04 | |
little bit more humidity because of that, | 0:20:04 | 0:20:06 | |
and that's just what these slightly more tropical orchids need. | 0:20:06 | 0:20:09 | |
So what we're looking at here is a hanging orchid. | 0:20:09 | 0:20:12 | |
This is a Vanda, which, erm, grows with lots of | 0:20:13 | 0:20:16 | |
aerial roots hanging down, | 0:20:16 | 0:20:18 | |
and if you can give them enough humidity and moisture | 0:20:18 | 0:20:21 | |
then they'll grow like this quite happily. | 0:20:21 | 0:20:23 | |
Now, Sarah, this collection really shows | 0:20:29 | 0:20:32 | |
the variety in terms of flower shape, size and colour. | 0:20:32 | 0:20:37 | |
What have we got here? What's this one? | 0:20:37 | 0:20:39 | |
This is an Oncidium type, erm, which has a very highly patterned lip. | 0:20:39 | 0:20:44 | |
And I'm getting a very strong scent. Oh, that's amazing. | 0:20:44 | 0:20:48 | |
There are lots of scented orchids. | 0:20:48 | 0:20:50 | |
People don't realise that orchids have fragrance because, | 0:20:50 | 0:20:53 | |
you know, a lot of the house plant types, it's been bred out of them. | 0:20:53 | 0:20:56 | |
This is a Prosthechea garciana, pretty little pairs of kind of | 0:20:56 | 0:20:58 | |
back-to-back flowers which are really nice. | 0:20:58 | 0:21:01 | |
This is the octopus orchid, this is another species of Prosthechea, | 0:21:01 | 0:21:04 | |
Prosthechea cochleata. | 0:21:04 | 0:21:06 | |
This is actually the first tropical epiphytic orchid that was | 0:21:06 | 0:21:09 | |
flowered in this country in Kew Gardens in 1787, | 0:21:09 | 0:21:13 | |
so there's a lot of history attached to this plant. | 0:21:13 | 0:21:15 | |
-It's wonderful, isn't it? -Yeah. | 0:21:15 | 0:21:18 | |
And this is almost a profusion of cherry flowers. | 0:21:18 | 0:21:21 | |
It is so beautiful and each one so delicate, and all this collection | 0:21:21 | 0:21:25 | |
could be grown in that greenhouse you abandoned five years ago | 0:21:25 | 0:21:28 | |
-cos you didn't want to grow any more tomatoes. -Definitely. | 0:21:28 | 0:21:31 | |
Just to make a few alterations to the greenhouse, | 0:21:31 | 0:21:34 | |
make it orchid-friendly, put a bit of shading on there, | 0:21:34 | 0:21:37 | |
get a bit of heating in there, erm, a bit of humidity, | 0:21:37 | 0:21:40 | |
then you can grow things like this, definitely. | 0:21:40 | 0:21:43 | |
The passion and the enthusiasm that Sarah has | 0:21:43 | 0:21:47 | |
is really quite infectious. | 0:21:47 | 0:21:49 | |
It's amazing to find a nursery that is keeping up that great tradition | 0:21:49 | 0:21:54 | |
of finding plants that usually grow in jungles in Borneo and Chile, | 0:21:54 | 0:21:59 | |
propagating them, and we can have | 0:21:59 | 0:22:01 | |
our own miniature version of this right down the end of our gardens. | 0:22:01 | 0:22:06 | |
Wouldn't that be great? | 0:22:06 | 0:22:08 | |
'At the Botanic Gardens of Wales, orchids and exotic blooms abound. | 0:22:20 | 0:22:24 | |
'I'm meeting Ann Maloney, who's cared for the tropical conservatory | 0:22:24 | 0:22:28 | |
'since it was first planted. | 0:22:28 | 0:22:30 | |
'Today she's going to share her tips | 0:22:30 | 0:22:32 | |
'in a mini-masterclass in how to care for a jungle display.' | 0:22:32 | 0:22:36 | |
-So, Ann, the tropical house is your domain. -Yes, it's my baby. | 0:22:42 | 0:22:46 | |
And what do you like about the plants that we're | 0:22:46 | 0:22:48 | |
surrounded by in your greenhouse? | 0:22:48 | 0:22:50 | |
A lot of them are very big and then they give that tropical feel, | 0:22:50 | 0:22:53 | |
and you can lose yourself in another world as soon as you come in here. | 0:22:53 | 0:22:56 | |
So the big jobs would be keeping everything nice and moist? | 0:22:56 | 0:23:00 | |
Absolutely, the humidity is crucial. | 0:23:00 | 0:23:01 | |
OK, so damping down every morning, spraying the hose everywhere. | 0:23:01 | 0:23:05 | |
-Absolutely. -And look what you've given me. | 0:23:05 | 0:23:07 | |
-I know, aren't they nice and shiny? -We're going to have some fun here. | 0:23:07 | 0:23:11 | |
This is a bit untidy, Ann. | 0:23:11 | 0:23:12 | |
It's very untidy, I'm sorry you're looking at this bed, Diarmuid. | 0:23:12 | 0:23:15 | |
-You would choose this one, wouldn't you? -What have we got growing here? | 0:23:15 | 0:23:19 | |
We've got Piper nigrum, which is pepper. | 0:23:19 | 0:23:21 | |
This is where you get your black pepper and your white pepper from. | 0:23:21 | 0:23:24 | |
Ah, OK, from the seed heads, is it? | 0:23:24 | 0:23:26 | |
The seed heads, they dry off, and that's how you get your black pepper. | 0:23:26 | 0:23:30 | |
Then they're put through a process and you get your white pepper. | 0:23:30 | 0:23:33 | |
-OK. -So you get two things from one plant. | 0:23:33 | 0:23:34 | |
-But somebody's gone very heavy on the pepper here. -Er, just a wee bit. | 0:23:34 | 0:23:37 | |
You can just cut it back, it stands any amount of pruning | 0:23:37 | 0:23:40 | |
because you can see it's pretty vigorous. | 0:23:40 | 0:23:42 | |
It'll climb through everything | 0:23:42 | 0:23:44 | |
and it's all up this tree up here as well. | 0:23:44 | 0:23:46 | |
-OK, I'm not going to do it on my own. -I've got to do it as well? | 0:23:46 | 0:23:49 | |
-Yes, you have to help me. -Oh, for goodness' sake. | 0:23:49 | 0:23:51 | |
You've to help me and keep an eye on me. | 0:23:51 | 0:23:53 | |
You've got to keep the balance | 0:23:53 | 0:23:54 | |
-between it looking tidy for the visitors... -Yes. | 0:23:54 | 0:23:57 | |
..but not too manicured at the same time. | 0:23:57 | 0:23:59 | |
-Ann, I'm told that any dirt around the place really upsets you. -Yeah. | 0:23:59 | 0:24:03 | |
-What about this bit up here? -No, no, no. -What's wrong with it? | 0:24:03 | 0:24:07 | |
No, I want that to grow up tall. Not that bit, definitely not. No. | 0:24:07 | 0:24:11 | |
You'll be in serious trouble. | 0:24:11 | 0:24:14 | |
'Ann's got me on a tight leash, but keeping on top of climbing | 0:24:14 | 0:24:17 | |
'and scrambling species like the black pepper is crucial, | 0:24:17 | 0:24:21 | |
'as they can soon swamp slower growing plants. | 0:24:21 | 0:24:24 | |
'But my brief apprenticeship seems to be going well. | 0:24:24 | 0:24:27 | |
'In fact, she's even going to let me plant a tropical fruit | 0:24:27 | 0:24:30 | |
'in one of her beds.' | 0:24:30 | 0:24:32 | |
So, Ann, you've been very kind to me, and letting me plant... | 0:24:32 | 0:24:37 | |
Yeah, I am, but you're honoured cos I don't usually let | 0:24:37 | 0:24:39 | |
anybody in here do that, so... | 0:24:39 | 0:24:41 | |
-OK, and what is this plant? -This is a pawpaw, it's a Carica. | 0:24:41 | 0:24:44 | |
And by the look of it I think it's a dwarf. | 0:24:45 | 0:24:48 | |
It is a dwarf, you're right there. It grows to 50 centimetres. | 0:24:48 | 0:24:52 | |
-And you've grown this from seed? -From seed, yes. | 0:24:52 | 0:24:54 | |
-Very healthy looking specimen. -Shall I hold it for you? | 0:24:54 | 0:24:57 | |
No, no, you're grand. I can hold it and I can... | 0:24:57 | 0:24:59 | |
I can multitask. | 0:24:59 | 0:25:01 | |
Oh. How unusual. | 0:25:01 | 0:25:03 | |
Ooh! | 0:25:03 | 0:25:04 | |
Right. What do you think that looks like? | 0:25:04 | 0:25:06 | |
Yeah, that's not too bad. | 0:25:06 | 0:25:08 | |
No, that is absolutely perfect. | 0:25:08 | 0:25:11 | |
'This dwarfed pawpaw plant should be | 0:25:11 | 0:25:13 | |
'bearing its first fruits in just a few months' time. | 0:25:13 | 0:25:17 | |
'So, it's the perfect exotic plant for a small hothouse.' | 0:25:17 | 0:25:21 | |
And it is one of the joys of hothouse gardening, | 0:25:23 | 0:25:26 | |
that you can grow stuff like this. | 0:25:26 | 0:25:28 | |
You've pawpaws, you've bananas. | 0:25:28 | 0:25:31 | |
All in a tropical greenhouse. | 0:25:31 | 0:25:33 | |
We've even got coffee. | 0:25:33 | 0:25:34 | |
-When this fruits, are you going to send me one? -Hmmm... | 0:25:34 | 0:25:37 | |
Yeah, if you finish the job properly and put a label in. | 0:25:37 | 0:25:41 | |
-I wouldn't dare not finish the job properly. -Thank you very much. | 0:25:41 | 0:25:45 | |
You're very welcome. | 0:25:45 | 0:25:46 | |
'But, it's not only Ann and I that are passionate about glasshouses | 0:25:52 | 0:25:56 | |
'and growing exotic foods. | 0:25:56 | 0:25:58 | |
'There are others that have already taken up my revival.' | 0:25:58 | 0:26:01 | |
I'm visiting St Anns Allotments in Nottingham and, hidden amongst | 0:26:04 | 0:26:07 | |
the hedges, there's a wonderful Heath Robinson range of glasshouses. | 0:26:07 | 0:26:12 | |
Some made from recycled doors and windows | 0:26:12 | 0:26:15 | |
and some from plastic drink bottles. | 0:26:15 | 0:26:18 | |
They are totally ingenious. | 0:26:18 | 0:26:20 | |
'I'm meeting Don, who has a total of five structures, all craftily | 0:26:20 | 0:26:25 | |
'put together and perfect for growing his hothouse favourites.' | 0:26:25 | 0:26:29 | |
-Don, it's not often I'm lost for words. -Yeah. | 0:26:30 | 0:26:34 | |
-I can't get over what you've done here. -Really? | 0:26:34 | 0:26:38 | |
Yeah. It's astonishing. It's overwhelming. | 0:26:38 | 0:26:41 | |
When did you start building this world? | 0:26:41 | 0:26:43 | |
I started this one about ten years ago. | 0:26:43 | 0:26:46 | |
But you've been 30-odd years on this site? | 0:26:46 | 0:26:50 | |
-33 years. -33, that's not easy for an Irishman to say. 33 years. | 0:26:50 | 0:26:55 | |
-Where do you come from? -I'm from Jamaica. | 0:26:55 | 0:26:57 | |
So, you're trying to recreate the type of food you would have | 0:26:57 | 0:27:01 | |
-had in Jamaica back here. -Yes. | 0:27:01 | 0:27:04 | |
-In the middle of England. -That is correct. | 0:27:04 | 0:27:07 | |
-So you need heat. -You got it. -Wow. | 0:27:07 | 0:27:10 | |
'In this home-made structure, Don's growing cucumbers, | 0:27:12 | 0:27:15 | |
'chillies and peppers. | 0:27:15 | 0:27:17 | |
'But, in another greenhouse, his range of exotic crops gets | 0:27:17 | 0:27:20 | |
'even more colourful and includes his beloved vegetable, callaloo.' | 0:27:20 | 0:27:25 | |
Peppers again, chillies. | 0:27:26 | 0:27:29 | |
-Those oxheart tomatoes. -Yes. | 0:27:29 | 0:27:32 | |
-Callaloo. -Chinese one. | 0:27:32 | 0:27:34 | |
-When did you build this one? -Three years ago. -And why? | 0:27:34 | 0:27:37 | |
-You just needed more space for callaloo. -That's it. | 0:27:37 | 0:27:39 | |
How much callaloo can one man eat, or how many people can he feed? | 0:27:39 | 0:27:42 | |
It's not just one man. | 0:27:42 | 0:27:44 | |
Friends, among friends. | 0:27:44 | 0:27:46 | |
'It's so good to meet gardeners who have approached growing under | 0:27:46 | 0:27:50 | |
'glass in such an inventive way. | 0:27:50 | 0:27:52 | |
'And, on another part of the site, | 0:27:52 | 0:27:55 | |
'a group of allotmenteers have wasted no time | 0:27:55 | 0:27:58 | |
'in roping me into their latest construction project.' | 0:27:58 | 0:28:01 | |
You wouldn't get Monty Don doing this, would you now? | 0:28:03 | 0:28:05 | |
What you're really trying to achieve today is building something | 0:28:05 | 0:28:09 | |
-much simpler that we could all make use of in the garden. -Yes. | 0:28:09 | 0:28:13 | |
'The lads are using recycled railway sleepers | 0:28:13 | 0:28:16 | |
'and some discarded windows to make a set of cold frames.' | 0:28:16 | 0:28:19 | |
So, what can I do to help? | 0:28:21 | 0:28:23 | |
Well, you can make the tea. | 0:28:23 | 0:28:25 | |
Make the tea. That's all a bit dismissive. | 0:28:25 | 0:28:27 | |
'Cold frames are glasshouses in miniature - | 0:28:31 | 0:28:33 | |
'transparent roofed enclosures built low to the ground | 0:28:33 | 0:28:36 | |
'and used to protect plants from adverse weather.' | 0:28:36 | 0:28:40 | |
So, this is the cold frame | 0:28:41 | 0:28:44 | |
and the soil there will warm up. | 0:28:44 | 0:28:46 | |
You'll be able to put cuttings directly into the ground. | 0:28:46 | 0:28:49 | |
How would you rate my work? | 0:28:49 | 0:28:51 | |
Brilliant. You can come here again. | 0:28:51 | 0:28:53 | |
'These structures are an asset, as they enable seedlings | 0:28:53 | 0:28:56 | |
'and young plants to steal a march early in the growing season. | 0:28:56 | 0:29:00 | |
'And they can help save the gardener a stash of cash.' | 0:29:00 | 0:29:03 | |
There you go. That's great. | 0:29:03 | 0:29:06 | |
Easy action. Solid. | 0:29:06 | 0:29:08 | |
It'll last pretty much for ever. | 0:29:08 | 0:29:11 | |
So, listen, there is no excuse. | 0:29:11 | 0:29:13 | |
Everybody can garden under glass. | 0:29:13 | 0:29:15 | |
Everybody can rediscover that idea of propagation | 0:29:15 | 0:29:18 | |
or starting off things early and making use of this wonderful | 0:29:18 | 0:29:22 | |
material to heat up the soil, to heat up the pots. | 0:29:22 | 0:29:25 | |
You can build it yourself or you can go and buy it. | 0:29:25 | 0:29:27 | |
Everybody should do it. | 0:29:27 | 0:29:29 | |
Glasshouses are a really important part of our heritage. | 0:29:33 | 0:29:37 | |
We should appreciate them an awful lot more | 0:29:37 | 0:29:40 | |
and revel in the exotic species that they allow us to grow. | 0:29:40 | 0:29:43 | |
So, come on, join my revival and have a look at your garden | 0:29:43 | 0:29:47 | |
and maybe make a space to add a house made of glass. | 0:29:47 | 0:29:52 | |
Next, Matt James is on another garden revival. | 0:29:55 | 0:29:58 | |
There is no greater experience than walking into a beautiful garden where | 0:30:02 | 0:30:06 | |
there's scent in the air and there are plants in every form, | 0:30:06 | 0:30:10 | |
colour and texture imaginable. | 0:30:10 | 0:30:13 | |
And, at the heart of my favourite gardens are a real | 0:30:13 | 0:30:16 | |
group of unsung heroes, shrubs. | 0:30:16 | 0:30:19 | |
From the beautiful flowers of magnolia to the colourful | 0:30:20 | 0:30:23 | |
stemmed dogwood and fragrant daphne. | 0:30:23 | 0:30:25 | |
Great for privacy and screening, backdrops, focal points, | 0:30:25 | 0:30:29 | |
fragrance, flower and foliage, | 0:30:29 | 0:30:31 | |
shrubs deliver by the bucket-load. | 0:30:31 | 0:30:34 | |
But, these days, the poor shrub is often ignored | 0:30:34 | 0:30:39 | |
and overlooked, which is such a shame. | 0:30:39 | 0:30:42 | |
Shrubs give a garden so much. | 0:30:42 | 0:30:45 | |
I'm Matt James and I want people to rediscover | 0:30:45 | 0:30:48 | |
and appreciate the importance of this amazing group of plants, | 0:30:48 | 0:30:52 | |
in the Great British Shrub Revival. | 0:30:52 | 0:30:55 | |
'I want to know why shrubs have lost their appeal.' | 0:30:57 | 0:31:01 | |
They're seen as the sort of backdrop to flowering plants. | 0:31:01 | 0:31:03 | |
They're anything but that. | 0:31:03 | 0:31:05 | |
'To find out what will happen | 0:31:05 | 0:31:06 | |
'if we don't fall back in love with these wonderful plants.' | 0:31:06 | 0:31:09 | |
If they don't, there's a danger of becoming an arid landscape. | 0:31:09 | 0:31:13 | |
'And I'll show you my tips on how to get the very best from your shrubs.' | 0:31:13 | 0:31:17 | |
To be honest, don't worry if you get it wrong. | 0:31:17 | 0:31:19 | |
Plants are pretty forgiving and will bounce back, | 0:31:19 | 0:31:22 | |
whatever you do to them, really. | 0:31:22 | 0:31:23 | |
I think every garden needs shrubs. | 0:31:35 | 0:31:38 | |
Smaller than trees, more permanent than perennials | 0:31:38 | 0:31:42 | |
and ornamental grasses, shrubs are the backbone of any plot. | 0:31:42 | 0:31:46 | |
There's a shrub for every spot too, a shrub for every season. | 0:31:46 | 0:31:49 | |
And they're particularly useful in autumn and winter, | 0:31:49 | 0:31:51 | |
when there's little else about. | 0:31:51 | 0:31:53 | |
And that's why I'm here at the | 0:31:53 | 0:31:55 | |
Sir Harold Hillier Gardens in Hampshire. | 0:31:55 | 0:31:57 | |
These amazing gardens cover 180 acres | 0:31:57 | 0:32:01 | |
and are home to over 42,000 trees and shrubs. | 0:32:01 | 0:32:05 | |
It's an ideal place to start my revival campaign. | 0:32:05 | 0:32:09 | |
I thought I'd set the record straight on what a shrub actually is. | 0:32:11 | 0:32:14 | |
Well, shrubs can be this big - | 0:32:14 | 0:32:16 | |
a lavender, for example - | 0:32:16 | 0:32:18 | |
or they can be four to five metres high, like a stately magnolia. | 0:32:18 | 0:32:23 | |
But they all share one common characteristic - | 0:32:23 | 0:32:26 | |
a series of stems emanating from their base, | 0:32:26 | 0:32:29 | |
just like this mophead hydrangea. | 0:32:29 | 0:32:31 | |
And when is a shrub not a shrub? | 0:32:31 | 0:32:33 | |
When it's a tree, like that oak there, | 0:32:33 | 0:32:36 | |
which has one single stem, a trunk. | 0:32:36 | 0:32:38 | |
It's that simple. | 0:32:38 | 0:32:40 | |
As a garden designer, I'm always spoilt for choice | 0:32:44 | 0:32:46 | |
when it comes to deciding which plants to include in a garden. | 0:32:46 | 0:32:49 | |
Yet, shrubs are always in the forefront of my mind. | 0:32:49 | 0:32:53 | |
For me, the shrub is number one in more ways than one. | 0:32:54 | 0:32:58 | |
The wintersweet here, Chimonanthus praecox, | 0:32:58 | 0:33:00 | |
was the first plant I ever fell in love with and it was | 0:33:00 | 0:33:04 | |
the first plant I ever bought my mum. | 0:33:04 | 0:33:05 | |
The first plant I propagated, Euonymus alatus, the winged spindle, | 0:33:05 | 0:33:10 | |
which I also think was the first plant | 0:33:10 | 0:33:12 | |
I ever pinched from the prop bench at college. | 0:33:12 | 0:33:14 | |
For me, the shrub is number one and I'm hoping soon | 0:33:14 | 0:33:17 | |
that it will be number one on your list of favourites as well. | 0:33:17 | 0:33:21 | |
Many people think that shrubs are dull and boring, | 0:33:24 | 0:33:26 | |
the eternal horticultural bridesmaid and never the bride. | 0:33:26 | 0:33:30 | |
With perennials and ornamental grasses stealing their thunder | 0:33:30 | 0:33:34 | |
and an unfair reputation of being difficult to manage, | 0:33:34 | 0:33:38 | |
the shrub is often overlooked. | 0:33:38 | 0:33:41 | |
If we want to rekindle our love affair with shrubs, | 0:33:42 | 0:33:46 | |
we need to look back in time to an era | 0:33:46 | 0:33:49 | |
when they really were the stars of the show. | 0:33:49 | 0:33:52 | |
I'm on my way to Croome Park in Worcester. | 0:33:55 | 0:33:59 | |
This stunning landscape was created in the mid-1700s for the | 0:33:59 | 0:34:02 | |
Earl of Coventry by Capability Brown. | 0:34:02 | 0:34:05 | |
He was famed for his use of shrubs | 0:34:05 | 0:34:08 | |
and Croome was a classic example of his work. | 0:34:08 | 0:34:11 | |
'Sadly, the shrub, though, fell victim to the changing | 0:34:11 | 0:34:14 | |
'fashions in the early 20th century | 0:34:14 | 0:34:17 | |
and Croome's shrubberies were removed. | 0:34:17 | 0:34:19 | |
'But property manager Michael Smith is heading up an exciting project | 0:34:19 | 0:34:23 | |
'that aims to restore the park to its former 18th century glory.' | 0:34:23 | 0:34:28 | |
This is a shrubbery. It's a collection of shrubs. | 0:34:28 | 0:34:32 | |
-Or a bit more than that? -Definitely much more than that. | 0:34:32 | 0:34:34 | |
And in the 18th century, this would | 0:34:34 | 0:34:36 | |
have been one of the most fashionable places to be seen - | 0:34:36 | 0:34:39 | |
in amongst the collection of exotic plants drawn from the | 0:34:39 | 0:34:41 | |
four corners of the world to create a wonderful shrubbery. | 0:34:41 | 0:34:44 | |
So the plants we're looking at were essentially | 0:34:44 | 0:34:46 | |
the height of fashion at that time? | 0:34:46 | 0:34:48 | |
They were, and what we've got to remember is that Britain | 0:34:48 | 0:34:50 | |
had a particularly poor native flora. | 0:34:50 | 0:34:52 | |
So, there wasn't a lot to work with. | 0:34:52 | 0:34:54 | |
So it was as much about a collection of plants to show off? | 0:34:54 | 0:34:56 | |
Yeah, the shrubs are the bling of the plant world. | 0:34:56 | 0:35:00 | |
It would have been a great status symbol to be able to bring | 0:35:00 | 0:35:03 | |
guests round and show them plants that had been collected from China, | 0:35:03 | 0:35:06 | |
the Mediterranean, even North America | 0:35:06 | 0:35:08 | |
towards the end of the 18th century. | 0:35:08 | 0:35:10 | |
'In its day, this shrubbery was one of the finest in the country.' | 0:35:12 | 0:35:17 | |
Michael, that's something I really love. | 0:35:17 | 0:35:20 | |
The spindle, Euonymus europaeus. Such a gorgeous plant. | 0:35:20 | 0:35:24 | |
'Although the restoration isn't complete, the new planting is | 0:35:26 | 0:35:29 | |
'incredibly rich and the park is now full of many wonderful shrubs.' | 0:35:29 | 0:35:34 | |
Here's another favourite of mine. The Laurustinus. | 0:35:34 | 0:35:36 | |
-Such a reliable, hardy evergreen shrub, isn't it? -Yeah. | 0:35:36 | 0:35:39 | |
And provides colour from December through to March. | 0:35:39 | 0:35:42 | |
Just at the time when you need colour in the garden. | 0:35:42 | 0:35:45 | |
Behind each one of these shrubs, there's a fascinating story. | 0:35:45 | 0:35:48 | |
Laurustinus, originally from the eastern Mediterranean. | 0:35:48 | 0:35:50 | |
Visitors wouldn't have just walked through a shrubbery, | 0:35:50 | 0:35:53 | |
they would have stopped and admired each and every plant, | 0:35:53 | 0:35:55 | |
spoken about their origins, how they came to Croome. | 0:35:55 | 0:35:58 | |
-A talking point? -Absolutely. In the archives of Croome, | 0:35:58 | 0:36:00 | |
there are letters from the British ambassador to the Spanish court. | 0:36:00 | 0:36:03 | |
He's doing no diplomatic business, but he's finding seeds, | 0:36:03 | 0:36:06 | |
you know, Spanish brooms, sending them back to Lord Coventry. | 0:36:06 | 0:36:09 | |
So, all those stories behind them. | 0:36:09 | 0:36:10 | |
What an incredible place of excitement. | 0:36:10 | 0:36:12 | |
For me, it's that passion for shrubs that's been lost, hasn't it? | 0:36:12 | 0:36:16 | |
Yeah. And somehow now they're seen | 0:36:16 | 0:36:18 | |
as this sort of drab backdrop to flowering plants. | 0:36:18 | 0:36:20 | |
They're anything but that. | 0:36:20 | 0:36:22 | |
They are the most exciting plants that we could have to hand. | 0:36:22 | 0:36:24 | |
I couldn't agree more. | 0:36:24 | 0:36:26 | |
'With such a rich heritage, | 0:36:29 | 0:36:31 | |
'I'm curious as to why we fell so out of love with the shrub. | 0:36:31 | 0:36:36 | |
'To find out, I'm heading to John Woods Nurseries in Suffolk | 0:36:36 | 0:36:40 | |
'to meet plant buyer Colin Dale. | 0:36:40 | 0:36:42 | |
'Colin has been in the business for over 30 years, | 0:36:42 | 0:36:45 | |
'witnessing the decline and demand for the shrub.' | 0:36:45 | 0:36:48 | |
So, Colin, how have our plant buying habits changed in terms of shrubs? | 0:36:51 | 0:36:56 | |
There's been quite a change, I think, really. | 0:36:56 | 0:36:58 | |
There has been a real fear factor. | 0:36:58 | 0:37:00 | |
-I think people have been afraid about complicated pruning. -Yes. | 0:37:00 | 0:37:03 | |
They're probably not doing the research into shrubs | 0:37:03 | 0:37:06 | |
and all the wonders of shrubs. | 0:37:06 | 0:37:08 | |
I mean, one of the examples, | 0:37:08 | 0:37:10 | |
I've brought along one of these very old catalogues from the 1970s. | 0:37:10 | 0:37:13 | |
-Right. -And in here, I can show you, for example, | 0:37:13 | 0:37:15 | |
there's two whole pages with 29 varieties of just Viburnums. | 0:37:15 | 0:37:19 | |
Now, if you compare that with the average garden centre now... | 0:37:19 | 0:37:22 | |
You might have two, maybe three, maybe four. | 0:37:22 | 0:37:25 | |
And even then, you'd only have them when they're doing their thing, | 0:37:25 | 0:37:27 | |
whether it be flowering or whether it be autumn colour. | 0:37:27 | 0:37:30 | |
'The lovely Viburnum is only one example of this decline. | 0:37:31 | 0:37:35 | |
'If we don't do something about it now, | 0:37:35 | 0:37:37 | |
'we may lose cherished varieties from our gardens altogether. | 0:37:37 | 0:37:41 | |
'Fortunately, there are people like Colin working to | 0:37:41 | 0:37:44 | |
'cater for the changing trends in gardening.' | 0:37:44 | 0:37:47 | |
So, these are some of the ones that you're now growing, | 0:37:47 | 0:37:49 | |
which are smaller, more compact versions and better flowers, etc? | 0:37:49 | 0:37:52 | |
That's right. Just a small sample of some of the improvements | 0:37:52 | 0:37:56 | |
that the breeding has made. | 0:37:56 | 0:37:58 | |
This is Forsythia, isn't it? | 0:37:58 | 0:37:59 | |
This one's called Gold Mine. | 0:37:59 | 0:38:01 | |
And, as its name suggests, it's a mass of colour. | 0:38:01 | 0:38:04 | |
And the beauty about this one is it flowers | 0:38:04 | 0:38:06 | |
on the current season's wood. | 0:38:06 | 0:38:08 | |
So none of that complicated... | 0:38:08 | 0:38:09 | |
You don't have to worry about pruning. | 0:38:09 | 0:38:12 | |
It picks up that whole fear point about making it | 0:38:12 | 0:38:14 | |
nice and simple for the customer. | 0:38:14 | 0:38:16 | |
Santolina 'Lemon Fizz'? | 0:38:16 | 0:38:18 | |
This is now a lovely golden form. | 0:38:18 | 0:38:20 | |
It's got that sense of foliage, as well. | 0:38:20 | 0:38:22 | |
-And it's just a lovely, bright, happy shrub. -Yes, absolutely. | 0:38:22 | 0:38:25 | |
And we've got hydrangeas in front, big hydrangeas. | 0:38:25 | 0:38:28 | |
This is called Endless Summer. | 0:38:28 | 0:38:29 | |
It flowers, really, from early summer, right into the autumn. | 0:38:29 | 0:38:33 | |
So, to cut a long story short, with all the work that growers | 0:38:33 | 0:38:36 | |
and breeders are doing to produce plants which are easy to prune, | 0:38:36 | 0:38:40 | |
easy to care for and are colourful or flower for a lot longer, | 0:38:40 | 0:38:44 | |
there's no reason that we shouldn't be putting more | 0:38:44 | 0:38:46 | |
shrubs in our gardens, is there? | 0:38:46 | 0:38:48 | |
I totally agree. | 0:38:48 | 0:38:49 | |
The Sir Harold Hillier Gardens are overflowing with shrubs. | 0:38:54 | 0:38:59 | |
In fact, they have more than 800 varieties, | 0:38:59 | 0:39:01 | |
some of which you will find flourishing in a centenary border. | 0:39:01 | 0:39:05 | |
'I'm meeting fellow shrub fanatic, garden director Wolfgang Bopp, | 0:39:05 | 0:39:09 | |
'to find out how he gets the best from a buddleia.' | 0:39:09 | 0:39:13 | |
Tell me, we're sort of deadheading this buddleia here, | 0:39:13 | 0:39:16 | |
which to me is slightly odd, I have to say, | 0:39:16 | 0:39:18 | |
because I don't do a lot of pruning, | 0:39:18 | 0:39:20 | |
a lot of work with my shrubs. | 0:39:20 | 0:39:21 | |
-Lazy gardener. -Well, yeah, a little bit. | 0:39:21 | 0:39:24 | |
And the thing I like about shrubs, most of them, at least, if you pick | 0:39:24 | 0:39:26 | |
the right shrub for the right place, is that they take care of themselves. | 0:39:26 | 0:39:30 | |
You don't need to do anything. Why are we deadheading here? | 0:39:30 | 0:39:32 | |
It's really because, when you look at that, | 0:39:32 | 0:39:35 | |
this is now beginning to go over. | 0:39:35 | 0:39:36 | |
You can leave that for another five days. | 0:39:36 | 0:39:39 | |
But then these side shoots have got buds on them. | 0:39:39 | 0:39:42 | |
If you deadhead it, it means they will develop more quickly. | 0:39:42 | 0:39:45 | |
Cos, at the end of the day, a plant, | 0:39:45 | 0:39:47 | |
it's not designed to flower, it's actually designed to produce seed. | 0:39:47 | 0:39:51 | |
Once it does that, it puts its energy into that. | 0:39:51 | 0:39:53 | |
And, by deadheading, what you're doing is telling that plant, | 0:39:53 | 0:39:56 | |
"Oh, actually, I've lost the first production of seed, | 0:39:56 | 0:39:59 | |
-"so therefore I've got to produce more." -Sure. | 0:39:59 | 0:40:01 | |
And that means it carries on flowering. | 0:40:01 | 0:40:03 | |
-Encouraging more flowers, being greedy. -Yep. | 0:40:03 | 0:40:06 | |
Nothing wrong with that. | 0:40:06 | 0:40:07 | |
What I like about buddleias is that, yes, they grow quite strongly, | 0:40:07 | 0:40:11 | |
but because you can prune them hard every year, you can | 0:40:11 | 0:40:13 | |
actually keep them contained. | 0:40:13 | 0:40:15 | |
So, this shrub, there's no reason why that has to get any bigger. | 0:40:15 | 0:40:18 | |
If you want to allow it to, yes, | 0:40:18 | 0:40:20 | |
it will carry on building up and building up. | 0:40:20 | 0:40:22 | |
Do you think we should be using more shrubs in your garden? | 0:40:22 | 0:40:25 | |
-Because I certainly do. -I think so. Yes, yes. | 0:40:25 | 0:40:27 | |
There's so much richness out there. | 0:40:27 | 0:40:29 | |
I go into a plant centre, I go into a nursery and I see, | 0:40:29 | 0:40:33 | |
that's looking good, I'll buy it now. | 0:40:33 | 0:40:36 | |
And there's nothing wrong with that. | 0:40:36 | 0:40:37 | |
But what you should do is also go around gardens | 0:40:37 | 0:40:40 | |
and see what different shrubs do at different times of year. | 0:40:40 | 0:40:43 | |
And then think, "Right. What I want is something which | 0:40:43 | 0:40:46 | |
"I can enjoy in the winter." | 0:40:46 | 0:40:48 | |
And you might go for Hamamelis, for instance. | 0:40:48 | 0:40:50 | |
Oh, yeah. Witch hazel. Absolutely gorgeous. | 0:40:50 | 0:40:52 | |
Co you come home in the evening, it's pitch black, | 0:40:52 | 0:40:54 | |
but when you walk past Hamamelis 'Pallida', | 0:40:54 | 0:40:57 | |
for instance, that will be scented at eight o'clock in the evening. | 0:40:57 | 0:41:00 | |
-So choose them for different times of year. -Good stuff. | 0:41:00 | 0:41:03 | |
There's a fair bit more pruning to do, isn't there? | 0:41:03 | 0:41:05 | |
So we better crack on and stop nattering. | 0:41:05 | 0:41:08 | |
Commonly called the butterfly bush, buddleia's flower power gives | 0:41:11 | 0:41:15 | |
fabulous colour and a subtle fragrance from June to September. | 0:41:15 | 0:41:19 | |
Plus, as the name suggests, it's a magnet for butterflies. | 0:41:19 | 0:41:24 | |
Without doubt, there is a shrub for every situation | 0:41:30 | 0:41:35 | |
and no matter the month, the week of the year, | 0:41:35 | 0:41:38 | |
there's always something which will look spectacular. | 0:41:38 | 0:41:41 | |
That's an ethos that lies at the heart of the Old Vicarage | 0:41:43 | 0:41:47 | |
in East Ruston, Norfolk. | 0:41:47 | 0:41:48 | |
It's made up of 20 individual gardens, | 0:41:48 | 0:41:52 | |
each one different to the next. | 0:41:52 | 0:41:54 | |
But one thing they all have in common is they all contain wonderful shrubs. | 0:41:54 | 0:42:00 | |
Well, that's a bit different from your average roundabout. | 0:42:00 | 0:42:03 | |
And when all this colour dies away, | 0:42:03 | 0:42:06 | |
what's at the heart of this display? | 0:42:06 | 0:42:08 | |
Shrubs. | 0:42:08 | 0:42:09 | |
These stunning gardens have been lovingly created over the last | 0:42:09 | 0:42:14 | |
22 years by shrub enthusiast, Alan Gray. | 0:42:14 | 0:42:16 | |
Your garden is, in part, famed for its exuberance and vibrancy, | 0:42:16 | 0:42:21 | |
-but shrubs are a very important part. -Yes, because without shrubs | 0:42:21 | 0:42:24 | |
we wouldn't have the garden we have today. | 0:42:24 | 0:42:27 | |
Shrubs are the backbone of any garden. | 0:42:27 | 0:42:29 | |
I look at shrubs as the walls of a garden, they're the reliable, | 0:42:29 | 0:42:33 | |
dependable plantings. | 0:42:33 | 0:42:35 | |
Absolutely. When people are new to gardening, they think of shrubs | 0:42:35 | 0:42:38 | |
as being spring-flowering plants. But you and I know that | 0:42:38 | 0:42:42 | |
-shrubs flower throughout the year. -It's a huge world. -Absolutely. | 0:42:42 | 0:42:45 | |
There's a flower for every month, | 0:42:45 | 0:42:47 | |
plants with spectacular architectural interest, and those that recede | 0:42:47 | 0:42:51 | |
into the backdrop of the garden and then, suddenly, | 0:42:51 | 0:42:54 | |
-for two weeks of the year scream at you. -There are numerous varieties, | 0:42:54 | 0:42:57 | |
not just the one. And there'll be one that shines out for you | 0:42:57 | 0:43:00 | |
on a personal level | 0:43:00 | 0:43:02 | |
-better than anything else, and go for that. Do your homework. -Yes. | 0:43:02 | 0:43:05 | |
Alan's passion and knowledge of shrubs is evident in every | 0:43:07 | 0:43:11 | |
aspect of these beautiful gardens. | 0:43:11 | 0:43:13 | |
-Look at this. -No matter how many times you see a big bank | 0:43:13 | 0:43:17 | |
-of mophead hydrangea in flower, it's still exciting, isn't it? -It is. | 0:43:17 | 0:43:22 | |
I think every time you look at it, it reminds you of the seaside, | 0:43:22 | 0:43:25 | |
-do you know what I mean? -Yes... | 0:43:25 | 0:43:27 | |
It has a strong visual ecology, | 0:43:27 | 0:43:29 | |
we associate it with place, so when we see it, | 0:43:29 | 0:43:31 | |
it evokes memories of that place. | 0:43:31 | 0:43:33 | |
We do see them by the seaside, | 0:43:33 | 0:43:35 | |
and they're usually planted beside a front door where they grow too big! | 0:43:35 | 0:43:38 | |
Yes, yeah, that's true! | 0:43:38 | 0:43:40 | |
These gardens really demonstrate how versatile shrubs can actually be. | 0:43:40 | 0:43:44 | |
A prime example of shrubs used as a backdrop to all the frothy colour | 0:43:46 | 0:43:50 | |
-in front, isn't it? -Absolutely. | 0:43:50 | 0:43:52 | |
On the left we have an ilex, a holly, it's called Golden King. | 0:43:52 | 0:43:56 | |
Here we have a Box Ball, | 0:43:56 | 0:43:58 | |
Now that Box Ball doesn't give a great deal of interest in the summer | 0:43:58 | 0:44:01 | |
but in the winter, when all that's gone, | 0:44:01 | 0:44:03 | |
it gives you interest in the dark months. | 0:44:03 | 0:44:05 | |
Absolutely, absolutely. | 0:44:05 | 0:44:07 | |
I've noticed a lot of people are doing this now - | 0:44:07 | 0:44:09 | |
they're not using Box Balls, they're using clipped columns. | 0:44:09 | 0:44:12 | |
It could be yew, or it could be even a semi-evergreen, | 0:44:12 | 0:44:15 | |
which is what I call beech because beech retains its leaves | 0:44:15 | 0:44:17 | |
-in the winter. -Yeah, marcescence. | 0:44:17 | 0:44:19 | |
-Absolutely. -What was that word? | 0:44:19 | 0:44:21 | |
-Marcescence. -I've learnt a new word, I love it! | 0:44:21 | 0:44:23 | |
Alan's use of shrubs to create structure varies in each garden, | 0:44:29 | 0:44:33 | |
from the classical, to the far less conventional. | 0:44:33 | 0:44:37 | |
This is an unusual area to have in a British garden. | 0:44:38 | 0:44:42 | |
It is, I suppose. We affectionately call it the desert, | 0:44:42 | 0:44:46 | |
because it's home to many plants that grow in places like Arizona | 0:44:46 | 0:44:50 | |
-which is what this kind of landscape is inspired by. -Yeah. | 0:44:50 | 0:44:54 | |
In here shrubs are an integral part of the scheme, aren't they, | 0:44:54 | 0:44:57 | |
-they're the architecture. -Absolutely. | 0:44:57 | 0:45:00 | |
They go from the huge things like the cordylines | 0:45:00 | 0:45:03 | |
and these enormous yuccas here, great colonies of those, | 0:45:03 | 0:45:06 | |
to this diminutive little chap down here | 0:45:06 | 0:45:08 | |
which is called Haloragis erecta, Wellington Bronze. | 0:45:08 | 0:45:11 | |
which comes from New Zealand. | 0:45:11 | 0:45:13 | |
A little story I'll tell you | 0:45:13 | 0:45:14 | |
I got that from Ventnor Botanic Garden, I was given a piece | 0:45:14 | 0:45:17 | |
to bring back. And the head gardener, | 0:45:17 | 0:45:19 | |
he grudgingly gave me a piece | 0:45:19 | 0:45:20 | |
-saying, "You'll never grow that in Norfolk." -And there you go. | 0:45:20 | 0:45:24 | |
It goes to show, it's worth a go. | 0:45:24 | 0:45:27 | |
What do you think will happen if people don't start planting | 0:45:27 | 0:45:29 | |
-more shrubs in their garden? -Well, it affects everything. | 0:45:29 | 0:45:32 | |
The flora, fauna. | 0:45:32 | 0:45:34 | |
If they don't, it is in danger of becoming an arid landscape. | 0:45:34 | 0:45:36 | |
You might think this is an arid landscape, but if you look at it, | 0:45:36 | 0:45:39 | |
it's surrounded by banks of shrubs, we need shrubs, we need the shelter | 0:45:39 | 0:45:43 | |
-we need them for the kind of order that they bring. -Of course. | 0:45:43 | 0:45:48 | |
This special place confirms one thing and that is that shrubs | 0:45:52 | 0:45:55 | |
are an integral part of the garden. | 0:45:55 | 0:45:58 | |
They can offer privacy and screening, | 0:45:58 | 0:46:00 | |
or, from the beautiful fragrance of the wintersweet | 0:46:00 | 0:46:04 | |
to the gorgeous colour of the buddleia, | 0:46:04 | 0:46:06 | |
they can be the stars in their own right. | 0:46:06 | 0:46:09 | |
Plant shrubs in your garden and you really will reap the rewards. | 0:46:09 | 0:46:13 | |
With such a vast range of shrubs to choose from, it's easy to get | 0:46:20 | 0:46:25 | |
confused about what to plant at home, but don't be put off. | 0:46:25 | 0:46:27 | |
Using the Sir Harold Hillier gardens for inspiration, | 0:46:27 | 0:46:31 | |
here's my advice on how to get started. | 0:46:31 | 0:46:34 | |
One of the most obvious things to look for is colour. | 0:46:39 | 0:46:41 | |
Here's a cornus, or dogwood, | 0:46:41 | 0:46:44 | |
which is prized, treasure, for its black, yellow, | 0:46:44 | 0:46:47 | |
but, more often than not, red stems, | 0:46:47 | 0:46:50 | |
and when these shrubs lose their leaves, | 0:46:50 | 0:46:53 | |
left behind will be a scarlet firework display | 0:46:53 | 0:46:56 | |
which will pretty much last until spring. | 0:46:56 | 0:47:00 | |
And colour doesn't only come from the stems and bark. | 0:47:00 | 0:47:03 | |
This is callicarpa, | 0:47:03 | 0:47:05 | |
and you can see it's got these berries which are just about to turn | 0:47:05 | 0:47:09 | |
the most iridescent purple you have ever seen, | 0:47:09 | 0:47:12 | |
and they'll last right through until February. | 0:47:12 | 0:47:15 | |
These berries of the guelder rose are pillar box red, just like the leaves | 0:47:21 | 0:47:25 | |
when they flame up in autumn. | 0:47:25 | 0:47:28 | |
And, of course, | 0:47:28 | 0:47:29 | |
everybody loves flowers. | 0:47:29 | 0:47:31 | |
Exochorda x macrantha, The Bride, | 0:47:31 | 0:47:33 | |
blossoms for six months during spring | 0:47:33 | 0:47:36 | |
with masses of pure white blooms. | 0:47:36 | 0:47:38 | |
But remember - shrubs don't only blossom in the spring and summer. | 0:47:40 | 0:47:44 | |
This is a sarcococca, or Christmas Box, a really valuable | 0:47:44 | 0:47:49 | |
ever green plant especially for small gardens | 0:47:49 | 0:47:51 | |
because it rarely gets higher than chest height. | 0:47:51 | 0:47:54 | |
It's called Christmas Box because of these fairly inconspicuous | 0:47:54 | 0:47:59 | |
white flowers which open at Christmas, | 0:47:59 | 0:48:01 | |
and, boy, when they do, do they pump out the most intoxicatingly | 0:48:01 | 0:48:04 | |
sweet scent. But the best thing about it is it thrives in shade, | 0:48:04 | 0:48:09 | |
AND it needs virtually no maintenance whatsoever. | 0:48:09 | 0:48:13 | |
Fragrance really does add another dimension to your garden. | 0:48:14 | 0:48:17 | |
Ask any gardener what their favourite scented shrub is, | 0:48:17 | 0:48:20 | |
and I bet you that this will top many people's lists. | 0:48:20 | 0:48:23 | |
It's a Daphne. It really is a fragrant flirt. | 0:48:23 | 0:48:28 | |
Come February, the pinky-purple flowers emit | 0:48:28 | 0:48:30 | |
the most gloriously sweet scent which will perfume this path. | 0:48:30 | 0:48:34 | |
And I defy anybody who says they don't love lavender, | 0:48:38 | 0:48:43 | |
with its gorgeous flowers in summer, a top ever green, silver foliage | 0:48:43 | 0:48:47 | |
which looks good all year round. | 0:48:47 | 0:48:49 | |
If you've got a sunny spot | 0:48:49 | 0:48:51 | |
and pretty much any soil, as long as it's not shallow chalk, | 0:48:51 | 0:48:55 | |
how about one of these? This is a flowering dogwood, | 0:48:55 | 0:48:59 | |
a beautiful, elegant group of shrubs | 0:48:59 | 0:49:01 | |
that grow to about 4cm to 5m in height. | 0:49:01 | 0:49:04 | |
I love flowering dogwood, or Cornus cusa, | 0:49:04 | 0:49:07 | |
because they offer a lot throughout the year. | 0:49:07 | 0:49:09 | |
In June, the white bracts, or flowers, | 0:49:09 | 0:49:12 | |
followed by these wonderful raspberry-like fruits | 0:49:12 | 0:49:16 | |
and then gorgeous autumn colour. | 0:49:16 | 0:49:18 | |
It's a shrub worthy of any garden, | 0:49:18 | 0:49:21 | |
because it performs right throughout the year | 0:49:21 | 0:49:23 | |
and the fruits taste good, too. | 0:49:23 | 0:49:27 | |
There is another aspect to my shrub revival that can't be overlooked. | 0:49:33 | 0:49:38 | |
Shrubs are essential for our native wildlife. | 0:49:38 | 0:49:42 | |
They're an important food source and also provide vital cover | 0:49:42 | 0:49:45 | |
and shelter for many animals, insects and birds. | 0:49:45 | 0:49:49 | |
Here at Flatford Mill in Suffolk, | 0:49:49 | 0:49:51 | |
the RSPB are promoting shrubs to all their visitors. | 0:49:51 | 0:49:56 | |
Garden manager, Shirley Boyle, tells me why she thinks | 0:49:56 | 0:50:00 | |
shrubs are so significant. | 0:50:00 | 0:50:01 | |
Let me ask you this - what do you think is going to happen | 0:50:01 | 0:50:04 | |
if we don't plant more shrubs in our gardens? | 0:50:04 | 0:50:07 | |
Since the Second World War | 0:50:07 | 0:50:08 | |
we've lost 200,000 miles of hedgerow in this country. | 0:50:08 | 0:50:13 | |
That's eight times around the world. | 0:50:13 | 0:50:15 | |
Our gardens cover something like 8,000 square kilometres | 0:50:15 | 0:50:18 | |
in this country. That's the biggest nature reserve in the country. | 0:50:18 | 0:50:21 | |
If we were trying to help wildlife in our gardens, | 0:50:21 | 0:50:23 | |
planting shrubs and creating that cover and shelter is critical. | 0:50:23 | 0:50:27 | |
I've set up my shrub store to hopefully inspire | 0:50:27 | 0:50:31 | |
some budding conservationists and tell them about the virtue of shrubs. | 0:50:31 | 0:50:36 | |
-Who here likes wildlife? ALL: -Yeah! | 0:50:36 | 0:50:39 | |
-Who here like plants and flowers? ALL: -Yeah! | 0:50:39 | 0:50:42 | |
-Fantastic. Who knows what a shrub is? -A small tree. | 0:50:42 | 0:50:45 | |
It's like a small tree, absolutely. | 0:50:45 | 0:50:47 | |
So we've got these bushes, OK, which will attract | 0:50:47 | 0:50:51 | |
all sorts of different wildlife, what are your favourites? | 0:50:51 | 0:50:55 | |
-I like... -You like that one? What do you think that shrub's | 0:50:55 | 0:50:59 | |
-going to attract into a garden? -Red wings, maybe. -Bees and wasps. | 0:50:59 | 0:51:04 | |
-Right. -Bees and wasps. | 0:51:04 | 0:51:06 | |
What we've got here is lots of different shrubs, | 0:51:06 | 0:51:10 | |
which are going to attract lots of different wildlife | 0:51:10 | 0:51:12 | |
and they look good, too. | 0:51:12 | 0:51:14 | |
So we should plant more of these our gardens, shouldn't we? | 0:51:14 | 0:51:17 | |
-ALL: -Yeah. -We should plant lots more of these in our garden. | 0:51:17 | 0:51:20 | |
It's time for my future gardeners to get hands-on | 0:51:20 | 0:51:23 | |
with some wildlife friendly shrubs. | 0:51:23 | 0:51:26 | |
The fishbone, cotoneaster, | 0:51:26 | 0:51:28 | |
so-called because it looks like the bones of a fish. | 0:51:28 | 0:51:32 | |
-Look at the lovely red berries on there. Who likes that? ALL: -Me! | 0:51:32 | 0:51:37 | |
That's a nice thing, isn't it? That's a lovely thing. | 0:51:37 | 0:51:39 | |
This is called pyracanthor, or fire thorn. | 0:51:39 | 0:51:43 | |
A good wall shrub, ideal for a shady wall. | 0:51:43 | 0:51:46 | |
And you get the white flowers in summertime, | 0:51:46 | 0:51:48 | |
and this particular one which is called golden charmer, | 0:51:48 | 0:51:51 | |
you get golden orange berries, which are great for the birds. | 0:51:51 | 0:51:55 | |
-Who likes this one here? ALL: -Me! | 0:51:55 | 0:51:57 | |
That's what we like to see. | 0:51:57 | 0:51:59 | |
If I give that to you, is that all right, will you go home and plant it? | 0:51:59 | 0:52:03 | |
Watch the prickles. | 0:52:03 | 0:52:04 | |
I really do hope these starter shrubs encourage little and big kids alike | 0:52:04 | 0:52:10 | |
to get planting. | 0:52:10 | 0:52:12 | |
Take that home. If you're not allowed to plant it in a corner, | 0:52:12 | 0:52:14 | |
pop it in a little corner at the back of the garden. | 0:52:14 | 0:52:17 | |
So, what you need to do now is | 0:52:17 | 0:52:18 | |
you need to go home and plant those shrubs in the garden, | 0:52:18 | 0:52:21 | |
but don't just stop at one shrub. | 0:52:21 | 0:52:23 | |
There's a shrub for every single month | 0:52:23 | 0:52:25 | |
which will not only look good, but it will also attract wildlife. | 0:52:25 | 0:52:28 | |
I like the berries and it will attract birds for dad's bird feeder. | 0:52:28 | 0:52:33 | |
I've learnt that this plant... Butterflies like this plant a lot. | 0:52:33 | 0:52:37 | |
That was fun, but underlying is an important message - | 0:52:37 | 0:52:40 | |
shrubs are important. | 0:52:40 | 0:52:42 | |
And, hopefully, I've now got more converts to my cause. | 0:52:42 | 0:52:47 | |
Here at the Sir Harold Hillier Gardens, | 0:52:51 | 0:52:54 | |
shrubs are just as revered for helping wildlife. | 0:52:54 | 0:52:57 | |
A great way to bring both colour and wildlife | 0:52:59 | 0:53:02 | |
into your garden, especially over autumn and winter, | 0:53:02 | 0:53:06 | |
is to use gorgeous berrying shrubs, like this cotoneaster. | 0:53:06 | 0:53:09 | |
A plant this size may need pruning, | 0:53:09 | 0:53:11 | |
but unfortunately it is pruning that puts many people off buying shrubs. | 0:53:11 | 0:53:16 | |
But it's actually pretty straightforward. | 0:53:16 | 0:53:19 | |
So I've got a few tips to help you make the most of yours. | 0:53:19 | 0:53:23 | |
This is a deutzia, a wonderful summer shrub with white flowers | 0:53:25 | 0:53:31 | |
and it looks gorgeous with roses and lilac. | 0:53:31 | 0:53:35 | |
It has a romantic elegance to it, I think. | 0:53:35 | 0:53:37 | |
This one has finished flowering so I need to go in | 0:53:37 | 0:53:41 | |
and give it a prune to get a fantastic display the following year. | 0:53:41 | 0:53:45 | |
You always need to remove the three "Ds" | 0:53:45 | 0:53:48 | |
- dead, diseased or damaged wood. | 0:53:48 | 0:53:50 | |
Dead wood is relatively easy to spot on a plant like this | 0:53:50 | 0:53:53 | |
cos you'll find there won't be leaves | 0:53:53 | 0:53:55 | |
and when you give the bark a little scratch with your fingernail | 0:53:55 | 0:53:59 | |
the growth underneath will be brown rather than green. | 0:53:59 | 0:54:02 | |
Damaged wood, again, easy to spot. It'll either be broken, | 0:54:02 | 0:54:05 | |
or where branches are rubbing together, there's damaged area. | 0:54:05 | 0:54:09 | |
And disease, look for lesions and oozes coming from the stem. | 0:54:09 | 0:54:14 | |
And always cut above a bud or a leaf axle. | 0:54:14 | 0:54:19 | |
It's basically the bit where the leaf joins the stem. | 0:54:19 | 0:54:23 | |
This way, you won't create a snag, which will only die off, | 0:54:23 | 0:54:27 | |
potentially get diseased, and infect the bud below. | 0:54:27 | 0:54:30 | |
Of course, not all shrubs need pruning. | 0:54:30 | 0:54:32 | |
But here's how to deal with the two main groups that do | 0:54:32 | 0:54:35 | |
if you want if you want to encourage more flowers. | 0:54:35 | 0:54:39 | |
When you are pruning, you might need a pair of loppers | 0:54:39 | 0:54:42 | |
or even a saw, as well as your secateurs. | 0:54:42 | 0:54:44 | |
A pair of loppers like this, for example, is ideal | 0:54:44 | 0:54:47 | |
for growth which is thicker than your finger. | 0:54:47 | 0:54:50 | |
I'm just going to remove a third of the old shoots to the base | 0:54:50 | 0:54:55 | |
to encourage new youngsters to come up. | 0:54:55 | 0:54:57 | |
Look. There's a new youngster in there, so I'm also... | 0:54:57 | 0:55:01 | |
Out of the way, youngster. | 0:55:01 | 0:55:02 | |
When you're pruning flowering shrubs, | 0:55:04 | 0:55:06 | |
plants like philadelfus, weigela, forsythia, and deutzia | 0:55:06 | 0:55:12 | |
flower on shoots which started to grow the previous year, | 0:55:12 | 0:55:15 | |
the previous summer, | 0:55:15 | 0:55:16 | |
and these need to be pruned in summer after flowering. | 0:55:16 | 0:55:21 | |
Shrubs such as buddleia and hydrangea, | 0:55:21 | 0:55:23 | |
which flower in late summer, | 0:55:23 | 0:55:25 | |
should be pruned in late winter | 0:55:25 | 0:55:27 | |
to encourage a prolific display that year. Cut that one out. | 0:55:27 | 0:55:30 | |
And, then, one more, right down to the bottom. | 0:55:32 | 0:55:35 | |
This is fairly drastic, | 0:55:37 | 0:55:39 | |
but necessary for a good display the following year. | 0:55:39 | 0:55:43 | |
Oh, look, that's really opened it up. | 0:55:43 | 0:55:45 | |
That's a third of the old shoots, right down to the base. | 0:55:45 | 0:55:49 | |
Now all I'm going to do is reduce shoots that have flowered this year | 0:55:49 | 0:55:54 | |
back by a third, leaving these shoots behind which are next year's flowers. | 0:55:54 | 0:55:59 | |
So, we'll come in there, pruning above a bud. | 0:55:59 | 0:56:03 | |
Come in there, pruning above a bud. | 0:56:04 | 0:56:07 | |
What you may find is some of the really young shoots | 0:56:10 | 0:56:13 | |
might be growing really whippy. If in doubt, or if they are, | 0:56:13 | 0:56:16 | |
you can just take of the tip. That won't affect the flowering. | 0:56:16 | 0:56:19 | |
To be honest, don't worry if you get it wrong. | 0:56:23 | 0:56:25 | |
Like most gardeners, I've butchered plenty of shrubs in my time. | 0:56:25 | 0:56:29 | |
But plants are pretty forgiving and will bounce back | 0:56:29 | 0:56:33 | |
whatever you do to them, really. | 0:56:33 | 0:56:34 | |
Given a little sun, deutzia is a pretty tough shrub | 0:56:37 | 0:56:40 | |
and will cope in any reasonable garden soil, including clay. | 0:56:40 | 0:56:45 | |
In a small town in Gloucestershire, | 0:56:50 | 0:56:52 | |
there is a group of local residents | 0:56:52 | 0:56:54 | |
who are already pioneering our great British shrub revival. | 0:56:54 | 0:56:58 | |
Formed in 2005, the Tetbury In Bloom Committee | 0:56:58 | 0:57:01 | |
have been planting shrubs in their displays to transform the town. | 0:57:01 | 0:57:06 | |
The volunteers who've joined Tetbury In Bloom over the years, | 0:57:06 | 0:57:09 | |
they've all wanted to be part and parcel of our group | 0:57:09 | 0:57:12 | |
to make a difference within the town. | 0:57:12 | 0:57:14 | |
Except when there's a hard frost or there's thick snow on the ground, | 0:57:14 | 0:57:18 | |
we will still go out. | 0:57:18 | 0:57:20 | |
Municipal planting does have a reputation for being dull | 0:57:22 | 0:57:26 | |
and unimaginative, but these guys are changing that. | 0:57:26 | 0:57:29 | |
I joined because I loved the sustainable planting | 0:57:29 | 0:57:32 | |
that had been put in place. | 0:57:32 | 0:57:34 | |
The shrubs and the perennials, they're real gardens. | 0:57:34 | 0:57:38 | |
The Committee believe in using shrubs to create sustainable gardens | 0:57:38 | 0:57:42 | |
which look great all year round. | 0:57:42 | 0:57:45 | |
We've got shrubs that lend themselves to being | 0:57:45 | 0:57:48 | |
trimmed and shaped here. We've also got looser shrubs | 0:57:48 | 0:57:52 | |
that come out and arch and form very good shapes. | 0:57:52 | 0:57:55 | |
The team began with one roundabout and now | 0:57:55 | 0:57:58 | |
they've gardens all over town. | 0:57:58 | 0:58:00 | |
We would encourage other people to do exactly as we have done | 0:58:00 | 0:58:03 | |
in the towns and villages where they live. | 0:58:03 | 0:58:06 | |
Take ownership of where they live. | 0:58:06 | 0:58:08 | |
Shrubs are the backbone to any space, | 0:58:14 | 0:58:17 | |
but they're also beautiful things in their own right. | 0:58:17 | 0:58:20 | |
Adding shape, scent and seasonal interest, | 0:58:20 | 0:58:23 | |
plus they're vital for wildlife, too. | 0:58:23 | 0:58:26 | |
Join my campaign, buy a shrub, plant a shrub, love a shrub. | 0:58:29 | 0:58:34 | |
They really do need to be centre stage once again in all our gardens. | 0:58:34 | 0:58:39 |