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In a difficult property market, | 0:00:02 | 0:00:03 | |
it's harder to make a short-term profit out of property. | 0:00:03 | 0:00:07 | |
But if you're careful, and you buy at the right price and in the right location, you can still make money. | 0:00:07 | 0:00:12 | |
But now more than ever is when you need some good advice, | 0:00:12 | 0:00:15 | |
which is why we're here on Homes Under The Hammer. | 0:00:15 | 0:00:17 | |
No matter how experienced you are, you can still come a cropper when you're buying property. | 0:00:42 | 0:00:47 | |
You've got to make sure you do your research and you can afford to make a few mistakes along the way. | 0:00:47 | 0:00:52 | |
So were today's buyers well prepared or did the properties throw up a few unexpected problems? | 0:00:52 | 0:00:58 | |
Development of this former chapel near Tunbridge Wells is in the hands of the local authority. | 0:00:58 | 0:01:05 | |
Until they say yes, your plans are scuppered. | 0:01:05 | 0:01:08 | |
Plans could be crucial to making the most of this three-bedroom house in north London. | 0:01:08 | 0:01:13 | |
This one requires vision, and lots of it. | 0:01:13 | 0:01:19 | |
And in Derby, this two-bedroomed bungalow has some serious issues. | 0:01:19 | 0:01:26 | |
Look at the ceiling. | 0:01:26 | 0:01:30 | |
All these properties have been sold at auction | 0:01:30 | 0:01:33 | |
and we'll find out who bought them and what they paid for them when they went under the hammer. | 0:01:33 | 0:01:38 | |
Royal Tunbridge Wells, just 30 miles south of London, is surrounded by glorious Kent countryside. | 0:01:41 | 0:01:48 | |
With boutique shops and cobbled streets, the town is rightly proud of its Georgian heritage. | 0:01:48 | 0:01:53 | |
You can't move for period properties here. | 0:01:53 | 0:01:56 | |
Just a couple of miles away from all that regal splendour | 0:01:56 | 0:02:00 | |
brings you to Southborough, where up for auction was a detached property with a difference. | 0:02:00 | 0:02:06 | |
Guide price, 90 to £100,000, how do you fancy your very own chapel? | 0:02:06 | 0:02:12 | |
Built in 1882, this building is certainly impressive. | 0:02:12 | 0:02:16 | |
The huge wooden doors and three imposing windows certainly make for an eye-catching first impression. | 0:02:16 | 0:02:23 | |
Great anticipation going into places like this, because you never know what you're going to find. | 0:02:23 | 0:02:29 | |
But actually, not bad. | 0:02:29 | 0:02:32 | |
Big space. One big room, as you might have imagined. | 0:02:32 | 0:02:36 | |
It's not the most inspiring, but it's big. | 0:02:36 | 0:02:40 | |
High ceilings, lots of light coming in from the windows. This is interesting. | 0:02:40 | 0:02:43 | |
Normally in these kind of auction lots, things like the | 0:02:43 | 0:02:46 | |
pews here would have been taken out, because these are worth a lot of money, probably £1,500 each. | 0:02:46 | 0:02:51 | |
They would have gone but whoever buys these get those as well. | 0:02:51 | 0:02:54 | |
Big, big plus point. | 0:02:54 | 0:02:57 | |
Yeah, it's not a bad start. | 0:02:57 | 0:03:00 | |
At the rear here, you've got another main room and off it, some smaller rooms. | 0:03:00 | 0:03:04 | |
There's a kitchen, toilets, ladies' toilets out the back and then some more rooms above. | 0:03:04 | 0:03:08 | |
So a lot of space to play with but the biggest issue you're going to | 0:03:08 | 0:03:10 | |
have with this place is the fact that | 0:03:10 | 0:03:12 | |
it has currently planning permission to be exactly what it is, a chapel. | 0:03:12 | 0:03:16 | |
If you want to convert this into anything else, you're going to have | 0:03:16 | 0:03:18 | |
to apply to the local authorities and they may not grant that. | 0:03:18 | 0:03:22 | |
You may want to convert the house of your dreams, you may want to put a shop in here, | 0:03:22 | 0:03:25 | |
but until they say yes, your plans are scuppered. | 0:03:25 | 0:03:28 | |
# You saw me crying in the chapel. # | 0:03:28 | 0:03:35 | |
It could all end in tears, but upstairs there's even more accommodation. | 0:03:35 | 0:03:39 | |
You could make a fabulous feature of all that wood panelling. | 0:03:39 | 0:03:42 | |
But downstairs is the main point of interest. | 0:03:45 | 0:03:49 | |
Bearing in mind this was an old Baptist chapel, there is one amazing original feature still intact. | 0:03:49 | 0:03:57 | |
And it's under here. | 0:03:57 | 0:03:58 | |
It's the old baptism pool. | 0:04:00 | 0:04:04 | |
How about this? You can imagine the congregation coming in here, being baptised or whatever. | 0:04:04 | 0:04:08 | |
Now, in terms of what you would use it for, | 0:04:08 | 0:04:11 | |
I have absolutely no idea. | 0:04:11 | 0:04:14 | |
I invited a local estate agent | 0:04:19 | 0:04:21 | |
to have a look at this celestial building. | 0:04:21 | 0:04:24 | |
Heaven knows what he'll make of it. | 0:04:24 | 0:04:26 | |
This particular property has enormous potential. | 0:04:26 | 0:04:29 | |
It could be changed into many things, businesses, residential, | 0:04:29 | 0:04:34 | |
could be flats, apartments, | 0:04:34 | 0:04:35 | |
studios, or it could be a dance hall perhaps or any other business facility. | 0:04:35 | 0:04:42 | |
All dependent on planning, of course. | 0:04:42 | 0:04:44 | |
So how would that work out for the new owner? | 0:04:44 | 0:04:47 | |
From what people have told me, getting planning permission for smaller units is quite often welcomed | 0:04:47 | 0:04:53 | |
with open arms, however larger developments, luxury apartments can be more of a challenge. | 0:04:53 | 0:05:00 | |
Change of use on a property like this could be especially difficult. | 0:05:00 | 0:05:03 | |
Let's talk figures. Remember, this place was guided at 90 to £100,000. | 0:05:03 | 0:05:08 | |
If the new owner was able to turn it into the residential property, how much could it make? | 0:05:08 | 0:05:13 | |
Residential value when it was finished could be anything. | 0:05:13 | 0:05:16 | |
If it's just one single dwelling, one house, it could be something in the region of 300, 325. | 0:05:16 | 0:05:22 | |
We generally value properties on comparable evidence and there is | 0:05:22 | 0:05:25 | |
nothing comparable to this, it's so unusual. | 0:05:25 | 0:05:28 | |
Well, what an interesting project. | 0:05:28 | 0:05:31 | |
Is it something you'd like to take on? | 0:05:31 | 0:05:33 | |
Well, if you do, don't underestimate the amount of time | 0:05:33 | 0:05:36 | |
and effort it's going to take, not least when it comes to getting that planning permission. | 0:05:36 | 0:05:40 | |
Remember, in order to convert this, you are going to have to get change of use | 0:05:40 | 0:05:44 | |
and with the local council round here really favouring smaller units, that might not be easy. | 0:05:44 | 0:05:50 | |
Who, though, was willing to take the challenge on when it went under the hammer? | 0:05:50 | 0:05:54 | |
Lot six we go to now, a vacant chapel | 0:05:54 | 0:05:56 | |
with potential for conversion, as it's all said there. | 0:05:56 | 0:06:00 | |
Loads of interest in it. Can we start at £100,000? | 0:06:00 | 0:06:03 | |
£100,000? 100. I'm on the way. | 0:06:03 | 0:06:05 | |
105, 110, 115, 120, and five. And 30. And five, and 40. | 0:06:05 | 0:06:11 | |
Five, 50, five. | 0:06:11 | 0:06:15 | |
55. 60? Come on. | 0:06:15 | 0:06:18 | |
You want it? No? 155, madam. 160 anywhere, do I see? | 0:06:18 | 0:06:22 | |
160 at the back, 165, 170. | 0:06:22 | 0:06:25 | |
170. And two. 72 I have. And five. | 0:06:25 | 0:06:28 | |
And seven. 177. 180. And two. | 0:06:28 | 0:06:33 | |
82 and five. And seven. | 0:06:33 | 0:06:35 | |
190 and two. And five, and seven. | 0:06:35 | 0:06:40 | |
200 and two, and five and seven. | 0:06:40 | 0:06:42 | |
207, 210. 210, 212. | 0:06:42 | 0:06:47 | |
212. And 15, and 17. Thank you, 220. | 0:06:47 | 0:06:52 | |
And two, 222. | 0:06:52 | 0:06:54 | |
222. No? At £220,000, I have... | 0:06:54 | 0:06:59 | |
222. 225, 227, 227 at the back. | 0:06:59 | 0:07:03 | |
230. 232. 232. Five? | 0:07:03 | 0:07:07 | |
235. And seven. 237. 240. | 0:07:07 | 0:07:11 | |
240. 242. And five? | 0:07:11 | 0:07:15 | |
245. And seven? 247. 250. | 0:07:15 | 0:07:19 | |
252. | 0:07:19 | 0:07:21 | |
255. 257, 257 I've got. | 0:07:21 | 0:07:25 | |
260. 262? 262 I've got. | 0:07:25 | 0:07:29 | |
Another three. Can I say 265? | 0:07:29 | 0:07:32 | |
265. Can I say 270? | 0:07:32 | 0:07:33 | |
270? 270 I'm bid. | 0:07:33 | 0:07:37 | |
275? 275. 280? | 0:07:37 | 0:07:42 | |
280? At 275, I have then. | 0:07:42 | 0:07:44 | |
I will sell for the first time, 275 for the second time. | 0:07:44 | 0:07:48 | |
Third and final time, if you're sure you're all done. | 0:07:48 | 0:07:52 | |
At £275,000, yours at 275. Well done, both of you, thank you for the underbidder. | 0:07:52 | 0:07:57 | |
Wow, there was a lot of interest in this lot. | 0:07:57 | 0:08:01 | |
That £275,000 winning bid was £180,000 over the guide price. | 0:08:01 | 0:08:08 | |
It was made by Cleo, who seems to have been | 0:08:08 | 0:08:11 | |
determined to get it, because she was bidding right from the start. | 0:08:11 | 0:08:15 | |
I met her and her husband, Michael, back at the chapel to congratulate them on their purchase. | 0:08:15 | 0:08:21 | |
-Michael, Cleo, lovely to meet you both. -Nice to see you, yes. | 0:08:21 | 0:08:24 | |
-Lovely to meet you. -Congratulations. -Thank you. | 0:08:24 | 0:08:27 | |
So why did you want to buy this? | 0:08:27 | 0:08:30 | |
Well, I was going to buy a church in Hawkhurst, the All Saints Church, enormous. | 0:08:30 | 0:08:37 | |
The whole street it took up and I love it dearly. | 0:08:37 | 0:08:40 | |
And it was a bit big. Now my hip's gone, my knee's gone, my leg's gone, | 0:08:40 | 0:08:46 | |
and Michael came here last week, saw the chapel, went and bought it and said, "That's your lot." | 0:08:46 | 0:08:51 | |
-Really? -Yes. | 0:08:51 | 0:08:52 | |
-Straight in there, straight out. -Sometimes one has to exercise a sense of judgment, | 0:08:52 | 0:08:58 | |
and although this was a magnificent building, it was a Grade 2 listed building, | 0:08:58 | 0:09:02 | |
it was going to be a nightmare. | 0:09:02 | 0:09:04 | |
We were incredibly lucky, because we were staying with a friend of ours, | 0:09:04 | 0:09:07 | |
cos we live in Italy and we come over | 0:09:07 | 0:09:09 | |
periodically to England, and she knows that Cleo loves churches. | 0:09:09 | 0:09:14 | |
She said "What do you think I've just seen? There's this chapel for sale." | 0:09:14 | 0:09:18 | |
So Cleo had her eyes on a church | 0:09:18 | 0:09:20 | |
and she has ended up with a chapel in her home town of Tunbridge Wells. | 0:09:20 | 0:09:25 | |
She plans to convert it into a residential property. | 0:09:25 | 0:09:28 | |
-So tell me a bit more about you two, because you strike me as marginally eccentric. -We are. | 0:09:28 | 0:09:33 | |
Cleo was a Rank starlet. | 0:09:33 | 0:09:36 | |
-No! -In the old, old days, you know when the studios used to have contract players? -Yes. | 0:09:36 | 0:09:43 | |
-Cleo was one of the Rank girls. -Alongside who at that time? -Joan Collins, for example. | 0:09:43 | 0:09:48 | |
-They were both there at the same time. -Name some of the movies then. | 0:09:48 | 0:09:52 | |
The Case of the Disappearing Gainsborough. | 0:09:52 | 0:09:55 | |
But it doesn't matter now, cos they were so old. | 0:09:55 | 0:09:57 | |
Modest Cleo may not want to dwell on it now, but she was indeed a starlet | 0:09:57 | 0:10:02 | |
and rubbed shoulders with the glitterati of the day. | 0:10:02 | 0:10:06 | |
Over the years, she's bought 50 properties | 0:10:06 | 0:10:08 | |
as well as dealing in antiques, both in England and in Italy. | 0:10:08 | 0:10:12 | |
She's an art adviser for Sotheby's and Christie's and is clearly an auction natural. | 0:10:12 | 0:10:18 | |
Go through in a bit more detail exactly what you're going to do to the place. | 0:10:18 | 0:10:21 | |
We're going to open it up. | 0:10:21 | 0:10:23 | |
We're going to open up the wall so you can see from the back, right the way through. | 0:10:23 | 0:10:29 | |
Seductive, voluptuous, luxurious, | 0:10:29 | 0:10:32 | |
-scarlet, gold, swags... -I'll bring all my beautiful stuff. | 0:10:32 | 0:10:37 | |
I do the theatre costumes sometimes and I've got all the wonderful things. So it'll all be in here. | 0:10:37 | 0:10:42 | |
-And the main room then, what are you going to do with that? -It'll be kitchen, | 0:10:42 | 0:10:46 | |
-dining, living. -And a big table for everyone to eat on. -So you're going to have lots of wild parties? | 0:10:46 | 0:10:51 | |
Yeah, with all their walking sticks and things, it doesn't matter. | 0:10:51 | 0:10:55 | |
THEY LAUGH | 0:10:55 | 0:10:56 | |
Well, Michael is 70 and Cleo, 74. | 0:10:56 | 0:11:01 | |
Although they've been together for 28 years, they finally tied the knot just three years ago. | 0:11:01 | 0:11:06 | |
But it's not only Cleo who's enjoyed the high life. Back in the Sixties, | 0:11:09 | 0:11:12 | |
Michael helped run a famous London venue. | 0:11:12 | 0:11:15 | |
I was fortunate enough to meet someone who was opening a club | 0:11:15 | 0:11:20 | |
-in London in 1967, called the Speakeasy. -The Speakeasy in London? -The Speakeasy. | 0:11:20 | 0:11:25 | |
It was the big music club of the time, you know, when people who came through were all the | 0:11:25 | 0:11:30 | |
cognoscenti and the managers and the writers and the artists. | 0:11:30 | 0:11:34 | |
-So who did you meet in that time? -Oh, everybody. | 0:11:34 | 0:11:37 | |
Jimi Hendrix was one of my personal, very good friends. | 0:11:37 | 0:11:40 | |
It seems fitting that a couple with such an extraordinary past would buy | 0:11:42 | 0:11:47 | |
an extraordinary property to enjoy their far from ordinary life. | 0:11:47 | 0:11:52 | |
Michael and Cleo plan to take around six months and spend no more than £50,000 doing this up. | 0:11:52 | 0:11:59 | |
But, given the planning problems they could run into, I have my doubts. | 0:11:59 | 0:12:02 | |
So is there anything else that could see them ending up in deep water? | 0:12:02 | 0:12:06 | |
Let's talk about what you're going to do in this room, cos this is obviously key. | 0:12:06 | 0:12:13 | |
First of all, what on earth are you going to do with this? | 0:12:13 | 0:12:17 | |
Well, this was a surprise. | 0:12:17 | 0:12:19 | |
And once we had thought about it, we realised what an advantage this could be. | 0:12:19 | 0:12:23 | |
So what I intend to do with it, because it is quite clearly a | 0:12:23 | 0:12:27 | |
-distinctive feature, is to use this and have a fountain in it. -Right. | 0:12:27 | 0:12:32 | |
-Put trees in it and plants. -Real trees? | 0:12:32 | 0:12:35 | |
Real trees. Absolutely, big trees. | 0:12:35 | 0:12:37 | |
And a little fountain that comes up like that. | 0:12:37 | 0:12:41 | |
So it'll become not only a design feature, but a natural feature. | 0:12:41 | 0:12:46 | |
It'll give you some sort of sense of the outside inside. | 0:12:46 | 0:12:48 | |
And what about the windows? | 0:12:48 | 0:12:50 | |
-Well, if we go through to the front here, I'm going to take this whole front down. -Right. | 0:12:50 | 0:12:55 | |
Put a vestibule in where the front door is because you need that for drafts and also for hanging coats. | 0:12:55 | 0:13:01 | |
We are going to make a minstrels' gallery and I think what | 0:13:01 | 0:13:04 | |
we are going to try to do, is to use some stained glass in those front windows. | 0:13:04 | 0:13:09 | |
-That will be wonderful, yes. -To give you this beautiful light. | 0:13:09 | 0:13:13 | |
It sounds like an incredible project. | 0:13:13 | 0:13:15 | |
Good luck with it all and I really can't wait to see what you do. | 0:13:15 | 0:13:18 | |
Thank you very much and thank you for coming over. | 0:13:18 | 0:13:21 | |
-It's been a pleasure. -It's been delightful to talk with you. | 0:13:21 | 0:13:24 | |
Well, what a fantastic story this has turned out to be. | 0:13:27 | 0:13:30 | |
Michael and Cleo, clearly amazing characters. | 0:13:30 | 0:13:34 | |
And a lot of plans for this chapel. Boy, oh, boy. | 0:13:34 | 0:13:37 | |
Still ahead of them though, will they get to that planning permission | 0:13:37 | 0:13:41 | |
they need to turn this into the palace of fun they hope it will be? | 0:13:41 | 0:13:45 | |
You can find out later in the show. | 0:13:45 | 0:13:47 | |
Transport links are the priority for many people and today, I'm in Northwood, Middlesex. | 0:13:51 | 0:13:55 | |
That's just 20 minutes from Euston station, with a direct link to Gatwick Airport. | 0:13:55 | 0:14:02 | |
The lot I'm here to see is on North Approach, which is part of the Moor Park Conservation Area. | 0:14:02 | 0:14:07 | |
So hopefully I'll find something with plenty of character. | 0:14:07 | 0:14:10 | |
Some of the houses along this road are big. | 0:14:14 | 0:14:16 | |
They're seriously grand. | 0:14:16 | 0:14:18 | |
And I've just found out that a house along here has sold for £1.2 million. | 0:14:18 | 0:14:24 | |
That doesn't surprise me. | 0:14:24 | 0:14:27 | |
So when you hear of a property being guided at £450,000 along here, it makes you sit up and take notice. | 0:14:27 | 0:14:34 | |
Now, unfortunately, the facade isn't so inspiring, | 0:14:34 | 0:14:38 | |
but location is key for this buy, so let's have a look around. | 0:14:38 | 0:14:43 | |
OK, maybe I'm being a bit harsh, but I reckon it's going to need | 0:14:43 | 0:14:46 | |
a serious makeover before I can shower it with any compliments. | 0:14:46 | 0:14:49 | |
I hope the shabbiness is only skin-deep. | 0:14:49 | 0:14:52 | |
Unfortunately, the inside of this property is very similar | 0:14:52 | 0:14:58 | |
to the nondescript frontage. | 0:14:58 | 0:15:02 | |
This is the lounge and there's just not much going on in here for me at all. | 0:15:02 | 0:15:06 | |
This one requires vision and lots of it. | 0:15:06 | 0:15:10 | |
So onwards and hopefully upwards. | 0:15:10 | 0:15:12 | |
But, before you do that, a look around the ground floor reveals | 0:15:14 | 0:15:18 | |
a functional but dated kitchen and utility area crying out for some serious work to be done to it. | 0:15:18 | 0:15:25 | |
But the second reception room should lift the spirits a little. | 0:15:25 | 0:15:29 | |
If you could remove the dividing wall into the kitchen, | 0:15:29 | 0:15:32 | |
you could create one huge space and have bi-folding glass doors leading on to the garden. | 0:15:32 | 0:15:37 | |
But upstairs, options are rather more limited. | 0:15:37 | 0:15:40 | |
There's a standard size bathroom and good-sized bedrooms, but they're all, well, pretty average. | 0:15:40 | 0:15:45 | |
Plastic windows are practical and maintenance-free, | 0:15:49 | 0:15:54 | |
but I would like to see some box sashes installed here. | 0:15:54 | 0:15:57 | |
Expensive yes, but when you're surrounded by | 0:15:57 | 0:16:00 | |
million-pound properties, it's a cost I think is justified. | 0:16:00 | 0:16:04 | |
This house lacks character and I'd like to see some injected into it. | 0:16:04 | 0:16:09 | |
Windows and a new front door would give his property a much-needed facelift. | 0:16:09 | 0:16:14 | |
Remember, you'd need to consult the Conservation Area Partnership for any changes. | 0:16:14 | 0:16:18 | |
Everything is subject to them saying yes, but I'm still looking for something to get excited about. | 0:16:18 | 0:16:24 | |
And finally, I found it! | 0:16:24 | 0:16:27 | |
# Hallelujah Hallelujah | 0:16:27 | 0:16:30 | |
# Hallelujah Hallelujah... # | 0:16:30 | 0:16:33 | |
This good-sized garden give you an option of extending the house | 0:16:33 | 0:16:36 | |
without losing any outside space, so that's a big plus. | 0:16:36 | 0:16:40 | |
The property was guided at £450,000, so I asked a local estate agent | 0:16:43 | 0:16:48 | |
what he thought of its possibilities. | 0:16:48 | 0:16:51 | |
There are three options, potentially. | 0:16:53 | 0:16:55 | |
There is a basic makeover which would entail carpets, curtains, | 0:16:55 | 0:17:00 | |
refitting the kitchen, refitting the bathroom and smartening up the utility area, rear lobby. | 0:17:00 | 0:17:06 | |
That would be the basic one. | 0:17:06 | 0:17:08 | |
You could consider extending the house. | 0:17:08 | 0:17:10 | |
You would have to comply with Moor Park 1958 Ltd | 0:17:10 | 0:17:14 | |
in addition to planning, which is the local rules and regulations. | 0:17:14 | 0:17:18 | |
The alternative would be to demolish the house and puts a new house in its place. | 0:17:18 | 0:17:23 | |
But, whatever changes you make surely it's going to be for the better. | 0:17:23 | 0:17:27 | |
So, at around that £475,000 guide price, how do the figures stack up? | 0:17:27 | 0:17:33 | |
Kept as is, without extending it but modernised to a reasonable standard, | 0:17:33 | 0:17:38 | |
I would imagine it would be worth about £650,000. | 0:17:38 | 0:17:42 | |
If it was extended and enlarged to include a loft space, | 0:17:42 | 0:17:46 | |
a conservatory and expanding the ground floor, | 0:17:46 | 0:17:50 | |
then I would estimate the value as an asking price up to about £900,000. | 0:17:50 | 0:17:57 | |
An uninspiring property in an inspiring location. | 0:18:00 | 0:18:04 | |
Whoever takes this on can only do one thing and that's add value. Let's go to auction. | 0:18:04 | 0:18:11 | |
Lot 29, 24 North Approach, Moor Park. | 0:18:14 | 0:18:18 | |
Over to you, where the you wish to start? | 0:18:18 | 0:18:20 | |
Down here. 450, 455 anywhere? | 0:18:20 | 0:18:24 | |
455, 460, 465, 470, 470, 475. | 0:18:24 | 0:18:30 | |
480, 485, 490, 495. | 0:18:30 | 0:18:37 | |
500, smart bid. 500 down here. | 0:18:37 | 0:18:41 | |
New spot, 505, 510, 515, 520. | 0:18:41 | 0:18:47 | |
525, 530, 535, 540. | 0:18:47 | 0:18:54 | |
545, 550, 555, 560. | 0:18:54 | 0:19:00 | |
565, 570, 575, 576. | 0:19:00 | 0:19:06 | |
577, 578. 579, 580, | 0:19:06 | 0:19:12 | |
581, 582, 583, | 0:19:12 | 0:19:16 | |
584, 585. | 0:19:16 | 0:19:21 | |
584 down here. 585 here? | 0:19:21 | 0:19:24 | |
If not, 584 first time, second time, third and last time, all done. | 0:19:24 | 0:19:30 | |
Sold for 584, well bid. | 0:19:30 | 0:19:34 | |
The winners of that lot which went 134,000 over the guide price | 0:19:36 | 0:19:42 | |
were Italian-born Lina and her partner, Mike. | 0:19:42 | 0:19:45 | |
I met Lina at the house to hear about her plans. | 0:19:45 | 0:19:49 | |
Lina, this house sticks out on the street like a sore thumb. | 0:19:49 | 0:19:54 | |
-It does doesn't it. -It's a bit of an ugly duckling at the moment. | 0:19:54 | 0:19:57 | |
It's very ugly, but it's going to be beautiful. | 0:19:57 | 0:20:00 | |
How did you feel about bidding for this on auction day? | 0:20:00 | 0:20:04 | |
It was nerve wracking. | 0:20:04 | 0:20:05 | |
This was really, secretly, my first choice. | 0:20:05 | 0:20:09 | |
But Mike, my partner, wanted to go for a flat. | 0:20:09 | 0:20:14 | |
So we set a limit and the flat went in no time, | 0:20:14 | 0:20:21 | |
so the next one was this one, so I couldn't believe it. | 0:20:21 | 0:20:24 | |
I was really, really nervous and it stopped at 584 and we got the house. | 0:20:24 | 0:20:30 | |
I couldn't move, I could not move, I was frozen. | 0:20:30 | 0:20:34 | |
That was it, it was very exciting, it took a while | 0:20:34 | 0:20:40 | |
before I could actually speak when we went into the room to sign. | 0:20:40 | 0:20:43 | |
Originally from Italy, Lina has been living in England for 36 years. | 0:20:43 | 0:20:47 | |
She now has a flourishing business as an interior designer | 0:20:47 | 0:20:51 | |
which is exactly the sort of owner this place needs. | 0:20:51 | 0:20:55 | |
I know just by looking at property, I know more or less how much | 0:20:55 | 0:20:58 | |
you can spend to take it to the level I would like to. | 0:20:58 | 0:21:03 | |
So, we aim to spend about 150,000 | 0:21:03 | 0:21:06 | |
and we are going to develop into five bedrooms, | 0:21:06 | 0:21:11 | |
three bathrooms, a very big kitchen, conservatory across the back. | 0:21:11 | 0:21:16 | |
So, it's going to be a lovely, lovely property. | 0:21:16 | 0:21:19 | |
All in all, you will probably have spent around 850,000 on it? | 0:21:19 | 0:21:23 | |
Yes, the maximum. Yeah, yeah. | 0:21:23 | 0:21:26 | |
Would it not be cheaper to knock it down and build something new here? | 0:21:26 | 0:21:30 | |
Not really, no, because it's in fairly good condition, | 0:21:30 | 0:21:35 | |
so it's cheaper to do the extension from the side. | 0:21:35 | 0:21:37 | |
Because we're not going to extend from the back, it's just from the side | 0:21:37 | 0:21:41 | |
and we'll just square the house and go to the loft. | 0:21:41 | 0:21:45 | |
So, really, it's much cheaper doing it this way. | 0:21:45 | 0:21:48 | |
Lina is not one to let the grass grow under her feet, | 0:21:48 | 0:21:51 | |
she's already applied for planning permission for that extension and loft conversion. | 0:21:51 | 0:21:57 | |
She's also spotted a way to increase the plot size. | 0:21:57 | 0:22:00 | |
She is hoping to buy two garages from the next door neighbour | 0:22:00 | 0:22:03 | |
and that would allow her to push her boundary over the drive | 0:22:03 | 0:22:06 | |
to create a lovely front garden and increase that value. | 0:22:06 | 0:22:10 | |
I'm going to be nosy here, how much would you hope to market this property for, once you have done it? | 0:22:10 | 0:22:16 | |
I'm hoping to market it for £1.1 million. | 0:22:16 | 0:22:19 | |
1.1, so you will be joining the millionaire set along this road? | 0:22:19 | 0:22:23 | |
Hopefully. | 0:22:23 | 0:22:25 | |
Lina seems driven and has an eye for style so that begs the question, why this property? | 0:22:25 | 0:22:31 | |
I just have a passion to refurbish properties. | 0:22:31 | 0:22:34 | |
The worst condition they are, the more excited I get. | 0:22:34 | 0:22:37 | |
-Really? It doesn't put you off? -Not at all. | 0:22:37 | 0:22:40 | |
It's really hard to keep the vision, you see something and then it takes you a year, perhaps, to get there. | 0:22:40 | 0:22:46 | |
How do you deal with that? | 0:22:46 | 0:22:48 | |
It's very exciting, it's very exciting because also you get ideas as you go along. | 0:22:48 | 0:22:54 | |
For example, the partition comes up and you think, it doesn't look good | 0:22:54 | 0:22:59 | |
although the plan says this is how it is going to be. | 0:22:59 | 0:23:03 | |
When it is up and it doesn't look good, my builders know that they | 0:23:03 | 0:23:06 | |
will have to knock it down, they will think, here she comes again. | 0:23:06 | 0:23:10 | |
Lina knows what she wants and would love to see the project completed in seven to eight months. | 0:23:16 | 0:23:22 | |
I was dying to hear about her plans, so for that we headed to the kitchen. | 0:23:22 | 0:23:27 | |
I think the kitchen is going to be quite impressive | 0:23:27 | 0:23:31 | |
because the chimney over there is going to stand on its own. | 0:23:31 | 0:23:35 | |
We are going to knock the walls on either side. | 0:23:35 | 0:23:39 | |
We going to do a double oven there. | 0:23:39 | 0:23:41 | |
So the kitchen is going to back on to this wonderful glass conservatory? | 0:23:41 | 0:23:45 | |
-And have you designed this? -Yes. | 0:23:45 | 0:23:47 | |
It's going to be quite an amazing space. And this is how you see the house looking once finished? | 0:23:47 | 0:23:54 | |
What are your ideas for the internal look, you have lots of lovely paint colours here? | 0:23:54 | 0:23:59 | |
It is going to be fairly neutral | 0:23:59 | 0:24:01 | |
and then you can accessorise them with cushions, chairs with strong colours and so on. | 0:24:01 | 0:24:09 | |
So you can really let your Italian passion run riot, | 0:24:09 | 0:24:12 | |
you can go mad for all those beautiful leather chairs. | 0:24:12 | 0:24:16 | |
Good luck with his project, it's been lovely meeting you. | 0:24:16 | 0:24:19 | |
It's been my pleasure. | 0:24:19 | 0:24:20 | |
Will Lina be able to take this standard three-bed house and turn it into a million-pound property? | 0:24:24 | 0:24:31 | |
With her interior design credentials, she just might. | 0:24:31 | 0:24:34 | |
Join me later in the show to see how she gets on. | 0:24:34 | 0:24:37 | |
Coming up, there's trouble afoot at this two-bedroom bungalow in Derby. | 0:24:39 | 0:24:44 | |
Whoa, whoa, whoa. Serious problems in the front bedroom, here. | 0:24:44 | 0:24:48 | |
There's a change of plan for Lina's house in North London. | 0:24:50 | 0:24:54 | |
We did our sums and we realised that it wasn't worth doing the refurb. | 0:24:54 | 0:24:59 | |
-But first... -Seductive, voluptuous, luxurious... | 0:25:01 | 0:25:05 | |
Has that old chapel lived up to Michael's promises? | 0:25:05 | 0:25:09 | |
Earlier, we saw this chapel in Southborough near Tunbridge Wells in Kent. | 0:25:12 | 0:25:18 | |
It was bought at auction by Cleo and her husband, Mike, for £275,000. | 0:25:18 | 0:25:24 | |
This was to be a new base for them in England when not travelling around the world. | 0:25:24 | 0:25:29 | |
With a history of restoring 50 properties to their names, renovating these huge rooms | 0:25:29 | 0:25:34 | |
shouldn't have been a baptism of fire. | 0:25:34 | 0:25:38 | |
Well, seven and a half months on and whilst there may be no signs of the stained glass | 0:25:38 | 0:25:43 | |
that Michael promised, the refurbished door and colourful window-boxes | 0:25:43 | 0:25:47 | |
do suggest that something heavenly may be waiting inside. | 0:25:47 | 0:25:51 | |
Sure enough, Michael and Cleo have brought a real sense of splendour back to this chapel. | 0:25:55 | 0:26:01 | |
They've even found a use for some of the old pews into the bargain. | 0:26:01 | 0:26:05 | |
For this colourful couple, the chapel was the perfect canvas. | 0:26:05 | 0:26:10 | |
To Cleo and I, the advantage was it was a big room with high ceilings, | 0:26:10 | 0:26:14 | |
and there was plenty of room to express ourselves, not just | 0:26:14 | 0:26:18 | |
in terms of small bits and pieces but in terms of a rather larger sense of creating a whole feeling of a place. | 0:26:18 | 0:26:25 | |
Michael had big plans for the old baptism pool. | 0:26:25 | 0:26:29 | |
We thought to ourselves, "Well, this is marvellous. | 0:26:29 | 0:26:32 | |
"We'll have a water feature, perhaps. | 0:26:32 | 0:26:34 | |
"A fountain or something rather grand like that." | 0:26:34 | 0:26:36 | |
But on closer examination, this became really impractical to do this. | 0:26:36 | 0:26:40 | |
But at the same time, we always wanted to have lots of plants | 0:26:40 | 0:26:45 | |
and trees around, and so we built a false floor here. | 0:26:45 | 0:26:49 | |
This pot here I bought for my mother for one of her birthdays a few years back, | 0:26:49 | 0:26:53 | |
so we thought we'd make that a centrepiece and put the other plants around it, | 0:26:53 | 0:26:58 | |
so we have this sort of inside-outside feel to it. | 0:26:58 | 0:27:01 | |
And what is really very encouraging is that the plants are growing | 0:27:01 | 0:27:04 | |
fantastically, and so all in all, we're really very happy. | 0:27:04 | 0:27:09 | |
Well, if you've got the space, why not create a garden inside? | 0:27:09 | 0:27:13 | |
But while the ground floor main hall has classic style, upstairs there's a rather different theme. | 0:27:13 | 0:27:19 | |
It couldn't get any more different from that more traditional style downstairs. | 0:27:32 | 0:27:37 | |
This is the perfect example of the broad range of tastes that Cleo and Mike have. | 0:27:37 | 0:27:42 | |
Cleo is the driving force here. | 0:27:42 | 0:27:44 | |
She has the most extraordinary eye. | 0:27:44 | 0:27:46 | |
And it's not trained. | 0:27:46 | 0:27:48 | |
It's an instinctive thing, an intuitive thing. | 0:27:48 | 0:27:51 | |
And she's always looking for stuff. | 0:27:51 | 0:27:54 | |
I mean, it drives me, sometimes, crazy. | 0:27:54 | 0:27:58 | |
I get a lot of my stuff from demolition. | 0:27:58 | 0:28:00 | |
I used to do, years ago, demolition. | 0:28:00 | 0:28:02 | |
One friend is in Tunbridge Wells. The other one's in Italy. | 0:28:02 | 0:28:06 | |
And they call me up and say, "I've got so and so. | 0:28:06 | 0:28:08 | |
"Do you want it, Cleo?" Wonderful. | 0:28:08 | 0:28:11 | |
With a life spent living and travelling around the world, | 0:28:11 | 0:28:15 | |
it's no wonder their design style is an eclectic mix of... well, everything. | 0:28:15 | 0:28:19 | |
And don't expect that kitchen to be any different. | 0:28:19 | 0:28:23 | |
Well, when we started planning the kitchen... | 0:28:23 | 0:28:26 | |
I know that Cleo does not like to spend money unnecessarily. | 0:28:26 | 0:28:29 | |
We like to re-use things. | 0:28:29 | 0:28:30 | |
However, I absolutely insisted that we have a new stove, because we both love cooking. | 0:28:30 | 0:28:35 | |
So that's our new stuff, and very nice it is, too. | 0:28:35 | 0:28:39 | |
As far as the cabinets go... | 0:28:39 | 0:28:41 | |
The two cabinets... These came from my son's, my son's house. | 0:28:41 | 0:28:45 | |
Two cabinets here were cut off from two dressers, | 0:28:45 | 0:28:49 | |
and I wanted them like this because I wanted them against the wall, | 0:28:49 | 0:28:52 | |
with the paper behind it. | 0:28:52 | 0:28:55 | |
Because we thought it would give a more dramatic effect. | 0:28:55 | 0:28:58 | |
The lovely floor comes from Italy. | 0:28:58 | 0:29:02 | |
As for the rest of it, we have all the space | 0:29:02 | 0:29:05 | |
that we always wanted to have. | 0:29:05 | 0:29:07 | |
Plenty of room to cook, to talk, to eat...have a good time. | 0:29:07 | 0:29:12 | |
Cleo and Michael enlisted the help of a friend, a Russian builder | 0:29:12 | 0:29:17 | |
who lives in their Italian castle, to come over and do the work here. | 0:29:17 | 0:29:21 | |
With no structural changes, I reckon the couple have utilised the space here well. | 0:29:21 | 0:29:25 | |
But at what cost? | 0:29:25 | 0:29:27 | |
With a new kitchen, bathroom and gallery installed, | 0:29:27 | 0:29:29 | |
plus total redecoration inside and out, | 0:29:29 | 0:29:32 | |
did Cleo and Michael's original 50 grand budget hold up? | 0:29:32 | 0:29:36 | |
I think, possibly, we've spent something in the region of about £25,000. | 0:29:41 | 0:29:46 | |
Which I think is pretty low. | 0:29:48 | 0:29:50 | |
Add that to their purchase price of £275,000 and Cleo and Michael | 0:29:50 | 0:29:54 | |
have spent 300 grand creating this unique, character property. | 0:29:54 | 0:29:59 | |
But more importantly for them, it's a new home. | 0:29:59 | 0:30:05 | |
We have said to each other that we feel very much at home here. | 0:30:05 | 0:30:09 | |
It is near Tunbridge Wells and I came from Tunbridge Wells. | 0:30:09 | 0:30:13 | |
All my biggest friends are from Tunbridge Wells, | 0:30:13 | 0:30:18 | |
so it's very sentimental for me this place. | 0:30:18 | 0:30:23 | |
This has been, I won't say the most successful thing that we have done, it's jolly close to it. | 0:30:23 | 0:30:30 | |
It's going to be something that we'll grow into, | 0:30:30 | 0:30:34 | |
the more we use it the more we'll enjoy it. | 0:30:34 | 0:30:39 | |
It doesn't sound as though Cleo and Michael | 0:30:41 | 0:30:43 | |
would want to part with this place | 0:30:43 | 0:30:45 | |
but they admit to having a wander lust. | 0:30:45 | 0:30:47 | |
They spent £300,000 in total, so what could they get if they decide to put it on the market? | 0:30:47 | 0:30:53 | |
What will have two local estate agents make of their creation? | 0:30:53 | 0:30:57 | |
It's a fantastic property. Amazing. | 0:30:57 | 0:31:01 | |
It's very quirky. | 0:31:01 | 0:31:03 | |
It's been done in their own taste | 0:31:03 | 0:31:06 | |
which isn't to everyone's taste but it is what it is. | 0:31:06 | 0:31:10 | |
A fun palace, it's fantastic. | 0:31:10 | 0:31:12 | |
Personally I think it's individual. Special. | 0:31:12 | 0:31:15 | |
Probably an acquired taste for most but amazing compared to what it was. | 0:31:15 | 0:31:21 | |
Marketing a property like this, we could put it on the market for | 0:31:21 | 0:31:25 | |
£300-325,000. | 0:31:25 | 0:31:27 | |
I would put this on the market for £300-310,000. | 0:31:27 | 0:31:30 | |
That could give the creative pair a possible pre-tax profit of £25,000. | 0:31:30 | 0:31:38 | |
That certainly is as much, if not more than we thought. | 0:31:39 | 0:31:43 | |
I thought, frankly, that if we got out, if it was on the market, | 0:31:43 | 0:31:48 | |
for what be paid for it and what we spent on it if we got out even it would be pretty good. | 0:31:48 | 0:31:54 | |
So that's not bad. | 0:31:54 | 0:31:56 | |
Should the lure of Italy | 0:31:56 | 0:31:59 | |
ever outweigh the charms of Tunbridge Wells | 0:31:59 | 0:32:01 | |
they could get a possible rental return of £1,200 per calendar month for the chapel. | 0:32:01 | 0:32:06 | |
But for now, Cleo and Mike say they are happy to spend some time in their new home. | 0:32:06 | 0:32:10 | |
And I don't blame them. | 0:32:10 | 0:32:12 | |
Think of Madison Avenue and you imagine skyscrapers, yellow cabs, upmarket boutiques. | 0:32:23 | 0:32:29 | |
That is Madison Avenue in New York but this is Madison Avenue just outside Derby. | 0:32:29 | 0:32:35 | |
The good news, though, property prices are a bit cheaper. | 0:32:35 | 0:32:38 | |
This two-bedroom bungalow, guided at 48,000 quid. | 0:32:38 | 0:32:42 | |
Derby's not quite the Big Apple, more a bad traditional English cox's pippin. | 0:32:48 | 0:32:53 | |
And it's less loft apartments, more suburban semis. | 0:32:53 | 0:32:57 | |
Seven out of 10 houses here are semis, | 0:32:57 | 0:32:59 | |
so many that will make this little bungalow a desirable commodity. | 0:32:59 | 0:33:03 | |
There is room for off-street parking but the kerb would need to be dropped. | 0:33:03 | 0:33:07 | |
I don't have the key to the front door today so I'm going in at the back, | 0:33:07 | 0:33:11 | |
past a plastic sheet covering a hole in the roof. | 0:33:11 | 0:33:14 | |
Not encouraging. | 0:33:14 | 0:33:16 | |
Interesting garden. I'll come back to that later. | 0:33:17 | 0:33:20 | |
Straight into this kind of lean-to, which is clearly an absolute disaster, | 0:33:20 | 0:33:24 | |
the roof's all over the place. | 0:33:24 | 0:33:26 | |
Somebody has obviously let this out as a kitchen though. Good heavens. Not good at all. | 0:33:26 | 0:33:31 | |
I think, is going to have to be knocked down. | 0:33:31 | 0:33:33 | |
You want to reinstate the kitchen where it was, which I think was this room here. | 0:33:33 | 0:33:38 | |
It makes much better sense. | 0:33:38 | 0:33:39 | |
It means a lot of work, not least this window here needs to be raised up. | 0:33:39 | 0:33:43 | |
So we can get a long run of units. | 0:33:43 | 0:33:46 | |
Total refurbishment. | 0:33:46 | 0:33:48 | |
Judging by the state of the ceiling, I think there is quite a lot of work to do in this place. | 0:33:48 | 0:33:55 | |
The grime and dirt in here can easily be sorted out with some elbow grease. | 0:33:55 | 0:33:59 | |
It is the bowed ceiling and general decay that I am worried about. | 0:33:59 | 0:34:03 | |
Sadly, it does not get any better as you delve deeper into the bungalow. | 0:34:03 | 0:34:07 | |
It gets worse. We've got a bathroom or toilet there that needs sorting out. | 0:34:07 | 0:34:12 | |
Two decent sized double bedrooms. | 0:34:12 | 0:34:14 | |
One there, and one there. | 0:34:14 | 0:34:16 | |
Then through into the living room, where, boy oh boy, do we have some problems? | 0:34:16 | 0:34:22 | |
Look at the ceiling. Absolutely shot. | 0:34:22 | 0:34:25 | |
That could be explained by the big hole there is in the roof. | 0:34:25 | 0:34:28 | |
That explains that it but not this bit. | 0:34:28 | 0:34:32 | |
Look, all the plaster has come down there as well. | 0:34:32 | 0:34:34 | |
There is bits of wood. | 0:34:34 | 0:34:37 | |
You're going to have to take all of this down. | 0:34:37 | 0:34:39 | |
First of all though, you are going to have to sort out the roof. Either way you're looking at a big job. | 0:34:39 | 0:34:44 | |
It's bizarre. I'm not sure why the ceilings have been so damaged but it is not confined to the living room. | 0:34:44 | 0:34:51 | |
That front bedroom also has a large damage spot and don't just look up because... | 0:34:51 | 0:34:58 | |
Serious problems in the front bedroom here. | 0:35:00 | 0:35:03 | |
That is...well, you can see, the floorboards are completely and utterly rotten. | 0:35:03 | 0:35:10 | |
That is not caused by what is coming down, that is damp coming in. | 0:35:10 | 0:35:14 | |
The path outside is higher than the level of the damp proof course, that's led to water coming in. | 0:35:14 | 0:35:19 | |
It has rotted the floorboards and rotted the joists. Either way, that is nasty. | 0:35:19 | 0:35:23 | |
And expensive so the inside is shot to pieces. | 0:35:23 | 0:35:26 | |
Let's see if outside can offer any hope. | 0:35:26 | 0:35:31 | |
These flagstones really are quite extraordinary. | 0:35:31 | 0:35:34 | |
The garden itself is actually a good size, which is great. | 0:35:34 | 0:35:37 | |
You can think about extending the property which is something that I would want to do. | 0:35:37 | 0:35:41 | |
Not least to get rid of this horrible thing on the back here. Put a proper extension on. | 0:35:41 | 0:35:46 | |
Unfortunately, it is not quite as easy as that because there's a covenant written into the property, | 0:35:46 | 0:35:51 | |
and you only see it when you read the legal pack | 0:35:51 | 0:35:54 | |
and it says they you have to ask permission from the landowner before you do any extension. | 0:35:54 | 0:35:59 | |
This was written in 1926, | 0:35:59 | 0:36:00 | |
probably related to when this was probably owned by a huge great mansion somewhere. | 0:36:00 | 0:36:05 | |
But it is still there. You can take out insurance policies to cover you | 0:36:05 | 0:36:09 | |
in case you get any comeback as a result of building. And it looks like other properties have done it. | 0:36:09 | 0:36:15 | |
I reckon it is more of a hiccup than a crisis. | 0:36:15 | 0:36:18 | |
But it is just another thing to add up to a list of negatives about this bungalow. | 0:36:18 | 0:36:22 | |
Any more and I don't think I'd be keen on buying it. | 0:36:22 | 0:36:26 | |
You may have a ready made chessboard out here, | 0:36:26 | 0:36:28 | |
but I reckon with all those holes in the roof, you'd be more likely to be playing drafts. | 0:36:28 | 0:36:33 | |
For my opening move, | 0:36:35 | 0:36:36 | |
I invited along the auctioneer who sold the property. | 0:36:36 | 0:36:39 | |
I started off by asking him about the Covenant on the land. | 0:36:39 | 0:36:44 | |
Very often, properties brought in 1920s or 30s had these fairly peculiar covenants attached to them. | 0:36:44 | 0:36:49 | |
If you can trace the land opener in 1926, you are doing very well. | 0:36:49 | 0:36:54 | |
But just in case, you should take out that insurance policy. | 0:36:54 | 0:36:58 | |
What about the bungalow itself? | 0:36:58 | 0:37:01 | |
First thoughts are obviously, very run down and needs a lot of work doing to it. | 0:37:01 | 0:37:05 | |
It is not going to be for the faint hearted. | 0:37:05 | 0:37:07 | |
It has attracted a lot of interest because this is the sort of property that people like to buy. | 0:37:07 | 0:37:12 | |
I can see the attraction of starting on a blank canvas for a total renovation, | 0:37:12 | 0:37:16 | |
but with the amount of work needed and that guide price of 48,000, would the figures stack up? | 0:37:16 | 0:37:24 | |
My estimate is if you upgrade what is here, | 0:37:24 | 0:37:26 | |
its value will probably be around £100,000. | 0:37:26 | 0:37:30 | |
If you were to spend money on extending it, I don't think you would push that more than towards £120,000. | 0:37:31 | 0:37:37 | |
There are a number of properties in this area that are rented, | 0:37:37 | 0:37:40 | |
I see no reason why this shouldn't suit the rented market. | 0:37:40 | 0:37:43 | |
My estimate would be a rental of about £550 per calendar month. | 0:37:43 | 0:37:48 | |
Don't underestimate the effort it will take to sort this place out. | 0:37:53 | 0:37:57 | |
Big issues with damp, you have a roof that is all over the place. | 0:37:57 | 0:38:00 | |
It needs internally reconfiguring. | 0:38:00 | 0:38:02 | |
You can end up spending a lot of money if you are not careful. | 0:38:02 | 0:38:05 | |
It's certainly not a watertight investment. | 0:38:05 | 0:38:08 | |
Was 13, lucky for somebody? Let's find out what happened when it went to the auction. | 0:38:08 | 0:38:13 | |
Lot number one this morning is number 13 Madison Avenue in Chaddesden. | 0:38:17 | 0:38:21 | |
45 to start me. 45 is bid on the phone. | 0:38:21 | 0:38:25 | |
50,000, £50,000. | 0:38:25 | 0:38:28 | |
55 is bid, at 55. £60,000, 65 is bid, | 0:38:28 | 0:38:34 | |
65,000, 70,000, 71, | 0:38:34 | 0:38:39 | |
at 71 and two, | 0:38:39 | 0:38:42 | |
73, 74, 75, £75,000. | 0:38:42 | 0:38:48 | |
76 is bid. | 0:38:48 | 0:38:49 | |
At £76,000, 77. | 0:38:49 | 0:38:54 | |
At £77,000, I will take 500 elsewhere, | 0:38:54 | 0:38:59 | |
I'll accept 500, 77 1/2, 78, at 78,000. | 0:38:59 | 0:39:05 | |
500, 79,000, 500? | 0:39:05 | 0:39:09 | |
£79,000 then. Any higher elsewhere? | 0:39:09 | 0:39:14 | |
At 79,000, going once, going twice, third opportunity, all done at £79,000. | 0:39:14 | 0:39:21 | |
Sold at number 79,000, number 15. | 0:39:21 | 0:39:25 | |
It was father and son, Peter and Paul, who got this property at £31,000 over the guide price. | 0:39:27 | 0:39:35 | |
The pair have been in partnership together for 20 years, | 0:39:35 | 0:39:38 | |
running everything from a pub to an import business. | 0:39:38 | 0:39:41 | |
Their various projects haven't always met with great success. | 0:39:41 | 0:39:45 | |
But undeterred, they have taken on this whopper of a job. | 0:39:45 | 0:39:49 | |
I met them back at the bungalow to find out more. | 0:39:49 | 0:39:52 | |
-Peter, Paul, lovely to meet you both. -Thank you. -Congratulations. | 0:39:52 | 0:39:56 | |
Do you like chess or backgammon? | 0:39:56 | 0:39:58 | |
You have seen the slabs, then. | 0:39:59 | 0:40:01 | |
What on earth was somebody thinking there? | 0:40:01 | 0:40:04 | |
It wasn't us, honestly. | 0:40:04 | 0:40:06 | |
Apart from that, you've bought the house, why did you want to buy it? | 0:40:06 | 0:40:10 | |
I live round the corner and I thought, I could move into a bungalow. | 0:40:10 | 0:40:15 | |
Paul says, OK, if you want it, perhaps buy it for you, | 0:40:15 | 0:40:18 | |
perhaps sell it, it is handy, it is where I want to live. | 0:40:18 | 0:40:21 | |
So that was why have we went bungalow rather than what we have been looking at. | 0:40:21 | 0:40:26 | |
So from your side of it, what was the story? | 0:40:26 | 0:40:28 | |
Basically we are not doing anything at the moment. | 0:40:28 | 0:40:31 | |
We had a business that we have been running for a couple of years. | 0:40:31 | 0:40:35 | |
I've done nothing for about a year, getting a bit of weight on and doing no physical work. | 0:40:35 | 0:40:40 | |
So it's the B Plan diet. | 0:40:40 | 0:40:42 | |
-Yes, very much like that. -For both of us, I'm afraid. | 0:40:42 | 0:40:46 | |
Your building plan diet, fantastic. | 0:40:46 | 0:40:48 | |
A unique reason to get into development. | 0:40:48 | 0:40:52 | |
The pair had money to invest and rather than hoping to sweat pennies out of savings accounts, | 0:40:52 | 0:40:56 | |
Paul's hoping to sweat some pounds off himself by working on a renovation. | 0:40:56 | 0:41:00 | |
But what about the price they paid? | 0:41:08 | 0:41:09 | |
Was this an armchair developers decision, or had they done their homework? | 0:41:09 | 0:41:15 | |
We were taken by the guide price when we first saw it, as to why it would be 48,000. | 0:41:15 | 0:41:20 | |
Which is why we got some information from a few builders who were interested in it. | 0:41:20 | 0:41:26 | |
They said to us, they thought we would have to spend about 28 to 30, | 0:41:26 | 0:41:29 | |
including quite a lot of labour on it. | 0:41:29 | 0:41:32 | |
They were saying their limit was going to be 62, 63. | 0:41:32 | 0:41:36 | |
What, they told you that beforehand? | 0:41:36 | 0:41:38 | |
We knew a few builders, yes. | 0:41:38 | 0:41:40 | |
It was just people that we knew and based on that, we looked at it ourselves and thought, | 0:41:40 | 0:41:45 | |
if we can get it finished how we wanted for 100, | 0:41:45 | 0:41:51 | |
we looked back and thought we would have to spend just over 20,000 on it. | 0:41:51 | 0:41:55 | |
For that 20 grand, Peter and Paul aim to do a top to bottom renovation | 0:41:55 | 0:42:00 | |
from sorting out the roof to fixing the damp problem. | 0:42:00 | 0:42:03 | |
They're also planning to put a conservatory on the back | 0:42:03 | 0:42:05 | |
and return the kitchen to its rightful position. | 0:42:05 | 0:42:08 | |
With so much to do here though, I hope that 20 grand budget doesn't go through the roof. | 0:42:08 | 0:42:15 | |
To help keep costs down, Peter and Paul and some of their family members | 0:42:15 | 0:42:21 | |
will do a lot of the work, but leave the more skilled jobs to the contractors. | 0:42:21 | 0:42:27 | |
'In terms of how much time you're going to spend on it,' | 0:42:27 | 0:42:29 | |
are you working on it full-time? | 0:42:29 | 0:42:31 | |
Yes, we haven't got anything else to do. | 0:42:31 | 0:42:33 | |
That's was one of the ideas of getting the place, | 0:42:33 | 0:42:36 | |
to give us something to do, something to work on, a project. | 0:42:36 | 0:42:39 | |
With all their energies devoted to the project, the pair hope to finish in four to five months. | 0:42:41 | 0:42:46 | |
That will hopefully give Peter some time to make his mind up about his new home. | 0:42:46 | 0:42:50 | |
One of the problems I've got and always had, | 0:42:52 | 0:42:54 | |
is I can't walk into this room and imagine it with all the sink laid out there, | 0:42:54 | 0:43:00 | |
the cooker there. I can't picture it somehow. | 0:43:00 | 0:43:03 | |
I keep looking at it and looking at the ceiling and I don't want to live here. | 0:43:03 | 0:43:08 | |
It is a lack of imagination on my part. | 0:43:08 | 0:43:11 | |
Once I see a room start to take shape, and light and a few of my things, | 0:43:11 | 0:43:16 | |
I think that will make a decision for me. | 0:43:16 | 0:43:18 | |
Good look with it and congratulations | 0:43:18 | 0:43:21 | |
and maybe we will see you living in here in a few months' time. | 0:43:21 | 0:43:25 | |
-Yes, indeed. -We're looking forward to it. | 0:43:25 | 0:43:27 | |
Well, it is a heck of an expensive way to lose weight | 0:43:32 | 0:43:34 | |
and Peter and Paul have got to be very careful about how much they spend on this place, | 0:43:34 | 0:43:39 | |
especially if they contemplate the extension. | 0:43:39 | 0:43:42 | |
But it all comes down to, will Peter move in? And that is his decision. | 0:43:42 | 0:43:46 | |
It is a property game they are playing, will they win or will it be checkmate? | 0:43:46 | 0:43:50 | |
We will find out later in the show. | 0:43:50 | 0:43:52 | |
Whatever the economic climate, our buyers have budgets to stick to and work to do. | 0:43:55 | 0:44:01 | |
Did they go through it all with a breeze, or were there storms that had to be weathered? | 0:44:01 | 0:44:06 | |
Let's find out. | 0:44:06 | 0:44:07 | |
Earlier, we met Lina, an interior designer, | 0:44:08 | 0:44:10 | |
who bought this three-bedroomed detached house in Northwood, Middlesex with partner, Mike. | 0:44:10 | 0:44:15 | |
The price was 584,000, a lot of money for a tired, run down house. | 0:44:15 | 0:44:21 | |
But its location in the Moor Park Conservation Area, | 0:44:21 | 0:44:24 | |
meant a great renovation could break it into the million pound club. | 0:44:24 | 0:44:29 | |
Well, 15 months later and it's clear the house is still waiting for that big leap. | 0:44:35 | 0:44:42 | |
The only change is a rampantly untamed front garden, and a worrying sign on the front path. | 0:44:44 | 0:44:51 | |
Inside is no different. | 0:44:51 | 0:44:54 | |
The only evidence of any activity is the removal of some carpets. | 0:44:54 | 0:44:58 | |
We met up with Lina to find out why the renovation hasn't got started. | 0:45:00 | 0:45:06 | |
When we bought the house it was at the peak of the house boom. | 0:45:06 | 0:45:10 | |
By the time that we applied for planning permission, | 0:45:10 | 0:45:13 | |
the house market crash took place. | 0:45:13 | 0:45:16 | |
So we did our sums and we realised it was not worth it | 0:45:16 | 0:45:20 | |
doing the refurbishment. | 0:45:20 | 0:45:22 | |
For any developer, judging the right time to buy can be a risky business. | 0:45:22 | 0:45:27 | |
Lina and Mike have definitely felt the hard edge of the downturn. | 0:45:27 | 0:45:31 | |
But Lina's not one to dwell on their misfortune. | 0:45:31 | 0:45:34 | |
When we realise that the property might take a downturn | 0:45:34 | 0:45:38 | |
we were very disappointed. | 0:45:38 | 0:45:40 | |
It's just no point crying over spilt milk, as the English say. | 0:45:40 | 0:45:46 | |
Lina and Mike's original plans for a five-bedroom house | 0:45:51 | 0:45:54 | |
and a larger footprint were rejected. | 0:45:54 | 0:45:56 | |
But with the help of an architect who revised the design, | 0:45:56 | 0:45:59 | |
their second application was successful. | 0:45:59 | 0:46:02 | |
They still have hopes of carrying out renovation. | 0:46:02 | 0:46:06 | |
This is what we are gonna do. | 0:46:06 | 0:46:09 | |
A lovely conservatory across the house. Which is gonna look amazing. | 0:46:09 | 0:46:13 | |
The extension is going to be squared off with the outhouse. | 0:46:13 | 0:46:19 | |
We are going to take that extension right up | 0:46:19 | 0:46:21 | |
and we are going to create another bedroom there. | 0:46:21 | 0:46:24 | |
We are going to lose one bedroom | 0:46:24 | 0:46:26 | |
which we are going to create as a family bathroom. | 0:46:26 | 0:46:29 | |
The family loft is going to be a lovely large bedroom | 0:46:29 | 0:46:33 | |
with an en suite shower. | 0:46:33 | 0:46:34 | |
It is going to be a lovely family house. | 0:46:34 | 0:46:37 | |
Lina's new plans mean the budget is down from £150,000 to 130 grand. | 0:46:38 | 0:46:45 | |
For now, the couple have decided to cut their losses | 0:46:45 | 0:46:48 | |
and have put their house on the market for £585,000. | 0:46:48 | 0:46:52 | |
Even with planning permission and a lot of interest, | 0:46:52 | 0:46:55 | |
no-one has yet matched their asking price. | 0:46:55 | 0:46:59 | |
If the property fails to sell then we will do it up-definitely | 0:46:59 | 0:47:03 | |
and I am very positive that we will get a good price for it. | 0:47:03 | 0:47:08 | |
15 months of holding on to this expensive property with no return | 0:47:08 | 0:47:13 | |
must be a stretch for their finances. | 0:47:13 | 0:47:16 | |
Between the architect and the planning fees and, obviously, | 0:47:16 | 0:47:19 | |
the running costs of the property because we have taxes to pay, | 0:47:19 | 0:47:23 | |
I think overall it is costing us about £10,000. | 0:47:23 | 0:47:27 | |
That would push their spend on the property to £594,000. | 0:47:27 | 0:47:32 | |
That's a lot of money to have sitting around doing nothing | 0:47:32 | 0:47:35 | |
and for an interior designer like Lina | 0:47:35 | 0:47:37 | |
there is an even bigger frustration. | 0:47:37 | 0:47:39 | |
It bothers me more that I haven't been able to show off | 0:47:39 | 0:47:43 | |
my creative flair, actually, then the financial loss. | 0:47:43 | 0:47:47 | |
Absolutely. I would love to show off my talent and my work. | 0:47:47 | 0:47:53 | |
It is my passion. | 0:47:53 | 0:47:54 | |
With that current total of £594,000, | 0:47:57 | 0:48:00 | |
a new renovation budget of 130 grand | 0:48:00 | 0:48:04 | |
would take the costs to £724,000. | 0:48:04 | 0:48:08 | |
So We asked two local estate agents to tell us | 0:48:08 | 0:48:11 | |
what they thought of this three-bed in its current state. | 0:48:11 | 0:48:14 | |
I'm not surprised to see the property | 0:48:14 | 0:48:16 | |
still in the same state as it was last time. | 0:48:16 | 0:48:18 | |
Property prices have been falling. | 0:48:18 | 0:48:20 | |
A lot of developers have been concerned | 0:48:20 | 0:48:23 | |
and financially challenged during that period. | 0:48:23 | 0:48:26 | |
To see it today is not a particular surprise. | 0:48:26 | 0:48:29 | |
I think having a planning permission certainly adds the saleability. | 0:48:29 | 0:48:33 | |
I don't think it necessarily gives it is the intrinsic value. | 0:48:33 | 0:48:36 | |
It would simply, at the right price, make the property far | 0:48:36 | 0:48:40 | |
more attractive to people to take on and want to build the extension | 0:48:40 | 0:48:43 | |
to make it a large family house. | 0:48:43 | 0:48:45 | |
Remember, Lina has spent £594,000 on the house so far. | 0:48:45 | 0:48:50 | |
What could she make selling it with that planning permission? | 0:48:50 | 0:48:54 | |
Today we would recommend that the property | 0:48:54 | 0:48:57 | |
is put on the market at a price of £499,950. | 0:48:57 | 0:48:59 | |
I would put this house on the market for £525,000. | 0:48:59 | 0:49:04 | |
Obviously the first one is a bit low. | 0:49:04 | 0:49:07 | |
Very low, I would say. | 0:49:07 | 0:49:09 | |
But the second one is not too bad. | 0:49:09 | 0:49:11 | |
But it's not as good as I thought. | 0:49:11 | 0:49:13 | |
With a renovated house costing a possible £724,000, | 0:49:13 | 0:49:18 | |
both estate agents felt that at current market values | 0:49:18 | 0:49:22 | |
it could only fetch it up to 700 grand. | 0:49:22 | 0:49:24 | |
But if the house and garden were cleaned and tidied up, | 0:49:24 | 0:49:27 | |
maybe rental would be more appealing. | 0:49:27 | 0:49:29 | |
The mark of this property for rental purposes is between | 0:49:29 | 0:49:33 | |
1400 and £1,500 per calendar month. | 0:49:33 | 0:49:35 | |
I would anticipate this property would rent | 0:49:35 | 0:49:37 | |
in the region of 1200 per calendar month. | 0:49:37 | 0:49:39 | |
We haven't considered renting at all. | 0:49:39 | 0:49:43 | |
We haven't really thought about it, but it's not bad at all considering | 0:49:43 | 0:49:46 | |
the condition of the house. It's not too bad. | 0:49:46 | 0:49:49 | |
That may be the best option for Lina until the market picks up. | 0:49:51 | 0:49:56 | |
When it does, has this experience put her off the developing game? | 0:49:56 | 0:50:00 | |
In the future I'm hoping to carry on doing this business and I've got | 0:50:00 | 0:50:05 | |
my interior designer business going and it's doing very well, | 0:50:05 | 0:50:09 | |
so I will carry on. | 0:50:09 | 0:50:12 | |
Earlier, we met father and son team Peter and Paul, | 0:50:19 | 0:50:21 | |
who bought this two-bedroom bungalow in Chaddesden, Derby, for £79,000. | 0:50:21 | 0:50:27 | |
For Peter, the plan was that this might be his new home, | 0:50:27 | 0:50:31 | |
but for Paul, this was a way for him to get a new image. | 0:50:31 | 0:50:34 | |
I've done nothing for about a year. | 0:50:34 | 0:50:36 | |
Getting a bit of weight on, and doing no physical work. | 0:50:36 | 0:50:41 | |
So it's the B-plan diet? | 0:50:41 | 0:50:42 | |
Yes! It's very much like that. | 0:50:42 | 0:50:44 | |
Well, with the amount of work needed, | 0:50:44 | 0:50:46 | |
I could see this was one weight-loss plan that could succeed. | 0:50:46 | 0:50:51 | |
There was dirt, there was damp, and there were holes everywhere. | 0:50:51 | 0:50:54 | |
This was a renovation that could leave a big hole in Peter and Paul's pockets. | 0:50:54 | 0:50:59 | |
So, four months later we're back to see how they've done. | 0:51:02 | 0:51:06 | |
From the outside, there's been some improvement on the curb appeal. | 0:51:06 | 0:51:10 | |
Those new bay windows definitely help give some shape, | 0:51:10 | 0:51:14 | |
form and character to the outside, but just wait until you see inside. | 0:51:14 | 0:51:19 | |
That grimy living room has been transformed | 0:51:20 | 0:51:23 | |
into a light, airy space, with signs that this is now a home for Peter. | 0:51:23 | 0:51:28 | |
That tatty, run-down kitchen has been ripped out | 0:51:32 | 0:51:35 | |
and replaced by a shiny new utility area. | 0:51:35 | 0:51:38 | |
That means the new kitchen must be...back in its original place. | 0:51:38 | 0:51:43 | |
Well, this was a real nondescript room. | 0:51:47 | 0:51:51 | |
We came in one day, we'd got snow through the roof, | 0:51:51 | 0:51:53 | |
snow through the ceiling, snow on the floor. | 0:51:53 | 0:51:56 | |
So we had a lot to do in here. | 0:51:56 | 0:51:58 | |
Luckily, my daughter gave us all the kitchen units | 0:51:58 | 0:52:03 | |
because she didn't need them, so we needed new worktops, | 0:52:03 | 0:52:06 | |
new lights and we've transformed the kitchen from in there | 0:52:06 | 0:52:10 | |
into here and we've now got a kitchen-diner. | 0:52:10 | 0:52:13 | |
And the rest of the bungalow also has a new look. | 0:52:13 | 0:52:16 | |
The two bedrooms have had a complete makeover, | 0:52:16 | 0:52:19 | |
both now looking clean and fresh. | 0:52:19 | 0:52:22 | |
And a new shower suite has been installed, | 0:52:23 | 0:52:26 | |
so it looks like Peter's got himself a completely new home, | 0:52:26 | 0:52:29 | |
but getting there took both Peter and Paul more than they anticipated. | 0:52:29 | 0:52:35 | |
We found many, many problems. | 0:52:35 | 0:52:37 | |
Well, not problems - things that needed doing | 0:52:37 | 0:52:40 | |
that we hadn't really anticipated. | 0:52:40 | 0:52:43 | |
Basically, we did the whole of the roof. | 0:52:43 | 0:52:45 | |
We've taken every floor out. | 0:52:45 | 0:52:47 | |
We've taken all the walls bar one, haven't we, back to the basic brick. | 0:52:47 | 0:52:52 | |
But the renovation had to pick up speed when Peter sold his house | 0:52:52 | 0:52:56 | |
after only four days on the market. | 0:52:56 | 0:52:59 | |
As time was of the essence, the transformation from grubby bungalow | 0:52:59 | 0:53:03 | |
to modern home was easily done in the four to five month timescale. | 0:53:03 | 0:53:07 | |
But something else also underwent a big change. | 0:53:07 | 0:53:11 | |
It's not only has that has had a dramatic change. | 0:53:12 | 0:53:15 | |
We've done a reasonable amount out here. | 0:53:15 | 0:53:17 | |
We've taken out a lot of the tiles that were across this floor. | 0:53:17 | 0:53:20 | |
That's all gone from this side. This summerhouse has gone. | 0:53:20 | 0:53:23 | |
We've moved to that over to the other side now. | 0:53:23 | 0:53:25 | |
There were two, so I've got one which was free, so that's a bonus. | 0:53:25 | 0:53:29 | |
The shed's gone in. | 0:53:29 | 0:53:30 | |
The greenhouse has been renovated. We've moved down. | 0:53:30 | 0:53:33 | |
It's sloped the whole of this down now. | 0:53:33 | 0:53:36 | |
We've put steps in a lot of the way down. | 0:53:36 | 0:53:38 | |
Garden's dug. | 0:53:38 | 0:53:40 | |
All the fences have been done. The fence panels. | 0:53:40 | 0:53:43 | |
And the best part is my brother did most of it! | 0:53:43 | 0:53:45 | |
Well, brother David's hard work here | 0:53:45 | 0:53:47 | |
really has transformed this former wasteland. | 0:53:47 | 0:53:50 | |
And as for those last pieces of chequerboard flags, | 0:53:50 | 0:53:53 | |
they will provide the base for a planned conservatory. | 0:53:53 | 0:53:56 | |
Then Peter will be able to savour and enjoy the garden, | 0:53:56 | 0:53:59 | |
or so you'd think. | 0:53:59 | 0:54:01 | |
I could have done without any garden at all. I'd have halved the garden. | 0:54:01 | 0:54:05 | |
The garden was mainly David anyway and because he hasn't got much of | 0:54:05 | 0:54:10 | |
a garden at home, so the greenhouse will be David's. | 0:54:10 | 0:54:13 | |
The garden at the bottom will be David's. | 0:54:13 | 0:54:15 | |
I'll enjoy the fruits of his labour. | 0:54:15 | 0:54:17 | |
# Can you dig it? Oh yeah... # | 0:54:17 | 0:54:21 | |
Well, Peter may not be doing any digging, but perhaps Paul will. | 0:54:21 | 0:54:26 | |
Remember, he took the project on as a way of keeping busy | 0:54:26 | 0:54:29 | |
and maybe losing some weight. So, did it work? | 0:54:29 | 0:54:33 | |
Surprisingly enough, I've lost six kilos, which is amazing, | 0:54:33 | 0:54:37 | |
because the amount we've eaten here has actually been quite a lot, so... | 0:54:37 | 0:54:41 | |
I was surprised. So I've lost six kilos and two centimetres off here. | 0:54:41 | 0:54:47 | |
Six kilos in good old English money is just over 13lb, | 0:54:47 | 0:54:51 | |
and speaking of pounds, with the help of David, | 0:54:51 | 0:54:55 | |
Peter and Paul have so far come in just under | 0:54:55 | 0:54:59 | |
their £20,000 renovation budget. | 0:54:59 | 0:55:01 | |
That means the whole project will have set them back | 0:55:01 | 0:55:05 | |
just under £100,000, but how much will it be worth? | 0:55:05 | 0:55:08 | |
What do two local estate agents think of the guys' hard work? | 0:55:11 | 0:55:17 | |
Very interesting to come and see it again today, | 0:55:17 | 0:55:20 | |
because having seen it as it was, blank canvas really, | 0:55:20 | 0:55:23 | |
and now seeing it almost completed, | 0:55:23 | 0:55:25 | |
the transformation has been absolutely brilliant. | 0:55:25 | 0:55:28 | |
You wouldn't recognise it, would you? | 0:55:28 | 0:55:30 | |
First thing that struck me was that the roof's been replaced, | 0:55:30 | 0:55:33 | |
which makes it look nice and fresh. | 0:55:33 | 0:55:35 | |
Would have been nice to see that the drive had been, | 0:55:35 | 0:55:38 | |
but other than that it looks nice. | 0:55:38 | 0:55:41 | |
They spent a total of £100,000, so how much | 0:55:41 | 0:55:44 | |
could this father and son team get if they sold the bungalow? | 0:55:44 | 0:55:48 | |
I would expect you'd get about 120,000 at the end of the day. | 0:55:48 | 0:55:51 | |
I would to put the property on the market at 119,950. | 0:55:51 | 0:55:55 | |
That could net them a possible 20 grand pre-tax profit. | 0:55:55 | 0:56:00 | |
I expected 115 and 117, | 0:56:00 | 0:56:03 | |
-so it's higher than both of us thought, really, isn't it? -Yeah. | 0:56:03 | 0:56:08 | |
If they ever decide to rent it out, they could expect a maximum of £525 | 0:56:08 | 0:56:13 | |
per calendar month, so are the team interested in another development? | 0:56:13 | 0:56:17 | |
I've enjoyed this project a great deal. | 0:56:17 | 0:56:20 | |
I'd definitely move on and do another one. | 0:56:20 | 0:56:23 | |
Whether it's a long-term thing I very much doubt | 0:56:23 | 0:56:25 | |
because I do tend to change what I do every few years, but | 0:56:25 | 0:56:28 | |
I'd certainly do another one and possibly another. | 0:56:28 | 0:56:31 | |
Paul may still be weighing up the options, | 0:56:31 | 0:56:33 | |
but Peter has made his decision. | 0:56:33 | 0:56:35 | |
He finally moved into his new bungalow | 0:56:35 | 0:56:38 | |
just a few days after we filmed. | 0:56:38 | 0:56:40 | |
That's all for now. | 0:56:46 | 0:56:47 | |
We'll see you next time for more Homes Under The Hammer. | 0:56:47 | 0:56:50 | |
For more bids and buys from auction rooms | 0:56:50 | 0:56:52 | |
all around the country. | 0:56:52 | 0:56:54 | |
-We'll see you then. -Goodbye. -Goodbye. | 0:56:54 | 0:56:56 | |
For more information about Homes Under The Hammer, | 0:57:07 | 0:57:12 | |
including how the programme was made, visit the website at bbc.co.uk | 0:57:12 | 0:57:16 | |
Subtitles by Red Bee Media Ltd | 0:57:16 | 0:57:18 | |
E-mail [email protected] | 0:57:18 | 0:57:20 |