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Hello. If you're after any kind of property, | 0:00:02 | 0:00:04 | |
the auction room could be for you. | 0:00:04 | 0:00:06 | |
That's right, make sure you do your homework and get your | 0:00:06 | 0:00:08 | |
bidding strategy right so you can be victorious when the hammer falls. | 0:00:08 | 0:00:12 | |
So, whose research paid off when they put their hand in the air to bid? | 0:00:12 | 0:00:17 | |
There are many possibilities in the auction room. | 0:00:42 | 0:00:46 | |
You can find yourself a new home, an investment flat, or even a garage to store your belongings. | 0:00:46 | 0:00:51 | |
And if spent wisely, your money can still go a very long way. | 0:00:51 | 0:00:54 | |
So, who chose to splash the cash on today's show? | 0:00:54 | 0:00:59 | |
In London, there's a large flat with a not-so-large kitchen. | 0:00:59 | 0:01:04 | |
It's more of a kitchenette. I can't see whoever designed this did much cooking. | 0:01:04 | 0:01:09 | |
This two-bedroom flat in Exeter could win a prize, but not for glamour. | 0:01:09 | 0:01:14 | |
It gets my award for one of the worst bathrooms ever. | 0:01:14 | 0:01:19 | |
And on the Isle of Sheppey, there's a building with a wonderful facade. | 0:01:20 | 0:01:24 | |
Is it an old cinema or a music hall? | 0:01:24 | 0:01:27 | |
Let's shimmy inside and have a look around. | 0:01:27 | 0:01:30 | |
All these properties have gone to auction, and we'll be finding out | 0:01:31 | 0:01:35 | |
who bought them and what they paid for them when they went under the hammer. | 0:01:35 | 0:01:38 | |
It's yours. | 0:01:38 | 0:01:40 | |
My destination today is Earlsfield in southwest London. | 0:01:46 | 0:01:50 | |
It's a very popular London suburb which attracts commuters due to | 0:01:50 | 0:01:55 | |
the fast journey times to Waterloo, and relatively reasonably priced property. | 0:01:55 | 0:02:01 | |
I'm on Swaby Road, one of Earlsfield's most desirable residential roads. | 0:02:03 | 0:02:07 | |
And it's just minutes from the train station. | 0:02:07 | 0:02:09 | |
I'm here to see a two-bedroom flat on the ground floor of a terrace, with a guide price of £225,000. | 0:02:09 | 0:02:16 | |
Here's a bit of gossip. | 0:02:16 | 0:02:18 | |
The flat above sold only a year-and-a-half ago for almost double this figure. | 0:02:18 | 0:02:23 | |
Could this lot be a credit crunch casualty ready to be snapped up? | 0:02:23 | 0:02:28 | |
I'm going to have a look around. | 0:02:28 | 0:02:30 | |
From outside you can see the top floor has had a loft conversion, which would have added some space. | 0:02:32 | 0:02:37 | |
But is that enough to make it double the value of the ground floor? | 0:02:37 | 0:02:41 | |
Maybe the inside will help explain that big difference in price. | 0:02:41 | 0:02:45 | |
Inside, my first impressions are the feeling of space. | 0:02:47 | 0:02:52 | |
This corridor just goes on and on. | 0:02:52 | 0:02:54 | |
Wow! | 0:02:54 | 0:02:57 | |
Into the reception room, and my eye is straight away drawn to this lovely bay window. | 0:02:57 | 0:03:03 | |
You've got great high ceilings, covered in poly tiles, which are a fire hazard and would need removing. | 0:03:03 | 0:03:09 | |
I'd get the floorboards stripped in here, a fireplace put in, and these | 0:03:09 | 0:03:13 | |
walls stripped back and skimmed. Great start. | 0:03:13 | 0:03:17 | |
I love it when you can walk into a property and just know what needs to be done to get the best from it. | 0:03:20 | 0:03:26 | |
This Edwardian flat isn't an obvious looker but its large, light public | 0:03:26 | 0:03:31 | |
rooms are incredibly practical and do have some character. | 0:03:31 | 0:03:35 | |
This spacious, very red bedroom is the next room along. | 0:03:35 | 0:03:40 | |
Then there's the bathroom, which will need to be stripped out and refitted. | 0:03:40 | 0:03:44 | |
But it is a good size, as is the second bedroom, which is also well proportioned. | 0:03:44 | 0:03:50 | |
At the end of the hall, you'd expect to find the kitchen. | 0:03:51 | 0:03:55 | |
But it's more of a kitchenette. | 0:03:55 | 0:03:57 | |
I can't see whoever designed this did much cooking. | 0:03:57 | 0:04:00 | |
In fact, I'm wondering if this wasn't the old scullery once upon a time. | 0:04:00 | 0:04:04 | |
Whatever the reason, this wall has to come down. | 0:04:04 | 0:04:08 | |
And then you could open up this whole area to create a lovely | 0:04:08 | 0:04:11 | |
L-shaped kitchen-dining room. Much better. | 0:04:11 | 0:04:14 | |
At last, the first problem to sort out. | 0:04:14 | 0:04:17 | |
But more worryingly, I've spotted signs of damp in the kitchen. | 0:04:17 | 0:04:21 | |
So that'll need to be investigated. | 0:04:21 | 0:04:24 | |
Outside, although you have a ground floor flat, you don't get the whole garden. | 0:04:24 | 0:04:31 | |
It's clear which side you do get, but I still think | 0:04:31 | 0:04:33 | |
it could be worth converting the kitchen window to French doors overlooking that garden. | 0:04:33 | 0:04:38 | |
And you could fence that off to make it more private. | 0:04:38 | 0:04:42 | |
I asked a local estate agent to take a look at the flat and | 0:04:44 | 0:04:47 | |
tell me more about the potential of properties in this part of London. | 0:04:47 | 0:04:51 | |
Earlsfield is a very up and coming, vibrant area. | 0:04:51 | 0:04:55 | |
There's a lot of young professionals moving to the area. | 0:04:55 | 0:04:58 | |
One of the main benefits that attracts a lot of people, | 0:04:58 | 0:05:00 | |
especially City workers, is the commute into London | 0:05:00 | 0:05:03 | |
to get to Waterloo station. | 0:05:03 | 0:05:06 | |
It only takes about ten minutes on the overland train. | 0:05:06 | 0:05:10 | |
Could the cost of refurbishment railroad your budget and leave you in the red? | 0:05:10 | 0:05:13 | |
What needs attention here to maximise the return? | 0:05:13 | 0:05:18 | |
In terms of the work that needs done to this property, | 0:05:18 | 0:05:20 | |
you're going to have to do a complete renovation. | 0:05:20 | 0:05:23 | |
New bathroom, new kitchen, redecorate all of the rooms, possibly | 0:05:23 | 0:05:26 | |
even redo the windows, but I feel once they've done that work, they will see the reward at the end of it. | 0:05:26 | 0:05:33 | |
The flat was guided at £225,000, but how much could it be sold for once upgraded? | 0:05:33 | 0:05:40 | |
Once renovated, this flat would be worth £350,000. | 0:05:41 | 0:05:46 | |
So, potential profit. | 0:05:46 | 0:05:48 | |
And for a buy-to-let investor, there should be plenty of tenants | 0:05:48 | 0:05:51 | |
for this property, just ten minutes from central London. | 0:05:51 | 0:05:55 | |
Earlsfield has yet to reach the popularity of neighbouring Clapham | 0:05:55 | 0:05:59 | |
and Balham, and the area is bound to improve and increase in value. | 0:05:59 | 0:06:04 | |
The same could be said for this flat. | 0:06:04 | 0:06:06 | |
At this low guide price, with this square footage, there's huge potential here. | 0:06:06 | 0:06:11 | |
Let's see who went for it at the auction. | 0:06:11 | 0:06:14 | |
Right, lot 67. It's 26 Swaby Road, Earlsfield, London SW18. | 0:06:17 | 0:06:23 | |
Who wants to give me a start on this one? Lot 67. 200? | 0:06:23 | 0:06:28 | |
190, anybody? | 0:06:28 | 0:06:30 | |
190, I've got. | 0:06:30 | 0:06:32 | |
Anybody else? How much? 195? | 0:06:32 | 0:06:35 | |
195, thank you. 200. | 0:06:35 | 0:06:39 | |
205, the gentleman with the scarf. | 0:06:39 | 0:06:42 | |
Yeah? 205. 210. | 0:06:42 | 0:06:45 | |
215. 215? 211? | 0:06:45 | 0:06:49 | |
211. 212. 213, with the scarf? No? | 0:06:49 | 0:06:55 | |
If not, £212,000 on my left. | 0:06:55 | 0:06:59 | |
Anybody else? You coming in, madam? | 0:06:59 | 0:07:01 | |
213, 214. | 0:07:01 | 0:07:03 | |
215, 220,000. | 0:07:03 | 0:07:07 | |
225, 230, 235, 240,000. | 0:07:07 | 0:07:13 | |
241. Lose it for 1,000? | 0:07:13 | 0:07:16 | |
If not, it's with the lady on my left by the door at £240,000 for lot 67. | 0:07:16 | 0:07:22 | |
Anybody else? | 0:07:22 | 0:07:24 | |
240 for the first, | 0:07:24 | 0:07:27 | |
240 for the second, | 0:07:27 | 0:07:29 | |
£240,000 for the third and final time. Are we all done? | 0:07:29 | 0:07:32 | |
Sold, 240. Well bought. | 0:07:32 | 0:07:36 | |
The winning bidder was Iris, and she paid £240,000. | 0:07:36 | 0:07:41 | |
But I do remember meeting her three daughters, Olivia, Lavinia | 0:07:44 | 0:07:48 | |
and Rowena, at the property they'd bought to renovate in Guildford back in 2005. | 0:07:48 | 0:07:56 | |
# Here come the girls... # | 0:07:56 | 0:07:58 | |
Now I'm going to meet Iris, with Lavinia and Olivia, | 0:07:58 | 0:08:00 | |
at her latest purchase, this two-bedroom flat in Earlsfield. | 0:08:00 | 0:08:05 | |
Iris, congratulations. | 0:08:05 | 0:08:07 | |
You're the lucky new owner of this flat. How do you feel? | 0:08:07 | 0:08:11 | |
I'm delighted, absolutely delighted. | 0:08:11 | 0:08:13 | |
Now, I know that our paths have almost crossed before. | 0:08:13 | 0:08:17 | |
-I've met your daughters... -Yes, you have. | 0:08:17 | 0:08:19 | |
..who are property developers. What are they up to now? | 0:08:19 | 0:08:22 | |
Well, since you met Lavinia last time, she's had another baby. | 0:08:22 | 0:08:26 | |
And Olivia has moved in with her boyfriend in Battersea. | 0:08:26 | 0:08:30 | |
And Rowena has taken a job out in Dubai. She's a graphic designer. | 0:08:30 | 0:08:34 | |
So she's got a contract out there for a year. | 0:08:34 | 0:08:37 | |
-So I won't see her for a while. -So how well do you know Swaby Road? | 0:08:37 | 0:08:41 | |
It was interesting because my daughter, she was interested | 0:08:41 | 0:08:44 | |
in a property further down the road about a year ago. | 0:08:44 | 0:08:46 | |
-And her offer was turned down at £363,000. -A flat similar to this? | 0:08:46 | 0:08:53 | |
A flat similar to this. So I'm absolutely delighted that we got it for 240. | 0:08:53 | 0:08:58 | |
-Can you imagine? -Who have you bought this flat for? | 0:08:58 | 0:09:02 | |
Is it for one of the girls, or is it for yourself? | 0:09:02 | 0:09:04 | |
No, this was really for Olivia in mind, because I thought she'd love | 0:09:04 | 0:09:08 | |
the idea of moving into Swaby, as she was so interested in it before. | 0:09:08 | 0:09:13 | |
So daughter Olivia and her sister Lavinia will be helping their mum with this | 0:09:13 | 0:09:19 | |
£240,000 investment project. | 0:09:19 | 0:09:22 | |
What changes are you going to make inside the property? | 0:09:24 | 0:09:28 | |
Well, first of all, we're going to knock the window out in the | 0:09:28 | 0:09:31 | |
kitchen and put in some French doors onto the garden, and make a nice L-shaped kitchen there. | 0:09:31 | 0:09:37 | |
Knock down that tiny wall into the kitchenette. | 0:09:37 | 0:09:40 | |
And the bathroom, that needs knocking down completely. Brand new bathroom. | 0:09:40 | 0:09:44 | |
Then we'll polish the wood floors, because the wood floors look good. | 0:09:44 | 0:09:49 | |
So where they're good, we'll put down some nice rugs and maybe carpet the bedrooms. | 0:09:49 | 0:09:54 | |
How are you going to decorate? Are you going to use neutral colours? | 0:09:54 | 0:09:57 | |
We're going to put lovely wallpaper that's very vibrant on the chimney breasts or maybe the alcoves. | 0:09:57 | 0:10:04 | |
Then paint the walls a corresponding colour to match in with the... | 0:10:04 | 0:10:08 | |
There are some vibrant wallpapers out now, they're gorgeous. | 0:10:08 | 0:10:11 | |
The thing I love about the property is the size of the rooms. | 0:10:11 | 0:10:15 | |
Everywhere is so spacious. You've got beautiful high ceilings. | 0:10:15 | 0:10:18 | |
But you have got that huge bit of space out in your hallway. | 0:10:18 | 0:10:21 | |
-Isn't that lovely? -What can you do with that? | 0:10:21 | 0:10:24 | |
Well I had an idea that I'd put some beautiful yellow and silver wallpaper | 0:10:24 | 0:10:28 | |
on there and two nice big mirrors and open it up. | 0:10:28 | 0:10:33 | |
Brighten the whole thing up and then put some nice lights up. | 0:10:33 | 0:10:36 | |
-I was wondering if it would be worth opening up the cupboard underneath the stairs? -Yes. | 0:10:36 | 0:10:41 | |
You could open that up and really open the space up. | 0:10:41 | 0:10:44 | |
That's a great idea. That's a very good idea. | 0:10:44 | 0:10:47 | |
Although this is a deceptively large flat, I'd always aim to maximise | 0:10:47 | 0:10:53 | |
every little bit of space because it can help attract a buyer or tenant | 0:10:53 | 0:10:57 | |
when you're in competition with other properties nearby. | 0:10:57 | 0:11:00 | |
-Do you have a budget for this work? -I feel this one, probably because | 0:11:00 | 0:11:05 | |
it needs a new boiler. I think it needs rewiring, | 0:11:05 | 0:11:10 | |
so because of that, I think we're in the region of 20,000 to do a good job. | 0:11:10 | 0:11:15 | |
Iris used to work in the antiques business but her passion for | 0:11:15 | 0:11:19 | |
property development has rubbed off on her three daughters. | 0:11:19 | 0:11:23 | |
They help out with Mum's refurbishments whenever they're in the country. | 0:11:23 | 0:11:27 | |
-Is it good fun working on properties with your daughters? -It's brilliant fun. | 0:11:27 | 0:11:32 | |
-You should see the state of us. -Do you all really muck-in together? | 0:11:32 | 0:11:36 | |
We are all covered in paint, our hair is matted, Polyfilla. | 0:11:36 | 0:11:40 | |
Any arguments along the way? | 0:11:40 | 0:11:42 | |
The decor sometimes reaches a pitch. | 0:11:42 | 0:11:44 | |
"I don't want that colour" and, "I don't want that colour", but we usually work it out. | 0:11:44 | 0:11:49 | |
But surely you're in charge? | 0:11:49 | 0:11:51 | |
I have to be. | 0:11:51 | 0:11:53 | |
After meeting the girls all that time ago, it's so | 0:11:57 | 0:12:01 | |
nice to meet up with their mum Iris, the source of all their inspiration. | 0:12:01 | 0:12:06 | |
I think she's made an incredible purchase. It really is a great flat. | 0:12:06 | 0:12:10 | |
I can't wait to see the final product and just hope the girls | 0:12:10 | 0:12:13 | |
don't squabble over the decor too much. Find out later in the show. | 0:12:13 | 0:12:17 | |
Today I'm in the historic cathedral city of Exeter, recently | 0:12:20 | 0:12:27 | |
revitalised by a new shopping area, it's a wonderful mix of old and new. | 0:12:27 | 0:12:32 | |
Just outside the city centre, off the main Topsham Road, is the property I'm here to see. | 0:12:32 | 0:12:37 | |
This isn't necessarily considered to be the best part of the city and certainly the name of the road is | 0:12:37 | 0:12:42 | |
rather ominous, Burnthouse Lane. But fear not, the flat I'm here to see is actually pretty much together | 0:12:42 | 0:12:49 | |
and it had a very attractive guide price of 50,000 quid. | 0:12:49 | 0:12:52 | |
It's situated just above this betting shop. | 0:12:52 | 0:12:55 | |
Let's hope that whoever bought it is onto a winner. | 0:12:55 | 0:12:59 | |
It's odds-on that not everyone would back this property. | 0:12:59 | 0:13:03 | |
But although it may lack kerb appeal, at least it wouldn't be as | 0:13:03 | 0:13:06 | |
bad to live above as a takeaway or a restaurant. | 0:13:06 | 0:13:09 | |
The entrance is round the back, which is good because at least it's | 0:13:09 | 0:13:13 | |
private but it is up these rather unattractive metal stairs | 0:13:13 | 0:13:18 | |
which, when it rains or even worse when it's icy, would become a real slip hazard. | 0:13:18 | 0:13:22 | |
You wouldn't want to fall into that barbed wire at the back. | 0:13:22 | 0:13:26 | |
It's not exactly inviting and, rather unnervingly, I do feel as though I'm being watched. | 0:13:26 | 0:13:33 | |
So, is the flat itself slippery? | 0:13:33 | 0:13:36 | |
Well, I don't know about slippery but certainly slimy. | 0:13:36 | 0:13:39 | |
That kitchen is vile. You almost don't even want to go in there. | 0:13:39 | 0:13:44 | |
It's tired, it's icky, icky. | 0:13:44 | 0:13:45 | |
It's got this horrible sliding door on it. | 0:13:45 | 0:13:48 | |
You've got bits of glass, which would be here, missing. | 0:13:48 | 0:13:50 | |
You'd definitely need to majorly sort that out, and actually, | 0:13:50 | 0:13:54 | |
unfortunately the bathroom gets worse, but I'll come back to that in a minute. | 0:13:54 | 0:13:59 | |
You've got a bedroom at the front. | 0:13:59 | 0:14:01 | |
You've got the living room on the other side at the front, and then through to the second bedroom. | 0:14:01 | 0:14:05 | |
Not bad sizes, and actually, if you can see through the mess, not in bad condition. | 0:14:05 | 0:14:10 | |
Do you like the colour of the walls? Nope? | 0:14:10 | 0:14:12 | |
That is actually nicotine stains. Another advert for not smoking. | 0:14:12 | 0:14:17 | |
The ceiling ain't much better and with this lovely light fitting. | 0:14:17 | 0:14:21 | |
All in all, it needs work. | 0:14:21 | 0:14:22 | |
That's an understatement but dirt and grime aren't the only alarming things I found lurking here. | 0:14:22 | 0:14:29 | |
I said I'd come back to the toilet and bathroom and well, here I am. | 0:14:29 | 0:14:35 | |
You can't quite see me yet because I'm round here. | 0:14:35 | 0:14:37 | |
This is the bath. | 0:14:37 | 0:14:39 | |
It's slightly sunken. It's inlaid into this little corridor thing. | 0:14:39 | 0:14:43 | |
It's claustrophobic and it gets my award for one of the worst bathrooms ever. | 0:14:43 | 0:14:50 | |
And that's saying something after viewing well over 1000 properties on the show. | 0:14:50 | 0:14:56 | |
Having a bath in here would be like bathing in a tomb. | 0:14:56 | 0:14:58 | |
Another to add to the Hammer Hall Of Fame. | 0:14:58 | 0:15:02 | |
But seriously, there's little you can do to the structure because of the chimney breast | 0:15:02 | 0:15:06 | |
on the left of the entrance which would be a horror story to remove. | 0:15:06 | 0:15:10 | |
So, through to the living room, again not a bad sized space. | 0:15:11 | 0:15:15 | |
I'd like to think about changing the layout in here. Obviously the bathroom is a disaster. | 0:15:15 | 0:15:20 | |
Maybe make this open-plan. | 0:15:20 | 0:15:21 | |
This is a stud partition wall so you could take that out to create an open-plan kitchen-living area. | 0:15:21 | 0:15:26 | |
But the deciding factor is what you're going to do with the place. | 0:15:26 | 0:15:30 | |
If you're going to rent it out, do you want to be spending large quantities of money sorting it out? | 0:15:30 | 0:15:34 | |
I think that's where the money lies. Rent this place out. | 0:15:34 | 0:15:37 | |
You're on the bus routes to where the local employers are. | 0:15:37 | 0:15:40 | |
You've got a hospital nearby and I know that places like this | 0:15:40 | 0:15:44 | |
nearby, two-bedroom flats are getting £500 a month in rent. | 0:15:44 | 0:15:48 | |
Get this anything like the guide price and you could be on for a ten per cent yield. | 0:15:48 | 0:15:52 | |
Don't get that in a bank! | 0:15:52 | 0:15:55 | |
So it's not exactly love at first sight but as a developer you have | 0:15:55 | 0:15:59 | |
to put these details aside and see the potential here. | 0:15:59 | 0:16:04 | |
I reckon that at a guide price of £50,000, | 0:16:04 | 0:16:08 | |
it would be a solid investment once renovated. | 0:16:08 | 0:16:13 | |
With all that in mind, I asked a local estate agent | 0:16:13 | 0:16:16 | |
along, to see what he thinks. | 0:16:16 | 0:16:18 | |
This property really does require a lot of refurbishment internally, | 0:16:20 | 0:16:23 | |
to bring it up to scratch from both the rental prospect | 0:16:23 | 0:16:26 | |
as well as from a homeowner's point of view. | 0:16:26 | 0:16:29 | |
The bathroom is a bit of an oddity as to what can happen to it because of the structural issues around it. | 0:16:29 | 0:16:33 | |
Personally I think the better option would be to remove the bath totally and fit in a nice shower cubicle. | 0:16:33 | 0:16:41 | |
That would be a quick and simple solution to a tricky problem | 0:16:41 | 0:16:45 | |
but could to the rest of this flat prove to be a good buy? | 0:16:45 | 0:16:49 | |
I'd say there's a good rental investment because, from a tenant's | 0:16:49 | 0:16:52 | |
point of view, it will be refurbished to bring it up to scratch and there will be a rental figure attached to | 0:16:52 | 0:16:58 | |
it to reflect the location, | 0:16:58 | 0:16:59 | |
which will impact on and help the affordability from a tenant's point of view. | 0:16:59 | 0:17:03 | |
At a guide price of £50,000, how do the investment figures stack up? | 0:17:03 | 0:17:08 | |
As the property stands at the moment, I would attribute a value of round about 55 to £60,000. | 0:17:08 | 0:17:15 | |
Allowing for refurbishment, which I would estimate around about £15,000, | 0:17:15 | 0:17:20 | |
I would then apply a resale value in the region of £80,000. | 0:17:20 | 0:17:24 | |
I'd say if this property was refurbished properly, you could | 0:17:24 | 0:17:28 | |
be achieving a rental income around about 425-£450 per calendar month. | 0:17:28 | 0:17:34 | |
Well, there you go. It's going to take a bit of work to | 0:17:36 | 0:17:39 | |
sort this place out but I reckon once you've done that, this is a great investment. | 0:17:39 | 0:17:44 | |
It may not be everyone's idea of the best place in Exeter to be | 0:17:44 | 0:17:47 | |
but if you're looking for a rental opportunity, I think it's perfect. | 0:17:47 | 0:17:52 | |
Let's see who spotted the opportunity at the auction. | 0:17:52 | 0:17:54 | |
Lot 26 is 35A Burnthouse Lane in Exeter, guided at 50. | 0:17:58 | 0:18:04 | |
Nice and simple. 50,000? | 0:18:04 | 0:18:05 | |
Who will say 45? | 0:18:05 | 0:18:08 | |
Thank you, 45, we're away on my right-hand side. | 0:18:08 | 0:18:11 | |
At 45, it's as simple as putting your hand up. | 0:18:11 | 0:18:15 | |
46. 46. 47. | 0:18:15 | 0:18:17 | |
48? | 0:18:17 | 0:18:20 | |
49. And 50, down the aisle. 51. 52. | 0:18:20 | 0:18:26 | |
53. 54. | 0:18:26 | 0:18:28 | |
55. Good shout. How about 500? | 0:18:28 | 0:18:33 | |
Are you sure? | 0:18:33 | 0:18:35 | |
55 and a half. | 0:18:35 | 0:18:39 | |
At 55 and a half, at 56 at the back. | 0:18:39 | 0:18:43 | |
The one bid gentleman. | 0:18:43 | 0:18:45 | |
56 and a half. Got it. | 0:18:45 | 0:18:47 | |
At 56 and a half, sat. | 0:18:47 | 0:18:49 | |
57. At 57. 57 and a half. | 0:18:49 | 0:18:52 | |
At 58. At 58. At 58 and a half. | 0:18:52 | 0:18:55 | |
59. At 59. At 59. | 0:18:55 | 0:18:59 | |
59 and a half. | 0:18:59 | 0:19:01 | |
Sat has got it once and twice. | 0:19:01 | 0:19:05 | |
60, I've got it. At 60. | 0:19:05 | 0:19:07 | |
At 60. At 60,000, first, second, third, last time. It will be sold. | 0:19:07 | 0:19:11 | |
Oh - 61. | 0:19:11 | 0:19:13 | |
60 and a half anywhere? 60 and a half. At 60 and a half once... | 0:19:13 | 0:19:18 | |
At 60 and half twice... | 0:19:18 | 0:19:21 | |
61. 61. At 61. At 61... | 0:19:22 | 0:19:25 | |
A wry smile. 61 and a half. | 0:19:25 | 0:19:27 | |
At 61 and a half. | 0:19:27 | 0:19:28 | |
First time... | 0:19:28 | 0:19:30 | |
Second time... 61 and a half, second row in. | 0:19:30 | 0:19:33 | |
At 61 and a half and selling at 61 and a half. | 0:19:33 | 0:19:36 | |
Sir, congratulations, well done. 61 and a half. | 0:19:37 | 0:19:41 | |
That winning bidder was Bob. | 0:19:41 | 0:19:43 | |
He's a local landlord who snapped this property up to add to his portfolio. | 0:19:43 | 0:19:48 | |
I met him to hear about his plans for this little flat of horrors. | 0:19:48 | 0:19:53 | |
-Bob, congratulations. -Thank you. -Why did you want to buy the place? | 0:19:53 | 0:19:57 | |
I develop properties and let them, or present them, to the rental market. | 0:19:57 | 0:20:01 | |
"Present them", that's very grand! | 0:20:01 | 0:20:02 | |
Well, we do make a nice job of making them very habitable. | 0:20:02 | 0:20:06 | |
And most people are happy renting what I present. | 0:20:06 | 0:20:08 | |
-And how many have you got? -I've got 12 now. -Oh, great. | 0:20:08 | 0:20:11 | |
-In and around this area? -Most of them are this area. | 0:20:11 | 0:20:14 | |
I think seven are on this estate. | 0:20:14 | 0:20:15 | |
Very, very local. Why this estate then? | 0:20:15 | 0:20:18 | |
It lets well because it's close to local transport links to the main estates, Marsh Barton and Sowton. | 0:20:18 | 0:20:26 | |
Those are where major employers are located. | 0:20:26 | 0:20:29 | |
And obviously the RD&E Hospital which is just opposite. | 0:20:29 | 0:20:32 | |
So you really have focused on an area. | 0:20:32 | 0:20:34 | |
Do you think that's a good thing to do? | 0:20:34 | 0:20:35 | |
I'm finding it very easy to rent in this area. | 0:20:35 | 0:20:39 | |
A lot of people think this area isn't that good, but it's very good on a commercial basis for rental. | 0:20:39 | 0:20:44 | |
-So what appealed about this flat? -It's quite a large flat and it's very, very cheap, in my opinion. | 0:20:44 | 0:20:49 | |
-Right! -It's 60 square metres, which is quite a large property. | 0:20:49 | 0:20:55 | |
And hopefully it will give me a rental return of around 575, maybe 600 on a squeeze. | 0:20:55 | 0:21:01 | |
-So, given what you paid, that's a pretty good return, isn't it? -About a 10% return. | 0:21:01 | 0:21:05 | |
Bob has clearly got his developing head screwed on with this property. | 0:21:05 | 0:21:09 | |
Although the area may not be everyone's cup of tea, | 0:21:09 | 0:21:12 | |
it doesn't mean the investment won't pay for itself. | 0:21:12 | 0:21:15 | |
But before all that, there's a bit of grafting to be done. | 0:21:15 | 0:21:19 | |
-So what's the plans for it? -The plan is to renew the kitchen, | 0:21:20 | 0:21:23 | |
refit it throughout, get rid of the horrible decor... | 0:21:23 | 0:21:27 | |
We'll still do it neutral because that's obviously easy to let. | 0:21:27 | 0:21:31 | |
Too many bright colours, nobody likes it. | 0:21:31 | 0:21:33 | |
And hopefully it won't take me too long to do. | 0:21:33 | 0:21:35 | |
And what about the bathroom? | 0:21:35 | 0:21:36 | |
I think we're going to remove the bath | 0:21:36 | 0:21:39 | |
and put it back to a shower, depending on what's under the square, | 0:21:39 | 0:21:42 | |
because there's a square which we don't know if it's the original staircase. | 0:21:42 | 0:21:46 | |
So what would that mean if it was? | 0:21:46 | 0:21:48 | |
If it was, we might have to rethink the plans and put the door into | 0:21:48 | 0:21:52 | |
the bathroom through the kitchen, which I'm not keen on, and then put the shower the other side. | 0:21:52 | 0:21:57 | |
But I want to get rid of the sunken bath. | 0:21:57 | 0:21:59 | |
-It's all a bit daft, isn't it? -It's not exactly practical. | 0:21:59 | 0:22:01 | |
Changing that bathroom is just the start of the renovation needed here. | 0:22:01 | 0:22:06 | |
Bob's got a budget of just £5,000, | 0:22:06 | 0:22:09 | |
which would limit him if he wants to do anything major. | 0:22:09 | 0:22:12 | |
I've considered taking the wall out | 0:22:12 | 0:22:14 | |
between the living room and the front bedroom | 0:22:14 | 0:22:16 | |
and putting the kitchen in the front bedroom, | 0:22:16 | 0:22:18 | |
to make a large living space at the front, | 0:22:18 | 0:22:20 | |
and change the kitchen back into a bedroom. Is one option. | 0:22:20 | 0:22:23 | |
And the other option is to | 0:22:23 | 0:22:25 | |
move the shower into virtually the hallway area, | 0:22:25 | 0:22:28 | |
and make the bedroom bigger at the front | 0:22:28 | 0:22:31 | |
and have the door from the kitchen into the bathroom because | 0:22:31 | 0:22:34 | |
the chimney's in the way. | 0:22:34 | 0:22:36 | |
So both of those quite involved jobs | 0:22:36 | 0:22:37 | |
that require taking out walls and banging around a bit. | 0:22:37 | 0:22:40 | |
Not so much taking out the walls because they're only stud walls. | 0:22:40 | 0:22:43 | |
I've thumped the walls to see which ones are stud, | 0:22:43 | 0:22:45 | |
which will refer which I can remove and which I can't. | 0:22:45 | 0:22:48 | |
So I like the idea of making the front wall open plan, | 0:22:48 | 0:22:52 | |
because it makes it a lot nicer living space, | 0:22:52 | 0:22:55 | |
but it all depends on the budget as to what the costs are likely to escalate to by doing it. | 0:22:55 | 0:23:01 | |
Whatever option Bob chooses, he's planning for a two-month turnaround. | 0:23:01 | 0:23:06 | |
He already has tenants lined up for it when it's completed, | 0:23:06 | 0:23:10 | |
but this is not his first involvement with THIS flat. | 0:23:10 | 0:23:14 | |
Do you know about the history of this property? | 0:23:14 | 0:23:16 | |
Erm, I viewed it three years ago when it was on the market. | 0:23:16 | 0:23:19 | |
It was on the market, I think, for around about 90,000 at the time. | 0:23:19 | 0:23:22 | |
-Oh, wow! -I know it changed hands at 85 in 2006. | 0:23:22 | 0:23:27 | |
How did you sort of stumble on it in the auction? | 0:23:27 | 0:23:29 | |
Looking on the website, it just happened to come up - there it is. | 0:23:29 | 0:23:33 | |
And I thought, "That's on the market, best to go and have a look at it." | 0:23:33 | 0:23:37 | |
Didn't actually find time to view it, so I went to the auction blind. | 0:23:37 | 0:23:42 | |
-And was it OK? -It was OK. | 0:23:42 | 0:23:43 | |
It's OK, it's not as bad as it could have been, but it is obviously | 0:23:43 | 0:23:47 | |
quite a bit worse than it was three years ago. | 0:23:47 | 0:23:51 | |
And it could have been very much worse than it was three years ago. | 0:23:51 | 0:23:54 | |
Yes, but bearing in mind someone was living in here recently | 0:23:54 | 0:23:57 | |
it couldn't be THAT uninhabitable. | 0:23:57 | 0:23:59 | |
Well, it seems like Bob may well have backed a winner with this flat | 0:24:03 | 0:24:07 | |
above a bookies', but will he fall at the first hurdle when it comes to sorting out the internal layout? | 0:24:07 | 0:24:14 | |
You can find out later in the show. | 0:24:14 | 0:24:16 | |
Coming up... | 0:24:18 | 0:24:19 | |
On the Isle of Sheppey in Kent, there's a large building with an impressive facade. | 0:24:19 | 0:24:24 | |
But what does it hide? | 0:24:24 | 0:24:25 | |
Did Bob's renovation on this two-bedroom flat in Exeter | 0:24:27 | 0:24:31 | |
leave him with more than just added value? | 0:24:31 | 0:24:33 | |
I managed to get myself a throat infection, even though I'd worn all the masks. | 0:24:33 | 0:24:38 | |
But first...in South London, | 0:24:40 | 0:24:42 | |
did Iris manage to get this flat to bloom? | 0:24:42 | 0:24:46 | |
We return to Earlsfield in South London now, | 0:24:52 | 0:24:54 | |
and the two-bedroom ground floor flat which seasoned developer Iris bought | 0:24:54 | 0:24:58 | |
for £240,000. | 0:24:58 | 0:25:00 | |
# I've never known a girl like you before... # | 0:25:01 | 0:25:04 | |
Helped by her three daughters, she was planning to refurbish the flat, | 0:25:05 | 0:25:08 | |
possibly for her daughter Olivia to move into. | 0:25:08 | 0:25:11 | |
MUSIC: "There She Goes" by The La's | 0:25:11 | 0:25:14 | |
Now, six months later, we're back to see the result of this family's hard work. | 0:25:15 | 0:25:20 | |
Let's start round the back with the garden, | 0:25:26 | 0:25:29 | |
which is shared between the upstairs accommodation and their flat. | 0:25:29 | 0:25:32 | |
It's been re-turfed and clearly divided, | 0:25:32 | 0:25:35 | |
and a new patio has been laid. | 0:25:35 | 0:25:37 | |
Inside, the fireplace and the smoke-stained walls | 0:25:37 | 0:25:40 | |
of the bay-fronted living room have been transformed. | 0:25:40 | 0:25:44 | |
At the back, although the wall still remains in the kitchen diner, | 0:25:46 | 0:25:50 | |
the room is now a clean, contemporary space. | 0:25:50 | 0:25:54 | |
Originally we intended to put French doors through here to the garden, | 0:25:56 | 0:26:00 | |
and knock this wall down here back to here to make it a nice, large kitchen. | 0:26:00 | 0:26:05 | |
But when we spoke to the freeholder, the total expense would have been about £5,000, so we decided that was | 0:26:05 | 0:26:13 | |
an unnecessary expense so we didn't go ahead with it. | 0:26:13 | 0:26:16 | |
But in fact it's turned out very well because we've got a nice wash area | 0:26:16 | 0:26:20 | |
which is cut off from here, and this is a nice kitchen diner. | 0:26:20 | 0:26:24 | |
The two bedrooms have a very opulent feel to them, | 0:26:26 | 0:26:29 | |
with chandeliers and swanky curtain tie-backs. | 0:26:29 | 0:26:32 | |
And the wallpaper feature walls continue into the living room. | 0:26:36 | 0:26:40 | |
What I particularly like about this room is it's lovely and light and airy and very spacious. | 0:26:40 | 0:26:46 | |
And lovely big windows, so there's a lot of light comes in. | 0:26:46 | 0:26:49 | |
And I love the way this is blended, the wallpaper and the mirror and the fire - | 0:26:49 | 0:26:53 | |
the way the whole thing is blended together with this lovely soft background colour. | 0:26:53 | 0:26:58 | |
And as for this, this was an absolute nightmare. | 0:26:58 | 0:27:03 | |
It took Lavinia and I four hours to unravel all these tiny little balls, | 0:27:03 | 0:27:08 | |
and we had to take each ball off | 0:27:08 | 0:27:11 | |
and pull the wires out and then reassemble it again. | 0:27:11 | 0:27:14 | |
I mean, it looks absolutely gorgeous when it's lit, but it was a terrible nightmare! | 0:27:14 | 0:27:19 | |
There is undoubtedly a very high level of finish throughout the flat, | 0:27:20 | 0:27:24 | |
with personal touches provided by the whole family. | 0:27:24 | 0:27:28 | |
Well, Olivia chose the emulsion paint throughout, | 0:27:28 | 0:27:33 | |
and I had the ultimate decision on the wallpapers. | 0:27:33 | 0:27:37 | |
And Lavinia designed the bathroom. So I think she did a very good job. | 0:27:37 | 0:27:44 | |
No question about that. | 0:27:45 | 0:27:46 | |
Tiled top to bottom with a new suite and a radiator to warm your towels, | 0:27:46 | 0:27:51 | |
it just needs to be connected to the plumbing system. | 0:27:51 | 0:27:54 | |
But Iris missed one crucial detail about the flat | 0:27:54 | 0:27:58 | |
which landed her in hot water. | 0:27:58 | 0:28:00 | |
Big mistake, yeah. I didn't even notice that there wasn't anything here. | 0:28:02 | 0:28:06 | |
Didn't notice it. | 0:28:06 | 0:28:07 | |
And it was a shock when the plumber said, "There's no central heating." | 0:28:07 | 0:28:11 | |
And the boiler was going to cost £1,000 etc. But anyway we went ahead. | 0:28:11 | 0:28:15 | |
It was a bad mistake, but I won't make that one again! | 0:28:15 | 0:28:18 | |
Well, you live and learn. | 0:28:20 | 0:28:23 | |
But how's the budget stood up? | 0:28:23 | 0:28:25 | |
Iris had hoped to carry out the refurbishment for £20,000. | 0:28:25 | 0:28:28 | |
So, did she manage to stick to that figure? | 0:28:28 | 0:28:32 | |
We actually spent about 24,000 doing the property up. | 0:28:32 | 0:28:37 | |
And I estimate we've actually spent about 30,000 together with the solicitors' fees etc. | 0:28:37 | 0:28:44 | |
The flat has been completed to a high standard, | 0:28:44 | 0:28:48 | |
with some very individual details. So what's the plan for it now? | 0:28:48 | 0:28:53 | |
My daughter Olivia is planning to move in. | 0:28:53 | 0:28:55 | |
They're getting married in December, so she plans to move in then. | 0:28:55 | 0:29:01 | |
Meanwhile, we've decided we'll let it for the period before they get married. | 0:29:01 | 0:29:07 | |
To find out what rental the flat will generate, | 0:29:09 | 0:29:11 | |
we invited two local estate agents to take a look. | 0:29:11 | 0:29:14 | |
What I particularly like is the layout, | 0:29:17 | 0:29:19 | |
especially the kitchen/breakfast room. | 0:29:19 | 0:29:22 | |
Very spacious, and fantastic for entertaining. | 0:29:22 | 0:29:24 | |
I think the transformation that has taken place with this property is excellent. | 0:29:25 | 0:29:29 | |
They've done it up to a really good standard - slightly above average - | 0:29:29 | 0:29:33 | |
and I think it's going to appeal to | 0:29:33 | 0:29:35 | |
a lot of prospective buyers. | 0:29:35 | 0:29:37 | |
I particularly enjoyed the layout. | 0:29:37 | 0:29:39 | |
It's very much free-flowing, particularly the kitchen/breakfast room. | 0:29:39 | 0:29:43 | |
Very spacious, and perfect in the terms of entertaining. | 0:29:43 | 0:29:46 | |
The kitchen's fantastic. They've done a really, really good job. | 0:29:46 | 0:29:49 | |
And it's done in a way that will appeal to the most audience. | 0:29:49 | 0:29:53 | |
And the garden as well. Fantastic, perfect for those summer evenings. | 0:29:53 | 0:29:57 | |
What I dislike is the way they've put their own personal stamp | 0:29:58 | 0:30:02 | |
with the chandeliers and the curtains. | 0:30:02 | 0:30:04 | |
They should have kept it neutral, contemporary and in line with the property. | 0:30:04 | 0:30:08 | |
But the flat IS in great shape. | 0:30:08 | 0:30:10 | |
I'm sure there'll be plenty of keen prospective tenants. | 0:30:10 | 0:30:13 | |
What income could Iris achieve until her daughter moves in and makes it her home? | 0:30:13 | 0:30:18 | |
I think it's going to be very popular for rentals, because you have got the two double bedrooms. | 0:30:18 | 0:30:24 | |
If I were to put it on for rentals I'd put it on for £1,400 per calendar month. | 0:30:24 | 0:30:27 | |
I would value this property for the rentals at 1,300 per calendar month. | 0:30:27 | 0:30:32 | |
That's very good. I didn't expect that. | 0:30:32 | 0:30:34 | |
I was thinking probably £1,000, £1,100 or something. | 0:30:34 | 0:30:37 | |
Everything's down. Property's going down, rents go down... | 0:30:37 | 0:30:41 | |
So I'm very happy about that. | 0:30:41 | 0:30:43 | |
What about the market value for the flat now? | 0:30:44 | 0:30:47 | |
Remember, Iris paid 240,000 on auction day, | 0:30:47 | 0:30:50 | |
and her renovation budget stretched to £30,000 including legal expenses. | 0:30:50 | 0:30:57 | |
For sales I would market this property at £365,000. | 0:30:57 | 0:31:00 | |
If I were to put this property on the market today, I'd be putting | 0:31:00 | 0:31:03 | |
it on at £350,000, to achieve offers anywhere in the region of 340,000. | 0:31:03 | 0:31:10 | |
I would feel that was a bit low. | 0:31:10 | 0:31:12 | |
But I think if we could get somewhere with 350...that would be great. | 0:31:12 | 0:31:17 | |
350, 360, I think that's fantastic. | 0:31:17 | 0:31:20 | |
After the hard work that Iris and her two daughters have put into the flat, | 0:31:22 | 0:31:26 | |
I bet she'd like to put our feet up and enjoy some well deserved rest. | 0:31:26 | 0:31:31 | |
That is the plan, I presume? | 0:31:31 | 0:31:32 | |
No! | 0:31:32 | 0:31:34 | |
We've actually bought another one at auction. So we're going to start on that next week, | 0:31:34 | 0:31:39 | |
we've got the architect round already. | 0:31:39 | 0:31:41 | |
So it's all hands on deck again. | 0:31:41 | 0:31:43 | |
Here we go again! | 0:31:43 | 0:31:45 | |
Our next property takes me to the Isle of Sheppey, across its new £1m bridge | 0:31:54 | 0:31:59 | |
that not only makes it more accessible for residents, but more attractive to investors. | 0:31:59 | 0:32:04 | |
# They say the neon lights are bright on Broadway... # | 0:32:04 | 0:32:09 | |
I'm here in the centre of Sheerness, on Broadway, so get your jazz hands ready | 0:32:09 | 0:32:14 | |
because the property I'm here to see today is this! | 0:32:14 | 0:32:16 | |
With its wonderful 1920s facade, wide entrance hall... and given our location, you'd be | 0:32:16 | 0:32:22 | |
forgiven for thinking we're here to view an old cinema or music hall. | 0:32:22 | 0:32:26 | |
But no, this is a former Methodist church. | 0:32:26 | 0:32:29 | |
And it was on for a guide for 160,000 to 165,000. | 0:32:29 | 0:32:34 | |
Let's shimmy inside and have a look around. | 0:32:34 | 0:32:37 | |
It may be drizzling but the exterior certainly doesn't rain on my parade. | 0:32:39 | 0:32:44 | |
I think it's a show-stopping facade. | 0:32:44 | 0:32:47 | |
But will the big opening be a hit or a flop? | 0:32:47 | 0:32:50 | |
Well, what an entrance! | 0:32:54 | 0:32:57 | |
It's certainly more ministerial than music hall in here. | 0:32:57 | 0:33:01 | |
I mean, this place is vast. You've got lovely high ceilings, | 0:33:01 | 0:33:05 | |
and row upon row of these beautiful pews. | 0:33:05 | 0:33:09 | |
Although it doesn't feel old and musty, it really does smell like a church. | 0:33:09 | 0:33:13 | |
You've got the altar and the organ still in place, | 0:33:13 | 0:33:15 | |
and some splendid but simple stained glass windows over there. | 0:33:15 | 0:33:19 | |
It's a majestic space. But it doesn't end here. | 0:33:19 | 0:33:23 | |
Thank goodness. This place is everything I'd hoped for. | 0:33:27 | 0:33:31 | |
It's perfectly intact. | 0:33:31 | 0:33:33 | |
Wonderful wooden pews, great balcony and a really good sized space. | 0:33:33 | 0:33:37 | |
This section is just part of the auction lot. | 0:33:37 | 0:33:40 | |
Because behind the main hall, you have room after usable room. | 0:33:40 | 0:33:44 | |
There's a potential nursery or creche. | 0:33:44 | 0:33:47 | |
There's a general hall, ideal for serving teas and coffees. | 0:33:50 | 0:33:55 | |
And there's even a kitchen. | 0:33:57 | 0:33:59 | |
It might need some fixing up, but it wouldn't take a miracle to make this place light, | 0:33:59 | 0:34:03 | |
bright and very functional. | 0:34:03 | 0:34:06 | |
And if that wasn't enough... | 0:34:06 | 0:34:08 | |
Upstairs you've got another vast space. | 0:34:09 | 0:34:12 | |
And you've got a stage! | 0:34:12 | 0:34:14 | |
This takes me back to my old dancing school days. | 0:34:14 | 0:34:18 | |
This is another infinitely usable room in pretty good condition. | 0:34:18 | 0:34:22 | |
So you've had the tour now. It's time to put my developer's head on. | 0:34:22 | 0:34:26 | |
Old churches make fantastic living spaces. | 0:34:26 | 0:34:29 | |
And it's not unusual to see them split into beautiful, characterful flats. | 0:34:29 | 0:34:33 | |
That's a thought. But it wouldn't be easy to gain planning permission. | 0:34:33 | 0:34:37 | |
And in this slow market, it's not the best idea. | 0:34:37 | 0:34:41 | |
So what other potential uses can you see for this building? | 0:34:41 | 0:34:45 | |
MUSIC: "Fame" by Irene Cara | 0:34:45 | 0:34:47 | |
Bearing in mind there's a stage here, what about a drama and dance school? | 0:34:47 | 0:34:50 | |
That would fall under the category known as D2 usage. | 0:34:50 | 0:34:54 | |
This building is currently D1, so you'd have to apply for a change of use. | 0:34:54 | 0:34:59 | |
But if it was to become something like a nursery, creche, art gallery | 0:34:59 | 0:35:02 | |
or library - well, then, it's ready to go. | 0:35:02 | 0:35:05 | |
Of course, you could still use it as a church. | 0:35:05 | 0:35:09 | |
So what if you were a brave developer, ready to take a punt on an amazing building? | 0:35:09 | 0:35:14 | |
Buy now, apply for a change of use later...? | 0:35:14 | 0:35:17 | |
How about turning this into a bar, a nightclub - maybe a casino? | 0:35:17 | 0:35:22 | |
Well, you can put those plans back in their box, because there's an old restrictive covenant on this church, | 0:35:22 | 0:35:27 | |
which states this building cannot be used for the sale and consumption of alcohol, | 0:35:27 | 0:35:32 | |
as a public dance hall, there's to be no Sunday trading, no gambling, | 0:35:32 | 0:35:37 | |
and no religious use outside the Methodist Church without their permission. | 0:35:37 | 0:35:41 | |
Which is more than a hassle! | 0:35:41 | 0:35:42 | |
It actually lowers the value of the building and severely restricts its use. | 0:35:42 | 0:35:47 | |
Now, covenants CAN be lifted, but if somebody bought this building without doing a good bit | 0:35:47 | 0:35:52 | |
of research first, there would be some serious gambling going on! | 0:35:52 | 0:35:58 | |
Now I'm really scratching my head. 160,000 to 165,000 may not seem a massive amount of money | 0:35:59 | 0:36:05 | |
for such a sizable space, | 0:36:05 | 0:36:07 | |
but it's a small fortune if there's not much you can do with it. | 0:36:07 | 0:36:10 | |
So I need some help here. | 0:36:10 | 0:36:12 | |
Perhaps an estate agent can provide some divine inspiration. | 0:36:12 | 0:36:16 | |
Well, at the moment, obviously for investment purposes, | 0:36:18 | 0:36:23 | |
it would be perfect to turn into apartments and residential dwellings. | 0:36:23 | 0:36:28 | |
The problem is whether you would achieve planning for that. | 0:36:28 | 0:36:32 | |
On the island there is nothing that I am aware of that would operate like an art gallery, a museum, | 0:36:32 | 0:36:39 | |
exhibition centre, things like that and obviously you would be able to operate that from these premises. | 0:36:39 | 0:36:44 | |
And you've got this size there as well. | 0:36:44 | 0:36:48 | |
Buildings such as this are always hard to value, but what sale price could be put on it, once done up? | 0:36:48 | 0:36:54 | |
It's worth different amounts to different people | 0:36:54 | 0:36:57 | |
but in regard to value, I'd be thinking between 160-170. | 0:36:57 | 0:37:02 | |
So at a £165,000 guide price, this is unlikely to be a big money-making venture. | 0:37:02 | 0:37:09 | |
This former church represents a rare opportunity for so many | 0:37:09 | 0:37:13 | |
different people, but subject to both new and ancient restrictions. | 0:37:13 | 0:37:17 | |
Whoever takes this on could find it both a spiritual experience and a real battle. | 0:37:17 | 0:37:23 | |
Let's find out who that was. | 0:37:23 | 0:37:25 | |
Let's move on to Lot 49, which is a sale on behalf of the | 0:37:27 | 0:37:31 | |
trustees, it's the Methodist Church at the Broadway in Sheerness in Kent. | 0:37:31 | 0:37:36 | |
Where do you want to start on this? | 0:37:36 | 0:37:38 | |
A bid of 150 to start me? Start low and see where we go. | 0:37:38 | 0:37:41 | |
Doesn't matter where we start. | 0:37:41 | 0:37:43 | |
It's where we finish. Is there a bit of 150? 150? | 0:37:43 | 0:37:46 | |
150, I'm on the way, straight away. | 0:37:46 | 0:37:48 | |
£150,000, 155? | 0:37:48 | 0:37:51 | |
At 155. From somebody else? | 0:37:51 | 0:37:54 | |
Straight into the room ladies and gentlemen, at £150,000, | 0:37:54 | 0:37:57 | |
we're going to sell it if there's not any further bidding. | 0:37:57 | 0:37:59 | |
155, if you like. 155. | 0:37:59 | 0:38:02 | |
Otherwise, it's with you, sir, at £150,000. | 0:38:02 | 0:38:06 | |
For the first time at £150,000. | 0:38:06 | 0:38:09 | |
A second time at £150,000. | 0:38:09 | 0:38:13 | |
If you're sure you're all done, it's the third and final time at £150,000. | 0:38:13 | 0:38:18 | |
It's yours, Sir, for 150. | 0:38:18 | 0:38:21 | |
And quite unusually, after just one bid, | 0:38:21 | 0:38:23 | |
the old Methodist Church on Sheppey was bought for 150,000 by, | 0:38:23 | 0:38:29 | |
well, by another church - the Community Church on Sheppey. | 0:38:29 | 0:38:34 | |
This one is led by Paul, who oversees the pastoral needs of his community. | 0:38:34 | 0:38:38 | |
He's put aside pulpit for property for a moment, so I took a pew beside him to find out more. | 0:38:38 | 0:38:46 | |
# Oh, happy day! Oh, happy day! # | 0:38:46 | 0:38:53 | |
Paul, this is such an amazing building. | 0:38:53 | 0:38:55 | |
Why did you want to buy this church? | 0:38:55 | 0:38:58 | |
We as a church, the Community Church on Sheppey, have outgrown the premises we are currently meeting in. | 0:38:58 | 0:39:05 | |
We're getting more than 100 people for morning service and we just needed somewhere bigger. | 0:39:05 | 0:39:11 | |
So what was it about this place that attracted you so much? | 0:39:11 | 0:39:15 | |
Well, as a congregation we had a couple of marriage ceremonies conducted in this church. | 0:39:15 | 0:39:21 | |
My wife as a child worshipped here with her family. | 0:39:21 | 0:39:26 | |
A number of our people have attended clubs | 0:39:26 | 0:39:30 | |
and various other facilities that were run from this centre. | 0:39:30 | 0:39:34 | |
So this is already a church that has been part of the community | 0:39:34 | 0:39:38 | |
for a while and was therefore a logical purchase for the Community Church. | 0:39:38 | 0:39:42 | |
But I sense that it might not just be a case of making a few general repairs and moving in. | 0:39:42 | 0:39:47 | |
Paul and his congregation will want to make their own mark here. | 0:39:47 | 0:39:51 | |
Paul, as it is at the moment it is quite a traditional sort of church, lots of pews, | 0:39:51 | 0:39:58 | |
you've got the altar - are you planning on changing it around at all? Can you do that? | 0:39:58 | 0:40:02 | |
There certainly will be some changes because the whole atmosphere | 0:40:02 | 0:40:07 | |
in our kind of church is very more contemporary in terms of the music | 0:40:07 | 0:40:13 | |
and the style and we certainly wouldn't feel entirely comfortable with the pews, for example. | 0:40:13 | 0:40:20 | |
Really? They're not that comfortable, I have to say! | 0:40:20 | 0:40:24 | |
I keep sliding off this. | 0:40:24 | 0:40:26 | |
We do have plans to move the pews out of the building, to add more comfortable seating. | 0:40:26 | 0:40:32 | |
But there is so much we would like to retain here. | 0:40:32 | 0:40:35 | |
The stained-glass windows have a beauty of their own and we wouldn't | 0:40:35 | 0:40:39 | |
want to detract from that - we would want to keep them as they are. | 0:40:39 | 0:40:43 | |
There's certainly a lot of beautiful woodwork here as well. | 0:40:43 | 0:40:46 | |
-The organ, we were uncomfortable with the idea of an organ when we first came here. -Why? | 0:40:46 | 0:40:53 | |
Because it is just so out of place in relation to the more contemporary feel, to our style of worship. | 0:40:53 | 0:40:59 | |
However, having said that, a number of our members have taken opportunities to play it. | 0:40:59 | 0:41:04 | |
They feel very happy with it and I think really, the consensus | 0:41:04 | 0:41:08 | |
is we want to keep the organ and see how we can use it in the future. | 0:41:08 | 0:41:12 | |
Certainly we'll be looking at wall-to-wall carpeting and a more contemporary feel to the decor. | 0:41:12 | 0:41:19 | |
So a very modern, homely feel about it? | 0:41:19 | 0:41:22 | |
That's what I'm trying to say. A modern and homely feel to the place. | 0:41:22 | 0:41:25 | |
The covenant on this building originally stated that there were | 0:41:25 | 0:41:29 | |
rather surprisingly limitations on its religious use. | 0:41:29 | 0:41:32 | |
But prior to auction, the two churches agreed | 0:41:32 | 0:41:35 | |
that this part of the covenant at least could be lifted. | 0:41:35 | 0:41:38 | |
This meant that Paul and the Community Church could fully utilise the building. | 0:41:38 | 0:41:43 | |
Tell me about the little theatre you've got at the back, if I can call it that, the stage at the back. | 0:41:48 | 0:41:55 | |
It somewhere that I remember as a child doing little school dance performances on. | 0:41:55 | 0:41:59 | |
Are you going to keep that as it is? | 0:41:59 | 0:42:01 | |
There are so many little cubbyholes here, | 0:42:01 | 0:42:03 | |
aren't there? That is one of my favourite places. | 0:42:03 | 0:42:06 | |
-Me too! -It has in the past been used as a working theatre, I believe. | 0:42:06 | 0:42:10 | |
We have several people in the church who have volunteered. | 0:42:10 | 0:42:13 | |
They say we would like to reinstate that area as a working theatre, to get it all up and running again. | 0:42:13 | 0:42:20 | |
Our youth are particularly interested in that area for their own gigs - they have their own band, and so on. | 0:42:20 | 0:42:26 | |
So, yeah, I think that's going to be a viable proposition for the future. | 0:42:26 | 0:42:31 | |
There's going to be no holding Paul back. | 0:42:31 | 0:42:35 | |
He really wants this building to be a vibrant hub of community activity. | 0:42:35 | 0:42:38 | |
There are plans for a coffee and tea area in the rooms | 0:42:38 | 0:42:41 | |
at the back and perhaps a children's club, or even a creche. | 0:42:41 | 0:42:45 | |
But there are other, more mundane things to tackle, such as the roof and plasterwork. | 0:42:45 | 0:42:50 | |
So it's no small task. | 0:42:50 | 0:42:52 | |
There have been moments when I've felt the scale of the work | 0:42:52 | 0:42:58 | |
is unimaginable, an enormous amount of work that needs doing. | 0:42:58 | 0:43:02 | |
It's been encouraging, the way that people within our own church have pulled together. | 0:43:02 | 0:43:08 | |
We have a team of people who are tradespeople, builders, | 0:43:08 | 0:43:13 | |
people running their own businesses, who have all come together and who have | 0:43:13 | 0:43:18 | |
shown a willingness to be involved | 0:43:18 | 0:43:20 | |
in the project and, in all cases, to give their services free of charge. | 0:43:20 | 0:43:27 | |
So, Paul, if you were to sum this up in a few words, what would you say? | 0:43:27 | 0:43:32 | |
It's a dream come true. | 0:43:32 | 0:43:34 | |
It's a community working together, pulling together and I just look forward | 0:43:34 | 0:43:39 | |
to the future because I think we have an exciting future in this building. | 0:43:39 | 0:43:43 | |
You're going to have a happy time here. | 0:43:43 | 0:43:45 | |
-Thank you very much. -Well done. -Thank you. | 0:43:45 | 0:43:46 | |
# Oh, happy day. Oh, happy day. # | 0:43:46 | 0:43:53 | |
The beauty of this project is that it's not a single developer's vision, | 0:43:56 | 0:44:00 | |
it's a community's dream, and many hands do make light work. | 0:44:00 | 0:44:05 | |
However, I hope the issues with the roof aren't too serious and the congregation's budget isn't blown. | 0:44:05 | 0:44:11 | |
You can find out how it all goes later in the show. | 0:44:11 | 0:44:15 | |
Time to go back now and find out if our buyers have risen to the challenge. | 0:44:17 | 0:44:22 | |
Or will they have that sinking feeling? | 0:44:22 | 0:44:24 | |
Are they proud of their achievements? Let's find out. | 0:44:24 | 0:44:27 | |
Earlier, I was in Exeter where I met Bob, | 0:44:27 | 0:44:30 | |
a local developer who had snapped up this two-bedroomed flat for £61,500. | 0:44:30 | 0:44:36 | |
It may have been above a bookie's, but it certainly wasn't a thoroughbred. | 0:44:36 | 0:44:40 | |
With yellow nicotine stains, a grimy kitchen and a bathroom that ranked as one of the worst ever, | 0:44:40 | 0:44:46 | |
this project was going to need all Bob's experience to get it running again. | 0:44:46 | 0:44:51 | |
So, armed with a budget of £5,000 and two months to do it, | 0:44:51 | 0:44:55 | |
Bob was going to see if he could transform this from a no-hope outsider to an odds-on favourite. | 0:44:55 | 0:45:01 | |
We came back two and a half months later. | 0:45:05 | 0:45:08 | |
So was it a contender for the donkey derby? | 0:45:08 | 0:45:11 | |
Well, no. | 0:45:11 | 0:45:14 | |
The living room is now redecorated with a fresh coat of paint and new carpet. | 0:45:14 | 0:45:19 | |
And the bedroom? That's been renovated in the same style. | 0:45:21 | 0:45:26 | |
And in the kitchen, not only has Bob installed new units, but by opening | 0:45:26 | 0:45:30 | |
up the kitchen into the hall, he's revitalised this area. | 0:45:30 | 0:45:35 | |
As you can see, it's a complete transformation. | 0:45:38 | 0:45:42 | |
Lots of usable space. Enough room to put a table and chairs in. | 0:45:42 | 0:45:45 | |
Nice, social room. I'm very pleased with the turnout. | 0:45:45 | 0:45:50 | |
Bob has utilised the space here well and given the kitchen a new, more comfortable feel. | 0:45:50 | 0:45:55 | |
But something that was far from pleasant was that bathroom. | 0:45:55 | 0:45:59 | |
There was a sunken bath in there, a hideous blue thing. We've taken that out. | 0:45:59 | 0:46:04 | |
I would have liked to put a bath in, but because of this chimney breast | 0:46:04 | 0:46:08 | |
we've had to settle for a shower room, which is quite nice and bright. | 0:46:08 | 0:46:13 | |
To remove the chimney breast, it's a leasehold property, so I would need permission from the freeholder. | 0:46:13 | 0:46:19 | |
Putting a shower room in was easier than taking the chimney breast out | 0:46:19 | 0:46:22 | |
and put a bath where the chimney was. | 0:46:22 | 0:46:24 | |
Obviously, that would have been the best answer, but a lot more cost. | 0:46:24 | 0:46:27 | |
And bearing in mind it being rented, it'd be pointless spending the extra money. | 0:46:27 | 0:46:31 | |
The chimney breast did make this bathroom a tough problem to solve. | 0:46:31 | 0:46:34 | |
Financially, I reckon Bob's chosen the right route. | 0:46:34 | 0:46:38 | |
He also decided to replaster the whole flat, | 0:46:38 | 0:46:41 | |
which is almost complete, except for the front bedroom. | 0:46:41 | 0:46:46 | |
He also replaced the main bedroom ceiling, but that was one job he came to regret. | 0:46:46 | 0:46:52 | |
We had an issue with the ceiling when we took it down in the other room. | 0:46:52 | 0:46:55 | |
I got a throat infection. Even though I'd | 0:46:55 | 0:46:57 | |
worn all the masks, it still managed to get in. | 0:46:57 | 0:47:01 | |
So I was off for three weeks, so hence it's not quite finished. | 0:47:01 | 0:47:04 | |
That throat infection will stretch his turnaround from two months to just under three. | 0:47:04 | 0:47:08 | |
Hard to swallow if it extends his original budget of £5,000. | 0:47:08 | 0:47:14 | |
The budget's coming in at just under £3,500 at the moment. | 0:47:14 | 0:47:16 | |
There's a couple of bits to finish. | 0:47:16 | 0:47:18 | |
So I would expect it to be in at well under four. | 0:47:18 | 0:47:21 | |
You can keep costs down by doing a lot of the jobs yourself, all the donkey work. | 0:47:21 | 0:47:25 | |
Get the tradesmen in to do their bits, | 0:47:25 | 0:47:29 | |
and prepare it for them, if you like, to make life easier for them and quicker. | 0:47:29 | 0:47:33 | |
That way, you're paying for less of the tradesmen's time. | 0:47:33 | 0:47:35 | |
Bob bought this flat for £61,500, and that renovation spend of around | 0:47:35 | 0:47:41 | |
£4,000 means his total costs so far are £65,500. | 0:47:41 | 0:47:46 | |
Throat infection aside, this conversion seems to have gone pretty smoothly and Bob already | 0:47:47 | 0:47:53 | |
has prospective tenants lined up, with a rental income of £575 a month assured. | 0:47:53 | 0:47:58 | |
So it seems like this place will soon be paying for itself. | 0:47:58 | 0:48:03 | |
But is Bob getting the best out of his investment? | 0:48:07 | 0:48:10 | |
We asked two local estate agents what they thought. | 0:48:10 | 0:48:14 | |
'I think the current owner has changed the property to a certain extent, | 0:48:15 | 0:48:18 | |
'mainly in terms of making it cleaner,' | 0:48:18 | 0:48:21 | |
brighter and using more contemporary items | 0:48:21 | 0:48:23 | |
including the kitchen, for example. | 0:48:23 | 0:48:25 | |
My first impressions | 0:48:25 | 0:48:27 | |
are that it's not the largest flat in the world, but it has been done | 0:48:27 | 0:48:30 | |
on a sensible budget, and ideal for the market it's aimed at. | 0:48:30 | 0:48:34 | |
'It's a good size dining kitchen, ideal for the flat and well-fitted.' | 0:48:34 | 0:48:39 | |
The bathroom was always going to be a tricky one, due to the layout | 0:48:39 | 0:48:43 | |
and the chimney breast causing that structural issue. | 0:48:43 | 0:48:45 | |
What the vendor has done in terms of creating a shower room is as best he could expect. | 0:48:45 | 0:48:50 | |
Do the agents think that Bob has backed a winner here? | 0:48:50 | 0:48:53 | |
The property is a good investment. It's not in the most desirable area, | 0:48:55 | 0:48:57 | |
but there is a very good return to be had on it. | 0:48:57 | 0:49:00 | |
With tenants ready to move in at a monthly rent of £575, is Bob getting the best return on his investment? | 0:49:00 | 0:49:08 | |
I would expect a rental income of about £550 per calendar month. | 0:49:08 | 0:49:13 | |
On the rental market, we'd be looking at around £550 a month. | 0:49:13 | 0:49:16 | |
That's probably about right, but we're obviously achieving a bit more than that. | 0:49:16 | 0:49:20 | |
What about the resale value? Remember, Bob has spent a total | 0:49:20 | 0:49:23 | |
of £65,500 on this flat, so was it money well spent? | 0:49:23 | 0:49:28 | |
With the way the owner has improved the property, I would suggest a resale figure of around £80,000. | 0:49:28 | 0:49:34 | |
On the open market, we would ask a figure of £85,000. | 0:49:34 | 0:49:37 | |
That's about on the mark with today's market as it is at the moment. | 0:49:37 | 0:49:41 | |
Hopefully, it will go up a bit more as the market picks up. | 0:49:41 | 0:49:44 | |
That's a possible pre-tax profit of just under £20,000, | 0:49:44 | 0:49:48 | |
which is fair-to-good going for this flat above a bookie's. | 0:49:48 | 0:49:53 | |
For his next gamble, what sort of runner will Bob train up? | 0:49:53 | 0:49:57 | |
Similar, but houses rather than flats. | 0:49:58 | 0:50:00 | |
I prefer housing rather than flats, because you get the garden and bits and pieces. | 0:50:00 | 0:50:04 | |
This was a cheap property, so a good investment. | 0:50:04 | 0:50:06 | |
Back on the Isle of Sheppey, | 0:50:09 | 0:50:11 | |
it seems that not all areas of life are in recession. | 0:50:11 | 0:50:15 | |
A new bridge has helped the area grow, and the community has seen some economic upturn. | 0:50:15 | 0:50:20 | |
So when a former Methodist church went up for auction, | 0:50:20 | 0:50:23 | |
it was snapped up by the local community church for £150,000. | 0:50:23 | 0:50:28 | |
Was it the answer to all their prayers? | 0:50:28 | 0:50:31 | |
We as a church, the Community Church on Sheppey, | 0:50:31 | 0:50:34 | |
have really outgrown the premises that we're currently meeting in. | 0:50:34 | 0:50:37 | |
So we're getting something like over 100 people for a morning service, and we just needed somewhere bigger. | 0:50:37 | 0:50:44 | |
So it was out with the old and in with the new as Sheppey Community | 0:50:44 | 0:50:48 | |
Church went about converting the building to meet their needs. | 0:50:48 | 0:50:53 | |
Four months on, has the first stage of the resurrection been completed? | 0:50:53 | 0:50:58 | |
Well, the name indicates signs of progress. | 0:50:58 | 0:51:00 | |
Inside shows careful changes have been made to meet the Community Church's requirements. | 0:51:07 | 0:51:14 | |
As Paul, the leader of the church, explains. | 0:51:20 | 0:51:23 | |
We didn't want to make any significant alterations to the church. | 0:51:23 | 0:51:29 | |
We wanted to retain some of its original features. | 0:51:29 | 0:51:32 | |
So for example, we still have some of the stained glass windows here. | 0:51:32 | 0:51:35 | |
We have retained the organ, and much of the original woodwork | 0:51:35 | 0:51:39 | |
is still in place where the choir stall once would have been. | 0:51:39 | 0:51:44 | |
The man to get to grips with the work was project manager Vincent. | 0:51:44 | 0:51:48 | |
We fell in love with the building. | 0:51:48 | 0:51:51 | |
It's got such character and it's got such a great feel, and we've really done that. | 0:51:51 | 0:51:56 | |
I think the pews are the only thing we've had to lose. | 0:51:56 | 0:52:00 | |
It was rumoured amongst the community that they was the most uncomfortablest on the island, | 0:52:00 | 0:52:04 | |
so we haven't offended too many people, I don't think. | 0:52:04 | 0:52:06 | |
It's always a shame to see old character features go, but it does | 0:52:06 | 0:52:10 | |
make sense not only for the feel the Community Church wants to evoke, but for a good, practical reason. | 0:52:10 | 0:52:16 | |
It makes the space more versatile, as the new chairs can be moved around. | 0:52:16 | 0:52:21 | |
The vast majority of the work has been done by members of the church. | 0:52:23 | 0:52:28 | |
We have a number of people who are in trades. | 0:52:28 | 0:52:32 | |
Maybe they run their own business. | 0:52:32 | 0:52:34 | |
They've given of their time voluntarily, and on many occasions materials have been freely given. | 0:52:34 | 0:52:40 | |
It has just been such a fantastic time. Everyone just mucking in. | 0:52:40 | 0:52:45 | |
The food that was here - people were in the kitchens, and the team effort was immense. | 0:52:45 | 0:52:50 | |
On Saturdays, we had 30 or 40 people. | 0:52:50 | 0:52:54 | |
It was like an ants' nest here, just people everywhere, trying to find jobs for everyone. | 0:52:54 | 0:52:57 | |
It was such fun. It was an experience. | 0:52:57 | 0:52:59 | |
Everyone loved it. It's been really great. | 0:52:59 | 0:53:02 | |
Most of the work has been on the main church area, and the facilities needed to run it. | 0:53:02 | 0:53:08 | |
So although the Sunday school area has been tidied up | 0:53:08 | 0:53:11 | |
with a lick of paint, the stage-cum-theatre room hasn't been touched yet. | 0:53:11 | 0:53:16 | |
But it's been a race just to get this far. | 0:53:16 | 0:53:19 | |
I remember the evening before we began to worship here, a sense of | 0:53:19 | 0:53:24 | |
excitement as people were working late into the night. | 0:53:24 | 0:53:28 | |
The work was finally completed before midnight. | 0:53:28 | 0:53:31 | |
Everybody was thrilled and excited and thought | 0:53:31 | 0:53:33 | |
"Yeah, we can open for business the following Sunday morning". | 0:53:33 | 0:53:35 | |
Despite the last-minute rush, the doors did open on time. | 0:53:37 | 0:53:41 | |
When we met together for the first Sunday in our new building, | 0:53:43 | 0:53:47 | |
it was quite an awesome experience for everybody. | 0:53:47 | 0:53:51 | |
The church was full to capacity. | 0:53:51 | 0:53:54 | |
In no time at all, we began to be a little anxious, because we were running out of seating. | 0:53:54 | 0:53:59 | |
There was a real sense of excitement | 0:53:59 | 0:54:04 | |
on the part of everybody who was here, a real feeling of commitment to the project. | 0:54:04 | 0:54:11 | |
To some extent, people were patting one another | 0:54:11 | 0:54:13 | |
on their backs, saying "Yeah, this is a job well done". | 0:54:13 | 0:54:16 | |
# So take me as you find me... # | 0:54:18 | 0:54:21 | |
But after the fanfare of the successful opening, has the move been able to maintain momentum? | 0:54:21 | 0:54:29 | |
This has made a big difference. | 0:54:29 | 0:54:31 | |
We've seen a significant increase in the numbers attending our church on Sundays. | 0:54:31 | 0:54:34 | |
And, yeah, I think the building has really helped us to consolidate as a Christian community | 0:54:34 | 0:54:41 | |
and look at all the exciting ways that we can move forward to reach out to our local community. | 0:54:41 | 0:54:47 | |
The church may have increased its congregation numbers, | 0:54:57 | 0:55:00 | |
but has it increased the property's value? | 0:55:00 | 0:55:03 | |
The total spend here is now about £175,000. | 0:55:03 | 0:55:08 | |
I think they have a brilliant job. | 0:55:08 | 0:55:09 | |
They've replaced a lot of the major parts, | 0:55:09 | 0:55:11 | |
things like your double-glazing. | 0:55:11 | 0:55:13 | |
And I think, with the character | 0:55:13 | 0:55:14 | |
it currently holds, and still being a bit modern, it's great. | 0:55:14 | 0:55:17 | |
At this stage, the Community Church have spent £25,000 to get it ready for service. | 0:55:17 | 0:55:23 | |
With a £150,000 purchase price, | 0:55:23 | 0:55:26 | |
they're already committed to £175,000. How does it stand now? | 0:55:26 | 0:55:32 | |
Today I would probably put a value on this property of around £170,000 to £175,000, due to | 0:55:32 | 0:55:38 | |
the market not increasing too much, so the value wouldn't have increased a great deal since last time. | 0:55:38 | 0:55:43 | |
The valuation of the building, whilst of interest to us, | 0:55:43 | 0:55:50 | |
isn't of prime importance, because for us, | 0:55:50 | 0:55:53 | |
we were so passionate about wanting to retain this as a place of worship. | 0:55:53 | 0:55:58 | |
Paul is, of course, right. | 0:55:58 | 0:56:00 | |
This was never about money. | 0:56:00 | 0:56:02 | |
This building is priceless to them. | 0:56:02 | 0:56:05 | |
There have been moments, I'll be honest, | 0:56:06 | 0:56:08 | |
when I've looked at this building and I've stood in this worship area | 0:56:08 | 0:56:12 | |
and thought "What have we taken on?" | 0:56:12 | 0:56:14 | |
It seemed like such an enormous project for us. | 0:56:14 | 0:56:16 | |
THEY SING | 0:56:16 | 0:56:19 | |
We're just so pleased that we carried this forward. | 0:56:23 | 0:56:25 | |
We wouldn't be without this building now. | 0:56:25 | 0:56:28 | |
And I'd say "amen" to that. | 0:56:29 | 0:56:32 | |
That's it for now. Join us next time for more Homes Under The Hammer. | 0:56:41 | 0:56:45 | |
-Look forward to seeing you then. -Goodbye. -Goodbye. | 0:56:45 | 0:56:48 | |
Subtitles by Red Bee Media Ltd | 0:57:04 | 0:57:07 | |
E-mail [email protected] | 0:57:07 | 0:57:10 |