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Buying property in the right location is more important than ever. | 0:00:02 | 0:00:05 | |
Yes, buying in a good spot makes your property easier to sell or rent out. | 0:00:05 | 0:00:10 | |
The good news is property auctions are all over the country, | 0:00:10 | 0:00:13 | |
so the chances are you will find a home you like under the hammer. | 0:00:13 | 0:00:17 | |
Buying property is one of the most stressful things you'll ever do. | 0:00:42 | 0:00:45 | |
Yes, it's important to realise there may be problems and pressures ahead. | 0:00:45 | 0:00:50 | |
So will today's buyers be able to take the strain? | 0:00:50 | 0:00:54 | |
'Not everything at this property in Exeter is as it seems.' | 0:00:55 | 0:01:01 | |
The layout of the house just isn't doing it for me. | 0:01:01 | 0:01:04 | |
'You can see the sights of London | 0:01:04 | 0:01:07 | |
'from the flat at the top of this block.' | 0:01:07 | 0:01:10 | |
I mean, look where we are, we're in the heart of London! Look at that view! | 0:01:10 | 0:01:14 | |
'And in Derby, I find a sizeable garden round the back of this semi.' | 0:01:16 | 0:01:21 | |
When I say it's a sizeable garden... it's big. | 0:01:21 | 0:01:24 | |
All these properties have been sold at auction, and we find out | 0:01:25 | 0:01:28 | |
who bought them and for how much when they went under the hammer. | 0:01:28 | 0:01:32 | |
Sold. | 0:01:32 | 0:01:33 | |
'I'm in Alphington near Exeter, where one property has an intriguing background.' | 0:01:37 | 0:01:44 | |
Now, we all know that property prices have gone up over time, but here is a really interesting fact. | 0:01:44 | 0:01:50 | |
When it was last sold in 1959 the house that I'm here to see was sold for £1,400. | 0:01:50 | 0:01:58 | |
Well, at a recent auction that same house had a guide price of £115,000. | 0:01:58 | 0:02:05 | |
That's 100 times more! | 0:02:05 | 0:02:08 | |
Now, just think, what would your house be worth | 0:02:08 | 0:02:12 | |
in 50 years' time if inflation carries on at those levels. | 0:02:12 | 0:02:18 | |
Anyway, this is it. | 0:02:18 | 0:02:19 | |
It's a two/three-bedroomed mid-terrace. Let's take a look. | 0:02:19 | 0:02:23 | |
'From outside, things look good. | 0:02:24 | 0:02:27 | |
'Roses around doors usually create a homely lived-in charm, | 0:02:27 | 0:02:30 | |
'so let's see if it meets my expectations.' | 0:02:30 | 0:02:34 | |
OK, straight into this little porch area. Now, I'm normally a big fan of these places - | 0:02:35 | 0:02:41 | |
a place to put your bike and stuff - but in this case it just doesn't work, | 0:02:41 | 0:02:44 | |
partly because there's another door into the entrance hall | 0:02:44 | 0:02:47 | |
to the actual house, and it just feels cramped and claustrophobic, | 0:02:47 | 0:02:51 | |
not least because you go straight into the staircase here. | 0:02:51 | 0:02:54 | |
At the very least open that up, | 0:02:54 | 0:02:55 | |
so you've got spindles on there with light coming through. | 0:02:55 | 0:02:58 | |
But yeah, we don't like that at all. | 0:02:58 | 0:03:00 | |
Front room there doesn't look to be a bad size. | 0:03:00 | 0:03:02 | |
More kind of strange rooms going off in this direction | 0:03:02 | 0:03:06 | |
and then through into the kitchen. | 0:03:06 | 0:03:07 | |
Now, intrinsically it's not a bad-sized room. | 0:03:07 | 0:03:12 | |
Units - well, if you were going to rent this out they would probably make do. | 0:03:12 | 0:03:16 | |
I think you could do a lot more with this space, and again, it doesn't feel right. | 0:03:16 | 0:03:20 | |
The layout of the house just isn't doing it for me, | 0:03:20 | 0:03:23 | |
and I don't know what I'm going to do to make it better. | 0:03:23 | 0:03:26 | |
It gets worse. I mean, what is this room all about? | 0:03:26 | 0:03:28 | |
It's sort of like a passageway through to the rear of the property. | 0:03:28 | 0:03:32 | |
It's too small for a sofa - it just doesn't do anything. | 0:03:32 | 0:03:35 | |
And then you carry on into what I suppose is the "third bedroom". | 0:03:35 | 0:03:39 | |
Could you get a bed in here? Maybe just about, but I'm more concerned | 0:03:39 | 0:03:43 | |
about the quality of construction. If THIS is anything to go by... | 0:03:43 | 0:03:47 | |
'..then goodness knows what the rest of the house will be like. | 0:03:47 | 0:03:50 | |
'The layout here hasn't exactly got me enthusiastic about the place.' | 0:03:50 | 0:03:55 | |
So, tacked on to the rear of the property | 0:03:55 | 0:03:58 | |
are some very strange bits and pieces. | 0:03:58 | 0:04:00 | |
First of all there's this sort of utility room, | 0:04:00 | 0:04:03 | |
which I suppose is a reasonable-sized space. | 0:04:03 | 0:04:05 | |
But then there's almost like an extension | 0:04:05 | 0:04:08 | |
tacked on to the extension, which is this bit here. | 0:04:08 | 0:04:11 | |
It's actually got that small bedroom in it, but it really doesn't work. | 0:04:11 | 0:04:15 | |
The garden, though, is quite pleasant. | 0:04:15 | 0:04:18 | |
A reasonable size. It's obviously in need of a bit of tender loving care, | 0:04:18 | 0:04:22 | |
but that's not too big an issue. | 0:04:22 | 0:04:24 | |
But those two additions definitely need taking a look at. | 0:04:24 | 0:04:27 | |
'So, no positive vibes yet about this house. | 0:04:27 | 0:04:30 | |
'The front room's the only redeeming feature of the ground floor so far. | 0:04:30 | 0:04:36 | |
'Oh, well - onwards and upwards.' | 0:04:36 | 0:04:38 | |
Well, upstairs, thankfully, the layout improves. | 0:04:39 | 0:04:43 | |
Sadly the choice of lampshades doesn't! Interesting(!) | 0:04:43 | 0:04:46 | |
But er...what have we got? | 0:04:46 | 0:04:47 | |
Basically, a big double bedroom on the front. We like that. | 0:04:47 | 0:04:50 | |
Bathroom - well, it's not huge and it's certainly in need of rejuvenation. | 0:04:50 | 0:04:54 | |
Money spent in there would definitely be well spent, though. | 0:04:54 | 0:04:57 | |
Rear bedroom, and look at this - | 0:04:57 | 0:05:01 | |
the piece de la resistance of lampshades. | 0:05:01 | 0:05:04 | |
Quite spectacular! | 0:05:04 | 0:05:06 | |
Something a bit more seriously wrong though is out the back - | 0:05:06 | 0:05:09 | |
or potentially wrong, for sure. | 0:05:09 | 0:05:11 | |
Bottom of the garden you can see that there is some kind of | 0:05:11 | 0:05:14 | |
industrial complex, and what | 0:05:14 | 0:05:16 | |
I'm more concerned about is the bit of land at the back. | 0:05:16 | 0:05:19 | |
It looks ripe for development, so what you need to do is make sure | 0:05:19 | 0:05:23 | |
that your solicitor checks out, | 0:05:23 | 0:05:25 | |
looks at the local searches and the local town plans, makes sure there's | 0:05:25 | 0:05:29 | |
nothing major planned to go there, because that would definitely affect the value of the house. | 0:05:29 | 0:05:34 | |
'Something that all would-be developers should look out for. | 0:05:34 | 0:05:37 | |
'Research the area and make sure there's no planned development | 0:05:37 | 0:05:41 | |
'that could have a negative effect on the value of your house. | 0:05:41 | 0:05:45 | |
'Let's face it, the ground floor arrangements here | 0:05:45 | 0:05:47 | |
'are a big negative. | 0:05:47 | 0:05:50 | |
'But what does a local estate agent make of this three-bedroomed terrace | 0:05:50 | 0:05:55 | |
'that was guided at 115,000?' | 0:05:55 | 0:05:58 | |
It's a typical auction lot. It needs renovation from top to bottom. | 0:05:58 | 0:06:02 | |
New kitchen, new bathroom, redecoration, | 0:06:02 | 0:06:05 | |
a reconfiguration of the downstairs to make it a third bedroom. | 0:06:05 | 0:06:09 | |
And if you're a keen gardener, there's plenty to do outside. | 0:06:09 | 0:06:12 | |
'Let's talk figures. How much could someone make on this place once renovated?' | 0:06:14 | 0:06:19 | |
The rental market's quite strong, and I would expect it to fetch 600 to 650 per calendar month. | 0:06:19 | 0:06:25 | |
'What about the resale value?' | 0:06:25 | 0:06:28 | |
A property like this in this street could fetch somewhere in the region of £160,000. | 0:06:28 | 0:06:33 | |
Well, the upstairs is fine, but the downstairs definitely needs reconfiguring, doesn't it? | 0:06:34 | 0:06:39 | |
But remember that £115,000 guide price, not at all bad for this area. | 0:06:39 | 0:06:44 | |
Let's find out what happened when it went to the auction. | 0:06:44 | 0:06:47 | |
It's 38 Blenheim Road, Alphington in Exeter. 110... | 0:06:49 | 0:06:55 | |
11? | 0:06:55 | 0:06:56 | |
111. | 0:06:56 | 0:06:58 | |
112. 113. | 0:06:58 | 0:07:02 | |
14. | 0:07:02 | 0:07:03 | |
15. 16. | 0:07:03 | 0:07:06 | |
17. | 0:07:06 | 0:07:08 | |
18. | 0:07:08 | 0:07:10 | |
19. 20. | 0:07:10 | 0:07:13 | |
121. 122. 123. | 0:07:13 | 0:07:17 | |
124. Young man in the middle. | 0:07:17 | 0:07:19 | |
125. 126. | 0:07:19 | 0:07:23 | |
127. 128. | 0:07:23 | 0:07:26 | |
129. It's the young man down the middle. | 0:07:26 | 0:07:29 | |
Oh, a fresh face at 130. | 0:07:29 | 0:07:32 | |
131. 131 and a half. | 0:07:33 | 0:07:35 | |
132. 132 and a half. | 0:07:35 | 0:07:38 | |
132 and a half. 133. 133. | 0:07:38 | 0:07:42 | |
133. 133 and a half. | 0:07:42 | 0:07:45 | |
133 and a half. 133 and a half. | 0:07:45 | 0:07:47 | |
At 33 and a half, first time... | 0:07:47 | 0:07:51 | |
133 and a half, second... | 0:07:51 | 0:07:52 | |
At 133 and a half. | 0:07:52 | 0:07:54 | |
Gentlemen on your left's got it at 133 and a half. | 0:07:54 | 0:07:57 | |
Sir, yours, congratulations, there we go. | 0:07:57 | 0:08:01 | |
'That successful bid of 133,500 quid came from Ian and his wife, Yanni. | 0:08:01 | 0:08:07 | |
'Ian runs a landscaping and building business. | 0:08:07 | 0:08:11 | |
'I met them back of the house where Ian told me about their plans.' | 0:08:11 | 0:08:16 | |
-Ian, lovely to meet you. -And you. -Congratulations. | 0:08:16 | 0:08:19 | |
Why did you want to buy the house? | 0:08:19 | 0:08:21 | |
Well, there's many I've looked at and I got it from auction because I thought it was the right price. | 0:08:21 | 0:08:26 | |
The cheapest one in the area has been sold for 170, so I thought 133 | 0:08:26 | 0:08:30 | |
would give me room for manoeuvre in doing what I want to do. | 0:08:30 | 0:08:36 | |
So you've done your research and all that kind of stuff. | 0:08:36 | 0:08:39 | |
No, I've done no research at all. | 0:08:39 | 0:08:41 | |
You know that prices in the area are 170. | 0:08:41 | 0:08:43 | |
I take a gamble, because this is the ninth one I've done. | 0:08:43 | 0:08:46 | |
-Right. -So, some... Some you win, some you lose. | 0:08:46 | 0:08:49 | |
Right. Tell me about the ones that have been successful. | 0:08:49 | 0:08:52 | |
One in Plymouth was very successful. | 0:08:52 | 0:08:55 | |
Bought it for 40, sold it for 90 and it cost me 10,000 to do up, basically. | 0:08:55 | 0:09:00 | |
-Wow, quick turnaround. -It was very quick. | 0:09:00 | 0:09:02 | |
-It was on the market two weeks. -Wow! | 0:09:02 | 0:09:05 | |
-So that was quick turnaround. -And one where it hasn't gone so well? | 0:09:05 | 0:09:08 | |
I lost 40,000 on it. | 0:09:08 | 0:09:10 | |
So the one that I did well on, I lost the following year on the next one. | 0:09:10 | 0:09:14 | |
Oh... How come you lost 40,000, what happened? | 0:09:14 | 0:09:17 | |
I bought it at the height. | 0:09:17 | 0:09:18 | |
Bought it at auction, got carried away, didn't put down a maximum figure | 0:09:18 | 0:09:22 | |
like I should have done... | 0:09:22 | 0:09:24 | |
Paid too much. I should have stopped. | 0:09:24 | 0:09:26 | |
# You got to know when to hold 'em | 0:09:26 | 0:09:30 | |
# Know when to fold 'em | 0:09:30 | 0:09:33 | |
# Know when to walk away... # | 0:09:33 | 0:09:35 | |
'After that experience, Ian is brave to dip his toe back into the choppy waters of the property market. | 0:09:35 | 0:09:41 | |
'Fate seems to be working against him. | 0:09:42 | 0:09:44 | |
'He had a minor car accident on the way to see the house pre-auction, | 0:09:44 | 0:09:49 | |
'which made him late, so he only managed to see it for five minutes. | 0:09:49 | 0:09:53 | |
'He may not have bought it blind, but certainly partially-sighted!' | 0:09:53 | 0:09:57 | |
Having seen it for slightly longer than five minutes now, how do you feel? | 0:09:57 | 0:10:02 | |
Well, for the next hour, I'm thinking, have I done right? | 0:10:02 | 0:10:07 | |
Have I made a mistake or will it work out OK? | 0:10:07 | 0:10:11 | |
So at this moment in time as we stand in your kitchen, | 0:10:11 | 0:10:14 | |
you're not sure whether it's going to be a success or a failure? | 0:10:14 | 0:10:18 | |
-No. -Oh! | 0:10:18 | 0:10:20 | |
Not at all. Because life's a gamble, isn't it? | 0:10:20 | 0:10:23 | |
We're all a long time dead, so we've got to make sure that you take these gambles and go for it. | 0:10:23 | 0:10:31 | |
'Well, I love Ian's up-and-at-'em spirit, | 0:10:31 | 0:10:33 | |
'but I'm not sure about his developing methods. | 0:10:33 | 0:10:37 | |
'Still, several of his other houses HAVE paid their way in the past, | 0:10:37 | 0:10:40 | |
'so he must know something. | 0:10:40 | 0:10:42 | |
'I asked his wife Yanni for her thoughts | 0:10:42 | 0:10:45 | |
'on his approach to property.' | 0:10:45 | 0:10:48 | |
Well, erm....it doesn't actually give us a return, | 0:10:48 | 0:10:51 | |
because the properties are let out and they just pay for themselves. | 0:10:51 | 0:10:54 | |
But every time he says to me this'll be the last one - | 0:10:54 | 0:10:58 | |
and yet we've bought another one! And here we are again. | 0:10:58 | 0:11:01 | |
But hopefully, because we lost on the last one, this'll give us a profit | 0:11:01 | 0:11:05 | |
to move on and possibly do another one. | 0:11:05 | 0:11:07 | |
'Positive vibes from Yanni. | 0:11:07 | 0:11:09 | |
'She obviously supports Ian wholeheartedly.' | 0:11:09 | 0:11:12 | |
'What's her role in the developing process?' | 0:11:12 | 0:11:16 | |
Try and keep things to budget. | 0:11:16 | 0:11:17 | |
I do all the paperwork behind the scenes, any planning applications. | 0:11:17 | 0:11:21 | |
All the budgeting, making things aesthetically pleasing. | 0:11:21 | 0:11:24 | |
Maybe furnishings, you know... | 0:11:24 | 0:11:27 | |
The woman's touch, if you like, when it comes to the internal. | 0:11:27 | 0:11:31 | |
'But there's work needed here to make it earn money. | 0:11:32 | 0:11:35 | |
'What's Ian's budget?' | 0:11:35 | 0:11:38 | |
I don't want to go over 20,000, but I've got a budget of 25. | 0:11:38 | 0:11:41 | |
Right. That's quite a healthy budget. | 0:11:41 | 0:11:44 | |
Well, you're looking 3,000 to 5,000 for the kitchen, 2,000 rewiring, 3,000 for the drive... | 0:11:44 | 0:11:52 | |
Bathroom's going to be another couple of thousand. | 0:11:52 | 0:11:55 | |
By the time you to add it all up, and then take into the accounts | 0:11:55 | 0:11:58 | |
what you're paying back to the bank each month, | 0:11:58 | 0:12:01 | |
it's got to be a relatively quick turnaround, | 0:12:01 | 0:12:06 | |
or alternatively if you don't sell it I've got to let it, | 0:12:06 | 0:12:09 | |
so I've got to make sure I'm still within budget to let it. | 0:12:09 | 0:12:12 | |
'Ian's planning to do this job in his spare time. And his timescale? | 0:12:12 | 0:12:16 | |
'Well, how about six to 12 months? | 0:12:16 | 0:12:19 | |
'I can't believe that's his idea of a quick turnaround! | 0:12:19 | 0:12:22 | |
'It's another example of Ian's rather individual take on developing.' | 0:12:22 | 0:12:26 | |
So what does your wife think about your strategy - he says in inverted commas - for property investing? | 0:12:26 | 0:12:32 | |
I think really deep down she thinks I'm mad. | 0:12:32 | 0:12:36 | |
And certifiably, probably, yes! | 0:12:37 | 0:12:40 | |
But yeah, I think she thinks I'm a bit nutty, but what I do, I do, | 0:12:42 | 0:12:45 | |
and she'll never change me. And she's met me and has to accept that. | 0:12:45 | 0:12:49 | |
So er...yes, that's the way I am. | 0:12:51 | 0:12:53 | |
If I want to do it, I will do it and that is it. | 0:12:53 | 0:12:56 | |
MUSIC: "Crazy" by Gnarls Barkley | 0:12:56 | 0:12:58 | |
So, Ian with a rather unconventional attitude towards property investment. | 0:13:03 | 0:13:08 | |
Will he make a success of this one or not? | 0:13:08 | 0:13:11 | |
You know what? I don't think even HE knows. | 0:13:11 | 0:13:13 | |
You can find out later in the show. | 0:13:13 | 0:13:16 | |
When you think of parks, you think of wide-open spaces, trees, flower beds and a playground. | 0:13:19 | 0:13:25 | |
Well, the Royal Regent's Park in northwest London offers just a little more. | 0:13:25 | 0:13:29 | |
All the usual cafes and mature shrubs, plus an open air theatre, | 0:13:29 | 0:13:34 | |
a community sports centre and even a zoo. | 0:13:34 | 0:13:38 | |
MUSIC: "Parklife" by Blur | 0:13:38 | 0:13:39 | |
'Well, that's certainly one lively park, and because it's on the cusp | 0:13:39 | 0:13:43 | |
'of the West End and a short commute to the City, property prices tend to be high. | 0:13:43 | 0:13:48 | |
'I'm off to Park Road, right on the park's borders.' | 0:13:48 | 0:13:52 | |
And here I am. | 0:13:55 | 0:13:57 | |
Now, two years ago a flat in this block sold for a staggering £550,000. | 0:13:57 | 0:14:04 | |
Today, a guide on a one-bed flat in this block - just 275,000. | 0:14:04 | 0:14:09 | |
'It's a telling sign of recent changes in the property market. | 0:14:11 | 0:14:15 | |
'But this place, built in the 1920s, is impressive, solid and attractive. | 0:14:15 | 0:14:20 | |
'However, more importantly, the lift is working - because I'm off to the seventh floor!' | 0:14:20 | 0:14:26 | |
Ooh... | 0:14:27 | 0:14:28 | |
Do you know, I don't know what I was expecting in here, | 0:14:28 | 0:14:31 | |
but it's quite a treat to walk into such an open space. | 0:14:31 | 0:14:35 | |
You've got all the rooms running off this main entrance area, | 0:14:35 | 0:14:38 | |
and what I like is the little Art Deco features - | 0:14:38 | 0:14:40 | |
I mean, look at that front door. | 0:14:40 | 0:14:42 | |
You've got a lovely wide front door, big deep cornicing... | 0:14:42 | 0:14:45 | |
But you can see straight away the flat's in a state! | 0:14:45 | 0:14:48 | |
Half a ripped-out kitchen, the bathroom's all falling apart... | 0:14:48 | 0:14:52 | |
But a really big space here. So this would be the lounge area. | 0:14:52 | 0:14:56 | |
Now, straight away my eye is drawn to that window | 0:14:56 | 0:15:00 | |
and the little window you've got round here in the kitchen. | 0:15:00 | 0:15:03 | |
It would be great to take this wall out, | 0:15:03 | 0:15:06 | |
and just walk into one big open space. | 0:15:06 | 0:15:08 | |
Imagine the light that would create, and you'd have two corking views. | 0:15:08 | 0:15:13 | |
But my only concern is, the freeholders of this property would not let you take this wall out, | 0:15:13 | 0:15:19 | |
so the chances are this will have to stay as it is. | 0:15:19 | 0:15:22 | |
But you've got this nice little fireplace here, look. | 0:15:22 | 0:15:24 | |
Little Art Deco style. | 0:15:24 | 0:15:26 | |
It's got a really good feel, this property, | 0:15:26 | 0:15:28 | |
you could have a sofa there, big flat screen telly on that wall... | 0:15:28 | 0:15:32 | |
But I think the best thing is - look where we are! | 0:15:32 | 0:15:35 | |
We're in the heart of London! | 0:15:35 | 0:15:37 | |
Look at that view. It's crackin'. | 0:15:37 | 0:15:39 | |
'Oh, it really is. | 0:15:41 | 0:15:42 | |
'And you're just a short hop, skip and a jump from Paddington station. | 0:15:42 | 0:15:46 | |
'With just one, but decent-sized bedroom, this is certainly a city pad. | 0:15:48 | 0:15:52 | |
'It's a shame the kitchen and bathroom | 0:15:52 | 0:15:54 | |
'aren't as impressive as the views. | 0:15:54 | 0:15:56 | |
'It's why a flat with this sort of potential was sold at auction. | 0:15:56 | 0:16:00 | |
'With no working kitchen and bathroom, | 0:16:00 | 0:16:01 | |
'this place would probably be unmortgageable, | 0:16:01 | 0:16:05 | |
'so it was for cash buyers only. | 0:16:05 | 0:16:07 | |
'It's also leasehold, but has 150 years left to run.' | 0:16:07 | 0:16:12 | |
This purpose-built block was built in the 1930s, | 0:16:13 | 0:16:15 | |
and for its age, you know, I think it's in quite good condition. | 0:16:15 | 0:16:19 | |
The communal area is well maintained, | 0:16:19 | 0:16:21 | |
plus you get your very own porter. | 0:16:21 | 0:16:22 | |
Any packages will be signed for, and it's comforting to know that | 0:16:22 | 0:16:26 | |
somebody's manning that door. But, that comes at a price. | 0:16:26 | 0:16:30 | |
The service charge for this block is a whopping £4,500 a year. | 0:16:30 | 0:16:37 | |
If you fail to see that in the legal pack, | 0:16:37 | 0:16:39 | |
you could be in for a very expensive surprise! | 0:16:39 | 0:16:42 | |
'That's a massive charge every year, | 0:16:42 | 0:16:44 | |
'and something you'd have to factor in to your costs for this flat.' | 0:16:44 | 0:16:49 | |
You can see this is a lovely period bay window, | 0:16:50 | 0:16:54 | |
but run my hand along here, and you can certainly feel a draught. | 0:16:54 | 0:16:58 | |
Now, that is because they're Crittal metal single-paned windows, | 0:16:58 | 0:17:02 | |
so the new buyer may want to come along and double-glaze them. | 0:17:02 | 0:17:06 | |
Well, I'm afraid that won't be possible, as the freeholder will not | 0:17:06 | 0:17:10 | |
allow it, because all the windows in this building need to look the same. | 0:17:10 | 0:17:14 | |
'Yes, uniformity is extremely important to the freeholders of this block. | 0:17:15 | 0:17:20 | |
'Preserving the look of this period frontage is really important. | 0:17:20 | 0:17:24 | |
'But something else is more crucial for investors.' | 0:17:25 | 0:17:29 | |
The rental market in this area is very strong. | 0:17:30 | 0:17:34 | |
Now, Regent's College has up to 2,500 students, | 0:17:34 | 0:17:36 | |
and the London Business School, which happens to be directly opposite, | 0:17:36 | 0:17:40 | |
has just under 2,000 students. | 0:17:40 | 0:17:43 | |
No shortage of tenants, then! | 0:17:43 | 0:17:46 | |
'With that guide price of 275,000, | 0:17:46 | 0:17:50 | |
'this could be an interesting investment - | 0:17:50 | 0:17:52 | |
'but remember - cash buyers only. | 0:17:52 | 0:17:54 | |
'What does a local estate agent make of this one-bed flat in Regent's Park?' | 0:17:54 | 0:17:59 | |
Rossmore Court is ideal for people looking to live as a pied-a-terre or as a rental investment. | 0:18:00 | 0:18:05 | |
Very few of them actually come on to the market. There's something like | 0:18:05 | 0:18:09 | |
about 130 flats in this block, and we've only sold one this year. | 0:18:09 | 0:18:13 | |
'That's because its location on the edge of the West End, | 0:18:13 | 0:18:17 | |
'its easy access to major transport links and nearby Regent's Park | 0:18:17 | 0:18:21 | |
'makes it a gem. | 0:18:21 | 0:18:22 | |
'However, that service charge is not such a treasure.' | 0:18:22 | 0:18:28 | |
The service charge is just over 4,500 a year, | 0:18:28 | 0:18:32 | |
which...is not an immodest sum. | 0:18:32 | 0:18:35 | |
It does cover heating, communal heating and communal hot water. | 0:18:35 | 0:18:39 | |
'So, that service charge isn't all bad news, but it's still £375 per month. | 0:18:39 | 0:18:45 | |
'And you'd need to cover this on any rental deal for the flat. But how much could it rent out for?' | 0:18:45 | 0:18:51 | |
I would be able to rent this out for £330 a week. | 0:18:51 | 0:18:55 | |
'Deducting the service charge, that could be £12,500 income a year. But how much could it sell for?' | 0:18:55 | 0:19:01 | |
Once renovated, in the area of £350,000. | 0:19:01 | 0:19:05 | |
I walk into this property and see a blank canvas. | 0:19:08 | 0:19:12 | |
A prime London flat that you can stamp your own personality on. | 0:19:12 | 0:19:16 | |
However, before getting carried away you must remember this property | 0:19:16 | 0:19:21 | |
is unmortgageable, and so it's one for the cash-rich only, I'm afraid. | 0:19:21 | 0:19:25 | |
Let's find out who that was as we go to auction. | 0:19:25 | 0:19:29 | |
Lot 102, which is 81 Rossmore Court, Park Road, London NW1. | 0:19:32 | 0:19:37 | |
What will you bid me? | 0:19:37 | 0:19:39 | |
275. 280. 285. | 0:19:39 | 0:19:42 | |
290. | 0:19:42 | 0:19:44 | |
295. 300. | 0:19:44 | 0:19:48 | |
300. | 0:19:48 | 0:19:49 | |
305 anywhere else? 305. 310? | 0:19:49 | 0:19:51 | |
310. 315. | 0:19:53 | 0:19:56 | |
OK. 310 I have. 315 anywhere else? | 0:19:56 | 0:19:59 | |
For the first time at 310... | 0:20:01 | 0:20:04 | |
For the second time at 310. On the phone, Tom? Richard? | 0:20:04 | 0:20:08 | |
I'll take your two and a half, then. 312 and a half. 315. | 0:20:08 | 0:20:11 | |
312 and a half on the front row. | 0:20:11 | 0:20:14 | |
315 anywhere else? | 0:20:14 | 0:20:16 | |
For the first time at 312 and a half... | 0:20:16 | 0:20:18 | |
The second time at 312 and a half... | 0:20:18 | 0:20:20 | |
For the third and final time at £312,500 - are we all done? | 0:20:20 | 0:20:24 | |
Very close, but not quite there. Come and see us. | 0:20:24 | 0:20:28 | |
'That final bid was £1,000 short of the reserve price, so the property went unsold on the day. | 0:20:28 | 0:20:34 | |
'But, after some post auction negotiations the vendor did | 0:20:35 | 0:20:39 | |
'eventually sell to a property developing business for £290,000. | 0:20:39 | 0:20:45 | |
'Alicia is the interior designer taking on this project. | 0:20:45 | 0:20:49 | |
'Let's hear about her plans.' | 0:20:49 | 0:20:51 | |
Alicia, it's lovely to meet you. | 0:20:52 | 0:20:54 | |
Now, this is an interesting one because this property didn't sell at auction, did it? | 0:20:54 | 0:20:59 | |
-So what's the story behind you buying it? -Well, the buyer didn't buy it in auction. | 0:20:59 | 0:21:04 | |
It didn't sell, so they went after the auction and... | 0:21:04 | 0:21:08 | |
-and sorted it out between them. -So who is the buyer? | 0:21:08 | 0:21:11 | |
The buyer's my husband, and I act on behalf of him and his company, | 0:21:11 | 0:21:19 | |
which is a property company, property developing company, and I do a lot of things up for them. | 0:21:19 | 0:21:24 | |
Oh! So, what's your role going to be in this? | 0:21:24 | 0:21:27 | |
Well, I will be involved from the beginning, designing | 0:21:27 | 0:21:32 | |
everything, buying everything and being on top of the builders, | 0:21:32 | 0:21:37 | |
project managing everything, and then give the keys back and erm...well, hopefully sell it for much more! | 0:21:37 | 0:21:44 | |
'Originally from Poland, Alicia spent most of her life living in Germany, | 0:21:44 | 0:21:49 | |
'but has been in the UK for the past seven years. | 0:21:49 | 0:21:52 | |
'She's renovated several properties already, and reckons the £290,000 is pretty good value.' | 0:21:52 | 0:21:59 | |
I think it's a very, very good price. | 0:22:02 | 0:22:04 | |
Very, very happy obviously for... | 0:22:04 | 0:22:06 | |
for my client. | 0:22:06 | 0:22:08 | |
And er...yeah, I think we're going to be able to make some money out of this one. | 0:22:08 | 0:22:14 | |
-What's it going to be like having your husband as your client? -It's pretty straightforward. | 0:22:14 | 0:22:18 | |
He gives me the keys and leaves me alone the whole time, | 0:22:18 | 0:22:21 | |
and I give him the keys when it's ready and it's all done. | 0:22:21 | 0:22:25 | |
'Alicia makes it sound so easy, although her plans here are straightforward. | 0:22:26 | 0:22:31 | |
'She has a £15,000 budget, and one month to refurbish the entire flat, adding a new kitchen and bathroom. | 0:22:31 | 0:22:38 | |
'She's aiming for a striking and contemporary feel, and has the right experience to get that effect.' | 0:22:38 | 0:22:45 | |
I did a postgraduate degree in interior design. | 0:22:45 | 0:22:49 | |
After I have done one property up, which we used to live in, and I did it up and we sold it and we made | 0:22:49 | 0:22:55 | |
quite a lot of money on this and I really, really enjoyed it, so I did... | 0:22:55 | 0:22:59 | |
did the course and started doing, and one after the other gained more and more and more experience, obviously. | 0:22:59 | 0:23:07 | |
I was in a creative industry before anyway, so it's... | 0:23:07 | 0:23:11 | |
That's how it happened. | 0:23:11 | 0:23:13 | |
'Alicia used to be a make-up artist, so you could say she aims to do a makeover. | 0:23:14 | 0:23:19 | |
'It seems a natural progression from transforming people to making properties look stylish, but in | 0:23:19 | 0:23:24 | |
'this case she knows that achieving the right look means more than just applying the right colours.' | 0:23:24 | 0:23:32 | |
I think about the flow of the property, how it goes from room to room, and | 0:23:32 | 0:23:39 | |
I always think about how it would be to live here and how, you know, to make it look really beautiful and | 0:23:39 | 0:23:44 | |
comfortable, and make it work, because design is not just about the looks, it's about function as well. | 0:23:44 | 0:23:50 | |
'But in the end, it's all about getting this flat to pay its way, so with that £290,000 | 0:23:50 | 0:23:57 | |
'purchase price, and £15,000 budget taking the proposed spend to 305,000, will the figures add up?' | 0:23:57 | 0:24:05 | |
So how much are you going to want to market this for? | 0:24:07 | 0:24:10 | |
They will be looking to sell it for around 375. | 0:24:10 | 0:24:15 | |
If they can get | 0:24:15 | 0:24:18 | |
a rent of 400 a week, they'd probably keep it because it fits in | 0:24:18 | 0:24:22 | |
with their rental portfolio and it would be good for them to keep it. | 0:24:22 | 0:24:27 | |
-Are you excited about getting started now? -Very excited, yes. Very excited. | 0:24:27 | 0:24:31 | |
It's always... It's always great to get in here with the hammer and just | 0:24:31 | 0:24:37 | |
get cracking. Because it's over so quickly, so, you know... | 0:24:37 | 0:24:42 | |
Alicia, it's been great meeting you. I'm so excited! Good luck. | 0:24:42 | 0:24:46 | |
I hope I'm not going to disappoint you. | 0:24:46 | 0:24:49 | |
Alicia is a stylish lady, and she knows what she wants and she's got vision for this place. | 0:24:49 | 0:24:55 | |
I can't wait to see the transformation. | 0:24:55 | 0:24:58 | |
Now, the big question is, will they sell for 375,000 or will they end up renting for 400 quid a week? | 0:24:58 | 0:25:05 | |
You can join us, and find out what happens, later on in the show. | 0:25:05 | 0:25:09 | |
'Coming up, I'll be shining more light on this Derby property.' | 0:25:10 | 0:25:14 | |
Compared to the other rooms this one is very dingy. | 0:25:14 | 0:25:16 | |
That's probably all this vegetation! | 0:25:16 | 0:25:19 | |
'Have the renovations at this London flat disturbed the neighbours?' | 0:25:20 | 0:25:24 | |
There's a lot of people live here, with dust and noise, so... this was really the challenge. | 0:25:24 | 0:25:30 | |
'But first, the buyer of this house has some advice.' | 0:25:32 | 0:25:37 | |
Don't do it! It's madness! | 0:25:37 | 0:25:39 | |
'This two-bedroomed house in Alphington, Devon, | 0:25:42 | 0:25:46 | |
'was bought by landscaper and builder Ian for £133,500. | 0:25:46 | 0:25:52 | |
'For him developing properties is part hobby and part gamble. | 0:25:52 | 0:25:57 | |
'He's already renovated nine properties, but is still wondering what the winning formula is.' | 0:25:57 | 0:26:03 | |
You're not sure whether it'll be a success or a failure? | 0:26:03 | 0:26:05 | |
-Oh. -Oh! | 0:26:05 | 0:26:07 | |
Because life's a gamble, isn't it? | 0:26:08 | 0:26:10 | |
We're all a long time dead, so we've got to make sure that you take these gambles and go for it. | 0:26:10 | 0:26:17 | |
'Ian seems to have a positive spirit about tackling the problems ahead. | 0:26:17 | 0:26:20 | |
'Although there's nothing structurally wrong with the house, its odd ground floor layout | 0:26:20 | 0:26:26 | |
'didn't make it very user-friendly, but something told me | 0:26:26 | 0:26:29 | |
'that whatever Ian did he would enjoy the ride, and hopefully luck WOULD be on his side. | 0:26:29 | 0:26:35 | |
'Well, it's been six months and Ian's been busy. | 0:26:37 | 0:26:41 | |
'There's a new front door and renovated porch. | 0:26:41 | 0:26:45 | |
'And the living room has been completely overhauled. | 0:26:47 | 0:26:50 | |
'Step into that kitchen, and you can see where Ian's spent most of his energy.' | 0:26:55 | 0:27:01 | |
Right, well, this is the kitchen and this is the room that we did the most | 0:27:02 | 0:27:06 | |
work in, because everything had to be replastered, reskimmed, repainted. | 0:27:06 | 0:27:12 | |
Vented cooker, integrated fridge, | 0:27:12 | 0:27:14 | |
integrated freezer, integrated washing machine... | 0:27:14 | 0:27:19 | |
All the rewiring, all the sockets - there's 16 sockets in the kitchen. | 0:27:19 | 0:27:23 | |
The cost of the kitchen I was very pleased with, because it worked out about £4,000 | 0:27:23 | 0:27:28 | |
for the kitchen, the integrated units, all the appliances... Everything. | 0:27:28 | 0:27:33 | |
I think the kitchen's worked out very well. | 0:27:33 | 0:27:35 | |
I'm very pleased with it, and it couldn't have gone any better than anticipated. | 0:27:35 | 0:27:40 | |
'As for the rest of the house, Ian has used fresh, simple colours to | 0:27:42 | 0:27:46 | |
'create a light airy effect to appeal to both buyers and renters alike. | 0:27:46 | 0:27:51 | |
'The house has been completely replumbed, and a new bathroom suite installed, again in neutral colours. | 0:27:53 | 0:28:00 | |
'But no-one could be neutral about that awkward third bedroom arrangement.' | 0:28:00 | 0:28:05 | |
Well, this room was just a long, elongated room with | 0:28:05 | 0:28:09 | |
nothing at all through here, | 0:28:09 | 0:28:11 | |
so we built on this sort of piece here, put in a downstairs toilet, sink, | 0:28:11 | 0:28:15 | |
mirrors, all the rest of it, heaters in there. | 0:28:15 | 0:28:18 | |
So it's a self-contained small flat really, if required. | 0:28:18 | 0:28:25 | |
In here was the main doorway through, which has now been blocked up, so this room can now be a bedroom, | 0:28:25 | 0:28:32 | |
a play room, a study, or whatever you wish. | 0:28:32 | 0:28:35 | |
'I reckon the third bedroom is still a compromise, but Ian's done a pretty good job of making it work. | 0:28:36 | 0:28:42 | |
'In general, do I get the impression that it was an enjoyable project for him?' | 0:28:42 | 0:28:48 | |
It's been an absolute nightmare. | 0:28:48 | 0:28:50 | |
When we took the five layers of wallpaper off the walls | 0:28:50 | 0:28:55 | |
in the majority of the rooms, all the plaster fell off the walls. | 0:28:55 | 0:28:59 | |
There was a lot of unforeseen work, | 0:28:59 | 0:29:03 | |
weeks of plastering, preparation, dust and mess and dirt and rubbish | 0:29:03 | 0:29:09 | |
before we could continue. | 0:29:09 | 0:29:11 | |
'Well, look on the bright side, Ian, at least it's all done and dusted. And talking of bright sides...' | 0:29:11 | 0:29:18 | |
Now, the conservatory I'm very pleased with. | 0:29:22 | 0:29:24 | |
This roof has got argon gas in it, which retains all the heat. | 0:29:24 | 0:29:30 | |
It's worth the extra money to have it done, it keeps all the heat in, and obviously the doorway over there | 0:29:30 | 0:29:36 | |
has been blocked up because that was the doorway through here | 0:29:36 | 0:29:40 | |
out into the garden, which is another project. | 0:29:40 | 0:29:44 | |
To clear the garden there was, just to start with, there was | 0:29:44 | 0:29:47 | |
three tons of rubble and hardcore and concrete, | 0:29:47 | 0:29:50 | |
and that took another an extra two weeks longer than anticipated. | 0:29:50 | 0:29:54 | |
But as you can see it's worked out very well. | 0:29:54 | 0:29:57 | |
'Overall it's a pretty solid renovation, with the kitchen taking pride of place. | 0:29:57 | 0:30:02 | |
'Because of his landscaping business, Ian and his friend Jim | 0:30:02 | 0:30:06 | |
'took six months to complete the job in their spare time. | 0:30:06 | 0:30:09 | |
'Did they stick to their planned £25,000 budget?' | 0:30:09 | 0:30:13 | |
The budget went out the window the second week we were here. | 0:30:13 | 0:30:16 | |
Couldn't care less. You've started, you've put your neck in a noose, | 0:30:16 | 0:30:20 | |
you get on with it, don't moan, and you then keep your fingers crossed | 0:30:20 | 0:30:25 | |
and basically just hope for the good and not the bad. | 0:30:25 | 0:30:30 | |
MUSIC: "The Good, The Bad And The Ugly" by Ennio Morricone | 0:30:30 | 0:30:34 | |
'Luckily, it didn't get ugly, and Ian managed to keep within the budget of 25,000. | 0:30:34 | 0:30:39 | |
'Added to his £133,500 purchase price | 0:30:39 | 0:30:44 | |
'that takes his spend to over £158,000 - | 0:30:44 | 0:30:48 | |
'and then someone came with a fistful of dollars.' | 0:30:48 | 0:30:51 | |
Well, since you were here originally and I was hoping to achieve 170,000, | 0:30:51 | 0:30:58 | |
as it happened I managed to sell it for 175,000. | 0:30:58 | 0:31:03 | |
'What a stroke of luck! | 0:31:03 | 0:31:05 | |
'Someone called in on Ian during the renovation, | 0:31:05 | 0:31:07 | |
'and offered to buy the house as long as it was completed in a fortnight. | 0:31:07 | 0:31:11 | |
'This meant the sale beat the deadline on the Treasury stamp duty holiday and saved the buyer money. | 0:31:11 | 0:31:17 | |
'So now, over £16,000 better off, has he learnt anything more about property renovation?' | 0:31:17 | 0:31:25 | |
Have I learnt from this renovation project? Yes, of course I have. | 0:31:25 | 0:31:30 | |
Don't do it! It's madness! | 0:31:30 | 0:31:32 | |
'Surely there must be some good things about it?!' | 0:31:32 | 0:31:35 | |
The best part of the project is today, when I hand the keys over, | 0:31:35 | 0:31:40 | |
and I've got the cash in my pocket and I can walk down the road. | 0:31:40 | 0:31:44 | |
'Well, Ian's a happy chappie! | 0:31:45 | 0:31:47 | |
'We asked along two local estate agents | 0:31:47 | 0:31:49 | |
'to take a look at the renovation, to see if he could have got a better deal.' | 0:31:49 | 0:31:55 | |
The current vendor has done a very good job. | 0:32:00 | 0:32:03 | |
He's left the property light and airy and kept everything neutral, | 0:32:03 | 0:32:06 | |
which is a very good basis for renovation. | 0:32:06 | 0:32:09 | |
I think the vendor's done a fantastic job. | 0:32:09 | 0:32:11 | |
The property's light and airy, | 0:32:11 | 0:32:13 | |
and will appeal to a wide-ranging market. | 0:32:13 | 0:32:15 | |
'The estate agents thought if Ian took the rental option, he could have got a possible | 0:32:15 | 0:32:19 | |
'£725 per month, which would have meant an approximate yield of 5.5%. | 0:32:19 | 0:32:27 | |
'But he sold it for 175,000. Could he have got a better resale figure?' | 0:32:27 | 0:32:34 | |
I'd put the property on the market for £185,000, in order to achieve around the £180,000 mark. | 0:32:34 | 0:32:40 | |
For resale purposes I would value this property at 184,950. | 0:32:40 | 0:32:44 | |
I think that's very good, and I'm very pleased with what I got because no agents WERE used. | 0:32:44 | 0:32:51 | |
Saved a lot of money there, and it was a quick sale, | 0:32:51 | 0:32:55 | |
two weeks from seeing the property to completion. So I'm very pleased. | 0:32:55 | 0:33:00 | |
'It definitely paid for Ian to follow his own path. | 0:33:00 | 0:33:03 | |
'He can take away a pre-tax profit of £16,500. Not bad for a hobby! | 0:33:03 | 0:33:09 | |
'Is he thinking about gambling on any more properties?' | 0:33:09 | 0:33:13 | |
Future plans in the property world? | 0:33:15 | 0:33:20 | |
Will I ever do it again? | 0:33:20 | 0:33:21 | |
No today - yes tomorrow. | 0:33:21 | 0:33:24 | |
'In that case, we'll keep an eye out for Ian at future auctions!' | 0:33:24 | 0:33:29 | |
I'm in Mickleover in Derbyshire, just a few miles outside Derby city centre. | 0:33:32 | 0:33:39 | |
It's known rather exclusively as "The Village". | 0:33:39 | 0:33:42 | |
It's a very desirable place to be, and interestingly enough property prices here | 0:33:42 | 0:33:46 | |
have stood up fairly well in recent times, and they are some of the highest in the county. | 0:33:46 | 0:33:51 | |
You can see why. Tree-lined streets, a mixture of houses... | 0:33:51 | 0:33:55 | |
It's a good start. | 0:33:55 | 0:33:57 | |
'As I said, this is a very desirable area, but I'm a little worried about that main road. | 0:33:57 | 0:34:02 | |
'It's useful for commuting, but could be rather noisy. | 0:34:02 | 0:34:06 | |
MUSIC: "Open Road" by Bryan Adams | 0:34:06 | 0:34:08 | |
So, what was on offer here in Mickleover? | 0:34:12 | 0:34:15 | |
Well, it's a property on Chain Lane, just off that main road that links Mickleover with Littleover. | 0:34:15 | 0:34:21 | |
Three-bedroomed semidetached, had a guide price of 85,000 quid... | 0:34:21 | 0:34:27 | |
That's it. | 0:34:27 | 0:34:28 | |
Don't look too bad from the outside! | 0:34:28 | 0:34:32 | |
'Well, apart from that half- rendered exterior. | 0:34:32 | 0:34:35 | |
'I'm not a big fan, but would be tempted to leave it in case there was worse underneath. | 0:34:35 | 0:34:40 | |
'I wonder if I'd be rattled by anything else inside this Chain Lane property?' | 0:34:40 | 0:34:46 | |
So what's in store behind the door? | 0:34:46 | 0:34:49 | |
Actually, it looks all right. | 0:34:49 | 0:34:51 | |
Nice light and airy entrance hall here. | 0:34:51 | 0:34:54 | |
I mean, no surprises on the layout, very 1930s semi kind of style. | 0:34:54 | 0:34:58 | |
Corridor here, stairs up to the bedrooms there. | 0:34:58 | 0:35:01 | |
A front sitting room - | 0:35:01 | 0:35:03 | |
nice that you've got the open fire, you could make a feature of that. | 0:35:03 | 0:35:06 | |
Now, that is one area that looks like it needs some work, | 0:35:06 | 0:35:09 | |
the kitchen. It's not a huge space. | 0:35:09 | 0:35:11 | |
Not a lot of things you could do with that. | 0:35:11 | 0:35:13 | |
Certainly you'd need new units. | 0:35:13 | 0:35:15 | |
What you could do in terms of grabbing space from other rooms... | 0:35:15 | 0:35:19 | |
it needs thinking about, that. | 0:35:19 | 0:35:21 | |
One nice thing - under-stairs cupboard, | 0:35:21 | 0:35:23 | |
although the electrics look like they need a bit of attention. | 0:35:23 | 0:35:26 | |
Through to the rear sitting room. | 0:35:26 | 0:35:28 | |
Gas fire there, but there's probably space for a real fire as well. | 0:35:28 | 0:35:32 | |
But compared to the other rooms this one very dark, dingy. | 0:35:32 | 0:35:35 | |
That's probably something to do with all this vegetation growing in from the garden! | 0:35:35 | 0:35:39 | |
What I'd want to see though there is a set of, I don't know, | 0:35:39 | 0:35:42 | |
patio doors, maybe French doors, | 0:35:42 | 0:35:44 | |
bringing the garden into the house, lightening up the room. | 0:35:44 | 0:35:48 | |
That said, all in all, a great start. | 0:35:48 | 0:35:51 | |
MUSIC: "Cruel Garden" by The Stranglers | 0:35:51 | 0:35:54 | |
'It's such a shame the garden is blocking out not only light, but the view as well. | 0:35:55 | 0:36:01 | |
'I went out the back, to see what could be done to clear it.' | 0:36:01 | 0:36:04 | |
Well, at the rear of the property, a surprise. | 0:36:04 | 0:36:07 | |
A garden. Not just any garden - I mean a really considerably-sized garden! | 0:36:07 | 0:36:12 | |
Now, that could be a good thing or a bad thing. | 0:36:12 | 0:36:15 | |
If you're renting out the property, then having this kind of area might not be a good thing because | 0:36:15 | 0:36:20 | |
whoever rents it is going to have to look after it. | 0:36:20 | 0:36:22 | |
Because when I say it's a sizeable garden...it's big. | 0:36:22 | 0:36:26 | |
Really, really big! It must be 150 feet, maybe 50 metres...? | 0:36:28 | 0:36:33 | |
Wow, you could almost land a light aircraft here! | 0:36:33 | 0:36:37 | |
'If this garden was mine, I'd certainly be tidying it up | 0:36:37 | 0:36:41 | |
'and inviting all my friends and family round for summer parties. | 0:36:41 | 0:36:45 | |
'In fact there's plenty of room here for the whole village!' | 0:36:45 | 0:36:49 | |
So upstairs a fairly standard layout, but before I show you that, | 0:36:51 | 0:36:54 | |
just point out these spindles of the banister here. Far too wide - | 0:36:54 | 0:36:58 | |
if you were renting this place out or if you had small children yourself you'd want to put some | 0:36:58 | 0:37:03 | |
extra rails in there just to stop small people falling through, for certain. What have we got? | 0:37:03 | 0:37:08 | |
Sort of smallish room there, then two good-sized doubles. | 0:37:08 | 0:37:11 | |
Great to see that there's a bathroom and a loo up here. | 0:37:11 | 0:37:13 | |
I mean, all in all, it really works as a house. | 0:37:13 | 0:37:16 | |
It's a fairly standard layout, but...it's worked for years | 0:37:16 | 0:37:19 | |
and that's why it is the way it is. | 0:37:19 | 0:37:21 | |
The only thing I would think about changing | 0:37:21 | 0:37:23 | |
is the central heating system because basically there isn't any. | 0:37:23 | 0:37:26 | |
Storage radiators, obviously very expensive to run. | 0:37:26 | 0:37:29 | |
Stick in a new green combination boiler, you're going to save | 0:37:29 | 0:37:32 | |
the environment and yourself lots of money. | 0:37:32 | 0:37:34 | |
All in all though, great house. | 0:37:34 | 0:37:37 | |
'The rooms upstairs are a good size and have loads of potential, | 0:37:38 | 0:37:41 | |
'although the decor might need a little calming down! | 0:37:41 | 0:37:44 | |
MUSIC: "She's A Rainbow" by the Rolling Stones | 0:37:44 | 0:37:48 | |
'In fact, the whole place should be decorated throughout, | 0:37:49 | 0:37:52 | |
'but there's no major structural work necessary. | 0:37:52 | 0:37:56 | |
'Although it could do with a more muted bathroom suite! | 0:37:56 | 0:37:59 | |
'What would a local estate agent make of this property? | 0:38:04 | 0:38:08 | |
'I invited one to take a look.' | 0:38:08 | 0:38:11 | |
Clearly the property needs a lot of refurbishment internally, | 0:38:11 | 0:38:16 | |
and I would raise a question mark over possible structural defects externally. | 0:38:16 | 0:38:21 | |
Looking from the outside I've noticed a few tiles | 0:38:21 | 0:38:24 | |
that seem to have slipped, some cracks in the walls and possible issues with the pointing. | 0:38:24 | 0:38:29 | |
'So, who does he think would be attracted to this place once done up and how much should it cost them?' | 0:38:30 | 0:38:37 | |
This property would undoubtedly appeal to a family, | 0:38:37 | 0:38:43 | |
and for rental I would imagine you could get 550 per month. | 0:38:43 | 0:38:45 | |
'What if the new owner decided to resell?' | 0:38:45 | 0:38:49 | |
Once the property's been renovated, being in the catchment area of Littleover Community School | 0:38:49 | 0:38:53 | |
I would imagine that you could achieve £155,000. | 0:38:53 | 0:38:57 | |
Well, there you have it. | 0:38:58 | 0:39:00 | |
All in all, a terrific property. | 0:39:00 | 0:39:02 | |
Yes, you'd have to spend a bit of money to get it up to scratch, | 0:39:02 | 0:39:05 | |
but that money I think would be very, very well spent. | 0:39:05 | 0:39:08 | |
Good area, amazing garden. I mean, imagine growing your vegetables down the bottom there - superb! | 0:39:08 | 0:39:13 | |
Let's see who went for it when it went under the hammer. | 0:39:13 | 0:39:16 | |
Lot 62, 61 Chain Lane in Mickleover. | 0:39:16 | 0:39:20 | |
96. | 0:39:20 | 0:39:21 | |
96,000. | 0:39:21 | 0:39:23 | |
97 somewhere else? | 0:39:23 | 0:39:24 | |
At 97 I've two of you together. 98... | 0:39:25 | 0:39:28 | |
99 on the front row. 100. 110. 115. | 0:39:28 | 0:39:32 | |
And a half. 116. | 0:39:32 | 0:39:35 | |
117. | 0:39:35 | 0:39:37 | |
..500. 119? | 0:39:37 | 0:39:39 | |
119...500. | 0:39:40 | 0:39:43 | |
120? | 0:39:43 | 0:39:45 | |
All done? 500, thank you. ..21? | 0:39:45 | 0:39:49 | |
121. 121 and a half? 121 and a half. | 0:39:49 | 0:39:54 | |
122, sir? 122. | 0:39:54 | 0:39:56 | |
No? | 0:39:56 | 0:39:58 | |
£122,000. 500 somewhere else. | 0:39:58 | 0:40:03 | |
At £122,000 then, for the first time... | 0:40:03 | 0:40:06 | |
500. 122 and a half. 123. | 0:40:06 | 0:40:10 | |
123 and a half. | 0:40:10 | 0:40:13 | |
124. | 0:40:13 | 0:40:14 | |
124,000. Five? | 0:40:14 | 0:40:16 | |
500. | 0:40:16 | 0:40:18 | |
126. | 0:40:18 | 0:40:20 | |
126 and a half. | 0:40:20 | 0:40:22 | |
27? 127. | 0:40:22 | 0:40:25 | |
No? 127... | 0:40:26 | 0:40:29 | |
Once, twice, third and last time... | 0:40:29 | 0:40:32 | |
Sold at 127. It's yours, sir, thank you. | 0:40:33 | 0:40:35 | |
'And the successful bid of £127,000 came from Tarsum. | 0:40:35 | 0:40:41 | |
'Tarsum lives in Derby, and works as a plumber and central heating engineer. | 0:40:41 | 0:40:45 | |
'He was bidding at auction on behalf of his daughter Indie and her husband. | 0:40:45 | 0:40:50 | |
MUSIC: "Kids" by Robbie Williams and Kylie Minogue | 0:40:50 | 0:40:53 | |
'They live in London with their baby daughter. | 0:40:53 | 0:40:56 | |
'This is the first of what they hope will be many investment properties.' | 0:40:56 | 0:41:00 | |
Indie, Tarsum, lovely to meet you. Congratulations. | 0:41:00 | 0:41:03 | |
-Thank you. -So how was the auction? | 0:41:03 | 0:41:05 | |
A bit nerve-wracking. | 0:41:05 | 0:41:07 | |
Of course, it wasn't my money, it was their money I was spending, and I've not been to an auction before. | 0:41:07 | 0:41:14 | |
I have been for cars, but never for a property. Because it's the biggest investment in your life, | 0:41:14 | 0:41:19 | |
and you can make a mistake and there's big money at stake. | 0:41:19 | 0:41:24 | |
So you'd agreed a budget beforehand, had you? | 0:41:24 | 0:41:26 | |
-We had, but we had to go over it. -Yeah. | 0:41:26 | 0:41:28 | |
-On the spur of the moment. -What was your budget? | 0:41:28 | 0:41:31 | |
-How much was it? A hundred and... -105 to 110. | 0:41:31 | 0:41:34 | |
'110,000! | 0:41:35 | 0:41:38 | |
'Well, they've gone over that by £17,000. | 0:41:38 | 0:41:41 | |
'Their final bid was 127 grand, so they must have really wanted this property.' | 0:41:41 | 0:41:48 | |
-What was it about it that you liked? -There's the least amount of work to be done. | 0:41:48 | 0:41:52 | |
Some of the properties we saw, there was a lot more work | 0:41:52 | 0:41:56 | |
to be done to make them liveable. | 0:41:56 | 0:41:58 | |
This one's a sort of nice area, | 0:41:58 | 0:42:01 | |
so it's all... | 0:42:01 | 0:42:03 | |
Either renting or selling it's a good point. | 0:42:03 | 0:42:05 | |
-Right. So did you see it before the auction? -No, only on the internet. | 0:42:05 | 0:42:10 | |
-But you trusted your dad. -Yeah, totally. | 0:42:10 | 0:42:14 | |
'As I say time after time on this show, bidding blind is | 0:42:14 | 0:42:18 | |
'a very risky thing to do, but at least Indie's father HAD viewed it and they WERE lucky this time. | 0:42:18 | 0:42:24 | |
'The work is all mainly cosmetic.' | 0:42:24 | 0:42:28 | |
-What are you going to do to the place? -We're going to modernise it for a start. | 0:42:28 | 0:42:31 | |
We're going to put the heating system in which is nonexistent. Well, outdated. | 0:42:31 | 0:42:37 | |
And...rewiring, | 0:42:37 | 0:42:40 | |
and also new bathroom, new kitchen, | 0:42:40 | 0:42:43 | |
and then basically carpet it and decorate it. | 0:42:43 | 0:42:48 | |
We may put some patio doors at the back. | 0:42:48 | 0:42:52 | |
At the front we've got to make a drive for parking because we've got | 0:42:52 | 0:42:55 | |
-no off-road parking at the moment. -That's a very good idea. -Yeah. | 0:42:55 | 0:42:59 | |
'A drive at the front will make the property much more appealing to potential buyers or tenants. | 0:43:00 | 0:43:06 | |
'Most of the work is going to be done by Tarsum and his team, | 0:43:06 | 0:43:10 | |
'but he will need to get some contractors in for that drive. | 0:43:10 | 0:43:14 | |
'Decorating the house will be down to Indie and her husband, who've estimated | 0:43:14 | 0:43:19 | |
'around £15,000 for the work. But they are still undecided what to do with the property after that.' | 0:43:19 | 0:43:27 | |
So what's going to make you decide, or help you decide, between selling it or renting it out? | 0:43:27 | 0:43:32 | |
It'll be the market. | 0:43:32 | 0:43:33 | |
If it's going well, we'll sell it, if the houses in this area are going | 0:43:33 | 0:43:37 | |
for a good price...or rental, we'll stick it on then. | 0:43:37 | 0:43:42 | |
And is this something you're going to carry on and do again? | 0:43:42 | 0:43:45 | |
If it all goes well, then I think my husband's definitely going to, yeah. | 0:43:45 | 0:43:50 | |
Good luck with it all, and look forward to seeing how you get on. | 0:43:50 | 0:43:54 | |
-Thank you. -Thank you very much. | 0:43:54 | 0:43:55 | |
Well, there are some properties that you just know are going to | 0:43:55 | 0:43:59 | |
be a success for whoever buys them, and this is certainly one. | 0:43:59 | 0:44:02 | |
Tarsum and Indie got it at a good price and they've got the experience to turn this place around. | 0:44:02 | 0:44:08 | |
What will it look like when they've done the refurbishment? You can find out later in the show. | 0:44:08 | 0:44:14 | |
So, months have passed. | 0:44:17 | 0:44:19 | |
Have our purchasers' plans hatched? | 0:44:19 | 0:44:21 | |
Have they built up a nice little nest egg, or had rotten luck? | 0:44:21 | 0:44:26 | |
Let's find out. | 0:44:26 | 0:44:27 | |
'Back to London now, and the highly desirable Regent's Park area where this flat was sold for 290,000. | 0:44:31 | 0:44:39 | |
'It was bought by a property developer, whose wife Alicia is an interior designer. | 0:44:39 | 0:44:45 | |
'She was to project-manage the renovation. | 0:44:45 | 0:44:48 | |
'But with an original budget of only 15,000, | 0:44:50 | 0:44:54 | |
'would Alicia rise to the challenge | 0:44:54 | 0:44:56 | |
'and elevate this seventh-storey property to a higher value? | 0:44:56 | 0:45:00 | |
'It's been two months now, and we've returned to see | 0:45:03 | 0:45:06 | |
'if Alicia's given this flat the high-life makeover it deserves. | 0:45:06 | 0:45:11 | |
'Well, that tired run-down living room has given way to a sleek | 0:45:14 | 0:45:18 | |
'contemporary lounge, with wooden flooring and tasteful lighting. | 0:45:18 | 0:45:24 | |
'While the bathroom is now ultra-modern, with stylish fittings. | 0:45:26 | 0:45:32 | |
'Down the corridor, a new kitchen has been installed. | 0:45:35 | 0:45:39 | |
'And that just leaves the bedroom, which was renovated in the same style as the lounge.' | 0:45:44 | 0:45:50 | |
Well, in here first of all we fitted bespoke wardrobes, | 0:45:54 | 0:45:59 | |
that were spray-painted in the colour of the walls. | 0:45:59 | 0:46:03 | |
In between I created the space which would serve as a bedside table - | 0:46:03 | 0:46:07 | |
well, you can't fit bedside tables on either side of the bed. | 0:46:07 | 0:46:12 | |
And this is finished in polished plaster, | 0:46:12 | 0:46:15 | |
in a nice contrasting but still harmonious colour to the walls. | 0:46:15 | 0:46:20 | |
And we've got this nice light feature, | 0:46:20 | 0:46:23 | |
and lovely reading lights, LED high-quality reading lights. | 0:46:23 | 0:46:28 | |
And erm...yeah, the bed will go nicely in the middle | 0:46:28 | 0:46:30 | |
once, you know, once everything is done and I can dress it. | 0:46:30 | 0:46:34 | |
And I think this is a really good use of the space. | 0:46:34 | 0:46:37 | |
'The flat wasn't small, but its options were limited. | 0:46:38 | 0:46:41 | |
'However, Alicia found ways of making the best of what she had to work with.' | 0:46:41 | 0:46:46 | |
Well, here we opened up the doorway, which made it look more spacious, | 0:46:46 | 0:46:52 | |
and we added feature walls in the lounge and in the hallway | 0:46:52 | 0:46:56 | |
which adds to the flow of the whole flat. | 0:46:56 | 0:46:59 | |
Created a nice lighting scheme - | 0:46:59 | 0:47:02 | |
LED lighting around the ceiling and alcoves with some spotlights. | 0:47:02 | 0:47:07 | |
'By using soft tones and lighting, | 0:47:09 | 0:47:12 | |
'Alicia has managed to create a sense of space throughout. | 0:47:12 | 0:47:15 | |
'Has the final product turned out as she planned?' | 0:47:15 | 0:47:19 | |
It was very enjoyable to see my vision that was always from the beginning in my head... | 0:47:19 | 0:47:25 | |
to see it coming to what it is now. | 0:47:25 | 0:47:30 | |
'Getting there didn't pose Alicia too many problems. | 0:47:31 | 0:47:35 | |
'With the flat totally replastered, rewired and new walnut flooring laid | 0:47:35 | 0:47:40 | |
'the conversion now offers quality high living. | 0:47:40 | 0:47:43 | |
'But that was also one of its few drawbacks.' | 0:47:44 | 0:47:47 | |
The only challenge was really a logistic one. | 0:47:48 | 0:47:50 | |
It's the seventh floor in the block. | 0:47:50 | 0:47:53 | |
There's a tiny little lift that fits two people, so that was really the biggest challenge. | 0:47:53 | 0:47:59 | |
And to keep everybody happy - | 0:47:59 | 0:48:01 | |
you know, there's a lot of people live here, so with dust and noise this was really the challenge. | 0:48:01 | 0:48:07 | |
'On a budget of just £15,000, it must have been a bigger challenge | 0:48:08 | 0:48:13 | |
'to try and create a flat to this standard of finish.' | 0:48:13 | 0:48:16 | |
Well, the 15,000 was... | 0:48:17 | 0:48:20 | |
was a realistic budget, | 0:48:20 | 0:48:22 | |
but the budget was then increased | 0:48:22 | 0:48:24 | |
to 25 to make more out of it and then get more back, so I spent all of it. | 0:48:24 | 0:48:30 | |
There is maybe another £1,000 to spend here and there, and then obviously my fee on top of that. | 0:48:31 | 0:48:38 | |
'Seeing the final product I reckon Alicia's earned it, | 0:48:39 | 0:48:42 | |
'but on top of that 290,000 purchase price | 0:48:42 | 0:48:46 | |
'the total so far will be £316,000, plus her fee. | 0:48:46 | 0:48:51 | |
'3,000 was spent on an ultra-modern stylish bathroom, and a further | 0:48:52 | 0:48:57 | |
'£7,000 on that sleek and functional kitchen | 0:48:57 | 0:49:01 | |
'with composite worktops and integrated units. | 0:49:01 | 0:49:04 | |
'Overall, she's created a modern, contemporary flat to be proud of. | 0:49:04 | 0:49:09 | |
Did her clients feel the same way? | 0:49:10 | 0:49:13 | |
He wants to move in! | 0:49:13 | 0:49:15 | |
I think yeah, he's very, very pleased. | 0:49:15 | 0:49:19 | |
You know. All of them are very, very pleased with it, with the look. | 0:49:19 | 0:49:22 | |
And very surprised as well, because when you walk in it's... | 0:49:22 | 0:49:26 | |
You don't really expect the sort of look and finish, so they're very, very happy. | 0:49:26 | 0:49:31 | |
'But with plans to sell, they'll be happier if they can make a good profit on it. | 0:49:31 | 0:49:37 | |
'Bearing in mind that total spend of 316,000, | 0:49:40 | 0:49:44 | |
'we asked two local estate agents along | 0:49:44 | 0:49:46 | |
'to see what they thought Alicia's renovation.' | 0:49:46 | 0:49:51 | |
I think the changes made have been absolutely brilliant, | 0:49:51 | 0:49:54 | |
and the quality of decor and fittings | 0:49:54 | 0:49:57 | |
is above, far above, the average standard in the block. | 0:49:57 | 0:50:01 | |
My first impressions of the apartment are that it's very light, | 0:50:01 | 0:50:05 | |
and has been refurbished to a very high standard. | 0:50:05 | 0:50:08 | |
'But what would THEY pay for this flat? Remember, the total outlay so far is £316,000. | 0:50:09 | 0:50:16 | |
'What could the resale value be?' | 0:50:16 | 0:50:20 | |
I would put this property on the market at £365,000. | 0:50:20 | 0:50:23 | |
I would place this property on the market at £425,000. | 0:50:23 | 0:50:27 | |
'Now, that's a £60,000 difference in valuations.' | 0:50:27 | 0:50:31 | |
It doesn't really surprise me. I think it is quite a difficult flat | 0:50:31 | 0:50:36 | |
to value because it is a very high standard, | 0:50:36 | 0:50:39 | |
so we're hoping for the four in front. Time will tell. | 0:50:39 | 0:50:43 | |
'Whatever the flat sells for, Alicia's done an impressive job | 0:50:44 | 0:50:48 | |
'of refurbishing and bringing it back to life. | 0:50:48 | 0:50:51 | |
'It's something she's currently doing on several other properties.' | 0:50:51 | 0:50:56 | |
I love my work as an interior designer, and I would... | 0:50:57 | 0:51:00 | |
wouldn't want to do anything else, really. | 0:51:00 | 0:51:02 | |
'The chances are Alicia will be busy for a long time ahead.' | 0:51:02 | 0:51:07 | |
'We're back at this three-bedroomed semidetached house in Mickleover in Derby. | 0:51:13 | 0:51:19 | |
'It sold at auction for £127,000 to Tarsum, on behalf of his daughter and son-in-law. | 0:51:19 | 0:51:27 | |
'But they wanted it as their first property investment, | 0:51:27 | 0:51:30 | |
'and entrusted him with the bidding.' | 0:51:30 | 0:51:32 | |
It wasn't my money, | 0:51:32 | 0:51:33 | |
it was their money I was spending, and I've not been to auction before. | 0:51:33 | 0:51:38 | |
'Unfortunately his daughter Indie couldn't make it from | 0:51:38 | 0:51:41 | |
'her family home in London, so we asked Tarsum to show us what's been done here. | 0:51:41 | 0:51:47 | |
'Well, since the last time not only has there been a changing climate, | 0:51:48 | 0:51:52 | |
'but the inside's gone through some alterations as well! | 0:51:52 | 0:51:56 | |
'Tarsum's completely replastered throughout. | 0:51:56 | 0:52:00 | |
'He's recarpeted and repainted too, making everything fresh and bright. | 0:52:00 | 0:52:06 | |
'All the old fireplaces have been ripped out | 0:52:06 | 0:52:08 | |
'and replaced with modern new ones. | 0:52:08 | 0:52:11 | |
'He's rejigged the bathroom layout, | 0:52:11 | 0:52:13 | |
'putting the bath on one side to make it less cluttered. | 0:52:13 | 0:52:18 | |
'In fact, they've now even got a second toilet downstairs. | 0:52:18 | 0:52:22 | |
'Whilst Tarsum was replacing the old electrics, | 0:52:22 | 0:52:25 | |
'he decided to put in a loo in the cupboard. | 0:52:25 | 0:52:27 | |
'But the biggest change to the house has been in the kitchen.' | 0:52:27 | 0:52:31 | |
The kitchen was very unpracticable, | 0:52:33 | 0:52:36 | |
and there was a door here to the garden and there was also a door here on the left into the house, | 0:52:37 | 0:52:42 | |
which made the kitchen not very usable. We couldn't put any appliances here. | 0:52:42 | 0:52:47 | |
So we closed that door, so we could use the full width of that wall, | 0:52:47 | 0:52:51 | |
closed this door, we could use the full width of that, | 0:52:51 | 0:52:55 | |
opened this area into the dining area, so we could get a full... | 0:52:55 | 0:52:58 | |
a reasonable-sized kitchen now. | 0:52:58 | 0:53:00 | |
'And he's not just been busy on the inside. | 0:53:01 | 0:53:04 | |
'Tarsum employed some builders to create a new driveway at the front. | 0:53:04 | 0:53:08 | |
'Although you may not be able to see it for the snow, it is there, | 0:53:08 | 0:53:12 | |
'and will add huge appeal to any potential tenant or buyer. | 0:53:12 | 0:53:16 | |
'Some of the work isn't quite finished. | 0:53:16 | 0:53:19 | |
'There are doors to go on the kitchen units, | 0:53:19 | 0:53:21 | |
'and it's SNOW joke that the garden has huge potential, | 0:53:21 | 0:53:24 | |
'but they're going to deal with that in warmer weather.' | 0:53:24 | 0:53:28 | |
The garden we're going to divide into three areas. | 0:53:28 | 0:53:31 | |
The first lot is going to be slabbed, which will be like for a kids' play room or sitting out there. | 0:53:31 | 0:53:39 | |
Then it's going... A third of it's going to be lawned, and then the last bit's probably going to be left wild | 0:53:39 | 0:53:45 | |
for the insects to play and wildlife to grow. | 0:53:45 | 0:53:49 | |
'Tarsum has also added some fantastic patio doors, | 0:53:49 | 0:53:53 | |
'opening the living room out into the garden. | 0:53:53 | 0:53:56 | |
'But with all this work, how did they get on with their original budget of 20,000 to 30,000?' | 0:53:56 | 0:54:02 | |
The budget we thought... | 0:54:02 | 0:54:04 | |
We were thinking really into the clouds when we said 20 to 30. | 0:54:04 | 0:54:09 | |
We managed to get it done for less than 15, | 0:54:09 | 0:54:12 | |
so we're happy. My daughter and son-in-law are happy. | 0:54:12 | 0:54:17 | |
'So, with that revised £15,000 budget plus the £127,000 they paid at auction, | 0:54:17 | 0:54:24 | |
'that's a total spend of £142,000. | 0:54:24 | 0:54:28 | |
'How much value has Tarsum added? | 0:54:28 | 0:54:30 | |
'We asked along two local estate agents, to find out.' | 0:54:32 | 0:54:36 | |
I saw the property before, it was in a little bit of a mess, but it looks good now. | 0:54:41 | 0:54:45 | |
Nicely finished, nice new carpets, nice kitchen. Looking good. | 0:54:45 | 0:54:48 | |
The way the kitchen and dining room are laid out, I think it works well. | 0:54:48 | 0:54:52 | |
One area flows into the other, but you've still got the definition of rooms. | 0:54:52 | 0:54:57 | |
The garden's the big draw for the family. It's great for children to play in, | 0:54:57 | 0:55:01 | |
and with it being linked to the kitchen with the patio doors it makes it again a more usable space. | 0:55:01 | 0:55:06 | |
'So, the renovation is getting great reviews - but down to valuations. | 0:55:07 | 0:55:12 | |
'How much could it make on the resale market?' | 0:55:12 | 0:55:16 | |
I think if we were to market this property we would ask £165,000. | 0:55:16 | 0:55:20 | |
In terms of value this is likely to sell at the moment at £150,000, £155,000. | 0:55:20 | 0:55:26 | |
We were expecting something like 190, so that I think was low down. | 0:55:26 | 0:55:32 | |
Quite a low figure than what we expected. | 0:55:32 | 0:55:35 | |
'It may not be quite what Tarsum was expecting, but with the total spend at 142,000 | 0:55:36 | 0:55:42 | |
'those estimates still mean between £8,000 and £23,000 pre-tax profit, minus the usual deductions. | 0:55:42 | 0:55:50 | |
'So, what about the rental valuation?' | 0:55:50 | 0:55:53 | |
Rental-wise this would go very well, at £600 per calendar month. | 0:55:55 | 0:55:59 | |
I think £575 per calendar month could be achieved. | 0:55:59 | 0:56:02 | |
I think we can achieve better. | 0:56:02 | 0:56:04 | |
We can achieve better than 575, or even 600. | 0:56:04 | 0:56:09 | |
We're looking for something like £800 or thereabout, | 0:56:09 | 0:56:13 | |
so that would make a good figure. | 0:56:13 | 0:56:15 | |
'So again, the price isn't exactly what Tarsum and his daughter were after. | 0:56:17 | 0:56:21 | |
'They're putting plans for a resale on hold until the property market gets stronger. | 0:56:21 | 0:56:26 | |
'Meanwhile, they're trying to rent it out at the higher price for a while. | 0:56:26 | 0:56:31 | |
'Despite the low estimates, Tarsum's really enjoyed the experience, | 0:56:31 | 0:56:35 | |
'especially knowing who it was all for.' | 0:56:35 | 0:56:39 | |
Well, I enjoy working, and especially when you're doing something for your family, | 0:56:39 | 0:56:43 | |
it's more enjoyment because you know the rewards are going to be there for the family. So, loved it. | 0:56:43 | 0:56:49 | |
We hope we've been of help today, guiding you through the property maze and perhaps inspiring you. | 0:56:52 | 0:56:57 | |
-So join us next time for more Homes Under The Hammer. -See you then. -Goodbye. | 0:56:57 | 0:57:02 | |
Subtitles by Red Bee Media Ltd | 0:57:22 | 0:57:24 | |
E-mail [email protected] | 0:57:24 | 0:57:26 |