Browse content similar to Episode 6. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Hello. Buying your first home is a moment you will remember for ever. | 0:00:02 | 0:00:06 | |
Whether it's your first purchase or your 50th, | 0:00:06 | 0:00:09 | |
buying at auction is an incredibly exciting experience. | 0:00:09 | 0:00:13 | |
There are lots of heart-stopping moments when you buy your home under the hammer. | 0:00:13 | 0:00:18 | |
Now, appearances can be deceptive and auction properties can be difficult to read. | 0:00:43 | 0:00:49 | |
Yes, the house may appear to just need a quick makeover when really drastic surgery is needed. | 0:00:49 | 0:00:55 | |
So did today's properties require a bit of filler in the cracks or a full renovation job? | 0:00:55 | 0:01:01 | |
'On a plot of land in Wiltshire, the the sewer is causing a real stink.' | 0:01:02 | 0:01:07 | |
Just shifting it two or three metres means putting a whole new pipe in. | 0:01:07 | 0:01:12 | |
'I'm at a Victorian house in Herne Hill, London, | 0:01:12 | 0:01:16 | |
'where the plumbing is not exactly up to today's standards.' It's like an en-suite for both floors. | 0:01:16 | 0:01:22 | |
'And we go back to this old Gospel Hall in Devon. Six years ago, it was bought at auction. | 0:01:22 | 0:01:29 | |
'Catch up with it now to admire its dramatic transformation. | 0:01:29 | 0:01:32 | |
'All these properties were sold at auction. We see who bought them when they went under the hammer.' | 0:01:34 | 0:01:41 | |
This is Corsham, a gorgeous little medieval town halfway between Bath | 0:01:44 | 0:01:49 | |
and Chippenham in north-west Wiltshire. | 0:01:49 | 0:01:52 | |
It was famous as the centre of the wool industry here and as the place where they quarried Bath Stone, | 0:01:52 | 0:01:58 | |
hence it is a gorgeous little spot. | 0:01:58 | 0:02:01 | |
It's also a very desirable location just off the M4 and within easy commuting distance of Bath. | 0:02:02 | 0:02:09 | |
Hopefully, there's no chance a property here would pull the wool over my eyes. | 0:02:09 | 0:02:15 | |
So, when a plot of land came up for auction just five minutes' drive from that high street, | 0:02:18 | 0:02:24 | |
it generated a lot of interest. | 0:02:24 | 0:02:27 | |
So what is it? Well, it's somebody selling off a bit of their garden, | 0:02:27 | 0:02:31 | |
but it's a good-sized plot, it's fairly flat, the guide price was £45,000. | 0:02:31 | 0:02:36 | |
But the key was it had planning permission for the building of a two-bedroom, detached house. | 0:02:36 | 0:02:42 | |
Sounds good so far. Let's take a look. | 0:02:42 | 0:02:45 | |
And this is it, a good-sized plot of land. Right now, it's basically a luscious lawn. | 0:02:45 | 0:02:51 | |
When you're considering plots of land, there are things you need to take into consideration. | 0:02:51 | 0:02:56 | |
Ideally, we want something flat, so that's what this plot of land is. | 0:02:56 | 0:03:01 | |
And I noticed that the kerb outside there giving us our access into the plot which is really important | 0:03:01 | 0:03:07 | |
has already been lowered. That will save you a lot of time and expense. | 0:03:07 | 0:03:11 | |
Probably between £800 and £1,500 to get that done, but it's been done. | 0:03:11 | 0:03:15 | |
What else have we got? Flat - that will save you money in terms of earth moving. | 0:03:15 | 0:03:20 | |
You can see the house that has sold off this plot of land. | 0:03:20 | 0:03:24 | |
If this is similar to your garden, maybe you could consider it. | 0:03:24 | 0:03:28 | |
They've put these two pegs in here which indicate that this is the plot of land to be sold off. | 0:03:28 | 0:03:34 | |
If this was just a garden, it would probably be worth £2,000. | 0:03:34 | 0:03:38 | |
The key to this is it has got that planning permission and that's why it's got the £45,000 guide price. | 0:03:38 | 0:03:44 | |
It's a good start. | 0:03:44 | 0:03:46 | |
# Give me land, lots of land | 0:03:46 | 0:03:49 | |
# Under starry skies above | 0:03:49 | 0:03:52 | |
# Don't fence me in... # | 0:03:53 | 0:03:55 | |
Being so close to other houses isn't necessarily a bad thing. | 0:03:55 | 0:03:59 | |
It means that main services like gas and water should be nearby and easy to tap into. | 0:03:59 | 0:04:05 | |
The plot comes complete with plans drawn up on behalf of the vendors and approved by the council. | 0:04:05 | 0:04:12 | |
# Don't fence me in... # | 0:04:12 | 0:04:15 | |
These are the plans and I think they're quite good. | 0:04:15 | 0:04:19 | |
They're making the most of a small plot, but the build is in character with the local buildings here. | 0:04:19 | 0:04:25 | |
Two bedrooms upstairs, kitchen, living room downstairs. | 0:04:25 | 0:04:29 | |
However, there is one thing which screams out at me for these plans which a lot of people forget about | 0:04:29 | 0:04:35 | |
and yet it's a major problem or a major expense. And that is... | 0:04:35 | 0:04:40 | |
Here is the existing foul sewer which runs across the plot. | 0:04:40 | 0:04:44 | |
You're not allowed to build the foundations for this within a certain distance of the sewer, | 0:04:44 | 0:04:50 | |
so you'll have to move the sewer. | 0:04:50 | 0:04:53 | |
To move a sewer is not an easy job. It's certainly not a pleasant job. | 0:04:53 | 0:04:57 | |
You'll have to get the sewage people in to do it, it will be expensive | 0:04:57 | 0:05:01 | |
and even just shifting it probably two or three metres | 0:05:01 | 0:05:05 | |
means digging a new trench, putting a new pipe in, | 0:05:05 | 0:05:08 | |
and I reckon you're going to be looking at something like £5,000 to £7,000 just to do that. | 0:05:08 | 0:05:14 | |
If you're not expecting it, that could catch you out. | 0:05:14 | 0:05:17 | |
Moving that sewer could be a real stinker of a job. | 0:05:17 | 0:05:21 | |
But as long as the buyer spots it and factors it into the calculations, | 0:05:22 | 0:05:27 | |
everything should come up smelling of roses. | 0:05:27 | 0:05:30 | |
I asked along a local estate agent to see what he thought. | 0:05:30 | 0:05:34 | |
The plans are for a two-bedroomed house. | 0:05:36 | 0:05:39 | |
You couldn't get anything bigger certainly on the plot. | 0:05:39 | 0:05:43 | |
There is maybe potential to make it two one-bedroom flats, | 0:05:43 | 0:05:47 | |
but the problem there is whether you can get enough parking for the site. | 0:05:47 | 0:05:51 | |
What does he think the rental possibilities are for this house? | 0:05:51 | 0:05:55 | |
It is a good rental area. | 0:05:55 | 0:05:57 | |
People who can't afford the prices in Bath will step out of Bath and just be nearby in Corsham. | 0:05:57 | 0:06:03 | |
I imagine you would achieve something in the region of £550 to £575 per month. | 0:06:03 | 0:06:09 | |
What if the buyer was to sell on? | 0:06:10 | 0:06:13 | |
For a two-bedroomed house in this location, | 0:06:13 | 0:06:16 | |
we would anticipate you would get something in the region of £140,000 to £145,000 for resale value. | 0:06:16 | 0:06:22 | |
With the guide price of 45,000 and the cost of building a two-bedroomed house around 60,000, | 0:06:23 | 0:06:30 | |
that's potentially a really good return. Not bad for a patch of grass! | 0:06:30 | 0:06:35 | |
Well, as plots of land go, I think this is a really good one. | 0:06:35 | 0:06:39 | |
It's got planning permission and little extras such as the lowering of the kerb stones here. | 0:06:39 | 0:06:45 | |
A few issues with the sewer, but all in all, for a £45,000 guide price, | 0:06:45 | 0:06:49 | |
I'm sure it was a popular lot at the auction. | 0:06:49 | 0:06:52 | |
Lot 1, the building plot at the rear of 28, Charles Street, Corsham. | 0:06:52 | 0:06:56 | |
£30,000. 32? At £32,000. | 0:06:56 | 0:06:59 | |
34? 34. | 0:06:59 | 0:07:01 | |
36? At 36. 38 may I say? | 0:07:01 | 0:07:03 | |
At 38. Now 40 I'll take? | 0:07:03 | 0:07:06 | |
At £38,000. 40 I'll take? At £38,000. | 0:07:06 | 0:07:09 | |
Against you on the telephone. 40? 40 I've got. At £40,000. | 0:07:09 | 0:07:14 | |
Round the corner. I'll take 1? At £40,000. 41? | 0:07:14 | 0:07:17 | |
41. 42...? | 0:07:17 | 0:07:20 | |
Yeah, 42. £42,000 on the wall. | 0:07:20 | 0:07:23 | |
At £42,000. 43, thank you very much. | 0:07:23 | 0:07:26 | |
44 now may I say? At £43,000 sat down. | 0:07:26 | 0:07:30 | |
44? 44. 45 to you, sir? | 0:07:30 | 0:07:32 | |
At £44,000. 45 to you? | 0:07:32 | 0:07:35 | |
45. 46, Anthony? | 0:07:35 | 0:07:37 | |
No. | 0:07:38 | 0:07:40 | |
And a half...? | 0:07:40 | 0:07:43 | |
At £45,000. Your bid, sat down, at £45,000. Anybody else want a go? | 0:07:43 | 0:07:47 | |
I'll take 500, please, if you will? Otherwise, it's £45,000 for the first time. | 0:07:47 | 0:07:52 | |
£45,000 for the second time... | 0:07:52 | 0:07:54 | |
45,500. I knew he would somehow! | 0:07:54 | 0:07:57 | |
46 to you, sir. 46,500 now, if you like? | 0:07:57 | 0:08:01 | |
No. At £46,000, back to where you were. Keep smiling. | 0:08:02 | 0:08:06 | |
At £46,000. 5 I'll take? | 0:08:06 | 0:08:08 | |
Otherwise, it's £46,000 for the first time... I mean it this time. | 0:08:08 | 0:08:12 | |
£46,000 for the second time... £46,000, third and last time... | 0:08:12 | 0:08:16 | |
One more, yes or no...? No. | 0:08:16 | 0:08:18 | |
Your number, sir, is...? | 0:08:18 | 0:08:21 | |
'Auction first-timer Sergio made the winning bid of 46,000. | 0:08:21 | 0:08:26 | |
'Sergio is from Costa Rica and he and his Malaysian wife Jan and their son Aslam only moved | 0:08:26 | 0:08:32 | |
'to the UK just over six months ago. | 0:08:32 | 0:08:35 | |
'I met up with Sergio to find out his plans for this plot.' | 0:08:35 | 0:08:40 | |
-Sergio, nice to meet you. -Nice to meet you. -Congratulations. -Thank you. | 0:08:40 | 0:08:44 | |
-Why did you want to buy this plot of land in Corsham? -I'm going to build a two-bedroom house here for sale. | 0:08:44 | 0:08:50 | |
I'm not going to keep it or rent it. I'm planning to sell it when it's finished. | 0:08:50 | 0:08:55 | |
OK. Do you have much experience in building? | 0:08:55 | 0:08:58 | |
I arrived in the UK last year from my home country Costa Rica. | 0:08:58 | 0:09:02 | |
Costa Rica? Oh, beautiful country! | 0:09:02 | 0:09:04 | |
I build five houses there. | 0:09:04 | 0:09:07 | |
'Although he has built five houses in Costa Rica, | 0:09:07 | 0:09:11 | |
'Sergio actually works as a finance manager in nearby Swindon and travels the world with his job. | 0:09:11 | 0:09:17 | |
'So I wondered why he and his family had chosen to settle down in the UK?' | 0:09:17 | 0:09:23 | |
When I was working in Malaysia, I met my wife. We agreed to go to Costa Rica first, | 0:09:23 | 0:09:28 | |
then she wanted to go back to Malaysia which is too far from everything I know. | 0:09:28 | 0:09:34 | |
So we made a compromise to stay in a country that could be in the middle between the two countries. | 0:09:34 | 0:09:40 | |
Costa Rica and Malaysia are on the opposite sides of the world, literally, | 0:09:40 | 0:09:45 | |
so the UK is right in the middle between the two. That's why we are here. | 0:09:45 | 0:09:50 | |
'Sergio and his family live in Swindon and he's bought this land | 0:09:50 | 0:09:55 | |
'as his first property development investment in the UK.' | 0:09:55 | 0:10:00 | |
-What involvement will you have in the whole project? -I'm going to project-manage the project. | 0:10:00 | 0:10:06 | |
I'm going to do it by stages and I'm going to hire the different trades for doing the different things, | 0:10:06 | 0:10:13 | |
so I'm going to find somebody to help me with the excavation and somebody to put the bricks up. | 0:10:13 | 0:10:19 | |
I'll project-manage the whole thing. | 0:10:19 | 0:10:22 | |
'At the moment, Sergio is budgeting around £60,000 for the build, | 0:10:22 | 0:10:26 | |
'but he'll do the work in stages as and when he can afford it.' | 0:10:26 | 0:10:32 | |
Right now, I have money for building the foundations and the walls, and, obviously, to buy the plot. | 0:10:32 | 0:10:39 | |
-Please tell me you've got money for the roof. -No roof yet. -What?! | 0:10:39 | 0:10:43 | |
I hope to put together some money while we build those things, so I can put a roof on at the end. | 0:10:43 | 0:10:49 | |
But it's going to take a few months for getting all that together, | 0:10:49 | 0:10:54 | |
so I plan to save a little bit for putting the roof on. | 0:10:54 | 0:10:58 | |
It is an initial stage to make it waterproof. | 0:10:58 | 0:11:01 | |
I think your roof's going to be kind of important. You've got to get a roof on. | 0:11:01 | 0:11:07 | |
I've got to get a roof. Definitely. | 0:11:07 | 0:11:09 | |
'I think we've established that a roof is non-negotiable. | 0:11:09 | 0:11:13 | |
'It's not always this sunny in England.' | 0:11:13 | 0:11:16 | |
# Nothing but blue skies do I see... # | 0:11:16 | 0:11:19 | |
'Sergio will build the property in line with the planning permission, | 0:11:19 | 0:11:23 | |
'although he'd like to make a few minor changes. I asked him to walk me through them.' | 0:11:23 | 0:11:29 | |
I like the plans. The outside of the house is a nice little cottage. | 0:11:29 | 0:11:34 | |
I want to use this area to become the kitchen and dining, | 0:11:34 | 0:11:39 | |
so I will put the kitchen here, the dining here, | 0:11:39 | 0:11:42 | |
then I will put a wall from here to here. | 0:11:42 | 0:11:45 | |
I will put the downstairs bathroom in this corner, then the entrance of the house will be through here. | 0:11:45 | 0:11:52 | |
What's the main reason for doing that? | 0:11:52 | 0:11:55 | |
-I think the stairs coming out of the kitchen will distribute the smell of food through the whole house. -Right. | 0:11:55 | 0:12:02 | |
And for many people that I talk to, that is something that people don't seem to like in their house, right? | 0:12:02 | 0:12:08 | |
The smell will go upstairs into their bedrooms, so I want the kitchen separated from the rest of the house. | 0:12:08 | 0:12:15 | |
'Talking of smells, Sergio has plans for that sewer too.' | 0:12:15 | 0:12:20 | |
# Lord, I smell trouble ahead of me... # | 0:12:20 | 0:12:26 | |
I need to build two inspection chambers in my property | 0:12:26 | 0:12:29 | |
and then divert this sewage, making it through the side of the land. | 0:12:29 | 0:12:34 | |
That sounds expensive to me. | 0:12:34 | 0:12:36 | |
I'm budgeting at least £5,500 for that, so it's already in my calculations. | 0:12:36 | 0:12:41 | |
-OK. -But it is the only gamble in the project. | 0:12:41 | 0:12:44 | |
I haven't quoted that work yet, so hopefully, it doesn't go higher than that. | 0:12:44 | 0:12:49 | |
-I wish you all the best for the project. -Thank you very much. | 0:12:49 | 0:12:53 | |
Sergio has got experience in building, but only in Costa Rica and things here are slightly different. | 0:12:53 | 0:12:59 | |
He's going to have to consider things like central heating and double glazing | 0:12:59 | 0:13:04 | |
and I do hope he gets his money together to put a roof on because in Corsham that is fairly essential. | 0:13:04 | 0:13:11 | |
Find out how he gets on later. | 0:13:11 | 0:13:13 | |
I'm in Herne Hill in south-west London, | 0:13:16 | 0:13:19 | |
slap-bang between buzzing Brixton and desirable Dulwich. | 0:13:19 | 0:13:23 | |
Over recent years, it's become a hot spot for young professionals | 0:13:23 | 0:13:27 | |
not quite ready to let go of the vibrancy and nightlife of Brixton or forego Dulwich's delis. | 0:13:27 | 0:13:32 | |
But Herne Hill is more than a middle ground location. | 0:13:32 | 0:13:36 | |
It's become desirable in its own right with boutiques, bars and restaurants | 0:13:36 | 0:13:41 | |
and the beautiful Brockwell Park, surrounded by generous Victorian terraces. | 0:13:41 | 0:13:46 | |
It sounds rather lovely. | 0:13:46 | 0:13:48 | |
And so it is, even in the rain. | 0:13:48 | 0:13:51 | |
# You and me and rain on the roof | 0:13:52 | 0:13:56 | |
# Caught up in a summer shower... # | 0:13:56 | 0:14:01 | |
And not only is it lovely, it's handy for London too, only 20 minutes by train. | 0:14:01 | 0:14:06 | |
But Herne Hill feels a million miles away with its lovely village atmosphere. | 0:14:06 | 0:14:12 | |
The property I'm here to see today is in the Poet's Corner conservation area. | 0:14:13 | 0:14:18 | |
Now, it's on Milton Road, it's just down from Shakespeare and Chaucer, | 0:14:18 | 0:14:23 | |
and it's on for a guide of just 360,000. | 0:14:23 | 0:14:27 | |
I can't tell you how many bedrooms it has, | 0:14:27 | 0:14:30 | |
but the catalogue just states it has potential for sub-division into three flats. Well, here it is. | 0:14:30 | 0:14:36 | |
From the outside, it is a lovely, grand old building. | 0:14:36 | 0:14:39 | |
I wonder if inside it's a case of Paradise Lost? | 0:14:39 | 0:14:43 | |
Let's take a look. | 0:14:43 | 0:14:46 | |
The frontages of the houses in this Victorian street are very grand and impressive, | 0:14:46 | 0:14:51 | |
but not stating how many bedrooms there are in this one is a curious omission. | 0:14:51 | 0:14:56 | |
Let's see what secrets this old terraced house is hiding. | 0:14:56 | 0:15:00 | |
You enter the house on the raised ground floor, but it's all very dated. | 0:15:00 | 0:15:05 | |
This door is blocked off and you walk into what was two reception rooms, now knocked into one. | 0:15:05 | 0:15:11 | |
My fingers have been crossed for period features galore, but they've all long gone. | 0:15:11 | 0:15:17 | |
There are fireplaces, but the wrong century. | 0:15:17 | 0:15:20 | |
You can put features back, but you can't create what you've got here - | 0:15:20 | 0:15:24 | |
lovely high ceilings, a gorgeous bay window, | 0:15:24 | 0:15:27 | |
and there's two more floors to go. | 0:15:27 | 0:15:30 | |
From outside, the house appears narrow, but it's actually very deep and roomy inside. | 0:15:30 | 0:15:35 | |
It's not the space that catches your eye first. | 0:15:35 | 0:15:39 | |
It's that worn and dated decor that's begging to be freshened up. | 0:15:39 | 0:15:43 | |
And what a shame that those period features are now long gone! | 0:15:43 | 0:15:47 | |
Down on to the lower ground floor, my first thought is, "Fantastic!" | 0:15:50 | 0:15:55 | |
There's a separate entrance here. | 0:15:55 | 0:15:57 | |
Remember the catalogue suggestion - potential for sub-division into flats. | 0:15:57 | 0:16:02 | |
Block up these stairs and this flat would have its own entrance. | 0:16:02 | 0:16:06 | |
You've got a large room at the front here and, at the back, a smaller space with an oil-burning stove. | 0:16:06 | 0:16:12 | |
This place is a bit of a museum! | 0:16:12 | 0:16:14 | |
If this house was to remain as one home, I'd knock that wall down and open up this space, | 0:16:14 | 0:16:19 | |
put the kitchen and living area down here and put large bi-folding doors leading out on to the garden. | 0:16:19 | 0:16:26 | |
I've done this myself in my own house and it works really well. | 0:16:26 | 0:16:30 | |
I can imagine this space with modern units, but retaining that original plan. | 0:16:30 | 0:16:36 | |
Every room in the house needs work. The place has been left untouched since the '50s. | 0:16:36 | 0:16:41 | |
It all needs to be re-wired, re-plumbed and re-floored. | 0:16:41 | 0:16:46 | |
Just look at that bathroom! | 0:16:46 | 0:16:48 | |
# Pink, it's my new obsession... # | 0:16:48 | 0:16:50 | |
It might have looked sweet back in the day, but it will take a lot of work to get it looking rosy again. | 0:16:50 | 0:16:57 | |
And that's a nasty leak from the bathroom to the ground floor. | 0:16:57 | 0:17:01 | |
I expected this house to have a few rotten floorboards, but what a new angle on the loo! | 0:17:01 | 0:17:07 | |
It's like an en-suite for both floors. | 0:17:08 | 0:17:11 | |
So, two bathrooms, one leaky toilet inside and one out the back that's rather draughty. | 0:17:11 | 0:17:17 | |
I went upstairs to find out once and for all how many bedrooms this house has. | 0:17:17 | 0:17:23 | |
This house is like a zig-zag of half landings leading to further rooms. | 0:17:25 | 0:17:30 | |
I've just passed what was the kitchen, so I suppose up here there's three bedrooms | 0:17:30 | 0:17:35 | |
and what a bedroom! | 0:17:35 | 0:17:37 | |
Look at those windows! | 0:17:37 | 0:17:39 | |
Wow, vast! But the signs of neglect are adding up here and they are beginning to worry me. | 0:17:39 | 0:17:45 | |
Look over here - the plaster is just shot. | 0:17:45 | 0:17:48 | |
Somebody started to repair the floor over there and the windows, but it's all half-hearted | 0:17:48 | 0:17:53 | |
and that says to me this is "a full rip out and start again". No question about it! | 0:17:53 | 0:18:00 | |
Those two other bedrooms aren't in much better condition. | 0:18:00 | 0:18:04 | |
# Rip it up and start again | 0:18:04 | 0:18:07 | |
# Rip it up and start again... # | 0:18:07 | 0:18:11 | |
This property needs so much more than just a lick of paint and a clean, | 0:18:11 | 0:18:16 | |
but there is enormous potential. | 0:18:16 | 0:18:18 | |
The jumble of rooms gives it masses of character and it's ripe for opening up and reorganising. | 0:18:18 | 0:18:24 | |
That means a lot of structural work and the garden is desperate for attention. | 0:18:24 | 0:18:29 | |
It's a fabulous size, but needs digging out. | 0:18:29 | 0:18:32 | |
If you decided to keep that rotting old shed, you're completely potty! | 0:18:32 | 0:18:37 | |
I asked a local estate agent for his thoughts | 0:18:38 | 0:18:41 | |
on this dusty old gem. | 0:18:41 | 0:18:44 | |
My first thought was, "At last I get to see a real London townhouse!" | 0:18:44 | 0:18:49 | |
An original period London townhouse. It's fantastic. | 0:18:49 | 0:18:53 | |
Looking at its condition, it needs a lot of work. | 0:18:53 | 0:18:56 | |
It hasn't been looked after for a very long time. It needs re-wiring, you'd have to put central heating in. | 0:18:56 | 0:19:02 | |
There are some damp problems, so there's a lot of work to be done, | 0:19:02 | 0:19:06 | |
but it will be a great labour of love and fantastic when it's finished. | 0:19:06 | 0:19:11 | |
How much would it take to turn this wreck into a family home? | 0:19:11 | 0:19:16 | |
The spend on this house, depending on what you wanted to do, could be astronomical. | 0:19:16 | 0:19:21 | |
If you wanted to do a proper job with decent equipment and your kitchens and your bathrooms, | 0:19:21 | 0:19:27 | |
you'll spend close to £100,000. | 0:19:27 | 0:19:30 | |
£100,000 on top of the guide price of £360,000? | 0:19:30 | 0:19:35 | |
That's a massive investment. | 0:19:35 | 0:19:37 | |
Would there be any profit to be made by a quick resale without investing in a renovation? | 0:19:37 | 0:19:43 | |
I think the property as it stands would be worth just under the £400,000 mark. | 0:19:43 | 0:19:48 | |
In its current condition, that's a potential pre-tax profit of 40,000 | 0:19:48 | 0:19:52 | |
if it sold for its guide price. | 0:19:52 | 0:19:55 | |
But if the work was done, how much would it be worth? | 0:19:56 | 0:20:00 | |
It could rise anywhere up to about half a million pounds to £550,000. | 0:20:00 | 0:20:05 | |
If it could sell for half a million, that would certainly be an incentive to do the work, | 0:20:05 | 0:20:11 | |
but somebody will need a burning desire for renovation. | 0:20:11 | 0:20:15 | |
There is a huge amount to do. It may not be enough for the rental market. | 0:20:15 | 0:20:19 | |
The problem with this house for rental is the size of it and the layout. | 0:20:19 | 0:20:24 | |
For the amount of money you've got to spend on it to get it up to that level to rent it, | 0:20:24 | 0:20:29 | |
I don't think you'd get the yield back, so there's no rental potential. It has to go to an end buyer. | 0:20:29 | 0:20:35 | |
Let's see who exactly that buyer was at the auction. | 0:20:35 | 0:20:40 | |
Somebody start me at 300, Herne Hill? 300 may I say? | 0:20:40 | 0:20:43 | |
Thank you. 300 I have. 305? | 0:20:43 | 0:20:47 | |
310. 315? 315. 320? | 0:20:47 | 0:20:49 | |
320. 325. 30? 30. 35? | 0:20:49 | 0:20:53 | |
35. 40? 40. 45? | 0:20:53 | 0:20:56 | |
340 I'm bid then. | 0:20:56 | 0:20:58 | |
340 here. Any more? | 0:20:58 | 0:21:02 | |
Thank you, madam. 345. 350? 350. | 0:21:02 | 0:21:05 | |
355? There we are, 355. Sorry. 60? | 0:21:05 | 0:21:10 | |
At 355, I'll take it. 357,500. 360? | 0:21:12 | 0:21:15 | |
360? 360. 362 and a half? | 0:21:16 | 0:21:20 | |
360. | 0:21:20 | 0:21:22 | |
Lady's bid here against you. I'll take 2 and a half...? | 0:21:22 | 0:21:26 | |
At £360,000, sitting down, Herne Hill. First time at 360... | 0:21:26 | 0:21:31 | |
Second time at 360... | 0:21:32 | 0:21:35 | |
Last time, sitting down, at £360,000, against you... | 0:21:36 | 0:21:40 | |
All done at 360, Herne Hill. Sold to you, madam. Well done. | 0:21:40 | 0:21:43 | |
'The winning bidders for this daunting project were Josh and Lynn, Herne Hill locals. | 0:21:43 | 0:21:49 | |
'Josh works in IT and Lynn in a hospital. | 0:21:49 | 0:21:52 | |
'They got the house for the guide price of 360,000, but for them, it's not about the profit margin.' | 0:21:52 | 0:21:58 | |
# Hey, hey, baby... # | 0:21:58 | 0:22:02 | |
'They will renovate it for themselves as their family home.' | 0:22:02 | 0:22:06 | |
# I wanna know if you'll be my girl... # | 0:22:06 | 0:22:10 | |
-Guys, congratulations. -Thank you. -This is a great house. -We hope so. | 0:22:10 | 0:22:14 | |
What did you do to celebrate once you'd got the house? | 0:22:14 | 0:22:18 | |
Oh, gosh. We came here with a bottle of champagne and then nearly cried at all the work we have to do. | 0:22:18 | 0:22:24 | |
Thursday evening we came here and sat here in the dark with a couple of candles | 0:22:24 | 0:22:29 | |
as we hadn't figured out where the fuse box was and drank champagne. | 0:22:29 | 0:22:34 | |
-What's your plan? Are you going to be moving in straight away? -No. -Definitely not. -Definitely not. | 0:22:34 | 0:22:40 | |
In about six months maybe, we hope, we will be in here. | 0:22:40 | 0:22:44 | |
We're having a baby in three months, so that will happen in between. | 0:22:44 | 0:22:48 | |
-You've got a lot going on - a new baby, a new house. -Yeah. | 0:22:48 | 0:22:53 | |
# Hey, hey, baby... # | 0:22:53 | 0:22:58 | |
'With a baby due, they've got a pretty tight six-month deadline, | 0:22:58 | 0:23:03 | |
'so what have they got planned for the place?' | 0:23:03 | 0:23:06 | |
Let's talk about the layout. What's downstairs going to be? | 0:23:06 | 0:23:10 | |
The main living area, the kitchen, the central heart of the house, then the living area to the front | 0:23:10 | 0:23:16 | |
and hopefully build a sun room or a conservatory at the back, | 0:23:16 | 0:23:20 | |
then leading to the garden. | 0:23:20 | 0:23:22 | |
'I'm so glad they're going to get rid of that run-down shed out back. | 0:23:22 | 0:23:26 | |
'It will give them a safe space for the new baby to play in and the local wildlife would approve too. | 0:23:26 | 0:23:32 | |
'Upstairs, Josh and Lynn will save money by preserving the bedrooms, rather than knocking them through. | 0:23:34 | 0:23:41 | |
'But they will have to fork out for a new kitchen and bathroom. Are they worried about the cost?' | 0:23:41 | 0:23:47 | |
We did do an assessment, just really room by room, how much it would come to. | 0:23:47 | 0:23:52 | |
-80,000 is what... -That was 80 with contingencies. | 0:23:52 | 0:23:56 | |
That was a good area of... 12,000 contingency, I think we had. | 0:23:56 | 0:24:01 | |
-I'll be amazed if you do it for £80,000. -Yeah. -Really? -In my experience. | 0:24:01 | 0:24:06 | |
Only because you have a lot of work to do downstairs in the basement. | 0:24:06 | 0:24:10 | |
There are so many different levels down there. | 0:24:10 | 0:24:13 | |
We just have to be careful about researching and sourcing everything that we want to put into the place | 0:24:13 | 0:24:19 | |
and try and get value for money and bargain with people. | 0:24:19 | 0:24:23 | |
This is the climate to do that, so hopefully, we'll be lucky. | 0:24:23 | 0:24:27 | |
'I hope they are. It sounds as though Josh is quite happy to do some of the work himself, | 0:24:27 | 0:24:33 | |
'although he might need to do a little research first.' | 0:24:33 | 0:24:36 | |
I don't know that side of the market too well. | 0:24:36 | 0:24:39 | |
I have no idea how much it would cost to get an expert to knock a wall through, | 0:24:39 | 0:24:44 | |
but I'm going to try and find out how to do it myself, then we'll do that bit. | 0:24:44 | 0:24:50 | |
Don't look at Lynn. She can't help with the wall knocking through! | 0:24:50 | 0:24:54 | |
-I'll give you the mallet. -You can just say, "No, you missed a bit." -I'll sit in the corner and point. | 0:24:54 | 0:25:00 | |
Yeah, OK, you can be project manager. | 0:25:00 | 0:25:03 | |
You've got exciting times ahead. | 0:25:03 | 0:25:05 | |
I'm so pleased it's fallen into the laps of a lovely couple who want this as a home and not a developer. | 0:25:05 | 0:25:12 | |
That would be a shame. It's such a lovely house. | 0:25:12 | 0:25:15 | |
Somebody could have had two or three flats here, | 0:25:15 | 0:25:18 | |
-but it's great it will be a family house. Good luck. -Thank you. | 0:25:18 | 0:25:22 | |
'Coming up, we go to Devon to see how this old chapel has been completely revived. | 0:25:23 | 0:25:28 | |
'I'll be singing its praises later. | 0:25:28 | 0:25:31 | |
'Back in south-east London, Josh was struggling with the amount of work there was to do.' | 0:25:33 | 0:25:40 | |
There's another bunch of rooms to do. That's not so much fun. | 0:25:40 | 0:25:45 | |
'But first, how did the owner of this land get on with his plan to build a house?' | 0:25:45 | 0:25:50 | |
I will build a two-bedroom house. | 0:25:50 | 0:25:53 | |
We're back in Corsham just outside Bath to catch up with Sergio. | 0:25:57 | 0:26:01 | |
He bought this plot at auction for 46,000 and had grand plans to build a two-bedroom house on it. | 0:26:01 | 0:26:07 | |
The land already had planning permission, but Sergio wanted to make a few changes. | 0:26:07 | 0:26:12 | |
I will put the kitchen here, I will put the dining here, | 0:26:12 | 0:26:16 | |
then I will put a wall from here to here. | 0:26:16 | 0:26:20 | |
# A change, a change will do you good... # | 0:26:20 | 0:26:23 | |
So how did Sergio get on with the build? | 0:26:23 | 0:26:26 | |
Well, over a year later, we met up with him at the plot | 0:26:26 | 0:26:30 | |
where we discovered progress had been even slower than a snail's pace. | 0:26:30 | 0:26:36 | |
In fact, it looks exactly the same as it did before. | 0:26:36 | 0:26:40 | |
# All the same | 0:26:40 | 0:26:42 | |
# But you don't know why... # | 0:26:42 | 0:26:45 | |
After he bought the plot, Sergio had a change of career. | 0:26:45 | 0:26:49 | |
He gave up his financial manager job to run a home care agency. | 0:26:49 | 0:26:53 | |
This put the building work on the back burner. | 0:26:53 | 0:26:57 | |
I made a decision to purchase the new business. | 0:26:57 | 0:27:00 | |
I wanted to have enough funds for doing it in a relaxed way, | 0:27:00 | 0:27:06 | |
then I decided to sell the property and release the money that was in here. | 0:27:06 | 0:27:11 | |
I was really looking forward to build this house, but then the priorities changed | 0:27:11 | 0:27:16 | |
and I'm focusing on the new business, rather than the building. | 0:27:16 | 0:27:21 | |
So, Sergio put the land back on the market. | 0:27:21 | 0:27:24 | |
He put it up for sale by tender to see who would offer most for it. | 0:27:24 | 0:27:29 | |
We received quite a few offers and we took the highest offer. | 0:27:29 | 0:27:34 | |
It took a little bit over a month to exchange and basically, that's what happened, yeah. | 0:27:34 | 0:27:40 | |
The market had slumped in the year since he bought it, so he only got £42,000, 4,000 less than he paid. | 0:27:40 | 0:27:47 | |
# It's all about the money... # | 0:27:47 | 0:27:50 | |
But he doesn't sound too downbeat about it. | 0:27:50 | 0:27:53 | |
Based on what is happening in the market in general, it's not a big loss. | 0:27:53 | 0:27:58 | |
You have to be prepared to take a loss here and there sometimes in this industry and in this business, | 0:27:58 | 0:28:04 | |
so it wasn't a big deal, right? | 0:28:04 | 0:28:07 | |
You have to be prepared for taking losses once in a while. | 0:28:07 | 0:28:11 | |
Sergio has a healthy attitude to the loss. | 0:28:11 | 0:28:14 | |
Sometimes in the property world, you just need to take a hit | 0:28:14 | 0:28:18 | |
and besides, a few grand isn't a complete cat-astrophe. | 0:28:18 | 0:28:21 | |
So, just a couple of weeks after he sold the plot at a slight loss, | 0:28:23 | 0:28:28 | |
what do two estate agents think of its prospects now? | 0:28:28 | 0:28:32 | |
I'm probably not surprised that nothing's been built here, | 0:28:32 | 0:28:36 | |
bearing in mind how the market has been since this plot was sold, | 0:28:36 | 0:28:40 | |
but now the market has moved forward quite well, quite considerably, | 0:28:40 | 0:28:44 | |
so now would be a better opportunity of achieving a better figure for it. | 0:28:44 | 0:28:49 | |
In the last 12 months, the market has improved considerably. | 0:28:49 | 0:28:53 | |
The values are certainly stronger. | 0:28:53 | 0:28:56 | |
There hasn't been a great increase, but there's a much better chance to achieve a reasonable price now. | 0:28:56 | 0:29:02 | |
So, if Sergio had built that two-bedroomed house, what kind of return would there have been? | 0:29:02 | 0:29:08 | |
At the moment, it would probably achieve around about £165,000. | 0:29:08 | 0:29:12 | |
Probably somewhere between 155,000 and 160,000 for a two-bedroomed, detached house on this plot. | 0:29:12 | 0:29:19 | |
That is higher than my original numbers. | 0:29:19 | 0:29:22 | |
I was expecting like around 143. | 0:29:22 | 0:29:25 | |
So, again it shows that maybe the market has improved since the time that we made the original valuation. | 0:29:25 | 0:29:32 | |
Sergio reckoned it would cost 100 grand to build the house, | 0:29:32 | 0:29:36 | |
so that could have been a fantastic pre-tax profit of 60 grand. | 0:29:36 | 0:29:40 | |
What return would it have made as a rental? | 0:29:40 | 0:29:43 | |
A two-bedroomed house would readily let in this location right now | 0:29:43 | 0:29:47 | |
and should achieve, unfurnished or furnished, around about £650 per calendar month. | 0:29:47 | 0:29:52 | |
The rental value will be somewhere in the region of £650 a month. | 0:29:52 | 0:29:57 | |
That works out at a healthy yield of over 7.5%. | 0:29:58 | 0:30:02 | |
It sounds like Sergio would have been quids in, had he decided to build. | 0:30:02 | 0:30:07 | |
Does he have any regrets? | 0:30:07 | 0:30:10 | |
Not really because the decision of not building here was a conscious decision | 0:30:10 | 0:30:15 | |
and a change of priority and focus, | 0:30:15 | 0:30:18 | |
so I don't have really major regrets of not building here. | 0:30:18 | 0:30:22 | |
# No regrets... | 0:30:22 | 0:30:25 | |
# They don't work... # | 0:30:27 | 0:30:29 | |
In this case, this plot didn't work out. | 0:30:29 | 0:30:32 | |
On other occasions, I had very good results on other plots, so... | 0:30:32 | 0:30:37 | |
Every project is different and things change a lot and you need to be prepared to adjust accordingly. | 0:30:38 | 0:30:45 | |
And we wish Sergio all the best with his next project. | 0:30:45 | 0:30:49 | |
He may not have built a home on this plot, but at least someone has. | 0:30:49 | 0:30:53 | |
# Little yellow spider, laughing at the snow | 0:30:53 | 0:30:57 | |
# Well, maybe that spider knows something that I don't know... # | 0:30:57 | 0:31:01 | |
'In the summer of 2004, | 0:31:08 | 0:31:10 | |
'I thought I'd found a perfect cottage in Devon, | 0:31:10 | 0:31:14 | |
'but all wasn't quite what it seemed as this dashing young fellow explains.' | 0:31:14 | 0:31:19 | |
Kingskerswell, a tiny village just outside Newton Abbot in Devon. | 0:31:19 | 0:31:24 | |
It's most people's idea of an idyllic rural retreat, | 0:31:24 | 0:31:28 | |
so properties here are both very expensive and difficult to come by. | 0:31:28 | 0:31:32 | |
So, when you see something like this, | 0:31:32 | 0:31:35 | |
a chocolate box, thatched cottage with a guide price of just £95,000, | 0:31:35 | 0:31:41 | |
you definitely take interest. | 0:31:41 | 0:31:43 | |
But of course, things aren't quite what they seem. | 0:31:43 | 0:31:47 | |
There is a bit of a sting in the tail. | 0:31:49 | 0:31:52 | |
That is the cutesy-wootsy bit at the front there. | 0:31:53 | 0:31:57 | |
But that is not up for sale. What is going for auction is the bit at the back. | 0:31:57 | 0:32:02 | |
It's attached, it's got the same lovely thatched roof, so it's definitely still worth looking at, | 0:32:02 | 0:32:08 | |
especially when you discover that it was once the old Gospel Hall. | 0:32:08 | 0:32:12 | |
Well, praise the Lord! | 0:32:12 | 0:32:14 | |
# Hallelujah | 0:32:14 | 0:32:16 | |
# Here I am | 0:32:16 | 0:32:19 | |
# Let's cut the strings tonight... # | 0:32:19 | 0:32:23 | |
So, through the entrance vestibule into what is basically one big, huge space. | 0:32:23 | 0:32:29 | |
It was the Gospel Hall and it's a great big hall. But can you imagine what you could do with this place? | 0:32:29 | 0:32:35 | |
Great big windows, that's lovely. | 0:32:35 | 0:32:37 | |
You've also got this massive ceiling height | 0:32:37 | 0:32:40 | |
and it looks like there's more ceiling height above there which you could open up. | 0:32:40 | 0:32:45 | |
Got a bit of an issue on this wall here with damp. That's penetrating damp. | 0:32:45 | 0:32:50 | |
The level of the soil outside is probably about this level, but you can sort that out with tanking. | 0:32:50 | 0:32:57 | |
This has fantastic potential. | 0:32:57 | 0:33:00 | |
It'll need somebody with imagination and some kind of design skills, | 0:33:00 | 0:33:04 | |
but what an opportunity! | 0:33:04 | 0:33:07 | |
I'm already thinking about how you could fit bedrooms, bathrooms and kitchens in here. | 0:33:13 | 0:33:19 | |
You'd need an architect who spoke the tongues of men and some help from the angels too, I reckon! | 0:33:19 | 0:33:25 | |
One of the big things about this place is its construction which is unconventional. | 0:33:26 | 0:33:32 | |
You've got yourself a thatched roof and cob walls. | 0:33:32 | 0:33:36 | |
These are about three foot thick and made of a mixture of stone, straw and mud. | 0:33:36 | 0:33:41 | |
They're great. This place has been around for 200 years, but you have to look after them in a certain way. | 0:33:41 | 0:33:47 | |
That way is not to cover them in concrete rendering, as happened in the past. | 0:33:47 | 0:33:52 | |
Also, when you restore this place, because it's a listed building, you'll have to rebuild this in cob. | 0:33:52 | 0:33:58 | |
That is something to factor into your cost equations. | 0:33:58 | 0:34:02 | |
Remember, cob is a mixture of earth and straw. | 0:34:02 | 0:34:05 | |
It can be difficult and expensive to replace and so can thatch, but there is something else to consider too. | 0:34:05 | 0:34:11 | |
There is another element to this property and it's round the back. You'll never guess what it is! | 0:34:11 | 0:34:17 | |
Well, actually, you might. | 0:34:17 | 0:34:19 | |
It's a loo. I don't know what this is all about. It's on its own at the back of the property here. | 0:34:19 | 0:34:25 | |
Still, quite a useful space, | 0:34:25 | 0:34:28 | |
especially as the planning permission is to make this the main entrance to the property, | 0:34:28 | 0:34:33 | |
so you put a hole in this wall and have that as your main door and keep that as a loo and a cloakroom. | 0:34:33 | 0:34:39 | |
That makes a big difference here because suddenly you've got good access. | 0:34:39 | 0:34:44 | |
The planning permission is for a two-bedroom cottage. | 0:34:44 | 0:34:47 | |
There's a lot of work here, but talk about a blank canvas! | 0:34:47 | 0:34:51 | |
They don't come much blanker than this. | 0:34:51 | 0:34:55 | |
So let's find out who bought this property at the auction. | 0:34:55 | 0:35:01 | |
Lot 1, where better to start, is Kingskerswell Gospel Hall, Kingskerswell, Newton Abbot. | 0:35:01 | 0:35:06 | |
Is it 100,000 somewhere? Nice and simple. £100,000 somewhere? | 0:35:06 | 0:35:11 | |
100, we're away. I've got 100. 100 I have, at 100. | 0:35:11 | 0:35:14 | |
At 100. 2 for me now? At 100 somewhere. At 100 I've got. | 0:35:14 | 0:35:18 | |
At 100, the opening bid of the day. 100 I've got. | 0:35:18 | 0:35:22 | |
At £100,000. At £100,000. Is there 2 anywhere? | 0:35:22 | 0:35:25 | |
At £100,000 once then. Don't be shy. | 0:35:25 | 0:35:29 | |
Great opportunity. At £100,000 twice. | 0:35:29 | 0:35:32 | |
At £100,000. Are you sure and done because we will be selling to the gentleman down here? | 0:35:32 | 0:35:37 | |
At £100,000 first time, second and third time. | 0:35:37 | 0:35:41 | |
Here we go. Simple as that. You're missing it. At £100,000... | 0:35:41 | 0:35:46 | |
Sir, well done. Spot on. That's the way to do it. | 0:35:46 | 0:35:49 | |
Right, great, we'll be out on the golf course before... | 0:35:49 | 0:35:53 | |
LAUGHTER | 0:35:53 | 0:35:55 | |
'And that first and only bid of 100,000 was made by Daniel.' | 0:35:55 | 0:36:01 | |
# I'm so glad to see you | 0:36:01 | 0:36:04 | |
# I'm so glad you're here... # | 0:36:04 | 0:36:07 | |
'Daniel sounds like the perfect man to take on this place.' | 0:36:07 | 0:36:11 | |
-Tell me about yourself. -I'm an architect in Torquay. Architectural technician, I should say. | 0:36:11 | 0:36:16 | |
I work for a firm over there and we do a lot of listed buildings and that kind of thing | 0:36:16 | 0:36:22 | |
because there's a lot of them in this area. | 0:36:22 | 0:36:24 | |
I'm in the right line of work to do this properly, I hope. | 0:36:24 | 0:36:28 | |
-What did you think when you first saw it? -I just loved it. I loved the setting. | 0:36:28 | 0:36:33 | |
I originally thought that the garden came with it. | 0:36:33 | 0:36:37 | |
I originally thought actually from just calling round and looking that it was the cottage on the front, | 0:36:37 | 0:36:43 | |
but once I got in, I looked around and yes, it's got some problems, it's got damp, | 0:36:43 | 0:36:48 | |
it's just a big space, | 0:36:48 | 0:36:50 | |
but I could see past that, I could see the features that it's got, | 0:36:50 | 0:36:54 | |
particularly in terms of the outside and how pretty it is. | 0:36:54 | 0:36:59 | |
'Having no garden may be a drawback, but it hasn't put Daniel off. | 0:36:59 | 0:37:03 | |
'Let's hope he's just as positive when I show him something he hasn't seen yet.' | 0:37:03 | 0:37:08 | |
Oh, fabulous. It's just what I've always wanted(!) | 0:37:08 | 0:37:12 | |
LAUGHTER | 0:37:12 | 0:37:14 | |
Oh, dear. | 0:37:15 | 0:37:17 | |
That's the neighbour's house. | 0:37:17 | 0:37:19 | |
'Let's hope Daniel doesn't come up against any more brick walls with the planning.' | 0:37:23 | 0:37:28 | |
-So these are the original plans? -Yeah, these were done by the vendor before I was ever involved. | 0:37:28 | 0:37:35 | |
-But I want to change them. -So what have you come up with then? | 0:37:35 | 0:37:39 | |
These are the plans I've been working through. | 0:37:39 | 0:37:42 | |
Similar situation with living and kitchen and bathroom at ground floor level | 0:37:42 | 0:37:47 | |
and a utility room that you enter through. | 0:37:47 | 0:37:50 | |
-I want to keep it completely open to the underside of the eaves. -The whole height? -The whole height. | 0:37:50 | 0:37:57 | |
Then you go up a set of stairs to the first floor plan with a landing | 0:37:57 | 0:38:01 | |
which is like a bridge that runs across between two large bedrooms at the upper floor, | 0:38:01 | 0:38:07 | |
so I intend to give this a real sense of character and height and space and light. | 0:38:07 | 0:38:12 | |
-What are you trying to create in general? -Just something that gives a bit of wow factor as you walk in. | 0:38:12 | 0:38:19 | |
I know it's a cliche, but I feel that a building that has survived this long and is listed | 0:38:19 | 0:38:25 | |
deserves something a bit more than to be partitioned up into little boxes. | 0:38:25 | 0:38:29 | |
-What you're talking about here is not going to be cheap. -No. | 0:38:29 | 0:38:33 | |
Do you have any idea of costs and budgets? | 0:38:33 | 0:38:37 | |
-My budget for it is 60,000. -Right. -Where I find it from, I don't know. | 0:38:37 | 0:38:41 | |
Any idea of how long this is going to take? I suppose a lot of it depends on your finances really. | 0:38:46 | 0:38:53 | |
It does depend on finances. It also depends on how much work I'm prepared to carry out myself. | 0:38:53 | 0:38:59 | |
-I can't wait to come back. -I'll try and speed it on for you, but I can't make any promises. | 0:38:59 | 0:39:05 | |
-Congratulations. You've got the imagination and inspiration to do it. -Thank you. -Well done. | 0:39:05 | 0:39:10 | |
'That was in 2004. When we first went back a few months later, not much had changed. | 0:39:10 | 0:39:16 | |
'But a few years on, Daniel had turned it into a very stylish new home. | 0:39:16 | 0:39:21 | |
'Stay with us to see the fabulous results.' | 0:39:21 | 0:39:24 | |
We've given our buyers time to do the work, but has it all gone to plan? | 0:39:27 | 0:39:32 | |
Will we return to bare plaster or a perfect finish? | 0:39:32 | 0:39:36 | |
Let's find out. | 0:39:36 | 0:39:38 | |
We're back at Herne Hill, south-east London, | 0:39:38 | 0:39:42 | |
where Josh and Lynn bought this Victorian terraced house at auction for the guide price of 360,000. | 0:39:42 | 0:39:48 | |
They had a massive job on their hands to renovate it. | 0:39:48 | 0:39:52 | |
Every room needed complete redecoration and the plumbing and electrics were positively scary. | 0:39:52 | 0:39:58 | |
Their deadline to do the work was six months and Josh was keen to do a lot of it himself. | 0:39:58 | 0:40:04 | |
I have no idea how much it would cost to get an expert to knock a wall through, | 0:40:06 | 0:40:11 | |
but I'm going to try and find out how to do it myself. | 0:40:11 | 0:40:14 | |
That was nearly a year ago, so did all that research pay off? What state is the house in now? | 0:40:14 | 0:40:20 | |
We caught up with Josh and Lynn and their bundle of joy, seven-month-old baby Cara, to find out. | 0:40:20 | 0:40:27 | |
# My baby don't care for shows... # | 0:40:27 | 0:40:30 | |
First of all, Lynn reminds us of how the property used to look. | 0:40:30 | 0:40:35 | |
Well, when we bought the place, it was really, really dark and quite dingy and musty. | 0:40:35 | 0:40:42 | |
Everything was painted mustard and green, so compared to now, there's quite a big difference, I suppose. | 0:40:42 | 0:40:48 | |
There's no supposing about it. The place has been completely transformed. | 0:40:48 | 0:40:54 | |
They redecorated throughout, | 0:40:59 | 0:41:02 | |
stripping off that tattered old wallpaper and putting in new flooring. | 0:41:02 | 0:41:07 | |
But the biggest change was on the cavernous downstairs floor. | 0:41:08 | 0:41:13 | |
This has been completely opened up and become a wonderfully light and cosy family space. | 0:41:13 | 0:41:19 | |
The basement was basically two rooms | 0:41:19 | 0:41:21 | |
and a horrible little dingy corridor and a pantry that was completely musty, | 0:41:21 | 0:41:27 | |
so we've opened everything up, still kept the utility room. | 0:41:27 | 0:41:31 | |
It's a nice, bright area | 0:41:31 | 0:41:33 | |
and this is really the centre of the family day-to-day activities - | 0:41:33 | 0:41:38 | |
cooking and we can see the kids and all getting together and chatting in the evening. | 0:41:38 | 0:41:44 | |
And the homework paid off. Josh managed to knock through those walls himself. | 0:41:44 | 0:41:49 | |
Not bad for a first-timer! | 0:41:49 | 0:41:52 | |
I spent a lot of time online researching how to do it | 0:41:52 | 0:41:55 | |
and talking to my friends who are in the building trade, getting ideas from them. | 0:41:55 | 0:42:01 | |
That side of it is a lot of fun. The decorating is less fun. | 0:42:01 | 0:42:05 | |
After doing one room, you've pretty much figured out how to do it, | 0:42:05 | 0:42:09 | |
then to think there's a bunch of rooms to do, that's not so much fun. | 0:42:09 | 0:42:13 | |
But Josh didn't need to worry too much about the decoration. Lynn handled that side of the operation | 0:42:13 | 0:42:19 | |
and as she was pregnant for most of it, even managed to do it with her feet up. | 0:42:19 | 0:42:25 | |
# And you decorated my life... # | 0:42:25 | 0:42:32 | |
I've had most of the time sitting on the couch and sourcing materials | 0:42:32 | 0:42:36 | |
and the design, I suppose, the interior design of the place. | 0:42:36 | 0:42:41 | |
# You decorated my life... # | 0:42:41 | 0:42:45 | |
Lynn furnished the whole house with second-hand bargains she tracked down on the internet. | 0:42:45 | 0:42:51 | |
We had the fireplace for 99p | 0:42:51 | 0:42:54 | |
and the Belfast sink was a fraction of the price it would have cost originally. | 0:42:54 | 0:42:59 | |
Our biggest bargain, I suppose, was probably the kitchen, | 0:42:59 | 0:43:04 | |
which we got for maybe a tenth of the price off an internet auction site. | 0:43:04 | 0:43:08 | |
And whilst Lynn was hunting for those great deals, | 0:43:08 | 0:43:12 | |
Josh was busy working on the house in his spare time | 0:43:12 | 0:43:15 | |
around his normal work schedule, but he needed expert help for some jobs. | 0:43:15 | 0:43:19 | |
An electrician re-wired the house completely. | 0:43:19 | 0:43:23 | |
Upstairs, he and a team of builders stole some room out of the bedrooms | 0:43:23 | 0:43:27 | |
to create a second bathroom. | 0:43:27 | 0:43:30 | |
And remember that flush of pink in the old one? | 0:43:30 | 0:43:33 | |
Well, thankfully, that's now gone too. | 0:43:33 | 0:43:36 | |
# Ooh, my honey, you got me working day and night... # | 0:43:37 | 0:43:42 | |
There's still a fair bit of decorating to finish upstairs. | 0:43:42 | 0:43:46 | |
There's some painting to be done and in some places, the heating and electrics need fixing. | 0:43:46 | 0:43:52 | |
And the middle floor isn't quite ready to be lived in either. | 0:43:52 | 0:43:56 | |
It's full of junk. It's all my tools and materials. It's a workshop at the moment. | 0:43:56 | 0:44:01 | |
Eventually, we hope to make that into a big double lounge | 0:44:01 | 0:44:05 | |
with shelving and books and cupboards, to make it more of a comfortable seating area. | 0:44:05 | 0:44:10 | |
So, Josh still has more to complete inside and the garden is not quite there yet. | 0:44:10 | 0:44:16 | |
This whole area at the back here was sheds and old conservatories, so that's all been taken away. | 0:44:16 | 0:44:23 | |
Then here, we've put in these sleepers. Not quite finished yet. That side still needs to be done. | 0:44:23 | 0:44:29 | |
The bit at the back we'll grass over and we'll put a bench up against the wall. | 0:44:29 | 0:44:34 | |
And this bit here will be the conservatory. | 0:44:34 | 0:44:37 | |
I asked two local estate agents what they thought of the property | 0:44:38 | 0:44:43 | |
and the work Josh and Lynn have done on it so far. | 0:44:43 | 0:44:46 | |
They've done a fantastic job. | 0:44:48 | 0:44:50 | |
They've kept a lot of the features | 0:44:50 | 0:44:52 | |
and have brought in even more features by stripping floorboards, banister rails. It looks fantastic. | 0:44:52 | 0:44:59 | |
I really like the fact that it offers versatility. | 0:44:59 | 0:45:02 | |
It has lots of period features and it has a contemporary twist as well, | 0:45:02 | 0:45:06 | |
so the fact that it's so versatile is a big plus. | 0:45:06 | 0:45:10 | |
The new layout is fantastic. | 0:45:10 | 0:45:12 | |
They've put in this bathroom, they've used this space which normally would have been left to waste. | 0:45:12 | 0:45:18 | |
I think it's really clever. | 0:45:18 | 0:45:21 | |
They bought the house for 360,000 | 0:45:21 | 0:45:24 | |
and so far have spent around 62 grand doing it up. | 0:45:24 | 0:45:28 | |
Once the renovation is completed, how much could it re-sell for? | 0:45:28 | 0:45:33 | |
Once the work is completed, I would put this property on the market between £550,000 to £600,000. | 0:45:33 | 0:45:40 | |
Once fully renovated, I'd put the property on the resale market for £675,000. | 0:45:40 | 0:45:45 | |
-Wow! -That sounds quite nice. -Really? That sounds pretty good. | 0:45:45 | 0:45:49 | |
Especially with the current climate, I suppose. We're quite pleased. | 0:45:49 | 0:45:53 | |
If they spend their full renovation budget, then their total outlay will be 440,000. | 0:45:54 | 0:46:00 | |
Based on that higher resale estimate of 675,000, | 0:46:00 | 0:46:05 | |
that's a potentially whopping profit of 235 grand, | 0:46:05 | 0:46:10 | |
minus the usual expenses, of course. | 0:46:10 | 0:46:12 | |
But by the sound of it, Lynn, Josh and Cara won't be leaving this house for a good while yet. | 0:46:12 | 0:46:18 | |
When we bought the house, we thought it was our dream home and it still is. | 0:46:18 | 0:46:23 | |
It's taking some time to get there, but no, everything is fantastic. | 0:46:23 | 0:46:27 | |
The fact that we've done it ourselves as well is great. We've made it to look the way we want it. | 0:46:27 | 0:46:34 | |
It's been a lot of work, but it is very satisfying to do something like this. | 0:46:34 | 0:46:39 | |
Being here in this house and being a mum for the first time is absolutely fantastic. | 0:46:39 | 0:46:44 | |
She's just adorable. I couldn't wish for a better baby. | 0:46:44 | 0:46:48 | |
# Drea-ea-eam | 0:46:48 | 0:46:50 | |
# Dream, dream, dream... # | 0:46:50 | 0:46:52 | |
So, a perfect baby in a perfect family home. | 0:46:52 | 0:46:55 | |
Don't you just love stories with happy endings? | 0:46:55 | 0:46:59 | |
# When I want you... # | 0:46:59 | 0:47:01 | |
Back in 2004, tucked behind a picturesque thatched cottage, | 0:47:03 | 0:47:08 | |
I came across an old Gospel Hall. | 0:47:08 | 0:47:11 | |
It wasn't much more than one large room with a toilet at the back, | 0:47:11 | 0:47:15 | |
but it was the fact that it was a blank canvas that appealed to architectural technician Daniel | 0:47:15 | 0:47:21 | |
who paid £100,000 for it at auction. | 0:47:21 | 0:47:24 | |
-I want to keep it completely open to the underside of the eaves. -The whole height? -Yes. | 0:47:24 | 0:47:30 | |
You go up some stairs to the first floor with a landing like a bridge | 0:47:30 | 0:47:34 | |
that runs across between two large bedrooms. | 0:47:34 | 0:47:37 | |
-What are you trying to create in general? -Just something that gives a bit of wow factor as you walk in. | 0:47:37 | 0:47:44 | |
Daniel had some great plans, but the first time we returned, there wasn't much progress. | 0:47:45 | 0:47:51 | |
So you can see there hasn't been that much of a change in here, | 0:47:51 | 0:47:55 | |
except a few holes in the floor and plasterboard removed from the walls. | 0:47:55 | 0:47:59 | |
That's because I've been dealing with planning permission, building regulations applications, | 0:47:59 | 0:48:04 | |
tender packages and the legal side of things, so quite a lot to be done. | 0:48:04 | 0:48:09 | |
Time marched on and Daniel continued to work | 0:48:09 | 0:48:13 | |
at turning his dreams into reality. | 0:48:13 | 0:48:16 | |
Now, five years later, we're back. | 0:48:16 | 0:48:19 | |
What we had here was just a great big hall and a rather sub-standard toilet. | 0:48:19 | 0:48:24 | |
And now just look at it! | 0:48:31 | 0:48:34 | |
The old hall is now Daniel's home and he's lived here nearly four years. | 0:48:37 | 0:48:42 | |
I changed the design, so that we used the toilet as the main entrance. | 0:48:42 | 0:48:47 | |
You come down from street level into the centre of the building | 0:48:47 | 0:48:51 | |
whereas before, you came in right on a corner. | 0:48:51 | 0:48:54 | |
The recess where the toilet was has been turned into a study. | 0:48:58 | 0:49:02 | |
To one side of the dining room and that central stairwell is a great kitchen. | 0:49:07 | 0:49:13 | |
And on the other side of the hall, there is a beautifully finished lounge. | 0:49:23 | 0:49:29 | |
I was on site an awful lot, managing the building process as well | 0:49:36 | 0:49:41 | |
and making sure that the details were undertaken in the way that I wanted them to be. | 0:49:41 | 0:49:46 | |
That's fantastic when you see something coming out of the ground and from the paper | 0:49:46 | 0:49:52 | |
actually being built physically. | 0:49:52 | 0:49:54 | |
It's a pretty special feeling to know that that's your design and that's your creation. | 0:49:54 | 0:50:00 | |
And boy, does this place fulfil the vision! | 0:50:00 | 0:50:03 | |
With two bedrooms and a bathroom upstairs, | 0:50:10 | 0:50:13 | |
Daniel has created a fantastic cottage from an empty shell. | 0:50:13 | 0:50:17 | |
The Gospel Hall really does have something to sing about now. | 0:50:17 | 0:50:21 | |
But getting to this stage wasn't without difficulties and heartache. | 0:50:40 | 0:50:45 | |
When you were last here, nothing had happened. I'd done a little bit of investigation work into the structure | 0:50:45 | 0:50:51 | |
and found a brick wall behind one of the cupboards in the corner of what is now the living room. | 0:50:51 | 0:50:57 | |
Oh, fabulous(!) | 0:50:58 | 0:51:00 | |
I thought, "Oh, no, what is going on here?" | 0:51:00 | 0:51:03 | |
I was taken to the pub by my mates and I cried into a pint because I thought, "It's the end of the world." | 0:51:03 | 0:51:10 | |
It might not be the end of the world after all. | 0:51:10 | 0:51:13 | |
Daniel thought the wall might restrict his renovation plans, | 0:51:13 | 0:51:17 | |
but he found a way of building around it, perhaps fuelled by those beers. | 0:51:17 | 0:51:22 | |
This is what I've called the flying freehold. | 0:51:23 | 0:51:27 | |
What this means is the original wall of the property is set back into that recess | 0:51:27 | 0:51:32 | |
and this area was the area that I originally thought was a cupboard. | 0:51:32 | 0:51:36 | |
It isn't. It's the neighbour's house. | 0:51:36 | 0:51:39 | |
So we had to keep that because it's historic, | 0:51:39 | 0:51:42 | |
so what I've done is I've tried to use that within the design | 0:51:42 | 0:51:46 | |
and I've mirrored it with a porchway that leads out to the garden | 0:51:46 | 0:51:50 | |
and I've created this recess which has got my bookcase and my fish tank, so it worked out quite successfully. | 0:51:50 | 0:51:56 | |
What an elegant solution this is! | 0:51:58 | 0:52:00 | |
It really looks like it was always meant to be this way and that's what good design is all about. | 0:52:00 | 0:52:06 | |
This area was originally going to be just a bridge walkway | 0:52:06 | 0:52:11 | |
between the two bedrooms and completely open on both sides, | 0:52:11 | 0:52:15 | |
but practically speaking, I needed to move the bathroom from downstairs up to this location. | 0:52:15 | 0:52:21 | |
But I've kept the open, double height space on this side and it works really well. | 0:52:21 | 0:52:26 | |
It throws a lot more light into the downstairs space. | 0:52:26 | 0:52:30 | |
This feature was another element of the building which I discovered as I was looking through. | 0:52:33 | 0:52:39 | |
It's a very large steel beam. | 0:52:39 | 0:52:41 | |
At some point in the past, the roof must have burnt down or has been removed and the solution was | 0:52:41 | 0:52:47 | |
to put a huge steel beam that runs the entire length of the original chapel. | 0:52:47 | 0:52:52 | |
That supports the roof, so I had to be careful when putting the dormers in and doing the works to the roof | 0:52:52 | 0:52:58 | |
that I didn't disturb this structure. | 0:52:58 | 0:53:00 | |
So, one by one, Daniel came up with imaginative answers to each problem he was presented with. | 0:53:04 | 0:53:10 | |
However, there was one area he couldn't do much about. | 0:53:10 | 0:53:14 | |
This is the garden area. It's not very big, but I've done my best with it. | 0:53:14 | 0:53:19 | |
It was a muddy little strip before and I've put some plants in, some herbs and some pots. It does for me. | 0:53:19 | 0:53:25 | |
In fact, Daniel completed most of the work here four years ago. | 0:53:25 | 0:53:30 | |
What a great project for an architectural technician this was! | 0:53:30 | 0:53:34 | |
When you're working for yourself, it's a lot more difficult | 0:53:34 | 0:53:38 | |
because there's only one person involved, there's no-one to bounce ideas off. | 0:53:38 | 0:53:43 | |
There's nobody to say, "No, I want to do it this way." | 0:53:43 | 0:53:47 | |
You're the master of your own destiny. Sometimes that can work out and sometimes it doesn't. | 0:53:47 | 0:53:52 | |
And in this case he had a bit of a split personality. | 0:53:52 | 0:53:56 | |
On one hand, he was the architect, and on the other, the client. | 0:53:56 | 0:54:00 | |
I was a terrible client. I started without the finance being in place. | 0:54:00 | 0:54:05 | |
I changed my mind quite a lot, particularly through the design process. | 0:54:05 | 0:54:09 | |
I had about five designs on the go. | 0:54:09 | 0:54:12 | |
If I was the architect for myself, I'd be tearing my hair out and demanding lots more fees. | 0:54:12 | 0:54:18 | |
A-ha, more fees! That suggests Daniel's £60,000 budget may not have been enough | 0:54:18 | 0:54:23 | |
for this exacting client. | 0:54:23 | 0:54:25 | |
I spent 64,000 with the main contractor | 0:54:25 | 0:54:29 | |
and then I sort of lost track of the budget a little bit. | 0:54:29 | 0:54:33 | |
I guess, at the end of the day, I've spent about 90 on it in total, | 0:54:33 | 0:54:37 | |
so I've way exceeded the original, laughable budgets I came up with. | 0:54:37 | 0:54:42 | |
He paid £100,000 for it at the auction | 0:54:42 | 0:54:46 | |
and spent another £90,000 plus costs, | 0:54:46 | 0:54:49 | |
so his outlay will have been close to £200,000. | 0:54:49 | 0:54:53 | |
As the markets have been on a roller-coaster ride since he bought it five years ago, | 0:54:53 | 0:54:58 | |
how has this unique property fared? What do two local estate agents think? | 0:54:58 | 0:55:03 | |
It's a really pretty cottage. The gentleman's done a lovely job here. | 0:55:03 | 0:55:07 | |
It's bright, spacious, even though it is a small cottage. I really like it. | 0:55:07 | 0:55:12 | |
It's a great property. You've got a really good mix of old and new. | 0:55:12 | 0:55:16 | |
And a tucked away location. A real hidden gem. | 0:55:16 | 0:55:20 | |
It's been very thoughtfully designed, a good layout and it flows very well. | 0:55:20 | 0:55:24 | |
The downside to the property could be the parking, but there's lots of on-street parking out there. | 0:55:24 | 0:55:30 | |
And having no garden will hold the value. | 0:55:30 | 0:55:34 | |
Does the lack of garden prevent Daniel reaping a return on his 200-grand investment? | 0:55:35 | 0:55:41 | |
I would be marketing this property in the region of 195,000 to 200,000. | 0:55:43 | 0:55:48 | |
I would be putting this property on the market for £200,000. | 0:55:48 | 0:55:53 | |
That's probably about right for this market and it's certainly not more than I spent on the property, | 0:55:53 | 0:55:59 | |
so I'm reasonably pleased with that. | 0:55:59 | 0:56:01 | |
Hopefully, that might improve in a better financial climate. | 0:56:01 | 0:56:05 | |
Initially then, this may not be a big money-spinner for Daniel, | 0:56:08 | 0:56:12 | |
but the project was always about more than financial rewards. | 0:56:12 | 0:56:16 | |
I love it. It's got a lot of my time, blood, sweat and tears in it, so I'm bound to, aren't I? | 0:56:16 | 0:56:23 | |
Yes, this has been a great learning curve for Daniel and a chance to put his ideas into practice, | 0:56:23 | 0:56:29 | |
but perhaps most important of all, he's ended up with a fantastic home he's completely in tune with. | 0:56:29 | 0:56:36 | |
I hope you've enjoyed the triumphs and tribulations of today's show. | 0:56:39 | 0:56:43 | |
-Join us next time for more Homes Under The Hammer. -See you then. -Bye. | 0:56:43 | 0:56:48 | |
Subtitles by Subtext for Red Bee Media Ltd 2010 | 0:57:04 | 0:57:08 | |
Email [email protected] | 0:57:08 | 0:57:12 |