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Hello, whether you're buying a property as a place to live in or an investment, | 0:00:00 | 0:00:03 | |
you want to make sure that you've bought wisely. | 0:00:03 | 0:00:06 | |
It may be difficult to find, | 0:00:06 | 0:00:07 | |
but what you're looking for is value for money. | 0:00:07 | 0:00:10 | |
Yeah, one way to find that is at the auctions. | 0:00:10 | 0:00:13 | |
From rundown flats to magnificent mansions, | 0:00:39 | 0:00:42 | |
there's always something on offer at auction. | 0:00:42 | 0:00:44 | |
So here are the lots | 0:00:44 | 0:00:45 | |
that made our buyers put their hands in their pockets on today's show. | 0:00:45 | 0:00:49 | |
In Darlington, I take a look at the three-bedroomed end terrace | 0:00:51 | 0:00:55 | |
with added extras. | 0:00:55 | 0:00:57 | |
It's stuck on like a bit of a carbuncle on the property. | 0:00:57 | 0:01:00 | |
This three-bedroomed property in Fulham, London, | 0:01:00 | 0:01:04 | |
sets alarm bells ringing. | 0:01:04 | 0:01:06 | |
Now, this would certainly put a lot of potential buyers off. | 0:01:06 | 0:01:10 | |
And what's going on behind closed doors | 0:01:10 | 0:01:13 | |
in this two-bedroomed terraced house in Burnley? | 0:01:13 | 0:01:16 | |
Hm, try the back. | 0:01:18 | 0:01:20 | |
All these properties were sold at auction, | 0:01:20 | 0:01:23 | |
and we find out who bought them and what they paid for them | 0:01:23 | 0:01:26 | |
when they go under the hammer. | 0:01:26 | 0:01:28 | |
Sold to you, sir, your paddle number, please? | 0:01:28 | 0:01:30 | |
Today in the town of Darlington, | 0:01:36 | 0:01:39 | |
which owes much of its development to the influence of local Quaker families | 0:01:39 | 0:01:43 | |
during the Victorian era. | 0:01:43 | 0:01:44 | |
It's most famous, however, | 0:01:46 | 0:01:48 | |
as the location for the world's first-ever railway. | 0:01:48 | 0:01:52 | |
So, will today's property be right on track or off the rails? | 0:01:52 | 0:01:57 | |
Well, I'm in a residential part of Darlington | 0:02:00 | 0:02:03 | |
where the properties are a bit more affordable than other parts, | 0:02:03 | 0:02:06 | |
and the property I'm here to see sounds very interesting. | 0:02:06 | 0:02:09 | |
It's this building here, | 0:02:09 | 0:02:11 | |
it's actually a terraced end there with this bit stuck on the end. | 0:02:11 | 0:02:14 | |
Sounds a bit strange, but it was previously a shop. | 0:02:14 | 0:02:18 | |
Aha, now it's making sense. | 0:02:18 | 0:02:19 | |
The big question is, wonder if you could convert it back, perhaps. | 0:02:19 | 0:02:22 | |
The entrance to this bit is round the corner, | 0:02:22 | 0:02:25 | |
the main part of the three-bed terrace is there, | 0:02:25 | 0:02:28 | |
£55,000 was the guide price, let's take a look. | 0:02:28 | 0:02:32 | |
The property used to be a bakers with living accommodation attached, | 0:02:34 | 0:02:37 | |
but it has since been converted into one three-bedroom house. | 0:02:37 | 0:02:42 | |
From the outside, though, | 0:02:42 | 0:02:44 | |
it looks like it could be big enough to develop back into two separate properties. | 0:02:44 | 0:02:49 | |
So, what's on offer? | 0:02:51 | 0:02:52 | |
Right, through the front door and a narrow corridor, | 0:02:52 | 0:02:56 | |
it feels a bit claustrophobic, | 0:02:56 | 0:02:58 | |
but on the left-hand side, oh, a bit of good and a bit of bad. | 0:02:58 | 0:03:01 | |
Very nice fireplace, we like that, | 0:03:01 | 0:03:04 | |
but, uh, not looking very good on the old damp, | 0:03:04 | 0:03:06 | |
or whatever's going on on the wall there. | 0:03:06 | 0:03:08 | |
Needs more investigating. | 0:03:08 | 0:03:09 | |
Hopefully it's not going to be a tale of two houses here. | 0:03:09 | 0:03:14 | |
Once the peeling wallpaper and cracks are sorted, | 0:03:14 | 0:03:17 | |
then in amongst the woodchip, the lively carpets and floral wall coverings, | 0:03:17 | 0:03:21 | |
there are some appealing features. | 0:03:21 | 0:03:24 | |
Such as this lovely fireplace. | 0:03:24 | 0:03:26 | |
A reminder of what this traditional home was once all about. | 0:03:26 | 0:03:30 | |
Through to the rear living room area, and a nice sized space, | 0:03:33 | 0:03:37 | |
but I am seeing some strange things going on with the floors, | 0:03:37 | 0:03:41 | |
it feels as you walk around that you're sort of going up and down quite a lot, | 0:03:41 | 0:03:44 | |
and some very strange stuff going on with the ceilings too, | 0:03:44 | 0:03:47 | |
lots of places where it's lower than other places. | 0:03:47 | 0:03:50 | |
Lots of storage, though, and a few nice original features. | 0:03:50 | 0:03:53 | |
You know, strip these back, that would be quite pleasant. | 0:03:53 | 0:03:56 | |
But then this layout continues to be strange, | 0:03:56 | 0:03:58 | |
you come up these, well, single step, basically, into the kitchen. | 0:03:58 | 0:04:03 | |
Now, it's really an unpleasant little space. | 0:04:03 | 0:04:07 | |
I mean, even with some nice units in here, you've got a low ceiling. | 0:04:07 | 0:04:10 | |
It's just stuck on like a bit of a carbuncle on the property. | 0:04:10 | 0:04:13 | |
All in all, the layout here, certainly downstairs, | 0:04:13 | 0:04:17 | |
really needs some thinking about. | 0:04:17 | 0:04:19 | |
It actually feels like two properties sort of smudged together, | 0:04:23 | 0:04:27 | |
without much thought about the grey area in the middle. | 0:04:27 | 0:04:31 | |
Which brings me on to the stairs. | 0:04:31 | 0:04:33 | |
So, up a slightly strange staircase, | 0:04:33 | 0:04:37 | |
it actually gets narrower at the top there, | 0:04:37 | 0:04:39 | |
and again, the floor feels a bit strange, | 0:04:39 | 0:04:42 | |
but onto this two-level, kind of landing area. | 0:04:42 | 0:04:45 | |
Bathroom there, it's a good size, but very tired and dated. | 0:04:45 | 0:04:48 | |
Three bedrooms up here, a decent size one there, | 0:04:48 | 0:04:52 | |
a very big one at the front of the property there, | 0:04:52 | 0:04:55 | |
and then up to above, basically, the shop unit downstairs, | 0:04:55 | 0:04:58 | |
where there is this third bedroom. | 0:04:58 | 0:05:01 | |
It's a good size, not very good ceiling height, | 0:05:01 | 0:05:04 | |
and again, uh, like downstairs, | 0:05:04 | 0:05:06 | |
just, it's something not quite right. | 0:05:06 | 0:05:09 | |
It needs to have a good think. | 0:05:09 | 0:05:11 | |
But at least you do have, you know, the space to play with. | 0:05:11 | 0:05:15 | |
# I'm lost in space, I'm lost in time... # | 0:05:15 | 0:05:21 | |
It's space right enough, | 0:05:21 | 0:05:23 | |
although it is all over the place as one property. | 0:05:23 | 0:05:26 | |
But this room, teamed with the kitchen carbuncle, | 0:05:26 | 0:05:30 | |
could create a nice little one-bedroomed house. | 0:05:30 | 0:05:33 | |
I wonder if this property's wonky ways continue outside? | 0:05:33 | 0:05:38 | |
So, out through the kitchen into this little courtyard area at the back. | 0:05:38 | 0:05:43 | |
Now, you got an outside loo, | 0:05:43 | 0:05:45 | |
you've got access to the alleyway at the back there | 0:05:45 | 0:05:47 | |
which is good, you could park a car in here. | 0:05:47 | 0:05:50 | |
The issue is going to be if you want to split this into two properties, | 0:05:50 | 0:05:53 | |
cos who shares this? | 0:05:53 | 0:05:54 | |
Certainly the planners will want to see somewhere for both properties | 0:05:54 | 0:05:58 | |
to store things like their wheelie bins or whatever, | 0:05:58 | 0:06:01 | |
and also maybe a bike rack. | 0:06:01 | 0:06:02 | |
So, you're going to have to address that, | 0:06:02 | 0:06:04 | |
but at least you have got the space. | 0:06:04 | 0:06:06 | |
Having the space is one thing, | 0:06:10 | 0:06:12 | |
but converting it into two properties | 0:06:12 | 0:06:15 | |
will require jumping over some logistical hurdles. | 0:06:15 | 0:06:18 | |
Now, this door comes out of the rear of what was the shop unit, but | 0:06:18 | 0:06:21 | |
it actually comes out onto the side alley at the side of the property. | 0:06:21 | 0:06:25 | |
Now, I think if this was to be your main entrance door | 0:06:25 | 0:06:28 | |
to any potential extension, maybe a flat, | 0:06:28 | 0:06:30 | |
I don't think that is necessarily going to be particularly popular with the planners, | 0:06:30 | 0:06:34 | |
you're probably going to have to relocate this door to the front, | 0:06:34 | 0:06:37 | |
it's more time and expense, but at the end of the day, | 0:06:37 | 0:06:40 | |
I still think there's enough money in this to make it worthwhile. | 0:06:40 | 0:06:44 | |
So, if it was me, I'd opt for turning it into two separate houses | 0:06:44 | 0:06:49 | |
as the potential return would be well worth the cost of conversion. | 0:06:49 | 0:06:52 | |
But what does a local property expert think | 0:06:52 | 0:06:54 | |
of three-bedroom end of terrace that had a guide price of £55,000? | 0:06:54 | 0:07:01 | |
It's a nice, big house, formerly a terraced house with shop | 0:07:02 | 0:07:05 | |
which has been knocked through into one large house. | 0:07:05 | 0:07:09 | |
Probably should be converted back to two separate dwellings, | 0:07:09 | 0:07:12 | |
a two-bedroom terrace and, I think, a one-bedroom end terrace cottage. | 0:07:12 | 0:07:17 | |
With the current layout, what could it achieve on the market today? | 0:07:17 | 0:07:21 | |
Once renovated, I would see the property | 0:07:21 | 0:07:25 | |
selling for around the £95,000 to £100,000. | 0:07:25 | 0:07:27 | |
And if converted to two separate dwellings, | 0:07:27 | 0:07:30 | |
comprising a two-bedroom terrace and a one-bedroom property? | 0:07:30 | 0:07:34 | |
Once renovated, I would see the two-bedroom mid-terrace property | 0:07:34 | 0:07:39 | |
selling for in the region of £75,000-£80,000. | 0:07:39 | 0:07:42 | |
And the one-bedroom cottage, once renovated, | 0:07:42 | 0:07:45 | |
achieving £55,000-£60,000. | 0:07:45 | 0:07:48 | |
Well, there are obviously some issues to resolve here, | 0:07:48 | 0:07:51 | |
especially if you're looking to do what I think you should, | 0:07:51 | 0:07:54 | |
and that's convert it into two properties, | 0:07:54 | 0:07:56 | |
not least relocating the second door. | 0:07:56 | 0:07:58 | |
But, still, at that £55,000 guide price, | 0:07:58 | 0:08:01 | |
I think there's money to be made here. | 0:08:01 | 0:08:04 | |
Let's see who agreed when it went under the hammer. | 0:08:04 | 0:08:06 | |
It's your end terrace, formerly house with shop attached, | 0:08:06 | 0:08:10 | |
but it's now substantial three-bed home. | 0:08:10 | 0:08:13 | |
£53 to start? | 0:08:13 | 0:08:14 | |
51? | 0:08:16 | 0:08:17 | |
50. | 0:08:19 | 0:08:20 | |
It's a big house, anyone here at all want to make a bid on this one? | 0:08:20 | 0:08:25 | |
We'll withdraw that. | 0:08:28 | 0:08:30 | |
-50. -You're here for 50? | 0:08:30 | 0:08:33 | |
We've got the one bid at 50, is anyone else shy as well and not being in? | 0:08:33 | 0:08:36 | |
We've got the one bid at £50,000. | 0:08:36 | 0:08:39 | |
Anything else at 50? | 0:08:39 | 0:08:40 | |
51 bid, 52, 53? | 0:08:40 | 0:08:44 | |
54? 55? | 0:08:44 | 0:08:47 | |
We're at £54,000, I'm going to sell, I'll take 500. | 0:08:47 | 0:08:51 | |
It's at £54,000, I'm selling it once, it's your last chance. | 0:08:51 | 0:08:55 | |
For the second, 54 and a half, | 0:08:55 | 0:08:57 | |
55, 55 bid, I'm going to speed you up, it's at £55,000. | 0:08:57 | 0:09:01 | |
I'll take a half. | 0:09:01 | 0:09:03 | |
Gentleman standing £55,000, I'm going to sell it once, | 0:09:03 | 0:09:06 | |
I'm selling it for the second time, | 0:09:06 | 0:09:09 | |
sold for £55,000 to the gentleman standing. | 0:09:09 | 0:09:12 | |
Bidding was slow to start on this one, | 0:09:12 | 0:09:14 | |
but nipping in to get the ball rolling just in the nick of time | 0:09:14 | 0:09:19 | |
with his successful bid of £55,000, was maths teacher, Mark. | 0:09:19 | 0:09:24 | |
I met up with him and his builder mate, John, | 0:09:24 | 0:09:26 | |
to find out if the sums would add up on this Darlington dwelling. | 0:09:26 | 0:09:30 | |
# Drivin' in to Darlington County... # | 0:09:30 | 0:09:33 | |
Mark, John, great to meet you both. Congratulations. | 0:09:33 | 0:09:36 | |
Tell me why you wanted to buy this place. | 0:09:36 | 0:09:38 | |
Really, I suppose it was the rental opportunity we saw in it, | 0:09:38 | 0:09:41 | |
-we're hoping to try to split it into two separate properties. -Ah. | 0:09:41 | 0:09:45 | |
And it's the opportunity to get two incomes from the property, yeah. | 0:09:45 | 0:09:48 | |
Now, you had a look round before you bought it? | 0:09:48 | 0:09:50 | |
-Yeah, we did have a look. -Did you see anything to worry about? | 0:09:50 | 0:09:54 | |
Well, there's a little bit of, well, there's the crack in the front room | 0:09:54 | 0:09:57 | |
but we've had a look at it, I don't think it's anything to worry about. | 0:09:57 | 0:10:01 | |
Before we go very much further, | 0:10:01 | 0:10:03 | |
the auction there, it seemed like you almost didn't get it? | 0:10:03 | 0:10:07 | |
Yeah, I was obviously waiting to see how low he was going to go, | 0:10:07 | 0:10:10 | |
and before I knew it, he'd withdrawn it from the market, | 0:10:10 | 0:10:13 | |
obviously at that point there was an element of panic | 0:10:13 | 0:10:16 | |
-which you probably caught on film. -Ha ha, yeah. | 0:10:16 | 0:10:19 | |
I thought for a second that we'd lost the chance to buy the house, | 0:10:19 | 0:10:22 | |
so when we got back in the race, it was good news. | 0:10:22 | 0:10:24 | |
-A bit of a relief? -Yeah, it was. -So, tell me about you two. | 0:10:24 | 0:10:27 | |
Um, been friends for a while, haven't we? | 0:10:27 | 0:10:31 | |
-Yeah. -I've got a business doing building anyway, | 0:10:31 | 0:10:33 | |
that's what I do for other people, for clients. | 0:10:33 | 0:10:36 | |
-What do you do, Mark? -I'm a teacher, a maths teacher. | 0:10:36 | 0:10:39 | |
-A maths teacher, so you're good with the numbers, then? -Yeah, well, hopefully. | 0:10:39 | 0:10:43 | |
I'm not making any promises. | 0:10:43 | 0:10:45 | |
How's it going to work financially between you two? | 0:10:45 | 0:10:49 | |
John's obviously going to be getting a wage for the work that he's doing. | 0:10:49 | 0:10:52 | |
You going to do him a bit of a deal, are you? | 0:10:52 | 0:10:55 | |
-Oh, definitely, definitely, mates' rates. -Mates' rates. | 0:10:55 | 0:10:58 | |
# Cos friends will be friends... # | 0:10:58 | 0:11:02 | |
So, the boys are intent on the two-for-one idea, | 0:11:03 | 0:11:07 | |
but there's so much to do here, what's the master plan? | 0:11:07 | 0:11:10 | |
Well, first of all it'll be a full rip out, | 0:11:10 | 0:11:13 | |
we'll tear everything back to brick, | 0:11:13 | 0:11:15 | |
cos the majority of the walls are getting reskimmed. | 0:11:15 | 0:11:18 | |
I'm try to do it as modern as we can, | 0:11:18 | 0:11:19 | |
and just get everything back to a brand-new, modern look. | 0:11:19 | 0:11:23 | |
And the idea is then, once it's done, rent it out | 0:11:23 | 0:11:27 | |
-and build a bit of a pension? -Yeah, that's the thing, | 0:11:27 | 0:11:31 | |
there isn't really any long-term plans as to what to do with it. | 0:11:31 | 0:11:34 | |
I mean, obviously, there'll be the possibility to do more, | 0:11:34 | 0:11:37 | |
but for now it's just the idea of getting them done up, | 0:11:37 | 0:11:40 | |
getting people in there, and getting the income coming in off that. | 0:11:40 | 0:11:44 | |
Stairs are a bit tight. | 0:11:48 | 0:11:50 | |
What sort of budget does Mark have to do this project? | 0:11:50 | 0:11:53 | |
Initially, sort of around the time of putting the bid in and stuff, | 0:11:55 | 0:11:59 | |
around the time of the auction, | 0:11:59 | 0:12:00 | |
I think we were looking at around £25,000, | 0:12:00 | 0:12:04 | |
but, a few more costs have cropped up, | 0:12:04 | 0:12:06 | |
so we're thinking if it's somewhere between 30 and top end 35, | 0:12:06 | 0:12:09 | |
I'll be happy with that. | 0:12:09 | 0:12:11 | |
So what is the timescale for the whole project? | 0:12:11 | 0:12:13 | |
You were thinking about... | 0:12:13 | 0:12:15 | |
Well, yeah, I was going to say three months, | 0:12:15 | 0:12:17 | |
but if I say three to four months to Mark, | 0:12:17 | 0:12:19 | |
then he's not panicking if we don't get anywhere near. | 0:12:19 | 0:12:22 | |
Well, listen, congratulations, good luck with it. | 0:12:22 | 0:12:25 | |
-We look forward to seeing how you get on. -Yeah. -Thank you. | 0:12:25 | 0:12:28 | |
So, how is Mark going to get on with this, his first development project? | 0:12:28 | 0:12:33 | |
Well, he's crossed one major hurdle, he's got a good builder lined up, | 0:12:33 | 0:12:36 | |
and he's a friend, it doesn't get much better than that. | 0:12:36 | 0:12:39 | |
Work to do to sort this place, | 0:12:39 | 0:12:41 | |
but I'm glad they've decided to go down the two properties route. | 0:12:41 | 0:12:44 | |
Still, there's the whole issue of will they get planning permission to do that? | 0:12:44 | 0:12:48 | |
You can find out how it all goes later in the show. | 0:12:48 | 0:12:51 | |
Welcome to Fulham in south-west London, I'm in the Sands End area, | 0:12:54 | 0:12:59 | |
Now, it used to be a quiet, less well-known part of the capital. | 0:12:59 | 0:13:02 | |
But the new Imperial Wharf railway station has changed all of that, | 0:13:02 | 0:13:06 | |
and put this place firmly on the map. | 0:13:06 | 0:13:09 | |
Millions have been pumped into this area, | 0:13:09 | 0:13:12 | |
making it a much more glamorous and accessible location. | 0:13:12 | 0:13:16 | |
# The glamorous | 0:13:16 | 0:13:17 | |
# The glamorous, glamorous... # | 0:13:17 | 0:13:19 | |
It's all looking very glitzy down by the river, | 0:13:21 | 0:13:24 | |
a good choice of transport links here | 0:13:24 | 0:13:27 | |
make this part of the capital much more accessible than before. | 0:13:27 | 0:13:31 | |
And if trains are not for you, | 0:13:31 | 0:13:33 | |
perhaps you'd prefer to travel by helicopter. | 0:13:33 | 0:13:36 | |
The property I'm here to see has an SW6 postcode. | 0:13:36 | 0:13:41 | |
Now, research has revealed that, on average, | 0:13:41 | 0:13:43 | |
two-bedroomed properties lucky enough to have that postcode | 0:13:43 | 0:13:47 | |
can achieve £690,000. | 0:13:47 | 0:13:50 | |
Now, four-beds in this area can fetch over a cool million. | 0:13:50 | 0:13:54 | |
The property I'm here to see is this, it's a three-bed, | 0:13:54 | 0:13:57 | |
it had a guide at £525,000. | 0:13:57 | 0:14:00 | |
So, that is exciting stuff. | 0:14:00 | 0:14:03 | |
I'm going to go inside and see what you get for your money. | 0:14:03 | 0:14:06 | |
From the outside, things are off to an impressive start. | 0:14:10 | 0:14:13 | |
Lots of detailing at the front and the windows are magnificent. | 0:14:13 | 0:14:17 | |
If the book gives lives up to its cover, | 0:14:17 | 0:14:19 | |
I think we've got a prizeworthy contender. | 0:14:19 | 0:14:22 | |
What a huge disappointment! | 0:14:24 | 0:14:28 | |
How hard is it to imagine you'd get over a million quid for this. | 0:14:28 | 0:14:31 | |
Look, there's holes in the walls, plaster floorboards all hanging out. | 0:14:31 | 0:14:36 | |
It could be beautiful, don't get me wrong. | 0:14:36 | 0:14:39 | |
This is the sitting room. | 0:14:39 | 0:14:41 | |
The windows are gorgeous but there's no architrave, | 0:14:41 | 0:14:44 | |
no fireplace, there's no character. | 0:14:44 | 0:14:47 | |
There are breeze blocks dumped in the middle of the room. | 0:14:47 | 0:14:51 | |
Somebody has obviously started some work and not finished it. | 0:14:51 | 0:14:55 | |
It is a wreck. | 0:14:55 | 0:14:57 | |
# I need a dollar, dollar | 0:14:57 | 0:14:59 | |
# Dollar, that's what I need... # | 0:14:59 | 0:15:02 | |
This property certainly needs more than a dollar spent on it. | 0:15:02 | 0:15:06 | |
There's no kitchen or bathroom in place | 0:15:06 | 0:15:08 | |
and the uninhabitable state of the place | 0:15:08 | 0:15:11 | |
could seriously hinder your chances of getting a mortgage. | 0:15:11 | 0:15:15 | |
In the current climate, there's no doubt it is easier to extend than to move, | 0:15:15 | 0:15:19 | |
if you've got some unused space. | 0:15:19 | 0:15:21 | |
It's worthwhile thinking about building into it to create that extra room. | 0:15:21 | 0:15:25 | |
If you have the space, | 0:15:25 | 0:15:27 | |
adding another room is usually the most reliable way to add value to a property | 0:15:27 | 0:15:31 | |
and you could add at least another bedroom and bathroom up there | 0:15:31 | 0:15:35 | |
by going into the loft. | 0:15:35 | 0:15:37 | |
So that is great news for anybody wanting to add value to this house. | 0:15:37 | 0:15:41 | |
Forget pots of gold at the end of the rainbow, | 0:15:42 | 0:15:45 | |
you could find them up there in the loft space | 0:15:45 | 0:15:48 | |
as well as down here in the basement. | 0:15:48 | 0:15:49 | |
Given that a precedent has been set on the road, | 0:15:49 | 0:15:52 | |
there's a good chance you'd get planning permission to extend | 0:15:52 | 0:15:55 | |
and extending is where the real returns could be made. | 0:15:55 | 0:15:59 | |
The outside space is decent, especially for London. | 0:15:59 | 0:16:02 | |
But buyer beware, there's a legal clause that could well trip you up | 0:16:02 | 0:16:06 | |
if you didn't read the small print. | 0:16:06 | 0:16:09 | |
Something in here caught my eye with regards to the sale of this house. | 0:16:09 | 0:16:14 | |
In the catalogue it says, | 0:16:14 | 0:16:15 | |
"the seller cannot sell this property to a purchaser | 0:16:15 | 0:16:18 | |
"who intends to occupy the property as his, her | 0:16:18 | 0:16:23 | |
"or their only principal home." | 0:16:23 | 0:16:25 | |
This would certainly put a lot of potential buyers off. | 0:16:25 | 0:16:28 | |
I would advise consulting your solicitor to confirm | 0:16:28 | 0:16:31 | |
exactly what the implications of this might be. | 0:16:31 | 0:16:35 | |
# Believe me | 0:16:35 | 0:16:36 | |
# If I see another legal paper | 0:16:36 | 0:16:40 | |
# I'd scream and shout and run away... # | 0:16:40 | 0:16:43 | |
If whoever purchased this place hoped to live in it, | 0:16:43 | 0:16:47 | |
then this would be problematic, | 0:16:47 | 0:16:48 | |
so this really is set up for a developer | 0:16:48 | 0:16:50 | |
to either sell on or rent out. We invited a local property expert along for his opinion | 0:16:50 | 0:16:56 | |
on this Fulham pad with an auction guide price of £525,000. | 0:16:56 | 0:17:01 | |
It's obviously a very large property. | 0:17:03 | 0:17:05 | |
You would be able to dig out the basement, | 0:17:05 | 0:17:08 | |
you'd be able to have a loft here, rearrange some rooms. | 0:17:08 | 0:17:11 | |
There's a lot of scope for a lot of redevelopment here. | 0:17:11 | 0:17:13 | |
How much could someone stand to make here | 0:17:13 | 0:17:16 | |
once the renovations have been done? | 0:17:16 | 0:17:19 | |
If it was a three-bedroomed property, I'd expect it to rent out for £3,000 per calendar month. | 0:17:19 | 0:17:24 | |
Extend and create another two bedrooms | 0:17:24 | 0:17:26 | |
and that rental figure creeps up to £3,400 per calendar month. | 0:17:26 | 0:17:31 | |
How much could you expect on the resale market? | 0:17:31 | 0:17:36 | |
If you were to fully extend the property into the basement and loft, | 0:17:36 | 0:17:39 | |
I'd expect it to fetch in the region of £1.1 million. | 0:17:39 | 0:17:41 | |
This is a little gem of a house here. | 0:17:41 | 0:17:43 | |
There's scope to extend, you can add value. | 0:17:43 | 0:17:46 | |
I think this terraced house in Fulham is a bit of a winner for me, | 0:17:46 | 0:17:49 | |
but without a kitchen and bathroom, it is unmortgageable, | 0:17:49 | 0:17:53 | |
so only the cash-rich need apply. | 0:17:53 | 0:17:55 | |
Let's find out who had the funds to buy this house | 0:17:55 | 0:17:58 | |
as we go to the auction. | 0:17:58 | 0:18:00 | |
Fulham, £600? | 0:18:01 | 0:18:03 | |
Not going to get much in Fulham at six. | 0:18:03 | 0:18:06 | |
Five, yeah? | 0:18:06 | 0:18:07 | |
£500,000 down here. Anyone else? | 0:18:07 | 0:18:10 | |
505. | 0:18:10 | 0:18:11 | |
Sorry, take it with you on the end. | 0:18:11 | 0:18:13 | |
510, 515, | 0:18:13 | 0:18:16 | |
520, 525, | 0:18:16 | 0:18:18 | |
530, 535, 540, | 0:18:18 | 0:18:22 | |
545, 550, 555. | 0:18:22 | 0:18:27 | |
560, 565, 570. | 0:18:27 | 0:18:31 | |
Bidding for this Fulham property proved to be competitive | 0:18:31 | 0:18:34 | |
with only two bidders eventually left in the running | 0:18:34 | 0:18:37 | |
as the price continued to rise well above £600,000. | 0:18:37 | 0:18:42 | |
631, 635, | 0:18:42 | 0:18:46 | |
636. | 0:18:46 | 0:18:48 | |
640. | 0:18:48 | 0:18:50 | |
641. | 0:18:50 | 0:18:51 | |
645. | 0:18:51 | 0:18:53 | |
650. 5. | 0:18:53 | 0:18:55 | |
656. | 0:18:55 | 0:18:57 | |
660. | 0:18:57 | 0:19:00 | |
657? | 0:19:00 | 0:19:02 | |
656 with you. | 0:19:02 | 0:19:04 | |
657 anywhere? | 0:19:04 | 0:19:06 | |
656, first time, second time, third and last time, | 0:19:07 | 0:19:12 | |
we're all done. | 0:19:12 | 0:19:14 | |
Sold for 656, well done. | 0:19:14 | 0:19:17 | |
# We started singing bye bye Miss American pie... # | 0:19:17 | 0:19:22 | |
With that successful bid of £656,000, it was musician, Holly. | 0:19:22 | 0:19:28 | |
She's originally from Georgia in America, | 0:19:28 | 0:19:30 | |
but has called London home for the past two and a half years. | 0:19:30 | 0:19:34 | |
I met up with her back at the property to find out her plans | 0:19:34 | 0:19:37 | |
for this serious renovation project. | 0:19:37 | 0:19:41 | |
It's so lovely to meet you today. Congratulations first of all. | 0:19:41 | 0:19:44 | |
Thank you. | 0:19:44 | 0:19:45 | |
Tell me about the auction, how was that? | 0:19:45 | 0:19:48 | |
The auction was a little nerve-wracking | 0:19:48 | 0:19:50 | |
because I'd never been to one before. | 0:19:50 | 0:19:53 | |
Even though I've owned homes and renovated and everything. | 0:19:53 | 0:19:57 | |
So it was a little bit nerve-wracking. | 0:19:57 | 0:19:59 | |
You walk into this house and it is a developer's dream. | 0:19:59 | 0:20:03 | |
But I know there was a condition of sale with this property. | 0:20:03 | 0:20:06 | |
Can you tell me about that? | 0:20:06 | 0:20:07 | |
They couldn't sell it to someone who wanted to occupy it | 0:20:07 | 0:20:11 | |
as their principal residence. | 0:20:11 | 0:20:13 | |
Did you get somebody to investigate that, did that put you off | 0:20:13 | 0:20:16 | |
because I'm sure that would have put a lot of buyers off on the day? | 0:20:16 | 0:20:19 | |
I was really coming more as a developer anyway | 0:20:19 | 0:20:22 | |
but it definitely put off a lot of individuals, which in a way is good, | 0:20:22 | 0:20:26 | |
because if individual families come for a house like this, | 0:20:26 | 0:20:30 | |
they're willing to pay more. | 0:20:30 | 0:20:31 | |
# It's a legal matter baby, a legal matter from now on. # | 0:20:31 | 0:20:36 | |
Holly's original intention was to get a mortgage, | 0:20:36 | 0:20:39 | |
but in its current state, she couldn't secure one, so had to get a bridging loan | 0:20:39 | 0:20:43 | |
which has worked out a more expensive alternative. | 0:20:43 | 0:20:46 | |
This goes to prove that research is absolutely key | 0:20:46 | 0:20:49 | |
when it comes to buying at auction, as there can be costly pitfalls. | 0:20:49 | 0:20:54 | |
However, Holly still has a healthy-sounding renovation budget. | 0:20:54 | 0:20:57 | |
Between £150,000 and £200,000. | 0:20:57 | 0:21:00 | |
When you walked into this house for the first time, | 0:21:00 | 0:21:03 | |
-what first sparked your interest? -The windows. | 0:21:03 | 0:21:06 | |
I looked in the auction catalogue and it had the little windows. | 0:21:06 | 0:21:10 | |
They're so cute with the little moons and I just go for stuff like that. | 0:21:10 | 0:21:15 | |
When I came in, I just thought, it's a real dump, | 0:21:15 | 0:21:17 | |
but the great thing was it has this basement. | 0:21:17 | 0:21:20 | |
It's got quite a lot of space in it. | 0:21:20 | 0:21:23 | |
Holly has plans to create even more space. | 0:21:28 | 0:21:32 | |
She wants to excavate the basement and she's also planning on going into the loft, | 0:21:32 | 0:21:36 | |
turning this from a three-bedroom to a five-bedroom property. | 0:21:36 | 0:21:41 | |
So, Holly, what is your background, what do you do? | 0:21:41 | 0:21:43 | |
I'm in the music business. | 0:21:43 | 0:21:45 | |
You're not a developer, then? | 0:21:45 | 0:21:47 | |
No, well I am now! | 0:21:47 | 0:21:50 | |
I'm a singer, songwriter, producer and artist. | 0:21:50 | 0:21:56 | |
Holly is being modest. | 0:22:01 | 0:22:02 | |
She's been nominated for two Grammy awards, | 0:22:02 | 0:22:06 | |
both in the song of the year category. | 0:22:06 | 0:22:08 | |
Breathe, recorded by Faith Hill | 0:22:08 | 0:22:10 | |
on her multi-million-selling album of the same name | 0:22:10 | 0:22:13 | |
is her most well-known work to date. | 0:22:13 | 0:22:17 | |
Does your music career allow you enough time to develop properties - | 0:22:17 | 0:22:20 | |
is this something that can work in tandem with your music career? | 0:22:20 | 0:22:24 | |
I hope so! My managers hope so! | 0:22:24 | 0:22:28 | |
Do they even know you've done this? | 0:22:30 | 0:22:32 | |
Yeah, they do. | 0:22:32 | 0:22:33 | |
I did not tell them I bought a house at auction, | 0:22:33 | 0:22:36 | |
because I thought one of my managers would be like, | 0:22:36 | 0:22:39 | |
"What are you doing?", | 0:22:39 | 0:22:41 | |
because he's expecting me to make an album in a month. | 0:22:41 | 0:22:45 | |
# Oh Mr Songwriter | 0:22:45 | 0:22:50 | |
# Write me a song | 0:22:51 | 0:22:54 | |
# On your trumpet... # | 0:22:54 | 0:22:57 | |
'Grammy Award nominee Holly has won plaudits for her songwriting, | 0:22:58 | 0:23:03 | |
'but I'm not sure she'll have time to pen a new album | 0:23:03 | 0:23:05 | |
'now that she's taken on this epic project. | 0:23:05 | 0:23:08 | |
'But she has high hopes for the property.' | 0:23:08 | 0:23:10 | |
When you take into account what you paid for this, | 0:23:10 | 0:23:13 | |
what sort of end value do you think you'll stamp on his property, | 0:23:13 | 0:23:17 | |
what you think it will be worth? | 0:23:17 | 0:23:19 | |
I'm hoping a minimum of £1.2 million. | 0:23:19 | 0:23:22 | |
Wow, that is an incredible jump from the sixes to over a million. | 0:23:22 | 0:23:27 | |
Do you think this area can take that? | 0:23:27 | 0:23:29 | |
Absolutely, 100%. | 0:23:29 | 0:23:32 | |
I believe there's a house just down the road that sold for £1.1 million. | 0:23:32 | 0:23:36 | |
I don't think they've probably done to the level of what we would do. | 0:23:36 | 0:23:39 | |
Houses in this area go for easily £1.2 million. | 0:23:39 | 0:23:43 | |
Right over here is a little conservation area and lots of artists live there, | 0:23:43 | 0:23:46 | |
so I don't think we'll have a problem with that. | 0:23:46 | 0:23:49 | |
It's been lovely meeting you today | 0:23:49 | 0:23:51 | |
-and good luck with this development, I can't wait to see it. -Thanks. | 0:23:51 | 0:23:54 | |
Holly wants to create an alternative fantasyland in Fulham. | 0:23:54 | 0:23:59 | |
She's got loads of great ideas for the place, | 0:23:59 | 0:24:01 | |
but will £200,000 be enough for her grand designs? | 0:24:01 | 0:24:05 | |
And will she achieve that £1.2 million property | 0:24:05 | 0:24:09 | |
that she so dreams of? | 0:24:09 | 0:24:11 | |
You can find out what happens later on in the programme. | 0:24:11 | 0:24:14 | |
In Burnley, I want take things back to basics | 0:24:15 | 0:24:17 | |
to reinvigorate this mid-terrace. | 0:24:17 | 0:24:19 | |
What we're basically saying is, | 0:24:19 | 0:24:22 | |
this is a rip it out and start again project. | 0:24:22 | 0:24:25 | |
Is Holly singing from the same hymn sheet as the planners in Fulham? | 0:24:25 | 0:24:29 | |
Essentially, I had to submit my entire scheme and wait. | 0:24:29 | 0:24:35 | |
But first, in Darlington, | 0:24:35 | 0:24:38 | |
has everything added up for maths teacher Mark and his builder friend John? | 0:24:38 | 0:24:42 | |
Mark didn't want to do that, so it didn't get done. | 0:24:42 | 0:24:45 | |
We return to Darlington now, where maths teacher Mark | 0:24:53 | 0:24:56 | |
purchased this substantial three-bedroom end of terrace house at auction for 55,000. | 0:24:56 | 0:25:02 | |
The property had previously been a bakers', | 0:25:02 | 0:25:05 | |
and along with his builder mate, John, | 0:25:05 | 0:25:08 | |
Mark felt it had all the ingredients to make it a recipe for success. | 0:25:08 | 0:25:12 | |
Really, I suppose it was the rental opportunity that we saw in it, | 0:25:12 | 0:25:17 | |
-we're hoping to try to split it into two separate properties. -Ah. | 0:25:17 | 0:25:21 | |
And it's the opportunity to get two incomes from the property, yeah. | 0:25:21 | 0:25:24 | |
# Why don't you do it yourself? | 0:25:24 | 0:25:28 | |
# DIY, baby, do it yourself... # | 0:25:28 | 0:25:31 | |
Mark had made the financial investment, | 0:25:33 | 0:25:35 | |
but lacked any real practical experience. | 0:25:35 | 0:25:39 | |
That was where builder pal, John, was going to earn his crust, | 0:25:39 | 0:25:42 | |
and he didn't seem too worried about the task ahead. | 0:25:42 | 0:25:44 | |
What I liked about it was it's not going to take too much major structural work | 0:25:44 | 0:25:48 | |
to convert it into two properties. | 0:25:48 | 0:25:50 | |
Six months since we first visited them, | 0:25:50 | 0:25:53 | |
we're back to see if it's been full steam ahead, | 0:25:53 | 0:25:56 | |
or if they've hit the buffers. | 0:25:56 | 0:25:59 | |
Well, they've succeeded in turning the property into a one-bedroom duplex flat, | 0:25:59 | 0:26:05 | |
and a two-bedroomed terraced house. | 0:26:05 | 0:26:07 | |
Downstairs in the one-bed flat, | 0:26:07 | 0:26:09 | |
the main door has been reinstated at the front, | 0:26:09 | 0:26:12 | |
the kitchen has been installed in the living area, | 0:26:12 | 0:26:14 | |
the old shop store room no longer has access out onto the back lane, | 0:26:14 | 0:26:19 | |
and has been changed into a contemporary but simple bathroom. | 0:26:19 | 0:26:23 | |
A staircase is being installed leading up from the ground floor living area | 0:26:23 | 0:26:29 | |
to the very large bedroom above. | 0:26:29 | 0:26:31 | |
This is the flat living area, large space, | 0:26:33 | 0:26:36 | |
that's the doorway where we blocked up | 0:26:36 | 0:26:38 | |
to make it into a separate dwelling from next door. | 0:26:38 | 0:26:41 | |
I think it's worked out quite well in here, space wise, | 0:26:41 | 0:26:44 | |
we were a bit worried about the kitchen, | 0:26:44 | 0:26:46 | |
I think there's enough room for both spaces to happen. | 0:26:46 | 0:26:49 | |
That's where the building regs specified we put the front door. | 0:26:49 | 0:26:55 | |
Obviously, we couldn't have the door as originally positioned, | 0:26:55 | 0:26:58 | |
because it was leading out onto a public highway, | 0:26:58 | 0:27:01 | |
but I think, originally, this part of the property was an old shop, | 0:27:01 | 0:27:05 | |
that's where the front door was, so we've made it back to the original. | 0:27:05 | 0:27:09 | |
They've been good friends for a long time, | 0:27:12 | 0:27:15 | |
so were there any creative differences during the project? | 0:27:15 | 0:27:17 | |
Next door in the house I wanted to knock through and make it open plan, | 0:27:17 | 0:27:21 | |
Mark didn't want to do that, so it didn't get done. | 0:27:21 | 0:27:24 | |
But I don't think it's had much of an effect on the final product, | 0:27:24 | 0:27:27 | |
-things like that. -He doesn't seem too bitter about that, does he? | 0:27:27 | 0:27:30 | |
We got over that. | 0:27:30 | 0:27:31 | |
# Just the two of us # | 0:27:31 | 0:27:35 | |
# Building them castles in the sky | 0:27:35 | 0:27:37 | |
# Just the two of us... # | 0:27:37 | 0:27:41 | |
The two-bedroom house has been transformed with a new kitchen, | 0:27:41 | 0:27:46 | |
whilst still retaining the same layout. | 0:27:46 | 0:27:50 | |
During all this work, | 0:27:51 | 0:27:53 | |
were there any unforeseen problems which may have derailed the project? | 0:27:53 | 0:27:58 | |
I think it was when we found out | 0:27:58 | 0:27:59 | |
we had to do all the external insulation for these walls, wasn't it? | 0:27:59 | 0:28:03 | |
Yeah, I think that not only added cost, | 0:28:03 | 0:28:05 | |
but it added a lot more time, more work gone into it. | 0:28:05 | 0:28:08 | |
So, obviously, it slowed us up a bit. | 0:28:08 | 0:28:10 | |
So, no major hitches for the boys, and all seems to have run smoothly. | 0:28:10 | 0:28:15 | |
But as far as the budget is concerned, has that stayed on track? | 0:28:15 | 0:28:19 | |
In terms of budget, we haven't done bad at all, really. | 0:28:19 | 0:28:24 | |
We're slightly over what we'd hoped, I think we'd hope to spend, | 0:28:24 | 0:28:28 | |
in total for the projects, 90, pushing up to 95. | 0:28:28 | 0:28:31 | |
It's gone up to around 100 mark, but that's everything, | 0:28:31 | 0:28:34 | |
solicitors' fees and everything, so we haven't done bad. | 0:28:34 | 0:28:37 | |
The boys had hoped to complete the work in three to four months, | 0:28:40 | 0:28:43 | |
but this has overrun to around six months. | 0:28:43 | 0:28:46 | |
Mark estimates that his overall spend on the project is around £100,000. | 0:28:46 | 0:28:51 | |
Which includes the auction purchase price of 55,000. | 0:28:51 | 0:28:54 | |
Time to hear what to local property experts think of the renovation. | 0:29:01 | 0:29:07 | |
I think the final finish is very good, | 0:29:11 | 0:29:13 | |
done to a good specification, well appointed, ideal for the properties. | 0:29:13 | 0:29:19 | |
I think the finish of both the house and the flat are first class. | 0:29:19 | 0:29:23 | |
Very appealing, and I think will appeal to most people. | 0:29:23 | 0:29:26 | |
Mark's intention has always been to rent the properties out, | 0:29:26 | 0:29:31 | |
so, how much rental income could he hope to achieve | 0:29:31 | 0:29:35 | |
from this newly converted one-bedroom flat, and two-bedroom house? | 0:29:35 | 0:29:40 | |
I think the rental valuation for the flat is £325 per calendar month, | 0:29:40 | 0:29:45 | |
and the rental valuation for the house, £425 per calendar month. | 0:29:45 | 0:29:50 | |
I think the rentable value on the house | 0:29:50 | 0:29:53 | |
would be in the region of 395 per calendar month, | 0:29:53 | 0:29:56 | |
and I think the rental value on the apartment | 0:29:56 | 0:29:59 | |
would be 350 per calendar month. | 0:29:59 | 0:30:01 | |
That would offer Mark a monthly income of around £750. | 0:30:03 | 0:30:07 | |
Giving him an annual yield of nine per cent, a very healthy return. | 0:30:07 | 0:30:12 | |
OK, that's good, that's slightly more than I was thinking. | 0:30:15 | 0:30:19 | |
I was thinking seven as a minimum, | 0:30:19 | 0:30:20 | |
as long as we got seven, I'd have been happy. | 0:30:20 | 0:30:23 | |
-Yeah, definitely happy with that. -Yes, pleased, yes. | 0:30:23 | 0:30:25 | |
Now that the original property has been split into two, | 0:30:25 | 0:30:29 | |
what would the potential resale value of each be, | 0:30:29 | 0:30:33 | |
were they to put them back on the market? | 0:30:33 | 0:30:36 | |
I would value the flat at £50,000, | 0:30:37 | 0:30:41 | |
and I would value the house at approximately £70,000. | 0:30:41 | 0:30:44 | |
The apartment, firstly, I would suggest an asking price | 0:30:44 | 0:30:48 | |
of offers invited in the region of £55,000, | 0:30:48 | 0:30:50 | |
and for this lovely two-bedroomed, | 0:30:50 | 0:30:54 | |
I would suggest an asking price of offers invited in the region of £75,000. | 0:30:54 | 0:30:58 | |
So, resale valuations of between £120,000 and £130,000 for both properties, | 0:31:05 | 0:31:09 | |
that would provide Mark with a pre-tax profit of between 20 and 30,000. | 0:31:09 | 0:31:15 | |
As his outlay is currently around £100,000. | 0:31:15 | 0:31:18 | |
Obviously, we're not looking to sell yet, | 0:31:20 | 0:31:22 | |
but even if we were to sell, | 0:31:22 | 0:31:24 | |
-it's nice to think that we could make a profit on it, so... -Good. | 0:31:24 | 0:31:27 | |
So, what's next for Mark and John further down the tracks? | 0:31:27 | 0:31:33 | |
Well, the next thing is obviously just try to get some good tenants in there, | 0:31:33 | 0:31:38 | |
get it rented out, and hopefully let it try to make some money. | 0:31:38 | 0:31:41 | |
Then, after that, we'll see how it goes, hopefully get another one? | 0:31:41 | 0:31:45 | |
-Yeah. -And get John in doing the work. | 0:31:45 | 0:31:48 | |
Today I'm looking at a property in Burnley, which you can see behind me. | 0:31:50 | 0:31:55 | |
But it's fitting, as the town grew up in the Industrial Revolution, | 0:31:55 | 0:32:00 | |
that this sculpture was commissioned | 0:32:00 | 0:32:03 | |
and sits on the hillsides above the town. | 0:32:03 | 0:32:06 | |
As you can see, it's got a very industrial feel, | 0:32:06 | 0:32:09 | |
but it represents a tree blowing in the wind. | 0:32:09 | 0:32:12 | |
And the sound you can hear... | 0:32:12 | 0:32:15 | |
has actually been tuned, | 0:32:15 | 0:32:18 | |
so as to not to upset the local wildlife. | 0:32:18 | 0:32:21 | |
And fittingly, it's called The Singing Ringing Tree. | 0:32:21 | 0:32:24 | |
# Oh singing tree | 0:32:24 | 0:32:27 | |
# Singing tree... # | 0:32:27 | 0:32:29 | |
Down the hill and into Burnley itself, | 0:32:29 | 0:32:32 | |
which at one time was the world's largest producer of cotton cloth. | 0:32:32 | 0:32:37 | |
Since the closure of the mines and mills, Burnley has struggled, | 0:32:37 | 0:32:41 | |
with many of the terraced workers' houses now gone. | 0:32:41 | 0:32:43 | |
But those that remain are popular with renters. | 0:32:43 | 0:32:47 | |
Well, just a mile outside Burnley city centre is the property I'm here to see. | 0:32:47 | 0:32:51 | |
So, great for transport links and local amenities, this is it, | 0:32:51 | 0:32:55 | |
it's a mid-terrace, two bedroom, | 0:32:55 | 0:32:56 | |
had a fantastic guide price of just £18,000. Let's take a look inside. | 0:32:56 | 0:33:02 | |
Hm, try the back. | 0:33:08 | 0:33:10 | |
# I've been locked out | 0:33:10 | 0:33:13 | |
# I've been locked out... # | 0:33:13 | 0:33:15 | |
Well, other than not being able to get in from the front, | 0:33:15 | 0:33:18 | |
this place looks all right. | 0:33:18 | 0:33:20 | |
These terraces usually have a lane at the back, and this is no exception. | 0:33:22 | 0:33:27 | |
This one also backs onto a factory which isn't ideal. | 0:33:27 | 0:33:30 | |
The house itself looks less than appealing, | 0:33:30 | 0:33:33 | |
with these security shutters. | 0:33:33 | 0:33:35 | |
There are also some alarm bells ringing here, | 0:33:35 | 0:33:38 | |
due to these melted pipes and guttering, | 0:33:38 | 0:33:41 | |
as they give the clues to there having been a fire here at some stage. | 0:33:41 | 0:33:45 | |
Time to go inside, and with no back door, | 0:33:45 | 0:33:48 | |
that's not going to be difficult. | 0:33:48 | 0:33:50 | |
Well, that certainly easier, but I'm not liking, eugh, what I find. | 0:33:50 | 0:33:55 | |
That was obviously where the kitchen was, and there's nothing. | 0:33:55 | 0:33:58 | |
But it doesn't take a rocket scientist to figure out | 0:33:58 | 0:34:03 | |
this house has been the subject to fire damage, | 0:34:03 | 0:34:05 | |
or, actually, smoke damage. | 0:34:05 | 0:34:08 | |
I believe that there was a fire in that little courtyard area outside, | 0:34:08 | 0:34:12 | |
as you can see, things like the windows here, | 0:34:12 | 0:34:15 | |
completely and utterly destroyed. | 0:34:15 | 0:34:18 | |
The big concern is how much damage was done to the actual fabric of the property, | 0:34:18 | 0:34:23 | |
beams and things like that, | 0:34:23 | 0:34:26 | |
cos that could be expensive to replace. | 0:34:26 | 0:34:28 | |
I would want to get a structural engineer in here | 0:34:28 | 0:34:31 | |
before I did anything else. | 0:34:31 | 0:34:32 | |
It's not a bad-sized room, it just needs a little bit of work. | 0:34:32 | 0:34:35 | |
# We've got work to do | 0:34:35 | 0:34:36 | |
# Got so much work, yeah... # | 0:34:36 | 0:34:40 | |
The house was unoccupied when the fire happened, | 0:34:40 | 0:34:43 | |
so, thankfully nobody was hurt. | 0:34:43 | 0:34:44 | |
But it certainly made its mark. | 0:34:44 | 0:34:47 | |
Anyone taking this on will have to factor that in - | 0:34:47 | 0:34:50 | |
from plumbing to wiring and kitchen windows, this house needs the lot. | 0:34:50 | 0:34:55 | |
But what I do like is that as well as the kitchen and dining room, | 0:34:55 | 0:34:59 | |
you also have a decent-sized living room at the front. | 0:34:59 | 0:35:03 | |
Well, the further towards the front of the house you get, | 0:35:03 | 0:35:06 | |
the slightly less the smoke damage becomes. | 0:35:06 | 0:35:09 | |
What we're basically saying is, this is a rip it out and start again project. | 0:35:09 | 0:35:13 | |
But as long as you're prepared for that, and you've budgeted for it, | 0:35:13 | 0:35:16 | |
not too much of a big deal. | 0:35:16 | 0:35:17 | |
Whatever you do, what I would keep is the fireplace, I quite like that. | 0:35:17 | 0:35:22 | |
# When Smokey sings | 0:35:22 | 0:35:25 | |
# I hear violins... # | 0:35:25 | 0:35:27 | |
Heading upstairs, it's quite black from the smoke. | 0:35:30 | 0:35:33 | |
In both bedrooms it appears that someone has helped themselves | 0:35:33 | 0:35:37 | |
to some of the house's plumbing. | 0:35:37 | 0:35:40 | |
So, that will have to be replaced. | 0:35:40 | 0:35:41 | |
The good news is that both bedrooms are a good size. | 0:35:41 | 0:35:45 | |
The bad news is that even though there's a bathroom suite under all this muck, | 0:35:45 | 0:35:49 | |
it looks past its best to me, and needs to be replaced. | 0:35:49 | 0:35:52 | |
It's going to take more than a touch of paint to make this house a home. | 0:35:52 | 0:35:56 | |
But I like the layout and the size, so I think there is potential here. | 0:35:56 | 0:36:02 | |
We asked the auctioneer who sold this property, guided at £18,000, | 0:36:02 | 0:36:06 | |
for his opinion on whether he could find any positives | 0:36:06 | 0:36:10 | |
behind the smokescreen. | 0:36:10 | 0:36:11 | |
For me, one of the positives is that there are two rooms, | 0:36:11 | 0:36:14 | |
two living rooms downstairs. | 0:36:14 | 0:36:16 | |
So you can have that layout of a lounge and a separate dining room. | 0:36:16 | 0:36:20 | |
And overall, the size is quite reasonable, it doesn't feel pokey, | 0:36:20 | 0:36:23 | |
despite the fact that it's black and has been on fire, | 0:36:23 | 0:36:27 | |
it's still got quite a nice feel to it. | 0:36:27 | 0:36:29 | |
So that's certainly a positive. | 0:36:29 | 0:36:31 | |
'I think the main negative would be the amount of work that's required. | 0:36:31 | 0:36:35 | |
'But to some, that's a positive, | 0:36:35 | 0:36:37 | |
'it's an opportunity to buy something' | 0:36:37 | 0:36:39 | |
and add some value to it. | 0:36:39 | 0:36:41 | |
What's the property worth in its current state, | 0:36:41 | 0:36:44 | |
and the potential value once refurbished? | 0:36:44 | 0:36:47 | |
I imagine that in the current market, and its current condition, | 0:36:47 | 0:36:51 | |
the property's worth somewhere in the region of maybe £15-£18,000, | 0:36:51 | 0:36:55 | |
something like that. | 0:36:55 | 0:36:56 | |
And I think once done, depending on how far that renovation goes, | 0:36:56 | 0:37:00 | |
you could see a value of up towards 35,000, | 0:37:00 | 0:37:03 | |
maybe a little bit more, but probably not much more. | 0:37:03 | 0:37:06 | |
So, some room for a profit in there to do the work and sell it on. | 0:37:06 | 0:37:10 | |
What about renting it out? | 0:37:10 | 0:37:13 | |
Once renovated, I think, from a rental point of view, | 0:37:13 | 0:37:15 | |
we're probably looking somewhere in the region of £400 per calendar month. | 0:37:15 | 0:37:19 | |
Well, it's going to take a fair old amount of effort and money | 0:37:19 | 0:37:23 | |
to turn this place back into a work of art, but I think it would be worth it, | 0:37:23 | 0:37:27 | |
especially from a rental point of view. | 0:37:27 | 0:37:29 | |
Let's see who agreed when it went under the hammer. | 0:37:29 | 0:37:32 | |
This auction lot was towards the end of the day, | 0:37:32 | 0:37:34 | |
which explains those empty seats. | 0:37:34 | 0:37:36 | |
I'm looking for £7,000 to start, | 0:37:36 | 0:37:39 | |
£7,000, seven I've got here. | 0:37:39 | 0:37:41 | |
Eight then, 8,000? Eight I've got there. Nine? Nine I've got, 10? | 0:37:41 | 0:37:46 | |
10 we've got. 11? 11 we've got it. 12? Got that. | 0:37:46 | 0:37:48 | |
13? 13 we've got. | 0:37:48 | 0:37:50 | |
14? Yes, is that 14? | 0:37:50 | 0:37:53 | |
It is, 14, I've got. | 0:37:53 | 0:37:55 | |
New bidder here on my right, 15,000? 16. | 0:37:55 | 0:37:58 | |
No, it's with you then, sir, at £15,000, are we all finished? | 0:37:58 | 0:38:02 | |
New bidder here, sat quite close together, so that's 16,000. | 0:38:02 | 0:38:05 | |
Yeah, sorry, so that 17,000 I've got here. | 0:38:05 | 0:38:08 | |
18? | 0:38:08 | 0:38:09 | |
18, I've got. | 0:38:09 | 0:38:11 | |
19, sir? | 0:38:11 | 0:38:12 | |
No, it's back with you, then. At £18,000. | 0:38:14 | 0:38:16 | |
First time at £18,000, second time at £18,000, are we all done? | 0:38:16 | 0:38:21 | |
Yes we are, sold to you, sir, your paddle number, please. | 0:38:21 | 0:38:25 | |
609, well done. | 0:38:25 | 0:38:27 | |
It was Mal who made the successful bid of £18,000. | 0:38:28 | 0:38:32 | |
He bought the property with his business partner. | 0:38:32 | 0:38:34 | |
Mal lives locally and used to be a chef, | 0:38:34 | 0:38:37 | |
but has recently turned his hand to property development. | 0:38:37 | 0:38:41 | |
I met up with him back at the house, | 0:38:41 | 0:38:42 | |
to see what was cooking with his new investment. | 0:38:42 | 0:38:47 | |
-Mal, good to meet you. -You too. -Congratulations. -Thank you. | 0:38:47 | 0:38:50 | |
Tell me why you wanted to buy the house. | 0:38:50 | 0:38:52 | |
Actually, before that, tell me why I can't get in through the front door. | 0:38:52 | 0:38:56 | |
Because I'm having the door replaced, | 0:38:56 | 0:38:58 | |
and it seems like a long journey to pick up a set of keys that I'm going to throw in the bin. | 0:38:58 | 0:39:02 | |
So, that's the main reason. | 0:39:02 | 0:39:04 | |
The house, why did you want to buy it? | 0:39:04 | 0:39:06 | |
Well, basically, it's my third one that I've bought in Burnley, | 0:39:06 | 0:39:09 | |
um, and, obviously, the price is attractive. | 0:39:09 | 0:39:13 | |
The buy-to-let market is very good in Burnley. | 0:39:13 | 0:39:16 | |
This is the kind of project I've done before, so it made sense, really. | 0:39:16 | 0:39:21 | |
Mal didn't even see the property before buying it, | 0:39:21 | 0:39:24 | |
as he originally went to the auction to buy the one next door. | 0:39:24 | 0:39:27 | |
-You saw this for the first time after buying it? -Yes. -What did you think? | 0:39:27 | 0:39:31 | |
Pretty much what I expected, | 0:39:31 | 0:39:33 | |
it's very similar to a house I bought from auction a couple of years ago. | 0:39:33 | 0:39:37 | |
They need everything done to them, rewiring, soundproofing, replastering. | 0:39:37 | 0:39:41 | |
So long as the outside structure, and the roof was stable, | 0:39:41 | 0:39:44 | |
and everything else, it should be fine. | 0:39:44 | 0:39:46 | |
And is it, are they? | 0:39:46 | 0:39:48 | |
Yes, I've not had a structural survey on it yet, | 0:39:48 | 0:39:51 | |
but from looking at it, my builders looked at the roof | 0:39:51 | 0:39:55 | |
and looked at the structure outside, before we managed to get in, | 0:39:55 | 0:39:58 | |
and he was quite happy with what he saw. | 0:39:58 | 0:40:00 | |
In terms of the fire damage, what's the prognosis on that? | 0:40:00 | 0:40:05 | |
Well, basically, a lot of it's just facial damage. | 0:40:05 | 0:40:10 | |
There's a bit of heat damage inside the back of the house. | 0:40:10 | 0:40:13 | |
As far as actual fire damage, there isn't too much, | 0:40:13 | 0:40:16 | |
a couple of melted plastic fire sockets. | 0:40:16 | 0:40:19 | |
But nothing massively structural at all. | 0:40:19 | 0:40:22 | |
This place requires a total overhaul. | 0:40:22 | 0:40:25 | |
As there's been a fire, | 0:40:25 | 0:40:26 | |
it's well worth getting a professional to check out the structure, | 0:40:26 | 0:40:30 | |
just in case, before you get stuck into all the other work. | 0:40:30 | 0:40:34 | |
-So, tell me what you're going to do to sort it out? -Everything. | 0:40:34 | 0:40:37 | |
HE LAUGHS | 0:40:37 | 0:40:38 | |
Basically, I've got to start with flooring. | 0:40:38 | 0:40:40 | |
I've got to re-screen the floor. | 0:40:40 | 0:40:43 | |
Damp proof, full rewire, plastering, central heating, | 0:40:43 | 0:40:47 | |
new bathroom, new floorings, new kitchen, new windows, new doors. | 0:40:47 | 0:40:51 | |
Pretty much everything. | 0:40:51 | 0:40:53 | |
How much is that little lot going to cost? | 0:40:53 | 0:40:55 | |
I think I can do it for about 11 or £12,000. | 0:40:55 | 0:40:57 | |
Doing most of the work yourself? | 0:40:57 | 0:40:59 | |
Obviously, the windows, plaster, electricians, | 0:40:59 | 0:41:02 | |
they were their weight in gold. | 0:41:02 | 0:41:04 | |
Um, but the actual decorating, laying the floor, laying kitchen, | 0:41:04 | 0:41:08 | |
bathroom, I can do myself, yeah. | 0:41:08 | 0:41:09 | |
What sort of things have you been involved with in the past? | 0:41:09 | 0:41:12 | |
I was a chef for almost 20 years, | 0:41:12 | 0:41:14 | |
so, um, you kind of cover every kind of thing that chefs do as far as cooking. | 0:41:14 | 0:41:18 | |
But I started travelling abroad. | 0:41:18 | 0:41:20 | |
Oh, great idea, where did you go to? | 0:41:20 | 0:41:22 | |
I started off in Cyprus, went to work in Cyprus for a year, | 0:41:22 | 0:41:25 | |
and then on to Spain, and then France, Greece, Tenerife, | 0:41:25 | 0:41:28 | |
and then I ended up in Bermuda, Bermuda turned into 10 years. | 0:41:28 | 0:41:32 | |
# Bermuda triangle... # | 0:41:32 | 0:41:35 | |
From Bermuda to Burnley, and after the pressures of working in the kitchen, | 0:41:35 | 0:41:38 | |
Mal should be able to keep a cool head throughout this project. | 0:41:38 | 0:41:42 | |
But has he bitten off more than he can chew? | 0:41:42 | 0:41:45 | |
So, what's the plan for it once it's all done? | 0:41:45 | 0:41:47 | |
Ideally buy-to-let, | 0:41:47 | 0:41:49 | |
would like to sell it if someone offered the right amount of money, | 0:41:49 | 0:41:52 | |
but in this area, it's more of a buy-to-let. | 0:41:52 | 0:41:54 | |
So what kind of rent do you think you might get? | 0:41:54 | 0:41:57 | |
I think between 360 and 380 | 0:41:57 | 0:41:59 | |
is probably about the norm around here per month. | 0:41:59 | 0:42:02 | |
With that potential rental yield of over 15 per cent, | 0:42:02 | 0:42:05 | |
it seems he's done his sums correctly, | 0:42:05 | 0:42:08 | |
and could make a healthy return. | 0:42:08 | 0:42:10 | |
But only if he stays on budget, and there are no nasty surprises | 0:42:10 | 0:42:13 | |
lurking behind these smoke-damaged walls. | 0:42:13 | 0:42:16 | |
So, work to be done for Mal and his business partner to sort this place out. | 0:42:16 | 0:42:20 | |
Do they have the right recipe for success, | 0:42:20 | 0:42:23 | |
and will they manage to cook up a profit? | 0:42:23 | 0:42:25 | |
You can find out later in the show. | 0:42:25 | 0:42:27 | |
The clock's been ticking and work should be well under way on our properties. | 0:42:29 | 0:42:33 | |
Have those piles of bricks and bags of cement gone? | 0:42:33 | 0:42:36 | |
-Is the paint dry on the walls? -Let's go back and find out. | 0:42:36 | 0:42:39 | |
# I need a dollar dollar | 0:42:39 | 0:42:42 | |
# A dollar is what I need | 0:42:42 | 0:42:44 | |
# And if I share with you my story... # | 0:42:44 | 0:42:46 | |
Time to return to Fulham, south-west London, where songwriter, Holly, | 0:42:46 | 0:42:51 | |
paid £656,000 at auction for this three-bedroomed terraced house. | 0:42:51 | 0:42:57 | |
The outward appearance had caught her eye. | 0:42:57 | 0:43:00 | |
The windows. I looked in the auction catalogue and it had the little windows | 0:43:00 | 0:43:05 | |
and they're so cute with the little moons and I just go for stuff like that. | 0:43:05 | 0:43:09 | |
The windows may have been the selling point for Holly, | 0:43:09 | 0:43:12 | |
but inside was where the real challenges lay. | 0:43:12 | 0:43:15 | |
The property had no bathroom or kitchen fitted, which made it unmortgageable. | 0:43:15 | 0:43:19 | |
A fact that Holly had been unaware of. | 0:43:19 | 0:43:22 | |
This meant she had to finance the project with a bridging loan, | 0:43:22 | 0:43:25 | |
which was an expensive alternative. | 0:43:25 | 0:43:28 | |
A legal clause also stated that whoever bought the house | 0:43:28 | 0:43:31 | |
wouldn't be able to use it as their primary residence. | 0:43:31 | 0:43:34 | |
We return 15 months later | 0:43:34 | 0:43:36 | |
to see if Holly has hit the high notes or is she singing the blues? | 0:43:36 | 0:43:42 | |
Well, surprisingly, those cute windows she loved so much are gone. | 0:43:42 | 0:43:47 | |
But in their place, simple sashes. | 0:43:47 | 0:43:49 | |
And inside, it's also a minimalist dream. | 0:43:49 | 0:43:51 | |
Clean lines, modern, white and stunning. | 0:43:51 | 0:43:54 | |
And a complete transformation on all floors. | 0:43:54 | 0:43:57 | |
Where do you begin with a project on this scale? | 0:43:57 | 0:44:01 | |
We started basically by coming in and just taking everything out. | 0:44:01 | 0:44:06 | |
All the floors, everything. | 0:44:06 | 0:44:09 | |
It was just two and a half storeys high with brick walls and that was it. | 0:44:09 | 0:44:13 | |
Then we just started digging the basement. | 0:44:13 | 0:44:17 | |
The property has developed from a two-storey three-bedroom house, | 0:44:19 | 0:44:23 | |
to a four-storey five-bedroom home. | 0:44:23 | 0:44:26 | |
Expanding down into the basement as well as up into the loft | 0:44:26 | 0:44:29 | |
has allowed the creation of two new levels. | 0:44:29 | 0:44:32 | |
We excavated the entire basement. | 0:44:32 | 0:44:36 | |
A good nine feet in addition to what was already done. | 0:44:38 | 0:44:42 | |
I just wanted to have as tall a ceiling as I could have | 0:44:44 | 0:44:48 | |
and make sure I could have doors that could open all the way, | 0:44:48 | 0:44:53 | |
plus the conservatory ceiling so that you could get a lot of light. | 0:44:53 | 0:44:58 | |
But basically, the idea is that it's supposed to flow through | 0:44:58 | 0:45:02 | |
all the way out into the garden, and just be really light and airy | 0:45:02 | 0:45:05 | |
and also, you could essentially spend the whole day down here. | 0:45:05 | 0:45:10 | |
So, changes on all levels, and Holly hasn't been shy | 0:45:12 | 0:45:16 | |
about putting her own personal touches on the place. | 0:45:16 | 0:45:19 | |
I may be wrong, but that looks to me like a shower with a view. | 0:45:19 | 0:45:23 | |
Can my eyes be playing tricks? | 0:45:23 | 0:45:25 | |
Yes, I have a shower with a full window. | 0:45:26 | 0:45:30 | |
I wanted to make it feel like you were in the garden showering. | 0:45:30 | 0:45:36 | |
I love the idea of feeling like I'm in nature | 0:45:36 | 0:45:39 | |
and nature is coming in as well. | 0:45:39 | 0:45:42 | |
# Steamy windows | 0:45:42 | 0:45:45 | |
# Coming from the body heat. # | 0:45:45 | 0:45:48 | |
When we first met Holly, the financial arrangements for buying the property | 0:45:48 | 0:45:53 | |
had become slightly more complex than first anticipated. | 0:45:53 | 0:45:56 | |
I had to get a bridge loan because the place was so derelict, | 0:45:56 | 0:46:01 | |
there was no running water, no kitchen, no electricity, | 0:46:01 | 0:46:05 | |
and basically, it was not mortgageable, which I didn't know. | 0:46:05 | 0:46:09 | |
So I had to get a bridge loan, which I've been in since. | 0:46:09 | 0:46:13 | |
So I've paid quite a lot of interest. | 0:46:13 | 0:46:15 | |
Basically, from a budgetary standpoint, | 0:46:15 | 0:46:18 | |
I just couldn't afford to take any risks. | 0:46:18 | 0:46:21 | |
# I think it's amazing. # | 0:46:21 | 0:46:24 | |
How has this impacted upon the budget? | 0:46:24 | 0:46:26 | |
My budget grew! | 0:46:27 | 0:46:30 | |
Yes, I did go over. | 0:46:30 | 0:46:33 | |
I did have to go back to my funders at least two times | 0:46:33 | 0:46:36 | |
and ask for an additional 60,000 | 0:46:36 | 0:46:40 | |
and then just recently an additional 25,000. | 0:46:40 | 0:46:43 | |
So yeah, the budget more than doubled. | 0:46:43 | 0:46:46 | |
So having hoped to spend between £150,000 and £200,000, | 0:46:48 | 0:46:52 | |
Holly's budget is now nearer the £400,000 mark. | 0:46:52 | 0:46:56 | |
The original timescale for the project was an ambitious six months or less. | 0:46:56 | 0:47:00 | |
So how did that go? | 0:47:00 | 0:47:02 | |
The actual work part has only taken about eight and a half months, | 0:47:02 | 0:47:06 | |
which is pretty amazing, when you think we literally went | 0:47:06 | 0:47:10 | |
from a brick shell to this, to four floors. | 0:47:10 | 0:47:14 | |
The project has taken a lot longer. | 0:47:14 | 0:47:17 | |
It sat un-worked on for six, seven, eight months, | 0:47:17 | 0:47:23 | |
while I was getting the planning, | 0:47:23 | 0:47:25 | |
getting the financing into place, finishing my other properties. | 0:47:25 | 0:47:29 | |
So not bad. | 0:47:29 | 0:47:33 | |
Despite a budget of more than double the original, and a timescale which overran, | 0:47:33 | 0:47:37 | |
Holly has managed to transform this Fulham property | 0:47:37 | 0:47:40 | |
into a spacious, very striking and contemporary home. | 0:47:40 | 0:47:45 | |
We invited two local estate agents to give us their opinions | 0:47:45 | 0:47:49 | |
now that the project is completed. | 0:47:49 | 0:47:52 | |
'My first impression of this place is absolutely fantastic. | 0:47:52 | 0:47:55 | |
'I think it's a stunning home. | 0:47:55 | 0:47:57 | |
'I think it has an amazing style, excellent flow of space. | 0:47:57 | 0:48:00 | |
'The integration into the garden' | 0:48:00 | 0:48:02 | |
is absolutely first-rate. The size, the light, the high ceilings, | 0:48:02 | 0:48:05 | |
the finish. I can't fault it at all. | 0:48:05 | 0:48:08 | |
My first impressions are very positive. | 0:48:08 | 0:48:10 | |
It's been beautifully refurbished and has a bit of a wow factor. | 0:48:10 | 0:48:16 | |
Holly paid £656,000 at auction for the property | 0:48:17 | 0:48:21 | |
and her renovation budget has stretched to over £400,000, | 0:48:21 | 0:48:25 | |
making a total outlay of about £1.1 million. | 0:48:25 | 0:48:29 | |
So how much could it now be worth if sold on? | 0:48:29 | 0:48:32 | |
I think at the moment, it would probably set a record | 0:48:36 | 0:48:40 | |
for this road and these neighbouring roads. | 0:48:40 | 0:48:43 | |
The current record's about £1.05, that's a million and 50. | 0:48:43 | 0:48:49 | |
I would think that we could get £1.1 million to £1.2 million | 0:48:49 | 0:48:54 | |
for a house like this right now. | 0:48:54 | 0:48:56 | |
If I was looking to market the property, I would bring it on at £1.2 million. | 0:48:56 | 0:49:00 | |
If she achieves the high end of those values, | 0:49:00 | 0:49:04 | |
that could give Holly a pre-tax profit of around £100,000. | 0:49:04 | 0:49:07 | |
If the property were to be rented out, | 0:49:07 | 0:49:10 | |
what could the monthly rental income be? | 0:49:10 | 0:49:13 | |
This property would rent for between £4,500 to £5,000 per calendar month. | 0:49:13 | 0:49:19 | |
If this was to go on the rental market, I would expect it to achieve £3,600 per calendar month. | 0:49:19 | 0:49:24 | |
Holly feels these values are a bit on the low side | 0:49:27 | 0:49:30 | |
and believes the property could fetch up to £1.5 million. | 0:49:30 | 0:49:34 | |
But the real value of this project | 0:49:34 | 0:49:37 | |
is the incredibly stylish home she's created. | 0:49:37 | 0:49:39 | |
Now it's complete, how does she view the project? | 0:49:39 | 0:49:42 | |
I have been through hell with this project from a financial standpoint. | 0:49:44 | 0:49:52 | |
But it's been incredibly rewarding. | 0:49:52 | 0:49:55 | |
I have had a lot of fun doing the design, choosing tiles, | 0:49:55 | 0:50:01 | |
designing the kitchen, designing the windows. | 0:50:01 | 0:50:04 | |
So that part's been absolutely fun. | 0:50:04 | 0:50:07 | |
Back now to Burnley in Lancashire, where Mal and his business partner | 0:50:14 | 0:50:17 | |
bought this two-bedroom terraced house for £18,000 at auction. | 0:50:17 | 0:50:22 | |
This was Mal's third investment property. | 0:50:22 | 0:50:25 | |
The house needed total refurbishment as it had suffered significant fire damage. | 0:50:25 | 0:50:31 | |
Mal, a former chef, was hoping to be hands-on with the development. | 0:50:31 | 0:50:35 | |
But would this be a case of him jumping straight from the frying pan into the fire? | 0:50:35 | 0:50:40 | |
Do you have much experience of that kind of thing? | 0:50:40 | 0:50:43 | |
Not masses. Only the previous two houses. | 0:50:43 | 0:50:45 | |
But I learnt a lot off my builder the first time | 0:50:45 | 0:50:48 | |
and my builder will be doing bits and pieces as well. | 0:50:48 | 0:50:50 | |
But I will try and lower the cost by doing as much as I can. | 0:50:50 | 0:50:53 | |
We're back just under four months later to see | 0:50:55 | 0:50:57 | |
if Mal has done enough for us to award him a Michelin star. | 0:50:57 | 0:51:01 | |
For starters, the front of the house has been freshened up with a lick of paint. | 0:51:07 | 0:51:12 | |
Inside, the living room has been stripped back, | 0:51:12 | 0:51:15 | |
replastered and decorated. | 0:51:15 | 0:51:17 | |
It's a bit of a shame to see that old fireplace go, | 0:51:19 | 0:51:22 | |
but the place really has been brought back to life. | 0:51:22 | 0:51:25 | |
Laminate flooring has been laid right through the ground floor | 0:51:27 | 0:51:30 | |
to the rear reception room and kitchen. | 0:51:30 | 0:51:33 | |
Here we have the kitchen. It's almost finished. It's a work in progress. | 0:51:34 | 0:51:38 | |
Basically, we've done everything we need to do. | 0:51:38 | 0:51:41 | |
We've just got the units to finish off. All the plumbing's in. | 0:51:41 | 0:51:45 | |
We've had to put flooring all the way through. New flooring. New concrete floor. | 0:51:45 | 0:51:48 | |
Basically, there was no floor at all before so we've had a new concrete floor and new laminate on top of it. | 0:51:48 | 0:51:54 | |
This is the window that had the most fire damage. | 0:51:54 | 0:51:58 | |
New woodwork, new plastering, and completely finished, except for the windowsill. | 0:51:58 | 0:52:02 | |
Then it just needs a bit of paint. | 0:52:02 | 0:52:04 | |
Upstairs now for the next course. | 0:52:04 | 0:52:06 | |
The bedrooms have had the same treatment as the rooms downstairs. | 0:52:11 | 0:52:14 | |
Stripped, replastered and decorated. | 0:52:14 | 0:52:18 | |
Also, some new floorboards have been laid. | 0:52:18 | 0:52:21 | |
The windows in the back bedroom needed replacing too, | 0:52:24 | 0:52:28 | |
because of the fire damage at the back. | 0:52:28 | 0:52:31 | |
And as for the bathroom... | 0:52:32 | 0:52:34 | |
We're in the bathroom. Completely new ceilings. | 0:52:35 | 0:52:37 | |
It was all fire damaged in here. This room was quite damaged so we had to have new ceilings. | 0:52:37 | 0:52:43 | |
Replastered throughout, rewired. | 0:52:43 | 0:52:45 | |
You can see the new windows down the back of the building. | 0:52:45 | 0:52:48 | |
Completely new suite and also a new boiler for a complete system throughout the building. | 0:52:48 | 0:52:53 | |
New flooring. Still a work in progress, but we're getting there. | 0:52:53 | 0:52:57 | |
Mal and his business partner were planning to do | 0:53:01 | 0:53:03 | |
as much of the work as they could to keep the budget down. | 0:53:03 | 0:53:06 | |
So how was it split between themselves and the tradesmen? | 0:53:06 | 0:53:09 | |
I've had builders in. I've had plasterers in. | 0:53:11 | 0:53:13 | |
They've done the plastering. I've also had a plumber in who's done the central heating. | 0:53:13 | 0:53:18 | |
They've also done a bit of the concrete floor. | 0:53:18 | 0:53:20 | |
We ourselves have done most of the decorating and laying the floor. | 0:53:20 | 0:53:25 | |
We've put in the bathroom suite. | 0:53:25 | 0:53:27 | |
It's an ongoing process but we're putting in the kitchen as well. | 0:53:27 | 0:53:31 | |
Mal had originally planned to complete the renovation in around 10 weeks. | 0:53:32 | 0:53:37 | |
Have they managed to keep to that deadline? | 0:53:37 | 0:53:40 | |
We had problems getting electricity. | 0:53:40 | 0:53:42 | |
It took about six or seven weeks to get electricity, which slowed us down. | 0:53:42 | 0:53:46 | |
I was hoping to have it done by the 10-week mark, | 0:53:46 | 0:53:49 | |
but unfortunately now it's been 12 or 13 weeks. | 0:53:49 | 0:53:52 | |
Unfortunately, Mal has gone slightly over on his timescale. | 0:53:52 | 0:53:56 | |
How has he done with his budget? | 0:53:56 | 0:53:58 | |
Budget-wise, I thought around £10,000. | 0:54:00 | 0:54:02 | |
I was hoping for around the £10,000 mark. | 0:54:02 | 0:54:04 | |
We have gone over, but not drastically. | 0:54:04 | 0:54:06 | |
I think we'll finish on around £11,000, | 0:54:06 | 0:54:09 | |
which is relatively what we'd expect. | 0:54:09 | 0:54:12 | |
The property cost £18,000 at auction. | 0:54:14 | 0:54:17 | |
Added to the renovation costs of £11,000, | 0:54:17 | 0:54:20 | |
that means a total outlay of £29,000. | 0:54:20 | 0:54:23 | |
What do two local property experts think of Mal's refurbishment? | 0:54:23 | 0:54:27 | |
First impressions are good. | 0:54:30 | 0:54:32 | |
He's obviously done all the major work that was required | 0:54:32 | 0:54:35 | |
because of the fire damage. | 0:54:35 | 0:54:37 | |
All the replastering looks good, he's obviously in the process | 0:54:37 | 0:54:41 | |
of putting in a kitchen and the bathroom needs finishing, | 0:54:41 | 0:54:44 | |
but you can see that the finished product will look good. | 0:54:44 | 0:54:47 | |
It's your standard mid-terraced property. | 0:54:47 | 0:54:50 | |
It's had all the essentials done to a decent standard | 0:54:50 | 0:54:53 | |
in terms of central heating and double glazing. | 0:54:53 | 0:54:56 | |
It's clean and tidy and I can imagine someone moving straight in. | 0:54:56 | 0:54:59 | |
What valuation would they give if it were to be sold? | 0:54:59 | 0:55:04 | |
From a resale point of view, the market's tough everywhere. | 0:55:04 | 0:55:08 | |
It's tough in Burnley at the minute, but again it might stand out | 0:55:08 | 0:55:11 | |
because of the work that's been done. | 0:55:11 | 0:55:13 | |
We're probably looking somewhere in the region of £30,000. | 0:55:13 | 0:55:17 | |
Looking at the resale value, | 0:55:17 | 0:55:19 | |
I would think you'd be looking somewhere in the region of £37,000. | 0:55:19 | 0:55:23 | |
OK. I thought we might be able to get £40,000 to £45,000. | 0:55:23 | 0:55:26 | |
I'm going to rent it anyway. | 0:55:26 | 0:55:28 | |
According to the experts, that would give Mal a pre-tax profit of between £1,000 and £8,000, | 0:55:30 | 0:55:35 | |
although as he says, he's going to rent it out. | 0:55:35 | 0:55:38 | |
So what could that earn him? | 0:55:38 | 0:55:41 | |
From a rental point of view, given the current market, | 0:55:41 | 0:55:44 | |
there's a strong demand for rental property, | 0:55:44 | 0:55:46 | |
although there's a lot of rental property in the area. | 0:55:46 | 0:55:49 | |
So I think we're probably looking somewhere in the region of £375 per calendar month. | 0:55:49 | 0:55:53 | |
In a rental market, you'd be looking at somewhere in the region of £300 per calendar month. | 0:55:53 | 0:55:58 | |
That's pretty much what I thought it was going to be. | 0:55:58 | 0:56:01 | |
I was expecting around £350, so £375 is great. | 0:56:01 | 0:56:04 | |
It's obviously worth renting out, then. | 0:56:05 | 0:56:08 | |
That would give him a whopping yield of between 12% and 15.5%. | 0:56:08 | 0:56:13 | |
This being the third property Mal has developed, what's his verdict on this one? | 0:56:13 | 0:56:17 | |
I do think it's been a success. It's taken a little longer than I thought | 0:56:18 | 0:56:21 | |
and there have been many frustrations on the way, | 0:56:21 | 0:56:24 | |
but it doesn't put me off doing these. | 0:56:24 | 0:56:26 | |
There's only about three weeks to go and then I'll move on to the next project. | 0:56:26 | 0:56:30 | |
With his chef's career now on the back burner, | 0:56:32 | 0:56:36 | |
what does Mal find is most satisfying now that he's a property developer? | 0:56:36 | 0:56:40 | |
I generally enjoy just the sense of achievement once they're finished. | 0:56:41 | 0:56:44 | |
Taking something that's burnt out, | 0:56:44 | 0:56:47 | |
from a shell to a finished end result is just amazing. | 0:56:47 | 0:56:52 | |
Join us next time when we meet more brave auction buyers, | 0:56:55 | 0:56:58 | |
either trying to make a killing or maybe just finding somewhere to live. | 0:56:58 | 0:57:01 | |
-Looking forward to seeing you then. -Goodbye. -Goodbye. | 0:57:01 | 0:57:04 | |
Subtitles by Red Bee Media Ltd | 0:57:10 | 0:57:12 |