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Hello. Buying property isn't always as easy as it seems. | 0:00:02 | 0:00:04 | |
It can have its highs and lows, especially when you're stuck in a chain. | 0:00:04 | 0:00:08 | |
But you can eliminated that process when you buy at an auction. | 0:00:08 | 0:00:12 | |
-There are all sorts of properties being sold at auction. -And their buyers have all kinds of plans | 0:00:37 | 0:00:43 | |
to sort them out, and all sorts of budgets. | 0:00:43 | 0:00:46 | |
So let's see what's up for grabs on today's show. | 0:00:46 | 0:00:48 | |
'I uncover some hidden period treasures in Derby.' | 0:00:51 | 0:00:56 | |
Oh, wow! | 0:00:57 | 0:00:58 | |
'This chapel in Chelmsford has real potential.' | 0:01:01 | 0:01:05 | |
It's quite exciting to think what you could do with a space like this. | 0:01:05 | 0:01:09 | |
'And you're unlikely to lose your shirt investing in this London flat, but you may lose some weight.' | 0:01:09 | 0:01:15 | |
Ooh! Well, climbing up all those stairs would certainly keep you fit. | 0:01:15 | 0:01:19 | |
'All these properties have been sold at auction and we'll find out who bought them and what they paid | 0:01:21 | 0:01:26 | |
'when they went under the hammer.' | 0:01:26 | 0:01:29 | |
'I'm in Derby, renowned for its Georgian and Victorian architecture. | 0:01:36 | 0:01:41 | |
'The city is now adding a modern twist. | 0:01:41 | 0:01:44 | |
'Derby is moving forward whilst also celebrating its past. | 0:01:46 | 0:01:51 | |
'Ten minutes' walk from the city centre is the property I'm here to see.' | 0:01:51 | 0:01:55 | |
These red-brick Victorian properties are very typical of the area. | 0:01:58 | 0:02:03 | |
You're close to the local schools and facilities, so they make great places to live, | 0:02:03 | 0:02:08 | |
or maybe as a buy-to-let investment. | 0:02:08 | 0:02:11 | |
Here's the one that I'm going to see. Guide price was 55,000 quid. | 0:02:11 | 0:02:16 | |
Let's take a look. | 0:02:16 | 0:02:19 | |
Nice that you've got the double glazing before you start. Good news. | 0:02:20 | 0:02:24 | |
Straight into the living room. Very standard layout. | 0:02:24 | 0:02:27 | |
Open fire, we like that. But if ever you come into a property and the carpet has been peeled back, | 0:02:27 | 0:02:32 | |
you should start to investigate a bit further. | 0:02:32 | 0:02:35 | |
Oh, blimey. Yes, the floor is actually moving pretty badly. | 0:02:35 | 0:02:41 | |
That's not good. That needs investigation. | 0:02:41 | 0:02:45 | |
In fact, I don't think I can look at very much more of this property | 0:02:45 | 0:02:49 | |
without finding out what's going on there and maybe... A-ha! The cellar. | 0:02:49 | 0:02:54 | |
I think the answer's down there. | 0:02:54 | 0:02:57 | |
'Let's see what horrors lie beneath in the basement.' | 0:02:58 | 0:03:02 | |
# Don't be afraid of the dark | 0:03:02 | 0:03:06 | |
Now, intrinsically, cellars are a wonderful thing to have in a property. | 0:03:07 | 0:03:12 | |
They can make great games rooms or additional space, cinemas, et cetera, | 0:03:12 | 0:03:16 | |
but they can also be the source of major problems, and as you can see, the... | 0:03:16 | 0:03:22 | |
The joists are absolutely rotten. | 0:03:22 | 0:03:26 | |
I better not pull too much more otherwise I might end up having that come down on my head. | 0:03:26 | 0:03:32 | |
What has happened is that, basically, the air vents to this cellar have been blocked off | 0:03:32 | 0:03:38 | |
and this has become the perfect place for the formation of both wet and, more seriously, dry rot. | 0:03:38 | 0:03:46 | |
And the annoying thing is, it could've all been prevented | 0:03:46 | 0:03:49 | |
by just having an air flow, some air bricks so you can get a flow of air. | 0:03:49 | 0:03:53 | |
If you've got a cellar, do me a favour, go down there, make sure you can feel a breeze | 0:03:53 | 0:03:58 | |
and that your cellar isn't as dank as this one is and you can avoid these problems. | 0:03:58 | 0:04:02 | |
As it is, for the person who buys this, they'll have to spend a bit of money sorting that out. | 0:04:02 | 0:04:07 | |
'For the cellar to be converted into a liveable space, it will need to be water- and damp-proofed. | 0:04:07 | 0:04:14 | |
'This process is known as tanking. | 0:04:14 | 0:04:16 | |
'Meanwhile, back on the ground floor is the back sitting room and the kitchen. | 0:04:18 | 0:04:23 | |
'Both are in poor condition. I'd recommend getting the plumbing checked and also the electrics. | 0:04:23 | 0:04:29 | |
'Let's head up top.' | 0:04:31 | 0:04:33 | |
So, upstairs, I like the look of that. | 0:04:35 | 0:04:38 | |
That's a roof light. Stick something in the roof itself | 0:04:38 | 0:04:41 | |
to bring in a bit of natural light, that would be lovely. A big double bedroom at the front. | 0:04:41 | 0:04:46 | |
Down this corridor, another double bedroom at the back, two really good size rooms. | 0:04:46 | 0:04:50 | |
And another bit of good news, upstairs bathroom and loo, | 0:04:50 | 0:04:54 | |
it's old, it's dated, it needs sorting out, but at least it's in the right place. | 0:04:54 | 0:04:59 | |
'Like the rest of the house, the bathroom needs modernising. | 0:04:59 | 0:05:03 | |
'But, in contrast with the rest of the property, upstairs feels spacious and bright.' | 0:05:03 | 0:05:09 | |
One of the nice things about the property is that a lot of the original features are still here. | 0:05:10 | 0:05:15 | |
You've got the doors, which I'd strip. Some of these old skirting boards are nice, too. | 0:05:15 | 0:05:20 | |
And look, behind here, there is, I hope, an old fireplace. | 0:05:20 | 0:05:24 | |
This has probably been covered up like this for 20, 30 years. | 0:05:24 | 0:05:28 | |
What could possibly be behind here? | 0:05:28 | 0:05:31 | |
Ready? | 0:05:32 | 0:05:34 | |
Oh, wow! | 0:05:34 | 0:05:36 | |
Look at that! And, listen, just hang on a second. | 0:05:37 | 0:05:40 | |
I wonder if we can see what date it is on this newspaper? | 0:05:40 | 0:05:44 | |
Fantastic. Daily Mirror, Friday November 13th, 1959. | 0:05:44 | 0:05:51 | |
# I used to be a headline | 0:05:53 | 0:05:55 | |
# Now I'm just old news | 0:05:57 | 0:06:00 | |
'A blend of period detail, modern design and comfort can successfully be achieved. | 0:06:00 | 0:06:06 | |
'It would be a travesty if these fireplaces were simply ripped out and thrown in a dark cellar. | 0:06:06 | 0:06:12 | |
'I invited the auctioneer who sold it to shed some light | 0:06:15 | 0:06:19 | |
'on this property, which had a guide price of £55,000.' | 0:06:19 | 0:06:24 | |
From first glance outside, you think it looks in quite good order. | 0:06:24 | 0:06:27 | |
That's because it's had new windows put in. | 0:06:27 | 0:06:30 | |
But when you get inside, you see what hasn't been done over a course of many years. | 0:06:30 | 0:06:34 | |
So it needs quite a bit of hard work doing to it, really. | 0:06:34 | 0:06:37 | |
'Once the property has been renovated, what could be the value if it was sold on?' | 0:06:39 | 0:06:45 | |
Renovated to a good standard, it would have a market value, on today's market, of around £90,000. | 0:06:45 | 0:06:51 | |
'And the rental value?' | 0:06:52 | 0:06:55 | |
Assuming full renovation and good standard, | 0:06:55 | 0:06:57 | |
its rental value would be about £450 per calendar month. | 0:06:57 | 0:07:01 | |
Well, you are going to have to set aside a reasonable chunk of your budget | 0:07:02 | 0:07:06 | |
to sort out the dry rot problem and, of course, the floor. | 0:07:06 | 0:07:09 | |
But apart from that, this is a really good little house. | 0:07:09 | 0:07:13 | |
All the rooms are in the right place and either as a place to live | 0:07:13 | 0:07:16 | |
or a buy-to-let investment, it's a good one to go for. | 0:07:16 | 0:07:19 | |
Let's see who spotted it at the auction. | 0:07:19 | 0:07:21 | |
Guide price is 55-plus. Would someone like to start me at 58? | 0:07:22 | 0:07:26 | |
58,000. | 0:07:26 | 0:07:28 | |
58. 56? Start me where you like. | 0:07:28 | 0:07:31 | |
56, thank you very much. 56,000 I have at the back. | 0:07:31 | 0:07:35 | |
At £56,000. 57 I've got on a proxy bid. | 0:07:35 | 0:07:38 | |
At 57,000. 58, sir? 58 is bid. | 0:07:38 | 0:07:42 | |
59 is bid on a proxy. | 0:07:42 | 0:07:44 | |
59,000. £60,000, thank you very much. | 0:07:44 | 0:07:46 | |
At £60,000 only bid. £60,500? £60,500. | 0:07:46 | 0:07:51 | |
At £60,500. 61? 61,000. | 0:07:51 | 0:07:54 | |
61,500. 61,500. | 0:07:54 | 0:07:57 | |
62? £62,000. 62,500. It's in the market, the bids are yours. 63. | 0:07:57 | 0:08:03 | |
63,500. 64,000. 64,500. | 0:08:03 | 0:08:07 | |
65,000. 65 and a half. 66? | 0:08:07 | 0:08:11 | |
66 is bid. | 0:08:11 | 0:08:14 | |
At £66,000. 500 somewhere else? | 0:08:14 | 0:08:17 | |
It's in the market, we're selling. The bid is £66,000. | 0:08:17 | 0:08:20 | |
500. He's had second thoughts. 67, sir? 67. | 0:08:20 | 0:08:24 | |
At 67,000 again. | 0:08:24 | 0:08:26 | |
67,500. 68,000. | 0:08:26 | 0:08:30 | |
68,000, definite? At £68,000, going for the first time. | 0:08:30 | 0:08:35 | |
Second time. Any higher bid? | 0:08:35 | 0:08:37 | |
-All done at £68,000? -HAMMER BANGS -Sold at 68,000. Thank you. | 0:08:37 | 0:08:42 | |
'The happy chap there with his successful bid of 68,000 was Roger. | 0:08:42 | 0:08:48 | |
'He's a car industry consultant and I met him back at his new property.' | 0:08:48 | 0:08:54 | |
# Jump in my car | 0:08:54 | 0:08:57 | |
# I wanna take you home | 0:08:57 | 0:09:00 | |
-Roger, lovely to meet you. -And you, Martin. -Congratulations. | 0:09:00 | 0:09:04 | |
-Thanks very much. -A great little house. Tell me why you wanted to buy it. | 0:09:04 | 0:09:08 | |
Well, I needed somewhere to live and I didn't want to have a mortgage | 0:09:08 | 0:09:12 | |
and I've been to auction before many, many years ago | 0:09:12 | 0:09:16 | |
and I started looking at houses at auction and I ended up with this one. | 0:09:16 | 0:09:20 | |
I just want a house for me. Occasionally, my youngest son will stay with me | 0:09:20 | 0:09:25 | |
or my other son will come up from London and stay, | 0:09:25 | 0:09:28 | |
so I just wanted a house big enough, didn't want a big garden, | 0:09:28 | 0:09:31 | |
-and I wanted something that's a project. -Right. | 0:09:31 | 0:09:34 | |
And this is. Not a big project, but it's enough of a project. | 0:09:34 | 0:09:38 | |
'Whoops. Be careful where you stand, Roger. | 0:09:40 | 0:09:43 | |
'The first job will be fixing the rotten floors caused by the dry rot in the cellar.' | 0:09:43 | 0:09:48 | |
I knew about the floor, I knew what state that was in | 0:09:50 | 0:09:53 | |
because I was bouncing up and down on the floor when I came to look at it the first time | 0:09:53 | 0:09:57 | |
-and the estate agent said, "Don't do that!" -Never a good sign! | 0:09:57 | 0:10:02 | |
-Yeah. -"Don't walk to heavily on the floorboards," always sets those alarm bells ringing. | 0:10:02 | 0:10:07 | |
-Yeah. And then lots of other things to do to it. -Talk me through exactly what you're going to do. | 0:10:07 | 0:10:14 | |
Right, well, obviously, a new floor. | 0:10:14 | 0:10:18 | |
New floor in here and in the kitchen. | 0:10:18 | 0:10:21 | |
And the bedrooms will just need decorating and rewiring, central heating, | 0:10:21 | 0:10:27 | |
the normal run-of-the-mill things on top of that. I'd like, if I can afford to, have the cellar tanked. | 0:10:27 | 0:10:34 | |
But we've got to look into the cost of that. | 0:10:34 | 0:10:37 | |
-Would be a good extra room. -It would, yeah. | 0:10:37 | 0:10:40 | |
-Cinema! -Yes. -Pool table! -I would think more of a Scaletrix. | 0:10:40 | 0:10:45 | |
-Yeah! Really? -Yeah. -Oh, fantastic! | 0:10:45 | 0:10:47 | |
Yeah. My boys love Scaletrix and we've always had one | 0:10:47 | 0:10:50 | |
and I had them when I was little and we love it. | 0:10:50 | 0:10:53 | |
-So you'd have a permanent Scaletrix track in the cellar? Oh, whoa! -Yeah. | 0:10:53 | 0:10:57 | |
# Toys for boys | 0:10:57 | 0:10:59 | |
# Toys for boys | 0:10:59 | 0:11:01 | |
# Play with us | 0:11:01 | 0:11:03 | |
'Racing cars in the basement would be very cool. | 0:11:03 | 0:11:07 | |
'But does Roger face a race of his own to get this job done on time and on budget?' | 0:11:07 | 0:11:12 | |
What kind of budget have you got? | 0:11:12 | 0:11:15 | |
I've got 20 with a contingency of five and then another contingency of five on top of that. | 0:11:15 | 0:11:21 | |
Wow. Why are you calling it two lots of five rather than ten? | 0:11:21 | 0:11:24 | |
I don't want to spend the second one at all, to be quite honest. | 0:11:24 | 0:11:30 | |
'A £30,000 budget is certainly not to be sniffed at, | 0:11:30 | 0:11:34 | |
'but what about his schedule?' | 0:11:34 | 0:11:37 | |
-What kind of timescales to get this sorted? -Three months. | 0:11:37 | 0:11:40 | |
-OK. -I would like to be, by the end of the three months, actually living in the property. -Right. | 0:11:40 | 0:11:46 | |
-Who's doing the work? -I've got a builder lined up. He's a friend and he'll project-manage it all. | 0:11:46 | 0:11:51 | |
Oh, great. What do you do when you're not doing this? | 0:11:51 | 0:11:54 | |
-I'm a motor industry consultant. -Ooh. What does that mean? | 0:11:54 | 0:11:57 | |
Well, I work with larger dealer groups improving the business, the customer service | 0:11:57 | 0:12:02 | |
-and also incentives with manufacturers and programmes, network planning. -Right. | 0:12:02 | 0:12:08 | |
-So cars in your work and cars in your play with your Scaletrix. -Yeah. | 0:12:08 | 0:12:13 | |
I know what I prefer! The cars in play! | 0:12:13 | 0:12:16 | |
I'm going to have to come back and have a play! | 0:12:16 | 0:12:18 | |
-If I've got it, yeah, you can do! -Listen, congratulations. -Thank you. | 0:12:18 | 0:12:22 | |
-Well done. We look forward to seeing how you get on. -Lovely. | 0:12:22 | 0:12:25 | |
# Jump in my car | 0:12:26 | 0:12:29 | |
I think Roger's got a great place here, | 0:12:29 | 0:12:31 | |
but do you honestly think that he will sort out other parts of the property | 0:12:31 | 0:12:35 | |
before he tanks his cellar and gets his slot car racing stuff installed? | 0:12:35 | 0:12:40 | |
I don't think so! Find out how he gets on later in the show. | 0:12:40 | 0:12:45 | |
Today I'm in a very peaceful part of Chelmsford in Essex. | 0:12:49 | 0:12:53 | |
To be precise, I'm in a graveyard and I'm here to see a chapel, | 0:12:53 | 0:12:57 | |
a museum, a lodge and over 0.2 acres of land. | 0:12:57 | 0:13:02 | |
Better get started or we'll never get time to see it all! | 0:13:02 | 0:13:06 | |
'The chapel and the lodge alongside were built in 1886. | 0:13:08 | 0:13:13 | |
'The grand and dark cloister is awe-inspiring, | 0:13:13 | 0:13:16 | |
'and while the view of the cemetery may not be to everybody's taste, | 0:13:16 | 0:13:20 | |
'I find it quite beautiful on this cold and crisp winter's morning. | 0:13:20 | 0:13:25 | |
'The guide price for this vast auction lot was £400,000. | 0:13:31 | 0:13:36 | |
'There's a great deal to see here, | 0:13:38 | 0:13:40 | |
'so let's begin by exploring inside the chapel.' | 0:13:40 | 0:13:44 | |
This would've been the original chapel of rest. | 0:13:46 | 0:13:50 | |
Wow! What an incredible space. | 0:13:50 | 0:13:53 | |
You've got fantastic ceiling height in here. It's really echoey. | 0:13:53 | 0:13:57 | |
And these beautiful big windows letting all this light in. | 0:13:57 | 0:14:01 | |
Look at these. Big old stone pillars here. | 0:14:01 | 0:14:04 | |
It does seem a bit strange to have all of this machinery in here, | 0:14:04 | 0:14:08 | |
but once you've cleared it, you've got a really big room. | 0:14:08 | 0:14:12 | |
It's quite incredible to have a look around. Over here there's some old stained glass. | 0:14:12 | 0:14:16 | |
That would originally have sat over there in the doorway. | 0:14:16 | 0:14:19 | |
If you rip all the boards off that window, you've got a beautiful stained-glass window. | 0:14:19 | 0:14:24 | |
I did go round the outside and have a look at it. | 0:14:24 | 0:14:27 | |
It's a big room and it's quite exciting to think what you could do with a space like this. | 0:14:27 | 0:14:33 | |
# Hallelujah | 0:14:33 | 0:14:36 | |
# Hallelujah | 0:14:36 | 0:14:40 | |
'The stonemasonry here is craftsmanship of the highest order. | 0:14:40 | 0:14:44 | |
'Whatever happens to this building, I'd like to see as much of its character retained as possible. | 0:14:44 | 0:14:50 | |
# Hallelujah | 0:14:50 | 0:14:53 | |
'Opposite the chapel is the lodge. | 0:14:53 | 0:14:56 | |
'This property has recently been used as an office | 0:14:56 | 0:14:58 | |
'but was originally the cemetery-keeper's house. | 0:14:58 | 0:15:01 | |
'There are three rooms downstairs and three upstairs | 0:15:01 | 0:15:04 | |
'and once again, there are some lovely original features. | 0:15:04 | 0:15:08 | |
'Converting a church into a residential property is quite common | 0:15:08 | 0:15:12 | |
'and extremely popular, but can be a mixed blessing. | 0:15:12 | 0:15:16 | |
'The grand architecture churches offer can sometimes mean compromised living spaces. | 0:15:16 | 0:15:22 | |
'And as heavenly as stained-glass windows are, they are draughty, | 0:15:22 | 0:15:26 | |
'meaning it will cost more to heat your home. | 0:15:26 | 0:15:29 | |
'Tucked in between the archway and the lodge is the cemetery waiting room | 0:15:37 | 0:15:41 | |
'with yet more beautiful stained-glass windows and an imposing fireplace. | 0:15:41 | 0:15:46 | |
'Adjoining the lodge is what was previously a museum | 0:15:46 | 0:15:49 | |
'for the Chelmsford Archaeological Trust. And it's huge! | 0:15:49 | 0:15:54 | |
'This extension was built in 1991 | 0:16:01 | 0:16:03 | |
'but was designed to complement the Victorian gothic style of the lodge and the chapel.' | 0:16:03 | 0:16:09 | |
This place is amazing! But you and I know it can't stay this way. | 0:16:11 | 0:16:16 | |
It must have planning permission to convert it, right? | 0:16:16 | 0:16:19 | |
Well, yes, it does. | 0:16:19 | 0:16:21 | |
It comes with planning for the conversion of the existing building | 0:16:21 | 0:16:25 | |
to provide five two-bedroom cottages, | 0:16:25 | 0:16:27 | |
one three-bedroom house which is here | 0:16:27 | 0:16:30 | |
and three one-bedroom duplex apartments. | 0:16:30 | 0:16:33 | |
So you can see, this is going to be one big old project! But an exciting one. | 0:16:33 | 0:16:39 | |
'So, planning permission has been granted to turn the old museum into five two-bedroom cottages. | 0:16:42 | 0:16:48 | |
'The lodge will become a three-bedroom house. | 0:16:48 | 0:16:51 | |
'The chapel will become two one-bedroom duplex apartments. | 0:16:51 | 0:16:55 | |
'And the cemetery waiting room will also be a one-bedroom duplex apartment. | 0:16:55 | 0:16:59 | |
'This auction lot had a guide price of £400,000. | 0:16:59 | 0:17:04 | |
'I invited a local estate agent | 0:17:06 | 0:17:09 | |
'to give us his opinion on the place.' | 0:17:09 | 0:17:12 | |
The property is excellent. Exactly what Chelmsford needs. | 0:17:12 | 0:17:15 | |
We have a lot of modern housing estates, so a conversion like this | 0:17:15 | 0:17:20 | |
would be high in demand. | 0:17:20 | 0:17:22 | |
'How much could the one-bedroom duplex apartments, | 0:17:22 | 0:17:25 | |
'the two-bedroom cottages and the three-bedroom house be rented out for?' | 0:17:25 | 0:17:30 | |
For the one-bedroom properties, the rental value would be £700 per calendar month. | 0:17:31 | 0:17:36 | |
For the two-bedroom properties, the rental value would be £850 per calendar month. | 0:17:36 | 0:17:41 | |
The three-bedroom house we could rent for £1,100 per calendar month. | 0:17:41 | 0:17:46 | |
'That's a combined rental income of £7,450 per calendar month. What about sell-on valuations?' | 0:17:47 | 0:17:55 | |
The one-bedroom properties we'd start from £150,000. | 0:17:55 | 0:18:00 | |
The two-bedroom properties we'd start from £205,000. | 0:18:00 | 0:18:05 | |
We would put the three-bedroom house on the market for £300,000. | 0:18:05 | 0:18:09 | |
'That adds up to a tidy total sale valuation of just over £1.7 million.' | 0:18:09 | 0:18:15 | |
A massive project but a lucrative one if all goes to plan. | 0:18:18 | 0:18:23 | |
The return will be quite staggering, so I think it's a fabulous one to go for, | 0:18:23 | 0:18:27 | |
but living beside a graveyard isn't going to be for everybody. | 0:18:27 | 0:18:31 | |
Let's find out who wanted this as we head to auction. | 0:18:31 | 0:18:34 | |
375,000. As good a place as any. Thank you. | 0:18:37 | 0:18:41 | |
375. 385? | 0:18:41 | 0:18:44 | |
Yep, 385. 390. | 0:18:44 | 0:18:46 | |
395. 400. | 0:18:46 | 0:18:49 | |
410. 415. 420. | 0:18:49 | 0:18:52 | |
425. 430. | 0:18:52 | 0:18:54 | |
435. 440. 445. | 0:18:54 | 0:18:57 | |
And 50. 55. And 60. | 0:18:57 | 0:19:00 | |
And 65. And 70. | 0:19:00 | 0:19:04 | |
And 75. And 80. | 0:19:04 | 0:19:06 | |
And 85. And 90. | 0:19:06 | 0:19:09 | |
And 95. | 0:19:09 | 0:19:11 | |
500, sir. | 0:19:11 | 0:19:13 | |
And 5. No? | 0:19:13 | 0:19:15 | |
Fresh place, 505. | 0:19:15 | 0:19:18 | |
510. 515. 520. | 0:19:18 | 0:19:21 | |
525. | 0:19:21 | 0:19:23 | |
And 30. 35. | 0:19:23 | 0:19:26 | |
535. 540. And 45. | 0:19:26 | 0:19:29 | |
You sure? 540, still with you in the blue shirt. For the first time. Second time. | 0:19:29 | 0:19:34 | |
-Third and final time at £540,000. Got to go. Sure? -HAMMER BANGS | 0:19:34 | 0:19:39 | |
'Holding his nerve to win the day was Peter with his bid of £540,000. | 0:19:39 | 0:19:45 | |
'Peter and his business partner Ryan are specialists in converting barns and period and listed buildings. | 0:19:47 | 0:19:54 | |
'They have a little history with this property. | 0:19:54 | 0:19:57 | |
'I met them back at the lodge to find out more.' | 0:19:57 | 0:20:00 | |
-Guys, congratulations. -Thank you very much. -This is really good news for both of you. | 0:20:02 | 0:20:07 | |
-Peter, you were the brave bidder on auction day. -Yes, I was indeed. | 0:20:07 | 0:20:11 | |
-How did that work out? -It was good. We knew where we were going to go with it, or what level. | 0:20:11 | 0:20:16 | |
We didn't think we'd get so much opposition when it got to a figure we would've liked it to have been. | 0:20:16 | 0:20:22 | |
But there's always someone comes in on the late side and pushes you up for that extra few quid. | 0:20:22 | 0:20:28 | |
How much would you have paid for this site? | 0:20:28 | 0:20:30 | |
Probably between six and a half to seven. | 0:20:30 | 0:20:32 | |
-So you got a bargain! -Hopefully so. -Didn't you? -Yeah, we feel so. | 0:20:32 | 0:20:37 | |
I'm intrigued, Ryan. How did you stumble across this? | 0:20:37 | 0:20:40 | |
About two years ago, we were doing a barn conversion down the road | 0:20:40 | 0:20:47 | |
and we happened to drive by going to our architect's and spotted a board up and made a couple of phone calls | 0:20:47 | 0:20:53 | |
and liaised with the agent, came down to have a viewing | 0:20:53 | 0:20:56 | |
and we were going to put an offer in, but due to financial restraints | 0:20:56 | 0:21:01 | |
and the way the market had turned, we were unwilling to proceed. | 0:21:01 | 0:21:05 | |
And we didn't expect it to come back up. | 0:21:05 | 0:21:07 | |
By chance, coming across the bridge, we saw the board back up. | 0:21:07 | 0:21:11 | |
-And that's two years on? -Yeah. | 0:21:11 | 0:21:14 | |
We were sad we couldn't bid on it in the first place, but it came round again. | 0:21:14 | 0:21:18 | |
-It was meant to be, boys! -Absolutely! | 0:21:18 | 0:21:21 | |
'Perhaps destiny has played a part in bringing Peter and Ryan to this divine chapel. | 0:21:22 | 0:21:28 | |
'I'm keen to hear about their vision for this property.' | 0:21:28 | 0:21:31 | |
So what is the big old plan with this site? | 0:21:32 | 0:21:36 | |
At the moment, with the structures as they are, | 0:21:36 | 0:21:40 | |
we're going to get nine residential units out of it. | 0:21:40 | 0:21:43 | |
That'll be five two-bed apartments, one three-bed house, which is a part of what we're standing in now... | 0:21:43 | 0:21:48 | |
Which is beautiful. It's going to be stunning. | 0:21:48 | 0:21:51 | |
And three one-bed apartments. | 0:21:51 | 0:21:55 | |
So it lends very well to what it is | 0:21:55 | 0:21:57 | |
and it keep the external of the building as it was | 0:21:57 | 0:22:02 | |
and enhances the internal, particularly the likes of the chapel, which will be two lovely apartments. | 0:22:02 | 0:22:08 | |
It's 25-foot-high ceilings, so that'll be wonderful. | 0:22:08 | 0:22:12 | |
-We'll restore everything back to its original state. -Are these buildings listed? | 0:22:12 | 0:22:16 | |
-No. -They're not listed. So how far can you go with ripping them apart, taking the windows out? | 0:22:16 | 0:22:23 | |
-How far can you go? -We don't like to rip out any of the beauty already in existence. | 0:22:23 | 0:22:28 | |
Work with it, enhance it, make it a feature of the property and bring it along. | 0:22:28 | 0:22:33 | |
Rather than take the heart out of it, retain it and make use of what's existing on the footprint. | 0:22:33 | 0:22:41 | |
'The duo have a passion for property | 0:22:42 | 0:22:44 | |
'and will try to develop this site respectfully | 0:22:44 | 0:22:47 | |
'with sensitivity to its heritage and location.' | 0:22:47 | 0:22:51 | |
How long do you think it'll take to develop this site? | 0:22:54 | 0:22:58 | |
Probably six months we'd expect to get some of them finished and done. | 0:22:58 | 0:23:03 | |
We'll see how the market goes, see what interest we get over the next few months and go from there. | 0:23:03 | 0:23:08 | |
Bearing in mind, it's all internal works, so we can start it immediately. | 0:23:08 | 0:23:13 | |
What's your budget for the total project? How much do you have to spend? | 0:23:13 | 0:23:16 | |
-Well, do we have to disclose that? -Yes! | 0:23:16 | 0:23:19 | |
How much will it cost you to develop something like this? | 0:23:19 | 0:23:22 | |
Because you really are starting from scratch. | 0:23:22 | 0:23:25 | |
Yes, but the structures are already there, so it's internal finishings and that. | 0:23:25 | 0:23:29 | |
We're probably talking well under half a million. | 0:23:29 | 0:23:32 | |
Guys, I think this project had your name on it. It's very exciting. | 0:23:32 | 0:23:35 | |
I can't wait to see what they all look like. | 0:23:35 | 0:23:37 | |
-It's been lovely meeting you. Ryan, thank you very much. Peter, well done. Good luck. -Thank you. | 0:23:37 | 0:23:43 | |
This lovely collection of buildings has certainly fallen into the right hands. | 0:23:45 | 0:23:50 | |
Now, it is a major project for them, but will they do it in just six months | 0:23:50 | 0:23:53 | |
and how will the property market be? Will they sell or will they rent? | 0:23:53 | 0:23:58 | |
You can find out what happens later on in the programme. | 0:23:58 | 0:24:01 | |
'Coming up, I'm charmed by the kooky but cosy corners of this flat in London.' | 0:24:03 | 0:24:09 | |
It's a likeable little one-bedroom flat. | 0:24:09 | 0:24:12 | |
'Have Peter and Ryan succeeded in keeping the character of this period property in Chelmsford?' | 0:24:13 | 0:24:19 | |
We don't want just straight boxes for anybody. We'd rather have something quirkier and more interesting. | 0:24:19 | 0:24:25 | |
'But first, Roger's happy to have bagged a bargain on his fixtures and fittings.' | 0:24:25 | 0:24:30 | |
I got a cracking deal on those. | 0:24:30 | 0:24:32 | |
'Let's return to Derby and this two-bed terraced house. | 0:24:39 | 0:24:42 | |
'Roger purchased the property for £68,000 | 0:24:45 | 0:24:49 | |
'and he planned to turn this house into his home. | 0:24:49 | 0:24:52 | |
'Already plans were being hatched about converting his cellar. | 0:24:57 | 0:25:02 | |
'I had a suggestion or two of my own as to what it could be used for.' | 0:25:02 | 0:25:07 | |
-Cinema! -Yes! -Pool table! -No, I would think more of a Scaletrix. | 0:25:07 | 0:25:12 | |
-Yeah! Really? -Yeah. -Fantastic! | 0:25:12 | 0:25:14 | |
My boys love Scaletrix and we've always had one. | 0:25:14 | 0:25:17 | |
-So you'd have a permanent Scaletrix track in the cellar? Oh, whoa! -Yeah. | 0:25:17 | 0:25:21 | |
'So, has Roger revved up the renovation or has it broken down and is in need of a jump start? | 0:25:23 | 0:25:30 | |
'Four months later, we're back to find out. | 0:25:34 | 0:25:37 | |
'Not much change outside, but let's head on in to see what's happening inside. | 0:25:37 | 0:25:43 | |
'The once tired and tatty rear sitting room and kitchen | 0:25:49 | 0:25:53 | |
'is now a stylish living room and kitchen area.' | 0:25:53 | 0:25:57 | |
I think a good kitchen is worth having and worth spending the money on. | 0:25:59 | 0:26:03 | |
But I was very careful where I sourced the units from and so on, | 0:26:03 | 0:26:07 | |
and I've made some great savings on the internet with that. | 0:26:07 | 0:26:11 | |
'Roger has maximised the space in the living area | 0:26:15 | 0:26:18 | |
'by removing the chimney breast. | 0:26:18 | 0:26:20 | |
'Let's take a look upstairs. | 0:26:20 | 0:26:23 | |
'The two drab and dreary bedrooms are now bright and bold. | 0:26:25 | 0:26:30 | |
'In the front bedroom, I uncovered a wonderful Victorian fireplace | 0:26:31 | 0:26:36 | |
'which I felt, once restored, would make a fantastic period feature. | 0:26:36 | 0:26:42 | |
'I'm sorry to see it's gone. | 0:26:42 | 0:26:44 | |
'But although Roger did attempt to revive the fireplace, he found it beyond repair. | 0:26:44 | 0:26:49 | |
'Let's see what he's been up to in the bathroom. | 0:26:51 | 0:26:54 | |
'Roger and his team of builders have worked wonders. | 0:26:57 | 0:27:01 | |
'They have managed to find room not only for a full-size bath but a shower cubicle, as well. | 0:27:01 | 0:27:06 | |
We turned the bath round, put it under the window | 0:27:06 | 0:27:11 | |
and so that allowed us to have a corner shower unit and the wash basin. | 0:27:11 | 0:27:15 | |
Again, looking round, searching for prices, | 0:27:15 | 0:27:19 | |
I got a cracking deal on those. | 0:27:19 | 0:27:21 | |
'Roger likes a bargain but he's not a penny pincher. | 0:27:22 | 0:27:25 | |
'He's been good to himself and his new home by buying quality. | 0:27:25 | 0:27:30 | |
'So has he managed to stick to his £30,000 budget?' | 0:27:30 | 0:27:34 | |
I spent more than my budget. I'm about £4,000 over the original cost. | 0:27:34 | 0:27:40 | |
But it's because we've done things properly, I think, | 0:27:40 | 0:27:44 | |
and I'm going to live in it, so nobody's to blame but me. | 0:27:44 | 0:27:48 | |
# Be good to yourself | 0:27:49 | 0:27:53 | |
# When nobody else will | 0:27:53 | 0:27:56 | |
'In the downstairs front reception room, work is ongoing, | 0:27:56 | 0:28:01 | |
'but the rotten floor has been replaced. | 0:28:01 | 0:28:04 | |
'As I discovered, this was caused by dry rot in the cellar.' | 0:28:04 | 0:28:07 | |
The joists are absolutely rotten. | 0:28:10 | 0:28:14 | |
'Roger has treated the dry rot and also carried out major structural work. | 0:28:16 | 0:28:22 | |
'A supporting wall was knocked down and replaced by a support beam | 0:28:22 | 0:28:26 | |
'and he has dug down to give an extra seven inches of floor-to-ceiling height. | 0:28:26 | 0:28:31 | |
'But never mind all that, when does the model car racing track get fitted?' | 0:28:31 | 0:28:35 | |
My youngest son wants a gambling den down there. | 0:28:35 | 0:28:38 | |
He has his four friends that he plays poker with. | 0:28:38 | 0:28:41 | |
'Oh, no! Where will the racing track go?' | 0:28:41 | 0:28:44 | |
The Scaletrix track will go up in the roof. | 0:28:44 | 0:28:47 | |
We're going to board the floor out, build studded walls | 0:28:47 | 0:28:50 | |
and make that a self-contained room. | 0:28:50 | 0:28:52 | |
'So a poker table in the basement and racing cars in the loft. | 0:28:52 | 0:28:56 | |
'Fantastic!' | 0:28:56 | 0:28:58 | |
'Roger is three weeks behind with his three-month schedule | 0:28:59 | 0:29:03 | |
'and has spent £102,000 so far buying and renovating this place. | 0:29:03 | 0:29:08 | |
'We inviting two local property experts | 0:29:11 | 0:29:14 | |
'to give us their opinion on Roger's home. | 0:29:14 | 0:29:16 | |
'Let's begin by finding out what the auctioneer who sold it thinks of its transformation.' | 0:29:16 | 0:29:23 | |
It's a delight to come through the door of a house you've seen before. | 0:29:23 | 0:29:26 | |
You're intrigued to see what's changed. This is quite impressive. | 0:29:26 | 0:29:30 | |
It's interesting because, in this instance, he's doing it for his own occupation rather than to rent out | 0:29:30 | 0:29:36 | |
or to sell on, and therefore I think you give a lot more attention to detail and quality. | 0:29:36 | 0:29:42 | |
First impressions of the property are fantastic. | 0:29:44 | 0:29:47 | |
I like the use of space in the kitchen and dining area. | 0:29:47 | 0:29:51 | |
Taking out the party wall and having it open-plan means it's a more useable space. | 0:29:51 | 0:29:57 | |
The bathroom's very impressive. It's quite amazing what you can get into a small space. | 0:29:59 | 0:30:04 | |
A standard four-piece suite, and including a large bath, | 0:30:04 | 0:30:08 | |
I think is almost bordering on the miraculous, but it's really good. | 0:30:08 | 0:30:12 | |
'So the experts are impressed. | 0:30:12 | 0:30:15 | |
'This super-stylish and contemporary home | 0:30:15 | 0:30:18 | |
'is undoubtedly worth a great deal more than the £68,000 Roger paid for it at auction. | 0:30:18 | 0:30:24 | |
'He spent £34,000 on the renovation, meaning a total outlay of £102,000 so far. | 0:30:24 | 0:30:31 | |
'So has he crashed through the ceiling price for property in the area?' | 0:30:31 | 0:30:35 | |
In terms of resale value, sensibly I think you'd put this on the market at about £105,000. | 0:30:35 | 0:30:41 | |
I would expect to achieve a sale price of around £107,000 to £110,000. | 0:30:41 | 0:30:47 | |
That's what I was hoping for, to be quite honest, | 0:30:47 | 0:30:50 | |
because that means I'd get my money back and a little bit of profit. | 0:30:50 | 0:30:53 | |
So I'm happy with that. The 110 one would be nice. | 0:30:53 | 0:30:58 | |
But, yeah, that's fine, I'm pleased with that. | 0:30:58 | 0:31:01 | |
'It's been a pleasure to see so much hard work and heart and soul | 0:31:01 | 0:31:07 | |
'poured into the place to make it a home. | 0:31:07 | 0:31:09 | |
'And it appears that Roger's neighbours have taken an interest in his renovation.' | 0:31:09 | 0:31:14 | |
As people say, a terraced house is a terraced house. It's what's inside it. | 0:31:14 | 0:31:19 | |
A lot of people in the street have been really pleased that I'm actually going to live in it | 0:31:19 | 0:31:23 | |
and it's not going to be rented out to students. | 0:31:23 | 0:31:27 | |
And a lot of people, the neighbours, are dying to get inside here. | 0:31:27 | 0:31:32 | |
But they're not coming in till it's finished. | 0:31:32 | 0:31:35 | |
'I'm in Catford in the borough of Lewisham, Southeast London. | 0:31:43 | 0:31:47 | |
'And just as the name would suggest, on Catford high street | 0:31:47 | 0:31:51 | |
'there's a giant cat over the entrance to the shopping centre built in 1974. | 0:31:51 | 0:31:57 | |
'The area has experienced a lot of rebuilding in the 1960s | 0:31:57 | 0:32:01 | |
'and the 1990s, and with all this development, it's a busy place. | 0:32:01 | 0:32:05 | |
'So, for finding a bargain, could it be the purr-fect location?' | 0:32:05 | 0:32:10 | |
The property I'm here to see is certainly great for transport connections. | 0:32:10 | 0:32:15 | |
You've got a train station there about three minutes' walk, that'll take you into central London. | 0:32:15 | 0:32:20 | |
Five minutes from the town centre. However, this is a very busy main road, | 0:32:20 | 0:32:26 | |
so I wonder if that will put people off, because this is what I'm here to see, | 0:32:26 | 0:32:30 | |
or rather, a flat in this building. | 0:32:30 | 0:32:32 | |
'That main road is just off the busy South Circular so it's no wonder it's hectic. | 0:32:34 | 0:32:39 | |
'The flat itself is a one-bed that came guided at £80,000. | 0:32:39 | 0:32:43 | |
'Unfortunately, it's up three flights of stairs. Yep, right up there.' | 0:32:43 | 0:32:49 | |
Whoo! Well, climbing up all those stairs will certainly keep you fit. | 0:32:49 | 0:32:53 | |
This is a top-floor flat, of course, | 0:32:53 | 0:32:56 | |
but in this instance, I think that's not a bad thing cos you are furthest away from the road and the noise. | 0:32:56 | 0:33:01 | |
So up this final set of stairs into this little kind of lobby area. | 0:33:01 | 0:33:05 | |
Faced with a wall, which is a bit of a strange old layout, | 0:33:05 | 0:33:08 | |
and then something quite unusual, because for a one-bedroom flat, | 0:33:08 | 0:33:12 | |
you would expect a fairly small kitchen, but not in this instance. | 0:33:12 | 0:33:15 | |
It's actually quite a nice sized space. | 0:33:15 | 0:33:19 | |
It's tired and it needs sorting out, but you've got the room to do it. | 0:33:19 | 0:33:22 | |
And reasonable head height, as well. | 0:33:22 | 0:33:25 | |
So, spend a bit of money on this and you will transform this little area. | 0:33:25 | 0:33:28 | |
I wonder if there's anything you can do to get rid of that wall. | 0:33:28 | 0:33:33 | |
It is only a stud partition, which is good news, so it wouldn't be too much effort to take it out. | 0:33:35 | 0:33:40 | |
However, the thing I did notice, it's got electric light switches, | 0:33:40 | 0:33:43 | |
and worse than that, it's got the main fuse board, | 0:33:43 | 0:33:46 | |
and that'll be where the main electricity supply comes into the flat. | 0:33:46 | 0:33:50 | |
So that could be quite expensive to get rid of. | 0:33:50 | 0:33:54 | |
Worth doing though, I think, cos it would really open up this area. | 0:33:54 | 0:33:58 | |
Actually, for a one-bedroom flat, this is pretty spacious. | 0:33:58 | 0:34:02 | |
This is your main living room area. Two windows, lots of light flooding in, | 0:34:02 | 0:34:06 | |
reasonably high ceilings, a bit of detail from the fact that you're in the attic of the building. | 0:34:06 | 0:34:11 | |
Yeah, it's a good size space. Let's see if it carries on. | 0:34:11 | 0:34:16 | |
'So, the flat's relatively spacious, light and airy | 0:34:16 | 0:34:20 | |
'and the short commute into London City Centre is undoubtedly a selling point.' | 0:34:20 | 0:34:25 | |
Back into the little foyer area and you've got your loo there. | 0:34:26 | 0:34:31 | |
Bit of a shame because it isn't in that good a condition. | 0:34:31 | 0:34:34 | |
I'm wondering if there's any way of maybe increasing the size | 0:34:34 | 0:34:37 | |
by changing the position of that stud partition wall to create a slightly bigger toilet and loo. | 0:34:37 | 0:34:42 | |
That needs some attention. Then through into the one bedroom. | 0:34:42 | 0:34:45 | |
It's on the front of the property so I might be susceptible to noise from that road, | 0:34:45 | 0:34:51 | |
but being on the top floor, that is mitigated slightly. Not a bad size. | 0:34:51 | 0:34:55 | |
To sum up, it's a likeable little one-bedroom flat. | 0:34:55 | 0:34:58 | |
'If you get the bathroom sorted and you redecorate and refurbish those rooms, | 0:35:00 | 0:35:04 | |
'at that guide price of £80,000, this flat really has got something going for it. | 0:35:04 | 0:35:10 | |
'And it doesn't end there. It comes with a decent size patch of garden out the back | 0:35:10 | 0:35:15 | |
'and down the lane at the side of the house. | 0:35:15 | 0:35:17 | |
'It doesn't look like it's seen a lawnmower for some time. | 0:35:17 | 0:35:20 | |
'Still, it's definitely a bonus.' | 0:35:20 | 0:35:22 | |
# It's you and me | 0:35:22 | 0:35:25 | |
# We just lay down in the garden | 0:35:25 | 0:35:30 | |
'But has it got what it takes to impress Catford's property market? | 0:35:32 | 0:35:36 | |
'I asked along a local estate agent to give us his thoughts on this one-bedroom flat.' | 0:35:36 | 0:35:43 | |
First impressions, the overall building is very attractive. | 0:35:43 | 0:35:46 | |
The flat itself is a good size. | 0:35:46 | 0:35:48 | |
Obviously need a bit of TLC | 0:35:48 | 0:35:51 | |
but once it's done, it'll attract a lot of attention. | 0:35:51 | 0:35:54 | |
The convenient thing with this property is it also benefits from a garden, a massive selling feature. | 0:35:55 | 0:36:00 | |
The fact that you can have some outside space will make it very saleable. | 0:36:00 | 0:36:04 | |
'So, at around that £80,000 guide price, how could this add up?' | 0:36:04 | 0:36:10 | |
I believe the resale, once it's renovated, will be in the region of £150,000. | 0:36:10 | 0:36:15 | |
'And the rental figures?' | 0:36:15 | 0:36:18 | |
Once the property's been renovated, I anticipate a rental income of around £750 per calendar month. | 0:36:18 | 0:36:23 | |
What do you think, for £80,000 as a guide price, this one-bedroom flat? | 0:36:26 | 0:36:31 | |
Well, good connections, bit of a noisy main road, doesn't need much work doing to it. | 0:36:31 | 0:36:35 | |
All in all, I think it's a great one to go for. Let's see who agreed when it went under the hammer. | 0:36:35 | 0:36:40 | |
Lot 28. Who'd like to start? | 0:36:43 | 0:36:45 | |
50,000. I'll take it, you're bidding. 50,000. | 0:36:46 | 0:36:49 | |
55 anywhere? 55. 60. | 0:36:49 | 0:36:53 | |
60. 65. | 0:36:53 | 0:36:56 | |
70. 75 at the back. 75 elsewhere? | 0:36:56 | 0:37:02 | |
75, new spot. 80. | 0:37:02 | 0:37:04 | |
80. 81. | 0:37:04 | 0:37:07 | |
82. Back to you at £81,000. | 0:37:07 | 0:37:11 | |
82, new spot. | 0:37:11 | 0:37:14 | |
83. 84. 85. | 0:37:14 | 0:37:18 | |
86. 85 in the room. Looking for 86. | 0:37:18 | 0:37:23 | |
If not, 85 on my left. | 0:37:23 | 0:37:25 | |
First time. Second time. | 0:37:25 | 0:37:28 | |
86 at the back. | 0:37:28 | 0:37:30 | |
87. 88. | 0:37:30 | 0:37:33 | |
89. 90. | 0:37:34 | 0:37:37 | |
89 on... 90, yes. 91. | 0:37:37 | 0:37:41 | |
92. | 0:37:41 | 0:37:44 | |
91 on my left. First time. Second time. Third and last time, if you're all done. | 0:37:44 | 0:37:48 | |
-HAMMER BANGS -Sold, 91,000. | 0:37:48 | 0:37:52 | |
'The successful bidder was Peter, who snapped up the lot for £91,000. | 0:37:52 | 0:37:57 | |
'He's a building surveyor who spotted the potential of this little flat. | 0:37:57 | 0:38:01 | |
'I met him back at his purchase to find out more.' | 0:38:01 | 0:38:05 | |
-Peter, lovely to meet you. -Nice to meet you, too. -Congratulations. -Thank you. | 0:38:05 | 0:38:09 | |
Nice little flat. Tell me why you wanted to buy it. | 0:38:09 | 0:38:11 | |
Well, I know the area cos I travel through here to get to work, | 0:38:11 | 0:38:16 | |
so I know it fairly well and I looked at the auction catalogue | 0:38:16 | 0:38:20 | |
and it looked fairly cheap so I thought I'd go along and have a look at it | 0:38:20 | 0:38:24 | |
-and give it a go to try and buy it. -Right. So why have you bought it? | 0:38:24 | 0:38:28 | |
I'm looking for an investment, really, so looking to do it up | 0:38:28 | 0:38:32 | |
and then hopefully sell it. If that's not possible | 0:38:32 | 0:38:35 | |
or not feasible, then I'll probably look to let it out. | 0:38:35 | 0:38:40 | |
-You're a building surveyor. -Yes, that's right. -That sounds like an ideal job to do what you're doing. | 0:38:40 | 0:38:45 | |
It is useful, yeah. We don't do the regular building surveying valuations and things like this, | 0:38:45 | 0:38:50 | |
we do project work, so we renovate whole estates on a grand scale. | 0:38:50 | 0:38:55 | |
-What kind of thing? -The Decent Homes scheme, which is run at the moment by the government, | 0:38:55 | 0:39:02 | |
renovating run-down estates and estates which need regeneration. | 0:39:02 | 0:39:06 | |
Internally, kitchens and bathrooms, | 0:39:06 | 0:39:08 | |
externally, the fabric of blocks of buildings. | 0:39:08 | 0:39:12 | |
-Is this the first time you're doing something like this for yourself? -Yes. So I'm a little bit nervous. | 0:39:12 | 0:39:19 | |
Now it's my money I'm spending, so I'm going to have to be a little bit more careful and do it property, | 0:39:19 | 0:39:24 | |
so I'm putting my neck on the block and giving it a go. | 0:39:24 | 0:39:27 | |
'Peter may be putting his head on the block here, | 0:39:27 | 0:39:30 | |
'but I reckon that with his experience, he won't be losing his head about what to do. | 0:39:30 | 0:39:34 | |
# Where's your head at? | 0:39:34 | 0:39:37 | |
'So, what plans does he have to execute a good renovation?' | 0:39:37 | 0:39:42 | |
Well, really, it's not too bad. So kitchen and bathroom definitely need doing | 0:39:42 | 0:39:48 | |
and lots of woodchip wallpaper everywhere, on the ceiling, as well, | 0:39:48 | 0:39:52 | |
which is going to be a nightmare, but I'm going to get a steamer this afternoon and get started. | 0:39:52 | 0:39:57 | |
So there could be a lot of skimming and plastering once that comes off. | 0:39:57 | 0:40:01 | |
-Why are you taking it off? -Well, I just don't like it. | 0:40:01 | 0:40:05 | |
-I can't stand it. -Is the house for you? -No. -Right. | 0:40:05 | 0:40:08 | |
But if I'm going to sell it, I want it to look decent. | 0:40:08 | 0:40:12 | |
-Have you ever tried to strip this stuff? -No, I haven't. | 0:40:12 | 0:40:15 | |
Think as bad as it could possibly be. I guarantee, in an afternoon, you'll clear a square metre. | 0:40:15 | 0:40:20 | |
-Really? -It's a nightmare. It's there for life. | 0:40:20 | 0:40:23 | |
-I'll do a square metre, then. -Time it. Set the stop watch. Steamer, forget it. | 0:40:23 | 0:40:29 | |
'Peter has a generous budget of £10,000 and an equally generous schedule of eight weeks. | 0:40:29 | 0:40:36 | |
'But with only evenings and weekends to dedicate to the project, | 0:40:36 | 0:40:40 | |
'that time could disappear quickly, unlike the woodchip. | 0:40:40 | 0:40:45 | |
'He plans to sell the flat on when the renovation's complete. | 0:40:45 | 0:40:48 | |
'I reckon this is a sound investment, especially given the bonus he wasn't aware of at first.' | 0:40:48 | 0:40:54 | |
With the sale, they had an amendment to the auction catalogue | 0:40:55 | 0:40:59 | |
which said it came with a garden, as well, which I didn't know. That was a real bonus. | 0:40:59 | 0:41:03 | |
So I checked in the legal pack and it's got the lease with it marked, how much of the garden I've got. | 0:41:03 | 0:41:09 | |
It's about a quarter of it, cos there's four flats here. It's quite nice. | 0:41:09 | 0:41:13 | |
-Great. A real bonus. -Yeah, a real surprise. | 0:41:13 | 0:41:15 | |
-Congratulations. Good luck and we look forward to seeing how you get on. -Thank you. | 0:41:15 | 0:41:20 | |
So, Peter finally realising that his professional skills can be used to personal use | 0:41:21 | 0:41:27 | |
in terms of knowing about properties. Building surveyors certainly should. | 0:41:27 | 0:41:32 | |
How is he going to get on with this place? He seems to have the right ideas | 0:41:32 | 0:41:35 | |
but will we come back to find a man destroyed from trying to get the woodchip off? | 0:41:35 | 0:41:40 | |
You can find out later in the show. | 0:41:40 | 0:41:43 | |
Well, it's been a while since we saw those purchases. | 0:41:46 | 0:41:49 | |
Have the new owners been racing through the work? | 0:41:49 | 0:41:52 | |
-Have they been or has everything ground to a complete halt? -Let's go back and find out. | 0:41:52 | 0:41:57 | |
'Let's return to this vast auction lot in Chelmsford | 0:42:00 | 0:42:03 | |
'which sat adjacent to a cemetery. | 0:42:03 | 0:42:06 | |
'It consisted of the cemetery chapel with its vaulted ceilings, | 0:42:07 | 0:42:12 | |
'magnificent stonemasonry and grand windows, | 0:42:12 | 0:42:16 | |
'and there was also the cemetery-keeper's lodge and the cemetery waiting room | 0:42:16 | 0:42:21 | |
'with lovely stained-glass windows. | 0:42:21 | 0:42:23 | |
'The lodge and chapel are connected by the grand arch cloister | 0:42:28 | 0:42:31 | |
'and were built in 1886. | 0:42:31 | 0:42:34 | |
'An extension was added in 1991 | 0:42:36 | 0:42:39 | |
'as a museum for the local archaeological trust. | 0:42:39 | 0:42:43 | |
'Peter and Ryan purchased all of this at auction for £540,000. | 0:42:43 | 0:42:49 | |
'They specialise in converting period and listed properties | 0:42:49 | 0:42:52 | |
'and strive to retain the original character of the buildings they develop.' | 0:42:52 | 0:42:56 | |
So how far can you go with ripping them apart, taking the windows out? | 0:42:57 | 0:43:02 | |
-How far can you go? -We don't like to rip out any of the beauty that's already in existence. | 0:43:02 | 0:43:07 | |
Work with it, enhance it, make it a feature of the property, rather than take the heart out of it. | 0:43:07 | 0:43:12 | |
'11 months later and we're back to see if this pair's passion for property | 0:43:13 | 0:43:18 | |
'enabled them, as Ryan said, to keep the heart of this building.' | 0:43:18 | 0:43:22 | |
# You keep my heart alive | 0:43:24 | 0:43:28 | |
'Let's begin with what was once the museum, | 0:43:34 | 0:43:36 | |
'where Peter and Ryan planned to create five two-bedroom cottages. | 0:43:36 | 0:43:40 | |
'The ground floor's an open-plan living and kitchen area | 0:43:43 | 0:43:47 | |
'and the French doors flood the room with natural light. | 0:43:47 | 0:43:50 | |
'A brushed-steel handrail and glass up the staircase are further stylish additions.' | 0:43:53 | 0:43:59 | |
Being a listed building contractor, cos that's where our experience comes from, | 0:43:59 | 0:44:03 | |
he's tried to introduce some contemporary things, like contemporary handrails, glass, | 0:44:03 | 0:44:09 | |
which it never had before, just to give it some more light. | 0:44:09 | 0:44:12 | |
And light paint and light carpets. | 0:44:12 | 0:44:15 | |
So we've just tried to give it a bit of a contemporary feel. | 0:44:15 | 0:44:19 | |
They're quirky buildings, we're making them more liveable and enjoyable. | 0:44:19 | 0:44:23 | |
'The stairs link to the first floor, where there are two bedrooms and a bathroom. | 0:44:26 | 0:44:30 | |
'New windows have been added to the building and the light and airy decoration continues. | 0:44:30 | 0:44:36 | |
'The bathroom has no windows, but its all-white finish gives the impression of space. | 0:44:38 | 0:44:44 | |
'And in a change to the original plans, | 0:44:46 | 0:44:49 | |
'Peter and Ryan have added a second floor. | 0:44:49 | 0:44:52 | |
'The master bedroom has a staircase which leads to a dressing area | 0:44:52 | 0:44:56 | |
'and an en suite shower room. | 0:44:56 | 0:44:58 | |
'Each of the five cottages has the same floor plan | 0:44:58 | 0:45:02 | |
'but the pair put these properties on the market at the design stage, | 0:45:02 | 0:45:05 | |
'which allowed potential purchasers options on finishes.' | 0:45:05 | 0:45:09 | |
We were able to give customers the choices of ranges of kitchens, | 0:45:09 | 0:45:14 | |
carpets, tiles, white goods, et cetera. | 0:45:14 | 0:45:17 | |
It gives the purchasers coming in more chance to bespoke their own property. | 0:45:17 | 0:45:23 | |
That's what happened here and we got a lot better response from people coming to look at it. | 0:45:23 | 0:45:27 | |
'They certainly did get a good response. | 0:45:29 | 0:45:32 | |
'In fact, all five cottages are already sold.' | 0:45:32 | 0:45:35 | |
We knew if we kept a good standard of work, that would set us aside from other developers. | 0:45:36 | 0:45:42 | |
We've done them a little bit better. The quality of workmanship shows. Quite surprised how quick they sold. | 0:45:42 | 0:45:48 | |
'On now to what was previously the cemetery-keeper's lodge. | 0:45:54 | 0:45:58 | |
'Peter and Ryan have created a modern three-bedroom house | 0:46:03 | 0:46:06 | |
'within this Victorian property. | 0:46:06 | 0:46:09 | |
'The mix of contemporary and period styles | 0:46:12 | 0:46:15 | |
'sit sympathetically side by side | 0:46:15 | 0:46:18 | |
'with the seemingly contradictory styles enhancing the beauty here.' | 0:46:18 | 0:46:23 | |
We've tried to keep as many original features as we can | 0:46:24 | 0:46:27 | |
so we can just enhance the beautiful character of the building. | 0:46:27 | 0:46:30 | |
'The cemetery waiting room is being converted into a one-bedroom duplex apartment. | 0:46:31 | 0:46:37 | |
'They've achieved this by extending into the roof space | 0:46:41 | 0:46:45 | |
'to create a bedroom and a bathroom. | 0:46:45 | 0:46:48 | |
'By extending into the cloister, they've created a kitchen. | 0:46:51 | 0:46:55 | |
'This is undoubtedly a clever use of space, | 0:46:55 | 0:46:59 | |
'but I feel the extension has diminished the once spectacular archway and stained-glass windows. | 0:46:59 | 0:47:05 | |
'However, as with the two-bedroom cottages and the lodge, | 0:47:07 | 0:47:11 | |
'they have already sold this apartment. | 0:47:11 | 0:47:14 | |
'Peter and Ryan are 11 months into this development | 0:47:15 | 0:47:18 | |
'and had hoped to be further ahead at this stage.' | 0:47:18 | 0:47:21 | |
We set a timescale to do it and we've got slightly out of that | 0:47:22 | 0:47:25 | |
because we applied for some additional planning | 0:47:25 | 0:47:28 | |
and that held the scheme back from where we were going. | 0:47:28 | 0:47:31 | |
So we're probably two to three months over where we wanted to be. | 0:47:31 | 0:47:37 | |
'This delay is most noticeable in the chapel, | 0:47:38 | 0:47:42 | |
'which is being converted into two one-bedroom duplex apartments. | 0:47:42 | 0:47:46 | |
'The stained-glass windows have been beautifully restored | 0:47:53 | 0:47:56 | |
'and the high vaulted ceilings have been retained. | 0:47:56 | 0:47:59 | |
'I think Peter and Ryan are doing a particularly good job on these apartments, | 0:48:00 | 0:48:04 | |
'both of which have already been sold from plan. | 0:48:04 | 0:48:07 | |
'The original budget for this project was between £500,000 and £600,000 | 0:48:09 | 0:48:15 | |
'but now, including their £540,000 purchase price, | 0:48:15 | 0:48:20 | |
'they estimate they've spent closer to £1.5 million. | 0:48:20 | 0:48:24 | |
'Let's find out from two local estate agents | 0:48:31 | 0:48:34 | |
'what they believe the value of each of the properties to be | 0:48:34 | 0:48:37 | |
'and how much Peter and Ryan actually sold them for.' | 0:48:37 | 0:48:40 | |
It's really contemporary inside now, so what they've done with the character is really good. | 0:48:41 | 0:48:46 | |
The way that it's been developed is the correct amount of units | 0:48:46 | 0:48:49 | |
and the correct amount of different styles of property. | 0:48:49 | 0:48:53 | |
I think they've done a really good job. | 0:48:53 | 0:48:55 | |
They've embraced the building. It's got a lot of character. | 0:48:55 | 0:48:59 | |
The finishes are high-end, good quality kitchens and ceramics, | 0:48:59 | 0:49:03 | |
all these little things that make it stand out. | 0:49:03 | 0:49:06 | |
'What do the estate agents estimate the sale value of the two-bedroom cottages to be?' | 0:49:06 | 0:49:11 | |
The resale values for these would range from £210,000 | 0:49:12 | 0:49:17 | |
up to £225,000. | 0:49:17 | 0:49:19 | |
The two-beds, I would expect to get anywhere between 210 and 225. | 0:49:19 | 0:49:25 | |
Yeah. Obviously, each one of them is slightly different, but for that sort of level, | 0:49:25 | 0:49:31 | |
that's where we wanted to be in the beginning and that's where we've ended, so we're happy. | 0:49:31 | 0:49:36 | |
'And the three one-bedroom duplex apartments, | 0:49:38 | 0:49:41 | |
'two in the chapel and one in the former cemetery waiting room.' | 0:49:41 | 0:49:45 | |
I think the one-bedroom duplex apartments would range from £150,000 up to £160,000. | 0:49:45 | 0:49:53 | |
I would put the one-bedroom units on the market between £150,000 and £160,000. | 0:49:53 | 0:49:58 | |
Yeah, we achieved on that. And that's what we sold them for. | 0:49:58 | 0:50:01 | |
So we're quite happy with that. Very good. | 0:50:01 | 0:50:03 | |
'Good going so far. So, lastly, the three-bedroom house.' | 0:50:03 | 0:50:09 | |
The resale value for the three-bedroom house would be £300,000. | 0:50:09 | 0:50:13 | |
I would put the three-bedroom house on the market between £280,000 and £300,000. | 0:50:13 | 0:50:18 | |
-We got a couple of quid under the 300, so we're quite happy with that one. -Yeah. -Yeah, very good. | 0:50:18 | 0:50:25 | |
'That's a combined total sell-on value of between £1,800,000 | 0:50:26 | 0:50:33 | |
'and £1,905,000. | 0:50:33 | 0:50:37 | |
'That gives Peter and Ryan an estimated pre-tax profit | 0:50:37 | 0:50:42 | |
'of between £300,000 and £405,000. | 0:50:42 | 0:50:46 | |
'This property developing duo thrive on a challenge | 0:50:46 | 0:50:50 | |
'so what's next on the horizon for them?' | 0:50:50 | 0:50:52 | |
We don't want to do just straight boxes for anybody. | 0:50:53 | 0:50:56 | |
We'd rather have something quirkier, much more interesting. | 0:50:56 | 0:50:59 | |
It's been enjoyable, it's been fun to do. | 0:50:59 | 0:51:01 | |
It's not been a hair-puller, it's been really good, can't ask for a better project, really. | 0:51:01 | 0:51:08 | |
# Keep my heart alive | 0:51:08 | 0:51:12 | |
'We're back in Catford, Southeast London now to catch up with Peter | 0:51:17 | 0:51:23 | |
'who bought this one-bed flat for £91,000. | 0:51:23 | 0:51:27 | |
'He's a building surveyor by profession, but this is his first solo project. | 0:51:27 | 0:51:32 | |
'The idea was to renovate and sell this property quickly, | 0:51:32 | 0:51:36 | |
'although his plan to remove the woodchip wallpaper was an ambitious one.' | 0:51:36 | 0:51:40 | |
-I just don't like it. -Have you ever tried to strip this stuff? -No, I haven't. | 0:51:40 | 0:51:44 | |
Think as bad as it could possibly be. | 0:51:44 | 0:51:46 | |
'Peter set himself a schedule of eight weeks to get the work done. | 0:51:49 | 0:51:53 | |
'So, two months later, we return to find out whether removing that woodchip wallpaper | 0:51:53 | 0:51:58 | |
'also stripped him of his enthusiasm.' | 0:51:58 | 0:52:00 | |
'Well, on first impressions, it looks like Peter's done a good job. | 0:52:07 | 0:52:11 | |
'The flat's been redecorated and recarpeted | 0:52:11 | 0:52:14 | |
'and he's also given the kitchen some serious attention.' | 0:52:14 | 0:52:18 | |
OK, in the kitchen, we've completely replaced all the units in here, | 0:52:20 | 0:52:25 | |
just totally redesigned it, as well. | 0:52:25 | 0:52:27 | |
So we've actually swapped the sink with the oven | 0:52:27 | 0:52:30 | |
cos I wanted a little bit of worktop by the side of the oven and also the sink, | 0:52:30 | 0:52:34 | |
so you can stack your dishes and stuff before you wash up. | 0:52:34 | 0:52:37 | |
And also put units on this side, as well, just to give some extra storage space | 0:52:37 | 0:52:42 | |
and just give a bit of a galley style to the kitchen, which I think works well. | 0:52:42 | 0:52:47 | |
'The bathroom is looking great. | 0:52:49 | 0:52:52 | |
'Peter used larger tiles to create a more spacious feel | 0:52:52 | 0:52:55 | |
'and it's now the perfect place to have a relaxing soak. | 0:52:55 | 0:52:59 | |
'Not so relaxing was the prospect of removing that woodchip wallpaper.' | 0:53:00 | 0:53:05 | |
Removing the woodchip wallpaper was a bit of an issue | 0:53:08 | 0:53:10 | |
because, as Martin said, it was going to be a bit of a problem. | 0:53:10 | 0:53:14 | |
We did remove it in the kitchen because I had to replace the whole thing, and the bathroom. | 0:53:14 | 0:53:19 | |
All that was taken down. We kept the woodchip wallpaper and just painted and freshened it up. | 0:53:19 | 0:53:24 | |
'So Peter did listen to my advice after all. | 0:53:24 | 0:53:28 | |
'And the woodchip which he hasn't stripped away, he's painted. | 0:53:28 | 0:53:31 | |
'That has given the flat a fresh feeling.' | 0:53:31 | 0:53:34 | |
# Old paint is peeling | 0:53:34 | 0:53:37 | |
# This is that fresh, that fresh feeling | 0:53:37 | 0:53:41 | |
'But fresh wasn't exactly how Peter felt | 0:53:41 | 0:53:44 | |
'when combining his day job with renovating the flat.' | 0:53:44 | 0:53:47 | |
Grabbing weekends and evenings sounds like a good idea but it is actually very tiring. | 0:53:47 | 0:53:53 | |
But it's something that I was prepared to do, and I'd be prepared to do it again, | 0:53:53 | 0:53:57 | |
so I was happy with it, but a lot harder work than I initially thought. | 0:53:57 | 0:54:02 | |
'It's been hard graft, but Peter's done a grand job | 0:54:02 | 0:54:06 | |
'ensuring the flat was ready to rent within his eight-week schedule. | 0:54:06 | 0:54:10 | |
'But did he make any savings on his ten grand budget?' | 0:54:10 | 0:54:14 | |
I think renovating the actual flat is going to come in round about £5,000 to £6,000. | 0:54:14 | 0:54:19 | |
But I was quite fortunate because the boiler didn't need changing. | 0:54:19 | 0:54:23 | |
And most of the electrics were OK. Only the bathroom and the kitchen needed rewiring. | 0:54:23 | 0:54:28 | |
-I had a few savings there. -'Even including legal fees and mortgage repayments, | 0:54:28 | 0:54:33 | |
'Peter's total outlay is still under £100,000. | 0:54:33 | 0:54:38 | |
'So does he plan to sell or rent it out?' | 0:54:38 | 0:54:42 | |
I want to sell it. I want to get rid of it, move on to the next one. | 0:54:42 | 0:54:46 | |
But if I have to rent, then I'll do that, so it depends on the valuations. | 0:54:46 | 0:54:53 | |
'Here are some experts to help Peter make up his mind. | 0:54:56 | 0:55:00 | |
'We asked two local estate agents to tell us whether Peter's investment will pay off.' | 0:55:00 | 0:55:04 | |
The property, compared to what it was like last time, | 0:55:07 | 0:55:10 | |
massive transformation. Before, it needed everything doing, | 0:55:10 | 0:55:14 | |
and he's replaced everything that needed to be done. | 0:55:14 | 0:55:17 | |
The standard of finish could've been a little bit better in places. | 0:55:17 | 0:55:20 | |
But the kitchen and bathroom more than makes up for that. | 0:55:20 | 0:55:23 | |
'The flat seems to get the thumbs-up from the estate agents. | 0:55:23 | 0:55:27 | |
'So what could a resale achieve?' | 0:55:27 | 0:55:30 | |
I believe the property would resale for £150,000. | 0:55:30 | 0:55:34 | |
This property could resale for £150,000. | 0:55:34 | 0:55:37 | |
Wow! 150,000. That's very good. | 0:55:37 | 0:55:41 | |
That's a lot more than I thought it was going to be, so I'm very, very pleased with that. | 0:55:41 | 0:55:46 | |
'On his first attempt at property developing, | 0:55:46 | 0:55:49 | |
'Peter could make a pre-tax profit of around £50,000. | 0:55:49 | 0:55:52 | |
'So I reckon that's helped make up his mind here.' | 0:55:52 | 0:55:56 | |
In terms of selling it, yeah, I'm definitely going to be looking to do that first. | 0:55:56 | 0:56:01 | |
I'll probably take an offer of something reasonable on that | 0:56:01 | 0:56:04 | |
and move on and hopefully get onto the next one as soon as possible. | 0:56:04 | 0:56:07 | |
'But even if Peter sticks with the flat, the estate agents reckon he could make a rental income | 0:56:07 | 0:56:13 | |
'of up to £775 per calendar month. | 0:56:13 | 0:56:16 | |
'That would give him a possible annual yield of over nine percent. | 0:56:16 | 0:56:20 | |
'You won't earn that from any high street bank. | 0:56:20 | 0:56:23 | |
'After the sale of this flat, he plans to get another small apartment to renovate | 0:56:23 | 0:56:27 | |
'and the success of this one means he's going back to you-know-where.' | 0:56:27 | 0:56:32 | |
I'll definitely buy property at auction again. I found the whole thing really exciting on the day | 0:56:32 | 0:56:37 | |
and you can sometimes get a bit of a bargain, hopefully. I'll definitely do it again. | 0:56:37 | 0:56:44 | |
The world of property is never static or boring. | 0:56:46 | 0:56:49 | |
You need to know what you're doing. And we can help with that. | 0:56:49 | 0:56:52 | |
So join us next time for more cautionary tales and success stories from the nation's auction rooms | 0:56:52 | 0:56:57 | |
-on Homes Under The Hammer. -See you then. -Goodbye. -Goodbye. | 0:56:57 | 0:57:00 | |
Subtitles by Red Bee Media Ltd | 0:57:02 | 0:57:06 | |
E-mail [email protected] | 0:57:06 | 0:57:10 | |
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