Browse content similar to Episode 90. Check below for episodes and series from the same categories and more!
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Hello. Lucy and I find the world of property absolutely absorbing. | 0:00:02 | 0:00:05 | |
Yes, but in order to do well, | 0:00:05 | 0:00:07 | |
you need to make sure you buy at the right price. | 0:00:07 | 0:00:09 | |
One way you can do that is buying your home under the hammer. | 0:00:09 | 0:00:14 | |
You have to do your homework before you buy at auction | 0:00:39 | 0:00:42 | |
but once that's shown it's the property for you, you could get yourself a bargain. | 0:00:42 | 0:00:46 | |
I wonder if there's any great deals on today's show. Here's what they bought. | 0:00:46 | 0:00:50 | |
I might need a compass in this dark and dingy basement in Maida Vale. | 0:00:51 | 0:00:56 | |
It looks like a bit of a labyrinth. | 0:00:57 | 0:01:01 | |
This former stable in Wiltshire has a very inspiring space. | 0:01:01 | 0:01:06 | |
I would like to stick a huge dining table in here | 0:01:06 | 0:01:09 | |
and have loads of dinner parties. | 0:01:09 | 0:01:11 | |
And in Lincolnshire, this two-bedroom semidetached is oddly appealing. | 0:01:11 | 0:01:16 | |
Quirky, yes. | 0:01:16 | 0:01:18 | |
Likeable, most definitely. | 0:01:18 | 0:01:21 | |
All these properties have been sold at auction | 0:01:22 | 0:01:25 | |
and we'll find out who bought them | 0:01:25 | 0:01:27 | |
and what they paid for them when they went under the hammer. | 0:01:27 | 0:01:31 | |
# I love London | 0:01:33 | 0:01:36 | |
# Love the town Look around | 0:01:36 | 0:01:38 | |
# Come along with me through London...# | 0:01:38 | 0:01:42 | |
I'm in Maida Vale, an affluent residential area in West London. | 0:01:42 | 0:01:47 | |
It's got fantastic transport links and great local shops. | 0:01:47 | 0:01:51 | |
Housing-wise, there are many large, late-Victorian and Edwardian mansion flats. | 0:01:51 | 0:01:57 | |
And with Notting Hill and Ladbroke Grove just a stone's throw away, | 0:01:57 | 0:02:01 | |
something tells me this is a prime property spot. | 0:02:01 | 0:02:05 | |
So, £50,000 is not going to buy you a lot around here, is it? | 0:02:06 | 0:02:11 | |
Correct, it isn't. | 0:02:13 | 0:02:14 | |
What it does get you is a basement/cellar of this beautiful Victorian building. | 0:02:14 | 0:02:19 | |
Let's take a look inside. | 0:02:19 | 0:02:22 | |
Luckily, there's another entrance up here. | 0:02:24 | 0:02:27 | |
# The other side of London town... # | 0:02:27 | 0:02:30 | |
That auction guide price of £50,000 doesn't buy you easy access. | 0:02:30 | 0:02:36 | |
For now, you have to enter under the stairs and down a rickety wooden staircase. | 0:02:36 | 0:02:42 | |
# Other side of London... # | 0:02:42 | 0:02:44 | |
No wonder I couldn't get through the door, it's piled up with rubbish. | 0:02:44 | 0:02:47 | |
It looks like this place is basically used as a storing ground to dump stuff. | 0:02:47 | 0:02:53 | |
So first thing you notice is not much head height, which is a disappointment, | 0:02:53 | 0:02:58 | |
but I don't know, it looks like a bit of a labyrinth. | 0:02:58 | 0:03:01 | |
# I'm going deeper underground | 0:03:01 | 0:03:05 | |
There's too much panic in this town... # | 0:03:06 | 0:03:08 | |
My first job would be to hire a skip and clear this place out. | 0:03:08 | 0:03:12 | |
And once you've got rid of all the junk, | 0:03:12 | 0:03:15 | |
you'd be even clearer about exactly what you've got down here. | 0:03:15 | 0:03:20 | |
It's about 700 square foot in total. | 0:03:21 | 0:03:24 | |
That is certainly big enough to create a flat. | 0:03:24 | 0:03:27 | |
A few issues to resolve before you do that but hmm...potential. | 0:03:27 | 0:03:32 | |
Potential living accommodation in an area like this is a pretty attractive selling point | 0:03:35 | 0:03:40 | |
for this rather dingy basement that was guided at £50,000. | 0:03:40 | 0:03:45 | |
But something tells me that turning it into residential isn't going to be easy. | 0:03:45 | 0:03:51 | |
Come into this room here | 0:03:51 | 0:03:54 | |
and you start to get an idea of what's going to be involved | 0:03:54 | 0:03:56 | |
in converting this cellar into a habitable space. | 0:03:56 | 0:03:59 | |
In here, you've got a good head height. | 0:03:59 | 0:04:01 | |
To make that liveable, you'll have to have a similar head height | 0:04:01 | 0:04:05 | |
so you'll have to take out a foot of ground. | 0:04:05 | 0:04:09 | |
The bad news is you'll have to do that by hand. | 0:04:09 | 0:04:12 | |
Any heavy machinery in here would create too much vibration - | 0:04:12 | 0:04:14 | |
that'd disturb the foundations, so it has to be done by hand. | 0:04:14 | 0:04:17 | |
You've then got to get rid of all that rubble - | 0:04:17 | 0:04:20 | |
and there will be tonnes of it - out here, again by hand, in sacks. | 0:04:20 | 0:04:24 | |
It's all labour intensive. That costs you lots of money. | 0:04:24 | 0:04:27 | |
That's before you get into the planning issues. | 0:04:27 | 0:04:30 | |
Because in order to convert this storage space into a habitable space, | 0:04:30 | 0:04:34 | |
you'll have to get planning permission. | 0:04:34 | 0:04:37 | |
For that, you'll have to look at what kind of services are running under here, | 0:04:37 | 0:04:41 | |
electric pipes, gas pipes, water mains. | 0:04:41 | 0:04:43 | |
The tube might be quite close. Only kidding! | 0:04:43 | 0:04:46 | |
You've got to do all that before you even start the work. | 0:04:46 | 0:04:49 | |
When it comes to doing the work, all that labour equals money. | 0:04:49 | 0:04:53 | |
It's not a cheap job. | 0:04:53 | 0:04:54 | |
Exciting as it might seem, it's going to cost you a packet. | 0:04:54 | 0:04:58 | |
So this basement conversion won't be straightforward or cheap. | 0:04:58 | 0:05:02 | |
And, before you even start, | 0:05:02 | 0:05:04 | |
you can't assume planning permission will be given! | 0:05:04 | 0:05:07 | |
Whoever bought this property will have to have time, money, know-how | 0:05:07 | 0:05:11 | |
AND the planners on their side. | 0:05:11 | 0:05:15 | |
Plus there are some other matters to deal with. | 0:05:15 | 0:05:18 | |
There are a few legal issues which you're going to have to solve | 0:05:19 | 0:05:22 | |
before you do any work on the basement as well. | 0:05:22 | 0:05:26 | |
Because it's leasehold. | 0:05:26 | 0:05:28 | |
The freehold is owned by the people who own the three flats above. | 0:05:28 | 0:05:32 | |
So you're going to have to get their permission | 0:05:32 | 0:05:35 | |
before you do any works down there and they may or may not give you that permission, so it is a gamble. | 0:05:35 | 0:05:40 | |
Coming up the stairs here, you get to this point | 0:05:40 | 0:05:42 | |
and that is where the basement ends. | 0:05:42 | 0:05:45 | |
There is a garden but that's owned by the flat above. | 0:05:45 | 0:05:47 | |
So with a guide price of £50,000, | 0:05:47 | 0:05:51 | |
we asked a local estate agent to give us his views on the basement. | 0:05:51 | 0:05:55 | |
There's many options in terms of how you transform this space. | 0:05:56 | 0:06:00 | |
There's obviously a lot of work involved either way, | 0:06:00 | 0:06:03 | |
but the real key is to obtain planning | 0:06:03 | 0:06:06 | |
to convert back into residential use. | 0:06:06 | 0:06:09 | |
Excavate down and create possibly a one or a two-bedroom garden flat. | 0:06:09 | 0:06:13 | |
How likely is it that you'd get planning permission to convert? | 0:06:14 | 0:06:18 | |
Whilst there are already a few of these that have been converted | 0:06:18 | 0:06:22 | |
on the street, they are dating back quite a while. | 0:06:22 | 0:06:25 | |
There's no guarantee that the council will reissue for the same permit on this property. | 0:06:25 | 0:06:30 | |
It's a case of putting it through the council. | 0:06:30 | 0:06:33 | |
As long as your neighbours don't object, you should be able to get it. | 0:06:33 | 0:06:36 | |
# In the basement... # | 0:06:36 | 0:06:39 | |
Once converted, would it make a good buy-to-let? | 0:06:39 | 0:06:43 | |
It's a fantastic rental area. | 0:06:43 | 0:06:45 | |
We're talking somewhere in the region of 1,800 per calendar month | 0:06:45 | 0:06:49 | |
for a property like this if converted as a two-double-bedroom. | 0:06:49 | 0:06:52 | |
What could a two-bedroom basement flat be worth around here? | 0:06:52 | 0:06:57 | |
We're looking at somewhere in excess of 400,000, | 0:06:57 | 0:07:00 | |
and then depending on how they arranged the outside access, | 0:07:00 | 0:07:04 | |
quite possibly up to 450, 475. | 0:07:04 | 0:07:07 | |
Well, the cellar is good for nothing other than storage | 0:07:08 | 0:07:10 | |
unless you can get that planning permission for conversion | 0:07:10 | 0:07:13 | |
to a habitable space. | 0:07:13 | 0:07:15 | |
And there's no guarantee you're going to get that, it's a risk. | 0:07:15 | 0:07:18 | |
Let's find out who took the gamble when it went to auction. | 0:07:18 | 0:07:21 | |
The lot was offered later in the day when most bidders had left, | 0:07:25 | 0:07:29 | |
so let's see if someone got a basement bargain. | 0:07:29 | 0:07:33 | |
Right, Lot 75A. | 0:07:33 | 0:07:35 | |
It's a basement premises so who'd like to give me a start on this one? | 0:07:35 | 0:07:40 | |
60,000, anybody? | 0:07:42 | 0:07:44 | |
40, OK. 40,000 I've got. | 0:07:44 | 0:07:46 | |
Anybody else? How much? 41? | 0:07:46 | 0:07:51 | |
41, OK. 42. | 0:07:51 | 0:07:53 | |
43, 44, 45, 46, | 0:07:53 | 0:07:58 | |
47, 48, 49. | 0:07:58 | 0:08:03 | |
50,000. | 0:08:03 | 0:08:05 | |
51, 52. | 0:08:05 | 0:08:08 | |
53. | 0:08:09 | 0:08:10 | |
54 on the phone. 54. | 0:08:10 | 0:08:14 | |
55, 56, 57, 58. | 0:08:14 | 0:08:19 | |
Yes, no? 58, 59. | 0:08:21 | 0:08:23 | |
60,000 on the phone. | 0:08:23 | 0:08:26 | |
Yes or no, if not, in the room, on the back. | 0:08:26 | 0:08:29 | |
On my left, the bid is at £59,000 against you on the phone. | 0:08:29 | 0:08:32 | |
59 for the first, 59 for the second, | 0:08:32 | 0:08:37 | |
59 for the third and final time. | 0:08:37 | 0:08:39 | |
We all done? Sold, 59,000. | 0:08:39 | 0:08:42 | |
The successful bid of £59,000 was made by Liz and Anthony. | 0:08:42 | 0:08:47 | |
Liz works in IT sales and Anthony's an electrician. | 0:08:47 | 0:08:50 | |
The couple are very familiar with this basement | 0:08:50 | 0:08:53 | |
because they live right above it in the garden flat. | 0:08:53 | 0:08:56 | |
That's where I met up with them to hear about their plans. | 0:08:56 | 0:09:01 | |
-Hello. -Hello. -How are you doing? -Nice to meet you. -Hi, I'm Liz. | 0:09:01 | 0:09:05 | |
-Hello, Martin. Come in. -Bit of a turn-up for the books. | 0:09:05 | 0:09:10 | |
-Anthony and Liz, lovely to meet you both. -And you. | 0:09:10 | 0:09:12 | |
What you know about the history of it? | 0:09:12 | 0:09:14 | |
I think originally they were coal sheds of some sort. | 0:09:14 | 0:09:17 | |
It's literally just been lying empty for the last 20 years. | 0:09:17 | 0:09:20 | |
So you knew about it, and were you surprised when it came up for auction? | 0:09:20 | 0:09:25 | |
No, when we first bought the flat six months ago, | 0:09:25 | 0:09:28 | |
we knew about it and we wanted to try and buy it then. | 0:09:28 | 0:09:31 | |
Did it influence your decision to purchase this property | 0:09:31 | 0:09:34 | |
that there was the potential that you might get the downstairs? | 0:09:34 | 0:09:38 | |
It was a benefit but we were quite content on this at the same time. | 0:09:38 | 0:09:41 | |
If we don't get the basement, we don't get the basement. | 0:09:41 | 0:09:44 | |
We can still look into doing extensions out the back. | 0:09:44 | 0:09:47 | |
Now we have the basement, it makes it easier for us | 0:09:47 | 0:09:49 | |
to do extensions because there's no problem with neighbours underneath. | 0:09:49 | 0:09:53 | |
This all makes a lot of sense. | 0:09:53 | 0:09:55 | |
Extending their current home downwards and outwards into their garden | 0:09:55 | 0:09:59 | |
to create a large, split-level flat sounds great. | 0:09:59 | 0:10:02 | |
So, what do they want to do down there? | 0:10:02 | 0:10:05 | |
A spiral staircase somewhere. We're looking at extra bedrooms, | 0:10:05 | 0:10:09 | |
maybe a playroom, maybe a sauna. | 0:10:09 | 0:10:11 | |
MARTIN LAUGHS | 0:10:11 | 0:10:13 | |
-You're shaking your head. -Yeah. -It'd be perfect for it! | 0:10:13 | 0:10:17 | |
I love the idea of a basement sauna | 0:10:18 | 0:10:20 | |
and, if you've got the space, why not? | 0:10:20 | 0:10:24 | |
But creating extra rooms is going to be hard work. | 0:10:24 | 0:10:26 | |
Talk to me about what you're going to do down there, | 0:10:26 | 0:10:29 | |
specifically in terms of the rooms. | 0:10:29 | 0:10:31 | |
Are you going to take out walls, what? | 0:10:31 | 0:10:34 | |
Yeah, open up a lot of rooms, maybe form a few new rooms. | 0:10:34 | 0:10:38 | |
An extra bedroom or two and then we know we can put | 0:10:38 | 0:10:40 | |
a value on the project we're doing. | 0:10:40 | 0:10:42 | |
-Presumably, a lot of digging out. -Potentially. | 0:10:42 | 0:10:45 | |
More so at the back because we're looking to dig out | 0:10:45 | 0:10:48 | |
to go out into the garden. | 0:10:48 | 0:10:50 | |
The front of it, we could leave some of the rooms there | 0:10:50 | 0:10:53 | |
at their height for storage | 0:10:53 | 0:10:55 | |
-or for the little sauna I was talking about. -Yes! | 0:10:55 | 0:10:58 | |
If they can avoid changing the height in some rooms, | 0:10:58 | 0:11:01 | |
that'll be a bonus. | 0:11:01 | 0:11:03 | |
Style-wise, they're hoping to introduce | 0:11:03 | 0:11:06 | |
as much light as possible, but why do all this work in the first place? | 0:11:06 | 0:11:10 | |
-Not an easy or cheap thing to do, necessarily, though. -No. | 0:11:10 | 0:11:15 | |
Do you have any idea how much this is going to cost? | 0:11:15 | 0:11:18 | |
We know that the building works, the excavating, | 0:11:18 | 0:11:20 | |
we're looking at about 100,000 for that. | 0:11:20 | 0:11:23 | |
-It's a lot of money. -It is. -It is. | 0:11:23 | 0:11:25 | |
Because I stay in London, I was born in Central London, | 0:11:25 | 0:11:28 | |
so I want to stay here. | 0:11:28 | 0:11:30 | |
-With a couple of extra bedrooms, there's no reason to go anywhere. -Right. | 0:11:30 | 0:11:33 | |
I guess, if you do that, it would probably add | 0:11:33 | 0:11:36 | |
that kind of value to the property, would it? | 0:11:36 | 0:11:38 | |
-Certainly in the long term, yeah. -Definitely. | 0:11:38 | 0:11:41 | |
We'd never be able to afford to buy a four-bed flat in Maida Vale with a garden. | 0:11:41 | 0:11:44 | |
-Right. -So what's the project plan? -How soon do you start | 0:11:44 | 0:11:47 | |
and how long do you think it's going to take? | 0:11:47 | 0:11:50 | |
Over the next month, we'll be getting in touch with architects | 0:11:50 | 0:11:53 | |
and start getting some feedback, | 0:11:53 | 0:11:55 | |
ideas of what we can and can't do and then months after that, | 0:11:55 | 0:11:58 | |
-start going for planning permission. -People have said to us | 0:11:58 | 0:12:01 | |
that can take six months-ish. | 0:12:01 | 0:12:03 | |
Then you've got to start your building work. | 0:12:03 | 0:12:06 | |
I mean, we may be able to do it quicker. | 0:12:06 | 0:12:08 | |
Six to 12 months would be the start, I imagine, | 0:12:08 | 0:12:11 | |
then as it takes to do the fit-out after that, | 0:12:11 | 0:12:14 | |
it will just come in due time. | 0:12:14 | 0:12:16 | |
Listen, good luck with it all. I hope it turns out how you hope | 0:12:16 | 0:12:19 | |
-and there's a nice end to the story. -Thank you. | 0:12:19 | 0:12:21 | |
Well, there you go. It's really obvious when you think about it. | 0:12:23 | 0:12:26 | |
Liz and Anthony are the perfect people to have bought the basement. | 0:12:26 | 0:12:29 | |
However, they still have challenges ahead of them. | 0:12:29 | 0:12:32 | |
There's no guarantee they're going to get their planning permission | 0:12:32 | 0:12:35 | |
and there is a lot of work to get that place converted. | 0:12:35 | 0:12:38 | |
Find out how they're going to get on later in the show. | 0:12:38 | 0:12:41 | |
I've travelled to Corsham today, | 0:12:44 | 0:12:46 | |
a historic town in the northwest of Wiltshire. | 0:12:46 | 0:12:49 | |
And very grand it is, too. | 0:12:49 | 0:12:52 | |
# Ee, but it's a grand and healthy life... # | 0:12:52 | 0:12:54 | |
The town is said to have thrived on sheep, stone and cloth. | 0:12:56 | 0:13:00 | |
A prosperous wool trade, a limestone quarry | 0:13:00 | 0:13:03 | |
and a thriving spinning and weaving industry | 0:13:03 | 0:13:06 | |
put Corsham firmly on the map. | 0:13:06 | 0:13:08 | |
It also helped pay for some pretty impressive properties too! | 0:13:08 | 0:13:12 | |
# Ee, but it's a grand and healthy life... # | 0:13:12 | 0:13:16 | |
Housed within some of the more modest properties are bookshops, | 0:13:16 | 0:13:21 | |
delis and many more local amenities. | 0:13:21 | 0:13:23 | |
There are also plentiful transport links to Bath and the M4 into London. | 0:13:23 | 0:13:28 | |
A short walk from the town centre, | 0:13:28 | 0:13:30 | |
and I'm here to see today's auction lot. | 0:13:30 | 0:13:33 | |
Now, in such a historical town, you'd assume the property | 0:13:33 | 0:13:36 | |
I was here to see is steeped in history. | 0:13:36 | 0:13:40 | |
Well, it might not look much from the outside | 0:13:40 | 0:13:42 | |
but this used to house the local taxi service. | 0:13:42 | 0:13:46 | |
"That's not very historical," I hear you cry. | 0:13:46 | 0:13:48 | |
Well, it is, actually, | 0:13:48 | 0:13:50 | |
because I'm talking about the days of horse and cart. | 0:13:50 | 0:13:53 | |
If you wanted to go to the train station 100 years ago, | 0:13:53 | 0:13:56 | |
this is where you'd come. | 0:13:56 | 0:13:58 | |
If there was NEIGH taxi, you'd just have to TROT on. | 0:13:58 | 0:14:03 | |
Guide for this lot? | 0:14:03 | 0:14:04 | |
£95,000. | 0:14:04 | 0:14:08 | |
MUSIC: "Galloping Home" by Denis King | 0:14:08 | 0:14:13 | |
OK, the horses may have long since bolted | 0:14:13 | 0:14:16 | |
from this beauty of a property but the look of the stables remains | 0:14:16 | 0:14:20 | |
despite its more recent use as office space over the two storeys. | 0:14:20 | 0:14:25 | |
Well, 1,000 ideas are flashing through my head | 0:14:27 | 0:14:30 | |
what you could use this for. | 0:14:30 | 0:14:32 | |
What an amazing space! It's so much bigger than I thought. | 0:14:32 | 0:14:37 | |
You've got this rather large catslide roof, | 0:14:37 | 0:14:40 | |
which starts off high but it goes right the way down to here, | 0:14:40 | 0:14:43 | |
and I love this original local stone. | 0:14:43 | 0:14:46 | |
It's so nice seeing it with the white painted stone. | 0:14:46 | 0:14:49 | |
It's a fantastic space. | 0:14:49 | 0:14:51 | |
I would love to stick a huge dining table in here | 0:14:51 | 0:14:54 | |
and have loads of dinner parties, | 0:14:54 | 0:14:56 | |
but I suppose it could be a really good room to work in as well. | 0:14:56 | 0:15:00 | |
Lots of opportunities with this space. I really like it. | 0:15:00 | 0:15:04 | |
# I like it, like it | 0:15:04 | 0:15:06 | |
# Come on, come on, come on | 0:15:06 | 0:15:08 | |
# I like it, like it, come on... # | 0:15:08 | 0:15:10 | |
This huge room is fabulous. | 0:15:10 | 0:15:13 | |
I'd love to keep the space as it is and avoid partitioning it. | 0:15:13 | 0:15:16 | |
# I like it, like it, come on | 0:15:16 | 0:15:17 | |
# Come on, come on | 0:15:17 | 0:15:19 | |
# I like it, like it... # | 0:15:19 | 0:15:21 | |
But moving upstairs, things go to the other extreme. | 0:15:21 | 0:15:25 | |
There's just one much smaller room, | 0:15:25 | 0:15:27 | |
accessible from the front reception area. | 0:15:27 | 0:15:30 | |
It's not really working for me but there is some interesting news. | 0:15:30 | 0:15:34 | |
Consent for a change of use has been granted. | 0:15:34 | 0:15:37 | |
It used to have a B1 status. | 0:15:37 | 0:15:39 | |
That's a classification which covers offices and light industry. | 0:15:39 | 0:15:43 | |
Wiltshire Council have given the go-ahead for a live-work unit. | 0:15:43 | 0:15:48 | |
So it's part B1 and part C3. | 0:15:48 | 0:15:51 | |
Now, the C3 classing is for dwelling houses | 0:15:51 | 0:15:55 | |
and so that's definitely residential. | 0:15:55 | 0:15:58 | |
This could be perfect for somebody with a small business | 0:15:58 | 0:16:01 | |
who isn't afraid of, quite literally, | 0:16:01 | 0:16:03 | |
bringing their work home with them. | 0:16:03 | 0:16:05 | |
That planning consent also includes increasing the bedrooms from one to two, | 0:16:05 | 0:16:11 | |
which could be just perfect for someone. | 0:16:11 | 0:16:14 | |
Whenever I look around property, I'm always thinking, | 0:16:14 | 0:16:17 | |
"Now, how can I add value?" | 0:16:17 | 0:16:20 | |
I think I've spotted a way to really up the price of this place. | 0:16:20 | 0:16:24 | |
This auction lot, it sits amongst local residential property. | 0:16:24 | 0:16:28 | |
The council have granted a change of use for part-commercial, part-residential. | 0:16:28 | 0:16:32 | |
What's to stop them granting a complete change of use | 0:16:32 | 0:16:36 | |
to residential in the future? | 0:16:36 | 0:16:38 | |
A two-bedroom house could make as much as £175,000. | 0:16:38 | 0:16:43 | |
That's most definitely something to consider, | 0:16:43 | 0:16:46 | |
especially given the predominantly residential location | 0:16:46 | 0:16:49 | |
this little lot sits in. | 0:16:49 | 0:16:51 | |
There's a parking area right beside the building, | 0:16:51 | 0:16:54 | |
but unfortunately it doesn't come with a private garden. | 0:16:54 | 0:16:58 | |
Having said that, if you're looking for some green space, | 0:16:58 | 0:17:01 | |
there's a cricket club practically next door. | 0:17:01 | 0:17:04 | |
What does the local expert from the auction house that sold it | 0:17:04 | 0:17:08 | |
think of this place with a guide price of 95 grand? | 0:17:08 | 0:17:12 | |
As a commercial unit, I think it works quite well because | 0:17:12 | 0:17:15 | |
of its location to the town centre. | 0:17:15 | 0:17:17 | |
It's very central and there's a lot of space that can be used. | 0:17:17 | 0:17:20 | |
What could this property fetch on the resale market | 0:17:20 | 0:17:23 | |
if the new owner followed the approved plans? | 0:17:23 | 0:17:26 | |
I would say that the resale value is between £130,000 and £150,000. | 0:17:26 | 0:17:31 | |
And if rented out? | 0:17:31 | 0:17:33 | |
If we were to rent the commercial unit out, | 0:17:33 | 0:17:35 | |
I would estimate, as is, | 0:17:35 | 0:17:37 | |
between £5,500 and £6,500 per annum. | 0:17:37 | 0:17:41 | |
If planning were approved to make this completely residential | 0:17:41 | 0:17:45 | |
in the future, the estate agent reckons | 0:17:45 | 0:17:48 | |
that would increase its resale value to around 175 grand. | 0:17:48 | 0:17:52 | |
Worth keeping in mind. | 0:17:52 | 0:17:54 | |
This would work well as a mixed-use unit | 0:17:54 | 0:17:57 | |
but obtaining a wholly residential status, that sees the real return. | 0:17:57 | 0:18:02 | |
The lack of garden could be a deal breaker, | 0:18:02 | 0:18:04 | |
but I think the central location will make up for that. | 0:18:04 | 0:18:07 | |
Let's see who fancied this as we go to auction. | 0:18:07 | 0:18:11 | |
Lot number 17 then, if you will, which is very close to the centre. | 0:18:12 | 0:18:17 | |
Attractive exterior, there we are. | 0:18:17 | 0:18:20 | |
Somebody start me, save my breath, £100,000, somebody. | 0:18:20 | 0:18:23 | |
£100,000, somebody. Yes, £100,000 it is, we'll go in twos. | 0:18:23 | 0:18:29 | |
At £100,000, and two may I say? Two, Sir? £100,000 against you. | 0:18:29 | 0:18:33 | |
The bid's over there, 102? Yes, no? | 0:18:33 | 0:18:37 | |
102, OK. 104. OK, 104. | 0:18:37 | 0:18:41 | |
106 to you, sir, 106. | 0:18:41 | 0:18:44 | |
108. 110 to you, sir? At 108. | 0:18:44 | 0:18:46 | |
110, OK. The bid is there at £110,000. | 0:18:46 | 0:18:50 | |
11, I'll take. The bid is sat down here. At £110,000 it is. | 0:18:50 | 0:18:54 | |
I'll take 11 from anyone. | 0:18:54 | 0:18:55 | |
At £110,000, 11 anybody, please, yes or no? | 0:18:55 | 0:19:00 | |
11, OK. At 11. 111 and 12, sir. At £111,000, 12? | 0:19:00 | 0:19:06 | |
Yes, go on then. 500 then, if you like. | 0:19:06 | 0:19:08 | |
Help you on. No? | 0:19:08 | 0:19:10 | |
500, can't miss it for that at 500. £111,500. | 0:19:11 | 0:19:15 | |
You're both the same at the back there. At 111,500. 12, do you mean? | 0:19:15 | 0:19:20 | |
Yes or no? Otherwise I'm back to here at £111,500. | 0:19:20 | 0:19:23 | |
For the first time. £111,500 for the second time. Last chance. | 0:19:23 | 0:19:29 | |
£111,500, third and last time, you're done. | 0:19:29 | 0:19:32 | |
That successful bid of £111,500 came from Michael, | 0:19:32 | 0:19:38 | |
who was at the auction with his dad. | 0:19:38 | 0:19:40 | |
Michael's a photographer and moved back to this area from London | 0:19:40 | 0:19:43 | |
a year ago after completing his Master's degree. | 0:19:43 | 0:19:46 | |
I met him back at the property to find out more. | 0:19:46 | 0:19:49 | |
# Photograph | 0:19:49 | 0:19:51 | |
# Photographer... # | 0:19:51 | 0:19:54 | |
-Michael, congratulations. -Thank you very much. | 0:19:54 | 0:19:57 | |
I love Corsham. It's always a wonderful place to visit for me. | 0:19:57 | 0:20:00 | |
Tell me about this auction purchase | 0:20:00 | 0:20:02 | |
-because you weren't actually bidding on auction day, were you? -No, I wasn't. | 0:20:02 | 0:20:06 | |
I chickened out at the last minute and my old man did the bidding. | 0:20:06 | 0:20:09 | |
So why did you want it? | 0:20:09 | 0:20:11 | |
Well, I'm a photographer. I've got a current studio that I rent | 0:20:11 | 0:20:14 | |
and I have, over the past year or so, kept my eye half-open | 0:20:14 | 0:20:18 | |
for somewhere I can live and work together. | 0:20:18 | 0:20:21 | |
When this came up with permission, it was commercial, | 0:20:21 | 0:20:23 | |
it came up with permission to change to live-work, | 0:20:23 | 0:20:26 | |
Which for me is perfect, because I can have everything in one place. | 0:20:26 | 0:20:30 | |
There's no commute, I don't have to worry about parking | 0:20:30 | 0:20:33 | |
or driving in, so I wanted somewhere that was central. | 0:20:33 | 0:20:35 | |
Somewhere that people had heard of. | 0:20:35 | 0:20:37 | |
There's good access here, there's good parking outside. | 0:20:37 | 0:20:40 | |
It just seemed to make good business sense, really. | 0:20:40 | 0:20:43 | |
Michael's currently renting a studio nearby | 0:20:43 | 0:20:45 | |
but the lease is up in six weeks. | 0:20:45 | 0:20:47 | |
That can only mean one thing. | 0:20:47 | 0:20:49 | |
The timescale to do the work and move in here will also be six weeks. | 0:20:49 | 0:20:53 | |
At least there are approved plans in place already, | 0:20:53 | 0:20:56 | |
so he can start straight away. | 0:20:56 | 0:20:59 | |
Michael, I know this lot came with planning permission. | 0:20:59 | 0:21:01 | |
Are you going to be sticking with the plans or changing them at all? | 0:21:01 | 0:21:05 | |
No, not sticking with them at all. | 0:21:05 | 0:21:06 | |
The principle of changing it to live-work, yes. | 0:21:06 | 0:21:09 | |
The actual layout, no. | 0:21:09 | 0:21:10 | |
In fact, Michael's going to keep it as a one-bedroom | 0:21:10 | 0:21:14 | |
but will change the configuration, | 0:21:14 | 0:21:15 | |
including the position of the stairs, | 0:21:15 | 0:21:17 | |
to create more space for his photographic studio. | 0:21:17 | 0:21:20 | |
Are you going to need planning permission to do that? | 0:21:20 | 0:21:23 | |
I don't need planning because it's not affecting the exterior of the property at all | 0:21:23 | 0:21:27 | |
but I will need to consult with building regs to make sure | 0:21:27 | 0:21:30 | |
we put the new stairs in at the right angle to conform and tick all the right boxes. | 0:21:30 | 0:21:35 | |
Michael also has to meet a regulation for a live-work property, | 0:21:35 | 0:21:39 | |
whereby clients must be able to get from outside | 0:21:39 | 0:21:41 | |
to the commercial area without going through the private area. | 0:21:41 | 0:21:45 | |
This means partitioning will be required | 0:21:45 | 0:21:47 | |
and that staircase might cause an issue with space. | 0:21:47 | 0:21:51 | |
Michael also plans to install a new kitchen and bathroom, | 0:21:51 | 0:21:54 | |
so what's his budget? | 0:21:54 | 0:21:55 | |
I'd like to think, this might be hugely optimistic, | 0:21:55 | 0:21:58 | |
if I go over 3,500 for the work, I'll be disappointed. | 0:21:58 | 0:22:02 | |
-I'm going to do a lot of work myself. -What?! | 0:22:02 | 0:22:05 | |
-I'm going to be calling in a lot of favours. -£3,500 for all that work? -Exactly. | 0:22:05 | 0:22:09 | |
There'll be a lot of late nights, a lot of favours called in, a lot of friends. | 0:22:09 | 0:22:13 | |
Here's hoping Michael has a lot of friends. | 0:22:14 | 0:22:18 | |
He'll need them if he's going to complete all this in record time | 0:22:18 | 0:22:21 | |
on a record budget. | 0:22:21 | 0:22:22 | |
# I'll be there for you | 0:22:22 | 0:22:26 | |
# When the rain starts to fall... # | 0:22:26 | 0:22:28 | |
But what about the long-term plan, | 0:22:28 | 0:22:30 | |
the idea of turning it into a purely residential property? | 0:22:30 | 0:22:34 | |
Has Michael ever thought about going down that lucrative road? | 0:22:34 | 0:22:39 | |
I have a feeling, common sense tells me, that if I turn it into | 0:22:39 | 0:22:42 | |
wholly residential, it will be worth more than | 0:22:42 | 0:22:44 | |
-it will as office space. -Absolutely. | 0:22:44 | 0:22:47 | |
Because of the way it works, but figures, not really sure. | 0:22:47 | 0:22:49 | |
This is my first property, so I don't know. It's something I have to research. | 0:22:49 | 0:22:53 | |
Michael, I had a chat with a few agents and it will be around £175,000, the current value. | 0:22:53 | 0:22:58 | |
As a residential property? Certainly worth looking into for the future. | 0:22:58 | 0:23:02 | |
Great meeting you. Good luck. I can't wait to see what you do to it when it turns into a studio. | 0:23:02 | 0:23:06 | |
-I'm quite curious, too. Thank you very much. -Thank you, Michael. | 0:23:06 | 0:23:09 | |
Six weeks and three and a half grand?! | 0:23:10 | 0:23:13 | |
Michael has got his work cut out. | 0:23:13 | 0:23:15 | |
The pressure is most definitely on for him. | 0:23:15 | 0:23:18 | |
He needs to move his business because his lease is up. | 0:23:18 | 0:23:21 | |
You can find out if he manages to move in | 0:23:21 | 0:23:23 | |
and make this home business unit work for him later on the programme. | 0:23:23 | 0:23:28 | |
Coming up - this two-bed in Lincolnshire | 0:23:29 | 0:23:32 | |
has me in a tight squeeze. | 0:23:32 | 0:23:34 | |
Somebody's actually taken part of the bedroom | 0:23:34 | 0:23:36 | |
to create this little corridor. | 0:23:36 | 0:23:38 | |
We return to Wiltshire | 0:23:39 | 0:23:41 | |
to see whether this former stable needed some help from Dad. | 0:23:41 | 0:23:44 | |
My father, who's retired, has spent a lot of time here. | 0:23:44 | 0:23:47 | |
I owe him a great deal of gratitude. | 0:23:47 | 0:23:49 | |
But first, in London, | 0:23:50 | 0:23:52 | |
have they managed to dig their way out of that basement? | 0:23:52 | 0:23:56 | |
It was great to get started but it took a lot longer than we thought. | 0:23:56 | 0:24:00 | |
Time now to return to affluent Maida Vale in West London, | 0:24:03 | 0:24:07 | |
where earlier I met IT salesperson Liz and electrician Anthony. | 0:24:07 | 0:24:11 | |
They were the proud new owners of this rather grotty basement. | 0:24:11 | 0:24:15 | |
# Here I sit in this dark basement | 0:24:15 | 0:24:18 | |
# Where the sun don't ever shine... # | 0:24:20 | 0:24:23 | |
Liz and Anthony bought this huge junk-filled basement area | 0:24:23 | 0:24:27 | |
at auction for £59,000. | 0:24:27 | 0:24:30 | |
They were the ideal couple to buy it because they own the two-bedroom garden flat right on top of it. | 0:24:30 | 0:24:36 | |
They had grand plans to convert it into a liveable space, | 0:24:38 | 0:24:43 | |
join it to their flat above and add an extension, creating one super split-level flat. | 0:24:43 | 0:24:47 | |
A spiral staircase somewhere. | 0:24:47 | 0:24:50 | |
Looking at extra bedrooms, maybe a playroom, maybe a sauna. | 0:24:50 | 0:24:55 | |
MARTIN LAUGHS | 0:24:55 | 0:24:57 | |
-You're shaking your head. -Yeah. -It'd be perfect for it! | 0:24:57 | 0:25:01 | |
Perfect indeed, but we don't live in a perfect world. | 0:25:01 | 0:25:04 | |
Getting planning permission could be difficult here. | 0:25:04 | 0:25:07 | |
Digging out the basement for extra height would be a major job | 0:25:07 | 0:25:10 | |
and make the whole project very, very expensive. | 0:25:10 | 0:25:14 | |
So, four YEARS later, | 0:25:14 | 0:25:15 | |
has converting this into their dream home been a nightmare? | 0:25:15 | 0:25:19 | |
Out the back, the level we're standing on at the moment | 0:25:40 | 0:25:43 | |
was the level that went right through to the back of the house. | 0:25:43 | 0:25:46 | |
We've dug down about a metre and a half, two metres. | 0:25:46 | 0:25:50 | |
Created a new stairwell that comes out, running on the boundary wall. | 0:25:50 | 0:25:54 | |
Therefore we created a little patio down there | 0:25:54 | 0:25:58 | |
which is a bit more private. It's not quite finished, | 0:25:58 | 0:26:01 | |
but I'd say we're getting there. | 0:26:01 | 0:26:03 | |
The planning permission, we've had to set it back 300mm, | 0:26:03 | 0:26:06 | |
cos they wanted it to look like an extension | 0:26:06 | 0:26:08 | |
rather than part of the original features. | 0:26:08 | 0:26:10 | |
We added 1,000 square foot, just short of. | 0:26:10 | 0:26:14 | |
It's bigger than the actual flat because you've got the extension. | 0:26:14 | 0:26:17 | |
Anthony isn't kidding about the size. Just look inside. | 0:26:17 | 0:26:21 | |
Wow! | 0:26:29 | 0:26:30 | |
Gone are those oppressively low ceilings and tiny rooms. | 0:26:30 | 0:26:34 | |
In their place, a massive living, dining and kitchen area | 0:26:34 | 0:26:38 | |
that's all opened from front to back and positively filled with light. | 0:26:38 | 0:26:43 | |
So, with a project of this scale, did everything go to plan? | 0:26:45 | 0:26:50 | |
Took us, I think, 18 months to sort out. | 0:26:50 | 0:26:53 | |
The lease for the basement was a different lease to the freehold, | 0:26:53 | 0:26:56 | |
so that took a lot of sorting out. | 0:26:56 | 0:26:58 | |
Then we had to get the design done, be happy with the design. | 0:26:58 | 0:27:01 | |
Planning permission was refused first time, so we had to go back. | 0:27:01 | 0:27:05 | |
Meetings at the council, meetings with the neighbours. | 0:27:05 | 0:27:09 | |
So there was a lot to do. | 0:27:09 | 0:27:10 | |
We've been moved in for two or three weeks now, | 0:27:10 | 0:27:14 | |
-we're not quite finished yet but the first builders were here about a year ago? -Yeah. | 0:27:14 | 0:27:18 | |
It was great to get it started but it took a lot longer than we thought. | 0:27:18 | 0:27:22 | |
Well, as we now know, | 0:27:22 | 0:27:25 | |
it's taken Liz and Anthony four years to get to this point, | 0:27:25 | 0:27:29 | |
and in that time, they've also added two new members to their family. | 0:27:29 | 0:27:32 | |
# Baby, baby, baby | 0:27:32 | 0:27:35 | |
# All right | 0:27:35 | 0:27:36 | |
# Baby, baby, baby | 0:27:36 | 0:27:39 | |
# No, I thought you'd always be mine, mine... # | 0:27:39 | 0:27:43 | |
Georgina is almost two and Alexandra is six months. | 0:27:44 | 0:27:48 | |
When we'd had one baby in the house, pregnant quite quickly | 0:27:48 | 0:27:51 | |
with the second one, I did think, | 0:27:51 | 0:27:53 | |
"Let's just sell this with the planning permission | 0:27:53 | 0:27:55 | |
"and go and get a house that would be much easier | 0:27:55 | 0:27:58 | |
"cos this is going to be quite a tough 12 months." | 0:27:58 | 0:28:01 | |
I'm glad now that we've done it but there were lots of times | 0:28:01 | 0:28:04 | |
we thought, "It'd be so much easier." | 0:28:04 | 0:28:06 | |
But Anthony wanted to project manage it | 0:28:06 | 0:28:08 | |
and we're going to create such a big space. | 0:28:08 | 0:28:10 | |
It's definitely been worth it. | 0:28:10 | 0:28:12 | |
Liz and Anthony's flat upstairs | 0:28:12 | 0:28:14 | |
had two bedrooms but with the addition of the extension, | 0:28:14 | 0:28:17 | |
they've gained a third bedroom and an extra bathroom. | 0:28:17 | 0:28:20 | |
A not-so-spiral staircase has been built to link the two floors | 0:28:20 | 0:28:24 | |
and downstairs, no, not a sauna, | 0:28:24 | 0:28:27 | |
but an extra cloakroom which is more practical for a young family. | 0:28:27 | 0:28:32 | |
Creating such a light and airy space in this basement | 0:28:32 | 0:28:35 | |
must have been quite a challenge. | 0:28:35 | 0:28:37 | |
I'm quite happy with the way it's quite well-lit at the minute. We weren't sure ourselves. | 0:28:37 | 0:28:42 | |
-Until it's dug out, until it's finished and painted, you don't know. -Yeah. | 0:28:42 | 0:28:46 | |
There's a bit of an element of risk. It gets the sun at the right time. | 0:28:46 | 0:28:50 | |
When you're living somewhere, it's quite easy to do a kitchen | 0:28:50 | 0:28:53 | |
and have a feel of how it's going to look, | 0:28:53 | 0:28:56 | |
but because this wasn't even a room to start with, | 0:28:56 | 0:28:59 | |
it was quite difficult for us to imagine. | 0:28:59 | 0:29:01 | |
But, yeah, we're really pleased with all the lighting and how it fits. | 0:29:01 | 0:29:05 | |
Anthony and Liz are coy about how much all this has cost, | 0:29:05 | 0:29:09 | |
but we know that they bought the basement for £59,000 | 0:29:09 | 0:29:12 | |
and previously estimated around 100,000 for the digging out alone. | 0:29:12 | 0:29:16 | |
So with the extension and high quality of the finish they added, | 0:29:16 | 0:29:19 | |
let's say their total spend will be a very pretty penny. | 0:29:19 | 0:29:22 | |
We asked two local estate agents to give their opinions | 0:29:24 | 0:29:27 | |
on this newly created split-level flat. | 0:29:27 | 0:29:30 | |
I have to say I was amazed. | 0:29:30 | 0:29:32 | |
They've done an incredible job here, | 0:29:32 | 0:29:34 | |
by taking the extension out as far as they have, | 0:29:34 | 0:29:36 | |
and also by creating a patio to this lower ground floor area. | 0:29:36 | 0:29:40 | |
It works really well. I think this sort of property | 0:29:40 | 0:29:43 | |
will be very appealing to buyers in this area. | 0:29:43 | 0:29:45 | |
It gives an alternative. | 0:29:45 | 0:29:46 | |
It's somewhere between buying a house or buying a flat on one level. | 0:29:46 | 0:29:50 | |
It gives you that option with a private outside space, which is always hugely desirable. | 0:29:50 | 0:29:54 | |
The standard of finish is very good. The flooring is excellent. | 0:29:54 | 0:29:58 | |
The lighting and everything works really well. | 0:29:58 | 0:30:01 | |
This sort of property is very much what people are looking for. | 0:30:01 | 0:30:04 | |
It's a very family-orientated space | 0:30:04 | 0:30:06 | |
and it'll work very well for a variety of uses. | 0:30:06 | 0:30:09 | |
There's a dining, living and entertaining area. | 0:30:09 | 0:30:12 | |
What kind of rent could this property earn? | 0:30:12 | 0:30:15 | |
On a rental basis, | 0:30:15 | 0:30:17 | |
I would advise putting this on in the region of £4,250 a month. | 0:30:17 | 0:30:21 | |
It would be very desirable to families in the area, | 0:30:21 | 0:30:24 | |
corporate relocation, embassies, etc. | 0:30:24 | 0:30:26 | |
I'd expect it to let | 0:30:26 | 0:30:28 | |
for between £4,000 and £4,500 per calendar month. | 0:30:28 | 0:30:33 | |
Wow! Yeah, amazing. | 0:30:33 | 0:30:35 | |
Wow. Did you hear that, Georgina? That is big rent. | 0:30:35 | 0:30:39 | |
Georgina looked as pleased as her parents. | 0:30:39 | 0:30:42 | |
What about the resale value? | 0:30:42 | 0:30:44 | |
I think it's such a unique space, | 0:30:44 | 0:30:46 | |
you will always achieve a premium in here. | 0:30:46 | 0:30:48 | |
Gut feel says to me it's around about the £1 million mark. | 0:30:48 | 0:30:51 | |
In the current market, I would expect this property to sell | 0:30:51 | 0:30:54 | |
in the region of 1 million to 1.1 million. | 0:30:54 | 0:30:56 | |
Yeah! Wow. | 0:30:56 | 0:30:58 | |
-Pop the corks. -It's amazing. | 0:30:58 | 0:31:00 | |
-Wow. -Yeah, I mean... | 0:31:02 | 0:31:04 | |
that's an amazing transformation. Yeah, it's huge. | 0:31:04 | 0:31:08 | |
Has it been worth it now? | 0:31:08 | 0:31:10 | |
Yeah, I think so. | 0:31:10 | 0:31:12 | |
Did they ever imagine that adding the basement | 0:31:12 | 0:31:14 | |
onto their existing flat would add so much value? | 0:31:14 | 0:31:17 | |
In our heads, | 0:31:17 | 0:31:18 | |
we hadn't thought of it reaching that sort of figure at all. | 0:31:18 | 0:31:21 | |
-We're chuffed. -Yeah, it's brilliant. | 0:31:21 | 0:31:24 | |
With that kind of resale estimate of around £1 million, | 0:31:24 | 0:31:27 | |
are Liz and Anthony tempted to sell? | 0:31:27 | 0:31:31 | |
Not yet. We're going to live in this and enjoy it for a while. | 0:31:31 | 0:31:34 | |
I think so. We've got the space now. | 0:31:34 | 0:31:36 | |
So are the couple enjoying their new home? | 0:31:36 | 0:31:40 | |
We haven't had time to enjoy it yet, it's only been two or three weeks | 0:31:40 | 0:31:43 | |
but we can see everything's started to slow down a bit | 0:31:43 | 0:31:46 | |
and looking forward to having the time running around with the kids, | 0:31:46 | 0:31:49 | |
makes it all seem worth it. | 0:31:49 | 0:31:50 | |
I'm in Boston, a historic market town in Lincolnshire. | 0:31:55 | 0:31:59 | |
It's home to the largest parish church in England, | 0:31:59 | 0:32:02 | |
known locally as the Stump, but how much cash did the buyer | 0:32:02 | 0:32:07 | |
stump up at auction for the lot I'm visiting? | 0:32:07 | 0:32:10 | |
The property I'm here to see is just ten minutes' walk | 0:32:10 | 0:32:13 | |
from the town centre, down this little lane. | 0:32:13 | 0:32:16 | |
It's actually located right at the end. | 0:32:16 | 0:32:18 | |
Clearly, access is a bit of a problem. | 0:32:18 | 0:32:21 | |
Yep, those with bad reversing or parking skills need not apply. | 0:32:21 | 0:32:26 | |
This is it. Had a guide price of 38 to 42,000 quid. | 0:32:26 | 0:32:31 | |
It looks kind of intriguing from the outside. | 0:32:31 | 0:32:34 | |
Looks like new windows. | 0:32:34 | 0:32:36 | |
Some of the brickwork needs repointing, | 0:32:36 | 0:32:38 | |
but I've got a good feeling about this bit of Boston. | 0:32:38 | 0:32:41 | |
MUSIC: "More Than A Feeling" by Boston | 0:32:41 | 0:32:43 | |
-# More than a feeling -More than a feeling | 0:32:43 | 0:32:46 | |
# When I see Mary Ann walk away... # | 0:32:46 | 0:32:50 | |
-Oh. -HE COUGHS | 0:32:50 | 0:32:52 | |
That's not a very good start. Look at that. | 0:32:52 | 0:32:54 | |
Seriously bad damp. | 0:32:54 | 0:32:57 | |
What on earth is causing that? | 0:32:57 | 0:33:00 | |
Have a look if I can see anything out here. | 0:33:00 | 0:33:04 | |
No, There's no immediate, obvious reason why that's like that. | 0:33:04 | 0:33:08 | |
It needs a bit more investigation. We'll look at that a bit more later. | 0:33:08 | 0:33:12 | |
Anyway, the first thing you notice about this room | 0:33:12 | 0:33:15 | |
is it's triangular shaped. | 0:33:15 | 0:33:16 | |
It's narrow at the front and it gets wider. That is really weird | 0:33:16 | 0:33:20 | |
Fireplace, a real one, which is nice to have, | 0:33:20 | 0:33:23 | |
and then you come through to the rear living area | 0:33:23 | 0:33:25 | |
and look how much bigger it is | 0:33:25 | 0:33:27 | |
than it is when you come through the front door. | 0:33:27 | 0:33:29 | |
I actually quite like that. | 0:33:29 | 0:33:31 | |
It's like it fans out to create basically a lot more space, | 0:33:31 | 0:33:34 | |
and this room especially, loads of light pouring in. | 0:33:34 | 0:33:36 | |
I like this, sort of open-plan stairs | 0:33:36 | 0:33:38 | |
up to the bedrooms and the kitchen at the back. | 0:33:38 | 0:33:42 | |
Quirky, yes. | 0:33:42 | 0:33:43 | |
Likeable, most definitely. | 0:33:43 | 0:33:45 | |
The kitchen does look a bit tired and probably needs to be ripped out, | 0:33:46 | 0:33:50 | |
but upstairs, there are two bedrooms. | 0:33:50 | 0:33:53 | |
The first is a good size, | 0:33:53 | 0:33:55 | |
but the second is a funny shape and pretty titchy to boot. | 0:33:55 | 0:34:00 | |
The reason it's so small is that somebody's actually taken | 0:34:01 | 0:34:04 | |
part of the bedroom to create this little corridor, | 0:34:04 | 0:34:08 | |
and it really is horrible. It's dark. | 0:34:08 | 0:34:10 | |
They've tried to put a window in here to give you more light, | 0:34:10 | 0:34:13 | |
but basically, it just doesn't work. | 0:34:13 | 0:34:15 | |
You wind your way down here, | 0:34:15 | 0:34:17 | |
and eventually, you come into the bathroom. | 0:34:17 | 0:34:19 | |
So that clearly doesn't work at all, to my mind. | 0:34:19 | 0:34:23 | |
But I think there's a simple solution, | 0:34:23 | 0:34:25 | |
because if you merely moved the stairs from where they are | 0:34:25 | 0:34:28 | |
to this side of the room downstairs, | 0:34:28 | 0:34:30 | |
you then have the stairs coming up there, | 0:34:30 | 0:34:33 | |
a little landing area, into the bathroom, into the bedroom - bingo! | 0:34:33 | 0:34:37 | |
But don't let's go counting our winnings just yet. | 0:34:39 | 0:34:42 | |
Moving stairs is generally a pretty costly exercise. | 0:34:42 | 0:34:45 | |
You'd have to weigh up whether it was going to be worth your while. | 0:34:45 | 0:34:50 | |
If you were going to rent the property out, | 0:34:50 | 0:34:52 | |
it make more sense to leave it as is. | 0:34:52 | 0:34:54 | |
So, we've decided it's a bit quirky. | 0:34:56 | 0:34:58 | |
Let's look at the property from another point of view. | 0:34:58 | 0:35:02 | |
The guide price - £38,000 to £42,000. | 0:35:02 | 0:35:04 | |
Let's assume you spend towards the top end of that, 42, | 0:35:04 | 0:35:07 | |
you spend about £8,000 doing it up, including fees, | 0:35:07 | 0:35:10 | |
you've got £50,000 invested in this place. | 0:35:10 | 0:35:13 | |
Around here, this kind of property, done up, | 0:35:13 | 0:35:15 | |
is going to get you around £500 a month in rent. | 0:35:15 | 0:35:19 | |
That's £6,000 year on a £50,000 investment. | 0:35:19 | 0:35:23 | |
That is a 12% yield. | 0:35:23 | 0:35:26 | |
That's really good! | 0:35:26 | 0:35:27 | |
-MUSIC: Theme from "Cheers" -Cheers to that, I'd say. | 0:35:27 | 0:35:30 | |
Done up, this Boston property could really start reaping rewards. | 0:35:30 | 0:35:34 | |
You also get some outside space and a lean-to shed, | 0:35:34 | 0:35:37 | |
which could be pretty useful. | 0:35:37 | 0:35:39 | |
And all for a guide price of £38,000 to £42,000. | 0:35:39 | 0:35:43 | |
It whet my whistle for sure. | 0:35:43 | 0:35:45 | |
Let's hear what a local estate agent thinks. | 0:35:45 | 0:35:48 | |
My first impression of this property is that it's centrally situated, | 0:35:48 | 0:35:52 | |
it has been modernised. | 0:35:52 | 0:35:54 | |
It does want a little bit of updating and renovating, | 0:35:54 | 0:35:57 | |
just to smarten it up. | 0:35:57 | 0:36:00 | |
And what does the expert think the property would fetch | 0:36:01 | 0:36:04 | |
on the rental market? | 0:36:04 | 0:36:05 | |
In good condition, it would bring in around £500 per calendar month. | 0:36:07 | 0:36:12 | |
And the resale market? | 0:36:13 | 0:36:15 | |
Value-wise, at the present, | 0:36:15 | 0:36:17 | |
I would have thought somewhere around £50,000, £55,000. | 0:36:17 | 0:36:22 | |
Well, quirky, cute and a good investment. | 0:36:23 | 0:36:27 | |
Either a lovely place to live or a good rental yield. | 0:36:27 | 0:36:30 | |
Can't go wrong, really. | 0:36:30 | 0:36:32 | |
Let's see who agreed when it went under the hammer. | 0:36:32 | 0:36:34 | |
We move out now to lot number five. | 0:36:36 | 0:36:39 | |
The guide price is £38,000 to £42,000. | 0:36:39 | 0:36:42 | |
Where are you going to start me? | 0:36:42 | 0:36:44 | |
A £30,000 bid there. 35. At 40,000. | 0:36:44 | 0:36:48 | |
40,000, I'm bid. | 0:36:48 | 0:36:50 | |
45,000. | 0:36:50 | 0:36:51 | |
And 500. | 0:36:51 | 0:36:53 | |
46,000. 45,500 here in the middle of the room. | 0:36:53 | 0:36:57 | |
Are you going £46,000? | 0:36:57 | 0:37:00 | |
No? | 0:37:00 | 0:37:01 | |
At £45,500, then, for the first time. | 0:37:01 | 0:37:04 | |
Any more bids? 46,000? New bidder. | 0:37:04 | 0:37:07 | |
46,000. 500. | 0:37:07 | 0:37:09 | |
47,000. 500. | 0:37:10 | 0:37:13 | |
48,000. 500. | 0:37:14 | 0:37:16 | |
49,000. 500. | 0:37:16 | 0:37:18 | |
50,000. 500. | 0:37:18 | 0:37:21 | |
51,000. 500. | 0:37:21 | 0:37:23 | |
52,000. 500. | 0:37:25 | 0:37:28 | |
No? £52,000 I'm bid. | 0:37:29 | 0:37:32 | |
Against the bar at £52,000, then. | 0:37:32 | 0:37:34 | |
Call it up three times at £52,000. | 0:37:34 | 0:37:37 | |
For the first time, for the second, for the third and last time. | 0:37:37 | 0:37:41 | |
Are there any more bids? Thank you, sir. | 0:37:41 | 0:37:45 | |
That successful final bid was placed by Mohammed, who's an eye surgeon. | 0:37:45 | 0:37:50 | |
MUSIC: "Eye Of The Tiger" by Survivor | 0:37:50 | 0:37:52 | |
Even at £52,000, £10,000 over the upper guide price, | 0:37:52 | 0:37:57 | |
I'd say that, when it comes to a bargain, | 0:37:57 | 0:38:00 | |
Mohammed clearly has the eye of a tiger. | 0:38:00 | 0:38:02 | |
I caught up with him to check out his vision for the property. | 0:38:06 | 0:38:10 | |
-Mohammed, lovely to meet you. -Nice to meet you. -Congratulations. | 0:38:13 | 0:38:17 | |
Thank you very much. | 0:38:17 | 0:38:18 | |
Why did you want to buy this quirky house. | 0:38:18 | 0:38:20 | |
To be quite honest, I just stumbled onto it. | 0:38:20 | 0:38:23 | |
I just typed on the internet, "Houses in Boston for sale." | 0:38:23 | 0:38:28 | |
And this came up in an auction site. | 0:38:28 | 0:38:31 | |
And I looked at it and it said, "38 to 42." | 0:38:31 | 0:38:35 | |
I thought, "Yeah, well, if I have to pay 42, | 0:38:35 | 0:38:38 | |
"I'm still quids in," so I rang, and I said, "Can I go and view?" | 0:38:38 | 0:38:42 | |
-He said, "It's too late. The auction's next week." -Oh, no! | 0:38:42 | 0:38:46 | |
So the auction was on Tuesday. | 0:38:46 | 0:38:47 | |
I came round on the Thursday, had a look through the windows, | 0:38:47 | 0:38:52 | |
I saw the room on the front fanning out | 0:38:52 | 0:38:55 | |
and I looked through the kitchen | 0:38:55 | 0:38:58 | |
and thought, "Well, it's not a bad kitchen. | 0:38:58 | 0:39:01 | |
"42, what's the worst that's going to happen to it? | 0:39:01 | 0:39:04 | |
"Fall down and I have to rebuild it? I'm still quids in." | 0:39:04 | 0:39:08 | |
Well, it's a risky strategy, but Mohammed does have | 0:39:08 | 0:39:11 | |
a portfolio of properties locally, including a neighbouring one, | 0:39:11 | 0:39:14 | |
so he had some idea of what he was getting into. | 0:39:14 | 0:39:18 | |
But as you well know, | 0:39:18 | 0:39:19 | |
I believe you should always have a good look around the place | 0:39:19 | 0:39:22 | |
before buying it at auction. What does he have planned? | 0:39:22 | 0:39:25 | |
I want to make it...nice, because from experience, | 0:39:25 | 0:39:30 | |
the more the place is cared for and presented properly, | 0:39:30 | 0:39:36 | |
the better the tenants look after it... | 0:39:36 | 0:39:38 | |
-Yep. -..and the longer they stay. So I'm not going to skimp. | 0:39:38 | 0:39:44 | |
So I'm going to rip that out and obviously take the carpets off, | 0:39:44 | 0:39:48 | |
decoration, and outside, there is pointing. | 0:39:48 | 0:39:52 | |
I am not sure whether it needs a damp-proof course. | 0:39:52 | 0:39:55 | |
So I don't think it's structurally a big do, | 0:39:55 | 0:40:00 | |
so £4,000, £5,000 to £7,000, I think we're all right. | 0:40:00 | 0:40:07 | |
Mohammed's planning to leave the stairs where they are, | 0:40:07 | 0:40:11 | |
but he does have an idea that might work even better. | 0:40:11 | 0:40:14 | |
-I'm intending to open a door in there. -Oh! | 0:40:14 | 0:40:19 | |
Because there is an annexe at the back, | 0:40:19 | 0:40:23 | |
and put the toilet and shower room, | 0:40:23 | 0:40:26 | |
and maybe to increase its let-ability, | 0:40:26 | 0:40:28 | |
convert this into a bedroom. | 0:40:28 | 0:40:31 | |
So the front would be a bedroom, | 0:40:31 | 0:40:32 | |
so straight away, you have three bedrooms. | 0:40:32 | 0:40:36 | |
A bathroom here to serve that bedroom, | 0:40:36 | 0:40:40 | |
and this may compensate for the odd-looking layout upstairs. | 0:40:40 | 0:40:44 | |
And do you have an idea of what rental you might get for it? | 0:40:44 | 0:40:48 | |
I think, if we're going to convert this into a third bedroom, | 0:40:48 | 0:40:51 | |
I would think we could realise £600, easy. | 0:40:51 | 0:40:55 | |
-Wow! -Yeah. | 0:40:55 | 0:40:56 | |
Sounds like Mohammed has done his homework. | 0:40:56 | 0:40:59 | |
One way that he can keep his budget down to between £5,000 to £7,000 | 0:40:59 | 0:41:03 | |
is by calling on his son, Tamim, here on the right, who's a surveyor, | 0:41:03 | 0:41:07 | |
and Tamim's builder colleague, Ross. | 0:41:07 | 0:41:10 | |
But after something I overheard earlier, | 0:41:10 | 0:41:13 | |
I get the impression Mohammed might be a hard taskmaster. | 0:41:13 | 0:41:17 | |
Now, I heard him on the phone to you earlier. | 0:41:17 | 0:41:19 | |
-It's an interesting relationship, isn't it? -It's a father-son thing. | 0:41:19 | 0:41:23 | |
I respect him. He tells me what I have to do. Standard. | 0:41:23 | 0:41:27 | |
-And you do it. -And I do it. | 0:41:27 | 0:41:28 | |
And it doesn't just stop at me. He gave Ross what for earlier as well. | 0:41:28 | 0:41:32 | |
-He shouts at you as well? -Oh, yeah! I get it as well. | 0:41:32 | 0:41:35 | |
You are lucky YOU got here on time! | 0:41:35 | 0:41:37 | |
As soon as the work starts, | 0:41:37 | 0:41:39 | |
my father considers us as employees and not as family. | 0:41:39 | 0:41:44 | |
So we get the job done, we do it properly, we get paid. | 0:41:44 | 0:41:47 | |
-Well-defined lines. -He gets his investment. | 0:41:47 | 0:41:50 | |
-What do you think about this house? -It's got potential. | 0:41:50 | 0:41:53 | |
There's not a lot to do in terms of the structure of the building, | 0:41:53 | 0:41:57 | |
but it's pretty much cosmetic. Give it a quick turnover, | 0:41:57 | 0:42:01 | |
-hopefully we'll spend within our budget of £5,000. -Yes. -Five? | 0:42:01 | 0:42:06 | |
Yeah. I mean, that's just to be safe, plus the contingency. | 0:42:06 | 0:42:09 | |
What we're planning on doing is obviously | 0:42:09 | 0:42:12 | |
adding another bathroom downstairs | 0:42:12 | 0:42:15 | |
and changing the lounge into a bedroom, hopefully, | 0:42:15 | 0:42:18 | |
and basically getting it as a rental property. | 0:42:18 | 0:42:20 | |
And do you get told off if it's not done right? | 0:42:20 | 0:42:23 | |
Yeah, of course, like any other client would tell you off | 0:42:23 | 0:42:26 | |
if you were underperforming. | 0:42:26 | 0:42:28 | |
-Exactly. -You have to shine like you do with anybody else. | 0:42:28 | 0:42:32 | |
Mohammed would like to turn the property around | 0:42:33 | 0:42:36 | |
in one to two months. He has his own particular way | 0:42:36 | 0:42:39 | |
of making sure that his son, Tamim, gets things just right. | 0:42:39 | 0:42:43 | |
So how are you going to get him motivated to do it? | 0:42:43 | 0:42:46 | |
-Well, kick his backside, I suppose! -That usually works. | 0:42:46 | 0:42:50 | |
Yeah, he has to obey! It's a cultural thing. | 0:42:50 | 0:42:54 | |
Well, surgeon Mohammed certainly seems | 0:42:56 | 0:42:59 | |
to have eyed up a bargain with this place. | 0:42:59 | 0:43:02 | |
But will son, Tamim, share his clear vision | 0:43:02 | 0:43:05 | |
and get this place sorted for just £5,000? | 0:43:05 | 0:43:08 | |
If not, well, I wouldn't like to be in his shoes! | 0:43:08 | 0:43:12 | |
Join us later in the show to see how it turns out. | 0:43:12 | 0:43:16 | |
-Months have gone by since we last saw those properties. -Yes. | 0:43:19 | 0:43:22 | |
Do they look any different? Has the work been done? | 0:43:22 | 0:43:25 | |
I think we should go back and find out. | 0:43:25 | 0:43:27 | |
Time now to head back to Corsham in Wiltshire, | 0:43:30 | 0:43:33 | |
where earlier we met Michael, a photographer, | 0:43:33 | 0:43:36 | |
originally from this area. | 0:43:36 | 0:43:38 | |
He bought this property at auction for £111,500. | 0:43:38 | 0:43:42 | |
It was sold with planning permission already approved | 0:43:45 | 0:43:48 | |
for a two-bedroom live-work unit. | 0:43:48 | 0:43:50 | |
The only question was, would Michael stick to the existing plans? | 0:43:50 | 0:43:54 | |
No. I'm not sticking with them at all. | 0:43:55 | 0:43:57 | |
The principle of changing it to live-work, yes. | 0:43:57 | 0:44:00 | |
The actual layout, no. | 0:44:00 | 0:44:02 | |
Michael's plans were to keep the property as a one-bedroom | 0:44:02 | 0:44:05 | |
and change the configuration, | 0:44:05 | 0:44:07 | |
including the position of the stairs, | 0:44:07 | 0:44:09 | |
to make more space for his photographic studio. | 0:44:09 | 0:44:13 | |
The extra space he would gain by not creating that second bedroom | 0:44:13 | 0:44:17 | |
suited his needs much better. | 0:44:17 | 0:44:18 | |
But with a timescale of only six weeks | 0:44:18 | 0:44:21 | |
and a budget of just £3,500, | 0:44:21 | 0:44:23 | |
would he really be able to turn this around in a flash? | 0:44:23 | 0:44:26 | |
We've returned 11 weeks later to see | 0:44:26 | 0:44:30 | |
if he's had a negative experience or made it picture-perfect. | 0:44:30 | 0:44:34 | |
# Girls on film... # | 0:44:35 | 0:44:37 | |
Well, from the outside, it appears nothing has changed, | 0:44:37 | 0:44:40 | |
but it's inside that we really want to see. | 0:44:40 | 0:44:42 | |
# Girls on film | 0:44:42 | 0:44:44 | |
# Girls on film | 0:44:46 | 0:44:47 | |
# Girls on film | 0:44:50 | 0:44:52 | |
# Girls on film... # | 0:44:53 | 0:44:55 | |
On the ground floor, it's stayed basically the same. | 0:44:57 | 0:45:00 | |
The studio hasn't changed at all. It's the same layout. | 0:45:00 | 0:45:03 | |
In the front, the old cottage part of the property, | 0:45:03 | 0:45:05 | |
which will be my drawing room/kitchen, | 0:45:05 | 0:45:09 | |
we've put a wall in, which has divided the hallway | 0:45:09 | 0:45:13 | |
and the main entrance to the property from the residential part, | 0:45:13 | 0:45:17 | |
because when it's dual-use, you need a way of getting clients | 0:45:17 | 0:45:20 | |
from the outside to the commercial part | 0:45:20 | 0:45:22 | |
without going through the residential part, | 0:45:22 | 0:45:24 | |
so that required a wall to go up to make a hallway. | 0:45:24 | 0:45:27 | |
But other than that, other than moving the stairs, | 0:45:27 | 0:45:30 | |
because they had such a big footprint, | 0:45:30 | 0:45:32 | |
moved them across to the studio, so we've got more floor space, | 0:45:32 | 0:45:36 | |
again, to put the kitchen downstairs. | 0:45:36 | 0:45:38 | |
The actual layout hasn't changed very much, | 0:45:38 | 0:45:41 | |
because it was quite close to what I wanted. Which was nice. | 0:45:41 | 0:45:45 | |
So the front reception area that had access to the bedroom above | 0:45:45 | 0:45:48 | |
is now the kitchen with no stairwell, | 0:45:48 | 0:45:51 | |
whilst in the studio, a new staircase leads to the bedroom. | 0:45:51 | 0:45:56 | |
Well, this is one of the parts I'm most pleased with, | 0:45:56 | 0:45:59 | |
the whole staircase and the gallery. | 0:45:59 | 0:46:01 | |
It's turned out really well. It was my brother's idea | 0:46:01 | 0:46:04 | |
to have a landing area up here, | 0:46:04 | 0:46:05 | |
and I'm pleased that we made the effort to put it in, | 0:46:05 | 0:46:08 | |
for a couple of reasons. | 0:46:08 | 0:46:09 | |
Firstly, it gives a nice landing area outside my bedroom | 0:46:09 | 0:46:14 | |
at the top of the stairs. | 0:46:14 | 0:46:15 | |
Secondly, it's a place that conceivably clients could sit | 0:46:15 | 0:46:18 | |
when they're waiting. It keeps them out of my way on the studio floor. | 0:46:18 | 0:46:22 | |
It also gives me the opportunity of shooting from up here. | 0:46:22 | 0:46:26 | |
So I've got an elevated position onto the studio floor, which comes in handy. | 0:46:26 | 0:46:30 | |
Let's have a look at that bedroom now. | 0:46:30 | 0:46:32 | |
# Girls on film | 0:46:33 | 0:46:36 | |
# Girls on film. # | 0:46:37 | 0:46:39 | |
OK, so not quite a cosy nook yet, | 0:46:40 | 0:46:43 | |
but moving the stairs has freed up some valuable extra space for Michael. | 0:46:43 | 0:46:47 | |
And he's managed to squeeze an en suite in here too. | 0:46:47 | 0:46:49 | |
What else is there still to do, apart from moving in, of course? | 0:46:49 | 0:46:54 | |
Mainly final things, so, it's cosmetic things. | 0:46:54 | 0:46:57 | |
Final brush of paint, filling holes, finishing off the kitchen, bits and pieces like that. | 0:46:57 | 0:47:03 | |
Nothing structural. The dirty work is done. | 0:47:03 | 0:47:05 | |
And then, I think, several months of hoovering to get rid of all the dust! | 0:47:05 | 0:47:10 | |
Which is everywhere. | 0:47:10 | 0:47:11 | |
# Another one bites the dust. # | 0:47:11 | 0:47:14 | |
Michael hoped to do the renovation for just £3,500. | 0:47:14 | 0:47:18 | |
Has he managed that? | 0:47:18 | 0:47:19 | |
Give or take a few pounds, £5,500 we spent. | 0:47:19 | 0:47:24 | |
So very slightly over what I originally thought, | 0:47:24 | 0:47:28 | |
but that doesn't surprise me at all, | 0:47:28 | 0:47:29 | |
because it was a very ambitious budget. | 0:47:29 | 0:47:32 | |
But the main thing is I've saved a lot of money. | 0:47:32 | 0:47:34 | |
I've been working full-time, but also here whenever I can. | 0:47:34 | 0:47:37 | |
My father, who's retired, has spent a lot of time here. | 0:47:37 | 0:47:40 | |
I owe him a great deal of gratitude! | 0:47:40 | 0:47:42 | |
That's still pretty good going. | 0:47:42 | 0:47:44 | |
Add that £5,500 to his purchase price of £111,500, | 0:47:44 | 0:47:48 | |
and you get a total outlay of £117,000. | 0:47:48 | 0:47:53 | |
So what's it now worth? | 0:47:53 | 0:47:54 | |
We asked two local estate agents to look around and give us their views. | 0:47:57 | 0:48:00 | |
I'm quite impressed, actually. | 0:48:05 | 0:48:07 | |
It's an interesting property, full of character, obviously. | 0:48:07 | 0:48:10 | |
Plenty of natural light. It's a little bit limiting, | 0:48:10 | 0:48:13 | |
perhaps, for the accommodation side of things. | 0:48:13 | 0:48:16 | |
Great for a single person, but I think the workspace is pretty good. | 0:48:16 | 0:48:20 | |
It's not finished, but what I like about it is the element of space. | 0:48:20 | 0:48:23 | |
It's very light and airy. | 0:48:23 | 0:48:25 | |
It's got a warehouse feel. It's a period property, | 0:48:25 | 0:48:28 | |
so it's going to appeal to quite a few people. Good location as well. | 0:48:28 | 0:48:31 | |
What could this property make if resold? | 0:48:31 | 0:48:35 | |
Once complete, as a live-work one-bed unit, | 0:48:35 | 0:48:37 | |
I think the value of the property would be in the region of £130,000. | 0:48:37 | 0:48:41 | |
If I put this property on the market, I would expect a value | 0:48:41 | 0:48:44 | |
somewhere in the region of £125,000 to £145,000. | 0:48:44 | 0:48:48 | |
I'm obviously very pleased, because that's more than I paid for it, | 0:48:48 | 0:48:51 | |
so immediately that's a step in the right direction. | 0:48:51 | 0:48:54 | |
Obviously, as I'm intending to live here, | 0:48:54 | 0:48:56 | |
I haven't given much thought | 0:48:56 | 0:48:57 | |
to resale value or what it's going to earn me, | 0:48:57 | 0:49:00 | |
but it's obviously always nice to know that you | 0:49:00 | 0:49:02 | |
immediately gain something on a property. | 0:49:02 | 0:49:05 | |
That's a potential profit of between £8,000 and £28,000, | 0:49:05 | 0:49:10 | |
minus the usual taxes and expenses. | 0:49:10 | 0:49:12 | |
So what about the rental value as a work-live unit? | 0:49:12 | 0:49:15 | |
I think you would be looking to achieve | 0:49:17 | 0:49:19 | |
somewhere in the region of £5,500 to £6,000 per annum | 0:49:19 | 0:49:22 | |
as a one-bedroom property. | 0:49:22 | 0:49:23 | |
I think it would rent for something in the region | 0:49:23 | 0:49:26 | |
of £6,000 to £7,000 per annum. It's in a very good, central location. | 0:49:26 | 0:49:30 | |
It's nice to hear that I can make some money if I needed to | 0:49:30 | 0:49:33 | |
or if my situation changed. So again, very pleased. | 0:49:33 | 0:49:35 | |
So a potential rental yield of between 4% and 6%. Not bad. | 0:49:35 | 0:49:39 | |
The bigger and brighter picture is that this property | 0:49:39 | 0:49:42 | |
still offers bags of potential to add more value | 0:49:42 | 0:49:45 | |
if Michael's circumstances change in the future. | 0:49:45 | 0:49:48 | |
It could be converted into a two-bed live-work unit | 0:49:48 | 0:49:52 | |
or perhaps become purely residential. | 0:49:52 | 0:49:55 | |
For now, it suits Michael down to the ground. | 0:49:55 | 0:49:58 | |
I'm really looking forward to moving in. | 0:49:58 | 0:50:00 | |
I've spent so much time here, I've become very familiar with the place, | 0:50:00 | 0:50:04 | |
so I think the transition will be more or less painless. I hope! | 0:50:04 | 0:50:07 | |
Just finishing off and very much looking forward to it. | 0:50:07 | 0:50:12 | |
Back now to Boston in Lincolnshire to check on progress | 0:50:15 | 0:50:18 | |
at this two-bedroom semi. | 0:50:18 | 0:50:20 | |
Eye surgeon Mohammed bought it at auction for £52,000 | 0:50:20 | 0:50:24 | |
to add to his buy-to-let portfolio. | 0:50:24 | 0:50:27 | |
The property had a very peculiar layout, | 0:50:27 | 0:50:29 | |
but with his surveyor son, Tamim, | 0:50:29 | 0:50:31 | |
and his builder, Ross, taking charge of the renovation, | 0:50:31 | 0:50:35 | |
Mohammed had a clear vision of how to make things work. | 0:50:35 | 0:50:38 | |
-I am intending to open a door in there... -Oh! | 0:50:38 | 0:50:42 | |
..because there's an annexe at the back | 0:50:42 | 0:50:47 | |
and put the toilet and a shower room. | 0:50:47 | 0:50:49 | |
So, have a downstairs toilet and an upstairs toilet. | 0:50:49 | 0:50:53 | |
4.5 months after our first visit, Mohammed's back | 0:50:54 | 0:50:57 | |
with his wife and business partner, Isla, | 0:50:57 | 0:50:59 | |
to show us how they've got on. | 0:50:59 | 0:51:01 | |
# Whoa, whoa, whoa | 0:51:02 | 0:51:03 | |
# When your world is full of strange arrangements | 0:51:03 | 0:51:07 | |
# There's one thing Yes, one thing that turns this | 0:51:07 | 0:51:12 | |
# Grey sky to blue | 0:51:12 | 0:51:14 | |
# That's the look, that's the look | 0:51:14 | 0:51:17 | |
# The look of love | 0:51:17 | 0:51:19 | |
# That's the look, that's the look | 0:51:19 | 0:51:21 | |
# The look of love... # | 0:51:21 | 0:51:25 | |
Well, the main change here is that we broke the wall, | 0:51:25 | 0:51:29 | |
because there was a space for an outside toilet on the outside. | 0:51:29 | 0:51:33 | |
Nowadays, that's not the done thing | 0:51:33 | 0:51:36 | |
for going out in the middle of the night | 0:51:36 | 0:51:39 | |
and using an outside toilet, | 0:51:39 | 0:51:41 | |
so I thought the drainage, the structure is there, | 0:51:41 | 0:51:45 | |
all I needed was just to make a hole in that wall, | 0:51:45 | 0:51:50 | |
and I think that was the piece de resistance, | 0:51:50 | 0:51:55 | |
because I thought, I've gained another facility | 0:51:55 | 0:51:59 | |
and we have a toilet and a nice shower room with an electric shower. | 0:51:59 | 0:52:03 | |
Reasonable. | 0:52:03 | 0:52:04 | |
That's it. | 0:52:06 | 0:52:07 | |
Well, that's not entirely it, | 0:52:09 | 0:52:11 | |
because upstairs had a bit of a rejig, too. | 0:52:11 | 0:52:13 | |
# The look of love | 0:52:13 | 0:52:17 | |
# Is in your eyes... # | 0:52:17 | 0:52:22 | |
The awkward corridor has gone | 0:52:22 | 0:52:24 | |
and the funny little bedroom is now an ensuite master bedroom. | 0:52:24 | 0:52:29 | |
The other bedroom remains as was, but made over. | 0:52:29 | 0:52:33 | |
Isla explains the logic. | 0:52:33 | 0:52:35 | |
Our long-term let aim was a small family, | 0:52:35 | 0:52:39 | |
we didn't feel it would be too much of an issue for them to either | 0:52:39 | 0:52:42 | |
share the big bathroom, or if they want to have a bit of independence, | 0:52:42 | 0:52:46 | |
to use the bathroom from the downstairs. | 0:52:46 | 0:52:49 | |
Hopefully it's the right decision. | 0:52:49 | 0:52:51 | |
We'll wait to see what happens, but if it was me, | 0:52:51 | 0:52:54 | |
I know that I'd rather have it this way than a corridor | 0:52:54 | 0:52:57 | |
and a bedroom you can't use. | 0:52:57 | 0:52:58 | |
I can see the thinking there. | 0:52:58 | 0:53:00 | |
So how does this husband-and-wife team work, | 0:53:00 | 0:53:03 | |
and what role does Isla play? | 0:53:03 | 0:53:05 | |
It was the first time we'd ever bought at auction, | 0:53:05 | 0:53:08 | |
but he does have a portfolio of properties | 0:53:08 | 0:53:11 | |
which he has on a buy-to-let basis, | 0:53:11 | 0:53:13 | |
so he will do all the buying, basically, | 0:53:13 | 0:53:17 | |
and I'll deal with all the admin, | 0:53:17 | 0:53:19 | |
so the maintenance issues for the tenants, the tenancy agreements... | 0:53:19 | 0:53:23 | |
..the accounts, things like that. That's how we work. | 0:53:25 | 0:53:27 | |
He's definitely the decision-maker, | 0:53:27 | 0:53:30 | |
and I just pick up all the tabs and the paperwork at the end of it. | 0:53:30 | 0:53:33 | |
Mohammed also owns one of the neighbouring properties, | 0:53:35 | 0:53:38 | |
and he has made an opening in the wall | 0:53:38 | 0:53:40 | |
and given the furnished property a bit more garden, | 0:53:40 | 0:53:43 | |
which is a nice touch. | 0:53:43 | 0:53:45 | |
So, in the grand scheme of things, how do they feel it's all gone? | 0:53:45 | 0:53:49 | |
The refurb has... There's been good aspects | 0:53:49 | 0:53:52 | |
and things I've been not entirely happy with, if I'm honest. | 0:53:52 | 0:53:56 | |
This particular bathroom - great. Removing the wall - fantastic. | 0:53:56 | 0:54:01 | |
Just the finish, the finish I'm not quite happy with, | 0:54:01 | 0:54:04 | |
but as I say, I'm assured that will be met very soon. | 0:54:04 | 0:54:08 | |
There's still that bit of damp in the sitting room to sort out, | 0:54:08 | 0:54:11 | |
and one or two bits and bobs besides. | 0:54:11 | 0:54:14 | |
But I'm sure Mohammed will make sure it's all shipshape in no time. | 0:54:14 | 0:54:18 | |
At 4.5 months, the timescale has more than doubled, | 0:54:18 | 0:54:21 | |
but what about that estimated £5,000 to £7,000 budget? | 0:54:21 | 0:54:25 | |
Well, obviously, not according to plan! | 0:54:25 | 0:54:29 | |
Because the conversion at the back cost more than what we thought, | 0:54:29 | 0:54:35 | |
because the roof and the tiles and the joists. | 0:54:35 | 0:54:40 | |
There were a lot of things needing to change, | 0:54:40 | 0:54:43 | |
so we have spent £9,500. | 0:54:43 | 0:54:47 | |
Added to his purchase price of 52,000, | 0:54:49 | 0:54:52 | |
Mohammed's total outlay comes in at £61,500. | 0:54:52 | 0:54:56 | |
We asked two estate agents to look around the property | 0:54:56 | 0:54:59 | |
and give us their thoughts. | 0:54:59 | 0:55:02 | |
I was very impressed with what had been done in the last few months. | 0:55:02 | 0:55:05 | |
I think it's more attractive, it's going to have an attraction | 0:55:05 | 0:55:10 | |
to first-time buyers, renters, all sorts of people, | 0:55:10 | 0:55:13 | |
but it's all fresh and clean and seems more spacious. | 0:55:13 | 0:55:17 | |
The living space in the property is very good, actually, yeah. | 0:55:17 | 0:55:21 | |
Good-sized living rooms, | 0:55:21 | 0:55:23 | |
particularly nice-sized dining room, so it's pretty good. Yeah. | 0:55:23 | 0:55:28 | |
What do they think the place might fetch if sold on? | 0:55:29 | 0:55:32 | |
Remember, Mohammed's total spend here is around £61,500. | 0:55:32 | 0:55:37 | |
In my opinion, on the open market at the moment, | 0:55:37 | 0:55:39 | |
the property's likely to achieve somewhere in the region of £75,000. | 0:55:39 | 0:55:44 | |
I would expect it to achieve about £80,000. | 0:55:44 | 0:55:47 | |
Pleasantly surprised, actually. | 0:55:47 | 0:55:51 | |
-Wow! 80! -It's more than I thought. | 0:55:51 | 0:55:53 | |
Well, it's auctions from now on! | 0:55:54 | 0:55:57 | |
But Mohammed has always seen this property as a buy-to-let, | 0:55:59 | 0:56:03 | |
so what might it fetch on the rental market? | 0:56:03 | 0:56:06 | |
If the property was on the rental market at the moment, | 0:56:07 | 0:56:10 | |
rental market is quite good, but for a property of this size, | 0:56:10 | 0:56:13 | |
you'd be looking at anywhere between | 0:56:13 | 0:56:15 | |
£425 to maybe £460 per calendar month. | 0:56:15 | 0:56:20 | |
I would expect it to achieve £525 per calendar month. | 0:56:20 | 0:56:24 | |
Yeah, that's fantastic news. That's very good. | 0:56:24 | 0:56:26 | |
A rental of £525 per month could secure Mohammed a yield of | 0:56:28 | 0:56:32 | |
over 10% before fees and expenses, which is really very good indeed. | 0:56:32 | 0:56:37 | |
So is Mohammed happy to continue working with Isla? | 0:56:37 | 0:56:41 | |
She's been good. | 0:56:41 | 0:56:43 | |
I'll keep her! | 0:56:44 | 0:56:45 | |
Well, we hope you enjoyed watching | 0:56:49 | 0:56:51 | |
and perhaps learnt some lessons along the way. | 0:56:51 | 0:56:54 | |
-And we look forward to seeing you next time. Goodbye. -Goodbye. | 0:56:54 | 0:56:57 | |
Subtitles by Red Bee Media Ltd | 0:57:18 | 0:57:21 |