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Hello. Now, everyone has their dream home - | 0:00:02 | 0:00:04 | |
be it a cool urban pad or a country cottage. | 0:00:04 | 0:00:06 | |
Or perhaps you're a little unusual | 0:00:06 | 0:00:08 | |
and prefer a converted fire station or a church perhaps. | 0:00:08 | 0:00:11 | |
The thing is, you never know quite what is going to come up at the auctions. | 0:00:11 | 0:00:15 | |
Maybe your dream home is just there waiting for you. | 0:00:15 | 0:00:18 | |
Going to an auction and bidding can be such a daunting prospect, | 0:00:43 | 0:00:47 | |
but getting a property at the right price - | 0:00:47 | 0:00:49 | |
well, it certainly makes up for it. | 0:00:49 | 0:00:51 | |
Yes, so what inspired the buyers on today's show? Let's take a look. | 0:00:51 | 0:00:55 | |
This two-bed flat in Leytonstone, London is jammed between two shops. | 0:00:58 | 0:01:04 | |
Hello, any service? | 0:01:04 | 0:01:06 | |
In Devon, the water's fine | 0:01:07 | 0:01:08 | |
but some planning laws could mean sailing into trouble. | 0:01:08 | 0:01:12 | |
And, in that case, your plans have to change a bit. | 0:01:12 | 0:01:15 | |
And we go back to 2007 to Ramsgate, where these former police cells | 0:01:17 | 0:01:22 | |
were more like a swimming pool. It's damp, really badly damp. | 0:01:22 | 0:01:25 | |
We're talking water on the floor here. | 0:01:25 | 0:01:27 | |
All these properties have been sold at auction. | 0:01:28 | 0:01:30 | |
We'll find out who bought them | 0:01:30 | 0:01:32 | |
and how much they paid when these homes went under the hammer. | 0:01:32 | 0:01:35 | |
Sold. | 0:01:35 | 0:01:36 | |
Leytonstone in London has seen a lot of regeneration | 0:01:43 | 0:01:46 | |
thanks to the Olympic Park. | 0:01:46 | 0:01:48 | |
Famous faces from this area include Damon Albarn | 0:01:49 | 0:01:52 | |
and Sir Alfred Hitchcock. | 0:01:52 | 0:01:54 | |
The tube station has many mosaics depicting some of his films, | 0:01:58 | 0:02:02 | |
like The 39 Steps and Rear Window. | 0:02:02 | 0:02:04 | |
Will the property be stuff of nightmares? | 0:02:05 | 0:02:08 | |
Well, it's a two-bedroom flat, it's in here | 0:02:08 | 0:02:10 | |
and it had a guide price of £85,000. I'm going to have a look around. | 0:02:10 | 0:02:15 | |
So, straight into the flat and in here it smells freshly painted. | 0:02:19 | 0:02:23 | |
Long, thin, white corridor which leads straight into a lounge area. | 0:02:23 | 0:02:29 | |
A little bit disappointing actually. | 0:02:29 | 0:02:31 | |
It really feels like it's just been thrown at the back | 0:02:31 | 0:02:34 | |
of the property and it actually smells a little bit damp in here. | 0:02:34 | 0:02:38 | |
This is the kitchen area. Hello, any service? | 0:02:38 | 0:02:42 | |
This is quite a good idea | 0:02:42 | 0:02:43 | |
because there's nothing much going on in this room, | 0:02:43 | 0:02:46 | |
so why not have a little cut through to the kitchen? | 0:02:46 | 0:02:48 | |
Although there's no view. | 0:02:48 | 0:02:49 | |
That window is completely covered up so, again, | 0:02:49 | 0:02:53 | |
I feel like we're missing out on looking out onto something. | 0:02:53 | 0:02:57 | |
It's just got that sort of crammed in feeling. | 0:02:57 | 0:03:00 | |
And again, a bit botched everywhere. | 0:03:00 | 0:03:02 | |
Skirting boards just thrown together, | 0:03:02 | 0:03:05 | |
odd radiators, all a little bit off balance. | 0:03:05 | 0:03:08 | |
A couple of steps towards the back of the property. | 0:03:08 | 0:03:10 | |
Now, we do have a bathroom. It's white, which is fabulous. | 0:03:10 | 0:03:14 | |
A little bit on the small side. | 0:03:14 | 0:03:16 | |
Through into the bedroom. Now...it's a single. | 0:03:16 | 0:03:21 | |
It's got a really unusual window - too small for the room. | 0:03:21 | 0:03:25 | |
In fact, the room is very small. | 0:03:25 | 0:03:28 | |
And through into the second bedroom, again, very disappointing. | 0:03:28 | 0:03:33 | |
There you go. You could easily open that up, | 0:03:33 | 0:03:36 | |
this is just a partition wall, to create one big bedroom. | 0:03:36 | 0:03:41 | |
Now, standing here, I would like to see one big window at the back | 0:03:41 | 0:03:46 | |
because it's just not working as it is. Very disappointing. | 0:03:46 | 0:03:49 | |
Look, a window to the side. Why is the window there? | 0:03:49 | 0:03:52 | |
It's not working at all. | 0:03:52 | 0:03:54 | |
And you've got a view out onto a concrete wall and it's so close. | 0:03:54 | 0:04:00 | |
But the good news is, there's a door, | 0:04:00 | 0:04:02 | |
so hopefully there's a pretty little garden out here. | 0:04:02 | 0:04:05 | |
No, it's not a pretty little garden. | 0:04:12 | 0:04:14 | |
Come on then, let's have a look around. There you go. | 0:04:14 | 0:04:19 | |
The loo, a bit of corrugated plastic, some paint pots. | 0:04:19 | 0:04:24 | |
Somebody else's window. That's it. That's your outside space. | 0:04:25 | 0:04:30 | |
Disappointed? I am. | 0:04:30 | 0:04:33 | |
Goodness only knows what Mr Hitchcock would | 0:04:34 | 0:04:37 | |
make from the view from this rear window, | 0:04:37 | 0:04:39 | |
and it's the windows and lack of natural light throughout this | 0:04:39 | 0:04:43 | |
place that are my main bugbears. | 0:04:43 | 0:04:46 | |
The flat is squeezed between two shops, hence the odd layout, | 0:04:46 | 0:04:50 | |
but an architect or builder could best advise how to use the space. | 0:04:50 | 0:04:55 | |
About the fresh paint, is it masking any hidden problems? | 0:04:55 | 0:04:58 | |
And on the subject of professionals, | 0:04:58 | 0:05:01 | |
we called in a local estate agent to get her opinion. | 0:05:01 | 0:05:04 | |
I guess she won't be expecting too much as the guide price of 85,000 | 0:05:04 | 0:05:08 | |
is tiny for a London flat of any description. | 0:05:08 | 0:05:12 | |
We need to change the central heating. | 0:05:15 | 0:05:18 | |
Completely refurbish the bathroom and the kitchen. | 0:05:18 | 0:05:22 | |
And, also, the hallway with the bedrooms. | 0:05:22 | 0:05:26 | |
And the garden at the back needs a lot of attention. | 0:05:26 | 0:05:30 | |
Well, it does need a lot of work | 0:05:30 | 0:05:32 | |
but, as the place is pretty tiny, it shouldn't take too long to do. | 0:05:32 | 0:05:35 | |
What kind of values would you be looking at | 0:05:35 | 0:05:38 | |
with a guide price of £85,000? | 0:05:38 | 0:05:40 | |
After refurbishment, | 0:05:41 | 0:05:42 | |
this property could resale at the market conditions, | 0:05:42 | 0:05:46 | |
the price range in between £170,000 to £190,000. | 0:05:46 | 0:05:52 | |
And, on the lettings market conditions, | 0:05:52 | 0:05:55 | |
it could re-let at a price | 0:05:55 | 0:05:57 | |
in between £1,050 to £1,150 per calendar month. | 0:05:57 | 0:06:02 | |
Well, this property is squashed. It's round the back of two shops. | 0:06:03 | 0:06:07 | |
I find it dark, there is no view, and it needs a total refurbishment. | 0:06:07 | 0:06:12 | |
Even though it's on the ground floor, well, | 0:06:12 | 0:06:15 | |
it just has the feeling of a dark basement flat. | 0:06:15 | 0:06:18 | |
That said, for London, it's got a low guide price | 0:06:18 | 0:06:22 | |
and it is so close to the Olympic Village. | 0:06:22 | 0:06:26 | |
So, was it a sprint to the auction or a long jump away? | 0:06:26 | 0:06:30 | |
Let's find out when it went under the hammer. | 0:06:30 | 0:06:32 | |
OK. First lot I'll offer you is lot 61, which is in Leytonstone, E11. | 0:06:32 | 0:06:36 | |
It's a ground floor flat, this one. | 0:06:36 | 0:06:39 | |
Two bedrooms. Where do you want to start on this? Shall we say 70? | 0:06:39 | 0:06:42 | |
Start it nice and low. Thank you, standing, I have straightaway. | 0:06:42 | 0:06:45 | |
You're trying to come in. Can I say 71 on this side? | 0:06:45 | 0:06:48 | |
At you coming in here, seated? 71, yes. 71. | 0:06:48 | 0:06:50 | |
72. 72. | 0:06:50 | 0:06:52 | |
73. 73. | 0:06:52 | 0:06:54 | |
74. | 0:06:54 | 0:06:55 | |
The bidding quickly overtakes the £85,000 guide price | 0:06:55 | 0:06:59 | |
and continues apace to where we rejoin at £111,000. | 0:06:59 | 0:07:04 | |
111, you're back in. Not giving up. | 0:07:04 | 0:07:06 | |
112. 113. | 0:07:06 | 0:07:08 | |
114. | 0:07:08 | 0:07:09 | |
Give him a nudge? 114? | 0:07:09 | 0:07:11 | |
Otherwise, standing at £113,000. | 0:07:12 | 0:07:15 | |
Against you now. 114? 114. 115? | 0:07:15 | 0:07:18 | |
No? At the front, then, at 114,000. | 0:07:18 | 0:07:20 | |
115 anywhere else? | 0:07:20 | 0:07:22 | |
Feel free to come back in. Otherwise, 114 for the first. | 0:07:22 | 0:07:25 | |
114,000 for the second. | 0:07:25 | 0:07:28 | |
Third and final time. | 0:07:28 | 0:07:30 | |
Are we all done at £114,000? | 0:07:30 | 0:07:31 | |
Sold. | 0:07:33 | 0:07:34 | |
The successful bidders were Jana, who's originally from Latvia, | 0:07:34 | 0:07:38 | |
with her husband Bola, and business partner uncle, Chief. | 0:07:38 | 0:07:41 | |
Jana and her family previously ran a business in Spain | 0:07:43 | 0:07:46 | |
recycling vegetable oils, | 0:07:46 | 0:07:47 | |
but the family have now moved over to London | 0:07:47 | 0:07:50 | |
and are keen to start up a new property developing business. | 0:07:50 | 0:07:53 | |
-Jana, lovely to meet you. -Nice to meet you, too. | 0:07:55 | 0:07:57 | |
So, I want to know the story about this property | 0:07:57 | 0:08:00 | |
-because you didn't view this, did you? -No. | 0:08:00 | 0:08:02 | |
-You just, literally, bought it on auction day. -Yes, we just er... | 0:08:02 | 0:08:06 | |
We view another property. We want to bid for it | 0:08:06 | 0:08:09 | |
but, unfortunately, it was withdrawn from auction. | 0:08:09 | 0:08:13 | |
And we want to really buy something to start our new business, | 0:08:13 | 0:08:17 | |
and we bid for what we think is good value and is a good location. | 0:08:17 | 0:08:22 | |
So you're starting a new business buying and selling property? | 0:08:22 | 0:08:25 | |
-Yes, we do. -So, the first property you've got is this? -Yes. | 0:08:25 | 0:08:29 | |
But you didn't do much research. You didn't come and look at it. | 0:08:29 | 0:08:31 | |
You didn't read the legal pack. You just got excited on the day... | 0:08:31 | 0:08:35 | |
-Oh, no! -..and bought this property. -Yes. | 0:08:35 | 0:08:37 | |
We do research about area, | 0:08:37 | 0:08:40 | |
but we didn't see legal pack and we didn't see property, but we was looking. | 0:08:40 | 0:08:44 | |
Tell me how you felt when you walked through that door for the first time. | 0:08:44 | 0:08:47 | |
Actually, I felt really good. | 0:08:47 | 0:08:49 | |
There's no major construction problems and I feel lucky. | 0:08:49 | 0:08:53 | |
But, when you walk in here for the first time, | 0:08:53 | 0:08:55 | |
it's not quite what you expect. | 0:08:55 | 0:08:56 | |
It's sort of tucked in between a few shops, at the back, | 0:08:56 | 0:09:00 | |
not many windows, it's quite dull. | 0:09:00 | 0:09:03 | |
Yes. You could see, but for money I paid, I think is all right. | 0:09:03 | 0:09:07 | |
I think is...still in Central London, | 0:09:07 | 0:09:11 | |
is five minutes from Olympic Village. | 0:09:11 | 0:09:13 | |
And it's kind of... I like this area, as well. | 0:09:13 | 0:09:17 | |
But hope it's going to go well. | 0:09:17 | 0:09:19 | |
Well, Jana's picked well, in terms of location. | 0:09:19 | 0:09:22 | |
But how will she add value to a property like this? | 0:09:22 | 0:09:25 | |
I'm going to... We're going to do full renovation. | 0:09:25 | 0:09:29 | |
We're going to make property look nicer and modern. | 0:09:29 | 0:09:33 | |
We're going to put new kitchen, new bathroom | 0:09:33 | 0:09:36 | |
and we're going on knock this wall down | 0:09:36 | 0:09:38 | |
to have little, like, you know, like a kitchen bar. | 0:09:38 | 0:09:42 | |
And put lights in the ceilings as well, | 0:09:42 | 0:09:45 | |
and new floor as well going to be, | 0:09:45 | 0:09:48 | |
and do everything we can do to make it nicer. | 0:09:48 | 0:09:51 | |
Everything Jana's outlined will add value, | 0:09:52 | 0:09:54 | |
but there are limits with a property like this | 0:09:54 | 0:09:56 | |
and I think the lack of light and rooms without a view | 0:09:56 | 0:09:59 | |
are the most important and difficult things to deal with here. | 0:09:59 | 0:10:03 | |
But what are her plans in that respect? | 0:10:03 | 0:10:05 | |
Oooph...! I don't know yet. | 0:10:07 | 0:10:10 | |
I honestly... We need to bring, maybe, somebody who, | 0:10:10 | 0:10:13 | |
like architect or surveyor, | 0:10:13 | 0:10:15 | |
to just help us with decide what we're going to do. | 0:10:15 | 0:10:19 | |
Maybe make another window. | 0:10:19 | 0:10:22 | |
Maybe. | 0:10:22 | 0:10:23 | |
Again, we was thinking we may do a little bedroom extension as well, | 0:10:23 | 0:10:27 | |
but it depends. | 0:10:27 | 0:10:29 | |
We're going to bring surveyor Monday | 0:10:29 | 0:10:30 | |
and we decide what we're going to do, really. | 0:10:30 | 0:10:33 | |
-I mean, it's quite interesting. You do have outside space here. -Yes. | 0:10:33 | 0:10:36 | |
-Even though it currently has a WC outside in the garden. -Yes. | 0:10:36 | 0:10:39 | |
-And it's good. You have barbecue and toilet straightaway. -Exactly! | 0:10:39 | 0:10:43 | |
A convenience out there! But you do have outside space. | 0:10:43 | 0:10:47 | |
And, I think, for the money you paid, | 0:10:47 | 0:10:49 | |
you can't expect too much more. | 0:10:49 | 0:10:51 | |
No. No. Is... | 0:10:51 | 0:10:52 | |
I really like this. I really like property | 0:10:52 | 0:10:55 | |
and I really like little garden, | 0:10:55 | 0:10:56 | |
and I think we're going to do very well. | 0:10:56 | 0:10:59 | |
To help Jana do well, she's bringing in a builder | 0:11:01 | 0:11:04 | |
to have a look at the property and fix issues like the electrics. | 0:11:04 | 0:11:07 | |
With a budget of ten grand and a six-week timescale, | 0:11:08 | 0:11:12 | |
there's only one problem for me. | 0:11:12 | 0:11:15 | |
Do you think there might be any damp here? | 0:11:15 | 0:11:17 | |
No, I don't think, really. | 0:11:17 | 0:11:19 | |
It didn't feel like damp. It didn't smell like damp. | 0:11:19 | 0:11:22 | |
I know what is damp because once I live in damp apartment - | 0:11:22 | 0:11:26 | |
It was horrible. But it feels kind of fresh. Is no damp. | 0:11:26 | 0:11:30 | |
I don't think... I hope so. No. | 0:11:30 | 0:11:31 | |
Jana, good luck and I hope this property works out for you | 0:11:31 | 0:11:34 | |
-and it is the start of something very exciting. -Thank you so much. | 0:11:34 | 0:11:38 | |
-Thank you. -Good luck. -I need it. Thank you. | 0:11:38 | 0:11:40 | |
Jana took a huge risk buying this without seeing it. | 0:11:41 | 0:11:45 | |
She really needs to think outside the box with this property. | 0:11:45 | 0:11:48 | |
It just needs light, it needs windows moving, | 0:11:48 | 0:11:51 | |
and it feels so hemmed in. | 0:11:51 | 0:11:54 | |
I want to know how she is going to give it | 0:11:54 | 0:11:57 | |
that modern, contemporary feel. | 0:11:57 | 0:12:00 | |
And, the big question... | 0:12:00 | 0:12:02 | |
Will she add enough value to this property | 0:12:02 | 0:12:04 | |
to really make it a worthwhile purchase? | 0:12:04 | 0:12:07 | |
Join me later in the programme and you can see how she gets on. | 0:12:07 | 0:12:11 | |
From that cramped London flat | 0:12:14 | 0:12:17 | |
to the wide-open spaces of the English Riviera now. | 0:12:17 | 0:12:20 | |
Brixham, in Devon, once a thriving harbour town, | 0:12:20 | 0:12:23 | |
now relies on summer tourists, rather than fish, for its fortune. | 0:12:23 | 0:12:28 | |
Although, there are still working vessels | 0:12:28 | 0:12:30 | |
making the most of the beautiful coastline. | 0:12:30 | 0:12:33 | |
The property I'm here to see is set into the cliffs above Brixham. | 0:12:42 | 0:12:47 | |
And phew...! Fantastic views! | 0:12:47 | 0:12:50 | |
Wonderful. | 0:12:50 | 0:12:51 | |
But, what I'm also very excited about, bizarrely, is this. | 0:12:51 | 0:12:56 | |
It's a bit of tarmac. | 0:12:56 | 0:12:58 | |
Yeah... But, it's parking spaces. | 0:12:58 | 0:13:00 | |
And, in these old-fashioned fishing villages, | 0:13:00 | 0:13:02 | |
parking is at an absolute premium. | 0:13:02 | 0:13:06 | |
So, the fact you've got all this, is superb. | 0:13:06 | 0:13:08 | |
The house itself, well, it's quite interesting. | 0:13:08 | 0:13:11 | |
One three-bedroomed property, with a one-bedroomed annexe attached. | 0:13:11 | 0:13:16 | |
Guide price, 275 to 325,000 quid. Let's take a look. | 0:13:16 | 0:13:20 | |
And, so, first of all, into the annexe. | 0:13:22 | 0:13:25 | |
So the door into a really nice-sized space. | 0:13:25 | 0:13:28 | |
And this is sort of like a kitchen-living area | 0:13:28 | 0:13:31 | |
and it works extremely well. Some nice units here. | 0:13:31 | 0:13:34 | |
Your cooker, your sink. | 0:13:34 | 0:13:36 | |
But you're drawn straightaway to that view over the harbour. | 0:13:36 | 0:13:40 | |
You can certainly imagine spending some time here. Absolutely gorgeous. | 0:13:40 | 0:13:43 | |
This was built about ten years ago. | 0:13:43 | 0:13:45 | |
And, you know, the beams thing... | 0:13:45 | 0:13:48 | |
You either like it or you don't. I think it adds nice character. | 0:13:48 | 0:13:51 | |
Stairs up to your bedroom and your bathroom there. | 0:13:51 | 0:13:53 | |
And, then, this is where the old house starts, if you like. | 0:13:53 | 0:13:57 | |
So, here we are. And it is, yeah, equally nice. | 0:13:57 | 0:14:01 | |
The whole thing has a really, | 0:14:01 | 0:14:03 | |
well, almost you-could-move-into-it feel about it. | 0:14:03 | 0:14:06 | |
There's a few places where you'd want to investigate. | 0:14:06 | 0:14:09 | |
That looks to me like a bit of damp | 0:14:09 | 0:14:11 | |
coming through the chimney breast there. | 0:14:11 | 0:14:13 | |
But, hopefully, nothing too serious. | 0:14:13 | 0:14:15 | |
Living area over there. | 0:14:15 | 0:14:16 | |
Stairs up to your bedrooms. | 0:14:16 | 0:14:17 | |
And, then, over this way to an absolute delight. | 0:14:17 | 0:14:22 | |
The main kitchen in the property. | 0:14:22 | 0:14:25 | |
Well, looks speak for themselves. | 0:14:25 | 0:14:28 | |
Really nice built-in units, some appliances. Really nice. | 0:14:28 | 0:14:32 | |
Range cooker, probably more for effect than practicalities, | 0:14:32 | 0:14:35 | |
but you've also got a gas cooker here as well. | 0:14:35 | 0:14:37 | |
Stone floors. | 0:14:37 | 0:14:39 | |
I mean, this is lovely. | 0:14:39 | 0:14:40 | |
The annexe feels modern and light | 0:14:42 | 0:14:45 | |
and the downstairs kitchen-living room | 0:14:45 | 0:14:47 | |
lead to one bedroom and a bathroom - all very nice. | 0:14:47 | 0:14:51 | |
On the outside, well, that cliff face might put some people off. | 0:14:52 | 0:14:56 | |
And the view at the front has been rather spoilt, | 0:14:56 | 0:14:58 | |
but it might also explain | 0:14:58 | 0:15:00 | |
that relatively modest guide price of £325,000 | 0:15:00 | 0:15:05 | |
for a property with sea views, which always get a premium. | 0:15:05 | 0:15:08 | |
The original house is, undoubtedly, charming. | 0:15:10 | 0:15:13 | |
The kitchen and living room are a nice size | 0:15:13 | 0:15:16 | |
and, on a winter's day, this place would feel warm and inviting. | 0:15:16 | 0:15:20 | |
# Could it be I'm falling in love? | 0:15:21 | 0:15:23 | |
# With you, baby | 0:15:23 | 0:15:25 | |
# Could it be I'm falling in love with you? # | 0:15:25 | 0:15:30 | |
I have fallen hook, line and sinker. | 0:15:30 | 0:15:32 | |
I can absolutely picture being cosied up in here | 0:15:32 | 0:15:36 | |
when the colder months kick in. | 0:15:36 | 0:15:37 | |
I can't wait to see what awaits upstairs, | 0:15:37 | 0:15:40 | |
so I ain't going to! | 0:15:40 | 0:15:42 | |
Well, in some ways, this house is definitely playing it by the rules, | 0:15:45 | 0:15:48 | |
because the two rooms which really give a wow factor | 0:15:48 | 0:15:51 | |
are the kitchen and how about this for a bathroom? | 0:15:51 | 0:15:54 | |
I mean, it's not actually that spectacular, | 0:15:54 | 0:15:57 | |
but that roll-top bath just gives it that edge. So, brilliant news. | 0:15:57 | 0:16:00 | |
What else have we got up here? Well, three bedrooms. | 0:16:00 | 0:16:03 | |
A small one round the corner there. | 0:16:03 | 0:16:04 | |
A good-sized double there. | 0:16:04 | 0:16:06 | |
And the third bedroom here. Again, not too bad. | 0:16:06 | 0:16:10 | |
A bit of shame about that big block of flats there | 0:16:10 | 0:16:12 | |
blocking the view from this particular room. | 0:16:12 | 0:16:14 | |
But, all in all, a property that has so much potential, you would think. | 0:16:14 | 0:16:19 | |
How about living in this part of the house | 0:16:19 | 0:16:21 | |
and renting out the annexe as a holiday let? | 0:16:21 | 0:16:25 | |
Absolutely ace. | 0:16:25 | 0:16:27 | |
Live here, have that bringing in a bit of rental income. | 0:16:27 | 0:16:29 | |
Unfortunately, you can't do it, | 0:16:29 | 0:16:31 | |
because a stipulation in the planning | 0:16:31 | 0:16:33 | |
is that that can only be ancillary to this part of the house. | 0:16:33 | 0:16:38 | |
That cannot be separate and, in that case, | 0:16:38 | 0:16:41 | |
your plans have to change a bit. | 0:16:41 | 0:16:43 | |
There is potential here, for sure. | 0:16:46 | 0:16:49 | |
And, maybe, it could be turned into a lovely, big family house. | 0:16:49 | 0:16:52 | |
However, the holiday tour is not quite done. | 0:16:52 | 0:16:56 | |
Well, so far, so interesting. | 0:16:58 | 0:17:00 | |
But come round to the side of the property | 0:17:00 | 0:17:03 | |
and it goes from just interesting to absolutely phenomenal. | 0:17:03 | 0:17:07 | |
For a start, look at those views. | 0:17:07 | 0:17:11 | |
Amazing. | 0:17:14 | 0:17:15 | |
The house, as it stands, though, does not make good use of them. | 0:17:15 | 0:17:19 | |
There's no windows on this part. What a shame, what a waste. | 0:17:19 | 0:17:21 | |
Ha-ha! Maybe not. | 0:17:21 | 0:17:24 | |
Because, also, at the side here, | 0:17:24 | 0:17:26 | |
you've got a half-decent sized bit of land. It's flat. | 0:17:26 | 0:17:31 | |
This is a building plot any day of the week. | 0:17:32 | 0:17:34 | |
Can you imagine going to town | 0:17:34 | 0:17:36 | |
and building a separate house to that one there? | 0:17:36 | 0:17:39 | |
A few hurdles, like getting planning permission to do it, | 0:17:39 | 0:17:42 | |
but what an opportunity. | 0:17:42 | 0:17:44 | |
So, what would you do? A detached house with lots of glass? | 0:17:45 | 0:17:48 | |
Or add to the original? A huge conservatory, perhaps? | 0:17:48 | 0:17:52 | |
The only limits are your imagination and, well, planning, of course. | 0:17:52 | 0:17:56 | |
What would you be likely to get permission for | 0:17:56 | 0:17:58 | |
and would it be worth it? | 0:17:58 | 0:17:59 | |
Well, the auctioneer who sold it came along to tell us. | 0:17:59 | 0:18:02 | |
It's about the most versatile house I've seen. | 0:18:03 | 0:18:08 | |
It's the simplest subdivision into two houses. | 0:18:08 | 0:18:12 | |
Or it really works, simply, as an annexe for granny | 0:18:12 | 0:18:15 | |
or a, you know, a noisy youth or whatever. | 0:18:15 | 0:18:18 | |
So, from that perspective, it's two homes | 0:18:18 | 0:18:21 | |
or one great, big really versatile one. | 0:18:21 | 0:18:24 | |
Separating them might seem like a good move, | 0:18:24 | 0:18:27 | |
but there is that planning covenant to consider. | 0:18:27 | 0:18:29 | |
Would it be worth a lengthy, | 0:18:29 | 0:18:31 | |
and possibly expensive, dialogue with the planners? | 0:18:31 | 0:18:34 | |
I think the really nice one-bedroomed house | 0:18:35 | 0:18:39 | |
would have a value in the region of £185,000. | 0:18:39 | 0:18:43 | |
I think the mother house, as it were, | 0:18:43 | 0:18:46 | |
would have a value in the region of £285,000. | 0:18:46 | 0:18:51 | |
If the annexe was incorporated into the house, | 0:18:51 | 0:18:53 | |
I wouldn't see the value in excess of £400,000. | 0:18:53 | 0:18:56 | |
OK, that could mean £70,000 more if you separated the two houses, | 0:18:58 | 0:19:02 | |
minus the building costs, of course. | 0:19:02 | 0:19:04 | |
And, then, the plot thickens... | 0:19:04 | 0:19:06 | |
If the new owners were canny enough | 0:19:08 | 0:19:10 | |
to get a new three-bedroomed house on the end, | 0:19:10 | 0:19:13 | |
which would just have the view all the day, | 0:19:13 | 0:19:16 | |
that could be worth in the region of £350,000. | 0:19:16 | 0:19:19 | |
Well, it's an interesting lot in a pretty and improving seaside town. | 0:19:21 | 0:19:26 | |
And, if you could sort out the planning issues, | 0:19:26 | 0:19:29 | |
then it could open up options galore for a developer. | 0:19:29 | 0:19:33 | |
Still, it's a gamble. | 0:19:33 | 0:19:34 | |
Let's see who decided to take it on when it went under the hammer... | 0:19:34 | 0:19:37 | |
We joined this particular auction late in the day. | 0:19:38 | 0:19:42 | |
133. Just a stunningly located four-bedroom house. | 0:19:42 | 0:19:46 | |
So, who's going to say to us, nice and simply...? | 0:19:46 | 0:19:49 | |
What's the guide? 325. | 0:19:49 | 0:19:52 | |
300? | 0:19:52 | 0:19:54 | |
275. Won't start at 275. 85. | 0:19:54 | 0:19:56 | |
285. | 0:19:56 | 0:19:57 | |
At 290. | 0:19:57 | 0:19:59 | |
At 290 once. | 0:19:59 | 0:20:01 | |
At 290 twice. | 0:20:01 | 0:20:03 | |
295. 295. | 0:20:03 | 0:20:05 | |
At 295. Don't look so shocked. | 0:20:05 | 0:20:07 | |
At 295. | 0:20:07 | 0:20:09 | |
Yes. I'm talking to you at 295. First time. | 0:20:09 | 0:20:13 | |
Strange number to stop at. 295 a second time. | 0:20:14 | 0:20:18 | |
At 295. | 0:20:18 | 0:20:21 | |
If it's worth this to him, it's worth it to you. | 0:20:21 | 0:20:24 | |
At 295 on the day. | 0:20:24 | 0:20:25 | |
Sir, well done at 295. | 0:20:26 | 0:20:29 | |
Well, it didn't take long for the hammer to fall | 0:20:29 | 0:20:31 | |
for Lee, on the left, and business partner Joff, | 0:20:31 | 0:20:33 | |
with their bid of £295,000. | 0:20:33 | 0:20:36 | |
They have a property company together | 0:20:37 | 0:20:40 | |
and, individually, own commercial and residential properties | 0:20:40 | 0:20:43 | |
stretching from London to this part of the coast. | 0:20:43 | 0:20:46 | |
I met them after lunch to find out what their plans were. | 0:20:46 | 0:20:51 | |
# Yeah | 0:20:51 | 0:20:54 | |
# In the morning | 0:20:54 | 0:20:56 | |
# Not seeing her crying # | 0:20:56 | 0:20:59 | |
-Joff, Lee, great to meet you. -Great to meet you. -You, too. | 0:20:59 | 0:21:02 | |
-Congratulations. -Thank you very much. -I am jealous. | 0:21:02 | 0:21:06 | |
What an amazing place. Tell me why you wanted to buy it. | 0:21:06 | 0:21:08 | |
We came along, we loved the views. We loved the area. | 0:21:08 | 0:21:12 | |
It's an up-and-coming area, in particular, | 0:21:12 | 0:21:14 | |
-and we just thought that it had great potential. -Right. | 0:21:14 | 0:21:16 | |
Tell me what the options are. What are you going to do to it? | 0:21:16 | 0:21:19 | |
We've got a couple of options, really. | 0:21:19 | 0:21:21 | |
One of them is to... | 0:21:21 | 0:21:23 | |
Basically, you've got scope here to actually have two properties. | 0:21:23 | 0:21:26 | |
There is a covenant as the minute, | 0:21:26 | 0:21:27 | |
which, sort of, only allows one property, | 0:21:27 | 0:21:29 | |
even though it's got a granny annexe to this property as well. | 0:21:29 | 0:21:33 | |
But, potentially, we could be looking at sort of moving the covenant | 0:21:33 | 0:21:36 | |
and then, potentially, if we can put in for planning, | 0:21:36 | 0:21:38 | |
maybe, to sort of split it into two and perhaps even, you know, | 0:21:38 | 0:21:42 | |
put an extension on the side with some nice glass | 0:21:42 | 0:21:45 | |
-and, you know, a viewing platform et cetera. -Wow. | 0:21:45 | 0:21:48 | |
To utilise it, really. | 0:21:48 | 0:21:50 | |
We've had an architect look at it - he's given us a few options. | 0:21:50 | 0:21:54 | |
Mainly, it's going to be the extension, | 0:21:54 | 0:21:56 | |
which will virtually be the size of a house, going on the side. | 0:21:56 | 0:21:59 | |
Wow. | 0:21:59 | 0:22:00 | |
-Hopefully. -Yeah. Subject to planning, yeah. | 0:22:00 | 0:22:04 | |
Subject to planning, yes. | 0:22:04 | 0:22:05 | |
How do you imagine that's going to look? You talk about glass. | 0:22:05 | 0:22:08 | |
-Is it going to be something fairly funky and... -Fairly modern. | 0:22:08 | 0:22:11 | |
Fairly funky, yes. It's going to have the wow factor, definitely. | 0:22:11 | 0:22:16 | |
Wow. And, then, this side, if you split it into two? | 0:22:16 | 0:22:19 | |
This side, hopefully, we're going to do a similar sort of thing. | 0:22:19 | 0:22:23 | |
Have another balcony there, taking in the views from the other side. | 0:22:23 | 0:22:26 | |
Lee and Joff have had success | 0:22:26 | 0:22:28 | |
in having covenants removed, through their solicitor, in the past, | 0:22:28 | 0:22:31 | |
so they're fairly confident. | 0:22:31 | 0:22:32 | |
But this one was only put on ten years ago, | 0:22:32 | 0:22:36 | |
so I wouldn't count on it. | 0:22:36 | 0:22:38 | |
Since so much is subject to planning, | 0:22:38 | 0:22:40 | |
they have yet to set a timescale or budget for the work. | 0:22:40 | 0:22:43 | |
These guys are very savvy | 0:22:43 | 0:22:45 | |
and they've already given thought to that plot out the back. | 0:22:45 | 0:22:49 | |
We just felt that it'd be too small, really. | 0:22:49 | 0:22:53 | |
We'd rather, sort of, get a slightly bigger house | 0:22:53 | 0:22:56 | |
than get, you know, multiple units, type of thing. | 0:22:56 | 0:23:00 | |
And it, potentially, wouldn't have that wow factor. | 0:23:00 | 0:23:02 | |
Yeah. Well, congratulations. | 0:23:02 | 0:23:04 | |
-Thank you. -I can't wait to see how it all turns out. -Thank you. | 0:23:04 | 0:23:06 | |
-Nice to meet you. -Thank you. -You, too. | 0:23:06 | 0:23:08 | |
Well, Joff and Lee obviously having big ideas for this place. | 0:23:09 | 0:23:14 | |
But are they the right ones? | 0:23:14 | 0:23:15 | |
Will they get the planning permission | 0:23:15 | 0:23:18 | |
for converting it into two properties? | 0:23:18 | 0:23:20 | |
Would they be better off doing what I thought | 0:23:20 | 0:23:22 | |
and building something here instead | 0:23:22 | 0:23:25 | |
and making that one, amazing house? | 0:23:25 | 0:23:28 | |
Who knows? Well, actually, you will, later on in the programme. | 0:23:28 | 0:23:32 | |
Coming up, that planning covenant causes problems in Devon. | 0:23:34 | 0:23:37 | |
It does take quite a long time to get all these, like, covenants removed. | 0:23:39 | 0:23:43 | |
You guys think you have delays? | 0:23:44 | 0:23:46 | |
Try a project that takes seven years | 0:23:46 | 0:23:48 | |
due to dry rot and damp in Ramsgate. | 0:23:48 | 0:23:51 | |
It's a nightmare! | 0:23:51 | 0:23:52 | |
Back now to Damon Albarn's old stomping ground, | 0:23:58 | 0:24:01 | |
Leytonstone, East London, | 0:24:01 | 0:24:03 | |
where, earlier, I looked around | 0:24:03 | 0:24:04 | |
a two-bedroom ground-floor flat between two shops. | 0:24:04 | 0:24:07 | |
A little bit disappointing | 0:24:11 | 0:24:13 | |
and it actually smells a little bit damp in here. | 0:24:13 | 0:24:16 | |
Despite being on the ground floor, | 0:24:16 | 0:24:17 | |
the peculiar window arrangements afforded little light. | 0:24:17 | 0:24:21 | |
There's no view. That window is completely covered up. | 0:24:21 | 0:24:24 | |
The theme continued in the little bedroom, | 0:24:24 | 0:24:27 | |
creating a really boxed-in feeling to the flat. | 0:24:27 | 0:24:30 | |
It's got a really unusual window - too small for the room. | 0:24:30 | 0:24:34 | |
But, with the garden as it was, | 0:24:34 | 0:24:37 | |
that may have been no bad thing. | 0:24:37 | 0:24:39 | |
I wish you could say the view from the main bedroom made up for things. | 0:24:39 | 0:24:42 | |
But, sadly... | 0:24:42 | 0:24:43 | |
Why is the window there? It's not working at all! | 0:24:43 | 0:24:47 | |
The flat was bought for 114,000 by Latvian artist Jana, | 0:24:48 | 0:24:51 | |
who planned to do it up with her husband and then sell. | 0:24:51 | 0:24:54 | |
-So the first property you've got is this. -Yes. | 0:24:54 | 0:24:57 | |
But you didn't do much research, you didn't come and look at it, | 0:24:57 | 0:25:01 | |
you didn't read the legal pack. | 0:25:01 | 0:25:03 | |
Er, we do research about area, but we didn't see legal pack | 0:25:03 | 0:25:07 | |
and we didn't see property. I really like this. | 0:25:07 | 0:25:10 | |
I really like property and I really like little garden, | 0:25:10 | 0:25:13 | |
and I think we are going to do very well. | 0:25:13 | 0:25:16 | |
Jana was hoping that the popular area | 0:25:16 | 0:25:18 | |
and the London market would get her a good profit, but I had my fears. | 0:25:18 | 0:25:24 | |
-Do you think there might be any damp here? -No, I don't think, really. | 0:25:26 | 0:25:31 | |
It didn't feel like damp. It didn't smell like damp. | 0:25:31 | 0:25:34 | |
I know what is damp, because once I live in damp apartment - | 0:25:34 | 0:25:37 | |
it was horrible. But this feels kind of fresh. | 0:25:37 | 0:25:40 | |
There's no damp, I don't think. I hope so, no. | 0:25:40 | 0:25:42 | |
One of the first jobs Jana's team tackled was the dark floor | 0:25:45 | 0:25:48 | |
coverings throughout the flat. | 0:25:48 | 0:25:51 | |
Seven weeks on, they're gone and we're back. | 0:25:51 | 0:25:55 | |
The old kitchen was enclosed and claustrophobic. | 0:26:07 | 0:26:11 | |
Now the dividing wall has been opened up | 0:26:11 | 0:26:13 | |
and more light is in the lounge. | 0:26:13 | 0:26:15 | |
New wall and floor tiles harmonise with the neutral colour scheme. | 0:26:20 | 0:26:24 | |
And the addition of a feature breakfast bar gives finishing | 0:26:27 | 0:26:31 | |
touches that were lacking before. | 0:26:31 | 0:26:34 | |
Remember how the bathroom was? | 0:26:34 | 0:26:37 | |
Well, now there's a new suite and I know | 0:26:42 | 0:26:44 | |
I keep going on about the floor, but new tiles there too, | 0:26:44 | 0:26:47 | |
which look great. | 0:26:47 | 0:26:49 | |
The layout of the bedrooms remain the same | 0:26:51 | 0:26:53 | |
but the neutral colour scheme helps with the lack of light. | 0:26:53 | 0:26:58 | |
# I will turn this place into a playground once again | 0:26:58 | 0:27:04 | |
# Say you'll come with me | 0:27:04 | 0:27:07 | |
# And I will try to make it all feel safe. # | 0:27:07 | 0:27:15 | |
And finally the garden. | 0:27:19 | 0:27:21 | |
Well, it was a bit of a dumping ground - old paint cans, corrugated | 0:27:21 | 0:27:26 | |
sheeting, broken slabs and who could forget the closet water feature? | 0:27:26 | 0:27:31 | |
A big improvement but there again, not THAT difficult. | 0:27:36 | 0:27:40 | |
What was the most difficult part of the refurbishment? | 0:27:40 | 0:27:44 | |
The main problem was pipe leaking all day, because obviously, | 0:27:44 | 0:27:48 | |
apartment was not looked after and we find pipe was leaking. | 0:27:48 | 0:27:52 | |
We change this pipe as well, we clear water, | 0:27:52 | 0:27:55 | |
and put new floors as well. | 0:27:55 | 0:27:57 | |
That was the biggest challenge of this apartment, | 0:27:57 | 0:27:59 | |
these floorings, yeah. | 0:27:59 | 0:28:01 | |
So once that was sorted, what else was needed? | 0:28:01 | 0:28:06 | |
We... | 0:28:06 | 0:28:08 | |
changed completely everything, apart from walls and ceilings. | 0:28:08 | 0:28:11 | |
We change windows, we put double glazing, we change kitchen, | 0:28:11 | 0:28:17 | |
everything brand-new, and new doors as well. | 0:28:17 | 0:28:20 | |
The doors are certainly a big improvement. | 0:28:20 | 0:28:22 | |
What was Jana's role in the refurbishment? | 0:28:22 | 0:28:25 | |
Supervising my builders, choosing colours - that's it, | 0:28:25 | 0:28:30 | |
really - and just...paying them. | 0:28:30 | 0:28:35 | |
Yes, that's property development for you. | 0:28:35 | 0:28:37 | |
Just keep on signing those cheques. So what about the budget? | 0:28:37 | 0:28:41 | |
We spent in the renovation of this apartment, 11,000. | 0:28:41 | 0:28:44 | |
Yes, we planned 10,000, but because of floorings | 0:28:44 | 0:28:48 | |
and problems with pipe, we spend 1,000 more. | 0:28:48 | 0:28:52 | |
Time to compare the market valuations | 0:28:54 | 0:28:56 | |
from two local estate agents. | 0:28:56 | 0:28:59 | |
Has all the work here translated into a profit? | 0:28:59 | 0:29:02 | |
What are the agents' first impressions? | 0:29:02 | 0:29:05 | |
I think that the layout is very compact and I think I would | 0:29:07 | 0:29:11 | |
have sacrificed one of the bedrooms and made a larger bedroom. | 0:29:11 | 0:29:17 | |
The flat has obviously recently been refurbished | 0:29:17 | 0:29:20 | |
and decorated to a reasonable standard. | 0:29:20 | 0:29:22 | |
I feel the flat is fairly light and airy, | 0:29:22 | 0:29:24 | |
and it does have the benefit of a small outside space. | 0:29:24 | 0:29:27 | |
Jana and her husband and his uncle have | 0:29:27 | 0:29:30 | |
so far invested £114,000 at auction plus 11 grand refurbishing. | 0:29:30 | 0:29:37 | |
What would it be able to achieve on the rental market? | 0:29:37 | 0:29:40 | |
This flat could rent for £950 per calendar month. | 0:29:40 | 0:29:44 | |
I would put the property on for between 1,000 | 0:29:44 | 0:29:47 | |
and £1,100 per calendar month. | 0:29:47 | 0:29:50 | |
Taking the top valuation, that gives the family members | 0:29:50 | 0:29:53 | |
-a yield of just over 10.5%. -Oh, I'm really happy. | 0:29:53 | 0:29:58 | |
It's so nice to know I can, if for any reason I don't sell my property, | 0:29:58 | 0:30:04 | |
I can rent it for decent money. It's lovely. | 0:30:04 | 0:30:07 | |
With a total spend of £125,000, what's it worth now? | 0:30:07 | 0:30:12 | |
In today's market, this flat could sell for between 175 and £180,000. | 0:30:12 | 0:30:18 | |
I would put the property on for £190,000 to achieve £180,000. | 0:30:18 | 0:30:26 | |
We're hoping it's going to be around 180, 190, | 0:30:26 | 0:30:29 | |
and I hope we will sell it tomorrow. | 0:30:29 | 0:30:32 | |
Yes, she said tomorrow! | 0:30:32 | 0:30:34 | |
In fact, the intention was to put it up for auction again, | 0:30:34 | 0:30:37 | |
but they had to withdraw it because they didn't have all the paperwork ready in time. | 0:30:37 | 0:30:41 | |
However, all being well, if she achieves that £180,000, | 0:30:41 | 0:30:45 | |
that will glean a profit of 55,000 before the usual taxes | 0:30:45 | 0:30:50 | |
and expenses, which has to be a good result in anybody's book. | 0:30:50 | 0:30:55 | |
In 2007, I was in Ramsgate in Kent, | 0:30:59 | 0:31:01 | |
a harbour town that inspired the likes of Karl Marx | 0:31:01 | 0:31:04 | |
and Vincent van Gogh and I was here to see an arresting property. | 0:31:04 | 0:31:10 | |
Well, just a hop, skip and jump from the harbour area is this nice | 0:31:10 | 0:31:13 | |
little area of restored properties, kind of like courtyard. | 0:31:13 | 0:31:17 | |
That's good news | 0:31:17 | 0:31:18 | |
because that is where the property that I'm here to see is situated. | 0:31:18 | 0:31:21 | |
It's this, the former cells of the police station. | 0:31:21 | 0:31:24 | |
It's had a variety of uses in the past, | 0:31:24 | 0:31:26 | |
including a restaurant in recent times, so lots of potential. | 0:31:26 | 0:31:30 | |
Let's take a look inside. | 0:31:30 | 0:31:32 | |
# Whoop! Whoop! That's the sound of the police. # | 0:31:32 | 0:31:35 | |
Guided at £90,000, this two-storey was actually | 0:31:35 | 0:31:39 | |
in the conservation area, | 0:31:39 | 0:31:41 | |
so whoever was interested in this lot | 0:31:41 | 0:31:44 | |
would have to factor that into time and costs. | 0:31:44 | 0:31:47 | |
So through the front door and actually, a bit of a disappointment. | 0:31:49 | 0:31:52 | |
Stairs going up to whatever and then through into what was obviously | 0:31:52 | 0:31:57 | |
the kitchen of the restaurant that was here before. But wow! | 0:31:57 | 0:32:01 | |
What is that? Oh! | 0:32:01 | 0:32:03 | |
Look at this fungus! Unbelievable. | 0:32:03 | 0:32:07 | |
I feel a David Bellamy moment going on. | 0:32:07 | 0:32:09 | |
-IMPERSONATES DAVID BELLAMY: -Here in this prided location, | 0:32:09 | 0:32:12 | |
we find this most awesomely beautiful bit of natural history. | 0:32:12 | 0:32:16 | |
This is actually dry rot. Cancer of the building, they call it. | 0:32:16 | 0:32:21 | |
But when you look at it like this, it's natural historical art. | 0:32:21 | 0:32:26 | |
I love it! | 0:32:26 | 0:32:27 | |
-SPEAKS IN OWN VOICE: -However, if you're a property developer, it's a nightmare. | 0:32:27 | 0:32:31 | |
This was one of the most obvious cases of dry rot | 0:32:35 | 0:32:38 | |
and all joking aside, it is a very serious issue. | 0:32:38 | 0:32:41 | |
I was beginning to think this might be a rubbish buy. | 0:32:44 | 0:32:49 | |
Well, here at the rear of the property, | 0:32:49 | 0:32:51 | |
more indications of the previous incarnation of this building. | 0:32:51 | 0:32:54 | |
Obviously, they've tried to create some kind of a themed restaurant, | 0:32:54 | 0:32:57 | |
using the kind of jail aspects, painted murals on the wall, | 0:32:57 | 0:33:02 | |
but what really concerns me is it's damp - really badly damp. | 0:33:02 | 0:33:06 | |
We're talking about water on the floor here and if you look | 0:33:06 | 0:33:09 | |
at the walls, even more varieties of mould and just general detritus - | 0:33:09 | 0:33:15 | |
not good at all. | 0:33:15 | 0:33:17 | |
Not quite as serious as the dry rot, but you know, something which is | 0:33:17 | 0:33:20 | |
definitely going to take a lot of sorting out. | 0:33:20 | 0:33:22 | |
But in terms of space, not too bad. | 0:33:22 | 0:33:24 | |
We have got natural light coming through and a couple of rooms, | 0:33:24 | 0:33:27 | |
one here, something leading off there, more space over there. | 0:33:27 | 0:33:31 | |
-So you could use this space quite effectively. -It's not a bad area. | 0:33:31 | 0:33:35 | |
It's just in a right old state | 0:33:35 | 0:33:37 | |
and it's going to take quite a lot to sort it out. | 0:33:37 | 0:33:40 | |
The restaurant customers have gone | 0:33:40 | 0:33:42 | |
and so have the original Victorian non-paying occupants of the cells. | 0:33:42 | 0:33:46 | |
So what to do with this space now? | 0:33:46 | 0:33:48 | |
There's obviously some good commercial or storage space | 0:33:48 | 0:33:52 | |
for the business. | 0:33:52 | 0:33:53 | |
The more important question was that source of the considerable damp. | 0:33:53 | 0:33:57 | |
Upstairs perhaps? | 0:33:57 | 0:33:59 | |
-# We're in the jailhouse now -We're in the jailhouse now | 0:33:59 | 0:34:02 | |
# We're in the jailhouse now... # | 0:34:02 | 0:34:04 | |
Aha, voila! Troublesville, Arizona. | 0:34:04 | 0:34:08 | |
That is the reason why there is so much water downstairs. | 0:34:08 | 0:34:10 | |
Look at the state of that roof. | 0:34:10 | 0:34:12 | |
Clearly, that has all got to come off and that is going to be expensive. | 0:34:12 | 0:34:16 | |
But what you have got up here is a kind of extra bit of space | 0:34:16 | 0:34:19 | |
that you didn't necessarily, I don't know, didn't expect. It's not huge. | 0:34:19 | 0:34:24 | |
Basically, one large room here. | 0:34:24 | 0:34:26 | |
This, which I presume could be a loo with a bit of storage space there, | 0:34:26 | 0:34:30 | |
and then another small room here, which I suppose could be a kitchen. | 0:34:30 | 0:34:34 | |
So what we're looking at here is a studio flat. | 0:34:34 | 0:34:37 | |
It needs a lot of sorting out. | 0:34:37 | 0:34:38 | |
It's got the high ceilings and you know what, around here, | 0:34:38 | 0:34:41 | |
somewhere like this done up, about 90 grand you'd get for it, | 0:34:41 | 0:34:44 | |
so a nice added-value thing to have to the property. | 0:34:44 | 0:34:47 | |
-# There may be trouble ahead... -# | 0:34:49 | 0:34:53 | |
You do not need to look far for trouble with this place | 0:34:53 | 0:34:57 | |
but it did have potential. | 0:34:57 | 0:34:59 | |
A flat with commercial space below is a distinctive proposition | 0:34:59 | 0:35:04 | |
and that was appealing. | 0:35:04 | 0:35:06 | |
Let's remind ourselves who agreed when it went under the hammer. | 0:35:06 | 0:35:10 | |
The combination is arranged over the two floors. It's got huge potential. | 0:35:10 | 0:35:14 | |
£100,000 to start me. | 0:35:14 | 0:35:17 | |
£95,000 to start. | 0:35:17 | 0:35:19 | |
£90,000, then. We shan't start for less. | 0:35:21 | 0:35:24 | |
90. 90 I have at the back of the room. | 0:35:24 | 0:35:26 | |
90 and I should think so as well. | 0:35:26 | 0:35:28 | |
At £90,000... | 0:35:28 | 0:35:30 | |
Bidding began quite slowly but then sprang into life. | 0:35:30 | 0:35:33 | |
We rejoined the bidding at 125,000. | 0:35:33 | 0:35:36 | |
125. 125. 128. Are you sure? | 0:35:36 | 0:35:42 | |
Add £125,000 I am bid, it's being sold in the room at 125,000. | 0:35:42 | 0:35:47 | |
I'll take six, if it helps. | 0:35:47 | 0:35:50 | |
At £125,000 I have the gentleman in the tie. 126 and a fresh place. | 0:35:50 | 0:35:55 | |
128. 128 is bid and 130. 130 I have. 132. | 0:35:55 | 0:36:00 | |
132. 135. You're out at the back of the room. | 0:36:00 | 0:36:04 | |
132 I have, fourth row back. 132,000. 135 anywhere? | 0:36:04 | 0:36:11 | |
You're out at the back. You're not now. 135 and you're in. | 0:36:11 | 0:36:14 | |
140 for you, sir? 149 I am bid and 145. | 0:36:14 | 0:36:19 | |
£140,000 I am bid, fourth row back on the right-hand side. | 0:36:20 | 0:36:25 | |
For the first time, then, at 140,000. | 0:36:25 | 0:36:28 | |
Fourth row back, gentleman with the tie on, | 0:36:28 | 0:36:30 | |
at 140 for the second time, | 0:36:30 | 0:36:32 | |
140 for the third and final time, at 140, are you all done? | 0:36:32 | 0:36:37 | |
Sold at 140. | 0:36:37 | 0:36:39 | |
Absolute joy from the buyers Rosie and Ken. | 0:36:39 | 0:36:43 | |
They paid well over that guide price at £90-£100,000. | 0:36:43 | 0:36:46 | |
I met Ken, a financial adviser and Rosie, a drama teacher, | 0:36:46 | 0:36:51 | |
back at the former police station to find out why they'd | 0:36:51 | 0:36:55 | |
risk £140,000 on a building that presented such a challenge. | 0:36:55 | 0:36:59 | |
-Rosie, Ken, lovely to meet you both. -Hi. -Hi. | 0:37:02 | 0:37:05 | |
-This is an interesting building, isn't it? -It's got a history, yeah. | 0:37:05 | 0:37:08 | |
Why did you want to buy it? | 0:37:08 | 0:37:10 | |
I think we just had a good feeling about it, to be honest, so... | 0:37:10 | 0:37:13 | |
I think it's the area as well. | 0:37:13 | 0:37:14 | |
We knew that it was up-and-coming and, crucially, | 0:37:14 | 0:37:18 | |
that's the important thing. And then on we saw it, we thought, "Oh, how sweet! | 0:37:18 | 0:37:21 | |
"It's all cobbledey and traditional and period." Obviously, that's | 0:37:21 | 0:37:24 | |
got its problems, but for Ken's vision, specifically, it was ideal. | 0:37:24 | 0:37:29 | |
-Vision? -You're a man with vision, are you? | 0:37:29 | 0:37:31 | |
-Oh, well, I like to think so, I suppose. -So what is your vision for this place? | 0:37:31 | 0:37:35 | |
Oh, I'm not sure... I'm still working through it at the moment | 0:37:35 | 0:37:37 | |
but I'd quite like it to work as a retail space. | 0:37:37 | 0:37:40 | |
-I think that would be quite... -A shop? -Yeah, basically, yeah. | 0:37:40 | 0:37:43 | |
I mean, I think that would be in keeping | 0:37:43 | 0:37:45 | |
with what others in the area want to do with neighbouring properties | 0:37:45 | 0:37:48 | |
so, yeah, I think, actually, this part of Ramsgate could be something quite different, quite special. | 0:37:48 | 0:37:52 | |
So what you going to do? | 0:37:52 | 0:37:54 | |
I'd really like to combine something that's a bit drama-ish with | 0:37:54 | 0:37:57 | |
bringing people in and having like events that would make this | 0:37:57 | 0:38:01 | |
really exciting. Possibly linking it to the police station. | 0:38:01 | 0:38:05 | |
But Ken is very style-conscious, | 0:38:05 | 0:38:07 | |
so we have to be measured in our approach | 0:38:07 | 0:38:10 | |
and maybe bring out the best of our talents. | 0:38:10 | 0:38:13 | |
Ken's plan is to have an interior design shop | 0:38:13 | 0:38:16 | |
and they certainly have some creative ideas. | 0:38:16 | 0:38:21 | |
Do you have an idea of how much it's all going to cost at this stage? | 0:38:21 | 0:38:24 | |
Probably about sort of 30 to 60,000, | 0:38:24 | 0:38:26 | |
I think, on the actual fabric of the place. | 0:38:26 | 0:38:29 | |
So what about a timescale for everything you're planning? | 0:38:29 | 0:38:32 | |
So the timescale is a little bit elastic, let's put it that way. | 0:38:32 | 0:38:36 | |
Probably six months to a year, realistically, | 0:38:36 | 0:38:39 | |
to get any kind of empty, cohesive shell. | 0:38:39 | 0:38:43 | |
What do you think the biggest challenge is? | 0:38:43 | 0:38:45 | |
The biggest challenges are actually just, you know, resource, | 0:38:45 | 0:38:48 | |
basically, to be honest. You know, time, | 0:38:48 | 0:38:50 | |
yes but I think, you know, a project like this can actually run away with | 0:38:50 | 0:38:53 | |
you if you don't keep it under tight control. | 0:38:53 | 0:38:55 | |
So in that respect, as I say, | 0:38:55 | 0:38:56 | |
I've got to try and make it work with what I've got available. | 0:38:56 | 0:38:59 | |
So I think that's - in the short term - going to be the biggest challenge. | 0:38:59 | 0:39:03 | |
They had set themselves the challenge, for sure, | 0:39:03 | 0:39:05 | |
and I don't think they even knew just how much of one. | 0:39:05 | 0:39:09 | |
14 months later, when we returned, | 0:39:09 | 0:39:11 | |
that elastic timeframe Rosie talked about looked like being stretched | 0:39:11 | 0:39:16 | |
even further because the former police cells | 0:39:16 | 0:39:18 | |
were still a building site. | 0:39:18 | 0:39:20 | |
So what was the hold-up? | 0:39:20 | 0:39:22 | |
The broad timescale was hopefully to try and get the retail | 0:39:22 | 0:39:25 | |
space sorted within about a two, three, four-month timescale. | 0:39:25 | 0:39:29 | |
But having then shifted and trying to put some living, | 0:39:29 | 0:39:32 | |
some accommodation space, some overnight management stopover-type | 0:39:32 | 0:39:36 | |
space in the property has pushed out the timescale. | 0:39:36 | 0:39:40 | |
So, yeah, it's expanded but I'm comfortable with that. | 0:39:40 | 0:39:45 | |
Ken's vision had indeed expanded, along with the timescale, | 0:39:45 | 0:39:48 | |
and that's because he'd embarked upon creating a flat with | 0:39:48 | 0:39:52 | |
a mezzanine floor above the retail space. | 0:39:52 | 0:39:55 | |
Yeah, so, over here we're going to have the open-plan living area, | 0:39:59 | 0:40:02 | |
open fire with gas insert, lovely sort of open-plan kitchen, | 0:40:02 | 0:40:06 | |
range cooker, cloakroom, so, yeah, all the mod cons on this level. | 0:40:06 | 0:40:11 | |
I think the really nice bit's going to be the spiral staircase, | 0:40:11 | 0:40:13 | |
which will go upstairs to the master suite, with the sort of spa bathroom. | 0:40:13 | 0:40:17 | |
So, yeah, I'm really pleased. I think it's coming along. | 0:40:17 | 0:40:20 | |
I think we've managed to turn what was a pretty small, pokey property | 0:40:20 | 0:40:25 | |
into something which is really quite modern and exciting. | 0:40:25 | 0:40:29 | |
And the flat sounded like it was going to be amazing, | 0:40:32 | 0:40:35 | |
but what about Ken's original vision of that shop? | 0:40:35 | 0:40:38 | |
So, yeah, what I ultimately want is a different sort of areas to be | 0:40:44 | 0:40:48 | |
the different sort of themes in terms of what we're selling, | 0:40:48 | 0:40:51 | |
and the ultimate vision is going to be, you know, it's going to be, | 0:40:51 | 0:40:55 | |
hopefully, a very uplifting, exciting destination | 0:40:55 | 0:40:59 | |
for people to actually come. | 0:40:59 | 0:41:00 | |
I want people to share, to a certain extent, | 0:41:00 | 0:41:03 | |
my vision of how I like to live. | 0:41:03 | 0:41:05 | |
So, yeah, I'm really looking forward to it. I'm really looking for to it. | 0:41:05 | 0:41:09 | |
Of course, while our plans for Ken's emporium came to life, | 0:41:09 | 0:41:12 | |
he had the practical issues to deal with, like the dry rot | 0:41:12 | 0:41:16 | |
and making the place watertight, so there was a new roof with an atrium. | 0:41:16 | 0:41:20 | |
It was quite a vision. What role was Rosie playing? | 0:41:20 | 0:41:25 | |
My role? Purely, I think, has been the wind beneath Ken's wings. | 0:41:28 | 0:41:34 | |
I've turned up and bought lunches for the guys and asked him about how | 0:41:34 | 0:41:38 | |
the projects going, and really tried to keep him on task when he just... | 0:41:38 | 0:41:42 | |
You know, there are times when he's really felt incredibly challenged. | 0:41:42 | 0:41:45 | |
Ken's determination was admirable, but time was money, | 0:41:45 | 0:41:50 | |
and he had originally thought £30-£60,000 would do the work, | 0:41:50 | 0:41:54 | |
so where was he with that now? | 0:41:54 | 0:41:57 | |
End budget, at the end of the day, | 0:41:57 | 0:41:58 | |
will probably have to be 80K, to be honest. | 0:41:58 | 0:42:00 | |
I don't think I can possibly exceed that for lots of reasons. | 0:42:00 | 0:42:05 | |
There was no shortage of optimism on this project, which is a good thing | 0:42:05 | 0:42:10 | |
because it would be a further six years | 0:42:10 | 0:42:12 | |
before the project reached a conclusion. | 0:42:12 | 0:42:15 | |
Yes, you heard right, six years. | 0:42:15 | 0:42:17 | |
Well, we've seen how one property turned out. How about the others? | 0:42:23 | 0:42:27 | |
Did they spend more time and money than they anticipated | 0:42:27 | 0:42:30 | |
or did they come in bang on budget? | 0:42:30 | 0:42:32 | |
Let's find out! | 0:42:32 | 0:42:34 | |
It was in the lovely seaside town of Brixham in Devon, where we first saw | 0:42:47 | 0:42:53 | |
an impressive auction lot described as two self-contained linked houses. | 0:42:53 | 0:42:58 | |
On the face of it, it looks like they could be turned | 0:42:58 | 0:43:01 | |
into two separate dwellings, but a covenant prevented that. | 0:43:01 | 0:43:04 | |
However, the house's prominent position and superb views | 0:43:04 | 0:43:08 | |
across the bay were glorious. | 0:43:08 | 0:43:11 | |
With land around it, there was | 0:43:14 | 0:43:16 | |
also the possibility of developing the property further, | 0:43:16 | 0:43:19 | |
so this was a mouthwatering prospect for any developer. | 0:43:19 | 0:43:23 | |
Perhaps, not surprisingly, it was snapped up | 0:43:23 | 0:43:25 | |
by property developing team Joff, seen here on the left, and Lee. | 0:43:25 | 0:43:30 | |
Tell me what the options are then. What are you going to do to it? | 0:43:34 | 0:43:37 | |
We've got a couple of options really. | 0:43:37 | 0:43:40 | |
One of them is that, basically, | 0:43:40 | 0:43:41 | |
you've got scope here to actually have two properties. | 0:43:41 | 0:43:44 | |
There is a covenant at the minute, which, sort of, | 0:43:44 | 0:43:46 | |
only allows one property, even though it's got a granny annexe | 0:43:46 | 0:43:49 | |
to this property as well, but, potentially, | 0:43:49 | 0:43:52 | |
we could be looking at removing the covenant | 0:43:52 | 0:43:54 | |
and perhaps even putting an extension on the side with the fantastic views. | 0:43:54 | 0:43:58 | |
-Hopefully. -Yeah, subject to planning, of course. | 0:43:58 | 0:44:01 | |
-Subject to planning. -Subject to planning, yes. | 0:44:01 | 0:44:04 | |
With the plot the house sat on appearing to offer the possibility | 0:44:04 | 0:44:07 | |
of an extension or even another house, there were a lot of options. | 0:44:07 | 0:44:12 | |
Well, now, over a year later, we've grabbed our bucket and spade | 0:44:12 | 0:44:16 | |
and it's back down to the seaside. | 0:44:16 | 0:44:19 | |
Yes, it's all pretty similar, but clearly someone is living here. | 0:44:49 | 0:44:53 | |
So, what's happened over the last year? | 0:44:53 | 0:44:55 | |
There was always the plan for us to actually put a tenant here, | 0:44:57 | 0:45:00 | |
because it does take quite a long time | 0:45:00 | 0:45:02 | |
to get all the covenants removed, get the planning in place. | 0:45:02 | 0:45:06 | |
We didn't really want to leave the property, sort of, empty, | 0:45:06 | 0:45:08 | |
so it was just ideal. It was in good condition, you know, | 0:45:08 | 0:45:11 | |
there was minimal work to do to get it up to a tenanted level. | 0:45:11 | 0:45:14 | |
And, you know, that was a natural thing to do | 0:45:14 | 0:45:17 | |
while we were looking at the plans, etc. | 0:45:17 | 0:45:20 | |
Joff and Lee have done the sensible thing. | 0:45:20 | 0:45:22 | |
There's no point in the place just gathering dust | 0:45:22 | 0:45:25 | |
when it could be earning its keep. | 0:45:25 | 0:45:27 | |
At last, they've sourced out that restrictive covenant, | 0:45:27 | 0:45:29 | |
and now have plans drawn up, ready for the next phase. | 0:45:29 | 0:45:33 | |
Yeah, so what we've got here is the existing building, | 0:45:33 | 0:45:36 | |
and you can see there's a really modern extension | 0:45:36 | 0:45:39 | |
to the actual side of it. Again, they're all linked together, | 0:45:39 | 0:45:42 | |
so it's one big house. It's completely glass at the front. | 0:45:42 | 0:45:47 | |
It's got a grey zinc roof on the top there, | 0:45:47 | 0:45:50 | |
and, on the very top there, is a sort of balcony and a sundeck | 0:45:50 | 0:45:55 | |
with a hot tub, which is going to be positioned on the top. | 0:45:55 | 0:45:58 | |
We've made use of the middle floor there with a large lounge. | 0:45:58 | 0:46:02 | |
Again, that's completely glass at the front with a balcony | 0:46:02 | 0:46:06 | |
and on the bottom floor, the kitchen and the dining area will be. | 0:46:06 | 0:46:10 | |
So, instead of going for splitting the property and making two houses, | 0:46:10 | 0:46:14 | |
Lee and Joff have decided the site is more suited to | 0:46:14 | 0:46:17 | |
one large, rather magnificent house. | 0:46:17 | 0:46:21 | |
Imagine sitting in the glass extension looking out to sea. Wow! | 0:46:21 | 0:46:25 | |
So, if they get the go-ahead from the planning committee, | 0:46:25 | 0:46:28 | |
when will they go ahead with the work? | 0:46:28 | 0:46:30 | |
At the moment, we've got very good tenants and we've actually | 0:46:30 | 0:46:33 | |
said to them we will not be doing anything. Why? It's their home, | 0:46:33 | 0:46:38 | |
and if they ever choose to move on, | 0:46:38 | 0:46:40 | |
then we'll look at doing the build then. | 0:46:40 | 0:46:42 | |
OK, so Brixham may have to wait before the House on the Hill | 0:46:42 | 0:46:45 | |
has its potentially iconic look | 0:46:45 | 0:46:48 | |
and, without planning granted or a definite start date, | 0:46:48 | 0:46:51 | |
Joff and Lee don't know how much the building work will cost, | 0:46:51 | 0:46:55 | |
but having bought the house for 295,000, and spent around £5,000 | 0:46:55 | 0:47:00 | |
on remedial work and architect fees, their total cost to date is 300,000. | 0:47:00 | 0:47:06 | |
But if they eventually do realise their plans, | 0:47:11 | 0:47:14 | |
will it be worth the wait? | 0:47:14 | 0:47:15 | |
And, more importantly, are their plans right for the area? | 0:47:15 | 0:47:19 | |
What do two local property experts think? | 0:47:19 | 0:47:21 | |
The plans are really quite spectacular. | 0:47:22 | 0:47:27 | |
And, for this particular location, | 0:47:27 | 0:47:29 | |
it's all about making the most of the sort of bookend views, | 0:47:29 | 0:47:34 | |
which are as nice as you can possibly wish to get by the sea. | 0:47:34 | 0:47:38 | |
I think they are over developing the site by building | 0:47:38 | 0:47:41 | |
the extension on the side - I personally wouldn't do that. | 0:47:41 | 0:47:46 | |
I think the cost in doing so... I don't think they'll get the return. | 0:47:46 | 0:47:49 | |
Oh, interesting. Maybe bigger isn't better. | 0:47:49 | 0:47:53 | |
What kind of resale values might be expected for their planned mansion? | 0:47:53 | 0:47:58 | |
In the current market, | 0:47:59 | 0:48:01 | |
the ultimately created fantastic house, done to a good spec, | 0:48:01 | 0:48:05 | |
could fetch as much as £1 million. | 0:48:05 | 0:48:08 | |
-If they built the extension, I would estimate a figure of £450,000. -Wow! | 0:48:08 | 0:48:15 | |
That's a massive difference in price. Why is that? | 0:48:15 | 0:48:19 | |
I think there is demand for that property in Brixham, but I... | 0:48:19 | 0:48:24 | |
Perhaps not this plot. | 0:48:24 | 0:48:26 | |
I think if it was on the Berry Head side of Brixham, definitely, | 0:48:26 | 0:48:29 | |
and he could probably achieve somewhere | 0:48:29 | 0:48:30 | |
in the region of 900 to 1.1 million, | 0:48:30 | 0:48:33 | |
-but not on this side of town. -That's interesting. | 0:48:33 | 0:48:37 | |
What do Joff and Lee think about that? | 0:48:37 | 0:48:40 | |
We'd be hoping for a lot higher valuation than 450. | 0:48:40 | 0:48:44 | |
We're doing the extension because it would be an iconic building | 0:48:44 | 0:48:48 | |
and, perhaps, it's difficult to imagine until it's actually built, | 0:48:48 | 0:48:52 | |
but we will seek advice. | 0:48:52 | 0:48:55 | |
My guess is that somewhere between the two resale values | 0:48:55 | 0:48:58 | |
might lie the truth, but as Lee and Joff said, | 0:48:58 | 0:49:01 | |
until it's been built and finished, who can really say? | 0:49:01 | 0:49:04 | |
But, in the meantime, I don't somehow think these two | 0:49:04 | 0:49:07 | |
will worry too much. | 0:49:07 | 0:49:09 | |
With over 170 properties between them, | 0:49:09 | 0:49:12 | |
I'm sure they've got other fish to fry. | 0:49:12 | 0:49:15 | |
We've got a number of plans. | 0:49:16 | 0:49:18 | |
We've got a number of building plots | 0:49:18 | 0:49:19 | |
that we're going to start building on for individual houses. | 0:49:19 | 0:49:22 | |
A couple of big properties as well that we've got, | 0:49:22 | 0:49:24 | |
which we're sort of working on at the minute, | 0:49:24 | 0:49:27 | |
so, yeah, we've got quite a few bits going on. | 0:49:27 | 0:49:29 | |
We set sail now for the Devon coast along the English Channel, | 0:49:34 | 0:49:38 | |
and dock at Ramsgate, Kent, where, back in 2007, | 0:49:38 | 0:49:42 | |
we first met Rosie and Ken. | 0:49:42 | 0:49:44 | |
They paid £140,000 for this former police station in Ramsgate. | 0:49:44 | 0:49:50 | |
They had a maximum budget of £60,000, | 0:49:50 | 0:49:53 | |
and a liberal approach to timescale. | 0:49:53 | 0:49:56 | |
So, the timescale is a little bit elastic, let's put it that way. | 0:49:56 | 0:50:00 | |
Probably six months to a year realistically... | 0:50:00 | 0:50:03 | |
-I would have thought, yeah. -..to get any kind of empty, cohesive shell. | 0:50:03 | 0:50:07 | |
They had a vision for a retail space downstairs, | 0:50:07 | 0:50:11 | |
but this building had dry rot, mould, damp, | 0:50:11 | 0:50:14 | |
and some prison cells out back. | 0:50:14 | 0:50:16 | |
What do you think the biggest challenge is? | 0:50:18 | 0:50:20 | |
The biggest challenges, I think, are actually just, you know, resource, | 0:50:20 | 0:50:23 | |
basically, to be honest. | 0:50:23 | 0:50:25 | |
You know, time, yes, but I think, you know, a project like this can | 0:50:25 | 0:50:28 | |
actually run away with you if you don't keep it under tight control. | 0:50:28 | 0:50:31 | |
Yes, time can run away when it comes to property developing. | 0:50:31 | 0:50:35 | |
So, 14 months later, when we returned, | 0:50:35 | 0:50:37 | |
things had moved on at a steady pace | 0:50:37 | 0:50:39 | |
and the timescale proved not to be the only thing that was elastic - | 0:50:39 | 0:50:44 | |
the original budget of £30-£60,000 was too. | 0:50:44 | 0:50:49 | |
An end budget, at the end of the day, will probably have to be 80K, | 0:50:49 | 0:50:53 | |
to be honest. I don't think I can possibly exceed that | 0:50:53 | 0:50:56 | |
for a number of reasons. | 0:50:56 | 0:50:57 | |
So, we met them in 2007, then 2008, and then, drum roll, please. | 0:50:58 | 0:51:04 | |
-DRUMROLL -Seven years after, we're back... | 0:51:04 | 0:51:08 | |
and the old police cells have been transformed to house | 0:51:08 | 0:51:11 | |
Ken's eclectic emporium. | 0:51:11 | 0:51:13 | |
And, up the spiral staircase, is a beautiful studio flat. | 0:51:51 | 0:51:56 | |
I think when you start something and you've got a very clear idea | 0:51:58 | 0:52:01 | |
of what you want at the end of it, | 0:52:01 | 0:52:03 | |
and you're committed to trying to see it through, | 0:52:03 | 0:52:06 | |
I think that actually can be a bit of a prison sentence, | 0:52:06 | 0:52:09 | |
and it certainly has felt like that here. | 0:52:09 | 0:52:11 | |
The building had actually been empty for quite a few years | 0:52:11 | 0:52:13 | |
before we've actually taken possession. The new roof... | 0:52:13 | 0:52:17 | |
The building probably took about two years to dry out, | 0:52:17 | 0:52:21 | |
once it was actually the new roof and the shell was watertight. | 0:52:21 | 0:52:25 | |
During the actual building, we discovered | 0:52:25 | 0:52:27 | |
that there was quite extensive dry rot, | 0:52:27 | 0:52:29 | |
but most of the actual timbers within the building had to be replaced | 0:52:29 | 0:52:32 | |
anyway, in terms of redoing things, so most of the actual fabric | 0:52:32 | 0:52:35 | |
of the building has actually been replaced. | 0:52:35 | 0:52:37 | |
There's probably... What remains of the building is really only | 0:52:37 | 0:52:41 | |
the exterior shell. Most of the interior has been redone. | 0:52:41 | 0:52:44 | |
And, my, how those interiors have been redone! | 0:52:44 | 0:52:48 | |
The upstairs flat is a masterpiece of style. | 0:52:48 | 0:52:51 | |
I particularly like the design of the kitchenette and the toilet, | 0:52:51 | 0:52:54 | |
and, of course, that fabulous spiral staircase, | 0:52:54 | 0:52:58 | |
leading to the mezzanine floor and a spacious bathroom. | 0:52:58 | 0:53:02 | |
Well, we are in the studio space. | 0:53:02 | 0:53:04 | |
We stripped the space back to expose all the brickwork, | 0:53:04 | 0:53:07 | |
reinstated the floor, reinstated the fireplace, | 0:53:07 | 0:53:11 | |
and then it was a matter of just putting features back in, | 0:53:11 | 0:53:14 | |
so we tried to make it a usable space, a flexible space, | 0:53:14 | 0:53:17 | |
for the business, or for accommodation, | 0:53:17 | 0:53:19 | |
so we put back in the mini kitchenette, | 0:53:19 | 0:53:21 | |
installed the range cooker, installed features like the bookcase | 0:53:21 | 0:53:25 | |
and the staircase, and I think it works. It's really, really nice. | 0:53:25 | 0:53:30 | |
It's a great space to be in and I'm really pleased with it. | 0:53:30 | 0:53:33 | |
It may have all been Ken's vision, | 0:53:33 | 0:53:36 | |
but Rosie played a crucial role in supporting him. | 0:53:36 | 0:53:39 | |
Originally, when this whole project kicked off, I thought, | 0:53:40 | 0:53:44 | |
"How fabulous! Maybe I can turn up and do a bit of DIY!" | 0:53:44 | 0:53:48 | |
There was a time where I did a bit of hoovering | 0:53:48 | 0:53:51 | |
and I did wipe down one wall. | 0:53:51 | 0:53:54 | |
You've got the evolution of the building, | 0:53:54 | 0:53:56 | |
that's turned from this monster beast thing | 0:53:56 | 0:53:59 | |
into this beautiful, renovated period building, | 0:53:59 | 0:54:02 | |
and you've got the evolution of Ken, creatively, with all of his ideas. | 0:54:02 | 0:54:08 | |
Those ideas won't have been cheap. | 0:54:08 | 0:54:10 | |
Ken has been handcuffed to this property for seven years. | 0:54:10 | 0:54:13 | |
Has it come at a criminally large price? | 0:54:13 | 0:54:16 | |
The original budget, when we first bought the place, was 60,000 - | 0:54:16 | 0:54:20 | |
that had to be revised once certain issues were actually realised. | 0:54:20 | 0:54:25 | |
So, the revised budget was 80,000. | 0:54:25 | 0:54:28 | |
In retrospect, I suppose we probably spent | 0:54:30 | 0:54:32 | |
probably upwards of over 100, probably about 120. | 0:54:32 | 0:54:37 | |
Well, doing up the former workplace of the boys in blue might have | 0:54:37 | 0:54:42 | |
put Ken in the red. However, he has plenty of options here. | 0:54:42 | 0:54:46 | |
He could sell the flat upstairs, sell the shop, | 0:54:46 | 0:54:49 | |
or sell it all as one. | 0:54:49 | 0:54:50 | |
Let's hope two local property experts might be able | 0:54:50 | 0:54:53 | |
to give him some good news. | 0:54:53 | 0:54:55 | |
This is my second visit to the property and I'm absolutely amazed | 0:54:55 | 0:54:58 | |
at the quality of the finish that they've brought to the building. | 0:54:58 | 0:55:01 | |
It's been a very sympathetic renovation. | 0:55:01 | 0:55:03 | |
The layout of the flat is very, very good. | 0:55:03 | 0:55:05 | |
You've got the entrance from the main street if you need it. | 0:55:05 | 0:55:08 | |
If you want to separate it off from the commercial premises downstairs, | 0:55:08 | 0:55:11 | |
so the layout works and it would be a perfect little lock-up holiday home | 0:55:11 | 0:55:15 | |
for someone, or just a nice place to live in general. | 0:55:15 | 0:55:18 | |
This is the first time I've seen this property. | 0:55:18 | 0:55:21 | |
It's been renovated to a fabulous standard. The shop is excellent - | 0:55:21 | 0:55:25 | |
it's really appealing. | 0:55:25 | 0:55:26 | |
The flat has been renovated to a very high standard as well. | 0:55:26 | 0:55:29 | |
So, bought at auction for 140,000, and spending £120,000 | 0:55:29 | 0:55:35 | |
on the whole building, Ken's total spend is 260,000. | 0:55:35 | 0:55:40 | |
So, what about selling just the flat? | 0:55:40 | 0:55:43 | |
If this flat were placed on the market at the moment, I would expect | 0:55:43 | 0:55:46 | |
the owner to achieve somewhere in the region of £115-£120,000. | 0:55:46 | 0:55:51 | |
I think we'd achieve around £145,000. | 0:55:51 | 0:55:55 | |
That top valuation is pretty healthy, | 0:55:55 | 0:55:58 | |
so what about the emporium downstairs? | 0:55:58 | 0:56:00 | |
What kind of value do the agents think that could sell for? | 0:56:00 | 0:56:04 | |
It's going to depend on the yields that you would obtain. | 0:56:05 | 0:56:08 | |
You're going to be looking at a rental income | 0:56:08 | 0:56:10 | |
of between £8-£10,000 per annum. | 0:56:10 | 0:56:13 | |
So, that would give a 10% yield, | 0:56:13 | 0:56:15 | |
would give a value of between £80,000 and £100,000. | 0:56:15 | 0:56:19 | |
I would estimate the shop, compared to similar properties | 0:56:19 | 0:56:22 | |
we've had in the area recently, to achieve in the region of £60,000. | 0:56:22 | 0:56:26 | |
A lot of variation in valuation once again, | 0:56:26 | 0:56:29 | |
but a top value of £100,000 would see Ken hit with a £160,000 loss, | 0:56:29 | 0:56:37 | |
but he would still keep the flat. | 0:56:37 | 0:56:39 | |
OK, Ken, this might be the most useful part. | 0:56:39 | 0:56:42 | |
What about selling the whole building? | 0:56:42 | 0:56:45 | |
If the owner were to put the flat and the shop on the market | 0:56:45 | 0:56:48 | |
at the moment, I would estimate that in the region of £175,000 | 0:56:48 | 0:56:52 | |
is what we would expect to achieve. | 0:56:52 | 0:56:55 | |
If the unit was sold as a whole, I believe the value would be | 0:56:55 | 0:56:58 | |
at a top limit of £250,000, at the stamp duty cut-off point, | 0:56:58 | 0:57:03 | |
going down to a low level of, perhaps, £225,000, | 0:57:03 | 0:57:07 | |
depending on the market. | 0:57:07 | 0:57:08 | |
So, a top value of 250,000 sees Ken lose £10,000 | 0:57:10 | 0:57:15 | |
before the usual taxes and expenses. | 0:57:15 | 0:57:19 | |
It's helpful to have a number in the back of your head, | 0:57:19 | 0:57:22 | |
but this was always going to be about the business, | 0:57:22 | 0:57:24 | |
so whilst it's helpful, and, you know, | 0:57:24 | 0:57:27 | |
that information is useful to know, | 0:57:27 | 0:57:29 | |
it doesn't really change things for us, so... But useful. | 0:57:29 | 0:57:33 | |
Valuations aside, I think Ken will be delighted | 0:57:37 | 0:57:40 | |
the project is finally finished. | 0:57:40 | 0:57:42 | |
He steered the ship over seven years | 0:57:42 | 0:57:45 | |
and now has a quirky shop and a fantastic flat. | 0:57:45 | 0:57:49 | |
What's he going to do next? | 0:57:49 | 0:57:50 | |
I would imagine it might be a lie down in a darkened room somewhere. | 0:57:50 | 0:57:55 | |
Oh, what's next? | 0:57:55 | 0:57:56 | |
Yes, well, a bit of a break would be nice, to be honest, | 0:57:56 | 0:57:59 | |
but there's always work to do. | 0:57:59 | 0:58:01 | |
We are thinking about another property at this minute, | 0:58:01 | 0:58:04 | |
so we just need to watch this space and see what happens. | 0:58:04 | 0:58:08 | |
So, fairytale projects or nightmare endings next time? | 0:58:11 | 0:58:14 | |
Only one way to find out. | 0:58:14 | 0:58:16 | |
Make sure you join us soon for more Homes Under the Hammer. | 0:58:16 | 0:58:18 | |
-We'll see you then. -Goodbye. -Goodbye. | 0:58:18 | 0:58:21 |