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Hello, welcome to the show. | 0:00:02 | 0:00:03 | |
Now, buying a property, be it a home or an investment, | 0:00:03 | 0:00:06 | |
could possibly be the most expensive thing you ever buy. | 0:00:06 | 0:00:09 | |
So with thousands of pounds involved, | 0:00:09 | 0:00:11 | |
you really should try and get the best value for money. | 0:00:11 | 0:00:14 | |
And where can you do that? | 0:00:14 | 0:00:15 | |
Well, maybe by heading down to your local auction. | 0:00:15 | 0:00:18 | |
Now, anyone can attend an auction, and anyone can bid. | 0:00:43 | 0:00:47 | |
You've just got to be certain that you can afford | 0:00:47 | 0:00:50 | |
to pay for what you bid for. | 0:00:50 | 0:00:51 | |
So let's see what today's bidders decided to buy at auction. | 0:00:51 | 0:00:55 | |
In Congleton, Cheshire, the wooden beams aren't quite what they seem. | 0:00:57 | 0:01:01 | |
Are they wood? That's some kind of faux wood. | 0:01:01 | 0:01:05 | |
In London, there's more than meets the eye to this developer. | 0:01:06 | 0:01:09 | |
He's also a property solicitor. | 0:01:09 | 0:01:11 | |
I used to see a lot of clients make a bob or two on the property game. | 0:01:11 | 0:01:15 | |
And what could be hiding in this mysterious building | 0:01:17 | 0:01:20 | |
in West Glamorgan? | 0:01:20 | 0:01:21 | |
Can you guess what it is? | 0:01:21 | 0:01:23 | |
It's actually the former ambulance station. | 0:01:23 | 0:01:27 | |
All of these properties have been sold at auction. | 0:01:27 | 0:01:30 | |
We'll find out who bought them, and what they paid for them | 0:01:30 | 0:01:33 | |
when they went under the hammer. | 0:01:33 | 0:01:35 | |
-HE BANGS GAVEL -Sold, 291. | 0:01:35 | 0:01:36 | |
Congleton, in Cheshire, has a strange link | 0:01:39 | 0:01:42 | |
with a very unexpected animal, the bear. | 0:01:42 | 0:01:44 | |
Unfortunately, though, this isn't a cuddly bear story. | 0:01:44 | 0:01:48 | |
Nowadays, bear-baiting in the UK would be unthinkable, | 0:01:48 | 0:01:52 | |
but this blood sport once brought in huge crowds. | 0:01:52 | 0:01:56 | |
Congleton became notorious in the 1620s when money saved | 0:01:56 | 0:01:59 | |
to buy a Bible for the town was used instead to buy a bigger bear. | 0:01:59 | 0:02:04 | |
Hence its peculiar nickname, Beartown. | 0:02:04 | 0:02:07 | |
There are still a few bears in town, but thankfully, better treated. | 0:02:07 | 0:02:10 | |
Well, being only 30 minutes from Manchester by train, | 0:02:17 | 0:02:21 | |
a lot of people move to Congleton for the quieter life. | 0:02:21 | 0:02:25 | |
If that's what you're looking for, | 0:02:25 | 0:02:27 | |
the property I'm here to see really won't suit. This is it. | 0:02:27 | 0:02:31 | |
Two bedrooms. £40,000 was the guide price. | 0:02:31 | 0:02:34 | |
But before we go in, I've got to show you this. | 0:02:34 | 0:02:37 | |
The reason it's so bad if you're looking for peace and quiet | 0:02:37 | 0:02:40 | |
is because not only is it on a main road, | 0:02:40 | 0:02:42 | |
it's right by these traffic lights. | 0:02:42 | 0:02:44 | |
So you don't get the constant vroom-vroom of the cars, | 0:02:44 | 0:02:47 | |
and the lorries, and whatever else, you get them stopping | 0:02:47 | 0:02:50 | |
at the lights and starting their engines up, and... Argh! Nightmare. | 0:02:50 | 0:02:54 | |
OK, that's the bad bit. | 0:02:54 | 0:02:55 | |
Let's find out what it's got to offer. | 0:02:55 | 0:02:58 | |
Oh... | 0:02:59 | 0:03:01 | |
HE LAUGHS | 0:03:01 | 0:03:03 | |
That's not ideal, is it? | 0:03:03 | 0:03:06 | |
Um, yeah, the electric cupboard, just there, behind the door, | 0:03:06 | 0:03:10 | |
to a point that you... | 0:03:10 | 0:03:12 | |
Well, no, not ideal. So... | 0:03:12 | 0:03:14 | |
After that slightly startling start, what have we got? | 0:03:14 | 0:03:18 | |
Lots of stuff on the walls, that's for sure. But a little corridor. | 0:03:18 | 0:03:22 | |
Front living room there. | 0:03:22 | 0:03:24 | |
Apart from the fact that it's got two sides facing the roads, | 0:03:24 | 0:03:28 | |
so you do get so much noise, It's not a bad sized space. | 0:03:28 | 0:03:32 | |
It's certainly got character, with those beam-y things going on. | 0:03:32 | 0:03:36 | |
Another beam here, so watch your head on that. | 0:03:36 | 0:03:39 | |
Through to a rear sitting room. | 0:03:39 | 0:03:40 | |
And straight away, one thing that I really like about the place, | 0:03:40 | 0:03:44 | |
it's got character. I mean, look at this for a fireplace. | 0:03:44 | 0:03:47 | |
Whatever you think of it, it's not boring, is it? | 0:03:47 | 0:03:51 | |
And actually, I think if you got rid of this top bit maybe, | 0:03:51 | 0:03:54 | |
made that smooth, painted that perhaps a different colour, | 0:03:54 | 0:03:57 | |
that would be a really interesting feature. | 0:03:57 | 0:04:00 | |
But things like the staircase returns here. | 0:04:00 | 0:04:02 | |
I'm not sure if that needs a bit of investigating. | 0:04:02 | 0:04:05 | |
But there's lots of wood going on. | 0:04:05 | 0:04:07 | |
Um... | 0:04:07 | 0:04:09 | |
Hm... I say wood. | 0:04:09 | 0:04:11 | |
On closer inspection, that isn't, is it? | 0:04:13 | 0:04:17 | |
That's some kind of concrete-y, fibreglass-y, | 0:04:17 | 0:04:22 | |
plaster-y faux wood - | 0:04:22 | 0:04:25 | |
the sort of thing you have in theme parks | 0:04:25 | 0:04:27 | |
where it looks like boulders and stuff. | 0:04:27 | 0:04:30 | |
But somebody's gone to a lot of trouble to put it on. Hm. | 0:04:30 | 0:04:33 | |
Anyway. Through there, to this area here, there's the kitchen. | 0:04:33 | 0:04:37 | |
Through to the bathroom. | 0:04:37 | 0:04:39 | |
I mean, for that 40,000 quid... | 0:04:39 | 0:04:42 | |
I know it's got a few quirky things about it, but... | 0:04:42 | 0:04:45 | |
It's not a bad house, is it? | 0:04:45 | 0:04:47 | |
Not bad at all. | 0:04:47 | 0:04:49 | |
Headroom is at a premium, but removing the "wooden" beams.. | 0:04:49 | 0:04:53 | |
-HE CLEARS THROAT -..may help with that. | 0:04:53 | 0:04:55 | |
Having a bathroom downstairs isn't ideal either, | 0:04:55 | 0:04:58 | |
but is standard in these types of houses. | 0:04:58 | 0:05:01 | |
But those really steep stairs, well, they ring alarm bells. | 0:05:01 | 0:05:06 | |
Well, top of the stairs, and a real safety issue, | 0:05:09 | 0:05:12 | |
a potential disaster waiting to happen here. | 0:05:12 | 0:05:14 | |
Because look what you've got. Fair enough, top of the stairs, | 0:05:14 | 0:05:17 | |
bit of a landing area going into that bedroom. | 0:05:17 | 0:05:20 | |
But nothing here apart from this tiny little area here, | 0:05:20 | 0:05:23 | |
when you come out of this bedroom here. | 0:05:23 | 0:05:26 | |
So the danger of basically stepping off there | 0:05:26 | 0:05:28 | |
and falling down the stairs is huge. | 0:05:28 | 0:05:30 | |
That wants to be sorted, | 0:05:30 | 0:05:31 | |
especially if you're looking at renting this place out. | 0:05:31 | 0:05:34 | |
I think you'd be legally obliged to do that. | 0:05:34 | 0:05:37 | |
Maybe you could create some kind of a landing area by taking down | 0:05:37 | 0:05:40 | |
a bit of that wall, sneaking a bit of room out of that bedroom. | 0:05:40 | 0:05:43 | |
It could certainly cope with that. But, for me, that is | 0:05:43 | 0:05:46 | |
one of the big priorities. | 0:05:46 | 0:05:49 | |
This is the sort of thing that would never pass | 0:05:49 | 0:05:52 | |
current building regulations, and if you were to rent this out, | 0:05:52 | 0:05:55 | |
you'd have an obligation to make this house safe for your tenant. | 0:05:55 | 0:05:59 | |
Aside from that issue, there are two good-sized bedrooms up here. | 0:05:59 | 0:06:03 | |
But, shiver me timbers, more of those beams. | 0:06:03 | 0:06:07 | |
The rooms are nice and bright, | 0:06:07 | 0:06:09 | |
but I think I would want to get rid of these leaded windows and get | 0:06:09 | 0:06:12 | |
some double, maybe even triple glazing to keep the noise out. | 0:06:12 | 0:06:16 | |
The floor definitely has a slope, so a structural survey is a must. | 0:06:18 | 0:06:22 | |
Let's head outside to see if that's on the straight, | 0:06:23 | 0:06:26 | |
but hopefully not narrow. | 0:06:26 | 0:06:28 | |
Well, if you're looking for a house with lots of outside space, | 0:06:30 | 0:06:34 | |
you need to look somewhere else. | 0:06:34 | 0:06:36 | |
Because literally all you have got is that little bit of courtyard. | 0:06:36 | 0:06:40 | |
That bit there actually belongs to the next door neighbours. | 0:06:40 | 0:06:44 | |
Now, ffftt...it's not ideal. | 0:06:44 | 0:06:46 | |
But trying to find a plus point here, if you were looking to rent | 0:06:46 | 0:06:49 | |
this place out, tenants generally don't like large gardens, | 0:06:49 | 0:06:52 | |
something they have to look after, at least. | 0:06:52 | 0:06:54 | |
What you've got here is space for your bins, | 0:06:54 | 0:06:56 | |
maybe somewhere you could put your bikes. So that's a positive. | 0:06:56 | 0:07:00 | |
Perhaps a local estate agent might like to borrow | 0:07:07 | 0:07:09 | |
my rose-tinted spectacles. What does he reckon about this property, | 0:07:09 | 0:07:13 | |
guided at £40,000? | 0:07:13 | 0:07:16 | |
The property is in need of a full scheme of refurbishment. | 0:07:17 | 0:07:20 | |
I also think there are some structural issues | 0:07:20 | 0:07:22 | |
to the left-hand side of the property. | 0:07:22 | 0:07:25 | |
In the second bedroom, the floor runs out to the side elevation wall, | 0:07:25 | 0:07:29 | |
and it has quite a large slope. | 0:07:29 | 0:07:31 | |
Makes you feel like you've had a few too many glasses of wine. | 0:07:31 | 0:07:34 | |
Well, I think we can agree that it will be a while | 0:07:34 | 0:07:36 | |
before anyone sits back with a glass of wine here. | 0:07:36 | 0:07:39 | |
There is a lot of work to do. Would it be worth it? | 0:07:39 | 0:07:42 | |
You're probably looking to achieve somewhere in the region | 0:07:43 | 0:07:47 | |
between £75,000 to £80,000. | 0:07:47 | 0:07:49 | |
If the property was placed onto the rental market, I would expect | 0:07:49 | 0:07:52 | |
to achieve somewhere in the region of £400 to £450 per calendar month. | 0:07:52 | 0:07:56 | |
Well, it's certainly a house with lots of character. | 0:07:57 | 0:08:00 | |
Some would call it quirky. | 0:08:00 | 0:08:02 | |
Not an ideal location, but remember that guide price, £40,000. | 0:08:02 | 0:08:06 | |
I actually think it's a really good one to go for. | 0:08:06 | 0:08:09 | |
Let's see who agreed when it went under the hammer. | 0:08:09 | 0:08:12 | |
It's a two-bedroomed | 0:08:12 | 0:08:14 | |
end terrace house. | 0:08:14 | 0:08:15 | |
I have a proxy bid on this of £28,000. | 0:08:15 | 0:08:19 | |
Bid with me at £28,000. Looking for 30 in the room. | 0:08:19 | 0:08:23 | |
£30,000 in the room. £30,000. 31 with me. | 0:08:23 | 0:08:28 | |
32, 33 with me. | 0:08:28 | 0:08:30 | |
34, at 34 I'm out. | 0:08:30 | 0:08:33 | |
At £34,000. 34,500, | 0:08:33 | 0:08:38 | |
35, 35...500? | 0:08:38 | 0:08:40 | |
No? At 35,000, right in the middle at £35,000. | 0:08:42 | 0:08:47 | |
Right at the back now, 35,500. | 0:08:47 | 0:08:51 | |
36. | 0:08:51 | 0:08:53 | |
36. 36,500... | 0:08:53 | 0:08:56 | |
37? No? | 0:08:56 | 0:08:58 | |
At 36,000, by the light. At £36,500, | 0:08:58 | 0:09:02 | |
37, anywhere else? | 0:09:02 | 0:09:03 | |
If not, 36,500 once, | 0:09:05 | 0:09:08 | |
36,500 twice, | 0:09:08 | 0:09:10 | |
and final time, 36,500... | 0:09:10 | 0:09:13 | |
-HE BANGS GAVEL -Your lot. Well done. | 0:09:13 | 0:09:15 | |
Julia made that successful bid of £36,500, | 0:09:17 | 0:09:21 | |
that's £3,500 below the guide price. | 0:09:21 | 0:09:24 | |
Julia and her husband Mike are relative novices | 0:09:24 | 0:09:27 | |
when it comes to property development, | 0:09:27 | 0:09:30 | |
with two previous developments their only experience. | 0:09:30 | 0:09:33 | |
However, they're keen to get going with their latest purchase. | 0:09:33 | 0:09:36 | |
And I met full-time mum Julia back at the property | 0:09:36 | 0:09:39 | |
to find out their plans. | 0:09:39 | 0:09:41 | |
-Julia, great to meet you. -And you. -Congratulations. -Thank you. | 0:09:41 | 0:09:45 | |
-What an interesting little place this is. -Mm. | 0:09:45 | 0:09:47 | |
Tell me why you wanted to buy it. | 0:09:47 | 0:09:50 | |
Mainly the price. It was the right price. | 0:09:50 | 0:09:53 | |
And I know this area a little bit, | 0:09:53 | 0:09:55 | |
so I knew that the price was a good price for this area, really. | 0:09:55 | 0:10:00 | |
And why do you think it was that price? | 0:10:00 | 0:10:02 | |
Probably because it needs quite a bit of work doing to it. | 0:10:04 | 0:10:07 | |
And it's got a bathroom downstairs, | 0:10:07 | 0:10:09 | |
which doesn't appeal to everybody, so yeah. It kept it low. | 0:10:09 | 0:10:12 | |
And the slope-y floor bit? | 0:10:12 | 0:10:14 | |
Yeah, I guess the slope-y floor might have something to do with it... | 0:10:14 | 0:10:17 | |
SHE LAUGHS | 0:10:17 | 0:10:18 | |
-And the slightly weird interior decor, perhaps? -Yes. | 0:10:18 | 0:10:21 | |
It needs...yes, a bit of work, doesn't it? | 0:10:21 | 0:10:23 | |
What are you planning to do to it? | 0:10:23 | 0:10:26 | |
Most things, really. It needs the damp sorting out. | 0:10:26 | 0:10:30 | |
It needs re-plastering. It needs rewiring. | 0:10:30 | 0:10:33 | |
It's got no central heating. The upstairs floor needs sorting out. | 0:10:33 | 0:10:38 | |
-New windows. -And kitchen? -Kitchen and bathroom, yeah, yeah. | 0:10:38 | 0:10:41 | |
All that needs ripping out and starting again. | 0:10:41 | 0:10:45 | |
Julia's certainly made a great assessment to the tasks ahead, | 0:10:45 | 0:10:49 | |
and, I'm delighted to say, has in her sights | 0:10:49 | 0:10:52 | |
one of the main difficulties I can see about the house, that staircase. | 0:10:52 | 0:10:56 | |
-So what are the plans for that? -I'm not quite sure. -Oh, OK. -Yeah. | 0:10:56 | 0:11:00 | |
I'll need to get somebody in to have a look. | 0:11:00 | 0:11:02 | |
But if we can try and rearrange it, maybe bring it further out this way | 0:11:02 | 0:11:06 | |
so that we can get a proper landing at the top. | 0:11:06 | 0:11:09 | |
And what about all this | 0:11:09 | 0:11:11 | |
-wood/concrete/fibreglass/whatever it is? -Yeah. | 0:11:11 | 0:11:16 | |
Needs to go, really, doesn't it? | 0:11:16 | 0:11:18 | |
Well, somebody's gone to such a lot of trouble to put it in. | 0:11:18 | 0:11:21 | |
-It's a shame to say yes. But...yes. -It does, it needs to go. | 0:11:21 | 0:11:25 | |
I think it takes up a lot of space as well. | 0:11:25 | 0:11:28 | |
-We'll get rid of that, open it up a bit. -It's not the biggest of houses. | 0:11:28 | 0:11:31 | |
It's not small, but it's not massive. | 0:11:31 | 0:11:33 | |
And it probably doesn't help | 0:11:33 | 0:11:35 | |
-creating more feeling of space, does it? -That's right. | 0:11:35 | 0:11:37 | |
We'll try and maximise on the space that we've got. | 0:11:37 | 0:11:40 | |
The one big negative, if there are any, is the location. Good and bad. | 0:11:40 | 0:11:44 | |
Good in terms of what it's close to, but right on this junction. | 0:11:44 | 0:11:48 | |
And you can hear the traffic... | 0:11:48 | 0:11:50 | |
-Yeah. -This isn't even peak time, is it? -No. | 0:11:50 | 0:11:53 | |
You can't do anything about that, though, | 0:11:53 | 0:11:55 | |
-apart from putting triple glazing. -New windows, yeah. | 0:11:55 | 0:11:58 | |
I think we'll try and do the best we can with the windows. | 0:11:58 | 0:12:01 | |
And, like you say, other than that... | 0:12:01 | 0:12:03 | |
You know, I've lived on a busy road, and you get used to it. | 0:12:03 | 0:12:06 | |
So I think, as a rental property, | 0:12:06 | 0:12:08 | |
I don't think that will be too much of an issue. | 0:12:08 | 0:12:10 | |
-And that's the plan, is it? To rent it out? -Yes. Yes, it is. | 0:12:10 | 0:12:13 | |
Well, before Julia can look for any renters, | 0:12:15 | 0:12:17 | |
she's got a long list of pretty big jobs to get done, | 0:12:17 | 0:12:21 | |
although she does have a fairly healthy budget of around £23,000, | 0:12:21 | 0:12:25 | |
and a timescale of three to four months, | 0:12:25 | 0:12:27 | |
to get this dated and wonky house ready for the rental market. | 0:12:27 | 0:12:32 | |
So how involved are you going to be with it? | 0:12:33 | 0:12:38 | |
I will be here most days to make sure that everything's going | 0:12:38 | 0:12:41 | |
-according to plan. -You'll be telling other people what to do? -Exactly. | 0:12:41 | 0:12:45 | |
MARTIN LAUGHS Yes! | 0:12:45 | 0:12:47 | |
I like to plan things, I like to do the shopping for the kitchen | 0:12:47 | 0:12:50 | |
and the bathroom, and all that. | 0:12:50 | 0:12:52 | |
But luckily, I've got a very good builder who knows a lot of people, | 0:12:52 | 0:12:56 | |
and we've used people in the past for projects, | 0:12:56 | 0:12:59 | |
so you know, hopefully I won't need to get hands-on at all. | 0:12:59 | 0:13:03 | |
-Well, congratulations! -Thank you. | 0:13:03 | 0:13:05 | |
-We'll look forward to seeing how you get on. -Thank you very much. | 0:13:05 | 0:13:08 | |
So it looks like the fake wood is destined to go | 0:13:10 | 0:13:13 | |
in Julia's renovation of this little property in Congleton. | 0:13:13 | 0:13:16 | |
It's one of those ones that is going to be dramatically different | 0:13:16 | 0:13:20 | |
when we return. Can't wait to see what it looks like. | 0:13:20 | 0:13:23 | |
You can find out later in the show. | 0:13:23 | 0:13:26 | |
And talking of dramatically different, | 0:13:28 | 0:13:31 | |
it's hard to believe that Willesden, here in north London, | 0:13:31 | 0:13:34 | |
was once a rural village with a population of less than 20,000. | 0:13:34 | 0:13:38 | |
In the late 1800s, the population grew to 140,000 | 0:13:38 | 0:13:42 | |
in just 25 years, thanks to the arrival of the railway. | 0:13:42 | 0:13:47 | |
The property I'm here to see today is part of these Victorian terraces, | 0:13:53 | 0:13:58 | |
probably built around the time of the railway station. | 0:13:58 | 0:14:01 | |
Well, it's in here, it's on the first floor, it's a one-bedder | 0:14:01 | 0:14:05 | |
and it has a guide price of £260,000 plus. | 0:14:05 | 0:14:09 | |
Let's see what those good old Victorians built. | 0:14:09 | 0:14:12 | |
First things first, in through the front door, | 0:14:17 | 0:14:20 | |
and a flight of stairs to negotiate. | 0:14:20 | 0:14:22 | |
I'm not going to let that put me off. Although the decor might. | 0:14:22 | 0:14:25 | |
So a lot in this flat needs doing. | 0:14:25 | 0:14:27 | |
But only decoration and carpets and painting. | 0:14:27 | 0:14:30 | |
A lot of, sort of, egg yolk yellows everywhere, and oranges. | 0:14:30 | 0:14:34 | |
Bathroom, and through to the back room, | 0:14:34 | 0:14:37 | |
painted in a very interesting sorbet tangerine colour. | 0:14:37 | 0:14:41 | |
But this is what I can't believe. | 0:14:41 | 0:14:43 | |
Look how close you are to the tube station! Look! | 0:14:43 | 0:14:48 | |
They literally are in your back garden. | 0:14:48 | 0:14:50 | |
Now, let's do a sound test. | 0:14:50 | 0:14:52 | |
TUBE TRAIN | 0:14:52 | 0:14:54 | |
Doesn't make that much difference. | 0:14:54 | 0:14:57 | |
So could it be a positive, could it be a negative? I'm not quite sure. | 0:14:57 | 0:15:00 | |
It depends how quickly you need to get into town. | 0:15:00 | 0:15:03 | |
For some, being that close to transport is a dream. | 0:15:12 | 0:15:16 | |
And for others, it will send you off the rails. | 0:15:16 | 0:15:19 | |
Getting this flat's decor back on track is something you CAN control. | 0:15:19 | 0:15:23 | |
Oranges aren't the only colour. | 0:15:23 | 0:15:25 | |
It's almost like this flat has got a pulse, | 0:15:28 | 0:15:30 | |
because when the trains go, the flat just slightly moves. | 0:15:30 | 0:15:34 | |
You've got the kitchen just here, which is a great size. | 0:15:34 | 0:15:37 | |
There's a table in there, so you can sit down and eat. | 0:15:37 | 0:15:40 | |
And through here, well, this is the front of the property. | 0:15:40 | 0:15:43 | |
This is currently laid out as the bedroom. | 0:15:43 | 0:15:46 | |
Now, I am thinking it would be served so much better | 0:15:46 | 0:15:49 | |
as a living room, a cosy lounge. | 0:15:49 | 0:15:52 | |
Why do you think this is the bedroom? | 0:15:52 | 0:15:55 | |
Do you think it's too noisy at the back? | 0:15:55 | 0:15:58 | |
If you slept at the back, you could hear the trains? What do you think? | 0:15:58 | 0:16:01 | |
I don't know. I'm going to leave that one with you. | 0:16:01 | 0:16:04 | |
But I think if this were mine, actually, I might swap it over. | 0:16:04 | 0:16:08 | |
Let's see what a local estate agent makes of this flat, | 0:16:09 | 0:16:12 | |
guided at £260,000. | 0:16:12 | 0:16:14 | |
I think the property offers excellent potential. | 0:16:23 | 0:16:25 | |
It's currently laid out as quite a spacious one-bedroom, but these days | 0:16:25 | 0:16:29 | |
you could quite comfortably make it into a two-double-bedroom property. | 0:16:29 | 0:16:32 | |
So he thinks converting the lounge into a second bedroom | 0:16:32 | 0:16:35 | |
could be another option. How would that affect the values? | 0:16:35 | 0:16:39 | |
So if you were to keep this property laid out as it is, | 0:16:39 | 0:16:42 | |
but in good condition, you'd be looking at around £350,000 for sales, | 0:16:42 | 0:16:45 | |
and you'd be looking at around £1,300 per calendar month | 0:16:45 | 0:16:48 | |
for the lettings market. | 0:16:48 | 0:16:50 | |
'If you were to convert this into a two-bedroom property, it would be | 0:16:50 | 0:16:53 | |
'two-double-bedroom and you'd be looking at £400,000 for sales, | 0:16:53 | 0:16:57 | |
'and you'd be looking at around £1,500 per calendar month | 0:16:57 | 0:16:59 | |
'for the lettings market.' | 0:16:59 | 0:17:01 | |
Well, this little flat over a few levels certainly has character | 0:17:01 | 0:17:05 | |
and lots of exciting options. | 0:17:05 | 0:17:07 | |
You could do a simple refurb, or you could think about a full overhaul. | 0:17:07 | 0:17:11 | |
But is it too near to that train station, | 0:17:11 | 0:17:14 | |
or will people absolutely love that? | 0:17:14 | 0:17:16 | |
Let's see what happens when this property went under the hammer. | 0:17:16 | 0:17:20 | |
One-bed, first-floor flat. 250. | 0:17:20 | 0:17:24 | |
Thank you. 250. | 0:17:24 | 0:17:26 | |
255, anywhere? | 0:17:26 | 0:17:28 | |
We've got 250 standing up at the back. Anyone else? It's with you. | 0:17:28 | 0:17:32 | |
Oh, 255, thought you had it. 260... | 0:17:32 | 0:17:36 | |
Bidding started a little sluggish, | 0:17:36 | 0:17:38 | |
but it soon became a nerve-jangling battle. | 0:17:38 | 0:17:41 | |
We rejoin the bidding at 275,000. | 0:17:41 | 0:17:46 | |
..275. | 0:17:46 | 0:17:48 | |
276, 277, 278, 279, | 0:17:48 | 0:17:52 | |
280, 281, 282, | 0:17:52 | 0:17:56 | |
283, 284, 285, 286... | 0:17:56 | 0:18:00 | |
Up a bit, might be... One more go? Yeah? | 0:18:01 | 0:18:04 | |
286, 287... | 0:18:04 | 0:18:06 | |
287, 288, 289, | 0:18:08 | 0:18:11 | |
290... | 0:18:11 | 0:18:13 | |
Must go one... 290. They're struggling a bit. 290? Well done. | 0:18:13 | 0:18:17 | |
291? | 0:18:17 | 0:18:18 | |
291? 291. | 0:18:20 | 0:18:23 | |
I daren't ask you now. 292? | 0:18:23 | 0:18:25 | |
But I've got to. 291. Have a think. | 0:18:25 | 0:18:28 | |
292, elsewhere? | 0:18:28 | 0:18:30 | |
We've got 291 standing up, first time, second time... | 0:18:30 | 0:18:35 | |
Third and last time, if you're all done... | 0:18:35 | 0:18:37 | |
Sold, 291. | 0:18:39 | 0:18:40 | |
Raj was the successful bidder. | 0:18:40 | 0:18:42 | |
He and his business partner finally purchasing the property for 291,000. | 0:18:42 | 0:18:48 | |
And he's definitely in the know when it comes to property. | 0:18:48 | 0:18:51 | |
Not only is Raj local, he has another ace up his sleeve. | 0:18:51 | 0:18:55 | |
I met him to find out how he knows all the right steps. | 0:18:55 | 0:18:59 | |
-Raj, congratulations. -Thank you very much indeed, thank you. | 0:19:03 | 0:19:06 | |
-So here you have a one-bedroom flat... -That's right. | 0:19:06 | 0:19:09 | |
..with a tube station right there. I mean, is that handy? | 0:19:09 | 0:19:13 | |
-Is that going to put buyers off? -I think... | 0:19:13 | 0:19:16 | |
It may put some buyers off, but the real charm of this property | 0:19:16 | 0:19:19 | |
is actually the location of the station. | 0:19:19 | 0:19:22 | |
It's about 10 minutes into central London, to get to Bond Street, | 0:19:22 | 0:19:25 | |
and about 15, 20 minutes into Canary Wharf. | 0:19:25 | 0:19:28 | |
So that is actually one of the charms, | 0:19:28 | 0:19:30 | |
and the reason we chose this location. | 0:19:30 | 0:19:32 | |
So tell me, what is your knowledge of property? | 0:19:32 | 0:19:34 | |
Well, by profession I am actually a property solicitor, and that's | 0:19:34 | 0:19:38 | |
what inspired me to try my dab hand at property developing. | 0:19:38 | 0:19:41 | |
I used to see a lot of clients make a bob or two on the property game... | 0:19:41 | 0:19:45 | |
LUCY LAUGHS ..so I always used to think, "I'm on the wrong end of the transaction." | 0:19:45 | 0:19:50 | |
Then after lots of hard work and perseverance, | 0:19:50 | 0:19:52 | |
-I got my first property about four, five years ago. -OK. | 0:19:52 | 0:19:55 | |
And I've done a few projects myself. | 0:19:55 | 0:19:57 | |
This one is together with my business partner, | 0:19:57 | 0:19:59 | |
and I've done a handful with him as well. | 0:19:59 | 0:20:01 | |
And of course you hope to make a bob or two yourself. | 0:20:01 | 0:20:04 | |
We would hope so. We would hope so. | 0:20:04 | 0:20:06 | |
We know the market around this area, so we know what prices would fetch. | 0:20:06 | 0:20:10 | |
-OK. -But we can sit out the market as well. | 0:20:10 | 0:20:12 | |
If the resale value isn't favourable, | 0:20:12 | 0:20:14 | |
we will definitely leave it to rent out, and ride the highs and lows | 0:20:14 | 0:20:17 | |
of the property markets for the next years to come. | 0:20:17 | 0:20:19 | |
OK, talking like a true professional. | 0:20:19 | 0:20:22 | |
So what advantage do you have over somebody else that may just | 0:20:22 | 0:20:25 | |
-go to a property auction? -I think I knew the legalities of it. | 0:20:25 | 0:20:28 | |
I know on your show, Martin and yourself | 0:20:28 | 0:20:30 | |
are always telling people to look at the legal packs. | 0:20:30 | 0:20:33 | |
So whenever the legal packs are there, for any property myself | 0:20:33 | 0:20:36 | |
and my partner are interested in, | 0:20:36 | 0:20:38 | |
I scrutinise it with a fine tooth comb, | 0:20:38 | 0:20:40 | |
make sure there are no hidden extras or special conditions | 0:20:40 | 0:20:43 | |
-which could be overly onerous. -Absolutely. | 0:20:43 | 0:20:46 | |
-That is the one thing Martin and I always preach on about. -Absolutely. | 0:20:46 | 0:20:49 | |
It's so important, because you can get little loopholes, | 0:20:49 | 0:20:52 | |
covenants, all sorts of stuff that creep up in a legal pack. | 0:20:52 | 0:20:55 | |
See, it's not just Martin and I that swear by the legal pack. | 0:21:00 | 0:21:04 | |
And Raj is ready to rewrite the rules of this flat's layout. | 0:21:04 | 0:21:08 | |
So what we're looking to do is, we're looking to reconfigure the property. | 0:21:08 | 0:21:11 | |
At the moment it's a one bedroom, | 0:21:11 | 0:21:13 | |
so what we're going to be doing is taking the wall down | 0:21:13 | 0:21:16 | |
between the current bedroom and the actual kitchen, | 0:21:16 | 0:21:19 | |
and relocating the kitchen into an open plan area. | 0:21:19 | 0:21:23 | |
And the front bedroom will actually become the open plan living area | 0:21:23 | 0:21:26 | |
with the kitchen combined. | 0:21:26 | 0:21:28 | |
So you're looking at creating a lounge-kitchen area, one space? | 0:21:28 | 0:21:32 | |
-That's right. -And making that tiny little bit left over... -Yes. | 0:21:32 | 0:21:35 | |
..a bedroom? | 0:21:35 | 0:21:37 | |
-It CAN work. It has worked on previous projects! -Oh, Raj! | 0:21:37 | 0:21:40 | |
It can actually work. | 0:21:40 | 0:21:41 | |
That is going to be a shoe box, but I know we're in London | 0:21:41 | 0:21:44 | |
and we are literally a stone's throw from the tube. | 0:21:44 | 0:21:47 | |
But that is going to be a very small room, in all honesty. | 0:21:47 | 0:21:50 | |
Come on, this is your game. How much value can you add by doing that? | 0:21:50 | 0:21:53 | |
We would hope a little bit. | 0:21:53 | 0:21:55 | |
We've spoken to a few agents, and knowing from some of the projects | 0:21:55 | 0:21:58 | |
we've done in the past as well... You're right, we are in London. | 0:21:58 | 0:22:01 | |
Even that small second bedroom where you can just about squeeze | 0:22:01 | 0:22:05 | |
that second bedroom in, it does actually make it worth doing. | 0:22:05 | 0:22:08 | |
So when you're looking at the property particulars, | 0:22:08 | 0:22:11 | |
you're like, "Ooh, this is a two-bedder!" Yeah. | 0:22:11 | 0:22:13 | |
So you think that is going to be an advantage to anybody else | 0:22:13 | 0:22:16 | |
-looking to sell a one bed? -I think most certainly. | 0:22:16 | 0:22:19 | |
And from a rental point of view as well. | 0:22:19 | 0:22:21 | |
If it was a young professional who's perhaps working in town, | 0:22:21 | 0:22:23 | |
they've got that second bedroom, a guest stay over, or so forth. | 0:22:23 | 0:22:27 | |
We definitely think it will give us that edge. | 0:22:27 | 0:22:29 | |
So rather than just make the lounge a second bedroom, | 0:22:38 | 0:22:41 | |
Raj wants to knock down a wall and extend the current master bedroom | 0:22:41 | 0:22:45 | |
to use some of the kitchen area. | 0:22:45 | 0:22:47 | |
Whatever's left of the kitchen can be a bedroom - a tiny bedroom. | 0:22:47 | 0:22:50 | |
It's all very well me banging on about the size of that room, | 0:22:50 | 0:22:55 | |
but this is London. Could Raj be right? | 0:22:55 | 0:22:58 | |
His tangerine dream might give you nightmares | 0:22:58 | 0:23:01 | |
-if you live anywhere else. London? -'E -knows his stuff. | 0:23:01 | 0:23:04 | |
He's given himself two-and-a-half months to sort this flat out, | 0:23:04 | 0:23:08 | |
so what's his budget to tackle this? | 0:23:08 | 0:23:10 | |
So come on, how much are you going to spend here? | 0:23:11 | 0:23:14 | |
We've got a budget of between £15,000 to £20,000. | 0:23:14 | 0:23:17 | |
I think, from previous experience, that's a fair estimate, | 0:23:17 | 0:23:19 | |
but obviously we always have a contingency. | 0:23:19 | 0:23:22 | |
-You never know, something... -Ooh, you are so sensible! | 0:23:22 | 0:23:26 | |
If there's any man that's going to do it right, it's going to be you! | 0:23:26 | 0:23:29 | |
Checklist Raj. I really hope so, Lisa. | 0:23:29 | 0:23:31 | |
Are you that strict, are you that stringent with everything you do? | 0:23:31 | 0:23:34 | |
-It's got to be by the book? -I think sometimes, but sometimes I get lazy. | 0:23:34 | 0:23:38 | |
I know there can be delays, | 0:23:38 | 0:23:39 | |
and sometimes builders don't turn up, materials are not available, | 0:23:39 | 0:23:42 | |
and sometimes I can't be bothered to get out of bed as well! | 0:23:42 | 0:23:45 | |
And I bet that bugs you like crazy, | 0:23:45 | 0:23:47 | |
-because I know that you like everything just so. -Yeah. | 0:23:47 | 0:23:49 | |
I just hope you do end up making a bob or two. | 0:23:49 | 0:23:51 | |
-Thank you very much indeed. -That's what it's all about for you. | 0:23:51 | 0:23:54 | |
-Absolutely. -Well done, congratulations. | 0:23:54 | 0:23:56 | |
Thank you, Lisa. Thank you so much. | 0:23:56 | 0:23:58 | |
So property solicitor turned property developer Raj | 0:23:58 | 0:24:02 | |
has his latest property for his portfolio. | 0:24:02 | 0:24:05 | |
And if it all goes to plan, | 0:24:05 | 0:24:07 | |
then he is potentially looking at a nice, tidy profit. | 0:24:07 | 0:24:11 | |
But does he really think bedroom number two is worthwhile? | 0:24:11 | 0:24:15 | |
Taking that wall down? Is it really going to add that much value? | 0:24:15 | 0:24:19 | |
You can find out if Raj does make his bob or two | 0:24:19 | 0:24:23 | |
later on in the programme. | 0:24:23 | 0:24:24 | |
There's big plans to sort out this ambulance station's ills. | 0:24:26 | 0:24:30 | |
There's going to be an extension, | 0:24:30 | 0:24:32 | |
and eventually there will be a swimming pool out on the side. | 0:24:32 | 0:24:35 | |
And has our property solicitor caught the development bug? | 0:24:38 | 0:24:41 | |
We'll definitely be hitting the auction room again, | 0:24:41 | 0:24:44 | |
and hope to buy sooner rather than later. | 0:24:44 | 0:24:46 | |
Time to return now to our two-bedroom end-terraced house | 0:24:49 | 0:24:53 | |
with a guide price of £40,000 | 0:24:53 | 0:24:55 | |
situated in the Cheshire town of Congleton. | 0:24:55 | 0:24:59 | |
# Do-do-do Come on and do the conga | 0:24:59 | 0:25:03 | |
# Do-do-do It's conga night for sure... # | 0:25:03 | 0:25:07 | |
No, no, Congle-TON. | 0:25:07 | 0:25:10 | |
Oh, nevermind... The house had some... | 0:25:10 | 0:25:13 | |
let's say, eccentricities, including some dangerous-looking stairs, | 0:25:13 | 0:25:18 | |
a slope on the first floor, | 0:25:18 | 0:25:21 | |
and fake wood everywhere. | 0:25:21 | 0:25:24 | |
It wasn't without its charms, though. | 0:25:24 | 0:25:26 | |
Straightaway, one thing that I really like about the place, | 0:25:26 | 0:25:29 | |
it's got character. I mean, look at this for a fireplace. | 0:25:29 | 0:25:33 | |
Whatever you think of it, it's not boring, is it? | 0:25:33 | 0:25:36 | |
In spite of these quirks, I still thought it was a lot of house | 0:25:37 | 0:25:40 | |
on offer for a guide price of 40,000. | 0:25:40 | 0:25:43 | |
And it was even better value for Julia, the successful bidder, | 0:25:43 | 0:25:47 | |
as she paid just £36,500 at the auction. | 0:25:47 | 0:25:50 | |
She was looking to let out the property | 0:25:50 | 0:25:53 | |
and knew what needed doing. | 0:25:53 | 0:25:54 | |
And what about all this | 0:25:56 | 0:25:58 | |
wood/concrete/fibreglass/whatever it is? | 0:25:58 | 0:26:03 | |
Yeah, it needs to go, really, doesn't it? | 0:26:03 | 0:26:05 | |
Well, somebody's gone to such a lot of trouble to put it in, | 0:26:05 | 0:26:09 | |
it's a shame to say yes, but...yes. | 0:26:09 | 0:26:12 | |
Six months have passed, and we've returned to Congleton to see | 0:26:14 | 0:26:18 | |
if Julia's managed to turn this house | 0:26:18 | 0:26:20 | |
from fake wood into really good. | 0:26:20 | 0:26:22 | |
I think we can safely say Julia's dragged this oddity | 0:26:45 | 0:26:48 | |
back into the 21st century. | 0:26:48 | 0:26:51 | |
With new windows throughout, | 0:26:51 | 0:26:52 | |
that traffic noise is much more tolerable, | 0:26:52 | 0:26:55 | |
and those stairs aren't scaring me any more. | 0:26:55 | 0:26:58 | |
Which is always nice. | 0:26:58 | 0:27:00 | |
Julia's even put some wood back in. Real this time. | 0:27:00 | 0:27:04 | |
The main things that we've changed | 0:27:04 | 0:27:06 | |
since you were here last is the windows, we replaced. | 0:27:06 | 0:27:10 | |
We've taken most of the walls back to brickwork and re-plastered, rewired. | 0:27:10 | 0:27:14 | |
New kitchen, new bathroom, new floors upstairs. New flat roof. | 0:27:15 | 0:27:20 | |
Most things that could be done, have been done. | 0:27:21 | 0:27:23 | |
And the house looks all the better for it. | 0:27:25 | 0:27:27 | |
It's not just been a redecoration either. | 0:27:27 | 0:27:30 | |
Julia's also reconfigured some of the rooms | 0:27:30 | 0:27:32 | |
to make better use of the space. | 0:27:32 | 0:27:34 | |
OK, so this originally was the dining area. | 0:27:37 | 0:27:40 | |
And it had quite a large fireplace in the corner, which we removed, | 0:27:40 | 0:27:44 | |
which has opened it up nicely and given us quite a bit more space. | 0:27:44 | 0:27:47 | |
So we decided to put the kitchen mainly in this bit. | 0:27:47 | 0:27:50 | |
Previously it was just in the far side, | 0:27:50 | 0:27:52 | |
which just wasn't enough space to get everything in, really. | 0:27:52 | 0:27:55 | |
So this has allowed us to get all the modern appliances in. | 0:27:55 | 0:27:58 | |
And we've taken a lot of the fake beams out as well, | 0:27:58 | 0:28:01 | |
which has opened it up and brightened it as well. | 0:28:01 | 0:28:04 | |
So it's a nice, light, airy space, which we're really pleased with. | 0:28:04 | 0:28:07 | |
So farewell then, false, wooden beams. | 0:28:08 | 0:28:11 | |
Gone to the great props store in the sky. | 0:28:11 | 0:28:14 | |
And I don't want to be cruel, but I'm glad. | 0:28:14 | 0:28:17 | |
The house looks so much more spacious. | 0:28:17 | 0:28:19 | |
But it's not just cosmetic changes Julia's made. | 0:28:19 | 0:28:21 | |
Along with new windows and a new flat roof, there was | 0:28:21 | 0:28:24 | |
a sloping floor upstairs that needed sorting. | 0:28:24 | 0:28:27 | |
OK, so in here originally, the floor was quite sloping, | 0:28:30 | 0:28:34 | |
so we pulled up the floorboards and realised that the floor throughout | 0:28:34 | 0:28:37 | |
upstairs was needing to be replaced, because the joists were quite rotten. | 0:28:37 | 0:28:41 | |
So we've done that, and that's sorted the problem out. | 0:28:41 | 0:28:44 | |
We also changed the position of the door, because originally | 0:28:44 | 0:28:47 | |
the door was going out onto the staircase, which wasn't very safe. | 0:28:47 | 0:28:50 | |
So we made a little landing by using some of the space | 0:28:50 | 0:28:53 | |
from the main bedroom, | 0:28:53 | 0:28:55 | |
which has worked a lot better. So that's great. | 0:28:55 | 0:28:59 | |
No more wonky floor and dangerous staircase, just two solid bedrooms. | 0:28:59 | 0:29:03 | |
But building work can be expensive, | 0:29:03 | 0:29:05 | |
so I wonder how that ate into Julia's budget. | 0:29:05 | 0:29:09 | |
She bought the property for £36,500, | 0:29:09 | 0:29:11 | |
and had a budget of £23,000. | 0:29:11 | 0:29:14 | |
How did she get on? | 0:29:14 | 0:29:15 | |
It's safe to say that we've totally gone over that with everything. | 0:29:16 | 0:29:20 | |
All the estimations were under, really. | 0:29:20 | 0:29:24 | |
So we've probably come in at about 40,000 all in. | 0:29:24 | 0:29:28 | |
Ouch. That's almost double her original budget. | 0:29:30 | 0:29:33 | |
Those jobs clearly needed doing, | 0:29:33 | 0:29:35 | |
but will Julia be able to get her money back? | 0:29:35 | 0:29:37 | |
We've asked along two local property experts | 0:29:37 | 0:29:40 | |
to get their opinion. | 0:29:40 | 0:29:41 | |
Since my last visit to the property approximately six months ago, | 0:29:44 | 0:29:47 | |
the owners have made some substantial changes, all in all creating | 0:29:47 | 0:29:51 | |
a much lighter, neutral | 0:29:51 | 0:29:52 | |
and more attractive property throughout. | 0:29:52 | 0:29:55 | |
The key things buyers are looking for is a good level of finish. | 0:29:55 | 0:29:58 | |
The kitchen is very impressive with this property, | 0:29:58 | 0:30:01 | |
and certainly I would expect it to sell very well. | 0:30:01 | 0:30:04 | |
I think removing certain features such as decorative beams | 0:30:04 | 0:30:08 | |
has certainly opened the property up a lot, | 0:30:08 | 0:30:10 | |
but we still have retained some of the period features, | 0:30:10 | 0:30:13 | |
such as the fireplaces, the exposed timber flooring upstairs, | 0:30:13 | 0:30:17 | |
which is paramount when selling a property of this character. | 0:30:17 | 0:30:21 | |
Julia's changes are certainly getting a ringing endorsement. | 0:30:21 | 0:30:24 | |
But she has now spent £76,500 on the property. | 0:30:24 | 0:30:28 | |
How much do our experts think this two-bed terrace is now worth? | 0:30:28 | 0:30:31 | |
If I was to place this property onto the resale market, I'd anticipate | 0:30:34 | 0:30:38 | |
to achieve a price somewhere in the region of £80,000 to £85,000. | 0:30:38 | 0:30:41 | |
In my opinion, I'd value this property at a figure | 0:30:41 | 0:30:44 | |
of between £80,000 and £85,000. | 0:30:44 | 0:30:46 | |
That top valuation would give Julia a potential profit | 0:30:46 | 0:30:50 | |
of £8,500 before taxes and fees. | 0:30:50 | 0:30:53 | |
But Julia always intended to rent, so how do those figures stack up? | 0:30:53 | 0:30:57 | |
If I was to place his property onto the rental market, I'd hope | 0:30:59 | 0:31:02 | |
to achieve somewhere in the region of £400 to £450 per calendar month. | 0:31:02 | 0:31:05 | |
The rental market is particularly strong in this area. | 0:31:05 | 0:31:08 | |
I would expect this to achieve a figure of £425 per calendar month. | 0:31:08 | 0:31:12 | |
I think that's fine, yeah. | 0:31:12 | 0:31:14 | |
I suppose 425 was the figure that I was thinking of, | 0:31:14 | 0:31:17 | |
so we're about there, aren't we? | 0:31:17 | 0:31:19 | |
So that's fine, yeah. | 0:31:19 | 0:31:22 | |
Yes, we certainly are there. | 0:31:22 | 0:31:23 | |
That would give her just over 6.5% yield. Pretty good. | 0:31:23 | 0:31:28 | |
Even though, for Julia, it's not all about the money. | 0:31:28 | 0:31:31 | |
I enjoy buying houses that are run down, and seeing the potential | 0:31:32 | 0:31:35 | |
in them, and then seeing them turned round and improved. | 0:31:35 | 0:31:39 | |
So definitely pleased that I went to the auction, and definitely | 0:31:39 | 0:31:42 | |
pleased that I was the one that got this house. So, yeah. | 0:31:42 | 0:31:46 | |
I'm in West Glamorgan in the beautiful Welsh valleys. | 0:31:53 | 0:31:58 | |
Over £1 million has been spent on cycleways and paths | 0:31:58 | 0:32:02 | |
to open up this region to the tourist trade. | 0:32:02 | 0:32:05 | |
It's hoped that tourism will revive the fortunes of places | 0:32:05 | 0:32:08 | |
like the village of Cymmer, where unemployment rates are quite high, | 0:32:08 | 0:32:12 | |
and where local industries are few. | 0:32:12 | 0:32:14 | |
Well, today I'm here to see something a little bit unusual. | 0:32:16 | 0:32:19 | |
It's not a shop, it's not a garage, | 0:32:19 | 0:32:20 | |
it's not commercial premises or a delivery depot. It's actually this. | 0:32:20 | 0:32:26 | |
Can you guess what it is? | 0:32:26 | 0:32:28 | |
I'll give you a moment... | 0:32:28 | 0:32:31 | |
It's actually the former ambulance station. | 0:32:31 | 0:32:35 | |
Yes, this little curiosity used to be the garage | 0:32:37 | 0:32:39 | |
for the local ambulances. | 0:32:39 | 0:32:41 | |
It's seen better days, with its boarded-up frontage | 0:32:41 | 0:32:45 | |
and broken windows. | 0:32:45 | 0:32:46 | |
But with a guide price of just £10,000, | 0:32:46 | 0:32:49 | |
I think it's worth having a look inside. | 0:32:49 | 0:32:51 | |
Well, the main part of the building, not surprisingly, is this area here, | 0:32:54 | 0:32:58 | |
which is, I imagine, where the ambulances were actually stored. | 0:32:58 | 0:33:02 | |
It's about eight metres deep by about seven metres wide, | 0:33:02 | 0:33:07 | |
and a good space. Big, solid floor. | 0:33:07 | 0:33:11 | |
And you've got these large sliding doors, | 0:33:11 | 0:33:14 | |
which open up the whole of the front, | 0:33:14 | 0:33:16 | |
which straightaway makes me think, | 0:33:16 | 0:33:18 | |
great potential for somebody who needs that kind of access, | 0:33:18 | 0:33:21 | |
which is maybe a builder's store, or a garage, or an MOT centre | 0:33:21 | 0:33:25 | |
that really needs to be able to get in and out very easily. Yeah. | 0:33:25 | 0:33:30 | |
Good start. Let's see what else there is. | 0:33:30 | 0:33:32 | |
Taking the stairs up to the first floor, | 0:33:43 | 0:33:46 | |
everything feels very institutional. But it's solid enough. | 0:33:46 | 0:33:49 | |
Well, up here, a bit of a disappointment | 0:33:51 | 0:33:53 | |
cos the space is only about half what it is downstairs. | 0:33:53 | 0:33:56 | |
Primarily this little office area here, | 0:33:56 | 0:33:59 | |
little kitchen and a washing area, shower, toilet, etc, there. | 0:33:59 | 0:34:03 | |
So it's a shame it isn't as big as down there, | 0:34:03 | 0:34:06 | |
but you could have predicted that. | 0:34:06 | 0:34:08 | |
But in terms of maybe using this as some commercial opportunity, | 0:34:08 | 0:34:11 | |
have your area downstairs that you use, this would be the office... | 0:34:11 | 0:34:15 | |
Yeah, it's got exactly what you need. But maybe there's more. | 0:34:15 | 0:34:18 | |
Of course there's more. | 0:34:20 | 0:34:22 | |
Quite a bit more, in the form of this land | 0:34:22 | 0:34:24 | |
at the side of the building. | 0:34:24 | 0:34:26 | |
Ideal for developing, I hear you cry. Well, not quite. | 0:34:26 | 0:34:30 | |
When it comes to the planning classification of this building, | 0:34:31 | 0:34:35 | |
it's actually called sui generis, | 0:34:35 | 0:34:37 | |
which is Latin for "of its own kind" or "unique". | 0:34:37 | 0:34:40 | |
In other words, it's only got planning to be exactly | 0:34:40 | 0:34:42 | |
what it is, which is an ambulance station. | 0:34:42 | 0:34:45 | |
It has a guide of just £10,000, but I think it's going to take | 0:34:54 | 0:34:58 | |
some blue-sky thinking to really make the most of this place. | 0:34:58 | 0:35:01 | |
We asked the agent from the auction house which sold it | 0:35:01 | 0:35:04 | |
whether or not there was any chance of turning this into an investment. | 0:35:04 | 0:35:08 | |
I think a local builder or mechanic, or somebody looking | 0:35:08 | 0:35:12 | |
to store materials, | 0:35:12 | 0:35:14 | |
would probably pay £150 to £200 per calendar month. | 0:35:14 | 0:35:17 | |
Well, at first glance, an interesting opportunity, this one. | 0:35:19 | 0:35:23 | |
But once you delve a little bit deeper, | 0:35:23 | 0:35:25 | |
the options do seem to be a little bit limited. | 0:35:25 | 0:35:27 | |
I don't think it's financially viable to knock it down | 0:35:27 | 0:35:30 | |
and build something its place. | 0:35:30 | 0:35:31 | |
But if the right person needed this kind of space, well, you know, | 0:35:31 | 0:35:35 | |
it could be absolutely spot-on for them. | 0:35:35 | 0:35:37 | |
Let's find out who it was who decided to resuscitate | 0:35:37 | 0:35:41 | |
this old ambulance station by going to the auction. | 0:35:41 | 0:35:44 | |
This is on behalf of the Welsh Ambulance Services Trust. | 0:35:44 | 0:35:47 | |
We've got a property bid here, | 0:35:47 | 0:35:49 | |
ladies and gentlemen. | 0:35:49 | 0:35:51 | |
I'm going to go straight into the reserve at 12,500. | 0:35:51 | 0:35:53 | |
12,500 is bid. Any advance? | 0:35:53 | 0:35:55 | |
13? Thank you. 13,000 is bid. | 0:35:55 | 0:35:57 | |
Proxy's out, 13,500. | 0:35:57 | 0:35:59 | |
13,500, 14, 14,500, | 0:35:59 | 0:36:02 | |
14,500, 15. 15,500. | 0:36:02 | 0:36:04 | |
16, 16,500, 17, 17... | 0:36:04 | 0:36:07 | |
Right, 17 is on you, sir. At 17,000. | 0:36:07 | 0:36:10 | |
17,000 is bid. Any advance? 17,500. | 0:36:10 | 0:36:14 | |
18, 18,500, 19, 19,500, 20. | 0:36:14 | 0:36:18 | |
20. 20,000 is bid. 20,500. 21, 21,500? | 0:36:18 | 0:36:24 | |
21,500 seated here. 21,500 is bid. | 0:36:24 | 0:36:28 | |
21,500, any advance on 21,500? | 0:36:28 | 0:36:31 | |
22? Thank you. 22, half, | 0:36:31 | 0:36:33 | |
22,500. Looking for 23, sir. | 0:36:33 | 0:36:35 | |
I've got 22,500. 22,500, it is there, | 0:36:35 | 0:36:38 | |
I'm going to sell it for 22,500 if I don't see anyone quickly. | 0:36:38 | 0:36:41 | |
22,500, be quick... 22,500... | 0:36:41 | 0:36:44 | |
-HE BANGS GAVEL -Yours, sir, 22,500. | 0:36:44 | 0:36:47 | |
The cheerful bidder delighted at getting the former ambulance hall | 0:36:47 | 0:36:51 | |
for £22,500 was Peter. | 0:36:51 | 0:36:53 | |
Occupational health nurse Peter was at the auction | 0:36:56 | 0:36:59 | |
with his son Simon, and as they live just a mile away | 0:36:59 | 0:37:02 | |
from the ambulance station, we caught up with them to hear | 0:37:02 | 0:37:05 | |
what made them so excited about this particular property. | 0:37:05 | 0:37:09 | |
Peter, Simon, lovely to meet you both. Congratulations. | 0:37:11 | 0:37:14 | |
Tell me why you wanted to buy this place. | 0:37:14 | 0:37:16 | |
Basically, I want to turn it into a holiday let | 0:37:16 | 0:37:19 | |
for the disabled downstairs, and able people upstairs. | 0:37:19 | 0:37:24 | |
So a holiday let for disabled children, or disabled of all ages? | 0:37:24 | 0:37:29 | |
-Anyone. Any age. -Oh, wow. So why do you want to do that particularly? | 0:37:29 | 0:37:34 | |
Well, I'm a nurse. | 0:37:34 | 0:37:36 | |
So I work with obviously all sorts of people, | 0:37:36 | 0:37:42 | |
and I feel... | 0:37:42 | 0:37:45 | |
there's a need for accommodation with disabled in mind in the area. | 0:37:45 | 0:37:52 | |
Have you got much experience of this sort of thing? | 0:37:52 | 0:37:55 | |
I've done up a couple of properties. | 0:37:55 | 0:37:57 | |
At the moment we're doing at a property for Simon | 0:37:57 | 0:38:01 | |
who bought a house at the previous auction. | 0:38:01 | 0:38:04 | |
So we're coming to the end of that now. So it's payback time. | 0:38:04 | 0:38:08 | |
And what's your involvement going to be, Simon? | 0:38:08 | 0:38:11 | |
I've been an electrician for about five years, | 0:38:11 | 0:38:14 | |
so I'm going to try and give my father a hand with the electrics. | 0:38:14 | 0:38:18 | |
Oh, great. | 0:38:18 | 0:38:19 | |
And what do you think of the idea of what he's planning in general? | 0:38:19 | 0:38:22 | |
I think it's good. | 0:38:22 | 0:38:23 | |
You get a lot of mountain bikers coming around, | 0:38:23 | 0:38:27 | |
and I think it's a good idea. | 0:38:27 | 0:38:29 | |
Wow, what an interesting idea. Catering to the holiday market | 0:38:32 | 0:38:35 | |
and sports enthusiasts | 0:38:35 | 0:38:38 | |
could really make the most of the pair's local knowledge. | 0:38:38 | 0:38:41 | |
Peter intends that people paying for accommodation on the top level | 0:38:41 | 0:38:44 | |
will help fund holidays for people with disabilities | 0:38:44 | 0:38:48 | |
and underprivileged children on the lower level. | 0:38:48 | 0:38:51 | |
Basically, what we are going to do is keep the garage space for when | 0:38:54 | 0:38:58 | |
the disabled need to come in. | 0:38:58 | 0:39:01 | |
They can drive straight into the building, entrance into the building. | 0:39:01 | 0:39:06 | |
There's going to be bedrooms downstairs, | 0:39:06 | 0:39:11 | |
an extension out to the side, | 0:39:11 | 0:39:13 | |
so to create a big lounge and a kitchen area, | 0:39:13 | 0:39:16 | |
and upstairs... | 0:39:16 | 0:39:18 | |
I'm going to extend the footprint of the building upstairs | 0:39:18 | 0:39:22 | |
to create accommodation upstairs. | 0:39:22 | 0:39:24 | |
-Oh, wow. So quite an ambitious plan, then? -Yeah. | 0:39:24 | 0:39:29 | |
-And eventually there'll be a swimming pool out on the side. -Oh, really? | 0:39:29 | 0:39:32 | |
-MARTIN LAUGHS -Fantastic. | 0:39:32 | 0:39:36 | |
Swimming pool eventually? My goodness. | 0:39:36 | 0:39:39 | |
Peter really does have a vision. | 0:39:39 | 0:39:41 | |
However, this is an ambitious project, | 0:39:41 | 0:39:44 | |
so how much is it all going to cost? | 0:39:44 | 0:39:46 | |
-Approximately about 50,000. -Right. | 0:39:47 | 0:39:51 | |
And who's going to do the work? | 0:39:51 | 0:39:53 | |
-Mainly myself. -Right. Well, with the help of your son, obviously? | 0:39:53 | 0:39:57 | |
I'm going to be doing most of the electrics, | 0:39:57 | 0:40:00 | |
and just helping my father with the labour as well. | 0:40:00 | 0:40:04 | |
So is this designed to be a profit-making venture then? | 0:40:04 | 0:40:08 | |
No, not really. It's just something for me to do | 0:40:08 | 0:40:12 | |
coming up to my retirement. | 0:40:12 | 0:40:14 | |
I've got about another four, five years before I retire. | 0:40:14 | 0:40:17 | |
And this is my retirement project. | 0:40:19 | 0:40:22 | |
Quite the retirement project! | 0:40:27 | 0:40:29 | |
Peter is funding this retirement dream with the sale | 0:40:29 | 0:40:32 | |
of his late mother's house, so this really is a project from the heart. | 0:40:32 | 0:40:36 | |
But of course, its success all lies on getting planning permission, | 0:40:36 | 0:40:40 | |
and Peter doesn't have that yet. | 0:40:40 | 0:40:43 | |
Now, what are you going to do if they say you can't do this? | 0:40:43 | 0:40:46 | |
We'll approach that...when it comes to that. | 0:40:48 | 0:40:53 | |
Basically, I think the property will be sellable, | 0:40:53 | 0:40:58 | |
if planning permission isn't granted anyway. | 0:40:58 | 0:41:01 | |
Peter and his wife Jeanette are both nurses and work full-time. | 0:41:01 | 0:41:05 | |
Their other son, Stephen, and daughter, Catherine, are students. | 0:41:05 | 0:41:09 | |
All the children have promised to help. | 0:41:09 | 0:41:11 | |
But it doesn't sound like they have much spare time. | 0:41:11 | 0:41:14 | |
-What's the timescale? -It'll be at least a year. | 0:41:14 | 0:41:18 | |
Obviously I'm in full-time employment | 0:41:18 | 0:41:20 | |
so it won't be... | 0:41:20 | 0:41:22 | |
I couldn't say six months. | 0:41:24 | 0:41:26 | |
-Right. -It'll be at least a year. | 0:41:26 | 0:41:29 | |
-So once you've done this, any plans for anything else? -No. | 0:41:29 | 0:41:32 | |
My wife said this is it! | 0:41:32 | 0:41:35 | |
Listen, congratulations. Good luck with it, | 0:41:35 | 0:41:38 | |
-and I really do wish you the very best with the venture. -Right. | 0:41:38 | 0:41:42 | |
Well, what a potentially lovely new life | 0:41:42 | 0:41:45 | |
for this former ambulance station. | 0:41:45 | 0:41:48 | |
But of course, it does depend on getting | 0:41:48 | 0:41:50 | |
that all-important planning permission. | 0:41:50 | 0:41:52 | |
Will Peter get it? You can find out later in the show. | 0:41:52 | 0:41:55 | |
Martin, we have seen the work carried out on the first property, | 0:41:59 | 0:42:02 | |
-but we've still got two more to go. -Yes. | 0:42:02 | 0:42:05 | |
Did the developers manage to do what they hoped for and manage to stick | 0:42:05 | 0:42:09 | |
to those all-important timescales and budgets? | 0:42:09 | 0:42:12 | |
-Shall we find out? -Let's do it. | 0:42:12 | 0:42:15 | |
Back to Willesden in north London. | 0:42:16 | 0:42:18 | |
A place that was once a village, | 0:42:18 | 0:42:20 | |
but was transformed to a bustling borough | 0:42:20 | 0:42:22 | |
by the arrival of the railway. | 0:42:22 | 0:42:24 | |
Unfortunately, the property I went to see | 0:42:24 | 0:42:26 | |
was a little too close to the tracks. | 0:42:26 | 0:42:29 | |
And with it also being a bit cramped, it might have ended up | 0:42:40 | 0:42:44 | |
feeling like you were living inside a freight train. | 0:42:44 | 0:42:47 | |
A sound test was needed. | 0:42:47 | 0:42:48 | |
TUBE TRAIN | 0:42:48 | 0:42:50 | |
Doesn't make that much difference. | 0:42:50 | 0:42:52 | |
So could it be a positive, could it be a negative? I'm not quite sure. | 0:42:52 | 0:42:56 | |
It depends how quickly you need to get into town. | 0:42:56 | 0:42:59 | |
But jumping on the property train was Raj, | 0:42:59 | 0:43:01 | |
a property solicitor who, along with his business partner, | 0:43:01 | 0:43:05 | |
paid 291,000 for this one-bedroom flat. | 0:43:05 | 0:43:09 | |
But he didn't want to keep it a one-bed for long. | 0:43:09 | 0:43:12 | |
So what we're looking to do is, we're looking to reconfigure the property. | 0:43:13 | 0:43:17 | |
At the moment it's a one-bedroom, | 0:43:17 | 0:43:18 | |
so what we are going to be doing is taking the wall down | 0:43:18 | 0:43:21 | |
between the current bedroom and the actual kitchen, | 0:43:21 | 0:43:25 | |
and relocating the kitchen into an open plan area. | 0:43:25 | 0:43:28 | |
And the front bedroom will actually become the open plan living area, | 0:43:28 | 0:43:32 | |
with the kitchen combined. | 0:43:32 | 0:43:33 | |
-Making that tiny little bit left over... -Yes. | 0:43:33 | 0:43:36 | |
-..a bedroom? -It can work. It has worked on previous projects. -Oh, Raj! | 0:43:36 | 0:43:40 | |
It can actually work. | 0:43:40 | 0:43:42 | |
With a £20,000 budget, | 0:43:42 | 0:43:45 | |
and a two to two-and-a-half month timescale, Raj was very confident. | 0:43:45 | 0:43:49 | |
So when we return five months later, | 0:43:49 | 0:43:52 | |
has Raj found that extra space? | 0:43:52 | 0:43:54 | |
That original bedroom is now a bright kitchen-cum-lounge. | 0:43:59 | 0:44:03 | |
You know, so far I am surprised. | 0:44:03 | 0:44:05 | |
This doesn't feel nearly as cramped as I thought it would. | 0:44:05 | 0:44:08 | |
The original kitchen is now a second bedroom, | 0:44:11 | 0:44:14 | |
and the boiler has been housed in a nice, sleek cabinet. | 0:44:14 | 0:44:18 | |
The original bedroom still needs a bit of tidying up, | 0:44:26 | 0:44:29 | |
but this reconfiguration and refurbishment is looking good, | 0:44:29 | 0:44:33 | |
though maybe not the wow factor I was expecting. | 0:44:33 | 0:44:36 | |
The room which we are currently standing in was actually | 0:44:36 | 0:44:39 | |
the former kitchen. Now you can see it's become a second bedroom. | 0:44:39 | 0:44:43 | |
I think that's worked very well. The back bedroom remains, | 0:44:43 | 0:44:46 | |
but at that time there were pretty much dark colours on the wall, | 0:44:46 | 0:44:49 | |
so we've used neutral colours throughout the flat. | 0:44:49 | 0:44:52 | |
New flooring put down. | 0:44:52 | 0:44:53 | |
The actual bath suite, we retained the actual one that was there before. | 0:44:53 | 0:44:57 | |
We thought that was a good one but as you can see, it's had a good polish | 0:44:57 | 0:45:01 | |
up, so we think it fits the bill. | 0:45:01 | 0:45:02 | |
Raj changed his mind about knocking the wall down between | 0:45:04 | 0:45:07 | |
what was the lounge and the kitchen to create an open living space. | 0:45:07 | 0:45:11 | |
And I think that's a good use of the footprint, | 0:45:11 | 0:45:13 | |
and the finish is impressive. | 0:45:13 | 0:45:15 | |
What we've done here is, we've made an open plan living area. | 0:45:16 | 0:45:20 | |
The initial plan was to take down the stud wall, | 0:45:20 | 0:45:23 | |
and create a little bit more room. | 0:45:23 | 0:45:24 | |
But what we've done is, we've put the kitchen on this side, | 0:45:24 | 0:45:28 | |
along the window. Before doing that, we consulted a few agents, | 0:45:28 | 0:45:31 | |
and they said that was the best way to go forward. | 0:45:31 | 0:45:34 | |
Because that would give us a larger second bedroom, but still | 0:45:34 | 0:45:37 | |
give us the contemporary open plan living with sufficient space. | 0:45:37 | 0:45:41 | |
This has actually been the masterpiece of the whole project, | 0:45:41 | 0:45:44 | |
and we're really happy with the result here. | 0:45:44 | 0:45:46 | |
It's really been a success, I believe. | 0:45:46 | 0:45:49 | |
So Raj hasn't undertaken a lot of the work he originally thought. | 0:45:49 | 0:45:53 | |
Has not replacing the bathroom and keeping that wall saved his budget? | 0:45:53 | 0:45:57 | |
We'd originally estimated budget of £15,000 to £20,000, | 0:45:57 | 0:46:00 | |
but that, of course, involved the taking down of the stud wall | 0:46:00 | 0:46:03 | |
and putting in RSJs and so forth. | 0:46:03 | 0:46:05 | |
However, because we decided not to go ahead with that, the budget's | 0:46:05 | 0:46:09 | |
actually come in significantly under. | 0:46:09 | 0:46:11 | |
I think when everything's totally finished - | 0:46:11 | 0:46:13 | |
there's a few snagging items to do - | 0:46:13 | 0:46:15 | |
I think we will have looked at hitting probably | 0:46:15 | 0:46:17 | |
about the £15,000 mark. So we're very, very happy with that. | 0:46:17 | 0:46:20 | |
It's five months since we were last here, but Raj let a friend | 0:46:22 | 0:46:25 | |
use the flat for two months, before spending three on doing the work. | 0:46:25 | 0:46:29 | |
So only a slight expansion on his two-and-a-half-month timescale. | 0:46:29 | 0:46:34 | |
And unfortunately, there is one final improvement Raj didn't do. | 0:46:34 | 0:46:38 | |
He hasn't changed the windows. | 0:46:38 | 0:46:40 | |
And I think that would have made this flat | 0:46:40 | 0:46:42 | |
so much more attractive, if he decides to sell on. | 0:46:42 | 0:46:46 | |
He might not be able to change the trains, but the sound...definitely. | 0:46:46 | 0:46:50 | |
But there's only one way to know if Raj is on track | 0:46:56 | 0:46:58 | |
for a potential profit, | 0:46:58 | 0:47:00 | |
and that's to get a pass from two local estate agents. | 0:47:00 | 0:47:04 | |
I don't feel the train line creates such a big problem. | 0:47:04 | 0:47:06 | |
It really depends on the sort of tenant or buyer who the property | 0:47:06 | 0:47:10 | |
is going to be aimed at. | 0:47:10 | 0:47:12 | |
If you do have a young family with children, for example, | 0:47:12 | 0:47:15 | |
they are going to have a bit of an issue with the noise at the back. | 0:47:15 | 0:47:19 | |
If the property was on the other side of the road, | 0:47:19 | 0:47:22 | |
it's going to be a lot quieter. | 0:47:22 | 0:47:23 | |
It would create a higher sales and rental figure. | 0:47:23 | 0:47:27 | |
But as I said, for the right people, it's not a huge issue. | 0:47:27 | 0:47:31 | |
'The standard of finish is very nice. It's quite basic. | 0:47:31 | 0:47:34 | |
'It doesn't have the highest of character to it, | 0:47:34 | 0:47:38 | |
'but it's a blank canvas.' | 0:47:38 | 0:47:40 | |
The property's a fairly good refurbishment throughout. | 0:47:40 | 0:47:43 | |
It's a good conversion from one bedroom to two double bedrooms. | 0:47:43 | 0:47:46 | |
Although the compromise is of the living space | 0:47:46 | 0:47:49 | |
of being a living room-kitchen in one. | 0:47:49 | 0:47:52 | |
Paying £291,000 at auction, and with a renovation spend of 15 grand, | 0:47:52 | 0:47:57 | |
Raj's total spend is 306,000. | 0:47:57 | 0:48:01 | |
So what is the flat worth now? | 0:48:01 | 0:48:03 | |
I feel, in the current market, the correct price is £350,000. | 0:48:05 | 0:48:09 | |
I think this property would sell for around £375,000. | 0:48:09 | 0:48:13 | |
I feel the correct rental figure per calendar month | 0:48:13 | 0:48:16 | |
is £1,400 in the current market. | 0:48:16 | 0:48:19 | |
I feel this property would rent for around £1,300 to £1,350 | 0:48:19 | 0:48:24 | |
per calendar month. | 0:48:24 | 0:48:26 | |
So taking those top values, | 0:48:26 | 0:48:28 | |
a sale would give Raj a potential pre-tax profit of £69,000. | 0:48:28 | 0:48:32 | |
And if he rented the flat, he could achieve just under a 5.5% yield. | 0:48:32 | 0:48:37 | |
I'm very happy with those values. It's exactly what I'd expected. | 0:48:37 | 0:48:41 | |
I think we will market the property at £375,000. | 0:48:41 | 0:48:45 | |
And if we can get a resale figure between £350 to £375, | 0:48:45 | 0:48:48 | |
we're more than likely to sell it on. | 0:48:48 | 0:48:50 | |
Or, if not, we will put it onto the lettings market. | 0:48:50 | 0:48:53 | |
But I'm happy to say with regard to figures, I was right, once again. | 0:48:53 | 0:48:57 | |
Raj truly is Mr Right. But what can we expect from him next? | 0:49:06 | 0:49:11 | |
And does the man with the plan have any advice for us? | 0:49:11 | 0:49:14 | |
We'll definitely be hitting the auction room again. | 0:49:14 | 0:49:17 | |
But I think a trick about buying at auctions is to be patient, | 0:49:17 | 0:49:21 | |
and not to buy in haste and repent at leisure. | 0:49:21 | 0:49:24 | |
So most certainly we'll be in the auction room again, | 0:49:24 | 0:49:26 | |
and hope to buy sooner rather than later. | 0:49:26 | 0:49:29 | |
Yes, it's time to return to the valleys and this building, a former | 0:49:44 | 0:49:48 | |
ambulance station in the Welsh village of Cymmer, West Glamorgan. | 0:49:48 | 0:49:51 | |
It had a guide price of £10,000, | 0:49:51 | 0:49:54 | |
which seemed reasonable for a lot with a fair bit of land. | 0:49:54 | 0:49:57 | |
But there was a problem. | 0:49:57 | 0:49:59 | |
When it comes to the planning classification of this building, | 0:49:59 | 0:50:02 | |
it's actually called sui generis, | 0:50:02 | 0:50:04 | |
which is Latin for "of its own kind" or "unique". | 0:50:04 | 0:50:08 | |
In other words, it's only got planning to be exactly what it is, | 0:50:08 | 0:50:11 | |
which is an ambulance station. | 0:50:11 | 0:50:13 | |
So what to do with it? | 0:50:13 | 0:50:15 | |
The imaginative and laudable answer was supplied by Peter, | 0:50:15 | 0:50:19 | |
who bought the property for £22,500. | 0:50:19 | 0:50:23 | |
With a budget of £50,000, and help from his electrician son Simon, | 0:50:23 | 0:50:27 | |
Peter, an occupational health nurse, | 0:50:27 | 0:50:29 | |
saw this as a retirement project and hoped to develop this building | 0:50:29 | 0:50:33 | |
into holiday accommodation for touring cyclists. | 0:50:33 | 0:50:37 | |
And he planned that the ground floor would be developed | 0:50:37 | 0:50:40 | |
specifically to accommodate people with disabilities | 0:50:40 | 0:50:43 | |
and underprivileged children. | 0:50:43 | 0:50:45 | |
Basically what we're going to do, | 0:50:46 | 0:50:48 | |
there's going to be bedrooms downstairs, | 0:50:48 | 0:50:53 | |
an extension out to the side, | 0:50:53 | 0:50:55 | |
so to create a big lounge and a kitchen area. | 0:50:55 | 0:50:58 | |
Now, what are you going to do if they say you can't do this? | 0:50:58 | 0:51:02 | |
We'll approach that...when it comes to that. | 0:51:03 | 0:51:07 | |
This was both an exciting and incredibly worthy project. | 0:51:08 | 0:51:12 | |
But having paid £12,500 above the guide price, and having no planning | 0:51:12 | 0:51:17 | |
in place, Peter and Simon were certainly taking a chance. | 0:51:17 | 0:51:20 | |
Three years later, | 0:51:22 | 0:51:24 | |
and we've come back to see what's become of Peter's dream project. | 0:51:24 | 0:51:28 | |
Well, they took a chance, and it's obvious something's caused delays. | 0:51:44 | 0:51:48 | |
Now, I bet you're thinking, | 0:51:48 | 0:51:50 | |
"This is all down to the planning permission." | 0:51:50 | 0:51:53 | |
Well, you'd be partly right. | 0:51:53 | 0:51:56 | |
Most of the time it's been regarding the planning permission, | 0:51:56 | 0:51:59 | |
but there was an issue with obtaining bat and reptile reports. | 0:51:59 | 0:52:04 | |
There was one newt found on the property | 0:52:04 | 0:52:07 | |
and we had to take precautions | 0:52:07 | 0:52:10 | |
to remove newts and to observe that there wasn't any further, | 0:52:10 | 0:52:15 | |
and also to put up a barrier to stop any coming in. | 0:52:15 | 0:52:20 | |
Planning regulations often stipulate the protection of wildlife, | 0:52:27 | 0:52:31 | |
like owls, bats, and in this case, newts. | 0:52:31 | 0:52:35 | |
In Britain, the great crested newt is protected, | 0:52:35 | 0:52:38 | |
so if you think you might have newts, | 0:52:38 | 0:52:41 | |
you'll have to prepare yourself for some possible delays and expense. | 0:52:41 | 0:52:45 | |
Yes, a little reminder that living in the countryside can bring | 0:52:45 | 0:52:48 | |
beautiful views, but occasionally, unexpected problems. | 0:52:48 | 0:52:51 | |
Newt protection and planning permission issues, | 0:52:51 | 0:52:54 | |
as well as waiting for the sale of his mother's property, | 0:52:54 | 0:52:58 | |
means it's been nearly three years since he started. | 0:52:58 | 0:53:01 | |
But, thanks to his perseverance, | 0:53:01 | 0:53:03 | |
Peter's dream can finally be realised | 0:53:03 | 0:53:06 | |
as that particularly tricky planning permission has been granted. | 0:53:06 | 0:53:10 | |
Basically, this is the plan, | 0:53:10 | 0:53:13 | |
and the new extension | 0:53:13 | 0:53:16 | |
is this section here, | 0:53:16 | 0:53:18 | |
which is shown on the side. | 0:53:18 | 0:53:20 | |
There's a doorway entry there, which would be catered for, | 0:53:20 | 0:53:23 | |
the disabled, wheelchair-accessible. | 0:53:23 | 0:53:25 | |
There's the front elevation of it, there's a pitched roof | 0:53:25 | 0:53:29 | |
with three skylights going in the roof | 0:53:29 | 0:53:32 | |
to create more light into the space. | 0:53:32 | 0:53:34 | |
Basically, this is the ground floor of the apartment, | 0:53:34 | 0:53:38 | |
and the majority of the work will involve this new extension here. | 0:53:38 | 0:53:43 | |
This section, to create a lounge and kitchen facilities | 0:53:43 | 0:53:47 | |
for the disabled unit. | 0:53:47 | 0:53:50 | |
Peter will then divide the main garage section into five. | 0:53:50 | 0:53:53 | |
Three bedrooms, | 0:53:53 | 0:53:56 | |
a garage space-cum-store room, | 0:53:56 | 0:53:59 | |
and the bathroom. | 0:53:59 | 0:54:01 | |
Upstairs, he plans to extend too. | 0:54:02 | 0:54:05 | |
Basically through this doorway is going to do the access to the | 0:54:05 | 0:54:08 | |
new extension, where there's three bedrooms. | 0:54:08 | 0:54:11 | |
That's on the first floor. | 0:54:14 | 0:54:17 | |
So the building will effectively be split into two flats, | 0:54:17 | 0:54:20 | |
each with three bedrooms, a bathroom and a kitchen, | 0:54:20 | 0:54:22 | |
with the ground floor flat adapted for people with disabilities. | 0:54:22 | 0:54:27 | |
There will also be a communal area in the ground floor extension, | 0:54:27 | 0:54:30 | |
and, all being well, | 0:54:30 | 0:54:32 | |
Peter plans on installing the property's own hydropool. | 0:54:32 | 0:54:36 | |
It's a big project, | 0:54:36 | 0:54:38 | |
and clearly one that Peter is having to be determined to see through. | 0:54:38 | 0:54:41 | |
He still aiming to spend £50,000 on turning this into a great facility, | 0:54:43 | 0:54:48 | |
but he'll have to do most of the work himself, | 0:54:48 | 0:54:51 | |
with his family's help, to keep to that. | 0:54:51 | 0:54:53 | |
He also, don't forget, has a full-time job. | 0:54:53 | 0:54:56 | |
At the moment it looks as though his dream project will cost | 0:54:56 | 0:55:00 | |
a total of £72,500. | 0:55:00 | 0:55:02 | |
Is Peter on the right track? | 0:55:02 | 0:55:04 | |
We asked two local estates agents to give us their thoughts | 0:55:05 | 0:55:09 | |
on Peter's plan so far. | 0:55:09 | 0:55:10 | |
'I think it's a very ambitious project for the area. | 0:55:12 | 0:55:15 | |
'In this area, local businesses do struggle.' | 0:55:16 | 0:55:19 | |
There isn't an awful lot happening in this village. | 0:55:19 | 0:55:22 | |
Businesses don't seem to last long, because of the economy here. | 0:55:22 | 0:55:26 | |
There is vast unemployment in these valleys, so it is very difficult. | 0:55:26 | 0:55:30 | |
This is a very popular area for mountain biking. | 0:55:30 | 0:55:33 | |
And they'll pay good money for good runs. | 0:55:33 | 0:55:36 | |
Accommodation which is planned which is two three-bedroom flats, | 0:55:36 | 0:55:39 | |
and one that will be completely geared for disabled users, | 0:55:39 | 0:55:43 | |
I think that's going to carve quite a nice niche for him, | 0:55:43 | 0:55:46 | |
and I think it will attract that type of mountain biker, | 0:55:46 | 0:55:50 | |
in that market. | 0:55:50 | 0:55:53 | |
So a good idea that fits a niche market. But in a difficult economy. | 0:55:54 | 0:55:59 | |
Bit of a mixed bag there. | 0:55:59 | 0:56:01 | |
Peter hopes to rent both flats as holiday lets | 0:56:01 | 0:56:05 | |
for between £300 and £350 per week, | 0:56:05 | 0:56:07 | |
maybe slightly higher in the peak season. | 0:56:07 | 0:56:10 | |
And he hopes that the upper flat will generate enough income | 0:56:10 | 0:56:13 | |
to subsidise lower rates for the lower flat, | 0:56:13 | 0:56:16 | |
and use the void periods to accommodate families | 0:56:16 | 0:56:19 | |
with low incomes. | 0:56:19 | 0:56:20 | |
So this project, for him, isn't really about money. | 0:56:20 | 0:56:24 | |
However, we have to ask, when fully finished and including the pool, | 0:56:24 | 0:56:28 | |
what does the agent think a commercial enterprise | 0:56:28 | 0:56:30 | |
based on Peter's plan could make? | 0:56:30 | 0:56:33 | |
That's quite a difficult one, | 0:56:35 | 0:56:37 | |
because there aren't a lot of commercial properties in this area, | 0:56:37 | 0:56:41 | |
so I think you're probably looking at about 600 per calendar month. | 0:56:41 | 0:56:45 | |
That would mean around a 10% yield. | 0:56:46 | 0:56:49 | |
If, by some unfortunate circumstances, | 0:56:49 | 0:56:52 | |
the local economy couldn't sustain the business, | 0:56:52 | 0:56:54 | |
and assuming planning permission could be obtained, would Peter | 0:56:54 | 0:56:58 | |
get his projected £72,500 investment back, | 0:56:58 | 0:57:01 | |
if the building were to be turned into two residential flats? | 0:57:01 | 0:57:04 | |
I think you would get anything between 375 and 400 | 0:57:08 | 0:57:11 | |
per calendar month, per unit. | 0:57:11 | 0:57:14 | |
To change this into two three-bedroom, | 0:57:14 | 0:57:17 | |
good-sized accommodation, | 0:57:17 | 0:57:20 | |
you would probably market each unit | 0:57:20 | 0:57:23 | |
for around about £35,000 to £40,000. | 0:57:23 | 0:57:28 | |
I would put a vacant possession value on each flat | 0:57:28 | 0:57:32 | |
of circa £40,000, if it's done to a high standard | 0:57:32 | 0:57:37 | |
and to the standard that is intended in the planning permission. | 0:57:37 | 0:57:40 | |
This is a dream project for Peter, | 0:57:40 | 0:57:42 | |
but would he think about this, plan B? | 0:57:42 | 0:57:46 | |
I may consider splitting it into two units | 0:57:46 | 0:57:48 | |
if the business didn't take off. But basically, it's quite exciting. | 0:57:48 | 0:57:53 | |
You know, I thrive on this sort of thing. | 0:57:53 | 0:57:58 | |
And I'm just looking forward to getting into it. | 0:57:58 | 0:58:01 | |
Well, that's it for today, | 0:58:03 | 0:58:05 | |
but join us next time for some more auction action. | 0:58:05 | 0:58:08 | |
-And stories of property developing. -Look forward to seeing you then. | 0:58:08 | 0:58:10 | |
-Goodbye. -Goodbye. | 0:58:10 | 0:58:12 |