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Hello, and welcome to the show. | 0:00:02 | 0:00:03 | |
Now, the property market is really fast-moving. | 0:00:03 | 0:00:05 | |
And it's not always easy to know when to jump in. | 0:00:05 | 0:00:08 | |
So if you ARE looking to take that leap, well, | 0:00:08 | 0:00:10 | |
where is a good place to start? | 0:00:10 | 0:00:12 | |
The one place could be your local property auction. | 0:00:12 | 0:00:14 | |
What is not always easy to see, | 0:00:40 | 0:00:42 | |
is if a property is a potential moneymaker. | 0:00:42 | 0:00:45 | |
No, the only way to really know is to do your research | 0:00:45 | 0:00:48 | |
and test the market. | 0:00:48 | 0:00:49 | |
Let's see what our bidders on today's programme bought. | 0:00:49 | 0:00:53 | |
In Shropshire, | 0:00:54 | 0:00:55 | |
there's a whole lot of work to be done at this former village shop. | 0:00:55 | 0:00:59 | |
But! WHAT an opportunity! | 0:00:59 | 0:01:03 | |
Opportunity knocks at this pub in Margate, too. I'll drink to that! | 0:01:04 | 0:01:08 | |
Or maybe not. | 0:01:08 | 0:01:10 | |
Somebody's even left an old pint of beer. | 0:01:10 | 0:01:13 | |
But getting plastered, ha-ha, | 0:01:14 | 0:01:15 | |
is exactly what's needed at this Welsh maisonette. | 0:01:15 | 0:01:18 | |
Right. That's not good. Ahem! I didn't expect it to do that. | 0:01:21 | 0:01:24 | |
All of these properties have been sold at auction. | 0:01:25 | 0:01:27 | |
We'll find out who bought them, and what they paid for them | 0:01:27 | 0:01:30 | |
when they went under the hammer. | 0:01:30 | 0:01:32 | |
Yours, Madam, well done. | 0:01:32 | 0:01:34 | |
This is the historic village of Hodnet, | 0:01:40 | 0:01:43 | |
surrounded by the beautiful Shropshire countryside. | 0:01:43 | 0:01:46 | |
It's literally not much more than two streets, | 0:01:46 | 0:01:50 | |
but you've got the shops and conveniences of Shrewsbury | 0:01:50 | 0:01:53 | |
half an hour away, and Market Drayton 15 minutes away. | 0:01:53 | 0:01:57 | |
The property I'm here to see was guided at £155,000-plus, | 0:01:57 | 0:02:02 | |
and there's more to it than meets the eye. | 0:02:02 | 0:02:05 | |
Well, up for auction was one of the local village shops, | 0:02:05 | 0:02:10 | |
and I have to say, this auction lot is a real doozy, | 0:02:10 | 0:02:14 | |
because not only do you get the old shop, | 0:02:14 | 0:02:17 | |
you get the cash registers and some coach houses, as well. | 0:02:17 | 0:02:21 | |
This is the main shop front. It, in itself, is huge. | 0:02:21 | 0:02:25 | |
What else is in store? Ha-ha(!) | 0:02:25 | 0:02:28 | |
-Heh. Wow. -HE CHUCKLES | 0:02:30 | 0:02:32 | |
That's pretty impressive. | 0:02:32 | 0:02:33 | |
But, before I show you that, look at this. | 0:02:33 | 0:02:35 | |
This is obviously some kind of doorway through to | 0:02:35 | 0:02:38 | |
the residential bit that's attached to the property. | 0:02:38 | 0:02:40 | |
We'll explore that in a minute. But look at the size of this room. | 0:02:40 | 0:02:44 | |
This is the original shop. | 0:02:44 | 0:02:46 | |
It must've been absolutely huge in its day | 0:02:46 | 0:02:48 | |
and what an amazing space you've got to play with here. | 0:02:48 | 0:02:52 | |
A few things you'll need to deal with, | 0:02:52 | 0:02:54 | |
my guess is that this is a structural support, | 0:02:54 | 0:02:57 | |
so that can't necessarily go, but make a bit of a feature of that. | 0:02:57 | 0:03:00 | |
But the amount of space you've got to play with here, | 0:03:00 | 0:03:03 | |
you've got more rooms at the back, a door out to a little court yard. | 0:03:03 | 0:03:07 | |
Look at the height of the ceilings. Um... | 0:03:07 | 0:03:09 | |
Look at the floor. | 0:03:12 | 0:03:13 | |
Look at the amount of work you're going to need to do. | 0:03:13 | 0:03:15 | |
But! WHAT an opportunity! | 0:03:15 | 0:03:18 | |
To the back of the shop lie an office, | 0:03:23 | 0:03:27 | |
a toilet and underneath that, there's even a cellar. | 0:03:27 | 0:03:31 | |
However, there's still plenty more to discover. | 0:03:31 | 0:03:34 | |
What about the attached residence? | 0:03:34 | 0:03:36 | |
So, from the shop through this little opening here, | 0:03:37 | 0:03:41 | |
into this, which is your sort of residential part of the whole thing. | 0:03:41 | 0:03:44 | |
You've got the living room at the front there, | 0:03:44 | 0:03:46 | |
this little corridor and then towards the back here, | 0:03:46 | 0:03:49 | |
a little storage area there. Stairs up to your bedrooms, | 0:03:49 | 0:03:52 | |
living room and a kitchen. | 0:03:52 | 0:03:54 | |
I mean, in its own right this is worthy of attention. | 0:03:54 | 0:03:58 | |
It needs a lot of work doing to it, | 0:03:58 | 0:04:00 | |
but it's just part of this whole amazing property. | 0:04:00 | 0:04:05 | |
Spacious as it is, everything's a bit run down. | 0:04:10 | 0:04:13 | |
And, as much as I love these old fireplaces, | 0:04:13 | 0:04:17 | |
well, things have to change. | 0:04:17 | 0:04:18 | |
The accommodation upstairs is equally generous. | 0:04:21 | 0:04:25 | |
There are four double bedrooms together with a family bathroom. | 0:04:25 | 0:04:29 | |
Directly above the shop, there are some interesting | 0:04:30 | 0:04:33 | |
reminders that this property used to be a flour mill. | 0:04:33 | 0:04:37 | |
And above that, it's the attic | 0:04:38 | 0:04:41 | |
look at this attic room! Oh! What a find. | 0:04:42 | 0:04:46 | |
It stretches all the way that way, through there | 0:04:48 | 0:04:50 | |
it's a bit dark and dingy. | 0:04:50 | 0:04:52 | |
But all the way over this way, basically, | 0:04:52 | 0:04:54 | |
it's the full width of this part of the property. | 0:04:54 | 0:04:56 | |
And look at the height. | 0:04:56 | 0:04:58 | |
These incredible roof beams and everything. What a wonderful space. | 0:04:58 | 0:05:02 | |
I have to say, it looks like somebody's living here already. | 0:05:02 | 0:05:05 | |
Evidence of some kind of beetle in there, woodworm. | 0:05:05 | 0:05:10 | |
That needs to be treated, for sure. | 0:05:10 | 0:05:13 | |
You get an impression, again, | 0:05:13 | 0:05:14 | |
of the amount of work this needs to sort this place out. | 0:05:14 | 0:05:16 | |
But one bit of good news, | 0:05:16 | 0:05:18 | |
if you look at here underneath the roof, this is breathable membrane. | 0:05:18 | 0:05:22 | |
It's like underfelt, if you like, but a breathable variety. | 0:05:22 | 0:05:25 | |
That is fairly modern. So the good news is, | 0:05:25 | 0:05:27 | |
it looks like at least the roof has been replaced relatively recently. | 0:05:27 | 0:05:31 | |
And in terms of a space, just... | 0:05:31 | 0:05:34 | |
What a fantastic capping, if you like, literally, to this property. | 0:05:34 | 0:05:39 | |
MUSIC: Better Days are Coming by Jimmy Cliff | 0:05:41 | 0:05:47 | |
Behind the main building, there is plenty of garden space | 0:05:48 | 0:05:52 | |
and a former coach house. Where would you begin? | 0:05:52 | 0:05:56 | |
Well, as you might expect, the property is in a conservation area, | 0:05:56 | 0:05:59 | |
which means being very careful about what you decide to do here. | 0:05:59 | 0:06:03 | |
But the good news is that the £155,000-plus guide price | 0:06:03 | 0:06:07 | |
doesn't just include all these buildings. | 0:06:07 | 0:06:10 | |
It also includes planning permission to build three residential units. | 0:06:10 | 0:06:14 | |
Actually, this is really interesting. Take a look. | 0:06:14 | 0:06:16 | |
These are the plans that have been drawn up and passed | 0:06:16 | 0:06:19 | |
for creating three individual dwellings on this site. | 0:06:19 | 0:06:22 | |
Here's the existing. | 0:06:22 | 0:06:24 | |
You've got the residences to one side, you've got the shop unit here. | 0:06:24 | 0:06:27 | |
And then, to the right-hand side here, the coach house. | 0:06:27 | 0:06:31 | |
Now, these are the plans in terms of what it will become. | 0:06:31 | 0:06:35 | |
That pretty much stays the same. | 0:06:35 | 0:06:37 | |
You've then got the shop converted into another property here, and on | 0:06:37 | 0:06:41 | |
the right-hand side, the coach house converted into a third property. | 0:06:41 | 0:06:45 | |
All really sizeable properties and really making good use of the space. | 0:06:45 | 0:06:50 | |
Now, it's not going to be a simple, conversion, but it's one | 0:06:50 | 0:06:52 | |
that I think can generate quite a lot of cash in the end. | 0:06:52 | 0:06:55 | |
That's what I think. | 0:06:58 | 0:06:59 | |
Does a local property expert share my optimism for this project? | 0:06:59 | 0:07:06 | |
MUSIC CONTINUES | 0:07:06 | 0:07:08 | |
It's a decent-sized property, with plenty of potential, | 0:07:12 | 0:07:15 | |
both to convert into multiple units or one single dwelling. | 0:07:15 | 0:07:20 | |
And if the plans for three dwellings came to fruition, | 0:07:20 | 0:07:23 | |
how much would these properties sell for? | 0:07:23 | 0:07:26 | |
As a combined total for the three individual dwellings, | 0:07:28 | 0:07:32 | |
you'd be looking at in the region of £475,000. | 0:07:32 | 0:07:36 | |
Well, what an incredible opportunity for someone this is. | 0:07:36 | 0:07:40 | |
A huge building, it's true. | 0:07:40 | 0:07:42 | |
But, by converting it into those three dwellings, | 0:07:42 | 0:07:45 | |
potential profit to be made. But not after quite a lot of work. | 0:07:45 | 0:07:49 | |
Let's see who was willing to take it on when it went under the hammer. | 0:07:49 | 0:07:53 | |
Lot number six. Picturesque village location. We'll say it's 140. | 0:07:53 | 0:07:59 | |
135, then. 135 miss? Thank you. | 0:07:59 | 0:08:03 | |
135, opening bid. £135,000. | 0:08:03 | 0:08:07 | |
140 can I say now. Yes, 140. That's 145. OK, in ones if it helps. | 0:08:07 | 0:08:13 | |
141, 140... 142. 143, 144, 145, 146. | 0:08:13 | 0:08:20 | |
Back in, 147, 148, 149. | 0:08:20 | 0:08:26 | |
At £149,000, then. | 0:08:26 | 0:08:30 | |
Are we all done? | 0:08:30 | 0:08:31 | |
You bid at 150, at 150. Another one? | 0:08:32 | 0:08:37 | |
The bid's seated, no mistakes, at £150,000. | 0:08:37 | 0:08:41 | |
Be quick if you're coming back in, if not, I'm selling it at 150. | 0:08:42 | 0:08:46 | |
At £150,000 for the first time... | 0:08:46 | 0:08:49 | |
At £150,000 for the second time... | 0:08:49 | 0:08:54 | |
Third and final time at £150,000... | 0:08:54 | 0:08:58 | |
BANGS HAMMER You bought it, sir, well done. | 0:08:58 | 0:09:01 | |
MUSIC: Go West by The Village People | 0:09:01 | 0:09:03 | |
That final bid of £150,000 was made by Sean and Colleen, | 0:09:03 | 0:09:08 | |
a retired couple from Reading who have decided to head to the | 0:09:08 | 0:09:11 | |
West Midlands in order to fulfil a lifelong ambition. | 0:09:11 | 0:09:17 | |
MUSIC CONTINUES | 0:09:17 | 0:09:22 | |
-Colleen, Sean, lovely to meet you both. -And you. -Hi. -Er, phew. | 0:09:22 | 0:09:26 | |
-Small house then, really? -Just a tad. | 0:09:26 | 0:09:29 | |
-MARTIN LAUGHS -Tell me what you wanted to buy it? | 0:09:29 | 0:09:32 | |
-We've always wanted a big house, haven't we? Always. -Yeah. | 0:09:32 | 0:09:36 | |
We wanted a blank canvas to put our own stamp on it. And here we are. | 0:09:36 | 0:09:42 | |
-Yeah. -How did you come about it? | 0:09:42 | 0:09:44 | |
Oh, just looking through the auction. | 0:09:44 | 0:09:46 | |
Colleen found it on the internet. | 0:09:46 | 0:09:48 | |
OK, so from the little square box on the internet and the details, | 0:09:48 | 0:09:51 | |
what was it that made you think, "Yeah, this sounds like our... | 0:09:51 | 0:09:55 | |
"One for us?" | 0:09:55 | 0:09:56 | |
It didn't hit me at first, didn't think anything of it. | 0:09:56 | 0:09:59 | |
But, I must admit, it was Sean. | 0:09:59 | 0:10:01 | |
What did you spot? | 0:10:01 | 0:10:03 | |
Er...its potential. It's currently got planning permission for three properties, | 0:10:03 | 0:10:07 | |
but as soon as I walked in and looked at the shop area, I thought, | 0:10:07 | 0:10:10 | |
"Open-plan living, this is what I want." | 0:10:10 | 0:10:12 | |
-We'd like to make it as one property. -One property! -Yeah. | 0:10:12 | 0:10:16 | |
-How many people will be living here? -Just us two rattling around! | 0:10:16 | 0:10:19 | |
ALL LAUGH | 0:10:19 | 0:10:20 | |
-Right. -And my two cats. -Oh, of course. | 0:10:23 | 0:10:25 | |
Well, that's all right, then. They need a lot of room. | 0:10:25 | 0:10:28 | |
Colleen, you may love your cats dearly, | 0:10:28 | 0:10:30 | |
but giving them this much space to play...? | 0:10:30 | 0:10:33 | |
MUSIC: Lovecats by The Cure | 0:10:34 | 0:10:37 | |
Having taken the grand tour already, | 0:10:37 | 0:10:39 | |
my mind is reeling with the possibilities of turning this | 0:10:39 | 0:10:43 | |
into one huge residence. | 0:10:43 | 0:10:45 | |
Although there will be plenty of room, ha-ha, | 0:10:46 | 0:10:48 | |
to swing a cat. | 0:10:48 | 0:10:49 | |
So, how are you going to divide it up in terms of living space? | 0:10:56 | 0:11:00 | |
Ground floor, we're looking at putting... | 0:11:00 | 0:11:04 | |
Open-plan, with large lounge, dining room, open-plan kitchen, | 0:11:04 | 0:11:08 | |
and then a formal snug, or study downstairs, possibly. | 0:11:08 | 0:11:13 | |
And then, upstairs, knock a few of the rooms together... | 0:11:13 | 0:11:16 | |
-To make large bedrooms. -Yeah. | 0:11:16 | 0:11:18 | |
Couple of en suites, master bedroom with en suite, walk-in wardrobe. | 0:11:18 | 0:11:23 | |
-And we haven't got to the attic yet. -No! | 0:11:24 | 0:11:26 | |
-Well, the attic blew me away. I mean... -It's beautiful, isn't it? | 0:11:26 | 0:11:29 | |
I love it! So what are you going to do with the attic? | 0:11:29 | 0:11:32 | |
I want it very old-fashioned, lots of nooks and crannies. | 0:11:32 | 0:11:36 | |
Colleen and Sean's next step | 0:11:40 | 0:11:42 | |
is to work with an architect to draw up plans. | 0:11:42 | 0:11:45 | |
They are hoping to get the work done in nine months to a year, | 0:11:45 | 0:11:48 | |
but that will depend on whether those plans are approved. | 0:11:48 | 0:11:51 | |
What if the planners say, "No, that's not suitable for the village, | 0:11:52 | 0:11:55 | |
"to have one massive great property?" | 0:11:55 | 0:11:57 | |
SEAN SIGHS | 0:11:57 | 0:11:58 | |
-We will be... -We'll be very upset, obviously. -We will be. | 0:11:58 | 0:12:02 | |
Maybe we would build two, | 0:12:02 | 0:12:05 | |
keep one, sell one. | 0:12:05 | 0:12:06 | |
-We've got options available. -Lots of options. | 0:12:06 | 0:12:09 | |
-So who's going to be doing the work? -Er...mainly me. | 0:12:09 | 0:12:13 | |
I've got some experience, I've renovated a couple of properties, | 0:12:13 | 0:12:16 | |
I've dabbled with plastering, brick laying, I'm a qualified electrician. | 0:12:16 | 0:12:20 | |
-Oh, that'll be helpful, then. -Yeah. | 0:12:20 | 0:12:21 | |
So, the big question, of course, | 0:12:21 | 0:12:23 | |
is how much have you set aside to do the work? | 0:12:23 | 0:12:26 | |
My initial budget was between 50 to 80, | 0:12:27 | 0:12:30 | |
with a £20,000 contingency on top of that. | 0:12:30 | 0:12:34 | |
But...at the moment it's very difficult to try and judge | 0:12:34 | 0:12:37 | |
how much we're going to need to spend, | 0:12:37 | 0:12:38 | |
-because we don't have the plans. -Right. | 0:12:38 | 0:12:41 | |
-I was going to say, it sounds a bit tight to me, that. -I hope it isn't! | 0:12:41 | 0:12:45 | |
THEY LAUGH | 0:12:45 | 0:12:46 | |
Well, listen, I can't wait to see how you get on. I do wish you all the best. | 0:12:46 | 0:12:49 | |
-Few hurdles to go through, but... -Certainly. | 0:12:49 | 0:12:51 | |
-I hope you achieve your dream, here. -Thank you. | 0:12:51 | 0:12:53 | |
-Can't wait to see how you get on. -Thank you. -Well done to you both. -Thank you. | 0:12:53 | 0:12:57 | |
Well, what a turn up for the books. | 0:12:59 | 0:13:02 | |
I so hope that Colleen and Sean | 0:13:02 | 0:13:07 | |
can realise their dreams with this property. | 0:13:07 | 0:13:10 | |
-What do you reckon? -HE LAUGHS | 0:13:13 | 0:13:15 | |
Budget? I don't think that's high enough. | 0:13:15 | 0:13:17 | |
Will the planners really go for one property, here? | 0:13:17 | 0:13:19 | |
50-50, in my eyes. | 0:13:20 | 0:13:22 | |
You just hope it's a success for them. | 0:13:23 | 0:13:26 | |
There's only one way you can find out if it turns out all right. | 0:13:26 | 0:13:28 | |
That's by tuning in, later in the show. | 0:13:28 | 0:13:31 | |
From Shropshire, we're hopping over the border now, | 0:13:35 | 0:13:38 | |
to a historic little village in the Rhondda Valley. | 0:13:38 | 0:13:41 | |
I'm in the former mining community of Ferndale, in South Wales. | 0:13:43 | 0:13:48 | |
This was one of the first villages | 0:13:48 | 0:13:50 | |
to be heavily industrialised in the 1890s | 0:13:50 | 0:13:54 | |
but nowadays, it's better known for its beautiful surroundings, | 0:13:54 | 0:13:57 | |
which is popular with mountain bikers, | 0:13:57 | 0:14:00 | |
and also as the location for the popular television series Stella, | 0:14:00 | 0:14:05 | |
along with nearby Wattstown. | 0:14:05 | 0:14:07 | |
Well, on the north side of Ferndale is the property I'm here to see. | 0:14:15 | 0:14:20 | |
Three-bedroomed maisonette, has a guide price of £18,000+. | 0:14:20 | 0:14:27 | |
Sounds like a lot of property for the money to me. | 0:14:28 | 0:14:31 | |
There's also quite a lot of stairs | 0:14:33 | 0:14:36 | |
down to the entrance of the maisonette, | 0:14:36 | 0:14:38 | |
but the village does cling to the side of the valley somewhat. | 0:14:38 | 0:14:41 | |
So, lower ground floor, then. | 0:14:43 | 0:14:45 | |
So, one of the first things we are going to be looking out for is... | 0:14:45 | 0:14:48 | |
-HE COUGHS -damp. | 0:14:48 | 0:14:50 | |
-HE LAUGHS -You don't have to go very far. | 0:14:50 | 0:14:52 | |
All that plasterwork there is blown. | 0:14:53 | 0:14:55 | |
PLASTER CRACKS CLATTERS TO FLOOR | 0:14:55 | 0:14:57 | |
Right, that's not good. | 0:14:58 | 0:14:59 | |
But, erm, entrance area... I didn't expect it to do that! | 0:14:59 | 0:15:04 | |
..entrance area here, stairs up to your bedrooms, it's a maisonette. | 0:15:04 | 0:15:07 | |
We'll explore down there in a minute. | 0:15:07 | 0:15:09 | |
But through into a fairly light... | 0:15:09 | 0:15:11 | |
surprisingly, given the location of the flat, | 0:15:11 | 0:15:13 | |
..front room area. | 0:15:13 | 0:15:15 | |
But wow! | 0:15:15 | 0:15:17 | |
HE LAUGHS | 0:15:18 | 0:15:19 | |
The damp in the hallway was subtle. | 0:15:20 | 0:15:22 | |
PLASTER RUSTLES | 0:15:22 | 0:15:23 | |
The damp in the lounge, here... | 0:15:23 | 0:15:25 | |
..is like a textbook, isn't it? Gosh! | 0:15:26 | 0:15:29 | |
And it worries me a bit that is a very, very big wall. | 0:15:29 | 0:15:33 | |
It's going to take a professional company to sort that out. | 0:15:33 | 0:15:37 | |
Injection damp proofing, perhaps, tanking... | 0:15:37 | 0:15:41 | |
The worry is always has it gone down into the floorboards, | 0:15:41 | 0:15:45 | |
and caused all sorts of problems that would be very expensive to fix. | 0:15:45 | 0:15:48 | |
But, continuing through the flat, you know, | 0:15:48 | 0:15:50 | |
I can see through that, | 0:15:50 | 0:15:52 | |
to just the overall feeling of this property, | 0:15:52 | 0:15:57 | |
which is really, really pleasant, and massive! | 0:15:57 | 0:16:00 | |
You've got that room there, then through into this kitchen. | 0:16:00 | 0:16:03 | |
I mean, it's not brilliant, but it's not bad. | 0:16:03 | 0:16:05 | |
And more damp there, surprise, surprise. A little toilet, there. | 0:16:05 | 0:16:09 | |
Lots of space, | 0:16:09 | 0:16:11 | |
and that's only this floor! | 0:16:11 | 0:16:13 | |
And, given it's a maisonette, | 0:16:13 | 0:16:15 | |
there's another one! | 0:16:15 | 0:16:16 | |
Upstairs, at street level, | 0:16:16 | 0:16:18 | |
you've got the bathroom, and three bedrooms. | 0:16:18 | 0:16:21 | |
The first is a pretty good size. | 0:16:21 | 0:16:24 | |
The second is a handy box room. | 0:16:25 | 0:16:28 | |
And the third has a cracking view. | 0:16:28 | 0:16:31 | |
And that's not all. | 0:16:31 | 0:16:33 | |
Well, at the back of the property, you really get a sense | 0:16:34 | 0:16:36 | |
of just how tall it is. Look at that! | 0:16:36 | 0:16:39 | |
I mean, obviously, our property doesn't go up all the way, | 0:16:39 | 0:16:43 | |
but still, look at the building. | 0:16:43 | 0:16:44 | |
The bonus, of course, for this particular maisonette, | 0:16:44 | 0:16:47 | |
is that you get this garden, and also a bit of storage. | 0:16:47 | 0:16:50 | |
And, best of all for me... | 0:16:50 | 0:16:52 | |
..a fantastic view. | 0:16:53 | 0:16:54 | |
Ah, the view! | 0:16:56 | 0:16:58 | |
Does it for me every time. | 0:16:58 | 0:17:00 | |
Sort out the damp issues here, and zhoosh it up a bit, | 0:17:00 | 0:17:03 | |
and I reckon this maisonette's potentially a great little earner. | 0:17:03 | 0:17:06 | |
And, with a guide price of 18,000 quid, ha! What's not to like? | 0:17:06 | 0:17:11 | |
Let's see if a local estate agent | 0:17:15 | 0:17:17 | |
is in agreement. | 0:17:17 | 0:17:19 | |
Most of the building work has been done, | 0:17:19 | 0:17:21 | |
there's issues to the front with the damp, | 0:17:21 | 0:17:23 | |
and, walking into the property, it's not that attractive, | 0:17:23 | 0:17:26 | |
but once you're in here, it's large. | 0:17:26 | 0:17:27 | |
It sure is large, but once done up, | 0:17:28 | 0:17:31 | |
could the purchaser see a large return on the resale market? | 0:17:31 | 0:17:34 | |
If I was going to sell this property on the open market, | 0:17:35 | 0:17:38 | |
I'd probably put it up for £35,000. | 0:17:38 | 0:17:41 | |
Tempting. But what about the rental market? | 0:17:41 | 0:17:44 | |
On the rental market, | 0:17:45 | 0:17:46 | |
I'm sure you could get easily £350 per calendar month, possibly 400. | 0:17:46 | 0:17:51 | |
So, a few issues with damp to sort out, | 0:17:52 | 0:17:54 | |
but overall, I think this place is a real find. | 0:17:54 | 0:17:58 | |
A lot of accommodation for that guide price. | 0:17:58 | 0:18:01 | |
Let's see who agreed when it went under the hammer. | 0:18:01 | 0:18:03 | |
So, then. Lot number six. | 0:18:05 | 0:18:07 | |
Large three-bedroomed maisonette, | 0:18:07 | 0:18:10 | |
good... well, in fact, | 0:18:10 | 0:18:11 | |
a very good investment property. | 0:18:11 | 0:18:13 | |
Who will start me at 18? | 0:18:13 | 0:18:14 | |
18. Make it 15 if you like, then. | 0:18:14 | 0:18:17 | |
Thank you, thank you very much, at 15. 15 there. | 0:18:17 | 0:18:20 | |
And 16 now, can I see? | 0:18:20 | 0:18:21 | |
At 15 here. 16, I'm looking for. | 0:18:21 | 0:18:23 | |
16 behind, thank you. 16. 17. 18. 19. | 0:18:23 | 0:18:27 | |
And 20? 20. 21. 22? 22. 23? 23. 24? | 0:18:27 | 0:18:31 | |
24, no. 23, I've got. Are you sure? | 0:18:32 | 0:18:35 | |
At 23 it is, then, seated. Against you now, standing. | 0:18:35 | 0:18:38 | |
At 23,000, seated here, then, for the first time. | 0:18:38 | 0:18:42 | |
At 23,000, and the second time... | 0:18:42 | 0:18:44 | |
Third and last time, at £23,000... | 0:18:44 | 0:18:48 | |
BANG Yours, madam, well done. | 0:18:48 | 0:18:50 | |
And, raising her card to buy this one, for £23,000, was Sharon. | 0:18:50 | 0:18:55 | |
Sharon is a health and safety manager, | 0:18:57 | 0:18:59 | |
who dabbles in property development in her spare time. | 0:18:59 | 0:19:03 | |
And she also has another string to her bow... | 0:19:03 | 0:19:05 | |
But more of that later. | 0:19:05 | 0:19:07 | |
-Sharon, great to meet you. -Hi. -Congratulations. | 0:19:09 | 0:19:12 | |
Great flat, well...maisonette. I mean, it's amazing, isn't it? | 0:19:12 | 0:19:16 | |
-Yes, I think so. Well, I hadn't seen it before I bought it. -What?! | 0:19:16 | 0:19:21 | |
-I did read a legal pack. -Oh. | 0:19:21 | 0:19:24 | |
Why didn't you see it? | 0:19:24 | 0:19:25 | |
Because I wasn't going there to buy this property, | 0:19:27 | 0:19:29 | |
I was going to buy a different one. | 0:19:29 | 0:19:32 | |
But I didn't buy that one, I bought this one instead. | 0:19:32 | 0:19:34 | |
-Right, so what happened with the other one? -Erm... | 0:19:34 | 0:19:36 | |
It was a dream, not a reality. | 0:19:36 | 0:19:39 | |
It was a tower on a beach. | 0:19:39 | 0:19:42 | |
A tower on a beach?! | 0:19:42 | 0:19:43 | |
Yeah. A watchtower... MARTIN GASPS | 0:19:43 | 0:19:45 | |
..which was... I really, really wanted it. | 0:19:45 | 0:19:48 | |
-But I didn't... -Oh. | 0:19:48 | 0:19:49 | |
What, it went over your budget, did it? | 0:19:49 | 0:19:51 | |
No, the reality kicked in, and there was nothing you could do with it. | 0:19:51 | 0:19:54 | |
It would be a beautiful beach house / hut, | 0:19:54 | 0:19:57 | |
but you could never live in it, or do anything with it, so... | 0:19:57 | 0:20:00 | |
-So, you didn't get the beach tower. -No. | 0:20:00 | 0:20:02 | |
-You ended up with a really nice flat though. -Yeah. | 0:20:02 | 0:20:05 | |
I plan to... At the moment, I work full-time, | 0:20:05 | 0:20:08 | |
and part-time, I train mothers baby first aid. | 0:20:08 | 0:20:13 | |
-Baby first aid? -Yes, yeah. | 0:20:13 | 0:20:16 | |
So the plan is that I continue growing the baby first aid, | 0:20:16 | 0:20:20 | |
-and go into property development and management. -Right. | 0:20:20 | 0:20:24 | |
Just to concentrate on the two. | 0:20:24 | 0:20:26 | |
-The baby first aid, what's that all about? -Yeah. | 0:20:26 | 0:20:28 | |
Parents, they leave the hospital with this little bundle of joy, | 0:20:28 | 0:20:31 | |
and it's terrifying. | 0:20:31 | 0:20:34 | |
You know, if they cough, or they choke, | 0:20:34 | 0:20:36 | |
and they really don't know what to do... | 0:20:36 | 0:20:38 | |
But, just by having the first aid training, | 0:20:38 | 0:20:41 | |
it gives you the confidence and the knowledge | 0:20:41 | 0:20:43 | |
that if something does go wrong, | 0:20:43 | 0:20:45 | |
you're not going to be panicking, and you'll know what to do. | 0:20:45 | 0:20:47 | |
Sharon's going to be pretty busy, | 0:20:48 | 0:20:50 | |
juggling two jobs and the property development. | 0:20:50 | 0:20:53 | |
And, although she did break the Homes Under The Hammer Golden Rule | 0:20:56 | 0:20:59 | |
by not viewing the property before the auction, | 0:20:59 | 0:21:02 | |
it looks as if she's done well, here. | 0:21:02 | 0:21:04 | |
So, having not seen it before you bought it, | 0:21:07 | 0:21:09 | |
what did you think when you came in the door? | 0:21:09 | 0:21:11 | |
Well, I was surprised. Pleasantly surprised. | 0:21:11 | 0:21:14 | |
I thought it was going to be in a lot worse condition, | 0:21:14 | 0:21:16 | |
-considering the price... -Yeah. | 0:21:16 | 0:21:17 | |
..that I paid for it, so yes, it was. | 0:21:17 | 0:21:20 | |
There's lots of damp, and it needs a little bit of work, | 0:21:20 | 0:21:23 | |
but at least it's got walls and ceilings, which is always a bonus. | 0:21:23 | 0:21:26 | |
THEY LAUGH | 0:21:26 | 0:21:28 | |
You had set your expectations fairly low! | 0:21:28 | 0:21:31 | |
-So, this is your first property venture, is it? -Second. -OK. -Yeah. | 0:21:31 | 0:21:35 | |
-I've done four or five, for other people. -Oh! | 0:21:35 | 0:21:39 | |
What's the plan for it, then? Is it to do it up and sell it on, or... | 0:21:39 | 0:21:42 | |
-Rent it out? -Rent it out, yeah. | 0:21:42 | 0:21:44 | |
Yeah, and then, just do the maintenance myself, then, | 0:21:44 | 0:21:47 | |
when it's rented, yeah. | 0:21:47 | 0:21:49 | |
So, initially, it needs the central heating needs changing, | 0:21:49 | 0:21:53 | |
cos it's got the old back boiler in. | 0:21:53 | 0:21:56 | |
Damp course needs doing, and the rendering outside is not right, | 0:21:56 | 0:22:00 | |
-so it needs to be hacked off. -OK. | 0:22:00 | 0:22:03 | |
And then the kitchen and bathroom, plans for that? | 0:22:03 | 0:22:06 | |
Probably change those as well, yeah. | 0:22:06 | 0:22:09 | |
Yeah, I mean, if you start off with a clean slate, | 0:22:09 | 0:22:12 | |
you know what's wrong and what's not wrong. | 0:22:12 | 0:22:14 | |
If you just patch it up, that's when you have problems, I think. | 0:22:14 | 0:22:18 | |
So, if you go in, so you know it's all done right, you know, | 0:22:18 | 0:22:21 | |
you're not going to have problems six months down the road, so... | 0:22:21 | 0:22:25 | |
Is the plan to expand the portfolio? | 0:22:25 | 0:22:27 | |
-I've got three grandchildren, so I need three houses. -Right. | 0:22:27 | 0:22:31 | |
And they're going to have them as a sort of investment, or...? | 0:22:31 | 0:22:35 | |
I'm going to keep them for them, and then, when they go to university, | 0:22:35 | 0:22:38 | |
or wherever, and they need the money then, | 0:22:38 | 0:22:40 | |
then they can be sold to fund towards their education. | 0:22:40 | 0:22:44 | |
-Oh, great. Do they know about this yet? -No. | 0:22:44 | 0:22:47 | |
THEY LAUGH | 0:22:47 | 0:22:48 | |
-Well, they will now. How old are they? -3, 14, and 13. -Right. | 0:22:49 | 0:22:55 | |
What a nice thing to do for them. And what about you? | 0:22:55 | 0:22:58 | |
-Do you enjoy doing this? -I love it. I love it. | 0:22:58 | 0:23:01 | |
I do all of the work myself, except electrics and gas. | 0:23:01 | 0:23:05 | |
-I do the kitchens, the bathrooms, the... -What, fitting those? -Yeah. | 0:23:05 | 0:23:09 | |
And, much experience in that field, I mean, where does that come from? | 0:23:09 | 0:23:12 | |
I've always done it. | 0:23:12 | 0:23:14 | |
I've always done it since the day I got married, | 0:23:14 | 0:23:16 | |
I've always done the tiling and the decorating so... | 0:23:16 | 0:23:20 | |
-And you still manage to have nice nails!? -Yes! | 0:23:20 | 0:23:22 | |
THEY LAUGH | 0:23:22 | 0:23:23 | |
That's a good trick, if you can do it! | 0:23:23 | 0:23:25 | |
So when some of the other tradesmen turn up, | 0:23:27 | 0:23:29 | |
are they surprised to find you sort of smashing furniture and taking kitchens out? | 0:23:29 | 0:23:34 | |
Yes. Yeah. I'll tell you a story. | 0:23:34 | 0:23:36 | |
When I moved into the house I'm in now, | 0:23:36 | 0:23:39 | |
I built a shed, out in the garden, | 0:23:39 | 0:23:42 | |
and I was out putting the roof on it, and a lady come down the road, | 0:23:42 | 0:23:46 | |
and she tapped my ladder, and I looked down. | 0:23:46 | 0:23:49 | |
She said, "You are causing us real problems up here." | 0:23:49 | 0:23:54 | |
And I said, "I don't even know you. How can I do that?" | 0:23:54 | 0:23:58 | |
She said, "Our husbands want to know why we don't do what you do." | 0:23:58 | 0:24:01 | |
THEY LAUGH | 0:24:01 | 0:24:03 | |
..which was quite amusing. | 0:24:06 | 0:24:07 | |
THEY LAUGH | 0:24:07 | 0:24:08 | |
Sounds like Sharon has what it takes to make something of this place. | 0:24:08 | 0:24:12 | |
And, more or less, single-handedly, to boot. | 0:24:12 | 0:24:15 | |
-So what's the budget? -Between 10 and 15. -OK. | 0:24:16 | 0:24:20 | |
-And the timescale? -No longer than six months. | 0:24:20 | 0:24:24 | |
I'd like to get it done within three, but you don't know, | 0:24:24 | 0:24:27 | |
it's getting tradesmen in, isn't it, | 0:24:27 | 0:24:29 | |
to do the central heating and things, but... | 0:24:29 | 0:24:32 | |
But you'll be beavering away, evenings and weekends? | 0:24:32 | 0:24:34 | |
-Beavering, yes. -Wow. -Yes. | 0:24:34 | 0:24:36 | |
-Well, listen, congratulations. Lovely to meet you. -Thank you. | 0:24:36 | 0:24:40 | |
-Good luck with it, and I look forward to seeing how you get on. -Thank you. | 0:24:40 | 0:24:43 | |
Well, Sharon might not match the profile | 0:24:44 | 0:24:46 | |
of your average property developer, | 0:24:46 | 0:24:48 | |
but she's got all the enthusiasm and skills she's going to need | 0:24:48 | 0:24:51 | |
to sort this place out. | 0:24:51 | 0:24:53 | |
How will she get on? I can't wait to see. | 0:24:53 | 0:24:55 | |
You can find out later in the show. | 0:24:55 | 0:24:58 | |
Coming up, this former pub in Margate | 0:24:59 | 0:25:01 | |
is desperate for a new lease of life. | 0:25:01 | 0:25:04 | |
It feels incredibly sad | 0:25:04 | 0:25:06 | |
to see an old pub and restaurant left like this. | 0:25:06 | 0:25:09 | |
Back in Wales, Sharon discovers the perils | 0:25:10 | 0:25:13 | |
of being a little too hands-on. | 0:25:13 | 0:25:15 | |
I did fall off a windowsill, resulting in three broken ribs. | 0:25:15 | 0:25:19 | |
Welcome back to the tiny village of Hodnet in Shropshire, | 0:25:22 | 0:25:26 | |
and this massive property. | 0:25:26 | 0:25:29 | |
At an auction guide price of £155,000 was this shop space... | 0:25:29 | 0:25:34 | |
..this residential space... | 0:25:35 | 0:25:37 | |
..this attic, complete with these beautiful wooden beams... | 0:25:38 | 0:25:42 | |
..and even these coach houses. | 0:25:43 | 0:25:46 | |
This former flour mill needed a lot of work, | 0:25:46 | 0:25:48 | |
but with planning permission approved to develop it | 0:25:48 | 0:25:51 | |
into three residential houses, | 0:25:51 | 0:25:53 | |
any developer brave enough could really dream big. | 0:25:53 | 0:25:57 | |
MUSIC: Big Dreams In A Small Town by Restless Heart | 0:25:57 | 0:26:00 | |
And the couple brave enough to do just that | 0:26:05 | 0:26:07 | |
were husband and wife Sean and Colleen, | 0:26:07 | 0:26:10 | |
who bought the property for 150,000. | 0:26:10 | 0:26:13 | |
But working to the approved plans weren't for them. Oh, no! | 0:26:13 | 0:26:18 | |
These rebels wanted more. | 0:26:18 | 0:26:20 | |
-Are you just going to stick to the original plans, and three properties? -No. | 0:26:20 | 0:26:24 | |
-No? -We'd like to make it as one property. -One property?! | 0:26:24 | 0:26:27 | |
-Yeah. -How many people will be living here? -Just us two rattling around. | 0:26:27 | 0:26:32 | |
HE LAUGHS | 0:26:32 | 0:26:34 | |
MUSIC: Rebel Yell by Billy Idol | 0:26:34 | 0:26:36 | |
One house! Ha! | 0:26:41 | 0:26:43 | |
They had a budget of £50-£80,000, | 0:26:43 | 0:26:45 | |
and trained electrician Sean was willing to take on most of the work, | 0:26:45 | 0:26:50 | |
but this was a MAMMOTH task. | 0:26:50 | 0:26:53 | |
Well, three years later, and we've returned. | 0:26:56 | 0:27:00 | |
And there's certainly big changes on the outside. | 0:27:00 | 0:27:04 | |
Has it become their dream home on the inside? | 0:27:04 | 0:27:07 | |
Oh-ho-ho... | 0:27:09 | 0:27:10 | |
Oh, yes. | 0:27:10 | 0:27:11 | |
We've got six bedrooms, five bathrooms, | 0:27:31 | 0:27:35 | |
-a utility room, study... -"Gym". -..gym! | 0:27:35 | 0:27:38 | |
THEY LAUGH | 0:27:38 | 0:27:39 | |
Yes, they've still to develop the coach houses, | 0:27:39 | 0:27:42 | |
but Colleen and Sean somehow managed to find money | 0:27:42 | 0:27:45 | |
to sneak in a sauna into the... Ahem. .."gym." | 0:27:45 | 0:27:49 | |
And good for them. | 0:27:49 | 0:27:50 | |
They've turned this into the dream property they'd always hoped for. | 0:27:50 | 0:27:55 | |
But getting the correct planning permission wasn't without its problems. | 0:27:55 | 0:27:59 | |
The first year was spent primarily doing... | 0:27:59 | 0:28:03 | |
Making it look worse, stripping it back. | 0:28:03 | 0:28:05 | |
Yes. Destroying the property! And preliminaries. | 0:28:05 | 0:28:08 | |
Planning permission, speaking to conservation. | 0:28:08 | 0:28:12 | |
And finding out this couldn't happen but this could, so... | 0:28:12 | 0:28:16 | |
That was the first year, really. | 0:28:16 | 0:28:18 | |
We didn't know whether we would get consent to keep it as one dwelling | 0:28:18 | 0:28:21 | |
or whether we would have to follow the original plans, which would make it into multiple properties. | 0:28:21 | 0:28:26 | |
So at that stage we decided we would just do the structural | 0:28:26 | 0:28:29 | |
work in the loft and then work our way down. | 0:28:29 | 0:28:33 | |
'By working closely with the council's conservation officer, | 0:28:33 | 0:28:36 | |
'their plans were granted, however, and work could begin. | 0:28:36 | 0:28:40 | |
'And Sean got stuck in as promised.' | 0:28:40 | 0:28:42 | |
I did as much of the physical work as I possibly could | 0:28:44 | 0:28:48 | |
and brought in various contractors as and when we needed them. | 0:28:48 | 0:28:52 | |
We were very fortunate. We found a local builder that was very good. | 0:28:52 | 0:28:56 | |
Some of the contractors are now friends, which is very nice. | 0:28:56 | 0:28:59 | |
Actually, the guy that had been Mr odd job | 0:28:59 | 0:29:04 | |
and chippy, he's with my daughter now. | 0:29:04 | 0:29:09 | |
-So we did a bit of matchmaking as well. -Yes. | 0:29:09 | 0:29:11 | |
'Well, it appears this house comes with all mod cons. | 0:29:11 | 0:29:15 | |
'Extra insulation, multimedia ports, LED light bulbs | 0:29:15 | 0:29:20 | |
'and erm... Matchmaking services!' | 0:29:20 | 0:29:23 | |
# Stupid Cupid, stop picking on me. # | 0:29:24 | 0:29:27 | |
'But it's not just Sean that has been working. | 0:29:28 | 0:29:31 | |
'Colleen has been hard at work too.' | 0:29:31 | 0:29:33 | |
Most of the soft furnishings throughout the house, | 0:29:33 | 0:29:37 | |
I have done myself. | 0:29:37 | 0:29:38 | |
Like my four-poster bed, I did all the drapes. | 0:29:38 | 0:29:41 | |
The swags and tails in the rooms. | 0:29:41 | 0:29:44 | |
I have done some chair covering. | 0:29:44 | 0:29:48 | |
The brick work, I scrubbed down and cleaned and varnished. | 0:29:48 | 0:29:51 | |
A lot of the woodwork like the four-poster, renovating it. | 0:29:51 | 0:29:54 | |
The staircase. | 0:29:54 | 0:29:56 | |
That was weeks. | 0:29:57 | 0:30:00 | |
-But, yes, I have... -You have helped out. | 0:30:00 | 0:30:03 | |
Helped out. Thank you, Sean! | 0:30:03 | 0:30:06 | |
-I've helped out. -Yes, you did your bit. | 0:30:06 | 0:30:09 | |
'Careful, Sean, or you will be sleeping in the bathroom tonight. | 0:30:10 | 0:30:14 | |
'So much love has clearly gone into this | 0:30:14 | 0:30:16 | |
'but do they have a favourite room?' | 0:30:16 | 0:30:19 | |
I love my pink room for my granddaughters. | 0:30:20 | 0:30:24 | |
My husband doesn't like the pink room. But I love it. | 0:30:24 | 0:30:29 | |
Mine is the lounge and kitchen. | 0:30:29 | 0:30:31 | |
I love being in here in the evening and having the fire on. | 0:30:31 | 0:30:34 | |
It's a very friendly, sociable area, which is what we wanted. | 0:30:34 | 0:30:38 | |
'Sean and Colleen have really made this old place their own, | 0:30:38 | 0:30:42 | |
'but how has it gone sticking to their £80,000 budget? | 0:30:42 | 0:30:45 | |
'Well, in a word...' | 0:30:45 | 0:30:47 | |
Terribly! | 0:30:47 | 0:30:49 | |
I think we have come in around about 136 or 138. | 0:30:50 | 0:30:54 | |
More like 150,000. | 0:30:54 | 0:30:56 | |
'That is £150,000 to buy the property | 0:30:56 | 0:31:00 | |
'and a further 150,000 and three years hard work for the development. | 0:31:00 | 0:31:06 | |
'Cat is an optional extra. | 0:31:06 | 0:31:08 | |
'It's obvious though that Sean and Colleen could not be happier. | 0:31:08 | 0:31:12 | |
'But we have asked along two local property experts | 0:31:12 | 0:31:15 | |
to see what they make of it. | 0:31:15 | 0:31:17 | |
Very, very impressed. A wonderful property. | 0:31:18 | 0:31:20 | |
Far, far larger than what I expected. They've done a lovely job. | 0:31:20 | 0:31:24 | |
What people are looking for more and more nowadays | 0:31:24 | 0:31:27 | |
is open plan living space. | 0:31:27 | 0:31:28 | |
I think they have got it right. | 0:31:28 | 0:31:30 | |
It's absolutely faultless throughout. A beautiful home. | 0:31:30 | 0:31:34 | |
If we were to place this property on the market in today's climate, | 0:31:34 | 0:31:38 | |
we would look at a figure of around about £375,000. | 0:31:38 | 0:31:41 | |
I believe in the current market this property would sell | 0:31:41 | 0:31:44 | |
anywhere between £375,000 and £400,000. | 0:31:44 | 0:31:49 | |
'Having spent a total of £300,000, that higher value would give | 0:31:49 | 0:31:53 | |
'Sean and Colleen a profit of £100,000, | 0:31:53 | 0:31:56 | |
'minus the usual taxes and expenses.' | 0:31:56 | 0:31:59 | |
It's nice to know we have made a profit | 0:31:59 | 0:32:01 | |
but we definitely didn't do it for that. Definitely not. | 0:32:01 | 0:32:05 | |
Before we got married, | 0:32:05 | 0:32:07 | |
I used to draw pictures of buildings that we may one day live in. | 0:32:07 | 0:32:12 | |
-That is partly why you took early retirement, wasn't it? -Yes. | 0:32:12 | 0:32:17 | |
-To be able to fulfil your dream. -Yes. | 0:32:17 | 0:32:19 | |
'Well, if you thought Sean and Colleen took on a huge project, | 0:32:24 | 0:32:27 | |
'wait until you see this one in Margate that I came to see back in 2010 | 0:32:27 | 0:32:32 | |
'when the town was going through a process of regeneration. | 0:32:32 | 0:32:35 | |
'The property went to auction guided at £100,000 to £110,000. | 0:32:35 | 0:32:40 | |
'And it had the potential to give the purchaser a few sleepless nights.' | 0:32:40 | 0:32:44 | |
The property I am here to see is at the end of Margate High Street | 0:32:45 | 0:32:48 | |
and very close to the harbour and also, once built, the new Turner Gallery. | 0:32:48 | 0:32:53 | |
Now, it was a former pub this | 0:32:53 | 0:32:55 | |
and as you can see it is pretty derelict, it is run down. | 0:32:55 | 0:32:58 | |
But it is one of the oldest buildings in the area | 0:32:58 | 0:33:02 | |
and not so surprisingly, it is Grade Two Listed. | 0:33:02 | 0:33:05 | |
I'm going to go inside and have a look. | 0:33:05 | 0:33:07 | |
Wow! Do you know what? | 0:33:12 | 0:33:14 | |
When you walk into a place like this that is closed up, | 0:33:14 | 0:33:17 | |
got no life in it, it feels incredibly sad | 0:33:17 | 0:33:21 | |
to see an old derelict pub and restaurant just left like this. | 0:33:21 | 0:33:26 | |
You can see the restaurant was obviously over here. | 0:33:26 | 0:33:29 | |
Along here, the bar area. | 0:33:29 | 0:33:31 | |
But it really feels dead. | 0:33:31 | 0:33:33 | |
There are bits and pieces left over from fun times. | 0:33:33 | 0:33:36 | |
I think somebody has even left an old pint of beer. | 0:33:36 | 0:33:40 | |
It looks pretty disgusting. | 0:33:40 | 0:33:42 | |
This place is going to take an awful lot of money | 0:33:42 | 0:33:45 | |
and an awful lot of work to get it up and running again. | 0:33:45 | 0:33:48 | |
But the day those boards come off the windows | 0:33:48 | 0:33:51 | |
and the light floods in, this place will be alive again. | 0:33:51 | 0:33:56 | |
And I for one would love to be here on that day. | 0:33:56 | 0:34:00 | |
'Yep, the bar has seen better days but the space is enormous. | 0:34:05 | 0:34:09 | |
'And as if that wasn't enough, through the back of the bar | 0:34:09 | 0:34:12 | |
'there's a large kitchen which needs new appliances and a bit of a scrub. | 0:34:12 | 0:34:16 | |
'And under the bar there's a real surprise. | 0:34:18 | 0:34:21 | |
'A huge cellar that runs the whole length of the ground floor | 0:34:21 | 0:34:25 | |
'and with all the kit you need to pour your first pint in here. | 0:34:25 | 0:34:28 | |
'Upstairs, there is a long function suite, | 0:34:30 | 0:34:33 | |
'complete with bar and two sets of toilets | 0:34:33 | 0:34:36 | |
'and you might have to spend a penny or two bringing them up to standard! | 0:34:36 | 0:34:39 | |
'But that doesn't compare to the cost of issues at the end of the corridor. | 0:34:39 | 0:34:44 | |
'This room will have to be made safe and a new ceiling put in.' | 0:34:44 | 0:34:48 | |
'And it keeps going. | 0:34:50 | 0:34:51 | |
'I am off exploring on the top floor, where there is a flat | 0:34:51 | 0:34:55 | |
'perfect for a pub manager, which sits across the building next door.' | 0:34:55 | 0:34:59 | |
'There is plenty of space, a small bathroom, but sadly there's | 0:35:01 | 0:35:05 | |
'lots of plastering and structural work needed up here also. | 0:35:05 | 0:35:09 | |
'I am going to head back downstairs | 0:35:09 | 0:35:11 | |
'before I get completely lost in here!' | 0:35:11 | 0:35:13 | |
'On the landing, there is a small office too.' | 0:35:15 | 0:35:17 | |
'All this for a guide price of 100 to 110,000 is pretty amazing. | 0:35:19 | 0:35:24 | |
'But there is a problem. | 0:35:24 | 0:35:26 | |
'The Grade Two listing affects inside and out so you can't put up | 0:35:26 | 0:35:31 | |
'a burglar alarm or a satellite dish without permission, | 0:35:31 | 0:35:35 | |
'never mind swinging a sledgehammer in here. | 0:35:35 | 0:35:38 | |
'So it might be appealing to convert this into flats, but even if you | 0:35:38 | 0:35:41 | |
'do get around the problem of the listing, there is another issue.' | 0:35:41 | 0:35:45 | |
Well, this property is located pretty much in a business, not residential area. | 0:35:47 | 0:35:52 | |
The local planning office may have issues with | 0:35:52 | 0:35:54 | |
the lack of allocated parking for residents of any flats built here. | 0:35:54 | 0:35:59 | |
Added to that, this old pub is right next to the Old Cottage car park, | 0:35:59 | 0:36:03 | |
which is due to become one of the main car parking areas | 0:36:03 | 0:36:06 | |
of the visitors of the new Turner Gallery. | 0:36:06 | 0:36:08 | |
So everyone who parks here will be walking right past here. | 0:36:08 | 0:36:13 | |
That sort of passing trade is heaven for a commercial business, | 0:36:13 | 0:36:17 | |
so I think keeping this pub or restaurant, which will serve | 0:36:17 | 0:36:20 | |
the needs of visiting tourists, is definitely the way to go. | 0:36:20 | 0:36:25 | |
'Clearly, there is a lot of potential for a new business venture. | 0:36:25 | 0:36:29 | |
'But just how tricky can this Grade Two listing prove to be? | 0:36:29 | 0:36:32 | |
A local estate agent can explain. | 0:36:32 | 0:36:34 | |
You do have to get quite serious permissions | 0:36:36 | 0:36:39 | |
but the other benefit of it being Grade Two listed | 0:36:39 | 0:36:42 | |
is there will be grants available to bring it back | 0:36:42 | 0:36:44 | |
to its original condition. | 0:36:44 | 0:36:46 | |
Many years ago, this was quite a thriving restaurant and pub. | 0:36:46 | 0:36:50 | |
I have actually had a few nights here myself, which has been quite good fun. | 0:36:50 | 0:36:54 | |
Also, it was always very good for Sunday lunch. | 0:36:54 | 0:36:57 | |
I think this would make an ideal art gallery, | 0:36:57 | 0:36:59 | |
perhaps blended with an upmarket coffee shop or restaurant. | 0:36:59 | 0:37:03 | |
'All good ideas, but what value does it have as a commercial premises? | 0:37:04 | 0:37:09 | |
'And bear in mind, the agent thinks your development budget | 0:37:09 | 0:37:13 | |
'might be in the region of £60,000.' | 0:37:13 | 0:37:15 | |
If it was brought back to its original condition | 0:37:18 | 0:37:21 | |
and refurbished, I think you could achieve in the region of £160,000. | 0:37:21 | 0:37:26 | |
If this property was refurbished and made into, for example, | 0:37:26 | 0:37:31 | |
a bar or restaurant, you could achieve | 0:37:31 | 0:37:33 | |
a sort of rental of around about 12 to 15,000 per annum. | 0:37:33 | 0:37:37 | |
Whoever takes on this property is taking on a project and a half. | 0:37:37 | 0:37:42 | |
Not only is it a major renovation, | 0:37:42 | 0:37:44 | |
but you've got that Grade Two listing to consider. | 0:37:44 | 0:37:47 | |
That really could slow up restoration work. | 0:37:47 | 0:37:49 | |
But it's in a fantastic spot, it's close to the new Turner Gallery and it's on the high street. | 0:37:49 | 0:37:55 | |
So who fancied becoming the landlord of the Old Cottage pub? | 0:37:55 | 0:37:58 | |
Let's find out and head to auction. | 0:37:58 | 0:38:01 | |
It's close to the harbour, loads of accommodation over four floors, | 0:38:01 | 0:38:05 | |
stunning looking building, lots of potential there. | 0:38:05 | 0:38:08 | |
Where are you going to bid me? | 0:38:08 | 0:38:10 | |
Start where? 100-110? | 0:38:10 | 0:38:12 | |
Coming in at 100,000 anywhere? | 0:38:12 | 0:38:14 | |
£100,000 - you know it's worth it. | 0:38:14 | 0:38:16 | |
100,000 can I see? | 0:38:16 | 0:38:17 | |
Give me 90 then. | 0:38:17 | 0:38:19 | |
90 to get me on the way. 85 I'll take | 0:38:19 | 0:38:21 | |
and it's a lot of building for £85,000. Real good spec. | 0:38:21 | 0:38:24 | |
£85,000 bid I've got - on the right at the back. | 0:38:24 | 0:38:28 | |
85,000 I've got. | 0:38:28 | 0:38:29 | |
90 I'm looking for now. | 0:38:29 | 0:38:30 | |
£90,000 do I see? | 0:38:30 | 0:38:32 | |
At £85,000 only and 90 I want, worth every penny of it. | 0:38:32 | 0:38:36 | |
Are we all done at £85,000? | 0:38:36 | 0:38:38 | |
With you, sir, at 85. | 0:38:38 | 0:38:40 | |
90 I'm looking for. | 0:38:40 | 0:38:41 | |
£90,000 bid I've got. | 0:38:41 | 0:38:43 | |
92 may I say now? 92 may I say? | 0:38:43 | 0:38:47 | |
At 92? | 0:38:47 | 0:38:48 | |
I've got 90, it's in the room. 92 I'm looking for. | 0:38:48 | 0:38:51 | |
I've got £90,000 on my left and I will sell for the first time... | 0:38:51 | 0:38:54 | |
£90,000, you're going to miss it for the second time. | 0:38:55 | 0:38:58 | |
Third and final time at £90,000... | 0:38:58 | 0:39:01 | |
Bought yourself a pub, sir. | 0:39:01 | 0:39:03 | |
At our auction, romantics who grabbed four fantastic floors | 0:39:06 | 0:39:10 | |
for 90,000 - £10,000 less than the lower guide price - | 0:39:10 | 0:39:15 | |
are David and his partner, Stephanie. | 0:39:15 | 0:39:18 | |
David is retired, having been in the fire service, | 0:39:18 | 0:39:21 | |
while Stephanie is an artist. | 0:39:21 | 0:39:23 | |
So what persuaded them to purchase this pub? | 0:39:23 | 0:39:26 | |
David, how did you find this place? | 0:39:27 | 0:39:29 | |
Well, purely by chance, really. | 0:39:29 | 0:39:31 | |
I was looking to enter my portfolio and I was going through, | 0:39:31 | 0:39:34 | |
as you do, trawling through all the different lot numbers | 0:39:34 | 0:39:37 | |
available for all the different companies | 0:39:37 | 0:39:39 | |
very, very late one night- two or three o' clock in the morning - | 0:39:39 | 0:39:42 | |
and the computer kind of found it for me, really. | 0:39:42 | 0:39:44 | |
One minute it wouldn't turn off and the next minute it was on the page. | 0:39:44 | 0:39:47 | |
So I started to read it. It was quite fluky. | 0:39:47 | 0:39:49 | |
So you hadn't thought, "Oh, that looks good, | 0:39:49 | 0:39:51 | |
-I'll have a little look at that." It found you. -Yeah, really. | 0:39:51 | 0:39:54 | |
I mean, I was looking for residential property | 0:39:54 | 0:39:56 | |
and ended up with a pub with...opportunities. | 0:39:56 | 0:39:59 | |
So you weren't looking for a pub? | 0:39:59 | 0:40:01 | |
-Both of you didn't think about starting a business? -No. | 0:40:01 | 0:40:03 | |
No. | 0:40:03 | 0:40:05 | |
-Nothing like that. -David...not long after we first met... | 0:40:05 | 0:40:08 | |
he...sort of... | 0:40:08 | 0:40:10 | |
We were both trying to figure out something we could do together. | 0:40:10 | 0:40:13 | |
And this kind of just happened, didn't it? | 0:40:13 | 0:40:15 | |
Yes, it was a gift, really, in several ways. | 0:40:15 | 0:40:18 | |
Is that how you feel? | 0:40:18 | 0:40:19 | |
That you've got it for an amazing price, it found you? | 0:40:19 | 0:40:22 | |
I still can't believe nobody else was interested. | 0:40:22 | 0:40:24 | |
Either I'm raving mad | 0:40:24 | 0:40:26 | |
or there's a lot of people made a serious mistake. | 0:40:26 | 0:40:29 | |
'Well, I don't think David's mad, | 0:40:30 | 0:40:32 | |
'but they've certainly taken on a very big project. | 0:40:32 | 0:40:35 | |
'And I'm intrigued by their plans. | 0:40:35 | 0:40:37 | |
'Like I said, Stephanie is an artist | 0:40:37 | 0:40:39 | |
'and I think their vision does have a creative twist.' | 0:40:39 | 0:40:42 | |
It's not going to be a pub, | 0:40:45 | 0:40:47 | |
it's not going to be a wine bar, | 0:40:47 | 0:40:49 | |
it's not going to be a bistro or a cafe. | 0:40:49 | 0:40:51 | |
It's kind of, the vision we've got for it, is a bit of all of that. | 0:40:51 | 0:40:55 | |
And particularly, from an artistic...theme, | 0:40:55 | 0:40:59 | |
you know, with what we've got planned for the cellar as it exists at the moment, | 0:40:59 | 0:41:02 | |
and upstairs, we'd like to think they'll all, sort of, combine | 0:41:02 | 0:41:06 | |
and it's just going to turn into, I hope, | 0:41:06 | 0:41:09 | |
a really nice meeting place | 0:41:09 | 0:41:11 | |
and a really unusual venue | 0:41:11 | 0:41:12 | |
for people to share their skills and experiences. | 0:41:12 | 0:41:15 | |
So you've brought some plans along with you today, haven't you? | 0:41:15 | 0:41:17 | |
-Yes, I did them. -You did these? | 0:41:17 | 0:41:19 | |
-So you've experience of drawing plans up? -Well, I now do! | 0:41:19 | 0:41:23 | |
-Um... -Does being an artist mean you can put your hand to anything? | 0:41:23 | 0:41:27 | |
-Yes, I can! -David, talk me through them. | 0:41:27 | 0:41:30 | |
Yeah, this is the ground floor. | 0:41:30 | 0:41:31 | |
As you see, the existing bar's right over here | 0:41:31 | 0:41:33 | |
and takes up a huge amount of space on the ground floor. | 0:41:33 | 0:41:36 | |
This is a nice free-form-shape bar here, | 0:41:36 | 0:41:38 | |
and the plan is to move the access and egress | 0:41:38 | 0:41:42 | |
from behind the bar at the moment to an accommodation staircase over here. | 0:41:42 | 0:41:45 | |
And then, as we go downstairs... | 0:41:45 | 0:41:48 | |
..we're going to have that opened up, just a few chairs, | 0:41:49 | 0:41:51 | |
maybe a couple of tables and chairs, | 0:41:51 | 0:41:53 | |
in order for people to go down with a glass of alcohol, a beverage, | 0:41:53 | 0:41:57 | |
and just enjoy what could actually lean much more | 0:41:57 | 0:42:01 | |
towards gallery space. | 0:42:01 | 0:42:03 | |
So...artists can display their works down there, | 0:42:03 | 0:42:06 | |
use the area down there for their own personal display. | 0:42:06 | 0:42:08 | |
And, of course, the artists - | 0:42:08 | 0:42:10 | |
and this is where we come to the first floor - | 0:42:10 | 0:42:12 | |
they will be producing their work, hopefully, up there | 0:42:12 | 0:42:14 | |
in one of seven different studios we're planning on developing. | 0:42:14 | 0:42:18 | |
'The first floor that is currently the function suite | 0:42:19 | 0:42:21 | |
'will become seven artist studios. | 0:42:21 | 0:42:24 | |
'So that's a basement art gallery, a ground-floor bar, | 0:42:24 | 0:42:27 | |
'the artist studios on the first floor AND | 0:42:27 | 0:42:30 | |
'they want to renovate the top-floor flat. | 0:42:30 | 0:42:33 | |
'So are this ambitious pair done yet? | 0:42:33 | 0:42:36 | |
'Not by a long shot!' | 0:42:36 | 0:42:38 | |
# Fame | 0:42:38 | 0:42:40 | |
# Fame and ambition... # | 0:42:40 | 0:42:44 | |
There's a...what was going to just be a manager's flat upstairs | 0:42:44 | 0:42:47 | |
and we've had an extraordinary twist of good fortune AGAIN | 0:42:47 | 0:42:51 | |
in that one of the council officers themselves | 0:42:51 | 0:42:54 | |
hinted quite strongly - | 0:42:54 | 0:42:56 | |
would I be prepared in the development | 0:42:56 | 0:42:58 | |
to put the roof back that should be there? | 0:42:58 | 0:43:00 | |
Which came as a bit of a shock, because we've got a flat roof | 0:43:00 | 0:43:03 | |
and I didn't think it was in keeping with the rest of the street. | 0:43:03 | 0:43:05 | |
What he's saying is would we be prepared to put the pitched roof back, | 0:43:05 | 0:43:09 | |
the barn-style roof that should be there, | 0:43:09 | 0:43:11 | |
if you look at the ones next door. It's going to be a flat. | 0:43:11 | 0:43:14 | |
-So you are planning on adding a flat above this... -Yes. | 0:43:14 | 0:43:17 | |
Yes, it means we can have a flat on top of the flat that we've got | 0:43:17 | 0:43:21 | |
and they don't have to be necessarily connected to the rest of the building. | 0:43:21 | 0:43:25 | |
The flats can be entirely separate from the rest of the building, | 0:43:25 | 0:43:28 | |
doesn't have to be occupied by the manager, | 0:43:28 | 0:43:30 | |
they can be a totally different, separate two units. | 0:43:30 | 0:43:34 | |
And what's your budget then? | 0:43:34 | 0:43:35 | |
We haven't, to be honest, set a figure. | 0:43:35 | 0:43:37 | |
I know that sounds reckless... | 0:43:37 | 0:43:39 | |
It's reckless and I want to hear a figure! | 0:43:39 | 0:43:41 | |
'I did eventually get David to go on the record | 0:43:41 | 0:43:45 | |
'saying that the budget would be £100,000. | 0:43:45 | 0:43:48 | |
'Stephanie thinks that the project will take a year in total. | 0:43:48 | 0:43:52 | |
'But, with several commercial areas, | 0:43:52 | 0:43:54 | |
'have they worked out when they'll be in profit?' | 0:43:54 | 0:43:57 | |
It sounds a bit ridiculous, | 0:43:57 | 0:43:59 | |
but the fact is that because of what we paid for it | 0:43:59 | 0:44:02 | |
and the studio floor level when we create those | 0:44:02 | 0:44:04 | |
and let them out on a monthly basis, | 0:44:04 | 0:44:06 | |
that will pay for the entire building. | 0:44:06 | 0:44:09 | |
And the daft thing is that, really, | 0:44:09 | 0:44:11 | |
we only have to sell a sandwich in the commercial areas | 0:44:11 | 0:44:13 | |
and we're in profit. | 0:44:13 | 0:44:15 | |
So one sandwich a day and you're in profit? | 0:44:15 | 0:44:18 | |
Sounds flippant, but that's pretty much it, you know. | 0:44:18 | 0:44:20 | |
I'm really excited. | 0:44:20 | 0:44:22 | |
Can't wait to hear all the news. Good luck, both of you. | 0:44:22 | 0:44:24 | |
-It's been lovely to meet you, Steph, -You, too. -Well done. | 0:44:24 | 0:44:26 | |
-And you, David, thank you. -Nice to meet you. -Thank you. | 0:44:26 | 0:44:30 | |
I think David and Stephanie have got fantastic plans for this old pub. | 0:44:30 | 0:44:33 | |
I think I'm as excited as they are. | 0:44:33 | 0:44:36 | |
And with the Turner Gallery opening up, | 0:44:36 | 0:44:38 | |
well, they could really be on to a winner with their | 0:44:38 | 0:44:40 | |
art gallery-cum-restaurant-cum-bar concept. | 0:44:40 | 0:44:43 | |
And, if David gets permission for that extra flat on the roof, | 0:44:43 | 0:44:47 | |
this could be one profitable venture. | 0:44:47 | 0:44:51 | |
Find out what happens later on in the programme. | 0:44:51 | 0:44:53 | |
Well, one down, two to go. We've seen how one developer did. | 0:44:57 | 0:45:00 | |
What about the other two? How did they get on? | 0:45:00 | 0:45:02 | |
Hm-mm. Are they struggling or are they flushed with success? | 0:45:02 | 0:45:05 | |
Let's see how they got on. | 0:45:05 | 0:45:07 | |
Back now to Ferndale in South Wales | 0:45:09 | 0:45:12 | |
and this three-bed maisonette | 0:45:12 | 0:45:14 | |
that Sharon bought at auction for £23,000. | 0:45:14 | 0:45:17 | |
Sharon was undeterred by some pretty nasty damp | 0:45:19 | 0:45:22 | |
on the lower-ground-floor | 0:45:22 | 0:45:23 | |
and was all set to totally revamp the place - | 0:45:23 | 0:45:26 | |
more or less single-handedly. | 0:45:26 | 0:45:29 | |
I do all of the work myself except electrics and gas. | 0:45:29 | 0:45:33 | |
I do the kitchens, the bathrooms... | 0:45:33 | 0:45:36 | |
-What fitting those? -Yes. | 0:45:36 | 0:45:38 | |
And much experience in that field? I mean, where does that come from? | 0:45:38 | 0:45:41 | |
I've always done it, I've always done it since the day I got married. | 0:45:41 | 0:45:44 | |
I've always done the tiling and the decorating, so...yes. | 0:45:44 | 0:45:49 | |
-And you still manage to have nice nails. -Yes. | 0:45:49 | 0:45:52 | |
that's a good trick, if you can do it. | 0:45:52 | 0:45:54 | |
Sharon gave herself a budget of £10,000- £15,000 | 0:45:55 | 0:45:59 | |
and a six-month timescale. | 0:45:59 | 0:46:01 | |
Almost nine months after our first visit, we are back | 0:46:01 | 0:46:04 | |
to see how Sharon and those nails got on. | 0:46:04 | 0:46:06 | |
MUSIC: Manicure by Lady Gaga | 0:46:06 | 0:46:08 | |
# I'm gonna be manicured | 0:46:08 | 0:46:10 | |
# You wanna be manicured | 0:46:10 | 0:46:12 | |
# Ma-ma-ma-manicure | 0:46:12 | 0:46:14 | |
# She wanna be MANICURED | 0:46:14 | 0:46:16 | |
# Salon's enough for her | 0:46:16 | 0:46:17 | |
# Not to feel so insecure | 0:46:17 | 0:46:19 | |
# Ma-ma-ma-manicure | 0:46:19 | 0:46:20 | |
# She wanna be take care'n of! # | 0:46:20 | 0:46:22 | |
It all looks highly polished | 0:46:24 | 0:46:25 | |
and not a nasty damp patch anywhere to be seen. | 0:46:25 | 0:46:28 | |
There's a new central heating system, | 0:46:30 | 0:46:32 | |
it's been rewired, | 0:46:32 | 0:46:34 | |
the damp has been sorted, | 0:46:34 | 0:46:36 | |
we took all the render off the outside to the house. | 0:46:36 | 0:46:39 | |
All the radiators were leaking | 0:46:39 | 0:46:41 | |
so all the wood on this floor had to be changed. | 0:46:41 | 0:46:44 | |
There's a new bathroom, new kitchen, | 0:46:44 | 0:46:47 | |
front door, the back door have been replaced, | 0:46:47 | 0:46:49 | |
any windows that weren't double-glazed have been replaced. | 0:46:49 | 0:46:53 | |
But has Sharon been true to her word | 0:46:53 | 0:46:55 | |
and done the lion's share of the work herself? | 0:46:55 | 0:46:58 | |
I took the render off the front of the house, | 0:46:59 | 0:47:02 | |
I painted the front of the house as well as right through both floors. | 0:47:02 | 0:47:06 | |
I tiled, done the tiling in the kitchen and the bathroom, | 0:47:06 | 0:47:11 | |
the laying of the laminate flooring, the kitchen... | 0:47:11 | 0:47:14 | |
most of the bathroom. | 0:47:14 | 0:47:16 | |
I don't do the plumbing, | 0:47:16 | 0:47:18 | |
I don't do the electrics, so we had an electrician in to do that. | 0:47:18 | 0:47:21 | |
I've built the gates and anything else in between. | 0:47:21 | 0:47:25 | |
And what has that done for her nails? | 0:47:27 | 0:47:30 | |
Nails suffered the last week, I'm afraid. | 0:47:30 | 0:47:33 | |
They've been fine up to now, | 0:47:33 | 0:47:35 | |
but not to worry, they soon grow back! | 0:47:35 | 0:47:38 | |
OK, but a little birdie tells me | 0:47:38 | 0:47:40 | |
that Sharon may have broken more than a couple of nails | 0:47:40 | 0:47:43 | |
doing the work. | 0:47:43 | 0:47:45 | |
I did fall off a windowsill, | 0:47:45 | 0:47:47 | |
resulting in three broken ribs, | 0:47:47 | 0:47:49 | |
a broken arm, a broken wrist and a dislocated shoulder. | 0:47:49 | 0:47:52 | |
It did hold the work up for eight weeks, | 0:47:52 | 0:47:56 | |
while I was in a plaster cast. | 0:47:56 | 0:47:59 | |
And that's why we were a little bit longer finishing | 0:47:59 | 0:48:01 | |
than I'd liked to have been. | 0:48:01 | 0:48:03 | |
Ouch! | 0:48:03 | 0:48:05 | |
Sharon's tumble has meant that it's taken the best part of nine months | 0:48:05 | 0:48:09 | |
to complete the work. | 0:48:09 | 0:48:10 | |
But what's become of her £10,000-£15,000 budget? | 0:48:10 | 0:48:14 | |
It came in at about 9,600. | 0:48:14 | 0:48:17 | |
I did manage to do all the jobs that I wanted to do. | 0:48:17 | 0:48:20 | |
And doing most of the work yourself, | 0:48:20 | 0:48:22 | |
you do find that you save 30% of your costs anyway. | 0:48:22 | 0:48:27 | |
And I am quite hands-on, so I did make a 30% saving on that budget. | 0:48:27 | 0:48:32 | |
So, yes, it turned out well for me. | 0:48:32 | 0:48:34 | |
That's very impressive. | 0:48:35 | 0:48:36 | |
And it's not as if Sharon has cut corners on this one, either. | 0:48:36 | 0:48:39 | |
The kitchen wasn't bad, but it wasn't good, either. | 0:48:41 | 0:48:44 | |
It was just OK. | 0:48:44 | 0:48:46 | |
When I'm doing properties I always think, | 0:48:46 | 0:48:48 | |
would I really want to cook in this kitchen? | 0:48:48 | 0:48:51 | |
And that's the basis that I do the kitchens and the bathrooms. | 0:48:51 | 0:48:54 | |
So we changed the bathrooms and the kitchens, as well. | 0:48:54 | 0:48:57 | |
Sharon's original plan was to keep the maisonette | 0:48:59 | 0:49:02 | |
and build up a portfolio for her grandchildren to enjoy | 0:49:02 | 0:49:05 | |
in later life. | 0:49:05 | 0:49:06 | |
Is that still the case? | 0:49:06 | 0:49:08 | |
I was thinking of renting it, | 0:49:08 | 0:49:11 | |
but I've enjoyed doing this one so much | 0:49:11 | 0:49:13 | |
that I think I may sell and be back in the auctions next month. | 0:49:13 | 0:49:17 | |
So...what do two local estate agents make of the work? | 0:49:19 | 0:49:22 | |
First up, the agent who the maisonette before work commenced. | 0:49:22 | 0:49:26 | |
Last time I was here at this property, I did notice quite a lot of damp. | 0:49:27 | 0:49:30 | |
It was pretty obvious, it was in nearly every room. | 0:49:30 | 0:49:32 | |
Most of the external walls were damp. | 0:49:32 | 0:49:34 | |
I've come back again and it's gone. | 0:49:34 | 0:49:37 | |
The property's been renovated to a very good standard. | 0:49:37 | 0:49:40 | |
Lovely bathroom upstairs, nice kitchen | 0:49:40 | 0:49:44 | |
and good-sized rooms. | 0:49:44 | 0:49:46 | |
And if Sharon decided to rent the property out, | 0:49:46 | 0:49:49 | |
what kind of return might she make? | 0:49:49 | 0:49:50 | |
If we were going to market this property to rent, | 0:49:52 | 0:49:54 | |
I would try and rent this property for £400 per calendar month. | 0:49:54 | 0:49:58 | |
I would ask for £375 per calendar month. | 0:49:58 | 0:50:01 | |
Those rental valuations could bring in a very healthy yield | 0:50:03 | 0:50:06 | |
of around the 14% mark. | 0:50:06 | 0:50:08 | |
But what about Sharon's preferred option, the resale market? | 0:50:09 | 0:50:13 | |
I think this property could easily achieve 45,000, | 0:50:13 | 0:50:16 | |
I'd probably try to put it on for £55,000 | 0:50:16 | 0:50:19 | |
and try and take £50,000 if we could. | 0:50:19 | 0:50:21 | |
If I was to market this property with a view to selling it, | 0:50:21 | 0:50:25 | |
I would market it as £50,000. | 0:50:25 | 0:50:27 | |
A sale at 50,000 would give Sharon a very tidy profit | 0:50:28 | 0:50:32 | |
before tax and expenses of over £17,000. | 0:50:32 | 0:50:36 | |
I'm really pleased the way it turned out. | 0:50:37 | 0:50:39 | |
I don't do it for profit, | 0:50:39 | 0:50:42 | |
I do it for the challenge | 0:50:42 | 0:50:43 | |
and I've really enjoyed doing it | 0:50:43 | 0:50:45 | |
and I am really pleased with the outcome. | 0:50:45 | 0:50:47 | |
MUSIC: Money On My Mind by Sam Smith | 0:50:47 | 0:50:49 | |
# No money on my mind | 0:50:49 | 0:50:50 | |
# No, I have no money on my mind | 0:50:50 | 0:50:53 | |
# Just love. # | 0:50:53 | 0:50:56 | |
So how long till we see Sharon back at the auction? | 0:50:56 | 0:50:59 | |
I'm going to take a month off now and spend it with my family, | 0:51:00 | 0:51:04 | |
cos they haven't seen a lot of me. | 0:51:04 | 0:51:06 | |
I'm going to enjoy my grandchildren | 0:51:06 | 0:51:08 | |
and my children for the next month, | 0:51:08 | 0:51:10 | |
but the following month I'll probably be back at the auction house. | 0:51:10 | 0:51:13 | |
Back now to Margate and this former pub, | 0:51:18 | 0:51:21 | |
which sprawled over four floors. | 0:51:21 | 0:51:23 | |
The Grade II listed pub was bought at auction in 2010 | 0:51:23 | 0:51:28 | |
for £90,000 | 0:51:28 | 0:51:29 | |
by retired fireman-turned-property-developer | 0:51:29 | 0:51:32 | |
David who, with the help of his artist partner Stephanie, | 0:51:32 | 0:51:35 | |
had grand plans for the building. | 0:51:35 | 0:51:38 | |
With a bar and a kitchen on the ground floor, | 0:51:38 | 0:51:40 | |
gallery space in the basement | 0:51:40 | 0:51:43 | |
and seven artists studios on the first floor. | 0:51:43 | 0:51:45 | |
It's just going to turn into, I hope, you know, | 0:51:45 | 0:51:48 | |
a really nice meeting place and a really unusual venue | 0:51:48 | 0:51:51 | |
for people to share their skills and experiences. | 0:51:51 | 0:51:53 | |
If that's not enough, | 0:51:53 | 0:51:55 | |
they were also planning to overhaul the manager's flat | 0:51:55 | 0:51:58 | |
and then add a whole new floor above that, | 0:51:58 | 0:52:01 | |
with a second flat. | 0:52:01 | 0:52:02 | |
The flats can be entirely separate from the rest of the building, | 0:52:02 | 0:52:05 | |
doesn't have to be occupied by the manager, | 0:52:05 | 0:52:07 | |
they can be a totally different, separate two units. | 0:52:07 | 0:52:10 | |
Despite the building's Grade II listing, | 0:52:10 | 0:52:13 | |
David and Stephanie were planning on spending just one year | 0:52:13 | 0:52:16 | |
and £100,000 on all the work. | 0:52:16 | 0:52:19 | |
Almost five years after our first visit, | 0:52:19 | 0:52:22 | |
the Turner Contemporary Gallery is up and running. | 0:52:22 | 0:52:25 | |
But have David and Stephanie turned the old pub | 0:52:25 | 0:52:28 | |
into a Turner-esque masterpiece? | 0:52:28 | 0:52:30 | |
MUSIC: Turn! Turn! Turn! by The Byrds | 0:52:30 | 0:52:32 | |
# To every thing, turn, turn, turn | 0:52:32 | 0:52:36 | |
# There is a season, turn, turn, turn | 0:52:36 | 0:52:41 | |
# And a time to every purpose under heaven. # | 0:52:41 | 0:52:47 | |
So work has only just started! | 0:52:49 | 0:52:51 | |
Wranglings with the council over health and safety and access issues | 0:52:51 | 0:52:55 | |
have meant that they only started clearing the site four weeks ago! | 0:52:55 | 0:52:59 | |
But in the five years or so since we were first here, | 0:52:59 | 0:53:02 | |
David and Stephanie have actually changed their plans for the old pub. | 0:53:02 | 0:53:06 | |
We were going to have art studios on the upper floor, | 0:53:09 | 0:53:13 | |
but we'd like very much to incorporate | 0:53:13 | 0:53:16 | |
the new movement towards | 0:53:16 | 0:53:18 | |
very special artisan | 0:53:18 | 0:53:21 | |
real ales | 0:53:21 | 0:53:23 | |
and to use the bar as an outlet for that, | 0:53:23 | 0:53:26 | |
as well as having a microbrewery in the basement, | 0:53:26 | 0:53:29 | |
which could actually supply locally, as well, | 0:53:29 | 0:53:33 | |
all with locally sourced ingredients. | 0:53:33 | 0:53:35 | |
So, I think, we've had to use the space, really, | 0:53:35 | 0:53:38 | |
that we had planned to use for art studios, | 0:53:38 | 0:53:41 | |
in order to store the necessary bottles and casks for the brewery | 0:53:41 | 0:53:44 | |
in the basement. | 0:53:44 | 0:53:46 | |
'With the council on side, work can commence on the new project now, | 0:53:46 | 0:53:50 | |
'but stripping the building back has revealed some interesting finds. | 0:53:50 | 0:53:55 | |
'A railway timetable from 1902 | 0:53:55 | 0:53:58 | |
'and a fireplace from much, much earlier.' | 0:53:58 | 0:54:01 | |
Well, this is the area of the back of the old kitchen | 0:54:01 | 0:54:04 | |
and in front of this here was the old gas cooker, | 0:54:04 | 0:54:08 | |
absolutely gorgeous. | 0:54:08 | 0:54:10 | |
According to the local authority, when they saw this they said | 0:54:10 | 0:54:13 | |
that the only one locally that they know of is in a pub | 0:54:13 | 0:54:16 | |
not very far from here - and that's why they can date it so accurately. | 0:54:16 | 0:54:19 | |
And they are convinced it is something in the order of 1650 | 0:54:19 | 0:54:22 | |
and it's a wonderful, wonderful find. | 0:54:22 | 0:54:25 | |
Yes, a wonderful find indeed. | 0:54:26 | 0:54:28 | |
Not so wonderful is some of the woodwork exposed | 0:54:28 | 0:54:30 | |
in the stripping out. | 0:54:30 | 0:54:32 | |
Clearly, there's a good deal of restoration work to do here, | 0:54:32 | 0:54:35 | |
but on top of what was the old manager's one-bed flat, | 0:54:35 | 0:54:39 | |
David is still keen to create a whole new studio flat. | 0:54:39 | 0:54:43 | |
That flat on the very top, | 0:54:44 | 0:54:47 | |
we'd like to keep for our own private use | 0:54:47 | 0:54:50 | |
and the views from the very top flat | 0:54:50 | 0:54:53 | |
should be quite spectacular. | 0:54:53 | 0:54:55 | |
So, a microbrewery to come in the basement, | 0:54:55 | 0:54:58 | |
a bar on the ground-floor, | 0:54:58 | 0:55:00 | |
storage and two flats above that. | 0:55:00 | 0:55:02 | |
Now that they've started, | 0:55:02 | 0:55:04 | |
how long does David think it will take to get the whole thing | 0:55:04 | 0:55:06 | |
up and running? | 0:55:06 | 0:55:08 | |
We only started about four weeks ago, | 0:55:08 | 0:55:10 | |
but what we've achieved in four weeks is indicating very clearly | 0:55:10 | 0:55:13 | |
that we could have the brewery open and running in the basement | 0:55:13 | 0:55:18 | |
within six, worst case scenario, perhaps nine months | 0:55:18 | 0:55:21 | |
and we think that the entire building | 0:55:21 | 0:55:23 | |
could now be finished within a year. | 0:55:23 | 0:55:26 | |
And does he think they can stick to their £100,000 budget? | 0:55:26 | 0:55:29 | |
Thanks to the help we've been getting | 0:55:31 | 0:55:33 | |
both from the local authority and personal friends and family, | 0:55:33 | 0:55:36 | |
I think I can honestly say I'll be well within that original budget. | 0:55:36 | 0:55:40 | |
In order to strip the building to look at the problems | 0:55:40 | 0:55:44 | |
and what we really have to face, | 0:55:44 | 0:55:46 | |
I've probably only spent £2,000 or £3,000 so far, | 0:55:46 | 0:55:49 | |
which is an extraordinarily low sum | 0:55:49 | 0:55:51 | |
and given the amount of work we've done in such a short space of time. | 0:55:51 | 0:55:54 | |
With five years having passed since our last visit, | 0:55:56 | 0:55:59 | |
we asked along two local property experts to get their thoughts. | 0:55:59 | 0:56:03 | |
First up, the agent who saw the pub before work commenced. | 0:56:03 | 0:56:07 | |
Since we last came to look at the property, | 0:56:10 | 0:56:12 | |
there's been substantial changes. | 0:56:12 | 0:56:14 | |
Obviously, they're looking to completely refurbish the property | 0:56:14 | 0:56:17 | |
starting from scratch, | 0:56:17 | 0:56:19 | |
and you can really see that from the works that they've done so far. | 0:56:19 | 0:56:22 | |
I've looked at the plans for the overall building. | 0:56:22 | 0:56:25 | |
The design is good, they're making very good use of the space, | 0:56:25 | 0:56:28 | |
particularly I like what they are doing with the top floor, | 0:56:28 | 0:56:31 | |
which is going to have some fantastic views across the beach | 0:56:31 | 0:56:34 | |
and down to the Turner Centre and across the town. | 0:56:34 | 0:56:36 | |
So, overall, very interesting. | 0:56:36 | 0:56:37 | |
Clearly, the building is just a shell at the moment, | 0:56:38 | 0:56:41 | |
and at this stage it's impossible to put a value | 0:56:41 | 0:56:44 | |
on the businesses that David plans to start up here. | 0:56:44 | 0:56:47 | |
But, the estate agent reckons that from the plans, | 0:56:47 | 0:56:50 | |
the two flats could generate a combined rental income | 0:56:50 | 0:56:53 | |
of between £800 and £1,100 per calendar month. | 0:56:53 | 0:56:56 | |
Or they might sell for between £60,000 and £100,000 each. | 0:56:58 | 0:57:02 | |
So there's money to be made there. | 0:57:02 | 0:57:04 | |
Grateful for the information, | 0:57:04 | 0:57:06 | |
but no interest to me at all for the foreseeable future. | 0:57:06 | 0:57:09 | |
In fact, David has already been offered £250,000 | 0:57:09 | 0:57:14 | |
for the building as it stands. | 0:57:14 | 0:57:16 | |
But he's in it for the long term and he's committed | 0:57:16 | 0:57:19 | |
to making a success of the microbrewery, bar and flats. | 0:57:19 | 0:57:22 | |
The most important thing of all of this | 0:57:23 | 0:57:27 | |
is that it's not something that you get the opportunity to do every day. | 0:57:27 | 0:57:30 | |
In fact, once in a lifetime, perhaps, | 0:57:30 | 0:57:32 | |
to be given the opportunity to turn a very old building - | 0:57:32 | 0:57:36 | |
crying out for help - into something magical again. | 0:57:36 | 0:57:40 | |
And from 1650, the days of Oliver Cromwell, | 0:57:40 | 0:57:43 | |
this building deserves to come back. | 0:57:43 | 0:57:45 | |
And fingers crossed a year or so from now, | 0:57:45 | 0:57:48 | |
we CAN come back and see the finished article. | 0:57:48 | 0:57:51 | |
Well, that's all we have time for today, but there are many more projects across the country. | 0:57:58 | 0:58:02 | |
Yes, and we'll have a few of those for you next time here | 0:58:02 | 0:58:04 | |
on Homes Under The Hammer. | 0:58:04 | 0:58:06 | |
-We'll see you, then. -Goodbye. -Goodbye. | 0:58:06 | 0:58:08 |