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Hello and welcome to the show. There is no one size fits all | 0:00:02 | 0:00:04 | |
when it comes to property developing. | 0:00:04 | 0:00:06 | |
There are so many ways you can go. | 0:00:06 | 0:00:08 | |
Hopefully, if everything does go well, you could even turn a profit. | 0:00:08 | 0:00:11 | |
There's one place you can head to | 0:00:11 | 0:00:12 | |
to potentially get yourself a bargain, | 0:00:12 | 0:00:14 | |
and that's your local property auction. | 0:00:14 | 0:00:17 | |
Making the right choices are crucial | 0:00:42 | 0:00:44 | |
if you want to survive in the property game. | 0:00:44 | 0:00:46 | |
Did the buyers on today's show choose wisely? | 0:00:46 | 0:00:49 | |
You know what? There's only one way to find out. | 0:00:49 | 0:00:51 | |
There's half-measures at this 2½-bedroom bungalow in Nottinghamshire. | 0:00:53 | 0:00:57 | |
We are in through... I want to say, "through the door", | 0:00:57 | 0:01:00 | |
but it's only half a door. | 0:01:00 | 0:01:01 | |
This former council flat in Wandsworth, south London, | 0:01:03 | 0:01:06 | |
could easily expand on its one-bedroom status. | 0:01:06 | 0:01:09 | |
That could become bedroom number two. | 0:01:09 | 0:01:11 | |
This large detached shop in Delabole, Cornwall, | 0:01:13 | 0:01:15 | |
seems reasonable at first glance, but... | 0:01:15 | 0:01:17 | |
It's a lulling you into a false sense of security. | 0:01:17 | 0:01:19 | |
The rest of it is... Well, you'll see! Urgh! | 0:01:19 | 0:01:21 | |
All of these properties have been sold at auction. | 0:01:24 | 0:01:26 | |
We'll find out who bought them and what they paid for them | 0:01:26 | 0:01:28 | |
when they went under the hammer. | 0:01:28 | 0:01:31 | |
Madam, well done. | 0:01:31 | 0:01:32 | |
DION: The village of Huthwaite in Nottinghamshire | 0:01:36 | 0:01:38 | |
is also close to Derbyshire, | 0:01:38 | 0:01:40 | |
both areas, of course, synonymous with coal mining. | 0:01:40 | 0:01:43 | |
But there's some pretty countryside nearby | 0:01:45 | 0:01:47 | |
and the market town of Mansfield is only five miles away. | 0:01:47 | 0:01:50 | |
And so to the property I'm here to see. | 0:01:52 | 0:01:54 | |
I've got to say, I'm quite intrigued by this one. | 0:01:54 | 0:01:57 | |
In the auction catalogue it says it is a semidetached bungalow | 0:01:57 | 0:02:00 | |
with two/three bedrooms. | 0:02:00 | 0:02:03 | |
Is it a two-bed or is it a three-bed? | 0:02:03 | 0:02:05 | |
I'm quite confused. | 0:02:05 | 0:02:07 | |
What I do know - it has a guide price of £37,000-lus. | 0:02:07 | 0:02:10 | |
I'm going to get inside and start counting bedrooms. | 0:02:10 | 0:02:15 | |
It's also what I do when I can't sleep. | 0:02:15 | 0:02:17 | |
I know it's sheep for most people, but it's an occupational hazard. | 0:02:17 | 0:02:20 | |
Mind you, if I lived here I'd be counting pieces gravel at the front. | 0:02:20 | 0:02:25 | |
Enough for any insomniac! | 0:02:25 | 0:02:26 | |
We're in through... I want to say "through the door", | 0:02:28 | 0:02:31 | |
but it's only half a door. | 0:02:31 | 0:02:33 | |
As soon as you come in, it's in a bit of a state. | 0:02:33 | 0:02:36 | |
I'm not sure what that cupboard is, | 0:02:36 | 0:02:38 | |
but you've got that big window there. | 0:02:38 | 0:02:40 | |
This seems a waste of space. I'd want to use this. | 0:02:40 | 0:02:43 | |
Maybe make it into a reception room. I'd want to make it a bedroom. | 0:02:43 | 0:02:47 | |
Make use of the big window. | 0:02:47 | 0:02:49 | |
Get rid of that, whatever it is. | 0:02:49 | 0:02:50 | |
What else do we have down the hallway? | 0:02:50 | 0:02:52 | |
We have the kitchen just there to the left, which again is a big kitchen. | 0:02:52 | 0:02:56 | |
A bit of a mess. A lounge here. | 0:02:56 | 0:02:59 | |
A really big lounge in there with fireplace. Central heating as well. | 0:02:59 | 0:03:04 | |
This must be bedroom one. | 0:03:04 | 0:03:06 | |
Good-sized bedroom. Fitted wardrobes. | 0:03:06 | 0:03:08 | |
Very old-fashioned, but a decent size all the same. | 0:03:08 | 0:03:12 | |
Bathroom is just there. | 0:03:12 | 0:03:15 | |
Start again with that. | 0:03:17 | 0:03:19 | |
And here is where the end of the house would have been, | 0:03:19 | 0:03:23 | |
and I am guessing this must be bedroom number two. | 0:03:23 | 0:03:28 | |
Bit of an afterthought, because you've got the window | 0:03:28 | 0:03:30 | |
to the bathroom just there looking into bedroom number two - not ideal. | 0:03:30 | 0:03:34 | |
If you wanted to keep it as a bedroom, | 0:03:34 | 0:03:36 | |
move that window to the gable end and I think you'd be sorted. | 0:03:36 | 0:03:40 | |
So, bedroom one, bedroom two... Where's bedroom three? | 0:03:40 | 0:03:43 | |
I'm going to have a look. | 0:03:43 | 0:03:45 | |
So what I thought was a cupboard is actually the access up to the loft, | 0:03:47 | 0:03:52 | |
which must be the third bedroom, | 0:03:52 | 0:03:54 | |
but it definitely doesn't comply with building regulations. | 0:03:54 | 0:03:58 | |
If you wanted to keep it as a bedroom and get it compliant, | 0:03:58 | 0:04:01 | |
there's so many things you'd have to do - insulation, | 0:04:01 | 0:04:04 | |
put some windows in and get some better access. | 0:04:04 | 0:04:08 | |
MUSIC: Theme to Steptoe And Son | 0:04:08 | 0:04:10 | |
I have to say, though, the overall interior of this bungalow | 0:04:11 | 0:04:15 | |
reminds me of a sitcom set. | 0:04:15 | 0:04:17 | |
Can't think which one, though(!) | 0:04:17 | 0:04:19 | |
I do like the cool 1960s tiles in the kitchen. | 0:04:20 | 0:04:24 | |
They're the only things I would keep. | 0:04:24 | 0:04:26 | |
And surprisingly, although it's been empty for some time, | 0:04:32 | 0:04:34 | |
there's no sign of damp. | 0:04:34 | 0:04:36 | |
Now, what was that sitcom called? | 0:04:36 | 0:04:38 | |
That's it. The Addams Family! | 0:04:49 | 0:04:51 | |
As well as the gravel pit at the front of the house | 0:04:54 | 0:04:56 | |
you've got space out the back as well. | 0:04:56 | 0:04:58 | |
And I think it is quite a large area. | 0:04:58 | 0:05:01 | |
Yes, it's in a bit of a mess, but you could quite easily turn this round. | 0:05:01 | 0:05:04 | |
Get rid of all these slabs, level it out, stick some grass down - | 0:05:04 | 0:05:08 | |
you'd have a nice back garden. | 0:05:08 | 0:05:10 | |
That there as well is your garage. | 0:05:10 | 0:05:12 | |
It is a bit dilapidated but I'd be inclined to keep that, | 0:05:12 | 0:05:15 | |
stick your bikes in there - bit of storage. That would help. | 0:05:15 | 0:05:18 | |
But the main reason I wanted to come out here is to just see | 0:05:18 | 0:05:20 | |
the size of the plot, and it's a decent size. | 0:05:20 | 0:05:24 | |
The old brain cells are working overtime to work out | 0:05:25 | 0:05:28 | |
if this semi could be extended | 0:05:28 | 0:05:31 | |
to create something much bigger. | 0:05:31 | 0:05:32 | |
Let's ask a local estate agent, who should be able to advise us | 0:05:32 | 0:05:35 | |
on the right approach. | 0:05:35 | 0:05:38 | |
My advice would be to make this | 0:05:38 | 0:05:39 | |
into a three-bedroom semidetached bungalow, | 0:05:39 | 0:05:42 | |
with two bedrooms to the ground floor and a further bedroom | 0:05:42 | 0:05:45 | |
to the first floor. | 0:05:45 | 0:05:46 | |
I would keep the extension on the ground floor. | 0:05:46 | 0:05:49 | |
It's disappointing it's not a little larger, | 0:05:49 | 0:05:52 | |
so the new owner could look at probably extending that a bit more | 0:05:52 | 0:05:55 | |
and making sure the bedroom on the first floor is compliant | 0:05:55 | 0:05:58 | |
for building regulation purposes. | 0:05:58 | 0:06:00 | |
What's the ballpark figure for doing all that work? | 0:06:00 | 0:06:03 | |
I could see expenditure in the region of £25,000 on this property | 0:06:03 | 0:06:07 | |
to make it into a comfortable three-bedroomed semidetached bungalow. | 0:06:07 | 0:06:11 | |
So say you got it for the guide price of 37 and spent 25 on it, | 0:06:12 | 0:06:17 | |
what would your £67,000 investment be worth? | 0:06:17 | 0:06:20 | |
As a three-bedroomed semidetached bungalow, the price would be £105,000. | 0:06:22 | 0:06:27 | |
A potential gain of £38,000, then. What about for rental? | 0:06:27 | 0:06:31 | |
A three-bedroomed semidetached, I would expect £495 per calendar month. | 0:06:32 | 0:06:36 | |
So it seems that third bedroom was the converted loft | 0:06:38 | 0:06:41 | |
and it definitely doesn't comply with building regs. | 0:06:41 | 0:06:44 | |
So currently, this is a two-bed property. | 0:06:44 | 0:06:46 | |
Whoever takes this on has got their work cut out. | 0:06:46 | 0:06:49 | |
Let's go to the auction house and see who wanted it. | 0:06:49 | 0:06:51 | |
Lot number six. | 0:06:51 | 0:06:54 | |
A two-bedroomed semidetached bungalow that needs a scheme of | 0:06:54 | 0:06:58 | |
modernisation and improvement. | 0:06:58 | 0:07:00 | |
I have a proxy bid in on this and I will start the bidding at £40,000. | 0:07:00 | 0:07:06 | |
At £40,000 and it's in the market. | 0:07:06 | 0:07:09 | |
41. 41,000. 42, two of you. 43 in the centre. | 0:07:09 | 0:07:13 | |
44 is bid. | 0:07:13 | 0:07:15 | |
The fast-paced bids came from several interested parties. | 0:07:15 | 0:07:19 | |
We rejoin the bidding at £57,000. | 0:07:19 | 0:07:23 | |
57. 58. At 58,000. | 0:07:23 | 0:07:25 | |
59 elsewhere? | 0:07:25 | 0:07:27 | |
At £58,000, finished and done. | 0:07:27 | 0:07:31 | |
59. At 59....500. | 0:07:31 | 0:07:35 | |
60,000. | 0:07:35 | 0:07:37 | |
60 against you now. 60 and a half. 61. | 0:07:37 | 0:07:40 | |
At 61,500. | 0:07:40 | 0:07:41 | |
500. | 0:07:43 | 0:07:45 | |
62. | 0:07:45 | 0:07:46 | |
All done at 62,000. | 0:07:46 | 0:07:48 | |
Once. Twice. | 0:07:48 | 0:07:49 | |
Third chance. | 0:07:49 | 0:07:51 | |
Sold at 62,000. | 0:07:51 | 0:07:53 | |
Thank you. | 0:07:53 | 0:07:55 | |
The successful bid came from Andy. | 0:07:55 | 0:07:57 | |
He started property developing in 2008 | 0:07:59 | 0:08:02 | |
and he's been doing it ever since. | 0:08:02 | 0:08:04 | |
So, he's no stranger to back-to-brick renovation, | 0:08:04 | 0:08:07 | |
which is what's needed here. | 0:08:07 | 0:08:09 | |
62 grand's worth of gut it and start again. | 0:08:09 | 0:08:12 | |
Andy, nice to meet you, sir, and congratulations. | 0:08:13 | 0:08:15 | |
-Thank you, Dion. -Tell me, what made you buy this property? | 0:08:15 | 0:08:18 | |
I work with a number of investors. | 0:08:18 | 0:08:20 | |
We buy properties for a number of reasons. | 0:08:20 | 0:08:23 | |
One, obviously, is to make money. | 0:08:23 | 0:08:25 | |
The other one is, being local to the area, | 0:08:25 | 0:08:27 | |
we like to bring empty homes back into use | 0:08:27 | 0:08:31 | |
because having a house like this sitting around for years | 0:08:31 | 0:08:34 | |
doesn't make sense, really. | 0:08:34 | 0:08:35 | |
-Who'll do the work for you? -We've got a team of contractors. | 0:08:35 | 0:08:38 | |
-They do all of our work every time. -Do you let them get on with it? | 0:08:38 | 0:08:41 | |
No, no, no. They get on with it, but I project-manage on a daily basis. | 0:08:41 | 0:08:46 | |
-That's good. -You don't want to be there after they've done something - | 0:08:46 | 0:08:49 | |
"You didn't tell us that." | 0:08:49 | 0:08:51 | |
Andy, are there going to be any layout changes? | 0:08:51 | 0:08:54 | |
Because as you come in the door, | 0:08:54 | 0:08:55 | |
there's a room on the left you could make a bedroom. | 0:08:55 | 0:08:58 | |
That will definitely be a third bedroom. | 0:08:58 | 0:09:00 | |
-Yeah. -Regardless of what we do upstairs. | 0:09:00 | 0:09:03 | |
If we do the loft conversion, then technically that could become | 0:09:03 | 0:09:06 | |
a four-bedroom. | 0:09:06 | 0:09:07 | |
The first thing we could do would be to get a structural surveyor in | 0:09:07 | 0:09:10 | |
or structural engineer to have a look at it. | 0:09:10 | 0:09:13 | |
But as far as building control is concerned, | 0:09:13 | 0:09:15 | |
we need to strengthen the beam, we need to create a fire escape | 0:09:15 | 0:09:19 | |
and, you know, all the usual stuff, | 0:09:19 | 0:09:21 | |
all of which no problem to us at all. | 0:09:21 | 0:09:23 | |
They cost a bit of money, but it's not a problem. | 0:09:23 | 0:09:26 | |
-A little bit more money. -That's right. | 0:09:26 | 0:09:28 | |
So the budget to turn all this around is how much? | 0:09:28 | 0:09:30 | |
I reckon we'll do it for just under 30. | 0:09:30 | 0:09:33 | |
-And you must have done your research on what they are selling for around here? -For sure. | 0:09:33 | 0:09:37 | |
What would you expect to get back? | 0:09:37 | 0:09:39 | |
For a quick sale, we expect about 110, for a quick sale. | 0:09:39 | 0:09:41 | |
The only bit that we try to avoid is applying to the council | 0:09:41 | 0:09:45 | |
for things like extension and all that because it delays the timing. | 0:09:45 | 0:09:49 | |
-Of course. -As you know in property business, time can be money - | 0:09:49 | 0:09:52 | |
not always, but it can be. | 0:09:52 | 0:09:54 | |
Time can be money. | 0:09:54 | 0:09:56 | |
And that also means if a property doesn't sell quickly, | 0:09:56 | 0:09:58 | |
then it will be rented, | 0:09:58 | 0:10:00 | |
and he's hoping that his team will have the work done in two months. | 0:10:00 | 0:10:04 | |
And outside the front, and out the back, | 0:10:04 | 0:10:06 | |
what are your plans in particular? | 0:10:06 | 0:10:08 | |
At the front we're going to create off-street parking, | 0:10:08 | 0:10:11 | |
So I'm already talking to the council to allow us to lower the kerb. | 0:10:11 | 0:10:14 | |
We'll put some turf down there, some lawn. | 0:10:14 | 0:10:18 | |
The back, we'll do the same thing. | 0:10:18 | 0:10:19 | |
We'll fence it all, put some lawn there. | 0:10:19 | 0:10:22 | |
Just make it a nice home for somebody, | 0:10:22 | 0:10:24 | |
whether they're buying it or renting it. | 0:10:24 | 0:10:26 | |
Andy did pay for a mining search claim, | 0:10:26 | 0:10:29 | |
which reveals any history of subsidence. | 0:10:29 | 0:10:32 | |
It's compulsory if you want a mortgage in these parts. | 0:10:32 | 0:10:37 | |
Further research revealed other planning problems. | 0:10:37 | 0:10:40 | |
Andy may have to demolish the rear extension, losing a bedroom. | 0:10:40 | 0:10:44 | |
There's no records existing of planning permission being granted, | 0:10:44 | 0:10:48 | |
or if it was built within building regulations. | 0:10:48 | 0:10:50 | |
If the extension at the back is not compliant, | 0:10:52 | 0:10:55 | |
then we will knock it down and do a full loft conversion upstairs. | 0:10:55 | 0:10:59 | |
-OK. -It will change the budget and also change the pricing as well. | 0:10:59 | 0:11:01 | |
Of course. It will increase the price on the property, won't it? | 0:11:01 | 0:11:04 | |
-Yes. For sure. -So, Andy, do you know anything about the history of this house? | 0:11:04 | 0:11:07 | |
I sure do. Yes, I've done some research. | 0:11:07 | 0:11:10 | |
-More research? -Yes, absolutely! | 0:11:10 | 0:11:12 | |
There were two brothers. | 0:11:12 | 0:11:14 | |
They built this bungalow and the one next-door. | 0:11:14 | 0:11:18 | |
They were chocolate manufacturers in this area. | 0:11:18 | 0:11:21 | |
The other bungalow was inherited by the other brother's son. | 0:11:21 | 0:11:25 | |
This one was inherited by the elder brother's two daughters | 0:11:25 | 0:11:29 | |
who left it, really, unoccupied since 1985. | 0:11:29 | 0:11:32 | |
Did he say chocolate? | 0:11:32 | 0:11:34 | |
And, yes, sweet manufacturing still continues to this day. | 0:11:34 | 0:11:37 | |
MUSIC: Sweet Dreams by Eurythmics | 0:11:37 | 0:11:39 | |
Although the original factory premises were knocked down | 0:11:39 | 0:11:41 | |
to make way for bungalows, | 0:11:41 | 0:11:43 | |
manufacture was relocated to army Nissen huts | 0:11:43 | 0:11:45 | |
at the back of the plot around 1960. | 0:11:45 | 0:11:47 | |
I think this could be a selling point, | 0:11:50 | 0:11:52 | |
having confectionery this convenient! | 0:11:52 | 0:11:54 | |
# Sweet dreams are made of this... # | 0:11:59 | 0:12:02 | |
Let's go back a little bit and tell us how you got into property | 0:12:02 | 0:12:06 | |
in the first place. What were you doing beforehand? | 0:12:06 | 0:12:08 | |
OK, I was in financial services. | 0:12:08 | 0:12:10 | |
-I came across a CD of a wealth-creation expert... -OK. | 0:12:10 | 0:12:15 | |
..who talked so much about properties. | 0:12:15 | 0:12:18 | |
And something just resonated with me immediately, | 0:12:18 | 0:12:20 | |
and then I did more research | 0:12:20 | 0:12:22 | |
and then I discovered that the vast majority of what you would call wealthy people | 0:12:22 | 0:12:26 | |
either made their money in properties, real estate, | 0:12:26 | 0:12:30 | |
or they held their wealth in real estate. | 0:12:30 | 0:12:32 | |
That day everything changed for me. | 0:12:32 | 0:12:34 | |
Within two weeks, I started the process. | 0:12:34 | 0:12:38 | |
-I think you're going to do brilliant. Good luck, sir. -Yep, look forward to it. | 0:12:38 | 0:12:41 | |
What a charming man Andy is, and super-confident as well. | 0:12:41 | 0:12:46 | |
I'm pretty sure in two months' time when we come back, | 0:12:46 | 0:12:49 | |
this will be a lovely family home. | 0:12:49 | 0:12:51 | |
The only question is, how many bedrooms will it have? | 0:12:51 | 0:12:53 | |
You can find out later on in the programme. | 0:12:53 | 0:12:56 | |
-LUCY: -Wandsworth is a district of south-west London. | 0:12:59 | 0:13:02 | |
It takes its name from the River Wandle | 0:13:02 | 0:13:04 | |
which joins the Thames at Wandsworth. | 0:13:04 | 0:13:06 | |
Close proximity and transport links to the city centre, | 0:13:06 | 0:13:09 | |
make it a desirable location. | 0:13:09 | 0:13:12 | |
Its variety of housing stock also makes for a popular area, | 0:13:12 | 0:13:16 | |
so there are no bargain-basement prices here. | 0:13:16 | 0:13:18 | |
Wandsworth might be an expensive part of London | 0:13:22 | 0:13:26 | |
within which to buy a property, but on the plus side, | 0:13:26 | 0:13:29 | |
buy in this borough | 0:13:29 | 0:13:30 | |
and you'll benefit from the cheapest council tax in the country. | 0:13:30 | 0:13:34 | |
Every little helps, after all, | 0:13:34 | 0:13:36 | |
especially since the average property price | 0:13:36 | 0:13:39 | |
in this south London spot is over £630,000. | 0:13:39 | 0:13:43 | |
The kerb appeal of a property is so important to a lot of people, | 0:13:45 | 0:13:48 | |
and you can see that there are some gorgeous, lovely period houses along here. | 0:13:48 | 0:13:54 | |
However, the guide price of the property I'm here to see | 0:13:54 | 0:13:57 | |
was £250,000. | 0:13:57 | 0:13:59 | |
Now, you'd be very lucky to get a characterful Victorian conversion | 0:13:59 | 0:14:03 | |
for that price in this sought-after part of London. | 0:14:03 | 0:14:06 | |
Instead, what you do get is a one-bedroom flat | 0:14:06 | 0:14:10 | |
in this purpose-built block here. | 0:14:10 | 0:14:12 | |
No, it's not as pretty from the outside, but let's not judge it too harshly | 0:14:12 | 0:14:16 | |
until we've seen what it's like inside. | 0:14:16 | 0:14:18 | |
Thankfully, this small 1950s block only has two levels, | 0:14:20 | 0:14:24 | |
with four flats accessed by a communal door, | 0:14:24 | 0:14:27 | |
so it shouldn't be too noisy. | 0:14:27 | 0:14:29 | |
Well, you're certainly not going to find any beams or inglenook fireplaces in here, | 0:14:31 | 0:14:36 | |
but what you do get over character, is functionality and space. | 0:14:36 | 0:14:41 | |
I mean, this really is spacious. A lovely big bathroom there, | 0:14:41 | 0:14:44 | |
a huge lounge there, and at the back here, | 0:14:44 | 0:14:48 | |
this is a great-sized bedroom. | 0:14:48 | 0:14:51 | |
But you have got the flat doors, flat walls, flat ceilings. | 0:14:51 | 0:14:54 | |
There's no nooks and crannies, nothing to get too excited about. | 0:14:54 | 0:14:58 | |
A wonderful space in there, A huge kitchen. | 0:14:58 | 0:15:01 | |
And what I do really like about this place is | 0:15:01 | 0:15:04 | |
all of the rooms lead off one of the other rooms. | 0:15:04 | 0:15:07 | |
It's got tremendous flow - really lovely. | 0:15:07 | 0:15:09 | |
Now, having had a really good look around this flat, | 0:15:11 | 0:15:14 | |
I think you might just be able to fit a second bedroom in here. | 0:15:14 | 0:15:19 | |
Now, the easiest way to do that will be to move this kitchen, | 0:15:19 | 0:15:23 | |
into this lounge, and then that old kitchen space in there, | 0:15:23 | 0:15:26 | |
that can become bedroom number two. | 0:15:26 | 0:15:29 | |
Alternatively, you could start again and completely rearrange | 0:15:29 | 0:15:33 | |
this whole flat, | 0:15:33 | 0:15:34 | |
although I think that would be more costly and time-consuming. | 0:15:34 | 0:15:38 | |
Either way, the potential to call this a two-bedroom flat | 0:15:38 | 0:15:42 | |
is a big tick in the box, and a sure-fire way of adding value | 0:15:42 | 0:15:45 | |
to this property. | 0:15:45 | 0:15:47 | |
For London, these rooms are spacious, | 0:15:47 | 0:15:49 | |
and a combined lounge-kitchen area | 0:15:49 | 0:15:52 | |
would be in keeping with the modern style of living. | 0:15:52 | 0:15:55 | |
One big negative with this property - the windows! | 0:15:57 | 0:16:01 | |
Look at this. They're single-glazed, they're metal, | 0:16:01 | 0:16:05 | |
they're awful, they don't even look nice. | 0:16:05 | 0:16:08 | |
They need changing! | 0:16:08 | 0:16:11 | |
The windows are part of the fabric of the building | 0:16:11 | 0:16:13 | |
and are the freeholder's responsibility. | 0:16:13 | 0:16:15 | |
You might not get permission to change them | 0:16:15 | 0:16:18 | |
and the same goes for the layout rejig. | 0:16:18 | 0:16:21 | |
So what does a local estate agent think? | 0:16:21 | 0:16:24 | |
It's very unusual to find a property on the market in this area | 0:16:24 | 0:16:27 | |
for in the region of £250,000. | 0:16:27 | 0:16:30 | |
It's very sought after, | 0:16:30 | 0:16:32 | |
it's very difficult to find much under 300,000. | 0:16:32 | 0:16:34 | |
As a purpose-built block, this is really sought after. | 0:16:34 | 0:16:37 | |
It's only two storeys, there are four flats in this part, | 0:16:37 | 0:16:40 | |
the communal garden is well maintained. | 0:16:40 | 0:16:43 | |
So, very popular. | 0:16:43 | 0:16:44 | |
What about the feasibility of my second bedroom plans? | 0:16:44 | 0:16:48 | |
Just to create that second bedroom, to make it into two, | 0:16:48 | 0:16:51 | |
it's, say, £5,000 and you're going to achieve £30,000 more | 0:16:51 | 0:16:54 | |
and so it's really worth doing. | 0:16:54 | 0:16:56 | |
MUSIC: It Takes Two by Marvin Gaye and Kim Weston | 0:16:56 | 0:17:00 | |
# It takes two, baby | 0:17:00 | 0:17:03 | |
# Me and you | 0:17:03 | 0:17:06 | |
# Just take two... # | 0:17:06 | 0:17:08 | |
And how would it affect the valuation figures? | 0:17:08 | 0:17:10 | |
So as a one-bedroom renovated flat, | 0:17:10 | 0:17:12 | |
this flat could sell in the region of £350,000. | 0:17:12 | 0:17:15 | |
For rental purposes, as a one-bedroom flat, we would look | 0:17:15 | 0:17:19 | |
at achieving in the region of £1,200 per calendar month. | 0:17:19 | 0:17:23 | |
And if converted with the freeholder's permission | 0:17:23 | 0:17:26 | |
to a two-bed? | 0:17:26 | 0:17:27 | |
As a two-bedroom flat, | 0:17:27 | 0:17:29 | |
we would expect to achieve for sales purposes somewhere in the region | 0:17:29 | 0:17:32 | |
of £400,000, | 0:17:32 | 0:17:35 | |
and for rental, approximately £1,500 per calendar month. | 0:17:35 | 0:17:40 | |
No, it might not be oozing character, | 0:17:40 | 0:17:43 | |
but these purpose-built flats give you plenty of space, | 0:17:43 | 0:17:46 | |
and in this instance, you can even create that second bedroom here. | 0:17:46 | 0:17:50 | |
Ching-ching! | 0:17:50 | 0:17:51 | |
Who saw the potential with this flat? | 0:17:51 | 0:17:53 | |
Let's head to the auction and find out. | 0:17:53 | 0:17:56 | |
Lot 34 is... Seen this one. | 0:17:56 | 0:17:59 | |
Wandsworth SW18. One-bed purpose-built flat. | 0:17:59 | 0:18:03 | |
Nice. Good to get purpose-built flats. | 0:18:03 | 0:18:05 | |
Needs a bit of updating. Great location. | 0:18:05 | 0:18:08 | |
Blimey. Houses on the road are going for a million upwards. | 0:18:08 | 0:18:11 | |
I don't know, start 250? | 0:18:11 | 0:18:14 | |
250 sitting down. | 0:18:14 | 0:18:15 | |
250. 255 with the catalogue. | 0:18:15 | 0:18:18 | |
260 sitting down. 265, 270. | 0:18:18 | 0:18:23 | |
Bids climb steadily from the guide price of 250,000. | 0:18:23 | 0:18:27 | |
We rejoin the bidding at £303,000. | 0:18:27 | 0:18:32 | |
303. | 0:18:32 | 0:18:34 | |
303 right at the back, another spot. | 0:18:36 | 0:18:38 | |
304, 305, 306, 307, | 0:18:38 | 0:18:43 | |
308, 309, | 0:18:43 | 0:18:46 | |
310, 311. | 0:18:46 | 0:18:49 | |
311. One more just over the ten. 311. | 0:18:49 | 0:18:52 | |
310 down here. | 0:18:52 | 0:18:54 | |
First time. Second time. | 0:18:54 | 0:18:58 | |
Third and last time, if you're all done. | 0:18:58 | 0:19:00 | |
Sold, 310. | 0:19:00 | 0:19:01 | |
Good buy. I like that one. | 0:19:01 | 0:19:03 | |
The successful bidder in the packed auction room escaped | 0:19:03 | 0:19:06 | |
the scrutiny of our cameras, | 0:19:06 | 0:19:08 | |
but accountant Tony did catch up with me later on | 0:19:08 | 0:19:12 | |
in his £310,000 purchase, along with his builder Mark. | 0:19:12 | 0:19:17 | |
Guys, congratulations. | 0:19:17 | 0:19:19 | |
-So who has actually bought this flat? -HOARSELY: Me. | 0:19:19 | 0:19:22 | |
So, Tony, you've bought the flat. Mark, what's your involvement going to be? | 0:19:22 | 0:19:26 | |
I'll be Tony's builder, looking after the build right through to completion. | 0:19:26 | 0:19:29 | |
And today you're going to be helping Tony explain | 0:19:29 | 0:19:31 | |
-because he's lost his voice, haven't you? -I have. | 0:19:31 | 0:19:34 | |
-How did you lose your voice? -Flu. -I'm glad you could make it today. | 0:19:34 | 0:19:37 | |
-So you wanted to buy this property. -I did. -What is it you liked about this area? | 0:19:37 | 0:19:41 | |
-I think it's the location, and the rooms are so big. -Yeah. | 0:19:41 | 0:19:45 | |
What is it that you want to achieve with this? | 0:19:45 | 0:19:47 | |
-Well, I want to convert from a one-bedroom into a two. -OK. | 0:19:47 | 0:19:51 | |
And then probably will sell it on... | 0:19:51 | 0:19:54 | |
-OK. -..in a few months' time. | 0:19:54 | 0:19:56 | |
OK. So the aim here is to convert a one-bedroom... | 0:19:56 | 0:19:59 | |
-Absolutely. -..into a two? | 0:19:59 | 0:20:00 | |
-Yes. -That's what you want to try and achieve? -Yes. | 0:20:00 | 0:20:02 | |
What do you think would work best here? | 0:20:02 | 0:20:05 | |
I think the lounge that we're in at the moment should be converted into | 0:20:05 | 0:20:08 | |
-the main bedroom. -Really? -Yeah. Absolutely. -OK. | 0:20:08 | 0:20:10 | |
And then the kitchen will be bedroom two and then what is the lounge... | 0:20:10 | 0:20:14 | |
What is the bedroom at the moment will become the lounge. | 0:20:14 | 0:20:17 | |
And it'll be a kitchen/diner. | 0:20:17 | 0:20:18 | |
Hmm. It's interesting that Mark feels the bedroom is the best option | 0:20:18 | 0:20:22 | |
for conversion to a lounge/kitchen/diner, | 0:20:22 | 0:20:25 | |
but will he be making use of the built-in cupboard space? | 0:20:25 | 0:20:28 | |
Tony said he intends to sell on in a few months, | 0:20:29 | 0:20:32 | |
so having paid 310 grand, a not insignificant sum, | 0:20:32 | 0:20:37 | |
he's got some leeway to refurbish and make a profit | 0:20:37 | 0:20:40 | |
if the agents' valuation of 400,000 for a two-bed flat is on the money. | 0:20:40 | 0:20:45 | |
So your job here is to completely and utterly and solely | 0:20:46 | 0:20:50 | |
-just add value to this building? -Absolutely. | 0:20:50 | 0:20:52 | |
So what other ideas do you have? | 0:20:52 | 0:20:55 | |
I think we've got to make it contemporary. | 0:20:55 | 0:20:57 | |
-Yes. -Although it's a '50s-type block, | 0:20:57 | 0:21:00 | |
when you walk in the front door it doesn't have to be that, | 0:21:00 | 0:21:03 | |
and I think with the light we've got here, I think that will work really, really well. | 0:21:03 | 0:21:07 | |
In what way are you going to make this contemporary? | 0:21:07 | 0:21:09 | |
What little features are you going to put in the flat? | 0:21:09 | 0:21:11 | |
I think because you're going to have a kitchen/diner, it's got to work on its own. | 0:21:11 | 0:21:15 | |
As you come into there, that's what you're going to see first, | 0:21:15 | 0:21:18 | |
so that's got to be bright and airy, nice and simple. | 0:21:18 | 0:21:21 | |
And I think the bedrooms are quite a large size for a flat of this size, | 0:21:21 | 0:21:25 | |
so I think it won't need too much in the way of alteration, | 0:21:25 | 0:21:29 | |
and keep it nice and as big as we can make it feel. | 0:21:29 | 0:21:32 | |
-I think that's the way forward. -So, Tony, | 0:21:32 | 0:21:34 | |
how much property experience do you have? | 0:21:34 | 0:21:36 | |
-None. -None? -No. -This is your first project? -My first project. | 0:21:36 | 0:21:40 | |
-Now, Tony, I know you're an accountant. -I am. -You're very busy. | 0:21:40 | 0:21:43 | |
Surely that's going to help you keep an eye on the budget. | 0:21:43 | 0:21:45 | |
-Surely you're going to... -Should help with the costings. | 0:21:45 | 0:21:47 | |
-You're going to be right on target with it all, aren't you? -We'll have to wait and see. | 0:21:47 | 0:21:51 | |
So, obviously you're planning on moving a lot around. | 0:21:51 | 0:21:54 | |
-Yes. -Obviously you're not going to be taking out a lot of walls | 0:21:54 | 0:21:56 | |
-or any huge structural change. -No, no. | 0:21:56 | 0:21:58 | |
But will you need permission from the freeholder to do the work here? | 0:21:58 | 0:22:01 | |
Yes, we will, yeah. Yeah, we need permission to convert from one to two bedrooms, | 0:22:01 | 0:22:05 | |
but we don't need planning permission. | 0:22:05 | 0:22:07 | |
So, what do you think about the communal areas? | 0:22:07 | 0:22:09 | |
The great thing about this building is you've got lots of space. | 0:22:09 | 0:22:12 | |
It's quite open as you walk in. But when it comes to, you know, | 0:22:12 | 0:22:16 | |
putting some paint on the walls and making the area liveable, | 0:22:16 | 0:22:20 | |
you've got to rely on the freeholder and the funds available. | 0:22:20 | 0:22:23 | |
I mean, how much do you know about that? | 0:22:23 | 0:22:26 | |
Well, I know they are going to replace all the windows. | 0:22:26 | 0:22:30 | |
It's the local council that are freeholders in this case | 0:22:31 | 0:22:34 | |
and it's definitely a bonus to discover that they will be replacing | 0:22:34 | 0:22:38 | |
all the windows. | 0:22:38 | 0:22:40 | |
-That's going to add value to this property. -Absolutely. | 0:22:40 | 0:22:43 | |
-Before the hammer went down, did you know that? -I did. | 0:22:43 | 0:22:45 | |
-Did you read the legal pack? -I did indeed. -So how involved did you get with all of that? | 0:22:45 | 0:22:49 | |
-None at all. -So you didn't have any pre-auction involvement whatsoever? | 0:22:49 | 0:22:52 | |
-First time I saw it was today. -Really? -Yeah. | 0:22:52 | 0:22:54 | |
-And what are your thoughts now you've seen it? -I think it was a good buy. | 0:22:54 | 0:22:58 | |
And you think you can add the amount of value that it needs? | 0:22:58 | 0:23:00 | |
Yes, I think so, yeah. I think so, no problem. | 0:23:00 | 0:23:02 | |
So will it be you on your own coming in or have you got a team of guys...? | 0:23:02 | 0:23:05 | |
I've got a team of guys, yeah, | 0:23:05 | 0:23:07 | |
who work with us permanently and they'll be here full-time. | 0:23:07 | 0:23:10 | |
So are you local to the area? | 0:23:10 | 0:23:11 | |
I live in Bromley, so not too far, yes. | 0:23:11 | 0:23:14 | |
Not too bad. Not too bad a journey. | 0:23:14 | 0:23:16 | |
Can you foresee any problems at all? | 0:23:16 | 0:23:18 | |
Only with the freeholder, I think. | 0:23:18 | 0:23:20 | |
And just on the timeframe, | 0:23:20 | 0:23:23 | |
I think dealing with a local authority | 0:23:23 | 0:23:25 | |
might take a bit longer than you'd hope for, | 0:23:25 | 0:23:28 | |
so if that can move along nicely, | 0:23:28 | 0:23:30 | |
then no problem at all with the build. | 0:23:30 | 0:23:32 | |
Well, Tony, congratulations. I hope you get your voice back | 0:23:32 | 0:23:35 | |
-and you feel better soon. -So do I, so do I. | 0:23:35 | 0:23:38 | |
-Mark, until then you're just going to have to fill in the gaps. -I'll have to learn to lip-read! | 0:23:38 | 0:23:42 | |
It's been absolutely fantastic meeting you both and I can't wait to see the end result here. | 0:23:42 | 0:23:46 | |
-Thank you. -Thank you. -Congratulations. -OK. -Thank you. | 0:23:46 | 0:23:50 | |
So buying this flat has made poor Tony speechless! | 0:23:50 | 0:23:54 | |
Still, at least Mark is on hand, helping him through with his first project. | 0:23:54 | 0:23:58 | |
How will they get on? I can't wait to see. | 0:23:58 | 0:24:01 | |
Join me later and you can find out. | 0:24:01 | 0:24:03 | |
Still to come, shocking discoveries in this shop in Delabole, Cornwall. | 0:24:05 | 0:24:09 | |
Oh, good news! One thing at least you won't have to do is sort out the electrics, | 0:24:09 | 0:24:12 | |
cos they look fine(!) | 0:24:12 | 0:24:15 | |
Shocking news, too, from Wandsworth, south London, | 0:24:16 | 0:24:19 | |
but at least Tony's got his voice back. | 0:24:19 | 0:24:21 | |
I decided to leave it as a one-bedroom flat. | 0:24:21 | 0:24:24 | |
DION: Back to Huthwaite in Nottinghamshire, | 0:24:27 | 0:24:30 | |
where I saw this two/three-bedroom bungalow. | 0:24:30 | 0:24:33 | |
There had been an attempt to create a bedroom in the loft space, | 0:24:35 | 0:24:38 | |
but it was feared it didn't comply with building regulations, | 0:24:38 | 0:24:41 | |
and the stair access compromised space in what could otherwise be the front bedroom. | 0:24:41 | 0:24:46 | |
The property was bought for £62,000 by Andy and a group of investors, | 0:24:49 | 0:24:53 | |
planning to renovate and sell on at a profit. | 0:24:53 | 0:24:56 | |
Andy had several options in mind when it came to planning | 0:24:58 | 0:25:01 | |
the internal space. | 0:25:01 | 0:25:03 | |
As you come in the door, | 0:25:03 | 0:25:04 | |
there's a room on the left you could make a bedroom. | 0:25:04 | 0:25:07 | |
That will definitely be a third bedroom... | 0:25:07 | 0:25:09 | |
-Yeah. -..regardless of what we do upstairs. | 0:25:09 | 0:25:12 | |
But if we do the loft conversion, | 0:25:12 | 0:25:13 | |
then technically that could become a four-bedroom. | 0:25:13 | 0:25:16 | |
One of the bedrooms was housed in the rear extension of the house. | 0:25:17 | 0:25:21 | |
There were suspicions it had been built without planning permission | 0:25:21 | 0:25:24 | |
or conforming to the regulations. | 0:25:24 | 0:25:26 | |
For example, where else would you find a bedroom window | 0:25:26 | 0:25:29 | |
looking into a bathroom? | 0:25:29 | 0:25:31 | |
But Andy still had plans to keep the bedroom counter. | 0:25:31 | 0:25:35 | |
If the extension at the back is not compliant, | 0:25:36 | 0:25:39 | |
then we will knock it down and then do a full loft conversion upstairs. | 0:25:39 | 0:25:42 | |
-OK. -Which obviously will change the budget... | 0:25:42 | 0:25:44 | |
-Yes. -And will change the pricing as well. | 0:25:44 | 0:25:46 | |
-Of course. Increase the price of the property. -Yes, for sure. | 0:25:46 | 0:25:49 | |
We're back six months later to see Andy's improvements. | 0:25:49 | 0:25:52 | |
The bathroom's more than a bit better. It's fantastic. | 0:25:59 | 0:26:01 | |
The loft conversion has been brought up to building reg standards | 0:26:07 | 0:26:10 | |
and now has plenty of light from roof windows. | 0:26:10 | 0:26:13 | |
The master bedroom is now up here with en-suite facilities. | 0:26:14 | 0:26:18 | |
When we asked Andy what he'd done to the house, he simply answered, | 0:26:21 | 0:26:24 | |
"Everything." | 0:26:24 | 0:26:25 | |
There's a new staircase accessing the loft space from the kitchen. | 0:26:29 | 0:26:33 | |
Remember the kitchen? | 0:26:33 | 0:26:35 | |
MUSIC: Beautiful Future by Primal Scream | 0:26:35 | 0:26:38 | |
Because the stairs lead from the kitchen, a fire door has to be used, | 0:26:48 | 0:26:52 | |
a door that will last a minimum of 30 minutes in a fire. | 0:26:52 | 0:26:55 | |
It's known in the trade as an FD30. | 0:26:55 | 0:26:58 | |
But the staircase has robbed some space from what is now | 0:27:02 | 0:27:04 | |
the smallest bedroom on the left as we enter the house. | 0:27:04 | 0:27:07 | |
The non-symmetrical fireplace and chimneybreast in the lounge | 0:27:14 | 0:27:17 | |
has been removed, with added support from steelwork. | 0:27:17 | 0:27:20 | |
The final bedroom doesn't have fitted wardrobes any more, | 0:27:23 | 0:27:26 | |
but I know which version I'D prefer to sleep in. | 0:27:26 | 0:27:29 | |
Finally, to the old bedroom at the rear of the house - | 0:27:37 | 0:27:40 | |
housed in the extension he feared he'd have to demolish. | 0:27:40 | 0:27:43 | |
His fears were well-founded, | 0:27:46 | 0:27:48 | |
but the demolition paved the way for patio doors into the garden | 0:27:48 | 0:27:52 | |
and frosted glass in the bathroom, | 0:27:52 | 0:27:54 | |
much more conventionally overlooking the back garden. | 0:27:54 | 0:27:56 | |
To the front there's a new tarmac drive | 0:27:59 | 0:28:01 | |
with a dropped kerb and off-street parking, | 0:28:01 | 0:28:04 | |
but achieving this wasn't as straightforward as looks might suggest. | 0:28:04 | 0:28:08 | |
The front exterior gave us one of the biggest challenges | 0:28:09 | 0:28:12 | |
because when we first bought the property, the front was elevated | 0:28:12 | 0:28:17 | |
with a lot of gravel, | 0:28:17 | 0:28:19 | |
which apparently covered a lot of things. | 0:28:19 | 0:28:22 | |
When we removed the gravel, | 0:28:22 | 0:28:24 | |
we discovered there were several big tree stumps | 0:28:24 | 0:28:27 | |
about that thick and about that deep. | 0:28:27 | 0:28:30 | |
It took a whole week of using high-powered diggers | 0:28:30 | 0:28:34 | |
just to remove them. | 0:28:34 | 0:28:36 | |
We also discovered that there was an old water pipe, a copper pipe, | 0:28:36 | 0:28:41 | |
that was underneath there, | 0:28:41 | 0:28:42 | |
and in the process of digging up the stumps, | 0:28:42 | 0:28:46 | |
that was damaged, so we had to call the water company to replace that. | 0:28:46 | 0:28:49 | |
They were factors which contributed | 0:28:49 | 0:28:51 | |
to delays on Andy's original two-month timescale. | 0:28:51 | 0:28:55 | |
It's taken just over five months, largely to do the loft conversion, | 0:28:55 | 0:28:59 | |
the demolition of the extension, | 0:28:59 | 0:29:01 | |
the extra work with the tarmac and the tree stumps at the front of the property. | 0:29:01 | 0:29:07 | |
And we all know the saying, "Time is money." | 0:29:07 | 0:29:10 | |
I had a budget of 30,000, | 0:29:10 | 0:29:12 | |
but I knew that we would probably overspend on that, | 0:29:12 | 0:29:15 | |
due to some of the uncertainties, | 0:29:15 | 0:29:17 | |
particularly with the rear extension, | 0:29:17 | 0:29:20 | |
and the total spend has now come in to £41,000. | 0:29:20 | 0:29:24 | |
We called in two estate agents with all the important local knowledge | 0:29:26 | 0:29:29 | |
to give us an idea of what a property like this | 0:29:29 | 0:29:31 | |
would be worth on their patch. | 0:29:31 | 0:29:34 | |
First, the agent who saw the property before the work began. | 0:29:34 | 0:29:37 | |
This is my second visit to the property. | 0:29:40 | 0:29:42 | |
I was intrigued to see how it developed and I'm not disappointed. | 0:29:42 | 0:29:46 | |
The transformation is fantastic. | 0:29:46 | 0:29:48 | |
This is the first time I've been to the property. | 0:29:48 | 0:29:50 | |
My first impression is that this is a home | 0:29:50 | 0:29:52 | |
that's been extremely well modernised. | 0:29:52 | 0:29:54 | |
The specification is stylish, | 0:29:54 | 0:29:55 | |
the decorations are neutral and it's going to have wide appeal. | 0:29:55 | 0:29:58 | |
Andy bought for £62,000 and has spent 41,000 refurbishing, | 0:30:00 | 0:30:05 | |
so anything more than £103,000 is potential profit for him | 0:30:05 | 0:30:09 | |
and his investors. So has it all been worth it? | 0:30:09 | 0:30:13 | |
We have to bear in mind that at the end of the day | 0:30:15 | 0:30:17 | |
it is a semidetached property, but even so, because of the condition, | 0:30:17 | 0:30:20 | |
I would expect this to be achieving in the region of £130,000 now. | 0:30:20 | 0:30:25 | |
My personal professional recommendation would be | 0:30:25 | 0:30:27 | |
to put it on the market at an asking price of, | 0:30:27 | 0:30:30 | |
shall we say, offers around £135,000. | 0:30:30 | 0:30:33 | |
I'd advise the vendor to give careful consideration to any offer | 0:30:33 | 0:30:36 | |
of £125,000 and above. | 0:30:36 | 0:30:38 | |
We've sold the property for £130,000, | 0:30:39 | 0:30:43 | |
which has realised us a profit of £26,000. | 0:30:43 | 0:30:47 | |
Even though Andy's deducted £1,000 worth of expenses, | 0:30:47 | 0:30:51 | |
it still sounds like a result to me. | 0:30:51 | 0:30:53 | |
Andy's been developing since 2008. | 0:30:53 | 0:30:56 | |
Has this project taught him anything new? | 0:30:56 | 0:30:59 | |
Can you do a project and not learn anything? | 0:30:59 | 0:31:02 | |
We've learnt... I've learnt quite a lot. | 0:31:02 | 0:31:04 | |
It was the first time we've had to engage a structural engineer | 0:31:04 | 0:31:09 | |
in our project. It's the first time we've had to lower the kerb | 0:31:09 | 0:31:13 | |
to the front of a property | 0:31:13 | 0:31:15 | |
and it's the first time we've done a complete driveway as well. | 0:31:15 | 0:31:19 | |
So I've learnt a lot about the process for those things | 0:31:19 | 0:31:23 | |
and also a reality check of the costs involved in doing them. | 0:31:23 | 0:31:28 | |
Andy's not going to rest on his laurels. | 0:31:28 | 0:31:30 | |
He starts his next project in three days' time. | 0:31:30 | 0:31:34 | |
MUSIC: Albatross by Fleetwood Mac | 0:31:35 | 0:31:38 | |
-MARTIN: -Cornwall has given us many things. | 0:31:41 | 0:31:43 | |
It gave us Mick Fleetwood, the drummer in Fleetwood Mac, for instance, | 0:31:43 | 0:31:48 | |
and the village I'm in gave us the first commercial wind farm in the UK. | 0:31:48 | 0:31:53 | |
But probably the most famous export from here is slate. | 0:31:53 | 0:31:57 | |
The village of Delabole has the oldest slate quarry in the UK, | 0:31:57 | 0:32:01 | |
and some would say the world. | 0:32:01 | 0:32:03 | |
Whatever the case, Delabole's slate is world-renowned. | 0:32:03 | 0:32:07 | |
Well, just a half a mile from the famous slate mine | 0:32:11 | 0:32:13 | |
in the centre of the village is the property I'm here to see, | 0:32:13 | 0:32:16 | |
and it certainly sounds like you get a lot of property for your money - | 0:32:16 | 0:32:20 | |
a commercial unit and three flats, | 0:32:20 | 0:32:23 | |
all for a guide price of £100,000-£125,000, | 0:32:23 | 0:32:27 | |
although, judging by the outside, | 0:32:27 | 0:32:29 | |
it's a while since this has been open for business. | 0:32:29 | 0:32:33 | |
Oh, yes, it is a bit of a mess. | 0:32:33 | 0:32:36 | |
Erm, anyway, let's try and see through that to describe what we've actually got. | 0:32:36 | 0:32:40 | |
Obviously, a little sandwich bar area at one point over that way | 0:32:40 | 0:32:44 | |
and then into the main body of the shop. | 0:32:44 | 0:32:47 | |
Oh, well, good news(!) | 0:32:47 | 0:32:48 | |
One thing at least you won't have to do is sort out the electrics, | 0:32:48 | 0:32:51 | |
cos they look fine(!) | 0:32:51 | 0:32:52 | |
Anyway, a slightly larger area of the shop here, | 0:32:54 | 0:32:57 | |
but very low ceiling | 0:32:57 | 0:32:59 | |
and straightaway you're getting a feeling that this is | 0:32:59 | 0:33:02 | |
a very interestingly shaped building. | 0:33:02 | 0:33:05 | |
Over this way, lots of space. | 0:33:05 | 0:33:07 | |
Obviously, this is the shop counter or was the shop counter. | 0:33:07 | 0:33:11 | |
When it comes to commercial units, of course, | 0:33:11 | 0:33:13 | |
one of the key things is the amount of floor space, | 0:33:13 | 0:33:15 | |
and you've certainly got a lot, | 0:33:15 | 0:33:17 | |
but it's going to take a bit of imagination to see what this | 0:33:17 | 0:33:21 | |
could be like. | 0:33:21 | 0:33:22 | |
To say nothing of taking quite a bit of cash | 0:33:24 | 0:33:27 | |
to reorganise this space into a viable commercial concern. | 0:33:27 | 0:33:31 | |
One thing for sure - | 0:33:31 | 0:33:32 | |
you'd need to sell quite a few sausage rolls to break even. | 0:33:32 | 0:33:35 | |
Now, what about the upstairs? | 0:33:38 | 0:33:40 | |
Well, up here, on this side of the building, | 0:33:42 | 0:33:44 | |
two flats to start out with. | 0:33:44 | 0:33:46 | |
Now, your hopes are slightly raised when you come into this room. | 0:33:46 | 0:33:49 | |
Love the door, quite like the sort of half-timbered look. | 0:33:49 | 0:33:53 | |
It's an interesting room. | 0:33:53 | 0:33:55 | |
It's an en-suite bedroom here and then a half-decent kitchen. | 0:33:55 | 0:34:00 | |
Just lulling you into a false sense of security! The rest of it is... | 0:34:01 | 0:34:05 | |
Well, you'll see. Urgh! | 0:34:05 | 0:34:06 | |
For a start, it is really higgledy-piggledy | 0:34:08 | 0:34:10 | |
and there are more changes of level than at a rock concert's sound check! | 0:34:10 | 0:34:16 | |
Ha! But a sort of entrance here, which sort of snakes its way up | 0:34:16 | 0:34:21 | |
into all these rooms. I mean, it's almost like somebody just thought, | 0:34:21 | 0:34:24 | |
"I know, we'll have a flat here." | 0:34:24 | 0:34:26 | |
"Oh, no, let's have another one over here." | 0:34:26 | 0:34:29 | |
"I need a window there, and I want a corridor," and so it goes on. | 0:34:29 | 0:34:32 | |
Into this bit. There is a bedroom there full of stuff. | 0:34:32 | 0:34:35 | |
This kitchen here is, well, basically, what you see. | 0:34:35 | 0:34:39 | |
I think you'd need to redesign it and have a window there | 0:34:39 | 0:34:42 | |
if you were to do any more, but...er... | 0:34:42 | 0:34:45 | |
I don't know. Through here is your lounge | 0:34:45 | 0:34:48 | |
and it is obviously a project that somebody had started and, | 0:34:48 | 0:34:52 | |
for whatever reason, they didn't complete. | 0:34:52 | 0:34:55 | |
That's not necessarily a bad thing, but in this case, | 0:34:55 | 0:34:59 | |
I don't think it's really helped and there is a lot of work to put this right. | 0:34:59 | 0:35:04 | |
Hmm, now I come to think of it, | 0:35:04 | 0:35:06 | |
EVERY job has been started and not finished, | 0:35:06 | 0:35:09 | |
so I'm still not very clear what we're looking at. | 0:35:09 | 0:35:12 | |
In all, there appears to be three flats - | 0:35:12 | 0:35:15 | |
one two-bed on the ground floor, | 0:35:15 | 0:35:18 | |
the first-floor flat has a studio arrangement | 0:35:18 | 0:35:21 | |
with a kitchen and a shower room - very poky - | 0:35:21 | 0:35:24 | |
and the second flat is a two-bedder, | 0:35:24 | 0:35:27 | |
but because of the levels, you don't know where you are. | 0:35:27 | 0:35:30 | |
So, no question, major big-time renovation required inside. | 0:35:30 | 0:35:36 | |
But once you step out the back, | 0:35:36 | 0:35:38 | |
maybe that really doesn't matter any more, | 0:35:38 | 0:35:41 | |
because there's an access there. | 0:35:41 | 0:35:43 | |
You can really get an idea | 0:35:43 | 0:35:45 | |
of the kind of higgledy-piggledy, hotchpotch nature | 0:35:45 | 0:35:48 | |
of the building out here, | 0:35:48 | 0:35:50 | |
but what we've also got are these garages | 0:35:50 | 0:35:53 | |
and lots and lots of | 0:35:53 | 0:35:56 | |
garden/space/potential building plot. | 0:35:56 | 0:36:01 | |
Again, looking this way, well, it's chaos. | 0:36:01 | 0:36:04 | |
The more I think about it, | 0:36:04 | 0:36:05 | |
I wonder if one option might be to knock the whole thing down | 0:36:05 | 0:36:09 | |
and then apply for planning permission for building | 0:36:09 | 0:36:12 | |
some kind of housing - like two, three classic, typical, | 0:36:12 | 0:36:16 | |
in-keeping properties here. | 0:36:16 | 0:36:18 | |
Cos certainly you've got space, and also the outlook from the back is sensational. | 0:36:18 | 0:36:24 | |
A local estate agent confirmed my thinking. | 0:36:25 | 0:36:29 | |
It turns out there is lapsed planning permission | 0:36:29 | 0:36:32 | |
for houses on this site, | 0:36:32 | 0:36:33 | |
so could it be that the best solution | 0:36:33 | 0:36:37 | |
would be to reinstate those plans? | 0:36:37 | 0:36:39 | |
If the purchaser decided to run with what the lapsed planning consent was for, | 0:36:41 | 0:36:44 | |
which was, of course, to demolish the existing building and create | 0:36:44 | 0:36:47 | |
two semidetached houses, | 0:36:47 | 0:36:49 | |
which themselves could fetch somewhere in the region | 0:36:49 | 0:36:52 | |
of probably £135,000-£155,000 each... | 0:36:52 | 0:36:55 | |
Whilst there was obviously consent at the back | 0:36:55 | 0:36:58 | |
for a detached three-bedroom bungalow | 0:36:58 | 0:37:00 | |
which itself would probably fetch somewhere of the region, I guess, | 0:37:00 | 0:37:03 | |
of £170,000-£180,000. | 0:37:03 | 0:37:05 | |
Using the top valuation, | 0:37:05 | 0:37:07 | |
the potential for the "demolish and build houses" option comes in | 0:37:07 | 0:37:11 | |
at a total market value of 490,000, | 0:37:11 | 0:37:15 | |
whereas refurbishing the building to make four flats, | 0:37:15 | 0:37:18 | |
the agent feels would market for a total of 380,000. | 0:37:18 | 0:37:23 | |
However, each option has costs to be factored in. | 0:37:23 | 0:37:26 | |
For the flats, refurbishment costs. | 0:37:26 | 0:37:28 | |
And for the houses, not just the building costs, | 0:37:28 | 0:37:31 | |
but the demolition costs, too. | 0:37:31 | 0:37:34 | |
Well, definitely one of those projects | 0:37:34 | 0:37:36 | |
where you really have to do your research | 0:37:36 | 0:37:38 | |
and maybe think outside the box. | 0:37:38 | 0:37:40 | |
Do you reopen the commercial unit, | 0:37:40 | 0:37:42 | |
do you restore the flats and rent them out | 0:37:42 | 0:37:44 | |
or do you knock the whole place down and build something here? | 0:37:44 | 0:37:48 | |
Lots of options for whoever bought it. | 0:37:48 | 0:37:50 | |
Let's find out who that was when it went under the hammer. | 0:37:50 | 0:37:54 | |
Lot 118. | 0:37:54 | 0:37:55 | |
Part-commercial, part-residential, | 0:37:56 | 0:37:59 | |
It's currently a vacant shop and three flats in the making. | 0:37:59 | 0:38:02 | |
Guide, 100-125. How about middle? How about 110? | 0:38:02 | 0:38:05 | |
110 is what I'm asking for. | 0:38:05 | 0:38:07 | |
How about 100? | 0:38:07 | 0:38:09 | |
Won't go less than 90. | 0:38:09 | 0:38:11 | |
90, choice of hands. Better-looking one I'll have. | 0:38:11 | 0:38:13 | |
90 I have. At 90. | 0:38:13 | 0:38:14 | |
At 90. No, that wasn't you. | 0:38:14 | 0:38:15 | |
After a sluggish start, | 0:38:15 | 0:38:17 | |
the packed auction room springs to bidding life | 0:38:17 | 0:38:20 | |
when we rejoin at 116,000. | 0:38:20 | 0:38:23 | |
116 I've got. | 0:38:23 | 0:38:25 | |
118. Belligerently he goes 118, and I didn't even ask. | 0:38:25 | 0:38:28 | |
And you went to 120, madam. I like you very much. | 0:38:28 | 0:38:30 | |
120 I've got. At 120. | 0:38:30 | 0:38:32 | |
Don't think he does. 122, 122, 124. | 0:38:32 | 0:38:37 | |
What do you want to do? | 0:38:37 | 0:38:39 | |
125, 125, | 0:38:39 | 0:38:42 | |
126, 126, 126. | 0:38:42 | 0:38:45 | |
126 for the first time and then I'll have a look about, | 0:38:45 | 0:38:48 | |
but 126 you're in. 126 first time, | 0:38:48 | 0:38:51 | |
126 second time, | 0:38:51 | 0:38:54 | |
126 third time. | 0:38:54 | 0:38:55 | |
126. Madam, well done. | 0:38:55 | 0:38:58 | |
126. G416. Thank you very much. | 0:38:58 | 0:39:01 | |
The 126,000 bid came from Ruth, | 0:39:01 | 0:39:03 | |
who was at the auction with her daughter, Tess. | 0:39:03 | 0:39:08 | |
Ruth is one of the directors in a business looking for new premises. | 0:39:08 | 0:39:13 | |
Mum and daughter came along to tell me more. | 0:39:13 | 0:39:15 | |
Ruth and Tess, great to meet you both. | 0:39:16 | 0:39:18 | |
-Nice to meet you too. -Congratulations. | 0:39:18 | 0:39:20 | |
-Thank you. -So, um, well, you've got yourself quite a challenge here. | 0:39:20 | 0:39:24 | |
-Yes, we certainly have, haven't we? -Tell me why you wanted to buy it. | 0:39:24 | 0:39:28 | |
We're just going to flatten it, make it into a big car park... | 0:39:28 | 0:39:33 | |
-What?! -Yes. -You're knocking it down to build a car park? | 0:39:33 | 0:39:37 | |
Yep. And then at the back we're going to have a branch surgery | 0:39:37 | 0:39:40 | |
-for our veterinary practice. -Oh, wow, you're a vet? | 0:39:40 | 0:39:43 | |
-Yes, I'm a vet. -Both of you? -No, I'm applying to veterinary college. | 0:39:43 | 0:39:47 | |
-A hopeful vet. -Oh, great, so you've followed on from Mum's lead? | 0:39:47 | 0:39:51 | |
-Yep. -This will be a branch surgery. | 0:39:51 | 0:39:53 | |
This will be an outreach that will serve the big hospital | 0:39:53 | 0:39:56 | |
we've got down in St Columb Major. | 0:39:56 | 0:39:59 | |
What's the most unusual thing somebody's brought you in to fix? | 0:39:59 | 0:40:02 | |
I've had a raccoon. | 0:40:02 | 0:40:03 | |
Ha-ha-ha-ha! | 0:40:03 | 0:40:05 | |
And I've had a python called Monty. | 0:40:05 | 0:40:07 | |
-No? -Yeah. | 0:40:07 | 0:40:08 | |
As I don't like snakes, it was a bit of a... | 0:40:09 | 0:40:12 | |
-You don't like snakes? -No. -And somebody brought you a snake? -Yeah. | 0:40:12 | 0:40:15 | |
-Or chickens. -You don't like chickens? | 0:40:15 | 0:40:17 | |
Only on the plate. | 0:40:17 | 0:40:19 | |
-What's not to like about a chicken? -Oh, furs, feathers. | 0:40:19 | 0:40:22 | |
Right, OK, so you've got a snake phobia and a chicken phobia. | 0:40:22 | 0:40:25 | |
-Yeah, yeah. -Not brilliant for a vet, really, is it? | 0:40:25 | 0:40:28 | |
-Not really. -Obviously, the snake one isn't going to happen very often. | 0:40:28 | 0:40:31 | |
-No, hopefully. -What happened with Monty when they brought him in? | 0:40:31 | 0:40:34 | |
-Oh, he had scale rot. -Oh, no. -Quite serious if you're a snake. | 0:40:34 | 0:40:37 | |
-Well, probably, yeah. -Yeah, yeah, antibiotics under the skin. | 0:40:37 | 0:40:40 | |
I said to my boss at the time, "I hope he doesn't bite me." | 0:40:40 | 0:40:43 | |
He said, "Actually, it's if he starts wrapping himself around you | 0:40:43 | 0:40:46 | |
"that you need to worry." | 0:40:46 | 0:40:48 | |
MUSIC: Theme to Monty Python's Flying Circus | 0:40:48 | 0:40:52 | |
So, Ruth and her fellow veterinary directors are planning, | 0:40:52 | 0:40:57 | |
well, you guessed it, something completely different - | 0:40:57 | 0:41:01 | |
somewhere where if you're suffering from scale rot, like Monty was, | 0:41:01 | 0:41:06 | |
you'll be very glad to see it. | 0:41:06 | 0:41:09 | |
But will the planners be equally pleased? | 0:41:09 | 0:41:12 | |
That's the question, and if planning is granted, | 0:41:12 | 0:41:15 | |
it's hoped there won't be any deceased parrots here in the future. | 0:41:15 | 0:41:20 | |
RASPBERRY SOUND | 0:41:21 | 0:41:22 | |
What was it that appealed about it, then? | 0:41:22 | 0:41:25 | |
Frontage on the main high street | 0:41:25 | 0:41:28 | |
and the lack of another vet's in the area as well obviously. | 0:41:28 | 0:41:31 | |
-Right. -Yeah, | 0:41:31 | 0:41:32 | |
but it's very difficult to find properties in the right area | 0:41:32 | 0:41:36 | |
with potential for car park and on the main high street. | 0:41:36 | 0:41:41 | |
So explain to me a bit more about what you're planning to do. | 0:41:41 | 0:41:44 | |
-Knock it flat. -Knock it down. | 0:41:44 | 0:41:46 | |
Tarmac the whole place out. | 0:41:46 | 0:41:48 | |
And put some prefab buildings in at first so we can be up and running | 0:41:48 | 0:41:53 | |
as quickly as possible. | 0:41:53 | 0:41:55 | |
Now, I know what you're thinking - prefabs?! | 0:41:55 | 0:41:57 | |
But not just any old prefabs, oh, no. | 0:41:57 | 0:42:00 | |
Nowadays you can actually build these modern units | 0:42:01 | 0:42:05 | |
that are very presentable, | 0:42:05 | 0:42:06 | |
that have actually a veterinary surgery inside them - | 0:42:06 | 0:42:10 | |
operating theatres, consulting rooms, waiting rooms, | 0:42:10 | 0:42:13 | |
-the whole works. -X-ray rooms. | 0:42:13 | 0:42:14 | |
They can last for about 25 years. | 0:42:14 | 0:42:17 | |
-Plomp. -Yeah. -Yeah. -Yeah. | 0:42:17 | 0:42:18 | |
What a great way of doing it! | 0:42:18 | 0:42:21 | |
-Yeah. -The fact that it gives you an opportunity to try the business out. -Yes. | 0:42:21 | 0:42:24 | |
-If it fails, you go, "Not to worry." -Yep, that's right. | 0:42:24 | 0:42:27 | |
-Pick it up and move it on. -Move to another space. | 0:42:27 | 0:42:29 | |
I suspect we'll need... We'll want to open more branch surgeries, | 0:42:29 | 0:42:33 | |
and so when we're finished here, | 0:42:33 | 0:42:35 | |
they can be picked up and taken to the next site. | 0:42:35 | 0:42:38 | |
But what's the council view going to be on | 0:42:38 | 0:42:41 | |
these peri-PET-etic prefabs? | 0:42:41 | 0:42:44 | |
I know some councils want to know how long they'll be installed | 0:42:44 | 0:42:47 | |
before granting permission. | 0:42:47 | 0:42:49 | |
I suppose they don't want prefabs sprouting up all around the country. | 0:42:49 | 0:42:53 | |
So what's the budget for what you've got planned? | 0:42:53 | 0:42:56 | |
Right, so we're looking at about 30,000 to have it demolished | 0:42:56 | 0:43:01 | |
and taken away, | 0:43:01 | 0:43:03 | |
and then we've got to think about tarmacking the car park - | 0:43:03 | 0:43:07 | |
that'll be about another 30,000. And then we're looking at about 100,000 | 0:43:07 | 0:43:12 | |
for the prefab units. | 0:43:12 | 0:43:13 | |
-Right, OK. -So, let's say 160 | 0:43:13 | 0:43:16 | |
and then probably another ten for other expenses - | 0:43:16 | 0:43:20 | |
putting on the mains, architects' expenses, that sort of thing, | 0:43:20 | 0:43:24 | |
so 170. | 0:43:24 | 0:43:25 | |
And that's to do the prefab units? | 0:43:25 | 0:43:27 | |
-Yes. -And what about building whatever you might build? | 0:43:27 | 0:43:31 | |
-Do you have any idea...? -No, no, we haven't thought about that yet. | 0:43:31 | 0:43:34 | |
No. No. | 0:43:34 | 0:43:35 | |
Because that will be three or four years down the line. | 0:43:35 | 0:43:38 | |
-After you've seen whether or not it's worked. -Yes. Yes. | 0:43:38 | 0:43:41 | |
Well, I've certainly seen places in a worse condition than this | 0:43:43 | 0:43:47 | |
brought back to life, but Ruth and Tess's plan is to knock it down | 0:43:47 | 0:43:52 | |
and turn it into a car park for their veterinary practice. | 0:43:52 | 0:43:56 | |
In order for that to happen, | 0:43:56 | 0:43:57 | |
they have to get the approval of the planners, though. | 0:43:57 | 0:44:00 | |
How will they get on when they start getting their plans? | 0:44:00 | 0:44:03 | |
You can find out later in the show. | 0:44:03 | 0:44:05 | |
Being cautious can pay off when it comes to getting it right in property. | 0:44:10 | 0:44:14 | |
Now, we saw how one of our buyers got on, but what about the other two? | 0:44:14 | 0:44:17 | |
Let's go back and find out. | 0:44:17 | 0:44:19 | |
-LUCY: -My turn now to take you back to Wandsworth | 0:44:21 | 0:44:24 | |
where earlier I saw this one-bedroom first-floor flat, sold for 310,000. | 0:44:24 | 0:44:30 | |
I thought the key to its success would be to add a second bedroom. | 0:44:30 | 0:44:34 | |
Now, the easiest way to do that would be to move this kitchen | 0:44:38 | 0:44:42 | |
into this lounge and then that old kitchen space in there, well, | 0:44:42 | 0:44:45 | |
that could become bedroom number two. | 0:44:45 | 0:44:47 | |
Alternatively, you could start again | 0:44:47 | 0:44:50 | |
and completely rearrange this whole flat, | 0:44:50 | 0:44:52 | |
although I think that would be more costly and more time-consuming. | 0:44:52 | 0:44:57 | |
Either way, the potential to call this a two-bedroom flat | 0:44:57 | 0:45:01 | |
is a big tick in the box and a sure-fire way of adding value | 0:45:01 | 0:45:04 | |
to this property. | 0:45:04 | 0:45:05 | |
Accountant Tony, on the right, | 0:45:07 | 0:45:08 | |
bought this as his first renovation project. | 0:45:08 | 0:45:11 | |
He brought along his builder Mark to take look over the flat | 0:45:11 | 0:45:14 | |
and act as his spokesman because Tony had lost his voice! | 0:45:14 | 0:45:18 | |
And what is it that you want to achieve with this? | 0:45:20 | 0:45:23 | |
Well, I want it to be converted from a one-bedroom to a two. | 0:45:23 | 0:45:25 | |
OK. What do you think would work best here? | 0:45:25 | 0:45:28 | |
I think the lounge that we're in at the moment should be converted into | 0:45:28 | 0:45:31 | |
-the main bedroom. -Really? -Absolutely. | 0:45:31 | 0:45:34 | |
And then the kitchen will be bedroom two, | 0:45:34 | 0:45:37 | |
and what is the bedroom at the moment will become the lounge | 0:45:37 | 0:45:40 | |
and it will be a kitchen/diner. | 0:45:40 | 0:45:41 | |
Not exactly what I had in my mind, | 0:45:41 | 0:45:43 | |
but it would still have that extra bedroom space | 0:45:43 | 0:45:46 | |
that's much sought after in London. | 0:45:46 | 0:45:49 | |
The flat does have a 125-year lease, and the freeholders, | 0:45:49 | 0:45:52 | |
the local council, were due to replace the windows. | 0:45:52 | 0:45:56 | |
Can you foresee any problems at all? | 0:45:58 | 0:46:00 | |
Just on the timeframe. | 0:46:00 | 0:46:02 | |
I think dealing with a local authority might take a bit longer | 0:46:02 | 0:46:05 | |
than you'd hope for, so if that can move along nicely, | 0:46:05 | 0:46:09 | |
then no problem at all with the build. | 0:46:09 | 0:46:11 | |
He had a predicted £35,000 budget | 0:46:11 | 0:46:13 | |
and a timescale of two to three months. | 0:46:13 | 0:46:17 | |
We're back eight months later to see the results. | 0:46:17 | 0:46:20 | |
The new windows are a big improvement, | 0:46:24 | 0:46:27 | |
but it looks like neither mine or Mark's plan has come to fruition, | 0:46:27 | 0:46:31 | |
so there is now a large lounge/dining-kitchen. | 0:46:31 | 0:46:34 | |
High-spec units, white walls and laminate flooring in this open space | 0:46:38 | 0:46:42 | |
modernise the flat fabulously. | 0:46:42 | 0:46:44 | |
The bathroom's followed suit, too, | 0:46:48 | 0:46:50 | |
with fixtures and fittings that would be fitting in Scandinavia! | 0:46:50 | 0:46:54 | |
MUSIC: A Better Day by Avicii | 0:46:54 | 0:46:57 | |
# Magic call from a pretty thing | 0:46:57 | 0:46:59 | |
# Maybe it might be time | 0:46:59 | 0:47:04 | |
# For a better day | 0:47:04 | 0:47:07 | |
# For a better day | 0:47:12 | 0:47:14 | |
# For a better day... # | 0:47:19 | 0:47:21 | |
The bedroom used to have access to the kitchen, | 0:47:21 | 0:47:24 | |
and Mark was going to make this room a lounge/diner. | 0:47:24 | 0:47:27 | |
But it's still the only bedroom, | 0:47:31 | 0:47:33 | |
but with the access door to the kitchen walled up, | 0:47:33 | 0:47:36 | |
you can make more use of the space. | 0:47:36 | 0:47:38 | |
It's now a really spacious one-bedroom flat, | 0:47:40 | 0:47:43 | |
but why the change of plan? | 0:47:43 | 0:47:45 | |
Fortunately, Tony's got his voice back, so he can tell us. | 0:47:45 | 0:47:49 | |
I decided to leave it as a one-bedroom place | 0:47:51 | 0:47:54 | |
because when I put it onto paper, | 0:47:54 | 0:47:56 | |
on the plan, it would mean a very small two-bedroom place. | 0:47:56 | 0:48:01 | |
The second bedroom would be extremely small | 0:48:01 | 0:48:04 | |
and I thought a large one-bedroom would sell far more | 0:48:04 | 0:48:07 | |
than a smaller two-bedroom. | 0:48:07 | 0:48:08 | |
Interesting. Usually developers feel the maximum return can be had | 0:48:09 | 0:48:14 | |
by carving more rooms into the available space, | 0:48:14 | 0:48:17 | |
but I do take the point that the living space is much more generous | 0:48:17 | 0:48:20 | |
with this template. | 0:48:20 | 0:48:22 | |
The planning process, as expected, | 0:48:22 | 0:48:24 | |
did introduce delays, and costs from work on the windows will be paid off | 0:48:24 | 0:48:29 | |
to the freeholder in the first year. | 0:48:29 | 0:48:31 | |
The windows will be included in the surcharge, | 0:48:32 | 0:48:35 | |
and the surcharge for this particular year will be about £5,000. | 0:48:35 | 0:48:40 | |
Tony's original budget was 35,000. | 0:48:40 | 0:48:43 | |
Have there been savings from not doing the second bedroom? | 0:48:43 | 0:48:47 | |
Well, actually, it's come in... | 0:48:47 | 0:48:48 | |
Including the windows, it's about £25,000. | 0:48:48 | 0:48:51 | |
Mark and Tony have done well there. | 0:48:52 | 0:48:54 | |
But then again, the spend all has to be weighed up against the profit | 0:48:54 | 0:48:58 | |
and that's why we've asked two local estate agents along | 0:48:58 | 0:49:01 | |
to try and find out if Tony has made the right choice. | 0:49:01 | 0:49:04 | |
Is a spacious one-bed flat better than a small two-bed | 0:49:04 | 0:49:08 | |
in this instance? | 0:49:08 | 0:49:09 | |
I think there's always a temptation with people trying to cut things up | 0:49:09 | 0:49:12 | |
into smaller units, so you get two beds instead of one. | 0:49:12 | 0:49:17 | |
Sometimes that's a big mistake | 0:49:17 | 0:49:19 | |
because all that happens is you get a very cramped flat, | 0:49:19 | 0:49:22 | |
whereas this sort of flat, it's spacious, | 0:49:22 | 0:49:25 | |
it's well laid out, | 0:49:25 | 0:49:26 | |
there'll be a bigger audience for this sort of accommodation, | 0:49:26 | 0:49:29 | |
so it's not just a bolthole for a lot of people, | 0:49:29 | 0:49:33 | |
So it's important that they have a good living space. | 0:49:33 | 0:49:37 | |
The best refurbished properties that I see have white ceilings, | 0:49:37 | 0:49:40 | |
white walls, white finish. It's clean, it's neutral. | 0:49:40 | 0:49:43 | |
You know, people can just imagine their own furniture in there. | 0:49:44 | 0:49:47 | |
So I would have converted it the way this developer's done it. | 0:49:47 | 0:49:50 | |
This is an intriguing renovation. | 0:49:50 | 0:49:53 | |
It's quality over quantity, and this agent's view was that a top-spec | 0:49:53 | 0:49:57 | |
one-bed could potentially make more money than a cramped two-bed. | 0:49:57 | 0:50:02 | |
Well, I'm going to chew on that one, for sure. | 0:50:02 | 0:50:04 | |
But in London, it's not just space that makes a profitable property, | 0:50:05 | 0:50:09 | |
it's location. | 0:50:09 | 0:50:10 | |
So what about this location | 0:50:10 | 0:50:12 | |
and the great London "north or south of the river" divide? | 0:50:12 | 0:50:16 | |
A lot of people are moving from north of the river | 0:50:17 | 0:50:20 | |
to come to this area because they get more space for their money | 0:50:20 | 0:50:23 | |
and more open space. | 0:50:23 | 0:50:24 | |
Tony's intention has always been to sell on. | 0:50:26 | 0:50:29 | |
His total spend so far is 335,000. | 0:50:29 | 0:50:32 | |
Does it look like there's still potential profit here? | 0:50:32 | 0:50:36 | |
My estimate of market value would be £390,000, | 0:50:36 | 0:50:41 | |
but I would guide it at £400,000. | 0:50:41 | 0:50:43 | |
In terms of the value of this flat, | 0:50:43 | 0:50:45 | |
I could see it sitting comfortably on the market at £380,000. | 0:50:45 | 0:50:50 | |
That might not be what the owner wants, | 0:50:50 | 0:50:52 | |
but you've got to look at what else is for sale | 0:50:52 | 0:50:54 | |
and what else is sold in the area. | 0:50:54 | 0:50:56 | |
At the moment for a local authority property, | 0:50:56 | 0:50:58 | |
that's about the ceiling. | 0:50:58 | 0:50:59 | |
Yes, I would have thought 400,000 | 0:50:59 | 0:51:02 | |
would have been more of a realistic price to put it on the market for. | 0:51:02 | 0:51:05 | |
And I'd be... I'd be quite pleased if I achieved the 390. | 0:51:05 | 0:51:09 | |
The 380, to me, would be rather low. | 0:51:09 | 0:51:11 | |
If he got that 390,000, | 0:51:11 | 0:51:14 | |
then that would mean a pre-tax profit of 55 grand, | 0:51:14 | 0:51:17 | |
and in case you were wondering, | 0:51:17 | 0:51:19 | |
one of the agents thought making it into a two-bed would have | 0:51:19 | 0:51:23 | |
reduced the value, | 0:51:23 | 0:51:25 | |
so maybe it's time to rethink London spaces. | 0:51:25 | 0:51:28 | |
Are they pleased with how things have gone? | 0:51:28 | 0:51:31 | |
Yeah, I mean, I'm really pleased. | 0:51:33 | 0:51:34 | |
I really don't think we could have achieved any more than what we've achieved. | 0:51:34 | 0:51:39 | |
Yeah, I'm pleased with the way it's turned out, | 0:51:39 | 0:51:42 | |
and obviously for our customer that's the most important thing. | 0:51:42 | 0:51:45 | |
So, hopefully, he's happy. | 0:51:45 | 0:51:47 | |
Well, I think I'd be ecstatic! | 0:51:47 | 0:51:49 | |
-MARTIN: -Back now to Delabole in Cornwall, where earlier | 0:51:54 | 0:51:57 | |
I looked around this derelict shop with three flats above, | 0:51:57 | 0:52:01 | |
bought at auction by a veterinary practice for 126,000. | 0:52:01 | 0:52:05 | |
I met with Ruth, one of the practice directors and her daughter, Tess, | 0:52:05 | 0:52:10 | |
an aspiring vet, | 0:52:10 | 0:52:11 | |
to find out why the practice had chosen this particular location. | 0:52:11 | 0:52:15 | |
It's very difficult to find properties in the right area | 0:52:15 | 0:52:18 | |
with potential for car park and on the main high street. | 0:52:18 | 0:52:22 | |
So explain to me a bit more about what you're planning to do. | 0:52:22 | 0:52:25 | |
-Knock it flat. -Knock it down. | 0:52:25 | 0:52:27 | |
Tarmac the whole place out and put some prefab buildings in first, | 0:52:27 | 0:52:34 | |
so we can be up and running as quickly as possible. | 0:52:34 | 0:52:37 | |
We're looking at about 30,000 to have it demolished and taken away | 0:52:37 | 0:52:42 | |
and then we've got to think about tarmacking the car park. | 0:52:42 | 0:52:46 | |
That will be about another 30,000. | 0:52:46 | 0:52:48 | |
And then we're looking at about 100,000 for the prefab units. | 0:52:48 | 0:52:52 | |
-Right, OK. -So, let's say 160, | 0:52:52 | 0:52:55 | |
and then probably another ten for other expenses - | 0:52:55 | 0:52:59 | |
putting on the mains, architects' expenses, that sort of thing. | 0:52:59 | 0:53:03 | |
So 170. | 0:53:03 | 0:53:04 | |
The business hoped to have the new prefab practice up and running | 0:53:04 | 0:53:08 | |
in six to 12 months. | 0:53:08 | 0:53:09 | |
Well, we're back two years and two weeks later. | 0:53:09 | 0:53:12 | |
Well, what I thought would be a new, shiny car park | 0:53:27 | 0:53:30 | |
with a bustling surgery full of pets, | 0:53:30 | 0:53:32 | |
owners and their charges is little different to what I saw so long ago. | 0:53:32 | 0:53:37 | |
The property has, in fact, deteriorated even further | 0:53:41 | 0:53:45 | |
and there are only parts of it that are safe to enter. | 0:53:45 | 0:53:49 | |
Kim was recently appointed development manager by the practice | 0:53:52 | 0:53:56 | |
and Delabole now falls within her remit. | 0:53:56 | 0:53:59 | |
Fortunately, the neighbours across the road loaned us a room | 0:53:59 | 0:54:02 | |
more convivial for our interview. | 0:54:02 | 0:54:04 | |
When we bought Delabole, | 0:54:06 | 0:54:08 | |
we'd thought that we would go ahead | 0:54:08 | 0:54:10 | |
and turn it into a branch practice here, | 0:54:10 | 0:54:14 | |
possibly base some of our large animal work from this area. | 0:54:14 | 0:54:19 | |
About two months later, | 0:54:19 | 0:54:21 | |
a site we'd been after in St Austell came up | 0:54:21 | 0:54:25 | |
and it's just such a good opportunity for us, we had to go for it. | 0:54:25 | 0:54:29 | |
We had to put a lot of time and resources into developing St Austell. | 0:54:29 | 0:54:34 | |
It opened last January and we're already up to trying to make it a two-man practice, | 0:54:34 | 0:54:39 | |
looking at making it a three-man practice next year. | 0:54:39 | 0:54:41 | |
Obviously, this has taken time and effort | 0:54:41 | 0:54:44 | |
and it meant that Delabole had to go on hold and we thought, | 0:54:44 | 0:54:48 | |
"This is silly. We're probably upsetting the neighbours." | 0:54:48 | 0:54:51 | |
I came up and looked at the building a few months ago. | 0:54:51 | 0:54:54 | |
It was deteriorating badly. So we suggested it went back to auction. | 0:54:54 | 0:54:59 | |
So, after sitting on the building for over two years | 0:54:59 | 0:55:01 | |
and choosing to develop the other site in St Austell, which has a bigger population, | 0:55:01 | 0:55:06 | |
the practice decided to put the Delabole the property | 0:55:06 | 0:55:09 | |
back up for auction. | 0:55:09 | 0:55:10 | |
Have they been able to recoup their initial outlay | 0:55:10 | 0:55:13 | |
or has the market been performing well enough even to make a profit? | 0:55:13 | 0:55:18 | |
We invited two property experts along | 0:55:20 | 0:55:23 | |
to outline the prospects of this lot. | 0:55:23 | 0:55:26 | |
Don't worry, they know the no-go areas inside the building! | 0:55:26 | 0:55:30 | |
First up, the auctioneer who sold it the day before we filmed. | 0:55:30 | 0:55:34 | |
My initial thoughts are, "How is this still stood up?" | 0:55:36 | 0:55:39 | |
It just needs to go and be redeveloped. | 0:55:41 | 0:55:44 | |
I work in the local area | 0:55:44 | 0:55:45 | |
and this has been a bit of an eyesore for a number of years, | 0:55:45 | 0:55:48 | |
so I'm sure the neighbours in the area would be happy for it | 0:55:48 | 0:55:50 | |
to be developed and tidied up to look smart. | 0:55:50 | 0:55:52 | |
Usually, when we revisit a property, | 0:55:52 | 0:55:55 | |
we ask the agents what they think about the standard of finish. | 0:55:55 | 0:55:59 | |
Perhaps the more pertinent question this time is, | 0:55:59 | 0:56:01 | |
"Will the general area ever be able to support a development here?" | 0:56:01 | 0:56:05 | |
Things have improved a great deal in the last couple of years | 0:56:07 | 0:56:10 | |
and I think there would be a demand for properties to be developed on this site, | 0:56:10 | 0:56:13 | |
and I think they would sell pretty well. | 0:56:13 | 0:56:15 | |
So you've got Padstow cachet here on the north Cornwall coastline | 0:56:15 | 0:56:20 | |
and it's so easily accessible to get back to the mainland as well, | 0:56:20 | 0:56:25 | |
as it were - the rest of the country. | 0:56:25 | 0:56:27 | |
So it's just beginning to just bubble away nicely. | 0:56:27 | 0:56:31 | |
When we first visited, there were lapsed plans for developing the site | 0:56:32 | 0:56:36 | |
with two semidetached houses and a bungalow. | 0:56:36 | 0:56:38 | |
The agents consider that if those plans went ahead today, | 0:56:38 | 0:56:42 | |
the site would now be worth £85,000 more than it was two years ago. | 0:56:42 | 0:56:47 | |
The practice did consider pursuing planning | 0:56:47 | 0:56:49 | |
and building houses on the land, | 0:56:49 | 0:56:51 | |
but decided against it as it was outside of their specialisation. | 0:56:51 | 0:56:56 | |
What value would they have added? | 0:56:56 | 0:56:59 | |
If you got planning permission on this site in its current state, | 0:56:59 | 0:57:01 | |
it wouldn't necessarily add a vast amount of value to its selling price | 0:57:01 | 0:57:05 | |
but it would make it a more attractive proposition. | 0:57:05 | 0:57:07 | |
If the people who sold it at auction had got the planning and made it | 0:57:07 | 0:57:11 | |
what's known as "oven-ready" for a builder to come in | 0:57:11 | 0:57:14 | |
and just to break ground and off he goes, | 0:57:14 | 0:57:17 | |
it would probably have been worth another £10,000 or £15,000. | 0:57:17 | 0:57:23 | |
OK, the time of reckoning has arrived. | 0:57:23 | 0:57:25 | |
Two years ago this property sold at auction for 126,000. | 0:57:25 | 0:57:30 | |
Now, in its more dilapidated state, what did it sell for? | 0:57:30 | 0:57:34 | |
At yesterday's auction, the property sold for £130,500. | 0:57:34 | 0:57:39 | |
That's a small profit of 4,500, minus expenses. | 0:57:39 | 0:57:43 | |
We're very, very pleased with that figure. | 0:57:43 | 0:57:46 | |
Having paid 126,000 for it two years ago, the property has stood there, | 0:57:46 | 0:57:51 | |
not done very much at all. | 0:57:51 | 0:57:54 | |
So, yes, everyone, including all the partners, are absolutely delighted. | 0:57:54 | 0:57:58 | |
A great result, but, for me, it will always be an "indelabole" memory! | 0:57:58 | 0:58:03 | |
Property renovation stories never fail to keep us hooked. | 0:58:07 | 0:58:11 | |
Yes, and we've got plenty more where these came from. | 0:58:11 | 0:58:13 | |
Yes, so make sure you join us next time on Homes Under The Hammer. | 0:58:13 | 0:58:17 |