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Hello. Now, property auctions attract all sorts - | 0:00:02 | 0:00:04 | |
from seasoned developers to property newbies. | 0:00:04 | 0:00:07 | |
Yes, but whatever your level of experience, | 0:00:07 | 0:00:09 | |
unexpected problems can always catch you out. | 0:00:09 | 0:00:12 | |
Yes, it's preparation, preparation, just a little bit more preparation. | 0:00:12 | 0:00:16 | |
And don't forget, we're always here to help. | 0:00:16 | 0:00:18 | |
All sorts of lots are up for grabs at auction - from your two-up, | 0:00:45 | 0:00:48 | |
two-down terrace houses to your plots of land | 0:00:48 | 0:00:50 | |
where the world is your oyster. | 0:00:50 | 0:00:52 | |
Yeah. The possibilities are endless and so are the opportunities. | 0:00:52 | 0:00:56 | |
So, what's on offer on today's programme? | 0:00:56 | 0:00:58 | |
In Otterton, Devon this two-bed chalet bungalow has plenty | 0:01:00 | 0:01:04 | |
of potential, so what's the problem? | 0:01:04 | 0:01:06 | |
It's that view! | 0:01:07 | 0:01:08 | |
Well, Martin, the vistas at this Tottenham, London flat | 0:01:09 | 0:01:13 | |
aren't that great either. | 0:01:13 | 0:01:15 | |
It doesn't have such an aspirational view. | 0:01:15 | 0:01:18 | |
The view at this commercial lot in Alvaston, Derby is something else. | 0:01:19 | 0:01:24 | |
I'm just not sure it's something good. | 0:01:24 | 0:01:26 | |
For what I can see, I don't really want to be going any further. | 0:01:26 | 0:01:29 | |
All these properties were bought at auction. | 0:01:30 | 0:01:32 | |
We'll find out who got them and how much they paid | 0:01:32 | 0:01:36 | |
when these homes went under the hammer. | 0:01:36 | 0:01:38 | |
Sold. | 0:01:38 | 0:01:39 | |
This is Budleigh Salterton in East Devon - a glorious stretch | 0:01:43 | 0:01:47 | |
of pebble beach still scattered with working fishing boats | 0:01:47 | 0:01:51 | |
and a town centre that looks lost in time. | 0:01:51 | 0:01:54 | |
Well, just a few miles away from that lovely beach is the equally | 0:01:57 | 0:02:01 | |
lovely little village of Otterton, situated on the River Otter. | 0:02:01 | 0:02:05 | |
And joy of joys, it is the location of the property I'm here to see. | 0:02:05 | 0:02:10 | |
Otterton has its own craft centre | 0:02:15 | 0:02:17 | |
which bakes its own bread from wholemeal flour. | 0:02:17 | 0:02:21 | |
This is traditional rural Devon and I love it. | 0:02:21 | 0:02:25 | |
But will I love today's property? | 0:02:25 | 0:02:27 | |
Well, the house sits on the outskirts of the village | 0:02:27 | 0:02:30 | |
which means you get lovely rural views and also, | 0:02:30 | 0:02:33 | |
it benefits from a quarter of an acre plot. | 0:02:33 | 0:02:36 | |
I say house, it's more like a chalet bungalow. Let's have a look. | 0:02:36 | 0:02:40 | |
The guide price on this one, £200-250,000. | 0:02:40 | 0:02:45 | |
Hm, the first thing that hits you when you walk through the door is | 0:02:47 | 0:02:49 | |
a bit of a smell of damp so that's not ideal. | 0:02:49 | 0:02:54 | |
But an odd entrance as well. | 0:02:54 | 0:02:56 | |
You come into this sort of, I guess, a living room area there, | 0:02:56 | 0:02:59 | |
although it feels more like a bedroom. | 0:02:59 | 0:03:01 | |
And through into this area here which is | 0:03:01 | 0:03:03 | |
the dining room/living area, I guess. | 0:03:03 | 0:03:06 | |
Very dated kitchen off there, | 0:03:06 | 0:03:09 | |
although you've got nice views out of those windows. | 0:03:09 | 0:03:12 | |
It needs sorting out and this whole place has that feel of needing | 0:03:12 | 0:03:16 | |
a bit of...yeah, tender loving care. | 0:03:16 | 0:03:18 | |
But one thing you can't get away from, | 0:03:18 | 0:03:20 | |
it certainly makes the most of its location. | 0:03:20 | 0:03:22 | |
Fantastic views out of the windows there. | 0:03:22 | 0:03:25 | |
Which is just as well | 0:03:26 | 0:03:28 | |
because inside it's not exactly a sight for sore eyes. | 0:03:28 | 0:03:31 | |
There's another downstairs room | 0:03:31 | 0:03:33 | |
at the front which I guess is a bedroom. | 0:03:33 | 0:03:36 | |
And there are plenty of tell-tale signs of damp. | 0:03:36 | 0:03:39 | |
Upstairs you have a very sloped ceiling and pastel pink bathroom. | 0:03:41 | 0:03:45 | |
And another bedroom which is | 0:03:49 | 0:03:51 | |
showing signs that all is not right with the roof. | 0:03:51 | 0:03:55 | |
# Cos I smell a mean trouble | 0:03:55 | 0:04:00 | |
# Lord, I smell trouble ahead of me, oh, yeah... # | 0:04:01 | 0:04:08 | |
The whole place smells mouldy and mildew-y | 0:04:08 | 0:04:12 | |
so back outside for a breath of fresh air, I think. | 0:04:12 | 0:04:16 | |
Apart from the fact that the property is | 0:04:16 | 0:04:18 | |
a little bit close to the road, | 0:04:18 | 0:04:20 | |
it really does make the most of its location with the open views. | 0:04:20 | 0:04:25 | |
And then at the side of it, this really nice garden. | 0:04:25 | 0:04:28 | |
Now, it obviously does need a bit of...time spent on it | 0:04:28 | 0:04:33 | |
but it's charming in its own way. | 0:04:33 | 0:04:35 | |
Lots of little pathways leading to hidden... | 0:04:35 | 0:04:38 | |
Whatever we're going to find through here. Oh, look at this. | 0:04:38 | 0:04:41 | |
Little clearing with a kind of Hansel and Gretel-style wooden shed. | 0:04:41 | 0:04:46 | |
Birds tweeting, dappled sunlight, bluebells. | 0:04:47 | 0:04:52 | |
I mean, yeah, it's lovely. | 0:04:52 | 0:04:53 | |
Ah, rural bliss. | 0:04:53 | 0:04:57 | |
This part of the world really is very special | 0:04:57 | 0:04:59 | |
and having your own mini Devonshire woodland turns this slightly mouldy | 0:04:59 | 0:05:04 | |
old chalet bungalow into something a bit more, well, romantic. | 0:05:04 | 0:05:10 | |
Ah, how lovely. | 0:05:10 | 0:05:12 | |
Well, it would be were it not for the horror that quite possibly | 0:05:13 | 0:05:17 | |
awaits anyone that buys this place. | 0:05:17 | 0:05:19 | |
Is the state of the property itself? No, but that certainly isn't great. | 0:05:19 | 0:05:24 | |
Is it the fact that you'd quite like to extend out here | 0:05:24 | 0:05:28 | |
and it isn't quite suitable? | 0:05:28 | 0:05:30 | |
No. Nice view. | 0:05:30 | 0:05:32 | |
Is it the fact that ideally | 0:05:32 | 0:05:34 | |
you'd want the bungalow to be that way a bit? | 0:05:34 | 0:05:38 | |
Um, no, not that. | 0:05:38 | 0:05:41 | |
Lovely open outlook. | 0:05:41 | 0:05:43 | |
Is the fact that there might be issues underneath here or | 0:05:43 | 0:05:45 | |
power head cables above? No, it's not that. It's that view! | 0:05:45 | 0:05:48 | |
Not the view itself | 0:05:48 | 0:05:50 | |
but the fact that local knowledge is a really important thing | 0:05:50 | 0:05:54 | |
because it tells you that that view looks out across a floodplain | 0:05:54 | 0:05:58 | |
and in fact, this whole property is in that floodplain. | 0:05:58 | 0:06:02 | |
So, there is a one in 100 chance every year that you'll get | 0:06:02 | 0:06:07 | |
a little bit closer to the waterfront than you would like. | 0:06:07 | 0:06:10 | |
# Too close for comfort now. # | 0:06:10 | 0:06:16 | |
We have all seen the devastation that flooding can cause | 0:06:16 | 0:06:20 | |
over the last few years, so this is now a major factor | 0:06:20 | 0:06:24 | |
when you look at properties. | 0:06:24 | 0:06:26 | |
In 2012 this field was turned into a lake and while | 0:06:26 | 0:06:30 | |
this house remained dry, many local houses and businesses did not | 0:06:30 | 0:06:35 | |
so definitely something to factor in. | 0:06:35 | 0:06:37 | |
We asked a local agent along to see what he thought about it all. | 0:06:39 | 0:06:43 | |
It's pretty tired, sadly, and obviously in need of some TLC. | 0:06:44 | 0:06:50 | |
And particularly with regard to heating systems and wiring etc, | 0:06:50 | 0:06:54 | |
it's very dated and needs quite a lot of money spending on it | 0:06:54 | 0:06:57 | |
to bring it up to a good modern standard. | 0:06:57 | 0:06:59 | |
So what about forgetting the refurbishment | 0:06:59 | 0:07:02 | |
and raising the place to the ground? | 0:07:02 | 0:07:04 | |
It's a lovely plot. | 0:07:04 | 0:07:06 | |
Interesting shaped plot so if you let an architect run wild here, | 0:07:06 | 0:07:10 | |
you could end up with a really special modern property, | 0:07:10 | 0:07:13 | |
taking advantage of the outlook. | 0:07:13 | 0:07:15 | |
Probably a reverse-level property whereby the reception rooms are | 0:07:15 | 0:07:18 | |
upstairs so you take advantage of the views in all directions here. | 0:07:18 | 0:07:23 | |
Hmm. But there is a bit of an elephant in the room here. | 0:07:23 | 0:07:26 | |
Namely the flooding. | 0:07:26 | 0:07:27 | |
What does the agent think about that particular problem? | 0:07:27 | 0:07:31 | |
It is an issue. However, there are plans | 0:07:31 | 0:07:33 | |
to carry out works further down the valley | 0:07:33 | 0:07:36 | |
which should alleviate that problem if they come to fruition. | 0:07:36 | 0:07:39 | |
But certainly there is a risk here | 0:07:39 | 0:07:40 | |
and anybody refurbishing this property or indeed, knocking down | 0:07:40 | 0:07:44 | |
and building a new property would have to take that into account. | 0:07:44 | 0:07:47 | |
But it's all doable. | 0:07:47 | 0:07:48 | |
Would this house - guided at £200-250,000 - | 0:07:49 | 0:07:53 | |
be worth all the hassle | 0:07:53 | 0:07:54 | |
that either a full refurbishment or a rebuild would entail? | 0:07:54 | 0:07:58 | |
If this were renovated to a good standard in its | 0:07:59 | 0:08:01 | |
present configuration, | 0:08:01 | 0:08:03 | |
you're looking just a shade under the 400,000 mark. | 0:08:03 | 0:08:06 | |
If you were to knock the building down, | 0:08:06 | 0:08:08 | |
put in a really nice four-bedroom detached property, | 0:08:08 | 0:08:12 | |
very high spec etc, you're certainly looking 600+. | 0:08:12 | 0:08:17 | |
Well, it's certainly a great location | 0:08:18 | 0:08:20 | |
and a lovely part of the world. | 0:08:20 | 0:08:22 | |
However, I don't think the house quite does it justice. | 0:08:22 | 0:08:26 | |
In terms of what to do to it, I'm really not so sure. | 0:08:26 | 0:08:30 | |
Let's hope whoever bought it has some ideas. | 0:08:30 | 0:08:32 | |
Let's find out who that was when it went under the hammer. | 0:08:32 | 0:08:35 | |
135 is the lot number. | 0:08:38 | 0:08:41 | |
Anybody want to start at 225? | 0:08:41 | 0:08:43 | |
220? 210 or 200? | 0:08:43 | 0:08:47 | |
No? OK. | 0:08:47 | 0:08:48 | |
So, it was unsold in the room. | 0:08:49 | 0:08:52 | |
# I need someone | 0:08:52 | 0:08:54 | |
# Someone to love me... # | 0:08:56 | 0:09:00 | |
But it was bought straight after the auction by Adam and Darren | 0:09:00 | 0:09:04 | |
for £204,000. | 0:09:04 | 0:09:07 | |
If you're thinking they are familiar faces on the show, you'd be right. | 0:09:07 | 0:09:11 | |
Remember that wonky house in Paignton back in August 2012? | 0:09:11 | 0:09:16 | |
Well, that was them. | 0:09:16 | 0:09:18 | |
I met them back at the house to find out why they were | 0:09:18 | 0:09:21 | |
so keen on another challenge. | 0:09:21 | 0:09:23 | |
-Adam, Darren, great to see you both again. -Hello. -Hi. | 0:09:23 | 0:09:27 | |
-You're still standing then. -Yeah, just about. -Just about. | 0:09:27 | 0:09:31 | |
So, the last time we met you were embarking on...well, | 0:09:31 | 0:09:34 | |
a challenge, weren't you? | 0:09:34 | 0:09:36 | |
The House Of Horrors, we've come to call it. | 0:09:36 | 0:09:38 | |
We managed to keep the roof and the back wall, fortunately. | 0:09:38 | 0:09:41 | |
-The rest had to be demolished. It was bowing and underpinning. -Right. | 0:09:41 | 0:09:46 | |
-New bedrooms, bathrooms, kitchen. -Kept the roof and the back wall. | 0:09:46 | 0:09:49 | |
Basically, the rest of it so it is a new house. | 0:09:49 | 0:09:51 | |
Let's move on to this place. | 0:09:51 | 0:09:53 | |
Yes. House Of Horrors 2. | 0:09:53 | 0:09:54 | |
THEY LAUGH | 0:09:54 | 0:09:57 | |
-The sequel. -Yeah, the sequel, yeah. | 0:09:57 | 0:09:59 | |
-Pretty much, yeah. -Well, you know, it has a few issues. -It does, yeah. | 0:09:59 | 0:10:04 | |
So, why did you buy them? Was it just the price? | 0:10:04 | 0:10:07 | |
Well, it's the location. | 0:10:07 | 0:10:10 | |
If you can get over the hurdle of the flooding or the floodplain, | 0:10:10 | 0:10:13 | |
it's, you know, fantastic. | 0:10:13 | 0:10:15 | |
OK. Tell me how you're going to get over it. | 0:10:15 | 0:10:17 | |
Well, this house is obviously pretty nasty so we're thinking... | 0:10:17 | 0:10:20 | |
-Our sort of first plan is to flatten it. -Right. | 0:10:20 | 0:10:23 | |
Raise the whole plot and, basically, | 0:10:23 | 0:10:25 | |
build a bigger house further up the plot. | 0:10:25 | 0:10:28 | |
Historically the floodwaters have literally lapped at the edge. | 0:10:28 | 0:10:31 | |
The neighbouring property has been high and dry so we're thinking | 0:10:31 | 0:10:36 | |
if we're a metre or so higher, | 0:10:36 | 0:10:39 | |
then hopefully that will be suffice with the Environment Agency. | 0:10:39 | 0:10:43 | |
You've got the road so you can't move it too far towards the road, can you? | 0:10:43 | 0:10:46 | |
-No, we want to go... -That way. | 0:10:46 | 0:10:49 | |
Take advantage of the garden over there, put the house towards | 0:10:49 | 0:10:53 | |
the back, close to the road but lift it slightly. | 0:10:53 | 0:10:56 | |
And then, obviously, what's left here could then be | 0:10:56 | 0:10:58 | |
more garden and amenity space. | 0:10:58 | 0:11:01 | |
'And planning will be stringent. In particular, | 0:11:01 | 0:11:03 | |
'the Environment Agency have certain criteria that must be met | 0:11:03 | 0:11:07 | |
'for new builds built on or near floodplains. | 0:11:07 | 0:11:10 | |
'Some are just recommendations such as, | 0:11:10 | 0:11:13 | |
'to make the bulk of the living accommodation on the first floor | 0:11:13 | 0:11:16 | |
'and just have garages and utility spaces on the ground floor. | 0:11:16 | 0:11:20 | |
'Others are requirements such as, the height the electrical sockets | 0:11:20 | 0:11:24 | |
'are cited, the type of flooring used and the materials required. | 0:11:24 | 0:11:28 | |
'All of which will be need to be incorporated into any design | 0:11:28 | 0:11:31 | |
'before planning would be approved.' | 0:11:31 | 0:11:33 | |
So what happens now then? What's the next stage? | 0:11:33 | 0:11:37 | |
Well, site clearance and the various surveys that are needed. | 0:11:37 | 0:11:40 | |
Habitat surveys and starting compiling what the planners need | 0:11:40 | 0:11:45 | |
but, most notably, | 0:11:45 | 0:11:46 | |
what they call a site-specific flood risk assessment | 0:11:46 | 0:11:50 | |
which will then dictate what we can and can't do, | 0:11:50 | 0:11:52 | |
and speaking to some architects. | 0:11:52 | 0:11:54 | |
The plus side here, of course, is if you get it right, | 0:11:54 | 0:11:57 | |
you are into telephone numbers in terms of profit, aren't you? | 0:11:57 | 0:12:00 | |
Yeah, we'd hope to get a reasonable return. | 0:12:00 | 0:12:03 | |
Talk me through the numbers. | 0:12:03 | 0:12:05 | |
We're looking at something maybe of 3,000 square feet | 0:12:05 | 0:12:08 | |
and we want to get something that we could possibly sell for pushing 700. | 0:12:08 | 0:12:14 | |
-OK. So build costs on that would be what, about 200-300,000? -About 300. | 0:12:14 | 0:12:20 | |
-Yeah, 300...to do it. -High quality. -Yeah. | 0:12:20 | 0:12:23 | |
-Potentially we could walk away with about 100 each. -Right. -But... | 0:12:23 | 0:12:27 | |
In an ideal world, if we walk away with 50 each, wouldn't complain. | 0:12:27 | 0:12:31 | |
And then the absolute fallback is to take this property | 0:12:31 | 0:12:34 | |
and just simply extend it and do something a bit more modest. | 0:12:34 | 0:12:39 | |
It's not going to happen overnight, this one, is it? | 0:12:39 | 0:12:41 | |
-A good 18 months project, I think. -Well, listen, congratulations. | 0:12:41 | 0:12:45 | |
-Good luck. -Thanks, Martin. -Thanks so much. Cheers. | 0:12:45 | 0:12:49 | |
-And we wait with great anticipation to see how you get on. -Excellent. | 0:12:49 | 0:12:52 | |
-Thanks. -Look forward to it. Cheers. | 0:12:52 | 0:12:53 | |
So, it's House Of Horrors, part two the sequel for Adam and Darren. | 0:12:55 | 0:13:01 | |
They do seem to take them on, don't they? | 0:13:01 | 0:13:04 | |
First it was cracks and subsidence and now it's flooding. | 0:13:04 | 0:13:08 | |
Still...there are big profits to be made | 0:13:09 | 0:13:13 | |
if they can get over the odd hurdle or three. How will they get on? | 0:13:13 | 0:13:19 | |
I can't wait to find out. You can see later in the show. | 0:13:19 | 0:13:23 | |
Regeneration is a real buzz word | 0:13:27 | 0:13:30 | |
when you're deciding where to invest in property. | 0:13:30 | 0:13:33 | |
And there are few areas where this is more applicable than | 0:13:33 | 0:13:36 | |
North London's Tottenham. | 0:13:36 | 0:13:38 | |
Now, ambitious plans are already underway such as a brand-new | 0:13:38 | 0:13:42 | |
football stadium, which will also include a supermarket | 0:13:42 | 0:13:46 | |
and 275 brand-new homes. | 0:13:46 | 0:13:49 | |
However, this is just the tip of the iceberg. | 0:13:49 | 0:13:53 | |
By 2025 the council aim to bring more than 5,000 jobs, | 0:13:54 | 0:14:00 | |
10,000 new homes and nearly | 0:14:00 | 0:14:02 | |
a million square foot of employment space to the area. | 0:14:02 | 0:14:07 | |
If you're after peace and quiet and parking right outside | 0:14:07 | 0:14:10 | |
your front door, this will not be the location for you. | 0:14:10 | 0:14:14 | |
But if you want shops and transport links right on your doorstep, | 0:14:14 | 0:14:18 | |
well, the one-bedroom ground floor flat I'm here to see | 0:14:18 | 0:14:21 | |
could be right up your street. | 0:14:21 | 0:14:24 | |
Now, the guide price was £110,000 | 0:14:24 | 0:14:26 | |
and it's just through this doorway here. | 0:14:26 | 0:14:29 | |
The outside may be a bit dated and humble, | 0:14:35 | 0:14:38 | |
but the communal areas are kept well | 0:14:38 | 0:14:39 | |
and the flat's entrance is a little away from the road noise. | 0:14:39 | 0:14:43 | |
And straight into the flat. | 0:14:44 | 0:14:46 | |
It's not what you'd normally expect, walking into a kitchen | 0:14:46 | 0:14:49 | |
but don't forget, we are in London here and what you see is a really | 0:14:49 | 0:14:54 | |
nice shiny new flat that looks recently decorated. | 0:14:54 | 0:14:58 | |
I mean, look at this, brand-new kitchen. | 0:14:58 | 0:15:01 | |
So what it lacks here is natural daylight and, I suppose, | 0:15:01 | 0:15:05 | |
well, it gives you a little bit back by that up there but it | 0:15:05 | 0:15:08 | |
could've been a little bit bigger. | 0:15:08 | 0:15:10 | |
Off the kitchen you've got a bathroom but again, | 0:15:10 | 0:15:12 | |
all singing and dancing. | 0:15:12 | 0:15:14 | |
Really nice shower, new floor tiles. | 0:15:14 | 0:15:16 | |
Up a little step and you've got a bedroom or a lounge, I suppose, | 0:15:16 | 0:15:20 | |
with a door leading off. | 0:15:20 | 0:15:22 | |
And through into here a bedroom or a lounge. | 0:15:22 | 0:15:24 | |
Now, to improve this what I would do would be to try | 0:15:24 | 0:15:27 | |
and increase the natural daylight. | 0:15:27 | 0:15:29 | |
I'd take this out so you'd get the vision of the lovely window there | 0:15:29 | 0:15:34 | |
and therefore, it would just create a much better feel | 0:15:34 | 0:15:36 | |
walking through that front door. | 0:15:36 | 0:15:38 | |
It would be very inexpensive to do so and it would really add | 0:15:38 | 0:15:42 | |
so much more to this flat. | 0:15:42 | 0:15:43 | |
Now the flowery room would then become your lounge with an open plan | 0:15:45 | 0:15:48 | |
aspect to the kitchen, with next door becoming your bedroom. | 0:15:48 | 0:15:51 | |
But the problem here is, well, when this building was converted | 0:15:53 | 0:15:57 | |
into three flats, the planning permission was never ever granted. | 0:15:57 | 0:16:02 | |
Now, you could apply for retrospective planning | 0:16:02 | 0:16:05 | |
but there is no guarantee you'll get it. | 0:16:05 | 0:16:07 | |
And this is potentially a very big issue that will have an impact | 0:16:07 | 0:16:11 | |
on the value and mortgage ability of this one-bed property. | 0:16:11 | 0:16:16 | |
And for that matter, the flats above it. But it's not all bad news. | 0:16:16 | 0:16:21 | |
Well, a bit of good news. | 0:16:21 | 0:16:22 | |
This little London pad does have outside space, | 0:16:22 | 0:16:24 | |
which is such a bonus. | 0:16:24 | 0:16:27 | |
It doesn't have such an aspirational view. | 0:16:27 | 0:16:30 | |
This concrete wall! | 0:16:30 | 0:16:33 | |
I would start off by putting some nice white paint on that | 0:16:33 | 0:16:36 | |
just to...just to lift it up a little bit. | 0:16:36 | 0:16:38 | |
But you could hang your washing out here, you can get a breath of | 0:16:38 | 0:16:41 | |
fresh air and on a summer's evening, hey, you can step outside. | 0:16:41 | 0:16:45 | |
We called in a local property expert to get the benefits | 0:16:45 | 0:16:48 | |
of his specialist knowledge. | 0:16:48 | 0:16:51 | |
I think it's a great location for the stations. | 0:16:51 | 0:16:53 | |
You've got Bruce Grove on the left | 0:16:53 | 0:16:54 | |
and you've got Tottenham Hill on the right. | 0:16:54 | 0:16:56 | |
But downsides I would say is mainly the noise | 0:16:56 | 0:16:59 | |
cos you're on a busy road and the parking... There's no parking. | 0:16:59 | 0:17:03 | |
So what kind of money could this property, guided at 110 grand, | 0:17:03 | 0:17:07 | |
be worth if you sorted out the planning and refurbished it? | 0:17:07 | 0:17:11 | |
Regards to the sale price, | 0:17:11 | 0:17:12 | |
I believe this flat would achieve round about the £200,000 mark. | 0:17:12 | 0:17:16 | |
And regards to the rental side, I believe that £950 is | 0:17:16 | 0:17:21 | |
achievable per calendar month. | 0:17:21 | 0:17:23 | |
Well, to be or not to be a flat? That is the burning question here. | 0:17:23 | 0:17:29 | |
If you can get retrospective planning, well, | 0:17:29 | 0:17:31 | |
this could be good value for money. | 0:17:31 | 0:17:33 | |
But if not, well, it could be a very tricky investment. | 0:17:33 | 0:17:37 | |
Who was prepared to take on the challenge? | 0:17:37 | 0:17:39 | |
Let's head to auction and find out. | 0:17:39 | 0:17:41 | |
Lot number 50. What shall we say? Is it worth 110 to you? | 0:17:41 | 0:17:48 | |
105. 105 is bid, thank you. | 0:17:48 | 0:17:51 | |
106, do I see? | 0:17:51 | 0:17:53 | |
106, 107, 108, 109, 110, 111. | 0:17:53 | 0:17:58 | |
112? 112. 113, 114, 115, 116, 117, they were first. | 0:17:58 | 0:18:05 | |
118, 119, 120, 121. 122. No? | 0:18:05 | 0:18:11 | |
121, back of the room for the first. | 0:18:11 | 0:18:14 | |
At 121 for the second, | 0:18:14 | 0:18:17 | |
third and final time at £121,000. | 0:18:17 | 0:18:21 | |
That's yours at £121,000. | 0:18:21 | 0:18:24 | |
The top bid came from Annesley, | 0:18:24 | 0:18:26 | |
a former political adviser and Parliamentary candidate. | 0:18:26 | 0:18:30 | |
His bidding campaign got him first past the post | 0:18:33 | 0:18:36 | |
when the hammer fell at £121,000. | 0:18:36 | 0:18:40 | |
Now he has decided on moving from politics to property. | 0:18:40 | 0:18:44 | |
A fun fact about Annesley - as a hobby, he collects TV theme tunes | 0:18:44 | 0:18:49 | |
so brace yourself, we're going to be hearing a lot of those later on. | 0:18:49 | 0:18:54 | |
-Congratulations, Annesley. -Thank you very much. | 0:18:54 | 0:18:56 | |
So what I want to know is, what was | 0:18:56 | 0:18:58 | |
your inspiration behind you wanting to buy this flat in Tottenham? | 0:18:58 | 0:19:00 | |
Tottenham is undergoing a huge amount of regeneration, | 0:19:00 | 0:19:03 | |
especially in light of the 2011 riots, | 0:19:03 | 0:19:06 | |
a lot of money is being pumped into here from the Mayor's budget | 0:19:06 | 0:19:10 | |
and also from the local council so I think it's a good opportunity | 0:19:10 | 0:19:13 | |
to invest in the area which is improving. | 0:19:13 | 0:19:15 | |
And a lot of first-time buyers also investing in this area because | 0:19:15 | 0:19:18 | |
it will grow in desirability and in value. | 0:19:18 | 0:19:22 | |
Do you think in a way that the riots have prompted the changes here? | 0:19:22 | 0:19:24 | |
Because I've known this area for so many years | 0:19:24 | 0:19:27 | |
and it's promised to be on the up, nothing really has happened. | 0:19:27 | 0:19:30 | |
I think it has focused minds and I think it's actually acted | 0:19:30 | 0:19:34 | |
as a catalyst for something to happen sooner rather than later. | 0:19:34 | 0:19:37 | |
A lot of investment has been allocated here, there are big plans | 0:19:37 | 0:19:40 | |
so I think it's actually helped things improve massively. | 0:19:40 | 0:19:44 | |
Why this property? Because I know it comes with a few problems. | 0:19:44 | 0:19:47 | |
Its central location, it's very close to the station. | 0:19:47 | 0:19:50 | |
I like the fact that it's a one-bedroom property | 0:19:50 | 0:19:53 | |
and I like the actual space so I think it does have potential. | 0:19:53 | 0:19:58 | |
But the planning problems, tell me more. | 0:19:58 | 0:20:00 | |
Yeah. So, I discovered when I did my homework that the last time | 0:20:00 | 0:20:06 | |
any sort of planning was applied for in this building was in 1950. | 0:20:06 | 0:20:10 | |
And since then there's been no planning applied for whatsoever | 0:20:10 | 0:20:13 | |
to convert into residential use, and that's something that's going | 0:20:13 | 0:20:17 | |
to have to be addressed in the next few weeks. | 0:20:17 | 0:20:19 | |
Do you think that may pose problems for you? | 0:20:19 | 0:20:22 | |
I mean, do you have a plan B? | 0:20:22 | 0:20:23 | |
I don't really have a plan B because I always assume that plan A | 0:20:23 | 0:20:26 | |
is going to work. | 0:20:26 | 0:20:27 | |
'Well, you can't knock Annesley for his optimism but the last time | 0:20:27 | 0:20:31 | |
'a planning application was entered for this building it was to become | 0:20:31 | 0:20:34 | |
'a children's clothes manufacturers in the '50s. | 0:20:34 | 0:20:37 | |
'And applying for a change of use isn't always easy | 0:20:37 | 0:20:41 | |
'so I'm here with Huey Lewis when he says...' | 0:20:41 | 0:20:44 | |
# Well, it's time for me to face up to reality | 0:20:44 | 0:20:48 | |
# Plan B! # | 0:20:48 | 0:20:50 | |
Yep, always have a plan B. | 0:20:50 | 0:20:52 | |
Also, if it comes to selling, some mortgage lenders won't be keen | 0:20:52 | 0:20:56 | |
on the close proximity of fast food outlets | 0:20:56 | 0:20:58 | |
so this might turn out to be a little former shop of horrors. | 0:20:58 | 0:21:02 | |
So, how much homework did you actually do with this property? | 0:21:04 | 0:21:07 | |
Obviously, it didn't put you off | 0:21:07 | 0:21:08 | |
-finding out there were planning problems. -Yes. | 0:21:08 | 0:21:10 | |
I did a little bit. | 0:21:10 | 0:21:12 | |
Probably not as much as I should've done but I did... | 0:21:12 | 0:21:14 | |
I did as much as I thought I could at the time. | 0:21:14 | 0:21:16 | |
Clearly, with it being a converted commercial premises, it limits the | 0:21:16 | 0:21:21 | |
borrowing capabilities and that is probably why it ended up at auction. | 0:21:21 | 0:21:27 | |
So if we get the planning and if we finish the flat off, | 0:21:27 | 0:21:29 | |
then I think it would certainly have more potential. | 0:21:29 | 0:21:32 | |
So this was the right flat for you. It came up at the right price. | 0:21:32 | 0:21:35 | |
As a first-time project this is the sort of level I was looking at. | 0:21:35 | 0:21:39 | |
So, the kind of size and price I was looking at. | 0:21:39 | 0:21:41 | |
Are there any tweaks you might want to do in here? | 0:21:41 | 0:21:44 | |
-Because it's quite unusual walking straight into the kitchen. -It is. | 0:21:44 | 0:21:48 | |
It is actually quite a large kitchen for the flat and so I may look at... | 0:21:48 | 0:21:52 | |
Actually, I would leave the kitchen as it is, | 0:21:52 | 0:21:54 | |
maybe put a washing machine in there. | 0:21:54 | 0:21:55 | |
The thing for me is, I would like to see the kitchen and lounge | 0:21:55 | 0:21:58 | |
more integrated, become one room. | 0:21:58 | 0:22:01 | |
Yes, at the moment it's a bit disjointed | 0:22:01 | 0:22:03 | |
and layout is a bit awkward | 0:22:03 | 0:22:04 | |
and I think that's another thing that may put some people off | 0:22:04 | 0:22:07 | |
but those are things that can be rectified fairly easily. | 0:22:07 | 0:22:10 | |
I gather that the walls are not supporting | 0:22:10 | 0:22:13 | |
so they should be able to be adjusted fairly easily. | 0:22:13 | 0:22:17 | |
I mean, how about changing some of the rooms over? That could be | 0:22:17 | 0:22:20 | |
the lounge, that could be the bedroom, swap them around, | 0:22:20 | 0:22:22 | |
open up this wall here to let the natural light flow through. | 0:22:22 | 0:22:25 | |
Yes, that is something I also thought about. | 0:22:25 | 0:22:28 | |
'You know, I actually believe Annesley. | 0:22:28 | 0:22:30 | |
'Maybe he's more cut out for property development than politics! | 0:22:30 | 0:22:34 | |
Ooh, and do you know, Adele comes from Tottenham? | 0:22:35 | 0:22:38 | |
Just thought I'd mention it. | 0:22:38 | 0:22:40 | |
# Rumour has it | 0:22:40 | 0:22:41 | |
# Rumour | 0:22:41 | 0:22:42 | |
-# Rumour has it -Rumour | 0:22:42 | 0:22:44 | |
# Rumour has it. # | 0:22:44 | 0:22:45 | |
-Now, I know you have a political background. -Mm-hm. | 0:22:47 | 0:22:50 | |
Tell me about that and why you've decided to tiptoe into property. | 0:22:50 | 0:22:53 | |
OK. So, I worked as a political adviser, | 0:22:53 | 0:22:55 | |
I stood as a candidate myself for Parliament | 0:22:55 | 0:22:57 | |
and I was involved in politics for a very long time. | 0:22:57 | 0:23:01 | |
I thought it time to take a break from that | 0:23:01 | 0:23:03 | |
and do something for myself. | 0:23:03 | 0:23:05 | |
And the great thing about this avenue is that I can | 0:23:05 | 0:23:09 | |
manage my own time, I've got the flexibility | 0:23:09 | 0:23:12 | |
and I can still do my charitable projects that I'm involved in. | 0:23:12 | 0:23:15 | |
And I'd love to make a success of this and do it for a few years | 0:23:15 | 0:23:19 | |
and maybe come back to politics in the future. | 0:23:19 | 0:23:21 | |
So now you have it. What is your aim? | 0:23:21 | 0:23:24 | |
My aim is to finish it off, possibly change the layout, get the planning | 0:23:24 | 0:23:29 | |
and then make a decision whether to sell it on or rent it out. | 0:23:29 | 0:23:32 | |
What are you going to be like if you do have to roll your sleeves up | 0:23:32 | 0:23:35 | |
and slap some paint on the walls and actually get your hands dirty? | 0:23:35 | 0:23:38 | |
I'm no good at that at all. I'm no good at that, no. | 0:23:38 | 0:23:40 | |
-I thought you might have said that! -That's right. | 0:23:40 | 0:23:42 | |
I can't even draw a straight line so that's not going to happen. | 0:23:42 | 0:23:45 | |
I rely on reliable tradesman. | 0:23:45 | 0:23:48 | |
So your background in politics | 0:23:48 | 0:23:49 | |
did not teach you how to draw in a straight line and paint walls. | 0:23:49 | 0:23:52 | |
No. Definitely not, no. | 0:23:52 | 0:23:54 | |
So may I ask your budget? | 0:23:54 | 0:23:55 | |
How much have you got to spend on this property? | 0:23:55 | 0:23:58 | |
I think including the planning application, | 0:23:58 | 0:24:00 | |
-I'd be looking at between £2-4,000. -Which is fantastic! | 0:24:00 | 0:24:03 | |
It's very, very rare I ever meet | 0:24:03 | 0:24:05 | |
anybody that says between 2 and £4,000. | 0:24:05 | 0:24:08 | |
I can imagine, yes. | 0:24:08 | 0:24:09 | |
There's not a huge amount that needs doing here. | 0:24:09 | 0:24:11 | |
The main cost, actually, will be the administrative side, the planning. | 0:24:11 | 0:24:15 | |
In terms of the physical property, there isn't a huge amount | 0:24:15 | 0:24:18 | |
to be spent here. | 0:24:18 | 0:24:19 | |
So, what's your timescale for this? | 0:24:19 | 0:24:23 | |
The planning is somewhat in the hands of the council | 0:24:23 | 0:24:26 | |
and so the timing is slightly unpredictable | 0:24:26 | 0:24:29 | |
but I would've thought 6-12 weeks. | 0:24:29 | 0:24:32 | |
-Good luck with the outcome. -Thank you. -I hope it all works out. | 0:24:32 | 0:24:34 | |
-Lovely to meet you today. -Lovely to meet you, thank you. | 0:24:34 | 0:24:37 | |
So, Annesley has just started property developing and, well, | 0:24:38 | 0:24:41 | |
he's taken on a bit of a risky first project. | 0:24:41 | 0:24:44 | |
I just hope that planning permission | 0:24:44 | 0:24:46 | |
doesn't prove too much of an obstacle for him. | 0:24:46 | 0:24:49 | |
You can join me later on in the programme to find how he gets on. | 0:24:49 | 0:24:53 | |
DION: Coming up, I might be a little light on information | 0:24:54 | 0:24:57 | |
in Alvaston, Derby. | 0:24:57 | 0:24:58 | |
I can't really tell you any more than that without going inside | 0:24:58 | 0:25:02 | |
and I'm not doing that. | 0:25:02 | 0:25:04 | |
And when is a flat not a flat? | 0:25:06 | 0:25:08 | |
Annesley's having problems in Tottenham, London. | 0:25:08 | 0:25:12 | |
It was advised that we hold fire for the moment. | 0:25:12 | 0:25:15 | |
Back now to the picturesque Devonshire countryside | 0:25:17 | 0:25:20 | |
and the village of Otterton where I visited this three-bedroom house | 0:25:20 | 0:25:24 | |
with views that did not disappoint. | 0:25:24 | 0:25:27 | |
Unfortunately though, the good news ended there. | 0:25:27 | 0:25:30 | |
It needs sorting out and this whole place has just that feel | 0:25:30 | 0:25:34 | |
of needing a bit of...yeah, tender loving care. | 0:25:34 | 0:25:37 | |
Spacious but definitely downtrodden, | 0:25:37 | 0:25:39 | |
this house was also suffering quite seriously from damp | 0:25:39 | 0:25:42 | |
which leads me onto the next topic for discussion. | 0:25:42 | 0:25:46 | |
That view looks out across a floodplain and, in fact, | 0:25:46 | 0:25:49 | |
this whole property is in that floodplain. | 0:25:49 | 0:25:53 | |
So there is a one in 100 chance every year that you'll get | 0:25:53 | 0:25:57 | |
a little bit closer to the waterfront than you would like. | 0:25:57 | 0:26:01 | |
# Go look at the weather | 0:26:02 | 0:26:04 | |
# I believe there's going to be a flood. # | 0:26:06 | 0:26:10 | |
That was very worrying indeed. | 0:26:10 | 0:26:13 | |
But it didn't deter Adam and Darren who have a little bit of experience | 0:26:13 | 0:26:17 | |
with nightmare properties, | 0:26:17 | 0:26:18 | |
having been on the show before with a troubled house in Paignton. | 0:26:18 | 0:26:22 | |
They paid £204,000 for this one | 0:26:22 | 0:26:24 | |
and had a simple solution for this property's woes. | 0:26:24 | 0:26:28 | |
-Our sort of first plan is to flatten it. -Right. | 0:26:28 | 0:26:31 | |
Raise the whole plot | 0:26:31 | 0:26:32 | |
and basically build a bigger house further up the plot. | 0:26:32 | 0:26:35 | |
Having done their local research, they found that the floodwaters | 0:26:35 | 0:26:38 | |
had in the past come as close as lapping at the back door. | 0:26:38 | 0:26:42 | |
So, moving over into the spacious garden and lifting it slightly, | 0:26:42 | 0:26:47 | |
would make the new house much more secure for years to come. | 0:26:47 | 0:26:50 | |
They plan to do it with a budget of £300,000 and in 18 months. | 0:26:50 | 0:26:56 | |
So how did they get on? We returned over 2.5 years later to find out. | 0:26:56 | 0:27:01 | |
# I like the way you move | 0:27:01 | 0:27:04 | |
# I like the way you move... # | 0:27:09 | 0:27:12 | |
Wow! | 0:27:12 | 0:27:13 | |
The old house has been flattened and by moving the site as promised | 0:27:13 | 0:27:17 | |
there is now a fabulous four-bedroom, | 0:27:17 | 0:27:20 | |
and hopefully, future-proofed house. | 0:27:20 | 0:27:23 | |
This house optimises modern living, | 0:27:23 | 0:27:25 | |
with a spacious open plan kitchen and diner. | 0:27:25 | 0:27:29 | |
With floor-to-ceiling windows, the inside space flows out onto | 0:27:29 | 0:27:33 | |
the solid oak decking, complete with hot hub, | 0:27:33 | 0:27:37 | |
and truly makes the most of the spectacular country views. | 0:27:37 | 0:27:40 | |
While water in your hot tub might be welcome, the water table | 0:27:41 | 0:27:45 | |
with this site was a real issue, so how did that pan out? | 0:27:45 | 0:27:49 | |
Yeah. We worked with the Environment Agency | 0:27:49 | 0:27:52 | |
and various different planning consultants | 0:27:52 | 0:27:54 | |
and what we did in the end, we arranged for the house to be | 0:27:54 | 0:27:56 | |
knocked down, moved further up the garden and it's 600mm higher | 0:27:56 | 0:28:01 | |
than the original finished floor level of the original house. | 0:28:01 | 0:28:04 | |
So, we're pretty much covered for any flooding. | 0:28:04 | 0:28:07 | |
# Oh, you got the feeling that I want to feel. # | 0:28:07 | 0:28:12 | |
DANCE MUSIC BUILDS TEMPO | 0:28:16 | 0:28:20 | |
This house has been finished to the highest spec, | 0:28:24 | 0:28:27 | |
from the integrated appliances in the kitchen to the heating system | 0:28:27 | 0:28:30 | |
which can be controlled by phone or tablet. | 0:28:30 | 0:28:33 | |
Next door is the first of four bedrooms complete with an en suite | 0:28:35 | 0:28:39 | |
and is, again, finished to the highest possible standard. | 0:28:39 | 0:28:42 | |
To the left of that there is a small office. | 0:28:42 | 0:28:45 | |
# You give me that feeling, you give me that feeling... # | 0:28:45 | 0:28:49 | |
Heading upstairs to the additional three bedrooms, | 0:28:49 | 0:28:52 | |
the master one here being the largest of the three with | 0:28:52 | 0:28:55 | |
a balcony overlooking the garden | 0:28:55 | 0:28:56 | |
and, again, that priceless rural landscape. | 0:28:56 | 0:29:00 | |
Aside from the luxury stand-alone bath, there's also an en suite | 0:29:00 | 0:29:04 | |
fitted with contemporary stainless steel fittings. | 0:29:04 | 0:29:07 | |
Next door is the third bedroom - a bit smaller than the master | 0:29:10 | 0:29:15 | |
but with those huge windows, it's again, all about the view. | 0:29:15 | 0:29:18 | |
Along the hallway is the last bedroom | 0:29:19 | 0:29:22 | |
and the smallest of the four but perfect for the kids. | 0:29:22 | 0:29:25 | |
# Real, real love... | 0:29:25 | 0:29:28 | |
The final room up here is the master bathroom. | 0:29:28 | 0:29:31 | |
Its light contemporary finish | 0:29:31 | 0:29:33 | |
is fitting for this breathtaking family home. | 0:29:33 | 0:29:37 | |
The big surprise is that this beautiful house isn't | 0:29:37 | 0:29:40 | |
a development project after all. | 0:29:40 | 0:29:43 | |
Darren stepped aside | 0:29:43 | 0:29:44 | |
when Adam decided he wanted to build it for himself and live in. | 0:29:44 | 0:29:48 | |
He has designed it quite beautifully to his own specifications. | 0:29:48 | 0:29:52 | |
However, getting to this stage has had its frustrations. | 0:29:52 | 0:29:57 | |
Yeah, the planning process was actually quite difficult. | 0:29:57 | 0:29:59 | |
There were problems with it being | 0:29:59 | 0:30:01 | |
an area of outstanding beauty and a conservation area. | 0:30:01 | 0:30:04 | |
The local authority didn't really want us to put anything too big here | 0:30:04 | 0:30:08 | |
so it did take a fair bit of time and wrangling backwards and forwards | 0:30:08 | 0:30:11 | |
in design and so on but in the end | 0:30:11 | 0:30:13 | |
I got pretty much what I was looking for. | 0:30:13 | 0:30:15 | |
An Area of Outstanding Natural Beauty designation means that there | 0:30:15 | 0:30:20 | |
are conservation rules due to its significant landscape value. | 0:30:20 | 0:30:25 | |
There are nearly 50 such areas across Britain | 0:30:25 | 0:30:28 | |
so you have to bear in mind that there could be complex | 0:30:28 | 0:30:31 | |
planning issues similar to those in national parks. | 0:30:31 | 0:30:35 | |
You have a lovely place to live in but it takes a lot of rules | 0:30:35 | 0:30:38 | |
to keep it lovely. | 0:30:38 | 0:30:40 | |
That planning process did cost time. | 0:30:40 | 0:30:42 | |
In fact, Adam couldn't get started on this project for nine months | 0:30:42 | 0:30:46 | |
while designs were being scrutinised by the planners | 0:30:46 | 0:30:49 | |
so I am guessing he didn't stick to that 18-month timescale. | 0:30:49 | 0:30:53 | |
Build time now has been about 14-16 months from when we | 0:30:53 | 0:30:56 | |
actually got planning so... | 0:30:56 | 0:30:58 | |
..a bit longer than I'd like. | 0:30:59 | 0:31:01 | |
So, with planning, that took this project almost 2.5 years to complete | 0:31:02 | 0:31:07 | |
but it's clear that Adam wanted to get it right | 0:31:07 | 0:31:09 | |
and, with the help of his builders, I'd say he did an excellent job | 0:31:09 | 0:31:14 | |
and to an incredibly high standard. | 0:31:14 | 0:31:16 | |
but that high spec must have come at a high price. | 0:31:16 | 0:31:19 | |
Yeah, originally when it first came out we sort of put a figure | 0:31:20 | 0:31:23 | |
thinking about 300,000, with the plot for 200,000, | 0:31:23 | 0:31:26 | |
and potentially sell for 650, 700. | 0:31:26 | 0:31:29 | |
It's actually worked out, I've nearly spent about 440 on the build. | 0:31:29 | 0:31:34 | |
Quite a bit more than I thought I'd spend but we'll see what it's worth. | 0:31:34 | 0:31:37 | |
I think there's a little bit of profit in it. | 0:31:37 | 0:31:39 | |
But it might just be a little, as he said, because that takes | 0:31:39 | 0:31:42 | |
Adam's total spend on this project to around £640,000. | 0:31:42 | 0:31:47 | |
So, we invited along two local estate agents to find out | 0:31:50 | 0:31:55 | |
if Adam's luxury home could turn a profit or end up being | 0:31:55 | 0:31:59 | |
a very expensive labour of love. | 0:31:59 | 0:32:01 | |
Well, this is the first time I've been here and I have to say | 0:32:02 | 0:32:05 | |
it's an absolutely fabulous property. | 0:32:05 | 0:32:08 | |
The layout is absolutely amazing in this property. | 0:32:08 | 0:32:13 | |
It's very bright, it's spacious, it's open | 0:32:13 | 0:32:16 | |
and it's all featured around the views, in particular | 0:32:16 | 0:32:20 | |
cos you've got the Otter Valley there which virtually every window | 0:32:20 | 0:32:24 | |
you look out of you can see straight down through. | 0:32:24 | 0:32:26 | |
My initial impression of the property is it's quite outstanding. | 0:32:26 | 0:32:30 | |
The design is very interesting | 0:32:30 | 0:32:33 | |
but the owner has driven it to a different level with | 0:32:33 | 0:32:36 | |
the quality of fixtures and fittings which I have to say, | 0:32:36 | 0:32:40 | |
it's many years since I've seen a property of this quality. | 0:32:40 | 0:32:43 | |
It's outstanding. | 0:32:43 | 0:32:44 | |
Regarding the flooding issue here, the owner has given that | 0:32:44 | 0:32:47 | |
great thought and I would imagine that it's well protected now. | 0:32:47 | 0:32:51 | |
Although in some people's mind that might be a little bit of concern, | 0:32:51 | 0:32:54 | |
but I think the current owner, | 0:32:54 | 0:32:56 | |
what he's done here will allay peoples fears. | 0:32:56 | 0:32:59 | |
All very positive indeed so let's get those values and see | 0:32:59 | 0:33:03 | |
if Adams luxury home will come with a luxury price tag. | 0:33:03 | 0:33:06 | |
I would expect it to achieve somewhere in the region of £850,000. | 0:33:07 | 0:33:13 | |
We would suggest a guide price of £900,000. | 0:33:13 | 0:33:19 | |
Um, yeah, I thought about sort of 900 maybe. | 0:33:19 | 0:33:22 | |
875, 900 so, yeah, I'm pretty happy with that. | 0:33:22 | 0:33:25 | |
I'd be pretty happy too as that's | 0:33:25 | 0:33:27 | |
a whopping potential pre-tax profit of £256,000. | 0:33:27 | 0:33:33 | |
But Adam plans to hold onto it for now and I can't blame him really. | 0:33:33 | 0:33:37 | |
Derby has many things to be proud of. | 0:33:44 | 0:33:46 | |
It was a major player in the Industrial Revolution. | 0:33:46 | 0:33:49 | |
And it's still an engineering powerhouse today. | 0:33:52 | 0:33:56 | |
Manufacturers like Rolls-Royce and Toyota help this city produce | 0:33:56 | 0:34:00 | |
a vast amount of cars every year. | 0:34:00 | 0:34:03 | |
Just south of the city centre is the suburb of Alvaston. | 0:34:03 | 0:34:07 | |
With great commuter links to the city, | 0:34:07 | 0:34:09 | |
it's always been a popular residential area. | 0:34:09 | 0:34:12 | |
The property I'm here to see | 0:34:12 | 0:34:13 | |
isn't your usual Homes Under The Hammer lot. | 0:34:13 | 0:34:17 | |
It's this old commercial unit, and as you can see, | 0:34:17 | 0:34:20 | |
it hasn't been loved for some time. | 0:34:20 | 0:34:23 | |
That's probably why it's got a guide price of just £15,000. | 0:34:23 | 0:34:28 | |
I'm going to take a look inside. | 0:34:28 | 0:34:29 | |
OK. | 0:34:33 | 0:34:35 | |
Ah. | 0:34:35 | 0:34:36 | |
From... | 0:34:36 | 0:34:37 | |
From what I can see, I don't really want to be going any further. | 0:34:37 | 0:34:41 | |
The ceiling is coming in. There's holes in the floorboards. | 0:34:41 | 0:34:47 | |
But what I can see from my safe position | 0:34:47 | 0:34:49 | |
is a nice big space just there. | 0:34:49 | 0:34:52 | |
There is a room to the side as well, | 0:34:52 | 0:34:55 | |
and if I lean in, I can see there's a room towards the back as well. | 0:34:55 | 0:34:58 | |
But I can't really tell you any more than that | 0:34:58 | 0:35:01 | |
without going inside, and I'm not doing that. | 0:35:01 | 0:35:04 | |
Before filming, some local residents | 0:35:06 | 0:35:08 | |
told us that this may have been the local co-op | 0:35:08 | 0:35:11 | |
and has probably been empty for the last 20 years. | 0:35:11 | 0:35:14 | |
I can't say for sure | 0:35:16 | 0:35:17 | |
if this building is still classified as a shop, | 0:35:17 | 0:35:20 | |
but what I can tell you is... I'm not going inside. | 0:35:20 | 0:35:25 | |
# Standing on the outside | 0:35:25 | 0:35:29 | |
# Looking in... # | 0:35:29 | 0:35:31 | |
What I can tell you is if you wanted it to be a shop, | 0:35:31 | 0:35:33 | |
that's classed as A1. | 0:35:33 | 0:35:35 | |
If you wanted it to be a restaurant or a cafe, | 0:35:35 | 0:35:37 | |
that's classed as A3. | 0:35:37 | 0:35:39 | |
Or a residential property, that's classed as C3. | 0:35:39 | 0:35:43 | |
The list just goes on and on. | 0:35:43 | 0:35:45 | |
What I would suggest is find out | 0:35:45 | 0:35:47 | |
what you want to use this property for, | 0:35:47 | 0:35:49 | |
get your application in and hope for the best. | 0:35:49 | 0:35:52 | |
That's about it for this property. | 0:35:53 | 0:35:55 | |
There's really not much more to say. | 0:35:55 | 0:35:57 | |
Perhaps the auctioneer who sold this property | 0:35:59 | 0:36:01 | |
has that little bit more to add. | 0:36:01 | 0:36:04 | |
It's not a busy trading area, | 0:36:04 | 0:36:07 | |
so my guess is that unless it was a specific trade | 0:36:07 | 0:36:10 | |
that people would find you for, it's not going to do very well. | 0:36:10 | 0:36:15 | |
I think more likely it's going to be the subject | 0:36:15 | 0:36:17 | |
of a planning application to turn it into residential accommodation. | 0:36:17 | 0:36:21 | |
So, if this was your property, what would you do with it? | 0:36:23 | 0:36:27 | |
I think my only purpose would be | 0:36:27 | 0:36:29 | |
to go down the planning application route, | 0:36:29 | 0:36:31 | |
get residential change of use | 0:36:31 | 0:36:33 | |
and make it into a one or two-bedroom apartment. | 0:36:33 | 0:36:37 | |
And what sort of value might these options generate? | 0:36:37 | 0:36:40 | |
So, if it became a one-bedroom flat, | 0:36:40 | 0:36:42 | |
it would have a rental value of probably £375 a calendar month. | 0:36:42 | 0:36:48 | |
Against that income, | 0:36:48 | 0:36:49 | |
it would have a market value of around £40,000 to £45,000. | 0:36:49 | 0:36:55 | |
If it became a two-bedroom flat, | 0:36:55 | 0:36:57 | |
then you would have a monthly rental of something | 0:36:57 | 0:37:00 | |
in the order of £400, £420 maybe, | 0:37:00 | 0:37:04 | |
and it would have a market value of about £50,000. | 0:37:04 | 0:37:07 | |
Having seen the inside of the property, | 0:37:08 | 0:37:10 | |
there's a whole load of work that needs to be done - | 0:37:10 | 0:37:12 | |
and that's just to get it safe. | 0:37:12 | 0:37:14 | |
With that guide price of £15,000, | 0:37:14 | 0:37:16 | |
you probably thought, "It's too good to be true." | 0:37:16 | 0:37:19 | |
I think it just might be, in this case. | 0:37:19 | 0:37:21 | |
Let's see who was up for the challenge | 0:37:21 | 0:37:23 | |
when it went under the hammer. | 0:37:23 | 0:37:24 | |
Lot number eight. | 0:37:27 | 0:37:28 | |
It's a single-storey retail unit with potential. | 0:37:28 | 0:37:32 | |
Well, the potential to un-board it, for starters. | 0:37:32 | 0:37:34 | |
Guide is £15,000. Start me at that. 15. Who's got 14? | 0:37:34 | 0:37:39 | |
14,000. Bid me 12 to move it on. Thank you. | 0:37:39 | 0:37:43 | |
£12,000 I have as an opening bid. We'll go up in 500s. | 0:37:43 | 0:37:46 | |
At £12,000 | 0:37:46 | 0:37:48 | |
Despite the initial reluctance of the public to get involved, | 0:37:48 | 0:37:50 | |
this lot increased in value rapidly | 0:37:50 | 0:37:53 | |
and we rejoin the auction with the price at £30,000. | 0:37:53 | 0:37:57 | |
30,000. Is that it? | 0:37:57 | 0:37:59 | |
Can't tempt you with one more five? At £30,000, we're selling. | 0:38:00 | 0:38:05 | |
For the first time at 30. Second time at 30. | 0:38:05 | 0:38:09 | |
500. I thought you might. 31. | 0:38:09 | 0:38:12 | |
31.5. | 0:38:12 | 0:38:15 | |
32. | 0:38:15 | 0:38:16 | |
Is that a definite? £32,000 once, twice. Third chance. | 0:38:18 | 0:38:24 | |
Sold at 32,000. Thank you. | 0:38:24 | 0:38:26 | |
It was Jas who successfully bid on the property | 0:38:28 | 0:38:31 | |
on behalf of his son, Hardy. | 0:38:31 | 0:38:34 | |
I met up with Hardy for a chat on the pavement | 0:38:34 | 0:38:37 | |
to find out what his plans were. | 0:38:37 | 0:38:39 | |
-Hardy, nice to meet you, sir. -Nice to meet you. | 0:38:40 | 0:38:42 | |
-Congratulations. -Thank you. | 0:38:42 | 0:38:43 | |
We don't often do our interviews outside, | 0:38:43 | 0:38:45 | |
but it seems to be a little bit dangerous in there. | 0:38:45 | 0:38:48 | |
-You haven't started work as yet, so we're a bit safer out here. -Yeah. | 0:38:48 | 0:38:52 | |
Who found it? Did you find it or...? | 0:38:52 | 0:38:53 | |
No, my dad actually found it when he went to the auction. | 0:38:53 | 0:38:55 | |
He went to the auction to see it cos it had a low guide price. | 0:38:55 | 0:38:58 | |
It had a guide price of £15,000, which is incredibly low, isn't it? | 0:38:58 | 0:39:02 | |
-Yeah. -But your dad paid a bit more. -Yeah. | 0:39:02 | 0:39:05 | |
-He ended up paying just over double. -He did. | 0:39:05 | 0:39:07 | |
I still think it was a reasonable price he paid for it | 0:39:07 | 0:39:10 | |
cos there's still quite a lot we can do with it. | 0:39:10 | 0:39:12 | |
So, did you say to your dad, "Dad, I'm looking for a property. | 0:39:12 | 0:39:15 | |
"Would you go and get me one?" Or how did it work out? | 0:39:15 | 0:39:17 | |
Well, it's my first property venture, | 0:39:17 | 0:39:19 | |
and I've gone into partnership with him, | 0:39:19 | 0:39:21 | |
so he's always been property developing for a while now, | 0:39:21 | 0:39:24 | |
so it's just my first venture with him. | 0:39:24 | 0:39:26 | |
-Has he been successful, your dad, in the property world? -Yeah. | 0:39:26 | 0:39:29 | |
-It's been 15 years since he's been buying properties. -Really? -Yeah. | 0:39:29 | 0:39:32 | |
-He knows his stuff then. -Yeah, yeah. | 0:39:32 | 0:39:34 | |
# Stand by me | 0:39:34 | 0:39:36 | |
# Oh, stand by me | 0:39:36 | 0:39:41 | |
# Whoa, stand now | 0:39:41 | 0:39:44 | |
# Stand by me | 0:39:44 | 0:39:46 | |
# Stand by me... # | 0:39:46 | 0:39:48 | |
With Dad's experience to call on, | 0:39:50 | 0:39:52 | |
this first venture into the property developing world | 0:39:52 | 0:39:55 | |
shouldn't be too daunting for Hardy. | 0:39:55 | 0:39:57 | |
What exactly is his plan? | 0:39:57 | 0:40:00 | |
The initial plan we had is to turn it into a two-bedroom flat | 0:40:00 | 0:40:04 | |
and then see if whether we could sell it on. | 0:40:04 | 0:40:07 | |
-Uh-huh. -Make a decent profit on it. | 0:40:07 | 0:40:09 | |
Or the second option is still make it into a two-bedroom flat | 0:40:09 | 0:40:12 | |
but then rent it out. | 0:40:12 | 0:40:14 | |
Do you know what usage is in place? | 0:40:14 | 0:40:16 | |
Is it residential usage or is it commercial usage? | 0:40:16 | 0:40:18 | |
-We're not too sure at the moment. -Not too sure. -Yeah. | 0:40:18 | 0:40:21 | |
We're not sure what it was used for. | 0:40:21 | 0:40:22 | |
-HE LAUGHS -So... | 0:40:22 | 0:40:24 | |
The council traced it back to 1970 | 0:40:24 | 0:40:26 | |
and they still don't know what it was used for. | 0:40:26 | 0:40:28 | |
So, Hardy, who's going to do all the work? | 0:40:28 | 0:40:30 | |
Cos they've got some work to do in there. | 0:40:30 | 0:40:32 | |
We've got a team of people who can do the work for us, | 0:40:32 | 0:40:34 | |
and we've got good men on our side, | 0:40:34 | 0:40:37 | |
so they can probably get everything done. | 0:40:37 | 0:40:39 | |
-So, what do you do as a job? -I work in IT, logistics company. | 0:40:39 | 0:40:43 | |
Monday to Friday, I'm usually there. | 0:40:43 | 0:40:44 | |
Then weekends I'm free, | 0:40:44 | 0:40:46 | |
so this will probably be a weekend venture for me. | 0:40:46 | 0:40:48 | |
And what's your budget on sort of getting it from what it is now | 0:40:48 | 0:40:51 | |
to what you want it to be? | 0:40:51 | 0:40:53 | |
-I've got a budget of around 7,000 to get it completed. -OK. | 0:40:53 | 0:40:56 | |
Are you thinking what I'm thinking? | 0:40:58 | 0:41:00 | |
Seven grand isn't much to turn this place around. | 0:41:00 | 0:41:03 | |
Apart from the usual kitchen and bathroom purchases, | 0:41:03 | 0:41:06 | |
this one is going to need walls, | 0:41:06 | 0:41:08 | |
floors, ceilings, electrics - the lot. | 0:41:08 | 0:41:12 | |
And if he overspends, | 0:41:12 | 0:41:14 | |
then that potential profit is as much at risk as the building. | 0:41:14 | 0:41:18 | |
If you don't get permission to change it to residential, | 0:41:21 | 0:41:25 | |
would you consider keeping it as a commercial unit? | 0:41:25 | 0:41:27 | |
Yeah, definitely. | 0:41:27 | 0:41:28 | |
If we could keep it as a commercial property, we'd possibly rent it out. | 0:41:28 | 0:41:31 | |
Then there's still always the possibility of selling it | 0:41:31 | 0:41:34 | |
as a commercial as well. | 0:41:34 | 0:41:35 | |
Dad Jas is a shopkeeper as well as a property developer, | 0:41:37 | 0:41:40 | |
so I'm sure he'll have some good ideas if this place | 0:41:40 | 0:41:43 | |
doesn't get change of use and has to stay as a commercial unit. | 0:41:43 | 0:41:47 | |
But these guys are making it up as they go along. | 0:41:47 | 0:41:51 | |
Just a bit, because... | 0:41:51 | 0:41:53 | |
-The first time you've seen it was... -Well, today. -Just now, wasn't it? | 0:41:53 | 0:41:56 | |
Just now, basically, when we opened the doors. | 0:41:56 | 0:41:59 | |
And what are your thoughts? | 0:41:59 | 0:42:00 | |
Quite rough...to what I expected. | 0:42:00 | 0:42:02 | |
We didn't expect it to be like this, but, well, | 0:42:02 | 0:42:05 | |
we did buy it closed, and there was no viewings, nothing. | 0:42:05 | 0:42:07 | |
We just bought it straight from the auction, | 0:42:07 | 0:42:09 | |
so we didn't know what to expect. | 0:42:09 | 0:42:11 | |
So, Hardy, we're going to start the work this week. | 0:42:11 | 0:42:13 | |
What are the builders going to do? | 0:42:13 | 0:42:15 | |
Well, first of all, we're going to try and get it all secured | 0:42:15 | 0:42:18 | |
and safe for people to come in and actually work on it, | 0:42:18 | 0:42:22 | |
so probably concentrate on the roof and the flooring, get it all secure. | 0:42:22 | 0:42:26 | |
Make sure there's no problems, go on as we carry on | 0:42:26 | 0:42:29 | |
with the rest of the work. | 0:42:29 | 0:42:30 | |
-That's the main thing at the start. -Sounds like the right thing. | 0:42:30 | 0:42:33 | |
Prioritise safety, as always. | 0:42:33 | 0:42:35 | |
-Don't want accidents. -Yeah, that's it. | 0:42:35 | 0:42:38 | |
-Hardy, good luck. I wish you all the best. -Yep. Thank you. | 0:42:38 | 0:42:41 | |
I think Hardy got a bit of a surprise | 0:42:41 | 0:42:43 | |
when he saw for the first time what his dad bought at auction. | 0:42:43 | 0:42:46 | |
And they've definitely got the right idea. | 0:42:46 | 0:42:48 | |
Let's get this place safe before anybody steps foot inside. | 0:42:48 | 0:42:52 | |
Will it be commercial or will it be residential? | 0:42:52 | 0:42:54 | |
You can find out later in the programme which way they went. | 0:42:54 | 0:42:57 | |
Well, we've seen what's happened to one of our properties. | 0:43:01 | 0:43:03 | |
What about the other two? | 0:43:03 | 0:43:05 | |
Have they been bogged down by problems | 0:43:05 | 0:43:07 | |
or has it been a walk in the park? | 0:43:07 | 0:43:08 | |
Well, I'm keen to find out. | 0:43:08 | 0:43:10 | |
Back now to North London - Tottenham to be precise - | 0:43:11 | 0:43:14 | |
where earlier I looked around this one-bedroom ground-floor flat, | 0:43:14 | 0:43:18 | |
bought for £121,000. | 0:43:18 | 0:43:20 | |
At first sight, a bargain. But... | 0:43:20 | 0:43:24 | |
When this building was converted into three flats, | 0:43:24 | 0:43:27 | |
the planning permission was never, ever granted. | 0:43:27 | 0:43:31 | |
Now, you could apply for retrospective planning, | 0:43:31 | 0:43:34 | |
but there is no guarantee you'll get it | 0:43:34 | 0:43:36 | |
and this is potentially a very big issue | 0:43:36 | 0:43:39 | |
that will have an impact on the value and mortgageability | 0:43:39 | 0:43:42 | |
of this one-bed property. | 0:43:42 | 0:43:44 | |
MUSIC: Blockbusters theme tune | 0:43:44 | 0:43:46 | |
Undeterred was Annesley, | 0:43:46 | 0:43:47 | |
who having swapped politics for property | 0:43:47 | 0:43:49 | |
paid £121,000 for this lot, with the intention of selling on. | 0:43:49 | 0:43:54 | |
In his spare time, he liked to collect TV theme tunes, | 0:43:54 | 0:43:58 | |
and had about 100 in his collection - | 0:43:58 | 0:44:01 | |
often sourced from the original composer. | 0:44:01 | 0:44:04 | |
But I wanted to test him on one specialist subject. | 0:44:04 | 0:44:09 | |
The planning problems, tell me more. | 0:44:09 | 0:44:11 | |
Yeah, so, I discovered the last time any sort of planning was applied for | 0:44:11 | 0:44:16 | |
in this building was in 1950, | 0:44:16 | 0:44:18 | |
and since then there's been no planning applied for whatsoever | 0:44:18 | 0:44:21 | |
to convert into residential use and that's something | 0:44:21 | 0:44:24 | |
that's going to have to be addressed in the next few weeks. | 0:44:24 | 0:44:26 | |
Do you have a plan B? | 0:44:26 | 0:44:28 | |
I don't really have a plan B | 0:44:28 | 0:44:29 | |
because I always assume that plan A is going to work. | 0:44:29 | 0:44:31 | |
Always risky, Annesley. | 0:44:31 | 0:44:34 | |
His plan A was estimated to take six to 12 weeks, | 0:44:34 | 0:44:37 | |
planning dependent, with a budget of £2,000 to £4,000. | 0:44:37 | 0:44:42 | |
We're back 15 weeks later to see what's happened. | 0:44:42 | 0:44:45 | |
A new seating area has happened at the far end of the kitchen. | 0:44:47 | 0:44:50 | |
It's a bit bijou, | 0:44:50 | 0:44:52 | |
but you don't have to go far to the new washing machine. | 0:44:52 | 0:44:54 | |
In fact, you're pretty close to all things in the flat. | 0:44:56 | 0:44:59 | |
# I know, I know, I know | 0:45:01 | 0:45:04 | |
# That I ain't got far to go | 0:45:04 | 0:45:06 | |
# I know... # | 0:45:06 | 0:45:09 | |
What was the lounge space is now classed as bedroom two, | 0:45:09 | 0:45:12 | |
with new electric radiator and carpet | 0:45:12 | 0:45:15 | |
to make the space more homely. | 0:45:15 | 0:45:16 | |
Bedroom one is still bedroom one. | 0:45:21 | 0:45:23 | |
It too has a new electric radiator panel and carpet. | 0:45:28 | 0:45:32 | |
# That ain't got far to go... # | 0:45:33 | 0:45:37 | |
The bathroom is pretty much as it was. | 0:45:38 | 0:45:40 | |
Time now for Annesley to face what would be Minister's Question Time, | 0:45:42 | 0:45:46 | |
and the important matter of the new sofa. | 0:45:46 | 0:45:49 | |
So, what we've done here is created an extra living space | 0:45:51 | 0:45:54 | |
by moving the door to the second room to the left | 0:45:54 | 0:45:58 | |
and making a platform which comes out into the kitchen | 0:45:58 | 0:46:02 | |
in a sort of L-shape which has given us the space for the sofa. | 0:46:02 | 0:46:06 | |
Well, as they say in Westminster, the eyes to the left have it. | 0:46:06 | 0:46:10 | |
But why the kitchen? | 0:46:10 | 0:46:12 | |
The reason why we created a living area in the kitchen | 0:46:12 | 0:46:15 | |
is because the second room | 0:46:15 | 0:46:16 | |
that was going to be the living area originally | 0:46:16 | 0:46:18 | |
is now going to be a bedroom, | 0:46:18 | 0:46:20 | |
and for renting we thought we can maximise income | 0:46:20 | 0:46:23 | |
through having a two-bedroom flat rather than a one-bedroom. | 0:46:23 | 0:46:26 | |
But the preferred option was to sell on | 0:46:26 | 0:46:29 | |
after getting planning permission for change of use, | 0:46:29 | 0:46:32 | |
so what happened? | 0:46:32 | 0:46:34 | |
We spoke to a planning advisor and he recommended that | 0:46:34 | 0:46:38 | |
we collaborate with the other flats and put an application in together. | 0:46:38 | 0:46:41 | |
The freeholder of the building has just bought the freehold | 0:46:41 | 0:46:44 | |
and we can't do anything until he comes forward | 0:46:44 | 0:46:47 | |
and we work together to put an application in. | 0:46:47 | 0:46:49 | |
So, it was advised that we hold fire at the moment | 0:46:49 | 0:46:51 | |
and then work together to get planning for the entire building, | 0:46:51 | 0:46:55 | |
the split commercial/residential, and that's what we intend to do. | 0:46:55 | 0:46:58 | |
MUSIC: ITV News theme | 0:46:58 | 0:47:00 | |
So, plan A hasn't yet come to fruition, | 0:47:00 | 0:47:03 | |
so what news is there of plan B? | 0:47:03 | 0:47:06 | |
So, given the planning issues, | 0:47:06 | 0:47:08 | |
I'm not going to be selling it on immediately. | 0:47:08 | 0:47:11 | |
I'm going to be renting it out for six months to a year. | 0:47:11 | 0:47:15 | |
We can then put a collaborative planning application in. | 0:47:15 | 0:47:18 | |
Subject to that going well, I would look to sell it on at that point. | 0:47:18 | 0:47:24 | |
Well, he might not be able to make his fortune straightaway, | 0:47:24 | 0:47:27 | |
but he has been fortunate that plan B has worked out, | 0:47:27 | 0:47:31 | |
-especially as he didn't have one. -MUSIC: The A-Team theme | 0:47:31 | 0:47:33 | |
We asked two estate agents to spin around and give us | 0:47:33 | 0:47:36 | |
their valuations for the flat. | 0:47:36 | 0:47:38 | |
Now, we have lots of valuations to get through, | 0:47:40 | 0:47:42 | |
so pencils and paper at the ready. | 0:47:42 | 0:47:45 | |
First off, the valuation | 0:47:45 | 0:47:47 | |
in the flat's current unmortgagable state. | 0:47:47 | 0:47:50 | |
Without planning permission, | 0:47:50 | 0:47:52 | |
given the fact that it would only appeal to cash buyers, | 0:47:52 | 0:47:55 | |
I would suggest around £180,000. | 0:47:55 | 0:47:58 | |
Without the planning permission, | 0:47:58 | 0:48:00 | |
I would've thought it would achieve around £180,000. | 0:48:00 | 0:48:04 | |
Well, that's still quite a gain. | 0:48:04 | 0:48:06 | |
Annesley bought for £121,000 and has spent £2,000 on it since - | 0:48:06 | 0:48:12 | |
an increase of £57,000. | 0:48:12 | 0:48:15 | |
Now, what if Annesley can make the flat mortgageable? | 0:48:15 | 0:48:18 | |
With planning permission, | 0:48:18 | 0:48:20 | |
this property will achieve approximately around £270,000. | 0:48:20 | 0:48:25 | |
I think with planning permission on a sellers market, | 0:48:25 | 0:48:28 | |
we'd look to achieve around £275,000. | 0:48:28 | 0:48:31 | |
Taking the largest figure, that's a gain of £152,000 - | 0:48:31 | 0:48:35 | |
more than double the flat's value | 0:48:35 | 0:48:37 | |
without planning permission to be a flat. | 0:48:37 | 0:48:40 | |
How does that feel? | 0:48:40 | 0:48:42 | |
I'm pleased about that | 0:48:42 | 0:48:44 | |
and it makes me more confident moving forward. | 0:48:44 | 0:48:47 | |
-MUSIC: The Magic Roundabout theme -Now, to the rental values. | 0:48:47 | 0:48:50 | |
Annesley has already marketed the flat to rent | 0:48:50 | 0:48:52 | |
and has had much interest. | 0:48:52 | 0:48:54 | |
His tenants are due to move in shortly. | 0:48:54 | 0:48:56 | |
Let's find out if he's got a good rate. | 0:48:56 | 0:48:59 | |
I think on the rental market | 0:48:59 | 0:49:00 | |
we'd be looking to achieve around £1,300 per calendar month. | 0:49:00 | 0:49:04 | |
This would achieve £1,100 per calendar month. | 0:49:04 | 0:49:08 | |
-MUSIC: The Bill theme tune -In fact, Annesley got the top end | 0:49:08 | 0:49:10 | |
of those figures, getting £1,350 | 0:49:10 | 0:49:14 | |
including bills per calendar month, giving him a yield of 13%. | 0:49:14 | 0:49:19 | |
So, how has the foray into property been? | 0:49:19 | 0:49:22 | |
It's certainly been a learning experience, learning curve. | 0:49:24 | 0:49:27 | |
I think one has to bear in mind | 0:49:27 | 0:49:28 | |
that you have to be flexible in your approach. | 0:49:28 | 0:49:30 | |
Initially I thought I was going to sell it on. | 0:49:30 | 0:49:32 | |
Now I'm going to rent it out | 0:49:32 | 0:49:33 | |
given the circumstances we've talked about. | 0:49:33 | 0:49:35 | |
But otherwise, I think I've been quite lucky. | 0:49:35 | 0:49:38 | |
A lot of the work had already been done before I bought the property, | 0:49:38 | 0:49:42 | |
and that certainly gave me a head start, | 0:49:42 | 0:49:45 | |
and I would recommend it to anybody else | 0:49:45 | 0:49:48 | |
who wants to go into it. | 0:49:48 | 0:49:49 | |
So, has the experience made him want to rush back to the listings? | 0:49:49 | 0:49:53 | |
I'd like to see how this goes first | 0:49:53 | 0:49:55 | |
and then after that maybe look at other properties either in this area | 0:49:55 | 0:49:58 | |
or the other periphery bits of North London which I know well, | 0:49:58 | 0:50:03 | |
and I'm hopeful that I could find something else which | 0:50:03 | 0:50:07 | |
I could add value to and either rent or sell on. | 0:50:07 | 0:50:09 | |
That's the plan. | 0:50:09 | 0:50:11 | |
MUSIC: Original ITN News theme | 0:50:11 | 0:50:12 | |
There's still one burning question on all our minds. | 0:50:12 | 0:50:15 | |
Did Annesley manage to name | 0:50:15 | 0:50:17 | |
all the TV theme tunes we used in his film? | 0:50:17 | 0:50:20 | |
Somehow, I think he probably did. | 0:50:20 | 0:50:23 | |
We are heading back to Derby and the area of Alvaston | 0:50:30 | 0:50:33 | |
where earlier I saw an unusual auction lot guided at £15,000. | 0:50:33 | 0:50:39 | |
Now, although this commercial unit looked about £14,999 overpriced | 0:50:40 | 0:50:46 | |
from the outside, was the real prize on the inside? | 0:50:46 | 0:50:51 | |
Ah. From... | 0:50:51 | 0:50:53 | |
From what I can see, the ceiling is coming in, | 0:50:53 | 0:50:56 | |
there's holes in the floorboards. | 0:50:56 | 0:50:59 | |
I can't really tell you any more than that | 0:50:59 | 0:51:02 | |
without going inside, and I'm not doing that. | 0:51:02 | 0:51:05 | |
# You can look but you better not touch, boy | 0:51:05 | 0:51:08 | |
# You can look Better not touch | 0:51:08 | 0:51:11 | |
# You can look but you better not Oh, no, you better not | 0:51:11 | 0:51:15 | |
# Oh, no, you better not... # | 0:51:15 | 0:51:17 | |
Safety first is what I say, | 0:51:17 | 0:51:19 | |
But Hardy and his dad Jas threw caution to the wind | 0:51:19 | 0:51:22 | |
when they paid £32,000 at auction. | 0:51:22 | 0:51:25 | |
Like me, Jas had been unable to see inside the property, | 0:51:27 | 0:51:30 | |
and Hardy had seen even less. | 0:51:30 | 0:51:33 | |
-The first time you've seen it was... -Today. -Just now, wasn't it? | 0:51:35 | 0:51:38 | |
Just now, basically, when we opened the doors. | 0:51:38 | 0:51:40 | |
And what are your thoughts? | 0:51:40 | 0:51:42 | |
Quite rough...to what I expected. No viewings, nothing. | 0:51:42 | 0:51:44 | |
We just bought it straight from the auction, | 0:51:44 | 0:51:46 | |
so we didn't know what to expect. | 0:51:46 | 0:51:48 | |
What they expected was to be able to get permission to convert | 0:51:50 | 0:51:53 | |
the property into a one or two-bed flat. | 0:51:53 | 0:51:56 | |
Nine months on and the two-bed flat is very much ready. | 0:51:56 | 0:52:00 | |
# I'm ready | 0:52:01 | 0:52:03 | |
# I'm ready for it | 0:52:03 | 0:52:05 | |
# I'm ready... # | 0:52:05 | 0:52:07 | |
Gone are the boarded-up windows and in comes a smart brick finish | 0:52:07 | 0:52:11 | |
that's really in keeping with the area. | 0:52:11 | 0:52:14 | |
Being a curved corner site and having a flat roof isn't ideal, | 0:52:14 | 0:52:18 | |
but inside Hardy and Jas have found a way to make it work. | 0:52:18 | 0:52:22 | |
The bedrooms might have odd angles, but they are clean and fresh - | 0:52:24 | 0:52:28 | |
just like the bathroom layout, which makes use of all the space. | 0:52:28 | 0:52:31 | |
But the real jewel of the flat is the kitchen and living area. | 0:52:33 | 0:52:37 | |
What was a collapsing roof now has stylish skylights | 0:52:37 | 0:52:41 | |
to let in natural light that would otherwise be impossible | 0:52:41 | 0:52:44 | |
as the property doesn't have rear windows. | 0:52:44 | 0:52:47 | |
Throughout, there is a high standard of finish and smart, neutral decor. | 0:52:48 | 0:52:53 | |
With Hardy busy at work, his dad Jas came along to tell us | 0:52:53 | 0:52:56 | |
how he turned to this shell into something swell. | 0:52:56 | 0:52:59 | |
We had to apply for planning permission | 0:53:02 | 0:53:04 | |
because we applied for planning for change of use | 0:53:04 | 0:53:07 | |
and they came back to us, they said, "OK, you can have it, | 0:53:07 | 0:53:10 | |
"but you didn't really need it | 0:53:10 | 0:53:12 | |
"because the building was derelict for so long." | 0:53:12 | 0:53:14 | |
And then we started on the roof originally. | 0:53:14 | 0:53:16 | |
While we done that, started taking the walls down, | 0:53:16 | 0:53:18 | |
but we had to put the roof on stilts because it was that bad. | 0:53:18 | 0:53:21 | |
After that, we made the foundations strong, | 0:53:21 | 0:53:24 | |
put insulation in the floor | 0:53:24 | 0:53:27 | |
and then started building the brickwork back up. | 0:53:27 | 0:53:29 | |
And with the curve, the bricklayers were struggling with it, | 0:53:29 | 0:53:33 | |
but they done a good job. | 0:53:33 | 0:53:35 | |
They certainly have. | 0:53:35 | 0:53:37 | |
But I'm intrigued how they overcame the challenge of the roof. | 0:53:37 | 0:53:42 | |
Originally, we were going to do a felt roof, | 0:53:42 | 0:53:44 | |
but then when we got into building regulations and things, | 0:53:44 | 0:53:47 | |
they said, you know, | 0:53:47 | 0:53:49 | |
you have to have the UV values and all the other stuff, | 0:53:49 | 0:53:53 | |
so we designed it with the skylights just to give it a bit more light | 0:53:53 | 0:53:57 | |
cos we've got no rear windows. | 0:53:57 | 0:53:59 | |
So, we shopped around, found some skylights. | 0:53:59 | 0:54:02 | |
Looked into the rubber roof. | 0:54:02 | 0:54:04 | |
You know, we just sort of upped the spec a bit and, you know, | 0:54:04 | 0:54:07 | |
it's just giving that little bit of a wow factor. | 0:54:07 | 0:54:11 | |
The spec is high, but there are some things you can't see | 0:54:11 | 0:54:14 | |
that also gives it the wow factor. | 0:54:14 | 0:54:17 | |
Jas has added extra insulation under the floor | 0:54:17 | 0:54:20 | |
and gone for a top-end finish wherever he could. | 0:54:20 | 0:54:23 | |
But having paid double the original guide price | 0:54:23 | 0:54:26 | |
and the agent who came to see | 0:54:26 | 0:54:28 | |
suggesting the resale price of around £50,000, | 0:54:28 | 0:54:31 | |
I'm worried they have overspent. | 0:54:31 | 0:54:33 | |
The original budget was... we don't know what... | 0:54:33 | 0:54:38 | |
cos we weren't sure what was going to happen. | 0:54:38 | 0:54:41 | |
But after doing everything, the spend is about 34,000. | 0:54:41 | 0:54:44 | |
It's a little bit more than what I wanted to spend, | 0:54:44 | 0:54:46 | |
but I think it's worth what we spent. | 0:54:46 | 0:54:50 | |
Well, I seem to recall a budget of £7,000 being mentioned, | 0:54:50 | 0:54:53 | |
but I never thought that was a realistic figure. | 0:54:53 | 0:54:56 | |
Given the work that needed doing, | 0:54:56 | 0:54:58 | |
I'm not surprised that it's taken seven months. | 0:54:58 | 0:55:01 | |
But has Jas had any help from Hardy? | 0:55:01 | 0:55:04 | |
Hardy's role has mainly been silent partner. | 0:55:04 | 0:55:08 | |
We've gone 50-50 on it. | 0:55:08 | 0:55:09 | |
Originally I wanted to get him more involved, | 0:55:09 | 0:55:12 | |
but with his work he's just been a bit busy, | 0:55:12 | 0:55:14 | |
so I think he was happy staying a silent partner. | 0:55:14 | 0:55:18 | |
And what's the pair's plan for the property now? | 0:55:20 | 0:55:24 | |
We have been approached for rental already, | 0:55:24 | 0:55:27 | |
but I'd rather sell it and then move on to the next one. | 0:55:27 | 0:55:31 | |
So, Jas will want to know the price he can expect | 0:55:33 | 0:55:36 | |
on both markets, | 0:55:36 | 0:55:37 | |
which is where our local property experts come in. | 0:55:37 | 0:55:40 | |
What do they think of the flat, | 0:55:40 | 0:55:42 | |
starting with the agent who saw it when we couldn't even get inside. | 0:55:42 | 0:55:46 | |
We were dealing with something which was a total wreck. | 0:55:47 | 0:55:50 | |
It had to change in some way, didn't it? | 0:55:50 | 0:55:52 | |
Of course, we're stuck with an odd shape, really. | 0:55:52 | 0:55:54 | |
It's a wedge, so to put internal walls in | 0:55:54 | 0:55:57 | |
means you've got to have all sorts of curious angles, | 0:55:57 | 0:55:59 | |
and I think in truth, for the space that's here, | 0:55:59 | 0:56:02 | |
he's probably made the best out of it | 0:56:02 | 0:56:04 | |
that you could possibly achieve. | 0:56:04 | 0:56:06 | |
There's a lot of things they've done, | 0:56:06 | 0:56:08 | |
the architraves, skirting board, looks like good quality. | 0:56:08 | 0:56:11 | |
So, the quality of finish seems very good. | 0:56:11 | 0:56:13 | |
That's my initial impression. | 0:56:13 | 0:56:14 | |
I think the appeal of this property | 0:56:14 | 0:56:16 | |
will be mainly for the buy-to-let market. | 0:56:16 | 0:56:19 | |
Not having a garden is a good thing if you're a landlord. | 0:56:19 | 0:56:22 | |
I would say if I had to put money on it | 0:56:22 | 0:56:24 | |
that the buyer for this will be letting it out straightaway. | 0:56:24 | 0:56:27 | |
Speaking of money, Jas has spent a total of £66,000 | 0:56:29 | 0:56:34 | |
purchasing and renovating this property. | 0:56:34 | 0:56:36 | |
What can it make on the sales market? | 0:56:36 | 0:56:39 | |
I suggest a sale price that would be achievable would be about £70,000. | 0:56:39 | 0:56:45 | |
This is based on the rental return. | 0:56:45 | 0:56:47 | |
On the current sales market, I think this probably would struggle | 0:56:47 | 0:56:52 | |
to achieve more than between £65,000 and £75,000. | 0:56:52 | 0:56:56 | |
Clearly, it might have an asking price in excess of that, | 0:56:56 | 0:56:58 | |
but at the end of the day I think that's where it's going to pan out. | 0:56:58 | 0:57:02 | |
I think they're a bit on the low side. | 0:57:02 | 0:57:05 | |
I think I can probably get a little bit more. | 0:57:05 | 0:57:09 | |
70 grand would generate just £4,000 in profit | 0:57:09 | 0:57:13 | |
before the usual taxes and expenses. | 0:57:13 | 0:57:15 | |
That's not great, so how about rentals? | 0:57:15 | 0:57:19 | |
I would say you'd rent it out at £475 a calendar month. | 0:57:19 | 0:57:22 | |
If the property were offered on the rental market, | 0:57:22 | 0:57:25 | |
I would suggest £475 per calendar month. | 0:57:25 | 0:57:28 | |
I was looking around about the 500 mark, | 0:57:28 | 0:57:31 | |
so 475, 500, it's about right. | 0:57:31 | 0:57:35 | |
£475 per calendar month gives Jas and Hardy | 0:57:35 | 0:57:40 | |
a yield of 8.5%, | 0:57:40 | 0:57:42 | |
but Jas is going to stick with selling and hopefully achieve more | 0:57:42 | 0:57:45 | |
than the agents' valuations. | 0:57:45 | 0:57:47 | |
Any profit will go into the next project, | 0:57:47 | 0:57:49 | |
and that's hopefully a little closer to home. | 0:57:49 | 0:57:51 | |
So, now, after this project | 0:57:51 | 0:57:53 | |
I'm looking at doing a complete build on my own home. | 0:57:53 | 0:57:57 | |
Might do another refurbishment in between. | 0:57:57 | 0:58:00 | |
Otherwise, the next couple of months we'll be starting | 0:58:00 | 0:58:03 | |
a build on our own house. | 0:58:03 | 0:58:04 | |
We visit auction houses all over the country. | 0:58:07 | 0:58:10 | |
-Yes, so next time we might be in your area. -Yeah. | 0:58:10 | 0:58:13 | |
Wherever we are, you won't want to miss it. | 0:58:13 | 0:58:15 | |
-Goodbye. -Goodbye. -Bye. | 0:58:15 | 0:58:16 |