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Hello, and welcome to the show. Now, if you're a property developer, | 0:00:02 | 0:00:04 | |
you certainly get to experience a whole range of emotions - | 0:00:04 | 0:00:07 | |
excitement, fear and, if everything goes well, joy. | 0:00:07 | 0:00:10 | |
Yeah. Being in control of your emotions is the key. | 0:00:10 | 0:00:13 | |
Don't let your heart rule your head. | 0:00:13 | 0:00:15 | |
So, why not head down to your local property auction | 0:00:15 | 0:00:18 | |
and buy yourself your home under the hammer? | 0:00:18 | 0:00:21 | |
Now, even the most experienced developers | 0:00:47 | 0:00:50 | |
make mistakes and wish they could turn back the clock to fix things. | 0:00:50 | 0:00:54 | |
Yes, until they invent a time machine - | 0:00:54 | 0:00:56 | |
which is not possible at the moment! - | 0:00:56 | 0:00:58 | |
you'll have to learn from your mistakes. | 0:00:58 | 0:01:00 | |
So let's hope today's buyers didn't make too many mistakes. | 0:01:00 | 0:01:03 | |
Let's see how they did. | 0:01:03 | 0:01:04 | |
'I'm in Folkestone in Kent to see | 0:01:05 | 0:01:07 | |
'a ground-floor flat that's exercising my patience.' | 0:01:07 | 0:01:11 | |
If you can get one that fits, perhaps. That's a mat. | 0:01:11 | 0:01:13 | |
HE GROWLS IN FRUSTRATION | 0:01:13 | 0:01:15 | |
'I had my own form of exercise in mind | 0:01:15 | 0:01:17 | |
'at this former depot in Milton near Stoke-on-Trent.' | 0:01:17 | 0:01:22 | |
Bit of a gym. Bit of circuit training. | 0:01:22 | 0:01:24 | |
And a full circuit of this three-bed detached house in south London | 0:01:26 | 0:01:30 | |
might be too much for Lucy, because she's hitting... | 0:01:30 | 0:01:33 | |
A wall, right there! | 0:01:33 | 0:01:35 | |
All these properties have been sold at auction, | 0:01:37 | 0:01:39 | |
and we'll find out who bought them and what they paid | 0:01:39 | 0:01:41 | |
when they went under the hammer. | 0:01:41 | 0:01:43 | |
Sold, 304, well done. | 0:01:43 | 0:01:44 | |
Folkestone in Kent is a seaside town | 0:01:49 | 0:01:51 | |
that used to be a small fishing village. | 0:01:51 | 0:01:54 | |
But by the 1840s, | 0:01:54 | 0:01:56 | |
it had become a departure point for the steamers heading to France. | 0:01:56 | 0:02:00 | |
These days, travellers can catch the train via the Channel Tunnel | 0:02:00 | 0:02:03 | |
to the Continent and beyond. | 0:02:03 | 0:02:05 | |
Well, the flat I'm here to see is situated close | 0:02:08 | 0:02:10 | |
to Folkestone Central train station, | 0:02:10 | 0:02:12 | |
and that has very high-speed trains into the centre of London. | 0:02:12 | 0:02:16 | |
So this is actually commuter territory, perhaps, | 0:02:16 | 0:02:20 | |
in which case a two-bedroom flat with a guide price of | 0:02:20 | 0:02:22 | |
£110,000 to £115,000 sounds like a very, very attractive opportunity. | 0:02:22 | 0:02:30 | |
# She said, "I don't blame you, I'd do the same" | 0:02:31 | 0:02:34 | |
# Opportunity knock-knock-knocks Open the door... # | 0:02:34 | 0:02:38 | |
So what's on offer? Oh, I tell you what. | 0:02:38 | 0:02:40 | |
You could dramatically improve the first impression straightaway by | 0:02:40 | 0:02:44 | |
changing the door to something a bit prettier. Or at least painting it. | 0:02:44 | 0:02:48 | |
But through the door... | 0:02:48 | 0:02:49 | |
If you can get one that fits, perhaps. That's a mat. | 0:02:50 | 0:02:52 | |
-HE GROWLS IN FRUSTRATION -I'll leave that for a minute. | 0:02:52 | 0:02:55 | |
Through the front door into the... | 0:02:55 | 0:02:57 | |
Excuse me for two seconds, dear reader. | 0:02:58 | 0:03:00 | |
Get out the way! Thank you. | 0:03:00 | 0:03:03 | |
Anyway, really nice entrance area, really big, | 0:03:03 | 0:03:06 | |
which sets the scene for what is hopefully a really good-sized flat. | 0:03:06 | 0:03:09 | |
Certainly, bedrooms - you've got one bedroom there, | 0:03:09 | 0:03:11 | |
a really big bedroom there. | 0:03:11 | 0:03:13 | |
Obviously you've got some kind of central heating, which is good. | 0:03:15 | 0:03:17 | |
Honestly, these entrance areas, when they're like that, | 0:03:17 | 0:03:19 | |
they just really just affect the whole feel of a house, | 0:03:19 | 0:03:24 | |
houses AND flats, so that's a really good thing. | 0:03:24 | 0:03:26 | |
Kitchen, well, that doesn't disappoint. It's a good size. | 0:03:26 | 0:03:29 | |
Lots and lots of light, lots of windows. | 0:03:29 | 0:03:31 | |
Now, clearly, the units are very dated. | 0:03:31 | 0:03:33 | |
This whole thing's probably maybe been changed once | 0:03:33 | 0:03:36 | |
in its life since it was built in probably the 1970s. | 0:03:36 | 0:03:39 | |
And that era of flat definitely has a few things going for it, | 0:03:39 | 0:03:43 | |
-one of which is the solidity... -SOLID BANGING | 0:03:43 | 0:03:45 | |
Wow, what a great noise that is! | 0:03:45 | 0:03:47 | |
..the solidity of the construction, so solid walls, | 0:03:47 | 0:03:51 | |
none of your sort of stud partitions, which is really great. | 0:03:51 | 0:03:55 | |
Anyway, into the main living area in the flat. | 0:03:55 | 0:03:57 | |
And as you can see, again loads of light coming in from these massive | 0:03:57 | 0:04:01 | |
windows, a really good-sized space. | 0:04:01 | 0:04:02 | |
It's rare, I think, to find a flat | 0:04:04 | 0:04:05 | |
that immediately ticks so many boxes. | 0:04:05 | 0:04:08 | |
This is a great place. You could imagine living here, | 0:04:08 | 0:04:10 | |
it's in a good spot. Yeah! | 0:04:10 | 0:04:12 | |
Brilliant! | 0:04:12 | 0:04:14 | |
'This flat is so bright and airy and has a long lease of over 900 years, | 0:04:14 | 0:04:19 | |
'so it's almost without a blemish. | 0:04:19 | 0:04:21 | |
'Almost.' | 0:04:21 | 0:04:24 | |
Well, in this pretty spacious flat, | 0:04:24 | 0:04:26 | |
the only bit that lets it down is the bathroom, because it's not huge. | 0:04:26 | 0:04:30 | |
And it's accessed via this... | 0:04:30 | 0:04:32 | |
very dated sliding door. | 0:04:32 | 0:04:33 | |
The good news is, just behind there, there is a large cupboard. | 0:04:33 | 0:04:36 | |
And although in flats you don't really want to lose storage space, | 0:04:36 | 0:04:39 | |
I think get rid of that cupboard, increase the size of the bathroom, | 0:04:39 | 0:04:42 | |
give yourself a proper-sized bath and then everything just works. | 0:04:42 | 0:04:46 | |
'The great thing about this flat is that it also comes with a garage, | 0:04:48 | 0:04:51 | |
'so if you did lose that cupboard, | 0:04:51 | 0:04:53 | |
'you could have some extra storage space there. | 0:04:53 | 0:04:56 | |
'But this is a leasehold property, | 0:04:56 | 0:04:57 | |
'so getting permission to knock walls about | 0:04:57 | 0:04:59 | |
'might be a bit more hassle than it's worth. | 0:04:59 | 0:05:02 | |
'Something else that could be a pain are these.' | 0:05:03 | 0:05:06 | |
Now, the windows are definitely a big feature in this flat. | 0:05:08 | 0:05:12 | |
Absolutely amazing, throws all this light in here. | 0:05:12 | 0:05:14 | |
But as you can see, one of them has got a bit of a problem. | 0:05:14 | 0:05:17 | |
And this is something which happens on older double glazing. | 0:05:17 | 0:05:20 | |
You get this kind of... | 0:05:20 | 0:05:22 | |
well, condensation inside the unit. | 0:05:22 | 0:05:25 | |
Well, clearly, that is a bit of a problem, | 0:05:25 | 0:05:28 | |
because you certainly don't want that. | 0:05:28 | 0:05:30 | |
'Erm, so, what to do? | 0:05:30 | 0:05:33 | |
'Specialist companies can replace the glass | 0:05:33 | 0:05:35 | |
'or inject a drying agent into damaged units and reseal them. | 0:05:35 | 0:05:38 | |
'If they are beyond saving, | 0:05:39 | 0:05:41 | |
'you would have to replace them and budget for that.' | 0:05:41 | 0:05:44 | |
# Steamy windows... # | 0:05:46 | 0:05:48 | |
Someone who won't be talking hot air | 0:05:51 | 0:05:53 | |
is the local estate agent that we've asked along. | 0:05:53 | 0:05:56 | |
As this flat comes with a garage, | 0:05:56 | 0:05:58 | |
how much of a bonus is that in this location? | 0:05:58 | 0:06:01 | |
Parking is a little bit compromised, because it's permit basis, so... | 0:06:01 | 0:06:06 | |
or they just have an hour's parking. | 0:06:06 | 0:06:08 | |
So to have a garage, whether people use it for their vehicle | 0:06:08 | 0:06:10 | |
or indeed additional storage, is a real benefit to the property. | 0:06:10 | 0:06:14 | |
And what about the flat itself? | 0:06:14 | 0:06:15 | |
It's a very well-proportioned apartment. | 0:06:17 | 0:06:19 | |
Obviously, being ground floor | 0:06:19 | 0:06:20 | |
is going to be a really good benefit to a lot of people. | 0:06:20 | 0:06:23 | |
It does require some updating, but a lot of it is cosmetic. | 0:06:23 | 0:06:26 | |
So I think once all of it is improved, | 0:06:26 | 0:06:28 | |
it will be a really super property. | 0:06:28 | 0:06:30 | |
So, what could this flat, guided at 110,000 to 115,000, | 0:06:30 | 0:06:35 | |
be worth when renovated? | 0:06:35 | 0:06:37 | |
I think in terms of the value of the property, | 0:06:37 | 0:06:39 | |
you'd be looking at about £165,000 to £170,000. | 0:06:39 | 0:06:44 | |
Well, it's not often you come across a flat like this that's so instantly | 0:06:47 | 0:06:50 | |
appealing and, when you go into it, doesn't feel claustrophobic. | 0:06:50 | 0:06:53 | |
It feels light, it feels airy. | 0:06:53 | 0:06:55 | |
It needs a bit of work, obviously it needs modernisation, | 0:06:55 | 0:06:57 | |
but I think there's money to be made by doing that. | 0:06:57 | 0:07:00 | |
And, you know what, | 0:07:00 | 0:07:01 | |
when somebody came to buy it off you in the future, | 0:07:01 | 0:07:04 | |
they would walk in and have the same reaction as I did. | 0:07:04 | 0:07:06 | |
Lovely flat. Let's see who bought it when it went under the hammer. | 0:07:06 | 0:07:09 | |
Two-bedroom flat with a garage. It's convenient for the town centre. | 0:07:11 | 0:07:15 | |
So what are you going to start me on that one? £100,000 do I see? | 0:07:15 | 0:07:19 | |
100? £100,000 I've got. | 0:07:19 | 0:07:21 | |
100 I've got. And five now, if you like. | 0:07:21 | 0:07:23 | |
105,000 I'm bid. | 0:07:23 | 0:07:25 | |
110, if you like. 110 I'm bid. | 0:07:25 | 0:07:27 | |
112 now, if you wish. | 0:07:27 | 0:07:29 | |
112. 112. | 0:07:29 | 0:07:31 | |
As this was one of the early lots, | 0:07:31 | 0:07:32 | |
this meant that there was quite a lot of interest in this flat. | 0:07:32 | 0:07:35 | |
We re-join the bidding at 138,000. | 0:07:35 | 0:07:38 | |
At 138. At £138,000, then, I have for the first time. | 0:07:38 | 0:07:43 | |
138,000 to the original maiden bidder for the second time. | 0:07:43 | 0:07:47 | |
Third and final time. If nobody... | 0:07:47 | 0:07:49 | |
140 I've got. 142, sir. | 0:07:49 | 0:07:51 | |
141. 142. 142, if you like. 142, if you like. | 0:07:51 | 0:07:57 | |
At £141,000, then, I'm selling for the first time... | 0:07:57 | 0:08:00 | |
142. 143. | 0:08:01 | 0:08:04 | |
144. 144? | 0:08:04 | 0:08:06 | |
No? At £143,000, then, for the first time again. | 0:08:06 | 0:08:11 | |
143 for the second. | 0:08:11 | 0:08:12 | |
Third and final time, are we all done? 143,000. | 0:08:12 | 0:08:15 | |
Yours at 143. Well done, sir. T407. | 0:08:16 | 0:08:19 | |
'The successful bidder, paying 143,000 for this lot, was Mike. | 0:08:19 | 0:08:24 | |
'He came along to tell me why he bought this ground-floor flat | 0:08:24 | 0:08:27 | |
'and what he planned to do with it.' | 0:08:27 | 0:08:30 | |
-Mike, great to meet you. -Hi, how are you? -Very good. | 0:08:30 | 0:08:32 | |
-Congratulations! -Thank you. -Nice flat. -It is, isn't it? | 0:08:32 | 0:08:35 | |
Yeah, really light and airy and, you know, just... | 0:08:35 | 0:08:38 | |
-It's a really nice flat. Presumably that's why you bought it. -Yeah. | 0:08:38 | 0:08:40 | |
Location. It's quite close to the seafront and it's quite close to the | 0:08:40 | 0:08:44 | |
-station, as well, so... -Right. | 0:08:44 | 0:08:46 | |
-Yeah. -So why did you buy it, other than those things? | 0:08:46 | 0:08:48 | |
What's the purpose of it? | 0:08:48 | 0:08:50 | |
Good price. | 0:08:50 | 0:08:51 | |
Erm, to do up and to sell on, hopefully. | 0:08:51 | 0:08:54 | |
-So... -And what was it that you particularly liked about it? | 0:08:54 | 0:08:57 | |
I think it's, for me, because it's going to be my first development... | 0:08:57 | 0:09:00 | |
..it's quite a simple one to do. | 0:09:02 | 0:09:03 | |
So it's new kitchen, new bathroom, windows to be sorted. | 0:09:03 | 0:09:08 | |
-But it's all fairly sound. -So, you say this is your first project. | 0:09:08 | 0:09:12 | |
What's tempted you into doing this now? | 0:09:12 | 0:09:15 | |
I've always fancied doing it | 0:09:15 | 0:09:17 | |
and wanted to basically start a property career. | 0:09:17 | 0:09:21 | |
So this is just... I thought I'd like to buy in London, | 0:09:21 | 0:09:23 | |
but I can't afford that. | 0:09:23 | 0:09:24 | |
So looking out, | 0:09:24 | 0:09:26 | |
looking all round the south, and this one ticked all the boxes. | 0:09:26 | 0:09:30 | |
-Yes. -So... -Is this your background, is this what you do? | 0:09:30 | 0:09:34 | |
Er, no. I've done quite a few different things. | 0:09:34 | 0:09:37 | |
I just fancied having a go at this... | 0:09:38 | 0:09:41 | |
-OK. -..to be fair, so... No, I do extra work. | 0:09:41 | 0:09:43 | |
-Extra? -Yes. | 0:09:43 | 0:09:45 | |
-Film and TV. -Oh, wow. | 0:09:45 | 0:09:47 | |
How do you get into being an extra, then? | 0:09:47 | 0:09:49 | |
I basically replied to an advert a long time ago for an extra to be in | 0:09:49 | 0:09:55 | |
-Les Miserables. -What, the stage or the film? | 0:09:55 | 0:09:58 | |
-The film. -Oh, right. -And from there, | 0:09:58 | 0:10:01 | |
kept me on the books and more things have come through from there, | 0:10:01 | 0:10:05 | |
so, yeah. It could be anything. I could have a phone call to be... | 0:10:05 | 0:10:08 | |
I mean, I've been a pirate. | 0:10:08 | 0:10:10 | |
-You've been a pirate? -I've been a pirate! | 0:10:10 | 0:10:12 | |
-Brilliant. -Yeah, so... -Gosh. -Very varied. | 0:10:12 | 0:10:15 | |
So do you get your name up on the credits? | 0:10:15 | 0:10:17 | |
-No! -Oh! -Hopefully in the future if I do something, but, yeah. | 0:10:17 | 0:10:22 | |
So, in my mind it makes property developing | 0:10:22 | 0:10:24 | |
sound a bit boring in comparison! | 0:10:24 | 0:10:25 | |
If I can balance it and do this and also do the | 0:10:25 | 0:10:28 | |
background stuff and whatever, it's great, life's good. | 0:10:28 | 0:10:33 | |
I think for fun, we should put Mike in a starring role. | 0:10:33 | 0:10:36 | |
For starters, let's see that walk-up again. | 0:10:36 | 0:10:38 | |
Only this time, with some different music. | 0:10:38 | 0:10:40 | |
MUSIC: Little Green Bag by George Baker | 0:10:40 | 0:10:42 | |
And little film effect... | 0:10:42 | 0:10:43 | |
There we go, much better. | 0:10:47 | 0:10:49 | |
# Yeah... # | 0:10:49 | 0:10:50 | |
Inside, it's time to knock up the tension for a Hammer walk-around. | 0:10:50 | 0:10:54 | |
DRAMATIC MUSIC | 0:10:54 | 0:10:56 | |
Feel the excitement! | 0:10:56 | 0:10:58 | |
Feel the emotion! | 0:11:01 | 0:11:02 | |
Feel the wall for damp! | 0:11:04 | 0:11:06 | |
And of course, Mike gets a credit for this. | 0:11:09 | 0:11:11 | |
But enough silliness, back to the task at hand | 0:11:11 | 0:11:13 | |
and a different kind of credit. | 0:11:13 | 0:11:15 | |
-Budget for this. -Yes, yeah. | 0:11:19 | 0:11:21 | |
I've allowed 15,000. | 0:11:21 | 0:11:23 | |
-OK. -So, I'm hoping to come under that. | 0:11:23 | 0:11:27 | |
So that's kitchen, windows, bathroom and everything throughout. | 0:11:27 | 0:11:32 | |
I'm probably going to do quite a lot of it myself, | 0:11:32 | 0:11:35 | |
so I'm hoping that I've overcooked the budget. | 0:11:35 | 0:11:38 | |
-So... -Right. And what kind of timescale? | 0:11:38 | 0:11:42 | |
-Six to eight weeks. -Right. And then on the market? | 0:11:42 | 0:11:45 | |
-And then on the market. -So, you paid 143 for it. | 0:11:45 | 0:11:47 | |
So, add in your 15-grand budget, takes you to about 160. | 0:11:47 | 0:11:50 | |
What do you think it'll be worth once you've done all that? | 0:11:50 | 0:11:52 | |
-I'm hoping 180-ish. -OK. -Yeah, 170, 180. | 0:11:52 | 0:11:56 | |
-Right, so maybe 20 grand in it. -Yeah. -Then move on to the next one? | 0:11:56 | 0:11:58 | |
-Yeah. -Yeah? Carry on. -So, yeah. -Are you looking forward to it? | 0:11:58 | 0:12:01 | |
-I am. I can't wait, actually. I really can't wait. -Good. | 0:12:01 | 0:12:04 | |
I've got some friends that want to get involved as well, | 0:12:04 | 0:12:06 | |
-so... -Oh, great. | 0:12:06 | 0:12:07 | |
I think it will be fish and chips and bottles of wine. | 0:12:07 | 0:12:10 | |
That's the way to go! Well, listen, congratulations. | 0:12:10 | 0:12:13 | |
-Fantastic. -Good luck. I shall look out for you in films. | 0:12:13 | 0:12:16 | |
-Yes! I'll wave. -And now you really have hit the big time. | 0:12:16 | 0:12:20 | |
-Indeed! -Now you're on Homes Under The Hammer. | 0:12:20 | 0:12:22 | |
-Too right, too right. -And you're not an extra, you got a starring role! | 0:12:22 | 0:12:25 | |
-Ta-dah! Fantastic. -Really lovely to meet you. | 0:12:25 | 0:12:28 | |
Lovely to meet you. Cheers. | 0:12:28 | 0:12:30 | |
Well, yes. | 0:12:30 | 0:12:31 | |
Mike going from bit part to starring role | 0:12:31 | 0:12:33 | |
on his first property renovation. | 0:12:33 | 0:12:36 | |
And a great flat to take on. | 0:12:36 | 0:12:38 | |
I can't wait to see how he transforms it. | 0:12:38 | 0:12:41 | |
You can find out later in the show. | 0:12:41 | 0:12:43 | |
The Caldon Canal runs through the Milton area of Stoke-on-Trent. | 0:12:48 | 0:12:52 | |
Opened in 1779, | 0:12:52 | 0:12:55 | |
the canal was originally built to carry limestone to Stoke potteries. | 0:12:55 | 0:12:59 | |
While the 1950s saw the end of commercial use | 0:13:00 | 0:13:03 | |
and a period of disrepair, | 0:13:03 | 0:13:05 | |
it has found a new lease of life in recent decades as a cruising canal, | 0:13:05 | 0:13:10 | |
taking boaters on a journey through the area's industrial past. | 0:13:10 | 0:13:14 | |
Just a two-minute drive from the canal | 0:13:14 | 0:13:16 | |
is the auction lot I'm here to see, | 0:13:16 | 0:13:18 | |
a former council depot consisting of two buildings over 0.22 acres. | 0:13:18 | 0:13:23 | |
It has a guide price of £35,000 plus, | 0:13:23 | 0:13:25 | |
and it's not your average Hammer lot. | 0:13:25 | 0:13:27 | |
But I'm going to have a look. | 0:13:27 | 0:13:30 | |
OK, so it's a commercial building... | 0:13:34 | 0:13:36 | |
which doesn't seem to be in bad condition. | 0:13:36 | 0:13:38 | |
Maybe a few minor repairs on the roof and on the walls. | 0:13:38 | 0:13:42 | |
But depending on what your business is, maybe a bit of storage, | 0:13:42 | 0:13:46 | |
maybe you could store your truck in here and all its tools. | 0:13:46 | 0:13:49 | |
It could be used for several kinds of businesses. | 0:13:49 | 0:13:52 | |
Maybe you could store your landscaping tools in here, as well. | 0:13:52 | 0:13:56 | |
Or even go back into my genre, when I was a little bit fitter. | 0:13:56 | 0:13:59 | |
Maybe line the walls, bit of flooring. | 0:13:59 | 0:14:02 | |
Maybe you could have a boot camp in here, bit of a gym. | 0:14:02 | 0:14:04 | |
Bit of circuit training. I'm a bit too old for that now, | 0:14:04 | 0:14:07 | |
so I'm going to have a look round the back, see what else I can find. | 0:14:07 | 0:14:10 | |
# Witness the fitness | 0:14:10 | 0:14:12 | |
# The Cruffiton liveth | 0:14:12 | 0:14:13 | |
# One hope, one quest... # | 0:14:13 | 0:14:17 | |
Walking out of here was exactly what the council groundworks team did. | 0:14:17 | 0:14:22 | |
But it looks like it's been abandoned | 0:14:22 | 0:14:24 | |
for as long as my fitness regime. | 0:14:24 | 0:14:26 | |
Into the second unit, which is a bit of a mess. | 0:14:28 | 0:14:31 | |
From what I can see, it has a toilet, | 0:14:31 | 0:14:33 | |
a back room, and I would imagine this would have been the canteen | 0:14:33 | 0:14:38 | |
or kitchen area. But it's... | 0:14:38 | 0:14:39 | |
it's all a bit... It's been destroyed in here. | 0:14:39 | 0:14:42 | |
You would have to spend a bit of money turning this round, | 0:14:42 | 0:14:44 | |
and it's nowhere near the same condition | 0:14:44 | 0:14:46 | |
as the first unit that we've already looked at. | 0:14:46 | 0:14:49 | |
And it would eat into your budget. | 0:14:49 | 0:14:51 | |
But this lot has an ace up its sleeve. Follow me and I'll show you. | 0:14:51 | 0:14:56 | |
# Walk this way | 0:14:56 | 0:14:58 | |
# Talk this way | 0:14:58 | 0:15:01 | |
# Walk this way! # | 0:15:01 | 0:15:03 | |
The beauty of this whole lot is this plot here. | 0:15:03 | 0:15:06 | |
There's more than enough space to get two houses on here, | 0:15:06 | 0:15:09 | |
obviously subject to planning. | 0:15:09 | 0:15:11 | |
You would have to consider the electricity and these trees as well, | 0:15:11 | 0:15:14 | |
that you might have to factor the cost of that into your budget. | 0:15:14 | 0:15:19 | |
But whoever gets this whole, the whole lot and this here, | 0:15:19 | 0:15:22 | |
could be onto a winner and a nice reward. | 0:15:22 | 0:15:25 | |
In fact, dump the boot-camp idea. | 0:15:25 | 0:15:28 | |
And why not demolish those sheds and build even more houses? | 0:15:28 | 0:15:33 | |
However, before you give them the boot, | 0:15:33 | 0:15:35 | |
even if removing this electricity supply pole is allowed, | 0:15:35 | 0:15:38 | |
it could mean a very high charge, maybe even going into thousands. | 0:15:38 | 0:15:43 | |
That needs to be taken into consideration, | 0:15:43 | 0:15:45 | |
because trying to sell a house with this as a garden feature could prove | 0:15:45 | 0:15:49 | |
a bit of a shocker. | 0:15:49 | 0:15:51 | |
# Well, it's a shock, shock... # | 0:15:51 | 0:15:54 | |
It's also a good idea to get the opinion of a local estate agent. | 0:15:54 | 0:15:58 | |
They should be able to give you an overview of the area to see if it's | 0:15:58 | 0:16:02 | |
even worth building houses here. | 0:16:02 | 0:16:04 | |
So here's one we invited along for his views. | 0:16:04 | 0:16:06 | |
So, basically, the site is located next to a public park. | 0:16:06 | 0:16:10 | |
And it's on the edge of Milton village, | 0:16:10 | 0:16:12 | |
which is a very popular area here in Stoke-on-Trent | 0:16:12 | 0:16:16 | |
with lots of shops and amenities, doctor's surgery. | 0:16:16 | 0:16:20 | |
It's a really good residential area. Basically, if I'd bought the plot, | 0:16:20 | 0:16:24 | |
I would seek planning permission | 0:16:24 | 0:16:26 | |
for two houses in front on the green side. | 0:16:26 | 0:16:28 | |
And I would further look to demolish these outer buildings to | 0:16:28 | 0:16:32 | |
probably build a couple of semis on here, | 0:16:32 | 0:16:34 | |
so making four houses on the site in total. | 0:16:34 | 0:16:37 | |
There are plenty of residential properties in this location, | 0:16:40 | 0:16:43 | |
so it does seem a bit of a no-brainer. | 0:16:43 | 0:16:46 | |
And four houses are definitely better than two, | 0:16:46 | 0:16:48 | |
planning permission allowing, of course. | 0:16:48 | 0:16:50 | |
So let's look at the numbers. What could two detached houses sell for? | 0:16:50 | 0:16:54 | |
If somebody was to develop two separate three-bedroom properties | 0:16:55 | 0:16:59 | |
at the front of the site, | 0:16:59 | 0:17:01 | |
they are looking at a value around the 170,000 per unit, | 0:17:01 | 0:17:05 | |
giving a total of 340,000. | 0:17:05 | 0:17:07 | |
And with the agent valuing the potential semidetached properties | 0:17:09 | 0:17:14 | |
at 140 grand each, that could bring a total return here | 0:17:14 | 0:17:17 | |
to a very respectable 620 grand. | 0:17:17 | 0:17:21 | |
And with that guide price of only £35,000 plus, | 0:17:21 | 0:17:24 | |
I think this could be a great venture. | 0:17:24 | 0:17:26 | |
Let's see who agreed when it went under the hammer. | 0:17:26 | 0:17:28 | |
We'll say it's 25 to start me. | 0:17:29 | 0:17:30 | |
25, as I say, to start. | 0:17:33 | 0:17:34 | |
20, then. We're going to go 20. Cheap enough at that for a site. | 0:17:34 | 0:17:38 | |
20 to start. 20 to it there. At £20,000. | 0:17:38 | 0:17:41 | |
21 can I see now? | 0:17:41 | 0:17:43 | |
At £20,000. 21. 22, sir, 22. | 0:17:43 | 0:17:47 | |
23. 24. | 0:17:47 | 0:17:50 | |
The bids soon flew past the guide price of £35,000 for this lot. | 0:17:50 | 0:17:55 | |
Some bidders fell away. We re-join the bidding at £61,000. | 0:17:55 | 0:18:00 | |
If not, £61,000 for the first time. | 0:18:01 | 0:18:04 | |
Right in the corner, go on, then. 62. | 0:18:04 | 0:18:08 | |
63. 64. 65. | 0:18:08 | 0:18:11 | |
66. 67. | 0:18:11 | 0:18:14 | |
68. 69. | 0:18:14 | 0:18:15 | |
Shaking his head. | 0:18:15 | 0:18:17 | |
Still with you, sir. 69, in the aisle at £69,000. | 0:18:17 | 0:18:21 | |
70 anywhere else now? | 0:18:21 | 0:18:24 | |
New bid at 70. | 0:18:24 | 0:18:27 | |
71. 72. 73. | 0:18:27 | 0:18:30 | |
74. 75. 76. | 0:18:30 | 0:18:33 | |
77. 78. | 0:18:33 | 0:18:36 | |
No? At £78,000 standing, then. | 0:18:36 | 0:18:39 | |
At £78,000. 79 anywhere else? | 0:18:39 | 0:18:43 | |
If not, £78,000 for the first time. | 0:18:43 | 0:18:47 | |
£78,000 for the second time. | 0:18:47 | 0:18:50 | |
79, back in. Cost you 80 now, sir. | 0:18:50 | 0:18:53 | |
No? | 0:18:55 | 0:18:56 | |
79, then. In the aisle, then, at £79,000. All done now? | 0:18:56 | 0:19:00 | |
£79,000 in the aisle, no mistake at 79. | 0:19:00 | 0:19:04 | |
Bought it, sir. Well done. | 0:19:04 | 0:19:06 | |
'Paying more than twice the £35,000 guide price was Justin. | 0:19:06 | 0:19:11 | |
'He's renovated some residential property | 0:19:11 | 0:19:13 | |
'but focuses more on commercial property. | 0:19:13 | 0:19:16 | |
'He rents out single units for small businesses, | 0:19:16 | 0:19:19 | |
'a builder's yard and even a children's nursery. | 0:19:19 | 0:19:22 | |
'So I started with the obvious question.' | 0:19:22 | 0:19:25 | |
Justin, nice to meet you. Congratulations. | 0:19:25 | 0:19:27 | |
-Thank you very much. -And you normally do commercial? | 0:19:27 | 0:19:29 | |
-Yeah. -What's your ideas? Now you've got it, what's your ideas with this? | 0:19:29 | 0:19:32 | |
-Are you going to do the same sort of thing? -Well, now I've looked at it, | 0:19:32 | 0:19:35 | |
I'm not so impressed with it, | 0:19:35 | 0:19:37 | |
because I only had one look in the dark | 0:19:37 | 0:19:39 | |
and I thought it was a bit better than it was. | 0:19:39 | 0:19:41 | |
But having had some planners look at the plot of land, | 0:19:41 | 0:19:45 | |
they're saying I could do more with it than I thought I could. | 0:19:45 | 0:19:47 | |
So I'm more interested in doing something with the residential now, | 0:19:47 | 0:19:50 | |
and then possibly in 12 months or so I may attempt | 0:19:50 | 0:19:52 | |
to put some houses on this or something, as well. | 0:19:52 | 0:19:55 | |
OK, so you're going to go residential. | 0:19:55 | 0:19:57 | |
-Yeah. -What are you going to do? Tell us exactly what you're going to do, | 0:19:57 | 0:19:59 | |
because you've got a little bit more than you expected. | 0:19:59 | 0:20:02 | |
Well, when I first spoke to the planners, | 0:20:02 | 0:20:04 | |
I said I wanted to put a three-bed detached on. | 0:20:04 | 0:20:06 | |
And looking at the size of the plot, I thought that's all I'd get on. | 0:20:06 | 0:20:10 | |
But he looked at it and he said | 0:20:10 | 0:20:11 | |
I could get easily two three-bed detached on | 0:20:11 | 0:20:13 | |
with two parking spaces for each and big enough gardens etc. | 0:20:13 | 0:20:17 | |
So I was quite pleased with that. | 0:20:17 | 0:20:19 | |
And that's without this bit, this is just the greenery bit. | 0:20:19 | 0:20:22 | |
What are you going to do with this? | 0:20:22 | 0:20:23 | |
Well, hopefully put one or two on this after. | 0:20:23 | 0:20:26 | |
'Justin hopes that if he can build the first two, | 0:20:26 | 0:20:28 | |
'they will help him finance the next stage. | 0:20:28 | 0:20:31 | |
'For the first stage, though, | 0:20:31 | 0:20:32 | |
'he's already had some outline plans drawn up. | 0:20:32 | 0:20:35 | |
'Part of this site backs onto a children's play park, | 0:20:35 | 0:20:38 | |
'so that might be one of the issues that dictate what planners say. | 0:20:38 | 0:20:42 | |
'This is Justin's first new-build project, | 0:20:42 | 0:20:45 | |
'but he won't be tackling it on his own.' | 0:20:45 | 0:20:47 | |
I've got a friend of mine who's a very good builder. | 0:20:47 | 0:20:49 | |
He won the Bricklayer of the Year competition years ago when he was a | 0:20:49 | 0:20:52 | |
teenager. He's a good lad, he is. And he does all building work. | 0:20:52 | 0:20:55 | |
He does everything himself. He labours for himself, | 0:20:55 | 0:20:57 | |
does everything, and he's going to build them. | 0:20:57 | 0:21:00 | |
I'm going to help him occasionally. | 0:21:00 | 0:21:02 | |
So to have one man working on your project for you and you'll come and | 0:21:02 | 0:21:05 | |
-oversee it to make sure he's... -And help him a bit. -And help him, yeah, | 0:21:05 | 0:21:08 | |
to get it how you want it done. | 0:21:08 | 0:21:10 | |
How long is it going to take one person to get what you want done? | 0:21:10 | 0:21:13 | |
Well, I don't see any reason why it shouldn't take | 0:21:13 | 0:21:16 | |
more than six to eight months. | 0:21:16 | 0:21:18 | |
As one person? That's a lot of work for one person. | 0:21:18 | 0:21:21 | |
-Well, I'll be helping him a little bit. -Yeah. | 0:21:21 | 0:21:24 | |
Got to clarify that "help a little bit" more for us! | 0:21:24 | 0:21:27 | |
Well, more than a little bit. I'll be labouring for him, but... | 0:21:27 | 0:21:29 | |
-So you don't mind getting stuck in yourself? -No, I don't mind, no, no. | 0:21:29 | 0:21:33 | |
It will take more than hard labour to build two houses here. | 0:21:33 | 0:21:37 | |
It will take hard cash, too. | 0:21:37 | 0:21:39 | |
Justin hopes to get the building work | 0:21:39 | 0:21:41 | |
on the first two houses done for 100 grand, | 0:21:41 | 0:21:43 | |
which does not seem like a lot. | 0:21:43 | 0:21:46 | |
But with his builder mate Wayne and Justin doing the work themselves, | 0:21:46 | 0:21:50 | |
this could keep the cost down. | 0:21:50 | 0:21:52 | |
It could also be handy that building runs in the family. | 0:21:52 | 0:21:56 | |
Well, my grandad was a builder, | 0:21:56 | 0:21:58 | |
quite a large company in the '40s, '50s, | 0:21:58 | 0:22:01 | |
'60s and '70s, | 0:22:01 | 0:22:03 | |
and he built quite a lot of council estates and schools etc. | 0:22:03 | 0:22:06 | |
But when my dad was born, he built two roads just up in Sandyford, | 0:22:06 | 0:22:11 | |
one called Russell Road and one called Russell Close. | 0:22:11 | 0:22:13 | |
And they were named after my father. | 0:22:15 | 0:22:17 | |
And when I was born, my father was into building, | 0:22:17 | 0:22:20 | |
and he built somewhere in Porthill a cul-de-sac | 0:22:20 | 0:22:22 | |
called Justin Close after me. | 0:22:22 | 0:22:24 | |
So I'm hoping to name these Amy Rose Cottages after my daughter. | 0:22:24 | 0:22:30 | |
-That's fantastic! -That's the idea, if I can get away with it. | 0:22:30 | 0:22:33 | |
'It must be pretty special having a street named after you. | 0:22:33 | 0:22:36 | |
'Dion Drive, anyone? | 0:22:36 | 0:22:38 | |
'No? OK. The council will decide whether to approve it or not. | 0:22:38 | 0:22:43 | |
'I bet Justin's 11-year-old daughter Amy Rose | 0:22:43 | 0:22:46 | |
'will be chuffed if it happens. | 0:22:46 | 0:22:47 | |
'But will she be following in her father's property footsteps?' | 0:22:47 | 0:22:51 | |
I don't know! I'm hoping to give it up myself soon. | 0:22:51 | 0:22:54 | |
You might be able to, mate, if it keeps going like this. | 0:22:54 | 0:22:57 | |
-Oh, well, you never know, so... -I'm sure you'll be fine, Justin. | 0:22:57 | 0:22:59 | |
-Thank you. -I wish you all the best. | 0:22:59 | 0:23:01 | |
-Thank you very much. -I hope it goes well. -Thank you. | 0:23:01 | 0:23:04 | |
Justin may have got a little bit more than what he was expecting. | 0:23:04 | 0:23:07 | |
He thought he only had space for one house. | 0:23:07 | 0:23:09 | |
He's got space for two houses. | 0:23:09 | 0:23:10 | |
And on this plot here, he might get three and four, as well. | 0:23:10 | 0:23:14 | |
I think Justin's onto a winner. | 0:23:14 | 0:23:16 | |
Amy Rose Cottages could be in the making. | 0:23:16 | 0:23:18 | |
You can find out how he gets on later on in the programme. | 0:23:18 | 0:23:20 | |
Coming up, Lucy just can't keep a lid on her excitement | 0:23:22 | 0:23:25 | |
at this three-bed detached house in south London. | 0:23:25 | 0:23:29 | |
I am such a fan of the old paint pot! | 0:23:29 | 0:23:31 | |
And in Milton near Stoke-on-Trent, | 0:23:33 | 0:23:35 | |
Justin got a bit of a shock when it came to moving a power line. | 0:23:35 | 0:23:39 | |
..and I expected quite a large bill for that. | 0:23:39 | 0:23:41 | |
Back now to the seaside town of Folkestone in Kent, | 0:23:46 | 0:23:50 | |
where I saw a surprisingly bright and airy two-bed ground-floor flat. | 0:23:50 | 0:23:55 | |
Although some of the window units were blown and would need to be | 0:23:55 | 0:23:58 | |
replaced, they did let in a lot of light to the spacious rooms. | 0:23:58 | 0:24:01 | |
And with a long lease of over 900 years, | 0:24:01 | 0:24:04 | |
this flat had a lot going for it. | 0:24:04 | 0:24:06 | |
But it wasn't perfect. | 0:24:06 | 0:24:07 | |
Well, in this pretty spacious flat, | 0:24:09 | 0:24:12 | |
the only bit that lets it down is the bathroom, because it's not huge. | 0:24:12 | 0:24:16 | |
And it is accessed via this... | 0:24:16 | 0:24:18 | |
very dated sliding door. | 0:24:18 | 0:24:19 | |
The good news is, just behind there, there is a large cupboard. | 0:24:19 | 0:24:22 | |
And although in flats you don't really want to lose storage space, | 0:24:22 | 0:24:25 | |
I think get rid of that cupboard, increase the size of the bathroom, | 0:24:25 | 0:24:28 | |
give yourself a proper-sized bath and then everything just works. | 0:24:28 | 0:24:33 | |
The pokey bathroom really was the only big negative here, | 0:24:33 | 0:24:36 | |
so I can see why Mike paid £143,000 for this flat at auction. | 0:24:36 | 0:24:42 | |
It was his first time trying his hand at property development, | 0:24:42 | 0:24:45 | |
as his main income is from work as an extra in film and television, | 0:24:45 | 0:24:49 | |
where he's played everything from pirates to policemen. | 0:24:49 | 0:24:53 | |
So do you get your name up on the credits? | 0:24:53 | 0:24:54 | |
-No! -Oh! -Hopefully in the future, if I do something, but, yeah. | 0:24:54 | 0:24:59 | |
So, in my mind it makes property development sound a bit boring in | 0:24:59 | 0:25:02 | |
-comparison, doesn't it? -Well, no. If I can balance it and do this | 0:25:02 | 0:25:05 | |
and also do the background stuff and whatever, it's great. Life's good. | 0:25:05 | 0:25:09 | |
It seemed like Mike had cast the right flat for his first property | 0:25:09 | 0:25:13 | |
development. He thought he could get the work done in six to eight weeks, | 0:25:13 | 0:25:17 | |
so it's time to see if this flat is | 0:25:17 | 0:25:19 | |
ready for its premiere ten weeks later. | 0:25:19 | 0:25:22 | |
There's not a red carpet in sight, but I think Mike can take a bow. | 0:25:25 | 0:25:29 | |
The new flooring and the modern, streamlined kitchen | 0:25:29 | 0:25:32 | |
with lovely worktops are A-list, | 0:25:32 | 0:25:34 | |
and Mike has also made the best of that lovely hallway. | 0:25:34 | 0:25:37 | |
But what about the bathroom, which, although not a Hammer horror, | 0:25:40 | 0:25:44 | |
it certainly did need a remake? | 0:25:44 | 0:25:46 | |
It remains the same size, but Mike decided to give it a bigger part. | 0:25:49 | 0:25:54 | |
The changes here, it's quite dramatic. | 0:25:54 | 0:25:56 | |
We ripped everything out, started again, | 0:25:56 | 0:25:59 | |
moved the bath across to this side. | 0:25:59 | 0:26:02 | |
We were going to maybe try and pinch a bit of space from that cupboard, | 0:26:02 | 0:26:05 | |
but when we actually put the full bath in, it works really well. | 0:26:05 | 0:26:08 | |
We've got a brand-new shower, | 0:26:08 | 0:26:11 | |
new tiles, and the floor tiles I absolutely love. | 0:26:11 | 0:26:14 | |
I'm really, really pleased with it. | 0:26:14 | 0:26:15 | |
I think it's probably one of my favourite rooms. | 0:26:15 | 0:26:18 | |
The rest of the flat has been rewired | 0:26:20 | 0:26:22 | |
and redecorated in neutral colours. | 0:26:22 | 0:26:24 | |
And although as an extra Mike | 0:26:24 | 0:26:26 | |
did not get his name up on the big screen, | 0:26:26 | 0:26:29 | |
he certainly deserves credit for doing a lot of the work... | 0:26:29 | 0:26:32 | |
..as do a few other people | 0:26:33 | 0:26:35 | |
who have helped make this transformation happen. | 0:26:35 | 0:26:38 | |
Well, originally I was going to be doing a lot of the work myself. | 0:26:38 | 0:26:42 | |
And I found a guy down here called David - a big thank you to David. | 0:26:42 | 0:26:47 | |
He came in and he helped lay the floor, helped me put in the kitchen | 0:26:47 | 0:26:52 | |
and also helped put in the bathroom, as well. | 0:26:52 | 0:26:54 | |
The main person I want to say thank you to is Debs, | 0:26:54 | 0:26:57 | |
who's been here all the way through, through thick and thin. | 0:26:57 | 0:27:00 | |
She has been the filler queen, | 0:27:00 | 0:27:03 | |
painter extraordinaire, and it's been a joy to have her here. | 0:27:03 | 0:27:08 | |
It didn't all go to plan on the first take, though, | 0:27:08 | 0:27:11 | |
for Mike and Debs. | 0:27:11 | 0:27:12 | |
We'd been working quite late. We went out and had a pizza... | 0:27:13 | 0:27:16 | |
and a bottle of wine or maybe two. | 0:27:16 | 0:27:18 | |
And we came back, and I decided | 0:27:18 | 0:27:20 | |
to paint the feature wall of an olive colour, | 0:27:20 | 0:27:24 | |
which, the next morning, when we looked at it, | 0:27:24 | 0:27:26 | |
decided that I'd painted the majority of the ceiling with it. | 0:27:26 | 0:27:29 | |
So I had to basically change that, | 0:27:29 | 0:27:32 | |
and so we've gone neutral throughout now. So, lesson learnt! | 0:27:32 | 0:27:36 | |
Yes, wine and painting are not a good combination. | 0:27:36 | 0:27:39 | |
Best avoided. One of the bigger issues of this flat was those | 0:27:39 | 0:27:43 | |
double-glazed windows which looked to have failed. | 0:27:43 | 0:27:46 | |
Well, I think when I first looked at it, a lot of the windows were blown. | 0:27:48 | 0:27:51 | |
So I then assumed that they'd all have to be ripped out, | 0:27:51 | 0:27:56 | |
which is where the budget was about 3,000, 3,500. | 0:27:56 | 0:27:59 | |
That's what I'd sort of estimated. | 0:27:59 | 0:28:02 | |
And as it was, the local company down here in Folkestone came in | 0:28:02 | 0:28:06 | |
and just said no, it's just a case of actually replacing the glass. | 0:28:06 | 0:28:09 | |
And they came in at £460. | 0:28:09 | 0:28:12 | |
So overall, the original budget was 15,000 | 0:28:12 | 0:28:14 | |
and I spent round about 13,500. | 0:28:14 | 0:28:17 | |
So, yeah, it's come in. And we've come in sort of within budget | 0:28:17 | 0:28:21 | |
and also within the timeframe, as well. | 0:28:21 | 0:28:23 | |
With a holiday sneaked in, as well! | 0:28:23 | 0:28:25 | |
A well-deserved holiday, as Mike has had a busy few months. | 0:28:27 | 0:28:31 | |
Also been doing some extra work whilst this has been going on. | 0:28:31 | 0:28:34 | |
So, the last one was I was an American soldier in that. | 0:28:34 | 0:28:38 | |
So... And there's... | 0:28:38 | 0:28:39 | |
I'm going to potentially be a very posh polo player | 0:28:39 | 0:28:43 | |
watching a polo match, | 0:28:43 | 0:28:44 | |
which is coming up in the next couple of weeks. | 0:28:44 | 0:28:46 | |
And there's a few others coming along. | 0:28:46 | 0:28:48 | |
So, yeah, it's a good balance. It's good fun. | 0:28:48 | 0:28:51 | |
# Film star, giving it class | 0:28:51 | 0:28:55 | |
# Living it fast tonight... # | 0:28:55 | 0:28:57 | |
Mike seems to have had good fun on the property-developing side, too. | 0:28:57 | 0:29:01 | |
Now he has grabbed the bull by the horns and done his first renovation, | 0:29:01 | 0:29:05 | |
will he do more? | 0:29:05 | 0:29:07 | |
I think, erm, I would definitely develop again down here, | 0:29:07 | 0:29:10 | |
because I've got a good team around me now. | 0:29:10 | 0:29:14 | |
But it all depends how much it's worth, really. | 0:29:14 | 0:29:16 | |
Well, it's time to find out, Mike. | 0:29:18 | 0:29:20 | |
As usual, we've asked along two local estate agents to see what they | 0:29:20 | 0:29:23 | |
think of the changes in this flat. | 0:29:23 | 0:29:26 | |
First, let's hear from the agent who saw it last time. | 0:29:26 | 0:29:30 | |
It's really well presented. | 0:29:31 | 0:29:33 | |
Obviously, nice new fitted kitchen, bathroom, all new carpets | 0:29:33 | 0:29:36 | |
throughout. So it's all ready to go. | 0:29:36 | 0:29:39 | |
The bathroom is a small space, but it's been nicely utilised, | 0:29:39 | 0:29:43 | |
well designed. The finishes are good, quality of fittings are good. | 0:29:43 | 0:29:48 | |
All in all, I think a good result. | 0:29:48 | 0:29:51 | |
Whether Mike goes for a sequel in this area | 0:29:51 | 0:29:54 | |
will depend on the outcome of the valuations. | 0:29:54 | 0:29:56 | |
So, will he make a profit on his £156,500 investment? | 0:29:56 | 0:30:01 | |
The market value for this property | 0:30:01 | 0:30:03 | |
currently would be £175,000 to £180,000. | 0:30:03 | 0:30:07 | |
In today's market, I believe this flat | 0:30:07 | 0:30:09 | |
could sell for £180,000 to £185,000. | 0:30:09 | 0:30:13 | |
That is really where I was in line with. | 0:30:13 | 0:30:16 | |
Originally, I'd sort of thought maybe 175. | 0:30:16 | 0:30:19 | |
I have spoken to another estate agent that said high 100s, | 0:30:19 | 0:30:23 | |
but it's pick a number, really. | 0:30:23 | 0:30:25 | |
And it really comes down to who would actually buy it and what price | 0:30:25 | 0:30:28 | |
they're prepared to pay. So, no, that's ideal, that's fabulous. | 0:30:28 | 0:30:32 | |
Getting that top valuation of 185,000 would mean a pre-tax profit | 0:30:32 | 0:30:36 | |
of 28,500. | 0:30:36 | 0:30:39 | |
Has he enjoyed this Folkestone project? | 0:30:39 | 0:30:41 | |
It's been great. | 0:30:43 | 0:30:44 | |
I mean, I think it's been ideal because of the weather, as well. | 0:30:44 | 0:30:49 | |
To finish here and then go down to the sea and go for a swim | 0:30:49 | 0:30:52 | |
has been awesome. So, no, it's been great. Really good experience. | 0:30:52 | 0:30:55 | |
This is Norbury in south London. | 0:30:59 | 0:31:02 | |
It's an area that has plenty of green spaces, | 0:31:02 | 0:31:05 | |
local amenities and a train station | 0:31:05 | 0:31:07 | |
which takes you into central London in 20 minutes. | 0:31:07 | 0:31:10 | |
The first station was built in the 1800s. | 0:31:12 | 0:31:15 | |
Passengers would disembark here to see the horse races that were held | 0:31:15 | 0:31:19 | |
in the area. | 0:31:19 | 0:31:20 | |
Well, the races may have finished, | 0:31:20 | 0:31:22 | |
but plenty of people are still jockeying for position | 0:31:22 | 0:31:24 | |
in the property market that there is in this popular south London spot. | 0:31:24 | 0:31:29 | |
I'm here to see a three-bed detached house, | 0:31:30 | 0:31:32 | |
and it had a guide price of £450,000 plus. | 0:31:32 | 0:31:36 | |
Now, it looks a little bit dwarfed | 0:31:36 | 0:31:38 | |
by its large neighbours on either side, | 0:31:38 | 0:31:41 | |
doesn't it? | 0:31:41 | 0:31:42 | |
# Is there anybody home who wants to have me | 0:31:42 | 0:31:46 | |
# Just to love me? | 0:31:46 | 0:31:48 | |
# Stuck in the middle... # | 0:31:48 | 0:31:50 | |
Wow, that's a lovely, big, | 0:31:51 | 0:31:53 | |
heavy front door with some beautiful stained glass. | 0:31:53 | 0:31:56 | |
I mean, so much more character on the inside | 0:31:56 | 0:31:59 | |
than what I was expecting. You've got all this lovely wood panelling, | 0:31:59 | 0:32:01 | |
although it's very dark and oppressive. | 0:32:01 | 0:32:04 | |
I am such a fan of the old paint pot! | 0:32:04 | 0:32:06 | |
If you could paint that, it would really lighten the place up. | 0:32:06 | 0:32:09 | |
And, you know, painted wood can look fantastic. | 0:32:09 | 0:32:12 | |
That's a fabulous staircase. | 0:32:12 | 0:32:13 | |
Look at that. It's got a real '30s feel to it in here. | 0:32:13 | 0:32:16 | |
And again, look. Lovely, solid wood doors. | 0:32:16 | 0:32:20 | |
You can really imagine what that would be like with a lovely layer of | 0:32:20 | 0:32:24 | |
paint over it. Now, I can hear some of you going, "What? | 0:32:24 | 0:32:27 | |
"You should stain it and keep it as wood!" | 0:32:27 | 0:32:29 | |
But I think that would look really finished once painted. | 0:32:29 | 0:32:32 | |
Again, you've got a nice little fire surround up here. | 0:32:32 | 0:32:35 | |
I'm not quite sure about the beams above my head. | 0:32:35 | 0:32:38 | |
They don't add too much character, | 0:32:38 | 0:32:39 | |
and it sort of gives a bit of a stripy feeling in here. | 0:32:39 | 0:32:42 | |
So I think I'd probably be more inclined | 0:32:42 | 0:32:44 | |
to board that whole ceiling over. | 0:32:44 | 0:32:46 | |
But there's a lot you can work with in this room. It's spacious. | 0:32:46 | 0:32:50 | |
I mean, you've already got double-glazed windows here. | 0:32:50 | 0:32:52 | |
They're not my favourites, uPVC, but they're in and they look quite new, | 0:32:52 | 0:32:56 | |
so maybe it's best to leave them. So, so far so good. | 0:32:56 | 0:32:59 | |
A fantastic space, it's got character, | 0:32:59 | 0:33:02 | |
and I can really imagine a family wanting to live here. | 0:33:02 | 0:33:05 | |
Lucy is spot-on there. This is a sizeable property. | 0:33:06 | 0:33:10 | |
Upstairs, there are two good-sized bedrooms and a box room, | 0:33:10 | 0:33:14 | |
and there is a bathroom and a separate loo. | 0:33:14 | 0:33:17 | |
Probably best knocked into one. | 0:33:17 | 0:33:19 | |
But Lucy has discovered some more pressing layout issues downstairs. | 0:33:19 | 0:33:23 | |
This is where it goes a little bit wrong. | 0:33:25 | 0:33:27 | |
So, you've got a bit of an interim area. | 0:33:27 | 0:33:29 | |
There's a loo in there, and then you walk through into the kitchen. | 0:33:29 | 0:33:33 | |
Erm, and it's just a little bit clumsy. | 0:33:33 | 0:33:35 | |
You've got the boiler there, really small space. | 0:33:35 | 0:33:38 | |
So I'm not excited by the kitchen at all. | 0:33:38 | 0:33:42 | |
And then you've got a wall right there. | 0:33:42 | 0:33:44 | |
So, a wall there, | 0:33:44 | 0:33:46 | |
and there's a wall here and another sort of corridor through here, | 0:33:46 | 0:33:49 | |
and then you've got this rather nice room, | 0:33:49 | 0:33:51 | |
which is, I think, the original part of the house. | 0:33:51 | 0:33:54 | |
And then you've got this area through here, which is like a cold, | 0:33:54 | 0:33:57 | |
hard, tiled floor, maybe a dining room, | 0:33:57 | 0:34:00 | |
but you've got another wall here. | 0:34:00 | 0:34:02 | |
I know I'm going on a bit, but it just doesn't flow. | 0:34:02 | 0:34:05 | |
It really doesn't work for me, | 0:34:05 | 0:34:07 | |
and it feels very lovely and original | 0:34:07 | 0:34:10 | |
down the front part of the house as you walk in, very '30s. | 0:34:10 | 0:34:13 | |
And at the back, well, you know... | 0:34:13 | 0:34:14 | |
Look, these sort of French doors leading out to the garden. | 0:34:14 | 0:34:17 | |
The character just stops | 0:34:17 | 0:34:18 | |
and it just doesn't seem to connect with the house. | 0:34:18 | 0:34:22 | |
Yeah? I'm going to have a look out in the garden. | 0:34:22 | 0:34:24 | |
Well, no! I won't be walking out to the garden from here | 0:34:27 | 0:34:29 | |
and that's because... | 0:34:29 | 0:34:31 | |
there's a six-foot drop! | 0:34:31 | 0:34:33 | |
Loads of bushes in my way, | 0:34:33 | 0:34:35 | |
and basically it's just me and a Juliet balcony. | 0:34:35 | 0:34:38 | |
I mean, it's such a shame that you | 0:34:38 | 0:34:39 | |
can't have direct access out to this garden! | 0:34:39 | 0:34:43 | |
# Romeo and Juliet, they never felt this way, I bet | 0:34:43 | 0:34:49 | |
# So don't underestimate my point of view... # | 0:34:49 | 0:34:56 | |
It's not fair Verona where we lay out our scene, of course, | 0:34:56 | 0:35:00 | |
but lay a veranda out here and you could have direct access to outdoor | 0:35:00 | 0:35:04 | |
space without having to go through the kitchen. | 0:35:04 | 0:35:07 | |
What could also work would be to take a leaf | 0:35:07 | 0:35:10 | |
out of the neighbour's book and extend. | 0:35:10 | 0:35:12 | |
But what kind of extension would give the best return here? | 0:35:12 | 0:35:15 | |
We asked a local estate agent along to give us his advice. | 0:35:17 | 0:35:20 | |
This specific area, people look for between three and five bedrooms. | 0:35:23 | 0:35:27 | |
The property prices are a bit higher. | 0:35:27 | 0:35:28 | |
Adding a bedroom or two would | 0:35:28 | 0:35:30 | |
drastically improve the value of the property. | 0:35:30 | 0:35:33 | |
It sounds like a no-brainer. | 0:35:33 | 0:35:35 | |
However, there might just be a catch. | 0:35:35 | 0:35:38 | |
Looking around at this property, | 0:35:38 | 0:35:39 | |
I think there could be some scope for extension, | 0:35:39 | 0:35:42 | |
although I think it would be difficult | 0:35:42 | 0:35:43 | |
to get maybe a room or two in the roof, | 0:35:43 | 0:35:45 | |
just because of the way it's shaped. | 0:35:45 | 0:35:47 | |
So, an attic conversion might be out of the question. | 0:35:47 | 0:35:50 | |
So what does the agent think the best option would be? | 0:35:50 | 0:35:53 | |
I think for this specific property, keep it as a three-bedroom, | 0:35:53 | 0:35:57 | |
and just make it as best as you can, | 0:35:57 | 0:35:58 | |
good finishes, kitchen, bathroom etc, and I think that'll be fine. | 0:35:58 | 0:36:02 | |
The agent thinks that without an extension, | 0:36:04 | 0:36:06 | |
this house once renovated could sell for anything between £575,000 and | 0:36:06 | 0:36:11 | |
£590,000, depending on the level of finish. | 0:36:11 | 0:36:15 | |
But adding a nice, large single-storey extension | 0:36:15 | 0:36:18 | |
and spending your money on high-spec finishes | 0:36:18 | 0:36:21 | |
could be the best way to maximise your profit. | 0:36:21 | 0:36:24 | |
Extended and renovated to a very high standard, | 0:36:24 | 0:36:26 | |
it would sell for approximately £650,000, | 0:36:26 | 0:36:29 | |
possibly pushing the £675,000 mark. | 0:36:29 | 0:36:32 | |
Well, this is a good, solid property in a popular spot. | 0:36:32 | 0:36:35 | |
It's got character, and once you've sorted out that layout, well, | 0:36:35 | 0:36:39 | |
I think it could be a really lovely home for someone. | 0:36:39 | 0:36:42 | |
So, who saw the potential? Let's head to auction and find out. | 0:36:42 | 0:36:45 | |
Three-bedroom detached house in need of modernisation. | 0:36:47 | 0:36:50 | |
Offered with vacant possession. | 0:36:50 | 0:36:51 | |
Who'd like to give me a start on this? 470 anywhere? | 0:36:51 | 0:36:55 | |
Somebody want to have a crack at this? | 0:36:55 | 0:36:56 | |
Thank you. 470 I've got. | 0:36:56 | 0:36:59 | |
Straight ahead, thank you. 475. | 0:36:59 | 0:37:01 | |
480. 485. | 0:37:03 | 0:37:06 | |
How much? 482. | 0:37:07 | 0:37:09 | |
484. | 0:37:09 | 0:37:10 | |
The bidding wasn't exactly frantic for this lot, | 0:37:10 | 0:37:13 | |
but there were still a few interested parties. | 0:37:13 | 0:37:17 | |
We re-join the action at 496,000. | 0:37:17 | 0:37:21 | |
If not, 496, standing up on my right at the back. | 0:37:21 | 0:37:25 | |
That's against you sitting down at the back on my left. | 0:37:25 | 0:37:27 | |
Anybody else? 498? | 0:37:27 | 0:37:29 | |
498. 500, yeah? | 0:37:29 | 0:37:31 | |
500. 502. | 0:37:31 | 0:37:33 | |
No? If not, 500 for the first, 500 for the second. | 0:37:33 | 0:37:39 | |
500 for the third and final time. | 0:37:39 | 0:37:41 | |
Sold, 500. | 0:37:41 | 0:37:43 | |
The successful bidder, paying £500,000 for this property, | 0:37:43 | 0:37:47 | |
was Luca and his dad Paul. | 0:37:47 | 0:37:49 | |
They have bought this as a business investment together. | 0:37:49 | 0:37:52 | |
Luca works for one of his father's companies | 0:37:52 | 0:37:55 | |
and also runs his own developments. | 0:37:55 | 0:37:57 | |
Luca used to be a League Two footballer | 0:37:57 | 0:37:59 | |
but kicked that career into touch | 0:37:59 | 0:38:01 | |
and is now tackling property development. | 0:38:01 | 0:38:03 | |
He came along with his friend Howard | 0:38:03 | 0:38:05 | |
to tell Lucy about their tactics for this '30s house. | 0:38:05 | 0:38:08 | |
Guys, congratulations. Luca, lovely to meet you. | 0:38:09 | 0:38:11 | |
-Nice to meet you, too. -Howard. | 0:38:11 | 0:38:13 | |
-And you. -Now, Luca, it was just you at the auction. | 0:38:13 | 0:38:15 | |
-Is this your property? -It is indeed, yes. | 0:38:15 | 0:38:18 | |
I've been to a couple of auctions previous. | 0:38:18 | 0:38:20 | |
-Yeah. -A lot of money exchanging hands etc. | 0:38:20 | 0:38:23 | |
-Yeah! Just a bit! -Yeah, so... | 0:38:23 | 0:38:25 | |
We were going to bid for a couple of properties before this one came up. | 0:38:25 | 0:38:29 | |
I think we've had a bit of a touch, | 0:38:29 | 0:38:31 | |
that we didn't get them and we've managed to secure this one. | 0:38:31 | 0:38:33 | |
Do you think this was the right property for you? | 0:38:33 | 0:38:35 | |
Certainly, yeah. I mean, we're sort of building in stepping stones. | 0:38:35 | 0:38:38 | |
So, we've done a couple of flats together and a house in Leatherhead. | 0:38:38 | 0:38:43 | |
So this is sort of the next step for us. | 0:38:43 | 0:38:45 | |
And, yeah, we're extremely happy, over the moon to get this one. | 0:38:45 | 0:38:48 | |
-Looking forward to getting started. -Tell me a bit about the both of you. | 0:38:48 | 0:38:51 | |
Now, do you work together as a team? Howard, what do you do? | 0:38:51 | 0:38:54 | |
Well, I'm basically the project manager, so I do a lot of the work, | 0:38:54 | 0:38:57 | |
but I oversee it as well. | 0:38:57 | 0:38:59 | |
And, yeah, it's been going quite well | 0:38:59 | 0:39:01 | |
so far on the previous projects. | 0:39:01 | 0:39:03 | |
So, are you two mates? Do you stem from a long friendship? | 0:39:03 | 0:39:06 | |
-Friends about eight years now. -Yeah, eight or ten years. | 0:39:06 | 0:39:09 | |
Used to play football together, | 0:39:09 | 0:39:10 | |
so then obviously going out when we were younger a lot on the town, | 0:39:10 | 0:39:13 | |
and so we built, obviously, built a good relationship. | 0:39:13 | 0:39:17 | |
And we've started working together now, so that's going really well. | 0:39:17 | 0:39:20 | |
-Is it a good, fun day at work? -Yeah, brilliant. -Is it? | 0:39:20 | 0:39:23 | |
We love going to work, to be honest with you. | 0:39:23 | 0:39:25 | |
And do you socialise together? | 0:39:25 | 0:39:27 | |
-Oh, we live together. -Yeah, we live together as well! | 0:39:27 | 0:39:29 | |
You're planning your nights out while you're working! | 0:39:29 | 0:39:31 | |
Exactly. Yeah, yeah. | 0:39:31 | 0:39:33 | |
We're here, seeing what we can do on a Saturday night. | 0:39:33 | 0:39:35 | |
We play football together, as well, so... | 0:39:35 | 0:39:37 | |
-Can't get rid of him. -You're now project-managing all the properties, | 0:39:37 | 0:39:41 | |
-you're buying them. -Yeah. -We had a good team, didn't we? | 0:39:41 | 0:39:44 | |
Yeah. I mean, we've had a team for about a year now, | 0:39:44 | 0:39:47 | |
so we all sort of have our input, get everyone in together, | 0:39:47 | 0:39:50 | |
all the tradesmen, and we sort of go from there, really. | 0:39:50 | 0:39:54 | |
So you're actually on-site, both of you, every day? | 0:39:54 | 0:39:56 | |
-Me. I'm here every day. -So, tell me what you have to do, Howard. | 0:39:56 | 0:40:00 | |
Well, I do a lot of the work myself. Tiling's my main trade, | 0:40:00 | 0:40:03 | |
but I've done property development for a few years. | 0:40:03 | 0:40:06 | |
So I know a fair bit about it. And... | 0:40:06 | 0:40:09 | |
..the contractors we've had in before, | 0:40:10 | 0:40:12 | |
they're all friends, as well. | 0:40:12 | 0:40:13 | |
So, we all work together well as a team, | 0:40:13 | 0:40:16 | |
and I oversee them, make sure they do it all properly, | 0:40:16 | 0:40:18 | |
but I trust them, they know exactly what they're doing | 0:40:18 | 0:40:20 | |
and I do every bit of work that | 0:40:20 | 0:40:21 | |
-I can, basically. -So, are you both excited about starting this project? | 0:40:21 | 0:40:25 | |
-I'd say this one more than any. -Yeah, definitely. -Best one so far. | 0:40:25 | 0:40:28 | |
So, why is this the best one so far? | 0:40:28 | 0:40:29 | |
What's got your juices flowing about this house? | 0:40:29 | 0:40:31 | |
-Potential in it. -Potential in it, definitely. -Yes! -The area... | 0:40:31 | 0:40:35 | |
is a busy area, it's sought after, so there's a lot we can do with it. | 0:40:35 | 0:40:39 | |
What changes can you make | 0:40:39 | 0:40:40 | |
and how can you add value to a property like this? | 0:40:40 | 0:40:43 | |
-We like... We like the entrance, don't we? -Yeah, certainly, | 0:40:43 | 0:40:46 | |
the old traditional front door with the stained glass, | 0:40:46 | 0:40:49 | |
nice timber panels as you come in. | 0:40:49 | 0:40:51 | |
That's... All them features we're going to keep, | 0:40:51 | 0:40:53 | |
certainly at the front of the house. | 0:40:53 | 0:40:55 | |
Starting with the windows, we are going to keep it traditional. | 0:40:55 | 0:40:57 | |
We're going to go with the flush fit in the casements. | 0:40:57 | 0:41:00 | |
-Are you? -Yeah. -Really? -Yes. -I'm really surprised. | 0:41:00 | 0:41:02 | |
I'm really glad about that, because they're my favourite, | 0:41:02 | 0:41:05 | |
but they're really expensive. | 0:41:05 | 0:41:07 | |
They are. I mean, | 0:41:07 | 0:41:09 | |
as a family, we own two window companies. | 0:41:09 | 0:41:11 | |
-Oh, there you go. -It's going to be no cost to us. | 0:41:11 | 0:41:13 | |
-Not quite as expensive. -Fantastic! Bingo! | 0:41:13 | 0:41:16 | |
Exactly, it's a bit of a touch... It's a touch for us to... | 0:41:16 | 0:41:20 | |
-So no uPVC in sight. That's going. -Yeah. -You can have lovely wooden | 0:41:20 | 0:41:24 | |
-timber casements. -Exactly. -Oh, fantastic. -Timber casements | 0:41:24 | 0:41:27 | |
-and then aluminium bifolds towards the back of the property. -So new | 0:41:27 | 0:41:31 | |
-windows and doors. -Yeah. -Anything else? -Kitchen's obviously going to | 0:41:31 | 0:41:35 | |
have to be redone. We're thinking of putting an island in the middle, | 0:41:35 | 0:41:38 | |
-aren't we? -Yeah. -And a new bathroom suite. | 0:41:38 | 0:41:41 | |
That's all going to be needed. | 0:41:41 | 0:41:42 | |
So, let's talk about the downside, for me. | 0:41:42 | 0:41:44 | |
As you walk through the front door, | 0:41:44 | 0:41:47 | |
all fantastic, and then it's a bit of a rabbit warren. | 0:41:47 | 0:41:49 | |
-It doesn't really work. -Those walls, | 0:41:49 | 0:41:51 | |
as you come through the front, obviously, | 0:41:51 | 0:41:53 | |
like you say, a rabbit warren. | 0:41:53 | 0:41:54 | |
They get in your way a bit. And we want the light coming through | 0:41:54 | 0:41:57 | |
from the front door, so we're going to knock a few walls | 0:41:57 | 0:41:59 | |
through there so it's much easier access to the kitchen. | 0:41:59 | 0:42:03 | |
And that'll be the utility and toilet area to your right, | 0:42:03 | 0:42:06 | |
and then, as for out the back, | 0:42:06 | 0:42:08 | |
we're going to put a balcony out through the doors, | 0:42:08 | 0:42:10 | |
aren't we? South facing, as well, | 0:42:10 | 0:42:12 | |
so they get the nice bit of sun on the balcony, as well. | 0:42:12 | 0:42:15 | |
So, what sort of budget have you got to do the work here? | 0:42:15 | 0:42:17 | |
Because it sounds like extensive plans. | 0:42:17 | 0:42:19 | |
You're going to spend a bit of money on the place. | 0:42:19 | 0:42:21 | |
I'd say we're probably looking at roughly around 50 grand. | 0:42:21 | 0:42:25 | |
-That sort of thing. -£50,000. -50, 60 grand. | 0:42:25 | 0:42:27 | |
How long do you think it's going to take you? | 0:42:27 | 0:42:28 | |
I think we can get this out in three, four? | 0:42:28 | 0:42:30 | |
-Yeah. -Three to four months? You think you can turn this around? | 0:42:30 | 0:42:33 | |
So you're purely buying this up to sell it at a profit. | 0:42:33 | 0:42:36 | |
-Exactly. -Guys, I'm so excited to see the outcome. | 0:42:36 | 0:42:39 | |
Congratulations and good luck with this project. | 0:42:39 | 0:42:41 | |
-Well done. -Thank you very much. -Thank you. -Thank you. | 0:42:41 | 0:42:43 | |
So, Luca and Howard seem, well, pretty relaxed | 0:42:45 | 0:42:48 | |
and actually really excited about their latest project. | 0:42:48 | 0:42:51 | |
But will it all be as straightforward as they think? | 0:42:51 | 0:42:54 | |
Join me later in the programme and you can find out. | 0:42:54 | 0:42:57 | |
We still need to find out what's happened | 0:43:00 | 0:43:02 | |
to our two remaining properties. | 0:43:02 | 0:43:04 | |
Are they doing a Mexican wave or are they just waving goodbye to profit? | 0:43:04 | 0:43:08 | |
Let's find out how they got on. | 0:43:08 | 0:43:09 | |
Time to head back to Milton near Stoke-on-Trent, | 0:43:12 | 0:43:15 | |
where I saw a former council groundworks depot. | 0:43:15 | 0:43:19 | |
It had a large shed that was actually in good condition. | 0:43:19 | 0:43:22 | |
Around the back was a separate building | 0:43:23 | 0:43:25 | |
that housed some offices that were less so. | 0:43:25 | 0:43:29 | |
But the beauty of this whole lot is this plot here. | 0:43:29 | 0:43:33 | |
There's more than enough space to get two houses on here, | 0:43:33 | 0:43:36 | |
obviously subject to planning. | 0:43:36 | 0:43:38 | |
You would have to consider the electricity | 0:43:38 | 0:43:40 | |
and these trees, as well, | 0:43:40 | 0:43:41 | |
that you might have to factor the cost of that into your budget. | 0:43:41 | 0:43:46 | |
But whoever gets this whole lot and this here could be onto a winner. | 0:43:46 | 0:43:50 | |
The successful bidder, who paid 79 grand | 0:43:53 | 0:43:56 | |
for this lot at auction, was former | 0:43:56 | 0:43:58 | |
car salesman turned property developer Justin. | 0:43:58 | 0:44:01 | |
He normally buys and rents out commercial properties, | 0:44:01 | 0:44:04 | |
but with this, he's trying something new. | 0:44:04 | 0:44:06 | |
Well, when I first spoke to the planners, | 0:44:06 | 0:44:09 | |
I said I wanted to put a three-bed detached on. | 0:44:09 | 0:44:11 | |
Looking at the size of the plot, I thought that's all they'd get on. | 0:44:11 | 0:44:14 | |
But he looked at it and said I could get easily two three-bed detached | 0:44:14 | 0:44:17 | |
on with two parking spaces for each and big enough gardens etc. | 0:44:17 | 0:44:21 | |
So, I was quite pleased with that. | 0:44:21 | 0:44:24 | |
This was his first attempt at a new-build, | 0:44:24 | 0:44:26 | |
but construction runs in the family. | 0:44:26 | 0:44:28 | |
His grandfather and father were both builders and the family tradition is | 0:44:28 | 0:44:33 | |
to name streets on estates they've built after family members. | 0:44:33 | 0:44:37 | |
Justin planned to follow suit. | 0:44:37 | 0:44:39 | |
I'm hoping to name these Amy Rose Cottages after my daughter. | 0:44:39 | 0:44:44 | |
-That's fantastic! -That's the idea, if I can get away with it. | 0:44:44 | 0:44:46 | |
Armed with some outline plans, | 0:44:46 | 0:44:48 | |
he was ready to negotiate with the local planning department | 0:44:48 | 0:44:52 | |
to hopefully have his builder friend Wayne | 0:44:52 | 0:44:54 | |
put up the houses in around six to eight months. | 0:44:54 | 0:44:57 | |
Now, we're back a year and ten months later. | 0:44:57 | 0:45:00 | |
Amy Rose Cottages should be a reality. | 0:45:00 | 0:45:03 | |
# But I guess that's why they say | 0:45:03 | 0:45:05 | |
# Every rose has its thorn | 0:45:05 | 0:45:09 | |
# Just like every night has its dawn | 0:45:11 | 0:45:17 | |
# Just like every cowboy sings a sad, sad song | 0:45:17 | 0:45:24 | |
# Every rose has its thorn... # | 0:45:25 | 0:45:29 | |
Sadly, the planning has been a prickly issue, | 0:45:32 | 0:45:35 | |
so Justin hasn't managed to have anything built here yet, | 0:45:35 | 0:45:39 | |
which must be disappointing. | 0:45:39 | 0:45:42 | |
Unfortunately, the council didn't like the idea that the houses both | 0:45:42 | 0:45:46 | |
weren't facing the road in a line. | 0:45:46 | 0:45:49 | |
They were talking about the frontage needed to be the same all the way | 0:45:49 | 0:45:52 | |
down the road, so they told me that they wouldn't allow it, | 0:45:52 | 0:45:55 | |
but we went ahead anyway. | 0:45:55 | 0:45:57 | |
It got refused, we went to appeal and it got refused again, | 0:45:57 | 0:46:00 | |
so now we're back to square one and we're looking at a single detached | 0:46:00 | 0:46:04 | |
house with four bedrooms, | 0:46:04 | 0:46:06 | |
which is probably where we'll end up having to go. | 0:46:06 | 0:46:09 | |
Justin did manage to do some preparation work | 0:46:09 | 0:46:12 | |
during all the wrangling. | 0:46:12 | 0:46:14 | |
Some trees have been removed, and I'm glad to see that they've managed | 0:46:14 | 0:46:17 | |
to have that electricity supply pole moved. | 0:46:17 | 0:46:20 | |
And you might be shocked at how much it cost. | 0:46:21 | 0:46:24 | |
We got hold of the electric company | 0:46:26 | 0:46:28 | |
and I expected quite a large bill for that. | 0:46:28 | 0:46:31 | |
But as it happened, they didn't charge me anything. | 0:46:31 | 0:46:33 | |
All they asked for was... | 0:46:33 | 0:46:34 | |
..to put the electric within a metre of the boundary, | 0:46:36 | 0:46:39 | |
so they had access to it and to sign a wayleave for me to put it there. | 0:46:39 | 0:46:42 | |
And they never charged me a penny. | 0:46:42 | 0:46:44 | |
# I owe you nothing | 0:46:44 | 0:46:47 | |
# Nothing, nothing at all | 0:46:47 | 0:46:51 | |
# Nothing, nothing at all, all... # | 0:46:51 | 0:46:54 | |
Well, not quite for nothing. | 0:46:54 | 0:46:56 | |
The electricity company now have an access agreement to enter the | 0:46:56 | 0:47:00 | |
property's boundary to make repairs at any time. | 0:47:00 | 0:47:04 | |
This agreement normally transfers to any future owners of the land | 0:47:04 | 0:47:08 | |
or property on it, which may put some people off purchasing it. | 0:47:08 | 0:47:12 | |
So, slow progress on the plot of land, | 0:47:12 | 0:47:15 | |
but Justin has at least been able to utilise the groundworks depot. | 0:47:15 | 0:47:20 | |
I've now converted this bit here into usable for myself. | 0:47:20 | 0:47:24 | |
I've put a toilet in it and drains etc, electric, water. | 0:47:24 | 0:47:28 | |
And it will be a good base when we eventually get planning permission | 0:47:28 | 0:47:31 | |
to build just at the side there. So, I'm happy about that. | 0:47:31 | 0:47:34 | |
With plenty of secure space to store materials and equipment, | 0:47:34 | 0:47:38 | |
the depot is an ideal base for the site, and in the future, | 0:47:38 | 0:47:41 | |
once the house is hopefully complete, | 0:47:41 | 0:47:44 | |
he intends to convert the depot into a nursery and add it to his | 0:47:44 | 0:47:47 | |
commercial rental portfolio. | 0:47:47 | 0:47:49 | |
The budget for the building of the two houses was 100 grand. | 0:47:52 | 0:47:55 | |
But how's that new plan affected his budget for a single four-bed house? | 0:47:55 | 0:47:59 | |
We're still on a similar budget, I'd imagine, because the one house | 0:48:01 | 0:48:04 | |
we're building now is going to be a lot bigger and a better spec, | 0:48:04 | 0:48:07 | |
and also the council asked us to put a brick wall | 0:48:07 | 0:48:10 | |
around the outside of the property, which will cost a few quid, as well. | 0:48:10 | 0:48:13 | |
It's time to see if two local estate agents think that his | 0:48:13 | 0:48:17 | |
new, revised plan is the way to go. | 0:48:17 | 0:48:20 | |
First, let's hear from the agent that saw it last time. | 0:48:20 | 0:48:23 | |
Well, obviously, you know, | 0:48:23 | 0:48:25 | |
currently the plans are to put a four-bedroom property on the land | 0:48:25 | 0:48:28 | |
adjacent to the building here. | 0:48:28 | 0:48:31 | |
That's probably a good plan, because the land is a substantial size. | 0:48:31 | 0:48:36 | |
Obviously, it's within a good area for residential, for families, | 0:48:36 | 0:48:41 | |
so I would think it would be a very attractive proposition. | 0:48:41 | 0:48:44 | |
The current plan for the four-bedroom detached house, I feel, | 0:48:44 | 0:48:46 | |
is a much better idea, certainly, one plot with four bedrooms, | 0:48:46 | 0:48:50 | |
and allow for the parking in the property. | 0:48:50 | 0:48:52 | |
I feel it would fit in the surroundings well | 0:48:52 | 0:48:54 | |
and certainly would be a good idea to move forward on. | 0:48:54 | 0:48:57 | |
So, it's right for the plot and the area. | 0:48:57 | 0:49:00 | |
But is it the right move financially? | 0:49:00 | 0:49:02 | |
A four-bedroom property in this location would be worth £220,000. | 0:49:04 | 0:49:09 | |
In today's market, if a four-bedroom home was built and had the usual | 0:49:09 | 0:49:12 | |
sort of layout, with four bedrooms, en suite, first-floor bathroom, | 0:49:12 | 0:49:16 | |
off-road parking, I would suggest that the property would be worth | 0:49:16 | 0:49:19 | |
around £250,000. | 0:49:19 | 0:49:22 | |
I think they're right. | 0:49:22 | 0:49:23 | |
I mean, I personally thought about 240-ish, anyway. | 0:49:23 | 0:49:26 | |
I think if the house was somewhere else, | 0:49:26 | 0:49:28 | |
you could probably get a bit more, because it's going to be a quite | 0:49:28 | 0:49:31 | |
good-spec house. But on its own, where it is, I think 250... | 0:49:31 | 0:49:35 | |
I'd be happy with that. | 0:49:35 | 0:49:37 | |
Well, a top value of 250 grand would give Justin a pre-tax profit | 0:49:37 | 0:49:42 | |
of £71,000. | 0:49:42 | 0:49:44 | |
Plus, he's got the potential income from renting the depot unit in the | 0:49:44 | 0:49:47 | |
future. But something that might be worth more than money is the chance | 0:49:47 | 0:49:52 | |
to carry on the family tradition and name it after his daughter. | 0:49:52 | 0:49:55 | |
Well, the intention originally was to build two and call them | 0:49:57 | 0:50:00 | |
the Amy Rose Cottages after my daughter. | 0:50:00 | 0:50:03 | |
That got knocked back, so I'm applying for one, | 0:50:03 | 0:50:06 | |
one house, the Amy Rose Cottage. | 0:50:06 | 0:50:08 | |
If that gets knocked back | 0:50:08 | 0:50:10 | |
then we're going to rename this shed the Amy Rose Shed. | 0:50:10 | 0:50:14 | |
I like his attitude. Be it cottage or shed, | 0:50:14 | 0:50:17 | |
a rose by any other name would smell just as sweet for Justin. | 0:50:17 | 0:50:20 | |
Back now to Norbury, where Lucy saw this charming 1930s detached house. | 0:50:27 | 0:50:32 | |
It had bags of character in the front, | 0:50:33 | 0:50:35 | |
but the ground floor at the back was less appealing. | 0:50:35 | 0:50:37 | |
It was a bit of a warren, and to say the access to the garden wasn't | 0:50:41 | 0:50:45 | |
great...well, that would be an understatement. | 0:50:45 | 0:50:47 | |
Well, no, I won't be walking out to the garden from here, and that's | 0:50:49 | 0:50:52 | |
because...there's a six-foot drop! | 0:50:52 | 0:50:56 | |
And it was going to take a fair few drops of sweat to get this old house | 0:50:56 | 0:51:00 | |
back to its best. | 0:51:00 | 0:51:02 | |
Feeling up to the challenge was Luca. | 0:51:02 | 0:51:04 | |
He spent a hefty 500 grand on this house at auction. | 0:51:04 | 0:51:08 | |
He wasn't on his own, though, | 0:51:08 | 0:51:10 | |
as his mate Howard is a tradesman and his project manager. | 0:51:10 | 0:51:13 | |
As they play football together, | 0:51:14 | 0:51:16 | |
they make a great team both on the pitch and at work. | 0:51:16 | 0:51:20 | |
-Is it a good, fun day at work? -Yeah, brilliant. -Is it? | 0:51:20 | 0:51:23 | |
We love going to work, to be honest with you. | 0:51:23 | 0:51:25 | |
And do you socialise together? | 0:51:25 | 0:51:27 | |
-Oh, we live together. -We live together, as well. | 0:51:27 | 0:51:29 | |
So you're planning a night out while you're working. | 0:51:29 | 0:51:31 | |
Exactly. Yeah, yeah. | 0:51:31 | 0:51:32 | |
We're in here, seeing what we can do on a Saturday night. | 0:51:32 | 0:51:35 | |
-We play football together, as well. So... -Yeah. | 0:51:35 | 0:51:37 | |
Can't get rid of him. | 0:51:37 | 0:51:39 | |
One thing that they did want to get rid of was that Juliet balcony, | 0:51:39 | 0:51:43 | |
so we're back eight months later | 0:51:43 | 0:51:44 | |
to see if they've managed to dump poor Juliet. | 0:51:44 | 0:51:47 | |
# You keep on giving me the hold-up | 0:51:49 | 0:51:52 | |
# You used to be my Romeo | 0:51:52 | 0:51:56 | |
# Cos you see, my dear, I have had enough | 0:51:56 | 0:51:59 | |
# Of keeping quiet about all this stuff... # | 0:51:59 | 0:52:04 | |
They have indeed. | 0:52:04 | 0:52:05 | |
Balconies and verandas do not fall within permitted development, and | 0:52:05 | 0:52:09 | |
planning has taken four months longer than they would have liked, | 0:52:09 | 0:52:12 | |
but it has been worth it in the end. | 0:52:12 | 0:52:15 | |
OK, so what we done here, we extended the wall, | 0:52:15 | 0:52:18 | |
obviously put the big bifolds in, | 0:52:18 | 0:52:19 | |
which gives you that bigger feel with the kitchen. As you can see, | 0:52:19 | 0:52:23 | |
we've added the balcony, so we've added the steels in, | 0:52:23 | 0:52:26 | |
the high-spec deck and then the glass. | 0:52:26 | 0:52:28 | |
And we didn't want to put any balustrades in, | 0:52:28 | 0:52:30 | |
so it gives you that sort of open feeling. | 0:52:30 | 0:52:33 | |
So, the outside is looking fantastic, but what about inside? | 0:52:33 | 0:52:36 | |
Let's start at the front, which had so many nice original features, | 0:52:36 | 0:52:41 | |
like the stained-glass windows and wood panelling. | 0:52:41 | 0:52:43 | |
It's bright and fresh, | 0:52:46 | 0:52:47 | |
but, sadly, the original features have gone and there are no casement | 0:52:47 | 0:52:51 | |
windows. What happened to Luca's original plan? | 0:52:51 | 0:52:54 | |
To be honest, we were going to... | 0:52:56 | 0:52:57 | |
We didn't know whether to keep the front of the house | 0:52:57 | 0:53:00 | |
a more Victorian feel. | 0:53:00 | 0:53:01 | |
However, we just thought that with the sort of light grey | 0:53:01 | 0:53:05 | |
that we've gone for and a modern look, | 0:53:05 | 0:53:07 | |
we'll just take out all the original features | 0:53:07 | 0:53:09 | |
and just go completely new everywhere. | 0:53:09 | 0:53:11 | |
This new, modern look can best be seen | 0:53:11 | 0:53:13 | |
at the back of the house in this... | 0:53:13 | 0:53:15 | |
-# Brand-new... # -..kitchen/diner. | 0:53:15 | 0:53:17 | |
Moving the partition wall has really created space. | 0:53:19 | 0:53:22 | |
They've also added a separate... | 0:53:24 | 0:53:26 | |
-# Brand-new... # -..utility room... | 0:53:26 | 0:53:28 | |
..and managed to squeeze in a... | 0:53:29 | 0:53:31 | |
-# Brand-new... # -..downstairs toilet. | 0:53:31 | 0:53:34 | |
# Brand-new Brand-new, brand-new... # | 0:53:34 | 0:53:38 | |
Upstairs has had a reconfigure. | 0:53:38 | 0:53:40 | |
The larger bedrooms have had the walls knocked around | 0:53:40 | 0:53:43 | |
to make a small box room into a proper double. | 0:53:43 | 0:53:45 | |
The separate toilet and bathroom have been combined and now house | 0:53:54 | 0:53:58 | |
a full-sized family bathroom that is...you guessed it... | 0:53:58 | 0:54:02 | |
# Brand-new... | 0:54:02 | 0:54:05 | |
# Brand-new... # | 0:54:05 | 0:54:07 | |
This house has clearly had a complete overhaul. | 0:54:07 | 0:54:09 | |
The whole project, including fees and stamp duty, has cost 100,000, | 0:54:09 | 0:54:14 | |
which is 40 grand more than Luca had budgeted for. So why the increase? | 0:54:14 | 0:54:18 | |
The reason we went more was because... | 0:54:20 | 0:54:23 | |
One was because of the balcony at the back, | 0:54:23 | 0:54:24 | |
which we didn't know we were going to add at the time. | 0:54:24 | 0:54:27 | |
Two, obviously, we've rendered... | 0:54:27 | 0:54:29 | |
we completely rendered the outside - we didn't know whether | 0:54:29 | 0:54:31 | |
we were going to keep it pebble-dash or render. | 0:54:31 | 0:54:34 | |
The drive, rather than just putting shingle down everywhere, | 0:54:34 | 0:54:37 | |
we've block-paved it. The kitchen, we've gone high spec, the bathroom, | 0:54:37 | 0:54:41 | |
we've gone high spec, obviously extended one of the bedrooms. | 0:54:41 | 0:54:43 | |
So we haven't just done, like, a full refurb. | 0:54:43 | 0:54:45 | |
We've moved some walls around | 0:54:45 | 0:54:46 | |
and put top-spec kitchen, wires, bathroom etc, | 0:54:46 | 0:54:48 | |
and then that balcony is the wow factor, | 0:54:48 | 0:54:51 | |
so that's cost a couple of quid. | 0:54:51 | 0:54:53 | |
Luca decided against wooden casement windows because of the style | 0:54:53 | 0:54:56 | |
of other houses in the estate. | 0:54:56 | 0:54:58 | |
But they are brand-new, like everything else. | 0:54:58 | 0:55:01 | |
So, what position has ex-footballer Luca played in this project? | 0:55:01 | 0:55:05 | |
I was more of a relaxed role in this project, | 0:55:06 | 0:55:09 | |
so I was here probably once a week, coming, doing little bits, | 0:55:09 | 0:55:14 | |
especially at the start in terms of ripping the place out. | 0:55:14 | 0:55:16 | |
But whilst the project got sort of moving and all the trades came in, | 0:55:16 | 0:55:21 | |
I sort of took a step back and just came to oversee it, | 0:55:21 | 0:55:24 | |
basically bought the blokes lunch, | 0:55:24 | 0:55:26 | |
bought all the boys lunch, bought them a drink every now and again | 0:55:26 | 0:55:29 | |
and just made sure that, yeah, | 0:55:29 | 0:55:31 | |
it was all moving forward nice and smoothly. | 0:55:31 | 0:55:33 | |
There is no such thing as a free lunch, though, | 0:55:33 | 0:55:35 | |
and it was up to Luca's friend Howard to be there daily, | 0:55:35 | 0:55:38 | |
to manage the team, | 0:55:38 | 0:55:39 | |
who have put in a fair amount of graft in this house. | 0:55:39 | 0:55:42 | |
Yeah, I'm very happy with Howard. | 0:55:42 | 0:55:44 | |
I think he's done a blinding job with the place. | 0:55:44 | 0:55:47 | |
He's obviously kept on top of it, | 0:55:47 | 0:55:48 | |
made sure the boys are here doing their jobs, and he's... | 0:55:48 | 0:55:51 | |
he's obviously got stuck in himself and he's done a top, | 0:55:51 | 0:55:54 | |
top job of doing all the tiling, fitting the kitchen and that. | 0:55:54 | 0:55:57 | |
So, yeah, over the moon with Howard. | 0:55:57 | 0:56:00 | |
It's turned out very nice. I'm very happy with it. | 0:56:00 | 0:56:03 | |
I think the bathrooms, | 0:56:03 | 0:56:04 | |
the kitchen and the balcony are the three key factors to the house. | 0:56:04 | 0:56:09 | |
Very nice, very high spec and, yeah, | 0:56:09 | 0:56:11 | |
I don't think anyone wouldn't like them, really. | 0:56:11 | 0:56:14 | |
I agree, Howard, but let's test that theory and ask two local estate | 0:56:14 | 0:56:18 | |
agents if they like it. First, the agent who saw it last time. | 0:56:18 | 0:56:21 | |
It's my second time in the property, | 0:56:24 | 0:56:25 | |
and the changes are fantastic, actually. | 0:56:25 | 0:56:27 | |
I think this property's been finished to an excellent standard. | 0:56:27 | 0:56:30 | |
You can tell from the doors and the kitchen that they've used, | 0:56:30 | 0:56:33 | |
all the way through to the colours, as well. | 0:56:33 | 0:56:35 | |
So I think it's exactly what you want to see here. | 0:56:35 | 0:56:37 | |
The selling points definitely are you've got the three bedrooms | 0:56:37 | 0:56:40 | |
and they're all good-size bedrooms. | 0:56:40 | 0:56:42 | |
You've got the two reception rooms, the open-plan kitchen, | 0:56:42 | 0:56:45 | |
you have got an upstairs bathroom, as well. | 0:56:45 | 0:56:48 | |
And obviously it is high specification, as well. | 0:56:48 | 0:56:50 | |
So I think that definitely works for the property. | 0:56:50 | 0:56:55 | |
But will the sales figures work? | 0:56:55 | 0:56:56 | |
A total of 600,000 has been invested in the house. | 0:56:56 | 0:56:59 | |
What could it sell for? | 0:56:59 | 0:57:01 | |
On the sales market, this would achieve approximately £625,000, | 0:57:03 | 0:57:06 | |
possibly £630,000. | 0:57:06 | 0:57:09 | |
I think the property can achieve anywhere | 0:57:09 | 0:57:11 | |
between £625,000 and £650,000. | 0:57:11 | 0:57:15 | |
We were looking at sort of certainly 750, around that mark, | 0:57:15 | 0:57:20 | |
specially with the spec of the place and with the properties that are | 0:57:20 | 0:57:23 | |
for sale. We know what a few of them have sold at | 0:57:23 | 0:57:25 | |
and what they're on the market at at the moment, | 0:57:25 | 0:57:28 | |
and with what we've done and the places that are for sale, | 0:57:28 | 0:57:30 | |
yeah, it's a bit low. | 0:57:30 | 0:57:32 | |
If I'm honest with you. | 0:57:33 | 0:57:35 | |
We're still going to put it on the market at just under 800 grand | 0:57:35 | 0:57:39 | |
and see what we get for it from there. | 0:57:39 | 0:57:41 | |
So we're still happy with the investment and the purchase. | 0:57:41 | 0:57:44 | |
-Confident we can sell it at that price, anyway. -Yeah. | 0:57:44 | 0:57:47 | |
With Luca and Howard's full spend, including fees and taxes, | 0:57:47 | 0:57:51 | |
being 600,000, | 0:57:51 | 0:57:52 | |
either way they are onto a winner | 0:57:52 | 0:57:54 | |
and it just takes one buyer in a very competitive market | 0:57:54 | 0:57:57 | |
to pay the price they're looking for. | 0:57:57 | 0:57:59 | |
So, will this team stick together for more projects? | 0:57:59 | 0:58:02 | |
-Of course. -100% we'll work together again, yeah. | 0:58:03 | 0:58:06 | |
-It's going very well. -Living together, working together. | 0:58:06 | 0:58:10 | |
-Yeah. -It's not that bad. | 0:58:10 | 0:58:11 | |
Behind every auction, there's a different story to tell. | 0:58:15 | 0:58:18 | |
Yes, and we'll have lots more stories for you next time. | 0:58:18 | 0:58:21 | |
Yeah, so join us here on Homes Under The Hammer. | 0:58:21 | 0:58:23 | |
-See you soon. -Bye. -Goodbye. | 0:58:23 | 0:58:25 |