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Hello and welcome to the show. | 0:00:02 | 0:00:03 | |
Now, the world of property provides an ever-changing | 0:00:03 | 0:00:05 | |
and challenging environment which really fascinates me and Dion. | 0:00:05 | 0:00:08 | |
Yes, but there's one key principle - get it for the best price possible. | 0:00:08 | 0:00:13 | |
But that's not always as easy as it seems. | 0:00:13 | 0:00:15 | |
No, but one way you could stack the odds in your favour | 0:00:15 | 0:00:18 | |
is by going to your local auction house. | 0:00:18 | 0:00:20 | |
Buying at auction is a very popular way to approach things. | 0:00:46 | 0:00:49 | |
Every month, millions and millions of pounds is spent at auction. | 0:00:49 | 0:00:54 | |
So, with all that auction action going on, | 0:00:54 | 0:00:57 | |
what inspired the buyers on today's show? | 0:00:57 | 0:01:00 | |
We are off to the seaside and in Lytham St Annes near Blackpool, | 0:01:02 | 0:01:06 | |
so the question has to be... | 0:01:06 | 0:01:08 | |
Have we got a view? | 0:01:08 | 0:01:10 | |
Lucy loved this Georgian property in Faversham, Kent, | 0:01:12 | 0:01:15 | |
and will echo that sentiment. | 0:01:15 | 0:01:17 | |
Echoey, echoey! | 0:01:17 | 0:01:20 | |
And I see an ex-local authority flat in North London and, as always, | 0:01:21 | 0:01:25 | |
first impressions hinge on the entrance. | 0:01:25 | 0:01:28 | |
Oh! What a lovely front door. | 0:01:28 | 0:01:31 | |
All these properties have been sold at auction, | 0:01:32 | 0:01:35 | |
and we'll find out who bought them | 0:01:35 | 0:01:37 | |
and what they paid when they went under the hammer. | 0:01:37 | 0:01:39 | |
Well done, sir. | 0:01:39 | 0:01:41 | |
Six miles from the bright lights of Blackpool in Lancashire | 0:01:51 | 0:01:55 | |
is Lytham St Annes, a traditional coastal town. | 0:01:55 | 0:01:58 | |
It's been described as one of the gems of the Northwest. | 0:01:59 | 0:02:03 | |
# Life's a beach... # | 0:02:04 | 0:02:06 | |
And I've found a property just a hop, skip and a jump | 0:02:11 | 0:02:14 | |
from the beach, with a park right on its doorstep, | 0:02:14 | 0:02:18 | |
so you have to say the location is spot-on. | 0:02:18 | 0:02:20 | |
So, just across the road from that beautiful park, | 0:02:23 | 0:02:26 | |
and hopefully with views over it, is the property I'm here to see. | 0:02:26 | 0:02:29 | |
It's a first-floor flat, | 0:02:29 | 0:02:31 | |
it's got three bedrooms and a guide price of £75,000 to £85,000. | 0:02:31 | 0:02:36 | |
Let's take a look. | 0:02:36 | 0:02:37 | |
If the location isn't enough to impress you, | 0:02:41 | 0:02:43 | |
then the building should. | 0:02:43 | 0:02:45 | |
Built from locally produced engineering bricks, | 0:02:45 | 0:02:48 | |
this Victorian building oozes character. | 0:02:48 | 0:02:51 | |
Along with the well-maintained communal garden, | 0:02:52 | 0:02:55 | |
it also has private parking. | 0:02:55 | 0:02:57 | |
Just look at that beautiful staircase | 0:03:00 | 0:03:03 | |
that I've just come up to get to this flat. | 0:03:03 | 0:03:05 | |
Very, very nice. | 0:03:05 | 0:03:07 | |
And into this very spacious hallway. | 0:03:07 | 0:03:10 | |
There's lots of light in it. | 0:03:10 | 0:03:13 | |
Got a door just here which I can see, actually, | 0:03:13 | 0:03:16 | |
as I approach it, that it's sealed up. | 0:03:16 | 0:03:18 | |
Into the lounge, and what a lounge it is. | 0:03:18 | 0:03:22 | |
Let me just check something first. Have we got a view over the park? | 0:03:22 | 0:03:26 | |
And, yes, we have. | 0:03:26 | 0:03:27 | |
Albeit from the side of the building, | 0:03:27 | 0:03:30 | |
but it's a view all the same. | 0:03:30 | 0:03:31 | |
What a really nice-sized lounge. | 0:03:31 | 0:03:34 | |
Central heating's already in. | 0:03:34 | 0:03:36 | |
Wow. What a very positive start. | 0:03:36 | 0:03:39 | |
Yes, light, airy, beautiful bay windows with views | 0:03:39 | 0:03:43 | |
and a £75,000 to £85,000 guide price. | 0:03:43 | 0:03:47 | |
But not only that, there are loads of original features, | 0:03:47 | 0:03:51 | |
from skirting to architraves, and I love those panels on the wall. | 0:03:51 | 0:03:55 | |
I suspect there may be a few more gems | 0:03:55 | 0:03:58 | |
hidden behind that fireplace or under the carpet. | 0:03:58 | 0:04:01 | |
So what else has this flat got to offer? | 0:04:01 | 0:04:04 | |
So, around the corner, we have got this bedroom. | 0:04:04 | 0:04:06 | |
And that sealed doorway that was there comes into this bedroom, | 0:04:06 | 0:04:11 | |
but it's hidden behind these wardrobes | 0:04:11 | 0:04:13 | |
and it's sealed up because you've got this door here. | 0:04:13 | 0:04:16 | |
A very nice-sized bedroom, nice high ceilings. | 0:04:16 | 0:04:19 | |
The decor could do with changing, but I'm happy so far. | 0:04:19 | 0:04:23 | |
A little bit further down the hallway | 0:04:25 | 0:04:26 | |
we have got the kitchen and the bathroom. | 0:04:26 | 0:04:30 | |
Now, that kitchen just feels too small | 0:04:30 | 0:04:33 | |
for the size of this property, | 0:04:33 | 0:04:35 | |
and I definitely want something a little bit bigger than that | 0:04:35 | 0:04:37 | |
and a bit grander. | 0:04:37 | 0:04:39 | |
And the two further bedrooms are down here. | 0:04:39 | 0:04:42 | |
Now, it might be that you sacrifice one of these bedrooms | 0:04:42 | 0:04:46 | |
to create that bigger kitchen. | 0:04:46 | 0:04:48 | |
That's a possibility. | 0:04:48 | 0:04:49 | |
I'd think about creating a kitchen/diner in that bedroom | 0:04:49 | 0:04:53 | |
that has the blocked-up door from the lounge. | 0:04:53 | 0:04:56 | |
You could make the bathroom bigger | 0:04:56 | 0:04:58 | |
by knocking through that tiny kitchen | 0:04:58 | 0:05:00 | |
and maybe have a utility room. | 0:05:00 | 0:05:02 | |
Of course, you probably need permission | 0:05:02 | 0:05:04 | |
from the management company looking after the block, | 0:05:04 | 0:05:06 | |
which brings me to another important issue. | 0:05:06 | 0:05:09 | |
The management company, or the residents of this building, | 0:05:09 | 0:05:13 | |
have put restrictions on this place being rented out, | 0:05:13 | 0:05:17 | |
so if you do buy this place, | 0:05:17 | 0:05:18 | |
you're either going to have to live in it or sell it. | 0:05:18 | 0:05:22 | |
So, no buy to let here. | 0:05:22 | 0:05:24 | |
Hopefully whoever fancied this flat | 0:05:24 | 0:05:26 | |
will be happy to compromise on this issue. | 0:05:26 | 0:05:28 | |
# You've got to give a little | 0:05:28 | 0:05:31 | |
# Take a little | 0:05:31 | 0:05:34 | |
# Pay the price, make a sacrifice... # | 0:05:34 | 0:05:37 | |
If you were looking to sell this flat on, | 0:05:38 | 0:05:40 | |
it might just come down to the maths. | 0:05:40 | 0:05:42 | |
Would it be worth sacrificing that biggest bedroom? | 0:05:42 | 0:05:45 | |
Let's find out what a local estate agent thinks. | 0:05:48 | 0:05:51 | |
I would say that to lose one of the bedrooms | 0:05:54 | 0:05:56 | |
and make it from a three- to a two-bed flat, | 0:05:56 | 0:05:58 | |
it may not affect the value, | 0:05:58 | 0:06:00 | |
cos obviously having a three-bed flat | 0:06:00 | 0:06:02 | |
isn't really that common anyway. | 0:06:02 | 0:06:03 | |
OK, so, that could be the way forward, | 0:06:04 | 0:06:07 | |
but what about the no-letting clause on the flat? | 0:06:07 | 0:06:09 | |
Would that be detrimental to its appeal? | 0:06:09 | 0:06:12 | |
Having the restrictions doesn't really affect the value. | 0:06:12 | 0:06:14 | |
It may restrict the number of people that look to purchase it, | 0:06:14 | 0:06:17 | |
but it won't affect the value. | 0:06:17 | 0:06:18 | |
If anything, it may attract somebody to buy it to live in and think, | 0:06:18 | 0:06:22 | |
"Well, that's good. | 0:06:22 | 0:06:23 | |
"I'm not going to have anybody renting it next to me." | 0:06:23 | 0:06:26 | |
That's good news, | 0:06:26 | 0:06:27 | |
but with resale the only option from an investor's standpoint, | 0:06:27 | 0:06:30 | |
could that route result in a profit for this flat | 0:06:30 | 0:06:34 | |
that was guided at 75,000 to 85,000 grand? | 0:06:34 | 0:06:37 | |
If the property was renovated from a three-bed to a two-bed, | 0:06:37 | 0:06:41 | |
sacrificed the bedroom to make a larger kitchen | 0:06:41 | 0:06:44 | |
and more living space, then I would market the property at £140,000. | 0:06:44 | 0:06:48 | |
If the property was renovated | 0:06:48 | 0:06:50 | |
and just left in the complete same layout it is now, | 0:06:50 | 0:06:52 | |
I'd probably expect the value to be around £125,000, £130,000. | 0:06:52 | 0:06:57 | |
I do like this place and I can kind of understand | 0:07:04 | 0:07:07 | |
why the residents have got restrictions on it being rented out. | 0:07:07 | 0:07:11 | |
They are managing this property themselves, | 0:07:11 | 0:07:13 | |
and it looks like a well-maintained block to live in. | 0:07:13 | 0:07:17 | |
So were there bidders who were desperate to live here | 0:07:17 | 0:07:20 | |
or did the restriction put off would-be landlords? | 0:07:20 | 0:07:23 | |
Let's see what happened when it went under the hammer. | 0:07:23 | 0:07:25 | |
OK, there's a telephone bid on lot number 47. | 0:07:29 | 0:07:33 | |
We're going posh. | 0:07:33 | 0:07:35 | |
Three-bedroom, first-floor apartment. 80 to start. | 0:07:35 | 0:07:39 | |
70. I need a bid. | 0:07:39 | 0:07:41 | |
70 here. At 70, I'm bidding twos. | 0:07:41 | 0:07:43 | |
72 seated there. 74. | 0:07:43 | 0:07:46 | |
Where's the original bidder? 74. 74. 76 here. | 0:07:46 | 0:07:50 | |
Can you? | 0:07:50 | 0:07:51 | |
76 I've got. 78. 80 on the aisle. | 0:07:51 | 0:07:54 | |
82. 84. 86. | 0:07:54 | 0:07:58 | |
88. 90. 92. | 0:07:58 | 0:08:01 | |
No. With you at 90 to the rear. | 0:08:01 | 0:08:04 | |
Been with me all the way. At £90,000. | 0:08:04 | 0:08:07 | |
I'll take one. 91. 92. 93. 94. 95. | 0:08:07 | 0:08:12 | |
A shake of the head. At 94, back with you, sir. | 0:08:12 | 0:08:15 | |
At £94,000. | 0:08:15 | 0:08:18 | |
At 94 first time and second time. At £94,000, I'm selling this. | 0:08:18 | 0:08:23 | |
Be sure. At £94,000, all done. Selling away. | 0:08:23 | 0:08:28 | |
Well done, sir. 386. | 0:08:28 | 0:08:31 | |
After a bit of a battle, | 0:08:32 | 0:08:34 | |
the hammer fell at 94 grand and the successful bidder was Mark. | 0:08:34 | 0:08:39 | |
He lives in 45 minutes away in Manchester, | 0:08:40 | 0:08:43 | |
so I was intrigued to find out | 0:08:43 | 0:08:45 | |
what brought him to this coastal town. | 0:08:45 | 0:08:47 | |
-Mark, nice to meet you. -Nice to meet you. -Congratulations. | 0:08:49 | 0:08:51 | |
-Thank you very much. -Apart from this amazing location, | 0:08:51 | 0:08:55 | |
what was it about this place that you loved? | 0:08:55 | 0:08:57 | |
St Annes is a place I've visited quite a few times over the years. | 0:08:57 | 0:09:00 | |
I've got grandparents who live less than a mile away, | 0:09:00 | 0:09:03 | |
-so, yeah, I've been coming here for 28 years. -OK. | 0:09:03 | 0:09:06 | |
Obviously, I know the area well and it's lovely here. | 0:09:06 | 0:09:09 | |
And were you looking for something like this, a flat, | 0:09:09 | 0:09:12 | |
or were you looking for a house? | 0:09:12 | 0:09:14 | |
This is my first solo renovation, | 0:09:14 | 0:09:17 | |
so it kind of ticked the boxes of it being a flat | 0:09:17 | 0:09:20 | |
in a building that's well-maintained | 0:09:20 | 0:09:22 | |
and there shouldn't be too many major problems with it. | 0:09:22 | 0:09:24 | |
-What's your background? -In the past, I've helped my parents. | 0:09:24 | 0:09:27 | |
They've got three at the moment that they rent out. | 0:09:27 | 0:09:30 | |
They bought them in disrepair and had to renovate them | 0:09:30 | 0:09:33 | |
and get them up to scratch and rent them out, | 0:09:33 | 0:09:36 | |
so I helped out with three of them. | 0:09:36 | 0:09:38 | |
So what was your job beforehand? | 0:09:38 | 0:09:40 | |
Beforehand, I was doing media forensics. | 0:09:40 | 0:09:43 | |
-Were you really? -Yes. -That's just gone straight over my head. | 0:09:43 | 0:09:46 | |
-THEY LAUGH -It does with a lot of people. | 0:09:46 | 0:09:48 | |
So what is media forensics? | 0:09:48 | 0:09:50 | |
It's forensics to do with audio and visual, | 0:09:50 | 0:09:52 | |
so it's a lot to do with CCTV, audio enhancements | 0:09:52 | 0:09:55 | |
-and crime scene reconstructions. -Really? | 0:09:55 | 0:09:59 | |
Yeah. It's a very niche market. | 0:09:59 | 0:10:01 | |
Yeah, it is a niche market. I've never heard of it before. | 0:10:01 | 0:10:03 | |
No, not many people have. | 0:10:03 | 0:10:04 | |
But, yeah, I left that behind | 0:10:04 | 0:10:06 | |
and went travelling in New Zealand for two years. | 0:10:06 | 0:10:08 | |
Started doing property management over there | 0:10:08 | 0:10:11 | |
and then obviously, with the background in renovations, | 0:10:11 | 0:10:13 | |
decided to come back and give it a really good go at renovation. | 0:10:13 | 0:10:16 | |
-That's amazing. In New Zealand? -New Zealand, yes. | 0:10:16 | 0:10:19 | |
-It's a long way to go. -It's not a hop, is it? -No, it's not. No. | 0:10:19 | 0:10:23 | |
So how long were you there for? When did you come back? | 0:10:23 | 0:10:25 | |
I was there for two years. | 0:10:25 | 0:10:27 | |
It was initially a short-term holiday. | 0:10:27 | 0:10:29 | |
I went there, loved it and ended up staying for two years. | 0:10:29 | 0:10:32 | |
So, yeah, I've only been back two months now. | 0:10:32 | 0:10:34 | |
-All change now. -All change, yeah. -A new direction into property. | 0:10:34 | 0:10:37 | |
Yeah, so it's nice to have a new direction and move forward a bit. | 0:10:37 | 0:10:40 | |
So, having gone around the world, | 0:10:43 | 0:10:44 | |
he now finds himself exploring options nearer to home, | 0:10:44 | 0:10:47 | |
but what direction does he hope to take the flat in? | 0:10:47 | 0:10:50 | |
Tell us what you're going to do. | 0:10:50 | 0:10:52 | |
It just needs complete stripping out at the moment. | 0:10:52 | 0:10:54 | |
Obviously, new kitchen, new bathroom, carpets. | 0:10:54 | 0:10:57 | |
I think there's two windows which are double glazed, | 0:10:57 | 0:11:00 | |
but the rest are all single and cracked, | 0:11:00 | 0:11:01 | |
so it needs a complete overhaul, really. | 0:11:01 | 0:11:03 | |
I don't think at the moment | 0:11:03 | 0:11:05 | |
they're making the most use of the space, | 0:11:05 | 0:11:06 | |
with the kitchen being as small as it is, | 0:11:06 | 0:11:09 | |
so there's scope to change things round, change the layout. | 0:11:09 | 0:11:11 | |
Tell us what you're going to do, then. | 0:11:11 | 0:11:13 | |
How are you going to make use of the space and change things around? | 0:11:13 | 0:11:16 | |
At the moment, it's a three-bedroom, | 0:11:16 | 0:11:18 | |
but two of the rooms are quite small. | 0:11:18 | 0:11:21 | |
I don't think it needs to be a three-bedroom, | 0:11:21 | 0:11:23 | |
so there is scope to change it around. | 0:11:23 | 0:11:24 | |
This is the master bedroom, | 0:11:24 | 0:11:26 | |
so maybe change this into the kitchen. | 0:11:26 | 0:11:28 | |
Knock the bathroom and kitchen into one, maybe. | 0:11:28 | 0:11:30 | |
-Make that into a bedroom... -OK. -..and just change it around a bit. | 0:11:30 | 0:11:34 | |
And are you going to get involved in that kind of work? | 0:11:34 | 0:11:36 | |
Do you get people in to do it for you? | 0:11:36 | 0:11:37 | |
I've got quite a few friends and family in the trade, | 0:11:37 | 0:11:40 | |
but a lot of the work I'm going to do myself | 0:11:40 | 0:11:42 | |
-and try and keep the cost down. -Are you really? | 0:11:42 | 0:11:43 | |
-You're going to get your hands dirty? -I hope so, yeah. | 0:11:43 | 0:11:46 | |
So how much have you got in your budget to turn this around? | 0:11:46 | 0:11:49 | |
To do it properly, I'm hoping between 15,000 and 20,000. | 0:11:49 | 0:11:52 | |
Along with that 15 to 20 grand budget, | 0:11:52 | 0:11:55 | |
he hopes to complete the flat in three to four months, | 0:11:55 | 0:11:58 | |
and having done all his homework, | 0:11:58 | 0:12:00 | |
he did know he wasn't going to be able to rent the flat out. | 0:12:00 | 0:12:05 | |
But did that to change his thinking on it at all? | 0:12:05 | 0:12:08 | |
It was bought as a renovation project to sell, | 0:12:08 | 0:12:11 | |
but obviously after looking round and doing work on it myself, | 0:12:11 | 0:12:14 | |
it might end up that it might be my place to stay and live, | 0:12:14 | 0:12:17 | |
so we'll just see how it goes. | 0:12:17 | 0:12:19 | |
That doesn't surprise me cos when you come in here | 0:12:19 | 0:12:22 | |
-it is quite homely, isn't it? -Yeah. | 0:12:22 | 0:12:23 | |
-You feel homely as soon as you come in. -It is, yeah. | 0:12:23 | 0:12:25 | |
Would you change the way you were doing this place | 0:12:25 | 0:12:28 | |
if it was for yourself? | 0:12:28 | 0:12:29 | |
I think it's always best to do it the way you want it anyway. | 0:12:29 | 0:12:33 | |
That's part of the fun of doing it, that you do it how you like it. | 0:12:33 | 0:12:36 | |
Listen, I wish you all the best on your first project. | 0:12:36 | 0:12:38 | |
You've chosen somewhere really nice. Good luck to you. | 0:12:38 | 0:12:41 | |
-Thank you very much. -Take care. Cheers. | 0:12:41 | 0:12:43 | |
I think Mark would be wise to sacrifice a bedroom | 0:12:44 | 0:12:47 | |
for a bigger kitchen and living area. | 0:12:47 | 0:12:50 | |
I really like this place | 0:12:50 | 0:12:52 | |
and if Mark doesn't move in, I might. | 0:12:52 | 0:12:54 | |
You can find out how he gets on and who's living here | 0:12:54 | 0:12:57 | |
later in the show. | 0:12:57 | 0:12:58 | |
It was in March, 2014 | 0:13:02 | 0:13:04 | |
when we were in the market town of Faversham, | 0:13:04 | 0:13:07 | |
just under an hour's train journey from London, | 0:13:07 | 0:13:09 | |
where Lucy saw an amazing listed Georgian property. | 0:13:09 | 0:13:13 | |
OK, this is what you call a hallway. | 0:13:14 | 0:13:18 | |
Wow! Look at that beautiful arch. | 0:13:18 | 0:13:22 | |
Although it does feel very clinical. | 0:13:22 | 0:13:25 | |
It's got that commercial feel to it. | 0:13:25 | 0:13:27 | |
There's lots of strip lighting everywhere, | 0:13:27 | 0:13:30 | |
and that's because it was previously used as a youth centre. | 0:13:30 | 0:13:33 | |
Now, this place is just vast and echoey. | 0:13:33 | 0:13:37 | |
-ECHOING: -Echoey! | 0:13:37 | 0:13:39 | |
Echo! | 0:13:39 | 0:13:41 | |
Brilliant. | 0:13:41 | 0:13:42 | |
# Didn't you say we would stay | 0:13:44 | 0:13:47 | |
# Till we heard the last echo, echo, echo... # | 0:13:47 | 0:13:51 | |
What does bear repeating is that this was a former youth centre, | 0:13:51 | 0:13:56 | |
so you'd have to apply for change of use | 0:13:56 | 0:13:58 | |
if you had any other plans for it. | 0:13:58 | 0:14:01 | |
But it also has a much more modern extension at the back | 0:14:01 | 0:14:04 | |
that, for Lucy, was a bit old-school. | 0:14:04 | 0:14:07 | |
And this is where, well, it just feels to me as though | 0:14:09 | 0:14:12 | |
I've been transported back to my old secondary school. | 0:14:12 | 0:14:14 | |
It's like a corridor feel to it, | 0:14:14 | 0:14:17 | |
and this is where the original part of the house | 0:14:17 | 0:14:19 | |
and the new part meet. | 0:14:19 | 0:14:22 | |
So we've got a couple of loos over here, | 0:14:22 | 0:14:24 | |
some other redundant spaces, | 0:14:24 | 0:14:26 | |
and what do you think this room is going to be? | 0:14:26 | 0:14:30 | |
Ta-da! A sports hall, of course. | 0:14:30 | 0:14:33 | |
It's massive. | 0:14:33 | 0:14:34 | |
-ECHOING: -If you thought that room was echoey, listen to this! | 0:14:34 | 0:14:38 | |
But I'm sorry, I need to just quickly do something. | 0:14:40 | 0:14:43 | |
Bear with me. | 0:14:43 | 0:14:45 | |
No, Lucy, don't do it! | 0:14:45 | 0:14:46 | |
D'oh! | 0:14:51 | 0:14:52 | |
Well, Lucy didn't drop the ball | 0:14:52 | 0:14:53 | |
when she looked around the rest of the original building. | 0:14:53 | 0:14:56 | |
Now, that is what you call an arch window. | 0:14:56 | 0:15:00 | |
Look at that. It's magnificent. | 0:15:00 | 0:15:02 | |
Sadly, you have to look out onto that sports hall | 0:15:02 | 0:15:04 | |
with the asbestos roof, but you can't have everything. | 0:15:04 | 0:15:07 | |
So up these steps and you've got an amazing landing space, | 0:15:07 | 0:15:10 | |
again exactly what you would expect in a house like this. | 0:15:10 | 0:15:14 | |
And all the rooms leading off, | 0:15:14 | 0:15:16 | |
just got amazing proportions, lovely ceiling height. | 0:15:16 | 0:15:19 | |
They've all got the original sash windows. | 0:15:19 | 0:15:22 | |
And then through here into the room at the front of the building, | 0:15:22 | 0:15:25 | |
and there's just so much light coming in. | 0:15:25 | 0:15:27 | |
Quite interesting, because you can see somebody has started | 0:15:27 | 0:15:31 | |
to rip down the fake walls. | 0:15:31 | 0:15:33 | |
Look. | 0:15:33 | 0:15:34 | |
There's walls that have been put on but they've been taken off, | 0:15:34 | 0:15:37 | |
and over here you can see the original cornicing. | 0:15:37 | 0:15:41 | |
And my, that is absolutely stunning. | 0:15:41 | 0:15:44 | |
Can you imagine what this place will look like | 0:15:44 | 0:15:47 | |
once all these fake walls have been ripped off | 0:15:47 | 0:15:50 | |
and the original features put back in? | 0:15:50 | 0:15:53 | |
The longer I'm walking around this house | 0:15:53 | 0:15:55 | |
and I'm falling in love with it even more. | 0:15:55 | 0:15:57 | |
# I can't help | 0:15:57 | 0:16:01 | |
# Falling in love with you... # | 0:16:01 | 0:16:06 | |
Lucy wasn't the only one who was head-over-heels | 0:16:06 | 0:16:09 | |
for this property, as it had plenty of suitors at the auction. | 0:16:09 | 0:16:13 | |
Loads of accommodation, arranged mainly in two buildings. | 0:16:13 | 0:16:16 | |
Lots of possibilities for future uses, | 0:16:16 | 0:16:19 | |
subject to planning on this one. | 0:16:19 | 0:16:20 | |
Where do you want to start me? Guide is 220. | 0:16:20 | 0:16:23 | |
£220,000. Where'd you want to start? Start me at 200, then. | 0:16:23 | 0:16:26 | |
I don't really mind. £200,000 straight in. | 0:16:26 | 0:16:28 | |
It was the last lot of the day and it may have been slow to start, | 0:16:28 | 0:16:32 | |
but determined bidders soon pushed the bidding | 0:16:32 | 0:16:34 | |
well beyond the guide price of 220,000. | 0:16:34 | 0:16:37 | |
We re-join at 400,000. | 0:16:37 | 0:16:39 | |
400,000. Keep with it. 400, it's with you. | 0:16:41 | 0:16:45 | |
405 now. With you at 405 now. | 0:16:45 | 0:16:47 | |
405. 410. | 0:16:47 | 0:16:50 | |
At £410,000, it's back with you, then, for the first time. | 0:16:51 | 0:16:56 | |
At £410,000 for the second time. | 0:16:56 | 0:16:59 | |
This is your last chance, maybe. 410. | 0:17:03 | 0:17:05 | |
It's with you, third and final time if you are sure you're all done. | 0:17:05 | 0:17:09 | |
At £410,000. | 0:17:09 | 0:17:11 | |
Well done, sir. It's yours at 410. Well done. | 0:17:11 | 0:17:14 | |
The winning bidder paying 410,000 for this | 0:17:14 | 0:17:18 | |
was film director and artist Paul. | 0:17:18 | 0:17:21 | |
# I got 35 millimetre dreams | 0:17:21 | 0:17:24 | |
# 35 millimetre dreams... # | 0:17:26 | 0:17:30 | |
And he was ready for his close-up with Lucy. | 0:17:30 | 0:17:34 | |
Paul, I've gone weak at the knees with this house. | 0:17:34 | 0:17:36 | |
I absolutely love it. | 0:17:36 | 0:17:39 | |
Why did you buy this? | 0:17:39 | 0:17:40 | |
How did you find this and what have you bought it for? | 0:17:40 | 0:17:44 | |
Well, weak at the knees is a very good reaction. | 0:17:44 | 0:17:47 | |
Ladies don't go weak at the knees | 0:17:47 | 0:17:49 | |
very often with me nowadays... SHE LAUGHS | 0:17:49 | 0:17:51 | |
But I bought it from the catalogue. | 0:17:51 | 0:17:55 | |
I obviously viewed it before I bid, but I thought, "This can be a home. | 0:17:55 | 0:18:00 | |
"This is a Georgian house." | 0:18:00 | 0:18:02 | |
Oh, I'm so glad you've said that. | 0:18:02 | 0:18:04 | |
Because straight away, walking around here, | 0:18:04 | 0:18:06 | |
I would love to see this as a home, because it's just so handsome, | 0:18:06 | 0:18:10 | |
it's just got wonderful windows. | 0:18:10 | 0:18:12 | |
The configuration of the rooms is pretty much as it was 200, | 0:18:12 | 0:18:16 | |
250 years ago. | 0:18:16 | 0:18:17 | |
The rooms are the Georgian proportion, | 0:18:17 | 0:18:19 | |
so all you need to do is strip it out, go back to the basics. | 0:18:19 | 0:18:22 | |
Are you going to replace things like the sash windows? | 0:18:22 | 0:18:24 | |
This is Grade II listed, which means that all the exterior | 0:18:24 | 0:18:28 | |
is subject to council approval and control. | 0:18:28 | 0:18:31 | |
And I wouldn't want to replace the sash windows. | 0:18:31 | 0:18:34 | |
I mean, I'd like to insulate them with a double-glazing behind, | 0:18:34 | 0:18:38 | |
but judiciously, so that it doesn't interfere | 0:18:38 | 0:18:41 | |
with the look from the outside. | 0:18:41 | 0:18:42 | |
At the moment, it's like a cake with a beautiful outside | 0:18:42 | 0:18:47 | |
and a deteriorating interior. | 0:18:47 | 0:18:51 | |
Paul wanted to have his cake and eat it | 0:18:51 | 0:18:53 | |
because he also planned on turning the old gym | 0:18:53 | 0:18:55 | |
into his own private artist studio. | 0:18:55 | 0:18:59 | |
I do three things. | 0:18:59 | 0:19:01 | |
I'm a photographer, a film-maker and an artist. | 0:19:01 | 0:19:04 | |
And that studio will be used for all those functions. | 0:19:04 | 0:19:07 | |
1,500 square feet, a wonderful space. | 0:19:07 | 0:19:11 | |
This blockbuster had a healthy budget of up to £150,000. | 0:19:11 | 0:19:17 | |
Well, I'm really intrigued to find out about your film-making. | 0:19:17 | 0:19:20 | |
Yes, yes. | 0:19:20 | 0:19:21 | |
I've worked with Paul Scofield, Dirk Bogarde. | 0:19:21 | 0:19:24 | |
Lots of, you know, quite well-known actors. | 0:19:24 | 0:19:26 | |
I directed Tom Baker's exit from Doctor Who. | 0:19:26 | 0:19:31 | |
# So, all I need | 0:19:32 | 0:19:35 | |
# Is a time machine | 0:19:35 | 0:19:39 | |
# A one-way track | 0:19:39 | 0:19:43 | |
# Cos I'm taking it back, taking it back... # | 0:19:43 | 0:19:46 | |
We time-travelled four months into the future | 0:19:46 | 0:19:49 | |
to see how Paul was getting on. | 0:19:49 | 0:19:51 | |
He was just a little over halfway into this interesting project, | 0:19:51 | 0:19:55 | |
and he'd made some good progress. | 0:19:55 | 0:19:56 | |
The first job was transforming the former gymnasium | 0:19:56 | 0:20:00 | |
into his artist's studio, which was very pleased with. | 0:20:00 | 0:20:03 | |
I couldn't really ask for anything better. | 0:20:06 | 0:20:08 | |
We've left just one hoop on the wall to show what it was. | 0:20:08 | 0:20:13 | |
I put on a mezzanine floor | 0:20:13 | 0:20:15 | |
to work and to bring the level of my artistic endeavours | 0:20:15 | 0:20:20 | |
up to where the light is best. | 0:20:20 | 0:20:23 | |
And that's also good for storage and desks and computers | 0:20:23 | 0:20:26 | |
and things like that, | 0:20:26 | 0:20:27 | |
and it gives a fantastic view down into the studio space. | 0:20:27 | 0:20:31 | |
But inside the much older Georgian house, | 0:20:31 | 0:20:34 | |
the changes were glimpses of what the house could be | 0:20:34 | 0:20:37 | |
when fully restored. | 0:20:37 | 0:20:39 | |
Work like this takes time, | 0:20:39 | 0:20:41 | |
and, of course, a considerable amount of money. | 0:20:41 | 0:20:43 | |
When I said 150,000, I was hoping it would be less, | 0:20:43 | 0:20:48 | |
and I think it will be. | 0:20:48 | 0:20:50 | |
I'm probably spending about 10,000 a month | 0:20:50 | 0:20:52 | |
and I've spent something between £40,000 and £45,000 so far. | 0:20:52 | 0:20:57 | |
But I think if you look and see what's been achieved with that, | 0:20:57 | 0:21:00 | |
it's not bad. | 0:21:00 | 0:21:01 | |
We're into month four. | 0:21:01 | 0:21:03 | |
I reckoned it would be a nine-month, at least. | 0:21:03 | 0:21:07 | |
Everybody who comes in now feels that... | 0:21:07 | 0:21:10 | |
..we're doing quite well. | 0:21:11 | 0:21:13 | |
With 15 years of property developing experience behind him, | 0:21:13 | 0:21:18 | |
Paul had every reason to feel confident | 0:21:18 | 0:21:20 | |
and he wasn't intimidated by the scale of the task at all. | 0:21:20 | 0:21:24 | |
To make sure that the changes that I impose upon the house | 0:21:24 | 0:21:28 | |
are in the character of the original architecture, | 0:21:28 | 0:21:31 | |
I want to make sure that it's got those touches | 0:21:31 | 0:21:35 | |
that make it personal to me, so it'll never really be finished. | 0:21:35 | 0:21:39 | |
One wants to keep the best of the past. | 0:21:39 | 0:21:43 | |
Find out later if Paul has finally managed | 0:21:43 | 0:21:46 | |
to take this house back to its elegant heyday | 0:21:46 | 0:21:49 | |
by restoring this Georgian masterpiece | 0:21:49 | 0:21:51 | |
two and a half years on. | 0:21:51 | 0:21:53 | |
# Taking it back, taking it back. # | 0:21:53 | 0:21:57 | |
Coming up, I try to get my head around a flat in North London | 0:21:58 | 0:22:02 | |
with unexpected features. | 0:22:02 | 0:22:04 | |
That's also a bit weird. | 0:22:04 | 0:22:05 | |
It's got sort of bits of kitchen unit in it. | 0:22:05 | 0:22:07 | |
And we finally find out if Paul | 0:22:09 | 0:22:11 | |
has completed the work on his Grade II listed Georgian home. | 0:22:11 | 0:22:15 | |
With a house like this, it's never quite 100%. | 0:22:15 | 0:22:17 | |
DION: Time now to head back to the sandy beaches of Lytham St Annes. | 0:22:21 | 0:22:25 | |
Just a short walk away from the seafront, | 0:22:25 | 0:22:28 | |
I saw a three-bed flat | 0:22:28 | 0:22:29 | |
in a very impressive Victorian building. | 0:22:29 | 0:22:32 | |
It had grand rooms and period features in abundance. | 0:22:32 | 0:22:36 | |
Just what you might expect, | 0:22:36 | 0:22:38 | |
although not all the rooms were impressive. | 0:22:38 | 0:22:41 | |
Now, that kitchen just feels too small | 0:22:41 | 0:22:43 | |
for the size of this property. | 0:22:43 | 0:22:45 | |
And the two further bedrooms are down here. | 0:22:45 | 0:22:48 | |
Now, it might be that you sacrifice one of these bedrooms | 0:22:48 | 0:22:52 | |
to create that bigger kitchen. | 0:22:52 | 0:22:54 | |
So far, so good, | 0:22:54 | 0:22:56 | |
but there was one important issue with this property, | 0:22:56 | 0:22:58 | |
and it was a serious one if you were planning to let this flat out. | 0:22:58 | 0:23:02 | |
The management company, or the residents of this building, | 0:23:03 | 0:23:07 | |
have put restrictions on this place being rented out, | 0:23:07 | 0:23:11 | |
so if you do buy this place, | 0:23:11 | 0:23:13 | |
you're either going to have to live in it or sell it. | 0:23:13 | 0:23:16 | |
This restriction didn't put | 0:23:17 | 0:23:19 | |
first-time property developer Mark off. | 0:23:19 | 0:23:22 | |
He played 94 grand for this. | 0:23:22 | 0:23:25 | |
He had experience helping his parents | 0:23:25 | 0:23:27 | |
renovate their rental properties | 0:23:27 | 0:23:29 | |
and had worked in property management for two years | 0:23:29 | 0:23:31 | |
whilst living on the other side of the world in New Zealand. | 0:23:31 | 0:23:35 | |
He'd only been back two months | 0:23:35 | 0:23:37 | |
and his plans for this flat might've been turned upside down. | 0:23:37 | 0:23:41 | |
It was bought as a renovation project to sell, | 0:23:41 | 0:23:44 | |
but, obviously, after looking around | 0:23:44 | 0:23:46 | |
and, you know, doing work on it myself, | 0:23:46 | 0:23:47 | |
it might end up being my place to stay and live, | 0:23:47 | 0:23:50 | |
so we'll just see how it goes. | 0:23:50 | 0:23:53 | |
Would you change the way you're doing it | 0:23:53 | 0:23:54 | |
if it was for yourself? | 0:23:54 | 0:23:55 | |
I think it's best to do it the way you want it anyway, | 0:23:55 | 0:23:58 | |
and that's part of the fun of doing it, | 0:23:58 | 0:24:00 | |
that you do it how you like it. | 0:24:00 | 0:24:02 | |
Mark wanted to do a lot of the work himself | 0:24:02 | 0:24:05 | |
and significantly change the layout | 0:24:05 | 0:24:07 | |
in three to four months, which was a big ask, | 0:24:07 | 0:24:11 | |
so I'm not surprised we are heading back three months later than planned | 0:24:11 | 0:24:14 | |
to see how he got on. | 0:24:14 | 0:24:15 | |
The small bedroom is now a very sleek bathroom, | 0:24:18 | 0:24:22 | |
so what happened to the old one? | 0:24:22 | 0:24:23 | |
Now this is better. | 0:24:26 | 0:24:28 | |
The small bathroom and kitchen have been knocked into one | 0:24:28 | 0:24:31 | |
so there's a good-sized bedroom here. | 0:24:31 | 0:24:34 | |
The other bedroom is where it was at the back. | 0:24:34 | 0:24:38 | |
Of course, now we seem to be missing a kitchen. | 0:24:38 | 0:24:41 | |
As planned, Mark has turned the large bedroom | 0:24:47 | 0:24:50 | |
into a proper kitchen that this flat deserves. | 0:24:50 | 0:24:53 | |
As with the rest of the flat, he's gone for a modern look, | 0:24:53 | 0:24:56 | |
as new plumbing and electrics were required here. | 0:24:56 | 0:25:00 | |
It's a shame he had to lose a lot of the period features | 0:25:01 | 0:25:05 | |
but sometimes, it can't be helped. | 0:25:05 | 0:25:06 | |
Mark has also lost a bedroom, | 0:25:08 | 0:25:11 | |
but with the increased living space on offer, | 0:25:11 | 0:25:13 | |
I think it was a wise choice. | 0:25:13 | 0:25:15 | |
For his first solo project, | 0:25:17 | 0:25:18 | |
Mark has done a great job and can be proud of the graft he's put in. | 0:25:18 | 0:25:23 | |
Most of the work I've done myself. | 0:25:23 | 0:25:25 | |
Obviously, certain things like the electrics and the plumbing, | 0:25:25 | 0:25:29 | |
I've had to get experts in. | 0:25:29 | 0:25:30 | |
I've learnt a lot, and having tradesmen in to do jobs with me, | 0:25:30 | 0:25:34 | |
I've shadowed them and seen what they do | 0:25:34 | 0:25:36 | |
and obviously learnt a lot from that as well. | 0:25:36 | 0:25:39 | |
I'm most pleased with the kitchen, I think - | 0:25:39 | 0:25:41 | |
just for the time and effort that's gone into, you know, | 0:25:41 | 0:25:44 | |
from the initial planning stages to getting the layout right. | 0:25:44 | 0:25:47 | |
There was times, you know, in the middle of it, | 0:25:47 | 0:25:49 | |
where I just thought it was a million miles away, | 0:25:49 | 0:25:51 | |
but it's great now just to see it nearly finished. | 0:25:51 | 0:25:54 | |
He may have added some new skills whilst renovating this flat, | 0:25:55 | 0:25:59 | |
but do the figures for the work still add up? | 0:25:59 | 0:26:02 | |
Mark hoped all the work would cost between 15 and 20 grand. | 0:26:02 | 0:26:07 | |
I think the initial budget was just a basic refit, | 0:26:07 | 0:26:09 | |
but, obviously, the spec's gone a lot higher now. | 0:26:09 | 0:26:12 | |
So, in the end, I've spent about 24,000. | 0:26:12 | 0:26:15 | |
Well, by upping the spec and getting things just the way he likes it, | 0:26:15 | 0:26:19 | |
I take it Mark is ready to move in. | 0:26:19 | 0:26:22 | |
Um, I was. It's just... | 0:26:22 | 0:26:24 | |
It's nice round here, but it's so quiet, | 0:26:24 | 0:26:26 | |
so I think now I'm just going to be selling the property | 0:26:26 | 0:26:28 | |
and moving on to the next one. | 0:26:28 | 0:26:29 | |
# Shh | 0:26:29 | 0:26:32 | |
# It's oh so quiet | 0:26:32 | 0:26:36 | |
# Shh | 0:26:36 | 0:26:37 | |
# Shh... # | 0:26:37 | 0:26:39 | |
Oh, well, then. | 0:26:39 | 0:26:40 | |
Mark is still in his 20s, so I can understand why a vibrant city | 0:26:40 | 0:26:44 | |
like Manchester might be more his style. | 0:26:44 | 0:26:47 | |
Someone else can enjoy living in this lovely flat | 0:26:47 | 0:26:50 | |
in Lytham St Annes, which is... | 0:26:50 | 0:26:52 | |
# So peaceful until... # | 0:26:52 | 0:26:55 | |
Time to shatter the peace and quiet | 0:26:58 | 0:27:00 | |
by asking two local estate agents along | 0:27:00 | 0:27:02 | |
to hear their thoughts on the changes Mark has made | 0:27:02 | 0:27:05 | |
on this flat. | 0:27:05 | 0:27:06 | |
First, let's hear from the agent who saw it last time. | 0:27:07 | 0:27:11 | |
The main selling points to the property | 0:27:11 | 0:27:13 | |
are its proximity to St Annes, | 0:27:13 | 0:27:15 | |
the park, and the excellent finish of the kitchen. | 0:27:15 | 0:27:17 | |
It really is phenomenal. | 0:27:17 | 0:27:19 | |
There's no real negatives to the property. | 0:27:19 | 0:27:22 | |
Obviously, it was a three-bedroom before. | 0:27:22 | 0:27:23 | |
That would've suited some people, | 0:27:23 | 0:27:25 | |
but the excellent finish throughout will make a difference. | 0:27:25 | 0:27:27 | |
I think the layout works really well. | 0:27:27 | 0:27:29 | |
The getting rid of the three bedrooms and having two | 0:27:29 | 0:27:32 | |
and a lovely big dining kitchen | 0:27:32 | 0:27:34 | |
is really what the buyers will be looking for | 0:27:34 | 0:27:36 | |
for this type of property. | 0:27:36 | 0:27:37 | |
As we know, Mark isn't planning on living here, | 0:27:37 | 0:27:40 | |
but because the management company of the building | 0:27:40 | 0:27:42 | |
have put a restriction on the flat, he can't rent it out. | 0:27:42 | 0:27:46 | |
Bearing in mind Mark has spent a total of 118 grand on this, | 0:27:46 | 0:27:51 | |
what kind of figure could it be worth? | 0:27:51 | 0:27:53 | |
In the sales market, | 0:27:53 | 0:27:54 | |
this property will fetch somewhere in the region | 0:27:54 | 0:27:56 | |
of £140,000 to £145,000. | 0:27:56 | 0:27:59 | |
In the sales market, | 0:27:59 | 0:28:00 | |
I would feel the property should be able to achieve | 0:28:00 | 0:28:02 | |
in the region of £145,000. | 0:28:02 | 0:28:05 | |
The sale valuation is around what I was expecting. | 0:28:05 | 0:28:08 | |
I was working towards about £145,000 at the start of the project. | 0:28:08 | 0:28:12 | |
Obviously, with going over on the budget, | 0:28:12 | 0:28:14 | |
it's pleasing to know that it's at the higher end | 0:28:14 | 0:28:17 | |
of what I was expecting. | 0:28:17 | 0:28:19 | |
Even though Mark went with high-spec and over budget, | 0:28:19 | 0:28:23 | |
he could still come away with a pre-tax profit of £27,000 | 0:28:23 | 0:28:28 | |
if he gets that top valuation. | 0:28:28 | 0:28:30 | |
Well, Mark won't be staying here, | 0:28:30 | 0:28:32 | |
but will he be staying with property development as a career? | 0:28:32 | 0:28:36 | |
Overall, the experience has been very good. | 0:28:36 | 0:28:39 | |
I've learnt lots and obviously, | 0:28:39 | 0:28:40 | |
I can take that forward into the next project. | 0:28:40 | 0:28:43 | |
I'm in New Southgate, | 0:28:46 | 0:28:48 | |
a residential suburb of North London. | 0:28:48 | 0:28:51 | |
It has both a railway and tube station, | 0:28:51 | 0:28:53 | |
from where it takes 25 minutes to reach the city, | 0:28:53 | 0:28:56 | |
so it's well located and you can certainly get more property | 0:28:56 | 0:28:59 | |
for your money than in certain Central London spots. | 0:28:59 | 0:29:03 | |
This is especially the case | 0:29:03 | 0:29:05 | |
with ex-local authority properties, | 0:29:05 | 0:29:07 | |
and that's what I'm here to see. | 0:29:07 | 0:29:10 | |
In this case, the guide price is 210,000 quid. | 0:29:10 | 0:29:13 | |
Let's have a look. | 0:29:13 | 0:29:14 | |
I like the fact these blocks are only three storeys high, | 0:29:18 | 0:29:22 | |
although the one I'm here to see is on the ground level, | 0:29:22 | 0:29:24 | |
which isn't usually as popular as the favoured middle floor. | 0:29:24 | 0:29:28 | |
The communal areas are functional and clean, | 0:29:28 | 0:29:31 | |
so nothing major to worry about so far. | 0:29:31 | 0:29:34 | |
Oh! What a lovely front door. | 0:29:37 | 0:29:40 | |
Well, you know, first impressions really matter. | 0:29:40 | 0:29:42 | |
I know it's silly - it's just a door - | 0:29:42 | 0:29:44 | |
but, actually, it really sets the scene. | 0:29:44 | 0:29:46 | |
I don't know if the rest of the flat's going to match up to that | 0:29:46 | 0:29:49 | |
but we always talk about first impressions when you see a property, | 0:29:49 | 0:29:52 | |
and a prospective purchaser would see that and go, | 0:29:52 | 0:29:55 | |
"Ooh! Nice door." Well, maybe. | 0:29:55 | 0:29:57 | |
Anyway, a bathroom there. Looks like it needs refurbishing. | 0:29:57 | 0:30:00 | |
It needs the door treatment, actually. | 0:30:00 | 0:30:02 | |
A living room there. | 0:30:02 | 0:30:04 | |
That's a bit weird. It's got some kitchen units in it. | 0:30:04 | 0:30:08 | |
So, OK, we've got a kitchen-living area there. | 0:30:08 | 0:30:11 | |
And then, a bedroom. | 0:30:11 | 0:30:12 | |
That's also a bit weird. | 0:30:13 | 0:30:15 | |
It's got sort of bits of kitchen unit in it. | 0:30:15 | 0:30:17 | |
My guess is that was originally the kitchen | 0:30:17 | 0:30:21 | |
and it's been basically taken to bits... | 0:30:21 | 0:30:25 | |
Boiler's still there, but the rest of it taken out. | 0:30:25 | 0:30:27 | |
..to create a third bedroom. | 0:30:27 | 0:30:28 | |
Now, in London, that probably makes sense, | 0:30:28 | 0:30:31 | |
cos a three-bedroom flat's obviously going to be worth more | 0:30:31 | 0:30:34 | |
than a two-bed. | 0:30:34 | 0:30:35 | |
On the other hand, is that good for that living area? | 0:30:35 | 0:30:40 | |
I'm not so sure. | 0:30:40 | 0:30:42 | |
You'd need to seek some professional advice on that one for sure. | 0:30:42 | 0:30:47 | |
Hmm. | 0:30:47 | 0:30:48 | |
# There's no use in trying when the pieces don't fit any more | 0:30:48 | 0:30:54 | |
# The pieces don't fit here any more... # | 0:30:55 | 0:30:58 | |
You can't just go bunging kitchens into any old place. | 0:30:58 | 0:31:01 | |
First, you'd probably need the freeholder's permission. | 0:31:01 | 0:31:04 | |
Then building regulations approval is needed to cover drainage, | 0:31:04 | 0:31:08 | |
ventilation and escape in case of fire, amongst other things. | 0:31:08 | 0:31:12 | |
The real conundrum here is that by adding a third bedroom | 0:31:12 | 0:31:15 | |
you would lose the good proportion | 0:31:15 | 0:31:17 | |
and practical layout which are normally associated | 0:31:17 | 0:31:19 | |
with ex-council properties. | 0:31:19 | 0:31:21 | |
That being said, I can see the attraction financially. | 0:31:21 | 0:31:25 | |
I'm definitely in two minds on this one. | 0:31:25 | 0:31:28 | |
So, down the end of the corridor here, | 0:31:28 | 0:31:29 | |
you've got bedrooms one or two, or potentially three. | 0:31:29 | 0:31:33 | |
They're not a bad size. | 0:31:33 | 0:31:34 | |
They've got these fairly old-fashioned built-in units | 0:31:34 | 0:31:38 | |
which you'd probably want to take out cos they definitely | 0:31:38 | 0:31:40 | |
shrink the size of the room. | 0:31:40 | 0:31:43 | |
It looks like you've got relatively new sockets and light switches, | 0:31:43 | 0:31:48 | |
but don't be fooled. | 0:31:48 | 0:31:49 | |
This is a really important point. | 0:31:49 | 0:31:51 | |
It's very easy just to stick a new switch on like that | 0:31:51 | 0:31:54 | |
and you think, "Oh, new electrics," | 0:31:54 | 0:31:55 | |
but, of course, what's behind there is what's important - | 0:31:55 | 0:31:58 | |
the wires that run up and down and, of course, the consumer unit. | 0:31:58 | 0:32:01 | |
So don't assume just cos it looks new | 0:32:01 | 0:32:03 | |
that in fact the wiring is new as well. | 0:32:03 | 0:32:05 | |
But one other thing to point out while we're in here, | 0:32:05 | 0:32:07 | |
down here looks to be a bit of damp of some sort. | 0:32:07 | 0:32:12 | |
That could be just condensation, it could be a bit of rising damp. | 0:32:12 | 0:32:16 | |
You just want to check that out. | 0:32:16 | 0:32:17 | |
It could be just the house - flat, rather - | 0:32:17 | 0:32:19 | |
has been left unoccupied for a while. | 0:32:19 | 0:32:21 | |
It doesn't look too serious, | 0:32:21 | 0:32:23 | |
but it needs to be investigated before it gets any worse. | 0:32:23 | 0:32:25 | |
All in all, yeah, it's all right. | 0:32:25 | 0:32:28 | |
That wasn't really praising, was it? | 0:32:28 | 0:32:31 | |
It's fine. | 0:32:31 | 0:32:32 | |
# Ain't that fine | 0:32:32 | 0:32:33 | |
# Ain't that fine... # | 0:32:35 | 0:32:37 | |
OK, I'm not exactly bursting at the seams with adulation here, | 0:32:37 | 0:32:41 | |
but aside from the rather suspicious looking kitchen units | 0:32:41 | 0:32:44 | |
in the living room, this flat is pretty much as you would expect. | 0:32:44 | 0:32:47 | |
Can we say the same for the outside? | 0:32:47 | 0:32:49 | |
Well, as with any flat, | 0:32:53 | 0:32:55 | |
outside space is an absolute premium, | 0:32:55 | 0:32:57 | |
and in this case you do have | 0:32:57 | 0:32:59 | |
-what's described as a shared garden. -HE CHUCKLES | 0:32:59 | 0:33:02 | |
There's somewhere where you can hang your washing, which is good, | 0:33:02 | 0:33:05 | |
and then to cap it all you have your very own little storage shed. | 0:33:05 | 0:33:09 | |
Extra storage in a London flat is a definite bonus. | 0:33:10 | 0:33:13 | |
You could certainly fit a bike or two in here no problem. | 0:33:13 | 0:33:16 | |
Time now to get the thoughts of a local estate agent | 0:33:19 | 0:33:22 | |
on this flat, guided at £210,000. | 0:33:22 | 0:33:25 | |
First impressions of the flat are good. | 0:33:29 | 0:33:31 | |
The decor is good. | 0:33:31 | 0:33:33 | |
It seems all structurally fine, | 0:33:33 | 0:33:36 | |
but obviously somebody would have a survey, I suspect. | 0:33:36 | 0:33:38 | |
But generally speaking, it's quite a clean, bright, | 0:33:38 | 0:33:42 | |
pleasant flat. | 0:33:42 | 0:33:43 | |
Well, we're in agreement on that, | 0:33:43 | 0:33:45 | |
but let's get the professional's opinion | 0:33:45 | 0:33:47 | |
on that two- or three-bedroom conundrum. | 0:33:47 | 0:33:50 | |
Conversion-wise, | 0:33:50 | 0:33:51 | |
I think it would be better to leave it as a three-bed. | 0:33:51 | 0:33:54 | |
You might be able to sell it for a little bit more money, | 0:33:54 | 0:33:56 | |
and it may be a better situation | 0:33:56 | 0:33:59 | |
for an investor to purchase something that's a three-bed flat. | 0:33:59 | 0:34:02 | |
So what difference would the numbers make, | 0:34:03 | 0:34:05 | |
bearing in mind that guide price of 210,000? | 0:34:05 | 0:34:09 | |
As a three-bed, | 0:34:11 | 0:34:13 | |
I would say it could sell for in the region of £365,000, | 0:34:13 | 0:34:19 | |
and as a two-bed, I would say that this would sell | 0:34:19 | 0:34:22 | |
For somewhere in the region of £350,000. | 0:34:22 | 0:34:25 | |
Well, it's a nice enough flat in a good location. | 0:34:26 | 0:34:28 | |
Clearly the biggest question on this one | 0:34:28 | 0:34:31 | |
is whether or not you leave it as a three-bed, sort of, | 0:34:31 | 0:34:34 | |
or you reinstate the kitchen where it originally was. | 0:34:34 | 0:34:37 | |
I guess that will be down to the buyer. | 0:34:37 | 0:34:39 | |
Let's find out who that was when it went under the hammer. | 0:34:39 | 0:34:42 | |
Ground-floor flat in need of modernisation. | 0:34:42 | 0:34:45 | |
Who'd like to get me started on this? | 0:34:45 | 0:34:47 | |
You're bidding? How much? 240, OK. | 0:34:47 | 0:34:49 | |
We'll go upwards from there. 242, thank you. | 0:34:49 | 0:34:51 | |
244. 246. | 0:34:51 | 0:34:54 | |
248. 250. | 0:34:54 | 0:34:57 | |
After a hesitant start, the lot gained interest, | 0:34:57 | 0:35:00 | |
and we return to bidding at £270,000. | 0:35:00 | 0:35:03 | |
270. 272. | 0:35:03 | 0:35:06 | |
274. 276. | 0:35:06 | 0:35:09 | |
No? It's with the lady and gentleman here in the middle on my right. | 0:35:09 | 0:35:12 | |
Anybody else for lot 132? | 0:35:12 | 0:35:14 | |
Bids... 276, yeah? | 0:35:14 | 0:35:16 | |
276. 278. 280. | 0:35:16 | 0:35:20 | |
282. 284. | 0:35:20 | 0:35:22 | |
Back to you in the middle here on my right. | 0:35:22 | 0:35:26 | |
282 for the first, 282 for the second, | 0:35:26 | 0:35:30 | |
282 for the third and final time. | 0:35:30 | 0:35:32 | |
All done? | 0:35:32 | 0:35:34 | |
Sold, 282. Well bought. | 0:35:34 | 0:35:36 | |
The successful bid of 282,000 for this ex-local authority flat | 0:35:38 | 0:35:43 | |
was made by property developer Tina. | 0:35:43 | 0:35:45 | |
On this occasion, Tina had bought this property | 0:35:45 | 0:35:47 | |
with her business partners, | 0:35:47 | 0:35:49 | |
so I'm keen to hear what they have planned for it. | 0:35:49 | 0:35:52 | |
-Tina, lovely to meet you. -Lovely to meet you, Martin. | 0:35:54 | 0:35:56 | |
Congratulations. | 0:35:56 | 0:35:57 | |
-Thank you very much. -Tell me why you wanted to buy this flat. | 0:35:57 | 0:36:00 | |
Basically, this flat actually fits our budget, | 0:36:00 | 0:36:03 | |
and I saw the location is up-and-coming. | 0:36:03 | 0:36:06 | |
It is close to another project I'm working on, | 0:36:06 | 0:36:10 | |
and in terms of timescales, fitting into our time as well, | 0:36:10 | 0:36:14 | |
there's only three to four, maybe four to five weeks' work here. | 0:36:14 | 0:36:17 | |
-So is this something you do? -Yes, yes. | 0:36:17 | 0:36:20 | |
I trained as a medic. | 0:36:20 | 0:36:22 | |
-A medic? -Yeah, about 15 years ago, | 0:36:22 | 0:36:26 | |
and then I moved onto doing neuroscience research. | 0:36:26 | 0:36:29 | |
-Neuroscience research? -Yes, yes. | 0:36:29 | 0:36:32 | |
I was a scientist for ten years, | 0:36:32 | 0:36:35 | |
but I always wanted to be an architect, | 0:36:35 | 0:36:37 | |
even when I was a little girl. | 0:36:37 | 0:36:39 | |
So it's kind of just a career change, | 0:36:39 | 0:36:42 | |
that I want to do something I really want to explore, a new area. | 0:36:42 | 0:36:47 | |
Wow. I don't know how many neuroscientists | 0:36:47 | 0:36:49 | |
turn into property developers. | 0:36:49 | 0:36:51 | |
I've never spoken to one on the show before, so that's a first. | 0:36:51 | 0:36:54 | |
-OK. -It just goes to show. Wow. | 0:36:54 | 0:36:56 | |
What was it about this flat you liked? | 0:36:56 | 0:36:58 | |
There's not too much work involved. | 0:36:58 | 0:37:01 | |
It's actually in quite good condition | 0:37:01 | 0:37:03 | |
apart from moving the kitchen back to where the kitchen is, | 0:37:03 | 0:37:07 | |
so it's quite straightforward. | 0:37:07 | 0:37:10 | |
With a view to what? Renting it out or selling it on? | 0:37:10 | 0:37:12 | |
So we want to turn this one over quickly, | 0:37:12 | 0:37:15 | |
put it on the market and sell it on, | 0:37:15 | 0:37:18 | |
and then we will start looking for the next project. | 0:37:18 | 0:37:21 | |
You mentioned there moving the kitchen back to where it was. | 0:37:21 | 0:37:25 | |
Obviously, at some stage, somebody has moved the kitchen into here, | 0:37:25 | 0:37:28 | |
-presumably to create a third bedroom. -Yeah. | 0:37:28 | 0:37:30 | |
-And you're taking away that third bedroom. -Yeah. | 0:37:30 | 0:37:34 | |
In the world of moving it on quickly to maximise profit, | 0:37:34 | 0:37:36 | |
is that the right thing to do or not? | 0:37:36 | 0:37:38 | |
Well, I think personally that will be the right thing to do | 0:37:38 | 0:37:42 | |
because you can see this living area is not that big | 0:37:42 | 0:37:45 | |
and the kitchen is not connected even. | 0:37:45 | 0:37:48 | |
-Oh, wow. -They've just literally dumped it here, | 0:37:48 | 0:37:50 | |
created a third bedroom. | 0:37:50 | 0:37:53 | |
-Ah. -And within the area, I don't think this works, | 0:37:53 | 0:37:57 | |
so there's two nice-sized bedrooms down the corridor there, | 0:37:57 | 0:38:01 | |
and whoever buys this can do with a nice kitchen, | 0:38:01 | 0:38:05 | |
a proper kitchen/diner, use the other bedroom. | 0:38:05 | 0:38:08 | |
Right, OK. | 0:38:08 | 0:38:10 | |
And have you checked what difference that will make | 0:38:10 | 0:38:12 | |
to the price at the end of the day? | 0:38:12 | 0:38:14 | |
I went to two agents. | 0:38:14 | 0:38:18 | |
Estate agents came through and straight away they said | 0:38:18 | 0:38:22 | |
this one has to be moved back. | 0:38:22 | 0:38:23 | |
-Oh, did they? -Yes, they did, so this is not big enough. | 0:38:23 | 0:38:27 | |
It just goes to show that, when it comes to property developing, | 0:38:27 | 0:38:31 | |
professional opinions can differ. | 0:38:31 | 0:38:32 | |
Tina's research has led her to conclude | 0:38:32 | 0:38:34 | |
that it's better to put the kitchen back. | 0:38:34 | 0:38:37 | |
Given there are not going to be any major refitting costs, | 0:38:37 | 0:38:41 | |
she's certainly giving that opinion serious consideration, | 0:38:41 | 0:38:44 | |
but I'm wondering if it's the right decision. | 0:38:44 | 0:38:47 | |
So you paid £282,000 for this at auction. | 0:38:47 | 0:38:50 | |
How much are you hoping to spend on the refurbishment? | 0:38:50 | 0:38:53 | |
We have a budget of around 12,000... | 0:38:53 | 0:38:56 | |
-Right. OK. -..with a 3,000 contingency. | 0:38:56 | 0:39:00 | |
We're kind of thinking about four to five weeks. | 0:39:00 | 0:39:04 | |
-And who's going to do the work? -My builders. | 0:39:04 | 0:39:07 | |
-OK. -Yes. -Are you going to get your hands dirty? | 0:39:07 | 0:39:11 | |
Not very much, apart from choosing the colours, | 0:39:11 | 0:39:16 | |
maybe doing a bit of cleaning before professional photo shooting. | 0:39:16 | 0:39:20 | |
-Ah, well done. -And that's pretty much... | 0:39:20 | 0:39:23 | |
And is this something you see being your career from now on? | 0:39:23 | 0:39:27 | |
I think so. I really enjoy the progress, | 0:39:27 | 0:39:30 | |
and you can see how you turn a property | 0:39:30 | 0:39:33 | |
from not being loved for a long time | 0:39:33 | 0:39:37 | |
into somebody's lovely home, so I enjoy the progress. | 0:39:37 | 0:39:41 | |
Listen, congratulations. Good luck with it. | 0:39:41 | 0:39:43 | |
I look forward to seeing how you get on. | 0:39:43 | 0:39:45 | |
Thank you very much. | 0:39:45 | 0:39:46 | |
In London, in this property market, | 0:39:47 | 0:39:49 | |
I'm so nervous about losing a bedroom in this flat. | 0:39:49 | 0:39:53 | |
I'd really want to canvass even more opinion than Tina has | 0:39:53 | 0:39:57 | |
to find out exactly how much difference it made | 0:39:57 | 0:40:00 | |
before I actually move that kitchen back into the bedroom. | 0:40:00 | 0:40:05 | |
It really is an interesting one. | 0:40:05 | 0:40:07 | |
What will she decide? You can find out later in the show? | 0:40:07 | 0:40:11 | |
Well, earlier, we saw how one of our properties had turned out, | 0:40:15 | 0:40:18 | |
but what about the other two? | 0:40:18 | 0:40:20 | |
Yes, all sorts of problems can crop up. | 0:40:20 | 0:40:22 | |
What have our buyers on today's show had to deal with? | 0:40:22 | 0:40:24 | |
Why don't we find out? | 0:40:24 | 0:40:26 | |
We now return to Faversham, | 0:40:26 | 0:40:28 | |
and that fantastic Grade II listed Georgian property Lucy saw earlier. | 0:40:28 | 0:40:33 | |
Despite some beautiful original features, | 0:40:33 | 0:40:36 | |
it would be fair to RECORD that the building | 0:40:36 | 0:40:39 | |
has had a utilitarian feel, | 0:40:39 | 0:40:41 | |
because it was used as a youth centre previously, | 0:40:41 | 0:40:44 | |
and the biggest clue for this was at the back. | 0:40:44 | 0:40:47 | |
Ta-da! A sports hall, of course! It's massive! | 0:40:47 | 0:40:51 | |
Someone who thought this was a slam dunk | 0:40:53 | 0:40:55 | |
was artist and film-maker Paul. | 0:40:55 | 0:40:57 | |
He paid £410,000 for it, | 0:40:57 | 0:41:00 | |
and certainly had a vision for this amazing lot. | 0:41:00 | 0:41:03 | |
I thought, "This can be a home. This is a Georgian house." | 0:41:03 | 0:41:08 | |
Oh, I'm so glad you've said that, | 0:41:08 | 0:41:09 | |
because straight away, walking around here, | 0:41:09 | 0:41:12 | |
I would love to see this as a home. | 0:41:12 | 0:41:15 | |
When we returned four months later to see the progress of the work, | 0:41:15 | 0:41:18 | |
we saw that Paul had turned the old gym | 0:41:18 | 0:41:20 | |
into his artist's studio. | 0:41:20 | 0:41:22 | |
But the work on the main house itself was still taking shape. | 0:41:22 | 0:41:25 | |
I want to make sure that it's got those touches | 0:41:28 | 0:41:31 | |
that make it personal to me, so it'll never really be finished. | 0:41:31 | 0:41:35 | |
One wants to keep the best of the past. | 0:41:35 | 0:41:39 | |
Although artist Paul had said the house would never be finished, | 0:41:39 | 0:41:43 | |
we are back a little over two years later | 0:41:43 | 0:41:45 | |
to see if this masterpiece is ready to be exhibited. | 0:41:45 | 0:41:49 | |
Wow! | 0:42:05 | 0:42:07 | |
The area that links the house to the gym is fantastic! | 0:42:07 | 0:42:12 | |
But what about the Georgian house? Dare we look? Is it finished? | 0:42:13 | 0:42:17 | |
Yes, it is finished, and it looks fabulous. | 0:42:24 | 0:42:27 | |
You may have lost a bedroom, | 0:42:38 | 0:42:40 | |
but you've gained a stunning bathroom. | 0:42:40 | 0:42:44 | |
There are still three very large and characterful bedrooms up here, | 0:42:51 | 0:42:55 | |
including one with a master en suite. | 0:42:55 | 0:42:58 | |
And what is Paul's favourite part of this lovely Georgian house? | 0:43:03 | 0:43:07 | |
Well, the answer might surprise you. | 0:43:07 | 0:43:10 | |
My favourite part of the house is the washroom. | 0:43:11 | 0:43:15 | |
The washroom is wonderful. | 0:43:15 | 0:43:17 | |
I don't know why, but when I go into it, | 0:43:17 | 0:43:19 | |
I feel totally at home. | 0:43:19 | 0:43:21 | |
I go in and prime canvases in there, I hang up my clothes in there. | 0:43:21 | 0:43:27 | |
It's the size of a small cupboard, | 0:43:27 | 0:43:30 | |
but I think I'm probably as happy in the washroom | 0:43:30 | 0:43:33 | |
as I am anywhere in the house. | 0:43:33 | 0:43:35 | |
Er, it's a perfectly nice room, Paul, but really, the washroom? | 0:43:35 | 0:43:39 | |
-The WASHROOM?! -HE LAUGHS | 0:43:39 | 0:43:41 | |
And I suppose ultimately I'd prefer to be out here than in the washroom, | 0:43:41 | 0:43:45 | |
but you wanted an honest answer, so I gave it to you. | 0:43:45 | 0:43:48 | |
Well, I'd find it hard to pick a favourite room here. | 0:43:48 | 0:43:51 | |
They've all been decorated and furnished | 0:43:51 | 0:43:53 | |
with impeccable taste and a sympathetic eye. | 0:43:53 | 0:43:57 | |
Paul has been meticulous | 0:43:57 | 0:43:59 | |
in preserving the integrity of the house. | 0:43:59 | 0:44:01 | |
Fireplaces have been cleaned up, sash windows restored | 0:44:05 | 0:44:10 | |
and floors replaced with reclaimed timber. | 0:44:10 | 0:44:14 | |
There's also a studio flat just at the end of the linking room, | 0:44:14 | 0:44:17 | |
which means an assistant or intern can stay here | 0:44:17 | 0:44:21 | |
whilst working with Paul. | 0:44:21 | 0:44:22 | |
I can see why he would need some help, | 0:44:22 | 0:44:25 | |
even just to look after all the paintings | 0:44:25 | 0:44:27 | |
that he's accumulated in the last two years | 0:44:27 | 0:44:29 | |
since we were here. | 0:44:29 | 0:44:31 | |
You know, I've got probably 100 paintings, | 0:44:32 | 0:44:35 | |
you know, dotted around here. | 0:44:35 | 0:44:37 | |
Well, you need a place this big to actually be able to, you know, | 0:44:37 | 0:44:41 | |
take some down and put others up. | 0:44:41 | 0:44:43 | |
I used to keep them in a garage in Dulwich. | 0:44:43 | 0:44:45 | |
Nobody ever saw them. | 0:44:45 | 0:44:47 | |
They sort of went mildewed, | 0:44:47 | 0:44:48 | |
and you'd pull them out and they were all stuck together. | 0:44:48 | 0:44:51 | |
Well, here, they're looked after. | 0:44:51 | 0:44:54 | |
So, I think that's how I see this house, | 0:44:54 | 0:44:59 | |
as a repository of a lifetime of collecting and of making things. | 0:44:59 | 0:45:05 | |
It sounds to me like, two years and six months later, | 0:45:05 | 0:45:10 | |
this house is finally complete. | 0:45:10 | 0:45:12 | |
Well, with a house like this, it's never quite 100%. | 0:45:12 | 0:45:16 | |
I would say we're 95%, 96% there, | 0:45:16 | 0:45:19 | |
and probably that 5% will continue to run as long as I'm in the house, | 0:45:19 | 0:45:23 | |
because it's like the Albert Bridge, you know - | 0:45:23 | 0:45:25 | |
you paint one end and then you get to the other end | 0:45:25 | 0:45:28 | |
and you have to go back to the beginning. | 0:45:28 | 0:45:30 | |
And what is really very, very rewarding, | 0:45:30 | 0:45:33 | |
because it's on a corner, and a lot of people pass by here, | 0:45:33 | 0:45:37 | |
I sit with my panama hat, | 0:45:37 | 0:45:39 | |
the elderly gent with, not a watering can, | 0:45:39 | 0:45:42 | |
but a rather modern hose, watering everything. | 0:45:42 | 0:45:46 | |
People do stop and say how much they've enjoyed watching it | 0:45:46 | 0:45:54 | |
be salvaged, saved, and now be restored | 0:45:54 | 0:45:58 | |
to something like it might have looked in 1790. | 0:45:58 | 0:46:03 | |
It's certainly a grand old house | 0:46:04 | 0:46:07 | |
with a grand price tag for all the work. | 0:46:07 | 0:46:10 | |
Originally, Paul thought he'd spend no more than £150,000 | 0:46:10 | 0:46:14 | |
doing the work, but he's now spent £230,000. | 0:46:14 | 0:46:18 | |
Do you know what, though? | 0:46:18 | 0:46:19 | |
I think you can see every bit of it, and it's been well worth it. | 0:46:19 | 0:46:23 | |
I could spend another 100,000 on the house easily, | 0:46:24 | 0:46:28 | |
but it's now highly habitable, and beautiful to be in. | 0:46:28 | 0:46:34 | |
Part of the problem this afternoon is going to be when | 0:46:34 | 0:46:37 | |
you get your two agents in, cos one of them, the local one, | 0:46:37 | 0:46:40 | |
is going to put a low figure on it, | 0:46:40 | 0:46:43 | |
and the London agent's going to put a high figure on it. | 0:46:43 | 0:46:45 | |
And if the high figure was actually obtainable, | 0:46:45 | 0:46:49 | |
there's a temptation to sell, | 0:46:49 | 0:46:51 | |
because you're sitting on quite a lot of equity, | 0:46:51 | 0:46:53 | |
and I'm a single person, you know, living alone here. | 0:46:53 | 0:46:55 | |
So there's going to be a tension within that. | 0:46:55 | 0:46:59 | |
Well, now seems like a good time to test | 0:47:01 | 0:47:04 | |
and see if Paul's theory is correct. | 0:47:04 | 0:47:06 | |
We asked two agents along | 0:47:06 | 0:47:08 | |
to give us their thoughts on the property. | 0:47:08 | 0:47:10 | |
First, the locally based agent. | 0:47:10 | 0:47:12 | |
It's absolutely stunning. | 0:47:13 | 0:47:15 | |
I mean, the house has transformed dramatically | 0:47:15 | 0:47:18 | |
since I saw it last time. | 0:47:18 | 0:47:19 | |
Beautifully presented, period features restored. | 0:47:19 | 0:47:22 | |
It's absolutely gorgeous. | 0:47:22 | 0:47:24 | |
My first impressions of the property are wonderful. | 0:47:24 | 0:47:26 | |
I think the owner's done a really, really good job. | 0:47:26 | 0:47:29 | |
I particularly like the attention to detail when it comes to the colours. | 0:47:29 | 0:47:32 | |
It's a Georgian property, | 0:47:32 | 0:47:34 | |
and I think the owner's made a real effort | 0:47:34 | 0:47:36 | |
to try to bring the colour scheme of that period into the property. | 0:47:36 | 0:47:41 | |
The only slight negative I think that we have here | 0:47:41 | 0:47:43 | |
is the lack of outside space. | 0:47:43 | 0:47:45 | |
There isn't a garden. | 0:47:45 | 0:47:46 | |
There is outside space, and there's plenty of private areas you can sit, | 0:47:46 | 0:47:49 | |
enjoy a glass of wine, sit and chat. | 0:47:49 | 0:47:52 | |
Unfortunately, in terms of garden for children, | 0:47:52 | 0:47:55 | |
it's a little bit restricted. | 0:47:55 | 0:47:57 | |
With only one negative point from the agent, | 0:47:57 | 0:47:59 | |
will Paul's theory on their valuations prove right? | 0:47:59 | 0:48:03 | |
And will Paul be tempted to recoup some of his £640,000 investment? | 0:48:03 | 0:48:07 | |
Let's begin with that locally based agent. | 0:48:07 | 0:48:11 | |
I would pitch this property between £950,000 and £1 million. | 0:48:11 | 0:48:16 | |
I would recommend for sales a guide price of in the region | 0:48:16 | 0:48:19 | |
of £1.25 million. | 0:48:19 | 0:48:21 | |
Well, it turned out Paul was right, and for good reason. | 0:48:21 | 0:48:25 | |
He knows the sheer size and grandeur of this house | 0:48:25 | 0:48:28 | |
could cost three times as much in certain parts of the city. | 0:48:28 | 0:48:32 | |
So, with the property only an hour's train journey | 0:48:32 | 0:48:35 | |
to Central London, if marketed there, | 0:48:35 | 0:48:37 | |
it's sure to have a wider market appeal | 0:48:37 | 0:48:40 | |
and fetch a higher price than the local market alone. | 0:48:40 | 0:48:43 | |
But what does Paul think of those valuations? | 0:48:43 | 0:48:46 | |
I'm pleased that the local agent is valuing up to a million, | 0:48:46 | 0:48:51 | |
because that's an expensive house here. | 0:48:51 | 0:48:54 | |
And at 1.25, this would be the most expensive house | 0:48:54 | 0:48:58 | |
in the immediate town, which is thrilling news. | 0:48:58 | 0:49:01 | |
That top valuation, if he could get it, | 0:49:02 | 0:49:04 | |
would mean a potential pre-tax profit of £610,000. | 0:49:04 | 0:49:08 | |
So quite a lot of tension, then, for Paul. | 0:49:08 | 0:49:11 | |
However, he's not made up his mind yet, and who can blame him? | 0:49:11 | 0:49:15 | |
After all the hard work and creating a terrific studio to work in, | 0:49:15 | 0:49:19 | |
it would be a hard one to give up on. | 0:49:19 | 0:49:21 | |
What are his feelings about the last two and half years? | 0:49:23 | 0:49:27 | |
Well, traumatic, of course. You know, don't do it! | 0:49:27 | 0:49:31 | |
HE LAUGHS Stay away from the auction! | 0:49:31 | 0:49:34 | |
All those things. | 0:49:34 | 0:49:36 | |
But then, you know, | 0:49:36 | 0:49:38 | |
we're attracted to that dangerous edge, aren't we? | 0:49:38 | 0:49:42 | |
You know, to doing something that's a little bit different, | 0:49:42 | 0:49:45 | |
just because we're here, most of us believe, only once, | 0:49:45 | 0:49:49 | |
and so take advantage of it, and have some fun and, you know, | 0:49:49 | 0:49:55 | |
put the boat out a bit. | 0:49:55 | 0:49:56 | |
Back now to the London suburb of New Southgate, | 0:50:05 | 0:50:08 | |
and that ex-local authority ground-floor flat. | 0:50:08 | 0:50:11 | |
Normally, ex-local authority flats have good layouts. | 0:50:11 | 0:50:14 | |
This one, not so much. | 0:50:14 | 0:50:17 | |
A living room there. That's a bit weird. | 0:50:17 | 0:50:21 | |
It's got some kitchen units in it. | 0:50:21 | 0:50:23 | |
So, OK, we've got a kitchen-living area there. | 0:50:23 | 0:50:25 | |
And then a bedroom. | 0:50:25 | 0:50:27 | |
That's also a bit weird. | 0:50:28 | 0:50:29 | |
Well, actually, not all that weird. | 0:50:29 | 0:50:32 | |
Someone had been trying to maximise the number of bedrooms here, | 0:50:32 | 0:50:35 | |
and it kind of makes sense, | 0:50:35 | 0:50:37 | |
given that a third bedroom in London gives higher yields. | 0:50:37 | 0:50:40 | |
But admittedly, it didn't make for a great living space. | 0:50:40 | 0:50:43 | |
But former neuroscientist and now property developer Tina | 0:50:43 | 0:50:48 | |
bought it at auction for £282,000, | 0:50:48 | 0:50:51 | |
and was definitely utilising brainpower. | 0:50:51 | 0:50:54 | |
You mentioned there moving the kitchen back to where it was. | 0:50:54 | 0:50:58 | |
Obviously, at some stage, | 0:50:58 | 0:50:59 | |
somebody's moved the kitchen into here, | 0:50:59 | 0:51:02 | |
presumably to create a third bedroom. | 0:51:02 | 0:51:04 | |
-Yeah. -And you're taking away that third bedroom. | 0:51:04 | 0:51:06 | |
As a living area, it's not that big, | 0:51:06 | 0:51:08 | |
and the kitchen, this one, is not connected, even. | 0:51:08 | 0:51:11 | |
-Oh, wow! -So, they've just literally dumped it here, | 0:51:11 | 0:51:14 | |
created a third bedroom. | 0:51:14 | 0:51:16 | |
-Ah. -And within the area, I don't think this works. | 0:51:16 | 0:51:20 | |
Tina had a budget of £15,000 | 0:51:20 | 0:51:22 | |
and a five-week timescale for her builders | 0:51:22 | 0:51:25 | |
to get the work done and have the flat ready | 0:51:25 | 0:51:27 | |
for the resale market, so it's time to put the former scientist's work | 0:51:27 | 0:51:31 | |
under the microscope - nearly four months later. | 0:51:31 | 0:51:34 | |
The experimental unfitted kitchen is gone, | 0:51:34 | 0:51:37 | |
so this flat has returned to its two-bedroom beginnings. | 0:51:37 | 0:51:40 | |
But there is something else here you might find illuminating. | 0:51:40 | 0:51:44 | |
# Want you to see everything | 0:51:44 | 0:51:46 | |
# Want you to see all of the lights | 0:51:46 | 0:51:48 | |
# Fast cars, shooting stars | 0:51:50 | 0:51:52 | |
# All of the lights, all of the lights... # | 0:51:52 | 0:51:55 | |
Tina had pushed the boat out with a bespoke lighting scheme. | 0:51:55 | 0:51:59 | |
Now let's put the spotlight on the new kitchen, | 0:51:59 | 0:52:01 | |
which does look stunning. | 0:52:01 | 0:52:03 | |
And lighting wise, it hasn't been left in the dark either. | 0:52:03 | 0:52:06 | |
It's quite the transformation, and Tina should be very proud. | 0:52:06 | 0:52:10 | |
We had totally refurbished this flat throughout, | 0:52:15 | 0:52:21 | |
but we carried out a little bit more work than we originally planned. | 0:52:21 | 0:52:25 | |
As you can see, the older ceilings are new | 0:52:25 | 0:52:28 | |
and we created rafter ceilings. | 0:52:28 | 0:52:31 | |
And we had a new kitchen done to a really good standard | 0:52:31 | 0:52:34 | |
and as well the bathroom is all brand-new. | 0:52:34 | 0:52:38 | |
New flooring, new wall, some of the plastering, | 0:52:38 | 0:52:43 | |
that's pretty much what we have done. | 0:52:43 | 0:52:46 | |
Inside out, all new. | 0:52:46 | 0:52:47 | |
And the modernisation continues in the two remaining bedrooms, | 0:52:50 | 0:52:54 | |
which are much bigger having had the fitted wardrobes removed. | 0:52:54 | 0:52:57 | |
But did Tina and her team ever consider keeping that third bedroom? | 0:53:03 | 0:53:07 | |
It's not a massive flat. | 0:53:07 | 0:53:09 | |
It does need a proper kitchen | 0:53:09 | 0:53:11 | |
to accommodate the needs of people living here, | 0:53:11 | 0:53:14 | |
so it's a good move to put it back to where it should be originally. | 0:53:14 | 0:53:19 | |
We're losing one bedroom, but, in fact, | 0:53:19 | 0:53:23 | |
we're not because it shouldn't be there in the first place. | 0:53:23 | 0:53:26 | |
The kitchen is just lovely, | 0:53:30 | 0:53:32 | |
and I think Tina has made the right call. | 0:53:32 | 0:53:34 | |
This flat is certainly the cat's whiskers, | 0:53:34 | 0:53:37 | |
but the rewiring proved a bit of a challenge. | 0:53:37 | 0:53:40 | |
The ceiling's all concrete, | 0:53:41 | 0:53:43 | |
so one of the choices is you chisel down the concrete | 0:53:43 | 0:53:46 | |
to get the new wires extended, | 0:53:46 | 0:53:49 | |
but that is not the best because we can't afford the ceiling | 0:53:49 | 0:53:53 | |
to get any damage to the upstairs floor. | 0:53:53 | 0:53:56 | |
So what we did is we dropped the ceiling slightly, | 0:53:56 | 0:53:59 | |
but only at the edge. | 0:53:59 | 0:54:01 | |
It's got rafter ceilings | 0:54:01 | 0:54:02 | |
and that can accommodate the spotlight as well, | 0:54:02 | 0:54:05 | |
the LED strip. | 0:54:05 | 0:54:06 | |
We could have simply just doubled the ceiling up, | 0:54:06 | 0:54:09 | |
but because we encountered actual work anyway, | 0:54:09 | 0:54:13 | |
so we thought, me and my company, as a team, | 0:54:13 | 0:54:16 | |
thought we'd make a good feature out of it. | 0:54:16 | 0:54:20 | |
It's a credit to Tina and her team | 0:54:20 | 0:54:22 | |
that they were able to take a problem and solve it creatively, | 0:54:22 | 0:54:26 | |
but how did these unforeseen issues impact on their budget? | 0:54:26 | 0:54:30 | |
So the budget has almost doubled from the £12,000 | 0:54:30 | 0:54:37 | |
we originally planned. | 0:54:37 | 0:54:39 | |
Now it's reaching 24,000, | 0:54:39 | 0:54:42 | |
and the main reason for that is we had to make a new ceiling | 0:54:42 | 0:54:46 | |
and make it quite a feature. | 0:54:46 | 0:54:48 | |
That's increased the labour of my tradesmen and also material-wise. | 0:54:48 | 0:54:53 | |
The kitchen has replaced original budget free-standing appliances | 0:54:53 | 0:54:58 | |
to fitted appliances, | 0:54:58 | 0:55:00 | |
so it is a much higher standard than we originally planned. | 0:55:00 | 0:55:05 | |
Tina has spent twice her budget, | 0:55:06 | 0:55:08 | |
but what happened to her five-week timescale? | 0:55:08 | 0:55:12 | |
It ended up taking us, from originally planned, | 0:55:12 | 0:55:16 | |
five weeks to ten weeks, because, A, | 0:55:16 | 0:55:19 | |
we had a bit of delay getting the consent and permission | 0:55:19 | 0:55:23 | |
from the freeholder. | 0:55:23 | 0:55:25 | |
B, we had to make a new rafter ceiling. | 0:55:25 | 0:55:29 | |
And also we have increased our standard, finishing's very high, | 0:55:29 | 0:55:34 | |
so the details do need extra time | 0:55:34 | 0:55:37 | |
to get the tradesmen complete to a spotless standard. | 0:55:37 | 0:55:41 | |
So it seems double has meant trouble here. | 0:55:41 | 0:55:44 | |
But with a total investment of 306,000, | 0:55:44 | 0:55:48 | |
is there a profit to be made? | 0:55:48 | 0:55:50 | |
Time to hear from the professionals. | 0:55:53 | 0:55:56 | |
We've invited along two local estate agents | 0:55:56 | 0:55:59 | |
to get their opinion of this property. | 0:55:59 | 0:56:01 | |
First impressions of the property is it's very spacious, good size. | 0:56:04 | 0:56:07 | |
Two good-size bedrooms, | 0:56:07 | 0:56:08 | |
lovely fully refurbished kitchen and bathroom, | 0:56:08 | 0:56:11 | |
everything throughout. | 0:56:11 | 0:56:12 | |
The standard of the finish for this property is exceptionally high. | 0:56:12 | 0:56:16 | |
It's probably one of, or THE best flat I've seen | 0:56:16 | 0:56:19 | |
in and around this area in terms of finish. | 0:56:19 | 0:56:22 | |
So the agents are impressed. | 0:56:22 | 0:56:24 | |
But did Tina make the right call | 0:56:24 | 0:56:26 | |
about returning this flat to two bedrooms. | 0:56:26 | 0:56:29 | |
Converting this property back into a two-bedroom | 0:56:29 | 0:56:31 | |
was definitely the right thing to do. | 0:56:31 | 0:56:33 | |
It gives you two really good-sized bedrooms, | 0:56:33 | 0:56:35 | |
which people want in this area, and a lovely fully refurbished kitchen. | 0:56:35 | 0:56:38 | |
You're going to eat into your yield | 0:56:38 | 0:56:40 | |
a little bit in terms of the rental value, | 0:56:40 | 0:56:42 | |
but overall in the long-term and grand scheme of things, | 0:56:42 | 0:56:45 | |
I think it was the right thing to do. | 0:56:45 | 0:56:47 | |
So it may affect the rental value | 0:56:47 | 0:56:49 | |
but, as Tina plans to sell this property on, | 0:56:49 | 0:56:52 | |
what could it be worth? | 0:56:52 | 0:56:53 | |
I would recommend an asking price of £375,000, | 0:56:55 | 0:56:58 | |
and I would expect to achieve offers in excess of £350,000. | 0:56:58 | 0:57:02 | |
In my opinion, this property on the sales market | 0:57:02 | 0:57:05 | |
will achieve a price in the region of £350,000. | 0:57:05 | 0:57:08 | |
Based on that estimate, Tina could achieve a pre-tax profit of £44,000 | 0:57:09 | 0:57:15 | |
and the top rental value of £1,500 per calendar month | 0:57:15 | 0:57:19 | |
could mean a yield of almost 6%. | 0:57:19 | 0:57:21 | |
What does Tina think of those valuations? | 0:57:21 | 0:57:24 | |
We're happy with a 350 mark, | 0:57:25 | 0:57:29 | |
but we would like to achieve it higher | 0:57:29 | 0:57:32 | |
because we think the time and the thought put into this flat | 0:57:32 | 0:57:36 | |
we hope somebody will appreciate to a higher value. | 0:57:36 | 0:57:40 | |
The flat looks great, | 0:57:40 | 0:57:42 | |
so has she got any illuminating words | 0:57:42 | 0:57:44 | |
for aspiring property developers? | 0:57:44 | 0:57:46 | |
It's going to be a challenge every step, | 0:57:48 | 0:57:51 | |
but it's great fun and whoever wants to join the crowd | 0:57:51 | 0:57:56 | |
of buying and investment in the future, please do. | 0:57:56 | 0:57:59 | |
When it comes to property developing, | 0:58:02 | 0:58:04 | |
no matter how experienced you are, | 0:58:04 | 0:58:05 | |
there's always something new you can learn. | 0:58:05 | 0:58:08 | |
Yes, and we'll have plenty more stories for you next time, | 0:58:08 | 0:58:10 | |
so make sure you join us here on Homes Under The Hammer. | 0:58:10 | 0:58:13 | |
-Bye. -Goodbye. | 0:58:13 | 0:58:14 |