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Hello and welcome to the show. | 0:00:02 | 0:00:03 | |
Now, the auction world is a multi-billion pound business - | 0:00:03 | 0:00:07 | |
but that doesn't mean you have to have millions to take part. | 0:00:07 | 0:00:10 | |
Yeah, and auctions are more accessible than you might think, | 0:00:10 | 0:00:13 | |
and the auction room is a real leveller. | 0:00:13 | 0:00:15 | |
Yeah, all you need is a bit of cash and some confidence, | 0:00:15 | 0:00:18 | |
and you could be buying your next home under the hammer. | 0:00:18 | 0:00:21 | |
With thousands of auction lots going under the hammer each year, | 0:00:47 | 0:00:50 | |
there is a huge choice, | 0:00:50 | 0:00:52 | |
from barns, bungalows and big houses. | 0:00:52 | 0:00:54 | |
Yes, but what inspired the bidders | 0:00:54 | 0:00:56 | |
when they raised their hands in the air on today's programme? | 0:00:56 | 0:00:59 | |
This three-bed detached in Staffordshire | 0:01:01 | 0:01:04 | |
leaves me wanting more. | 0:01:04 | 0:01:05 | |
HE GROANS UNCOMFORTABLY | 0:01:06 | 0:01:07 | |
I'd like to try and create a bit more space if I could. | 0:01:07 | 0:01:09 | |
Lucy's in Thamesmead, London, to see a three-bedroom flat... | 0:01:11 | 0:01:14 | |
or is it? | 0:01:14 | 0:01:15 | |
Look! It's the span of my arms! | 0:01:16 | 0:01:18 | |
That just doesn't work. | 0:01:18 | 0:01:20 | |
This Cornwall cottage completes our trio of three beds. | 0:01:21 | 0:01:25 | |
The final chapter of a story which began in 2012. | 0:01:25 | 0:01:29 | |
That was your last bid? | 0:01:29 | 0:01:30 | |
-Yes, that was our last bid. -HE GASPS | 0:01:30 | 0:01:31 | |
All these properties have been sold at auction | 0:01:32 | 0:01:35 | |
and we'll find out who bought them and what they paid | 0:01:35 | 0:01:37 | |
when they went under the hammer. | 0:01:37 | 0:01:39 | |
-All done? -GAVEL BANGS | 0:01:39 | 0:01:40 | |
MUSIC: Brick by Brick by Newton Faulkner | 0:01:43 | 0:01:45 | |
We're off to Staffordshire, and the market town of Newcastle-under-Lyme, | 0:01:48 | 0:01:53 | |
famous for its felt hat manufacturing. | 0:01:53 | 0:01:55 | |
From the 17th to the 19th-century, | 0:01:55 | 0:01:58 | |
over a third of the town's population | 0:01:58 | 0:02:00 | |
were involved in the industry. | 0:02:00 | 0:02:01 | |
Hopefully today's property will be more of a top hat | 0:02:02 | 0:02:05 | |
than a flat cap. | 0:02:05 | 0:02:06 | |
The property I'm here to see IS on a busy main road | 0:02:07 | 0:02:10 | |
but it's just walking distance from all the shops, schools, | 0:02:10 | 0:02:14 | |
and amenities you could want - | 0:02:14 | 0:02:16 | |
and it's only ten minutes away from the M6. | 0:02:16 | 0:02:18 | |
And here it is. It's a detached property, | 0:02:18 | 0:02:21 | |
has a guide price of £175,000, | 0:02:21 | 0:02:24 | |
and it's got three bedrooms. | 0:02:24 | 0:02:26 | |
Now, in the catalogue, it says it needs a bit of modernisation. | 0:02:26 | 0:02:30 | |
I'm going to see how much it exactly needs. | 0:02:30 | 0:02:32 | |
Well, from the outside, | 0:02:34 | 0:02:35 | |
this looks like a very substantial property, | 0:02:35 | 0:02:38 | |
and I do happen to know that this is a very sought-after area, | 0:02:38 | 0:02:41 | |
thanks to its proximity to the local schools and amenities. | 0:02:41 | 0:02:45 | |
I do like that this house has a bit of a front garden. | 0:02:48 | 0:02:51 | |
Sort of sets you back a little bit from that busy main road. | 0:02:51 | 0:02:53 | |
NOISY busy main road. | 0:02:53 | 0:02:55 | |
Into this really nice hallway. | 0:02:55 | 0:02:58 | |
Spacey, quite a grand entrance, which I do like. | 0:02:58 | 0:03:01 | |
It's a bit dark cos you've got this wood panelling, | 0:03:01 | 0:03:03 | |
but lots of room. | 0:03:03 | 0:03:05 | |
Two reception rooms off the hallway. | 0:03:05 | 0:03:08 | |
Fireplace and a really nice big double glazed window, there. | 0:03:08 | 0:03:13 | |
And from what I can see, double glazed bay windows, | 0:03:13 | 0:03:16 | |
and a fireplace, as well, in here. | 0:03:16 | 0:03:18 | |
Down the hallway... You've got stairs. Down the hallway, | 0:03:18 | 0:03:21 | |
you've got this storage heater there | 0:03:21 | 0:03:23 | |
which tells me there's no central heating in here. | 0:03:23 | 0:03:26 | |
And this strange sort of corner chimney breast | 0:03:26 | 0:03:29 | |
seems to be taking up far too much space. | 0:03:29 | 0:03:31 | |
I'd want to get rid of that, | 0:03:31 | 0:03:34 | |
and most of what's left in the kitchen, | 0:03:34 | 0:03:36 | |
and completely modernise it with a nice, fresh, brand-new kitchen. | 0:03:36 | 0:03:41 | |
And those windows there looking out onto the back garden, | 0:03:41 | 0:03:44 | |
a bit of stained glass at the top, as well, I do like those. | 0:03:44 | 0:03:46 | |
But I don't like that up there. | 0:03:47 | 0:03:49 | |
Signs of a leak, | 0:03:50 | 0:03:52 | |
and I can see some staining on the plaster, as well. | 0:03:52 | 0:03:55 | |
I'm going to have a look upstairs, and I might just find the cause. | 0:03:55 | 0:03:58 | |
Well, before that, let's have a look around this 1950s kitchen. | 0:04:00 | 0:04:04 | |
GENTLE CALYPSO MUSIC | 0:04:04 | 0:04:06 | |
Just at the back, there's a bit of utility space as well | 0:04:06 | 0:04:09 | |
which is always good, as well as a downstairs toilet, | 0:04:09 | 0:04:12 | |
although it might not be in the best place. | 0:04:12 | 0:04:14 | |
Now, this kitchen might not be to your fancy | 0:04:20 | 0:04:23 | |
but there are a growing number of people very keen on '50s furniture, | 0:04:23 | 0:04:27 | |
so before you chuck it in the skip, | 0:04:27 | 0:04:29 | |
it might be worth investigating online | 0:04:29 | 0:04:31 | |
to see if you could sell it to someone | 0:04:31 | 0:04:33 | |
who fancies a kitsch kitchen. | 0:04:33 | 0:04:35 | |
OK, we're upstairs. | 0:04:37 | 0:04:39 | |
They have a decent-sized landing. | 0:04:39 | 0:04:41 | |
I do like this banister, here. | 0:04:41 | 0:04:44 | |
In the bathroom... | 0:04:44 | 0:04:45 | |
Mm. Pink. A very nice shade of pink. | 0:04:47 | 0:04:49 | |
Very small. | 0:04:49 | 0:04:50 | |
You've got a bath and a shower over the bath, as well. | 0:04:50 | 0:04:53 | |
And I can see, as well, | 0:04:53 | 0:04:54 | |
I think that may be the cause of that leak downstairs | 0:04:54 | 0:04:58 | |
in the kitchen. It looks like a towel rail or something has leaked. | 0:04:58 | 0:05:02 | |
A bit further down here, you've got the three bedrooms. | 0:05:02 | 0:05:04 | |
Straight in front of me, you've got a box bedroom, looks very small. | 0:05:06 | 0:05:09 | |
This bedroom here is quite a decent size, bay window again. | 0:05:09 | 0:05:12 | |
Into the third bedroom, | 0:05:13 | 0:05:16 | |
which is nice and bright, a lovely big window. | 0:05:16 | 0:05:18 | |
Fireplace - old-fashioned fireplace, as well. | 0:05:20 | 0:05:22 | |
Lots of stuff to do in this house. | 0:05:22 | 0:05:24 | |
It does feel a little bit small. | 0:05:24 | 0:05:26 | |
As you're walking up to the house, | 0:05:26 | 0:05:27 | |
you think it's going to be quite grand, but it's got three bedrooms, | 0:05:27 | 0:05:30 | |
one of them being a box bedroom. | 0:05:30 | 0:05:32 | |
HE GROANS UNCOMFORTABLY | 0:05:32 | 0:05:33 | |
I'd like to try and create a bit more space if I could, | 0:05:33 | 0:05:35 | |
so I'm going to go out the back, | 0:05:35 | 0:05:37 | |
and see if I can see how we can do it. | 0:05:37 | 0:05:39 | |
MUSIC: Pretty in Pink by The Psychedelic Furs | 0:05:39 | 0:05:41 | |
Unlike the bathroom, the rest of the property isn't in pink. | 0:05:48 | 0:05:51 | |
In fact, I think it really needs a total rethink. | 0:05:51 | 0:05:54 | |
I'm out in the back garden, | 0:05:57 | 0:05:58 | |
and just have a look at the space that you've got out here. | 0:05:58 | 0:06:01 | |
It's been looked after, as well. | 0:06:01 | 0:06:03 | |
You could make it a really nice family back garden. | 0:06:03 | 0:06:07 | |
Right, how can you create a bit more space inside the property? | 0:06:07 | 0:06:10 | |
An extension. You've got enough space in the back garden to do so. | 0:06:11 | 0:06:15 | |
Can you imagine? Two bedrooms upstairs, one with an en-suite. | 0:06:15 | 0:06:19 | |
Downstairs, you'd have a kitchen diner, | 0:06:19 | 0:06:20 | |
little bit more space for your family. | 0:06:20 | 0:06:22 | |
A bit selfish, but that's exactly what I'd do. | 0:06:23 | 0:06:26 | |
This property is crying out for an extension, | 0:06:27 | 0:06:30 | |
but it does depend on what the buyer wants to do with it, | 0:06:30 | 0:06:33 | |
plus any extension work, of course, | 0:06:33 | 0:06:35 | |
has to be approved by planning, | 0:06:35 | 0:06:37 | |
which is not always straightforward. | 0:06:37 | 0:06:38 | |
There is a nice big garage attached to the side of this property | 0:06:40 | 0:06:43 | |
that just adds to the potential here. | 0:06:43 | 0:06:45 | |
Time to hear what a local estate agent thinks is the best option | 0:06:46 | 0:06:49 | |
for this property, guided at 175 grand. | 0:06:49 | 0:06:52 | |
Ideally, given the large plot this property has, | 0:06:55 | 0:06:58 | |
I would like to see it extended. | 0:06:58 | 0:07:00 | |
That's certainly what I would do. | 0:07:00 | 0:07:02 | |
Really turn it into a very large, imposing family home. | 0:07:02 | 0:07:06 | |
I personally would do a 2-storey extension out to the rear, | 0:07:06 | 0:07:09 | |
utilising the large garden. | 0:07:09 | 0:07:11 | |
You'd still have a large garden after that. | 0:07:11 | 0:07:13 | |
Turn it into a four-bedroom, two-bathroom family home. | 0:07:13 | 0:07:16 | |
The agent thinks that this fairly substantial property | 0:07:17 | 0:07:20 | |
could cost as much as 100 grand to extend | 0:07:20 | 0:07:23 | |
and get back into shape - | 0:07:23 | 0:07:25 | |
and remember, the guide price was 175 grand. | 0:07:25 | 0:07:28 | |
So, what could it sell for? | 0:07:28 | 0:07:30 | |
Should the property be restored to its former glory | 0:07:32 | 0:07:34 | |
and have the extension carried out, | 0:07:34 | 0:07:37 | |
I suspect the property would be worth in the region of £345,000. | 0:07:37 | 0:07:41 | |
This is a house with loads of potential in a great area. | 0:07:42 | 0:07:45 | |
If it was mine, I would look to extend, | 0:07:45 | 0:07:48 | |
try and get an extra couple of bedrooms upstairs | 0:07:48 | 0:07:50 | |
and a bit more space downstairs. | 0:07:50 | 0:07:52 | |
Let's see who fancied it when it went under the hammer. | 0:07:52 | 0:07:54 | |
Attractive house of character, it's detached. | 0:07:54 | 0:07:57 | |
What shall we say for this, 150 to start? | 0:07:57 | 0:08:00 | |
150 bid, thank you. £150,000. | 0:08:01 | 0:08:04 | |
160, can I see now? | 0:08:04 | 0:08:06 | |
160. At 160 now. | 0:08:06 | 0:08:08 | |
170? | 0:08:08 | 0:08:09 | |
£170,000. | 0:08:09 | 0:08:11 | |
180? | 0:08:11 | 0:08:13 | |
Bidding got off to a pretty good start. | 0:08:13 | 0:08:15 | |
We re-join at £240,000. | 0:08:15 | 0:08:19 | |
240? | 0:08:19 | 0:08:20 | |
242? | 0:08:21 | 0:08:22 | |
242. 245? | 0:08:23 | 0:08:25 | |
245. | 0:08:25 | 0:08:27 | |
250. 255? | 0:08:28 | 0:08:30 | |
255. 260? | 0:08:30 | 0:08:32 | |
257. | 0:08:34 | 0:08:35 | |
260, madam? 260. | 0:08:35 | 0:08:37 | |
262? | 0:08:38 | 0:08:39 | |
No? | 0:08:40 | 0:08:41 | |
If not, £260,000 for the first time. | 0:08:41 | 0:08:45 | |
£260,000 for the second time. | 0:08:45 | 0:08:48 | |
Third and final time at £260,000... | 0:08:48 | 0:08:51 | |
GAVEL BANGS | 0:08:51 | 0:08:52 | |
Your lot, madam, well done. | 0:08:52 | 0:08:54 | |
The person doing the hugging there was Hannah, | 0:08:57 | 0:09:00 | |
who got her mum to do the bidding for her. | 0:09:00 | 0:09:02 | |
This property is going to be a new home for Hannah, | 0:09:02 | 0:09:05 | |
and her kids Rio and Esme. | 0:09:05 | 0:09:07 | |
I met her back at the property to find out the plan. | 0:09:08 | 0:09:11 | |
-Hannah, nice to meet you. -Pleased to meet you. | 0:09:13 | 0:09:15 | |
-Congratulations, by the way. -Thank you. | 0:09:15 | 0:09:16 | |
I think you've got yourself a bit of a gem. | 0:09:16 | 0:09:19 | |
What sort of... What drew you into this property? | 0:09:19 | 0:09:22 | |
Mainly the location. | 0:09:22 | 0:09:24 | |
I've been living with my parents for the last six months, | 0:09:24 | 0:09:26 | |
trying to find somewhere in this area where the kids go to school. | 0:09:26 | 0:09:29 | |
And there was just nothing on the market at all, | 0:09:30 | 0:09:32 | |
and then the week before the auction, | 0:09:32 | 0:09:34 | |
we spotted the board outside and... went for it. | 0:09:34 | 0:09:38 | |
How was it living at your mum's, difficult? | 0:09:38 | 0:09:40 | |
-OK, it was OK. -LAUGHTER | 0:09:40 | 0:09:43 | |
You know, having tea cooked every night and my washing done, | 0:09:43 | 0:09:46 | |
-so, you know, it's been quite a nice six months. -Yeah. | 0:09:46 | 0:09:48 | |
And it's back to reality with a big bump. | 0:09:48 | 0:09:50 | |
What was the first thing you've seen about this property | 0:09:50 | 0:09:52 | |
-that made you think, "Wow"? -It wasn't so much the property. | 0:09:52 | 0:09:54 | |
As I say it's more the location. But it's a really nice plot, | 0:09:54 | 0:09:57 | |
and obviously it's got a hell of a lot of potential, | 0:09:57 | 0:10:00 | |
so really that's what drew me towards it. | 0:10:00 | 0:10:02 | |
You are in it. Tell me what you're going to do with it. | 0:10:02 | 0:10:05 | |
-Knock it down. No! -Start again! | 0:10:05 | 0:10:06 | |
Start again! | 0:10:06 | 0:10:08 | |
I'm going to put a double extension on the back, | 0:10:08 | 0:10:11 | |
so, to create a master bedroom with ensuite and walk-in wardrobe, | 0:10:11 | 0:10:15 | |
and that should hopefully also open up the kitchen at the back | 0:10:15 | 0:10:18 | |
and make it into, like, a lounge dining area | 0:10:18 | 0:10:20 | |
with the bifold doors. | 0:10:20 | 0:10:22 | |
Increase the size of the bathroom, if I can, upstairs, | 0:10:23 | 0:10:25 | |
by going over the top of the existing...outhouse area. | 0:10:25 | 0:10:30 | |
And then just updating the whole property, really. | 0:10:30 | 0:10:32 | |
Modernising, plastering walls, changing flooring, | 0:10:32 | 0:10:36 | |
-that kind of thing. So, yeah. -Have you checked on planning for that, | 0:10:36 | 0:10:39 | |
-are there any issues with planning? -It's all... | 0:10:39 | 0:10:41 | |
At the moment it's all in the pipeline. | 0:10:41 | 0:10:43 | |
The architect's drawing up the plans as we speak, | 0:10:43 | 0:10:45 | |
and hopefully I don't anticipate there being any problems, | 0:10:45 | 0:10:48 | |
but, who knows, it's obviously... That's out of my hands. | 0:10:48 | 0:10:52 | |
And it's all costs as well. What's your budget? Tell me your budget. | 0:10:52 | 0:10:54 | |
-My budget... -Fingers crossed! -It's up to about 100,000, | 0:10:56 | 0:10:59 | |
but I'd like to think that I'm going to spend about 70. | 0:10:59 | 0:11:01 | |
But, if it is that I'm getting towards the end of my budget, | 0:11:03 | 0:11:06 | |
cos my budget is not limitless, that is the budget, | 0:11:06 | 0:11:09 | |
and if it goes over, it's a matter of it might be | 0:11:09 | 0:11:12 | |
that I have to wait a few months to earn the cash to plaster a room, | 0:11:12 | 0:11:15 | |
or do a certain decorating or some floors that I want putting down. | 0:11:15 | 0:11:20 | |
But I think that's a reasonable budget. | 0:11:20 | 0:11:22 | |
I'm going to try and project manage it as much as I can, | 0:11:22 | 0:11:24 | |
do a lot of sourcing of the products and stuff like that, | 0:11:24 | 0:11:28 | |
and I like a bargain, so... | 0:11:28 | 0:11:29 | |
Yes, we all like a bargain. | 0:11:29 | 0:11:31 | |
That's right! | 0:11:31 | 0:11:32 | |
Well, it looks like Hannah's got her head screwed on, | 0:11:33 | 0:11:36 | |
plus she will be calling on help from her family and friends, | 0:11:36 | 0:11:38 | |
particularly Mum and Dad, to try and keep the costs down. | 0:11:38 | 0:11:41 | |
After all, this is not just an investment to Hannah and her kids. | 0:11:41 | 0:11:45 | |
This is the forever home, | 0:11:47 | 0:11:48 | |
this is my home forever, | 0:11:48 | 0:11:50 | |
until the kids are certainly at an age... | 0:11:50 | 0:11:52 | |
You know, I might decide | 0:11:53 | 0:11:54 | |
I want to move further afield or whatever, so, yeah. | 0:11:54 | 0:11:56 | |
But it's exciting, isn't it? | 0:11:56 | 0:11:57 | |
Knowing that this is going to be your home, | 0:11:57 | 0:12:00 | |
your children are going to be living here with you as well, | 0:12:00 | 0:12:02 | |
that's got to be an element of excitement | 0:12:02 | 0:12:04 | |
-from what it is now to what it's going to be? -Definitely. | 0:12:04 | 0:12:08 | |
It is. It's good fun. | 0:12:08 | 0:12:10 | |
You know, I'm saying that now, and hopefully, | 0:12:10 | 0:12:12 | |
in four to five months when it's all perfect and exactly how I want it, | 0:12:12 | 0:12:15 | |
it'll all be worth it. | 0:12:15 | 0:12:16 | |
I think it will be a lovely home, I really do. | 0:12:16 | 0:12:18 | |
I think you chose very well. | 0:12:18 | 0:12:19 | |
Hannah, good luck, I wish you all the best. | 0:12:19 | 0:12:21 | |
-Thank you. -Hope it goes well. -Thank you. | 0:12:21 | 0:12:22 | |
What a lovely lady Hannah is - | 0:12:25 | 0:12:26 | |
and I'm really pleased for her and her children | 0:12:26 | 0:12:28 | |
that they potentially have found their forever home. | 0:12:28 | 0:12:31 | |
Quite a bit of modernisation to be done on the inside, | 0:12:31 | 0:12:34 | |
the extension is a great idea, | 0:12:34 | 0:12:36 | |
cos she's got more than enough space. | 0:12:36 | 0:12:38 | |
I'm quite excited about this one. | 0:12:38 | 0:12:39 | |
You can find out how she gets on later on in the programme. | 0:12:39 | 0:12:42 | |
Thamesmead in South East London is good commuter territory. | 0:12:45 | 0:12:49 | |
The city centre is about half an hour's drive away. | 0:12:50 | 0:12:53 | |
There are two bus routes, | 0:12:53 | 0:12:55 | |
and a 20 minute train ride from Abbey Wood train station - | 0:12:55 | 0:12:59 | |
but the real bonus is Crossrail on the horizon. | 0:12:59 | 0:13:02 | |
This development was part of a '60s futuristic vision, | 0:13:04 | 0:13:07 | |
an attempt, in the main, to offer social housing - | 0:13:07 | 0:13:10 | |
but the site was prone to flooding, | 0:13:10 | 0:13:12 | |
so the living accommodation was limited to the upper floors, | 0:13:12 | 0:13:15 | |
with garages below, and walkways and elevated roads, | 0:13:15 | 0:13:19 | |
which, as Lucy discovered, tend to be a little on the noisy side. | 0:13:19 | 0:13:22 | |
Look up there and you can see it, | 0:13:26 | 0:13:29 | |
and boy, can I hear it! | 0:13:29 | 0:13:31 | |
Well, that's the main A road, | 0:13:31 | 0:13:33 | |
which is great for commuting, but definitely... | 0:13:33 | 0:13:36 | |
Well not the quietest spot, or the prettiest view. | 0:13:36 | 0:13:39 | |
But it's not about appearances here, | 0:13:39 | 0:13:41 | |
because the three-bedroom flat I'm here to see is here. | 0:13:41 | 0:13:45 | |
The guide price was just £90,000 plus, | 0:13:45 | 0:13:47 | |
which might sound cheap by London standards, | 0:13:47 | 0:13:50 | |
especially when the average price in the capital | 0:13:50 | 0:13:53 | |
has just hit £600,000 for the first time. | 0:13:53 | 0:13:57 | |
That's incredible! | 0:13:57 | 0:13:59 | |
In many parts of London prices are still rising, | 0:13:59 | 0:14:02 | |
so this lot sounds like a potential bargain | 0:14:02 | 0:14:05 | |
compared with properties elsewhere in the city. | 0:14:05 | 0:14:09 | |
But, if something seems too good to be true, it usually is, | 0:14:09 | 0:14:13 | |
and there IS a reason for this low guide price. | 0:14:13 | 0:14:18 | |
The fly in the ointment here is its concrete construction, | 0:14:18 | 0:14:21 | |
which is deemed non-standard. | 0:14:21 | 0:14:24 | |
This can make getting a mortgage tricky, and, in turn, | 0:14:24 | 0:14:28 | |
keeps the value lower. | 0:14:28 | 0:14:29 | |
MUSIC: The Sky's The Limit by Jason Derulo | 0:14:29 | 0:14:31 | |
Somebody needs to collect their post! | 0:14:39 | 0:14:41 | |
But you walk in, stairs are right there in front of you, | 0:14:41 | 0:14:46 | |
little cubbyhole area, | 0:14:46 | 0:14:47 | |
you've got a little bathroom and a loo downstairs | 0:14:47 | 0:14:51 | |
and one, two, three bedrooms. | 0:14:51 | 0:14:53 | |
Quite unusual to have the bedrooms and the bathrooms and everything | 0:14:53 | 0:14:57 | |
all downstairs. | 0:14:57 | 0:14:58 | |
So, bedroom there, a little bit on the small side. | 0:14:58 | 0:15:01 | |
Bedroom here, very much on the small side. | 0:15:01 | 0:15:04 | |
Really?! I don't think this is a bedroom. | 0:15:04 | 0:15:07 | |
Look! It's the span of my arms! | 0:15:09 | 0:15:11 | |
That just doesn't work. | 0:15:11 | 0:15:12 | |
The first thing I would have to do here | 0:15:12 | 0:15:14 | |
is to take down this partition wall and open this place up, | 0:15:14 | 0:15:17 | |
even though you do have your own window here, | 0:15:17 | 0:15:20 | |
I just think you can't call this a bedroom. | 0:15:20 | 0:15:22 | |
And it would make next door so much bigger as well. | 0:15:22 | 0:15:25 | |
So really, it's just a two-bedroom flat, I think. | 0:15:25 | 0:15:27 | |
This is a case where two is better than three, | 0:15:30 | 0:15:33 | |
so you're more likely to put off buyers with a tiny room | 0:15:33 | 0:15:36 | |
and you certainly couldn't rent it separately. | 0:15:36 | 0:15:38 | |
So, if you call this a three-bed flat... | 0:15:39 | 0:15:42 | |
MUSIC: You've Got To Be Kidding by Graham Parker | 0:15:42 | 0:15:45 | |
Well, upstairs it gets a whole lot better, and a whole lot lighter. | 0:15:55 | 0:16:00 | |
I mean, straightaway you can see you've got light streaming in | 0:16:00 | 0:16:03 | |
through there, loads of light coming in from the lounge, | 0:16:03 | 0:16:06 | |
which is fantastic. | 0:16:06 | 0:16:07 | |
And then you've got this really odd room, what is it? | 0:16:07 | 0:16:10 | |
I don't know, but it's good for storage, I'll say that. | 0:16:10 | 0:16:13 | |
It's even got a window in it. | 0:16:13 | 0:16:14 | |
In fact, I think that's better than the silly little room downstairs. | 0:16:14 | 0:16:17 | |
But, we'll move on. We've got the kitchen. | 0:16:17 | 0:16:20 | |
Now, this may not be to everybody's taste, | 0:16:20 | 0:16:23 | |
but a big window and a big view. | 0:16:23 | 0:16:27 | |
You look straight out onto that massive, big roundabout. | 0:16:27 | 0:16:31 | |
Great if you love looking at cars. | 0:16:31 | 0:16:33 | |
If you don't, then that's not so great. | 0:16:33 | 0:16:35 | |
But the good thing is you can keep an eye on | 0:16:35 | 0:16:37 | |
your own vehicle down there, because the car park's there. | 0:16:37 | 0:16:40 | |
You've enough space in here for the kitchen, | 0:16:40 | 0:16:43 | |
but there's more. | 0:16:43 | 0:16:45 | |
Follow me, | 0:16:45 | 0:16:47 | |
through the shutters... | 0:16:47 | 0:16:48 | |
And you've got another view. How amazing is that? | 0:16:50 | 0:16:53 | |
Look. So you've got car park and concrete that side, | 0:16:53 | 0:16:56 | |
and lovely greenery this side. | 0:16:56 | 0:16:59 | |
So you could have your table and chairs in here. | 0:16:59 | 0:17:01 | |
You could really improve this room | 0:17:01 | 0:17:03 | |
by just getting rid of all these little cupboards. | 0:17:03 | 0:17:06 | |
The space could be so much bigger. | 0:17:06 | 0:17:08 | |
So, you could have one little view there, little view there. | 0:17:08 | 0:17:12 | |
It's really nice to have a dual aspect kitchen. | 0:17:12 | 0:17:15 | |
MUSIC: Two For The Price Of One by Larry Williams and Johnny Watson | 0:17:15 | 0:17:18 | |
Yes, it's two completely different viewpoints - one urban, one rural - | 0:17:22 | 0:17:26 | |
so, whichever takes your fancy. | 0:17:26 | 0:17:28 | |
The overall view of this split level flat is that it needs some updating, | 0:17:28 | 0:17:32 | |
but it could be a great investment. | 0:17:32 | 0:17:35 | |
Although, if you were thinking of buying to let, | 0:17:35 | 0:17:37 | |
there's something you should know. | 0:17:37 | 0:17:39 | |
From April 2016, additional stamp duty charges came into play | 0:17:42 | 0:17:47 | |
and, well, they'll be applied to any buy-to-let or additional homes. | 0:17:47 | 0:17:51 | |
So, using that flat as an example, | 0:17:51 | 0:17:54 | |
in the past you wouldn't have paid anything | 0:17:54 | 0:17:55 | |
if you'd have bought it for £90,000. | 0:17:55 | 0:17:58 | |
However, under the new regulations, | 0:17:58 | 0:18:00 | |
you'd now be liable for the 3% of the price. | 0:18:00 | 0:18:04 | |
So, buy for the guide, | 0:18:04 | 0:18:06 | |
and that means an additional cost of 2,700 quid. | 0:18:06 | 0:18:10 | |
Definitely something for investors to bear in mind | 0:18:10 | 0:18:13 | |
and to budget for if they want a good return. | 0:18:13 | 0:18:16 | |
A quick check on the government website will clarify it further, | 0:18:19 | 0:18:23 | |
so bearing that in mind, | 0:18:23 | 0:18:24 | |
can the potential uplift here cover any extra costs? | 0:18:24 | 0:18:28 | |
What does the local estate agent think about this one? | 0:18:28 | 0:18:34 | |
First impressions of the flat, it does need a lot of work | 0:18:34 | 0:18:36 | |
to bring up to a lettable standard and for a potential resale. | 0:18:36 | 0:18:40 | |
The layout of the property, with the bedrooms downstairs | 0:18:40 | 0:18:43 | |
and the kitchen upstairs is quite strange, | 0:18:43 | 0:18:45 | |
you don't come across it often, but it kind of works. | 0:18:45 | 0:18:48 | |
There's no point in moving it around, | 0:18:48 | 0:18:49 | |
it's a lot more hassle than it's worth. | 0:18:49 | 0:18:51 | |
I think people'll get used to it. | 0:18:51 | 0:18:53 | |
Quirky can be good - | 0:18:53 | 0:18:54 | |
but surely the biggest attraction here | 0:18:54 | 0:18:56 | |
is a two- to three-bedroom flat | 0:18:56 | 0:18:58 | |
for potentially under £100,000, | 0:18:58 | 0:19:02 | |
just a 20 minute train ride from Central London. | 0:19:02 | 0:19:05 | |
That's got to be a good investment, hasn't it? | 0:19:05 | 0:19:08 | |
Once renovated, this could resell for £160-170,000, | 0:19:08 | 0:19:13 | |
and letting, I'd let it out for £1,000 per calendar month. | 0:19:13 | 0:19:16 | |
So, potential profit to be made here - | 0:19:16 | 0:19:18 | |
and further good news is that there is 111 years left on the lease. | 0:19:18 | 0:19:23 | |
OK, so my first impressions weren't great, | 0:19:29 | 0:19:31 | |
but it did get better as I looked further around the flat. | 0:19:31 | 0:19:35 | |
And if you can buy this for anywhere near that guide price, | 0:19:35 | 0:19:38 | |
well, I think it could be a profitable investment. | 0:19:38 | 0:19:41 | |
Who agreed? Let's head to auction and find out. | 0:19:41 | 0:19:44 | |
Lot 114, a split-level flat, in need of modernisation. | 0:19:44 | 0:19:48 | |
80 anywhere? Should be cheap enough. | 0:19:48 | 0:19:50 | |
80,000 is all it was. | 0:19:50 | 0:19:52 | |
Thank you. 80 I've got. | 0:19:52 | 0:19:54 | |
82, thank you. | 0:19:54 | 0:19:55 | |
84. | 0:19:55 | 0:19:57 | |
84. 86. | 0:19:57 | 0:20:00 | |
88. | 0:20:00 | 0:20:01 | |
88. 90,000. | 0:20:01 | 0:20:04 | |
With competition throughout the room, | 0:20:04 | 0:20:06 | |
this lot soon went past its guide price, | 0:20:06 | 0:20:08 | |
and we re-join the bidding at £132,000. | 0:20:08 | 0:20:12 | |
132. | 0:20:12 | 0:20:14 | |
134. | 0:20:14 | 0:20:15 | |
136. | 0:20:15 | 0:20:17 | |
138. | 0:20:17 | 0:20:19 | |
140. | 0:20:19 | 0:20:20 | |
We all done? | 0:20:20 | 0:20:21 | |
Where? | 0:20:23 | 0:20:24 | |
One, leaving it late. | 0:20:24 | 0:20:26 | |
140, more competition. | 0:20:26 | 0:20:28 | |
Are you all right now? One more? | 0:20:28 | 0:20:29 | |
142? | 0:20:29 | 0:20:30 | |
Have a think. | 0:20:30 | 0:20:32 | |
On his first bid at the back, £140,000, | 0:20:32 | 0:20:35 | |
against the lady in the middle, on my right. | 0:20:35 | 0:20:37 | |
Anybody else for lot 114? | 0:20:37 | 0:20:38 | |
If not, 140 for the first, | 0:20:38 | 0:20:41 | |
140 for the second, | 0:20:41 | 0:20:43 | |
140 for the third and final time. | 0:20:43 | 0:20:45 | |
We all done? | 0:20:45 | 0:20:46 | |
GAVEL BANGS | 0:20:46 | 0:20:47 | |
Sold, 140. | 0:20:47 | 0:20:48 | |
MUSIC: The One And Only by Chesney Hawkes | 0:20:53 | 0:20:56 | |
That one and only bid of 140,000, | 0:21:02 | 0:21:04 | |
£50,000 over the guide price, was made by Ross. | 0:21:04 | 0:21:07 | |
Ross has been doing property refurbishment | 0:21:08 | 0:21:10 | |
for the last four years - and, yes, he has bought it as a buy-to-let. | 0:21:10 | 0:21:14 | |
Ross, lovely to meet you, congratulations. | 0:21:21 | 0:21:23 | |
-Thank you. -So, what was it about this place that made you want to go | 0:21:23 | 0:21:27 | |
-to the auction and bid for it? -I didn't see this place at auction, | 0:21:27 | 0:21:30 | |
I didn't view it or anything like that, it was a bit of a risk. | 0:21:30 | 0:21:32 | |
Oh, my gosh. So were you in the auction room not knowing what to do | 0:21:32 | 0:21:35 | |
-at that time? -There was another one I wanted. | 0:21:35 | 0:21:37 | |
And didn't get. | 0:21:38 | 0:21:40 | |
And this one came up. I did read the legal pack on this one, | 0:21:40 | 0:21:43 | |
just to kind of make sure. | 0:21:43 | 0:21:44 | |
When I first saw it in the photograph, I thought, "Oh, no," | 0:21:44 | 0:21:48 | |
but then I started to see it from a different perspective. | 0:21:48 | 0:21:51 | |
I thought about the redevelopment, I thought about the rail link, | 0:21:51 | 0:21:54 | |
I've thought about potential rental...and the spacious rooms. | 0:21:54 | 0:21:59 | |
Does it excite you doing things like that, | 0:21:59 | 0:22:01 | |
just plunging in at the deep end? | 0:22:01 | 0:22:02 | |
Yes, I'm a bit of a risk taker. | 0:22:02 | 0:22:04 | |
But do you feel positive now that this was a good buy for you? | 0:22:04 | 0:22:07 | |
Yes. I think so. | 0:22:08 | 0:22:10 | |
Well, one of the Hammer golden rules | 0:22:14 | 0:22:16 | |
is definitely to view a property before you buy it, | 0:22:16 | 0:22:19 | |
and it's extraordinary how many people don't. | 0:22:19 | 0:22:21 | |
But at least Ross HAD read the legal pack | 0:22:21 | 0:22:24 | |
and did know that concrete construction | 0:22:24 | 0:22:26 | |
may hold back its value. | 0:22:26 | 0:22:28 | |
You've got to do a lot here to make it look loved. | 0:22:28 | 0:22:33 | |
-Yes, it needs a lot of love. -So, how are you going to show it the love? | 0:22:33 | 0:22:35 | |
With a lot of thought and a lot of elbow grease. | 0:22:37 | 0:22:39 | |
I've really got to strip the wallpaper back, | 0:22:39 | 0:22:42 | |
possibly re-plaster, | 0:22:42 | 0:22:45 | |
flooring laminate, new carpets, | 0:22:45 | 0:22:47 | |
new kitchen, obviously. | 0:22:47 | 0:22:48 | |
There's potential, as well, | 0:22:48 | 0:22:49 | |
I could remove that wall potentially downstairs. | 0:22:49 | 0:22:52 | |
-It's tiny. -Tiny?! | 0:22:52 | 0:22:54 | |
Have you even laid down in that space? | 0:22:54 | 0:22:56 | |
It probably just takes your body space, really. | 0:22:56 | 0:22:58 | |
I think it would be good for a hobbit or someone. | 0:22:58 | 0:23:00 | |
LAUGHTER | 0:23:00 | 0:23:01 | |
They're hard to come by. | 0:23:01 | 0:23:02 | |
Well, there's not so many hobbits in Thamesmead. | 0:23:02 | 0:23:05 | |
Maybe out in the shires, though - | 0:23:05 | 0:23:06 | |
and if anyone knows a hobbit when he sees one, | 0:23:06 | 0:23:08 | |
it should be Ross, because outside property developing, | 0:23:08 | 0:23:11 | |
he's been on his fair share of film sets. | 0:23:11 | 0:23:14 | |
So tell me what you do alongside property developing? | 0:23:15 | 0:23:18 | |
I do a bit of extra work as well. | 0:23:18 | 0:23:20 | |
-Do you? -Yes. -So what's that like? | 0:23:20 | 0:23:23 | |
It can be quite fun at times. | 0:23:23 | 0:23:24 | |
It can also be very boring, waiting around. | 0:23:24 | 0:23:26 | |
I've done the usual. EastEnders, Holby City, | 0:23:26 | 0:23:30 | |
some big films, as well. | 0:23:30 | 0:23:31 | |
Wow. | 0:23:31 | 0:23:33 | |
So, I suppose that does work really well alongside property developing | 0:23:33 | 0:23:36 | |
because you can pick your own times. | 0:23:36 | 0:23:38 | |
Yes, that's right. Not condemned to an office from nine until five. | 0:23:38 | 0:23:41 | |
Tell me about your timescale. | 0:23:41 | 0:23:43 | |
I'm hoping to get it done in around two to three months, | 0:23:43 | 0:23:46 | |
hopefully less, but that's the longest stretch. | 0:23:46 | 0:23:48 | |
And your budget? | 0:23:48 | 0:23:49 | |
Initially it was ten, but I'm thinking | 0:23:50 | 0:23:52 | |
it's going to be more like 15 plus. | 0:23:52 | 0:23:54 | |
I always estimate worst-case scenario, | 0:23:54 | 0:23:56 | |
and then try and scale it back. | 0:23:56 | 0:23:58 | |
Ross, it's exciting to see what you're going to do here. | 0:23:58 | 0:24:01 | |
-Good luck with this. -Thank you. | 0:24:01 | 0:24:02 | |
And we'll be back in three months' time to see how you've done. | 0:24:02 | 0:24:05 | |
-Thank you so much. -Congratulations. Well done. | 0:24:05 | 0:24:07 | |
I would definitely not recommend buying at auction like Ross did | 0:24:08 | 0:24:12 | |
without looking around first, but well, | 0:24:12 | 0:24:15 | |
now that he's seen what he's contending with, | 0:24:15 | 0:24:17 | |
he has some decisions to make, and some work to do. | 0:24:17 | 0:24:21 | |
You can join me later on in the programme | 0:24:21 | 0:24:23 | |
to find out what it actually looks like when it's finished. | 0:24:23 | 0:24:26 | |
Coming up, a conclusion in Cornwall - | 0:24:28 | 0:24:30 | |
but Sarah's lounge floor flagstones are proving elusive. | 0:24:30 | 0:24:34 | |
We are slowly collecting them as we find them. | 0:24:34 | 0:24:37 | |
And in Thamesmead, London, | 0:24:40 | 0:24:41 | |
will the tale of two tiny bedrooms | 0:24:41 | 0:24:43 | |
turn into an epic drama for film extra Ross? | 0:24:43 | 0:24:46 | |
It's time to head back to Newcastle-under-Lyme | 0:24:52 | 0:24:54 | |
where, earlier in the show, | 0:24:54 | 0:24:56 | |
I visited this rather grand looking Victorian property, | 0:24:56 | 0:24:59 | |
guided at £175,000. | 0:24:59 | 0:25:01 | |
Despite its imposing appearance, the inside was a bit disappointing. | 0:25:01 | 0:25:05 | |
It does feel a bit small. | 0:25:07 | 0:25:09 | |
As you're walking up to the house, | 0:25:09 | 0:25:10 | |
you think it's going to be quite grand, but it's got three bedrooms, | 0:25:10 | 0:25:13 | |
one of them being a box bedroom. | 0:25:13 | 0:25:14 | |
HE GROANS UNCOMFORTABLY | 0:25:14 | 0:25:16 | |
For every problem there's always a solution, | 0:25:17 | 0:25:20 | |
and I didn't have to walk too far to find it. | 0:25:20 | 0:25:22 | |
How can you create a bit more space inside the property? | 0:25:22 | 0:25:26 | |
An extension. | 0:25:27 | 0:25:28 | |
Great minds think alike, | 0:25:28 | 0:25:30 | |
and new owner Hannah had planned to extend to create an extra room | 0:25:30 | 0:25:33 | |
for herself and children Rio and Esme. | 0:25:33 | 0:25:37 | |
I'm going to put a double extension | 0:25:37 | 0:25:39 | |
on the back to create a master bedroom with ensuite | 0:25:39 | 0:25:42 | |
and walk-in wardrobe. | 0:25:42 | 0:25:43 | |
And that should hopefully also open up the kitchen at the back. | 0:25:43 | 0:25:46 | |
But this wasn't just an investment in bricks and mortar. | 0:25:48 | 0:25:51 | |
This is the forever home. | 0:25:51 | 0:25:53 | |
Until the kids are certainly at an age... | 0:25:53 | 0:25:55 | |
and I might decide that I want to move further afield, or whatever. | 0:25:55 | 0:25:58 | |
She bought this house at auction for £260,000, | 0:25:59 | 0:26:03 | |
and hoped to spend a further 70 grand | 0:26:03 | 0:26:05 | |
completely modernising the property and adding a double extension. | 0:26:05 | 0:26:09 | |
17 months later, we are back | 0:26:11 | 0:26:13 | |
to see how Hannah has got on with her forever home. | 0:26:13 | 0:26:15 | |
MUSIC: Celebrate by MIKA | 0:26:18 | 0:26:19 | |
What an amazing transformation. | 0:26:34 | 0:26:37 | |
The new double extension has added so much space to the house | 0:26:37 | 0:26:41 | |
and the existing rooms have been modernised beyond recognition. | 0:26:41 | 0:26:45 | |
Upstairs there are now three double bedrooms, | 0:26:46 | 0:26:49 | |
one for each of the family. | 0:26:49 | 0:26:51 | |
There's also a study which Hannah uses as her office, | 0:26:53 | 0:26:57 | |
and a large family bathroom with twin sinks, | 0:26:57 | 0:27:00 | |
which is handy for the teenage children. | 0:27:00 | 0:27:02 | |
Hannah's bedroom also has a walk-in wardrobe | 0:27:03 | 0:27:05 | |
and a luxurious ensuite. | 0:27:05 | 0:27:07 | |
I guess my favourite feature is my bedroom. | 0:27:08 | 0:27:10 | |
I'm really glad I had French windows in there. | 0:27:10 | 0:27:13 | |
It just makes it so light, | 0:27:13 | 0:27:15 | |
and it's just absolutely lovely to lie there with the light | 0:27:15 | 0:27:17 | |
coming through the window. | 0:27:17 | 0:27:18 | |
But it's downstairs where the extra space can really be felt. | 0:27:24 | 0:27:27 | |
In addition to the kitchen and lounge, | 0:27:29 | 0:27:31 | |
there's room for a utility and toilet. | 0:27:31 | 0:27:34 | |
The former front reception rooms are now a dining room | 0:27:35 | 0:27:38 | |
and lounge for the kids. | 0:27:38 | 0:27:40 | |
In fact, there might be too much space. | 0:27:41 | 0:27:43 | |
The kids never use their lounge, they always use my lounge. | 0:27:44 | 0:27:46 | |
SHE LAUGHS | 0:27:46 | 0:27:47 | |
The dining room, again, looks great. | 0:27:48 | 0:27:51 | |
But it's a dining room, and I don't really do dinner parties! | 0:27:51 | 0:27:54 | |
SHE LAUGHS | 0:27:54 | 0:27:55 | |
Indeed, there's plenty of space, | 0:27:57 | 0:27:59 | |
but sadly not many original features left. | 0:27:59 | 0:28:02 | |
The builders stripped the house bare but did uncover one beautiful item. | 0:28:03 | 0:28:07 | |
The one thing that I did end up keeping was | 0:28:09 | 0:28:11 | |
the Minton floor in the hall. | 0:28:11 | 0:28:13 | |
I didn't even know it was there until we lifted the carpet up. | 0:28:13 | 0:28:16 | |
It's not 100% keeping with what the rest of the house is, | 0:28:16 | 0:28:19 | |
it is very much traditional, whereas the house is quite modern. | 0:28:19 | 0:28:21 | |
But you can't cover up a Victorian floor. | 0:28:21 | 0:28:24 | |
Going from this... | 0:28:26 | 0:28:28 | |
to this has taken Hannah a lot longer | 0:28:28 | 0:28:30 | |
than her original four to five month timescale. | 0:28:30 | 0:28:33 | |
Clearly it took an extra year on top of that, and some. | 0:28:33 | 0:28:37 | |
Initially the planning permission was refused | 0:28:38 | 0:28:40 | |
because the house has got quite a Victorian frontage | 0:28:40 | 0:28:43 | |
and obviously my design hadn't. | 0:28:43 | 0:28:45 | |
So it was rejected on the fact they didn't feel it would fit in | 0:28:45 | 0:28:49 | |
with the surrounding area. | 0:28:49 | 0:28:50 | |
So obviously then I had to resubmit the plans, | 0:28:50 | 0:28:52 | |
which then put the project back by at least another seven months. | 0:28:52 | 0:28:56 | |
Then the weather, of course, was completely against me. | 0:28:56 | 0:28:58 | |
It came to a stage where the roof needed to go on | 0:28:58 | 0:29:01 | |
and it just... We didn't have a dry day. We're just about there now. | 0:29:01 | 0:29:04 | |
I have a bedroom, I have a kitchen, | 0:29:04 | 0:29:06 | |
I no longer eat in the pub across the road every night. | 0:29:06 | 0:29:09 | |
And in the process of dragging this job over the finishing line, | 0:29:12 | 0:29:15 | |
Hannah may have just broken | 0:29:15 | 0:29:17 | |
an unofficial Homes Under The Hammer record. | 0:29:17 | 0:29:20 | |
I was let down by a lot of people. | 0:29:21 | 0:29:22 | |
In the end I think I had eight plumbers in total | 0:29:23 | 0:29:26 | |
that have been on the project. | 0:29:26 | 0:29:27 | |
Eight plumbers? | 0:29:29 | 0:29:30 | |
Wow. At times, | 0:29:30 | 0:29:31 | |
having a finished house must have felt like a pipe dream to Hannah. | 0:29:31 | 0:29:35 | |
And it's now complete - but has her budget sprung a leak? | 0:29:35 | 0:29:39 | |
Initially, I said the budget was 70, | 0:29:39 | 0:29:42 | |
but I could extend it to 100, | 0:29:42 | 0:29:43 | |
but I didn't really want to spend much more than 70. | 0:29:43 | 0:29:47 | |
Clearly spent a lot more than 70! | 0:29:47 | 0:29:49 | |
SHE LAUGHS | 0:29:49 | 0:29:50 | |
It was around 92,000 that we spent in the end. | 0:29:50 | 0:29:53 | |
Well, I'm going to say you came in under budget. | 0:29:55 | 0:29:58 | |
What's been the hardest bit of this project? | 0:29:58 | 0:30:01 | |
The biggest challenge has been living in it and coping mentally! | 0:30:01 | 0:30:05 | |
The stress of having two children, teenage children, | 0:30:07 | 0:30:10 | |
and being a single parent and trying to manage a house with no kitchen, | 0:30:10 | 0:30:14 | |
no bedroom and no heating did all become quite a lot at one stage. | 0:30:14 | 0:30:18 | |
I just don't think that I realised living and working in the same kind | 0:30:18 | 0:30:23 | |
of place with two children would be quite as stressful | 0:30:23 | 0:30:25 | |
as it actually is, it's not like you can get out of it. | 0:30:25 | 0:30:28 | |
You wake up in the morning and it's still there - | 0:30:28 | 0:30:30 | |
but certainly now, it just feels so homely, | 0:30:30 | 0:30:33 | |
and it does feel like all the effort and all the tears and sweat | 0:30:33 | 0:30:37 | |
and the toil are all worth it. | 0:30:37 | 0:30:39 | |
Now I can't wait to get back to work... | 0:30:39 | 0:30:41 | |
for a rest! | 0:30:41 | 0:30:43 | |
It sounds like Hannah has been through the wars with this project. | 0:30:43 | 0:30:47 | |
But the end result is a fantastic home for her and her kids. | 0:30:47 | 0:30:51 | |
Even though the house will not be going up for sale, | 0:30:53 | 0:30:56 | |
we've asked along two local experts for their views and opinions. | 0:30:56 | 0:30:59 | |
First, the agent who saw it last. | 0:31:00 | 0:31:02 | |
The biggest noticeable difference is of course the two-storey extension | 0:31:04 | 0:31:07 | |
to the rear. That was exactly what the property needed | 0:31:07 | 0:31:10 | |
to fulfil the plot size, | 0:31:10 | 0:31:12 | |
and the family room, the very large family room off the kitchen, | 0:31:12 | 0:31:15 | |
is just very on-trend at the moment | 0:31:15 | 0:31:17 | |
and will really help sell the property. | 0:31:17 | 0:31:19 | |
What a substantial property. | 0:31:19 | 0:31:21 | |
A nice mix of the new, | 0:31:21 | 0:31:23 | |
and the original features and character of the property. | 0:31:23 | 0:31:27 | |
This is a very, very desirable property. | 0:31:27 | 0:31:29 | |
With a spend of 92 grand added to the purchase price of £260,000, | 0:31:31 | 0:31:37 | |
Hannah has spent a total of 352 grand on this project. | 0:31:37 | 0:31:42 | |
What do the agents reckon this house could sell for? | 0:31:42 | 0:31:45 | |
We'd be looking at an asking price of £395,000. | 0:31:45 | 0:31:50 | |
I would look to market in the region of £400,000. | 0:31:50 | 0:31:53 | |
That is a lot more than what I was expecting, | 0:31:53 | 0:31:55 | |
by about 20 or 30,000 more than I thought. | 0:31:55 | 0:31:58 | |
A sale of 400 grand would mean a pre-tax profit for Hannah | 0:31:59 | 0:32:03 | |
of £48,000. | 0:32:03 | 0:32:06 | |
There's absolutely no chance that I will sell it. | 0:32:06 | 0:32:08 | |
The only time that I would ever move from this house | 0:32:09 | 0:32:12 | |
is when the children go off to university | 0:32:12 | 0:32:14 | |
and I decide to emigrate somewhere hot. | 0:32:14 | 0:32:15 | |
It's fair to say that Hannah's just glad it's all over. | 0:32:16 | 0:32:19 | |
So, does she have any words of wisdom for would-be developers? | 0:32:19 | 0:32:24 | |
Don't go on Homes Under The Hammer! | 0:32:24 | 0:32:26 | |
LAUGHTER | 0:32:26 | 0:32:27 | |
Don't buy a house! Don't do it up yourself! | 0:32:28 | 0:32:31 | |
No, what I would say I've learned is... | 0:32:31 | 0:32:34 | |
probably leave it to the experts. | 0:32:34 | 0:32:36 | |
Back in time, now, to 2012, | 0:32:40 | 0:32:43 | |
and the popular holiday county of Cornwall. | 0:32:43 | 0:32:47 | |
The property I went to see was on a busy road. | 0:32:47 | 0:32:49 | |
It was a three-bed country cottage. | 0:32:49 | 0:32:52 | |
Cornwall, country cottage? | 0:32:52 | 0:32:53 | |
Surely you would expect it to command a top price. | 0:32:53 | 0:32:56 | |
However, the guide price is intriguingly low, just £40,000. | 0:32:57 | 0:33:03 | |
So what's the catch? | 0:33:04 | 0:33:05 | |
I didn't think that the busy road was enough of a negative point | 0:33:05 | 0:33:09 | |
to drive the guide price so low. | 0:33:09 | 0:33:11 | |
The roof looked like it needed work, | 0:33:12 | 0:33:14 | |
but even so, £40,000?! | 0:33:14 | 0:33:17 | |
Plus, off the main road was a charming, large rear garden | 0:33:17 | 0:33:21 | |
with parking for several cars. | 0:33:21 | 0:33:23 | |
So, can you work out what the catch was? | 0:33:23 | 0:33:25 | |
Straight into the kitchen, | 0:33:27 | 0:33:28 | |
Bit of a downside. That is the loo and bathroom, | 0:33:28 | 0:33:30 | |
and it's the only one in the property. | 0:33:30 | 0:33:32 | |
Is that the main catch? | 0:33:32 | 0:33:33 | |
No. | 0:33:33 | 0:33:34 | |
And I'm sure you could live with that. | 0:33:35 | 0:33:37 | |
You've got a sitting room, front sitting room there, | 0:33:37 | 0:33:40 | |
with an open fire, which is nice. | 0:33:40 | 0:33:41 | |
Kitchen itself... Well, it's kind of quaint. | 0:33:41 | 0:33:44 | |
My guess is it's built into some kind of an extension at some point. | 0:33:45 | 0:33:47 | |
It needs a bit of work, | 0:33:47 | 0:33:49 | |
but actually it's pretty in keeping with the cottage itself. | 0:33:49 | 0:33:53 | |
Through here and I'm getting the feeling this could almost | 0:33:53 | 0:33:55 | |
have been a couple of cottages knocked through at some point, | 0:33:55 | 0:33:58 | |
because there's another sitting room here, | 0:33:58 | 0:33:59 | |
like a middle sitting room through to another lounge | 0:33:59 | 0:34:02 | |
at the front there. | 0:34:02 | 0:34:03 | |
Again, downside, | 0:34:03 | 0:34:04 | |
right by the side of the road. | 0:34:04 | 0:34:06 | |
However, none of those things are the catch. | 0:34:06 | 0:34:09 | |
The catch is, in case you hadn't guessed. | 0:34:09 | 0:34:11 | |
This place is actually lived in by somebody. | 0:34:11 | 0:34:14 | |
There's a tenant in place and a rent is being paid. | 0:34:14 | 0:34:17 | |
What's the problem with that? | 0:34:17 | 0:34:18 | |
You could say that's actually quite good news. | 0:34:18 | 0:34:20 | |
Trouble is, that rent isn't necessarily the full market rent | 0:34:20 | 0:34:24 | |
at the moment, and you don't know what the tenancy agreement is | 0:34:24 | 0:34:27 | |
that's in place. | 0:34:27 | 0:34:28 | |
Is it an assured shorthold tenancy agreement that you can change | 0:34:28 | 0:34:31 | |
and maybe ask the person to move out? | 0:34:31 | 0:34:33 | |
is it... Well, does it exist at all? | 0:34:33 | 0:34:35 | |
There's all sorts of unknowns, | 0:34:35 | 0:34:36 | |
and those definitely need to be sorted out, | 0:34:36 | 0:34:38 | |
because it makes this... | 0:34:38 | 0:34:41 | |
not an ideal one to go for, perhaps. | 0:34:41 | 0:34:43 | |
MUSIC: Turned A Light On by KT Tunstall | 0:34:43 | 0:34:45 | |
If ever there was a case for reading the legal patent very carefully, | 0:34:48 | 0:34:53 | |
this was it. | 0:34:53 | 0:34:55 | |
An assured shorthold tenancy gives the landlord the right, | 0:34:55 | 0:34:58 | |
with proper notice, | 0:34:58 | 0:34:59 | |
to regain possession after the fixed term of the tenancy is up. | 0:34:59 | 0:35:04 | |
However, an assured tenancy is more complex | 0:35:04 | 0:35:08 | |
as there are limited circumstances | 0:35:08 | 0:35:10 | |
whereby a landlord can take back possession. | 0:35:10 | 0:35:13 | |
It's all very complex, | 0:35:13 | 0:35:15 | |
but you can bet you can't buy a place and just move right in. | 0:35:15 | 0:35:19 | |
Back to the house itself, upstairs. | 0:35:19 | 0:35:21 | |
In order to access the third bedroom, | 0:35:21 | 0:35:23 | |
you have to come through here. | 0:35:23 | 0:35:24 | |
I mean, in terms of layout, it's not ideal at all. | 0:35:27 | 0:35:29 | |
The bedroom itself is quite good, so what's the solution? | 0:35:29 | 0:35:32 | |
Well, it might not be as expensive or difficult as you might imagine. | 0:35:32 | 0:35:35 | |
Just moving the stairs to the centre of the property | 0:35:35 | 0:35:38 | |
would solve all your problems. | 0:35:38 | 0:35:40 | |
Well, that would gain access to the front bedroom | 0:35:41 | 0:35:43 | |
from the opposite corner. | 0:35:43 | 0:35:44 | |
MUSIC: Move It On Over by Hank Williams | 0:35:44 | 0:35:47 | |
And the rear bedroom and master bedroom | 0:35:52 | 0:35:54 | |
would also have their own separate doors, a much better arrangement. | 0:35:54 | 0:35:58 | |
But all these changes would need checking | 0:36:00 | 0:36:02 | |
with the planning department, as the structure was built in 1847. | 0:36:02 | 0:36:06 | |
The agent who viewed the property said, once renovated, | 0:36:09 | 0:36:12 | |
and assuming no sitting tenants, | 0:36:12 | 0:36:14 | |
the market value would be in the range of 125 to 130,000. | 0:36:14 | 0:36:19 | |
At the auction, we saw the successful bid come from Sarah. | 0:36:22 | 0:36:26 | |
-All done... -GAVEL BANGS | 0:36:26 | 0:36:27 | |
Yours at £60,000. | 0:36:27 | 0:36:29 | |
Very happy, smiley face, that's nice. | 0:36:29 | 0:36:31 | |
There with her husband Graham and their next-door neighbours, | 0:36:32 | 0:36:35 | |
you guessed it, Sarah and Graham were the existing tenants | 0:36:35 | 0:36:38 | |
along with their four-year-old son Toby. | 0:36:38 | 0:36:41 | |
While Toby's dad Graham was out working at his job as a gardener, | 0:36:44 | 0:36:47 | |
I met up with Sarah, | 0:36:47 | 0:36:48 | |
who runs her own child-minding business from home. | 0:36:48 | 0:36:52 | |
I wanted to find out exactly why she was so bowled over | 0:36:52 | 0:36:55 | |
with buying this property for 60k after renting it for some 16 years. | 0:36:55 | 0:37:00 | |
-Congratulations. -Thank you. -Were you happy with what you paid? | 0:37:01 | 0:37:05 | |
It was right on our limit. | 0:37:05 | 0:37:07 | |
We couldn't go any higher than that. | 0:37:07 | 0:37:08 | |
-That was it? -That was it. | 0:37:08 | 0:37:09 | |
-That was your last bid? -Yes, that was our last bid. | 0:37:09 | 0:37:11 | |
I had to look confident and just try to go for it... | 0:37:11 | 0:37:14 | |
hoping that whoever it was bidding against us would stop. | 0:37:14 | 0:37:18 | |
Have you thought about buying it before? | 0:37:18 | 0:37:20 | |
Yes, we had tried to put an offer in beforehand. | 0:37:20 | 0:37:22 | |
It was declined. | 0:37:22 | 0:37:23 | |
How much was your offer for? | 0:37:23 | 0:37:25 | |
55. | 0:37:25 | 0:37:27 | |
-OK, so you had to pay a little bit more. -Yeah. | 0:37:27 | 0:37:30 | |
The prospect of the sale of this house, what did that mean to you? | 0:37:30 | 0:37:33 | |
Erm... | 0:37:33 | 0:37:35 | |
It was very nerve-racking, | 0:37:35 | 0:37:36 | |
not knowing what was going to happen, really. | 0:37:36 | 0:37:39 | |
It was like we had to go for it or... | 0:37:39 | 0:37:42 | |
What would the worst-case scenario have been? | 0:37:42 | 0:37:44 | |
We were always told they couldn't get us out, | 0:37:44 | 0:37:46 | |
so if anybody else bought it, | 0:37:46 | 0:37:48 | |
it would have to deal with somebody else | 0:37:48 | 0:37:50 | |
and hoping they would do the house up, | 0:37:50 | 0:37:52 | |
because there's a lot of work needs doing to the place. | 0:37:52 | 0:37:54 | |
-Right. -But how they're going to do that while we were living in here | 0:37:54 | 0:37:57 | |
was all going to be... | 0:37:57 | 0:37:59 | |
very difficult. | 0:37:59 | 0:38:00 | |
So you say they couldn't get you out, what do you mean? | 0:38:00 | 0:38:03 | |
No, we had an assured tenancy. | 0:38:03 | 0:38:05 | |
-For how many years, though? -Well, we have never signed anything, | 0:38:05 | 0:38:08 | |
there wasn't anything in place, | 0:38:08 | 0:38:10 | |
we were told we could stay here as long as we'd like. | 0:38:10 | 0:38:12 | |
The complex issues of the tenancy | 0:38:12 | 0:38:14 | |
and the outstanding work seems to have helped | 0:38:14 | 0:38:17 | |
keep their house affordable. | 0:38:17 | 0:38:19 | |
It turned out to be a good buy, | 0:38:19 | 0:38:20 | |
as a mortgage lender valued the property at 120,000. | 0:38:20 | 0:38:25 | |
So you got a £120,000 house for 60,000? | 0:38:27 | 0:38:30 | |
Yes. Yes. | 0:38:30 | 0:38:31 | |
So... | 0:38:31 | 0:38:33 | |
that was our one and only option, of buying our own home, | 0:38:33 | 0:38:36 | |
and it's worked out, thank goodness. | 0:38:36 | 0:38:39 | |
MUSIC: We Did It by Loleatta Holloway | 0:38:39 | 0:38:41 | |
They did indeed do it thanks to Sarah's poker-faced technique | 0:38:47 | 0:38:50 | |
at the auction, | 0:38:50 | 0:38:52 | |
so now it was theirs, ownership begged the obvious question. | 0:38:52 | 0:38:55 | |
What are you going to do to it? | 0:38:57 | 0:38:58 | |
Well, we're hoping to get the bathroom upstairs. | 0:38:58 | 0:39:00 | |
Right, where? | 0:39:00 | 0:39:01 | |
Erm, in the large bedroom, just cut that up a bit, hopefully. | 0:39:01 | 0:39:05 | |
-OK. -And if we can move the stairs, | 0:39:05 | 0:39:08 | |
hopefully that will separate the house into three bedrooms | 0:39:08 | 0:39:11 | |
-and a small bathroom. -And the bathroom downstairs, keep that? | 0:39:11 | 0:39:14 | |
No, we'll move that and turn that into, hopefully, | 0:39:14 | 0:39:17 | |
get some planning to extend out slightly and have a kitchen diner. | 0:39:17 | 0:39:21 | |
Husband Graham hoped to do most of the physical work himself | 0:39:23 | 0:39:26 | |
with the help of a builder friend. | 0:39:26 | 0:39:27 | |
The intention was to do it in three stages. | 0:39:29 | 0:39:31 | |
Stage one, repair the roof, | 0:39:31 | 0:39:33 | |
and replace the windows. | 0:39:33 | 0:39:35 | |
Stage two, move the stairs, | 0:39:35 | 0:39:37 | |
and fabricate the upstairs bathroom. | 0:39:37 | 0:39:39 | |
And stage three, add the extension and a new kitchen. | 0:39:40 | 0:39:43 | |
And they weren't sure how far their initial budget of £8,000 | 0:39:44 | 0:39:48 | |
would stretch. | 0:39:48 | 0:39:49 | |
We returned two years and four months later, | 0:39:53 | 0:39:56 | |
Sarah and Graham's 19th year in the property. | 0:39:56 | 0:39:59 | |
MUSIC: Stay With Me by Rod Stewart And The Faces | 0:39:59 | 0:40:02 | |
Toby's bedroom had sprouted some fitted furniture. | 0:40:07 | 0:40:10 | |
The master bedroom's footprint had transformed into a guest bedroom | 0:40:14 | 0:40:19 | |
and, as planned, a family bathroom. | 0:40:19 | 0:40:22 | |
These were stage two jobs, | 0:40:22 | 0:40:25 | |
but they hadn't skipped on the stage one ones. | 0:40:25 | 0:40:29 | |
Windows, we did first, that was the easier job. | 0:40:29 | 0:40:31 | |
And then we did the roof. | 0:40:31 | 0:40:33 | |
We still have to... | 0:40:33 | 0:40:35 | |
redesign the kitchen and hopefully do a kitchen diner, | 0:40:35 | 0:40:38 | |
with windows looking out to the garden, | 0:40:38 | 0:40:40 | |
which hopefully will be next year. | 0:40:40 | 0:40:42 | |
And we still want to do the flooring in the other room. | 0:40:43 | 0:40:46 | |
We found flagstones under the carpet, | 0:40:46 | 0:40:48 | |
so we want to restore them, so... | 0:40:48 | 0:40:50 | |
The work done to this point had certainly made a difference. | 0:40:50 | 0:40:53 | |
The major external jobs on the roof and windows | 0:41:01 | 0:41:04 | |
made the cottage look much neater. | 0:41:04 | 0:41:06 | |
Sarah took us through some of the changes. | 0:41:06 | 0:41:08 | |
In this room, we have moved the stairs, | 0:41:10 | 0:41:12 | |
we had the stairs, before, here in the corner in a cupboard | 0:41:12 | 0:41:15 | |
and now we've moved it to the centre of the house, going up. | 0:41:15 | 0:41:19 | |
And, also, we've removed the wall to open it up, | 0:41:19 | 0:41:22 | |
and give us a little more space and light in this room, which is great. | 0:41:22 | 0:41:26 | |
Sarah and Graham's bedroom was a work in progress | 0:41:26 | 0:41:30 | |
but Toby was straight to the point about his. | 0:41:30 | 0:41:33 | |
It's good. | 0:41:33 | 0:41:34 | |
He loves his new room. He is so proud. | 0:41:35 | 0:41:37 | |
He always wanted fish, something he always said, | 0:41:37 | 0:41:39 | |
as soon as you have your new room, you can have some fish. | 0:41:39 | 0:41:42 | |
So, he's now got a fish tank. | 0:41:42 | 0:41:43 | |
We met Toby's new pets, Goldie, Wriggler, Spotty and Stripy. | 0:41:43 | 0:41:48 | |
But these weren't the best bits of his new room. | 0:41:48 | 0:41:51 | |
It used to be a bit long travelling to the bathroom, | 0:41:51 | 0:41:55 | |
because we had to go all the way downstairs. | 0:41:55 | 0:41:58 | |
Until funds permitted, stage three was in the pipeline - | 0:41:58 | 0:42:02 | |
but Sarah felt very different, | 0:42:02 | 0:42:03 | |
now that they were the owners and occupiers, | 0:42:03 | 0:42:06 | |
instead of being tenants. | 0:42:06 | 0:42:07 | |
Now it's ours and because we've put the work in, as well, | 0:42:07 | 0:42:10 | |
it makes us feel, you know, we feel like we've done this. | 0:42:10 | 0:42:13 | |
And knowing that you're not putting money in, | 0:42:13 | 0:42:15 | |
where you're wasting it and somebody else might take it away from you, | 0:42:15 | 0:42:19 | |
so, yeah, everything we put in it is ours, now. | 0:42:19 | 0:42:22 | |
MUSIC: Home by Edward Sharpe And The Magnetic Zeros | 0:42:22 | 0:42:25 | |
I was curious how the £8,000 budget had fared. | 0:42:28 | 0:42:31 | |
We're at about 10,000 now, so, yeah. | 0:42:31 | 0:42:33 | |
with the roof and the windows, and the new chimney as well. | 0:42:33 | 0:42:37 | |
At this time, estate agents value the property at £125,000. | 0:42:37 | 0:42:42 | |
You can find out how Sarah further progressed her dream home | 0:42:42 | 0:42:46 | |
and what happened to Toby's fish later in the show. | 0:42:46 | 0:42:49 | |
Well, we wait patiently while our buyers get on with their renovations | 0:42:56 | 0:43:00 | |
and, often, things turn out marvellously. | 0:43:00 | 0:43:03 | |
Yeah, but sometimes things can go wrong, for a variety of reasons. | 0:43:03 | 0:43:08 | |
Why don't we find out how our two remaining properties got on today? | 0:43:08 | 0:43:10 | |
Time now to head to South East London and to Thamesmead, | 0:43:14 | 0:43:18 | |
to catch up on a split-level flat that Lucy saw. | 0:43:18 | 0:43:21 | |
And although the catalogue stated it was three bedrooms, | 0:43:23 | 0:43:26 | |
this was being a tad optimistic. | 0:43:26 | 0:43:28 | |
MUSIC: Ain't Quite Right by Paul Stanley | 0:43:28 | 0:43:30 | |
Look! It's the span of my arms! | 0:43:34 | 0:43:36 | |
That just doesn't work. The first thing I would have to do here | 0:43:36 | 0:43:40 | |
is to take down this partition wall and open this place up. | 0:43:40 | 0:43:43 | |
Even though you do have your own window here, | 0:43:43 | 0:43:45 | |
I just think you can't call this a bedroom. | 0:43:45 | 0:43:47 | |
And it would make next door so much bigger as well. | 0:43:47 | 0:43:50 | |
So, really? | 0:43:50 | 0:43:51 | |
It's just a two-bedroom flat, I think. | 0:43:51 | 0:43:53 | |
In fact, it had two of a lot of things. | 0:43:56 | 0:43:58 | |
Two floors, one for the bedrooms and bathroom | 0:43:58 | 0:44:01 | |
and one for the lounge and kitchen. | 0:44:01 | 0:44:03 | |
It had two views, one rural, one urban. | 0:44:03 | 0:44:07 | |
So you were spoilt for choice. | 0:44:07 | 0:44:09 | |
Not that part-time property developer | 0:44:12 | 0:44:13 | |
and part-time film and TV extra Ross knew any of this | 0:44:13 | 0:44:18 | |
before he bought it with a single bid of £140,000. | 0:44:18 | 0:44:22 | |
-GAVEL BANGS -Sold. | 0:44:22 | 0:44:23 | |
MUSIC: A Leap Of Faith by Delbert McClinton | 0:44:23 | 0:44:26 | |
I didn't view it, or anything like that. | 0:44:34 | 0:44:36 | |
-It was a bit of a risk. -Oh, my gosh! | 0:44:36 | 0:44:37 | |
So, were you in the auction room not knowing what to do at that time, | 0:44:37 | 0:44:40 | |
-and... -There was another one that I wanted... | 0:44:40 | 0:44:43 | |
-and didn't get. -And this one came up. | 0:44:43 | 0:44:45 | |
And I did read the legal pack on this one, just to kind of make sure. | 0:44:45 | 0:44:49 | |
When I first saw it in the photograph I thought, "Oh, no." | 0:44:49 | 0:44:53 | |
Then I started to see it from a different perspective. | 0:44:53 | 0:44:55 | |
I thought about the redevelopment, I thought about the rail link. | 0:44:55 | 0:44:59 | |
So, I thought, hmm... | 0:44:59 | 0:45:01 | |
You know? Why not? | 0:45:01 | 0:45:03 | |
Yes, one of Hammer's golden rules straight out of the window - | 0:45:03 | 0:45:07 | |
but Ross was reasonably happy with his purchase | 0:45:07 | 0:45:09 | |
and even seemed to have a solution to that so-called third bedroom. | 0:45:09 | 0:45:14 | |
-That's really it. -I think it would be good for a hobbit or someone! | 0:45:14 | 0:45:17 | |
-LAUGHTER -But they're hard to come by. | 0:45:17 | 0:45:18 | |
Accepting the lack of hobbits in Thamesmead, | 0:45:18 | 0:45:21 | |
Ross did plan to open up the bedroom, | 0:45:21 | 0:45:23 | |
rework the kitchen, | 0:45:23 | 0:45:25 | |
and give it the complete works, on a budget of 15 grand, | 0:45:25 | 0:45:29 | |
and a three-month timescale. | 0:45:29 | 0:45:31 | |
Provided, of course, Stephen Spielberg didn't phone him up, | 0:45:31 | 0:45:34 | |
and want him for his next blockbuster. | 0:45:34 | 0:45:36 | |
MUSIC: The Extra Mile by Bee Gees | 0:45:36 | 0:45:38 | |
Just two months later, we're back. | 0:45:51 | 0:45:53 | |
Has Ross given this flat an extra something? | 0:45:53 | 0:45:57 | |
Why, yes, he's gained more by going for less. | 0:46:01 | 0:46:05 | |
There's just one decent bedroom, instead of two tiny ones. | 0:46:05 | 0:46:09 | |
The other bedroom on this floor is crisp and clean... | 0:46:13 | 0:46:16 | |
..though he has decided to keep the bathroom and toilet separate. | 0:46:23 | 0:46:26 | |
So, bedroom and bathroom sorted out. | 0:46:28 | 0:46:31 | |
But what about the upper floor with the kitchen? | 0:46:31 | 0:46:33 | |
Ah! That's better. | 0:46:37 | 0:46:38 | |
So, in this room, I got rid of all the old kitchen here, | 0:46:40 | 0:46:44 | |
and put a new kitchen in, and there was a big wall here. | 0:46:44 | 0:46:49 | |
OK, and a massive water tank. | 0:46:49 | 0:46:51 | |
So we ripped that all out and opened up this space. | 0:46:51 | 0:46:54 | |
And I can justify this area as a living area. | 0:46:54 | 0:46:57 | |
By calling this a living area, | 0:46:58 | 0:47:00 | |
Ross is hoping that the lounge next door will be considered a bedroom... | 0:47:00 | 0:47:03 | |
..returning the flat to its former three-bedroom status. | 0:47:05 | 0:47:08 | |
But how heavily has Ross been involved? | 0:47:09 | 0:47:12 | |
Was he an extra pair of hands, or was it a starring role? | 0:47:12 | 0:47:17 | |
I was very hands-on, I was here every day... | 0:47:17 | 0:47:20 | |
for the whole project. | 0:47:20 | 0:47:21 | |
My builder had done the major works, you know, | 0:47:22 | 0:47:26 | |
things I couldn't do, like plumbing work, electrics | 0:47:26 | 0:47:29 | |
but from my perspective, I did all the decorating, | 0:47:29 | 0:47:31 | |
removing wallpaper, painting, helping with everything, really. | 0:47:31 | 0:47:35 | |
Ross hopes to finish the slick, modern production | 0:47:35 | 0:47:38 | |
in a couple of weeks, ready for general release | 0:47:38 | 0:47:40 | |
on the rental market. | 0:47:40 | 0:47:42 | |
But this wasn't a big budget production, | 0:47:42 | 0:47:45 | |
so did he stick to his £15,000 planned spend? | 0:47:45 | 0:47:49 | |
I did it within the budget, actually, | 0:47:49 | 0:47:52 | |
it's £13,000 I spent in total. | 0:47:52 | 0:47:54 | |
£13,000 on top of a £140,000 purchase price | 0:47:55 | 0:47:59 | |
takes Ross's total to £153,000. | 0:47:59 | 0:48:02 | |
And with the flat being of concrete construction, | 0:48:02 | 0:48:04 | |
there is a limit to what is worth doing here. | 0:48:04 | 0:48:08 | |
So, has he made the right choices to maximise its potential? | 0:48:08 | 0:48:11 | |
What do two local estate agents think? | 0:48:12 | 0:48:15 | |
My first thoughts on the property, it's really, really well presented, | 0:48:15 | 0:48:18 | |
good layout, and I like what the owner has done to the house. | 0:48:18 | 0:48:21 | |
I like the finish that he's put, | 0:48:21 | 0:48:23 | |
particularly in the kitchen and bathroom. | 0:48:23 | 0:48:25 | |
And the option that you can have this as a third bedroom, | 0:48:25 | 0:48:28 | |
as well as two. | 0:48:28 | 0:48:29 | |
This was always planned as a rental project, | 0:48:30 | 0:48:33 | |
but has he increased the value of the flat | 0:48:33 | 0:48:35 | |
he's invested 153 grand into? | 0:48:35 | 0:48:38 | |
If we were to put the property onto the sales market, | 0:48:38 | 0:48:41 | |
we would value the property between £175,000-£180,000. | 0:48:41 | 0:48:45 | |
Due to the property being a concrete build, | 0:48:45 | 0:48:48 | |
if this was going to be resold, | 0:48:48 | 0:48:50 | |
I believe we'd be able to fetch in the region of £175,000. | 0:48:50 | 0:48:53 | |
Yeah, that's OK, that's about the ballpark, | 0:48:54 | 0:48:56 | |
180 would be good for this time. | 0:48:56 | 0:48:59 | |
Next year, when Crossrail goes in, I think it will jump a bit more. | 0:48:59 | 0:49:02 | |
So, I was thinking about that. | 0:49:02 | 0:49:03 | |
But, yeah, that's good. | 0:49:03 | 0:49:05 | |
A potential pre-tax profit of £22,000-£27,000. | 0:49:07 | 0:49:11 | |
Well, it won't break any records, but it's OK. | 0:49:11 | 0:49:14 | |
What about the all-important rental value? | 0:49:14 | 0:49:16 | |
I would expect monthly rental to be around £1,000 per calendar month. | 0:49:20 | 0:49:24 | |
Pounds per calendar month, | 0:49:24 | 0:49:25 | |
I believe we'd be able to achieve in the region of | 0:49:25 | 0:49:28 | |
£1,100 per calendar month. | 0:49:28 | 0:49:29 | |
Yeah, I mean, 1,100 would be good. | 0:49:30 | 0:49:33 | |
If I were to rent it out to students, let's say, individually, | 0:49:33 | 0:49:37 | |
on a bedroom basis, I could achieve 450 per bedroom, | 0:49:37 | 0:49:40 | |
that would make it £1,350. | 0:49:40 | 0:49:42 | |
So, there's that option, as well. | 0:49:42 | 0:49:43 | |
The £1,100 per calendar month would give a yield of around 8.5%, | 0:49:43 | 0:49:48 | |
which certainly will generate some extra income for Ross. | 0:49:48 | 0:49:52 | |
But having bought this one blind, | 0:49:52 | 0:49:54 | |
is he going to mend his ways, | 0:49:54 | 0:49:56 | |
and be more diligent next time? | 0:49:56 | 0:49:58 | |
No, I took a massive risk, which I have done several times before, | 0:49:59 | 0:50:04 | |
erm, but there's something about the risk and the challenge | 0:50:04 | 0:50:07 | |
that I just keep... | 0:50:07 | 0:50:09 | |
I can't help myself! | 0:50:09 | 0:50:10 | |
Well, Ross may have got away with it this time, | 0:50:10 | 0:50:13 | |
but I can't emphasise enough, always look before you leap! | 0:50:13 | 0:50:17 | |
MUSIC: I Can't Help Myself by The Four Tops | 0:50:17 | 0:50:19 | |
Previously, I was in East Taphouse, Cornwall, | 0:50:30 | 0:50:33 | |
where, in 2012, on a busy road, | 0:50:33 | 0:50:36 | |
I looked at this three-bedroom semidetached cottage. | 0:50:36 | 0:50:39 | |
It had plenty of off-road parking with potential for a superb garden, | 0:50:41 | 0:50:45 | |
thanks to the large plot. | 0:50:45 | 0:50:46 | |
60... | 0:50:48 | 0:50:49 | |
When it went to auction, it had a relatively low guide price | 0:50:49 | 0:50:51 | |
of £40,000 because it was auctioned with sitting tenants, | 0:50:51 | 0:50:55 | |
and it was those sitting tenants who succeeded in purchasing it | 0:50:55 | 0:50:59 | |
for £60,000. | 0:50:59 | 0:51:01 | |
-All done. -GAVEL BANGS | 0:51:01 | 0:51:02 | |
Yours at £60,000. | 0:51:02 | 0:51:04 | |
Very happy, smiley face. | 0:51:04 | 0:51:05 | |
That's nice. | 0:51:05 | 0:51:06 | |
Childminder Sarah and gardener Graham | 0:51:08 | 0:51:10 | |
were the new owner-occupiers, | 0:51:10 | 0:51:12 | |
and set about the changes that they wanted to make to the cottage | 0:51:12 | 0:51:15 | |
where they'd lived already for 16 years, | 0:51:15 | 0:51:18 | |
and son Toby had lived in for four. | 0:51:18 | 0:51:20 | |
In the years to come, Graham and a builder friend got to work, | 0:51:22 | 0:51:26 | |
split into three stages. | 0:51:26 | 0:51:27 | |
When we last saw it in 2014, | 0:51:29 | 0:51:32 | |
there were new windows and roofing. | 0:51:32 | 0:51:34 | |
MUSIC: Hard Work by Ella Henderson | 0:51:34 | 0:51:36 | |
The bathroom had moved upstairs. | 0:51:39 | 0:51:41 | |
And the staircase had moved, too, | 0:51:49 | 0:51:51 | |
all of which added £65,000 value | 0:51:51 | 0:51:54 | |
to the £60,000 Sarah and Graham had paid for the property. | 0:51:54 | 0:51:58 | |
Not that this was a moneymaking venture, | 0:51:58 | 0:52:00 | |
more the creation of a forever home. | 0:52:00 | 0:52:03 | |
But not until they'd saved for stage three. | 0:52:03 | 0:52:06 | |
We still have to redesign the kitchen, | 0:52:08 | 0:52:11 | |
and hopefully do a kitchen diner with windows looking out the garden, | 0:52:11 | 0:52:15 | |
which hopefully will be next year. | 0:52:15 | 0:52:16 | |
And we still want to do the flooring in the other room. | 0:52:18 | 0:52:21 | |
We found flagstones under the carpet, so we want to restore them. | 0:52:21 | 0:52:24 | |
Well, we're heading back four and a half years | 0:52:24 | 0:52:27 | |
after they first bought the house that they've now lived in | 0:52:27 | 0:52:30 | |
for over 20 years. | 0:52:30 | 0:52:31 | |
MUSIC: Feels Like Coming Home by Jetta | 0:52:31 | 0:52:33 | |
The new extension, with fully fitted kitchen diner, | 0:52:47 | 0:52:50 | |
has certainly been worth the wait. | 0:52:50 | 0:52:52 | |
It's got all that Sarah could possibly wish for - | 0:52:57 | 0:52:59 | |
but let's not forget | 0:52:59 | 0:53:01 | |
she's been wishing for it for over 20 years now, | 0:53:01 | 0:53:03 | |
so she has had immense patience. | 0:53:03 | 0:53:05 | |
The light and airy extension gives views over the Cornish countryside | 0:53:13 | 0:53:17 | |
that were never seen before from downstairs, | 0:53:17 | 0:53:20 | |
and husband Graham cashed in part of his pension to fund the work. | 0:53:20 | 0:53:24 | |
Sarah is pleased as punch with the outcome. | 0:53:32 | 0:53:34 | |
The kitchen diner has made a huge difference to us. | 0:53:36 | 0:53:39 | |
We are able to see Toby play in the garden, | 0:53:39 | 0:53:41 | |
we've got the extra space now, | 0:53:41 | 0:53:43 | |
we can all sit together at the table | 0:53:43 | 0:53:44 | |
and, you know, enjoy meals as a family. | 0:53:44 | 0:53:46 | |
The downstairs bathroom area is now a hanging space for coats | 0:53:48 | 0:53:52 | |
and a small lobby with a downstairs loo and sink. | 0:53:52 | 0:53:54 | |
There's also featured exposed original brickwork here. | 0:53:59 | 0:54:02 | |
Sarah and Graham's bedroom has also been completed. | 0:54:03 | 0:54:06 | |
The windows are in keeping with the period of the house, | 0:54:11 | 0:54:14 | |
being sash in style, | 0:54:14 | 0:54:16 | |
but they are double glazed to keep out that traffic noise. | 0:54:16 | 0:54:19 | |
What about the plans to restore the flagstones? | 0:54:25 | 0:54:27 | |
The flagstones, we haven't quite managed to do yet. | 0:54:28 | 0:54:31 | |
We are slowly collecting them, you know, as we find them, | 0:54:31 | 0:54:36 | |
and then once we've got all the flagstones to cover the area, | 0:54:36 | 0:54:39 | |
we will re-lay the floor. | 0:54:39 | 0:54:40 | |
I'm sure Sarah and her gardener husband Graham | 0:54:41 | 0:54:44 | |
will leave no stone unturned in their bid to unearth | 0:54:44 | 0:54:47 | |
the rest of the slate required for the floor. | 0:54:47 | 0:54:49 | |
MUSIC: Joyride by Roxette | 0:54:49 | 0:54:51 | |
Toby has grown up in the house, | 0:54:56 | 0:54:58 | |
and it seems that cricket practice has paid off. | 0:54:58 | 0:55:01 | |
Toby at the moment has got into sport in a big way, | 0:55:01 | 0:55:04 | |
with both his cricket in the summer and his football, | 0:55:04 | 0:55:07 | |
he's just been signed up | 0:55:07 | 0:55:09 | |
to play with the under nines with Plymouth Argyle. | 0:55:09 | 0:55:13 | |
So that has taken most weekends, | 0:55:13 | 0:55:15 | |
and two evenings during the week, of training, | 0:55:15 | 0:55:19 | |
is completely gone, of our time! | 0:55:19 | 0:55:20 | |
SHE LAUGHS | 0:55:20 | 0:55:21 | |
Sadly, Sarah and Graham's time isn't the only thing that's gone. | 0:55:23 | 0:55:27 | |
Wriggler, Spotty and Stripy have gone too. | 0:55:27 | 0:55:30 | |
We are down to one fish now, Goldie. | 0:55:31 | 0:55:33 | |
He's rather big! | 0:55:33 | 0:55:34 | |
SHE LAUGHS | 0:55:34 | 0:55:35 | |
So, yes, we're down to Goldie. | 0:55:36 | 0:55:39 | |
I don't think it would be polite to mention time-SCALES here | 0:55:39 | 0:55:43 | |
but what about the budget? | 0:55:43 | 0:55:44 | |
The last time you were here, we spent about £10,000. | 0:55:44 | 0:55:48 | |
Now, we have spent another £15,000, | 0:55:48 | 0:55:51 | |
extending the kitchen and putting a new kitchen in. | 0:55:51 | 0:55:54 | |
Along with the auction price of £60,000, | 0:55:55 | 0:55:57 | |
that's a total of £85,000. | 0:55:57 | 0:56:00 | |
That must have added significant value over the years. | 0:56:00 | 0:56:03 | |
We're never going to sell, this is our home and it always will be. | 0:56:03 | 0:56:06 | |
Sarah, Graham and Toby are just delighted to have their own home - | 0:56:07 | 0:56:11 | |
but you know us, we like to know the numbers. | 0:56:11 | 0:56:13 | |
Just call us nosy! | 0:56:13 | 0:56:15 | |
So, we asked along two local estate agents | 0:56:15 | 0:56:18 | |
to give us their thoughts and valuations. | 0:56:18 | 0:56:20 | |
Really pleased with the property, they've mixed a good amount of | 0:56:22 | 0:56:24 | |
old property and new property together, | 0:56:24 | 0:56:27 | |
with the Delabole slate floor and that in the lounge area, | 0:56:27 | 0:56:30 | |
the wood burners, but they've also brought in modern heating | 0:56:30 | 0:56:33 | |
in the form of electric heaters, which are really efficient as well. | 0:56:33 | 0:56:36 | |
So, overall, really pleased with the fit and finish of the property. | 0:56:36 | 0:56:39 | |
The property would appeal to families with children, | 0:56:39 | 0:56:42 | |
especially because of the garden and its village location. | 0:56:42 | 0:56:45 | |
So, what is all this translate to for the £85,000 investment, | 0:56:46 | 0:56:50 | |
when it comes to a market value? | 0:56:50 | 0:56:53 | |
In this present market, | 0:56:53 | 0:56:54 | |
the property would achieve in the region of £150,000. | 0:56:54 | 0:56:57 | |
Sales valuation on this property is in the region of £175,000. | 0:56:58 | 0:57:02 | |
That's £90,000 potential pre-tax profit. | 0:57:03 | 0:57:06 | |
What do you think of that, Sarah? | 0:57:06 | 0:57:08 | |
Makes no difference, but, you know, | 0:57:08 | 0:57:11 | |
these valuations make no difference to us whatsoever. | 0:57:11 | 0:57:14 | |
This is our home. | 0:57:14 | 0:57:15 | |
So, I guess you won't be down to the auction room any time soon. | 0:57:15 | 0:57:20 | |
That's probably it, yeah. | 0:57:20 | 0:57:22 | |
SHE LAUGHS | 0:57:22 | 0:57:23 | |
I can't see myself being a builder. | 0:57:23 | 0:57:25 | |
And what does Toby think about all the years | 0:57:27 | 0:57:29 | |
that Mum and Dad have been working so hard? | 0:57:29 | 0:57:30 | |
Very proud. | 0:57:30 | 0:57:32 | |
Yeah? | 0:57:33 | 0:57:34 | |
THEY LAUGH | 0:57:34 | 0:57:35 | |
And apart from sourcing the Delabole slate for the lounge floor, | 0:57:36 | 0:57:39 | |
are there any more jobs for Graham to do? | 0:57:39 | 0:57:42 | |
Just the garden, maybe! | 0:57:43 | 0:57:44 | |
Well, he's been gardening for customers all week, | 0:57:45 | 0:57:48 | |
and then refurbishing all weekend, | 0:57:48 | 0:57:49 | |
so I think we can let him off that one. | 0:57:49 | 0:57:52 | |
Any final thoughts on the project? | 0:57:52 | 0:57:54 | |
In the mornings, we wake up | 0:57:56 | 0:57:58 | |
and we just feel so, so lucky | 0:57:58 | 0:58:00 | |
to have this beautiful house that we have, | 0:58:00 | 0:58:02 | |
and it's always going to be ours and it can't be taken away from us. | 0:58:02 | 0:58:06 | |
And you can't say fairer than that! | 0:58:06 | 0:58:09 | |
We hope you enjoyed today's auction stories - | 0:58:14 | 0:58:16 | |
and there's loads more where they came from. | 0:58:16 | 0:58:18 | |
Yes, your auction action never stops, and neither do we. | 0:58:18 | 0:58:22 | |
So, join us next time for more Homes Under The Hammer. | 0:58:22 | 0:58:24 | |
-Goodbye. -Goodbye. | 0:58:24 | 0:58:26 |