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Hello and welcome to the show. | 0:00:02 | 0:00:03 | |
All sorts of people buy property at auction | 0:00:03 | 0:00:05 | |
and the auction house attracts people from all walks of life. | 0:00:05 | 0:00:08 | |
Yes, and the properties themselves | 0:00:08 | 0:00:10 | |
are many and varied. | 0:00:10 | 0:00:12 | |
There's so many things to look forward to, | 0:00:12 | 0:00:15 | |
buying your home under the hammer. | 0:00:15 | 0:00:17 | |
Well, the kind of properties at auction are many and varied. | 0:00:43 | 0:00:46 | |
I feel like I've seen them all over the years, | 0:00:46 | 0:00:49 | |
from former public toilets to water towers. | 0:00:49 | 0:00:52 | |
Yes, variety definitely is the spice of life on this show. | 0:00:52 | 0:00:55 | |
Let's see what's on the menu. | 0:00:55 | 0:00:57 | |
The property Lucy's at is in Tooting, London, | 0:00:58 | 0:01:01 | |
and it boasts three rooms. | 0:01:01 | 0:01:03 | |
We'll find out what "three rooms" exactly are, on the inside. | 0:01:03 | 0:01:07 | |
It's going to take me a while to look around this nine-bedroom house in Liverpool. | 0:01:08 | 0:01:13 | |
It looks some size, so I'm going to get started. | 0:01:13 | 0:01:16 | |
And I'm in Silverdale, Newcastle-under-Lyme, | 0:01:18 | 0:01:20 | |
to see a three-bedroom semi | 0:01:20 | 0:01:22 | |
that's been classified as a dangerous house. | 0:01:22 | 0:01:25 | |
It doesn't look to be in too good condition from the outside. | 0:01:25 | 0:01:28 | |
All these properties have been sold at auction, and we'll find out | 0:01:30 | 0:01:33 | |
who bought them, and what they paid when they went under the hammer. | 0:01:33 | 0:01:37 | |
HAMMER COMES DOWN | 0:01:37 | 0:01:39 | |
Lucy's in Tooting, a popular area of southwest London, | 0:01:43 | 0:01:47 | |
famous for its Lido and restaurants, among other things. | 0:01:47 | 0:01:50 | |
But there is a less famous Tooting, | 0:01:50 | 0:01:53 | |
54 million kilometres away on Mars. | 0:01:53 | 0:01:57 | |
Yep, a giant crater there is also called Tooting. | 0:01:57 | 0:02:01 | |
Thankfully, Lucy's sat nav took her to the one on THIS planet. | 0:02:01 | 0:02:05 | |
Well, as you can hear and see | 0:02:07 | 0:02:08 | |
it's a busy road, and not everybody will enjoy overlooking a cemetery. | 0:02:08 | 0:02:13 | |
But it's on the bus route, and you have amenities nearby. | 0:02:13 | 0:02:16 | |
Well, I'm here to see a first-floor flat | 0:02:16 | 0:02:19 | |
and it had a guide price of £210,000 plus. | 0:02:19 | 0:02:22 | |
It's described as having three rooms and a kitchen and a bathroom. | 0:02:22 | 0:02:26 | |
We'll find out what "three rooms" exactly are, on the inside. | 0:02:26 | 0:02:30 | |
So, what have we got when you reach the top of the stairs? | 0:02:36 | 0:02:39 | |
Well, there's the kitchen. | 0:02:39 | 0:02:40 | |
The bathroom leads off, so not ideal straight away. | 0:02:40 | 0:02:44 | |
And the layout just gets a little bit more unusual, | 0:02:44 | 0:02:46 | |
the further through the flat you go. | 0:02:46 | 0:02:49 | |
It's not really working, is it, | 0:02:49 | 0:02:50 | |
because what do they mean by "three rooms"? | 0:02:50 | 0:02:53 | |
Well, here's one of them. I think that's the lounge. | 0:02:53 | 0:02:56 | |
And then, through here, well, here are the two other rooms. | 0:02:56 | 0:03:00 | |
There's one of them down there. | 0:03:00 | 0:03:02 | |
There's this unusual little corridor area which is quite pointless. | 0:03:02 | 0:03:06 | |
And, well, a partitioned wall into a tiny little bedroom. | 0:03:06 | 0:03:10 | |
So what you've got is two very, very small rooms, | 0:03:10 | 0:03:14 | |
which are pretty useless, and one other room through there. | 0:03:14 | 0:03:18 | |
So, straightaway, I just want to knock all this partitioning down | 0:03:18 | 0:03:22 | |
and that means that you've initially just got | 0:03:22 | 0:03:25 | |
a one-bedroom flat. | 0:03:25 | 0:03:27 | |
But it will be a nice one-bedroom flat | 0:03:27 | 0:03:28 | |
because you could have the lounge, this bedroom here, | 0:03:28 | 0:03:31 | |
and the kitchen and bathroom down there. | 0:03:31 | 0:03:33 | |
So this is a case in point, people - | 0:03:33 | 0:03:35 | |
always view an auction property before bidding at an auction. | 0:03:35 | 0:03:40 | |
We're always banging on about it, but you know we're right. | 0:03:40 | 0:03:43 | |
Homework, homework and more homework. | 0:03:43 | 0:03:45 | |
Now, if you were to reconfigure this flat and just have one bedroom, | 0:03:47 | 0:03:51 | |
there might be space for a second up in the loft. | 0:03:51 | 0:03:55 | |
But that means you'll need a bigger budget, | 0:03:55 | 0:03:57 | |
and time to apply to the planning department | 0:03:57 | 0:03:58 | |
and get permission from the freeholder. | 0:03:58 | 0:04:01 | |
You might not even own the loft space. | 0:04:01 | 0:04:03 | |
Now, back to Lucy. | 0:04:04 | 0:04:07 | |
Lucy? | 0:04:07 | 0:04:08 | |
Lucy! | 0:04:08 | 0:04:09 | |
Now... Get out of the way! | 0:04:10 | 0:04:13 | |
Oh! | 0:04:13 | 0:04:15 | |
You might wonder what I'm doing rustling around in the bushes, | 0:04:15 | 0:04:17 | |
but that's because I've got some great news. | 0:04:17 | 0:04:20 | |
This flat comes with this garden, | 0:04:20 | 0:04:23 | |
and there is a fair old garden back there. | 0:04:23 | 0:04:26 | |
Yes, it needs clearing, | 0:04:26 | 0:04:27 | |
and I've been trying to figure out how long the actual garden is. | 0:04:27 | 0:04:30 | |
It's about ten fence panels' worth. | 0:04:30 | 0:04:32 | |
So it does go on and on. | 0:04:32 | 0:04:34 | |
It needs to get this shed out of the way | 0:04:34 | 0:04:36 | |
because it just takes up so much of the space, but I'm so pleased that | 0:04:36 | 0:04:39 | |
this flat has this outside space because in my mind, | 0:04:39 | 0:04:43 | |
it's going to add that extra bit of value that this flat needs. | 0:04:43 | 0:04:47 | |
To find out exactly what kind of value that could add, | 0:04:47 | 0:04:50 | |
we've asked along a local estate agent to get his opinion. | 0:04:50 | 0:04:52 | |
That garden adds a lot of value. | 0:04:56 | 0:04:59 | |
People in London, we don't get a lot of sun, | 0:04:59 | 0:05:00 | |
but we love outdoor spaces | 0:05:00 | 0:05:02 | |
and I think the size of it is pretty amazing, | 0:05:02 | 0:05:05 | |
considered the property that it is. | 0:05:05 | 0:05:07 | |
So, yeah, I think that does add value. | 0:05:07 | 0:05:09 | |
With a figure in mind, | 0:05:09 | 0:05:11 | |
I would say in the region of about 15 or 20,000 on the guide price. | 0:05:11 | 0:05:15 | |
This green space makes this ripe for development and reconfiguration, | 0:05:17 | 0:05:21 | |
but there is a major catch. | 0:05:21 | 0:05:23 | |
It comes with a short lease, with only 58 years remaining. | 0:05:23 | 0:05:26 | |
The short lease can be a problem for buyers. | 0:05:28 | 0:05:31 | |
Being a short lease it is quite hard to get a mortgage from lenders. | 0:05:31 | 0:05:35 | |
So if you're looking to put this property onto the sales market, | 0:05:35 | 0:05:39 | |
it would have to be a cash buyer that would be willing to buy it. | 0:05:39 | 0:05:42 | |
Now, with the property prices in this area, | 0:05:42 | 0:05:44 | |
that would be extremely difficult. | 0:05:44 | 0:05:46 | |
This would decrease the property of the value by about £25,000-£50,000. | 0:05:46 | 0:05:51 | |
So, this flat adds value with a garden | 0:05:53 | 0:05:55 | |
but then the short lease takes it away. | 0:05:55 | 0:05:57 | |
So if the lease was extended | 0:05:57 | 0:05:59 | |
and the flat returned to a good spec one-bed, what could this property, | 0:05:59 | 0:06:03 | |
guided at £210,000 plus, be worth? | 0:06:03 | 0:06:05 | |
If it was to go into a one-bedroom flat, | 0:06:11 | 0:06:13 | |
this property could sell for £390,000 to £410,000. | 0:06:13 | 0:06:17 | |
No. This flat is not without its issues. | 0:06:17 | 0:06:19 | |
The layout doesn't work and it's in poor condition, | 0:06:19 | 0:06:22 | |
not to mention that short lease. | 0:06:22 | 0:06:24 | |
Still, if you can see past that, well, | 0:06:24 | 0:06:26 | |
this could be a very good investment. | 0:06:26 | 0:06:28 | |
Let's see who agreed when it went to auction. | 0:06:28 | 0:06:31 | |
Very popular location, I know this area. | 0:06:31 | 0:06:34 | |
So, first-floor flat, great potential. | 0:06:34 | 0:06:37 | |
Kick off at 200 on this? | 0:06:37 | 0:06:39 | |
200. 205? 205 anywhere? 205. | 0:06:39 | 0:06:43 | |
210. | 0:06:45 | 0:06:46 | |
215. | 0:06:46 | 0:06:49 | |
220. | 0:06:49 | 0:06:51 | |
225. | 0:06:51 | 0:06:53 | |
Two bidders at the back of the room went toe-to-toe for this lot. | 0:06:53 | 0:06:57 | |
We rejoin at £321,000. | 0:06:57 | 0:06:59 | |
321. | 0:07:01 | 0:07:02 | |
Over here, 321. 323. | 0:07:02 | 0:07:05 | |
Anyone else? If you're all done... | 0:07:05 | 0:07:07 | |
Sold, 321. Good buy, well done. | 0:07:08 | 0:07:11 | |
Are you going to go up into the loft? | 0:07:11 | 0:07:13 | |
Yes? Yeah! | 0:07:13 | 0:07:16 | |
Hey, auctioneer, no spoilers, please! | 0:07:16 | 0:07:19 | |
Well, the successful bidder, who paid 321,000, was Charlie. | 0:07:19 | 0:07:23 | |
He said he wanted to go "up in the loft" at auction. | 0:07:23 | 0:07:26 | |
Let's see what his thoughts are now. | 0:07:26 | 0:07:28 | |
Charlie, lovely meeting you today. Thanks for coming along. | 0:07:30 | 0:07:33 | |
What's the story behind you wanting to buy this? | 0:07:33 | 0:07:35 | |
Well, about two years ago, I bought a house in Brixton, in London. | 0:07:35 | 0:07:38 | |
It had loads of problems with it, leases...and basically I managed to | 0:07:38 | 0:07:42 | |
sort out the problems over a couple of years | 0:07:42 | 0:07:44 | |
and it's gone up in value a lot. And ended up being a good deal. | 0:07:44 | 0:07:48 | |
And I was sort of slaving away on selling popcorn for a company. | 0:07:48 | 0:07:51 | |
I like the job, but I was like, this is not what I really want to be. | 0:07:51 | 0:07:55 | |
-So, you were selling popcorn? -I was selling popcorn, yes. | 0:07:55 | 0:07:57 | |
What, literally, selling it to people? | 0:07:57 | 0:07:59 | |
No, I wasn't in a cinema with a little thing, I was... | 0:07:59 | 0:08:02 | |
-Like a sales manager? -Yeah, a sales manager. | 0:08:02 | 0:08:04 | |
From the KERNEL of an idea to quitting his job, | 0:08:05 | 0:08:08 | |
and inspired by the success of his Brixton house, | 0:08:08 | 0:08:10 | |
Charlie started working as a handyman | 0:08:10 | 0:08:12 | |
to gain practical skills before buying this place. | 0:08:12 | 0:08:15 | |
So, what are you going to do to this flat? | 0:08:17 | 0:08:19 | |
I would be quite intrigued to find out how you're going to change | 0:08:19 | 0:08:22 | |
the layout. Because it's a little bit awkward, isn't it? | 0:08:22 | 0:08:25 | |
Yes. Initially, I was literally going to make it into a really | 0:08:25 | 0:08:28 | |
nice one-bed and rent it out. | 0:08:28 | 0:08:29 | |
And then, because I didn't think I'd be able to get planning permission, | 0:08:29 | 0:08:34 | |
and now I've looked at it and I think I CAN get planning permission to go into the loft. | 0:08:34 | 0:08:37 | |
So, the first thing is, | 0:08:37 | 0:08:39 | |
this will become a bedroom and it's a reception room at the moment. | 0:08:39 | 0:08:42 | |
In the back of the house, where the kitchen and the bathroom is, | 0:08:42 | 0:08:45 | |
-that will all be ripped out and become a second bedroom. -OK. | 0:08:45 | 0:08:48 | |
And then at the front, | 0:08:48 | 0:08:50 | |
I'm going to take out those lovely walls | 0:08:50 | 0:08:51 | |
that someone put up about two months ago. | 0:08:51 | 0:08:53 | |
They're going to be ripped down, | 0:08:53 | 0:08:55 | |
and then it's going to be made into a large kitchen diner at the front of the house. | 0:08:55 | 0:08:58 | |
And then, hopefully, if we get the planning permission, | 0:08:58 | 0:09:01 | |
upstairs will be a bedroom and a bathroom. | 0:09:01 | 0:09:06 | |
I mean, I think if you do manage to turn this into a three-bedder, | 0:09:06 | 0:09:09 | |
it's the little pot of gold at the end of the rainbow, | 0:09:09 | 0:09:12 | |
you've done very well. | 0:09:12 | 0:09:13 | |
What about the loft space? Because you can't take it as read that you OWN the loft. | 0:09:13 | 0:09:18 | |
I've read through the list. And I've shown it to a solicitor, | 0:09:18 | 0:09:22 | |
and they're like, basically you're 95%, you own that loft. | 0:09:22 | 0:09:27 | |
Is 95% certain enough, though? | 0:09:27 | 0:09:30 | |
Charlie has been proactive - | 0:09:30 | 0:09:31 | |
before the auction, he made contact with the freeholder | 0:09:31 | 0:09:34 | |
to enquire about this, and that much-needed lease extension. | 0:09:34 | 0:09:39 | |
And he thinks a deal is going to be possible. | 0:09:39 | 0:09:41 | |
But of course, it will come at a price. | 0:09:41 | 0:09:43 | |
If he chooses to negotiate there are no rules, | 0:09:43 | 0:09:45 | |
and the landlord could refuse to extend, | 0:09:45 | 0:09:49 | |
or charge what he or she wants. | 0:09:49 | 0:09:51 | |
Alternatively, if Charlie holds on to the property for two years, | 0:09:51 | 0:09:55 | |
he would have a right under law to add 90 years | 0:09:55 | 0:09:59 | |
to what is left on the existing lease. | 0:09:59 | 0:10:01 | |
Of course, the freeholder is still due a payment, | 0:10:03 | 0:10:05 | |
but there is a formula set to work this out. | 0:10:05 | 0:10:09 | |
That and the planning issues aside, | 0:10:09 | 0:10:10 | |
Charlie hopes to get the work done in three months. | 0:10:10 | 0:10:13 | |
So what sort of budget have you got to do all the budget work here? | 0:10:16 | 0:10:19 | |
You've got obviously the renewing of the lease, | 0:10:19 | 0:10:21 | |
which I think will be about £70,000, which is quite chunky, | 0:10:21 | 0:10:27 | |
but, you know, I think it's reflected in the price. | 0:10:27 | 0:10:29 | |
Then for all the downstairs, sort of around £10,000, | 0:10:29 | 0:10:36 | |
and then the loft, I'm sort of... I'm hoping to get it under... | 0:10:36 | 0:10:40 | |
somewhere between £25,000 and £30,000. | 0:10:40 | 0:10:42 | |
-OK. -And that's sort of where I'm looking at at the moment. | 0:10:42 | 0:10:46 | |
So you are looking at potentially doing this up to then sell on? | 0:10:46 | 0:10:50 | |
Yeah. I'm looking to do up to sell on, but whatever happens | 0:10:50 | 0:10:53 | |
I'm going to keep it for two years, | 0:10:53 | 0:10:54 | |
just the way my mortgage is, I've got a fixed rate for two years. | 0:10:54 | 0:10:57 | |
Anything that you are worried about with having purchased this building? | 0:10:57 | 0:11:00 | |
-Yeah, the whole thing really! -HE LAUGHS | 0:11:00 | 0:11:03 | |
You were filling me with confidence. Now you're worrying me! | 0:11:03 | 0:11:06 | |
Was that all just a load of chat? | 0:11:06 | 0:11:08 | |
Well, it's just obviously I've never done it before, | 0:11:08 | 0:11:10 | |
so everything's like... | 0:11:10 | 0:11:12 | |
-new. Yeah. -LUCY LAUGHS | 0:11:12 | 0:11:14 | |
You sounded so confident for a minute there. | 0:11:14 | 0:11:16 | |
"Yeah, I'm going to do this, do that. | 0:11:16 | 0:11:18 | |
"Oh, actually, it's all worrying me!" | 0:11:18 | 0:11:19 | |
Yeah. Every single little bit is obviously worrying me because | 0:11:19 | 0:11:22 | |
I've never done any of it before. And it's all completely new. | 0:11:22 | 0:11:26 | |
So what did your family think when you decided to sort of give up your proper job, your monthly wage? | 0:11:26 | 0:11:31 | |
I didn't actually tell them. I just sort of... | 0:11:31 | 0:11:33 | |
I told them after I'd given up my job. | 0:11:33 | 0:11:36 | |
It is the second job I've quit, | 0:11:36 | 0:11:37 | |
and I remember how good it was the first time. I was, | 0:11:37 | 0:11:40 | |
"I've got to do that again." | 0:11:40 | 0:11:41 | |
-You've got to try and hold this job then, OK? -This one? -You need to keep this job. | 0:11:41 | 0:11:45 | |
No, but I will because it's me, you know, it's... | 0:11:45 | 0:11:48 | |
I can... If I don't, it's... | 0:11:48 | 0:11:50 | |
I've got a big loan and stuff to deal with, | 0:11:50 | 0:11:53 | |
so I really need to do it properly. | 0:11:53 | 0:11:54 | |
Sometimes you've got to take the risk to get the gain, | 0:11:54 | 0:11:57 | |
and I think that you should take that risk. | 0:11:57 | 0:12:00 | |
Yeah, because it's... | 0:12:00 | 0:12:01 | |
Don't tell anyone I said that. | 0:12:01 | 0:12:02 | |
No! | 0:12:02 | 0:12:04 | |
-Lovely meeting you. -Brilliant. -Good luck with this whole project. -Thanks. Thanks a lot. | 0:12:04 | 0:12:08 | |
From popcorn to property. | 0:12:08 | 0:12:10 | |
Charlie's a brave man, quitting his job and starting afresh. | 0:12:10 | 0:12:14 | |
He's got his ideas, but there's still a few unknowns here. | 0:12:14 | 0:12:18 | |
Will he get permission to convert the loft, | 0:12:18 | 0:12:20 | |
and how quickly will he manage to extend that lease? | 0:12:20 | 0:12:23 | |
Liverpool's Victorian architecture isn't limited to the city centre. | 0:12:27 | 0:12:31 | |
Imposing houses in the east are now part of a conservation area. | 0:12:32 | 0:12:36 | |
Just across the road from Newsham Park, which is just there, | 0:12:37 | 0:12:41 | |
on this street, which is full of grand houses, | 0:12:41 | 0:12:43 | |
and it's one of those grand houses | 0:12:43 | 0:12:45 | |
I'm here to see today, and here it is. It's a bit of a monster. | 0:12:45 | 0:12:49 | |
And we're only two miles away from the centre of Liverpool as well. | 0:12:49 | 0:12:52 | |
It's a former care home, | 0:12:52 | 0:12:55 | |
it's got four floors, and a guide price of £190,000. | 0:12:55 | 0:12:58 | |
It looks some size, so I'm going to get started. | 0:12:58 | 0:13:01 | |
# I'll be home, my darling... # | 0:13:01 | 0:13:07 | |
OK, if you can hear a beeping, that's just the alarm, | 0:13:07 | 0:13:10 | |
so don't worry about that. | 0:13:10 | 0:13:12 | |
But look at this flooring. Originally tiled floor, | 0:13:12 | 0:13:14 | |
very in keeping with the outside of the property as well. | 0:13:14 | 0:13:18 | |
Really high ceilings, even more detail as well there. | 0:13:18 | 0:13:23 | |
You've got a really large sort of lounge area to the front | 0:13:23 | 0:13:27 | |
with a massive bay window, which WOULD be letting light in | 0:13:27 | 0:13:30 | |
but it's all boarded up, or it's got grilles round the front of it. | 0:13:30 | 0:13:34 | |
To my right, you've got a big room there with a huge hatch as well, | 0:13:34 | 0:13:37 | |
I'm pretty sure that is connected to the kitchen. | 0:13:37 | 0:13:41 | |
You've got stairs going up, stairs going down. | 0:13:41 | 0:13:44 | |
So, pop pickers, | 0:13:45 | 0:13:47 | |
we'll start at the bottom and chart this nine-bedder | 0:13:47 | 0:13:50 | |
all the way to the top. | 0:13:50 | 0:13:52 | |
MUSIC: Pick Of The Pops Theme | 0:13:52 | 0:13:54 | |
In the basement, a new entry today, | 0:13:54 | 0:13:56 | |
floodwater in the laundry | 0:13:56 | 0:13:58 | |
by the twin toilets. | 0:13:58 | 0:13:59 | |
Also, at the front of the house, | 0:14:01 | 0:14:03 | |
the blue storeroom, and a curious black bottle | 0:14:03 | 0:14:05 | |
by the window. | 0:14:05 | 0:14:07 | |
Bringing up the rear, it's a peach room | 0:14:08 | 0:14:10 | |
with dehumidifier. | 0:14:10 | 0:14:11 | |
Now we're climbing to the ground floor. | 0:14:14 | 0:14:16 | |
If it's china in your hands you want, | 0:14:18 | 0:14:20 | |
there's a WC and a wash basin. | 0:14:20 | 0:14:22 | |
Back at the rear, kitchen, store, | 0:14:24 | 0:14:26 | |
and I was right about that hatch. | 0:14:26 | 0:14:28 | |
We're climbing again but the half landings ain't half confusing. | 0:14:33 | 0:14:38 | |
So on the first floor, and its other half, | 0:14:38 | 0:14:40 | |
there's two bathrooms and four bedrooms. | 0:14:40 | 0:14:42 | |
Bedroom number nine has the green, green paint of home. | 0:14:44 | 0:14:48 | |
Number eight is mellow yellow. | 0:14:48 | 0:14:50 | |
Seven has got a purple haze. | 0:14:51 | 0:14:53 | |
Number six is peachy. | 0:14:55 | 0:14:57 | |
Up the stairs to the top five, just past the shower room, | 0:15:00 | 0:15:03 | |
number five is pink void. | 0:15:03 | 0:15:05 | |
Number four is all right | 0:15:07 | 0:15:09 | |
and staying bright. | 0:15:09 | 0:15:11 | |
At three, it's lavender blue. | 0:15:11 | 0:15:13 | |
And two, it's pale pink | 0:15:13 | 0:15:15 | |
and green skirting. | 0:15:15 | 0:15:16 | |
And number one, it's blue room | 0:15:16 | 0:15:19 | |
from up in the rafters. | 0:15:19 | 0:15:20 | |
One thing I did notice is that this place has got a lift. | 0:15:22 | 0:15:25 | |
You're probably thinking, fantastic! | 0:15:25 | 0:15:27 | |
But it doesn't look the newest lift I've seen in some time, | 0:15:27 | 0:15:30 | |
and it could be a bit of a problem. | 0:15:30 | 0:15:31 | |
Tenants could get stuck in there, maintenance costs... | 0:15:31 | 0:15:35 | |
For me, I would make it fire safe, board it up. | 0:15:35 | 0:15:38 | |
I wouldn't want it being used. | 0:15:38 | 0:15:40 | |
OK, this used to be a care home, | 0:15:40 | 0:15:42 | |
so I'm thinking the electrics and the heating will be in good order, | 0:15:42 | 0:15:46 | |
which is good for your budget. | 0:15:46 | 0:15:48 | |
I think the bill for rewiring a place of this size | 0:15:50 | 0:15:53 | |
or putting central heating in | 0:15:53 | 0:15:55 | |
would dwarf the average refurbishment budget. | 0:15:55 | 0:15:57 | |
I'd want to know what is causing that basement flooding. | 0:15:57 | 0:16:00 | |
It might need re-tanking. | 0:16:00 | 0:16:02 | |
Having walked around this place, a lot of you may be thinking, | 0:16:04 | 0:16:07 | |
why not turn it into flats? | 0:16:07 | 0:16:09 | |
And you could turn it into flats, but for me, | 0:16:09 | 0:16:11 | |
the configuration just doesn't lend itself, and those split levels, | 0:16:11 | 0:16:15 | |
I think it could be a lot of hard work for little gain. | 0:16:15 | 0:16:18 | |
Now, for me, this place is screaming out to be a HMO, | 0:16:18 | 0:16:23 | |
but it has its pros and cons. | 0:16:23 | 0:16:25 | |
Cons being, you'd need to put fire doors in, | 0:16:25 | 0:16:28 | |
you'd have to make it safe, bathrooms, kitchens, | 0:16:28 | 0:16:31 | |
you'd have to apply to get a change of use as well, | 0:16:31 | 0:16:35 | |
and get a HMO licence. | 0:16:35 | 0:16:37 | |
And then, you've got to find your tenants | 0:16:37 | 0:16:40 | |
and you've got to manage them. | 0:16:40 | 0:16:41 | |
They're just a few cons. | 0:16:41 | 0:16:43 | |
The pros are - and there's a lot of them | 0:16:43 | 0:16:45 | |
so I'll just get the most important one - | 0:16:45 | 0:16:48 | |
is they can be incredibly lucrative, and that's the key. | 0:16:48 | 0:16:51 | |
HMOs, or houses of multiple occupancy, are common in this area. | 0:16:52 | 0:16:57 | |
And that's hardly surprising because properties of this size | 0:16:57 | 0:17:01 | |
aren't normally inhabited by just one family. | 0:17:01 | 0:17:04 | |
We called in a local estate agent | 0:17:04 | 0:17:06 | |
to see if he could shed some light on ways of improving the living space. | 0:17:06 | 0:17:11 | |
There are a number of other additional rooms | 0:17:11 | 0:17:13 | |
that could be turned into bedrooms. | 0:17:13 | 0:17:15 | |
It could even make its way up to an 11-bedroom property. | 0:17:15 | 0:17:18 | |
And that would really maximise the income. | 0:17:18 | 0:17:20 | |
What income could you expect from a good HMO room? | 0:17:20 | 0:17:25 | |
An en-suite HMO room in this area, | 0:17:25 | 0:17:27 | |
I'd be looking to achieve £110 per week. | 0:17:27 | 0:17:30 | |
With 11 rooms, that could generate an income of 58 grand a year. | 0:17:30 | 0:17:34 | |
What about reselling the property once it's been refurbished? | 0:17:36 | 0:17:39 | |
Once this property's been completed and the works have been carried out | 0:17:41 | 0:17:43 | |
to a high standard, I would expect to achieve a figure of around £300,000. | 0:17:43 | 0:17:48 | |
It's a popular area, a good location and a good rental income, | 0:17:48 | 0:17:51 | |
so should be very popular. | 0:17:51 | 0:17:54 | |
The potential here is huge. | 0:17:54 | 0:17:56 | |
And whoever got their hands on this is definitely on to a winner. | 0:17:56 | 0:18:00 | |
Let's find out who that was when it went under the hammer. | 0:18:00 | 0:18:02 | |
So, 147, we're back off to Liverpool. | 0:18:02 | 0:18:05 | |
Leasehold semidetached, four-storey building, 14 rooms. | 0:18:05 | 0:18:08 | |
1.118 of an acre. | 0:18:08 | 0:18:09 | |
Start me at 165. | 0:18:09 | 0:18:11 | |
Nice looking building. Anyone here for it, 165...? | 0:18:11 | 0:18:14 | |
There he is. Good afternoon, sir. | 0:18:14 | 0:18:17 | |
165. 165, I'm bid. 170. | 0:18:17 | 0:18:19 | |
Lady's bid at 170. | 0:18:19 | 0:18:20 | |
Good afternoon, madam. | 0:18:20 | 0:18:22 | |
175, sir. | 0:18:22 | 0:18:23 | |
80. | 0:18:25 | 0:18:26 | |
85. 90. | 0:18:26 | 0:18:28 | |
95. | 0:18:28 | 0:18:29 | |
190, madam, on my left. | 0:18:29 | 0:18:33 | |
195, anywhere else? | 0:18:33 | 0:18:35 | |
190, I'm bid. First up at 190. | 0:18:35 | 0:18:38 | |
Second time at 190. | 0:18:39 | 0:18:40 | |
And last time, anybody else? | 0:18:40 | 0:18:42 | |
At £190,000, | 0:18:42 | 0:18:43 | |
are we all done? | 0:18:43 | 0:18:45 | |
OK, then. | 0:18:45 | 0:18:47 | |
Yours. Well done, madam. | 0:18:47 | 0:18:49 | |
Another happy buyer. | 0:18:49 | 0:18:51 | |
And this time, the happy buyer was Sarah, | 0:18:51 | 0:18:55 | |
who's been a property developer since 2014. | 0:18:55 | 0:18:58 | |
She paid 190 grand for what is now her 11th property. | 0:18:58 | 0:19:02 | |
Most of her other ten properties are, yes, you've guessed it, HMOs. | 0:19:02 | 0:19:06 | |
MUSIC: There She Goes by The La's | 0:19:06 | 0:19:08 | |
She met up with me, so I could find out | 0:19:11 | 0:19:13 | |
what her intentions were for this, her largest property to date. | 0:19:13 | 0:19:17 | |
-Sarah, nice to meet you. -Lovely to meet you, too. | 0:19:19 | 0:19:21 | |
-Congratulations. -Thank you very much. | 0:19:21 | 0:19:23 | |
Firstly, this is a monster. | 0:19:23 | 0:19:26 | |
-Yeah. -Tell me why you wanted to buy it. | 0:19:26 | 0:19:28 | |
So, it's progression, basically. | 0:19:28 | 0:19:30 | |
At the minute we're dealing with sort of seven-bed HMOs, | 0:19:30 | 0:19:33 | |
and we want to move onwards and upwards. | 0:19:33 | 0:19:35 | |
So this has got huge amounts of potential to develop into, hopefully, 11 bedrooms. | 0:19:35 | 0:19:40 | |
-So did you know straightaway as soon as you came in what you wanted to do? -Yeah. | 0:19:40 | 0:19:44 | |
There's lots of space where we can put en-suites in the rooms, | 0:19:44 | 0:19:47 | |
the kitchens can be moved around, so we get big kitchen-living rooms. | 0:19:47 | 0:19:50 | |
And then there was a lot of reception rooms | 0:19:50 | 0:19:52 | |
which weren't being utilised as bedrooms at the minute. | 0:19:52 | 0:19:55 | |
So we're going to convert those into bedrooms, | 0:19:55 | 0:19:57 | |
with the en-suite rooms. | 0:19:57 | 0:19:58 | |
So how about the communal areas? How many of those will there be? | 0:19:58 | 0:20:01 | |
So, communal areas, there will be two kitchens, | 0:20:01 | 0:20:05 | |
both with dining rooms in. | 0:20:05 | 0:20:06 | |
And then also a separate communal lounge. | 0:20:06 | 0:20:09 | |
Wow! You must have so many pictures going on in your head. | 0:20:09 | 0:20:12 | |
Yeah. It's been quite a thing with the architect to go round, | 0:20:12 | 0:20:15 | |
look at floor plans. It's taken a long time to sort of think about | 0:20:15 | 0:20:18 | |
the best way to utilise all the space. | 0:20:18 | 0:20:20 | |
A lot of HMOs going on in this area. It fits really well | 0:20:20 | 0:20:24 | |
and we're not having to do too much structural work. | 0:20:24 | 0:20:26 | |
And who's going to do the work for you? | 0:20:26 | 0:20:28 | |
Have you got a team of builders? Are you going to get stuck in yourself? | 0:20:28 | 0:20:31 | |
No, not me! Yeah, I've got a fabulous group of builders | 0:20:31 | 0:20:33 | |
who've been working on my other projects. | 0:20:33 | 0:20:35 | |
So they're going to move in here as soon the planning's through, | 0:20:35 | 0:20:39 | |
and hopefully sort of three to six months | 0:20:39 | 0:20:41 | |
for them to turn the place round. | 0:20:41 | 0:20:43 | |
-Really? That short a time? -Yeah. That's the plan. | 0:20:43 | 0:20:46 | |
And what's your budget to get all the work done? | 0:20:46 | 0:20:48 | |
So, it's actually a leasehold building at the minute | 0:20:48 | 0:20:51 | |
-and there are 68 years left on the lease. -OK. | 0:20:51 | 0:20:54 | |
Before it went to auction, we had a chat with the council about it | 0:20:54 | 0:20:56 | |
because the council own the freehold. | 0:20:56 | 0:20:58 | |
They have agreed to sell me the freehold, | 0:20:58 | 0:21:01 | |
so we have to get an independent valuer in to come and value that. | 0:21:01 | 0:21:04 | |
So, depending on what that comes through as, | 0:21:04 | 0:21:06 | |
we're hoping between 50,000 and 70,000. | 0:21:06 | 0:21:09 | |
OK. That's healthy. | 0:21:09 | 0:21:11 | |
-Yeah. Healthy budget. -That's a healthy budget. | 0:21:11 | 0:21:13 | |
-We want a nice place. -Yeah, exactly. | 0:21:13 | 0:21:15 | |
What kind of finish are you looking for? What kind of finish? | 0:21:15 | 0:21:17 | |
So, we tend to go for whitewash walls, | 0:21:17 | 0:21:19 | |
then a feature wall of some colour, | 0:21:19 | 0:21:21 | |
nice, brand-new furniture, pictures on the walls. | 0:21:21 | 0:21:25 | |
A young professional sort of vibe. | 0:21:25 | 0:21:27 | |
So what was your background? How did you get into property? | 0:21:27 | 0:21:30 | |
Always had an interest, and then went to university for five years | 0:21:30 | 0:21:32 | |
to study to be a vet. Of all things, as you do. | 0:21:32 | 0:21:36 | |
So, I qualified as a vet and I was working for three years. | 0:21:36 | 0:21:39 | |
Very much enjoyed the practice, working as an equine vet. | 0:21:39 | 0:21:43 | |
But realised that I really wanted to be my own boss | 0:21:43 | 0:21:45 | |
and a lot of the on-call work, | 0:21:45 | 0:21:47 | |
it just wasn't working out on the work/life balance. | 0:21:47 | 0:21:51 | |
So, the plan is to get the properties up and running, | 0:21:51 | 0:21:53 | |
so financially that I'll be stable from those. | 0:21:53 | 0:21:56 | |
And then after that, hopefully doing some voluntary vet work, possibly abroad. | 0:21:56 | 0:22:00 | |
Really? So you'd like to go and take your qualifications... | 0:22:00 | 0:22:03 | |
Yeah. It's a long degree to do to not use. | 0:22:03 | 0:22:05 | |
So, I'm sort of thinking five years I trained to be that - | 0:22:05 | 0:22:07 | |
really enjoy it but being my own boss | 0:22:07 | 0:22:09 | |
is what I want at the end of the day, | 0:22:09 | 0:22:11 | |
so if I can volunteer abroad, then that'll be great. | 0:22:11 | 0:22:13 | |
Good for you. Is it just you in the property world? Have you got a partner? | 0:22:13 | 0:22:16 | |
Yeah, my boyfriend's in the property world as well. | 0:22:16 | 0:22:18 | |
There you go, you see. | 0:22:18 | 0:22:20 | |
He's actually busy today doing three barn conversions at home. | 0:22:20 | 0:22:23 | |
One of which will be for us | 0:22:23 | 0:22:24 | |
and the other two will be for his two sisters. | 0:22:24 | 0:22:27 | |
-Wow! -Quite a lot on our plate at the minute. -Good for you. | 0:22:27 | 0:22:29 | |
Yeah, you can say that again. | 0:22:29 | 0:22:32 | |
It's not as if she doesn't have any bathrooms or bedrooms to worry about here, | 0:22:32 | 0:22:36 | |
without adding three barn conversions! | 0:22:36 | 0:22:38 | |
Sarah's energy levels are impressive. So what are her plans? | 0:22:38 | 0:22:42 | |
Six of the bedrooms will have nice en-suite shower rooms, | 0:22:44 | 0:22:47 | |
and then the other bedrooms will be sharing two shower rooms, and then | 0:22:47 | 0:22:51 | |
another two toilets as well in the basement by the communal areas. | 0:22:51 | 0:22:54 | |
So does that mean two different tariffs, | 0:22:54 | 0:22:56 | |
one with an en-suite and one without? | 0:22:56 | 0:22:57 | |
Yeah. So, the double rooms with the en-suites, | 0:22:57 | 0:22:59 | |
we're looking between £95 and £100 per week. | 0:22:59 | 0:23:01 | |
Potentially able to get couples in those rooms, | 0:23:01 | 0:23:04 | |
rather than sort of single occupants. | 0:23:04 | 0:23:06 | |
And then the other rooms, which are slightly smaller, | 0:23:06 | 0:23:08 | |
that don't have the facilities of the en-suites, | 0:23:08 | 0:23:10 | |
we're looking at £80 to £85. | 0:23:10 | 0:23:12 | |
Sarah, tell me about the basement. | 0:23:12 | 0:23:14 | |
-There's a little bit of a... -Yes. | 0:23:14 | 0:23:16 | |
We arrived today, and I was walking around turning the lights on | 0:23:16 | 0:23:19 | |
and I heard quite a loud dripping noise. | 0:23:19 | 0:23:21 | |
So we rushed downstairs and yes, it appears that the water system | 0:23:21 | 0:23:24 | |
hadn't quite been drained down properly, as they thought, | 0:23:24 | 0:23:27 | |
so we've had a little bit of a flood in the basement. But not to worry. | 0:23:27 | 0:23:31 | |
-Not going to be a problem? -Not a problem. It's all getting ripped out down there anyway. | 0:23:31 | 0:23:34 | |
-Oh, so you're starting from scratch down there. -We're having to re-tank, there's damp issues anyway, | 0:23:34 | 0:23:38 | |
so what's a bit more water to add to it?! | 0:23:38 | 0:23:42 | |
Fair enough. Fair enough. Tell me about the ground rent. | 0:23:42 | 0:23:45 | |
Yes, so, my solicitor picked this up, actually, | 0:23:45 | 0:23:48 | |
when we were going through the legal pack prior to the auction. | 0:23:48 | 0:23:50 | |
And it's quite romantic. One red rose is the annual ground rent. | 0:23:50 | 0:23:54 | |
-That's incredible, isn't it? -Yeah. Yeah. I like that. | 0:23:54 | 0:23:57 | |
-A romantic gesture! -Yeah, definitely. | 0:23:57 | 0:24:00 | |
Sarah, I wish you all the best. You've got all the answers, hope it works out for you. | 0:24:00 | 0:24:03 | |
-Thank you very much. -Pleasure. | 0:24:03 | 0:24:05 | |
Now, that is one confident lady. | 0:24:06 | 0:24:08 | |
She knows what she wants and how to achieve it. | 0:24:08 | 0:24:10 | |
This project is not for the faint-hearted. | 0:24:10 | 0:24:13 | |
One thing she HAS got spot on is changing it into a HMO. | 0:24:13 | 0:24:16 | |
I think that's the right way to go. | 0:24:16 | 0:24:18 | |
How will she get on? We shall find out later in the programme. | 0:24:18 | 0:24:21 | |
Coming up, in Silverdale, I sense problems... | 0:24:22 | 0:24:25 | |
There's just something not quite right. | 0:24:25 | 0:24:30 | |
You know you get a feeling? | 0:24:30 | 0:24:31 | |
And could Sarah's HMO turn out to be a no-go? | 0:24:34 | 0:24:38 | |
The planning application actually was rejected, originally. | 0:24:38 | 0:24:41 | |
Time for a trip back to Tooting, | 0:24:45 | 0:24:47 | |
where Lucy saw a flat in an upper conversion | 0:24:47 | 0:24:49 | |
that was described as having a kitchen, bathroom and "three rooms". | 0:24:49 | 0:24:53 | |
What do they mean by "three rooms"? | 0:24:55 | 0:24:57 | |
Well, here's one of them. I think that's the lounge. | 0:24:57 | 0:25:00 | |
And then, through here, well, here are the two other rooms. | 0:25:00 | 0:25:04 | |
There's one of them down there. | 0:25:04 | 0:25:06 | |
There's this unusual little corridor area, which is quite pointless. | 0:25:06 | 0:25:11 | |
And, well, a partitioned wall into a tiny little bedroom. | 0:25:11 | 0:25:14 | |
A reconfiguration of the layout seemed to be a good idea. | 0:25:16 | 0:25:19 | |
There was potential living space in the loft, | 0:25:22 | 0:25:24 | |
if ownership could be established. | 0:25:24 | 0:25:27 | |
It was something new owner Charlie had already taken legal advice on | 0:25:27 | 0:25:31 | |
before paying £321,000 for the flat. | 0:25:31 | 0:25:36 | |
But the flat wasn't without risk, having a short lease of 58 years, | 0:25:36 | 0:25:40 | |
and the loft extension depended on planning and freeholder permissions. | 0:25:40 | 0:25:45 | |
But Charlie was a bit of a risk taker, | 0:25:45 | 0:25:47 | |
having chucked his full-time job in popcorn sales | 0:25:47 | 0:25:51 | |
to hopefully become a serial developer. | 0:25:51 | 0:25:53 | |
-OK, you've got to try and hold this job now, OK? -This one? -You need to keep this job. | 0:25:56 | 0:25:59 | |
Yeah, I know, but I will because it's me, you know. | 0:25:59 | 0:26:01 | |
It's... I can... | 0:26:01 | 0:26:03 | |
If I don't, I've got a big loan and stuff to do this, | 0:26:03 | 0:26:06 | |
so I really do need to do it properly | 0:26:06 | 0:26:09 | |
-so erm... Yeah, I think I'll have no problem holding this one. -Yeah. | 0:26:09 | 0:26:12 | |
Anything that you are worried about with having purchased this building? | 0:26:12 | 0:26:15 | |
Yeah, the whole thing, really! | 0:26:15 | 0:26:17 | |
Charlie had been working as a handyman to learn some skills, | 0:26:18 | 0:26:21 | |
but this project would definitely need the professionals. | 0:26:21 | 0:26:24 | |
Charlie's timescale was dependent | 0:26:24 | 0:26:26 | |
on those planning and freeholder permissions. | 0:26:26 | 0:26:28 | |
So we've returned just over a year later | 0:26:28 | 0:26:31 | |
to see if the former popcorn salesman | 0:26:31 | 0:26:34 | |
has pulled off something spectacular or something a bit more corny. | 0:26:34 | 0:26:38 | |
It's all changed here. | 0:26:41 | 0:26:44 | |
The old kitchen and bathroom has now become a double-aspect bedroom. | 0:26:44 | 0:26:49 | |
And next door, the former lounge has also been made into a bedroom. | 0:26:49 | 0:26:54 | |
So, what about those two tiny rooms at the end of the hall? | 0:26:54 | 0:26:57 | |
That is SO much better. | 0:26:58 | 0:27:00 | |
Now we have a very nicely presented open-plan kitchen/living room. | 0:27:00 | 0:27:04 | |
Every inch has been maximised, | 0:27:04 | 0:27:07 | |
and there is even a little breakfast bar. | 0:27:07 | 0:27:09 | |
But that's not all this flat has to offer, because... | 0:27:09 | 0:27:12 | |
MUSIC: Higher by The Saturdays | 0:27:12 | 0:27:14 | |
# I'm gonna lift it, lift it higher | 0:27:14 | 0:27:17 | |
# I'm gonna lift it, lift it higher... # | 0:27:17 | 0:27:21 | |
Charlie has his loft extension, | 0:27:21 | 0:27:23 | |
and the light and feel of space is fantastic. | 0:27:23 | 0:27:26 | |
As well as a smart bedroom, he has a beautiful bathroom. | 0:27:27 | 0:27:31 | |
And along the corridor, there is a wet room, | 0:27:34 | 0:27:37 | |
making this ideal for sharers. | 0:27:37 | 0:27:39 | |
Getting permission for the dormer proved a real sticking point | 0:27:39 | 0:27:43 | |
due to the roof facing a different direction to the neighbouring properties. | 0:27:43 | 0:27:47 | |
It took three applications before it was approved. | 0:27:49 | 0:27:52 | |
Charlie has encountered problems with his first builder, | 0:27:54 | 0:27:57 | |
which cost him time and money, | 0:27:57 | 0:27:59 | |
so the whole process has taken 13 months so far, | 0:27:59 | 0:28:03 | |
with some work still to do outside. | 0:28:03 | 0:28:05 | |
However, Charlie has used the delays to his advantage. | 0:28:05 | 0:28:10 | |
Yeah, so when it happened, | 0:28:10 | 0:28:11 | |
the builders came in and then planning permission failed, | 0:28:11 | 0:28:13 | |
so the builders had got no work, so I started finding them work and | 0:28:13 | 0:28:16 | |
from that, I've sort of got a team of like ten guys now, who I do other | 0:28:16 | 0:28:20 | |
jobs with, so we are actually about to start our second loft conversion. | 0:28:20 | 0:28:23 | |
And we do sort of anything, you know, internal decorating, painting, | 0:28:24 | 0:28:28 | |
outdoor paving, basically we can do anything anyone wants, | 0:28:28 | 0:28:31 | |
which has sort of come out of nowhere | 0:28:31 | 0:28:33 | |
and I am obviously learning a lot about it, | 0:28:33 | 0:28:35 | |
but my skills are more in the project management, | 0:28:35 | 0:28:37 | |
just making sure you have the right people doing it, | 0:28:37 | 0:28:39 | |
and it's better than sitting at a desk, what I used to do, | 0:28:39 | 0:28:42 | |
so I quite like it. | 0:28:42 | 0:28:43 | |
Charlie may have found a job he enjoys and one he won't quit, then. | 0:28:43 | 0:28:47 | |
Despite wanting to do more of the work himself, | 0:28:47 | 0:28:50 | |
he quickly realised it was best to get in professionals | 0:28:50 | 0:28:53 | |
for the right standard of finish. | 0:28:53 | 0:28:55 | |
This also included the finishing touches to the decor, | 0:28:55 | 0:28:58 | |
and it just so happens his friend Alex is an interior designer. | 0:28:58 | 0:29:02 | |
Charlie and I have known each other for quite a long time, since we were much younger, | 0:29:03 | 0:29:07 | |
so we're quite used to spending lots of time together, | 0:29:07 | 0:29:10 | |
and I definitely felt confident being able to boss him around | 0:29:10 | 0:29:13 | |
and delegate when I wanted things done on the project. | 0:29:13 | 0:29:16 | |
She did everything inside, and I just sort of carried out the work | 0:29:16 | 0:29:20 | |
to her specifications, really. But it's worked really well. | 0:29:20 | 0:29:22 | |
I'm really happy with it | 0:29:22 | 0:29:24 | |
and I don't think I could have done it this well. | 0:29:24 | 0:29:26 | |
Well, I KNOW I couldn't have done it this well. | 0:29:26 | 0:29:28 | |
I'm happy with the flat. | 0:29:28 | 0:29:30 | |
I'd like to put some additions to it to make it a bit more homely. | 0:29:30 | 0:29:35 | |
But I think, as a basic starting point, | 0:29:35 | 0:29:37 | |
I think it's worked really well. | 0:29:37 | 0:29:39 | |
Alex may have had her hands tied a bit, because Charlie's budget | 0:29:39 | 0:29:44 | |
for the internal furnishings was a tight £3,000. | 0:29:44 | 0:29:47 | |
The flat was stripped back to bare brick, | 0:29:48 | 0:29:50 | |
and ceilings had to be lowered | 0:29:50 | 0:29:52 | |
to accommodate the steel support for the loft conversion. | 0:29:52 | 0:29:54 | |
In total, the building work has amounted to 66,000 | 0:29:54 | 0:29:58 | |
of his total £100,000 budget, which seems great | 0:29:58 | 0:30:01 | |
until you factor in one more thing - | 0:30:01 | 0:30:03 | |
his plan to extend that 58-year lease, | 0:30:03 | 0:30:06 | |
which he estimated would cost £70,000. | 0:30:06 | 0:30:10 | |
We looked into extending the lease | 0:30:11 | 0:30:13 | |
and I eventually decided to buy | 0:30:13 | 0:30:15 | |
a share of the freehold with downstairs. | 0:30:15 | 0:30:18 | |
It was easier, and actually not going to cost a huge amount more. | 0:30:18 | 0:30:21 | |
So we now own the freehold as well. | 0:30:21 | 0:30:23 | |
Charlie's share of the freehold came to 42 grand, | 0:30:23 | 0:30:26 | |
so coupled with his £66,000 renovation budget | 0:30:26 | 0:30:29 | |
and his £3,000 interior design costs, | 0:30:29 | 0:30:33 | |
he's gone over his original £100,000 budget by 11,000. | 0:30:33 | 0:30:37 | |
But what a cracking job. | 0:30:37 | 0:30:40 | |
Will two local estate agents agree? | 0:30:40 | 0:30:43 | |
Having had a look around the flat, I think it's a really lovely property. | 0:30:43 | 0:30:46 | |
The owners have gone to the trouble to dress the flat as well, which | 0:30:46 | 0:30:48 | |
makes a big difference, and really makes it feel really welcoming. | 0:30:48 | 0:30:51 | |
The layout of the flat works fairly well. | 0:30:51 | 0:30:54 | |
I think that the kitchen/living room area does feel a little bit compact, | 0:30:54 | 0:30:57 | |
but other than that it's a nice flat. | 0:30:57 | 0:31:00 | |
I think the loft conversion's very good because there's lots of light. | 0:31:00 | 0:31:03 | |
Quite often with loft conversions, | 0:31:03 | 0:31:04 | |
we find that they're lacking in light. | 0:31:04 | 0:31:06 | |
But they've done quite an intelligent job | 0:31:06 | 0:31:07 | |
with where the windows have gone. | 0:31:07 | 0:31:09 | |
So the agents like the flat, | 0:31:09 | 0:31:10 | |
and think that sales-wise, it would be worth around £500,000, | 0:31:10 | 0:31:14 | |
which would give Charlie a £68,000 pre-tax profit. | 0:31:14 | 0:31:17 | |
But his ideal plan is to rent it out, | 0:31:19 | 0:31:20 | |
so what kind of figures could he achieve? | 0:31:20 | 0:31:22 | |
This flat would rent | 0:31:25 | 0:31:26 | |
for approximately £1,850 per calendar month. | 0:31:26 | 0:31:29 | |
I think this flat could rent for £2,000 per calendar month. | 0:31:29 | 0:31:32 | |
I was hoping for 1,800 a month, | 0:31:32 | 0:31:35 | |
so 1,850 or 2,000 is really good. | 0:31:35 | 0:31:40 | |
So I'm really happy with that. | 0:31:40 | 0:31:42 | |
The top figure of two grand a month | 0:31:42 | 0:31:44 | |
would give Charlie around 5.5% yield. | 0:31:44 | 0:31:47 | |
Charlie hopes to rent this out for a year | 0:31:47 | 0:31:49 | |
whilst he has a fixed-rate mortgage, | 0:31:49 | 0:31:52 | |
and then sell on if the market is right. | 0:31:52 | 0:31:55 | |
So, after all the experience gained, | 0:31:55 | 0:31:57 | |
is Charlie ready to repeat the exercise? | 0:31:57 | 0:31:59 | |
I am totally skint now, so er...not for a while. | 0:32:01 | 0:32:04 | |
But I would love to do it again because I've made so many mistakes and learned so much, | 0:32:04 | 0:32:10 | |
I think, touch wood, it'll be a lot easier the second time, | 0:32:10 | 0:32:13 | |
so I kind of want to do it again, | 0:32:13 | 0:32:15 | |
to put into practice everything I've learned. | 0:32:15 | 0:32:17 | |
And would Alex be up for working with him again? | 0:32:17 | 0:32:21 | |
I think that all depends on how this one turns out. | 0:32:21 | 0:32:24 | |
But it's gone well so far, so optimistic. | 0:32:24 | 0:32:27 | |
Yeah, I don't think I would have ended up | 0:32:27 | 0:32:29 | |
with as nice a house without Alex's input. | 0:32:29 | 0:32:31 | |
She's made it really nice. | 0:32:31 | 0:32:32 | |
-So, yeah, I hope you want to work with me again. -Yeah. | 0:32:32 | 0:32:36 | |
Silverdale in Newcastle-under-Lyme was for many centuries | 0:32:43 | 0:32:46 | |
known as a coal-mining area. | 0:32:46 | 0:32:49 | |
When the pits closed, the landscapers moved in | 0:32:49 | 0:32:52 | |
and the former colliery is now a country park. | 0:32:52 | 0:32:55 | |
Well, the guide price for the property I am here to see | 0:33:02 | 0:33:06 | |
was just £30,000, which, for a three-bed semidetached, | 0:33:06 | 0:33:10 | |
doesn't sound like a lot of money to me. | 0:33:10 | 0:33:13 | |
The reason? Well, it doesn't look to be in | 0:33:13 | 0:33:15 | |
too good condition from the outside. | 0:33:15 | 0:33:18 | |
Boarded windows and cracked glass are never a good sign. | 0:33:21 | 0:33:26 | |
And I also spy a concrete base, | 0:33:26 | 0:33:28 | |
which could signify this house is of non-standard construction. | 0:33:28 | 0:33:32 | |
Just occasionally, properties that look pretty awful from the outside | 0:33:32 | 0:33:35 | |
turn out to be a bit of a surprise | 0:33:35 | 0:33:37 | |
when you walk through the front door. | 0:33:37 | 0:33:38 | |
But that's not the case here. | 0:33:40 | 0:33:42 | |
It's bad. | 0:33:42 | 0:33:44 | |
But what have we got? Well, there's that sort of little porchy thing | 0:33:44 | 0:33:47 | |
on the outside there that you'd definitely want to get rid of, | 0:33:47 | 0:33:49 | |
into a fairly claustrophobic little entry bit. | 0:33:49 | 0:33:53 | |
And then you've got, oddly, a shower and sort of... | 0:33:53 | 0:33:55 | |
Is that a toilet as well? No, just a shower, that's a bit weird. | 0:33:55 | 0:33:58 | |
Just there. | 0:33:58 | 0:34:00 | |
Living room, well front living... No, it's not. | 0:34:00 | 0:34:02 | |
I'd say it's a living room because it's got a fireplace. | 0:34:02 | 0:34:04 | |
That's weird. It's a kitchen. | 0:34:04 | 0:34:06 | |
Wow! Nothing at all is what it seems in this property. | 0:34:06 | 0:34:10 | |
Through from that kitchen/living room to the real living room at the back here. | 0:34:10 | 0:34:16 | |
Nice open fire in here. We like that. | 0:34:16 | 0:34:19 | |
Glassy stuff leading out to a lean to-ey thing out there. | 0:34:19 | 0:34:23 | |
But there's just something not quite right. | 0:34:23 | 0:34:29 | |
You know you get a feeling? | 0:34:29 | 0:34:31 | |
The downstairs area is certainly very unappealing. | 0:34:35 | 0:34:39 | |
The pieces of this property puzzle | 0:34:39 | 0:34:41 | |
are slowly coming together in my head, | 0:34:41 | 0:34:43 | |
but my suspicions will only be confirmed by a visit upstairs. | 0:34:43 | 0:34:47 | |
POIGNANT PIANO MUSIC | 0:34:47 | 0:34:49 | |
Wow! | 0:34:51 | 0:34:52 | |
That's either very dark paint on the ceiling | 0:34:54 | 0:34:57 | |
or something a bit more sinister. | 0:34:57 | 0:34:59 | |
You've guessed it, it's something a lot more sinister. | 0:34:59 | 0:35:02 | |
What have we got upstairs? | 0:35:02 | 0:35:04 | |
We've got a loo there, which is good. | 0:35:04 | 0:35:07 | |
A bedroom towards the front of the property there. | 0:35:07 | 0:35:10 | |
Another bedroom towards the back. | 0:35:10 | 0:35:13 | |
And you've guessed what's going on here - we've got severe fire damage. | 0:35:13 | 0:35:17 | |
Now, this is unusual. You would normally expect fire damage | 0:35:17 | 0:35:20 | |
to be downstairs because fires invariably start in the kitchens, | 0:35:20 | 0:35:24 | |
maybe the living room, where there's that open fire. | 0:35:24 | 0:35:27 | |
But clearly, this is the epicentre of where | 0:35:27 | 0:35:32 | |
the fire in this property was, | 0:35:32 | 0:35:35 | |
and you can see the kind of damage it's done. | 0:35:35 | 0:35:37 | |
Windows broken, blown in with the wind, | 0:35:37 | 0:35:40 | |
we've got holes in the floor here. | 0:35:40 | 0:35:42 | |
I mean, I'm treading quite gingerly. | 0:35:42 | 0:35:44 | |
Fire and the ensuing water damage from extinguishing it | 0:35:45 | 0:35:48 | |
mean it's what you CAN'T see that you have to consider. | 0:35:48 | 0:35:53 | |
There could be structural issues - damaged timbers, electrics, | 0:35:53 | 0:35:57 | |
and then factor in that this place was lying empty | 0:35:57 | 0:36:00 | |
for a length of time before the fire. | 0:36:00 | 0:36:02 | |
There could be a lot to fix | 0:36:02 | 0:36:04 | |
before you even get to the regular renovation challenges like layout. | 0:36:04 | 0:36:07 | |
And obviously, the biggest issue is this. | 0:36:12 | 0:36:14 | |
It's upstairs. There is, well, a toilet. That's it, though. | 0:36:14 | 0:36:18 | |
The shower room is downstairs, | 0:36:18 | 0:36:19 | |
and obviously you'd like to have those on the same floor, ideally. | 0:36:19 | 0:36:23 | |
But for the life of me, I can't figure out | 0:36:23 | 0:36:25 | |
how you would achieve that, | 0:36:25 | 0:36:27 | |
how you could increase the size of the bathroom. | 0:36:27 | 0:36:30 | |
One option could be to put the bathroom, | 0:36:30 | 0:36:33 | |
shower and toilet and bath into that bedroom there. | 0:36:33 | 0:36:37 | |
But you'd lose a bedroom, | 0:36:37 | 0:36:38 | |
with the resulting drop in the value of the property, or rental potential. | 0:36:38 | 0:36:41 | |
Take out this wall, stick it in... No, it just doesn't work. | 0:36:43 | 0:36:46 | |
HE HUFFS | 0:36:46 | 0:36:47 | |
Yes, I'm definitely flummoxed. | 0:36:47 | 0:36:49 | |
So, I think it has to stay pretty much as it is. | 0:36:49 | 0:36:52 | |
Despite its drawbacks, | 0:36:54 | 0:36:55 | |
this is a three-bedroomed house in a popular location for £30,000. | 0:36:55 | 0:37:01 | |
We called on the services of an agent | 0:37:01 | 0:37:03 | |
from the auction house that sold the property. | 0:37:03 | 0:37:06 | |
# And I can't find a reason to change... # | 0:37:06 | 0:37:12 | |
If this was my property, | 0:37:12 | 0:37:13 | |
I would look to maybe taking some walls down | 0:37:13 | 0:37:17 | |
to create a larger kitchen, maybe add in a utility room, | 0:37:17 | 0:37:21 | |
rather than the downstairs bathroom, currently. | 0:37:21 | 0:37:24 | |
I would also consider adding a new conservatory on the back. | 0:37:24 | 0:37:29 | |
I think that would add value. | 0:37:29 | 0:37:31 | |
Talking of value, what could the property be worth | 0:37:31 | 0:37:33 | |
after refurbishment? | 0:37:33 | 0:37:36 | |
Once renovated, this property would have a resale value | 0:37:36 | 0:37:39 | |
of between £50,000 and £60,000, | 0:37:39 | 0:37:43 | |
and the rental value | 0:37:43 | 0:37:45 | |
would be in the region of £550 per calendar month. | 0:37:45 | 0:37:48 | |
Well, it's a nice location, but this is a house | 0:37:50 | 0:37:53 | |
that's certainly not for the inexperienced or faint of heart. | 0:37:53 | 0:37:57 | |
Lots of work required to sort this one out. | 0:37:57 | 0:38:00 | |
Let's see who fancied taking on a bit of a project | 0:38:00 | 0:38:03 | |
when it went under the hammer. | 0:38:03 | 0:38:05 | |
Want to sell this one, can we say £20,000 start? | 0:38:08 | 0:38:12 | |
17? I'll take it. | 0:38:12 | 0:38:14 | |
£17,000. | 0:38:14 | 0:38:15 | |
On the front row. | 0:38:15 | 0:38:16 | |
At 17. | 0:38:16 | 0:38:18 | |
18. 19. 20? 20. 21. | 0:38:18 | 0:38:22 | |
The bidding is quick for this bargain basement property. | 0:38:22 | 0:38:26 | |
We rejoin it with the auctioneer looking for 33,000. | 0:38:26 | 0:38:30 | |
33, sir? | 0:38:30 | 0:38:32 | |
Yeah, 33. | 0:38:32 | 0:38:35 | |
33,500. | 0:38:35 | 0:38:36 | |
34? 34. | 0:38:36 | 0:38:39 | |
34,500. | 0:38:39 | 0:38:41 | |
35. | 0:38:41 | 0:38:43 | |
Sure? 35,000, bid's on the second row. | 0:38:43 | 0:38:45 | |
£35,000 once, then. | 0:38:45 | 0:38:47 | |
£35,000 twice. | 0:38:47 | 0:38:49 | |
Third and last time. £35,000... | 0:38:49 | 0:38:53 | |
-HAMMER COMES DOWN -Your lot, sir. Well done. | 0:38:53 | 0:38:55 | |
The new owners of this fire-damaged house are old friends Jim and Celia, | 0:38:56 | 0:39:00 | |
who have a very interesting reason for buying it. | 0:39:00 | 0:39:04 | |
I met them back at the property to hear their story. | 0:39:04 | 0:39:07 | |
# Friends | 0:39:07 | 0:39:08 | |
# I got friends... # | 0:39:10 | 0:39:12 | |
-Celia, Jim, great to meet you both. -Thank you. | 0:39:13 | 0:39:16 | |
-Congratulations. -Indeed. | 0:39:16 | 0:39:18 | |
So, tell me why you wanted to buy this place. | 0:39:18 | 0:39:21 | |
Because he hadn't got a roof over his head. | 0:39:21 | 0:39:24 | |
Oh, right. Tell me more. | 0:39:24 | 0:39:26 | |
Well, I'd been living in Chester | 0:39:26 | 0:39:27 | |
for 33 years as, like, an unwritten janitor. | 0:39:27 | 0:39:31 | |
And the landlord decided, 86, he's going to retire. | 0:39:31 | 0:39:34 | |
It was a listed building, | 0:39:34 | 0:39:35 | |
it had to be renovated and all the occupants had to go. | 0:39:35 | 0:39:38 | |
And just at that time, I became ill, | 0:39:38 | 0:39:39 | |
and this lady turned around and said she'd look after me. | 0:39:39 | 0:39:42 | |
Oh, wow! You ended up looking after him? | 0:39:42 | 0:39:45 | |
Oh, yes. I'm twice his age. | 0:39:45 | 0:39:47 | |
-Right. -I looked after him. | 0:39:47 | 0:39:50 | |
How do you two know each other, then? | 0:39:50 | 0:39:53 | |
Well, I crashed my car, the one and only time, | 0:39:53 | 0:39:56 | |
somebody recommended me to Jim, | 0:39:56 | 0:39:58 | |
I got in touch with him | 0:39:58 | 0:40:00 | |
and he was going to do it up, and then I heard that | 0:40:00 | 0:40:03 | |
he'd been on his own over Christmas, | 0:40:03 | 0:40:05 | |
so I rang him and said, "What the hell were you playing at?" | 0:40:05 | 0:40:08 | |
"Why didn't you tell me and then you could have come | 0:40:08 | 0:40:11 | |
"and had Christmas dinner instead of being on your own?" | 0:40:11 | 0:40:13 | |
So, he said, "Well, I never thought, but I could come now, if you like." | 0:40:13 | 0:40:17 | |
-Aww! -Later, when of course he had to get out, I said, | 0:40:17 | 0:40:20 | |
"Well, look, I've got a spare room, you can have a roof over your head." | 0:40:20 | 0:40:25 | |
-Wow. -And I ended up looking after him. | 0:40:25 | 0:40:28 | |
-Wow! -And I've been lumbered ever since. | 0:40:28 | 0:40:30 | |
Talk about damsel in shining armour! | 0:40:30 | 0:40:32 | |
You rode in to save him. | 0:40:32 | 0:40:34 | |
-Damsel?! An old biddy! -I've had to do the polishing of the armour though. | 0:40:34 | 0:40:37 | |
But now it's changed, obviously. I'm nearly 88. And he looks after me. | 0:40:37 | 0:40:42 | |
-Anything wrong, you know, he sorts me out. -Right. | 0:40:42 | 0:40:45 | |
# Thank you for being a friend... # | 0:40:47 | 0:40:49 | |
It was Jim who purchased the house, on the understanding | 0:40:49 | 0:40:52 | |
that they would both live there eventually. | 0:40:52 | 0:40:54 | |
They also have a close network of friends and family who live nearby. | 0:40:54 | 0:40:59 | |
# Thank you for being a friend | 0:41:02 | 0:41:05 | |
# I wanna thank you | 0:41:05 | 0:41:07 | |
# Thank you for being a friend... # | 0:41:07 | 0:41:09 | |
Because she looked after me, the basic essence was a case | 0:41:09 | 0:41:11 | |
that she would have somewhere as a return for looking after me. | 0:41:11 | 0:41:15 | |
-Oh, wow! -So that was the concept which we worked on. | 0:41:15 | 0:41:19 | |
I didn't think I would be still around, but I am. | 0:41:19 | 0:41:22 | |
And now I'm in a position where to some extent I can do something, | 0:41:22 | 0:41:27 | |
look after her in a modest way. | 0:41:27 | 0:41:29 | |
-That's brilliant. -Yeah. | 0:41:29 | 0:41:30 | |
So what's the story about buying this place, then? | 0:41:30 | 0:41:33 | |
-Neither of us can get a mortgage. I'm too old. -Right. | 0:41:33 | 0:41:36 | |
And Jim... Without an income - it's based on income, | 0:41:36 | 0:41:40 | |
which he hasn't at the moment - he can't get a mortgage. | 0:41:40 | 0:41:44 | |
So basically, this came within your price range and your budget. | 0:41:44 | 0:41:47 | |
Yes. Within a capital price range, with the understanding, of course, | 0:41:47 | 0:41:50 | |
-that we're going to spend a lot on it. -Yep. -That's the point. -Right. | 0:41:50 | 0:41:53 | |
Setting aside a budget of £10,000, | 0:41:53 | 0:41:56 | |
Jim and Celia hope to have the renovation completed in six months. | 0:41:56 | 0:42:02 | |
Jim will do all the work, | 0:42:02 | 0:42:03 | |
although Celia is determined to help in any way she can. | 0:42:03 | 0:42:07 | |
Top of the list is to make the place safe and secure. | 0:42:09 | 0:42:12 | |
If the building is causing a danger or blighting an area, | 0:42:12 | 0:42:15 | |
then the local council has powers to ensure repairs | 0:42:15 | 0:42:18 | |
or demolition can be carried out at the owner's expense. | 0:42:18 | 0:42:21 | |
The council had served notice on this as a dangerous property, | 0:42:22 | 0:42:26 | |
which had been declared in the legal pack. | 0:42:26 | 0:42:29 | |
So, Jim will be getting windows and fences sorted urgently. | 0:42:29 | 0:42:33 | |
What was it about this house that you liked? | 0:42:37 | 0:42:39 | |
I think I was a bit mesmerised at the state of it. | 0:42:39 | 0:42:42 | |
And I walked upstairs and I looked through the small bedroom | 0:42:42 | 0:42:47 | |
and I looked at the views across the way | 0:42:47 | 0:42:49 | |
and I thought to myself, "That's lovely views." | 0:42:49 | 0:42:51 | |
And we'd seen other properties, | 0:42:51 | 0:42:53 | |
and none of them had the sort of feel that | 0:42:53 | 0:42:56 | |
this one did, even though we had to bear in mind | 0:42:56 | 0:42:58 | |
that it was in such a state. | 0:42:58 | 0:43:01 | |
So what about the layout of the toilet facilities? | 0:43:01 | 0:43:03 | |
The toilet upstairs and the shower room downstairs. | 0:43:03 | 0:43:06 | |
-What are you going to do about that? -It's ridiculous. | 0:43:06 | 0:43:08 | |
There's a toilet upstairs but no hand basin. | 0:43:08 | 0:43:11 | |
You can't have a toilet without a hand basin. | 0:43:11 | 0:43:13 | |
So we're going to put a sliding door, | 0:43:13 | 0:43:15 | |
so that we can put a wash basin in the upstairs toilet. | 0:43:15 | 0:43:18 | |
And also, I'd like to have a downstairs toilet as well | 0:43:18 | 0:43:23 | |
because I don't like going upstairs at my age. | 0:43:23 | 0:43:26 | |
Well, listen, congratulations. Good luck with it. | 0:43:26 | 0:43:29 | |
-Really look forward to seeing how you get on. -Thank you very much indeed. Appreciate it. | 0:43:29 | 0:43:32 | |
Well, what a lovely story. | 0:43:34 | 0:43:35 | |
But a lot of work needed to sort this place out, | 0:43:35 | 0:43:39 | |
and I'm really not sure that £10,000 budget is going to cover it. | 0:43:39 | 0:43:44 | |
You can find out how Jim and Celia get on, though, later in the show. | 0:43:44 | 0:43:48 | |
We've found out how one property's turned out. | 0:43:52 | 0:43:54 | |
The clock is ticking - let's find out how the other two got on. | 0:43:54 | 0:43:57 | |
Will there be champagne corks popping | 0:43:57 | 0:43:59 | |
or will things have fizzled out? | 0:43:59 | 0:44:01 | |
Let's have a look. | 0:44:01 | 0:44:02 | |
Back now to Liverpool, where earlier, | 0:44:04 | 0:44:06 | |
I looked at this nine-bedroom house close to Newsham Park, | 0:44:06 | 0:44:10 | |
bought by Sarah for 190 grand. | 0:44:10 | 0:44:12 | |
Sarah, a former vet, had already got ten other properties | 0:44:14 | 0:44:17 | |
and intended turning this one into her biggest HMO, | 0:44:17 | 0:44:20 | |
which is a house of multiple occupancy. | 0:44:20 | 0:44:22 | |
This has got huge amounts of potential to develop into, hopefully, 11 bedrooms. | 0:44:25 | 0:44:29 | |
And who's going to do the work for you? Have you got a team of builders | 0:44:29 | 0:44:32 | |
-or are you going to get stuck in yourself? -No, not me. Ha-ha! | 0:44:32 | 0:44:35 | |
Yeah, I've got a fabulous group of builders | 0:44:35 | 0:44:37 | |
who've been working on my other projects, | 0:44:37 | 0:44:38 | |
so they're going to move in here as soon as the planning's through. | 0:44:38 | 0:44:41 | |
And hopefully, sort of three to six months | 0:44:41 | 0:44:44 | |
for them to turn the place round. | 0:44:44 | 0:44:46 | |
-Really? That short a time? -Yeah. That's the plan. | 0:44:46 | 0:44:48 | |
In fact, we're back just over a year on, so it did take more time. | 0:44:49 | 0:44:54 | |
And there aren't 11 rooms. | 0:44:54 | 0:44:57 | |
But we do have Sarah's top ten, | 0:44:57 | 0:44:58 | |
so let's do the countdown from the top. | 0:44:58 | 0:45:01 | |
MUSIC: Top Of The Pops Theme | 0:45:01 | 0:45:04 | |
And missing any bedrooms with tenants, at number nine, | 0:45:05 | 0:45:08 | |
what WAS ginger peachy is now yellow counterpane with matching chairs. | 0:45:08 | 0:45:14 | |
Number eight, last time, pink with green skirtings, | 0:45:18 | 0:45:22 | |
now gingham style by the three poppies. | 0:45:22 | 0:45:25 | |
And lavender blue gets replaced by an en-suite. | 0:45:25 | 0:45:29 | |
Down the landing, and purple haze has left the building | 0:45:32 | 0:45:35 | |
to be replaced by number seven, | 0:45:35 | 0:45:38 | |
yellow and grey harlequins with rejuvenated shower room. | 0:45:38 | 0:45:42 | |
Down to the first floor, six is tenanted, so on to number five. | 0:45:44 | 0:45:50 | |
Which had the green, green paint of home. | 0:45:50 | 0:45:53 | |
It's now olive-green, and desk with a view. | 0:45:53 | 0:45:56 | |
The last first-floor bedroom is number four, | 0:45:59 | 0:46:02 | |
with "We fade to grey". | 0:46:02 | 0:46:04 | |
But the bedrooms aren't the only changes up here. | 0:46:08 | 0:46:12 | |
Out with mellow yellow, and in comes communal kitchen with twin toasters. | 0:46:12 | 0:46:17 | |
The ground floor's three bedrooms are all occupied | 0:46:20 | 0:46:23 | |
but we CAN see the communal lounge, | 0:46:23 | 0:46:26 | |
with four two-seaters. | 0:46:26 | 0:46:28 | |
In the basement, twin toilets move over for the laundry and loo. | 0:46:30 | 0:46:35 | |
And finally, | 0:46:38 | 0:46:41 | |
what was a flooded basement is now | 0:46:41 | 0:46:45 | |
a new lower ground kitchen | 0:46:45 | 0:46:49 | |
with oodles of drawer space. | 0:46:49 | 0:46:52 | |
But what happened to bedroom number 11? | 0:46:54 | 0:46:57 | |
The planning application actually was rejected originally | 0:46:57 | 0:47:01 | |
for the 11 bedrooms. | 0:47:01 | 0:47:02 | |
Despite having written confirmation previously from the council | 0:47:02 | 0:47:06 | |
to say that we would be OK for change of use. | 0:47:06 | 0:47:08 | |
However, it was the local residents and local councillors that had the | 0:47:08 | 0:47:11 | |
issue, so I had to hold a residential meeting. And from there, | 0:47:11 | 0:47:15 | |
we discussed the plans for the property | 0:47:15 | 0:47:18 | |
and the local residents wanted private bathroom facilities | 0:47:18 | 0:47:21 | |
for each individual person, | 0:47:21 | 0:47:22 | |
so we went back to planning with ten bedrooms, ten bathrooms, | 0:47:22 | 0:47:25 | |
and that was then put through. | 0:47:25 | 0:47:27 | |
So, unforeseen planning caused the six-month delay. | 0:47:27 | 0:47:31 | |
I had wondered if that lift might be a maintenance liability, | 0:47:31 | 0:47:35 | |
so what have they decided to do? | 0:47:35 | 0:47:37 | |
It was decided in the end that the maintenance issues and the potential | 0:47:37 | 0:47:40 | |
that tenants on a Sunday night could get stuck in the lift, | 0:47:40 | 0:47:43 | |
we decided to fireboard over it and get rid of it. | 0:47:43 | 0:47:46 | |
There was talk of purchasing the lease, | 0:47:46 | 0:47:49 | |
and therefore avoiding | 0:47:49 | 0:47:50 | |
paying the one red rose ground rent. | 0:47:50 | 0:47:53 | |
What happened there? | 0:47:53 | 0:47:56 | |
It's Liverpool City Council that own the freehold of the building. | 0:47:56 | 0:47:59 | |
So my solicitor has been liaising with them to purchase the freehold. | 0:47:59 | 0:48:02 | |
Which we now have agreed, which including their solicitors' costs, | 0:48:02 | 0:48:06 | |
is £12,500. | 0:48:06 | 0:48:08 | |
So, have you gone over budget? | 0:48:08 | 0:48:10 | |
The original budget was 50,000 to 70,000. | 0:48:10 | 0:48:12 | |
We have gone over budget, to 85,000, | 0:48:12 | 0:48:15 | |
but that does include the additional bathroom facilities that were | 0:48:15 | 0:48:18 | |
necessary for planning and also the buying of the freehold. | 0:48:18 | 0:48:21 | |
It's that time again to find out what two local estate agents think | 0:48:22 | 0:48:26 | |
of the property and its values. | 0:48:26 | 0:48:29 | |
My first impressions of the property | 0:48:29 | 0:48:30 | |
is the developers have done it very, very contemporarily. | 0:48:30 | 0:48:33 | |
Lovely colours, | 0:48:33 | 0:48:35 | |
ideal for young professionals. And quite on-point really. | 0:48:35 | 0:48:38 | |
The kitchens are really very, very modern and clean and hygienic. | 0:48:38 | 0:48:44 | |
And the bedrooms have got good space. | 0:48:44 | 0:48:47 | |
Standard of finish is to an acceptable level, | 0:48:47 | 0:48:49 | |
it's not fantastic. | 0:48:49 | 0:48:52 | |
But really, when you overspend, that cuts into your profit. | 0:48:52 | 0:48:55 | |
So I think all in all, a good job. | 0:48:55 | 0:48:58 | |
If Sarah wanted to sell, what kind of market would it appeal to? | 0:48:58 | 0:49:02 | |
The demand for properties | 0:49:02 | 0:49:03 | |
like this from investors is huge at the moment. | 0:49:03 | 0:49:06 | |
Our overseas market is fabulous. | 0:49:06 | 0:49:09 | |
It's going to achieve around about 10% or 11% as a return for them from | 0:49:09 | 0:49:13 | |
their investment. So all in all, there are a whole cross-section | 0:49:13 | 0:49:17 | |
of people who would be interested in this type of investment. | 0:49:17 | 0:49:20 | |
Sarah's total investment amounts to 275 grand. | 0:49:20 | 0:49:24 | |
The rental on a property like this per room | 0:49:24 | 0:49:26 | |
is around £60 to £65 a week. | 0:49:26 | 0:49:29 | |
And per calendar month, around about £350. | 0:49:29 | 0:49:33 | |
Roughly speaking, you'd be talking £240 per calendar month per room. | 0:49:33 | 0:49:37 | |
We are actually getting a lot more than that. | 0:49:37 | 0:49:39 | |
The two bedrooms that have the bathrooms across the corridor | 0:49:39 | 0:49:42 | |
are £95 per week. The double rooms with couples in, | 0:49:42 | 0:49:46 | |
which we've got four of, are £130 per week. | 0:49:46 | 0:49:49 | |
And the other four bedrooms are £105 per week. | 0:49:49 | 0:49:52 | |
So Sarah is getting an annual yield of just short of 20%. | 0:49:52 | 0:49:56 | |
Wow! But if she were to sell...? | 0:49:56 | 0:49:58 | |
In the sales market, this property would be very, very popular to investors. | 0:50:00 | 0:50:03 | |
I would think we would be looking to achieve | 0:50:03 | 0:50:06 | |
between £325,000 to £350,000. | 0:50:06 | 0:50:11 | |
As far as sales market is concerned, | 0:50:11 | 0:50:13 | |
there would be no difficulty in finding a buyer at around £320,000. | 0:50:13 | 0:50:17 | |
Again, with the top figure, | 0:50:17 | 0:50:19 | |
a potential profit, before taxes and expenses, of 75 grand. | 0:50:19 | 0:50:23 | |
What do you think, Sarah? | 0:50:23 | 0:50:25 | |
Well, my thoughts on those valuations are that it's a difficult property to value. | 0:50:25 | 0:50:30 | |
Because nobody would purchase a property to live in themselves, | 0:50:30 | 0:50:33 | |
so the real value is as a business. | 0:50:33 | 0:50:35 | |
And the way it's set up and running as a business | 0:50:35 | 0:50:38 | |
and the rates that I'm getting, I've actually had it commercially valued at 450,000. | 0:50:38 | 0:50:42 | |
But why sell something that's generating that level of income? | 0:50:42 | 0:50:46 | |
You'd just want to invest in more like it. | 0:50:46 | 0:50:49 | |
We're already on with another investment property just over the road from here, | 0:50:49 | 0:50:52 | |
which is going to be a six-bedroom en-suite HMO as well. | 0:50:52 | 0:50:55 | |
Sarah, do you ever rest? | 0:50:55 | 0:50:57 | |
By the way, how are the three barn conversions going? | 0:50:57 | 0:51:00 | |
Myself and my boyfriend, Josh, are moving into our new-build barn | 0:51:00 | 0:51:03 | |
this week. That's an ongoing project for 18 months, | 0:51:03 | 0:51:05 | |
but we are really looking forward to that. | 0:51:05 | 0:51:08 | |
And also, a bit of a break and going on holiday. | 0:51:08 | 0:51:10 | |
Well, if you do get bored, | 0:51:10 | 0:51:12 | |
you can always do some voluntary veterinary work. | 0:51:12 | 0:51:14 | |
Back now to the former mining village of Silverdale, | 0:51:17 | 0:51:21 | |
Newcastle-under-Lyme. | 0:51:21 | 0:51:22 | |
Back in 2014, I looked around this three-bedroom semi. | 0:51:22 | 0:51:27 | |
Now, just occasionally, properties that look pretty awful | 0:51:27 | 0:51:30 | |
from the outside turn out to be a bit of a surprise | 0:51:30 | 0:51:32 | |
when you walk through the front door. | 0:51:32 | 0:51:34 | |
That's not the case here. | 0:51:36 | 0:51:37 | |
The property had been empty for some time | 0:51:37 | 0:51:40 | |
and had suffered significant fire damage, | 0:51:40 | 0:51:43 | |
so being of a non-standard construction and having a terrible | 0:51:43 | 0:51:46 | |
layout were the least of its problems. | 0:51:46 | 0:51:48 | |
Deciding to take on the challenge were Jim, | 0:51:48 | 0:51:51 | |
along with his friend Celia. | 0:51:51 | 0:51:53 | |
Jim paid £35,000 for what he hoped one day would be their home. | 0:51:53 | 0:51:58 | |
So what was it about this house that you liked? | 0:52:01 | 0:52:04 | |
I think I was a bit mesmerised at the state of it. | 0:52:04 | 0:52:07 | |
And I walked upstairs and I looked through the small bedroom | 0:52:07 | 0:52:10 | |
and I looked at the views across the way and I thought to myself, | 0:52:10 | 0:52:14 | |
"That's lovely views." | 0:52:14 | 0:52:15 | |
And then we'd seen other properties | 0:52:15 | 0:52:17 | |
and none of them had the sort of feel that this one did, | 0:52:17 | 0:52:21 | |
even though we had to bear in mind that it was in such a state. | 0:52:21 | 0:52:24 | |
Their original timescale was six months. | 0:52:24 | 0:52:26 | |
We are back almost two years later. | 0:52:27 | 0:52:30 | |
Jim's doing the work HIS way. | 0:52:30 | 0:52:32 | |
It is work in progress, | 0:52:37 | 0:52:39 | |
and it'll be some time before Jim and Celia get to move in. | 0:52:39 | 0:52:43 | |
If you buy a fire-damaged property, | 0:52:49 | 0:52:51 | |
bear in mind that its services | 0:52:51 | 0:52:53 | |
may have been disconnected for safety. | 0:52:53 | 0:52:56 | |
Gas and electric in particular | 0:52:56 | 0:52:58 | |
in an empty property don't make good bedfellows, | 0:52:58 | 0:53:01 | |
and are a tempting asset for squatters. | 0:53:01 | 0:53:03 | |
Jim has had to prioritise the work, | 0:53:08 | 0:53:10 | |
so he made sure the building was made secure. | 0:53:10 | 0:53:13 | |
So if anybody tried to walk into the property or anything else | 0:53:13 | 0:53:16 | |
like that, it wouldn't be hazardous, | 0:53:16 | 0:53:19 | |
as there's a dangerous properties order on the property, | 0:53:19 | 0:53:22 | |
due to the fact that the doors were all smashed and the windows were, | 0:53:22 | 0:53:26 | |
you know... It was a hazard. | 0:53:26 | 0:53:28 | |
Jim is still assessing the extent of the damage, | 0:53:29 | 0:53:31 | |
before calling in the professionals | 0:53:31 | 0:53:33 | |
to sort out the electrics and heating. | 0:53:33 | 0:53:35 | |
At present, it's difficult to be in the house for any length of time. | 0:53:35 | 0:53:40 | |
There's no water, there's no electricity, there's no gas. | 0:53:40 | 0:53:44 | |
There's nothing. | 0:53:45 | 0:53:47 | |
You might as well be in a cave, except it's got carpets. | 0:53:47 | 0:53:52 | |
So, we can see where Jim has been busy, but what about Celia? | 0:53:52 | 0:53:55 | |
I've not done very much at all. | 0:53:57 | 0:53:59 | |
Shall we say, it's been moral support. | 0:53:59 | 0:54:02 | |
Well, on a project such as this | 0:54:03 | 0:54:04 | |
moral support is a much-needed asset, | 0:54:04 | 0:54:07 | |
especially, I would imagine, | 0:54:07 | 0:54:09 | |
when it comes to sticking to the £10,000 budget. | 0:54:09 | 0:54:11 | |
How's THAT been? | 0:54:11 | 0:54:14 | |
Currently we've spent approx... approx 1,500. | 0:54:14 | 0:54:17 | |
There's a tool box with a load of receipts there, | 0:54:17 | 0:54:21 | |
which Celia'll do all the accountancy at the end of it all. | 0:54:21 | 0:54:24 | |
What are the main cost items that are still needed? | 0:54:24 | 0:54:28 | |
We're looking at the central heating, combi boiler, | 0:54:28 | 0:54:31 | |
some plastering, whatever it is that I find on the electrics | 0:54:31 | 0:54:35 | |
that needs expertise on it. | 0:54:35 | 0:54:37 | |
Then we're down to decorating, | 0:54:39 | 0:54:40 | |
so I think we're still on cue for the budget | 0:54:40 | 0:54:44 | |
that we originally turned round and thought it was going to be. | 0:54:44 | 0:54:47 | |
Jim had time in hospital himself | 0:54:47 | 0:54:49 | |
and looks after Celia, based near Manchester, | 0:54:49 | 0:54:52 | |
and sees to his elderly parents in Chester. | 0:54:52 | 0:54:56 | |
He's got to look after them and he's got to look after me as well. | 0:54:56 | 0:55:00 | |
And do this at the same time, | 0:55:00 | 0:55:02 | |
so it's taking a lot longer than we expected. | 0:55:02 | 0:55:05 | |
Although it's been unavoidable, | 0:55:05 | 0:55:07 | |
has the overrun of 18 months to get the work to this stage | 0:55:07 | 0:55:11 | |
caused any friction? | 0:55:11 | 0:55:12 | |
I've not fallen out with him. | 0:55:14 | 0:55:16 | |
Yet. For the time being. | 0:55:16 | 0:55:19 | |
-But watch it. -That's it. | 0:55:19 | 0:55:21 | |
In 1955, Celia's first four-bedroomed house | 0:55:21 | 0:55:25 | |
in an upmarket area cost her £2,500. | 0:55:25 | 0:55:28 | |
So, how does SHE feel about the cost of this project? | 0:55:28 | 0:55:31 | |
I am quite horrified at the telephone number rate | 0:55:34 | 0:55:39 | |
of the cost of things now. | 0:55:39 | 0:55:42 | |
The cost of houses, I mean... | 0:55:42 | 0:55:44 | |
Fiddly little things like this. | 0:55:44 | 0:55:47 | |
You could have bought it for under £200. | 0:55:47 | 0:55:50 | |
So having, what, nearly 90 years of living with that knowledge, | 0:55:50 | 0:55:57 | |
it colours my outlook completely. | 0:55:57 | 0:55:59 | |
Here to perhaps colour Celia's outlook even more | 0:56:02 | 0:56:04 | |
are two property experts | 0:56:04 | 0:56:07 | |
we've invited to give their opinions and telephone number valuations. | 0:56:07 | 0:56:12 | |
What could be done is | 0:56:12 | 0:56:14 | |
the first floor to be knocked about a little bit | 0:56:14 | 0:56:17 | |
so that we've got a bathroom upstairs. | 0:56:17 | 0:56:20 | |
It's got very good parking facilities, | 0:56:20 | 0:56:23 | |
and the internal accommodation is a good size. | 0:56:23 | 0:56:25 | |
Just needs finishing off to a good standard. | 0:56:25 | 0:56:28 | |
It seems unlikely that Jim and Celia would rent the property out, | 0:56:28 | 0:56:32 | |
but let's find out if we can tempt them. | 0:56:32 | 0:56:35 | |
On completion of the works, | 0:56:35 | 0:56:36 | |
I'd recommend a rental figure in the region of £475 per calendar month. | 0:56:36 | 0:56:42 | |
Once the work's completed on the property, | 0:56:42 | 0:56:45 | |
we would place the property for rent | 0:56:45 | 0:56:47 | |
somewhere in the region of £450 per calendar month. | 0:56:47 | 0:56:50 | |
-We're not going to rent, are we? -HE CHUCKLES | 0:56:50 | 0:56:53 | |
Then you're probably not going to sell either - | 0:56:53 | 0:56:55 | |
but we'll give you those values too. | 0:56:55 | 0:56:57 | |
However, one thing that WILL affect the valuations | 0:56:57 | 0:56:59 | |
is the non-standard construction of the property. | 0:56:59 | 0:57:02 | |
Prefabrication reinforced concrete, | 0:57:02 | 0:57:05 | |
or PRC construction, like this can be made mortgageable | 0:57:05 | 0:57:08 | |
with the addition of an outer skin of bricks to the walls. | 0:57:08 | 0:57:11 | |
Once completed by a recognised repairer, | 0:57:11 | 0:57:14 | |
an engineer will then issue a PRC certificate. | 0:57:14 | 0:57:17 | |
Jim and Celia aren't bothered about doing this work, | 0:57:19 | 0:57:22 | |
as their intention is to move in, | 0:57:22 | 0:57:24 | |
but to get the top valuation, | 0:57:24 | 0:57:26 | |
let's assume that the work has been done. | 0:57:26 | 0:57:29 | |
Once the work is completed and deemed mortgageable | 0:57:32 | 0:57:35 | |
with a PRC certificate, we would look to place the property | 0:57:35 | 0:57:38 | |
on the market somewhere in the region of £75,000. | 0:57:38 | 0:57:41 | |
On completion of the works, | 0:57:41 | 0:57:44 | |
and if a bathroom was installed on the first floor, | 0:57:44 | 0:57:48 | |
I would recommend a sale value of £80,000. | 0:57:48 | 0:57:53 | |
Fair enough. | 0:57:54 | 0:57:55 | |
HE CHUCKLES | 0:57:55 | 0:57:57 | |
-Modest words. Yeah, fair enough. -Yeah. | 0:57:57 | 0:58:00 | |
Hopefully it won't be an issue, | 0:58:00 | 0:58:01 | |
and Jim and Celia will be able to move in before too long. | 0:58:01 | 0:58:05 | |
Well, that's it for now. | 0:58:10 | 0:58:12 | |
We'll be back with more auction action for you next time. | 0:58:12 | 0:58:16 | |
Yes, from bungalows to basements to building sites, | 0:58:16 | 0:58:18 | |
-you get it all here on Homes Under The Hammer. See you later. -Goodbye. | 0:58:18 | 0:58:21 |