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Hello and welcome to the show. | 0:00:02 | 0:00:04 | |
One of the reasons we love property is that it's an ever-changing world. | 0:00:04 | 0:00:07 | |
Yes, there's never a dull moment | 0:00:07 | 0:00:09 | |
finding out what and where is going to be the best deal. | 0:00:09 | 0:00:12 | |
And one way you can find, possibly, that best deal | 0:00:12 | 0:00:15 | |
is to head down to your local property auction. | 0:00:15 | 0:00:17 | |
Every type of property can be found at auction, | 0:00:42 | 0:00:45 | |
from city studio flats to country mansions. | 0:00:45 | 0:00:48 | |
Yes, and everything in between. | 0:00:48 | 0:00:50 | |
You never know what you're going to find | 0:00:50 | 0:00:52 | |
when you open the auction catalogue. | 0:00:52 | 0:00:54 | |
Here's what we found for you on today's show. | 0:00:54 | 0:00:56 | |
In Kent, Lucy sees a bright, clean property | 0:00:57 | 0:01:00 | |
that just needs some extra space. | 0:01:00 | 0:01:02 | |
To completely transform this into something utterly amazing. | 0:01:02 | 0:01:06 | |
Whereas in Stoke-on-Trent, I'm optimistic that everything | 0:01:08 | 0:01:11 | |
in this house eventually could scrub up nicely. | 0:01:11 | 0:01:13 | |
Excuse me, a bit of privacy, please! | 0:01:13 | 0:01:16 | |
And it's a return visit to Cumbria to a large house awash with options. | 0:01:16 | 0:01:21 | |
Straightaway, I'm thinking about all the potential uses | 0:01:21 | 0:01:25 | |
for this house and there are many. | 0:01:25 | 0:01:27 | |
All these properties have been sold at auction and we'll find out | 0:01:28 | 0:01:32 | |
who bought them and what they paid when they went under the hammer. | 0:01:32 | 0:01:35 | |
We are sold! Well done! | 0:01:35 | 0:01:37 | |
Folkestone is a port town on the English Channel in South-east Kent. | 0:01:45 | 0:01:49 | |
It's a popular place to visit | 0:01:49 | 0:01:51 | |
and this is one of its suburbs, Cheriton, | 0:01:51 | 0:01:54 | |
which sits on the Folkestone Downs. | 0:01:54 | 0:01:56 | |
This range of chalk hills are famous for the White Horse, | 0:01:56 | 0:02:00 | |
which overlooks Cheriton. | 0:02:00 | 0:02:02 | |
Cheriton's also home to the Channel Tunnel terminal, | 0:02:03 | 0:02:06 | |
but there was to be no trip across the Channel for Lucy. | 0:02:06 | 0:02:10 | |
No, she had a house to seek out in this pleasant seaside suburb. | 0:02:10 | 0:02:14 | |
# I'm going nowhere | 0:02:14 | 0:02:18 | |
# I'm going nowhere... # | 0:02:18 | 0:02:20 | |
Well, this seems like a quiet residential street | 0:02:20 | 0:02:23 | |
and, as it's a cul-de-sac, | 0:02:23 | 0:02:25 | |
there'll be no through traffic, which is good. | 0:02:25 | 0:02:27 | |
I'm here to see a three-bed semi | 0:02:27 | 0:02:30 | |
and it had a guide price of £140,000 to £145,000. | 0:02:30 | 0:02:34 | |
So, there's plenty of off-street parking here, | 0:02:34 | 0:02:37 | |
which you can see, which I love. So far, so good. | 0:02:37 | 0:02:40 | |
With what looks like relatively new double glazing, | 0:02:41 | 0:02:44 | |
it appears to be in pretty good fettle, from the outside, at least. | 0:02:44 | 0:02:47 | |
So, straight into the property. | 0:02:47 | 0:02:49 | |
You've got a little porch area here, which is great for rainy days. | 0:02:49 | 0:02:52 | |
But today isn't rainy, it's glorious, | 0:02:52 | 0:02:54 | |
and it always makes houses look better, funnily. | 0:02:54 | 0:02:57 | |
Now, I'm feeling that this is a nice, sunny, big, open room, | 0:02:57 | 0:03:01 | |
which I love. You've got a little fireplace here. | 0:03:01 | 0:03:04 | |
I think you could do a bit better with the mantel, | 0:03:04 | 0:03:06 | |
but there's something there to work with, which is good. | 0:03:06 | 0:03:09 | |
Not sure about the colour, you could paint that. | 0:03:09 | 0:03:11 | |
You've got the stairs, leading up there. | 0:03:11 | 0:03:13 | |
Again, you could do with maybe covering this up, | 0:03:13 | 0:03:16 | |
some new carpet, some new paint, but you've got a really good space here. | 0:03:16 | 0:03:20 | |
Into a second reception room. | 0:03:20 | 0:03:22 | |
This is ideal as a dining room. | 0:03:22 | 0:03:24 | |
You can imagine a big table here, all the kids. | 0:03:24 | 0:03:28 | |
And the great news is, you've got lovely doors | 0:03:28 | 0:03:30 | |
that lead out to the garden and through here, the kitchen. | 0:03:30 | 0:03:33 | |
So, there's such a nice sense of flow with this property already, | 0:03:33 | 0:03:36 | |
but you could do much better with the kitchen. | 0:03:36 | 0:03:39 | |
None of the units and the cupboards and the worktops match. | 0:03:39 | 0:03:41 | |
It's a bit of a mishmash, but not a bad space. | 0:03:41 | 0:03:44 | |
So, I'm liking it but it could certainly do with some upgrading. | 0:03:44 | 0:03:49 | |
# It's all mixed up | 0:03:51 | 0:03:53 | |
# It's all mixed up | 0:03:55 | 0:03:57 | |
# It's all mixed up... # | 0:03:59 | 0:04:01 | |
That kitchen looks like it was put together from odds and sods | 0:04:01 | 0:04:03 | |
left over in a DIY shop! Not a look that works. | 0:04:03 | 0:04:07 | |
But it's not just the pick-and-mix kitchen that needs some thought. | 0:04:07 | 0:04:11 | |
You may have realised, yep, | 0:04:11 | 0:04:13 | |
there's a downstairs bathroom in this property - not ideal. | 0:04:13 | 0:04:16 | |
I've not been upstairs yet, | 0:04:16 | 0:04:17 | |
so I'm wondering if you can squeeze one in there. | 0:04:17 | 0:04:20 | |
But if not, you've just got to work with what you have. | 0:04:20 | 0:04:22 | |
Now, the good news here is that there's this little lobby area | 0:04:22 | 0:04:25 | |
which is quite nice, because it really does separate | 0:04:25 | 0:04:28 | |
the kitchen from the bathroom and from the loo, which is always ideal. | 0:04:28 | 0:04:31 | |
Something that does stand out in here is that there's no shower | 0:04:31 | 0:04:35 | |
so, whoever takes this on, | 0:04:35 | 0:04:37 | |
I think the best thing to do would be to reconfigure | 0:04:37 | 0:04:39 | |
and put yourself a nice over-the-bath shower in somewhere. | 0:04:39 | 0:04:43 | |
Of course it would be even better if this could be part of a kitchen | 0:04:43 | 0:04:46 | |
or a utility space but that would be dependent | 0:04:46 | 0:04:49 | |
on finding room for the bathroom elsewhere. | 0:04:49 | 0:04:51 | |
Let's see what upstairs has to offer. | 0:04:53 | 0:04:55 | |
There are three bedrooms and you could sacrifice one of those | 0:04:55 | 0:04:59 | |
for a bathroom but that would be a shame and, actually, | 0:04:59 | 0:05:02 | |
the balance of the house would probably be better left as it is. | 0:05:02 | 0:05:05 | |
But I've got an idea how you can actually give this house | 0:05:06 | 0:05:09 | |
a bit of a wow factor. | 0:05:09 | 0:05:11 | |
How about building a single-storey extension out the back here, | 0:05:11 | 0:05:14 | |
opening up this kitchen into a lovely large kitchen-diner, | 0:05:14 | 0:05:18 | |
a high-spec kitchen, lots of lovely light from windows? | 0:05:18 | 0:05:21 | |
You could have some big bifold doors, which you know I really like, | 0:05:21 | 0:05:25 | |
leading out onto this lovely spacious garden. | 0:05:25 | 0:05:28 | |
You could have a little decked area round here. | 0:05:28 | 0:05:30 | |
You see, I think the extra extension space could allow you | 0:05:30 | 0:05:34 | |
to completely transform this into something utterly amazing. | 0:05:34 | 0:05:38 | |
How lovely! | 0:05:38 | 0:05:39 | |
And if you were really going for it, | 0:05:40 | 0:05:42 | |
you could make a double-story extension | 0:05:42 | 0:05:45 | |
to house that elusive upstairs bathroom. | 0:05:45 | 0:05:47 | |
And with the bonus of a garage at the rear and that garden, | 0:05:47 | 0:05:51 | |
this looks like a really good family house, with room for improvement. | 0:05:51 | 0:05:55 | |
But what does a local estate agent think? | 0:05:56 | 0:05:59 | |
First, what can he tell us about the Cheriton suburb? | 0:05:59 | 0:06:03 | |
Cheriton is a sort of family area. There's good schools, | 0:06:03 | 0:06:07 | |
good access to the mainline railway station | 0:06:07 | 0:06:09 | |
at Folkestone West, and we're very close to the motorway | 0:06:09 | 0:06:11 | |
and the Channel Tunnel. | 0:06:11 | 0:06:13 | |
This is a really good road. It's very sought after. | 0:06:13 | 0:06:15 | |
It's a cul-de-sac, so no through traffic. | 0:06:15 | 0:06:17 | |
It's got some alleyways at the end of the road, | 0:06:17 | 0:06:19 | |
which lead to both the school on one side, | 0:06:19 | 0:06:21 | |
and the centre of Cheriton on the other, | 0:06:21 | 0:06:23 | |
so very popular with families. | 0:06:23 | 0:06:24 | |
OK, so how would the local property market view | 0:06:24 | 0:06:27 | |
that downstairs bathroom? | 0:06:27 | 0:06:29 | |
The bathroom is situated on the ground floor in this property. | 0:06:29 | 0:06:32 | |
To bring it upstairs, you'd either have to lose a bedroom, | 0:06:32 | 0:06:35 | |
which would not be ideal, or you'd have to do an extension to the rear, | 0:06:35 | 0:06:38 | |
but it would have to be two storeys and would be rather expensive. | 0:06:38 | 0:06:41 | |
It's not in a bad location cos it comes off the utility space | 0:06:41 | 0:06:44 | |
but it's not ideal. | 0:06:44 | 0:06:46 | |
But really, other properties in this road are very similar, | 0:06:46 | 0:06:49 | |
so it's what families expect. | 0:06:49 | 0:06:51 | |
Well, good news in some respects, | 0:06:51 | 0:06:53 | |
as that would reduce the amount you'd need to spend here. | 0:06:53 | 0:06:56 | |
But it was guided at £140,000 to £145,000, | 0:06:56 | 0:07:00 | |
so is there much uplift in value to be had? | 0:07:00 | 0:07:03 | |
Fully renovated, I feel this property would sell | 0:07:04 | 0:07:07 | |
for £225,000 | 0:07:07 | 0:07:09 | |
and we'd be looking at a rental of £750 per calendar month. | 0:07:09 | 0:07:13 | |
Yes, this house could do with a refurb | 0:07:16 | 0:07:19 | |
but, if you wanted to take the works further and extend out here, | 0:07:19 | 0:07:23 | |
there's certainly the opportunity to do that. So, who saw the potential? | 0:07:23 | 0:07:27 | |
Let's head to auction and find out. | 0:07:27 | 0:07:29 | |
And we move now to the three-bed semi. | 0:07:34 | 0:07:37 | |
Double-glazed windows, gas heating, parking at the front, | 0:07:37 | 0:07:41 | |
rear garden and a garage. | 0:07:41 | 0:07:43 | |
Start me at £140,000 again. | 0:07:43 | 0:07:45 | |
140 anywhere? | 0:07:45 | 0:07:48 | |
Thank you, £140,000 is bid. | 0:07:48 | 0:07:51 | |
145 do I see? | 0:07:51 | 0:07:53 | |
At 145, I have. | 0:07:53 | 0:07:55 | |
And 150? 150 is bid. | 0:07:55 | 0:07:58 | |
155? 155. | 0:07:58 | 0:08:00 | |
And 160 in a fresh place. | 0:08:00 | 0:08:02 | |
165? Or 162? | 0:08:02 | 0:08:05 | |
162. 165. | 0:08:05 | 0:08:08 | |
167? | 0:08:08 | 0:08:10 | |
167. And 170? | 0:08:10 | 0:08:12 | |
170. 172. | 0:08:14 | 0:08:17 | |
175? Take 174. | 0:08:17 | 0:08:20 | |
174. 176? | 0:08:20 | 0:08:23 | |
176. | 0:08:23 | 0:08:25 | |
You said no that time, before he even had a chance. 176, I'm bid. | 0:08:25 | 0:08:29 | |
178 for you. | 0:08:29 | 0:08:31 | |
At £176,000, gentleman in the blue and red. | 0:08:31 | 0:08:35 | |
At £176,000 for the first time. | 0:08:35 | 0:08:38 | |
£176,000 for the second time. | 0:08:38 | 0:08:42 | |
176, third and final time. Are you all done? | 0:08:42 | 0:08:45 | |
-HE BANGS GAVEL -Sold at £176,000. | 0:08:45 | 0:08:48 | |
And your bidder's number, sir? T262. | 0:08:48 | 0:08:50 | |
So, the hammer fell at £176,000 and the successful bidder, | 0:08:50 | 0:08:55 | |
along with help from sister, Debbie, was John. | 0:08:55 | 0:08:58 | |
John works nearby, dealing with sea imports for container shipping. | 0:08:59 | 0:09:04 | |
He bought the house to be his home. | 0:09:04 | 0:09:06 | |
-John, congratulations. You did it! -Thank you very much. | 0:09:10 | 0:09:12 | |
So, what was it about this house that you liked | 0:09:12 | 0:09:14 | |
so much enough to want to bid all that money? | 0:09:14 | 0:09:16 | |
I liked the cul-de-sac location, | 0:09:16 | 0:09:18 | |
I wanted three bedrooms and the bonus was a garage. | 0:09:18 | 0:09:21 | |
So, before the auction, did you look inside the property? | 0:09:21 | 0:09:25 | |
-Did you do the viewing? Please tell me you did. -Er, I didn't personally. | 0:09:25 | 0:09:29 | |
I came and looked round the outside. On the day it was open, | 0:09:29 | 0:09:32 | |
I was at work and I couldn't get any time off, | 0:09:32 | 0:09:34 | |
so my sister and my brother-in-law came round and had a look | 0:09:34 | 0:09:37 | |
around inside and, essentially, gave me the thumbs-up. | 0:09:37 | 0:09:40 | |
Fantastic. Did they film it? | 0:09:40 | 0:09:42 | |
-Did they get their phones out? -Yes, they did. | 0:09:42 | 0:09:44 | |
Cos the things you can do today, | 0:09:44 | 0:09:45 | |
-it's almost like you can be here in person. -Yeah, they did. | 0:09:45 | 0:09:48 | |
They filmed it all for us inside, | 0:09:48 | 0:09:50 | |
so I had a good idea of the layout before I went to auction. | 0:09:50 | 0:09:52 | |
So, no great surprises here for John | 0:09:52 | 0:09:55 | |
and he knew what he was letting himself in for | 0:09:55 | 0:09:58 | |
and what rooms might need a little bit of thought. | 0:09:58 | 0:10:02 | |
-The downstairs bathroom - shall we start with that? -Yes. | 0:10:02 | 0:10:04 | |
-Do you see that as a negative or not really? -Um, I'm open on it. | 0:10:04 | 0:10:09 | |
I'd ideally like to move it upstairs | 0:10:09 | 0:10:10 | |
but if it's got to stay where it is, budgetary-wise, then fine. | 0:10:10 | 0:10:14 | |
-So, what is the budget? -About 15K. | 0:10:14 | 0:10:16 | |
So, for £15,000, you've got to think what you can do to improve this. | 0:10:16 | 0:10:20 | |
-Absolutely. -So, what's most important to you? | 0:10:20 | 0:10:23 | |
Extending the kitchen and dining area. I want it open-plan. | 0:10:23 | 0:10:26 | |
And, basically, just refreshing a lot of the decor, | 0:10:26 | 0:10:29 | |
bringing it up to scratch and putting a shower in somewhere. | 0:10:29 | 0:10:32 | |
OK, so you're thinking about an extension, so going out? | 0:10:32 | 0:10:36 | |
Yeah, I want an open-plan kitchen-diner | 0:10:36 | 0:10:38 | |
with the kitchen off to one side. | 0:10:38 | 0:10:40 | |
I may put an island in. I haven't really... | 0:10:40 | 0:10:43 | |
I'm getting some plans drawn up soon, but we'll see from there. | 0:10:43 | 0:10:48 | |
-Colour schemes - is it going to be a man's house? -Very much so. | 0:10:48 | 0:10:51 | |
-Very much so, so very dark colours. -Well, bright red. -Bright red?! | 0:10:51 | 0:10:55 | |
-Really? -Yeah, bright red cabinets, yeah. -Interesting. | 0:10:55 | 0:10:58 | |
-And what are you going to do with the garden? -Not a lot at the minute. | 0:10:58 | 0:11:01 | |
I need to put a new fence up out there. | 0:11:01 | 0:11:04 | |
I was thinking about maybe a shed. I may build a man cave out there. | 0:11:04 | 0:11:09 | |
It depends, again, on budget, but... | 0:11:09 | 0:11:11 | |
What is the big thing with man caves? | 0:11:11 | 0:11:13 | |
Everybody at the moment is building man spaces. It's not fair! | 0:11:13 | 0:11:17 | |
We need space too! | 0:11:17 | 0:11:18 | |
Yeah, I suppose I don't really need much space in here, | 0:11:18 | 0:11:21 | |
as I'm on my own most of the time, but no, I was thinking | 0:11:21 | 0:11:24 | |
I wanted to do that in the last house, | 0:11:24 | 0:11:26 | |
so it's kind of like my idea from the last house. | 0:11:26 | 0:11:29 | |
Have a little shed at the back of the garden | 0:11:29 | 0:11:31 | |
-with all your toys in there. -Yeah, absolutely. | 0:11:31 | 0:11:33 | |
Have you got experience in building homes and creating lovely homes? | 0:11:33 | 0:11:36 | |
No, none at all, but I've got a lot of friends in the trade, | 0:11:36 | 0:11:38 | |
so I'm relying on them coming in and doing me a lot of favours. | 0:11:38 | 0:11:42 | |
It's been lovely meeting you. I'm so excited about this project. | 0:11:42 | 0:11:44 | |
How long is it going to take you? | 0:11:44 | 0:11:46 | |
Hopefully, about three or four months, tops. | 0:11:46 | 0:11:48 | |
I'm pulling in a lot of favours with a lot of friends, | 0:11:48 | 0:11:51 | |
so it may take a bit longer than I hope. | 0:11:51 | 0:11:53 | |
-Congratulations and well done. -Thank you very much. -Thank you. | 0:11:53 | 0:11:55 | |
So, a new challenge for John, | 0:11:55 | 0:11:57 | |
with his first refurbishment, but also a project that will, | 0:11:57 | 0:12:00 | |
hopefully, mark the start of a happy future for him in his new home. | 0:12:00 | 0:12:05 | |
But how much work will he actually get done for that £15,000 budget? | 0:12:05 | 0:12:10 | |
Join me later on in the programme and you can find out how he does. | 0:12:10 | 0:12:14 | |
Stoke-on-Trent is a city in Staffordshire, made up of six towns. | 0:12:18 | 0:12:22 | |
Today, I'm in Hanley. | 0:12:23 | 0:12:25 | |
Hanley is home to lots of shops, | 0:12:25 | 0:12:27 | |
including the famous Potteries Shopping Centre. | 0:12:27 | 0:12:30 | |
So, hopefully, someone will bag a bargain at today's property. | 0:12:30 | 0:12:34 | |
Just a stone's throw away from the city centre | 0:12:35 | 0:12:38 | |
is the property I'm here to see. | 0:12:38 | 0:12:40 | |
But when I say "a stone's throw", I mean it's just there. | 0:12:40 | 0:12:44 | |
I think I could hit it myself. And here it is. | 0:12:44 | 0:12:46 | |
It is a two-bedroom terrace property with a guide price of £25,000 plus. | 0:12:46 | 0:12:52 | |
It's not the prettiest looking property I've seen | 0:12:52 | 0:12:55 | |
and it also has this incredibly high step. | 0:12:55 | 0:12:58 | |
I'm going in. | 0:12:58 | 0:13:00 | |
-Oh. -# Step up... # | 0:13:01 | 0:13:03 | |
That is not good. | 0:13:10 | 0:13:12 | |
That cup is going to need some serious attention. | 0:13:13 | 0:13:17 | |
On a serious note, some real bad damp in here. | 0:13:17 | 0:13:22 | |
That wall has been stripped back to the bare brick. | 0:13:22 | 0:13:25 | |
And that is a single-glazed window. That's got to come out as well. | 0:13:25 | 0:13:29 | |
It's a decent size room but not a great start. | 0:13:29 | 0:13:34 | |
And talking of starts, it looks like, by the line of tools | 0:13:35 | 0:13:39 | |
on the mantelpiece, someone's done exactly that here. | 0:13:39 | 0:13:42 | |
Let's hope the back sitting room is in better shape. | 0:13:42 | 0:13:45 | |
It's not a bad size but it doesn't get any better at all. | 0:13:45 | 0:13:48 | |
In fact, I think it's just a little bit worse. | 0:13:48 | 0:13:51 | |
They've obviously had a lot of damp in this property | 0:13:51 | 0:13:54 | |
and I'm taking a guess there's no damp-proof course at all. | 0:13:54 | 0:13:57 | |
Kitchen is just through there, quite tight, quite small. | 0:13:57 | 0:14:02 | |
And no signs of a toilet as yet. | 0:14:03 | 0:14:06 | |
But I do like what they've done with that radiator. | 0:14:06 | 0:14:10 | |
# Bend me, shape me any way you want me | 0:14:10 | 0:14:14 | |
# You've got the power to turn on the light... # | 0:14:14 | 0:14:18 | |
Let's call it inventive engineering. | 0:14:18 | 0:14:20 | |
However, I'm not sure how safe it is. I'd get it checked out. | 0:14:20 | 0:14:24 | |
Better still, why not change it? | 0:14:24 | 0:14:26 | |
And I'd definitely want to check out the electrics, | 0:14:26 | 0:14:29 | |
the heater system and that damp course. | 0:14:29 | 0:14:31 | |
You know the drill. | 0:14:31 | 0:14:33 | |
So, bedroom number one very similar to downstairs, but it's a good size. | 0:14:33 | 0:14:38 | |
All the same, you see there, been stripped back to bare wall. | 0:14:38 | 0:14:43 | |
There's been some damp in here at some stage - | 0:14:43 | 0:14:46 | |
quite significant damp, as well. | 0:14:46 | 0:14:47 | |
And over here, a bit of storage in here as well. | 0:14:47 | 0:14:51 | |
No, it's not... HE LAUGHS | 0:14:53 | 0:14:55 | |
No, it's not storage. It's a shower! | 0:14:55 | 0:14:58 | |
There's a shower in the cupboard! | 0:14:58 | 0:15:01 | |
Er, strange. But no sign of a toilet. | 0:15:02 | 0:15:05 | |
OK, the search for the toilet goes on. | 0:15:05 | 0:15:09 | |
# It goes on | 0:15:09 | 0:15:11 | |
# On, on... # | 0:15:11 | 0:15:13 | |
If there is one, it's not up here. | 0:15:13 | 0:15:15 | |
The only other room here is the second bedroom | 0:15:15 | 0:15:18 | |
which fortunately, on the surface, doesn't seem to be suffering | 0:15:18 | 0:15:22 | |
from the same damp problems as the rest of the house. | 0:15:22 | 0:15:25 | |
# On... # | 0:15:25 | 0:15:27 | |
So, outside into the back garden and I'm hoping that this... | 0:15:27 | 0:15:32 | |
And it is. There's the toilet. | 0:15:32 | 0:15:34 | |
And it's the only toilet and it's an outside one at that. | 0:15:34 | 0:15:37 | |
And the other half to the back garden is that. | 0:15:37 | 0:15:40 | |
Er, slightly overgrown and it's going to need | 0:15:40 | 0:15:43 | |
a few weekends' hard graft to clear that lot. | 0:15:43 | 0:15:46 | |
One thing I do need to tell you | 0:15:46 | 0:15:48 | |
is this house is sold with a prohibition order in place, | 0:15:48 | 0:15:51 | |
which means no-one can live in this property until that has been lifted. | 0:15:51 | 0:15:56 | |
Might sound a bit scary, but it's not. | 0:15:56 | 0:15:58 | |
What you do get is a list of works that need to be done | 0:15:58 | 0:16:01 | |
before this place can become habitable. | 0:16:01 | 0:16:04 | |
Across the UK, there are a number of powers | 0:16:06 | 0:16:08 | |
allowing local authorities to issue various types of orders | 0:16:08 | 0:16:12 | |
protecting occupants' health and safety. | 0:16:12 | 0:16:14 | |
In England, a prohibition order can prevent a building being lived in | 0:16:14 | 0:16:19 | |
and can restrict who lives there until the place is sorted. | 0:16:19 | 0:16:23 | |
Landlords can be prosecuted | 0:16:23 | 0:16:25 | |
for failing to comply with prohibition orders. | 0:16:25 | 0:16:27 | |
Anyway, this place needs gutting | 0:16:27 | 0:16:30 | |
and an inside toilet | 0:16:30 | 0:16:31 | |
but it does have a fairly attractive guide price - 25 grand plus. | 0:16:31 | 0:16:36 | |
So, let's hear from an agent from the auction house who sold it. | 0:16:36 | 0:16:39 | |
The property really requires full renovation, from windows, | 0:16:39 | 0:16:45 | |
electrical check, kitchen, bathroom - | 0:16:45 | 0:16:47 | |
really a full renovation project. | 0:16:47 | 0:16:50 | |
Depending on who does the work, | 0:16:50 | 0:16:52 | |
you could easily spend between £15,000 and £20,000. | 0:16:52 | 0:16:55 | |
I'd agree, and I think you'd need the top end of that budget. | 0:16:55 | 0:16:58 | |
What could it sell for? | 0:16:58 | 0:17:00 | |
Once renovated, I would anticipate a resale value | 0:17:03 | 0:17:06 | |
in the region of £65,000. | 0:17:06 | 0:17:08 | |
DION WHISTLES A TUNE | 0:17:08 | 0:17:12 | |
Excuse me, a bit of privacy, please! | 0:17:16 | 0:17:18 | |
But while you're here, this house needs a total overhaul. | 0:17:18 | 0:17:22 | |
You've got to bring that bathroom from outside to inside, | 0:17:22 | 0:17:25 | |
the damp needs sorting. | 0:17:25 | 0:17:27 | |
This shower is the least of this property's worries. | 0:17:27 | 0:17:30 | |
Now, this is a project not for the faint-hearted. | 0:17:30 | 0:17:33 | |
Let's see who had the heart when it went under the hammer. | 0:17:33 | 0:17:36 | |
This is an unmodernised two-bedroom mid-terrace house. | 0:17:39 | 0:17:43 | |
Who's here on guide? Who's here on 25? | 0:17:43 | 0:17:45 | |
25, thank you. 26 anywhere else? | 0:17:45 | 0:17:47 | |
£26,000, thank you. Do I see 27? | 0:17:47 | 0:17:49 | |
28? 28, I have. Can I take 29. | 0:17:49 | 0:17:52 | |
There's a lot of interest and the bidding climbed quickly. | 0:17:52 | 0:17:55 | |
We rejoin at £41,000. | 0:17:55 | 0:17:58 | |
41, I have. And a quarter. £41,250? 41.5? | 0:17:58 | 0:18:02 | |
No, you're going to let him have it? £41,250 then. | 0:18:02 | 0:18:05 | |
For the first time, second time. | 0:18:05 | 0:18:06 | |
Last chance for anyone who wants to come in for another £250. | 0:18:06 | 0:18:09 | |
Let me know right now, please. Are we all done then? Third... | 0:18:09 | 0:18:11 | |
Oh, I saw the hand. £41,500. £41,750 now. 42, may I say? | 0:18:11 | 0:18:16 | |
No. We'll go through it again. At £41,750, row one. | 0:18:16 | 0:18:19 | |
For the first time, the second time. Last chance. This is it, sir. | 0:18:19 | 0:18:22 | |
I want to see you again if you're going to come in. | 0:18:22 | 0:18:24 | |
If not, third and final time. YOU'RE now back! | 0:18:24 | 0:18:26 | |
At 41... Where were we? 42, wasn't it? | 0:18:26 | 0:18:28 | |
42. Another quarter, sir? | 0:18:28 | 0:18:31 | |
Frustrating this, isn't it? £42,250. 42.5? | 0:18:31 | 0:18:35 | |
No? You said no the last four times and then you came back in. | 0:18:35 | 0:18:38 | |
Here we go then. £42,250 once. | 0:18:38 | 0:18:41 | |
I'm pointing to him but I'm looking at you! £42,250 second time. | 0:18:41 | 0:18:44 | |
It's going to go, you know that, don't you? | 0:18:44 | 0:18:46 | |
Third and final time, right here at £42,250... | 0:18:46 | 0:18:49 | |
-BANGS GAVEL -You got it this time! Well done! | 0:18:49 | 0:18:51 | |
Finally, after that tussle, | 0:18:51 | 0:18:53 | |
the successful bid of £42,250 was made by Keith. | 0:18:53 | 0:18:58 | |
He came along with his daughter, Rachel, who is studying politics. | 0:18:58 | 0:19:02 | |
Keith already has two properties, | 0:19:02 | 0:19:04 | |
but it turns out his third one might give someone a step up. | 0:19:04 | 0:19:08 | |
-Rachel, nice to meet you. -Nice to meet you too. | 0:19:09 | 0:19:11 | |
-Keith, nice to meet you. -And you. -Congratulations to you both. | 0:19:11 | 0:19:14 | |
-Thank you. -Why this particular house? | 0:19:14 | 0:19:16 | |
They talk about original features in the state agent's blub, | 0:19:16 | 0:19:19 | |
but it's got some very nice features. | 0:19:19 | 0:19:21 | |
Secondly, location is brilliant. | 0:19:21 | 0:19:23 | |
And the guide price was interesting, at £25,000. | 0:19:23 | 0:19:26 | |
It is actually a proper stone's throw, isn't it? | 0:19:26 | 0:19:28 | |
You're literally actually in the centre, aren't you? | 0:19:28 | 0:19:31 | |
What do you like about it? | 0:19:31 | 0:19:32 | |
Oh, am I allowed to say things I don't like? | 0:19:32 | 0:19:36 | |
You can say whatever you want! | 0:19:36 | 0:19:38 | |
-The original wallpaper. -The wallpaper's interesting. | 0:19:38 | 0:19:41 | |
But I think it's a good size. | 0:19:41 | 0:19:43 | |
I think for, like, a small family, or a young couple, | 0:19:43 | 0:19:46 | |
-I think it's a really good size. -What made you go into property? | 0:19:46 | 0:19:49 | |
What made you want to buy this property in particular? | 0:19:49 | 0:19:52 | |
Stoke-onTrent is one of the places in this country where refugees | 0:19:52 | 0:19:56 | |
who are seeking asylum are sent for the time being | 0:19:56 | 0:19:59 | |
and, therefore, there's quite a demand for property in this area. | 0:19:59 | 0:20:02 | |
And they tend to be at the bottom of the priority list, | 0:20:02 | 0:20:05 | |
in terms of housing, so we thought it was the best way | 0:20:05 | 0:20:07 | |
to make sure they DO get housing, safe, affordable housing. | 0:20:07 | 0:20:10 | |
Keith, although now retired, | 0:20:10 | 0:20:12 | |
has spent many years working with homeless people | 0:20:12 | 0:20:15 | |
and now runs a cafe in Birmingham with a group of volunteers. | 0:20:15 | 0:20:18 | |
He already leases a house to a Stoke charity | 0:20:21 | 0:20:24 | |
working with homeless asylum seekers. | 0:20:24 | 0:20:26 | |
He's hoping the same's going to happen here. | 0:20:26 | 0:20:28 | |
He's got a budget of £10,000 to £12,000, | 0:20:28 | 0:20:31 | |
but they do have some fairly ambitious plans. | 0:20:31 | 0:20:33 | |
First of all, as you can tell by the plaster | 0:20:33 | 0:20:35 | |
hanging off the front and back walls, | 0:20:35 | 0:20:37 | |
-it needs a damp-proof course. -Yes, yes. | 0:20:37 | 0:20:39 | |
It needs a kitchen. It hasn't even got an inside loo, this property. | 0:20:39 | 0:20:44 | |
-Mm, I noticed. -So, it needs a bathroom and toilet, | 0:20:44 | 0:20:48 | |
which will be put into where the kitchen currently is, | 0:20:48 | 0:20:50 | |
and the back room will become the kitchen. | 0:20:50 | 0:20:53 | |
OK, so you're actually moving the kitchen sort of this way slightly. | 0:20:53 | 0:20:56 | |
Yes, that's right. This will be the sitting room | 0:20:56 | 0:20:59 | |
and that will be the kitchen-diner, with a bathroom off it. | 0:20:59 | 0:21:01 | |
And what's currently the loo will become the garden shed. | 0:21:01 | 0:21:04 | |
We're going to sort out the garden, which you might have seen... | 0:21:04 | 0:21:08 | |
-Yes, briefly. -..is horrendous. -Yes. -Most of it you can't see at all. | 0:21:08 | 0:21:11 | |
And upstairs, are you changing anything upstairs at all? | 0:21:11 | 0:21:15 | |
I don't know if you saw the shower in the cupboard? | 0:21:15 | 0:21:17 | |
Yeah, we're going to be getting rid of that in the cupboard. | 0:21:17 | 0:21:20 | |
What else is going to cost you? | 0:21:20 | 0:21:23 | |
We haven't been in the roof space because the shower's in the way, | 0:21:23 | 0:21:26 | |
but we'll certainly want to do something about lagging the roof, | 0:21:26 | 0:21:30 | |
insulating it, and also, the front and back walls | 0:21:30 | 0:21:33 | |
will have insulation, as well as being replastered. | 0:21:33 | 0:21:36 | |
And it's got a prohibition notice as well. | 0:21:36 | 0:21:38 | |
It has because this property has been vacant | 0:21:38 | 0:21:41 | |
for the last 15 years, at least, and the neighbours complained | 0:21:41 | 0:21:45 | |
and so the council have compulsorily purchased it | 0:21:45 | 0:21:50 | |
and the prohibition order, whilst a bit of a problem, | 0:21:50 | 0:21:54 | |
at the same time is actually just a good list of works | 0:21:54 | 0:21:57 | |
that needs to be done. | 0:21:57 | 0:21:59 | |
OK, and who's going to do the work for you? | 0:21:59 | 0:22:01 | |
-I've got a brilliant builder, Simon. -OK. | 0:22:01 | 0:22:04 | |
He's got a sparks and a plumber and a plasterer | 0:22:04 | 0:22:08 | |
and I can, I think, build a kitchen myself, so we're there. | 0:22:08 | 0:22:12 | |
-Tell me a bit more about Simon. -Simon's a very interesting person. | 0:22:12 | 0:22:16 | |
Simon has founded a business-cum-charity | 0:22:16 | 0:22:20 | |
which works with people who have been in prison. | 0:22:20 | 0:22:23 | |
He meets them at the prison gate, he gives them a home, | 0:22:23 | 0:22:26 | |
he gives them a job and he teaches them a trade. | 0:22:26 | 0:22:30 | |
That's where the plumber etc has come from. | 0:22:30 | 0:22:32 | |
And how long are you hoping this work's going to take | 0:22:32 | 0:22:36 | |
Simon and his recruitment team to get everything done? | 0:22:36 | 0:22:40 | |
I think we could do it in three months, maybe four. | 0:22:40 | 0:22:43 | |
I've got my fingers crossed for you, both of you. | 0:22:43 | 0:22:45 | |
I think you're buying this property for an amazing reason. | 0:22:45 | 0:22:48 | |
First time I've come across it and well done to you both. | 0:22:48 | 0:22:50 | |
-Rachel, good luck. -Thank you. -Hope it all works out. | 0:22:50 | 0:22:52 | |
-And you, Keith, good luck. -Thank you very much indeed. -Pleasure. | 0:22:52 | 0:22:55 | |
What a great reason to get into property | 0:22:57 | 0:23:00 | |
but, as first projects go, they have got their work cut out. | 0:23:00 | 0:23:03 | |
There's a lot of work that needs to be done here - | 0:23:03 | 0:23:06 | |
new windows throughout, all that damp | 0:23:06 | 0:23:08 | |
and sorting the bathroom and toilet downstairs. | 0:23:08 | 0:23:10 | |
Will they get it all done? | 0:23:10 | 0:23:12 | |
You can find out later in the programme. | 0:23:12 | 0:23:14 | |
Coming up, we return to a large house in Cumbria | 0:23:16 | 0:23:19 | |
we first saw in 2012, but does it fulfil its potential? | 0:23:19 | 0:23:24 | |
And we catch up with the trails and tribulations | 0:23:26 | 0:23:29 | |
of a rundown Stoke-on-Trent house. | 0:23:29 | 0:23:31 | |
I've really enjoyed doing it, apart from the times when I haven't. | 0:23:31 | 0:23:35 | |
It was in the Folkestone suburb of Cheriton | 0:23:38 | 0:23:41 | |
where Lucy first saw a three-bedroom semi. | 0:23:41 | 0:23:44 | |
Like many an auction property, it fell into the category of tired, | 0:23:45 | 0:23:49 | |
but it was sound enough and, though there was a downstairs bathroom, | 0:23:49 | 0:23:52 | |
there was plenty of room for improvement. | 0:23:52 | 0:23:54 | |
You could have some big bifold doors, | 0:23:56 | 0:23:58 | |
which you know I really like, | 0:23:58 | 0:23:59 | |
leading out onto this lovely spacious garden. | 0:23:59 | 0:24:02 | |
You could have a little decked area round here. | 0:24:02 | 0:24:05 | |
You see, I think the extra extension space could allow you | 0:24:05 | 0:24:08 | |
to completely transform this into something utterly amazing. | 0:24:08 | 0:24:12 | |
How lovely! | 0:24:12 | 0:24:14 | |
And our man who knew a good thing when he saw it | 0:24:15 | 0:24:18 | |
was local port worker John, | 0:24:18 | 0:24:20 | |
who bought the house at auction for £176,000 to be his home. | 0:24:20 | 0:24:25 | |
-So, what's most important to you? -Extending the kitchen. | 0:24:27 | 0:24:30 | |
I want an open-plan kitchen-diner, with the kitchen off to one side. | 0:24:30 | 0:24:34 | |
-Colour schemes - is it going be a man's house? -Very much so. | 0:24:34 | 0:24:37 | |
-Very much so, so very dark colours. -Well, bright red. -Bright red?! | 0:24:37 | 0:24:41 | |
-Really? -Yeah, bright red cabinets, yeah. | 0:24:41 | 0:24:44 | |
So, John clearly wanted to put his own stamp on the house. | 0:24:44 | 0:24:47 | |
# Now we're giving you the look, look | 0:24:47 | 0:24:50 | |
# Giving you the look... # | 0:24:50 | 0:24:52 | |
He also had fashionable plans for the garden space. | 0:24:52 | 0:24:56 | |
I may build a man cave out there. | 0:24:57 | 0:25:00 | |
That is the big thing with man caves? | 0:25:00 | 0:25:03 | |
Everybody, at the moment, is building man spaces. It's not fair! | 0:25:03 | 0:25:06 | |
We need space too! | 0:25:06 | 0:25:08 | |
Yeah, I suppose I don't really need much space in here, | 0:25:08 | 0:25:10 | |
as I'm on my own most of the time, | 0:25:10 | 0:25:12 | |
but I was just thinking I wanted to do that in the last house, | 0:25:12 | 0:25:15 | |
so it's kind of like my idea from the last house. | 0:25:15 | 0:25:18 | |
Have a little shed at the back of the garden | 0:25:18 | 0:25:20 | |
-with all your toys in there. -Yeah, absolutely. | 0:25:20 | 0:25:22 | |
# Lord, I'm gonna build myself a cave | 0:25:23 | 0:25:26 | |
# Lord, I'm gonna move down in the ground... # | 0:25:28 | 0:25:30 | |
And, with a £15,000 budget, | 0:25:30 | 0:25:32 | |
he hoped to have his bespoke semi ready in three to four months. | 0:25:32 | 0:25:36 | |
But now, nine months have ticked by and finally, we're back. | 0:25:38 | 0:25:42 | |
Well, the outside might not show many changes | 0:25:44 | 0:25:46 | |
but it was inside where John really wanted to make his mark. | 0:25:46 | 0:25:50 | |
Well, there's definitely signs of a few personal touches | 0:25:53 | 0:25:57 | |
in the front room, but I wouldn't call it radical. | 0:25:57 | 0:26:00 | |
Perhaps we'll find more uniqueness in his lounge. | 0:26:00 | 0:26:03 | |
# This is me, this is me | 0:26:05 | 0:26:08 | |
# This is me, this is me... # | 0:26:08 | 0:26:11 | |
Ah, that's a bit more like it. | 0:26:11 | 0:26:13 | |
Did he continue to see red in the kitchen? | 0:26:13 | 0:26:16 | |
# What you get is what you see | 0:26:16 | 0:26:20 | |
# This is me... # | 0:26:20 | 0:26:22 | |
Oh, yes! | 0:26:22 | 0:26:23 | |
# This is me, this is me... # | 0:26:23 | 0:26:26 | |
Basically, we knocked down the wall that was across here, | 0:26:26 | 0:26:31 | |
created the extension, put a new roof on to open up the room, | 0:26:31 | 0:26:35 | |
created a utility room in the back there, | 0:26:35 | 0:26:41 | |
put in a new kitchen. | 0:26:41 | 0:26:42 | |
I love the oak and the red and the white. | 0:26:42 | 0:26:46 | |
I think it's very, er, very me. | 0:26:46 | 0:26:48 | |
# This is me, this is me | 0:26:48 | 0:26:50 | |
# What you get is what you see.. # | 0:26:50 | 0:26:53 | |
So, the kitchen is completely ready. And the bathroom? | 0:26:53 | 0:26:56 | |
OK completely retiled, moved the bath, | 0:26:58 | 0:27:02 | |
we've put underfloor heating in, | 0:27:02 | 0:27:04 | |
complete new bath suite, integrated shower. | 0:27:04 | 0:27:07 | |
We kept it downstairs, purely for budget reasons. | 0:27:07 | 0:27:11 | |
Also, if we'd moved it upstairs, we'd have lost a bedroom. | 0:27:11 | 0:27:15 | |
John really didn't have much choice moving the bathroom, | 0:27:15 | 0:27:18 | |
but it does at least benefit from having a lobby area | 0:27:18 | 0:27:21 | |
between it and the kitchen. | 0:27:21 | 0:27:23 | |
# I'm going nowhere | 0:27:23 | 0:27:26 | |
# You're going nowhere... # | 0:27:26 | 0:27:29 | |
So, what about those three upstairs bedrooms? | 0:27:29 | 0:27:32 | |
Well, two are looking good but the third is a bit of a storage space. | 0:27:47 | 0:27:51 | |
I thought that's what the garden shed-cum-man cave | 0:27:51 | 0:27:54 | |
was supposed to cater for. | 0:27:54 | 0:27:55 | |
The man cave went by the bye because, as it transpired, | 0:27:55 | 0:28:00 | |
I could have my man cave in here with my music room | 0:28:00 | 0:28:03 | |
and have a living room and have a dining room, | 0:28:03 | 0:28:05 | |
so everything worked out for the best, I suppose. | 0:28:05 | 0:28:07 | |
So, no high-tech Batcave here, | 0:28:07 | 0:28:10 | |
but he is planning a bee-friendly garden, | 0:28:10 | 0:28:13 | |
with decking and, perhaps, a small shed. | 0:28:13 | 0:28:16 | |
Fair play to him, he's been pretty busy. | 0:28:16 | 0:28:19 | |
But was this a single-handed crusade or did he have help? | 0:28:19 | 0:28:23 | |
Anything that was beyond my abilities like, you know, | 0:28:24 | 0:28:27 | |
ground work, brickwork, I used friends. That was Russ and Mick. | 0:28:27 | 0:28:31 | |
Big friend, Chris, came in - Chris the carpenter. | 0:28:31 | 0:28:35 | |
At the beginning, I wasn't very hands-on | 0:28:35 | 0:28:37 | |
but, as the project moved along, and I could get more involved, | 0:28:37 | 0:28:40 | |
I have been. I've done some crazy hours on it, | 0:28:40 | 0:28:42 | |
but loved every minute of it. | 0:28:42 | 0:28:43 | |
John and his friends have done a great job | 0:28:43 | 0:28:45 | |
but, with his friends busy on other projects, | 0:28:45 | 0:28:48 | |
he hasn't exactly finished it in record time. | 0:28:48 | 0:28:50 | |
Then again, getting mates' rates does keep the cost down. | 0:28:50 | 0:28:54 | |
So, did John stick to his £15,000 budget? | 0:28:54 | 0:28:58 | |
# You spin me right round, baby | 0:28:58 | 0:29:00 | |
# Right round, like a record, baby | 0:29:00 | 0:29:03 | |
# Right round, round, round... # | 0:29:03 | 0:29:05 | |
Yep, I got it in under budget. | 0:29:05 | 0:29:07 | |
I've been able to buy some furniture with the money that's left over, | 0:29:07 | 0:29:10 | |
so I'm very happy, you know. | 0:29:10 | 0:29:12 | |
In fact, without furniture, the actual spend on the house | 0:29:12 | 0:29:16 | |
was £14,000, | 0:29:16 | 0:29:18 | |
which takes John's total outlay to £190,000. | 0:29:18 | 0:29:21 | |
And it might not have a man cave, | 0:29:21 | 0:29:24 | |
but it's got most things for modern life. | 0:29:24 | 0:29:27 | |
So, what did two local estate agents make of the house? | 0:29:27 | 0:29:30 | |
First, the agent who saw it last time. | 0:29:30 | 0:29:34 | |
It's as if it's a different house. | 0:29:34 | 0:29:36 | |
The property is completely different to when I saw it last time. | 0:29:36 | 0:29:40 | |
The kitchen is quite whacky, with the red and the tiling, | 0:29:40 | 0:29:42 | |
but it's very on trend to what people like. | 0:29:42 | 0:29:44 | |
The feature wallpaper - again, it might be personal taste, | 0:29:44 | 0:29:47 | |
but these are all things that people look for. | 0:29:47 | 0:29:49 | |
I've had a look round the property | 0:29:49 | 0:29:50 | |
and I think everything's been done really carefully | 0:29:50 | 0:29:53 | |
and with a lot of thought, | 0:29:53 | 0:29:54 | |
so I'd be quite pleased with it if I'd done it myself. | 0:29:54 | 0:29:58 | |
Yep, kitchens and bathrooms definitely sell houses, | 0:29:58 | 0:30:01 | |
but what value have they added to John's £190,000 investment? | 0:30:01 | 0:30:06 | |
I think, on the open market, this property would sell for, | 0:30:09 | 0:30:12 | |
in the region of £235,000. | 0:30:12 | 0:30:15 | |
If I put this house on the market today, | 0:30:15 | 0:30:18 | |
I would recommend it to be in the region of £210,000. | 0:30:18 | 0:30:21 | |
Two somewhat different values, | 0:30:21 | 0:30:23 | |
but both showing a healthy return for John, | 0:30:23 | 0:30:26 | |
should he sell the house on. | 0:30:26 | 0:30:28 | |
So, what does he make of the potential pre-tax profit | 0:30:28 | 0:30:32 | |
of anywhere between £20,000 and £45,000. | 0:30:32 | 0:30:34 | |
That's really good, yeah. Yeah, I think... | 0:30:36 | 0:30:39 | |
Yeah, good, I added some value. | 0:30:39 | 0:30:41 | |
And the agents also reckon on a rental value | 0:30:41 | 0:30:45 | |
between £795 and £900 per calendar month, | 0:30:45 | 0:30:49 | |
which would generate, at the very least, | 0:30:49 | 0:30:51 | |
a yield of 5%, so it's thumbs-up all round. | 0:30:51 | 0:30:54 | |
Has this rookie renovator now got the taste for more? | 0:30:54 | 0:30:58 | |
Oh, definitely, yeah. | 0:31:02 | 0:31:03 | |
I've learnt loads of stuff from my friends, | 0:31:03 | 0:31:06 | |
I've built my confidence up on various things | 0:31:06 | 0:31:09 | |
and would I tackle it again? | 0:31:09 | 0:31:11 | |
I think I probably would now. | 0:31:11 | 0:31:13 | |
MUSIC: Echo Beach by Martha And The Muffins | 0:31:16 | 0:31:19 | |
We're off to the windswept Cumbrian village of Seascale | 0:31:19 | 0:31:22 | |
to see a property that I first visited in September, 2012. | 0:31:22 | 0:31:27 | |
Built over three floors, it had four reception rooms, | 0:31:28 | 0:31:31 | |
eight bedrooms, a garden room and a flat at the back, | 0:31:31 | 0:31:35 | |
all for the tasty guide price of £100,000 plus. | 0:31:35 | 0:31:39 | |
So, we know it's going to be big but how's it laid out? | 0:31:39 | 0:31:45 | |
Well, nice, large entrance, as you'd hope for, | 0:31:45 | 0:31:47 | |
a big sort of reception room over that way | 0:31:47 | 0:31:50 | |
and an equally big one over that way. | 0:31:50 | 0:31:52 | |
Straightaway, I'm thinking about all the potential uses for this house, | 0:31:52 | 0:31:57 | |
and there are many. | 0:31:57 | 0:31:59 | |
# Empty rooms... # | 0:31:59 | 0:32:01 | |
A third reception room and a large kitchen at the back of the house | 0:32:01 | 0:32:05 | |
gave a tantalising glimpse of the space offered by this property. | 0:32:05 | 0:32:08 | |
And what do the upper floors have to offer? | 0:32:08 | 0:32:11 | |
Up here, nice landing area. A room there - the first of your bedrooms. | 0:32:12 | 0:32:16 | |
And then through this way, a really interesting kind of layout. | 0:32:16 | 0:32:19 | |
I think this house has lots of hidden features, | 0:32:19 | 0:32:23 | |
just waiting to be discovered. | 0:32:23 | 0:32:24 | |
It's nice that all the fireplaces are still there. | 0:32:24 | 0:32:26 | |
It's got double glazing but it looks fairly old, | 0:32:26 | 0:32:28 | |
so I don't know if that's due for replacement, | 0:32:28 | 0:32:31 | |
but the layout here is quite interesting, | 0:32:31 | 0:32:33 | |
cos you've got that room there and you come through | 0:32:33 | 0:32:35 | |
to this extra bedroom here. | 0:32:35 | 0:32:36 | |
To create an extra room, you might want to separate those off. | 0:32:36 | 0:32:39 | |
But then this leads back out into a little landing area. | 0:32:39 | 0:32:44 | |
Another really good size room there. | 0:32:44 | 0:32:48 | |
Absolutely amazing - enough room to potentially put an en suite in that. | 0:32:48 | 0:32:52 | |
And here, bathroom, shower room... Wow! | 0:32:52 | 0:32:57 | |
Yep, I was exhausted and that was just the first floor! | 0:32:59 | 0:33:02 | |
The word "substantial" didn't really do this house justice. | 0:33:02 | 0:33:07 | |
So, up onto the top floor | 0:33:07 | 0:33:09 | |
and if you were expecting just a little attic bedroom, | 0:33:09 | 0:33:12 | |
you are going to be in for a surprise, | 0:33:12 | 0:33:14 | |
because it just goes on and on up here. | 0:33:14 | 0:33:16 | |
More bedrooms - count them. One there, a little bathroom there, | 0:33:16 | 0:33:20 | |
you've got another bedroom over there, bedroom there, | 0:33:20 | 0:33:23 | |
bedroom there, another one here. | 0:33:23 | 0:33:24 | |
They've all got loads of character cos they were built into the eaves. | 0:33:24 | 0:33:28 | |
And really nice. Nice, nice, nice. | 0:33:28 | 0:33:31 | |
As well as numerous rooms in the main building, | 0:33:33 | 0:33:35 | |
there was also a sizeable extension to the back of the house, | 0:33:35 | 0:33:38 | |
complete with more interesting period features - | 0:33:38 | 0:33:40 | |
the period in question being the '70s and '80s. | 0:33:40 | 0:33:43 | |
I think this could be a little, well, self-contained unit | 0:33:46 | 0:33:49 | |
in its own right. You've got a kitchen area there, a loo, | 0:33:49 | 0:33:52 | |
this slightly odd area here, with these huge great windows. | 0:33:52 | 0:33:55 | |
And then, at the back, look at the size of this! | 0:33:55 | 0:33:58 | |
An absolutely massive, massive room. | 0:33:58 | 0:34:01 | |
Certainly enough space in here to create a bedroom | 0:34:01 | 0:34:03 | |
and a separate living area. | 0:34:03 | 0:34:05 | |
As a bonus, on top of everything else you've got, | 0:34:05 | 0:34:07 | |
how absolutely fantastic. | 0:34:07 | 0:34:09 | |
And here, some real absolutely classic decorating touches. | 0:34:09 | 0:34:13 | |
We like the louvered doors and how about this? | 0:34:13 | 0:34:17 | |
Rocks. | 0:34:19 | 0:34:21 | |
Not quite rocks. Got to keep that! | 0:34:24 | 0:34:26 | |
# Get your rocks off Get your rocks off, honey | 0:34:26 | 0:34:30 | |
# Shake 'em now, now Get 'em off downtown... # | 0:34:30 | 0:34:34 | |
Get the rocks off or keep them on? | 0:34:35 | 0:34:37 | |
That was entirely up to the new owner. | 0:34:37 | 0:34:39 | |
Perhaps the bigger decision would be... | 0:34:39 | 0:34:41 | |
What are you going to do with this place then? | 0:34:41 | 0:34:44 | |
It's probably not going to be one house. | 0:34:44 | 0:34:45 | |
I don't think that really maximises the potential of this place. | 0:34:45 | 0:34:48 | |
It's screaming out to be a house of multiple occupancy - an HMO. | 0:34:48 | 0:34:53 | |
Rent out these rooms individually | 0:34:53 | 0:34:56 | |
and you could be generating who knows what. | 0:34:56 | 0:34:59 | |
If you rented them out for £50, £60, £70, £80 a week individually, | 0:34:59 | 0:35:04 | |
this house is going to start delivering some serious returns. | 0:35:04 | 0:35:07 | |
A massive house and a potential for massive profit | 0:35:07 | 0:35:11 | |
if the new buyer got it right. | 0:35:11 | 0:35:13 | |
Who fancied the challenge when it went under the hammer? | 0:35:15 | 0:35:17 | |
Spacious detached property. Massive property, this. | 0:35:21 | 0:35:25 | |
£100,000 plus then is the last quoted guide. | 0:35:25 | 0:35:28 | |
Got a telephone bidder on this. Are we in? | 0:35:28 | 0:35:30 | |
Who's here for this at 100? | 0:35:30 | 0:35:32 | |
95 then. 90, get me started. | 0:35:32 | 0:35:36 | |
At £90,000, anybody here? | 0:35:36 | 0:35:39 | |
90, I've got in the door. At £90,000 then. | 0:35:39 | 0:35:42 | |
91 here. 92. 93. | 0:35:42 | 0:35:45 | |
94. 95. 96... | 0:35:45 | 0:35:49 | |
And, with the bidding going up in £1,000 increments, | 0:35:49 | 0:35:53 | |
we eventually reached £130,000. | 0:35:53 | 0:35:56 | |
130. 131. | 0:35:57 | 0:35:59 | |
132. 133. | 0:35:59 | 0:36:02 | |
134. 135. 136. | 0:36:02 | 0:36:06 | |
Shake of the head at 136. With you, sir, at 135. | 0:36:06 | 0:36:10 | |
At £135,000 for the first time. | 0:36:10 | 0:36:15 | |
At £135,000 for the second time. | 0:36:15 | 0:36:18 | |
£135,000, third and final time. | 0:36:18 | 0:36:20 | |
All done, all out, selling away. | 0:36:20 | 0:36:23 | |
-HE BANGS GAVEL -You, sir, thank you. | 0:36:23 | 0:36:25 | |
And the successful bidder was Peter. | 0:36:25 | 0:36:28 | |
Peter paid £135,000 for the lot | 0:36:28 | 0:36:31 | |
and this project would be fitting in with his other jobs | 0:36:31 | 0:36:34 | |
as an arts centre manager and freelance cameraman. | 0:36:34 | 0:36:37 | |
He came along with daughter Sienna | 0:36:37 | 0:36:39 | |
to explore what he hoped would be his pension fund. | 0:36:39 | 0:36:43 | |
# Cos I'm a real straight shooter | 0:36:43 | 0:36:46 | |
# If you know what I mean... # | 0:36:46 | 0:36:48 | |
-Peter, good to meet you. -And you. -Congratulations. -Thank you. | 0:36:50 | 0:36:53 | |
-Yeah, big house. -Yes, it's substantial. | 0:36:53 | 0:36:56 | |
So, why did you want to buy it? | 0:36:56 | 0:36:58 | |
Well, I just bought a house with my partner in Gosforth | 0:36:58 | 0:37:01 | |
and we saw this come up and decided | 0:37:01 | 0:37:03 | |
it was an opportunity too good to miss | 0:37:03 | 0:37:05 | |
because of the number of rooms | 0:37:05 | 0:37:07 | |
and the possibility of renting the rooms out to local contractors. | 0:37:07 | 0:37:11 | |
So, do you know the area | 0:37:11 | 0:37:12 | |
and the need for that kind of accommodation then? | 0:37:12 | 0:37:14 | |
Yes, I've lived up here about nine years now | 0:37:14 | 0:37:17 | |
-and we know a lot of the contractors anyway... -Right. | 0:37:17 | 0:37:20 | |
-..through meeting in the pub, etc. -Oh. | 0:37:20 | 0:37:22 | |
And, um, I know there's a good market for that | 0:37:22 | 0:37:25 | |
if you price the rooms right and provide the right facilities. | 0:37:25 | 0:37:29 | |
Peter had set himself a very sensible budget | 0:37:29 | 0:37:32 | |
of £2,000 to renovate each room, | 0:37:32 | 0:37:34 | |
which would come to around £25,000 in total, | 0:37:34 | 0:37:38 | |
and, in terms of timescale, take it on bit by bit. | 0:37:38 | 0:37:42 | |
# Ooh-ah, just a little bit | 0:37:44 | 0:37:45 | |
# Ooh-ah, a little bit more | 0:37:45 | 0:37:47 | |
# Ooh-ah, just a little bit | 0:37:47 | 0:37:49 | |
# You know what I'm looking for... # | 0:37:49 | 0:37:50 | |
It's going to take a couple of years, I think, to come to fruition, | 0:37:50 | 0:37:53 | |
but I'm going to try and get one or two rooms sorted out | 0:37:53 | 0:37:56 | |
and get the downstairs presentable and the kitchen sorted | 0:37:56 | 0:37:59 | |
and get a couple of rooms going, | 0:37:59 | 0:38:01 | |
and then, once that's bringing in a bit of income, | 0:38:01 | 0:38:04 | |
then I'll start to do other rooms. | 0:38:04 | 0:38:06 | |
So, tell me what you are going to do, in terms of sorting it out. | 0:38:06 | 0:38:08 | |
This room that we're standing in now, | 0:38:08 | 0:38:10 | |
-I'm actually going to keep for myself. -Oh, right. | 0:38:10 | 0:38:12 | |
So, it'll be a kind of den for me really. | 0:38:12 | 0:38:14 | |
The other reception room, I'll have as a lounge-dining room, | 0:38:14 | 0:38:18 | |
plus a dining-kitchen. | 0:38:18 | 0:38:20 | |
And then each bedroom will be en suite, | 0:38:21 | 0:38:24 | |
-so I think, ultimately, I'll have eight rooms to rent out. -Right. | 0:38:24 | 0:38:29 | |
-Plus the flat. -Right. -The flat will be the last thing we do. -OK. | 0:38:29 | 0:38:32 | |
Cos that needs more work doing to it really. | 0:38:32 | 0:38:35 | |
This was always destined to be a long-term project. | 0:38:35 | 0:38:39 | |
Of course, there's always events to contend with. | 0:38:39 | 0:38:41 | |
In this case, Peter had been made redundant from his arts job, | 0:38:41 | 0:38:45 | |
so he had more time but less cash. | 0:38:45 | 0:38:48 | |
But still, when we returned in June, 2014, | 0:38:48 | 0:38:51 | |
he had made some progress, with one room on the first floor underway | 0:38:51 | 0:38:56 | |
and with one room totally completed and rented out. | 0:38:56 | 0:39:00 | |
I'm very pleased with the way this room has turned out. | 0:39:00 | 0:39:03 | |
I think we chose a good colour. It's quite restful. | 0:39:03 | 0:39:06 | |
Restored the fireplace, made of cast iron. | 0:39:06 | 0:39:09 | |
And the en suite worked out very well. | 0:39:09 | 0:39:11 | |
I managed to cram in a shower, a WC and a basin. | 0:39:11 | 0:39:15 | |
It took me ages to design that cos it was a very tight space, | 0:39:15 | 0:39:18 | |
and get all the plumbing in. | 0:39:18 | 0:39:20 | |
But the rest of the house was pretty much a building site. | 0:39:20 | 0:39:24 | |
Peter had unearthed a house of horrors. | 0:39:24 | 0:39:27 | |
We thought we'd get one entire floor done in the space of 12 months, | 0:39:29 | 0:39:32 | |
which I didn't think was particularly ambitious, | 0:39:32 | 0:39:35 | |
but the plumbing was in a terrible state. | 0:39:35 | 0:39:38 | |
The hot water tank had been leaking for years. | 0:39:38 | 0:39:41 | |
When I rolled the carpet back, it was black with mould, | 0:39:41 | 0:39:45 | |
so that had to come out as well, | 0:39:45 | 0:39:47 | |
so I had to do the entire plumbing system again | 0:39:47 | 0:39:49 | |
and it was quite a monstrous plumbing job. | 0:39:49 | 0:39:53 | |
I managed to get the pipework inside the lath and plaster wall there. | 0:39:53 | 0:39:58 | |
If you look down here, | 0:39:58 | 0:40:00 | |
you can see there's the main supply to the tank, | 0:40:00 | 0:40:04 | |
that's the vent and the hot supply to the top floor | 0:40:04 | 0:40:07 | |
and that's the cold from the tank. | 0:40:07 | 0:40:09 | |
But a few floorboards had already been taken up, | 0:40:09 | 0:40:11 | |
but I had to remove quite a few more | 0:40:11 | 0:40:14 | |
and I'm very careful when I remove old floorboards | 0:40:14 | 0:40:17 | |
because you can't get these sizes any more | 0:40:17 | 0:40:20 | |
and, obviously, in an old place like this, | 0:40:20 | 0:40:22 | |
you can't just go out to a DIY store and buy something off the shelf | 0:40:22 | 0:40:27 | |
because things like the door surrounds, the architrave, | 0:40:27 | 0:40:30 | |
are no longer available in that size. | 0:40:30 | 0:40:32 | |
If the plumbing wasn't bad enough, | 0:40:36 | 0:40:38 | |
the electrics were an even bigger nightmare. | 0:40:38 | 0:40:42 | |
# Oh, no, we're gonna rock down to Electric Avenue | 0:40:42 | 0:40:47 | |
# And then we'll take it higher... # | 0:40:47 | 0:40:49 | |
I started taking up floorboards | 0:40:49 | 0:40:52 | |
and discovered that the electrical work was, um, | 0:40:52 | 0:40:55 | |
put in by a cowboy, let's say. | 0:40:55 | 0:40:58 | |
The worst part of it was the lighting circuit, | 0:40:58 | 0:41:00 | |
which was the original 1920s lead-wrapped wire, | 0:41:00 | 0:41:03 | |
which uses the lead wrapping as the earth | 0:41:03 | 0:41:06 | |
and the junction boxes that that was going into | 0:41:06 | 0:41:09 | |
were showing signs of burning already. | 0:41:09 | 0:41:11 | |
So, it wouldn't have been long before a fire had started. | 0:41:11 | 0:41:15 | |
So, I decided just to take all the electrical circuits out | 0:41:15 | 0:41:20 | |
and start from scratch. | 0:41:20 | 0:41:22 | |
Peter employed a qualified electrician, | 0:41:22 | 0:41:25 | |
but doing all the labouring himself meant long hours | 0:41:25 | 0:41:28 | |
and it turned out having a tenant in situ was a mixed blessing. | 0:41:28 | 0:41:32 | |
The main problem is, as we get more rooms finished, | 0:41:32 | 0:41:35 | |
there's less room to have all my tools lying about | 0:41:35 | 0:41:39 | |
and, of course, at the end of the day, | 0:41:39 | 0:41:40 | |
I have to tidy everything away | 0:41:40 | 0:41:42 | |
cos I can't leave floorboards up and tools lying out | 0:41:42 | 0:41:45 | |
when there's someone coming in to sleep at the end of the day. | 0:41:45 | 0:41:47 | |
With the unforeseen costs of plumbing and rewiring, | 0:41:47 | 0:41:50 | |
how was Peter's original budget holding up? | 0:41:50 | 0:41:53 | |
Initially, I'd reckoned £25,000 would do it from top to bottom, | 0:41:53 | 0:41:57 | |
with a lot of the work being done by myself and my partner. | 0:41:57 | 0:42:00 | |
At this stage, I'd say we're about £7,000 in at the moment, | 0:42:00 | 0:42:06 | |
so I think we'll do it. | 0:42:06 | 0:42:07 | |
That optimistic statement was made in June, 2014. | 0:42:07 | 0:42:12 | |
Join us later in the programme | 0:42:12 | 0:42:14 | |
to see if Peter has managed to complete this mammoth project. | 0:42:14 | 0:42:17 | |
Well, I have learnt to expect the unexpected | 0:42:25 | 0:42:28 | |
when it comes to timescales on development projects. | 0:42:28 | 0:42:31 | |
Yes, as have I. | 0:42:31 | 0:42:33 | |
Now, did our two remaining projects stick to the schedule | 0:42:33 | 0:42:36 | |
or did they just rip it up completely? Let's find out. | 0:42:36 | 0:42:39 | |
It was in Stoke-on-Trent, Staffordshire, | 0:42:41 | 0:42:43 | |
where I first saw a two-bed terrace house | 0:42:43 | 0:42:45 | |
just a stone's throw from Hanley town centre. | 0:42:45 | 0:42:48 | |
Now, it's not the prettiest looking property I've seen | 0:42:50 | 0:42:53 | |
and it also has this incredibly high step. I'm going in. | 0:42:53 | 0:42:57 | |
# Step inside love | 0:42:57 | 0:43:00 | |
# And stay | 0:43:00 | 0:43:02 | |
# Step inside love | 0:43:02 | 0:43:05 | |
# Step inside love | 0:43:05 | 0:43:09 | |
# Step inside love | 0:43:09 | 0:43:11 | |
# I want you to stay... # | 0:43:11 | 0:43:15 | |
And, judging by the state of the inside, | 0:43:15 | 0:43:17 | |
I'm not sure how long you'd want to stay | 0:43:17 | 0:43:20 | |
and you'd certainly have to go outside at some point. | 0:43:20 | 0:43:23 | |
# Let me turn down the light... # | 0:43:23 | 0:43:25 | |
There's the toilet and it's the only toilet | 0:43:25 | 0:43:28 | |
and it's an outside one at that. | 0:43:28 | 0:43:30 | |
And the other half to the back garden is that. | 0:43:30 | 0:43:33 | |
Er, slightly overgrown and it's going to need | 0:43:33 | 0:43:36 | |
a few weekends' hard graft to clear that lot. | 0:43:36 | 0:43:39 | |
One thing I do need to tell you | 0:43:39 | 0:43:41 | |
is this house is sold with a prohibition order in place, | 0:43:41 | 0:43:44 | |
which means no-one can live in this property until that has been lifted. | 0:43:44 | 0:43:49 | |
In essence, the prohibition order meant | 0:43:52 | 0:43:54 | |
you'd need to get everything done to bring it up to modern standards. | 0:43:54 | 0:43:58 | |
But you didn't need a prohibition order to see what was necessary. | 0:43:58 | 0:44:02 | |
And the person undaunted by the house was Keith. | 0:44:07 | 0:44:10 | |
He bought it at auction for £42,250. | 0:44:10 | 0:44:14 | |
Keith and daughter Rachel were hoping | 0:44:14 | 0:44:16 | |
that the house could be used for a very specific reason. | 0:44:16 | 0:44:19 | |
What made you go into property? | 0:44:21 | 0:44:23 | |
What made you want to buy this property in particular? | 0:44:23 | 0:44:25 | |
Stoke-on-Trent is one of the places in this country | 0:44:25 | 0:44:28 | |
where refugees who are seeking asylum are sent for the time being | 0:44:28 | 0:44:32 | |
and, therefore, there's quite a demand for property in this area. | 0:44:32 | 0:44:35 | |
And they tend to be at the bottom of the priority list, | 0:44:35 | 0:44:38 | |
in terms of housing, so we thought it was the best way to make sure | 0:44:38 | 0:44:41 | |
that they do get housing, safe, affordable housing. | 0:44:41 | 0:44:43 | |
And, along with the hope this could be a sanctuary for refugees | 0:44:43 | 0:44:48 | |
or people who are struggling to find somewhere to live, | 0:44:48 | 0:44:51 | |
Keith had lined up builder Simon, | 0:44:51 | 0:44:53 | |
who trained and supported ex-prisoners to do the work, | 0:44:53 | 0:44:57 | |
and he guessed at a budget of around 12 grand | 0:44:57 | 0:45:00 | |
and a very hopeful three-month timescale. | 0:45:00 | 0:45:02 | |
# I'm gonna get myself in | 0:45:05 | 0:45:08 | |
# I'm gonna fix up the yard | 0:45:10 | 0:45:13 | |
# And not fall back again... # | 0:45:15 | 0:45:19 | |
Now a year has slipped by and it's time to check on the progress. | 0:45:20 | 0:45:24 | |
The new double glazing and front door bode well | 0:45:27 | 0:45:30 | |
and inside, the back reception room, that's now a sleek, modern kitchen. | 0:45:30 | 0:45:34 | |
It has allowed the old kitchen space to be transformed | 0:45:37 | 0:45:41 | |
into an all-important shower room and indoor toilet, | 0:45:41 | 0:45:45 | |
with new plastering, wiring and replumbing. | 0:45:45 | 0:45:48 | |
That means 15 years of neglect have been eradicated. | 0:45:48 | 0:45:52 | |
# I feel it's never too late | 0:45:52 | 0:45:56 | |
# To make a brand-new start... # | 0:45:57 | 0:46:01 | |
So, where did they start? | 0:46:01 | 0:46:03 | |
# To make a brand-new start... # | 0:46:03 | 0:46:06 | |
The builder who came, who I was given, who was excellent | 0:46:06 | 0:46:09 | |
and had done other work here and there, | 0:46:09 | 0:46:11 | |
he came and looked at the thing and said, | 0:46:11 | 0:46:13 | |
"Of course, the best thing to do to start is put a new roof on." | 0:46:13 | 0:46:16 | |
That was great, but it took a lot longer | 0:46:16 | 0:46:18 | |
than I thought it was going to and also, he didn't quite remember | 0:46:18 | 0:46:21 | |
to put the gutters on, originally, so that took a bit longer as well. | 0:46:21 | 0:46:24 | |
So, we now have a dry house, from which we then began, | 0:46:24 | 0:46:27 | |
but we're already three or four months down the line, | 0:46:27 | 0:46:30 | |
if not five or six. | 0:46:30 | 0:46:31 | |
And after his builder, Simon, had completed the roof, | 0:46:31 | 0:46:34 | |
he was busy on other projects, | 0:46:34 | 0:46:36 | |
so Keith needed a new team of tradesmen | 0:46:36 | 0:46:38 | |
to create the downstairs bathroom, kitchen | 0:46:38 | 0:46:41 | |
and, of course, the bedrooms. | 0:46:41 | 0:46:43 | |
In terms of the bedrooms, I think there's been two main changes. | 0:46:45 | 0:46:48 | |
Firstly, the wallpaper going. | 0:46:48 | 0:46:50 | |
Also, the shower in the cupboard has gone, | 0:46:50 | 0:46:53 | |
so it's now just a closet and a cupboard. | 0:46:53 | 0:46:55 | |
# It's a jungle out there... # | 0:46:55 | 0:46:58 | |
And, with a second bedroom refurbished, | 0:46:58 | 0:47:01 | |
the inside of the house was coming along nicely. | 0:47:01 | 0:47:03 | |
But it wasn't just the inside that was neglected for a long time. | 0:47:03 | 0:47:06 | |
The outside was too. So, how did Keith sort that out? | 0:47:06 | 0:47:10 | |
# It's a jungle out there... # | 0:47:10 | 0:47:12 | |
I paid somebody to come and chop it all down | 0:47:12 | 0:47:16 | |
and I dug a tunnel through it, initially, | 0:47:16 | 0:47:17 | |
and found an ex-loo at the bottom of the garden. | 0:47:17 | 0:47:20 | |
It used to be a two outside loo house, this. | 0:47:20 | 0:47:22 | |
# Too good to lose | 0:47:22 | 0:47:24 | |
# You're too good to lose Oh-oh... # | 0:47:24 | 0:47:27 | |
So, two loos have now been found and a yard unearthed. | 0:47:27 | 0:47:31 | |
There is still some work to do, | 0:47:31 | 0:47:32 | |
tidying up the outside and in the front reception room, | 0:47:32 | 0:47:36 | |
but this was a baptism of fire for Keith, | 0:47:36 | 0:47:38 | |
so what tested his resolve the most? | 0:47:38 | 0:47:40 | |
The biggest challenges here were A, the fact I live in Birmingham, | 0:47:40 | 0:47:44 | |
which is 40 miles away. | 0:47:44 | 0:47:45 | |
The second is that I had never done this before | 0:47:45 | 0:47:49 | |
and I think I bit off rather more than I could chew | 0:47:49 | 0:47:52 | |
and got to the point where I didn't know what to do. | 0:47:52 | 0:47:54 | |
And thirdly, the finances slightly ran away with themselves | 0:47:54 | 0:47:58 | |
and £12,000 was an amateur guess | 0:47:58 | 0:48:00 | |
at what we hoped we might manage to limit it to and it was quite naive. | 0:48:00 | 0:48:05 | |
I think we've come in over 18, probably heading towards 20, | 0:48:05 | 0:48:09 | |
but I haven't paid the final bills for the last bits yet. | 0:48:09 | 0:48:11 | |
£20,000 doesn't seem too bad with the amount of work carried out | 0:48:11 | 0:48:17 | |
but with Keith's £42,250 purchase price, | 0:48:17 | 0:48:21 | |
his total outlay will be £62,250. | 0:48:21 | 0:48:25 | |
So, money well spent? | 0:48:25 | 0:48:27 | |
What do two local property experts think, | 0:48:27 | 0:48:29 | |
starting with the expert who saw it originally in its awful state? | 0:48:29 | 0:48:33 | |
The property's certainly changed quite a bit | 0:48:33 | 0:48:35 | |
since I last saw the property. | 0:48:35 | 0:48:36 | |
There is now a shower room to the rear | 0:48:36 | 0:48:39 | |
which, obviously, was a vital addition, | 0:48:39 | 0:48:41 | |
and it has been done to a reasonable standard. | 0:48:41 | 0:48:44 | |
It's been modernised so it's ready to move into. | 0:48:44 | 0:48:46 | |
I also like the garden as well. It's unusual | 0:48:46 | 0:48:48 | |
to find a garden of this size with a terrace property | 0:48:48 | 0:48:51 | |
so close to the city centre. | 0:48:51 | 0:48:53 | |
Keith bought this with a view to lease it | 0:48:54 | 0:48:56 | |
to a charity who might house people who are currently homeless, | 0:48:56 | 0:49:00 | |
so this is not about a quick profit. | 0:49:00 | 0:49:03 | |
But how has the £62,250 investment fared? | 0:49:03 | 0:49:07 | |
Once the property's completed, | 0:49:09 | 0:49:11 | |
I would anticipate a resale value in the region of £65,000. | 0:49:11 | 0:49:15 | |
If we were to place the property on the sales market, | 0:49:15 | 0:49:18 | |
I would look to a figure in the region of £60,000. | 0:49:18 | 0:49:22 | |
That would mean a loss at worst and a small profit at best. | 0:49:22 | 0:49:27 | |
Given the work that was needed to bring this house up to scratch, | 0:49:27 | 0:49:30 | |
it's hardly surprising. But what does Keith think of those values? | 0:49:30 | 0:49:34 | |
That's about what I think we've spent | 0:49:34 | 0:49:37 | |
but we're going to rent it to a charity | 0:49:37 | 0:49:40 | |
which will have people who, otherwise, would be homeless | 0:49:40 | 0:49:43 | |
and that's terribly important. Everybody deserves a good home. | 0:49:43 | 0:49:47 | |
Absolutely spot-on there, Keith. | 0:49:48 | 0:49:51 | |
But having spent a fair amount of money, | 0:49:51 | 0:49:53 | |
he needs to recoup some of that back, | 0:49:53 | 0:49:55 | |
so what kind of rental income could this house bring in? | 0:49:55 | 0:49:58 | |
I would anticipate rental income | 0:50:02 | 0:50:04 | |
in the region of £400 per calendar month. | 0:50:04 | 0:50:07 | |
If we were to place the property on the rental market, | 0:50:07 | 0:50:09 | |
I would recommend a figure in the region of £395 per calendar month. | 0:50:09 | 0:50:14 | |
I've been offered £425 to £450. | 0:50:14 | 0:50:17 | |
Keith's top figure would mean a yield of just under 9% | 0:50:17 | 0:50:22 | |
and he's hoping that the property will house people | 0:50:22 | 0:50:24 | |
who find it harder than most to find accommodation. | 0:50:24 | 0:50:27 | |
So, on reflection, what does Keith feel about this project? | 0:50:27 | 0:50:30 | |
From the moment I first walked in this house, | 0:50:33 | 0:50:35 | |
I realised it was a delightful little house | 0:50:35 | 0:50:38 | |
and even though it had massive problems, it's turned out great | 0:50:38 | 0:50:41 | |
and I've really enjoyed doing it, apart from the times when I haven't. | 0:50:41 | 0:50:45 | |
Now it's time to return to Seascale in Cumbria, | 0:50:53 | 0:50:56 | |
where we've been following Peter in his quest | 0:50:56 | 0:50:59 | |
to turn this huge detached property into a room letting business. | 0:50:59 | 0:51:03 | |
It was back in 2012 when Peter bought the house at auction | 0:51:04 | 0:51:08 | |
for £135,000. | 0:51:08 | 0:51:10 | |
With four reception rooms and eight bedrooms, | 0:51:10 | 0:51:13 | |
plus a substantial extension and a garage at the back, | 0:51:13 | 0:51:16 | |
he certainly had the space to play with, but what about time and money? | 0:51:16 | 0:51:20 | |
It's going to take a couple of years, I think, to come to fruition, | 0:51:21 | 0:51:24 | |
but I'm going to try and get one or two rooms sorted out | 0:51:24 | 0:51:27 | |
and get the downstairs presentable and the kitchen sorted | 0:51:27 | 0:51:31 | |
and get a couple of rooms going | 0:51:31 | 0:51:33 | |
and then, once that's bringing in a bit of income, | 0:51:33 | 0:51:36 | |
then I'll start to do other rooms. | 0:51:36 | 0:51:37 | |
And when we returned two years later, | 0:51:37 | 0:51:40 | |
Peter had been true to his word. | 0:51:40 | 0:51:43 | |
He'd managed to complete one bedroom of the planned eight, | 0:51:43 | 0:51:46 | |
with another just about ready, | 0:51:46 | 0:51:48 | |
and there was good reason for the delay. | 0:51:48 | 0:51:50 | |
The plumbing was in a terrible state. | 0:51:52 | 0:51:53 | |
The hot water tank had been leaking for years. | 0:51:53 | 0:51:56 | |
I started taking up floorboards and discovered | 0:51:56 | 0:51:59 | |
that the electrical work was put in by a cowboy, let's say. | 0:51:59 | 0:52:03 | |
It wouldn't have been long before a fire had started. | 0:52:03 | 0:52:06 | |
-MUSIC: Theme to Psycho -Peter's job as a film cameraman | 0:52:06 | 0:52:09 | |
means he's no stranger to drama, jeopardy and cliff-hangers. | 0:52:09 | 0:52:13 | |
MUSIC: Theme to Jaws | 0:52:13 | 0:52:15 | |
-IN DRAMATIC VOICE: -Well, sit back, grab some popcorn, | 0:52:16 | 0:52:19 | |
as we reveal the final act in Peter's very own epic production. | 0:52:19 | 0:52:24 | |
Five years after our first visit, we're back to see | 0:52:24 | 0:52:27 | |
if Peter has finally managed to finish this project! | 0:52:27 | 0:52:32 | |
MUSIC: Theme from Lawrence Of Arabia | 0:52:32 | 0:52:36 | |
Well, it all looks pretty impressive on the first floor. | 0:52:48 | 0:52:51 | |
As well as the bedroom Peter completed in 2014, | 0:52:51 | 0:52:54 | |
there are now two more rentable rooms, | 0:52:54 | 0:52:58 | |
one with an en suite and one with a separate shower room. | 0:52:58 | 0:53:01 | |
But the first-floor bedrooms didn't tell the whole story | 0:53:03 | 0:53:06 | |
as, much like Hollywood, if you sneak a look behind the scenes, | 0:53:06 | 0:53:11 | |
you'll begin to see the real picture. | 0:53:11 | 0:53:14 | |
Peter has done a great deal of work in this place, | 0:53:14 | 0:53:17 | |
but it's still far from the eight-bedroom HMO that he imagined | 0:53:17 | 0:53:20 | |
when he first bought at auction, and the reason is very simple. | 0:53:20 | 0:53:24 | |
It took far longer than I expected, so then it took longer | 0:53:25 | 0:53:28 | |
to get the money coming in from the rented rooms. | 0:53:28 | 0:53:31 | |
The biggest challenge, really, was putting the hours in | 0:53:31 | 0:53:35 | |
cos working on my own, it's very time-consuming | 0:53:35 | 0:53:37 | |
cos, if you've got a couple of people with you, | 0:53:37 | 0:53:40 | |
then things happen more than twice as fast. | 0:53:40 | 0:53:42 | |
If you're plumbing and you have to run some pipe | 0:53:42 | 0:53:45 | |
under a floor or something, it's much easier with two people | 0:53:45 | 0:53:47 | |
because one person can be at one end and one at the other. | 0:53:47 | 0:53:50 | |
When you're on your own, you push the pipe in and it gets stuck, | 0:53:50 | 0:53:53 | |
then you have to go the other end and try and get it out that way | 0:53:53 | 0:53:56 | |
and it's a nightmare. | 0:53:56 | 0:53:57 | |
The kitchen's been given a modest makeover | 0:53:59 | 0:54:01 | |
to service the needs of his tenants | 0:54:01 | 0:54:03 | |
and Peter has installed an ultra-modern biomass boiler. | 0:54:03 | 0:54:07 | |
But the extension at the back of the house | 0:54:07 | 0:54:09 | |
is currently being used as storage. | 0:54:09 | 0:54:11 | |
MUSIC: Shape Of You by Ed Sheeran | 0:54:11 | 0:54:14 | |
On the second floor, the rooms are a lot tidier, | 0:54:14 | 0:54:17 | |
but most of the work here has been to the fabric of the building - | 0:54:17 | 0:54:20 | |
fixing the electrics and plumbing and dealing with damp. | 0:54:20 | 0:54:23 | |
Rather than plough on, Peter has decided | 0:54:23 | 0:54:26 | |
it's time to sell up and move on. | 0:54:26 | 0:54:29 | |
I decided to sell for various reasons, | 0:54:30 | 0:54:32 | |
one of which was that I might be getting | 0:54:32 | 0:54:35 | |
a long-term assignment down south | 0:54:35 | 0:54:37 | |
and I couldn't really face managing a rental accommodation | 0:54:37 | 0:54:41 | |
and working 300 miles away. | 0:54:41 | 0:54:43 | |
That wouldn't have been too good for me, I don't think. | 0:54:43 | 0:54:46 | |
And just over two weeks after putting it on the market, | 0:54:46 | 0:54:50 | |
I received an offer which I accepted and that was that. | 0:54:50 | 0:54:55 | |
MUSIC: Don't Look Back In Anger by Oasis | 0:54:55 | 0:54:57 | |
As he prepares to hand over the keys, Peter is philosophical. | 0:54:57 | 0:55:01 | |
Well, as I'm moving on, I won't look back in anger, as they say. | 0:55:01 | 0:55:05 | |
The place has been fine to work on and it's been a good experience. | 0:55:05 | 0:55:10 | |
I've learnt a lot of skills and refined skills I already had. | 0:55:10 | 0:55:15 | |
It kept me fit to a certain degree, | 0:55:15 | 0:55:17 | |
carrying things up and down the stairs, you know. | 0:55:17 | 0:55:20 | |
We took a fireplace out on the top floor. | 0:55:20 | 0:55:22 | |
It was about 15 trips with muck buckets | 0:55:22 | 0:55:25 | |
down the stairs with all the rubble. | 0:55:25 | 0:55:27 | |
A few weeks off here and there for filming assignments, | 0:55:27 | 0:55:31 | |
which was a nice break. | 0:55:31 | 0:55:33 | |
# But don't look in anger I heard you say... # | 0:55:33 | 0:55:38 | |
Five years in the making and for Peter, at least, | 0:55:40 | 0:55:42 | |
this low-budget feature is finally over. | 0:55:42 | 0:55:46 | |
But will there be a Hollywood ending? | 0:55:46 | 0:55:48 | |
We invited a local estate agent along | 0:55:51 | 0:55:53 | |
to take a look at Peter's progress | 0:55:53 | 0:55:56 | |
and give us some up-to-date valuations on this property. | 0:55:56 | 0:55:59 | |
First impressions, there's plenty of space. | 0:55:59 | 0:56:01 | |
There's been work done but there's still a lot to do. | 0:56:01 | 0:56:05 | |
The big selling points of this place are its location. | 0:56:05 | 0:56:08 | |
It's close to the local nuclear plant. | 0:56:08 | 0:56:11 | |
Also, the size of the building offers options, | 0:56:11 | 0:56:14 | |
in terms of the use of the rooms, | 0:56:14 | 0:56:16 | |
so people won't feel squashed into this place. | 0:56:16 | 0:56:18 | |
It'll be comfortable for different people to live here. | 0:56:18 | 0:56:21 | |
Peter bought this house for £135,000 | 0:56:21 | 0:56:26 | |
and has been frugal with his refurbishment, | 0:56:26 | 0:56:28 | |
spending only £9,000, to bring that total to £144,000. | 0:56:28 | 0:56:33 | |
He's now moving on, but what kind of rental income | 0:56:33 | 0:56:36 | |
could a new owner be expecting? | 0:56:36 | 0:56:38 | |
The income depends on the standard of the rooms. | 0:56:39 | 0:56:42 | |
The ones that have been done have been done to a really good standard. | 0:56:42 | 0:56:45 | |
That needs to continue. | 0:56:45 | 0:56:47 | |
It may well be worth sacrificing some of the rooms upstairs | 0:56:47 | 0:56:50 | |
because en suites will attract a higher rental. | 0:56:50 | 0:56:53 | |
In terms of the value, I would imagine | 0:56:53 | 0:56:55 | |
that those rooms could be £200 to £220 per calendar month. | 0:56:55 | 0:56:58 | |
Rooms without an en suite would be £150 to £170 per calendar month. | 0:56:58 | 0:57:03 | |
Those figures are not including council tax and utilities, | 0:57:03 | 0:57:06 | |
but, based on eight rooms, the agent's higher figure, | 0:57:06 | 0:57:09 | |
well, that's potentially around £1,700 per month. | 0:57:09 | 0:57:13 | |
And what about a sales value? | 0:57:13 | 0:57:15 | |
In its current condition, this property would sell | 0:57:15 | 0:57:18 | |
for somewhere between £220,000 and £225,000. | 0:57:18 | 0:57:23 | |
That's a coincidence. | 0:57:23 | 0:57:24 | |
Yes, £220,000 is exactly what I've just sold it for. | 0:57:24 | 0:57:28 | |
Which means that Peter has realised a profit of £76,000, | 0:57:28 | 0:57:32 | |
before fees and taxes. | 0:57:32 | 0:57:34 | |
What is he planning to do with that hard-earned windfall? | 0:57:34 | 0:57:37 | |
Well, I've spotted a house in the next village along | 0:57:39 | 0:57:42 | |
which has potential to have a photographic studio in, | 0:57:42 | 0:57:47 | |
also a three-bedroom house and a garage, so that suits me. | 0:57:47 | 0:57:51 | |
Now I'm involved with some local filmmakers | 0:57:51 | 0:57:55 | |
and we want to pursue further projects, | 0:57:55 | 0:57:57 | |
so a studio is going to be very useful. | 0:57:57 | 0:58:00 | |
Every auction property comes with its fair share of twists and turns | 0:58:03 | 0:58:07 | |
and the odd unexpected bump in the road. | 0:58:07 | 0:58:09 | |
Yes, so join us next time, as we follow more auction buyers | 0:58:09 | 0:58:12 | |
on their renovation journeys, here on Homes Under The Hammer. | 0:58:12 | 0:58:16 | |
-Bye-bye. -Goodbye. | 0:58:16 | 0:58:17 |