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Hello and welcome to the programme. | 0:00:02 | 0:00:03 | |
Now, when it comes to choosing property, | 0:00:03 | 0:00:05 | |
it's very easy to get bogged down with all the choice. | 0:00:05 | 0:00:08 | |
But, you know what? Just clear your head, | 0:00:08 | 0:00:10 | |
think about your priorities and get on with it. | 0:00:10 | 0:00:12 | |
Yes, find an area, set your budget, and of course, do your research. | 0:00:12 | 0:00:17 | |
And then you might just get what you want under the hammer. | 0:00:17 | 0:00:19 | |
Many properties go under the hammer every week. | 0:00:46 | 0:00:48 | |
Some are ready to move into. | 0:00:48 | 0:00:50 | |
Others require that little bit of TLC. | 0:00:50 | 0:00:53 | |
Yes, those are the ones we love. | 0:00:53 | 0:00:54 | |
So, what did today's buyers go for? Let's find out. | 0:00:54 | 0:00:57 | |
In Camden, Lucy saw this property, | 0:00:59 | 0:01:02 | |
which was in need of the royal treatment. | 0:01:02 | 0:01:04 | |
Well, you can tell from the outside it's certainly not going to be a | 0:01:04 | 0:01:07 | |
palace on the inside. | 0:01:07 | 0:01:08 | |
It would be a right royal pain to remove the wallpaper | 0:01:09 | 0:01:12 | |
in this maisonette in Coatbridge. | 0:01:12 | 0:01:14 | |
You've got your textured walls and your textured ceilings. | 0:01:14 | 0:01:18 | |
And in Bootle, you wouldn't have to fork out the King's ransom for this | 0:01:20 | 0:01:24 | |
terraced house. | 0:01:24 | 0:01:25 | |
Well, the low price doesn't necessarily mean poor quality. | 0:01:26 | 0:01:29 | |
All these properties have been sold at auction and we'll find out who | 0:01:30 | 0:01:33 | |
bought them and what they paid for them | 0:01:33 | 0:01:35 | |
when they went under the hammer. | 0:01:35 | 0:01:37 | |
Sold! Well done. | 0:01:37 | 0:01:38 | |
Camden, London, NW1. | 0:01:43 | 0:01:45 | |
The place to see and be seen since the 1970s when a certain market was | 0:01:45 | 0:01:50 | |
set up in a former timber yard. | 0:01:50 | 0:01:53 | |
Today, Camden retains its alternative image | 0:01:53 | 0:01:56 | |
and its appeal hasn't diminished. | 0:01:56 | 0:01:58 | |
As far as property goes, it's only getting more desirable. | 0:01:58 | 0:02:02 | |
The property I'm here to see is on a road that's been described as mixed. | 0:02:02 | 0:02:06 | |
A jumble of gorgeous Georgian terraces, some commercial property, | 0:02:06 | 0:02:11 | |
lots of flats and, unfortunately, | 0:02:11 | 0:02:14 | |
there's sometimes a lot of traffic along here. | 0:02:14 | 0:02:16 | |
But you've got St Pancras International just down there, | 0:02:16 | 0:02:19 | |
Camden Lock five minutes only over there. | 0:02:19 | 0:02:22 | |
It's convenient, if not the quiet | 0:02:22 | 0:02:23 | |
side street location everybody wants. | 0:02:23 | 0:02:25 | |
And, I tell you what, that is not a first impression that | 0:02:25 | 0:02:29 | |
anybody wants because this is the property that I'm here to see today. | 0:02:29 | 0:02:33 | |
It's derelict, it was a four-storey former shop | 0:02:33 | 0:02:36 | |
and had a guide price of 475,000. | 0:02:36 | 0:02:39 | |
The building has clearly been lying empty for a very long time. | 0:02:41 | 0:02:45 | |
Sensibly, Lucy has checked the structural report and it states the | 0:02:45 | 0:02:49 | |
building has been adequately supported and it's safe to enter. | 0:02:49 | 0:02:53 | |
Well, you can tell from the outside it's certainly not going to be a | 0:02:53 | 0:02:56 | |
palace on the inside. | 0:02:56 | 0:02:58 | |
And I was right. | 0:02:58 | 0:02:59 | |
Now, you can see this was the original shop area. | 0:02:59 | 0:03:02 | |
The new plans that have been drawn up with the lot that's gone to | 0:03:02 | 0:03:06 | |
auction state that this is going to be one dwelling, | 0:03:06 | 0:03:09 | |
one family home now, and I think that's how we should treat it. | 0:03:09 | 0:03:12 | |
Although, my goodness, you could not imagine living here in this state. | 0:03:12 | 0:03:16 | |
You've got these old metal props holding up the ceiling. | 0:03:16 | 0:03:21 | |
It's just completely derelict and decayed inside. | 0:03:21 | 0:03:24 | |
In actual fact, I can see daylight coming out over there. | 0:03:24 | 0:03:28 | |
# I have no say on my decay... # | 0:03:29 | 0:03:35 | |
The general state here is pretty appalling and it looks like | 0:03:37 | 0:03:40 | |
it's seen its fair share of unwanted visitors. | 0:03:40 | 0:03:42 | |
But the bones of the building are really rather attractive. | 0:03:44 | 0:03:47 | |
Lovely elegant banisters and spindles on the stairs, | 0:03:47 | 0:03:51 | |
as well as delicate woodwork on the windows. | 0:03:51 | 0:03:53 | |
There are two good-sized adjoining rooms on the first floor, | 0:03:56 | 0:04:00 | |
but again they're in very poor condition. | 0:04:00 | 0:04:02 | |
Moving up, the top floor has a similar layout and a similar story. | 0:04:03 | 0:04:08 | |
Decay, dereliction, | 0:04:08 | 0:04:10 | |
and the sad destruction of a once-gorgeous Georgian house. | 0:04:10 | 0:04:15 | |
The most obvious issues are up here on the top floors | 0:04:15 | 0:04:18 | |
where over the years water has got in destroying the ceilings, | 0:04:18 | 0:04:21 | |
the woodwork and rotting joists. | 0:04:21 | 0:04:24 | |
But when we come to the basement, well, that is when it really gets | 0:04:24 | 0:04:27 | |
bad because there's a wall that has apparently | 0:04:27 | 0:04:29 | |
failed making it bulge outwards so much so that it's potentially a | 0:04:29 | 0:04:35 | |
dangerous structure. | 0:04:35 | 0:04:36 | |
The words underpinning, serious defects and significant | 0:04:37 | 0:04:41 | |
expense are ringing in my ears, | 0:04:41 | 0:04:43 | |
and whoever takes this on needs to spend and tread carefully. | 0:04:43 | 0:04:48 | |
Our intrepid cameraman managed a few shots of the lower ground floor and, | 0:04:49 | 0:04:54 | |
well, from what we can see, it's in terrible condition. | 0:04:54 | 0:04:58 | |
So, what could you do down here? | 0:04:58 | 0:05:00 | |
How about digging out the sizeable garden and getting | 0:05:00 | 0:05:04 | |
some bi-folding doors onto a patio, | 0:05:04 | 0:05:06 | |
or extending the rear a bit further? | 0:05:06 | 0:05:09 | |
But before you start thinking about reconfiguring this space, there's | 0:05:09 | 0:05:12 | |
something you need to know. | 0:05:12 | 0:05:14 | |
Now, I know this place looks like a complete mess but whoever takes this | 0:05:16 | 0:05:20 | |
on cannot come in here, rip it all out and start again. | 0:05:20 | 0:05:24 | |
And that is because this property is Grade II listed. | 0:05:24 | 0:05:28 | |
Now, with that, you have to adhere to certain rules and regulations. | 0:05:28 | 0:05:33 | |
First of all, you can't just come in | 0:05:33 | 0:05:35 | |
here and slap any old plaster on the wall. | 0:05:35 | 0:05:37 | |
Uh-uh! No, you've got to use the traditional old lath and plaster. | 0:05:37 | 0:05:41 | |
And that can be quite costly. | 0:05:41 | 0:05:43 | |
But it does look beautiful. | 0:05:43 | 0:05:45 | |
You've also, where you see original features, got to keep them, | 0:05:45 | 0:05:49 | |
like skirting boards, door frames etc. | 0:05:49 | 0:05:52 | |
So, whoever takes this on has got to think carefully. | 0:05:52 | 0:05:55 | |
They won't be able to come in here and just do it up as they want to. | 0:05:55 | 0:05:58 | |
It's got to stay pretty much the same as it would've been years ago. | 0:05:58 | 0:06:03 | |
But I think that's a good thing. | 0:06:03 | 0:06:05 | |
# Oh, baby, baby | 0:06:05 | 0:06:09 | |
# I'll look after you... # | 0:06:09 | 0:06:14 | |
It's great to see that so much effort goes into preserving old | 0:06:14 | 0:06:17 | |
buildings like this one and protecting the street scene. | 0:06:17 | 0:06:21 | |
The exterior of the property will have to retain a semblance of the | 0:06:21 | 0:06:25 | |
shop frontage and the proportions | 0:06:25 | 0:06:27 | |
of the rooms have to remain the same. | 0:06:27 | 0:06:30 | |
But restoring and replacing features | 0:06:30 | 0:06:32 | |
on a like-for-like basis is an expensive business. | 0:06:32 | 0:06:35 | |
We invited along a local estate | 0:06:36 | 0:06:38 | |
agent to see if he thought it was all worthwhile. | 0:06:38 | 0:06:41 | |
In my opinion, I think it is a great opportunity. | 0:06:41 | 0:06:44 | |
Most properties have been maximised already and it's quite unique to | 0:06:44 | 0:06:49 | |
find properties where you can come in and do your own | 0:06:49 | 0:06:51 | |
touches to it. | 0:06:51 | 0:06:53 | |
It's true that opportunities like | 0:06:54 | 0:06:56 | |
this in the area don't come along every day. | 0:06:56 | 0:06:58 | |
But what about the house itself? | 0:06:58 | 0:07:00 | |
After a complete refurbishment, the property would be of good value | 0:07:01 | 0:07:05 | |
and provide an excellent house for a family. | 0:07:05 | 0:07:07 | |
There's no denying it would be a magnificent family home, but | 0:07:07 | 0:07:11 | |
there's so much to be done. | 0:07:11 | 0:07:13 | |
Could it be a good investment | 0:07:13 | 0:07:15 | |
considering its guide price of 475,000? | 0:07:15 | 0:07:18 | |
Depending on the end specification, I would expect the property to | 0:07:19 | 0:07:22 | |
resell in the region of £850,000 to £900,000. | 0:07:22 | 0:07:26 | |
I believe the property would rent | 0:07:26 | 0:07:28 | |
for in the region of £3,300 per calendar month. | 0:07:28 | 0:07:32 | |
A rare opportunity, a blank canvas, a project, | 0:07:32 | 0:07:35 | |
all descriptions that could be applied to this place. | 0:07:35 | 0:07:38 | |
It's a challenge, that's for sure. | 0:07:38 | 0:07:40 | |
And not one for the cautious or cash-strapped. | 0:07:40 | 0:07:43 | |
This home has been neglected for so long, | 0:07:43 | 0:07:46 | |
it demands serious investment to bring it back to life. | 0:07:46 | 0:07:49 | |
Let's see who made the commitment at the auction. | 0:07:49 | 0:07:52 | |
Big corner premises, shop, resi, not going to go below 400 anyway. | 0:07:54 | 0:07:59 | |
400 anyway? Thank you. | 0:07:59 | 0:08:01 | |
405, 405. | 0:08:01 | 0:08:03 | |
410, 415, 420. | 0:08:03 | 0:08:06 | |
The shocking condition didn't put buyers off, and the bids flew in. | 0:08:06 | 0:08:10 | |
We rejoin at 531,000. | 0:08:10 | 0:08:11 | |
531, 532, 533. | 0:08:14 | 0:08:19 | |
532, first time, second time, third and last time, are we all done? | 0:08:19 | 0:08:24 | |
532, well done. | 0:08:25 | 0:08:27 | |
The successful bid of 532 grand came from Londoner John. | 0:08:31 | 0:08:35 | |
So he won't be fazed by the busy road, but will he be fazed by this | 0:08:35 | 0:08:40 | |
project of epic proportions? | 0:08:40 | 0:08:41 | |
Lucy went along to find out. | 0:08:41 | 0:08:43 | |
-John, lovely to meet you today, congratulations. -Thank you. | 0:08:46 | 0:08:49 | |
There is so much to talk about with this property, | 0:08:49 | 0:08:51 | |
I don't really know where to begin. | 0:08:51 | 0:08:53 | |
I suppose I want to know why you wanted this. | 0:08:53 | 0:08:56 | |
The principal reason is to have it as my own family home. | 0:08:56 | 0:08:59 | |
The children have already selected which bedrooms they want. | 0:08:59 | 0:09:01 | |
But, yes, it's a daunting task to actually look at this premises now | 0:09:03 | 0:09:07 | |
and say, "Well, how's it going to turn out?" | 0:09:07 | 0:09:10 | |
Myself, I'm an architect. | 0:09:10 | 0:09:11 | |
-Ah. -So working as an architect, working with buildings all my life. | 0:09:11 | 0:09:15 | |
And specifically period architecture. | 0:09:15 | 0:09:18 | |
I think we could achieve it. | 0:09:18 | 0:09:19 | |
I mean, this is an architect's dream. | 0:09:19 | 0:09:21 | |
Surely? To get their hands on something like this? | 0:09:21 | 0:09:24 | |
No, it's an architect's nightmare! | 0:09:24 | 0:09:26 | |
Nightmare because there are so many rules and regulations. | 0:09:26 | 0:09:30 | |
We've got to obviously adhere to the regulations of planning authority, | 0:09:30 | 0:09:36 | |
English Heritage, it's a listed building, | 0:09:36 | 0:09:38 | |
it's in a conservation area. | 0:09:38 | 0:09:39 | |
Hence I've got a lot to do, lot to achieve and there's lots of | 0:09:39 | 0:09:43 | |
people going to be following my every move. | 0:09:43 | 0:09:46 | |
# Every step you take I'll be watching you... # | 0:09:46 | 0:09:49 | |
Including us, now, John! | 0:09:49 | 0:09:51 | |
He is going to need all of his | 0:09:51 | 0:09:53 | |
expertise and creativity for this project, | 0:09:53 | 0:09:57 | |
so what does he have in mind? | 0:09:57 | 0:09:59 | |
The garden is quite large for a property in Central London. | 0:09:59 | 0:10:03 | |
The way the plan form is - it fans out to the rear. | 0:10:03 | 0:10:07 | |
And what I'm looking for is to put a basement room and keep the actual | 0:10:07 | 0:10:12 | |
garden itself at the existing level. | 0:10:12 | 0:10:14 | |
Wow, I mean, that is such an interesting idea. | 0:10:14 | 0:10:17 | |
What made you think of doing something like that? | 0:10:17 | 0:10:20 | |
It's just a matter of size. | 0:10:20 | 0:10:21 | |
This building is 1,750 square feet of accommodation. | 0:10:21 | 0:10:25 | |
Now, I can probably increase that by near on 700 square feet. | 0:10:25 | 0:10:32 | |
So what is the room going to be? | 0:10:32 | 0:10:34 | |
It's going to be the living space, | 0:10:34 | 0:10:35 | |
there's going to be a kitchenette adjoining it, not the main kitchen. | 0:10:35 | 0:10:39 | |
The main kitchen is going to be within the hub of the original | 0:10:39 | 0:10:42 | |
period style of house. | 0:10:42 | 0:10:45 | |
Remember, we've got eight principal rooms in this building. | 0:10:45 | 0:10:50 | |
Those principal rooms cannot change in their volumetric area, | 0:10:50 | 0:10:54 | |
they cannot be subdivided. | 0:10:54 | 0:10:56 | |
This is something that English Heritage | 0:10:56 | 0:10:58 | |
adheres to and wants to protect. | 0:10:58 | 0:11:00 | |
So by bringing the new building into the family house, | 0:11:00 | 0:11:05 | |
it allows me the luxury of actually reforming spaces more to a | 0:11:05 | 0:11:10 | |
contemporary style and modern living standard. | 0:11:10 | 0:11:12 | |
Ambitious plans indeed. | 0:11:14 | 0:11:15 | |
More conveniently, on the top floor, | 0:11:15 | 0:11:17 | |
there will be a master en-suite bedroom. | 0:11:17 | 0:11:19 | |
On the first floor, two bedrooms | 0:11:22 | 0:11:24 | |
with the new bathroom on the half landing. | 0:11:24 | 0:11:26 | |
The ground floor will be the dining room and main kitchen and then a | 0:11:28 | 0:11:31 | |
further two bedrooms in the lower ground floor, | 0:11:31 | 0:11:34 | |
which will lead through into the large living room. | 0:11:34 | 0:11:37 | |
And all of this work not forgetting the listed status of the property | 0:11:38 | 0:11:42 | |
and the need to protect what was originally built here. | 0:11:42 | 0:11:45 | |
This sounds amazing, but it also sounds expensive. | 0:11:45 | 0:11:48 | |
I think you've got to be as passionate as you are | 0:11:49 | 0:11:52 | |
about property to want to take something like this on, | 0:11:52 | 0:11:54 | |
because, you know, pound signs, pound signs, | 0:11:54 | 0:11:57 | |
it's going to cost you a fortune to do! | 0:11:57 | 0:11:59 | |
I mean, we're talking about probably the whole thing, | 0:11:59 | 0:12:01 | |
I've got to spend £400,000. | 0:12:01 | 0:12:04 | |
-Wow. -It's a Grade II listed building and | 0:12:04 | 0:12:08 | |
it has its value once it's restored. | 0:12:08 | 0:12:11 | |
Absolutely, I mean, I'm thinking way over the million mark by the time | 0:12:11 | 0:12:15 | |
you've done what you're going to be doing here. | 0:12:15 | 0:12:17 | |
I would estimate, yes. | 0:12:17 | 0:12:18 | |
Well, it would have to be to give me satisfaction that I have not | 0:12:18 | 0:12:21 | |
-overspent on the property. -Absolutely. | 0:12:21 | 0:12:23 | |
How long is it going to take you to finish the project? | 0:12:23 | 0:12:26 | |
I want to finish it within 12 months. | 0:12:26 | 0:12:28 | |
That's the ideal time for me. | 0:12:30 | 0:12:32 | |
-Good luck with this. -Thank you again. -Thank you. | 0:12:32 | 0:12:35 | |
John's plans are sensational. | 0:12:36 | 0:12:39 | |
A subterranean living room? I love it! | 0:12:39 | 0:12:41 | |
That listing will be tricky to work with but if anyone can | 0:12:41 | 0:12:45 | |
manage it, an architect can. | 0:12:45 | 0:12:47 | |
Find out how this exciting development goes | 0:12:47 | 0:12:49 | |
later on in the programme. | 0:12:49 | 0:12:51 | |
Scotland now and the North Lanarkshire town of Coatbridge | 0:12:56 | 0:13:00 | |
which boasts the world's first iron hulled vessel, the Vulcan, | 0:13:00 | 0:13:03 | |
launched in 1819. | 0:13:03 | 0:13:05 | |
It was a horse-drawn passenger barge used on the Forth and Clyde Canal. | 0:13:05 | 0:13:10 | |
Thankfully, public transport methods have sped up a bit since then. | 0:13:10 | 0:13:14 | |
This residential street's just a ten-minute walk | 0:13:17 | 0:13:19 | |
from the train station with a direct line to Glasgow, | 0:13:19 | 0:13:23 | |
so it's an ideal spot for commuters. | 0:13:23 | 0:13:25 | |
Now, this is our property. | 0:13:25 | 0:13:27 | |
It's a three bed which had a guide price of £45,000 plus. | 0:13:27 | 0:13:31 | |
But you don't access it off the street. | 0:13:31 | 0:13:33 | |
You access it up this alleyway. | 0:13:33 | 0:13:35 | |
Or as we say here in Scotland, a wee closie. | 0:13:35 | 0:13:37 | |
Or also just a close which is a | 0:13:41 | 0:13:43 | |
shared passageway in a block of flats. | 0:13:43 | 0:13:45 | |
They usually allow access to the back of the building which is where, | 0:13:45 | 0:13:49 | |
in this case, the door to the maisonette is. | 0:13:49 | 0:13:51 | |
So the front door is, well, it's all a bit back to front. | 0:13:51 | 0:13:56 | |
# Back to front, front to back | 0:13:56 | 0:13:59 | |
# Will you come backwards with me | 0:13:59 | 0:14:02 | |
# Backwards with me... # | 0:14:02 | 0:14:05 | |
Inside, you have a wee square area before you come into a small hall. | 0:14:05 | 0:14:11 | |
And then, so the first room you come to is a bathroom. | 0:14:11 | 0:14:15 | |
The good news is there's room for a bath, | 0:14:15 | 0:14:18 | |
sometimes you just get a shower and WC. | 0:14:18 | 0:14:20 | |
But that might be your only bathroom. | 0:14:20 | 0:14:23 | |
That's not everyone's cup of tea, to have it downstairs. | 0:14:23 | 0:14:25 | |
But there might be one upstairs. | 0:14:25 | 0:14:28 | |
And then through to a reception room which is a really, really good size. | 0:14:28 | 0:14:32 | |
Really good size. | 0:14:32 | 0:14:33 | |
Not sure how I feel about the decor. It's very majestic. | 0:14:33 | 0:14:36 | |
You've got red contrast against blue and a bit of gold. | 0:14:36 | 0:14:41 | |
But the place is very, very dated. | 0:14:41 | 0:14:43 | |
But seems structurally in good order so far. | 0:14:43 | 0:14:46 | |
Can't smell any damp. | 0:14:46 | 0:14:47 | |
You've got your textured walls and your textured ceilings. | 0:14:47 | 0:14:52 | |
But that could easily change with a bit of a face-lift. | 0:14:52 | 0:14:55 | |
And your windows look in good order. | 0:14:55 | 0:14:57 | |
They're double glazing, you've got radiators, | 0:14:57 | 0:14:59 | |
you just want to check that the central heating's up to scratch. | 0:14:59 | 0:15:02 | |
Now, I spotted a wee door here. | 0:15:02 | 0:15:04 | |
So off your living area you have this kitchen, which is a good size, | 0:15:07 | 0:15:12 | |
and separating the two, you have a stud wall. | 0:15:12 | 0:15:16 | |
This could come down, | 0:15:16 | 0:15:17 | |
not a big job and then everything would be very open plan. | 0:15:17 | 0:15:21 | |
The downside of that is, effectively, you just have one | 0:15:21 | 0:15:25 | |
massive room and a bathroom downstairs. | 0:15:25 | 0:15:28 | |
And it's not what everyone desires. | 0:15:28 | 0:15:30 | |
Some people want to close the door on their kitchen, | 0:15:30 | 0:15:33 | |
have it self-contained, keep in those cooking smells. | 0:15:33 | 0:15:36 | |
But this is a good size and could really benefit, obviously, | 0:15:36 | 0:15:40 | |
from a new kitchen, it would just make all the difference. | 0:15:40 | 0:15:43 | |
So I love the space so far. | 0:15:43 | 0:15:45 | |
I'm just wondering if there's another bathroom upstairs. | 0:15:45 | 0:15:49 | |
# So, oh, no | 0:15:49 | 0:15:52 | |
# Oh, no | 0:15:52 | 0:15:54 | |
# Not in that old-fashioned way... # | 0:15:56 | 0:16:00 | |
Fashions come and go but I think this could benefit from some nice, | 0:16:01 | 0:16:05 | |
clean lines and smooth walls. | 0:16:05 | 0:16:07 | |
Now, a brilliant bonus which I didn't quite expect | 0:16:09 | 0:16:12 | |
is the size of this garden. | 0:16:12 | 0:16:13 | |
It is a bit of an odd shape, it's an L-shape. | 0:16:13 | 0:16:16 | |
You have the shed which has seen | 0:16:16 | 0:16:17 | |
better days but you could take that down. | 0:16:17 | 0:16:20 | |
Now, I love the layout in that you could have this as the garden, | 0:16:20 | 0:16:23 | |
keep this as your garden but over there, you've got a | 0:16:23 | 0:16:26 | |
ready-made off-street parking area if you wanted to do so, | 0:16:26 | 0:16:29 | |
especially if parking is tricky in the area. | 0:16:29 | 0:16:31 | |
It's a really handy thing to have | 0:16:31 | 0:16:33 | |
and you have your gates leading off the road. | 0:16:33 | 0:16:36 | |
And, you know, it's just a great selling point for a family. | 0:16:36 | 0:16:39 | |
And not too overgrown compared to many auction property gardens. | 0:16:39 | 0:16:43 | |
So, happy days! | 0:16:43 | 0:16:45 | |
When you're looking at the property, what do most people want? | 0:16:46 | 0:16:50 | |
Good, solid building? We've got that. | 0:16:50 | 0:16:52 | |
Family sized garden? We've got that. | 0:16:52 | 0:16:55 | |
Off-street parking? Yep, we've got that. | 0:16:55 | 0:16:58 | |
All we need now is that upstairs bathroom. | 0:16:58 | 0:17:00 | |
Upstairs, you've got a first good-sized double bedroom, | 0:17:02 | 0:17:07 | |
and then opposite, you've got a bigger bedroom. | 0:17:07 | 0:17:11 | |
This might be the master bedroom. | 0:17:11 | 0:17:13 | |
Yes, it's incredibly dated, with the jazzy carpets, | 0:17:13 | 0:17:15 | |
but that's all easily fixed. | 0:17:15 | 0:17:17 | |
Now, through to the third bedroom, and what I do love about this, | 0:17:18 | 0:17:21 | |
it's a bit unusual that you have two floors above a house below. | 0:17:21 | 0:17:26 | |
I just like it, it's just a bit unusual. | 0:17:26 | 0:17:28 | |
So this third bedroom, you know what I'm thinking, don't you? | 0:17:28 | 0:17:32 | |
I've not come across that bathroom, | 0:17:32 | 0:17:34 | |
so you don't have a bathroom upstairs. | 0:17:34 | 0:17:36 | |
You have three pretty good-sized rooms and I'm struggling to find | 0:17:36 | 0:17:39 | |
negatives on this house apart from the fact I'd love to see a | 0:17:39 | 0:17:43 | |
bathroom upstairs. It would just serve a family so well. | 0:17:43 | 0:17:45 | |
Now, that master bedroom through there, | 0:17:45 | 0:17:47 | |
you could afford to lose a wee bit of space there, put on an en-suite. | 0:17:47 | 0:17:51 | |
And then you could even think about knocking through a door from this | 0:17:51 | 0:17:55 | |
side so, effectively, you have a Jack and Jill bathroom. | 0:17:55 | 0:17:58 | |
It very much depends what you're buying this house for. | 0:17:58 | 0:18:01 | |
If it's your forever home, you might want to spend a bit more cash. | 0:18:01 | 0:18:05 | |
Or you might want to sell it on and add some value. | 0:18:05 | 0:18:07 | |
If you're renting it out, maybe not so much. | 0:18:07 | 0:18:10 | |
But it's not the biggest of problems to have that your bathroom's | 0:18:10 | 0:18:13 | |
downstairs when the rest of the house is so good. | 0:18:13 | 0:18:16 | |
Before making a major change like adding a bathroom, | 0:18:17 | 0:18:20 | |
you'd probably need the freeholder's advice. | 0:18:20 | 0:18:23 | |
However, this property is not a freehold. | 0:18:23 | 0:18:26 | |
It's ex-local authority and there's | 0:18:26 | 0:18:28 | |
no management company attached either. | 0:18:28 | 0:18:31 | |
Regardless, an investor needs to research demand in the area, | 0:18:32 | 0:18:36 | |
and what the ceiling price would be. | 0:18:36 | 0:18:39 | |
Seems like a cue to ask an agent from the auction house who sold it. | 0:18:39 | 0:18:43 | |
I don't think the property requires | 0:18:43 | 0:18:45 | |
a lot of work to bring it up to standard. | 0:18:45 | 0:18:47 | |
Really, probably, carpets, a bit of redecoration, new kitchen, | 0:18:47 | 0:18:51 | |
new bathroom, should be good to go. | 0:18:51 | 0:18:53 | |
I would say the only drawback of the property would be the fact the | 0:18:53 | 0:18:56 | |
bathroom is actually downstairs. | 0:18:56 | 0:18:58 | |
Most modern families maybe looking for at least a shower room | 0:18:58 | 0:19:01 | |
or en-suite upstairs. | 0:19:01 | 0:19:03 | |
Hmm. Before getting carried away and spending money, | 0:19:03 | 0:19:06 | |
you need to know what this maisonette, guided at £45,000 plus, | 0:19:06 | 0:19:10 | |
could sell for once renovated. | 0:19:10 | 0:19:12 | |
In the resale market, | 0:19:14 | 0:19:15 | |
I would imagine a sales price of between 70 and £75,000. | 0:19:15 | 0:19:20 | |
And for rental, | 0:19:20 | 0:19:21 | |
probably somewhere between 550 and £575 per calendar month. | 0:19:21 | 0:19:26 | |
This house has a fantastic amount of space. | 0:19:27 | 0:19:30 | |
Yes, it's dated, but if you can see past that, | 0:19:30 | 0:19:33 | |
then there's scope to create a perfect family home, | 0:19:33 | 0:19:36 | |
especially when you consider that lovely garden outside. | 0:19:36 | 0:19:39 | |
Let's find out who agreed when it went under the hammer. | 0:19:39 | 0:19:41 | |
The upper maisonette. Anybody here at £45,000? | 0:19:42 | 0:19:45 | |
40? | 0:19:45 | 0:19:46 | |
We'll move on, if there's no bids. 40 bid. At £40,000 I've got. | 0:19:48 | 0:19:52 | |
40 I've got, 42 now. | 0:19:52 | 0:19:54 | |
44, 44 bid. | 0:19:54 | 0:19:55 | |
46. 45? 45, 46? | 0:19:55 | 0:20:00 | |
46 bid, 47? | 0:20:00 | 0:20:02 | |
46.5. 47? | 0:20:03 | 0:20:05 | |
47 bid, and a half? | 0:20:06 | 0:20:08 | |
After a bit of a sticky start, two bidders fought for this maisonette. | 0:20:08 | 0:20:12 | |
We rejoin at £49,500. | 0:20:12 | 0:20:14 | |
49 and a half? | 0:20:16 | 0:20:18 | |
50? 49 and three quarters? | 0:20:18 | 0:20:20 | |
49 and three quarters, 50, anyone? | 0:20:22 | 0:20:25 | |
At 50 I'm bid now, at 50 bid, at 50 bid, are we done? | 0:20:25 | 0:20:29 | |
At £50,000, against you two. | 0:20:29 | 0:20:32 | |
50, a half, or a quarter? | 0:20:32 | 0:20:34 | |
Good lad! | 0:20:35 | 0:20:37 | |
50 and a half, 51? | 0:20:37 | 0:20:39 | |
50 and a half here, it's with you, against you two, first time. | 0:20:39 | 0:20:44 | |
Second time, I'm selling it, all done. | 0:20:44 | 0:20:46 | |
All out, it's all yours, sir. | 0:20:46 | 0:20:48 | |
After some cagey bidding, the property went to Jamie for £50,500. | 0:20:51 | 0:20:57 | |
Local builder, Jamie, was at the auction with his wife, Arlene, | 0:20:57 | 0:21:01 | |
but he's flying solo today and I can't wait to hear his plans. | 0:21:01 | 0:21:05 | |
Jamie, pleased to meet you. | 0:21:05 | 0:21:07 | |
-Hello. -And congratulations. | 0:21:07 | 0:21:09 | |
Thank you very much. | 0:21:09 | 0:21:10 | |
So, I love this property. | 0:21:10 | 0:21:12 | |
It feels like it's going to be small, and it's really big. | 0:21:12 | 0:21:16 | |
It is, there's plenty of room. | 0:21:16 | 0:21:18 | |
Three bedrooms is a great thing to have as well. | 0:21:18 | 0:21:20 | |
So, yeah, it's a winner. | 0:21:20 | 0:21:21 | |
Yeah. So tell me a bit about you, Jamie. | 0:21:21 | 0:21:24 | |
Is this something you do? | 0:21:24 | 0:21:25 | |
No, I run a rendering business and floor screening, | 0:21:26 | 0:21:30 | |
so I kind of just do this on the side. | 0:21:30 | 0:21:32 | |
I've got a few flats now, | 0:21:32 | 0:21:34 | |
my wife will do them all up, painting and stuff. | 0:21:34 | 0:21:37 | |
And I'll do all the plaster and that will be us, | 0:21:37 | 0:21:40 | |
we'll get it back looking bang-on. | 0:21:40 | 0:21:42 | |
And you mentioned your wife, it's a bit of a team effort? | 0:21:42 | 0:21:45 | |
It is, yep. She's really good with paint and stuff like that, | 0:21:45 | 0:21:49 | |
so she'll come in and get all that designed, | 0:21:49 | 0:21:53 | |
yeah, and it'll look really nice. | 0:21:53 | 0:21:55 | |
So, how many properties would you say you've done over the years, | 0:21:55 | 0:21:59 | |
and how many years, when did you get into this? | 0:21:59 | 0:22:01 | |
The first one, I bought at auction, was probably about 25 years ago. | 0:22:01 | 0:22:07 | |
But I don't have a lot of time because of running the business, | 0:22:07 | 0:22:10 | |
so I want to make a bit more time for doing this because I enjoy it. | 0:22:10 | 0:22:14 | |
But probably over the years, about 15? | 0:22:14 | 0:22:17 | |
It's amazing. What's your goal for them, | 0:22:17 | 0:22:19 | |
do you sell them on or do you rent them out? | 0:22:19 | 0:22:21 | |
Rent, always rent them. | 0:22:21 | 0:22:23 | |
Yeah, you can get a good rental market money now. | 0:22:23 | 0:22:25 | |
So just rent them out and try to get them paid off. | 0:22:25 | 0:22:29 | |
You know, and then buy others. | 0:22:29 | 0:22:31 | |
Jamie has been treating property development as more of a hobby | 0:22:31 | 0:22:35 | |
whilst running his business. | 0:22:35 | 0:22:36 | |
But he's hoping to grow his portfolio of eight properties | 0:22:36 | 0:22:39 | |
with the help of his wife, Arlene. | 0:22:39 | 0:22:42 | |
So, what's the plan for this one? | 0:22:42 | 0:22:44 | |
Plan from here is to take the kitchen out, take the bathroom out, | 0:22:44 | 0:22:48 | |
strip wallpaper, carpets, all these wee old-fashioned things, | 0:22:48 | 0:22:53 | |
re-plaster it all. | 0:22:53 | 0:22:55 | |
Paint it all, new kitchen, new bathroom. | 0:22:55 | 0:22:58 | |
New carpets throughout. | 0:22:58 | 0:23:00 | |
Get it all painted up, make it quite modern. | 0:23:00 | 0:23:03 | |
Do you have any changes in mind for the layout? | 0:23:03 | 0:23:06 | |
I did think about putting an extra toilet and sink upstairs, | 0:23:06 | 0:23:10 | |
an en-suite, in the main bedroom. | 0:23:10 | 0:23:13 | |
I haven't looked into that enough to see if I'm going to go ahead but we | 0:23:13 | 0:23:16 | |
do have a big family bathroom here anyway. | 0:23:16 | 0:23:19 | |
I think it would be really good if I could fit one in, | 0:23:19 | 0:23:22 | |
we'll just need to wait and see how that will work out. | 0:23:22 | 0:23:24 | |
It would be amazing. It feels like you've got three really big, | 0:23:24 | 0:23:26 | |
good-sized bedrooms upstairs. | 0:23:26 | 0:23:28 | |
To have a bathroom would just be the icing on the cake. | 0:23:28 | 0:23:30 | |
It really would, yeah. | 0:23:30 | 0:23:32 | |
That would suit all the families as well, that are going to rent it. | 0:23:32 | 0:23:34 | |
So it would be great for that. | 0:23:34 | 0:23:36 | |
-What's your budget? -7,500. | 0:23:36 | 0:23:39 | |
I think we should achieve that. | 0:23:39 | 0:23:41 | |
And then if we go for the en-suite, it might push it over budget a bit. | 0:23:41 | 0:23:45 | |
But look at the benefits in having the extra toilet, so, | 0:23:45 | 0:23:49 | |
we'll see how that works out. | 0:23:49 | 0:23:50 | |
And because you work, you've got your own business, | 0:23:50 | 0:23:54 | |
this will be something that you, I guess, fit in when you can? | 0:23:54 | 0:23:57 | |
How will you manage that, is it weekends, after work? | 0:23:57 | 0:24:00 | |
Nights and weekends, basically. | 0:24:00 | 0:24:02 | |
Any day I can take off from the business, I'll come round here and | 0:24:02 | 0:24:06 | |
-get stuck in. -How quickly do you hope to get it done? | 0:24:06 | 0:24:09 | |
Hopefully eight weeks. | 0:24:09 | 0:24:11 | |
That's good. I mean, a lot of people would say eight weeks if they were | 0:24:11 | 0:24:13 | |
committing to it full-time. | 0:24:13 | 0:24:15 | |
-What's your secret? -I work really hard! That's basically it. | 0:24:15 | 0:24:19 | |
That's the lesson. You're a grafter. | 0:24:20 | 0:24:23 | |
-Get stuck in. -Well, Jamie, I can't wait to see the results. | 0:24:23 | 0:24:25 | |
-Best of luck. -Thank you very much. | 0:24:25 | 0:24:28 | |
Jamie knows exactly what this property needs. | 0:24:30 | 0:24:33 | |
A great face-lift so he can rent it out. | 0:24:33 | 0:24:35 | |
And with his experience, I don't envisage too many problems. | 0:24:35 | 0:24:39 | |
But you never do know. | 0:24:39 | 0:24:40 | |
You can find out how he gets on later in the show. | 0:24:40 | 0:24:42 | |
Coming up, in Bootle, I saw this terraced house that didn't exactly | 0:24:44 | 0:24:48 | |
capture my imagination. | 0:24:48 | 0:24:50 | |
It's obviously not in the sparkling condition you might hope for. | 0:24:50 | 0:24:54 | |
And back in Coatbridge, we'll see if Jamie's plans worked like a dream. | 0:24:55 | 0:24:59 | |
It all had to come off to take the plaster work. | 0:24:59 | 0:25:02 | |
It was a nightmare. | 0:25:02 | 0:25:03 | |
Earlier in the show, Lucy was in the happening London Borough of Camden. | 0:25:08 | 0:25:12 | |
And just five minutes from the famous Camden Lock was this | 0:25:12 | 0:25:16 | |
four-storey building. | 0:25:16 | 0:25:17 | |
It had been a shop with accommodation above. | 0:25:17 | 0:25:20 | |
But now it was derelict in some parts and verging on dangerous. | 0:25:20 | 0:25:24 | |
The guide price was 475,000. | 0:25:24 | 0:25:27 | |
The only plus so far was that the building was in a conservation area | 0:25:27 | 0:25:31 | |
and already had planning permission. | 0:25:31 | 0:25:34 | |
Now, you can see, this was the original shop area. | 0:25:34 | 0:25:37 | |
The new plans that have been drawn up | 0:25:37 | 0:25:39 | |
with the lot that's gone to auction | 0:25:39 | 0:25:41 | |
state that this is going to be one dwelling, one family home now. | 0:25:41 | 0:25:45 | |
Although, my goodness, you could not imagine living here in this state! | 0:25:45 | 0:25:49 | |
# Show me love | 0:25:49 | 0:25:51 | |
# Show me everything | 0:25:51 | 0:25:54 | |
# I know you've got potential | 0:25:54 | 0:25:57 | |
# So baby let me in... # | 0:25:57 | 0:26:00 | |
There was bags of potential and the ample space did bode well | 0:26:00 | 0:26:04 | |
for a family home. | 0:26:04 | 0:26:05 | |
But the bulging wall on the lower ground floor and the fact the | 0:26:05 | 0:26:09 | |
property was Grade II listed was certain to throw up a few issues. | 0:26:09 | 0:26:14 | |
Fast forward to auction day and architect, John, | 0:26:14 | 0:26:17 | |
picked it up for 532,000. | 0:26:17 | 0:26:19 | |
And while he intended it to be his dream family home, | 0:26:19 | 0:26:22 | |
he was under no illusions when it came to the reality. | 0:26:22 | 0:26:25 | |
It's an architect's nightmare. | 0:26:27 | 0:26:29 | |
Nightmare, because, you know, there are so many rules and regulations. | 0:26:29 | 0:26:32 | |
It's a listed building, it's in a conservation area. | 0:26:32 | 0:26:35 | |
Hence, I've got a lot to do, a lot to achieve, | 0:26:35 | 0:26:37 | |
and there's lots of people going to be following my every move. | 0:26:37 | 0:26:41 | |
So John will be going above and beyond | 0:26:42 | 0:26:44 | |
when it came to the restoration. | 0:26:44 | 0:26:46 | |
But he'd be going low | 0:26:46 | 0:26:47 | |
when it came to extending the footprint of the house. | 0:26:47 | 0:26:50 | |
What I'm looking for is to put a basement room and keep the actual | 0:26:51 | 0:26:56 | |
garden itself at the existing level. | 0:26:56 | 0:26:59 | |
The lower ground extension and renovation was expected to cost a | 0:26:59 | 0:27:04 | |
hefty 400 grand in total with the project scheduled to last a year. | 0:27:04 | 0:27:07 | |
So did it all go to plan? | 0:27:07 | 0:27:09 | |
Well, we're back, six and a half years later! | 0:27:11 | 0:27:14 | |
# I know we can get higher | 0:27:16 | 0:27:21 | |
# There's levels to your love | 0:27:21 | 0:27:23 | |
# Yeah, there's levels to your love | 0:27:23 | 0:27:25 | |
# And I know we can get higher | 0:27:25 | 0:27:30 | |
# There's levels to your love | 0:27:30 | 0:27:32 | |
# And I keep on climbing up... # | 0:27:32 | 0:27:34 | |
John may have waved goodbye to the timescale, | 0:27:39 | 0:27:42 | |
but hello to stylish contemporary living. | 0:27:42 | 0:27:45 | |
The renovation is complete, as is the lower ground extension. | 0:27:45 | 0:27:50 | |
And since we can, let's take advantage of the resident expert | 0:27:50 | 0:27:53 | |
to see how it was achieved. | 0:27:53 | 0:27:55 | |
This was the old garden which was | 0:27:56 | 0:27:59 | |
dug out and we created what is now a family room. | 0:27:59 | 0:28:03 | |
What I've achieved here is to expand the actual natural area of the | 0:28:03 | 0:28:07 | |
building by 750 square feet and then here, we've got a lot more light, | 0:28:07 | 0:28:14 | |
it's become the patio garden. | 0:28:14 | 0:28:16 | |
And then, of course, we put the original garden back on this roof. | 0:28:16 | 0:28:20 | |
The lower ground extension has its access through the newer part of the | 0:28:22 | 0:28:26 | |
building, while the existing lower ground floor | 0:28:26 | 0:28:29 | |
is accessed through the main house. | 0:28:29 | 0:28:31 | |
The bulging wall has been reinforced to make it structurally | 0:28:31 | 0:28:34 | |
sound and there are two good-sized rooms. | 0:28:34 | 0:28:37 | |
Up on the first floor, the two bedrooms have been painstakingly | 0:28:40 | 0:28:44 | |
restored and the conservation officer insured mouldings, | 0:28:44 | 0:28:48 | |
architraves and skirtings have all been specially reproduced to fit the | 0:28:48 | 0:28:52 | |
1830s style of the house. | 0:28:52 | 0:28:55 | |
So with so much attention to detail, | 0:28:55 | 0:28:57 | |
there must have been some challenges. | 0:28:57 | 0:29:00 | |
# There's levels to your love and I keep on climbing up... # | 0:29:00 | 0:29:05 | |
I suppose the lathe and plaster was the trickiest in a historical sense. | 0:29:05 | 0:29:08 | |
And the old shop front which, unfortunately, | 0:29:10 | 0:29:13 | |
is not a replica of an 1830s window which I truly wanted to have. | 0:29:13 | 0:29:18 | |
The conservation officer requested that it was a replica of a 1945 shop | 0:29:18 | 0:29:23 | |
window which was put in after the Second World War when this building | 0:29:23 | 0:29:28 | |
suffered bomb blasts. | 0:29:28 | 0:29:30 | |
So that was one of my conflicts with the conservation officer. | 0:29:30 | 0:29:33 | |
I wanted to be true to the historic value of 1830, yet he said, | 0:29:33 | 0:29:39 | |
"No, we want to see how the building has evolved over the years." | 0:29:39 | 0:29:42 | |
So that was one of our issues. | 0:29:42 | 0:29:43 | |
John has overseen every part of this project, | 0:29:45 | 0:29:48 | |
designing the extension and project managing the build. | 0:29:48 | 0:29:52 | |
However, it was gaining permission | 0:29:52 | 0:29:54 | |
that caused the initial delay of 18 months. | 0:29:54 | 0:29:56 | |
There were further delays securing the funds for the project, but | 0:29:56 | 0:30:00 | |
the renovation on the original house was able to start three years ago | 0:30:00 | 0:30:04 | |
with the extension build starting 15 months ago. | 0:30:04 | 0:30:07 | |
Ultimately, John and his family decided not to live here | 0:30:09 | 0:30:12 | |
so the house will be going on the market, | 0:30:12 | 0:30:14 | |
hopefully recouping some of the overspend on his £400,000 budget. | 0:30:14 | 0:30:19 | |
I've spent on the project well over £1 million. | 0:30:20 | 0:30:24 | |
The love of putting it in has taken it out of all proportion. | 0:30:24 | 0:30:28 | |
My only safety factor was the belief that property prices were increasing | 0:30:29 | 0:30:35 | |
over the years. As the market stands right now, | 0:30:35 | 0:30:38 | |
we all know that it's extremely difficult. | 0:30:38 | 0:30:41 | |
Properties aren't moving at the moment, | 0:30:41 | 0:30:43 | |
so I've got to be prepared to wait a little longer before I can see a | 0:30:43 | 0:30:47 | |
return on the property. | 0:30:47 | 0:30:49 | |
Despite all the delays and demands of complying with the planners, | 0:30:49 | 0:30:53 | |
John has managed a fantastic finish here and although he has spent | 0:30:53 | 0:30:57 | |
almost double what he intended, | 0:30:57 | 0:31:00 | |
he has created something unique and amazing. | 0:31:00 | 0:31:03 | |
However, the property market, as we know, can upset the best of plans. | 0:31:03 | 0:31:07 | |
Let's find out what a local estate | 0:31:07 | 0:31:09 | |
agent thinks of John's stunning project. | 0:31:09 | 0:31:13 | |
My first thoughts on the property are that the styling is very much up | 0:31:13 | 0:31:16 | |
to spec, up to the latest fashions. | 0:31:16 | 0:31:18 | |
The size of the property's fantastic, | 0:31:18 | 0:31:20 | |
it's got a lovely family room on the lower part of the rear of the house | 0:31:20 | 0:31:24 | |
and it's a lovely mix of old and new. | 0:31:24 | 0:31:27 | |
The property ticks a lot of boxes | 0:31:27 | 0:31:29 | |
but will the price be right for John to sell? | 0:31:29 | 0:31:32 | |
He's spent approximately £1.5 million on the house in total. | 0:31:32 | 0:31:36 | |
So, what could it be worth on the sales market? | 0:31:36 | 0:31:39 | |
If I was to market this property, I'd put a guide price of £2,750,000. | 0:31:41 | 0:31:47 | |
2.75, it's probably, in a good market, the right price. | 0:31:47 | 0:31:52 | |
That valuation would mean a potential profit of approximately | 0:31:53 | 0:31:58 | |
£1.2 million minus taxes and fees. | 0:31:58 | 0:32:01 | |
And the agent thinks it could rent out for £7,000-£7,500 per month | 0:32:01 | 0:32:06 | |
giving him a yield of around 6%. | 0:32:06 | 0:32:09 | |
Would that persuade John to hang on to the house? | 0:32:09 | 0:32:11 | |
Well, I might have to if I can't actually sell the property. | 0:32:12 | 0:32:16 | |
It's an option that I can consider. | 0:32:16 | 0:32:18 | |
After facing demanding conservation restrictions and endless delays, | 0:32:18 | 0:32:23 | |
John has managed to rescue a | 0:32:23 | 0:32:24 | |
derelict building and make something special. | 0:32:24 | 0:32:27 | |
So, how does he feel now it's complete? | 0:32:27 | 0:32:30 | |
It's like anything you create. | 0:32:30 | 0:32:32 | |
Any artist that creates anything invariably | 0:32:32 | 0:32:35 | |
lets it go at the end of the day. | 0:32:35 | 0:32:37 | |
If I was doing a painting, it would be the same thing. | 0:32:37 | 0:32:39 | |
So, I've got to accept that and move on. | 0:32:39 | 0:32:42 | |
Otherwise, life becomes boring. | 0:32:42 | 0:32:44 | |
You want to go to the next chance, the next auction, the next venture, | 0:32:44 | 0:32:48 | |
and that's what I'll be doing. | 0:32:48 | 0:32:50 | |
Bootle is just to the north of Liverpool and the town has been | 0:32:55 | 0:32:59 | |
dominated for over 100 years by the River Mersey. | 0:32:59 | 0:33:02 | |
Due to its valuable port, | 0:33:02 | 0:33:04 | |
Bootle was targeted by German forces during World War II, making it the | 0:33:04 | 0:33:09 | |
most bombed borough in the UK. | 0:33:09 | 0:33:12 | |
Thankfully, much of the original housing stock, | 0:33:12 | 0:33:14 | |
including these terraces, survived. | 0:33:14 | 0:33:17 | |
Just imagine for a moment I'm in London walking down a street almost | 0:33:18 | 0:33:22 | |
identical to this. | 0:33:22 | 0:33:23 | |
The houses here would probably be £600,000 to £800,000. | 0:33:23 | 0:33:28 | |
But I'm not in London. I'm in Bootle. | 0:33:28 | 0:33:30 | |
The houses, they're exactly the same. | 0:33:30 | 0:33:32 | |
The guide price for this one, though, £35,000-£40,000. | 0:33:32 | 0:33:37 | |
Well, the lower price doesn't necessarily mean poor quality. | 0:33:41 | 0:33:44 | |
OK, so, walking through the door it's obviously not in the sparkly | 0:33:44 | 0:33:48 | |
condition you might hope for, but it doesn't seem too bad. | 0:33:48 | 0:33:51 | |
It doesn't smell damp. | 0:33:51 | 0:33:52 | |
Carpets have been taken out, which certainly saves you a bit of effort. | 0:33:52 | 0:33:57 | |
Central heating looks quite old so you might want to replace that. | 0:33:57 | 0:33:59 | |
But a fairly standard layout. | 0:33:59 | 0:34:01 | |
You've got a little corridor here. | 0:34:01 | 0:34:03 | |
You've got your front living room there and an open space where a | 0:34:03 | 0:34:05 | |
fire could go, which is nice. | 0:34:05 | 0:34:07 | |
And the stairs up to your bedrooms. | 0:34:07 | 0:34:08 | |
Through to the rear room. Now, just a tip here. | 0:34:08 | 0:34:11 | |
I know I sort of go on about open plan all the time, | 0:34:11 | 0:34:13 | |
but I would be looking at taking that wall out to create one really | 0:34:13 | 0:34:17 | |
nice-sized room here. | 0:34:17 | 0:34:18 | |
You don't need two separate rooms. Take that out. | 0:34:18 | 0:34:21 | |
It would really dramatically improve the feel here because | 0:34:21 | 0:34:24 | |
then you'd go through there and you've got your kitchen. | 0:34:24 | 0:34:27 | |
It doesn't look to be in too bad condition, actually. | 0:34:27 | 0:34:29 | |
But I think if you did that to make this really massive space here, | 0:34:29 | 0:34:32 | |
a relatively small house would certainly feel really nice and big. | 0:34:32 | 0:34:36 | |
So, all in all, it's a great start. | 0:34:36 | 0:34:39 | |
# Let's get it started | 0:34:41 | 0:34:43 | |
# Yeah, yeah # | 0:34:43 | 0:34:46 | |
You needn't get started. | 0:34:47 | 0:34:49 | |
You can just keep the two rooms. | 0:34:49 | 0:34:51 | |
I get it that not everyone likes open-plan. | 0:34:51 | 0:34:55 | |
Sometimes you need a room that you can keep child-free, | 0:34:55 | 0:34:58 | |
or a quiet one for them to do their homework. | 0:34:58 | 0:35:01 | |
That could be nice. But if you do open it up, | 0:35:01 | 0:35:03 | |
at least the kitchen would be separate. | 0:35:03 | 0:35:05 | |
So no annoying kitchen noises to compete with the telly. | 0:35:05 | 0:35:08 | |
However, some new flooring and a general spruce-up is needed. | 0:35:08 | 0:35:12 | |
So upstairs, a strange kind of layout. | 0:35:15 | 0:35:18 | |
It doesn't feel quite right. | 0:35:18 | 0:35:21 | |
I'm sure you can sort it out, though. | 0:35:21 | 0:35:22 | |
You've got this little landing area here, | 0:35:22 | 0:35:25 | |
and down these steps, there's a massive cupboard here, | 0:35:25 | 0:35:28 | |
which I think that the old heating system used to be in. | 0:35:28 | 0:35:32 | |
There's a combi boiler downstairs now, so that is actually | 0:35:32 | 0:35:35 | |
a bit of spare space. The bathroom is there. | 0:35:35 | 0:35:37 | |
Why not again knock these walls together to create a really massive | 0:35:37 | 0:35:41 | |
bathroom, which would be good. | 0:35:41 | 0:35:43 | |
The bedrooms actually work really well. | 0:35:43 | 0:35:45 | |
Some people might contemplate possibly turning this | 0:35:45 | 0:35:48 | |
into a three bed, again, | 0:35:48 | 0:35:49 | |
with some internal modifications you could do that. | 0:35:49 | 0:35:52 | |
I quite like the feel of it as it is. | 0:35:52 | 0:35:54 | |
If you've got that massive room downstairs and two really good-sized | 0:35:54 | 0:35:58 | |
bedrooms, to me that makes it a very, very liveable house | 0:35:58 | 0:36:01 | |
if you can get away with that number of bedrooms. | 0:36:01 | 0:36:03 | |
Nothing much to report here. | 0:36:03 | 0:36:04 | |
You've got the bay window there. | 0:36:04 | 0:36:07 | |
Signs of damp in that corner. | 0:36:07 | 0:36:09 | |
Probably something simple like a gutter that's loose outside. | 0:36:09 | 0:36:12 | |
So nothing too much to report. | 0:36:12 | 0:36:15 | |
And in general, it's a great house. | 0:36:15 | 0:36:17 | |
There really is nothing wrong with it at all. | 0:36:17 | 0:36:20 | |
This house does have something slightly unusual about it. | 0:36:21 | 0:36:24 | |
It's a leasehold property, which is more common in flats. | 0:36:24 | 0:36:28 | |
So, in theory, you would need to seek permission from the freeholder | 0:36:28 | 0:36:32 | |
if you are going to make any structural changes. | 0:36:32 | 0:36:35 | |
As for the lease, there's 800 years left on that, so no worries there. | 0:36:35 | 0:36:39 | |
At the rear of the property here, | 0:36:43 | 0:36:44 | |
you've got what you can only call a low-maintenance area. | 0:36:44 | 0:36:48 | |
This is basically a little patio with concrete. | 0:36:48 | 0:36:52 | |
But, hey, useful space. | 0:36:52 | 0:36:53 | |
Now one thing you might have noticed is the exterior of the property | 0:36:53 | 0:36:56 | |
is covered in this pebble dash. If you look at the bottom there, | 0:36:56 | 0:36:59 | |
it's actually sticking out from what | 0:36:59 | 0:37:01 | |
was the original face of the building. | 0:37:01 | 0:37:03 | |
This was added on, I guess, relatively recently. | 0:37:03 | 0:37:05 | |
It's actually insulation. | 0:37:05 | 0:37:07 | |
It does make the house quite energy efficient. | 0:37:07 | 0:37:09 | |
Whether you like it or not in terms of how it looks is another thing. | 0:37:09 | 0:37:13 | |
# Oh, boy, you look good to me | 0:37:13 | 0:37:17 | |
# But looks aren't everything... # | 0:37:17 | 0:37:19 | |
You are right. Looks aren't everything. | 0:37:21 | 0:37:23 | |
And that's advice to live by. | 0:37:23 | 0:37:25 | |
But did a local estate agent like the look of this house? | 0:37:25 | 0:37:29 | |
We invited one along to give us his | 0:37:29 | 0:37:31 | |
thoughts on this mid-terrace guided at £35,000. | 0:37:31 | 0:37:35 | |
The property itself is a good, sturdy two-bedroom property. | 0:37:37 | 0:37:41 | |
Kitchen and bathroom you could almost live with. | 0:37:41 | 0:37:44 | |
Tidy up the tiling, tidy up the flooring, tidy up the decor, | 0:37:44 | 0:37:49 | |
but really not spend a great deal | 0:37:49 | 0:37:51 | |
because it's almost lettable as it stands. | 0:37:51 | 0:37:54 | |
But how much would it rent for? | 0:37:54 | 0:37:57 | |
I wouldn't expect there to be any difficulty obtaining | 0:37:57 | 0:38:00 | |
£425 per calendar month. | 0:38:00 | 0:38:02 | |
So, with a fairly minimum spend of say two grand | 0:38:02 | 0:38:05 | |
you could get this one up and running, | 0:38:05 | 0:38:07 | |
and perhaps be looking at a yield of around 12%. | 0:38:07 | 0:38:10 | |
Now, what about the sales market? | 0:38:10 | 0:38:12 | |
It wouldn't be unusual for a house like this, | 0:38:15 | 0:38:17 | |
after it was smartened up a little bit, | 0:38:17 | 0:38:18 | |
to be on the market at around about 46,00, 47,000. | 0:38:18 | 0:38:21 | |
So for £35,000 to £40,000, would you buy this place? | 0:38:22 | 0:38:26 | |
Well, the yields certainly stack up. | 0:38:26 | 0:38:28 | |
And it's a good, solid house. | 0:38:28 | 0:38:30 | |
Nothing wrong with this one. Let's see who agreed and bought it when it | 0:38:30 | 0:38:33 | |
went under the hammer. | 0:38:33 | 0:38:35 | |
Two-bedroom mid-terrace house. | 0:38:35 | 0:38:36 | |
Your guide on this is 35 to £40,000. | 0:38:37 | 0:38:40 | |
35 anywhere? | 0:38:41 | 0:38:42 | |
No? Shall we say 30? | 0:38:43 | 0:38:45 | |
Does 30 feel more comfortable? | 0:38:45 | 0:38:47 | |
It does to this lady at the front. At 30 we are up and running. | 0:38:47 | 0:38:50 | |
Can I take 31? | 0:38:50 | 0:38:51 | |
31, 32? 33? | 0:38:52 | 0:38:54 | |
34? | 0:38:54 | 0:38:55 | |
Five? 36? | 0:38:57 | 0:38:59 | |
The bids flew back and forth in the room, and we rejoin at £39,500. | 0:38:59 | 0:39:03 | |
39 and a half, sir. | 0:39:03 | 0:39:07 | |
Thank you. 40. Go on, you're nice. | 0:39:07 | 0:39:09 | |
I'll make it 39 and three quarters. | 0:39:09 | 0:39:10 | |
40? | 0:39:12 | 0:39:13 | |
No? 39 and three quarters, this is your bid right now. | 0:39:14 | 0:39:17 | |
Anybody want to make this £40,000? | 0:39:17 | 0:39:21 | |
OK, here we go then. At £39,750, for the very first time. | 0:39:21 | 0:39:27 | |
It's this lady's at 39,750. | 0:39:27 | 0:39:30 | |
For the second time. Last chance, anybody else? | 0:39:30 | 0:39:32 | |
Here we go. Third and final time, £39,750, you're going to get it. | 0:39:32 | 0:39:39 | |
Sold. Well done. 39,750. | 0:39:39 | 0:39:42 | |
A very unusual number to end on. | 0:39:42 | 0:39:45 | |
# How bizarre | 0:39:45 | 0:39:47 | |
# How bizarre, how bizarre... # | 0:39:48 | 0:39:50 | |
£39,750 might not be a nice round number, | 0:39:52 | 0:39:57 | |
but it clinched the property for former GP, Andrea. | 0:39:57 | 0:40:01 | |
Andrea has two daughters, Celia and Harriet. | 0:40:01 | 0:40:04 | |
We met Andrea and Harriet before at another Bootle property | 0:40:04 | 0:40:08 | |
after they did some serious research looking into 25 properties. | 0:40:08 | 0:40:13 | |
So I met them at the second one to find out what their plans are for | 0:40:13 | 0:40:17 | |
this property. | 0:40:17 | 0:40:19 | |
Congratulations. | 0:40:19 | 0:40:20 | |
-Thank you. -Tell me why you wanted to buy this place? | 0:40:20 | 0:40:22 | |
Well, it was my sister's idea, | 0:40:22 | 0:40:24 | |
but she's working today so she couldn't come. | 0:40:24 | 0:40:27 | |
She lives in London. | 0:40:27 | 0:40:29 | |
She's worked in London for the last seven or eight years and she could | 0:40:29 | 0:40:32 | |
never afford a property down there. | 0:40:32 | 0:40:33 | |
But she still wanted to get on the property ladder. | 0:40:33 | 0:40:36 | |
So we thought, mum lives in Liverpool, if we get a house that's | 0:40:36 | 0:40:39 | |
cheap in Liverpool, mum can help us manage it. | 0:40:39 | 0:40:41 | |
It also means that she gets a property that she wouldn't be able | 0:40:41 | 0:40:45 | |
-to get where she is now. -And so why Bootle? | 0:40:45 | 0:40:48 | |
Well, my now husband was born and bred in Bootle. | 0:40:48 | 0:40:51 | |
And so he knows which streets to avoid. | 0:40:51 | 0:40:54 | |
Local knowledge proved invaluable on the last project, | 0:40:56 | 0:40:59 | |
which was completed around seven months after purchase. | 0:40:59 | 0:41:02 | |
But the plan wasn't originally to buy two houses. | 0:41:02 | 0:41:05 | |
My mum accidentally bought two when she was originally going to buy one. | 0:41:07 | 0:41:10 | |
What do you mean accidentally bought two? | 0:41:10 | 0:41:13 | |
She got a bit happy putting her hand up at the auction! | 0:41:13 | 0:41:16 | |
I was very frightened of going to the auction to start with. | 0:41:16 | 0:41:18 | |
-Right. -And the other house was the one that was top of the list. | 0:41:18 | 0:41:24 | |
This was our number two. | 0:41:24 | 0:41:25 | |
And I just had a feeling about it. | 0:41:25 | 0:41:28 | |
I just thought it was right. | 0:41:28 | 0:41:29 | |
I just got the call after the auction saying, | 0:41:29 | 0:41:31 | |
"We actually bought two, so did you want one this time?" | 0:41:31 | 0:41:34 | |
-Can you afford two? -Well, I've got an inheritance. | 0:41:34 | 0:41:37 | |
So it's savings that I don't actually need. | 0:41:37 | 0:41:40 | |
OK. Wow. You end up with two. | 0:41:40 | 0:41:42 | |
That's auctions for you. You got a bit of auction fever. | 0:41:42 | 0:41:44 | |
Yes. John did take me out before I bought a third one. | 0:41:44 | 0:41:48 | |
Did he?! "Out now!" | 0:41:48 | 0:41:50 | |
You might have bought another one. It goes to show you obviously liked | 0:41:50 | 0:41:53 | |
-what you saw and you went for it. -Yeah. -Wow. | 0:41:53 | 0:41:56 | |
Have you gone into this as a joint-venture? | 0:41:56 | 0:41:58 | |
Are you each having a house of your own? | 0:41:58 | 0:41:59 | |
This is Celia's house. | 0:41:59 | 0:42:01 | |
The other one is Harriet's house. | 0:42:01 | 0:42:02 | |
Mum flipped a coin. | 0:42:02 | 0:42:04 | |
Well, tossing a coin for a house is a new one on me. | 0:42:04 | 0:42:07 | |
And the lucky streak goes on for the girls, as Andrea's husband, John, | 0:42:07 | 0:42:12 | |
is going to be doing the work, as he did for Harriet. | 0:42:12 | 0:42:16 | |
So what's the plan? | 0:42:16 | 0:42:17 | |
Generally paint and decorate it, clean it completely. | 0:42:17 | 0:42:21 | |
But there's not major work that needs doing. | 0:42:21 | 0:42:23 | |
The first thing is the roof. | 0:42:23 | 0:42:25 | |
We've got a roofer coming to check out the roof and clear the gutters. | 0:42:25 | 0:42:28 | |
Mend the minor bits of damp and carpet it. | 0:42:28 | 0:42:32 | |
And fully put blinds up and curtains up and then rent it out. | 0:42:32 | 0:42:36 | |
-Rent it out? -Yeah. -And who's going to manage the rental? | 0:42:36 | 0:42:39 | |
-Me. -You are going to do it? -Yeah. | 0:42:39 | 0:42:41 | |
Are you going to get somebody to get you a tenant or not? | 0:42:41 | 0:42:43 | |
No. We'll do that. John will help. | 0:42:43 | 0:42:46 | |
It seems like Andrea has this place all figured out. | 0:42:46 | 0:42:50 | |
She and Celia will spend £3,000 to £4,000 sprucing it up, | 0:42:50 | 0:42:54 | |
and hope to finish within two to three months. | 0:42:54 | 0:42:57 | |
Having caught a bit of auction fever, | 0:42:57 | 0:42:59 | |
will she be returning to the auctions again? | 0:42:59 | 0:43:01 | |
-Probably. -Not at... -Not at the moment. | 0:43:03 | 0:43:05 | |
Not until we've done these two, see how it goes. | 0:43:05 | 0:43:08 | |
I see. But never say never? | 0:43:08 | 0:43:09 | |
-Never say never. -Well, listen, congratulations. | 0:43:09 | 0:43:12 | |
It's a fun story. Good luck with it. | 0:43:12 | 0:43:14 | |
-Look forward to seeing how you get on. -Thanks very much, Martin. | 0:43:14 | 0:43:17 | |
-Nice to meet you both. -Cheers. | 0:43:17 | 0:43:19 | |
How great it is that there are still parts of the UK where you can | 0:43:19 | 0:43:23 | |
buy your children a house as a present | 0:43:23 | 0:43:25 | |
without needing to be a multimillionaire. | 0:43:25 | 0:43:28 | |
How will the family get on sorting this place out? | 0:43:28 | 0:43:30 | |
You can find out later in the show. | 0:43:30 | 0:43:31 | |
Well, one of our buyers has finished their race. | 0:43:36 | 0:43:38 | |
Will the other two reach the finish line, or will they come up short? | 0:43:38 | 0:43:42 | |
Let's find out. | 0:43:42 | 0:43:43 | |
Back to eight miles east of Glasgow city centre now, | 0:43:46 | 0:43:49 | |
and the town of Coatbridge. | 0:43:49 | 0:43:50 | |
I had a look at a three bed upper maisonette guided at £45,000 plus. | 0:43:50 | 0:43:56 | |
I wasn't all that keen on the textured wallpaper | 0:43:56 | 0:43:59 | |
that featured everywhere. | 0:43:59 | 0:44:01 | |
And the whole place was a tad dated. | 0:44:01 | 0:44:03 | |
On the plus side, it did have really | 0:44:03 | 0:44:06 | |
good proportions and bags of potential. | 0:44:06 | 0:44:08 | |
And there was only one negative I could see. | 0:44:08 | 0:44:11 | |
So you don't have a bathroom upstairs, | 0:44:13 | 0:44:15 | |
you have three pretty good-sized rooms. | 0:44:15 | 0:44:17 | |
I'm struggling to find negatives on this house. | 0:44:17 | 0:44:21 | |
Outside, the property had its own good-sized garden, | 0:44:21 | 0:44:23 | |
plus off-street parking, which is always a bonus. | 0:44:23 | 0:44:26 | |
The bidders could see the potential on auction day. | 0:44:26 | 0:44:29 | |
Several people were interested, | 0:44:29 | 0:44:31 | |
but, as ever, there can only be one who succeeds. | 0:44:31 | 0:44:35 | |
It's all yours. | 0:44:35 | 0:44:37 | |
# Yeah, I'm heading for the good life... # | 0:44:38 | 0:44:43 | |
Ready to take on this after getting it for £50,500 was Jamie, | 0:44:44 | 0:44:48 | |
who runs a rendering company and started developing property 25 years | 0:44:48 | 0:44:53 | |
ago as a bit of a hobby. | 0:44:53 | 0:44:55 | |
Not so much a work-life balance as a work-work balance. | 0:44:55 | 0:44:58 | |
He was taking this one in his stride, | 0:44:58 | 0:45:01 | |
and was going to rip it out and start again. | 0:45:01 | 0:45:04 | |
The plan from here is to take the kitchen out, take the bathroom out, | 0:45:04 | 0:45:08 | |
strip wallpaper, carpets, all these wee old-fashioned things. | 0:45:08 | 0:45:13 | |
The decision to put a bathroom upstairs would depend on how far | 0:45:14 | 0:45:18 | |
Jamie could stretch his £7,500 budget. | 0:45:18 | 0:45:22 | |
But he was going to do most of the work himself. | 0:45:22 | 0:45:25 | |
So what was his formula for a successful business | 0:45:25 | 0:45:28 | |
and a demanding hobby? | 0:45:28 | 0:45:30 | |
I work really hard. | 0:45:30 | 0:45:32 | |
-That is the lesson? -Yes. -You're a grafter? -Get stuck in. | 0:45:32 | 0:45:37 | |
And it seems to have paid off, because we're back just seven weeks | 0:45:37 | 0:45:41 | |
later to see what's different about this maisonette. | 0:45:41 | 0:45:44 | |
Jamie has managed to give this tired old home a face-lift, | 0:45:48 | 0:45:52 | |
re-plastering all the walls, making it look modern and clean. | 0:45:52 | 0:45:55 | |
He even installed a new kitchen complete with fresh tiling. | 0:45:58 | 0:46:02 | |
As for the bathroom downstairs, that's been modernised as well. | 0:46:05 | 0:46:09 | |
But did Jamie manage to fit an en-suite upstairs? | 0:46:09 | 0:46:12 | |
We decided not to go with the en suite, because when we did the | 0:46:14 | 0:46:17 | |
measurements, it was taking most of the bedroom away. | 0:46:17 | 0:46:20 | |
It would've been a lot of work, a lot of time, | 0:46:20 | 0:46:23 | |
and I didn't feel it would add any value onto the property. | 0:46:23 | 0:46:26 | |
Jamie decided three decent-sized bedrooms were of more value on the | 0:46:27 | 0:46:32 | |
rental market than an en-suite | 0:46:32 | 0:46:34 | |
and has concentrated on making the bedrooms more bright and modern, | 0:46:34 | 0:46:38 | |
with a contemporary white and grey colour scheme. | 0:46:38 | 0:46:40 | |
It hasn't exactly been straightforward getting here though. | 0:46:42 | 0:46:46 | |
The biggest challenge was removing all the wallpaper. | 0:46:47 | 0:46:50 | |
We were at it for ages just with scrapers, industrial strippers, | 0:46:50 | 0:46:54 | |
and the dreaded woodchip was on it as well. | 0:46:54 | 0:46:57 | |
So it all had to come off, to take the plasterwork. | 0:46:57 | 0:47:00 | |
It was a nightmare. | 0:47:00 | 0:47:02 | |
# You're finding out it's nothing quite like it seems | 0:47:02 | 0:47:07 | |
# You're finding out it's never quite like a dream... # | 0:47:10 | 0:47:13 | |
Removing textured wallpaper is a nightmare. | 0:47:13 | 0:47:17 | |
I feel your pain, Jamie. | 0:47:17 | 0:47:18 | |
And to get through it all, he drafted in help. | 0:47:18 | 0:47:21 | |
I brought a few of the boys in from my company | 0:47:21 | 0:47:24 | |
to help me with the plastering. | 0:47:24 | 0:47:25 | |
But we were just all clearing stuff out. | 0:47:25 | 0:47:27 | |
We had six pick-up loads to take away and dump. | 0:47:27 | 0:47:32 | |
Various guys helped me with the garden, | 0:47:34 | 0:47:36 | |
they cleared all this away, replastered. | 0:47:36 | 0:47:39 | |
So there was a good few of us got stuck in. | 0:47:39 | 0:47:41 | |
I have some friends that do the joinery work. | 0:47:41 | 0:47:44 | |
They came and charged me, so they're not that friendly! | 0:47:44 | 0:47:47 | |
I didn't say that! | 0:47:47 | 0:47:49 | |
As per your request, we've kept that bit in for you, Jamie. | 0:47:49 | 0:47:52 | |
But did he manage to keep to his budget of £7,500? | 0:47:52 | 0:47:57 | |
Very rarely does it go to budget. | 0:47:59 | 0:48:00 | |
We went a bit higher. We're actually on about £9,500. | 0:48:00 | 0:48:04 | |
That overspend put his total investment in this property | 0:48:05 | 0:48:09 | |
at the round sum of £60,000. | 0:48:09 | 0:48:12 | |
But will Jamie reap any profit back from his auction purchase? | 0:48:12 | 0:48:16 | |
We invited along two local estate agents | 0:48:16 | 0:48:19 | |
to get their thoughts on this one. | 0:48:19 | 0:48:20 | |
Starting with the expert who saw the property last time. | 0:48:20 | 0:48:24 | |
First impression is that the new | 0:48:24 | 0:48:25 | |
buyer has brought it up to a good standard. | 0:48:25 | 0:48:28 | |
The main selling points would be the size of the property. | 0:48:28 | 0:48:31 | |
It's good-sized accommodation. | 0:48:31 | 0:48:32 | |
Especially the family-sized kitchen and lounge too. | 0:48:32 | 0:48:35 | |
The standard of finish is good. | 0:48:35 | 0:48:37 | |
It's a good quality kitchen and a good quality bathroom suite that's | 0:48:37 | 0:48:41 | |
been installed. | 0:48:41 | 0:48:42 | |
It does look good and it'll be appealing to a potential | 0:48:42 | 0:48:45 | |
buyer or a tenant. | 0:48:45 | 0:48:46 | |
Good news all round. | 0:48:47 | 0:48:48 | |
But would it have had even greater appeal if Jamie had installed an | 0:48:48 | 0:48:53 | |
en-suite upstairs? | 0:48:53 | 0:48:55 | |
I think an en-suite would perhaps have helped given that the main | 0:48:55 | 0:48:58 | |
bathroom is downstairs, but I don't think it would have added | 0:48:58 | 0:49:01 | |
significantly to the value, although may have added to the desirability. | 0:49:01 | 0:49:04 | |
Well, let's see if the sales figures would be desirable to Jamie, | 0:49:04 | 0:49:10 | |
even though his original intention was to rent the property. | 0:49:10 | 0:49:14 | |
How much could it make on the sales market? | 0:49:14 | 0:49:16 | |
In the resale market, | 0:49:19 | 0:49:20 | |
I would suggest a sales price of approximately £75,000. | 0:49:20 | 0:49:24 | |
On the sales market, I would expect the property to achieve | 0:49:24 | 0:49:27 | |
between 65,000 and £70,000. | 0:49:27 | 0:49:29 | |
75 would be great, but between 70 and 75, I think, | 0:49:29 | 0:49:33 | |
is a fair valuation. | 0:49:33 | 0:49:35 | |
If Jamie got that top estimate of £75,000, | 0:49:35 | 0:49:39 | |
that could give him a potential profit of 15 grand, | 0:49:39 | 0:49:42 | |
minus taxes and fees. | 0:49:42 | 0:49:43 | |
Now, what about on the rental market? | 0:49:43 | 0:49:45 | |
On the rental market, | 0:49:48 | 0:49:49 | |
I would expect this property to achieve in the region | 0:49:49 | 0:49:51 | |
of £600 per calendar month. | 0:49:51 | 0:49:54 | |
In the rental market, | 0:49:54 | 0:49:55 | |
I would suggest this property would achieve £550 per calendar month. | 0:49:55 | 0:49:59 | |
I've actually signed a five-year lease with someone for | 0:49:59 | 0:50:02 | |
£550 a month. | 0:50:02 | 0:50:04 | |
So they're spot on. | 0:50:04 | 0:50:06 | |
That means Jamie is achieving a yield of 11%, | 0:50:06 | 0:50:09 | |
and could stretch to 12% with the top valuation. | 0:50:09 | 0:50:12 | |
But having a long-term tenant is a real bonus. | 0:50:12 | 0:50:16 | |
So a successful job by Jamie. | 0:50:16 | 0:50:18 | |
Any tips for any other would-be property hobbyists? | 0:50:18 | 0:50:22 | |
My advice to anyone buying a property is be prepared to get stuck | 0:50:22 | 0:50:26 | |
in, save as much money as you can and enjoy it | 0:50:26 | 0:50:29 | |
because it can be a lot of fun. | 0:50:29 | 0:50:31 | |
Time to sail on back to Bootle now, where we saw this terraced house, | 0:50:37 | 0:50:42 | |
guided at 35 to £40,000. | 0:50:42 | 0:50:44 | |
It seemed to be in shipshape condition, | 0:50:44 | 0:50:47 | |
except it wasn't quite watertight. | 0:50:47 | 0:50:49 | |
Signs of damp in that corner. | 0:50:50 | 0:50:52 | |
Probably something simple like a gutter that's loose outside, | 0:50:52 | 0:50:55 | |
so nothing too much to report. | 0:50:55 | 0:50:58 | |
And in general, you know, it's a great house. | 0:50:58 | 0:51:00 | |
There really is nothing wrong with it at all. | 0:51:00 | 0:51:02 | |
Taking the helm was retired GP, Andrea, who'd purchased two houses, | 0:51:04 | 0:51:08 | |
one for each of her daughters. | 0:51:08 | 0:51:10 | |
Who got which was decided by the toss of a coin. | 0:51:10 | 0:51:14 | |
Harriet, who came to meet us with Andrea, had one house, | 0:51:14 | 0:51:18 | |
while this one was sister Celia's. | 0:51:18 | 0:51:20 | |
But that hadn't really been the plan. | 0:51:20 | 0:51:22 | |
Mum had accidentally bought two when she was originally going to buy one. | 0:51:23 | 0:51:27 | |
What do you mean, accidentally bought two? | 0:51:27 | 0:51:29 | |
She got a bit happy putting her hand up at the auction! | 0:51:29 | 0:51:31 | |
Andrea had caught a little bit of auction fever. | 0:51:33 | 0:51:35 | |
But, fortunately, her husband, John, stopped her from buying | 0:51:35 | 0:51:39 | |
a third property on the day. | 0:51:39 | 0:51:41 | |
Maybe to try and keep his workload down, as he would be doing all the | 0:51:41 | 0:51:44 | |
refurbishments and Andrea managing the rentals. | 0:51:44 | 0:51:47 | |
But apart from the damp issue, this house didn't need much to get | 0:51:47 | 0:51:52 | |
it ready for the rental market in two to three months. | 0:51:52 | 0:51:55 | |
The budget, set by Celia, was 3,000 to £4,000. | 0:51:55 | 0:51:59 | |
Nine months later, the outside looks pretty much the same. | 0:52:03 | 0:52:06 | |
But why don't you and I get comfy? | 0:52:06 | 0:52:08 | |
Let's pull up a chair... | 0:52:08 | 0:52:10 | |
This one will do. | 0:52:12 | 0:52:14 | |
..and admire all the work that's been done here. | 0:52:14 | 0:52:18 | |
MUSIC PLAYS | 0:52:18 | 0:52:22 | |
The entire downstairs has been re-carpeted | 0:52:32 | 0:52:35 | |
and repainted in neutral colours. | 0:52:35 | 0:52:37 | |
And it was good news for Celia that, after a bit of scrubbing, | 0:52:37 | 0:52:40 | |
they could use the existing kitchen units. | 0:52:40 | 0:52:43 | |
They just installed some new appliances. | 0:52:43 | 0:52:45 | |
So let's throw this over to Andrea | 0:52:48 | 0:52:50 | |
and find out what behind-the-scenes work has taken place. | 0:52:50 | 0:52:54 | |
We started with the roof, to sort the damp out and the gutters. | 0:52:55 | 0:53:00 | |
The kitchen ceiling needed redoing fully. | 0:53:00 | 0:53:03 | |
And then we were going to take one radiator off, | 0:53:03 | 0:53:06 | |
but we took three, replaced three radiators. | 0:53:06 | 0:53:09 | |
We decided to use backing paper rather than skimming all the walls | 0:53:09 | 0:53:13 | |
because of the extra expense. | 0:53:13 | 0:53:16 | |
They managed to save on the expenses upstairs as well by keeping most of | 0:53:16 | 0:53:20 | |
the original bathroom suite. | 0:53:20 | 0:53:22 | |
They only changed the bath panel and fitted vinyl flooring. | 0:53:22 | 0:53:25 | |
And the two bedrooms? | 0:53:27 | 0:53:29 | |
Well, they look fresh and clean. | 0:53:30 | 0:53:33 | |
MUSIC PLAYS | 0:53:33 | 0:53:36 | |
The only serious issue with this house was the damp upstairs, | 0:53:40 | 0:53:44 | |
and it looks like that's been dealt with. | 0:53:44 | 0:53:46 | |
We managed to fix that with sorting out loose tiles and the guttering. | 0:53:46 | 0:53:50 | |
I know I do go on about maintenance, but if you keep the guttering clear, | 0:53:52 | 0:53:56 | |
you really can save yourself a hassle. | 0:53:56 | 0:53:59 | |
And fix loose tiles and slates straightaway. | 0:53:59 | 0:54:02 | |
A stitch in time and all that. | 0:54:02 | 0:54:04 | |
So who was responsible for all the work here? | 0:54:04 | 0:54:06 | |
My husband, John, has done most of | 0:54:07 | 0:54:10 | |
the work with experts in when needed, | 0:54:10 | 0:54:12 | |
for gas, electric and the ceiling. | 0:54:12 | 0:54:15 | |
Ah, yes, they had to call in a plasterer as there was a bit of a | 0:54:17 | 0:54:20 | |
mishap with the ceiling falling in. | 0:54:20 | 0:54:22 | |
Thankfully no-one was injured. | 0:54:22 | 0:54:24 | |
Now what did Andrea do to help with the work? | 0:54:24 | 0:54:27 | |
I've just been here sitting on my rocker | 0:54:29 | 0:54:32 | |
watching and keeping John motivated. | 0:54:32 | 0:54:35 | |
Ah, that explains the lone chair in the reception room. | 0:54:35 | 0:54:40 | |
But now the work is almost complete, | 0:54:40 | 0:54:41 | |
with just a few finishing touches to add, | 0:54:41 | 0:54:44 | |
have they had any luck finding a new occupant for that rocker? | 0:54:44 | 0:54:48 | |
We've always wanted to rent this out long-term. | 0:54:49 | 0:54:52 | |
And we've already found a tenant who wants it long-term. | 0:54:52 | 0:54:56 | |
That will be great news for Celia. | 0:54:56 | 0:54:58 | |
Renovating this home took longer than expected. | 0:54:58 | 0:55:01 | |
So did this have an impact on their £3,000 to £4,000 budget? | 0:55:01 | 0:55:06 | |
Well, the budget has doubled, mainly because of fees, legal fees and the | 0:55:06 | 0:55:11 | |
auction house fees, because we had to, on the legal pact, | 0:55:11 | 0:55:16 | |
we had to pay the other person's costs as well. | 0:55:16 | 0:55:20 | |
With delaying starting with this because we had another property | 0:55:20 | 0:55:23 | |
that we were doing, council tax has crept up. | 0:55:23 | 0:55:28 | |
So apart from fees, which came to just over 4,000, | 0:55:28 | 0:55:32 | |
it was 4,000 to actually do the work. | 0:55:32 | 0:55:36 | |
Including those extra costs, that brings their budget to £8,000, | 0:55:37 | 0:55:42 | |
which gives them a total investment in this property of 47,750. | 0:55:42 | 0:55:48 | |
So was it all worth it? | 0:55:48 | 0:55:50 | |
We invited along two local estate agents to see what they made of the | 0:55:50 | 0:55:54 | |
terraced house, starting with the | 0:55:54 | 0:55:55 | |
agent who saw the property last time. | 0:55:55 | 0:55:58 | |
As regards the changes that they've made, | 0:55:58 | 0:56:01 | |
basically they've brought it back to an original standard, | 0:56:01 | 0:56:04 | |
but a high standard, so that the first or second viewing | 0:56:04 | 0:56:08 | |
for a tenant or a buyer would be a successful viewing. | 0:56:08 | 0:56:11 | |
After looking round the property, it's a lot bigger than I expected, | 0:56:11 | 0:56:15 | |
than I first thought. | 0:56:15 | 0:56:17 | |
The decor is consistent throughout. | 0:56:17 | 0:56:20 | |
Very neutral. It looks like they've done a really good job throughout. | 0:56:20 | 0:56:24 | |
One of the agents tells us the resale market isn't so great in the | 0:56:25 | 0:56:29 | |
area at the moment. | 0:56:29 | 0:56:30 | |
So how does that reflect in sales values on this £47,750 investment? | 0:56:30 | 0:56:36 | |
So I would say to sell this on, | 0:56:38 | 0:56:40 | |
you'd be looking at a figure around about £57,000. | 0:56:40 | 0:56:44 | |
I would expect it to fetch anywhere between £60,000 and £65,000. | 0:56:44 | 0:56:48 | |
That's roughly what we were expecting, so... | 0:56:48 | 0:56:51 | |
But it is for a long-term rent. | 0:56:52 | 0:56:54 | |
At the agents' top estimate of 65,000, that would give them a | 0:56:55 | 0:57:00 | |
profit of 17,250 quid, minus any taxes and fees. | 0:57:00 | 0:57:04 | |
But let's get those all-important rental figures. | 0:57:04 | 0:57:07 | |
The rental value, in my opinion, | 0:57:09 | 0:57:11 | |
ranges between £400 and £450 per calendar month. | 0:57:11 | 0:57:15 | |
I would suggest £425 a month is a very achievable figure for here. | 0:57:15 | 0:57:20 | |
And that fits with what we're getting, which is 450. | 0:57:20 | 0:57:23 | |
£450 per calendar month means they will achieve a yield of 11%, | 0:57:23 | 0:57:28 | |
which will go towards Celia's living costs while she works in London. | 0:57:28 | 0:57:32 | |
So will Andrea and her husband, John, be back at the auction soon? | 0:57:32 | 0:57:36 | |
John's keen to go back to the auction. | 0:57:38 | 0:57:41 | |
But we have a lot of work to do on our own bungalow. | 0:57:41 | 0:57:45 | |
Does this mean John has the auction bug? | 0:57:45 | 0:57:47 | |
John's definitely got the bug. | 0:57:48 | 0:57:50 | |
Hopefully our stories have given you food for thought. | 0:57:54 | 0:57:57 | |
Maybe you're even considering | 0:57:57 | 0:57:58 | |
heading down to your local auction right now. | 0:57:58 | 0:58:01 | |
Yes, but even if you're just an armchair enthusiast, | 0:58:01 | 0:58:04 | |
you can come along for the ride next time here | 0:58:04 | 0:58:06 | |
on Homes Under The Hammer. | 0:58:06 | 0:58:08 | |
-Bye-bye. -Goodbye. | 0:58:08 | 0:58:09 |