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Tatton Park flower show is the last of the big RHS shows that we cover. | :00:14. | :00:21. | |
And talt ton's special. It hasity own atmosphere, which is a glorious | :00:21. | :00:26. | |
deer park, also by the exhibiters, some are local and others come from | :00:26. | :00:31. | |
all over the country. The plants are different, they celebrate a new | :00:31. | :00:34. | |
flowering season. Jo, Carol and I will bring the best of the show | :00:34. | :00:42. | |
tonight and again on Friday, at 8.00 on BBC Two. As a Lancashire | :00:42. | :00:46. | |
lass, comeing to Tatton fills me with pride. I especially love the | :00:46. | :00:53. | |
floral marquee. I will be looking at a huge family of plants, | :00:53. | :00:58. | |
Asteraccea the daisy family, which there are many examples right under | :00:58. | :01:02. | |
this roof. There are more Show Gardens than any other show. Five | :01:02. | :01:07. | |
categories and 36 gardens in total, including those in unique in Tatton | :01:07. | :01:13. | |
Park, the back to backs, a hit with the visitors, and with this elbow, | :01:13. | :01:19. | |
I will barge them out of the way. So sit back, relax, and enjoy the | :01:19. | :01:29. | |
:01:29. | :01:53. | ||
very best of the RHS Flower Show, Tatton has always had a distinctive | :01:53. | :01:58. | |
character. I was here, 14 years ago when the show first opened and from | :01:58. | :02:03. | |
that beginning, it felt separate, in the best possible way. The | :02:03. | :02:09. | |
people, the accents, displays, they were local and proudly of the place. | :02:09. | :02:19. | |
:02:19. | :02:19. | ||
This year, 26 out of the 36 show gardens are local. And Reaseheath | :02:19. | :02:23. | |
college exhibited a garden here, made by the students every year. | :02:23. | :02:30. | |
And this year is no exception. think it is good to have a presence | :02:30. | :02:33. | |
here in the north west, at the Tatton show because it is our local | :02:34. | :02:39. | |
show. The theme of the garden is to display different habitats for | :02:39. | :02:44. | |
different wildlife, insects, mammals, reptiles. This is | :02:44. | :02:49. | |
reflective of planting? We have different colours to reflect | :02:49. | :02:54. | |
insects like bees and butterflies. We had a marginal Bulgaria, for | :02:54. | :03:00. | |
frogs and toads. Why the ivy code? We wanted to put lovely big green | :03:00. | :03:05. | |
living structures in the garden to give it nice structure and provide | :03:05. | :03:10. | |
habitat for nesting birds. This provides screens that provides | :03:10. | :03:15. | |
interest all around. This is fantastic, thank you very much for | :03:15. | :03:21. | |
telling me about it. The designer of Making a Splash close to come | :03:21. | :03:27. | |
here, even though it is her wedding anniversary. When I looked at the | :03:27. | :03:31. | |
application, I thought, should we do the show or celebrate in Rome, | :03:31. | :03:37. | |
but, the pull of Tatton dragged us here again. We couldn't resist. | :03:37. | :03:41. | |
Now all this work into what is a come employee kaited garden. Talk | :03:41. | :03:45. | |
me through it? We have the rock and water garden which is traditional, | :03:45. | :03:50. | |
and a pond. I wanted to make it slightly more contemporary and | :03:50. | :03:58. | |
appeal to the younger market with this. This great orange gentleman | :03:58. | :04:08. | |
:04:08. | :04:09. | ||
kuesy? - Jacuzzi. Do you work in as much as possible or restrict your | :04:09. | :04:13. | |
theme? I try as much as possible, get the right plant the right place, | :04:13. | :04:18. | |
and work the colour scheme through. I use the orange planting this year, | :04:18. | :04:24. | |
to bring in the tub. I wanted it to make a statement. If you want your | :04:24. | :04:31. | |
garden done, you want to go "wow." The care home garden is done by a | :04:32. | :04:35. | |
first timeer. I made myself I was going to do a garden at Tatton and | :04:35. | :04:40. | |
that would make it happen. The garden is very much about trying to | :04:40. | :04:45. | |
find ways to help people, enjoy the garden and interact with it. The | :04:45. | :04:50. | |
planters that are in the garden are different heights, so for some | :04:50. | :04:53. | |
people could work at while they're standing or some from a wheelchair | :04:53. | :04:59. | |
and some sitting even. I suppose a key aspect about it is memory and | :04:59. | :05:03. | |
memory prompts. And familiar plants are really helpful in that. There's | :05:03. | :05:08. | |
research that gardeners are less likely, I hope it is true, to | :05:08. | :05:12. | |
develop dementia. And yet anyone, I can imagine myself if I have to go | :05:12. | :05:16. | |
in a care home later, as well as the hard thing about losing | :05:16. | :05:24. | |
independence, it would be heart- breaking to no longer garden. To | :05:24. | :05:28. | |
help ways helping people continue must continue. It is fascinating | :05:28. | :05:38. | |
:05:38. | :05:45. | ||
The floral marquee is full of the exquisite exhibits. But I'm on the | :05:45. | :05:50. | |
lookout for specific plants. It is astonishing to think that one in | :05:50. | :05:55. | |
ten of the flowering plants on the planet is a daisy. Belongs to the | :05:55. | :06:02. | |
daisy family, Asteraccea. And they come in all sorts of shapes, sizes, | :06:02. | :06:06. | |
colours, it is incrediblely diverse family. I suppose when you say | :06:06. | :06:11. | |
daisy, this is the sort of flower that springs to mind. It is a kind | :06:11. | :06:16. | |
of flower that kids draw. This central disc is composed of | :06:16. | :06:21. | |
hundreds of little flor receipts, all separate flowers, that go | :06:21. | :06:27. | |
together, and this means this there's loads of food in there for | :06:27. | :06:33. | |
visiting insects. But even within one, there can be all sorts of | :06:33. | :06:39. | |
variety. This is Rudbeckia, it is grown from seed. Just five seed | :06:39. | :06:44. | |
pods made this immensely diverse range. Everything from simple, | :06:44. | :06:50. | |
single flowers, splashed with mahogany to these complex doubles, | :06:50. | :07:00. | |
:07:00. | :07:04. | ||
Another simple daisy, it is an old favourite and no wonder, it does | :07:04. | :07:09. | |
amazingly well. You can tell how much it loves the sunshine. But, | :07:10. | :07:16. | |
would you have thought, that Achilleas belong to the same family. | :07:16. | :07:20. | |
Here there are no outside petals, but if you look carefully at the | :07:20. | :07:27. | |
head, it is composed of what is an expanded centre, lots of separate | :07:27. | :07:35. | |
individual little daisies. Each with their own tiny stem. They're | :07:35. | :07:40. | |
of this time of year but fade well too. They're one of my favourite | :07:40. | :07:47. | |
flowers, simple, straightforward and really easy. Perhaps the daisy | :07:47. | :07:52. | |
that's really most familiar, and cherished by many people, is a | :07:52. | :08:00. | |
little tiny daisy that pops up all over our lawns, it looks similar to | :08:00. | :08:06. | |
this, it is a simple, single flower. Of course this would be no good in | :08:06. | :08:14. | |
the lawn. This is Erigeron, a Mexican daisy and the place's | :08:14. | :08:19. | |
eating halls is walls and crevices, its seeds fly in and it makes the | :08:19. | :08:24. | |
cascades of growth. It is all over the place in my garden. But if you | :08:24. | :08:30. | |
do want to make a lawn out of daisies, how about this. This is a | :08:30. | :08:39. | |
double form of Chamaemelum. It is wonderfully scented. If you crush | :08:39. | :08:49. | |
:08:49. | :08:55. | ||
this foliage, and these flowers are I haven't seen this for ages! This | :08:55. | :09:01. | |
is Stokesia, a plant from the States. It is truly perennial, it | :09:02. | :09:06. | |
is an absolute delight. It should be for widely grown. Look at that. | :09:06. | :09:11. | |
I'll tell you what on this stand, if you took all the daisies away | :09:11. | :09:17. | |
there would be little left. Isn't it true of all our gardens, remove | :09:17. | :09:26. | |
the daisies and they would be much poorer places. Every year I look | :09:26. | :09:30. | |
forward to seeing the back to back gardens, these are baisd on the | :09:30. | :09:35. | |
small back yards, typical to a town in the industrial north. They are | :09:35. | :09:41. | |
tiny little plots, six metres by six metres, so a designer has to | :09:41. | :09:44. | |
think carefully how to maximise The Space. There are nine of them, and | :09:44. | :09:52. | |
this one caught my eye specifically. It is called Urban Escapeism. | :09:52. | :09:57. | |
You're shaded out by trees, and buildings, so the shady planting | :09:57. | :10:02. | |
works beautifully well. It is simple, but I like the way it cuts | :10:02. | :10:06. | |
across the rectangle yar, it dedivides it up and breaks up The | :10:06. | :10:12. | |
Space. It is picked up well with the box hedging. I love the tree | :10:12. | :10:17. | |
ferns, fantastic specimens in this garden. Hairy trunks and great | :10:17. | :10:22. | |
plants to use in a small space like this. When you look down in a | :10:22. | :10:27. | |
garden and you need the spread of them which break up and divide The | :10:27. | :10:31. | |
Space. Detail is absolutely everything in a garden like this. | :10:31. | :10:36. | |
This bench is beautifully made. Of course it gives you somewhere to | :10:36. | :10:46. | |
:10:46. | :10:53. | ||
When I think of Vincent Square I think of the HQ of the RHS. In the | :10:53. | :10:57. | |
jail house was suffragettes, this garden represents a hundred years | :10:58. | :11:03. | |
since the movement turned militants, so we've a postbox here with the | :11:03. | :11:10. | |
Flame Thrower coming out of it, if someone set fire to the mail there. | :11:10. | :11:15. | |
On this wall, we have the motto which is "purity, dignity and hope". | :11:16. | :11:20. | |
A window smashed with a rock. And here a literal reference to | :11:20. | :11:24. | |
chaining yourself to the iron railings. And the planting, picking | :11:24. | :11:33. | |
up on lots of women's names throughout. On this corner, we have | :11:33. | :11:38. | |
Sylvia, two of Emily pank Hurst's daughters. There's thought and | :11:38. | :11:43. | |
themes running through it. I'm not the only one it must be time the | :11:43. | :11:51. | |
women did get the vote. One of the things I particularly like this | :11:51. | :11:54. | |
year's back to back gardens is their inspiration has been drawn | :11:54. | :11:59. | |
from a diverse range of sources. So you have a wild flower meadow | :11:59. | :12:06. | |
converted here. A garden without a single straight line, all circles | :12:06. | :12:11. | |
and curves. For three first timers they've chosen the inspiration from | :12:11. | :12:18. | |
the Peak District and disstill the essence in a small garden. I love | :12:18. | :12:23. | |
the Peak District because it is a diverse place. I've never seen | :12:23. | :12:29. | |
anything else like it. I love the scenery. I love the | :12:29. | :12:36. | |
landscape, everything, it is what I am, I'm a home boy, a Peak District | :12:36. | :12:42. | |
boy born and bred: I love its changing landscape. It can look | :12:42. | :12:52. | |
:12:52. | :12:52. | ||
great, even in the pouring rain and Our gardens called peacekeep | :12:52. | :12:56. | |
reflections and it is about the Peak District and hopefully we | :12:56. | :13:01. | |
captured a lot of the enelse featureed all around this glorious | :13:01. | :13:06. | |
landscape. And we're hoping to show the legacy of the past as well, the | :13:06. | :13:11. | |
traditional skills involved in all of what you see around you. This is | :13:11. | :13:18. | |
our finished design. This is the surrounding dry stone wall which | :13:18. | :13:22. | |
gives a sense of history and enclosure. This is a driving energy | :13:22. | :13:27. | |
force, the water reel which used to be used in industry to drive the | :13:27. | :13:29. | |
cotton mills. We have the Peak District stone here in the wall. | :13:29. | :13:34. | |
And the embankment comes up here, which is taken from the railway | :13:34. | :13:41. | |
lines, that are all around the Peak District now, now used as ramblers | :13:41. | :13:51. | |
:13:51. | :13:54. | ||
I've always had a passion for plants. The plants that we | :13:54. | :13:57. | |
particularly went for is to get the colours and natural look of the | :13:57. | :14:02. | |
Peak District. It is lovely and changes throughout the year, even | :14:02. | :14:08. | |
in different weather conditions. The oranges and reds, also gone for | :14:08. | :14:12. | |
different colours within the grasses, we have the Stiverss tried | :14:12. | :14:18. | |
to pick different ones. Which again they have the pink tips on it. Even | :14:18. | :14:24. | |
though I work with plants every day, I'm blase about getting them in and | :14:24. | :14:28. | |
getting them to the right stage I want them to be. The condition is | :14:28. | :14:38. | |
:14:38. | :14:39. | ||
harder than I thought to be honest. The most important thing about | :14:39. | :14:42. | |
capturing the Peak District in our design was the dry stonewalling. | :14:42. | :14:47. | |
Because no matter where you go in the Peak District there's dry stone | :14:47. | :14:52. | |
walls everywhere. It is going to be the basis and foundation of our | :14:52. | :14:57. | |
design. We've got eight linear metres of dry stone wall, two | :14:57. | :15:02. | |
metres high, and we're aiming to do it in three days. That's | :15:02. | :15:06. | |
incorporateing all the features, so it will be difficult. There's a lot | :15:06. | :15:15. | |
of work, but with decent weather and a bit of luck, we can pull it | :15:15. | :15:22. | |
off. Secretly, we would love to get a medal Gold. A medal would be fine. | :15:22. | :15:27. | |
It is the second most visited National Park in the world. We're | :15:27. | :15:34. | |
hoping to bring awareness about our surroundings and how lucky we're | :15:34. | :15:41. | |
here to be here. That's a challenge, to put it in about a six by four | :15:41. | :15:47. | |
plot. It was distressful at times but we managed it. You got a Silver | :15:47. | :15:51. | |
Gilt and Best In Show, first garden ever. We're very pleased. Couldn't | :15:51. | :15:56. | |
be happier. The planting is lovely. And it is to get the essence of all | :15:56. | :16:01. | |
the seasons and colours, that you see in the landscape, as you go, | :16:01. | :16:06. | |
right throughout the year. I think we've done it. The wall is a | :16:06. | :16:12. | |
triumph. I'm over the moon with it, the wall is my favourite part. | :16:12. | :16:17. | |
there any friction during the build? It was a little bit heated | :16:17. | :16:22. | |
every now and again. What was the low point? Friday was low, when we | :16:22. | :16:27. | |
were wet through. Planting is tipping down rain. When the medal | :16:27. | :16:32. | |
came around, you must have been over the moon! Yeah. Next year, | :16:32. | :16:38. | |
coming back? Already drown it. We were up at 4am. I was up this | :16:38. | :16:45. | |
morning at 5. Are you going to get the two on board. We'll see. | :16:45. | :16:55. | |
:16:55. | :16:58. | ||
Tatton always welcomes first-timers, but there are lots of people | :16:58. | :17:01. | |
exhibiting here who have been coming here for years. Harts | :17:01. | :17:08. | |
Nursery have been exhibiting their gold medal-winning lilytor ten | :17:08. | :17:13. | |
years, last year we visited them to see why they're so passionate about | :17:13. | :17:21. | |
growing these beautiful flowers. Lillies are special because they're | :17:21. | :17:26. | |
beautiful in colour, they smell absolutely wonderful. There really | :17:26. | :17:35. | |
is a lily for every sight and situation. We're into the third | :17:35. | :17:39. | |
generation of Harts Nursery, and if you want to include our | :17:39. | :17:47. | |
grandchildren, that's the fourth generation. It is a family affair. | :17:47. | :17:53. | |
We do RHS shows all year. But, I suppose my favourite has got to be | :17:53. | :18:00. | |
Tatton. We keep the bulbs on cold storeage. As soon as we go out of | :18:00. | :18:05. | |
cold store, people want them to grow and people can have them at | :18:05. | :18:09. | |
the end of September. I'm always asked which varieties I love, which | :18:09. | :18:13. | |
ones I would chose, and that tends to make up people's minds, which is | :18:13. | :18:21. | |
a hard question, because there's a lot of varieties that I like. These | :18:21. | :18:26. | |
oriental trumpets, is called rub beana. It will grow in any soil, | :18:26. | :18:31. | |
next year it could be at least seven foot tall. Abundance of | :18:31. | :18:36. | |
blooms. Stems become very thick and sturdy, so you have no danger of | :18:36. | :18:43. | |
them blowing over in the wind. They're a really good all-rounder. | :18:43. | :18:47. | |
Another favourite is Miss Lucy, double oriental, so it needs an | :18:47. | :18:52. | |
acid soil. The nice thing is it has no pollen, if you're worried about | :18:52. | :18:58. | |
it staining your clothes and is really pretty Some people don't | :18:58. | :19:06. | |
like the scent of oriental and oriental trumpets, so I advise them | :19:06. | :19:12. | |
to buy Asiatic lillies, they're vibrant in colour, they like an | :19:12. | :19:19. | |
alkaline soil. This one is called Forever Susan and grows well in | :19:19. | :19:27. | |
orders or pots. What does Nani hate most? Lily beetle. They're a | :19:27. | :19:32. | |
nuisance and you need to get them off as soon as possible. A good | :19:32. | :19:38. | |
remedy is to use a garlic solution, sprayed on them every few days and | :19:38. | :19:43. | |
that keeps the lily beetle well away. Just pick off every evening | :19:43. | :19:49. | |
or morning, or use your grandchildren. We've been at this | :19:49. | :19:54. | |
nursery for 30 years. And this year, we've moved to a new nursery, where | :19:54. | :19:58. | |
we wanted to expand growing the lillies. So that our son Jonathan | :19:58. | :20:00. | |
would be able to take over for the future. | :20:00. | :20:05. | |
It is the first year that we've been able to grow our lillies in | :20:05. | :20:10. | |
the new nursery for Tatton Park. It is an important show to us, it is | :20:10. | :20:16. | |
our local show, so it is extra special. Logisticly we use cut | :20:16. | :20:20. | |
flower because they take up less room when transported and less | :20:20. | :20:28. | |
damage done to the flower than if we were to use pots. Mum with our | :20:28. | :20:33. | |
flor restry background that is a flare for arranging flowers, so she | :20:33. | :20:38. | |
makes the displays beautiful. We'll take 700 stems of the flowers that | :20:38. | :20:41. | |
have been grown to Tatton Park. One of the problems with transporting | :20:42. | :20:47. | |
the lillies is the flowers getting marked by the stains, we protect | :20:47. | :20:52. | |
them by wrapping them with cling film to make them easier to | :20:52. | :20:56. | |
transport. One of the plants we're hoping to take to Tatton is a new | :20:56. | :21:03. | |
introduction to us, auld the Torch. It is touch and go if it is going | :21:03. | :21:10. | |
to be perfect but hopefully it will be in tip top condition, and a | :21:10. | :21:14. | |
centrepiece for Tatton Park this year. Well, despite the huge | :21:14. | :21:20. | |
upheaval moving nurseries, you've not only one gold but best exhibit | :21:20. | :21:25. | |
in the floral marquee? It is lovely, because we live locally and all our | :21:25. | :21:31. | |
customers are here to see it, so it is hugely special. Torch made it? | :21:31. | :21:36. | |
Torch made it, after wrapping it in cotton wool, basically and made it | :21:36. | :21:42. | |
to the top of the stand. pinnacle. It looks beautiful. | :21:42. | :21:46. | |
of the things that people get concerned about lillies is pollen. | :21:46. | :21:50. | |
The best thing for geting it off your clothes or carpets is using | :21:50. | :21:54. | |
sticky tape, press the sticky tape on to the pollen and it comes off | :21:55. | :22:00. | |
all in one go. Never touch it with your fingers, because the moisture | :22:00. | :22:07. | |
will make it stay permanently on the clothes. Alternatively wear | :22:07. | :22:13. | |
something like this, and then it doesn't show. Thank you very much. | :22:13. | :22:18. | |
Now whether it is sharing tips about pollen or just spliting a | :22:18. | :22:23. | |
packet of seeds with a friend, sharing things is one of the great | :22:23. | :22:26. | |
pleasures with gardening. The Cheshire Garden Trust do that. | :22:26. | :22:30. | |
Whilst doing really important work preserveing the north's | :22:30. | :22:33. | |
horticultural heritage this. Year they have a show garden at Tatton. | :22:34. | :22:38. | |
It is designed by one of the fellow members, Jaquetta Menzies, it is | :22:38. | :22:42. | |
called Time and Tide. It is a coastal garden and we went along a | :22:42. | :22:47. | |
few weeks ago to meet Jaquetta Menzies as she made our | :22:47. | :22:56. | |
preparations. This year, special garden trust is about called we | :22:56. | :23:03. | |
wills nursery, it was founded by William Caldwell, in 1780, and it | :23:03. | :23:08. | |
supplied all the big gardens that you go and visit nowadays with | :23:08. | :23:15. | |
their plants. So here at articley, a few of the trees, shrubs and | :23:15. | :23:21. | |
herbaceous will have come from Caldwell. It is the first time, and | :23:21. | :23:31. | |
:23:31. | :23:34. | ||
what I took for motivation, is the logo, which is King Canute. King | :23:35. | :23:42. | |
Canute is strongly related to Knutsford. It used to be called | :23:42. | :23:48. | |
that, it is a legend that Canute visit there. That disarmed to put | :23:48. | :23:52. | |
King Canute himself in the centre of the garden. | :23:52. | :23:58. | |
Today I'm excited because I'm meeting Barbara from the trust, | :23:58. | :24:05. | |
she's bringing artefact and material to inspire me of my design. | :24:05. | :24:15. | |
I brought artefact that we clebted. These include some of the old | :24:15. | :24:22. | |
pictures of the family. That's 1908. They are a fine family, look at the | :24:22. | :24:30. | |
hairdos. This is one of the Caldwell, there's six of them, it | :24:30. | :24:35. | |
was his grandson who was the last one. For 200 years they were there. | :24:35. | :24:40. | |
But really we have fragmentry things that remain. Most precious, | :24:40. | :24:49. | |
there's a customer ledger, dating back to 1789. In here, among all | :24:49. | :24:57. | |
the records, is a record for Peter wash ton, and this is the list of | :24:57. | :25:03. | |
all the vegtables they would have ordered for the gardens out here. | :25:03. | :25:10. | |
This is over00 years old, so it is incredible to have these records. | :25:10. | :25:14. | |
This is so fragile this is why they're transcribeing these, and | :25:14. | :25:19. | |
put them in a database, so everybody can share them. That | :25:19. | :25:29. | |
:25:29. | :25:29. | ||
would be so interesting. I'm using the Peter to give it a blue, | :25:29. | :25:39. | |
because it is useful and has the connection with Caldwells, because | :25:39. | :25:46. | |
the Nepeta, was the same solid to Caldwells many years ago and it is | :25:46. | :25:56. | |
:25:56. | :26:00. | ||
still flourishing. These, he canian do well on a dry sandy soil. Well, | :26:00. | :26:06. | |
the structure of the garden is based on the spiral. It emanates | :26:06. | :26:10. | |
from a large statue of King Canute which is made of woven measure, so | :26:10. | :26:15. | |
you will be able to see will you him. He dominates, with memories | :26:15. | :26:21. | |
and historical facts, just swirling away from him, like the flow of the | :26:21. | :26:25. | |
sea. I'm hoping the judges will be delighted with it. I don't know | :26:25. | :26:31. | |
whether they will be or not but I'm hoping they will see it, and be, | :26:31. | :26:36. | |
really pleased. It's a garden that should bring a smile to your face, | :26:36. | :26:43. | |
that's the idea. Congratulations. You've got a silver, how has it | :26:43. | :26:48. | |
been? I'm so pleased we have a silver at the end of the day. It | :26:48. | :26:53. | |
was a wet and muddy build. You've chosen doing a coastal garden, | :26:53. | :26:58. | |
which is about light, drainage and sun. How did you set about trying | :26:58. | :27:03. | |
to capture that effect? Wanted to use the silver-leafed plants, | :27:03. | :27:08. | |
because they reflect the light and move with the wind and resilient as | :27:08. | :27:12. | |
well. You had this whopping great sculpture, dominating your quite | :27:12. | :27:17. | |
small garden. It somehow works doesn't it? He's light and airy, | :27:17. | :27:21. | |
like the light and airy plants. He is dancing on the waves. Caldwell | :27:21. | :27:28. | |
is an important part, both the sculpture and the plants. Are you | :27:28. | :27:32. | |
looking for more material? Definitely. If anyone has any | :27:32. | :27:38. | |
memories of Caldwells, or artefact from Caldwells, please get in touch | :27:38. | :27:42. | |
with the Cheshire gardens trust. You can get in touch via our | :27:42. | :27:48. | |
website. There is a link to the trust. Well, | :27:48. | :27:51. | |
that's it for tonight. I hope you like this taste of Tatton. But | :27:51. | :27:58. | |
there is more to come. On Friday night BBC Two, we will be back at 7 | :27:58. | :28:04. | |
pment. Iming looking at a new category, the Orchestra Gardens. | :28:04. | :28:10. | |
will be looking at the floral marquee, at plants that extend the | :28:10. | :28:16. |