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We've revelled in the prestige of Chelsea and basked | :00:00. | :00:07. | |
in the grandeur of Hampton Court, but we have one final floral | :00:08. | :00:11. | |
We've headed to Tatton Park in Cheshire for the Great | :00:12. | :00:18. | |
Hello and welcome to the Royal Horticultural Society's Flower Show, | :00:19. | :00:54. | |
Tatton Park, an event supported by Bruntwood properties | :00:55. | :00:56. | |
It's setting within a 1000 acre deer park couldn't be more glorious. | :00:57. | :01:03. | |
Now in its 18th year, Tatton really has established itself | :01:04. | :01:07. | |
as the premier garden event in the North of England. | :01:08. | :01:13. | |
It has gone from strength to strength. I came to the first show | :01:14. | :01:23. | |
and came to most of them since. I did not know what to expect of what | :01:24. | :01:27. | |
became apparent immediately was a sense of identity and place. It was | :01:28. | :01:31. | |
unlike any other show and that is really important. It's fun, it's | :01:32. | :01:36. | |
relaxed, you see the garden spaces to enjoy and bring a picnic and | :01:37. | :01:41. | |
enjoy the fabulous weather. Since Tuesday, the sun hasn't stopped | :01:42. | :01:48. | |
shining. Although Hampton Court was a few weeks ago, there is a | :01:49. | :01:51. | |
different palette, different plants, fabulous fruit and veg. Masses, | :01:52. | :01:56. | |
horticulture and, to look at. It feels like it is kicking off the | :01:57. | :01:58. | |
holiday season. We've lots for you to enjoy coming | :01:59. | :01:59. | |
up on tonight's programme. Rachel de Thame and Toby Buckland | :02:00. | :02:02. | |
will be taking a look at the much loved Back to Back garden category | :02:03. | :02:05. | |
and revealing some of these Danny Clarke will be | :02:06. | :02:08. | |
joining me to review this Seven humble sheds transformed | :02:09. | :02:15. | |
into the ultimate escapes And our own plant perfectionist | :02:16. | :02:18. | |
Carol Klein will be choosing her stand out hardy plants | :02:19. | :02:23. | |
in the floral marquee. But as always the show gardens | :02:24. | :02:31. | |
here at Tatton attract a lot of attention and this year | :02:32. | :02:34. | |
there are six diverse Earlier, Rachel and I went to take a | :02:35. | :02:36. | |
look at some of them. This is natural visions by Jackie | :02:37. | :02:52. | |
Knight, Stone used in lots of different ways but what I like about | :02:53. | :02:57. | |
it, it is cohesive. It is the same stone from the same quarry | :02:58. | :03:01. | |
throughout. Slate Terrace here, Slate dry stonewalling. What this | :03:02. | :03:06. | |
garden makes you what to do is get off the patio and get onto the rocks | :03:07. | :03:11. | |
again mountain goat. It creates a nice movement through it. It really | :03:12. | :03:16. | |
connects you to the stone itself. Water is a key element in a garden | :03:17. | :03:20. | |
but the sound is absolutely critical to get it right. | :03:21. | :03:25. | |
Here, Jackie has got it spot on, it sounds like a babbling brook, it is | :03:26. | :03:32. | |
totally just right and it brings a lovely cooling presents on a hot day | :03:33. | :03:34. | |
like this. These plants associate with water, | :03:35. | :03:42. | |
lush and green, they like their roots permanently wet. They can be | :03:43. | :03:47. | |
grown as marginals on the edge of a pond even in those water baskets. | :03:48. | :03:51. | |
Plants like this, huge architectural leaves. This one will try and take | :03:52. | :03:57. | |
over the world eventually. And then there is the lovely Iris over there | :03:58. | :04:02. | |
and one of my favourites, the stately arum lily. It combines | :04:03. | :04:07. | |
really nicely with these large rocks within this planting. This bit works | :04:08. | :04:10. | |
beautifully. This is the through the looking | :04:11. | :04:26. | |
glass designed by Pip Probert, a large and very intriguingly designed | :04:27. | :04:29. | |
space, these large metal frames dominate the garden, some of them | :04:30. | :04:33. | |
are filled with glass and you can see straight through them but they | :04:34. | :04:36. | |
block some of the sound. Others framed the view beautifully. | :04:37. | :04:43. | |
There is wonderful use of hard landscaping, I love these large | :04:44. | :04:48. | |
pebbles which are then reflected in smaller gravels along the winding | :04:49. | :04:53. | |
path. The whole thing is softened beautifully by the planting in a | :04:54. | :04:56. | |
very romantic palette of pinks and mauve colours, Verbena, that lovely | :04:57. | :05:03. | |
Echinacea over there. It is then heightened with white. I love this | :05:04. | :05:11. | |
sparkle of the Agapanthus. It is also strong on foliage interest, | :05:12. | :05:15. | |
love the tree ferns. And these beautiful umbrella trees. | :05:16. | :05:25. | |
This is the rainbow garden by Alan Nugent. When you first see this | :05:26. | :05:32. | |
garden, you think, wow, that is full of impact. You think this is not the | :05:33. | :05:37. | |
sort of thing I would do in my garden but that is the whole point. | :05:38. | :05:41. | |
This is not meant to be a private garden, this is actually a community | :05:42. | :05:45. | |
space. It is about education as well. | :05:46. | :05:50. | |
Richard of your day battle in vain, I am not just mumbling to myself, it | :05:51. | :05:58. | |
is a way of remembering the colours of the rainbow, which is exactly | :05:59. | :06:02. | |
what this garden is based on. Reid, Crook is Mia. | :06:03. | :06:06. | |
Fantastic red Dahlia next to the zanys, that is in the hot spicy | :06:07. | :06:15. | |
colour, Orange. Yellows... You get the idea. But I think my favourite | :06:16. | :06:21. | |
bit and the bit that works best as far as planting is this Verbena. | :06:22. | :06:28. | |
This is a designer's dream, everyone loves it. It is nice and upright, | :06:29. | :06:33. | |
sturdy stems, doesn't need staking out all. Throughout the whole | :06:34. | :06:37. | |
summer, right into the autumn sometimes, you get these fabulous | :06:38. | :06:40. | |
purple flowers. Bees and butterflies adore it. | :06:41. | :06:46. | |
At the back of the garden, we have this vast terrace. It feels a bit | :06:47. | :06:53. | |
municipal. Even for what this garden is trying to achieve. I would have | :06:54. | :06:57. | |
liked to have seen it a bit smaller and more in scale with regard | :06:58. | :07:01. | |
itself. But when you find out this garden is going to go to a school, | :07:02. | :07:05. | |
after the show, and this area is going to be in outdoor learning | :07:06. | :07:10. | |
place, it is interactive. Like garden classroom. It all makes | :07:11. | :07:16. | |
sense. -- like a garden. As folk up in the north-west is all too | :07:17. | :07:18. | |
aware... The climate | :07:19. | :07:21. | |
in this part of the world But that's no barrier to producing | :07:22. | :07:23. | |
competition standard exhibits. Up here, when the growing gets | :07:24. | :07:27. | |
tough, the tough get growing. Carol Klein has been to find out | :07:28. | :07:29. | |
just what makes a plant hardy and pick her hero plants that have | :07:30. | :07:32. | |
made it into the floral marquee. Ask gardeners are always going on | :07:33. | :07:49. | |
about hardy plants. But what do we mean by a hardy plant? A hardy plant | :07:50. | :07:53. | |
is one that will withstand really low winter temperatures. But on top | :07:54. | :08:00. | |
of that, there are other factors that impinge. Some plants, if they | :08:01. | :08:04. | |
are really well-drained, will withstand very, very low | :08:05. | :08:08. | |
temperatures. But put them in boggy, heavy soil and they will collapse | :08:09. | :08:12. | |
just like that at the first sign of frost. | :08:13. | :08:16. | |
Age is also a factor. A young plant can withstand far less cold men and | :08:17. | :08:22. | |
older, established specimen that has got its roots truly and firmly into | :08:23. | :08:27. | |
the soil surrounding it -- far less than in older. | :08:28. | :08:32. | |
He Lemi's have to be amongst the hardiest of all hardy plants. No | :08:33. | :08:38. | |
wonder, they have come from the banished prairies of North America | :08:39. | :08:44. | |
they put up with extreme cold and hot temperatures during the summer. | :08:45. | :08:50. | |
This has endeared them not only to growers here but hybrid growers in | :08:51. | :08:54. | |
Germany where they have a similar sort of climate. You can depend on | :08:55. | :09:00. | |
them what the weather. Their flowers are very distinctive with these of | :09:01. | :09:06. | |
velvet doorknob middles, like a tutu of petals that sticks out of the | :09:07. | :09:10. | |
side. These are members of the daisy family, the middle is made up of | :09:11. | :09:14. | |
lots and lots of tiny little flowers. To prolong their flowering, | :09:15. | :09:24. | |
when the first flowers are finished, take a sharp pair of scissors and | :09:25. | :09:30. | |
cut back the stem to where the next bug is emerging, that way you can | :09:31. | :09:34. | |
have flowers right the way through to the end of September or sometimes | :09:35. | :09:35. | |
October -- next bud. You don't have to be ordinary to be | :09:36. | :09:48. | |
hardy. Here is a great example, these at first sight, don't even | :09:49. | :09:54. | |
look related. But they are both members of the Rose family. You have | :09:55. | :09:58. | |
got tiny bubbles will stop this one is called Tanna, but when it comes | :09:59. | :10:05. | |
to lilac squirrel comic stands out so wonderfully with these flowers | :10:06. | :10:08. | |
like a feather boa. It would be great to be used on its own. | :10:09. | :10:18. | |
Margery Fish is the Tuwai end of hardy plants. If in doubt, plant a | :10:19. | :10:28. | |
germanium. They really are amongst the most hardy of all plants. What's | :10:29. | :10:34. | |
more, they are germanium buzz for every kind of situation. Whether it | :10:35. | :10:38. | |
is shade or false -- there are geraniums. This one is fairly new on | :10:39. | :10:44. | |
the scene and loves to feel the sun, Rozanne. Such an easy plants to | :10:45. | :10:48. | |
grow, ideal if you are just beginning to garden. -- such an easy | :10:49. | :10:51. | |
plant. You can't help but admire | :10:52. | :10:52. | |
the dedication of all the exhibitors Some of these small, | :10:53. | :10:55. | |
independent growers face huge We paid a visit to one such | :10:56. | :10:58. | |
nurserywoman in Dumfriesshire, and discovered that whilst her | :10:59. | :11:01. | |
location may be remote, she's closer to realising her | :11:02. | :11:04. | |
dream of securing a gold I'm Helen Knowles, I live at Upper | :11:05. | :11:25. | |
Millstead in beautiful Dumfries Galloway with my mother and | :11:26. | :11:29. | |
wonderful husband Michael, they both help me out in the nursery where I | :11:30. | :11:32. | |
grow hardy perennials that will thrive in this part of the world. | :11:33. | :11:39. | |
We share the farm with a flock of Pedigree Shetland sheep. We've got | :11:40. | :11:47. | |
three alpacas who are hopefully going to have their first baby | :11:48. | :11:51. | |
alpaca round about the time of the Tatton Flower Show. It adds to the | :11:52. | :11:58. | |
pressure. We've also got hens. Six springer spaniel 's, a Labrador and | :11:59. | :12:04. | |
two cats, Thomas and Timmy. And we have bees. They do a lot of | :12:05. | :12:08. | |
pollinating in the garden for me and supply some fantastic honey. They | :12:09. | :12:13. | |
take priority. All of our water comes from a spring on the Hill. | :12:14. | :12:17. | |
That is the biggest concern, especially with a dry summer like | :12:18. | :12:20. | |
this one, that water is in short supply. Animals and the plants come | :12:21. | :12:24. | |
first and we are very much at the bottom of the pecking order, here. | :12:25. | :12:32. | |
We are about 600 feet above sea level and the main issues regarding | :12:33. | :12:38. | |
this particular part of the world, the incredibly high rainfall. On | :12:39. | :12:41. | |
average over the last few years you are looking about 5-6 feet of rain, | :12:42. | :12:47. | |
huge amount of water. Added to that, we have boulder clay and that water | :12:48. | :12:50. | |
doesn't drain away particular quickly. In the winter months, the | :12:51. | :12:55. | |
plants can sit in cold, waterlogged soil because we get quite | :12:56. | :13:00. | |
low-temperature 's, minus 10--15d. That is not unusual. They have to be | :13:01. | :13:04. | |
extremely hardy. We tend to find that plants from that belt of | :13:05. | :13:07. | |
temperate woodlands across the northern hemisphere and in | :13:08. | :13:10. | |
particular the Himalayan regions thrive here because they can cope | :13:11. | :13:14. | |
with the tough conditions that we experience. | :13:15. | :13:22. | |
These plants seem to love the conditions that we have in the | :13:23. | :13:29. | |
garden. We will not be taking these Tatton because they will be over, | :13:30. | :13:35. | |
the flowers are only starting now. These should be just about right for | :13:36. | :13:40. | |
the show, they are starting to show colour. Gordon Himalayan cowslip. | :13:41. | :13:47. | |
Fragrant flowers. I am also hoping that some of these should be in | :13:48. | :13:51. | |
flower. This one is fire, which has really rich red flower spikes on it. | :13:52. | :13:56. | |
Absolutely stunning when it is in full bloom. Beautiful, beautiful | :13:57. | :14:06. | |
deep red flowers, so deep. They are almost black. These plants are just | :14:07. | :14:09. | |
perfect at the moment, they are full of bugs. Another few weeks they will | :14:10. | :14:16. | |
be spectacular -- full of buds. They should be just a mass of flowers, | :14:17. | :14:18. | |
come Tatton. There is a certain element of luck | :14:19. | :14:26. | |
and we are at the mercy of the elements. Quite often, I have to | :14:27. | :14:29. | |
move plants from one place to another into some of the poly | :14:30. | :14:33. | |
tunnels to get them a bit warm and bring them into flower. But then we | :14:34. | :14:36. | |
get a warm spell of weather and they come onto quickly so we need to put | :14:37. | :14:40. | |
them somewhere cooler. I need to put them in the shade tunnel where it is | :14:41. | :14:44. | |
lower in temperature, it is exhausting but it is hard work and | :14:45. | :14:48. | |
it is means I can put together a display of plants at their peak. | :14:49. | :14:55. | |
This is the biggest of the tunnels, and it's probably where I spend most | :14:56. | :15:03. | |
of my time getting plants growing, propagating them and growing them | :15:04. | :15:08. | |
on, getting them ready for shows. We have been doing the RHS shows for | :15:09. | :15:14. | |
three years now, and I've had eight medals so far, everyone has been a | :15:15. | :15:20. | |
silver gilt, so we are consistent, but it would be fantastic to get the | :15:21. | :15:24. | |
elusive RHS Gold medal. Fingers crossed for Tatton. | :15:25. | :15:31. | |
Here we are, exhibits looking fantastic. How has it been getting | :15:32. | :15:38. | |
here and put the exhibits together? Everything has come on perfect. The | :15:39. | :15:42. | |
space looks fantastic. I'm very pleased with it and the visitors | :15:43. | :15:48. | |
love it. These are extreme plants that can cope with drought and | :15:49. | :15:52. | |
plenty of water, lots of cold weather, clay soil. These are real | :15:53. | :15:59. | |
doers. That lovely Primula is looking good, coming into flour. | :16:00. | :16:04. | |
It's perfect. Different shades as well. The actual species is much | :16:05. | :16:15. | |
taller and has a pure yellow flower. But thanks to the honeybees we are | :16:16. | :16:19. | |
getting some gorgeous colours. The big question, what medal did you | :16:20. | :16:27. | |
get? Another silver gilt. It tend now. Probably a record. -- it's ten | :16:28. | :16:35. | |
now. I have set myself the challenge of the RHS Gold medal. I have no | :16:36. | :16:40. | |
doubt you will get it. Lovely to meet you, Helen. | :16:41. | :16:47. | |
The return to Tatton last year of the Back to Back garden | :16:48. | :16:50. | |
category was such a triumph that they're making a welcome appearance | :16:51. | :16:53. | |
Say back to back gardens to anyone born in the North West and they will | :16:54. | :17:14. | |
know what you mean. They separate the terraced streets of the old | :17:15. | :17:15. | |
industrial North. These gardens are just six metres | :17:16. | :17:18. | |
by four metres in size. They may have been built over 150 | :17:19. | :17:21. | |
years ago but just up the road in Liverpool these backyards | :17:22. | :17:25. | |
still exist in their thousands. Earlier, we went to explore some | :17:26. | :17:27. | |
of the Back to Back gardens and found them bursting with ideas | :17:28. | :17:30. | |
to transform the smallest It always strikes me just how | :17:31. | :18:02. | |
diverse the back to backs are. All the same proportion. It's down to | :18:03. | :18:08. | |
the inspiration. I normally start writing a list of names around day | :18:09. | :18:12. | |
four or five of the show a year ahead. That will go away for a few | :18:13. | :18:17. | |
months. It will be looked at, then something will stick, and this year | :18:18. | :18:31. | |
it was Spears, spheres and glaciers. We have all the perennial grasses. | :18:32. | :18:37. | |
-- Grassi ears. You're quite known for this coastal kind of planting. | :18:38. | :18:44. | |
I'm quite known for floaty planting, I don't really give a block | :18:45. | :18:48. | |
planting. I like naturalistic. There isn't sheets of colour, it's | :18:49. | :18:56. | |
different bedding. It's more than the sum of its parts. I would much | :18:57. | :19:00. | |
rather people picked out colours and danced across the whole garden so it | :19:01. | :19:06. | |
links one side to the other. Another innovation is the changing levels. | :19:07. | :19:10. | |
You have done it before. I have, I like to bring the garden up to a | :19:11. | :19:14. | |
higher plane. It's unique for me. It gives the judge is a different | :19:15. | :19:18. | |
perspective, and the public looking in get a different perspective so | :19:19. | :19:22. | |
hopefully I stand out from the competition. It's a beautiful | :19:23. | :19:26. | |
garden. You have created something very special. Thank you. | :19:27. | :19:37. | |
The Adlington Hall garden was inspired by a poem found inscribed | :19:38. | :19:43. | |
on one of the buildings in the grounds of Adlington hall, repeated | :19:44. | :19:49. | |
here in this classical niche. The garden is also a homage to | :19:50. | :19:53. | |
18th-century English landscape gardening, very natural, and shady | :19:54. | :20:01. | |
plants like ivy and ferns and this wonderful moss carpet either side of | :20:02. | :20:06. | |
the path. It's predominantly a very verdant garden but there are | :20:07. | :20:13. | |
pinpoints of colour. I also like the way that a lot of the flowers are | :20:14. | :20:18. | |
still in bud, so you get the sense of something to look forward to. For | :20:19. | :20:23. | |
a very small garden, it's certainly got a very big and must -- | :20:24. | :20:37. | |
atmosphere. The green retreat immediately caught my eye, it has | :20:38. | :20:43. | |
such quality and the planting is so fit for purpose. A mosaic of | :20:44. | :20:49. | |
different foliage types, all suited to that shade. A golden grass from | :20:50. | :20:55. | |
Japan, simple but so effective. From a stepping stone path, the | :20:56. | :21:08. | |
garden opens out to a circular deck. Circle is always a good trick for | :21:09. | :21:11. | |
making any space seem larger. This garden really has a Tardis like | :21:12. | :21:20. | |
effect. In part it's the colour, gold in the border, cinnamon to | :21:21. | :21:24. | |
offset, the steelwork and the wattle fencing. Wattle of will Owen creates | :21:25. | :21:31. | |
a busy boundary, and that recedes when you look at it. -- of Will | :21:32. | :21:42. | |
uniquely here at Tatton it addresses the main problem that small space | :21:43. | :21:48. | |
gardening always has, the shade cast by neighbouring boundaries. This | :21:49. | :21:54. | |
design could easily be cut and pasted into any back to back, not | :21:55. | :21:58. | |
just in the north-west, but anywhere in the country. | :21:59. | :22:08. | |
This is brilliant fun, isn't it? I'm intrigued by your garden, Michael. | :22:09. | :22:15. | |
Every time I walk past, the water is a different level. The garden is | :22:16. | :22:23. | |
called Hi Tied, and trying to replicate the six Hours cycle in one | :22:24. | :22:31. | |
hour. It's about people adapting to nature. I suspect it's probably not | :22:32. | :22:39. | |
as simple a design as it looks. I referred to be billed as an iceberg. | :22:40. | :22:43. | |
A lot of hidden technology including a tank under the surface that feeds | :22:44. | :22:48. | |
the water so we have this lovely ebb and flow. That's samphire on the | :22:49. | :22:54. | |
water, we had permission to take it from Northern Ireland. We had to get | :22:55. | :23:03. | |
permission to highlight the conservation of these plans in | :23:04. | :23:10. | |
County Antrim. Tell me about the colours. Predominantly orange and | :23:11. | :23:15. | |
blue. We decided to use the apricots Queen, together with the purple | :23:16. | :23:26. | |
cloud, the African lilies. It's really lovely. I could sit here with | :23:27. | :23:32. | |
my feet in this cooling water all day. So could I! | :23:33. | :23:43. | |
This is where I make a beeline to when I come to town. A summer fruit | :23:44. | :23:52. | |
and vegetable village, which I absolutely love. The atmosphere is | :23:53. | :24:03. | |
charming, slightly eccentric, very British, but the competition is | :24:04. | :24:09. | |
rabid. People have been working all year for these precious prizes. They | :24:10. | :24:13. | |
don't give medals in the tent, prizes, first, second and third. The | :24:14. | :24:18. | |
criteria will change from group to group. With the cucumber, uniformity | :24:19. | :24:25. | |
matters. A pair of identical cucumbers. The categories have to be | :24:26. | :24:31. | |
understood and aimed for. From the minute the seed is sown, this here | :24:32. | :24:32. | |
today is the goal. This is my favourite exhibit in the | :24:33. | :24:47. | |
marquee, Prosser believe my favourite at the Tatton show. -- | :24:48. | :24:57. | |
possibly my favourite. These are created most entirely for show, the | :24:58. | :25:00. | |
immaculate straightness of runner beans. The regimented cucumbers like | :25:01. | :25:08. | |
twins or reflections in a mirror. Shallots shown in sand, always, I | :25:09. | :25:11. | |
don't know why. They are the work of the grower. Ageing, how did you get | :25:12. | :25:21. | |
on? It's not been a good growing year at all, but I have found fruit. | :25:22. | :25:27. | |
-- Adrian. You have first prize across the you! Does it matter that | :25:28. | :25:35. | |
you win, how competitive are you? It's all about winning, as Nigel | :25:36. | :25:40. | |
Mansell once said. Oh yes. Winning first and eating second? Definitely. | :25:41. | :25:45. | |
Thank you very much and congratulations. | :25:46. | :25:48. | |
This year here at Tatton there's one couple that truly exemplifies | :25:49. | :25:51. | |
the focussed dedication required to grow, and show, competition | :25:52. | :25:54. | |
We went to visit this self-sufficient couple | :25:55. | :26:00. | |
from suburban Leicestershire, and discovered that they really | :26:01. | :26:02. | |
I'm Graham Wagg staff. We have been married for 49 years this October. | :26:03. | :26:21. | |
We have been seriously gardening with vegetables about 43 years. We | :26:22. | :26:28. | |
are passionate about it, really. We are passionate because we like to | :26:29. | :26:31. | |
know what we are eating. It's good to be able to go down to the garden, | :26:32. | :26:36. | |
pick what you want, and bring it into the kitchen. It couldn't be any | :26:37. | :26:41. | |
faster, unless you ran up the path. It's all about healthy eating, | :26:42. | :26:45. | |
keeping yourself fit. It's better than sitting and watching episode | :26:46. | :26:49. | |
after episode of television. It's better than watching Jeremy Kyle, we | :26:50. | :26:53. | |
like to be out here. You can't say that! We grow more or less | :26:54. | :27:06. | |
everything. Carrots. Leaks. Turnips. Radish, potatoes. Some strawberries. | :27:07. | :27:14. | |
And I've got to pick them again. It's all right, when I pick them I | :27:15. | :27:19. | |
come out in a rash! Although it's not a huge plot... It's very | :27:20. | :27:25. | |
productive. People are quite amazed when they come to see. It's all | :27:26. | :27:31. | |
about planning. Success and also in. The milkmen used to call us Tom and | :27:32. | :27:44. | |
Barbara from The Good Life. Quite accessible about the garden, but not | :27:45. | :27:49. | |
to the extreme. He likes everything to be just so. He's a bit untidy, he | :27:50. | :27:55. | |
leaves things lying around, dirty pots and things. But as but as far | :27:56. | :27:59. | |
as the fruit and veg goes, he's meticulous with growing. In front of | :28:00. | :28:05. | |
us we have a selection of the stuff that we are hoping to take to | :28:06. | :28:11. | |
Tatton. Little turnips. These are just bigger than a golf ball and we | :28:12. | :28:16. | |
need them like a tennis ball size. Spring onions. Another three weeks | :28:17. | :28:22. | |
on them and they should be right. Fennel over here. Looking nice and | :28:23. | :28:28. | |
healthy. We are hopeful. The weather controls a lot of what you are | :28:29. | :28:33. | |
growing, but if it wasn't up to it, we wouldn't exhibit that particular | :28:34. | :28:36. | |
part of the exhibit, for the simple reason that it's a prestigious show, | :28:37. | :28:42. | |
you have a name to keep up, if you like, so we tend to make sure we | :28:43. | :28:49. | |
take good quality stuff. These are hopefully our carrots for Tatton | :28:50. | :28:53. | |
Park. The variety is called sweet candle, stunt rooted variety. Grown | :28:54. | :28:59. | |
under fleece so no sign of carrot fly. There's nothing worse than when | :29:00. | :29:04. | |
you are about to eat your carrots and there are two little flies | :29:05. | :29:08. | |
looking at you. Not nice. We have a bit of a dilemma with the rhubarb | :29:09. | :29:16. | |
for Tatton. This variety is a heavy stick but hasn't quite got the | :29:17. | :29:20. | |
colour. We have another variety appear, which is a new one, called | :29:21. | :29:30. | |
Hol Steiner read. It's only a young plant, has only been there about 18 | :29:31. | :29:35. | |
months. I'm nervous with the dilemma of whether to take this all go for | :29:36. | :29:40. | |
the heavier stick. At the moment, this one is winning, a beautiful | :29:41. | :29:41. | |
colour. We will see how we go. We are looking for what to Tatton. | :29:42. | :29:56. | |
We got seven firsts last year. Reid cards and you can't go any higher | :29:57. | :30:02. | |
than a red card. We are aiming to beat that, if possible. Most things | :30:03. | :30:06. | |
look good but we won't be terribly upset, just try again next year. We | :30:07. | :30:10. | |
can still beat them. Of course you can. Gooners breeze, plums. You | :30:11. | :30:14. | |
forgot the peaches. -- gooseberrys. Jane and Graham, did you bring | :30:15. | :30:31. | |
peaches to the show? Not this year, they are having a year off. How have | :30:32. | :30:36. | |
you done for prizes? You had a target you were trying to beat, how | :30:37. | :30:41. | |
have you done? Seven firsts last year. This year we brought 21 | :30:42. | :30:48. | |
exhibits. We have 11 firsts, seven seconds and three third places. That | :30:49. | :30:55. | |
is a good year, isn't it? I am standing right in front of a plate | :30:56. | :31:00. | |
of the most perfect turnips and a first prize. What is it about those | :31:01. | :31:03. | |
that earned them that price? The quality. -- first prize. | :31:04. | :31:12. | |
It is called Snowball, the variety is snowball. It is as near as you | :31:13. | :31:20. | |
can get to a snowball. Uniformity of the three. Fresh and green. I heard | :31:21. | :31:27. | |
that he accidentally grew a giant turnip, what happened? It wasn't | :31:28. | :31:30. | |
this Mariah T. It was a different righty. -- this variety. We tried to | :31:31. | :31:39. | |
propagate but it went wrong. It was 18 LB. That is a big turnip. I am so | :31:40. | :31:45. | |
impressed with what you have achieved. And the way you do it is | :31:46. | :31:49. | |
brilliant. Once you start growing vegetables, it is obsessive. You get | :31:50. | :31:54. | |
hooked. You can eat your mistakes. Exactly. That is brilliant, very | :31:55. | :31:59. | |
well done. Thank you. Families visiting Tatton this year | :32:00. | :32:05. | |
are in for a real treat when they see this show garden, | :32:06. | :32:08. | |
the Big Friendly Garden. Inspired by the children's book | :32:09. | :32:10. | |
The BFG by Roald Dahl, it's just one of many tributes | :32:11. | :32:13. | |
to mark what would have been The giant catches good dreams to | :32:14. | :32:30. | |
blow into the bedrooms of sleeping children. | :32:31. | :32:33. | |
Here in the garden we have a cave. In each of these jars if they | :32:34. | :32:39. | |
captured dream. What interests me is the garden. No flowers at all. | :32:40. | :32:52. | |
Plants like firms, tree ferns and this wonderful cicade dinosaur | :32:53. | :32:59. | |
fodder, even a BFG might have munched on it if you got hungry. It | :33:00. | :33:04. | |
links in with Tatton Park itself. That Victorian feel with the | :33:05. | :33:12. | |
stumpery and firms going to -- growing together with moss between | :33:13. | :33:15. | |
them. The judges really liked a garden like this, it was given a | :33:16. | :33:20. | |
silvergilt medal and the crowds were loving this fun addition to the | :33:21. | :33:21. | |
show. Still to come tonight, | :33:22. | :33:24. | |
Monty meets the new kids on the horticultural block vying | :33:25. | :33:26. | |
to become the next big thing in the world of garden design, | :33:27. | :33:29. | |
and we'll be taking a look at garden sheds, but as you've | :33:30. | :33:32. | |
never seen them before! Whilst the BFG garden is firmly | :33:33. | :33:38. | |
based on a fictional setting, one of this year's Back to Back | :33:39. | :33:44. | |
designs could also have been inspired by another literary | :33:45. | :33:46. | |
classic, The Lord of the Rings. We went to Biddulph Grange Garden | :33:47. | :33:49. | |
in Staffordshire to discover the inspiration behind | :33:50. | :33:52. | |
The English Stumpery Garden which on first appearances | :33:53. | :33:53. | |
wouldn't look out of place It's very alien looking you just | :33:54. | :34:21. | |
come through the tunnel and you are hit by these spikes coming at you, | :34:22. | :34:23. | |
it can be I am Paul Whalton. This was greeted by James Bacon in | :34:24. | :34:44. | |
the 1840s and it is a theme garden would unusual areas. -- it was | :34:45. | :34:47. | |
created. This is one of them, this is the stumpery. Jury in the | :34:48. | :34:52. | |
Victorian period, visitors coming here must have thought he had gone | :34:53. | :34:58. | |
mass -- during the Victorian period. It is the oldest stumpery in | :34:59. | :35:04. | |
Britain. -- he had gone mad. Massive oak stumps placed on top of one | :35:05. | :35:09. | |
another creating this valley. We would like to let the mosque and | :35:10. | :35:16. | |
fungi, the stumps. We let the firms naturally spread. We like it to look | :35:17. | :35:23. | |
quite natural. It is quite daunting as you walk through. You don't see | :35:24. | :35:29. | |
it until it is right on you, very well hidden and cleverly designed. | :35:30. | :35:40. | |
It is one of my favourite areas. A lot of the older stumps of rotted | :35:41. | :35:45. | |
away. About 15 years ago. We start of the main restoration of it. It is | :35:46. | :35:49. | |
quite a big area. Still some restoration work to do. This bottom | :35:50. | :35:57. | |
part of the stumpery is the final part that needs restoring, we want | :35:58. | :35:59. | |
to complete this later on in the year but we have the stumps on site, | :36:00. | :36:05. | |
we thought it would be fabulous to use them in the RHS Tatton show | :36:06. | :36:09. | |
garden. It was designed by Mary Moxham, one of our garden volunteers | :36:10. | :36:12. | |
and it is nice to share the stumpery with all of the visitors at Tatton. | :36:13. | :36:19. | |
In trying to recreate the stumpery into a Back to Back garden, we have | :36:20. | :36:23. | |
limited space. We can't do exactly the same job as visible here. At the | :36:24. | :36:28. | |
most important feature of the stumpery is that it is a | :36:29. | :36:31. | |
walk-through and by having an open path in the Back to Back we are | :36:32. | :36:35. | |
encouraging someone to walk through and take the journey to the other | :36:36. | :36:41. | |
side. The stumpery is a shaded area of the garden, the soil can be quite | :36:42. | :36:46. | |
dry and it can be moisture retentive at times. We have to have plants | :36:47. | :36:47. | |
that can meet those needs. We have this lovely dwarf still be | :36:48. | :36:58. | |
which will hopefully still be in colour by the time of the show. -- | :36:59. | :37:01. | |
dwarf still be. The also have these lovely bushie | :37:02. | :37:11. | |
firms, several firms we are going to use, different shapes, different | :37:12. | :37:16. | |
habits, different colours. Most of these have a dainty flower in lilac | :37:17. | :37:22. | |
and white. It is important to remember the stumps are the crowd | :37:23. | :37:26. | |
pleaser, the feature of the garden in themselves. | :37:27. | :37:32. | |
We felt it made sense to start the build-up here on site. Some of the | :37:33. | :37:39. | |
stumps are really heavy and we want to make sure they are lined up quite | :37:40. | :37:42. | |
well along the path edge creating and planting pockets we need. And it | :37:43. | :37:47. | |
will be a lot easier when we get them on site. We are currently doing | :37:48. | :37:51. | |
that, they are putting everything in place. Everything is going to plan | :37:52. | :38:00. | |
at the moment. Something we haven't talked about today is our surprise | :38:01. | :38:04. | |
feature in the garden, it is top secret. It is very special, very | :38:05. | :38:09. | |
unusual, quirky, Victorian. It will go just here in the corner. You will | :38:10. | :38:14. | |
have to wait for the garden to be completed before you can find out | :38:15. | :38:15. | |
what it is. Mary is not at the show today but | :38:16. | :38:32. | |
Leslie, you were part of the build all the way through. What was that | :38:33. | :38:36. | |
surprise that she was hinting at? It was the upside-down tree. I thought | :38:37. | :38:42. | |
it might be. It is extraordinary. Why? In our original plans from the | :38:43. | :38:47. | |
1850s from when the garden was produced, there were upside-down | :38:48. | :38:52. | |
trees. Obviously, dead tree. But it is acting as a wonderful host for | :38:53. | :38:56. | |
the climber. It is supporting a climber and showing part of a plant | :38:57. | :39:00. | |
that maybe Victorian people wouldn't generally have understood or scene. | :39:01. | :39:05. | |
I love the way the plant is nestling in comedy firms look at home and you | :39:06. | :39:09. | |
have some flower as well. Yes, we want a simpler hour in here. It is | :39:10. | :39:13. | |
not all about the ferns will stop addictively white because it stands | :39:14. | :39:17. | |
out well but the Japanese are encroaching from all over, they are | :39:18. | :39:22. | |
in the stumpery naturally anyway, we would use those. The little white | :39:23. | :39:26. | |
geraniums at the front, they so bright. They sparkle. They are | :39:27. | :39:30. | |
really lovely. I find it astonishing you have achieved this in a space of | :39:31. | :39:34. | |
a Back to Back garden and it has made me think you could make your | :39:35. | :39:38. | |
whole garden like this. You could if you really wanted to. A couple of | :39:39. | :39:42. | |
stumps, half a dozen ferns and if the snowdrops and you have your own | :39:43. | :39:45. | |
miniature stumpery. You have convinced me and a silver medal for | :39:46. | :39:50. | |
your first garden here, brilliant. Thank you. | :39:51. | :39:55. | |
Over in the Floral Marquee, there are over 70 specialist | :39:56. | :39:58. | |
nurseries displaying the very best of their chosen plant groups. | :39:59. | :40:01. | |
Toby Buckland has put his investigative hat on, | :40:02. | :40:03. | |
to find out more about the plants and people | :40:04. | :40:05. | |
You know, it's been such a difficult year for growers and I should know | :40:06. | :40:25. | |
because I am one. Summer has taken an age to ignite. But now it's got | :40:26. | :40:30. | |
going, there are upside is because something always good comes of a | :40:31. | :40:34. | |
difficult season. This year is the fact that early summer blooms like | :40:35. | :40:38. | |
Lupins are still putting on a good show right next to late-season | :40:39. | :40:42. | |
flowers like these. That remains in the rural marquee, the displays are | :40:43. | :40:48. | |
I sucking it might -- Floral Marquee. They are brilliant. Every | :40:49. | :40:54. | |
flower has been chosen because it is beneficial for the bees because it | :40:55. | :40:58. | |
either provide nectar or pollen. Lavender rubs shoulders with flat | :40:59. | :41:00. | |
landing pad plates of acutely. As well as being beautiful, like | :41:01. | :41:07. | |
many of the stands in the Floral Marquee at Tatton it also has a | :41:08. | :41:09. | |
sense of wholesomeness. This is another example of what I am | :41:10. | :41:19. | |
talking about, a display that is towering with colour and not one | :41:20. | :41:24. | |
with just personality, but a display that is personal to the nursery | :41:25. | :41:25. | |
woman who has created it. Stella, you created a display that | :41:26. | :41:36. | |
has a lot of heart to my eye. I think it happens, Toby. It certainly | :41:37. | :41:40. | |
has got a lot of personal treasures, personal family treasures. There are | :41:41. | :41:45. | |
lots of artefacts that I had brought from my own gardens at home and my | :41:46. | :41:51. | |
own nursery. My grandfather was the one that inspired me to get into | :41:52. | :41:57. | |
horticulture. As I look back now. I wanted to celebrate that. The first | :41:58. | :42:03. | |
time I am here at RHS Tatton I want to celebrate that sort of family | :42:04. | :42:07. | |
coming together. I am sure your grandfather, if he could have seen | :42:08. | :42:10. | |
this, would have been so proud of you. Thank you, I wish he was alive | :42:11. | :42:16. | |
to see it. But there is more than a celebration of tradition here, the | :42:17. | :42:20. | |
RHS is doing something new. It has given one grower more space to tell | :42:21. | :42:24. | |
the whole story. And bring the master grower to the fore. | :42:25. | :42:29. | |
Is tell their wonderful story, this pictorial board of photographs in | :42:30. | :42:36. | |
the background. -- it tells a wonderful. It paints a picture of | :42:37. | :42:40. | |
where you grow and the plants you know. The idea is where we come | :42:41. | :42:44. | |
from, it is all very well doing a display of herbs and everybody sees | :42:45. | :42:48. | |
the display but actually, this illustrates how we operate and what | :42:49. | :42:52. | |
we are, who we are. And how we go about our business. One thing I | :42:53. | :42:55. | |
noticed about the photos, your potting bench looks very clean to | :42:56. | :43:00. | |
me, like you gave it a good brush down for this snap. I always have a | :43:01. | :43:02. | |
policy of work clean. LAUGHTER Detail of the tent at Tatton this | :43:03. | :43:14. | |
year? One of care, colour and extraordinary attention to detail -- | :43:15. | :43:15. | |
the story of the tent. It's not just the garden designs | :43:16. | :43:25. | |
and plant exhibits that attract over 80,000 visitors to RHS Tatton Park, | :43:26. | :43:28. | |
an event supported by One of the highlights for many | :43:29. | :43:31. | |
are the Garden Hideaways, or as we call them "sheds | :43:32. | :43:38. | |
on steroids". Over 21 million Brits own a shed, | :43:39. | :43:44. | |
but most of us are guilty So it's time for a | :43:45. | :43:47. | |
rethink and designers have come to Tatton | :43:48. | :43:55. | |
to transform the simple shed Earlier, Danny Clarke and I took | :43:56. | :43:57. | |
a closer look at this year's seven This is a conceptual shed, this | :43:58. | :44:14. | |
represents what's going on in the minds. It is all to do with mental | :44:15. | :44:19. | |
health within the military. You get the impression, by looking at this, | :44:20. | :44:23. | |
it's all jumbled up. I appreciate what some of these guys must be | :44:24. | :44:28. | |
going through. To contrast that, outside, you've got the Cardenas of | :44:29. | :44:34. | |
this love -- lovely planting, it works very well. This one is so much | :44:35. | :44:42. | |
more than just a shed. It tells a story of the Bridgewater Canal in | :44:43. | :44:46. | |
Salford and how it was a catalyst for the industrial revolution. Now | :44:47. | :44:49. | |
the areas all the bad well-being and leisure. We have got a swing. | :44:50. | :44:58. | |
And there is a shared as well, complete with Woodburn and a place | :44:59. | :45:07. | |
to store tools. I love it! -- there is a shed as well. This is the | :45:08. | :45:15. | |
library, I feel really at home here, a nice and cosy feel. You never get | :45:16. | :45:21. | |
bored in a place like this. Always something to take your attention. | :45:22. | :45:22. | |
Absolutely wonderful. I'm calling this the wedding shed. | :45:23. | :45:36. | |
It's all about planning for the big day, including what flowers you are | :45:37. | :45:40. | |
going to have. It's promoting British flowers, which is fantastic. | :45:41. | :45:46. | |
Inside you have mood boards and ideas for colour themes, round two | :45:47. | :45:50. | |
seed sowing and cutting gardens on the other side, to the big day | :45:51. | :46:00. | |
itself. This is my kind of shed. It has a small bed in it! I think these | :46:01. | :46:05. | |
lights are really funky and cool. The only thing with this one is, | :46:06. | :46:13. | |
it's of a a bit of a mission to get out of it. I love the copper | :46:14. | :46:19. | |
cladding, it works really well. It picks up the gorgeous planting here, | :46:20. | :46:22. | |
and the colours tie in beautifully. This is a coward themed party shed, | :46:23. | :46:35. | |
of course! What else?!. The kids will love it but I'm not sure I | :46:36. | :46:40. | |
would like this in my garden. Enough, I'm not going to milk this, | :46:41. | :46:54. | |
moo-ving on. I love this, it's conceptual, installation artwork, | :46:55. | :46:55. | |
perfectly executed with all the tools on the outside and the garden | :46:56. | :47:03. | |
on the inside. The first thing that hits you is the scent. There's even | :47:04. | :47:08. | |
a bird's nesting there. A tree growing out of the top. Love it. We | :47:09. | :47:15. | |
will choose our favourite shed and reveal our results at the end of the | :47:16. | :47:16. | |
programme. Tatton is renowned as a hotbed | :47:17. | :47:22. | |
for burgeoning horticultural talent and this year sees the launch | :47:23. | :47:25. | |
of a completion that's set The RHS Young Planting Designer | :47:26. | :47:27. | |
and Young Landscape Contractor Competition challenges six | :47:28. | :47:31. | |
of the brightest new faces from the worlds of landscaping | :47:32. | :47:32. | |
and planting to work together Monty met up with the Director | :47:33. | :47:35. | |
General of the RHS, Sue Biggs, to learn more about this | :47:36. | :47:40. | |
innovative competition. Can you explain this new | :47:41. | :47:49. | |
competition? It's a very exciting new competition where we have | :47:50. | :47:53. | |
brought together three landscapers, three plants designers, and they | :47:54. | :47:57. | |
have been given a brief. Each garden has to have a common feature, like | :47:58. | :48:04. | |
water features, pathways. They each have a different theme, one coastal, | :48:05. | :48:09. | |
one countryside and one urban. I would love to see for myself. This | :48:10. | :48:21. | |
is the seaside take on the brief by Lydia Mackay and Ewan Sewell. I | :48:22. | :48:27. | |
really like the way it has space. It's not crammed with plans or hard | :48:28. | :48:33. | |
landscaping in an attempt to try to get in as much as possible. The | :48:34. | :48:40. | |
whole thing has room to breathe. The planting is allowed to stand and | :48:41. | :48:45. | |
express itself with complete assurance that it can do the job. | :48:46. | :48:51. | |
The agapanthus framed as it is like this, you don't need to add to that. | :48:52. | :48:57. | |
I like the use of colours like greys and blues, the oranges picking out | :48:58. | :49:05. | |
the orange of the planting. The plans picked to cope with the salt | :49:06. | :49:13. | |
and sea spray and the sun. It captures a place and essence | :49:14. | :49:16. | |
extremely well. It works extremely well. | :49:17. | :49:23. | |
This is the town version of the brief with a construction by Matthew | :49:24. | :49:30. | |
Beesley and planting by Katie Maude. The basic premise of almost all town | :49:31. | :49:37. | |
Gardens is that they have to cope with shade. The planting is based | :49:38. | :49:42. | |
around shade for much of the day at different aspects. In a town garden | :49:43. | :49:48. | |
you need a sense of retreat from all the hustle and bustle of urban life. | :49:49. | :49:55. | |
The other thing is, you need privacy. A green hedge blocking the | :49:56. | :50:00. | |
neighbours works well. I really like the way the water gently runs down. | :50:01. | :50:04. | |
If it was too noisy it would be busy. We want a retreat with peace | :50:05. | :50:11. | |
and calm. There's probably a bit too much chocolatey colour for my taste. | :50:12. | :50:15. | |
I like that touches on the stems of the hydrangea, but that is | :50:16. | :50:22. | |
subjective. I love the seeded roof and the sense of maximising the | :50:23. | :50:27. | |
opportunity to get peace and retreat from a busy life. | :50:28. | :50:36. | |
This is the countryside version of the brief with the planting done by | :50:37. | :50:45. | |
Lizzi Mills with construction by Sam Hunt. It takes, by and large, a very | :50:46. | :50:52. | |
conventional idea and view of a country garden. But there are bits | :50:53. | :50:58. | |
and pieces as you look that challenge that and make you think | :50:59. | :51:03. | |
again. For example, the water feature, and they all have to have a | :51:04. | :51:08. | |
water feature, it could be a roof or wall. However, as a show garden, | :51:09. | :51:14. | |
it's not telling me anything new. This is like The Cotswolds country | :51:15. | :51:19. | |
garden, and my feeling is most people would love a garden like | :51:20. | :51:24. | |
this. But I love the way the living wall is tackled, I think that's | :51:25. | :51:30. | |
really good, looking great. The hard landscaping is beautifully done, | :51:31. | :51:36. | |
Little touches like the sacking of the cushions, it's great. Overall, | :51:37. | :51:40. | |
the garden doesn't challenge much, but it pleases at great deal. | :51:41. | :51:49. | |
I think it's time to know who won. I'm delighted to announce the winner | :51:50. | :52:03. | |
of the young landscape award is Ewan Sewell. | :52:04. | :52:12. | |
This is for the winner of the young planting designer of the year award | :52:13. | :52:19. | |
for 2016... And that goes to Katie Maude. | :52:20. | :52:30. | |
Two of you have won. It's worth pointing out that everyone a few, | :52:31. | :52:37. | |
all six of you have won a gold medal. Congratulations to all of | :52:38. | :52:38. | |
you. From young designers to a show | :52:39. | :52:50. | |
garden designed for young people. I'm here on the Ace Kids, | :52:51. | :52:54. | |
Spectrum of Genius garden, one of this year's evolution gardens | :52:55. | :52:57. | |
created with the needs of children I'm here with the designer, | :52:58. | :53:00. | |
Shea O'Neill. And her son Owen joins us as well. | :53:01. | :53:11. | |
Beautiful garden, what's your inspiration for the design? It's | :53:12. | :53:22. | |
based on a painting by Mondrian. He was reputed to have autism. We have | :53:23. | :53:30. | |
lovely things like lemon, your sugar substitute, and they make gorgeous | :53:31. | :53:36. | |
cups of tea to calm a child's stomach with anxiety. And we have | :53:37. | :53:44. | |
the rarest apple tree in the world. What about some of the design | :53:45. | :53:51. | |
features? I've learned so much from my children about how to adapt to | :53:52. | :53:56. | |
sensory art. Owen is sensitive to light so we have areas of light and | :53:57. | :54:02. | |
shade. What helps with a meltdown in autistic children is helping them to | :54:03. | :54:06. | |
control their environment. We have a lovely cocoon behind you helping | :54:07. | :54:12. | |
children to sway and rock. Do you have a favourite part, Owen? I like | :54:13. | :54:17. | |
the structure at the back, the way it lets light through, and the | :54:18. | :54:22. | |
message it has about neuro typical and neuro diverse people with | :54:23. | :54:26. | |
autism. It's beautifully made. It really is, you can thank my mother | :54:27. | :54:31. | |
up for that, she made it. She's pretty clever! Thank you for showing | :54:32. | :54:38. | |
me around and congratulations on your silver medal. Thank you, I just | :54:39. | :54:41. | |
loved it. Every year growers and societies | :54:42. | :54:44. | |
come to Tatton to champion plant groups that are embedded | :54:45. | :54:47. | |
in British gardening folklore. Carol has been to visit some floral | :54:48. | :54:50. | |
fanatics in the Plant Ssocieties Carol has been to visit some floral | :54:51. | :54:55. | |
fanatics in the Plant Societies and Heritage Marquee to find out why | :54:56. | :54:58. | |
they're such devotees of some very At Tatton, it's not just plants, but | :54:59. | :55:15. | |
plant societies that are here in rich abundance. How, plant societies | :55:16. | :55:25. | |
thrive particularly up north? Perhaps it has something to do with | :55:26. | :55:30. | |
the fact that in northern industrial city 's gardens were small or | :55:31. | :55:36. | |
nonexistent, so big spill over onto allotments. It's in places like that | :55:37. | :55:42. | |
where a whole community spirit of sharing plants and information, | :55:43. | :55:46. | |
sharing the enthusiasm and passion, dispelling the myth that it's grim | :55:47. | :55:47. | |
up North. This delectable stand was put | :55:48. | :55:59. | |
together by the national sweet pea society. They are all amateurs and | :56:00. | :56:05. | |
they have come to Tatton to dry to draw other people in to tell the | :56:06. | :56:09. | |
history of the planned they adore. The essence of summer, and this | :56:10. | :56:14. | |
stand shows how passionate people can become about them. | :56:15. | :56:24. | |
Lots of societies celebrate just one planned. These are the societies | :56:25. | :56:31. | |
that perhaps attract the true obsessions. The British national | :56:32. | :56:37. | |
Carnation Society is no exception. People have to absolutely adore | :56:38. | :56:42. | |
these lads to grow them to such perfection. There are all sorts of | :56:43. | :56:46. | |
ways people get obsessed, fall for these flowers in the first place. | :56:47. | :56:53. | |
Brian over there has a story typical of the people who belong to these | :56:54. | :56:58. | |
societies. He used to be a devotee of chrysanthemums. One night his | :56:59. | :57:03. | |
friend walked into the pub wearing a Carnation in his buttonhole. He | :57:04. | :57:08. | |
dumped the chrysanthemums and took up with the carnations, love at | :57:09. | :57:14. | |
first sight, typical of the kind of enthusiasm and total obsession | :57:15. | :57:15. | |
people devote to these plants. Earlier, we cast our discerning eyes | :57:16. | :57:25. | |
over this year's garden hideaways and I can now announce | :57:26. | :57:28. | |
which is our favourite this year. I would just like to say that they | :57:29. | :57:37. | |
were all fantastic, great effort, run wonderful sheds. And Carolyn is | :57:38. | :57:50. | |
our favourite with the outside in shed. We thought it was so | :57:51. | :57:57. | |
imaginative. And when you look inside, it's a gem. This feels very | :57:58. | :58:03. | |
special. We thought it had something really special about it. A really | :58:04. | :58:07. | |
brilliant idea, putting the tools on the outside and the garden on the | :58:08. | :58:13. | |
inside, and the attention to detail. Congratulations and enjoy our | :58:14. | :58:17. | |
special prize. A round of applause, please! APPLAUSE | :58:18. | :58:27. | |
They were great fun. I love sheds. We have four or five at Longmeadow. | :58:28. | :58:39. | |
They are a focal point, a place to go to. And if you need inspiration | :58:40. | :58:41. | |
just come here. That brings us to the end | :58:42. | :58:45. | |
of tonight's programme but we'll be back tomorrow on BBC2 at 7pm | :58:46. | :58:48. | |
with more highlights We'll be meeting the next generation | :58:49. | :58:50. | |
of garden design stars who are battling it out to become | :58:51. | :58:54. | |
the RHS Young Designer | :58:55. | :58:58. |