Browse content similar to Letter U. Check below for episodes and series from the same categories and more!
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Hello, and welcome to the A-Z Of TV Gardening. | 0:00:02 | 0:00:04 | |
We are on a mission to dig up the best advice and guidance | 0:00:04 | 0:00:07 | |
from all your favourite programmes and presenters. | 0:00:07 | 0:00:09 | |
So join me as, letter after letter, one by one, | 0:00:09 | 0:00:12 | |
we explore everything from flowers and trees to fruit and veg. | 0:00:12 | 0:00:17 | |
Everything we're looking at today begins with the letter U. | 0:00:33 | 0:00:37 | |
Here's what's coming up. | 0:00:37 | 0:00:39 | |
Joe Swift goes to Germany for inspiration on urban gardening. | 0:00:39 | 0:00:42 | |
You know, this place is so impressive. | 0:00:42 | 0:00:46 | |
It's doesn't feel like high-density housing at all. | 0:00:46 | 0:00:50 | |
We tool up for a fight against knotweed. | 0:00:50 | 0:00:53 | |
It's just down here. | 0:00:53 | 0:00:54 | |
It's impossible to miss, it's huge! | 0:00:54 | 0:00:56 | |
I know. You just affect the plant you're targeting, | 0:00:56 | 0:00:59 | |
you don't get anything else affected. | 0:00:59 | 0:01:01 | |
And fatal attraction, Christine Walkden visits a garden | 0:01:01 | 0:01:05 | |
that is packed with poisonous plants. | 0:01:05 | 0:01:07 | |
I'm surrounded by a rather sinister collection of plants. | 0:01:07 | 0:01:10 | |
Ones that you'd do well to avoid. | 0:01:10 | 0:01:13 | |
That's all to look forward to, but let's begin with a gardening | 0:01:13 | 0:01:16 | |
family that covers a huge range of plants, flowers and even vegetables. | 0:01:16 | 0:01:22 | |
This U is for Umbelliferae, also known as Apiaceae. | 0:01:22 | 0:01:27 | |
and here's Carol Klein on why she thinks they're unbeatable. | 0:01:27 | 0:01:31 | |
I adore all sorts of cottage plants. | 0:01:34 | 0:01:38 | |
But perhaps Astrantia major is the most iconic of them all. | 0:01:38 | 0:01:42 | |
One of its country names is pincushion. You can quite see why. | 0:01:42 | 0:01:47 | |
It belongs to the Umbelliferae family, which is now called Apiaceae. | 0:01:47 | 0:01:51 | |
And usually the plants you associate with that are things like this Pimpinella, | 0:01:51 | 0:01:55 | |
with these flat heads composed of lots of tiny flowers. | 0:01:55 | 0:02:01 | |
But here it's got a completely different form. | 0:02:01 | 0:02:04 | |
And I think it's unique. | 0:02:04 | 0:02:06 | |
Each flower in the centre here is suspended on a little stem, | 0:02:06 | 0:02:11 | |
so the whole thing shakes and shivers. | 0:02:11 | 0:02:13 | |
And around the edge is this big circle of bracts | 0:02:13 | 0:02:17 | |
in which these tiny flowers sit. | 0:02:17 | 0:02:20 | |
And those bracts will stay there | 0:02:20 | 0:02:22 | |
right the way through when this has been pollinated | 0:02:22 | 0:02:25 | |
and each of these flowers has changed to seed. | 0:02:25 | 0:02:27 | |
What happens then is the seeds fall off and they sit encompassed | 0:02:27 | 0:02:31 | |
in these bracts until exactly the right time, | 0:02:31 | 0:02:35 | |
when they fall to the ground. | 0:02:35 | 0:02:38 | |
It does self-seed everywhere. You're always getting lovely seedlings. | 0:02:38 | 0:02:42 | |
In its native habitat it lives on fringes of woodland | 0:02:45 | 0:02:49 | |
around the edge, because what this plant adores is ample moisture | 0:02:49 | 0:02:54 | |
and a really good, rich diet | 0:02:54 | 0:02:56 | |
and dappled shade, | 0:02:56 | 0:02:58 | |
and that's the kind of place | 0:02:58 | 0:02:59 | |
where you will find it at its best in this garden too. | 0:02:59 | 0:03:02 | |
And as well as this lovely green and white form, | 0:03:08 | 0:03:11 | |
there are a whole load of others too. | 0:03:11 | 0:03:13 | |
Come and look at this one here. | 0:03:13 | 0:03:15 | |
This plant, which I've got all over the place here, | 0:03:16 | 0:03:20 | |
is astrantia Roma, one of the best atrantias of the lot. | 0:03:20 | 0:03:23 | |
It's a completely sterile hybrid, | 0:03:25 | 0:03:28 | |
so these plants last for ages and ages and ages. | 0:03:28 | 0:03:32 | |
The sort of neighbours that astrantias enjoy living with are things | 0:03:33 | 0:03:37 | |
that enjoy the same sort of condition. | 0:03:37 | 0:03:40 | |
Just look how it goes | 0:03:40 | 0:03:41 | |
so beautifully with things like this lovely soft Rosa mundi. | 0:03:41 | 0:03:45 | |
With dark-red Sweet Williams. It's lovely with crimson. | 0:03:45 | 0:03:50 | |
But as well as astrantia Roma, | 0:03:50 | 0:03:52 | |
with these very pink flowers, there's also | 0:03:52 | 0:03:55 | |
a whole range of very exciting astrantias in dark-crimson shades. | 0:03:55 | 0:04:00 | |
I love to grow those dark ones | 0:04:05 | 0:04:08 | |
with things like verbascum Cotswold Beauty, | 0:04:08 | 0:04:11 | |
and the spikes of the verbascum | 0:04:11 | 0:04:14 | |
are perfect with these big, soft mounds of flowers. | 0:04:14 | 0:04:18 | |
Try them with all manner of things. | 0:04:20 | 0:04:22 | |
It really doesn't matter what you put them with. | 0:04:22 | 0:04:24 | |
You can make them look formal, | 0:04:24 | 0:04:26 | |
you can make them look completely soft, relaxed, laid-back. | 0:04:26 | 0:04:30 | |
They're plants that everybody can use. | 0:04:30 | 0:04:33 | |
I'm looking for the right home for these lovely Cenolophium denudatum, | 0:04:36 | 0:04:42 | |
Baltic parsley, | 0:04:42 | 0:04:44 | |
that I picked up at Chelsea, where it was very much in evidence. | 0:04:44 | 0:04:48 | |
You can see immediately why this was one of the first | 0:04:48 | 0:04:52 | |
groups of plants to be identified as belonging to one family. | 0:04:52 | 0:04:58 | |
And so this seems at first to be just one flower, | 0:04:58 | 0:05:01 | |
if you look more closely, you can identify | 0:05:01 | 0:05:04 | |
the fact that it is composed of lots of these tiny little bouquets. | 0:05:04 | 0:05:08 | |
And if you look underneath, what a wonderful evolution. | 0:05:08 | 0:05:12 | |
All those stems are different lengths, | 0:05:12 | 0:05:15 | |
but they make sure that that plateau is as flat as a pancake. | 0:05:15 | 0:05:19 | |
So on different sort of levels you can get into more and more detail. | 0:05:20 | 0:05:24 | |
Another characteristic is the stems, | 0:05:24 | 0:05:27 | |
which become hollow as the plant begins to flower. | 0:05:27 | 0:05:30 | |
And yet another one is these ferny leaves. | 0:05:30 | 0:05:34 | |
In some cases they are so ferny, they are downright filigree. | 0:05:34 | 0:05:39 | |
One of the finest examples of this froth of foliage | 0:05:44 | 0:05:48 | |
is this fabulous fennel. | 0:05:48 | 0:05:50 | |
It's so tactile, you just feel like diving into the middle of it | 0:05:51 | 0:05:55 | |
and the scent... | 0:05:55 | 0:05:58 | |
Out of this world! | 0:05:58 | 0:06:01 | |
This is the opposite sort of a plant. Ow! | 0:06:05 | 0:06:09 | |
It's Eryngium bourgatii, | 0:06:10 | 0:06:11 | |
and at first sight you'd think what has that got to do with Apiaceae? | 0:06:11 | 0:06:16 | |
But there's always one or two members of every family | 0:06:16 | 0:06:19 | |
that are quite different from the rest. | 0:06:19 | 0:06:22 | |
I grow lots more of these from seed, from selected plants. | 0:06:22 | 0:06:26 | |
But every so often you get a few plants which are extra special | 0:06:26 | 0:06:31 | |
and the only way to propagate them | 0:06:31 | 0:06:33 | |
and make certain that you've got the same plant, | 0:06:33 | 0:06:36 | |
is to take root cuttings of them. There's a nice chunky root. | 0:06:36 | 0:06:39 | |
Look at that. Let's just pull this out. It's mouthwatering! | 0:06:39 | 0:06:42 | |
I should get several out of that, | 0:06:47 | 0:06:49 | |
so I won't bother with this little end bit, | 0:06:49 | 0:06:51 | |
but I'll take one piece here. | 0:06:52 | 0:06:55 | |
Just going to cut them into quite even-sized pieces, | 0:06:55 | 0:06:59 | |
making sure, because polarity is important, | 0:06:59 | 0:07:03 | |
that the bit that was closest to the crown is facing upwards in my pot. | 0:07:03 | 0:07:08 | |
Erngiums just adore a hot, sunny site | 0:07:10 | 0:07:14 | |
and they love decent drainage, | 0:07:14 | 0:07:17 | |
but there are some members of the family | 0:07:17 | 0:07:19 | |
that like the opposite kind of conditions. | 0:07:19 | 0:07:21 | |
Astrantias thrive on heavy, damp soil, | 0:07:23 | 0:07:26 | |
where they make luscious clumps. There are all manner of varieties. | 0:07:26 | 0:07:32 | |
The pure green and white of major, hybrids like Astrantia roma, | 0:07:32 | 0:07:37 | |
with these rich pink flowers and lots of glorious dark crimson shades, too. | 0:07:37 | 0:07:44 | |
When you get right down to it, | 0:07:44 | 0:07:46 | |
the structure of many of the flowers of this family | 0:07:46 | 0:07:49 | |
are very, very similar, but when it comes to scale, | 0:07:49 | 0:07:52 | |
it's quite a different matter. | 0:07:52 | 0:07:54 | |
These towering stems of angelica archangelica | 0:07:54 | 0:07:59 | |
represent one end of the scale. | 0:07:59 | 0:08:01 | |
There are all manner of herbs and spices, | 0:08:01 | 0:08:05 | |
from coriander to caraway to cumin, | 0:08:05 | 0:08:08 | |
not forgetting the common or garden carrot. | 0:08:08 | 0:08:14 | |
That's right, the green spouting part of the carrot | 0:08:14 | 0:08:17 | |
is a sign that it belongs to the umbelliferae family, too. | 0:08:17 | 0:08:20 | |
How's that for a bit of gardening general knowledge? | 0:08:20 | 0:08:23 | |
Still to come, city gardening, | 0:08:23 | 0:08:25 | |
and the undesirable plants you don't want growing near you. | 0:08:25 | 0:08:29 | |
But now, for something completely different, | 0:08:29 | 0:08:32 | |
extraordinary creations you encounter in gardening design, | 0:08:32 | 0:08:35 | |
because this U is for unusual gardens. | 0:08:35 | 0:08:38 | |
And we start by celebrating the king of unusual gardening, | 0:08:38 | 0:08:42 | |
Diarmuid Gavin. | 0:08:42 | 0:08:44 | |
This is my seventh garden in 15 years | 0:08:44 | 0:08:47 | |
and it just seems appropriate. | 0:08:47 | 0:08:50 | |
I had an idea that I thought would be exciting. | 0:08:50 | 0:08:53 | |
I had no particular desire to do Chelsea this year, | 0:08:53 | 0:08:56 | |
but it just came together as something, that... | 0:08:56 | 0:09:00 | |
..it was fate. | 0:09:00 | 0:09:02 | |
You see the empty plot and you think, "Oh no! | 0:09:02 | 0:09:05 | |
"I've got to dominate that and every square inch of it," | 0:09:05 | 0:09:07 | |
but after a while, you start to dig and you realise nothing has changed. | 0:09:07 | 0:09:13 | |
As a generation of garden designers, | 0:09:13 | 0:09:16 | |
we have to discover something new to say. | 0:09:16 | 0:09:18 | |
On all sorts of different levels and for me there's no point in being here | 0:09:18 | 0:09:22 | |
just painting a pretty picture that I've seen a million times before. | 0:09:22 | 0:09:27 | |
It would be utterly pointless. | 0:09:27 | 0:09:31 | |
There's lots of bits of inspiration for the garden, | 0:09:31 | 0:09:34 | |
first of all it's coming from Ireland, but also a cinema, | 0:09:34 | 0:09:37 | |
Avatar, the idea of those floating islands, | 0:09:37 | 0:09:40 | |
with strange creatures in blue zooming past them. | 0:09:40 | 0:09:43 | |
Then the Giant's Causeway in County Antrim, | 0:09:43 | 0:09:46 | |
the stones that make this fascinating structure, | 0:09:46 | 0:09:51 | |
stepping up, out of the water, I love that | 0:09:51 | 0:09:54 | |
and also the idea of being able to be up in a garden in the sky | 0:09:54 | 0:09:57 | |
and almost see home. | 0:09:57 | 0:09:59 | |
I just love the elegance of it. I like the colour. | 0:10:01 | 0:10:04 | |
Seeing the colour in relation to this ribinia, | 0:10:04 | 0:10:07 | |
this tree that's just outside. | 0:10:07 | 0:10:09 | |
It's the first kind of garden association I've had with it, | 0:10:09 | 0:10:12 | |
so that's a bit of a thrill. | 0:10:12 | 0:10:15 | |
We have some trees coming today from Germany | 0:10:15 | 0:10:17 | |
and I'm probably a bit more excited about those trees | 0:10:17 | 0:10:19 | |
because they're unbelievable. Oh! | 0:10:19 | 0:10:23 | |
Is it a big indulgence, is it a big pink elephant? | 0:10:26 | 0:10:29 | |
I've caused this, I've caused a big load on a truck | 0:10:29 | 0:10:33 | |
and I hope it's valid. | 0:10:33 | 0:10:38 | |
Think about the colour. | 0:10:43 | 0:10:45 | |
-You won't see too much when we plant it. -No. | 0:10:45 | 0:10:48 | |
What we have here is one of the feature trees of the garden, | 0:10:53 | 0:10:56 | |
it's a cone-shaped carpinus. | 0:10:56 | 0:10:58 | |
The big disks we see on the ground | 0:10:58 | 0:11:01 | |
are 25, 30, very large circular pools. | 0:11:01 | 0:11:06 | |
Based on the idea of the Giant's Causeway, of those stones | 0:11:06 | 0:11:09 | |
stepping up out of the water, almost up a hill, | 0:11:09 | 0:11:12 | |
these will be reflective pools. | 0:11:12 | 0:11:15 | |
The Chelsea Flower Show gave me a life. | 0:11:15 | 0:11:19 | |
I did my first garden here in 1995. | 0:11:19 | 0:11:23 | |
It's a very fair place, it's a fun place, it's a difficult place, | 0:11:24 | 0:11:28 | |
it's a stressful place, but I owe it everything. | 0:11:28 | 0:11:32 | |
So what does Chelsea owe Diarmuid? | 0:11:37 | 0:11:39 | |
Well, quite a lot, when it comes to publicity. | 0:11:39 | 0:11:41 | |
You can't have escaped the pictures of this flying pod | 0:11:41 | 0:11:45 | |
in the newspapers all week and the cries from some | 0:11:45 | 0:11:48 | |
that this isn't about gardening, it's about fantasy. | 0:11:48 | 0:11:51 | |
We want to be rooted in the earth! | 0:11:51 | 0:11:53 | |
So, is Diarmuid's garden a triumph of style over substance. | 0:11:53 | 0:11:58 | |
I don't think so, come and have a look, | 0:11:58 | 0:12:00 | |
along this snaking, rusted steel pathway, | 0:12:00 | 0:12:04 | |
you pass banks of trees and shrubs, very few flowers. | 0:12:04 | 0:12:08 | |
There's a bit of frothing lady's mantle down here | 0:12:08 | 0:12:10 | |
and the odd pure white arum lily over there. | 0:12:10 | 0:12:13 | |
The majority are grasses, | 0:12:13 | 0:12:16 | |
these wonderful clipped scones of box, | 0:12:16 | 0:12:19 | |
nudging aside the pines between them. | 0:12:19 | 0:12:22 | |
And up here, a sort of valley that shows you the depth | 0:12:22 | 0:12:25 | |
of this garden, it goes on and on, a whole flock of clipped yews, | 0:12:25 | 0:12:29 | |
they're just beginning to grow out of their clipping, | 0:12:29 | 0:12:32 | |
which gives them a pleasing, woolly texture. | 0:12:32 | 0:12:35 | |
There are birch trees, photinias to add stature, | 0:12:35 | 0:12:39 | |
but perhaps the most dramatic thing is these enormous clipped hornbeams. | 0:12:39 | 0:12:44 | |
Clipped into cones, some of them with foliage going right down | 0:12:44 | 0:12:47 | |
to the ground, others as standards. | 0:12:47 | 0:12:50 | |
Now, these are classy trees, and pricey ones, too. | 0:12:50 | 0:12:53 | |
One of these will cost you about £2,000. | 0:12:53 | 0:12:56 | |
They take care, time and trouble to establish. | 0:12:56 | 0:12:59 | |
If you're on a budget and even if you're a really good gardener, | 0:12:59 | 0:13:02 | |
perhaps a smaller plant, allowed to grow will give you the pleasure | 0:13:02 | 0:13:05 | |
of anticipating it looking like this, | 0:13:05 | 0:13:08 | |
but this is quality plant material | 0:13:08 | 0:13:10 | |
and the way in which it's all been stitched together, | 0:13:10 | 0:13:13 | |
around these pools, some of which are clear, | 0:13:13 | 0:13:15 | |
and some of which look like Irish stout, is a work, dare I say it? | 0:13:15 | 0:13:21 | |
Just a little flash of genius. | 0:13:21 | 0:13:23 | |
You look at Diarmuid, up there, standing proud in his pod, | 0:13:23 | 0:13:27 | |
and you think, "Is it all pie in the sky?" | 0:13:27 | 0:13:30 | |
"Is he flying in the face of tradition?" Yes he is, in a way. | 0:13:30 | 0:13:36 | |
Pie in the sky, though, it isn't, | 0:13:36 | 0:13:37 | |
down here on the ground, it's rooted in reality. | 0:13:37 | 0:13:40 | |
What remains to be seen is if the height of his medal | 0:13:40 | 0:13:44 | |
is as high as his aspirations, and his standard of planting. | 0:13:44 | 0:13:49 | |
I hope it is. I wish him well. | 0:13:49 | 0:13:52 | |
And there's more from Diarmuid later in the show. | 0:13:55 | 0:13:58 | |
Now, gardening can go on anywhere | 0:13:58 | 0:14:00 | |
and our next topic is for urban gardening. | 0:14:00 | 0:14:03 | |
Joe Swift wants our towns and cities to become more garden friendly, | 0:14:03 | 0:14:07 | |
so he went to Germany to see how they do things there. | 0:14:07 | 0:14:14 | |
I've come to Freiburg in Germany, | 0:14:14 | 0:14:17 | |
because it's one of Europe's finest examples of a sustainable community. | 0:14:17 | 0:14:21 | |
It combines high-density housing with loads of green space, | 0:14:21 | 0:14:25 | |
both public and private. | 0:14:25 | 0:14:28 | |
It's been dubbed the eco-capital of Germany and it's a huge success. | 0:14:28 | 0:14:34 | |
Vauban, a suburb in the city, | 0:14:37 | 0:14:39 | |
is a mixed tenure housing development that's home to 5,000 residents. | 0:14:39 | 0:14:44 | |
It has imaginative landscape architecture | 0:14:44 | 0:14:46 | |
and a socially-oriented policy towards public space. | 0:14:46 | 0:14:50 | |
Master planning was crucial in the creation of this settlement. | 0:14:50 | 0:14:53 | |
City planners set stringent design codes for developments, | 0:14:53 | 0:14:57 | |
which even private developers had to adhere to. | 0:14:57 | 0:15:00 | |
Unlike Britain, here, planners, architects and landscape designers | 0:15:00 | 0:15:05 | |
work together, contributing to each other's work and crucially, | 0:15:05 | 0:15:08 | |
landscape design is viewed as integral | 0:15:08 | 0:15:11 | |
to the planning applications, which has resulted in a high standard | 0:15:11 | 0:15:14 | |
of green space, both private and public. | 0:15:14 | 0:15:18 | |
Oh wow, look at this, this is absolutely fantastic! | 0:15:18 | 0:15:20 | |
A courtyard, were all the flats are overlooking | 0:15:20 | 0:15:24 | |
down into the central space. It's so green, it's so lush. | 0:15:24 | 0:15:28 | |
They've got these nice little low fences | 0:15:28 | 0:15:31 | |
so that you can see over into it from the outside, | 0:15:31 | 0:15:33 | |
but also from your neighbour's garden. | 0:15:33 | 0:15:35 | |
Everybody has got their own balconies at the same time. | 0:15:35 | 0:15:39 | |
Combined with the modern architecture, | 0:15:39 | 0:15:41 | |
I think it works beautifully well. | 0:15:41 | 0:15:44 | |
I mean, look at this, it's a bike shed and it's got a green roof on it. | 0:15:48 | 0:15:52 | |
It's just brilliant, the sedum on there | 0:15:52 | 0:15:54 | |
is going to encourage loads of bees into it, | 0:15:54 | 0:15:56 | |
it's going to flower, it's so much more... | 0:15:56 | 0:15:59 | |
It fills your soul, it makes you feel good | 0:15:59 | 0:16:01 | |
walking round in an environment like this | 0:16:01 | 0:16:04 | |
and if it was just buildings alone, it would be so grim. | 0:16:04 | 0:16:07 | |
Look over here, right, these lime trees, | 0:16:12 | 0:16:16 | |
it makes sense, in the summer, they're cooling the building | 0:16:16 | 0:16:19 | |
because they're all in leaf, but in the winter | 0:16:19 | 0:16:21 | |
when they've dropped their leaves, they let more light through, | 0:16:21 | 0:16:24 | |
that's when you need it, using plants cleverly, combined with architecture, | 0:16:24 | 0:16:27 | |
they seem to have got it just right here. | 0:16:27 | 0:16:30 | |
Even the tram lines for the citywide tram network | 0:16:30 | 0:16:33 | |
are inter-planted with grass, | 0:16:33 | 0:16:35 | |
and it's all part of the city's approach to environmental matters. | 0:16:35 | 0:16:39 | |
A stone's throw away from Vauban is the solar community area | 0:16:39 | 0:16:42 | |
of Schlierberg. Here, 58 timber-framed houses | 0:16:42 | 0:16:46 | |
have been fitted with state-of-the-art solar panels | 0:16:46 | 0:16:48 | |
and as a result, actually produce a net gain of energy. | 0:16:48 | 0:16:53 | |
A five-storey office residential and retail block | 0:16:54 | 0:16:57 | |
forms part of the development and provides hot water for the houses | 0:16:57 | 0:17:01 | |
through its solar technology. | 0:17:01 | 0:17:03 | |
You know, this place is so impressive. | 0:17:06 | 0:17:08 | |
I can't quite believe it, it doesn't feel like high-density | 0:17:08 | 0:17:11 | |
housing at all, because of the green spaces integrated into it. | 0:17:11 | 0:17:15 | |
And everybody has made an effort, they've done their bit, | 0:17:15 | 0:17:18 | |
they've got real pride and it's a fantastic place to live. | 0:17:18 | 0:17:22 | |
So, that's how it can be done, with serious design and planning. | 0:17:24 | 0:17:28 | |
But a bit of DIY gardening can cheer up anywhere, | 0:17:28 | 0:17:32 | |
as Joe Crowley found out in Liverpool. | 0:17:32 | 0:17:36 | |
This might look like any other alley around here, | 0:17:36 | 0:17:39 | |
but it's actually an oasis of green. Blooming marvellous! | 0:17:39 | 0:17:44 | |
In 2007, Irene Humphreys and Audrey Roberts | 0:17:44 | 0:17:47 | |
started turning their alleyway into a stunning garden. | 0:17:47 | 0:17:51 | |
And so all this, it's incredible, where did it all begin? | 0:17:51 | 0:17:54 | |
I came home and Irene said, "Have a look at what I've got in my back." | 0:17:54 | 0:17:57 | |
And I said, "It's a bath, what's that for?" | 0:17:57 | 0:18:00 | |
She said, "I'm going to plant flowers." I said, "Are you?" | 0:18:00 | 0:18:03 | |
"Where's mine? Because you can't have one without me!" | 0:18:03 | 0:18:06 | |
And before you know it, suddenly... | 0:18:06 | 0:18:07 | |
-This is what we're left with. -You've got walled gardens. | 0:18:07 | 0:18:11 | |
As you can see, these are tomatoes, | 0:18:11 | 0:18:14 | |
last year our courgettes were about two foot long. | 0:18:14 | 0:18:17 | |
That bathtub is one big bouquet, basically, isn't it? | 0:18:17 | 0:18:20 | |
-See the honeysuckle? -Yes I do. -Isn't that fantastic? | 0:18:20 | 0:18:23 | |
That's been there for 40 years. | 0:18:23 | 0:18:25 | |
I completely missed that, the cistern just above it. | 0:18:25 | 0:18:28 | |
What was this alleyway like before, you've got to help me out, | 0:18:28 | 0:18:31 | |
-because all I can see is a beautiful garden. -It was a disgrace. | 0:18:31 | 0:18:35 | |
A dumping ground. | 0:18:35 | 0:18:37 | |
Instead of putting your rubbish out for binmen, | 0:18:37 | 0:18:39 | |
the rubbish went into the back alley, | 0:18:39 | 0:18:41 | |
so we just decided to get rid of it all and start this oasis. | 0:18:41 | 0:18:44 | |
We've got gardens here, so this is our garden, really. | 0:18:44 | 0:18:48 | |
We can come out here any time. | 0:18:48 | 0:18:50 | |
Children can come out here, it's a safe place for them. | 0:18:50 | 0:18:53 | |
They come up and down on their little scooters and bikes. | 0:18:53 | 0:18:57 | |
One man who understands how special this place is | 0:18:57 | 0:19:00 | |
is chairman of Northwest in Bloom, Bill Blackledge. | 0:19:00 | 0:19:03 | |
They won the Northwest in Bloom Best alleyway competition | 0:19:03 | 0:19:06 | |
for two out of three years. | 0:19:06 | 0:19:08 | |
They've also won the Royal Horticultural Society certificates | 0:19:08 | 0:19:12 | |
for it must be five years now. | 0:19:12 | 0:19:14 | |
They've won so many trophies in the Liverpool area, | 0:19:14 | 0:19:17 | |
I've just lost count! | 0:19:17 | 0:19:19 | |
So what do the neighbours make of it? | 0:19:19 | 0:19:21 | |
-It's really good, because it makes a nice and clean. -I like the roses. | 0:19:21 | 0:19:25 | |
-You like the roses? -I like the purple ones. | 0:19:25 | 0:19:29 | |
Not all the neighbours are behind the project | 0:19:29 | 0:19:31 | |
and that's why the garden stops right here at this point. | 0:19:31 | 0:19:35 | |
-Gardens used to come up further. -Right. | 0:19:35 | 0:19:38 | |
Until then people got fed up with that. | 0:19:38 | 0:19:41 | |
They were enriching the schemes. | 0:19:41 | 0:19:43 | |
There were hints that people didn't care | 0:19:43 | 0:19:45 | |
and they were the only ones who cared. | 0:19:45 | 0:19:47 | |
It's a personal choice, if they don't want to get involved, | 0:19:47 | 0:19:50 | |
there's nothing we can do about that, we have to go with the flow. | 0:19:50 | 0:19:54 | |
Keeping a garden like this going isn't cheap, | 0:19:54 | 0:19:57 | |
it cost over £1,000 last year and now the funding could be drying up. | 0:19:57 | 0:20:02 | |
The council has finished funding us. We're not getting funded at all. | 0:20:02 | 0:20:08 | |
You can't do it on fresh air, we need funding. | 0:20:08 | 0:20:13 | |
I couldn't imagine it not to be here, really. | 0:20:13 | 0:20:15 | |
-I don't even want to think about it. -Oh, I don't. | 0:20:15 | 0:20:20 | |
I might have to go out and get myself a fella, to come and keep me company! | 0:20:20 | 0:20:25 | |
Well, for the good of him, I hope the garden stays! | 0:20:25 | 0:20:29 | |
THEY LAUGH | 0:20:29 | 0:20:30 | |
Very funny, Joe. We had you in line, actually. | 0:20:30 | 0:20:33 | |
Cheeky! Now, it's competition time. | 0:20:36 | 0:20:38 | |
The challenge? To build an urban garden worthy of the title | 0:20:38 | 0:20:43 | |
Young Gardener Of The Year. | 0:20:43 | 0:20:46 | |
So, this is it. The final challenge. | 0:20:48 | 0:20:50 | |
In just three hours, competitive Damian from Wigan | 0:20:50 | 0:20:53 | |
or green-fingered entrepreneur John from Lancashire | 0:20:53 | 0:20:56 | |
will be crowned the first-ever Young Gardener Of The Year. | 0:20:56 | 0:21:00 | |
I just want to give you a brief, and show you what I was thinking of. | 0:21:01 | 0:21:04 | |
Can you get us the plants off the trolley that are ours? | 0:21:04 | 0:21:08 | |
The rivals get straight down to choosing their materials, | 0:21:09 | 0:21:13 | |
planning their design and briefing their team, | 0:21:13 | 0:21:16 | |
in the hope that their urban garden | 0:21:16 | 0:21:17 | |
will blow the competition out of the water, and win them the title. | 0:21:17 | 0:21:21 | |
Try and keep it as simple as possible, really. | 0:21:21 | 0:21:23 | |
Small, circular table in the middle. | 0:21:23 | 0:21:25 | |
Need a gate at the front, | 0:21:25 | 0:21:26 | |
but I don't know how we're going to secure that. | 0:21:26 | 0:21:28 | |
Judges Chris and Alex will be analysing every stage | 0:21:28 | 0:21:31 | |
of this gardening battle. | 0:21:31 | 0:21:34 | |
Plus, to pile on the pressure, our finalists' friends and family | 0:21:34 | 0:21:37 | |
are watching their every move. | 0:21:37 | 0:21:40 | |
-You all right, Damian? -No! | 0:21:43 | 0:21:45 | |
Let's have a look at the plans. | 0:21:45 | 0:21:47 | |
Damian's design includes | 0:21:47 | 0:21:48 | |
a circular entertainment area, | 0:21:48 | 0:21:50 | |
a circular lawn, | 0:21:50 | 0:21:51 | |
and a large set of metal gates. | 0:21:51 | 0:21:53 | |
I'm just trying to think of a small space, | 0:21:53 | 0:21:56 | |
so I've gone with a circle theme on both sides, | 0:21:56 | 0:21:58 | |
and try and get it as low maintenance as possible, so that's the planting I've chosen. | 0:21:58 | 0:22:03 | |
And then they just need to keep on top of the lawn, really. But that's why I kept it small. | 0:22:03 | 0:22:07 | |
And your thought process revolving around the materials? | 0:22:07 | 0:22:10 | |
Try and keep it a bit more rustic, really. | 0:22:10 | 0:22:12 | |
It's a modern couple, they've probably got a modern house, | 0:22:12 | 0:22:15 | |
so a bit more of a retreat, something totally different. | 0:22:15 | 0:22:19 | |
And just give them an escape. | 0:22:19 | 0:22:20 | |
Take a seat, by all means. | 0:22:23 | 0:22:24 | |
So, can you just talk us through your approach to this plan | 0:22:24 | 0:22:27 | |
and the garden? | 0:22:27 | 0:22:28 | |
For John's urban garden, | 0:22:28 | 0:22:29 | |
he's planned a winding gravel path | 0:22:29 | 0:22:32 | |
with a rope handrail, | 0:22:32 | 0:22:33 | |
large beds and a back trellis. | 0:22:33 | 0:22:36 | |
Taking a different slant on urban. | 0:22:36 | 0:22:38 | |
-Right. -It is very low maintenance | 0:22:38 | 0:22:40 | |
because they've got quite a hectic lifestyle. | 0:22:40 | 0:22:43 | |
Can you justify the choice of your materials? | 0:22:43 | 0:22:46 | |
It's urban, but you could say it's urban, brinking on the edges of rustic. | 0:22:46 | 0:22:49 | |
But I'm hoping, with all the gravel, bricks, a lot of hard materials, | 0:22:49 | 0:22:53 | |
to soften it up with the planting. So I'll be very focused | 0:22:53 | 0:22:55 | |
on the choice of plants we're going to use. | 0:22:55 | 0:22:59 | |
Throughout the contest, competitive Damian's creative skills | 0:23:05 | 0:23:08 | |
have beaten his opponents' hands down. | 0:23:08 | 0:23:11 | |
With these, do you reckon I should just screw them to this board? | 0:23:11 | 0:23:14 | |
Less than an hour into the challenge, his gates are up | 0:23:14 | 0:23:17 | |
and he's already laying the turf for his circular lawn. | 0:23:17 | 0:23:20 | |
Like laying a carpet. Look at that! | 0:23:20 | 0:23:23 | |
Although the grassroots gardener's plant knowledge | 0:23:25 | 0:23:28 | |
has been unbeatable in every round, | 0:23:28 | 0:23:30 | |
John's creative flair has been severely lacking | 0:23:30 | 0:23:32 | |
throughout the competition. | 0:23:32 | 0:23:34 | |
-And if you can put two more in. -Same? -Yeah, please. | 0:23:34 | 0:23:38 | |
But, having painted the backboard a fresh blue, | 0:23:38 | 0:23:41 | |
and with his winding path starting to take shape, | 0:23:41 | 0:23:44 | |
John's garden is poles apart from his rival's design disaster. | 0:23:44 | 0:23:49 | |
You're at the halfway mark, guys, you've got about an hour and a half to go. | 0:23:49 | 0:23:53 | |
With the clock ticking until our judges crown the first ever | 0:23:53 | 0:23:58 | |
Young Gardener Of The Year, | 0:23:58 | 0:24:00 | |
our contenders' empty plots | 0:24:00 | 0:24:01 | |
are being totally transformed into stunning gardens. | 0:24:01 | 0:24:04 | |
We want to fill it up. | 0:24:05 | 0:24:07 | |
John's team are busy filling beds with bark. | 0:24:07 | 0:24:09 | |
Yeah, keep it coming. | 0:24:09 | 0:24:11 | |
While his attention is fully focused on climbing a jasmine up his back trellis. | 0:24:11 | 0:24:15 | |
DAMIAN SIGHS | 0:24:15 | 0:24:17 | |
Damian's team have constructed an archway, | 0:24:17 | 0:24:20 | |
to divide his controversial circular areas. | 0:24:20 | 0:24:23 | |
The fences are up, and his lawn has completely taken shape. | 0:24:23 | 0:24:26 | |
You got 20 minutes to go, guys. 20 minutes left. | 0:24:31 | 0:24:34 | |
With only minutes left until the judges choose their winner, | 0:24:35 | 0:24:38 | |
the rivals pick up the pace and push their teams for perfection. | 0:24:38 | 0:24:43 | |
Put that back in that barrow. | 0:24:43 | 0:24:45 | |
-I think it's neck and neck at the moment. -Really? | 0:24:45 | 0:24:47 | |
I certainly think John has gone not for that show impact at all. | 0:24:47 | 0:24:52 | |
The back of it looks a bit sparse. And how is he going to view that in the future? | 0:24:52 | 0:24:57 | |
Damian has produced some crazy combinations of plants. | 0:24:57 | 0:24:59 | |
I'm so worried about them. | 0:24:59 | 0:25:01 | |
He's got cotinus next to fatsia, and they're cheek by jowl. | 0:25:01 | 0:25:06 | |
That is just not going to work. | 0:25:06 | 0:25:08 | |
-It's just... -SHE GROANS | 0:25:08 | 0:25:10 | |
OK, guys, five, | 0:25:15 | 0:25:16 | |
four, | 0:25:16 | 0:25:18 | |
three, two, | 0:25:18 | 0:25:20 | |
and one. Time's up. | 0:25:20 | 0:25:22 | |
APPLAUSE AND CHEERING | 0:25:22 | 0:25:24 | |
Two very different gardens, two very different contenders, | 0:25:24 | 0:25:28 | |
but who will be the first ever Young Gardener Of The Year? | 0:25:28 | 0:25:31 | |
Damian, John, it's been a tough contest, | 0:25:40 | 0:25:44 | |
but only one of you will be going home as Young Gardener Of The Year. | 0:25:44 | 0:25:48 | |
Before we find out which one of you that's going to be, | 0:25:50 | 0:25:52 | |
-I'd like to get some feedback from the judges. -Damian, you were strong and brave in your design, | 0:25:52 | 0:25:57 | |
and you took risks, which I liked. Keep working on your plant knowledge, | 0:25:57 | 0:26:01 | |
and remember, plants don't sit still, they move and they grow. | 0:26:01 | 0:26:05 | |
Well, John, you have constantly wowed Chris and I | 0:26:06 | 0:26:09 | |
with your plant knowledge, but what has thrilled us most | 0:26:09 | 0:26:13 | |
is your growth in your design work in this competition. | 0:26:13 | 0:26:17 | |
Still lots to improve, but you're well on your way. | 0:26:17 | 0:26:20 | |
OK, guys, crunch time. | 0:26:21 | 0:26:23 | |
This is it, the first ever Young Gardener Of The Year is... | 0:26:23 | 0:26:29 | |
It's John. | 0:26:40 | 0:26:42 | |
APPLAUSE AND CHEERING | 0:26:42 | 0:26:44 | |
John's outstanding plant knowledge blew the judges away. | 0:26:44 | 0:26:48 | |
Now, most of the plants we show you on the A To Z Of TV Gardening | 0:26:53 | 0:26:56 | |
are things of beauty, for you to admire and desire. | 0:26:56 | 0:27:00 | |
But not all. Because our next U is for Undesirable Plants. | 0:27:00 | 0:27:05 | |
Those you'd normally want to avoid outright. | 0:27:05 | 0:27:08 | |
Christine Walkden's found a very good place to get us started. | 0:27:08 | 0:27:12 | |
Alnwick Castle in Northumberland, built in the 11th century, | 0:27:12 | 0:27:16 | |
and now home to a very unusual garden. | 0:27:16 | 0:27:21 | |
I'm surrounded by a rather sinister collection of plants - | 0:27:21 | 0:27:24 | |
ones that you'd do well to avoid. | 0:27:24 | 0:27:26 | |
Eating this can cause an agonising death. | 0:27:29 | 0:27:32 | |
Just a taste of this can make you vomit, | 0:27:32 | 0:27:35 | |
and this plant contains one of the most toxic chemicals known to man. | 0:27:35 | 0:27:40 | |
Welcome to the Poison Garden. | 0:27:40 | 0:27:42 | |
This garden is so dangerous, the gates are kept locked. | 0:27:44 | 0:27:47 | |
It's monitored round the clock, | 0:27:47 | 0:27:50 | |
and visitors are not allowed in without a guide. | 0:27:50 | 0:27:53 | |
All this is down to one woman - the 12th Duchess of Northumberland. | 0:27:53 | 0:27:58 | |
She's been fascinated by poisonous plants for 15 years. | 0:27:58 | 0:28:02 | |
Jane, why are you so passionate about poisonous plants? | 0:28:02 | 0:28:07 | |
The same plant almost always kills and cures. | 0:28:07 | 0:28:10 | |
And I saw gardens around the world, mostly which were apothecary gardens, | 0:28:10 | 0:28:15 | |
and I just thought, this is a bit boring, let's try and do it differently. | 0:28:15 | 0:28:18 | |
Let's focus on the kill rather than the cure. | 0:28:18 | 0:28:21 | |
There are some notorious killers in here, | 0:28:21 | 0:28:25 | |
such as belladonna - Italian for "beautiful woman", | 0:28:25 | 0:28:29 | |
but you'll know it by another name. | 0:28:29 | 0:28:31 | |
Deadly nightshade is one of the biggest nasties here, | 0:28:31 | 0:28:34 | |
and if you were to eat just one leaf, it could kill you. | 0:28:34 | 0:28:37 | |
But centuries ago women used it as a beauty aid, in the form of eye drops. | 0:28:37 | 0:28:43 | |
This plant contains atropine, which paralyses the muscles in the eye. | 0:28:43 | 0:28:47 | |
So the eye drops dilated the pupils, making them appear more attractive. | 0:28:47 | 0:28:52 | |
But overuse of belladonna could cause blindness. | 0:28:52 | 0:28:57 | |
Jane, which plant turns you on the most? | 0:28:57 | 0:29:00 | |
The datura without a doubt. | 0:29:00 | 0:29:01 | |
Beautiful, beautiful flower, | 0:29:01 | 0:29:04 | |
but every part of the plant is poisonous. | 0:29:04 | 0:29:07 | |
Datura was used by the Aztecs to prepare human sacrifices. | 0:29:07 | 0:29:11 | |
It would leave their victims numb to their gruesome fate. | 0:29:11 | 0:29:16 | |
You have to take special precautions in this garden. | 0:29:16 | 0:29:19 | |
Gloves are essential. A little while ago one of the gardeners had blisters all over their arms, | 0:29:19 | 0:29:25 | |
caused by the sap of this plant, known as rue. | 0:29:25 | 0:29:29 | |
Otherwise known as ruta graveolens, | 0:29:29 | 0:29:32 | |
rue causes light-sensitive burns which can flare up whenever they're exposed to the sun. | 0:29:32 | 0:29:37 | |
The Duchess has sourced her plants from all over the world. | 0:29:37 | 0:29:42 | |
This is the castor oil plant, a native of India, | 0:29:42 | 0:29:45 | |
but I used to have to take the oil of this as a kid, | 0:29:45 | 0:29:48 | |
and it tasted just like poison! | 0:29:48 | 0:29:50 | |
It is. It's disgusting. Revolting smell. But once you've extracted the oil, | 0:29:50 | 0:29:55 | |
-you're then left with a really poisonous residue. -Right. | 0:29:55 | 0:29:59 | |
You then have a really strong and very potent poison, | 0:29:59 | 0:30:04 | |
and there's no antidote to that. | 0:30:04 | 0:30:08 | |
The plants have really developed their strengths | 0:30:08 | 0:30:11 | |
to keep away their natural enemies - insects, not really us - | 0:30:11 | 0:30:14 | |
and it's how we've decided to use the plants to suit our means, | 0:30:14 | 0:30:19 | |
and that's where we've had trouble. | 0:30:19 | 0:30:21 | |
This is obviously a labour of love. | 0:30:21 | 0:30:23 | |
I love this garden. I love the stories about poison. | 0:30:23 | 0:30:27 | |
When I'm dead, I'm going to have some of my ashes scattered here, | 0:30:27 | 0:30:31 | |
probably against one of the walls, | 0:30:31 | 0:30:33 | |
and I plan to come back and haunt this garden and keep an eye on it! | 0:30:33 | 0:30:37 | |
I'm normally at my happiest when I'm surrounded by plants, | 0:30:37 | 0:30:40 | |
but this Poison Garden leaves me on edge. | 0:30:40 | 0:30:43 | |
But it is absolutely fascinating. | 0:30:43 | 0:30:46 | |
It's not just deadly poisonous plants that are undesirable - | 0:30:49 | 0:30:52 | |
here's Christine with more. | 0:30:52 | 0:30:54 | |
In this community garden behind me lurks something quite sinister, | 0:30:56 | 0:31:01 | |
which is wreaking havoc across the UK. | 0:31:01 | 0:31:04 | |
Believe it or not, it's this, fallopia japonica, | 0:31:05 | 0:31:09 | |
commonly known as Japanese knotweed. | 0:31:09 | 0:31:12 | |
The nearest thing to Godzilla in the plant world. | 0:31:12 | 0:31:16 | |
Native to Japan, it was introduced into the UK by the Victorians as an ornamental plant. | 0:31:19 | 0:31:24 | |
But it soon escaped, and it's now romping across the UK. | 0:31:24 | 0:31:29 | |
Listed by the International Union For Conservation Of Nature | 0:31:29 | 0:31:32 | |
as one of the world's 100 most invasive species, | 0:31:32 | 0:31:36 | |
Japanese knotweed swamps all over vegetation in its path and can even burst through tarmac. | 0:31:36 | 0:31:41 | |
It grows incredibly quickly, over a metre in three weeks, | 0:31:41 | 0:31:46 | |
and is now so prolific that there's not a single six square mile in the country | 0:31:46 | 0:31:50 | |
where it's not found. | 0:31:50 | 0:31:52 | |
If you've ever tried to eradicate this Triffid-like plant, you'll know how difficult it is. | 0:31:52 | 0:31:56 | |
Complete removal methods are both difficult and expensive, | 0:31:56 | 0:32:00 | |
and currently cost the UK an estimated £150 million a year. | 0:32:00 | 0:32:07 | |
And it's incredibly easy to spread knotweed - | 0:32:07 | 0:32:09 | |
all it takes is a pea-sized root fragment to infest an area, | 0:32:09 | 0:32:13 | |
like this site in West Horsley, Surrey. | 0:32:13 | 0:32:16 | |
It appears to me it's likely to have come in on that rubbish. | 0:32:16 | 0:32:19 | |
We've marked it all off, | 0:32:19 | 0:32:20 | |
so that people don't keep walking in and out here | 0:32:20 | 0:32:23 | |
cos if we just take a little bit away on our boots | 0:32:23 | 0:32:26 | |
without checking them when we leave, | 0:32:26 | 0:32:27 | |
we could have it all over the rest of the garden. | 0:32:27 | 0:32:29 | |
Absolutely. Well, I think that's the problem. People don't recognise it, | 0:32:29 | 0:32:33 | |
then don't know how to deal with it and don't realise that | 0:32:33 | 0:32:36 | |
the tiniest little bit in a bit of rubbish like a dump | 0:32:36 | 0:32:40 | |
can then infect your land. So what have you done so far to control it? | 0:32:40 | 0:32:42 | |
Well, last autumn we had a spray in here, | 0:32:42 | 0:32:44 | |
and as you can see, | 0:32:44 | 0:32:47 | |
this spring it's come back as if nothing had happened. | 0:32:47 | 0:32:50 | |
To eradicate the knotweed for good, | 0:32:50 | 0:32:53 | |
the community have had to call in an environmental consultant. | 0:32:53 | 0:32:57 | |
So why is Japanese knotweed so incredibly difficult to remove? | 0:32:57 | 0:33:01 | |
Well, you've got underneath this stand of Japanese knotweed | 0:33:01 | 0:33:05 | |
a massive underground root system which we call rhizomes. | 0:33:05 | 0:33:10 | |
Typically on a well-established stand like this | 0:33:10 | 0:33:12 | |
you'll have roots going down at least two metres deep, | 0:33:12 | 0:33:16 | |
and they will spread laterally, | 0:33:16 | 0:33:17 | |
normally within two to three metres of any visible plant. | 0:33:17 | 0:33:21 | |
So why can't I just dig it up and throw it in my dustbin? | 0:33:21 | 0:33:24 | |
Well, because Japanese knotweed is classified as a controlled waste, | 0:33:24 | 0:33:28 | |
and therefore all the Environmental Protection Act requirements | 0:33:28 | 0:33:32 | |
apply to this plant. | 0:33:32 | 0:33:34 | |
Knotweed's destructive force is now gaining the attention of homeowners, | 0:33:34 | 0:33:39 | |
as some High Street banks are declining mortgages | 0:33:39 | 0:33:41 | |
on properties infested with knotweed. | 0:33:41 | 0:33:44 | |
To finally rid the community garden of knotweed, | 0:33:44 | 0:33:47 | |
Nic and his team have had to extract and sift tons of infested soil. | 0:33:47 | 0:33:51 | |
'This costly method is effective, but researchers at CABI, | 0:33:51 | 0:33:55 | |
'an agricultural research organisation, | 0:33:55 | 0:33:58 | |
'are hoping they've found a natural solution to the knotweed problem.' | 0:33:58 | 0:34:01 | |
So what research have you been doing here? | 0:34:01 | 0:34:03 | |
Well, we've been going back to the area of origin of the plant, | 0:34:03 | 0:34:06 | |
which is surprisingly Japan, | 0:34:06 | 0:34:08 | |
and trying to find the natural enemies that feed on it | 0:34:08 | 0:34:10 | |
and might have a potential for controlling it here. | 0:34:10 | 0:34:12 | |
In Japan there's almost 200 species feeding on it, | 0:34:12 | 0:34:15 | |
and our job was to find which of those might be suitable. | 0:34:15 | 0:34:18 | |
It's vital to find a predator which feeds only on knotweed, | 0:34:18 | 0:34:21 | |
so it does not damage other British plants and wildlife. | 0:34:21 | 0:34:24 | |
It's a process of elimination choosing the agent - | 0:34:24 | 0:34:27 | |
we had to reject 199 of those organisms to find the one that does feed on it, aphalara itadori, | 0:34:27 | 0:34:31 | |
this is this little psylid, and these psylids suck the sap from the plant, | 0:34:31 | 0:34:34 | |
or at least their young do. | 0:34:34 | 0:34:36 | |
This is the damage caused by a group of nymphs just feeding at the base here, | 0:34:36 | 0:34:40 | |
but what you can see here is these tiny leaves, | 0:34:40 | 0:34:43 | |
and those leaves won't get any bigger. | 0:34:43 | 0:34:45 | |
So that plant is not going to be performing well if it had loads of leaves like this. | 0:34:45 | 0:34:49 | |
It ends up with the plant suffering quite significantly. | 0:34:49 | 0:34:51 | |
-So it's basically stunting it. -Effectively, yeah. | 0:34:51 | 0:34:54 | |
The Government have now granted a licence for a controlled release of this natural predator. | 0:34:54 | 0:34:59 | |
In the time being, if you're under attack from Japanese knotweed, | 0:34:59 | 0:35:03 | |
call in the experts. | 0:35:03 | 0:35:04 | |
If tests with natural predators go well, we could soon have a method of | 0:35:04 | 0:35:09 | |
controlling this super weed, | 0:35:09 | 0:35:11 | |
saving the economy millions of pounds a year. | 0:35:11 | 0:35:14 | |
Thanks, Christine. Now let's join Helen Skelton, | 0:35:15 | 0:35:18 | |
who's with Sam Bull from the Wildlife Trust, | 0:35:18 | 0:35:21 | |
for a case of same undesirable problem, different solution. | 0:35:21 | 0:35:25 | |
Right, here we are. | 0:35:31 | 0:35:33 | |
This is the serious work. | 0:35:33 | 0:35:35 | |
This is the serious work. | 0:35:35 | 0:35:36 | |
We've got Japanese knotweed all around us. | 0:35:36 | 0:35:39 | |
Because we're doing injection using pesticides, | 0:35:39 | 0:35:42 | |
I've got to get my kit on. | 0:35:42 | 0:35:43 | |
I've got this lovely white suit. | 0:35:43 | 0:35:45 | |
You can carry the bucket. | 0:35:47 | 0:35:48 | |
You've cut all this back yet it still seems to be growing really well here. | 0:35:55 | 0:35:59 | |
We cut this back about a month ago to help control it, | 0:35:59 | 0:36:02 | |
but, as you can see, this is all grown up within a month. | 0:36:02 | 0:36:04 | |
You can see how fast it grows and what a problem that is. | 0:36:04 | 0:36:08 | |
If it crops up in your garden, how do you get rid of it? | 0:36:08 | 0:36:10 | |
Act as quickly as you possibly can. The longer you | 0:36:10 | 0:36:13 | |
leave it, the more expensive it gets to treat | 0:36:13 | 0:36:15 | |
and the more difficult it can be to get rid of. | 0:36:15 | 0:36:17 | |
-It's like something out of Day Of The Triffids. -Yes, a bit. | 0:36:17 | 0:36:20 | |
'What Sam is doing today is far more hardcore than pulling up | 0:36:22 | 0:36:26 | |
'a few roots. | 0:36:26 | 0:36:27 | |
'This is chemical warfare.' | 0:36:28 | 0:36:30 | |
It's just down here. | 0:36:34 | 0:36:35 | |
-It's impossible to miss. It's huge. -I know. | 0:36:37 | 0:36:40 | |
This is the area that couldn't have been chopped down. | 0:36:40 | 0:36:43 | |
We're going to treat it today using the injection guns. | 0:36:43 | 0:36:46 | |
How effective is the injection? | 0:36:46 | 0:36:49 | |
It's really effective because the spraying, | 0:36:49 | 0:36:51 | |
you're landing the spray on the leaves | 0:36:51 | 0:36:53 | |
and you are not always going to get 100% take-up by the plant. | 0:36:53 | 0:36:57 | |
It's so much better for wildlife because with injecting, | 0:36:57 | 0:37:00 | |
we're getting the chemicals straight into the stems | 0:37:00 | 0:37:03 | |
and nothing that's surrounding us will be hit by any chemical. | 0:37:03 | 0:37:06 | |
You just affect the plant that you're targeting. | 0:37:06 | 0:37:10 | |
You don't get anything else affected. | 0:37:10 | 0:37:12 | |
It's fairly simple. | 0:37:12 | 0:37:14 | |
We just need to inject between the first node, which you can see | 0:37:15 | 0:37:19 | |
is the ring around the stem here. | 0:37:19 | 0:37:22 | |
And the third node. This one up here. | 0:37:22 | 0:37:24 | |
We need to get the chemical in there. | 0:37:24 | 0:37:27 | |
It's just a simple push in there and an injection. | 0:37:27 | 0:37:32 | |
That one is done. | 0:37:33 | 0:37:35 | |
There is a little hole halfway down the needle which shoots | 0:37:35 | 0:37:40 | |
-the chemical down into this stem. -How long does it take to die? | 0:37:40 | 0:37:44 | |
You can see the effects between almost immediately | 0:37:44 | 0:37:47 | |
and in a few weeks' time. | 0:37:47 | 0:37:50 | |
Because we use a dye in the chemical, | 0:37:50 | 0:37:53 | |
you will see the stems turn blue and you can see it, the colour | 0:37:53 | 0:37:57 | |
moving down as it takes the chemical down into its root system. | 0:37:57 | 0:38:01 | |
It can be worrying for people. They pass stands of blue knotweeds, | 0:38:01 | 0:38:04 | |
we put up a sign saying to people that it's been treated | 0:38:04 | 0:38:07 | |
so don't worry about it. | 0:38:07 | 0:38:09 | |
We've seen how quickly it grows. Do you think we'll ever get rid of it? | 0:38:09 | 0:38:13 | |
I think, on this site in particular, yes, if we persevere with this | 0:38:14 | 0:38:18 | |
and keep visiting it, year-on-year, we'll be able to eradicate it. | 0:38:18 | 0:38:23 | |
-What about the rest of the country? -It depends on everyone else. | 0:38:23 | 0:38:28 | |
I think countrywide is a big task. | 0:38:28 | 0:38:30 | |
We end today with a return journey to the unconventional world | 0:38:32 | 0:38:36 | |
of Diarmuid Gavin. | 0:38:36 | 0:38:37 | |
And Alan Titchmarsh is looking at his entry | 0:38:39 | 0:38:42 | |
for the 2012 Chelsea Flower Show. | 0:38:42 | 0:38:44 | |
Alliums and hostas, silver birches and rhododendrons, | 0:38:46 | 0:38:50 | |
a swing and scaffolding. | 0:38:50 | 0:38:52 | |
It's gardening, Scotty, but not as we know it. | 0:38:52 | 0:38:55 | |
It's had Chelsea pensioners stacked up its outside | 0:38:55 | 0:38:59 | |
and ladies shrieking as they come down that steel chute to escape. | 0:38:59 | 0:39:04 | |
It's Diarmuid's magic pyramid. | 0:39:05 | 0:39:08 | |
Enough of the flummery. What's it all about? | 0:39:08 | 0:39:11 | |
-There must be a serious point to this as well. Isn't there? -There is. | 0:39:11 | 0:39:15 | |
It is exploring the notion of a multi-storey garden | 0:39:15 | 0:39:19 | |
in an increasingly urbanised society. | 0:39:19 | 0:39:21 | |
Lots of people live in cities like London. | 0:39:21 | 0:39:23 | |
There's not a lot of green space. | 0:39:23 | 0:39:25 | |
It is an experiment in gardening, | 0:39:25 | 0:39:27 | |
lots of people gardening on top of each other. | 0:39:27 | 0:39:30 | |
You reckon this could work on a tower block? | 0:39:30 | 0:39:33 | |
It's a scaffolding pyramid that could be permanent in a plaza. | 0:39:33 | 0:39:38 | |
We've created, from a 16-by-16 metre base, 576 square metres of usable | 0:39:38 | 0:39:43 | |
garden space. | 0:39:43 | 0:39:44 | |
If there is enough light coming in, I don't see why not. | 0:39:44 | 0:39:47 | |
Let's go and have a look. Let's go and look at it. | 0:39:47 | 0:39:50 | |
This is a fabulously padded swing seat. I'm reluctant to leave it. | 0:39:50 | 0:39:53 | |
-Past the shed. -Past the practical garden shed. | 0:39:53 | 0:39:57 | |
We've lots of sheds, lots of water. | 0:39:57 | 0:39:59 | |
We want to show sustainable gardening. | 0:39:59 | 0:40:02 | |
We come up to a communal terrace, which is the meet and greet area | 0:40:02 | 0:40:05 | |
where everybody who gardens here would come together. | 0:40:05 | 0:40:08 | |
-How many floors altogether? -Seven different floors. -Wow. | 0:40:08 | 0:40:11 | |
Residents' members' club. | 0:40:14 | 0:40:16 | |
I'm not a member. Am I allowed in? | 0:40:16 | 0:40:18 | |
-You are a member now. -Oh, look. | 0:40:18 | 0:40:22 | |
Oriental style pavilion that's half Irish cowshed, half... | 0:40:22 | 0:40:26 | |
It's rustic in nature | 0:40:26 | 0:40:29 | |
and we have this circular opening leading into a secret garden. | 0:40:29 | 0:40:33 | |
You walk into a secret garden. It is magical. | 0:40:33 | 0:40:36 | |
You just disappear from one area into another. | 0:40:36 | 0:40:41 | |
-It's a garden that keeps you moving. -It does. | 0:40:41 | 0:40:44 | |
I love this sort of treetop bamboo walk. | 0:40:45 | 0:40:49 | |
They shoot up, then the black ones start from here. | 0:40:49 | 0:40:53 | |
You walk past this shady plant and rhododendrons | 0:40:53 | 0:40:57 | |
and walk up around the pink shade to another level. | 0:40:57 | 0:41:00 | |
-There is a pond here! -The roof of the shed collects water. | 0:41:04 | 0:41:09 | |
It's used in the washing machine. | 0:41:09 | 0:41:11 | |
You do your washing as you're gardening and you hang it out to dry. | 0:41:11 | 0:41:14 | |
-Good drying day. -Very good, isn't it? | 0:41:15 | 0:41:18 | |
-It's your washing, it really is, isn't it? -It is. | 0:41:18 | 0:41:22 | |
Fir tree, elevated on the fourth floor. Rosemary, thyme. | 0:41:22 | 0:41:28 | |
Good light levels up here. | 0:41:28 | 0:41:29 | |
We have the Victorian style greenhouse | 0:41:29 | 0:41:32 | |
and these old industrial containers used to plant our fruit and veg. | 0:41:32 | 0:41:36 | |
-Which level are we on now? -On four, about to go to five. | 0:41:39 | 0:41:44 | |
Vegetables going up. | 0:41:46 | 0:41:49 | |
So you wash your clothes down below and your body | 0:41:53 | 0:41:57 | |
-and do your ablutions up here? -That's right. | 0:41:57 | 0:42:00 | |
This is a shower and a bath. The water is collected. | 0:42:00 | 0:42:02 | |
It's fed to a barrel down below and used for the fruit and vegetables. | 0:42:02 | 0:42:07 | |
I needn't have stayed in a hotel! | 0:42:07 | 0:42:09 | |
I could've stayed here in your pyramid. | 0:42:09 | 0:42:10 | |
-You could have lived here. -Magical. Are we still going up then? | 0:42:10 | 0:42:13 | |
-One more? -Yeah. -Two more? -Up and up and up. | 0:42:13 | 0:42:17 | |
-Great vantage point. -Across the river. -Absolutely. | 0:42:17 | 0:42:22 | |
From here, I can see what you have for breakfast. | 0:42:22 | 0:42:25 | |
From here, a lot of people would see their own breakfast. | 0:42:25 | 0:42:28 | |
Getting very high. | 0:42:29 | 0:42:30 | |
It's rather fitting that, | 0:42:32 | 0:42:33 | |
on top of your 80-foot pyramid, is a plant and it's a fabulous birch. | 0:42:33 | 0:42:38 | |
Wonderful peeling bark. Which one is it? | 0:42:38 | 0:42:41 | |
It's a beauty, a heritage. It has fantastic bark. | 0:42:41 | 0:42:45 | |
We wanted to crown it with a plant. | 0:42:45 | 0:42:47 | |
It's in a bed of billowing Mediterranean-style planting. | 0:42:47 | 0:42:52 | |
There is full sun so I think it's going to enjoy it here. | 0:42:52 | 0:42:54 | |
There could not be a better day to see this. It's absolutely wonderful. | 0:42:54 | 0:42:58 | |
The London skyline around us. | 0:42:58 | 0:42:59 | |
The bridges into London and Battersea Power Station. Well done. | 0:42:59 | 0:43:03 | |
It's a lovely job. Congratulations. | 0:43:03 | 0:43:05 | |
Unusual but wonderful. I hope you enjoyed that. | 0:43:07 | 0:43:11 | |
Do join us again on the next A-Z Of TV Gardening. Goodbye. | 0:43:11 | 0:43:15 | |
Subtitles by Red Bee Media Ltd | 0:43:39 | 0:43:42 |