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Our community garden this week is in the West of Scotland, | 0:00:02 | 0:00:05 | |
renowned for its mild climate and its summer rainfall. | 0:00:05 | 0:00:09 | |
But it's these two things that have sustained | 0:00:09 | 0:00:12 | |
these magnificent redwoods for the last 150 years. | 0:00:12 | 0:00:16 | |
I'm in the Benmore Botanic Garden in the Kyle Peninsula, | 0:00:16 | 0:00:19 | |
one of the great gardens of Argyll. | 0:00:19 | 0:00:22 | |
Because of the climate, it's full of the most wonderful exotic species. | 0:00:22 | 0:00:26 | |
It is absolutely stunning, even on a wet day, I can assure you. | 0:00:26 | 0:00:30 | |
Now, we go o'er the hill to Ardentinny. | 0:00:30 | 0:00:33 | |
# O'er the hill to Ardentinny | 0:00:45 | 0:00:49 | |
# Just to see ma bonnie Jeannie... # | 0:00:49 | 0:00:52 | |
Sir Harry Lauder famously sang O'er The Hills To Ardentinny, | 0:00:52 | 0:00:56 | |
and that's certainly one way to get to Ardentinny. | 0:00:56 | 0:00:59 | |
This is the other way, on the regular ferry from Gourock | 0:00:59 | 0:01:02 | |
over to the capital of the Kyle Peninsula, Dunoon. | 0:01:02 | 0:01:07 | |
We're doing what many Glaswegians have done over the years, | 0:01:07 | 0:01:09 | |
we're going "doon the water". | 0:01:09 | 0:01:11 | |
# O'er the hill to Ardentinny | 0:01:11 | 0:01:15 | |
# Just to see ma bonnie Jeannie... # | 0:01:15 | 0:01:18 | |
Just a few miles around the coast of Argyll from Dunoon, | 0:01:18 | 0:01:22 | |
you come to the quiet coastal village of Ardentinny, | 0:01:22 | 0:01:25 | |
which is home to about 200 folk. | 0:01:25 | 0:01:28 | |
And this stunning scenery of land and loch | 0:01:28 | 0:01:31 | |
make this whole area a natural tourist destination. | 0:01:31 | 0:01:35 | |
'The village is framed by the Argyll Forest that provided | 0:01:37 | 0:01:41 | |
'work for locals for many years, almost a century. | 0:01:41 | 0:01:44 | |
'In 1926, this whole area was sold to the Forestry Commission | 0:01:44 | 0:01:49 | |
and became Britain's first forest park.' | 0:01:49 | 0:01:53 | |
'Glenfinart House was the big estate house for the area. | 0:01:53 | 0:01:58 | |
'But sadly all that's left is the tower over there | 0:01:58 | 0:02:01 | |
'due to a tragic fire in 1968. | 0:02:01 | 0:02:04 | |
'And since then, well, the old estate walled garden was basically | 0:02:04 | 0:02:08 | |
'forgotten about and really neglected. | 0:02:08 | 0:02:11 | |
However, over the last few years, | 0:02:11 | 0:02:14 | |
the Ardentinny community has set up a programme of restoration. | 0:02:14 | 0:02:18 | |
For example, this lovely bridge which goes over the River Finart. | 0:02:18 | 0:02:22 | |
And if you follow the water down that way, | 0:02:22 | 0:02:24 | |
you'll come to a much bigger project, the garden. | 0:02:24 | 0:02:27 | |
I'm in the woodland just outside the walled garden, | 0:02:32 | 0:02:35 | |
and I thought you'd be fascinated to see this. This is a curved wall. | 0:02:35 | 0:02:39 | |
This is the sort of thing which would have been a unique feature | 0:02:39 | 0:02:42 | |
when this was first built in the 1800s. | 0:02:42 | 0:02:44 | |
They'd possibly have grown roses up this when it was originally built. | 0:02:44 | 0:02:48 | |
Behind those curved walls is an amazing garden | 0:02:48 | 0:02:51 | |
or about-to-be amazing garden. | 0:02:51 | 0:02:53 | |
The Glen Finart walled garden is roughly three and a half acres, | 0:02:55 | 0:02:58 | |
but because it's been behind closed doors for decades, | 0:02:58 | 0:03:00 | |
not many people were even aware it was there at all. | 0:03:00 | 0:03:03 | |
Well, we're here to see that become a secret no more. | 0:03:03 | 0:03:06 | |
-OK, Bill, what's your role in the garden? -I am the trust convenor. | 0:03:19 | 0:03:23 | |
-And Meryl, what's your role? -I'm the secretary. | 0:03:23 | 0:03:26 | |
-Right, we've got the right two people. -We have. | 0:03:26 | 0:03:28 | |
So, Meryl, a little bit about the recent history of the garden. | 0:03:28 | 0:03:32 | |
The Forestry Commission owned this garden, | 0:03:32 | 0:03:35 | |
put it up for sale. | 0:03:35 | 0:03:37 | |
The community council decided to set up a working party, | 0:03:37 | 0:03:42 | |
see whether the community could buy the garden | 0:03:42 | 0:03:46 | |
and regenerate the village, | 0:03:46 | 0:03:48 | |
and the outcome was we bought the garden a year last March. | 0:03:48 | 0:03:54 | |
And Bill, is it going to be a sort of unifying thing for the village? | 0:03:54 | 0:03:59 | |
We hope so. We've lost so many of our facilities recently, | 0:03:59 | 0:04:03 | |
such as the pub and the school, | 0:04:03 | 0:04:05 | |
that we hope this will be the heart of the village. | 0:04:05 | 0:04:09 | |
-I think we could guarantee it will be. -Thank you. -Thank you. | 0:04:09 | 0:04:13 | |
Lynn Harris is the designer for this garden. | 0:04:21 | 0:04:24 | |
So, Lynn, how do you go about | 0:04:24 | 0:04:25 | |
creating a new heart for a community? | 0:04:25 | 0:04:27 | |
Well, one of the first things that the community mentioned to me | 0:04:27 | 0:04:31 | |
that they wanted was to reinstate the original paths in the garden. | 0:04:31 | 0:04:35 | |
So that actually very neatly divided the area up | 0:04:35 | 0:04:39 | |
into four main sections, giving you | 0:04:39 | 0:04:42 | |
a productive area, lawn area, the orchard | 0:04:42 | 0:04:45 | |
-and a sensory garden. -All right. | 0:04:45 | 0:04:46 | |
And of course, it's very sheltered | 0:04:46 | 0:04:48 | |
cos there's a huge wall round the whole garden. | 0:04:48 | 0:04:50 | |
It's quite an unusual wall. | 0:04:50 | 0:04:52 | |
We've got the nice curve here and it's pretty high, | 0:04:52 | 0:04:54 | |
so it means that we can actually grow quite a lot of things | 0:04:54 | 0:04:58 | |
in the garden that even just outside the walls you couldn't. | 0:04:58 | 0:05:01 | |
You've not got the salt spray, | 0:05:01 | 0:05:02 | |
but you're nice and mild cos you're on the coast. | 0:05:02 | 0:05:04 | |
-We're only 50 metres from the beach. -It's perfect, isn't it? | 0:05:04 | 0:05:07 | |
And what about the main elements within the garden, then? | 0:05:07 | 0:05:10 | |
One of the main things the community wanted was a space where people | 0:05:10 | 0:05:13 | |
could come and relax and sit in the garden and that's the sensory garden. | 0:05:13 | 0:05:17 | |
We've based it on a Mandala shape, which is a circle with four | 0:05:17 | 0:05:21 | |
sort of arms or legs, which I've interpreted as paths. | 0:05:21 | 0:05:25 | |
And each of the four planting areas here I've dedicated to | 0:05:25 | 0:05:29 | |
a different sense, so we've got sight, smell, touch and sound. | 0:05:29 | 0:05:34 | |
-Well, it sounds perfect. -It is! | 0:05:34 | 0:05:36 | |
'Janice and John Hampson garden on a fierce slope | 0:05:38 | 0:05:40 | |
'in the neighbouring village of Blairmore. | 0:05:40 | 0:05:43 | |
'This third of an acre garden has a collection of plants | 0:05:43 | 0:05:46 | |
'that are uniquely suited to these west coast conditions.' | 0:05:46 | 0:05:50 | |
-This is just a superabundance of growth in here, isn't it. -Mm-hm. | 0:05:50 | 0:05:54 | |
Well, this is quite an interesting plant, | 0:05:54 | 0:05:57 | |
-this is the first year that it's flowered. -Isn't that fascinating? | 0:05:57 | 0:06:01 | |
-Mm-hm. -Superb thing. -And it seems to attract wasps rather than bees. | 0:06:01 | 0:06:05 | |
-Oh, really? -I've noticed that, yeah. | 0:06:05 | 0:06:08 | |
Now that's yellow bottlebrush, is it, there? Salignus? | 0:06:08 | 0:06:11 | |
-Salignus, that's right. -That is, what, Australian? -Mm-hm. | 0:06:11 | 0:06:14 | |
-And this is... -Well, this is... | 0:06:14 | 0:06:16 | |
These are fascinating little plants. Look at them. | 0:06:16 | 0:06:19 | |
The form inside the flower like that, yeah. | 0:06:19 | 0:06:21 | |
Eucryphia lucida ballerina. | 0:06:21 | 0:06:24 | |
That's superb, yeah. Like a little tutu! | 0:06:24 | 0:06:28 | |
And, aw, for goodness sake, where did you get that? | 0:06:28 | 0:06:30 | |
-You're making me stagger here. -I painted them all last night. | 0:06:30 | 0:06:34 | |
-Did you? You've polished them. Look at those. -Fantastic. | 0:06:34 | 0:06:37 | |
They're fantastic. Wonderful waxy flowers on them. | 0:06:37 | 0:06:40 | |
Desfontainia spinosa, what else would it be? Typical west coast, isn't it? | 0:06:40 | 0:06:44 | |
And look at this. | 0:06:44 | 0:06:47 | |
Primula vialii, that's the best it's ever grown. | 0:06:47 | 0:06:49 | |
I don't have much fun with this on the east coast, | 0:06:49 | 0:06:52 | |
I can't keep it for very long. | 0:06:52 | 0:06:53 | |
Very soft leaves, that makes me feel | 0:06:53 | 0:06:55 | |
that it won't take a lot of water. | 0:06:55 | 0:06:57 | |
-Your other interest is wildlife, isn't it? -Yeah, that's right. | 0:06:57 | 0:07:00 | |
-Right, can we go round and have a wee look at the pond? -Yep, will do. | 0:07:00 | 0:07:04 | |
It's a fantastic thing to do in a garden, isn't it? | 0:07:12 | 0:07:14 | |
-A wee stretch of water. -Not much of this I've planted. | 0:07:14 | 0:07:17 | |
This has all just come itself. | 0:07:17 | 0:07:20 | |
And it gives plenty cover for the, you know, | 0:07:20 | 0:07:22 | |
once the tadpoles are coming out as frogs, | 0:07:22 | 0:07:25 | |
they've got plenty cover and they've got a good chance of survival. | 0:07:25 | 0:07:29 | |
We also have newts that breed in the pond as well. | 0:07:29 | 0:07:33 | |
Er, frogs that stay in all year, actually. | 0:07:33 | 0:07:36 | |
-You can hear them in the summer doing their croaking. -Croaky bit. | 0:07:36 | 0:07:40 | |
Toads, and we also have slowworms, | 0:07:40 | 0:07:42 | |
-but they tend to stay over near the wall. -Are they quite common here? | 0:07:42 | 0:07:47 | |
-Yeah, they seem to be. -That must be another west coast thing. -Yeah, yeah. | 0:07:47 | 0:07:51 | |
But you can certainly grow dochans as well. | 0:07:51 | 0:07:54 | |
-That's right, well, we call these the Blairmore Bananas. -Oh! | 0:07:54 | 0:07:57 | |
HE LAUGHS | 0:07:57 | 0:07:59 | |
-They started life there. -Aye. | 0:07:59 | 0:08:01 | |
-And they've decided that they prefer it at the water. -I'm not surprised. | 0:08:01 | 0:08:06 | |
-Does it have another name? -Rumex hydrolapathum. | 0:08:06 | 0:08:10 | |
Bought a very expensive plant and I thought, | 0:08:10 | 0:08:12 | |
-"Oh, that's a real, you know..." -Real find. -"..find," | 0:08:12 | 0:08:15 | |
and I got home and found it's a native wild plant. | 0:08:15 | 0:08:18 | |
HE LAUGHS We can all get duped, can't we? | 0:08:18 | 0:08:21 | |
Meanwhile, back in the garden, | 0:08:25 | 0:08:27 | |
I'm joined by two gentlemen that have been involved with this project | 0:08:27 | 0:08:30 | |
for over three and a half years, right from the beginning. | 0:08:30 | 0:08:34 | |
We've got Dennis and Jimmy. | 0:08:34 | 0:08:35 | |
Now Jimmy, you're called Jimmy the Digger, why's that? | 0:08:35 | 0:08:38 | |
It's basically because I learned to use a digger whilst moving | 0:08:38 | 0:08:41 | |
all this earth over to make the tump. | 0:08:41 | 0:08:43 | |
OK, you call it a tump. What does that actually mean? | 0:08:43 | 0:08:46 | |
I think basically it means a circle of earth. | 0:08:46 | 0:08:49 | |
Almost like half a doughnut, with entrances, | 0:08:49 | 0:08:52 | |
and just a circle covered with soil and weed. | 0:08:52 | 0:08:55 | |
-OK, so a fancy name for a grass mound maybe. -Yes. | 0:08:55 | 0:08:59 | |
And lots of weed came in and you've covered that over. | 0:08:59 | 0:09:03 | |
Covered it with a membrane round about to kill the weed, | 0:09:03 | 0:09:06 | |
and then put topsoil on the top of that, which you see now. | 0:09:06 | 0:09:09 | |
And then the grass. | 0:09:09 | 0:09:10 | |
Dennis, you literally barrelled in a lot of that earth, didn't you? | 0:09:10 | 0:09:14 | |
Me and a lot of other people, yep. | 0:09:14 | 0:09:16 | |
We've had a growing army of volunteers, | 0:09:16 | 0:09:19 | |
otherwise we'd never have reached this kind of stage. | 0:09:19 | 0:09:22 | |
I think it's absolutely beautiful. | 0:09:22 | 0:09:24 | |
And the tump itself, it gives that feel of sort of seclusion, | 0:09:24 | 0:09:27 | |
it's a great idea. | 0:09:27 | 0:09:29 | |
Yes, it cuts off this quarter of the garden, | 0:09:29 | 0:09:31 | |
which is a very special part of the garden. | 0:09:31 | 0:09:34 | |
-Very special. -Very. | 0:09:34 | 0:09:36 | |
Well, as Lynn said earlier, this is a sensory garden, | 0:09:36 | 0:09:39 | |
and each of the parts of the garden will be planted | 0:09:39 | 0:09:42 | |
to represent four of the senses. | 0:09:42 | 0:09:44 | |
And also, there's seating in each of the areas. | 0:09:44 | 0:09:46 | |
Behind me, you can see a lovely stone bench | 0:09:46 | 0:09:48 | |
being very beautifully demonstrated | 0:09:48 | 0:09:50 | |
by the ladies who've made a lovely lunch | 0:09:50 | 0:09:53 | |
and lots of home baking, and we hope you'll do it again tomorrow! | 0:09:53 | 0:09:57 | |
And this part of the garden is sound, | 0:09:57 | 0:09:59 | |
so we've got things like bamboo which is going to rustle in the wind, | 0:09:59 | 0:10:03 | |
grasses down here again which will make a lovely sound | 0:10:03 | 0:10:06 | |
when the wind goes through them, and Verbena bonariensis, | 0:10:06 | 0:10:09 | |
tall with these lovely purple flowers. So that's sound. Carole? | 0:10:09 | 0:10:12 | |
Yeah, that's sound, and I love that Verbena. | 0:10:12 | 0:10:14 | |
But I've got the touchy plants, and this is a wonderful plant to touch. | 0:10:14 | 0:10:19 | |
It is Lamb's Lug. It's really soft. | 0:10:19 | 0:10:22 | |
We've got the willows which are soft to touch. | 0:10:22 | 0:10:25 | |
Then we go onto some spiky plants. Things like this, the Echinops. | 0:10:25 | 0:10:29 | |
We've got the Olearia, and then smooth leaves with Elephant's Ears. | 0:10:29 | 0:10:34 | |
And then we must speak about the seat here because in the touch area | 0:10:34 | 0:10:37 | |
we've got a wooden seat which is lovely to touch. | 0:10:37 | 0:10:41 | |
And Robert is making that and making a really good job of it. | 0:10:41 | 0:10:44 | |
And over here we've got smell. | 0:10:46 | 0:10:49 | |
Now the seat in this one, look at that, it's a turf sofa. | 0:10:49 | 0:10:52 | |
The youth group are finishing that off. | 0:10:52 | 0:10:54 | |
I guess, are they going to trim it with scissors while they sit on it? | 0:10:54 | 0:10:57 | |
I don't know, I wouldn't like the job, though. | 0:10:57 | 0:10:59 | |
Planting-wise, we've got things like Philadelphus, the mock orange. | 0:10:59 | 0:11:03 | |
Lilacs, lavenders, of course. For the winter, Viburnum. | 0:11:03 | 0:11:08 | |
Couldn't have a smelly area without rosemary, which is gorgeous, | 0:11:08 | 0:11:12 | |
and lots of lovely herbs down here as well, including sage. | 0:11:12 | 0:11:15 | |
-And you've got sight. -Yep, a real splash of colour. | 0:11:15 | 0:11:18 | |
That's so important, isn't it? So, Colquhounias. | 0:11:18 | 0:11:21 | |
They flower at this time of year, so a bit of late interest. | 0:11:21 | 0:11:24 | |
-Do you like this? -This is really stunning. | 0:11:24 | 0:11:28 | |
OK, Scottish-bred, it's a new variety of Photinia called Louise. | 0:11:28 | 0:11:31 | |
-I think that is beautiful. -It's really nice. | 0:11:31 | 0:11:34 | |
And there's lots of variegated plants in here, | 0:11:34 | 0:11:36 | |
and this lovely dark Cotinus. | 0:11:36 | 0:11:38 | |
Yes, Elaeagnus for winter interest, and then another seat, | 0:11:38 | 0:11:42 | |
and I can't believe this one. Dare I say it? So far, so good? | 0:11:42 | 0:11:46 | |
Oh, you're funny, very funny. | 0:11:46 | 0:11:49 | |
Well, this seat was actually created | 0:11:49 | 0:11:51 | |
by a local artist and sculptor, Andy McClintock. | 0:11:51 | 0:11:54 | |
And George has been to have a look at his garden. | 0:11:54 | 0:11:57 | |
'Andy's garden in Kilmun is one of the most extraordinary gardens | 0:12:05 | 0:12:09 | |
'I've ever had the pleasure of visiting. | 0:12:09 | 0:12:11 | |
'This garden makes me smile, it makes me laugh, | 0:12:11 | 0:12:14 | |
'but it's also a thoughtful garden.' | 0:12:14 | 0:12:16 | |
This is just fabulous, so where did your inspiration come from for it? | 0:12:21 | 0:12:25 | |
Well, it starts with my mother's cottage garden style. | 0:12:25 | 0:12:29 | |
A mixture of English cottage garden and Scottish croft garden. | 0:12:29 | 0:12:33 | |
Then we have my deceased friend Dr Jim Holden who was a physicist | 0:12:33 | 0:12:38 | |
but also became a potter. | 0:12:38 | 0:12:40 | |
Lived in an architect-designed house outside East Kilbride | 0:12:40 | 0:12:43 | |
surrounded by wild garden and full of sculpture. | 0:12:43 | 0:12:47 | |
And that links through to Ian Hamilton Finlay, | 0:12:47 | 0:12:50 | |
with his wonderful Little Sparta garden in Lanarkshire. | 0:12:50 | 0:12:54 | |
So, the artist's eye, the palette of plants | 0:12:54 | 0:12:57 | |
and this great mixture of sculpture. | 0:12:57 | 0:13:01 | |
It's quite difficult to bring that together, surely? | 0:13:01 | 0:13:04 | |
Well, in the winter you've got to watch | 0:13:04 | 0:13:06 | |
because it can be a bit bare, so I've got a lot of foliage | 0:13:06 | 0:13:09 | |
in the winter because otherwise the sculpture will not work. | 0:13:09 | 0:13:13 | |
Now, you've stopped us here, Andy. Is this your favourite bit? | 0:13:28 | 0:13:31 | |
Yeah, it's one of my favourites cos there's quite a lot going on here. | 0:13:31 | 0:13:35 | |
I mean, what's the...like, arrowheads coming up through the vegetation? | 0:13:35 | 0:13:38 | |
Funnily enough, William Williamson, | 0:13:38 | 0:13:40 | |
who is involved in the garden at Ardentinny, | 0:13:40 | 0:13:44 | |
is a sculptor in ceramics, and he did the small pieces down here. | 0:13:44 | 0:13:48 | |
-Oh, yes? -He gives me things he throws out. | 0:13:48 | 0:13:50 | |
He says, "Do something with them different." | 0:13:50 | 0:13:53 | |
So I said one day, "Well, let's make them big. | 0:13:53 | 0:13:55 | |
"I work in concrete, let's make them big." So I made his figures big. | 0:13:55 | 0:14:00 | |
So is it always concrete that you work in, cos these are...? | 0:14:00 | 0:14:04 | |
These are wire mesh plastered with cement. | 0:14:04 | 0:14:06 | |
But this is plumbing, coils of plumbing copper wrapped in cloth | 0:14:06 | 0:14:11 | |
and then cement, so it's concrete as well. | 0:14:11 | 0:14:14 | |
It also moves in the wind, and bits of glass and whatever, you know. | 0:14:14 | 0:14:19 | |
You must be a danger when you go to the dump? | 0:14:19 | 0:14:21 | |
Oh, yeah, I'm always sneaking out with stuff. | 0:14:21 | 0:14:24 | |
But you've also got the traditionals, haven't you? | 0:14:24 | 0:14:26 | |
Local chainsaw artist Andy McLachlan up the road, he's a natural, | 0:14:26 | 0:14:31 | |
-and I commission a lot of work. I just love what he does. -Right, OK. | 0:14:31 | 0:14:35 | |
So, more to see. | 0:14:35 | 0:14:36 | |
Well, what an amazing palette of plants you've got here, | 0:14:48 | 0:14:51 | |
and in particular I think the roses are fantastic this year, aren't they? | 0:14:51 | 0:14:54 | |
Yeah, I love roses but not in serried ranks. | 0:14:54 | 0:14:57 | |
They need to be mixed up with other things. | 0:14:57 | 0:15:00 | |
Again, and I love ramblers, cos they take over. | 0:15:00 | 0:15:03 | |
-Now you seem to like thugs. -Oh, yeah, of course. | 0:15:03 | 0:15:07 | |
I love thugs, I love invasive. | 0:15:07 | 0:15:08 | |
If you've got invasive plants, folks, send them to me. | 0:15:08 | 0:15:11 | |
I let them grow into each other, | 0:15:11 | 0:15:13 | |
and they crunch out anything you don't want. | 0:15:13 | 0:15:16 | |
I've not really, until now, noticed any weeds, | 0:15:16 | 0:15:19 | |
but now that you mention that, you start to notice them. | 0:15:19 | 0:15:21 | |
But they're all hidden, the weeds. I mean, there we are, look. | 0:15:21 | 0:15:24 | |
There's a Polygonum and there's some bind weed, | 0:15:24 | 0:15:26 | |
and then we've got cow parsley up there. But they all seem to fit. | 0:15:26 | 0:15:29 | |
Oh, yeah, I mean, there's no such thing as weeds. | 0:15:29 | 0:15:32 | |
Weeds are just something where you don't want it, you know. | 0:15:32 | 0:15:35 | |
I love every sort of flower, you know. | 0:15:35 | 0:15:37 | |
But this pulling the heads off is...? | 0:15:37 | 0:15:39 | |
Yeah, this is my control, so, it's not got any root, just pull it out. | 0:15:39 | 0:15:44 | |
But it flowers, long flowering, it's a wonderful thing. | 0:15:44 | 0:15:47 | |
-And it controls... -That's what you want, isn't it? -Ground cover. | 0:15:47 | 0:15:50 | |
-That's what you want, long flowering. -But I don't have to grub down, | 0:15:50 | 0:15:53 | |
I just walk about like this. | 0:15:53 | 0:15:54 | |
Gardening while walking about. | 0:15:54 | 0:15:56 | |
That's the idea. Look at this, I've just noticed it. | 0:15:56 | 0:16:00 | |
A pair of secateurs and a spade. Now how did that happen? It's a heron. | 0:16:00 | 0:16:04 | |
Yeah, it's local artist Lucy Clough. | 0:16:04 | 0:16:06 | |
In her late 60s she took up welding with her daughter, | 0:16:06 | 0:16:09 | |
and they'd just collect things like shovels and secateurs | 0:16:09 | 0:16:13 | |
-and what more natural thing? -Absolutely. | 0:16:13 | 0:16:17 | |
Now, that's next to water, obviously, a heron. | 0:16:17 | 0:16:20 | |
But you've also got fish and you've got flowers round here. | 0:16:20 | 0:16:23 | |
Are you expecting rain or something? | 0:16:23 | 0:16:25 | |
Well, Claire, who's doing the children's garden at Glen Finart, | 0:16:25 | 0:16:28 | |
wanted fish and flowers, so I've done fish and flowers for her. | 0:16:28 | 0:16:32 | |
So they'll be going to Glen Finart to be installed. | 0:16:32 | 0:16:35 | |
-We'll see them there. -Yeah. | 0:16:35 | 0:16:37 | |
Meanwhile, back in the garden, | 0:16:43 | 0:16:45 | |
we're dealing with another weed problem | 0:16:45 | 0:16:47 | |
in a more conventional fashion. | 0:16:47 | 0:16:49 | |
Now, ladies, before we start, Anna, Linda and Lynn, I've got it right. | 0:16:49 | 0:16:52 | |
-And here's the problem here in the veg plot. -Yeah, the horsetail. | 0:16:52 | 0:16:56 | |
And you've been working at it, doing really well. | 0:16:56 | 0:16:59 | |
But it's a weed that's very difficult. | 0:16:59 | 0:17:01 | |
-It just comes back and back. -The thing is, | 0:17:01 | 0:17:04 | |
this one has obviously not had any kind of treatment at all, | 0:17:04 | 0:17:06 | |
but here we go, I can't believe that it's free of it, | 0:17:06 | 0:17:10 | |
-but has that been recently weeded. -Yes, just the last few days. | 0:17:10 | 0:17:14 | |
Well, I think you've cracked the problem | 0:17:14 | 0:17:16 | |
because you're doing a sort of strip cropping idea. | 0:17:16 | 0:17:19 | |
Between the beds, you've got this landscape fabric. | 0:17:19 | 0:17:23 | |
Now, I don't know whether this was done on purpose, | 0:17:23 | 0:17:26 | |
but it suits me absolutely ideal, | 0:17:26 | 0:17:28 | |
because there used to be one down there. | 0:17:28 | 0:17:30 | |
-Can you see any horsetail? -Horsetail. -Plenty. | 0:17:30 | 0:17:33 | |
-Just when it looks as if it's dying off. -Wee bits here and there. | 0:17:33 | 0:17:36 | |
-The point is, you don't want to use chemical. -No. -No, definitely not. | 0:17:36 | 0:17:39 | |
So you've got to starve it. | 0:17:39 | 0:17:40 | |
Starve it out, and if you starve it of light, it disnae come up. | 0:17:40 | 0:17:44 | |
It doesn't mean to say it won't come back. | 0:17:44 | 0:17:46 | |
But it reduces the area that you have to deal with. | 0:17:46 | 0:17:48 | |
You're into strips. | 0:17:48 | 0:17:49 | |
-So, strip cropping, what are you going to do next? -Next year... | 0:17:49 | 0:17:53 | |
-Plant there. -That's dug. -Polythene this. -You've cracked it. -Yeah. | 0:17:53 | 0:17:57 | |
-Hopefully. -And keep at it, because you can't leave it. | 0:17:57 | 0:18:01 | |
-Turn your back on it and it'll be back. -It's been a nightmare. | 0:18:01 | 0:18:04 | |
Wonderful, now, Anna, your dad had an allotment here somewhere? | 0:18:04 | 0:18:07 | |
Just about right here, | 0:18:07 | 0:18:08 | |
just where we're standing was my father's allotment. | 0:18:08 | 0:18:11 | |
-All the forestry workers had a piece of land... -Yes. | 0:18:11 | 0:18:14 | |
..free to grow produce to feed their families, and my father grew a lot. | 0:18:14 | 0:18:18 | |
-Also tobacco. -Oh, really? Yes. -Dried it over the pulley in the kitchen. | 0:18:18 | 0:18:23 | |
-Smoked it and said it kept away the midgies. -Well, exactly! | 0:18:23 | 0:18:26 | |
Absolutely, but where did you stay? | 0:18:26 | 0:18:28 | |
We stayed in the camp houses, before the forestry broke it up the way | 0:18:28 | 0:18:32 | |
it worked, and then we all moved over to where the Swedish houses are. | 0:18:32 | 0:18:35 | |
Good cue that is, because we're actually now going to have a look | 0:18:35 | 0:18:39 | |
at some of the gardens in the so-called Swedish houses. | 0:18:39 | 0:18:41 | |
You know, I'm always happy | 0:18:41 | 0:18:43 | |
to have a look at one or two of the local gardens. | 0:18:43 | 0:18:46 | |
And in fact, this time, I'm going to take a bit of a sneaky look. | 0:18:46 | 0:18:50 | |
But to be fair, the owners do know that I'm going to have a look round. | 0:18:50 | 0:18:54 | |
Number Five is clearly an artist's garden. | 0:19:03 | 0:19:07 | |
Behind me here, the window, it looks like a picture. | 0:19:07 | 0:19:10 | |
It's framed by the clematis. | 0:19:10 | 0:19:13 | |
And there's clearly a colour theme going on | 0:19:13 | 0:19:15 | |
with the hard landscaping and the plants. | 0:19:15 | 0:19:18 | |
We've got the yellow, the white and the blue. | 0:19:18 | 0:19:21 | |
I mean, that Hosta, | 0:19:21 | 0:19:22 | |
that Golden Hosta looks absolutely gorgeous with the raindrops on it. | 0:19:22 | 0:19:26 | |
And then I love these pots, the dark, black pots. | 0:19:26 | 0:19:31 | |
And you've got that beautiful Nicotiana. | 0:19:31 | 0:19:34 | |
The white petunias are doing quite well in the weather conditions. | 0:19:34 | 0:19:37 | |
And then the way plants have naturalised | 0:19:37 | 0:19:39 | |
around the bottom of the pots. | 0:19:39 | 0:19:41 | |
And then the blue, well, that's picked out by the geranium, | 0:19:41 | 0:19:45 | |
and that flowers for months, it's a real value for money plant. | 0:19:45 | 0:19:49 | |
This garden is really manicured, but isn't this clever? | 0:19:49 | 0:19:52 | |
Because here we have a wildflower meadow, | 0:19:52 | 0:19:55 | |
and it really blends in with the cut lawn. | 0:19:55 | 0:19:58 | |
And I like the idea that there's the house, | 0:19:58 | 0:20:00 | |
you can view the garden from the house, isn't that clever too? | 0:20:00 | 0:20:03 | |
Cos I think that wheel rim looks like a porthole, | 0:20:03 | 0:20:07 | |
but you can also view the garden from the road. | 0:20:07 | 0:20:10 | |
And then, further down there you can see that is the shoreline, | 0:20:10 | 0:20:14 | |
so the back garden won't be quite as sheltered as the front here. | 0:20:14 | 0:20:19 | |
And right next door we have another stunning garden, | 0:20:26 | 0:20:29 | |
but it's completely different. | 0:20:29 | 0:20:31 | |
Now, one of the main features in this front garden is the pond. | 0:20:35 | 0:20:39 | |
And I think it's so peaceful because there's so many shades of green. | 0:20:39 | 0:20:44 | |
And the water itself is surrounded by bog-loving plants, | 0:20:44 | 0:20:48 | |
and in particular you've got the huge Gunnera there - | 0:20:48 | 0:20:51 | |
Gunnera manicata. | 0:20:51 | 0:20:53 | |
And then you've the other variety of Gunnera. | 0:20:53 | 0:20:56 | |
This is a tiny one, it's a good ground cover plant, | 0:20:56 | 0:20:59 | |
and that is Gunnera magellanica. | 0:20:59 | 0:21:01 | |
Now have a look at some of the pots. | 0:21:01 | 0:21:03 | |
Yes, I've actually found some giant clam shells here, | 0:21:07 | 0:21:11 | |
I think they are wonderful. | 0:21:11 | 0:21:13 | |
And then we've got a real range here of succulents, | 0:21:13 | 0:21:16 | |
some that we think are really hardy, like the Saxifrages there | 0:21:16 | 0:21:21 | |
and the houseleeks. | 0:21:21 | 0:21:23 | |
But this one is Aeonium, I can't imagine us | 0:21:23 | 0:21:27 | |
actually growing this one outside at Beechgrove, | 0:21:27 | 0:21:29 | |
but it's beautiful with the purple and the green. | 0:21:29 | 0:21:33 | |
And then you know at the moment | 0:21:33 | 0:21:34 | |
we're celebrating our 35th anniversary at Beechgrove | 0:21:34 | 0:21:38 | |
and the colours for that are coral and jade, | 0:21:38 | 0:21:41 | |
so this Echeveria will be wonderful at Beechgrove. | 0:21:41 | 0:21:46 | |
And then I spoke a little bit about the shelter here, | 0:21:46 | 0:21:49 | |
there's a pot behind me and that's got a beefsteak plant, | 0:21:49 | 0:21:53 | |
or Iresine, now, we grow that as a houseplant. | 0:21:53 | 0:21:56 | |
And then behind that there is a wonderful purple Acer, | 0:21:56 | 0:22:00 | |
and the leaves are so perfect. | 0:22:00 | 0:22:03 | |
And then, well, these two gardens that I've had a look at, | 0:22:03 | 0:22:06 | |
they're very ornamental, but I've noticed, just up the road, | 0:22:06 | 0:22:09 | |
there's a couple there that are really productive. | 0:22:09 | 0:22:13 | |
Again, they're using the front, because of the shelter, | 0:22:13 | 0:22:15 | |
and I think there's going to be a wonderful crop of tatties. | 0:22:15 | 0:22:19 | |
Well, George, forestry houses, | 0:22:19 | 0:22:21 | |
and you've got a forestry connection with this lot here. | 0:22:21 | 0:22:23 | |
Now, this is interesting, Jim, because I think this was | 0:22:23 | 0:22:26 | |
a row of beech seedlings that were put in here | 0:22:26 | 0:22:29 | |
and then the garden was shut. | 0:22:29 | 0:22:30 | |
They were shucked in for a job somewhere and never used. | 0:22:30 | 0:22:33 | |
I was speaking to somebody yesterday who said, | 0:22:33 | 0:22:36 | |
"When they came in, they were like this one at the end here." | 0:22:36 | 0:22:38 | |
-Aye. -This copper one. He felled the other ones, | 0:22:38 | 0:22:40 | |
but didn't have the heart to fell that. | 0:22:40 | 0:22:42 | |
I'm glad because strategically that's actually quite nice there. | 0:22:42 | 0:22:45 | |
-Fabulous tree. -It's left a problem, what are we going to do with that? | 0:22:45 | 0:22:48 | |
-We could grind them down, but it'll cost us money. -Yes. | 0:22:48 | 0:22:51 | |
We could take us some out, it'll cost us money. | 0:22:51 | 0:22:53 | |
I think we just maybe weave a path in and out. | 0:22:53 | 0:22:55 | |
-I would be thinking maybe of a hedge to disguise it. -Oh, OK. | 0:22:55 | 0:22:58 | |
-That's another possibility. -Or... a trellis for some fruit trees. | 0:22:58 | 0:23:02 | |
Now that would work because we've got the orchard over here. | 0:23:02 | 0:23:05 | |
-That's what they call a good link. -That is a good link. | 0:23:05 | 0:23:07 | |
Absolutely. And a nice little bit of orchard here. | 0:23:07 | 0:23:11 | |
You've been busy, what's all this palaver? | 0:23:11 | 0:23:14 | |
Well, I'll tell you what. | 0:23:14 | 0:23:15 | |
I was a wee bit anxious about all this, Jim, | 0:23:15 | 0:23:17 | |
there's an awful lot of weed round the top of these. | 0:23:17 | 0:23:21 | |
-So what I will do is I will take all the weeds out like that. -Good, good. | 0:23:21 | 0:23:26 | |
-And I found some magic stuff to go over the top. -Oh, right. | 0:23:26 | 0:23:29 | |
-Here we are. They have bonfires in here. -So what's the story...? | 0:23:29 | 0:23:32 | |
Oh, this is ash. | 0:23:32 | 0:23:33 | |
-Look at that. Is that not good? -Yes. | 0:23:33 | 0:23:35 | |
And we'll just put that on top. | 0:23:35 | 0:23:37 | |
Because there's potash on this, which of course fruit trees love. | 0:23:37 | 0:23:41 | |
And it's been burnt, so there will be nae weeds. | 0:23:41 | 0:23:43 | |
There's no weed seeds in that at all, so that's it. | 0:23:43 | 0:23:45 | |
-Slightly more picturesque than landscape fabric. -Absolutely. | 0:23:45 | 0:23:49 | |
-Now, what about here? -Bird feeders. | 0:23:49 | 0:23:52 | |
We've got some posts about the area here. | 0:23:52 | 0:23:54 | |
Hang the bird feeders on them, the birds will go there, | 0:23:54 | 0:23:57 | |
they'll go into the trees to have a wee look as well | 0:23:57 | 0:23:59 | |
and pick the caterpillars off, and that's the game sorted. | 0:23:59 | 0:24:02 | |
That's the theory. | 0:24:02 | 0:24:04 | |
So, Clare, this area is dedicated to the kids. | 0:24:08 | 0:24:10 | |
Tell me about the elements in it. | 0:24:10 | 0:24:12 | |
We have a hide for watching the birds. | 0:24:12 | 0:24:14 | |
They're just turfing the roof, that's going to be great. | 0:24:14 | 0:24:17 | |
-Yeah. Can watch out into the bird station. -Yeah. | 0:24:17 | 0:24:20 | |
And then we've got a bug mansion which the kids are filling up now, | 0:24:20 | 0:24:24 | |
so we can attract lots of beasties. | 0:24:24 | 0:24:26 | |
-Have you got any bugs or beasties yet? -Yeah, we've got four. | 0:24:26 | 0:24:30 | |
Four already, fantastic! | 0:24:30 | 0:24:33 | |
-They work really well those as well, don't they? -They do. | 0:24:34 | 0:24:37 | |
Here we've got a circular, story-telling classroom area | 0:24:37 | 0:24:43 | |
for people to... | 0:24:43 | 0:24:45 | |
The teacher can come and have a lesson out here. | 0:24:45 | 0:24:48 | |
-We've got the wishing tree as well. -I know, I saw some lovely wishes. | 0:24:48 | 0:24:51 | |
"I wish I could sing. I wish I was a bird. I wish I could fly. | 0:24:51 | 0:24:55 | |
"I wish I could see the Easter Bunny" is my favourite. | 0:24:55 | 0:24:59 | |
Oh, it's super. | 0:24:59 | 0:25:00 | |
-And this is the more productive bit, isn't it? -Yes. | 0:25:00 | 0:25:03 | |
This is going to be the children's vegetable area | 0:25:03 | 0:25:06 | |
that we're going to be growing as much vegetables and fruit. | 0:25:06 | 0:25:10 | |
You're recycled a lot of elements in here. The tyres are great. | 0:25:10 | 0:25:13 | |
The tyres are all recycled and the bicycle wheels are. | 0:25:13 | 0:25:16 | |
I think this is one of my favourite elements in the garden. | 0:25:16 | 0:25:18 | |
You've recycled the wheels, | 0:25:18 | 0:25:21 | |
but you can plant beans or peas underneath here. | 0:25:21 | 0:25:24 | |
Yes. It's going to be used as a trellis going up. | 0:25:24 | 0:25:27 | |
Carolyn, don't you think this sensory area | 0:25:44 | 0:25:46 | |
-has really come on now? -It's great. | 0:25:46 | 0:25:47 | |
And I love the way you walk through the trees to come into it. | 0:25:47 | 0:25:50 | |
And then the tump, it's been covered in the turf, | 0:25:50 | 0:25:52 | |
-I think that looks wonderful. -It's great. | 0:25:52 | 0:25:54 | |
My favourite bit to sit is that little stone bench there | 0:25:54 | 0:25:57 | |
looking through this haze of purple verbena across the garden. | 0:25:57 | 0:26:01 | |
That's a lovely plant, | 0:26:01 | 0:26:02 | |
and I think at the moment this is the sense I really like, | 0:26:02 | 0:26:05 | |
-and, of course, that is sound. -It is. | 0:26:05 | 0:26:08 | |
One of the crucial things in a garden this size | 0:26:10 | 0:26:13 | |
is to recycle waste, | 0:26:13 | 0:26:14 | |
so we need compost bins. And Samuel is making a wonderful job. | 0:26:14 | 0:26:19 | |
-Yep. Nearly finished. -Good man. | 0:26:19 | 0:26:21 | |
And actually using recycled timber because these are old pallets. | 0:26:21 | 0:26:26 | |
Absolutely spot-on. | 0:26:26 | 0:26:28 | |
Any walled garden worth its salt | 0:26:29 | 0:26:31 | |
deserves an avenue of trees as an entrance, | 0:26:31 | 0:26:34 | |
and this one has its avenue of trees - Sorbus aria. | 0:26:34 | 0:26:37 | |
Not big just now, but one day they will be as magnificent | 0:26:37 | 0:26:40 | |
as the ones that Jim saw, the giant redwoods at Benmore. | 0:26:40 | 0:26:43 | |
Round the corner we've got Steve finishing off the pointing | 0:26:43 | 0:26:47 | |
at the wishing well. | 0:26:47 | 0:26:48 | |
And Ian's about to put up the sign. And we wish them well. | 0:26:48 | 0:26:51 | |
Now then, chums, it's time for final comments. George, start with you. | 0:27:20 | 0:27:23 | |
Well, I think the thing that really impressed me | 0:27:23 | 0:27:25 | |
about this was the smiles on the faces | 0:27:25 | 0:27:27 | |
when we went to Andy McClintock's garden. | 0:27:27 | 0:27:29 | |
That was one, but the other one was | 0:27:29 | 0:27:31 | |
the banter and the good-natured humour | 0:27:31 | 0:27:33 | |
in the bowling club when we went for sandwiches and soup. | 0:27:33 | 0:27:36 | |
I thought that was fantastic. | 0:27:36 | 0:27:38 | |
You're nothing if not predictable. | 0:27:41 | 0:27:43 | |
-Carole. -I just want to say a bit more about the community. | 0:27:43 | 0:27:47 | |
Cos what a crowd, all ages. | 0:27:47 | 0:27:49 | |
It's been a real team effort and you've made us feel so welcome, | 0:27:49 | 0:27:53 | |
-so thank you very much. -Carolyn. | 0:27:53 | 0:27:55 | |
Well, I just love the fact the garden is... | 0:27:55 | 0:27:57 | |
It feels enclosed, cosy - you just want to sit here | 0:27:57 | 0:28:00 | |
-and just soak it all up. -Yes, indeed. | 0:28:00 | 0:28:02 | |
I don't want to put a dampener on it at all, but we have been planting | 0:28:02 | 0:28:05 | |
all these gorgeous plants under less than ideal conditions, | 0:28:05 | 0:28:09 | |
so they're going to need a lot of TLC. | 0:28:09 | 0:28:12 | |
Do you know, that's OK because behind us are the Green Knights | 0:28:12 | 0:28:16 | |
-and they have pledged... -APPLAUSE | 0:28:16 | 0:28:19 | |
They have pledged to look after the garden and take care of it all. | 0:28:19 | 0:28:23 | |
So we'll be fine. | 0:28:23 | 0:28:25 | |
-Absolutely. -Nae bother. | 0:28:25 | 0:28:27 | |
Well, that's it for this week. | 0:28:27 | 0:28:28 | |
Next week we're back in the garden, but until then from all of us here | 0:28:28 | 0:28:31 | |
at the new Glenfinart Walled Garden in Ardentinny. | 0:28:31 | 0:28:34 | |
ALL: Bye! | 0:28:34 | 0:28:36 | |
Subtitles by Red Bee Media Ltd | 0:28:54 | 0:28:57 |