Browse content similar to Episode 6. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
The allotment is a very British institution. | 0:00:05 | 0:00:08 | |
Everyone wants to grow their own. | 0:00:08 | 0:00:10 | |
We have brought together nine pairs of the most talented allotmenteers | 0:00:12 | 0:00:17 | |
in a competition to find Britain's best growers. | 0:00:17 | 0:00:21 | |
You love growing your veg, don't you? | 0:00:21 | 0:00:23 | |
Now it's the final and, with only three teams left to battle it out, | 0:00:23 | 0:00:27 | |
the pressure is on. | 0:00:27 | 0:00:29 | |
This is it, their very last chance | 0:00:29 | 0:00:31 | |
to prove their worth to win the competition. | 0:00:31 | 0:00:34 | |
These are the championship winners. | 0:00:34 | 0:00:37 | |
This week, there's a double Grow challenge. | 0:00:37 | 0:00:40 | |
Jim wants to see a perfectly ripe melon... | 0:00:40 | 0:00:43 | |
They're high maintenance to get them absolutely right. | 0:00:43 | 0:00:46 | |
..and a faultless cob of sweetcorn. | 0:00:46 | 0:00:48 | |
But our sweetcorn is decidedly iffy. | 0:00:48 | 0:00:52 | |
They'll also face their toughest flower-arranging challenge yet. | 0:00:52 | 0:00:55 | |
I'd very much like to win this one. | 0:00:55 | 0:00:57 | |
They really need to have upped the game to a much, much higher level. | 0:00:57 | 0:01:02 | |
And, for the Eat challenge, | 0:01:04 | 0:01:05 | |
they're making a gift hamper full of their own produce. | 0:01:05 | 0:01:09 | |
Oh, man alive! | 0:01:09 | 0:01:10 | |
Now they've reached the final, our three teams have got to dig deep | 0:01:11 | 0:01:16 | |
to win The Big Allotment Challenge. | 0:01:16 | 0:01:20 | |
They don't want to let themselves down now. It really is game on. | 0:01:22 | 0:01:26 | |
Our gardeners have worked tirelessly through a cold, wet spring, | 0:01:43 | 0:01:47 | |
a hot, dry summer and now it's autumn | 0:01:47 | 0:01:50 | |
and it's nearly time for our experts to decide who our champions will be. | 0:01:50 | 0:01:57 | |
Husband and wife team Rupert and Dimi | 0:01:57 | 0:01:59 | |
love growing unusual things and taking risks. | 0:01:59 | 0:02:02 | |
This white one is probably more of a challenge than the others. | 0:02:03 | 0:02:07 | |
They've always shone in the Make challenges. | 0:02:07 | 0:02:09 | |
It's like a peacock opening a tail out and saying, "Look at me!" | 0:02:09 | 0:02:13 | |
And they've impressed Thane in their Eat challenges. | 0:02:14 | 0:02:17 | |
Winner of the sauce and relish are Rupert and Dimi. | 0:02:17 | 0:02:20 | |
I think there's hope for us. | 0:02:20 | 0:02:22 | |
I think we could do it this week, fingers crossed. Maybe. | 0:02:22 | 0:02:25 | |
Best friends Kate and Eleanor have excelled in the Grow challenges. | 0:02:26 | 0:02:30 | |
Kate and Eleanor, it's the hat trick. Well done. | 0:02:30 | 0:02:34 | |
They know how to grow flowers, and Jonathan loved their summer wreath. | 0:02:34 | 0:02:39 | |
For workmanship, for design, Kate and Eleanor. | 0:02:39 | 0:02:42 | |
But they've always struggled in Eat. | 0:02:43 | 0:02:46 | |
It's too vinegary, too salty. Really, it's quite horrid. | 0:02:46 | 0:02:50 | |
I never for one second thought we would get into the final, no. | 0:02:50 | 0:02:54 | |
All our ambition was not to be thrown out in week one. | 0:02:54 | 0:02:56 | |
And since then, we've just gone from week to week. | 0:02:56 | 0:02:59 | |
Intensely competitive... | 0:02:59 | 0:03:01 | |
Yes! | 0:03:01 | 0:03:02 | |
..Alex and Ed have come close... | 0:03:02 | 0:03:04 | |
Wowzer! | 0:03:04 | 0:03:05 | |
..but still haven't won a best in show for their vegetable Grow. | 0:03:05 | 0:03:09 | |
They've consistently produced fantastic flowers... | 0:03:09 | 0:03:13 | |
You have got best in show, well done. | 0:03:13 | 0:03:15 | |
..and they impressed Jonathan with their topiary tree. | 0:03:17 | 0:03:20 | |
Good workmanship, creativity. | 0:03:20 | 0:03:22 | |
You've really come on from last week, you two. | 0:03:22 | 0:03:25 | |
But they've yet to win an Eat challenge. | 0:03:25 | 0:03:27 | |
What we've got here is much too much sauce. | 0:03:30 | 0:03:33 | |
We've had the mindset most of the way through that it's about not losing, | 0:03:33 | 0:03:37 | |
but today, that very much changes and today's about winning. | 0:03:37 | 0:03:40 | |
Good morning, gardeners, | 0:03:43 | 0:03:45 | |
and congratulations on making it here to the final. | 0:03:45 | 0:03:50 | |
Our first challenge, as always, is Grow | 0:03:50 | 0:03:52 | |
and, because it's the final, Jim has upped the ante. | 0:03:52 | 0:03:55 | |
He wants you to produce two specimens for the show bench. | 0:03:55 | 0:04:00 | |
He wants to see a perfect cob of sweetcorn and a perfect melon. | 0:04:00 | 0:04:05 | |
The pressure is on. Off you go. | 0:04:05 | 0:04:07 | |
The finalists need to bring a fresh, well-formed sweetcorn | 0:04:08 | 0:04:12 | |
with straight, undamaged rows of kernels, | 0:04:12 | 0:04:14 | |
indicating it's free from pest and disease, to the show bench. | 0:04:14 | 0:04:18 | |
They also have to present a melon that's perfectly ripe | 0:04:21 | 0:04:24 | |
with its T-shaped stalk intact, a traditional show bench criterion. | 0:04:24 | 0:04:28 | |
I left these two crops to the final | 0:04:30 | 0:04:32 | |
because there can be many hiccups on the way. | 0:04:32 | 0:04:35 | |
Both of them are not easy plants to grow. | 0:04:35 | 0:04:38 | |
You need a lot of sun and an awful lot of attention. | 0:04:38 | 0:04:41 | |
With two best in shows at stake, | 0:04:43 | 0:04:45 | |
the gardeners have been nurturing both their melons | 0:04:45 | 0:04:48 | |
and sweetcorn since the competition began five months ago. | 0:04:48 | 0:04:51 | |
..22, 23, 24, 25. Right. | 0:04:51 | 0:04:55 | |
By mid-spring, the gardeners begin to sow their sweetcorn. | 0:04:56 | 0:04:59 | |
-One inch or 2.5 centimetres deep, these need to be. -Yeah. | 0:04:59 | 0:05:03 | |
If we've not got a perfect cob, I'm going to be really worried. | 0:05:07 | 0:05:10 | |
What could we do anyway? | 0:05:10 | 0:05:14 | |
While the sweetcorn is left to germinate for a few weeks, | 0:05:16 | 0:05:20 | |
the gardeners concentrate their efforts on the second part | 0:05:20 | 0:05:23 | |
of the challenge - the melons. | 0:05:23 | 0:05:24 | |
That's one melon plant coming along nicely. | 0:05:26 | 0:05:30 | |
No particular problems with that. | 0:05:30 | 0:05:33 | |
Notoriously difficult to grow, | 0:05:33 | 0:05:35 | |
the gardeners are sowing some melons from seed | 0:05:35 | 0:05:38 | |
and have also bought in some grafted melon plants. | 0:05:38 | 0:05:41 | |
Right, so these are the three melons we ordered, | 0:05:41 | 0:05:43 | |
but we've also got...three or four that we did from seed, | 0:05:43 | 0:05:48 | |
which are also, these are cantaloupe and they're also cantaloupe. | 0:05:48 | 0:05:51 | |
So it can go in that. | 0:05:51 | 0:05:53 | |
-Brill. -It looks really good. Get those in situ. | 0:05:53 | 0:05:56 | |
Cantaloupe melon is the best variety to grow in the UK, | 0:05:56 | 0:05:59 | |
but they need plenty of sun to perform well. | 0:05:59 | 0:06:02 | |
-Job done. -Brilliant. Give them a water. Give them a good drink. | 0:06:02 | 0:06:06 | |
Now it's finally warm enough, | 0:06:10 | 0:06:12 | |
attention's turned back to planting the sweetcorn seedlings outside. | 0:06:12 | 0:06:15 | |
They root quite close to the surface, so you can end up | 0:06:15 | 0:06:19 | |
hoeing them in a bit... but that's actually very pleasing. | 0:06:19 | 0:06:23 | |
They're really nice-looking plants. | 0:06:25 | 0:06:28 | |
When they're ready, | 0:06:28 | 0:06:30 | |
we'll quite often just take a stove to the allotment and eat them there. | 0:06:30 | 0:06:34 | |
-We have to dig some holes. -Yeah. | 0:06:34 | 0:06:37 | |
Shall I grab the other sweetcorn then? | 0:06:37 | 0:06:39 | |
-Cos they've all got to go in, haven't they? -Yeah, 20 of them. | 0:06:39 | 0:06:43 | |
-Do you need some stakes for these ones as well, do you think? -Yeah. | 0:06:43 | 0:06:47 | |
A good day's work. | 0:06:49 | 0:06:50 | |
It's a brilliant day's work. | 0:06:50 | 0:06:52 | |
Right, so let's see... | 0:06:52 | 0:06:54 | |
Having started their sweetcorn in pots, | 0:06:54 | 0:06:56 | |
Kate and Eleanor are trying a companion planting technique. | 0:06:56 | 0:07:00 | |
By planting their sweetcorn seedlings with nasturtiums, | 0:07:00 | 0:07:03 | |
the stronger smelling flowers should hopefully attract aphids away | 0:07:03 | 0:07:07 | |
from their precious sweetcorn. | 0:07:07 | 0:07:09 | |
-The nasturtiums in between are doing really fine... -They're doing great. | 0:07:09 | 0:07:13 | |
..but unfortunately it doesn't really matter about them. | 0:07:13 | 0:07:15 | |
-No, but they'll look aesthetic. -They do look aesthetic. | 0:07:15 | 0:07:18 | |
Melon plants need two or three months of heat | 0:07:21 | 0:07:23 | |
to get a decent sized fruit. | 0:07:23 | 0:07:26 | |
You can grow this melon both inside and outside | 0:07:26 | 0:07:28 | |
and I might grow the other one outside. | 0:07:28 | 0:07:32 | |
While everyone else is growing their melons in the greenhouse, | 0:07:32 | 0:07:35 | |
Rupert is taking a gamble by attempting to grow one outside. | 0:07:35 | 0:07:39 | |
As show day draws closer and the temperature's rising, | 0:07:44 | 0:07:47 | |
everyone's excited to see the first melons forming. | 0:07:47 | 0:07:51 | |
-I want you to see the amazing thing I've just found. -And what is that? | 0:07:51 | 0:07:55 | |
Well, you'll never believe it. | 0:07:55 | 0:07:56 | |
-What? Oh, look! -A melon. | 0:07:56 | 0:07:59 | |
-Two melons. -Three melons. | 0:07:59 | 0:08:01 | |
Three melons. That's amazing. | 0:08:01 | 0:08:03 | |
I'm going to give it a lovely leaf hat cos it doesn't like too much sun. | 0:08:03 | 0:08:07 | |
So we can take out the growing point of him, | 0:08:08 | 0:08:10 | |
cos we don't want him to get any bigger. | 0:08:10 | 0:08:12 | |
We want to keep all the energy in the main stem | 0:08:12 | 0:08:16 | |
and probably only actually get one melon off each plant. | 0:08:16 | 0:08:20 | |
There's a little one there. It's amazing. | 0:08:20 | 0:08:23 | |
As spring turns to summer, | 0:08:27 | 0:08:29 | |
Rupert and Dimi are giving their sweetcorn a little helping hand. | 0:08:29 | 0:08:33 | |
So these are now beautifully in flower. | 0:08:34 | 0:08:37 | |
Yeah, they are, aren't they? | 0:08:37 | 0:08:38 | |
But if we give them a little tap... | 0:08:38 | 0:08:40 | |
Oh, you can see the pollen. | 0:08:40 | 0:08:41 | |
..pollen comes off and it fertilises them down the bottom. | 0:08:41 | 0:08:45 | |
The male sweetcorn flower is the top of the plant | 0:08:45 | 0:08:48 | |
and the pollen drops down to the female situated at the base. | 0:08:48 | 0:08:52 | |
How do you know when you've got it all done? You don't? | 0:08:52 | 0:08:55 | |
You don't, not until you see whether you've got sweetcorn. | 0:08:55 | 0:08:58 | |
Just helping nature along. | 0:08:58 | 0:09:00 | |
With show day just over a month away, | 0:09:02 | 0:09:04 | |
Alex and Ed have cobs beginning to appear. | 0:09:04 | 0:09:07 | |
-Shall we have a look at one of these and see... -Yeah, why not? | 0:09:07 | 0:09:10 | |
..see how ripe it is inside? | 0:09:10 | 0:09:11 | |
But I think it's too early, really. | 0:09:11 | 0:09:14 | |
When the tassels have turned chocolate brown, | 0:09:14 | 0:09:16 | |
it's time to test for ripeness. | 0:09:16 | 0:09:17 | |
So, too white. | 0:09:17 | 0:09:19 | |
The hot summer is not only doing wonders for the sweetcorn, | 0:09:24 | 0:09:28 | |
the melons are developing very nicely too. | 0:09:28 | 0:09:31 | |
-Look at these. -How many are we up to? | 0:09:31 | 0:09:34 | |
Two, three, four, five. | 0:09:34 | 0:09:35 | |
Five. Six. Six. | 0:09:35 | 0:09:37 | |
I wish this one would maybe hurry up and ripen | 0:09:37 | 0:09:40 | |
so we could take it off and get the others ripening, | 0:09:40 | 0:09:43 | |
but I don't know how long it's going to take to ripen. | 0:09:43 | 0:09:46 | |
But for Kate and Eleanor, | 0:09:46 | 0:09:47 | |
the ripening process is all happening a bit too quickly. | 0:09:47 | 0:09:51 | |
We were very depressed to discover that they've ripened so quickly, | 0:09:51 | 0:09:56 | |
and they have, and there's no way we can save them. | 0:09:56 | 0:09:58 | |
This is going on the compost heap of life. | 0:09:58 | 0:10:01 | |
One, two, three. | 0:10:02 | 0:10:03 | |
Kate and Eleanor now have only one melon left for the show bench. | 0:10:05 | 0:10:10 | |
Bye-bye, melon. | 0:10:10 | 0:10:12 | |
With show day just a few weeks away, | 0:10:15 | 0:10:18 | |
the melons are not their only worry. | 0:10:18 | 0:10:21 | |
-The sweetcorn plants are just... -They're not very tall. -Yeah. | 0:10:21 | 0:10:24 | |
These are all just fighting for the nasturtium. | 0:10:24 | 0:10:26 | |
-Yeah. -It hasn't grown as high as an elephant's eye, has it? -It hasn't. | 0:10:26 | 0:10:31 | |
Maybe the nasturtiums are not such a great idea. | 0:10:31 | 0:10:34 | |
We think that somewhere in the nasturtiums, | 0:10:34 | 0:10:37 | |
there may be some sweetcorn. | 0:10:37 | 0:10:39 | |
We know no more about it than that. | 0:10:42 | 0:10:44 | |
As the final show day approaches, it's all about the melons. | 0:10:50 | 0:10:55 | |
It's quite a good melon. | 0:10:55 | 0:10:57 | |
-It's a bit mini though. -There's more. -Come on, little fella, grow. | 0:10:57 | 0:11:00 | |
Let's go and have a look at this melon, then. | 0:11:00 | 0:11:03 | |
-Ah, I can smell it, sadly. -Oh, dear. | 0:11:03 | 0:11:05 | |
When it smells like a melon, it's already ripened. | 0:11:06 | 0:11:10 | |
-Oh, it smells... -Melon perfection. -Ah. | 0:11:10 | 0:11:15 | |
-So what do we do? -We've got a week and you know what happens, | 0:11:15 | 0:11:17 | |
cos you know what happened last time. | 0:11:17 | 0:11:20 | |
-Really grieves me, doing this. -I know. Ah! -Done. | 0:11:20 | 0:11:24 | |
Kate and Eleanor decide it's better not to waste their melon | 0:11:25 | 0:11:29 | |
if it's going to be rotten by show day. | 0:11:29 | 0:11:31 | |
-OK, boys. Sadly...our melon is ripe. -Oh, no. | 0:11:31 | 0:11:37 | |
Last one we have, the only melon. | 0:11:37 | 0:11:39 | |
So we thought we would share it with you. | 0:11:39 | 0:11:42 | |
They now have no melon to present for the show bench. | 0:11:42 | 0:11:46 | |
-Well, that looks all right, doesn't it? -Certainly does. | 0:11:46 | 0:11:48 | |
Oh, this is a two-horse race. | 0:11:50 | 0:11:52 | |
It has to be a two horse, well, it has to be a two horse race - | 0:11:52 | 0:11:54 | |
they haven't got any melons. | 0:11:54 | 0:11:56 | |
Sorry, it was just the way you so confidently said that. | 0:11:56 | 0:11:59 | |
It's a two-horse race with Alex, and Ed probably a nose ahead. | 0:11:59 | 0:12:03 | |
Our melon will survive, I think. | 0:12:04 | 0:12:07 | |
And over the next 24 hours, | 0:12:07 | 0:12:08 | |
probably you should sleep in the greenhouse and... | 0:12:08 | 0:12:11 | |
It's the day of judgment for the sweetcorn and melons. | 0:12:14 | 0:12:17 | |
So how many have you got there that are any good? | 0:12:17 | 0:12:20 | |
-We've got two left. -We've got two left. | 0:12:20 | 0:12:22 | |
Do you want to have a snip? | 0:12:22 | 0:12:23 | |
-Da-da! -Oh. | 0:12:25 | 0:12:27 | |
-It's got its T, just. -Just, yeah. -Yes. | 0:12:27 | 0:12:29 | |
So you've had to wait all season since you've been here, | 0:12:29 | 0:12:32 | |
when you planted it and you've had to keep nurturing it. | 0:12:32 | 0:12:34 | |
-They're high maintenance to get them absolutely right. -They are, yeah. | 0:12:34 | 0:12:38 | |
-The only outdoor-grown melon. -It is. | 0:12:38 | 0:12:41 | |
-And I tell you what, that's brave. -Oh, it is brave, I know. | 0:12:41 | 0:12:43 | |
Very, very, and in the final. | 0:12:43 | 0:12:45 | |
-Shall we see you snip that off the plant, then? -OK. | 0:12:46 | 0:12:49 | |
Oh. | 0:12:50 | 0:12:52 | |
-There we go. -Perfect, beautiful, little melon. | 0:12:55 | 0:12:57 | |
-That's it. Yeah. -Oh, fingers crossed. -You never know. | 0:12:57 | 0:12:59 | |
-We ate the last melon... -Never! | 0:13:01 | 0:13:04 | |
-And what you'd have had would be a rotting melon? -Indeed. | 0:13:04 | 0:13:07 | |
So you're relying on the cob now. | 0:13:07 | 0:13:10 | |
We, well... Yes, if we can find one. | 0:13:10 | 0:13:12 | |
There we go. | 0:13:17 | 0:13:18 | |
I'm quite excited about this. | 0:13:18 | 0:13:21 | |
-To reveal... -There we go, so that's the one, so... | 0:13:21 | 0:13:23 | |
-..some perfect looking cobs underneath. -That looks pretty good. | 0:13:23 | 0:13:26 | |
-Yeah, they are. It's exactly what I expected. -Looks beautiful. | 0:13:26 | 0:13:29 | |
I can't believe that you boys have never won a Grow yet, have you? | 0:13:31 | 0:13:35 | |
-Neither can we. -No. -No. | 0:13:35 | 0:13:36 | |
-That's it. -Jim, you've been tough. -Quite incredible. | 0:13:36 | 0:13:41 | |
They've been there and thereabouts, | 0:13:41 | 0:13:42 | |
-but it's the ladies that have always pipped you. -Yeah, yeah. | 0:13:42 | 0:13:45 | |
There are two best in shows at stake | 0:13:47 | 0:13:50 | |
and, now the sweetcorn and melons have been picked, | 0:13:50 | 0:13:53 | |
it's time to get them ready for the show bench. | 0:13:53 | 0:13:55 | |
All the kernels should be even, and they're not. | 0:13:55 | 0:13:58 | |
-Look at that. Dreadful. -Yeah. | 0:13:58 | 0:14:00 | |
What do you think of that? | 0:14:00 | 0:14:01 | |
That's a fantastic corn on the cob. | 0:14:02 | 0:14:04 | |
Give him his own tray. | 0:14:05 | 0:14:06 | |
I think this one. I know you're worried about that kernel there. | 0:14:09 | 0:14:13 | |
It's blemished and... he is looking for no blemishes. | 0:14:13 | 0:14:17 | |
Jim is looking for a well-formed cylindrical cob | 0:14:17 | 0:14:21 | |
with straight unblemished rows of tender, plump grains, | 0:14:21 | 0:14:24 | |
and it should be free from pests and disease. | 0:14:24 | 0:14:26 | |
The melon needs to be blemish free. | 0:14:28 | 0:14:30 | |
It should give a little when pressed, | 0:14:30 | 0:14:32 | |
indicating its perfect ripeness, | 0:14:32 | 0:14:34 | |
and also be presented with a neat T-handle shape stalk. | 0:14:34 | 0:14:37 | |
We have no melon and our sweetcorn is decidedly iffy. | 0:14:38 | 0:14:42 | |
Gardeners, it's time for the judging of Grow. | 0:14:46 | 0:14:48 | |
Jim doesn't usually taste the show produce, | 0:14:56 | 0:14:58 | |
as the appearance best indicates how well the product has been grown. | 0:14:58 | 0:15:02 | |
-I believe this one is Orange Sherbet... -Yep. | 0:15:08 | 0:15:11 | |
..which is an outdoor variety. | 0:15:11 | 0:15:13 | |
It's got a few blemishes on it, | 0:15:13 | 0:15:16 | |
but seeing it's an outdoor one, we'll get away with that. | 0:15:16 | 0:15:19 | |
What I also want to be able to do...is to press it | 0:15:19 | 0:15:24 | |
and it should give, which means it's fresh. | 0:15:24 | 0:15:27 | |
And does it? | 0:15:27 | 0:15:28 | |
Um...no. | 0:15:30 | 0:15:31 | |
This is really, really firm. | 0:15:31 | 0:15:34 | |
We don't...we want a nice sweet melon | 0:15:34 | 0:15:35 | |
-and presumably it should be bright orange inside. -Yep. | 0:15:35 | 0:15:38 | |
Or a more lime green, unripe melon. | 0:15:42 | 0:15:45 | |
-Cuts well, though. -Cuts beautifully. | 0:15:46 | 0:15:48 | |
Mmm. Crunchy. | 0:15:54 | 0:15:55 | |
We're looking for a very good cylindrical cob, | 0:16:02 | 0:16:05 | |
we've got that there, and we're looking for very straight rows. | 0:16:05 | 0:16:08 | |
We can't get them much straighter than that. | 0:16:08 | 0:16:10 | |
The other thing we want to do is to be able to just squeeze one of them | 0:16:10 | 0:16:14 | |
and, yes, there's just a little bit of milk coming out of it, | 0:16:14 | 0:16:18 | |
so that'll tell you that it's ripe. | 0:16:18 | 0:16:20 | |
The other thing is that we like to see | 0:16:20 | 0:16:22 | |
a little bit more of the green sheath. | 0:16:22 | 0:16:25 | |
Sometimes, when you take too much off, you think, | 0:16:25 | 0:16:28 | |
"What have they got to hide?" | 0:16:28 | 0:16:29 | |
But nevertheless, great start. | 0:16:29 | 0:16:32 | |
-The sad and brave story of the missing melon. -Absolutely. | 0:16:35 | 0:16:39 | |
And I suppose that's gardening, isn't it? | 0:16:39 | 0:16:42 | |
You'd worked as hard as you could to just get it right for the day | 0:16:42 | 0:16:45 | |
-and it came a week too soon. -Absolutely. | 0:16:45 | 0:16:47 | |
It makes it slightly difficult to judge it. | 0:16:47 | 0:16:49 | |
Right, got a very good cylindrical shape to it, which we want. | 0:16:54 | 0:16:58 | |
All the sets are in nice straight lines. | 0:16:58 | 0:17:01 | |
The only pity is it's starting to go off at the top. | 0:17:01 | 0:17:05 | |
It's just got overripe. | 0:17:05 | 0:17:06 | |
I can't believe this, girls. You've won three and won them well. | 0:17:07 | 0:17:13 | |
This is the final - no melon and not the best cobs. | 0:17:13 | 0:17:18 | |
So this particular melon is Sienne? | 0:17:24 | 0:17:26 | |
-Sienne. -Sienne, yes. | 0:17:26 | 0:17:27 | |
Yep, and good cantaloupe variety. | 0:17:27 | 0:17:31 | |
Lovely markings on it, just what you'd expect to see, | 0:17:31 | 0:17:35 | |
and by the signs of it, look, that is going brown, | 0:17:35 | 0:17:37 | |
so I'm hoping...yes, it's just giving that little bit of give | 0:17:37 | 0:17:42 | |
when I touch it, a good sign that it's fresh and ready to eat. | 0:17:42 | 0:17:46 | |
So could this be the moment, lads? | 0:17:46 | 0:17:49 | |
Right, I'm just going to cut one section here. | 0:17:49 | 0:17:51 | |
-Now, what colour are we looking for inside on this one? -A rich orange. | 0:17:51 | 0:17:56 | |
Rich orange, OK. Let's see. | 0:17:56 | 0:17:59 | |
Let's see now. Oh, yes! | 0:17:59 | 0:18:02 | |
Now, look at that. Well done, that looks amazing. | 0:18:02 | 0:18:06 | |
Mmm. Mmm, mmm, mmm. | 0:18:10 | 0:18:12 | |
Yep, thumbs up from Jim. | 0:18:17 | 0:18:18 | |
And tasting good too. | 0:18:18 | 0:18:19 | |
Lovely cylindrical shape. | 0:18:26 | 0:18:28 | |
Look at the silk there, that's exactly what you want to see. | 0:18:28 | 0:18:31 | |
That's telling you it's virtually ready. | 0:18:31 | 0:18:33 | |
Yes, you've got a nice lot of the sheath on it | 0:18:33 | 0:18:35 | |
and let's just give it a pop and see. | 0:18:35 | 0:18:39 | |
Yep, this is looking good. | 0:18:39 | 0:18:41 | |
It's time for Jim to decide | 0:18:43 | 0:18:45 | |
who has won best in show for the melon and the sweetcorn. | 0:18:45 | 0:18:48 | |
Well, this is a two-melon race, isn't it? | 0:18:51 | 0:18:54 | |
And at the end of the day, we don't have to deliberate long. | 0:18:54 | 0:18:58 | |
-Lads, you've finally cracked it, best in show. Well done. -Thank you. | 0:19:01 | 0:19:05 | |
-Alex and Ed. -Congratulations. | 0:19:05 | 0:19:07 | |
Well, as you know, | 0:19:07 | 0:19:08 | |
there is one more best in show to come for this challenge. | 0:19:08 | 0:19:14 | |
Right, so this time at least we had the three corns on display. | 0:19:14 | 0:19:18 | |
There was one that had all the qualities I wanted to see, | 0:19:24 | 0:19:27 | |
and so this is a great start for you, lads. | 0:19:27 | 0:19:30 | |
Once again, best in show... Alex and Ed. | 0:19:30 | 0:19:33 | |
-Double champions of Grow. -Well done, lads, well done. | 0:19:33 | 0:19:35 | |
-Here we go, Ed and Alex. -Thank you very much. -Well done. | 0:19:35 | 0:19:38 | |
-They're great. -There's not just sweet, | 0:19:40 | 0:19:43 | |
-but there's savoury in there too. -Good taste. Lovely. | 0:19:43 | 0:19:46 | |
And juicy and just really ripe. | 0:19:46 | 0:19:48 | |
The melon was bad luck. | 0:19:48 | 0:19:50 | |
The sweetcorn was bad growing | 0:19:50 | 0:19:52 | |
-and they're two totally different things, I think. -Mmm. | 0:19:52 | 0:19:55 | |
You'd think it would be statistically difficult | 0:19:57 | 0:19:59 | |
to come second in so many challenges, | 0:19:59 | 0:20:01 | |
but nevertheless we seem to have managed it. | 0:20:01 | 0:20:04 | |
The allotments are jam packed with not only fruit and vegetables, | 0:20:07 | 0:20:11 | |
but flowers too. In the next challenge, | 0:20:11 | 0:20:14 | |
our allotmenteers will have to produce prize-winning dahlias | 0:20:14 | 0:20:18 | |
and this is their very last chance to impress expert Jonathan | 0:20:18 | 0:20:21 | |
in his final floral challenge. | 0:20:21 | 0:20:24 | |
We're on to our second challenge which, as you know, is Make. | 0:20:24 | 0:20:28 | |
Jim would like to see three of the best specimens you have of dahlia. | 0:20:28 | 0:20:35 | |
What you don't know is what Jonathan would like you to do | 0:20:35 | 0:20:39 | |
and, this week, he's pulled out all the stops. | 0:20:39 | 0:20:41 | |
It is a hanging design. | 0:20:41 | 0:20:45 | |
Gardeners, this week, for the first time in the competition, | 0:20:45 | 0:20:48 | |
I'd like you to create your own suspended hanging container. | 0:20:48 | 0:20:54 | |
The design's going to be judged from 360 degrees. | 0:20:54 | 0:20:58 | |
You will have an hour and 30 minutes to complete this challenge. | 0:20:58 | 0:21:01 | |
Good luck. Off you go. | 0:21:01 | 0:21:03 | |
The three dahlias need to have long straight stems | 0:21:06 | 0:21:09 | |
with fresh, clean heads, | 0:21:09 | 0:21:11 | |
be in good condition and free from blemishes and pest damage. | 0:21:11 | 0:21:15 | |
In order to get a good, all-round dahlia, | 0:21:15 | 0:21:18 | |
there's a lot of work that goes on in that growing period. | 0:21:18 | 0:21:20 | |
You need to pinch out the shoots | 0:21:20 | 0:21:22 | |
so that you've got excellent flowers forming ready for the show bench. | 0:21:22 | 0:21:26 | |
A firm favourite among competitive growers, | 0:21:29 | 0:21:32 | |
dahlias belong to the aster family, | 0:21:32 | 0:21:34 | |
along with daisies and sunflowers. | 0:21:34 | 0:21:36 | |
There are over 20,000 different varieties. | 0:21:36 | 0:21:39 | |
Dahlia season usually begins in early spring | 0:21:42 | 0:21:44 | |
and continues through the summer, so deciding when to plant them is key. | 0:21:44 | 0:21:49 | |
Let's have a look and see what we've got. | 0:21:50 | 0:21:53 | |
Kate and Eleanor start as soon as possible, | 0:21:53 | 0:21:55 | |
putting dahlia tubers straight into the ground. | 0:21:55 | 0:21:58 | |
Just can't believe that dahlias are ever going to grow, can you? | 0:22:00 | 0:22:03 | |
Tubers are thickened, underground plant structures | 0:22:05 | 0:22:08 | |
that store food during the winter months | 0:22:08 | 0:22:10 | |
to provide energy and nutrients for re-growth. | 0:22:10 | 0:22:13 | |
Alex and Ed started theirs off in the greenhouse. | 0:22:17 | 0:22:20 | |
These are the championship winners. | 0:22:20 | 0:22:22 | |
And now they're ready to be planted out. | 0:22:22 | 0:22:24 | |
I've been growing dahlias just for fun for a few years. | 0:22:24 | 0:22:29 | |
I went and ordered some names after some of the women in my family. | 0:22:29 | 0:22:33 | |
They're all going to be great. | 0:22:33 | 0:22:36 | |
So who's Enid in your life? | 0:22:36 | 0:22:38 | |
Enid is my mother-in-law's middle name. | 0:22:38 | 0:22:40 | |
I was unsuccessful in finding a Marge. | 0:22:40 | 0:22:42 | |
That's looking good, that one. | 0:22:45 | 0:22:47 | |
This is getting too big for the pot. | 0:22:47 | 0:22:49 | |
Dahlias need lots of nutrients, so the ground has to be well prepared | 0:22:54 | 0:22:58 | |
by digging in organic matter and fertiliser. | 0:22:58 | 0:23:01 | |
I'm going to fill the hole | 0:23:01 | 0:23:03 | |
-with a little bit of fish, blood and bone fertiliser. -Wonderful. | 0:23:03 | 0:23:09 | |
Dahlias are susceptible to frost, | 0:23:15 | 0:23:17 | |
so Rupert and Dimi are taking no chances. | 0:23:17 | 0:23:19 | |
-We'll need stakes. It's fine. -Good. | 0:23:19 | 0:23:22 | |
As the days get longer, all the teams have been struck | 0:23:25 | 0:23:28 | |
with one of the commonest garden pests - black fly. | 0:23:28 | 0:23:31 | |
They like the stalks and the young flowers, | 0:23:31 | 0:23:34 | |
the young new bits of the plant, | 0:23:34 | 0:23:36 | |
so what we're going to do is spray it up with an insecticide, | 0:23:36 | 0:23:40 | |
just to kill off the black fly, basically. | 0:23:40 | 0:23:43 | |
All gardeners have been provided with a non-toxic organic spray. | 0:23:45 | 0:23:50 | |
Well, I've zapped the buds of these that have got black fly on, | 0:23:50 | 0:23:54 | |
so we'll check on Sunday and see what's happened. | 0:23:54 | 0:23:57 | |
As spring turns to summer, | 0:24:01 | 0:24:03 | |
Alex and Ed are trying to sustain the moisture in their soil | 0:24:03 | 0:24:06 | |
by a process called mulching. | 0:24:06 | 0:24:08 | |
It'll keep the soil a bit cooler, | 0:24:08 | 0:24:09 | |
keep the water in and hopefully... will give some amazing dahlias. | 0:24:09 | 0:24:14 | |
Alex, we sadly lost the dahlia named after my mother-in-law. | 0:24:16 | 0:24:19 | |
I don't think I'll make any more jokes than that about it. | 0:24:19 | 0:24:23 | |
Their hard work seems to have paid off. | 0:24:28 | 0:24:32 | |
At last, the dahlias are blooming. | 0:24:32 | 0:24:34 | |
Now, that is a perfect dahlia. | 0:24:38 | 0:24:39 | |
Yeah, it is. | 0:24:39 | 0:24:41 | |
This variety's a bonny brand, they're absolutely stunning. | 0:24:41 | 0:24:44 | |
-Its lovely, isn't it? It's a shame they don't smell. -Nothing at all? | 0:24:44 | 0:24:48 | |
No, they smell of dahlia, which is a kind of a... | 0:24:48 | 0:24:51 | |
It's a planty smell rather than a perfume. | 0:24:51 | 0:24:53 | |
-If they were fragranced, nobody would look twice at roses. -No. | 0:24:53 | 0:24:56 | |
But, like all show flowers, dahlias need constant maintenance. | 0:24:58 | 0:25:02 | |
One thing I have noticed about dahlias | 0:25:03 | 0:25:05 | |
is that you have to deadhead them just as the flower is going over, | 0:25:05 | 0:25:09 | |
because they close up and it's very difficult to tell a dahlia bud | 0:25:09 | 0:25:13 | |
from a dead over-gone dahlia, | 0:25:13 | 0:25:16 | |
so I found it much easier to snip them, literally, | 0:25:16 | 0:25:19 | |
as the flowers have just started to go. | 0:25:19 | 0:25:21 | |
We are very competitive and we're going for it. | 0:25:27 | 0:25:32 | |
I don't think we're intimidated by Ed's dahlia manning...reputation. | 0:25:32 | 0:25:36 | |
I mean, after all, they had the most amazing carrots and, I mean, | 0:25:36 | 0:25:39 | |
their onions were a sight to behold, | 0:25:39 | 0:25:42 | |
-but we still beat them on both, so... -Who knows? | 0:25:42 | 0:25:45 | |
-Our little pom-poms might come forth. -Yeah. | 0:25:45 | 0:25:48 | |
I think we're in quite good shape for those. | 0:25:48 | 0:25:50 | |
-I think we've got reasonable dahlias. -Yeah, we do. I think we do. | 0:25:50 | 0:25:53 | |
-I think they're very pretty. -We've got a lot of dahlias as well. | 0:25:53 | 0:25:56 | |
It's show day and time for the gardeners to pick their best blooms. | 0:26:01 | 0:26:06 | |
Yeah, what about that one? | 0:26:06 | 0:26:08 | |
Too far gone in the middle. | 0:26:08 | 0:26:10 | |
We're just going to cut all these and then lay them out | 0:26:10 | 0:26:13 | |
and look and see if we've got three that look similar. | 0:26:13 | 0:26:16 | |
It's not only the dahlias they have to worry about. | 0:26:18 | 0:26:21 | |
They have to ensure they have enough plant material | 0:26:21 | 0:26:23 | |
to make their floral arrangements. | 0:26:23 | 0:26:25 | |
Here's Jonathan's guide for how to make a hanging design. | 0:26:29 | 0:26:33 | |
Firstly, establish a secure method to suspend the design. | 0:26:33 | 0:26:37 | |
Do remember, once it's completed, it really does become quite heavy. | 0:26:37 | 0:26:42 | |
Start off by covering the large surface area | 0:26:42 | 0:26:45 | |
with a good selection of foliage. | 0:26:45 | 0:26:48 | |
Use trailing and hanging plant material | 0:26:48 | 0:26:50 | |
to create interesting movement and rhythm. | 0:26:50 | 0:26:53 | |
Remember, dahlias have a very thin stem | 0:26:53 | 0:26:56 | |
supporting a large headed flower, | 0:26:56 | 0:26:58 | |
so it's best to place them into the arrangement towards the end. | 0:26:58 | 0:27:02 | |
By following these few tips, | 0:27:02 | 0:27:04 | |
you really can create a real floral spectacle. | 0:27:04 | 0:27:06 | |
We obviously have to make the thing and we have to tie it up... | 0:27:10 | 0:27:13 | |
-Mm-hm. -..cos then we can hide all this, can't we? -Yeah. | 0:27:13 | 0:27:15 | |
And then we would tie the chillies round as a base... | 0:27:15 | 0:27:18 | |
-because there's lots of greenery. -So we've got four...chillies, | 0:27:18 | 0:27:21 | |
-cos we've got to do this side as well, don't forget. -Yeah. Yep. | 0:27:21 | 0:27:24 | |
They've picked all their materials and now they head to the greenhouse | 0:27:26 | 0:27:30 | |
for their most difficult floral assignment yet. | 0:27:30 | 0:27:33 | |
The Make challenge offers two best in show awards - | 0:27:35 | 0:27:38 | |
one for the best show dahlia and one for the best hanging design. | 0:27:38 | 0:27:43 | |
Good luck, and your hour and a half starts now. | 0:27:43 | 0:27:46 | |
The first thing our finalists need to do | 0:27:51 | 0:27:53 | |
is concentrate on their three show dahlias for Jim. | 0:27:53 | 0:27:56 | |
If you snap one, then we'll be finished. | 0:27:58 | 0:28:01 | |
It's those two, I'm telling you. | 0:28:01 | 0:28:03 | |
Once they've chosen their dahlias, they leave them in water | 0:28:03 | 0:28:06 | |
and get to work on Jonathan's hanging design. | 0:28:06 | 0:28:09 | |
As the final Make challenge, this is by far the most difficult. | 0:28:09 | 0:28:13 | |
The fact that it's going to be judged from every angle | 0:28:13 | 0:28:16 | |
is a huge challenge in itself, | 0:28:16 | 0:28:17 | |
so I just hope our gardeners get it right from the offset | 0:28:17 | 0:28:21 | |
and use flowers creatively. | 0:28:21 | 0:28:22 | |
If they don't, it's going to look standard. | 0:28:22 | 0:28:24 | |
I don't want to see standard at this level in the competition. | 0:28:24 | 0:28:27 | |
Floral foam must be saturated with water before adding any flowers, | 0:28:30 | 0:28:34 | |
otherwise the arrangement won't last. | 0:28:34 | 0:28:37 | |
-I'm not quite sure what the best approach is. -Right. | 0:28:38 | 0:28:41 | |
We never, ever would shape it while it's dry | 0:28:44 | 0:28:47 | |
and pack it in and bash it in, | 0:28:47 | 0:28:49 | |
because that's damaging the surface area. | 0:28:49 | 0:28:51 | |
That's really detrimental to the flowers. | 0:28:51 | 0:28:54 | |
It impedes the process of it | 0:28:54 | 0:28:55 | |
to allow the water to go into the flowers. | 0:28:55 | 0:28:58 | |
How are you doing? | 0:28:58 | 0:28:59 | |
I think I'm nearly soaked. | 0:28:59 | 0:29:01 | |
-Hold on. -The pot is bloody heavy. | 0:29:01 | 0:29:03 | |
The basket needs to be secured properly | 0:29:03 | 0:29:06 | |
so that the design can withstand the weight of flowers and water. | 0:29:06 | 0:29:10 | |
-It's not slipping. -No, that's pretty good. | 0:29:10 | 0:29:13 | |
-How big do you want to make this? -Shall we put something in? | 0:29:13 | 0:29:15 | |
They're going to use the foliage first. | 0:29:15 | 0:29:18 | |
It's important to start with the foliage first | 0:29:18 | 0:29:21 | |
to disguise the foam and establish the overall design. | 0:29:21 | 0:29:24 | |
One more this end? | 0:29:26 | 0:29:27 | |
Yeah, three might be enough. | 0:29:27 | 0:29:28 | |
And then twizzle it round so you've got that | 0:29:31 | 0:29:34 | |
and then we're going from the bottom and up to the top again. | 0:29:34 | 0:29:37 | |
Don't leave big gaps and start packing flowers in | 0:29:39 | 0:29:42 | |
close and tight at this early stage. | 0:29:42 | 0:29:45 | |
Flowers go in later. | 0:29:45 | 0:29:46 | |
The idea is to have a vague framework of chillies | 0:29:46 | 0:29:50 | |
and then fill in. Looks a bit... bit of a mess at the moment. | 0:29:50 | 0:29:55 | |
The picture I've got at the moment is I want it to go both upwards | 0:29:58 | 0:30:03 | |
and then to cascade as well on both levels. | 0:30:03 | 0:30:07 | |
-And that is a challenge, when you've got two areas to work on. -Yes. | 0:30:07 | 0:30:11 | |
You either have to do a really stark contrast | 0:30:11 | 0:30:13 | |
-that is distinctly different with a subtle link... -Yes. | 0:30:13 | 0:30:17 | |
..or we need it to overall visually harmonise together. | 0:30:17 | 0:30:20 | |
That's the path we're going. | 0:30:20 | 0:30:21 | |
Are we ready for flowers yet, do you think? | 0:30:21 | 0:30:24 | |
I think we probably are, don't you? | 0:30:24 | 0:30:26 | |
Jonathan will be judging this design from 360 degrees, | 0:30:26 | 0:30:30 | |
so there's nowhere our finalists can escape his scrutiny. | 0:30:30 | 0:30:34 | |
We're not going to fall foul by not having enough stuff underneath here. | 0:30:34 | 0:30:39 | |
It's a big, country, sort of vintage style globe. | 0:30:41 | 0:30:45 | |
I guess you might put it in, like, maybe a big barn... | 0:30:45 | 0:30:47 | |
or something, in a hallway, yeah. That'd be amazing. | 0:30:47 | 0:30:50 | |
Perhaps a double staircase type thing. | 0:30:50 | 0:30:52 | |
I'd very much like to win this one and I think this looks quite good. | 0:30:53 | 0:30:57 | |
Actually, you know what we need to do? If we take this down... | 0:30:57 | 0:31:00 | |
Yes, it needs a bit of eucalyptus there, actually, doesn't it? | 0:31:00 | 0:31:04 | |
It's just the world's hardest task, to do this well. | 0:31:04 | 0:31:06 | |
Choosing flowers, there's designing a floral arrangement, | 0:31:06 | 0:31:10 | |
there's making it and then there's having other people look at it. | 0:31:10 | 0:31:13 | |
The gardeners are using everything they can in order to stand out. | 0:31:14 | 0:31:19 | |
So these are white aubergines, | 0:31:19 | 0:31:20 | |
I'm just wiring them to pop them in | 0:31:20 | 0:31:23 | |
and then just find somewhere to sort of nestle it in amongst the foliage. | 0:31:23 | 0:31:28 | |
We've probably done what we usually do and played it too safe | 0:31:28 | 0:31:31 | |
and gone for specimens that are the same | 0:31:31 | 0:31:35 | |
rather than specimens that show themselves off to the best advantage. | 0:31:35 | 0:31:38 | |
15 minutes left. 15 minutes. | 0:31:38 | 0:31:41 | |
Don't squeak with worry. It's OK. | 0:31:44 | 0:31:46 | |
I think some of them we've just pushed too far in. | 0:31:46 | 0:31:49 | |
-Borage. Shall we put borage in there? -Yes, I haven't put any borage in. | 0:31:49 | 0:31:53 | |
-Just look for gaps now and... -Yeah, that's what I'm doing. | 0:31:53 | 0:31:56 | |
..just snip anything that's the wrong... | 0:31:56 | 0:31:58 | |
I can't find the scissors. | 0:32:02 | 0:32:04 | |
If we just give ourselves a bit more dark with these round the base, | 0:32:04 | 0:32:07 | |
-in the bottom bit, then it does lighten up, doesn't it? -Yeah. | 0:32:07 | 0:32:09 | |
This is too dominant. We haven't got anything that goes out beyond it. | 0:32:09 | 0:32:13 | |
Do you think we should lose that one? | 0:32:13 | 0:32:15 | |
There's a bit of a gap just here. | 0:32:15 | 0:32:17 | |
One minute left. | 0:32:17 | 0:32:18 | |
Just some of these darker oranges in the bottom. | 0:32:20 | 0:32:23 | |
Aubergines in there. That's quite nice. | 0:32:23 | 0:32:25 | |
I think we need to trim that. | 0:32:25 | 0:32:26 | |
-Just think it needs something there. -One of those? -Yeah, let's try that. | 0:32:26 | 0:32:30 | |
-Actually, that's not bad. -Looking pretty good. | 0:32:30 | 0:32:32 | |
Gardeners, that's it, time's up. | 0:32:32 | 0:32:34 | |
So it's the toughest challenge for us. | 0:32:38 | 0:32:40 | |
We've gave it our best shot. | 0:32:40 | 0:32:42 | |
We pulled out all of the stops in this one | 0:32:42 | 0:32:44 | |
because it's a challenge that we think we could win | 0:32:44 | 0:32:47 | |
if we went big and sort of just went for it as much as possible. | 0:32:47 | 0:32:50 | |
The floral arrangement was extremely challenging, | 0:32:50 | 0:32:53 | |
both technically and actually filling it up | 0:32:53 | 0:32:56 | |
-with flowers and greenery that looked right. -Mmm. | 0:32:56 | 0:33:00 | |
As usual, there are two best in shows for the Make challenge. | 0:33:02 | 0:33:06 | |
Jim will be looking for three dahlias that have fresh, | 0:33:06 | 0:33:08 | |
identical blooms with long, straight stems and no damage. | 0:33:08 | 0:33:12 | |
Jonathan will be looking for a striking hanging design | 0:33:13 | 0:33:16 | |
that has used materials creatively. | 0:33:16 | 0:33:18 | |
It's being judged from 360 degrees, so he wants to see a balanced shape. | 0:33:20 | 0:33:24 | |
Yes, this is exactly what I want to see in a pom. | 0:33:29 | 0:33:32 | |
Good, straight stems. Lovely colour, really is gorgeous colour. | 0:33:32 | 0:33:37 | |
Good even display of bloom, they're all matching. Good start, girls. | 0:33:37 | 0:33:41 | |
I love this depth of dahlia repeated through here. | 0:33:46 | 0:33:49 | |
I'm delighted to see that you've covered every aspect of this globe. | 0:33:49 | 0:33:54 | |
You've used some plant material that gives it a creative touch, | 0:33:54 | 0:33:58 | |
but sadly the overall impact has not quite worked | 0:33:58 | 0:34:01 | |
and I saw Eleanor inflicting floral foam abuse. | 0:34:01 | 0:34:06 | |
You were bashing that floral foam into the basket in its dry form, | 0:34:06 | 0:34:11 | |
not even pre-soaked, so I know that that isn't properly soaked in there. | 0:34:11 | 0:34:15 | |
One of the characteristics we look for is that the stem is | 0:34:21 | 0:34:25 | |
strong enough to support the flower. Now, unfortunately, in this case, | 0:34:25 | 0:34:29 | |
you can see that it's hanging its head right over. | 0:34:29 | 0:34:31 | |
This one is beginning to start to fade. | 0:34:31 | 0:34:34 | |
They are looking rather tired. | 0:34:34 | 0:34:36 | |
The clarity of the shape is really important | 0:34:41 | 0:34:43 | |
and you've achieved a good shape | 0:34:43 | 0:34:45 | |
and you did that very early on | 0:34:45 | 0:34:46 | |
by sensibly working foliage throughout here. | 0:34:46 | 0:34:50 | |
There's good touches in here. | 0:34:50 | 0:34:51 | |
You've got the aubergines, you've got the cabbage, | 0:34:51 | 0:34:54 | |
you've got the physalis flower, seed heads of the scabious, | 0:34:54 | 0:34:57 | |
these lovely features in there. It's a really good attempt. | 0:34:57 | 0:35:00 | |
Nice straight stems. | 0:35:05 | 0:35:07 | |
Nice and clean, and not many blemishes on the flower at all. | 0:35:07 | 0:35:11 | |
In fact, there's none. | 0:35:11 | 0:35:12 | |
Just a slight unevenness to the actual three blooms, | 0:35:12 | 0:35:16 | |
but nevertheless it's a good entry, lads. | 0:35:16 | 0:35:19 | |
It's a real mish-mosh of a lot of different flowers, | 0:35:24 | 0:35:28 | |
a lot of different colours, a lot of floral foam visible. | 0:35:28 | 0:35:33 | |
Again, at this stage, I've got higher hopes | 0:35:33 | 0:35:36 | |
and I would have thought you would have executed a better design. | 0:35:36 | 0:35:40 | |
The experts now have to decide | 0:35:42 | 0:35:44 | |
which of the teams will be awarded best in show. | 0:35:44 | 0:35:47 | |
Alex and Ed, they're three lovely looking cactus dahlia but... | 0:35:48 | 0:35:54 | |
..tonight...the winners of the best in show, two ladies. | 0:35:56 | 0:36:02 | |
APPLAUSE | 0:36:02 | 0:36:05 | |
Well done. | 0:36:05 | 0:36:07 | |
Jonathan, would you please award best in show for the hanging design? | 0:36:10 | 0:36:13 | |
This week, there's only one clear obvious winner, | 0:36:15 | 0:36:19 | |
somebody who again has used plant material creatively | 0:36:19 | 0:36:22 | |
and has achieved a good, bold design. | 0:36:22 | 0:36:26 | |
Congratulations, Rupert and Dimi, you are best in show. | 0:36:29 | 0:36:32 | |
Well done, hon. | 0:36:34 | 0:36:35 | |
Now, tomorrow is a big day. | 0:36:39 | 0:36:40 | |
Tomorrow is the last day for you to shine | 0:36:40 | 0:36:45 | |
and so we want you now to go home, | 0:36:45 | 0:36:48 | |
get some sleep and come in first thing tomorrow morning | 0:36:48 | 0:36:51 | |
bright and early, ready to do the final challenge. | 0:36:51 | 0:36:54 | |
Good night. | 0:36:54 | 0:36:56 | |
Well, we're very pleased to win, obviously. It's very good. | 0:36:59 | 0:37:02 | |
Yeah, it just goes to show that, whilst we're still amateurs | 0:37:02 | 0:37:05 | |
and we don't know everything and we're learning as we go. | 0:37:05 | 0:37:09 | |
I think we're feeling exceedingly jubilant | 0:37:09 | 0:37:11 | |
about having won best in show | 0:37:11 | 0:37:13 | |
because that was not what we were expecting. | 0:37:13 | 0:37:16 | |
Jonathan's comments are as you would expect them to be | 0:37:16 | 0:37:19 | |
in the final of a competition like this, | 0:37:19 | 0:37:21 | |
-but we tried our best. -We did. | 0:37:21 | 0:37:24 | |
Our finalists have been working tirelessly for 20 weeks | 0:37:32 | 0:37:36 | |
and their allotments have come to reflect their gardening styles. | 0:37:36 | 0:37:40 | |
We're on Alex and Ed's plot. | 0:37:40 | 0:37:42 | |
This plot has certainly paid dividends for them. | 0:37:42 | 0:37:45 | |
It's an organised plot, a practical plot | 0:37:45 | 0:37:47 | |
-and it's a good working allotment, isn't it, Jim? -Absolutely. | 0:37:47 | 0:37:50 | |
Every time you come here, they've done something, you know, | 0:37:50 | 0:37:52 | |
to the plot, they've kept working it, which is very important. | 0:37:52 | 0:37:56 | |
-They deserve to be here. -They do. | 0:37:56 | 0:37:57 | |
-Let's go and have a snoop round someone else's. -Why not? | 0:37:57 | 0:38:00 | |
Here we are, Kate and Eleanor's plot, | 0:38:03 | 0:38:05 | |
the last two-woman team standing. | 0:38:05 | 0:38:08 | |
I think there's an inherent connection with gardening. It's there. | 0:38:08 | 0:38:11 | |
They're passionate gardeners, they love the plant material, | 0:38:11 | 0:38:14 | |
they understand about flowers, they understand about vegetables. | 0:38:14 | 0:38:17 | |
But I think what sums this team up is good natured, | 0:38:17 | 0:38:21 | |
great sense of humour and simply enjoying what they're doing. | 0:38:21 | 0:38:24 | |
Absolutely. | 0:38:24 | 0:38:25 | |
-Oh, look at these flowers. -Ooh! -Aren't they just gorgeous? | 0:38:29 | 0:38:32 | |
But their Make challenges, Jonathan, | 0:38:32 | 0:38:34 | |
-you've given them three best in shows. -Yeah. | 0:38:34 | 0:38:36 | |
They've been star performers and, as I look around here, | 0:38:36 | 0:38:38 | |
it's full of flower. | 0:38:38 | 0:38:40 | |
This is a great cutting plot, | 0:38:40 | 0:38:42 | |
so an allotment can produce produce for eating, | 0:38:42 | 0:38:44 | |
flowers for cutting, but also it can look decorative, it can look pretty. | 0:38:44 | 0:38:48 | |
And you stand here in amongst all these allotments | 0:38:48 | 0:38:51 | |
and you think, "Gosh, what a blessing this has been, | 0:38:51 | 0:38:54 | |
"to see this wonderful way the earth responds." | 0:38:54 | 0:38:58 | |
In 20 weeks, from bare earth...and they've really put their heart... | 0:38:58 | 0:39:02 | |
All the teams have put their heart and soul into it. | 0:39:02 | 0:39:04 | |
There's just one more challenge before our experts have to decide | 0:39:07 | 0:39:11 | |
who will be the winner of The Big Allotment Challenge. | 0:39:11 | 0:39:14 | |
-We really want to impress Thane in the final challenge. -Yeah, massively. | 0:39:17 | 0:39:20 | |
We've won one Eat, it would be lovely to win another one | 0:39:20 | 0:39:22 | |
and I think our...potential win depends on it. | 0:39:22 | 0:39:24 | |
I'm really going to enjoy the last day. | 0:39:26 | 0:39:29 | |
We've got a challenge coming up we enjoy competing in, | 0:39:29 | 0:39:32 | |
and I just can't wait to get started. | 0:39:32 | 0:39:34 | |
We've so far failed to impress Thane | 0:39:35 | 0:39:38 | |
with almost everything that we've cooked, | 0:39:38 | 0:39:40 | |
so this is our last chance to impress her. | 0:39:40 | 0:39:42 | |
-We've never won an Eat... -No. | 0:39:42 | 0:39:45 | |
..and it'd be fantastic to go out on a best in show Eat. | 0:39:45 | 0:39:48 | |
Overnight, the rain has gone and it's a beautiful morning | 0:39:56 | 0:40:00 | |
and you face your final challenge, which is Eat. | 0:40:00 | 0:40:05 | |
Now, Thane has set this challenge | 0:40:05 | 0:40:07 | |
and it is to present a beautiful gift basket | 0:40:07 | 0:40:11 | |
and in that basket three preserves of your own choice | 0:40:11 | 0:40:15 | |
and an extra ingredient. It is your wild card, | 0:40:15 | 0:40:19 | |
the ingredients of which are secret from all of us. | 0:40:19 | 0:40:22 | |
You have one hour 45 minutes to complete this challenge. | 0:40:22 | 0:40:27 | |
The clock will start as soon as you've all arrived | 0:40:27 | 0:40:29 | |
back in the greenhouse with everything you need. | 0:40:29 | 0:40:32 | |
So are you ready? Off you go. | 0:40:32 | 0:40:34 | |
Their wild card gives them a unique opportunity to impress in this, | 0:40:39 | 0:40:43 | |
the final challenge. | 0:40:43 | 0:40:44 | |
It can be anything they choose | 0:40:44 | 0:40:46 | |
and they've been carefully planning it for months. | 0:40:46 | 0:40:49 | |
Ah, it's chilli time. Finally get to pick these bad boys. | 0:40:49 | 0:40:52 | |
How many chillies do you think we need for the infusions, then? | 0:40:52 | 0:40:54 | |
-Three or four? -Yeah. Well, pick a few more. | 0:40:54 | 0:40:58 | |
And our wild card is potpourri, which is made with dried flowers | 0:40:58 | 0:41:04 | |
from our plot which we've grown specifically to be able to dry them. | 0:41:04 | 0:41:08 | |
-And we'll half them, take the top spikes off... -Yeah. | 0:41:09 | 0:41:12 | |
-..take out the choke and they'll cook really quite nicely. -Yeah. | 0:41:12 | 0:41:16 | |
With four different items to present, | 0:41:16 | 0:41:18 | |
this is their chance to show me the breadth of their skills, | 0:41:18 | 0:41:22 | |
that they've taken on board everything and really impress us. | 0:41:22 | 0:41:25 | |
This could be their very last chance to win. | 0:41:25 | 0:41:27 | |
The allotmenteers have picked all their ingredients for the last time | 0:41:31 | 0:41:35 | |
and the preserving can begin. | 0:41:35 | 0:41:36 | |
You have an hour and 45 minutes. Start now. | 0:41:39 | 0:41:43 | |
So far in the competition, Alex and Ed, and Kate and Eleanor | 0:41:46 | 0:41:49 | |
have never won a best in show for Eat | 0:41:49 | 0:41:52 | |
and the pressure is on to impress Thane. | 0:41:52 | 0:41:54 | |
You've only got an hour and three quarters, | 0:41:54 | 0:41:56 | |
but, actually, the presentation is very important today, | 0:41:56 | 0:41:58 | |
because if you're giving somebody a hamper, | 0:41:58 | 0:42:01 | |
you want them to open up the hamper and go, "Wow!" | 0:42:01 | 0:42:04 | |
And not, "Oh, thank you very much." | 0:42:04 | 0:42:07 | |
Kate and Eleanor are making pickled yellow beetroot, allotment chutney | 0:42:07 | 0:42:11 | |
and a Middle Eastern delicacy - strawberry sweet spoon - | 0:42:11 | 0:42:14 | |
as well as a bowl of potpourri as their wild card. | 0:42:14 | 0:42:17 | |
Eight ounces. Is that what you want? | 0:42:17 | 0:42:20 | |
-Yes, I think it was exactly what I wanted. -There we are. -Well done. | 0:42:20 | 0:42:23 | |
The three preserves we're making for our gift basket are | 0:42:26 | 0:42:29 | |
drunken tomatoes, sweetcorn relish | 0:42:29 | 0:42:33 | |
and a particular favourite of mine - Dentdale pickle. | 0:42:33 | 0:42:36 | |
Our wild-card entry, | 0:42:36 | 0:42:37 | |
I'm making some preserved artichoke hearts in a flavoured olive oil. | 0:42:37 | 0:42:41 | |
Once I've done this chopping, it'll be onto the samphire prep | 0:42:43 | 0:42:47 | |
-and then we can... -Actually, the samphire doesn't take long. | 0:42:47 | 0:42:50 | |
No, and then we can start cooking things. | 0:42:50 | 0:42:53 | |
Rupert and Dimi are making a sweetcorn relish, | 0:42:55 | 0:42:57 | |
pineapple flavoured goldenberry jam and, true to form, | 0:42:57 | 0:43:01 | |
they've grown something risky for their third preserve - | 0:43:01 | 0:43:04 | |
pickled samphire. | 0:43:04 | 0:43:05 | |
This sea vegetable naturally grows along the coast, | 0:43:07 | 0:43:10 | |
so they've had to carefully nurture it with sea salted water. | 0:43:10 | 0:43:14 | |
-How's the sauce looking? -That looks very good. | 0:43:14 | 0:43:17 | |
A relish is a condiment made from chopped vegetables and sauce. | 0:43:17 | 0:43:21 | |
Consistency is the key to its success. | 0:43:21 | 0:43:24 | |
If it's under boiled, there'll be too much liquid | 0:43:24 | 0:43:26 | |
and, if over boiled, the sauce will be too dry. | 0:43:26 | 0:43:29 | |
Oh, it's nice. Bit spicy, bit sweet. | 0:43:30 | 0:43:32 | |
I'm trying to make a strawberry syrup | 0:43:34 | 0:43:36 | |
to go on top of the strawberries, | 0:43:36 | 0:43:38 | |
but in the past I have over boiled it | 0:43:38 | 0:43:41 | |
and it just set like iron, so I'm trying not to do that. | 0:43:41 | 0:43:44 | |
It is a lovely, lovely tradition | 0:43:44 | 0:43:46 | |
-and they make spoon sweets of dozens of different things, don't they? -Yes. | 0:43:46 | 0:43:50 | |
So it's not like a jam | 0:43:50 | 0:43:51 | |
and it's offered to you on a spoon when you go to someone's house. | 0:43:51 | 0:43:55 | |
-Really? So just... -With a cup of coffee. -Oh, one taste, that's it. | 0:43:55 | 0:43:58 | |
And then this, of course, is one of my absolutely favourite things. | 0:43:58 | 0:44:02 | |
This is the perfect chutney | 0:44:02 | 0:44:05 | |
to use those apples that you scrumped off the floor, | 0:44:05 | 0:44:07 | |
the tomatoes that won't go red, | 0:44:07 | 0:44:09 | |
the onions you've got left and I just love the thrift of this. | 0:44:09 | 0:44:15 | |
A chutney is a type of relish | 0:44:15 | 0:44:17 | |
that usually includes vegetables, spices and sometimes fruit. | 0:44:17 | 0:44:21 | |
The dried tomatoes are in this pan here, | 0:44:21 | 0:44:24 | |
then we've got really delicious plum tomatoes, | 0:44:24 | 0:44:28 | |
these kind of mini cherry plum tomatoes called Cupido. | 0:44:28 | 0:44:31 | |
They've got them on a very, very low heat so as not to burst the skins... | 0:44:31 | 0:44:36 | |
Yes. But they need to be warmed all the way through. | 0:44:36 | 0:44:39 | |
They've got to be cooked, otherwise they're just tomatoes in some oil. | 0:44:39 | 0:44:43 | |
And this is the marinade for the beetroot chutney, | 0:44:43 | 0:44:47 | |
which is...vinegar. It's got 20 minutes to infuse before I sieve it. | 0:44:47 | 0:44:51 | |
So, Dimi, how did you grow this on the allotment? | 0:44:53 | 0:44:55 | |
-Because this grows with salty water, doesn't it? -Correct. | 0:44:55 | 0:44:58 | |
It does. We've had to feed it salt water. | 0:44:58 | 0:45:00 | |
So this'll just be in vinegar...? | 0:45:00 | 0:45:02 | |
It's in a pickling vinegar with a little bit of sugar | 0:45:02 | 0:45:05 | |
to take out some of the acid of it and then it's got fennel, pepper... | 0:45:05 | 0:45:09 | |
-A bit of coriander, hasn't it? -..and mustard seed. -Very nice. OK. | 0:45:09 | 0:45:15 | |
Do you want to try a bit of that, please? | 0:45:15 | 0:45:17 | |
Bit woody? | 0:45:21 | 0:45:22 | |
Mmm. No, it's not woody. Nice. | 0:45:22 | 0:45:25 | |
It's important that whatever is being pickled | 0:45:26 | 0:45:29 | |
is always fully submerged | 0:45:29 | 0:45:30 | |
so that it all matures at the same rate when stored. | 0:45:30 | 0:45:33 | |
Well, there's nearly not enough! | 0:45:35 | 0:45:36 | |
With everything under control, | 0:45:42 | 0:45:44 | |
it's now time to concentrate on their wild cards - | 0:45:44 | 0:45:47 | |
the allotmenteers' chance | 0:45:47 | 0:45:49 | |
to present a unique addition to their gift basket. | 0:45:49 | 0:45:53 | |
Our wild card is our potpourri. | 0:45:53 | 0:45:56 | |
These are rose petals, which have been...dried. | 0:45:56 | 0:46:03 | |
We've been preparing them, I think, since May, | 0:46:03 | 0:46:05 | |
since the roses were first in bloom. | 0:46:05 | 0:46:08 | |
Wild card is some artichoke hearts. | 0:46:08 | 0:46:11 | |
I love artichokes. | 0:46:11 | 0:46:12 | |
-Well, that was 17 artichokes, so this time... -17? | 0:46:15 | 0:46:18 | |
We're going to preserve them in a similar way as an antipasti. | 0:46:18 | 0:46:22 | |
The ever experimental Rupert and Dimi | 0:46:22 | 0:46:25 | |
are trying to infuse chilli and vodka for their wild card. | 0:46:25 | 0:46:29 | |
-You use a cream whipper, which is what this is. -A what? | 0:46:30 | 0:46:33 | |
-A cream whipper. -Oh. So how does it work? | 0:46:33 | 0:46:37 | |
The high pressure of the nitrous oxide goes into the liquid. | 0:46:37 | 0:46:40 | |
That goes into the vegetable, whichever you're using, | 0:46:40 | 0:46:43 | |
and we're using chillies for this, | 0:46:43 | 0:46:44 | |
and then, when you release the pressure, it comes out as a gas... | 0:46:44 | 0:46:49 | |
and it forces the flavour out. | 0:46:49 | 0:46:50 | |
Can I taste it at this stage? | 0:46:50 | 0:46:52 | |
I would recommend the tiniest bit on the end of your finger. | 0:46:52 | 0:46:55 | |
-Let me hold this. -That is bold. | 0:46:55 | 0:46:58 | |
Oh, man alive! | 0:47:00 | 0:47:02 | |
This is the final ten minutes. | 0:47:10 | 0:47:12 | |
Got to get this really tight, with it being tapered. | 0:47:13 | 0:47:16 | |
Comme ci, comme ca. | 0:47:19 | 0:47:21 | |
-Let's get those bubbles out. -I was going to do both sides together. | 0:47:21 | 0:47:25 | |
I wanted to put them into this big, quite imposing pickle jar, | 0:47:29 | 0:47:32 | |
but unfortunately only got enough hearts to go up | 0:47:32 | 0:47:35 | |
about three quarters of the way and that's not really good enough. | 0:47:35 | 0:47:38 | |
One minute left. | 0:47:38 | 0:47:40 | |
-We've made a lovely mess. -We have made a lovely mess. | 0:47:46 | 0:47:49 | |
How hot is the chilli vodka? | 0:47:50 | 0:47:52 | |
You've watered that down a bit, haven't you? | 0:47:52 | 0:47:54 | |
Ah! | 0:47:54 | 0:47:55 | |
Time up. | 0:48:00 | 0:48:01 | |
The moment of truth has arrived. | 0:48:04 | 0:48:06 | |
The allotmenteers will face the experts for the very last time. | 0:48:06 | 0:48:10 | |
To be awarded best in show, | 0:48:12 | 0:48:13 | |
Thane is looking for preserves that taste as good as they look. | 0:48:13 | 0:48:17 | |
First to be judged, it's Kate and Eleanor. | 0:48:18 | 0:48:22 | |
It looks beautiful, which is always the first thing with a gift basket. | 0:48:22 | 0:48:26 | |
And this is the strawberry spoon fruit. | 0:48:26 | 0:48:28 | |
The strawberries have still got just that little bit of crispness. | 0:48:32 | 0:48:36 | |
The syrup, I think a tiny bit thin, | 0:48:36 | 0:48:40 | |
so, for authenticity, it's probably not exactly right. | 0:48:40 | 0:48:44 | |
Next up, golden beetroot in a nice clear vinegar. | 0:48:44 | 0:48:48 | |
I'm very pleased that you went to the trouble of | 0:48:48 | 0:48:51 | |
making the individual slices look pretty. | 0:48:51 | 0:48:54 | |
Good flavour to the vinegar. | 0:49:00 | 0:49:01 | |
There's a little bit of sweetness in there | 0:49:01 | 0:49:04 | |
and some background spice and I see you've taken the spices out. | 0:49:04 | 0:49:07 | |
The beetroot has a good, crisp flavour | 0:49:07 | 0:49:10 | |
and it's one that works nicely. | 0:49:10 | 0:49:12 | |
And now the autumn tomato chutney. Looks good. | 0:49:12 | 0:49:16 | |
But it's a well-made chutney. The consistency is perfect. | 0:49:20 | 0:49:24 | |
The chop is very good. | 0:49:24 | 0:49:25 | |
For my taste, I'd prefer just a bit more spice. | 0:49:25 | 0:49:29 | |
Now, this is your wild card, which is a handmade, beautiful potpourri. | 0:49:29 | 0:49:33 | |
Very nice. | 0:49:33 | 0:49:34 | |
What I think's so very clever | 0:49:34 | 0:49:36 | |
is you've made this with just what you had on your allotment. | 0:49:36 | 0:49:40 | |
What I would say is that you've brought me today | 0:49:40 | 0:49:42 | |
three things that I've really enjoyed. | 0:49:42 | 0:49:45 | |
My only worry is have you played a little safe? | 0:49:45 | 0:49:47 | |
It's now Alex and Ed's turn. | 0:49:48 | 0:49:50 | |
I'm going to start here with your sweetcorn relish. | 0:49:52 | 0:49:55 | |
An attractive looking jar. | 0:49:56 | 0:49:58 | |
Very important with a sweetcorn relish that you see the colours, | 0:49:58 | 0:50:01 | |
the vibrance of the sweetcorn and the peppers. | 0:50:01 | 0:50:04 | |
The chop looks good there. | 0:50:04 | 0:50:06 | |
Perhaps just a little on the warm side. | 0:50:11 | 0:50:13 | |
I think, in a couple of days' time, | 0:50:13 | 0:50:16 | |
some of the chilli would have moderated down. | 0:50:16 | 0:50:18 | |
Now, pickle. | 0:50:18 | 0:50:19 | |
A good colour, texture. | 0:50:21 | 0:50:23 | |
The brightness, you can imagine that would enliven a plate. | 0:50:23 | 0:50:26 | |
And I'm afraid it is a little salty still. | 0:50:30 | 0:50:32 | |
Now, the tomatoes, the drowned tomatoes. | 0:50:32 | 0:50:35 | |
What separates this from just being | 0:50:35 | 0:50:38 | |
a cherry tomato warmed up in a bit of oil | 0:50:38 | 0:50:41 | |
is that you have almost made a confit of them, | 0:50:41 | 0:50:43 | |
that slow cooking in oil. | 0:50:43 | 0:50:45 | |
You boys grow good tomatoes. That's very nice. | 0:50:50 | 0:50:53 | |
And now the wild card, your... | 0:50:53 | 0:50:55 | |
Jar of artichoke hearts. | 0:50:55 | 0:50:57 | |
Delicious. | 0:51:00 | 0:51:03 | |
I really like that. | 0:51:03 | 0:51:05 | |
What we have here is a very good balance of the acidity | 0:51:05 | 0:51:08 | |
when you cooked the artichokes in the vinegar and water and the oil, | 0:51:08 | 0:51:12 | |
so there's a good balance there. | 0:51:12 | 0:51:14 | |
Well done, good wild card. I like it a lot. | 0:51:14 | 0:51:16 | |
Last up, it's Rupert and Dimi. | 0:51:19 | 0:51:21 | |
I'm going to try the pickled samphire. | 0:51:23 | 0:51:25 | |
It looks very nice, it's very young, | 0:51:25 | 0:51:26 | |
which is important cos it does have a woody stem in the middle of it. | 0:51:26 | 0:51:29 | |
As you can probably tell, it is a bit chewy. | 0:51:38 | 0:51:42 | |
There is quite a bit of that woody...centre. | 0:51:42 | 0:51:44 | |
There's a bit too much of that, I'm afraid. | 0:51:44 | 0:51:47 | |
I'm really sorry about that. | 0:51:47 | 0:51:49 | |
And this is the second sweetcorn pickle that I've tried | 0:51:49 | 0:51:52 | |
and it's got a nice flow to it. | 0:51:52 | 0:51:55 | |
The texture is good. | 0:52:00 | 0:52:03 | |
I'm not sure, though, you've got the sweet/sharp balance quite right. | 0:52:03 | 0:52:07 | |
-Pineapple goldenberry jam and just... -Beautiful. -..beautiful. | 0:52:09 | 0:52:13 | |
It really is. | 0:52:13 | 0:52:15 | |
The million dollar question, this whole business of the set of the... | 0:52:15 | 0:52:19 | |
ALL GROAN | 0:52:19 | 0:52:21 | |
A little bit unset. | 0:52:21 | 0:52:23 | |
Let's just try it. | 0:52:23 | 0:52:24 | |
I love the flavour of the berries. | 0:52:29 | 0:52:31 | |
Where you've gone wrong is not quite enough lemon juice. | 0:52:31 | 0:52:34 | |
And the wild card. | 0:52:34 | 0:52:36 | |
-The chilli vodka. This is English vodka? -It is. -Yeah. | 0:52:36 | 0:52:39 | |
Right. I'm going to crack on with this one. | 0:52:39 | 0:52:42 | |
We don't want to mess around. We just pour the vodka. There we are. | 0:52:42 | 0:52:45 | |
I even watered that down since you tried it, Fern, like about 50%. | 0:52:55 | 0:52:59 | |
To sum up, you just take such risks, you bring such exciting things, | 0:52:59 | 0:53:04 | |
but you lay yourself open to all sorts of problems. | 0:53:04 | 0:53:08 | |
Now Thane has tasted all the preserves, | 0:53:09 | 0:53:12 | |
she must decide who will win best in show. | 0:53:12 | 0:53:15 | |
You girls brought me the most amazing basket, | 0:53:15 | 0:53:17 | |
the best things you've ever brought me. | 0:53:17 | 0:53:20 | |
You've brought me probably the best thing I've eaten in the show. | 0:53:20 | 0:53:25 | |
I'm afraid you just played it a little too safe, | 0:53:25 | 0:53:28 | |
but best in show for their splendid artichokes in oil... | 0:53:28 | 0:53:33 | |
..Alex and Ed. | 0:53:34 | 0:53:36 | |
Now comes the very difficult decision. | 0:53:40 | 0:53:43 | |
Our experts have to deliberate and think very carefully | 0:53:43 | 0:53:47 | |
about which of you will be champions. | 0:53:47 | 0:53:50 | |
Would you all please return to your allotments | 0:53:50 | 0:53:53 | |
while the experts have a think? | 0:53:53 | 0:53:55 | |
We have done as much as we could possibly do, | 0:54:03 | 0:54:06 | |
and that was what we set out to do, so we couldn't do any better. | 0:54:06 | 0:54:09 | |
I can't believe some artichokes that we've put a lot of hopes on | 0:54:10 | 0:54:15 | |
in this game, in this competition, she's turned round and said | 0:54:15 | 0:54:18 | |
it's the nicest thing she's tasted in six weeks. | 0:54:18 | 0:54:21 | |
I think we've done well. | 0:54:21 | 0:54:22 | |
I think we've shown our sort of science-y, nerdy gardening style... | 0:54:22 | 0:54:27 | |
-With a bit of kiwi. -With a bit of kiwi. | 0:54:27 | 0:54:29 | |
-Yeah, why not? -I think we've done what we set out to do. | 0:54:29 | 0:54:32 | |
-Three fantastic teams with six very worthy contestants. -Absolutely. | 0:54:35 | 0:54:39 | |
It's interesting to see the make-up of all the three teams in the final, | 0:54:39 | 0:54:43 | |
-because they're all different, you know? -Yeah. | 0:54:43 | 0:54:46 | |
And certainly with Rupert and Dimi, they really do try something | 0:54:46 | 0:54:49 | |
that not many other people do at this stage. | 0:54:49 | 0:54:53 | |
I mean, it is the final. | 0:54:53 | 0:54:55 | |
-When I look at what they've grown on their allotment... -Exactly. | 0:54:55 | 0:54:57 | |
..it has always been edgy and it's been interesting | 0:54:57 | 0:55:00 | |
and that's really paid dividends. | 0:55:00 | 0:55:02 | |
I mean, what a risk, you know, when you are competitive to say, | 0:55:02 | 0:55:06 | |
"Let's grow some samphire." That is a spirit there, isn't it? | 0:55:06 | 0:55:10 | |
Let's talk about Kate and Eleanor. | 0:55:10 | 0:55:13 | |
They haven't been great in the kitchen | 0:55:13 | 0:55:15 | |
and that's why I was so thrilled to see their basket today. | 0:55:15 | 0:55:18 | |
They've had a slightly difficult week this week | 0:55:18 | 0:55:21 | |
by not having the melon, | 0:55:21 | 0:55:23 | |
but overall their specimen flowers have always been pretty good. | 0:55:23 | 0:55:27 | |
I just think that they've got, to me, the right attitude. | 0:55:27 | 0:55:31 | |
They like gardening, they enjoy gardening. | 0:55:31 | 0:55:33 | |
So let's talk about Alex and Ed. | 0:55:33 | 0:55:35 | |
To me, they are excellent veg growers. | 0:55:35 | 0:55:38 | |
I've got to say, yesterday, that melon...it was absolute perfection. | 0:55:38 | 0:55:43 | |
I must admit, I'm getting more torn as we go on | 0:55:43 | 0:55:46 | |
because they've all got strengths, | 0:55:46 | 0:55:49 | |
so how do you finally pick out | 0:55:49 | 0:55:51 | |
the one that you think is the all-round best? | 0:55:51 | 0:55:55 | |
While the experts continue to deliberate, | 0:55:55 | 0:55:58 | |
the finalists are greeted by some familiar faces | 0:55:58 | 0:56:01 | |
who've returned to show their support. | 0:56:01 | 0:56:03 | |
I'm going to hazard a guess at who's going to win. | 0:56:10 | 0:56:12 | |
-Maybe Alex and Ed might win? -Nah. I think Kate and Eleanor. -Do you? -Yes. | 0:56:12 | 0:56:15 | |
We're gunning for the girls today, definitely. | 0:56:19 | 0:56:22 | |
-Alex and Ed. -They really, really, really want to win. | 0:56:22 | 0:56:25 | |
-They put a lot of effort in. They're consistent, aren't they? -Yeah. | 0:56:25 | 0:56:28 | |
I think Rupert and Dimi have been consistently amazing from week one | 0:56:29 | 0:56:34 | |
and they have such a lovely relationship together. | 0:56:34 | 0:56:37 | |
It is lovely to see everyone back here together again | 0:56:42 | 0:56:46 | |
in our walled garden and thank you to every one of you | 0:56:46 | 0:56:50 | |
who've put in all that hard work and commitment | 0:56:50 | 0:56:53 | |
in making what was an empty garden into this gorgeous oasis. | 0:56:53 | 0:56:57 | |
It's a heavenly place of fruits and flowers and vegetables. | 0:56:57 | 0:57:01 | |
Thank you for that. | 0:57:01 | 0:57:03 | |
And now the moment you've been waiting for. | 0:57:03 | 0:57:05 | |
Our experts have made a very difficult decision, | 0:57:08 | 0:57:11 | |
but I'm pleased to announce that they have decided... | 0:57:11 | 0:57:15 | |
..the champions of The Big Allotment Challenge are... | 0:57:17 | 0:57:21 | |
..Alex and Ed! | 0:57:27 | 0:57:28 | |
-It's pretty amazing to win. -It's brilliant. | 0:57:39 | 0:57:42 | |
We've got a lovely trophy, we've got so many happy memories, | 0:57:42 | 0:57:45 | |
deep pride in what we've achieved | 0:57:45 | 0:57:47 | |
and a firm friendship to take away from this. | 0:57:47 | 0:57:50 | |
We can't ask for many more things than that. | 0:57:50 | 0:57:53 | |
I just think it's been the most amazing experience. | 0:57:55 | 0:57:57 | |
I'm really sad that it's come to an end, | 0:57:57 | 0:57:59 | |
but it had to come to an end eventually. | 0:57:59 | 0:58:02 | |
It's quite strange to be leaving today, | 0:58:02 | 0:58:04 | |
knowing that we're not coming back, and sad. That's really sad. | 0:58:04 | 0:58:08 | |
It's really sad. | 0:58:08 | 0:58:10 | |
It's not just the plots, it's the people. | 0:58:10 | 0:58:13 | |
And, you know, everything is not just what it looks like. | 0:58:13 | 0:58:17 | |
It's this essence of a place and the essence of the place, | 0:58:17 | 0:58:19 | |
it's all us lot working away together | 0:58:19 | 0:58:22 | |
and having fun and having a laugh. | 0:58:22 | 0:58:24 | |
To be here today with the trophy makes everything worthwhile. | 0:58:26 | 0:58:29 |