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Whether it's beautiful cut flowers or delicious fruit and vegetables, | 0:00:00 | 0:00:05 | |
we Brits love to grow our own. | 0:00:05 | 0:00:07 | |
In early spring, we gave these nine passionate amateur gardeners | 0:00:07 | 0:00:12 | |
a plot of land and a greenhouse, in our Oxfordshire walled garden. | 0:00:12 | 0:00:16 | |
That's the sound of someone else's peas being gobbled. | 0:00:16 | 0:00:20 | |
For 14 weeks they've been raking, | 0:00:20 | 0:00:23 | |
staking and cultivating their patches. | 0:00:23 | 0:00:25 | |
Oh, get on with it. Come on, open for Mummy. | 0:00:25 | 0:00:28 | |
And last week they faced the experts for the second time. | 0:00:28 | 0:00:31 | |
There's no flowers on there, so it's really not met that criteria. | 0:00:31 | 0:00:36 | |
Rob reigns supreme in Jim's Grow challenge. | 0:00:36 | 0:00:39 | |
-I've got to say, you've produced two crackers. -Thank you. | 0:00:39 | 0:00:41 | |
In Make, Alan impressed Jonathan. | 0:00:41 | 0:00:44 | |
You presented me with a huge bunch of larkspur. | 0:00:44 | 0:00:48 | |
And finally, in the Eat challenge Thane was wowed by Sandra. | 0:00:48 | 0:00:52 | |
The lavender comes through very well and that's very, | 0:00:52 | 0:00:55 | |
very good with the strawberry, I like that a lot. | 0:00:55 | 0:00:57 | |
But Tony failed to shine. | 0:00:57 | 0:01:00 | |
-We needed to thin out, give these spikes a chance to flower. -Yeah. | 0:01:00 | 0:01:04 | |
Sadly, it's not happened. | 0:01:04 | 0:01:05 | |
..and left the allotment for good. | 0:01:05 | 0:01:08 | |
This week, it's peas... | 0:01:08 | 0:01:11 | |
Can't possibly have a kinky pea. If I've spotted that, | 0:01:11 | 0:01:13 | |
Jim certainly will. | 0:01:13 | 0:01:15 | |
..floral candelabras containing lilies... | 0:01:15 | 0:01:17 | |
This foliage, it clashes. Look. I never thought I'd be saying that. | 0:01:17 | 0:01:20 | |
Clashing foliage, hah! | 0:01:20 | 0:01:22 | |
..and dips and crisps. | 0:01:23 | 0:01:25 | |
Essentially, it's not very nice. | 0:01:25 | 0:01:27 | |
Oh, again! | 0:01:27 | 0:01:28 | |
Who will impress the experts? | 0:01:28 | 0:01:30 | |
I can't say any more than that's a lovely, lovely pea. | 0:01:30 | 0:01:33 | |
And whose time in the competition is up? | 0:01:33 | 0:01:36 | |
Sadly that candelabra this week, oh, it was a disaster. | 0:01:36 | 0:01:40 | |
Welcome back to The Big Allotment Challenge. | 0:01:59 | 0:02:02 | |
We're almost halfway through our competition | 0:02:02 | 0:02:05 | |
and our hardworking gardeners are starting to feel the pressure. | 0:02:05 | 0:02:10 | |
Well, I mean, it was great to get Best In Show last week, | 0:02:13 | 0:02:16 | |
but I do need a bit of joy from the Grow bench this week, | 0:02:16 | 0:02:19 | |
cos I'm a grower, that's where I really want to do well. | 0:02:19 | 0:02:21 | |
I would love a Best In Show. | 0:02:21 | 0:02:24 | |
I think only Rekha and I have yet to achieve that. | 0:02:24 | 0:02:26 | |
My strategy is to stay calm and focused. | 0:02:26 | 0:02:30 | |
I don't think I have showed me yet, I think me is still to come. | 0:02:30 | 0:02:34 | |
-Good morning, gardeners. -ALL: Good morning. | 0:02:39 | 0:02:41 | |
Your first challenge today is Grow, | 0:02:41 | 0:02:43 | |
which, of course, is overseen by Jim Buttress. And today, Jim | 0:02:43 | 0:02:46 | |
would like you to present five large pods of peas, grown from seed. | 0:02:46 | 0:02:52 | |
Simple. Get picking. | 0:02:52 | 0:02:55 | |
The reason why I've set the gardeners this challenge | 0:02:59 | 0:03:02 | |
of growing peas is because they do take a lot of looking after, | 0:03:02 | 0:03:06 | |
right from the word go. The gardeners at this stage now, | 0:03:06 | 0:03:10 | |
they've really got to produce the best for me to judge. | 0:03:10 | 0:03:13 | |
Here's Jim's guide to growing perfect peas. | 0:03:13 | 0:03:17 | |
Peas can be grown from seed in just 12 weeks. | 0:03:19 | 0:03:22 | |
Sow your seeds in well manured ground to help retain moisture. | 0:03:22 | 0:03:27 | |
You want to make a trench about five centimetres deep | 0:03:27 | 0:03:30 | |
and then place the peas throughout the trench. | 0:03:30 | 0:03:34 | |
Cover the peas over and water them carefully. | 0:03:34 | 0:03:37 | |
Peas are vigorous growers and like plenty to drink. | 0:03:37 | 0:03:40 | |
As soon as the shoots start to come through, you've got to | 0:03:40 | 0:03:43 | |
support them with sticks or canes and tie the peas off to | 0:03:43 | 0:03:46 | |
encourage them to climb, and don't forget to cover them with netting | 0:03:46 | 0:03:49 | |
or chicken wire to stop Mr Mouse and Mr Pheasant from getting at them. | 0:03:49 | 0:03:53 | |
Pests like peas as much as we do. | 0:03:53 | 0:03:55 | |
The peas are ready to be picked and eaten as soon as the pods | 0:03:55 | 0:03:59 | |
feel full and are bright and shiny in colour. | 0:03:59 | 0:04:02 | |
14 weeks ago, the gardeners' first decision was whether to sow | 0:04:06 | 0:04:09 | |
their peas in pots or straight into the ground. | 0:04:09 | 0:04:13 | |
Very sweet and full of flavour, this is one of my peas, | 0:04:13 | 0:04:16 | |
it's called Panthers. | 0:04:16 | 0:04:17 | |
They call it an orphan seed. Basically, they're really, really | 0:04:17 | 0:04:20 | |
rare and they are so many people in country called seed guardians. | 0:04:20 | 0:04:24 | |
You can eat a few of them, but the main objective is to grow them, | 0:04:24 | 0:04:27 | |
let them go to seed and send them back. | 0:04:27 | 0:04:29 | |
I'm rubbish with peas! I really am rubbish with peas. | 0:04:29 | 0:04:34 | |
Last year was my best year and I got about... | 0:04:34 | 0:04:39 | |
SHE LAUGHS | 0:04:39 | 0:04:41 | |
I didn't even get a cup of peas! | 0:04:41 | 0:04:43 | |
A couple of weeks in and Jo Jo and Alan employ a growing method | 0:04:45 | 0:04:49 | |
they hope will lead them to victory. | 0:04:49 | 0:04:51 | |
I kind of did some research and it said the best way to grow | 0:04:51 | 0:04:56 | |
show peas is to use this kind of cordon method or something. | 0:04:56 | 0:05:00 | |
They'll grow to eight foot, seems like, really tall. | 0:05:00 | 0:05:03 | |
Apparently this is how you get your Kate Moss peas, | 0:05:03 | 0:05:07 | |
as opposed to your sort of dinner table peas. | 0:05:07 | 0:05:09 | |
Focuses all the plant's effort into producing a few good ones | 0:05:09 | 0:05:15 | |
rather than lots of, you know, a whole pan full if you like. | 0:05:15 | 0:05:21 | |
Oh, yeah, maybe Alan is doing them like this, maybe. | 0:05:21 | 0:05:25 | |
I don't know. | 0:05:25 | 0:05:28 | |
Maybe I should go and ask him... | 0:05:28 | 0:05:30 | |
-LAUGHING: -..if he's got any tips. | 0:05:30 | 0:05:32 | |
But Alan probably won't tell me. | 0:05:32 | 0:05:34 | |
Nine weeks to go and all the other gardeners work on supporting | 0:05:35 | 0:05:39 | |
their young plants. | 0:05:39 | 0:05:41 | |
My little structure is just to support the peas, | 0:05:41 | 0:05:43 | |
they're support to grow about a metre, just over a metre tall. | 0:05:43 | 0:05:47 | |
Oh, she's got all the twigs, that's so cool! Look at that. | 0:05:47 | 0:05:51 | |
These are silver birch, the things that you make witches' brooms out of. | 0:05:51 | 0:05:57 | |
This is what they would have probably used | 0:05:57 | 0:05:59 | |
back in the old days, wouldn't they? | 0:05:59 | 0:06:00 | |
You look like a little gnome stood on your little things! | 0:06:02 | 0:06:04 | |
HE LAUGHS | 0:06:04 | 0:06:07 | |
To increase their chances of a good crop on show day, | 0:06:07 | 0:06:10 | |
the gardeners sow their peas successionally in small | 0:06:10 | 0:06:13 | |
batches and Rob is using some old family secrets to help him. | 0:06:13 | 0:06:16 | |
It's a little book from my grandad, from years ago. | 0:06:16 | 0:06:19 | |
When he died, my mum just gave it to me. | 0:06:19 | 0:06:21 | |
It's quite nice to actually do something the same way | 0:06:21 | 0:06:23 | |
he used to do it as well. | 0:06:23 | 0:06:25 | |
I'm using my little spoon | 0:06:26 | 0:06:28 | |
because it's easier to get into all these sticks. | 0:06:28 | 0:06:31 | |
Put the sticks in before and then I'm putting the peas after, | 0:06:31 | 0:06:35 | |
cos I don't want to damage the roots of the peas. | 0:06:35 | 0:06:38 | |
It's a brilliant job, I love this job. I love creating this. | 0:06:38 | 0:06:41 | |
Halfway into the grow and the gardeners are in for an | 0:06:43 | 0:06:47 | |
unpleasant surprise. | 0:06:47 | 0:06:49 | |
I have just come to inspect my pea enclosure | 0:06:49 | 0:06:53 | |
and it looks as through we've had raiders in the night. | 0:06:53 | 0:06:57 | |
The finger of suspicion is pointing firmly at the little | 0:06:57 | 0:07:01 | |
feathery chap, who has been seen in the vicinity. | 0:07:01 | 0:07:06 | |
Bother! | 0:07:06 | 0:07:07 | |
All my peas have been beheaded, | 0:07:09 | 0:07:12 | |
by something which I'm not quite sure what it is. | 0:07:12 | 0:07:15 | |
Pea-gate, I think the pheasant's had my peas. | 0:07:15 | 0:07:18 | |
He needs to go in a pie. | 0:07:18 | 0:07:20 | |
PHEASANT CLUCKS | 0:07:22 | 0:07:23 | |
That's the sound someone else's peas being gobbled. | 0:07:23 | 0:07:26 | |
The only thing I can do really is plant some of my second | 0:07:28 | 0:07:32 | |
batch in their place and then erect some sort of pea Fort Knox. | 0:07:32 | 0:07:37 | |
As the week wears on, it's not just the pheasant who's under | 0:07:40 | 0:07:44 | |
suspicion, other suspects are at large too. | 0:07:44 | 0:07:46 | |
That slug has eaten those two peas. | 0:07:48 | 0:07:54 | |
I tell you, there's a war going on now, that is it. | 0:07:56 | 0:08:01 | |
But while I'm here, | 0:08:01 | 0:08:03 | |
I've got some little sacrificial lambs here to put next to my peas. | 0:08:03 | 0:08:08 | |
These nasturtiums are to give the slug something to eat, | 0:08:08 | 0:08:11 | |
rather than eating my peas. I want them to eat these. | 0:08:11 | 0:08:14 | |
I found some aphids on my peas. | 0:08:14 | 0:08:16 | |
I read that if you just get some banana peel and bury it, just | 0:08:16 | 0:08:20 | |
at the base of the plant, it will actually scare all the aphids away. | 0:08:20 | 0:08:26 | |
It adds nitrogen to the soil as well, so it's like a double-whammy. | 0:08:26 | 0:08:30 | |
You know, scare the aphids away, add some nitrogen to the soil. | 0:08:30 | 0:08:33 | |
Oh, and there's a third one as well, it's feeds me, which is quite good. | 0:08:33 | 0:08:37 | |
With attacks coming from all sides, the defences continue to go up. | 0:08:40 | 0:08:44 | |
It is beginning to look somewhat crime scene investigates, isn't it? | 0:08:45 | 0:08:50 | |
When they move in the wind they make a noise | 0:08:50 | 0:08:52 | |
and that scares the pigeons away, or any birds away. | 0:08:52 | 0:08:55 | |
I have tried to cobble something together to put off rabbits/mice | 0:08:55 | 0:09:00 | |
from coming in this way, birds from coming in this way and the | 0:09:00 | 0:09:05 | |
pheasant from coming in whichever way it is that he comes in. | 0:09:05 | 0:09:09 | |
So hopefully this will deter most of them. | 0:09:09 | 0:09:13 | |
The best news for me right now would be that the | 0:09:13 | 0:09:15 | |
seedlings in my greenhouse are doing really, really well and that, | 0:09:15 | 0:09:19 | |
I know it sounds terribly mean, but everybody else's have been | 0:09:19 | 0:09:22 | |
absolutely stuffed down the gullets of hungry mice. | 0:09:22 | 0:09:26 | |
Because, at this moment in time, I'm behind. | 0:09:26 | 0:09:28 | |
With the weeks quickly counting down to show day, Jo Jo and Alan | 0:09:28 | 0:09:33 | |
continue to use the cordon method, training their peas up the | 0:09:33 | 0:09:37 | |
canes to concentrate growth. | 0:09:37 | 0:09:39 | |
You have to actually just snip off all these side shoots | 0:09:39 | 0:09:43 | |
and the tendrils and things | 0:09:43 | 0:09:45 | |
so that the plant can focus on its main stem, which is this one here. | 0:09:45 | 0:09:50 | |
And so, that way, it will just keep growing upwards like this. | 0:09:50 | 0:09:53 | |
Hey, Alan, how's the whole pea thing going? | 0:09:53 | 0:09:56 | |
Better than it was last week. | 0:09:56 | 0:09:58 | |
-Do they look better than yours so far or not? -Um... | 0:09:58 | 0:10:01 | |
Don't depress me, please. | 0:10:01 | 0:10:02 | |
I don't know! I mean, mine look probably more like this these, | 0:10:02 | 0:10:05 | |
to be honest, because they're bigger, aren't they? | 0:10:05 | 0:10:08 | |
So neat and tidy, my God. | 0:10:08 | 0:10:09 | |
Seriously, you should come over to my shanty town. | 0:10:09 | 0:10:11 | |
Tell me where I'm allowed to walk. | 0:10:11 | 0:10:13 | |
-Oh, you can walk anywhere. -SHE LAUGHS | 0:10:13 | 0:10:15 | |
Oh come on, those looks great. | 0:10:15 | 0:10:17 | |
Gosh, the plants do look different, that variety. | 0:10:17 | 0:10:20 | |
Oh brilliant, I'm looking forward to this then, | 0:10:20 | 0:10:22 | |
so we're the competitors in the cordon pea competition. | 0:10:22 | 0:10:24 | |
We are? Got to get there first. | 0:10:24 | 0:10:27 | |
With only a month left to go, | 0:10:28 | 0:10:31 | |
the armoury of pest defence appears to be paying off. | 0:10:31 | 0:10:34 | |
So they've come on so much in just ten days. | 0:10:34 | 0:10:38 | |
They are two weeks behind. | 0:10:38 | 0:10:40 | |
That's a good sign then, that was well worked out. | 0:10:42 | 0:10:44 | |
I think that's going to be good. | 0:10:44 | 0:10:46 | |
I've spotted some of my competitors' peas in full bloom, which is | 0:10:46 | 0:10:51 | |
too early for the competition, which is fantastic. | 0:10:51 | 0:10:54 | |
It's bad for them but Jo Jo should be my big competitor in the pea stakes, | 0:10:54 | 0:10:58 | |
but hers are definitely in full bloom at the moment, | 0:10:58 | 0:11:01 | |
so she may not end up the result that she wants. | 0:11:01 | 0:11:04 | |
I think I'm going the extra mile with my peas | 0:11:04 | 0:11:07 | |
because I really want to win the pea challenge, and I think this | 0:11:07 | 0:11:11 | |
will just give me some peas that are going to differentiate themselves | 0:11:11 | 0:11:16 | |
from everyone else's and maybe maximise my chances of winning. | 0:11:16 | 0:11:19 | |
I don't know. | 0:11:19 | 0:11:21 | |
With show day in less than a fortnight, there's little more | 0:11:22 | 0:11:25 | |
the gardeners can do other than maintain their crop. | 0:11:25 | 0:11:28 | |
I'm so ecstatic that I've actually got peas | 0:11:28 | 0:11:31 | |
because I'm going to be able to show Jim that I've actually | 0:11:31 | 0:11:35 | |
managed to grow them, because peas have always been my nemesis, always. | 0:11:35 | 0:11:41 | |
They need to be dead straight, | 0:11:41 | 0:11:42 | |
they need to have ten-plus peas in them, they need to be absolutely | 0:11:42 | 0:11:46 | |
the right level of maturity, so it is a bit of a quantity game. | 0:11:46 | 0:11:50 | |
After 14 weeks of trial and error, it's judgment day. | 0:11:52 | 0:11:56 | |
No, not looking great, they're all over, I'd say these are. | 0:12:00 | 0:12:04 | |
-Morning, Jo Jo. -Hi. -How we doing? | 0:12:04 | 0:12:07 | |
I'm just counting peas at the moment in the pods. | 0:12:07 | 0:12:11 | |
-Really? -It's a hard job. | 0:12:11 | 0:12:12 | |
How do you do that? | 0:12:12 | 0:12:14 | |
Hold it up to the sunshine, do you, and you can see? | 0:12:14 | 0:12:17 | |
-Oh, sorry, this is a show bench one, is it? -Right. | 0:12:17 | 0:12:20 | |
-Oh, I see! -See them? | 0:12:20 | 0:12:22 | |
That one's a big smaller, so I've just got to get one, two, | 0:12:24 | 0:12:29 | |
three, four, five, six, seven, eight, nine. | 0:12:29 | 0:12:32 | |
So I've got to get five out of nine. | 0:12:32 | 0:12:34 | |
With their peas picked, it's time to prepare them for the show bench. | 0:12:34 | 0:12:38 | |
I've never done this before. How can you check for peas in a pod? | 0:12:38 | 0:12:42 | |
Can't possibly have a kinky pea. If I've spotted that, | 0:12:42 | 0:12:45 | |
Jim certainly will. Reject. | 0:12:45 | 0:12:47 | |
The gardeners have to present five pea pods, clear of blemishes | 0:12:48 | 0:12:52 | |
and filled with the correct number of peas appropriate to the variety. | 0:12:52 | 0:12:56 | |
Uniformity of pods is essential for the show bench as it demonstrates | 0:12:57 | 0:13:01 | |
the gardeners have been consistent with their growing methods. | 0:13:01 | 0:13:06 | |
Gardeners, no more picking, bring your peas to the show bench. | 0:13:06 | 0:13:10 | |
Right, it's time to find out what Jim thinks of your peas. | 0:13:19 | 0:13:24 | |
Rob, you're first up, come and join us. | 0:13:24 | 0:13:26 | |
Panthers, another heritage variety? | 0:13:31 | 0:13:33 | |
-Yes, another heritage variety. -You're very keen on that. -Yeah. | 0:13:33 | 0:13:36 | |
Now comes the big test, because this variety should have at least | 0:13:36 | 0:13:41 | |
nine uniform peas in it. | 0:13:41 | 0:13:44 | |
And I can count one, two, three, four, five, six. | 0:13:44 | 0:13:48 | |
And yes, seven, eight. But you can barely see them. | 0:13:48 | 0:13:53 | |
The test that I saw a lot of you do, and there's nothing wrong, | 0:13:53 | 0:13:57 | |
is to hold the pea up to the light and then you could have counted. | 0:13:57 | 0:14:01 | |
And why did I pick that one? | 0:14:01 | 0:14:03 | |
Because I reckon some of these others have got nine in. | 0:14:03 | 0:14:06 | |
Oh. | 0:14:06 | 0:14:07 | |
Look out, gardeners. Jim's on it today. | 0:14:07 | 0:14:11 | |
Well, I can't argue, you've got the uniformity. | 0:14:16 | 0:14:19 | |
I'd like to see them that bit bigger. | 0:14:19 | 0:14:22 | |
We're looking at at least nine peas. | 0:14:22 | 0:14:25 | |
There was a little pop, so that's good. | 0:14:25 | 0:14:29 | |
Five, six, seven, and the little baby still to develop. | 0:14:29 | 0:14:34 | |
If the show was in two weeks' time, you don't want to hear this, do you? | 0:14:34 | 0:14:38 | |
-No. -They'd be a lot fatter and I wouldn't be saying hard luck, | 0:14:38 | 0:14:43 | |
but that's showing. | 0:14:43 | 0:14:44 | |
Hurst Green Shaft. | 0:14:48 | 0:14:50 | |
Pop tells you it's ready to come out. | 0:14:50 | 0:14:52 | |
Well, we had to really squeeze on this one, | 0:14:52 | 0:14:55 | |
and this is slightly immature. | 0:14:55 | 0:14:57 | |
They've really got to excite me. | 0:14:57 | 0:14:59 | |
I must be a sad person if a pea's going to excite me, but never mind. | 0:14:59 | 0:15:03 | |
I wasn't going to say it. | 0:15:03 | 0:15:04 | |
But this one doesn't. It's very, very immature. | 0:15:04 | 0:15:08 | |
This is a much more mature pea, | 0:15:12 | 0:15:14 | |
more like I'd expect from that particular variety. | 0:15:14 | 0:15:17 | |
So the same variety as Alexandra's, but this time | 0:15:17 | 0:15:21 | |
grown by the cordon method, and you can see the difference. | 0:15:21 | 0:15:24 | |
They're a nice, long, even-shaped pea. | 0:15:24 | 0:15:27 | |
Phew, obviously you know your peas. | 0:15:28 | 0:15:31 | |
There's nothing wrong with that lot at all. | 0:15:31 | 0:15:33 | |
-You've taken up the challenge, mate, well done. -Thank you. | 0:15:33 | 0:15:36 | |
Ambassador, and although it's not very kind on Rekha, you look at the | 0:15:41 | 0:15:45 | |
comparison and this is looking more like the Ambassador we want to see. | 0:15:45 | 0:15:49 | |
Now, yeah, they're still a little bit small, | 0:15:49 | 0:15:53 | |
but they're a nice uniformity, that's the important thing. | 0:15:53 | 0:15:56 | |
Showing is all about how you present. Give it all the kindness | 0:15:56 | 0:16:01 | |
and love that you can, even down to how you present the stalks. | 0:16:01 | 0:16:05 | |
So, no problem with that, there's enough in there. | 0:16:05 | 0:16:09 | |
So you can grow peas. | 0:16:09 | 0:16:11 | |
It is a heavy cropper, but it is a dwarf variety, | 0:16:16 | 0:16:20 | |
so you're not going to expect to see it too long. They're even shaped. | 0:16:20 | 0:16:24 | |
They look all right. And because these are immature, | 0:16:24 | 0:16:27 | |
this is very thin, and should have six to eight peas in the pod. | 0:16:27 | 0:16:33 | |
Three, six. Pity is, they weren't a big bigger. | 0:16:33 | 0:16:37 | |
Show Perfection is a variety that a lot of people | 0:16:42 | 0:16:45 | |
use for exhibition purposes, why do they pick it? | 0:16:45 | 0:16:48 | |
Look what it's done. | 0:16:48 | 0:16:50 | |
Lovely, long pea. | 0:16:50 | 0:16:51 | |
And the cordon method... | 0:16:51 | 0:16:53 | |
it takes a lot of doing, and for you it was a brave thing to do | 0:16:53 | 0:16:58 | |
because you've never ever done it before, have you? | 0:16:58 | 0:17:00 | |
-No, never. -No, exactly. | 0:17:00 | 0:17:02 | |
We should be expecting to see in Show Perfection up to ten peas. | 0:17:02 | 0:17:08 | |
One, two, three, four, five, six, seven, eight, nine, ten. | 0:17:08 | 0:17:14 | |
Yay! | 0:17:14 | 0:17:15 | |
You've done your homework. | 0:17:15 | 0:17:17 | |
I can't say any more than that's a lovely, lovely pea. | 0:17:17 | 0:17:20 | |
Well done, everybody. You've produced some very pleasing peas. | 0:17:25 | 0:17:29 | |
Now, Jim, you have to award your Best In Show. | 0:17:29 | 0:17:33 | |
Alan's and Jo Jo's particularly caught my eye | 0:17:33 | 0:17:36 | |
because both of them had used the cordon method, which is | 0:17:36 | 0:17:40 | |
a very tried and safe way, if you could say that, of growing show peas. | 0:17:40 | 0:17:46 | |
Now the biggest question is, | 0:17:46 | 0:17:48 | |
which one am I going to cordon off as Best In Show? | 0:17:48 | 0:17:52 | |
That's two you've won now, Jo Jo, well done. | 0:17:54 | 0:17:57 | |
CHEERING AND APPLAUSE | 0:17:57 | 0:18:01 | |
I'm happy for Alan that he had good peas, | 0:18:01 | 0:18:03 | |
-but I'm probably happier that I won. -SHE LAUGHS | 0:18:03 | 0:18:05 | |
I did win, right? | 0:18:05 | 0:18:07 | |
I did, sorry, there's just so much in my head right now. | 0:18:07 | 0:18:10 | |
Those Show Perfection peas that Jo Jo put on the bench looked | 0:18:12 | 0:18:15 | |
fantastic, so yeah, of course she deserved the prize. | 0:18:15 | 0:18:18 | |
Of course I'm really frustrated that I didn't grow Show Perfection peas, | 0:18:18 | 0:18:21 | |
but you live and learn, you know. | 0:18:21 | 0:18:23 | |
I don't think I'm at the bottom after Grow, but I'm nowhere near | 0:18:25 | 0:18:29 | |
the top either, so I think I really need to do well and impress Jonathan | 0:18:29 | 0:18:34 | |
this afternoon if I'm to try to inch my way up the league table a bit. | 0:18:34 | 0:18:38 | |
Only two challenges remain before the experts must decide who | 0:18:42 | 0:18:47 | |
will be leaving the allotment. | 0:18:47 | 0:18:49 | |
In this next challenge, gardeners will be judged not only on | 0:18:50 | 0:18:53 | |
how they grow flowers, but what they can make with them. | 0:18:53 | 0:18:56 | |
Now we're onto our second challenge, which is Make. | 0:18:56 | 0:19:00 | |
As always, it's overseen by our floral expert, Jonathan. | 0:19:00 | 0:19:03 | |
As you know, you need to provide us with two perfect stems of lily | 0:19:03 | 0:19:08 | |
which Jonathan will look at and judge. | 0:19:08 | 0:19:11 | |
What you don't know is what he wants you to make with them. | 0:19:11 | 0:19:14 | |
Well, prepare yourselves. | 0:19:14 | 0:19:16 | |
Today, using lilies, he wants you to make | 0:19:16 | 0:19:21 | |
a beautiful floral candelabra. | 0:19:21 | 0:19:24 | |
What I'm looking for today is two perfect spikes of lily, | 0:19:24 | 0:19:29 | |
with stems strong enough to support those large, heavy flowers. | 0:19:29 | 0:19:34 | |
For the candelabra, it needs to showcase those wonderful lilies | 0:19:34 | 0:19:38 | |
and for the first time in the competition I'm going to be | 0:19:38 | 0:19:42 | |
asking you to work into floral foam. So good luck with this challenge. | 0:19:42 | 0:19:46 | |
You have only 45 minutes to complete this challenge. | 0:19:46 | 0:19:50 | |
GROANING | 0:19:50 | 0:19:51 | |
So if that's all understood, jolly good luck, get picking. | 0:19:51 | 0:19:56 | |
Here's Jonathan's guide to growing the perfect lily. | 0:19:59 | 0:20:03 | |
Lilies can be tricky to grow, | 0:20:03 | 0:20:06 | |
so to ensure you're off to a good start | 0:20:06 | 0:20:08 | |
buy your bulbs from a respected grower. | 0:20:08 | 0:20:12 | |
The lily is the diva of the flower world. | 0:20:12 | 0:20:14 | |
Plant them in a large pot with a hole at the base for good drainage. | 0:20:14 | 0:20:19 | |
Add a layer of sand and place bulbs on top, tip pointing upwards | 0:20:19 | 0:20:24 | |
and cover them with a good compost. | 0:20:24 | 0:20:26 | |
Water them in and keep them moist but not wet. | 0:20:26 | 0:20:29 | |
Otherwise, the lily bulb will drown. | 0:20:29 | 0:20:32 | |
Once they are growing well, feed every two weeks with a potash-rich | 0:20:32 | 0:20:35 | |
fertiliser, like tomato food and don't forget to stake them. | 0:20:35 | 0:20:40 | |
That's the easy bit done, but if you don't keep a close eye | 0:20:40 | 0:20:43 | |
on those lily bulbs, they're going to flower too soon or too late. | 0:20:43 | 0:20:47 | |
You can control this by moving the pots in and out of the light. | 0:20:47 | 0:20:51 | |
This will help promote or delay flowering, something you | 0:20:51 | 0:20:54 | |
couldn't do if you planted the bulbs in the open ground. | 0:20:54 | 0:20:58 | |
Lily beetles can wipe out entire plants in just a few days. | 0:20:58 | 0:21:03 | |
These orangey-red beetles leave small, round holes on buds | 0:21:03 | 0:21:06 | |
and foliage and if spotted, must be removed immediately. | 0:21:06 | 0:21:11 | |
14 weeks ago, | 0:21:14 | 0:21:15 | |
the first job for the gardeners was planting their lily bulbs. | 0:21:15 | 0:21:19 | |
I've got some gorgeous bulbs. | 0:21:20 | 0:21:22 | |
I'm really excited cos I've had nothing like them before | 0:21:22 | 0:21:26 | |
and they are absolutely fabulous. | 0:21:26 | 0:21:29 | |
Oh, my goodness me! Look at that. | 0:21:29 | 0:21:32 | |
That is so firm. It's rock hard. It's fantastic. | 0:21:32 | 0:21:36 | |
Oh, dear. | 0:21:36 | 0:21:38 | |
I think a couple of my bulbs have gone a bit mouldy, | 0:21:39 | 0:21:45 | |
and it's because I left them in the bag. | 0:21:45 | 0:21:49 | |
I didn't open the bag up, I didn't plant them immediately, | 0:21:49 | 0:21:53 | |
and I think some of the moisture's got in the bag. | 0:21:53 | 0:21:55 | |
The Lilium Broken Heart. | 0:21:57 | 0:21:58 | |
That'll be me on show day when they don't come up properly. | 0:22:00 | 0:22:04 | |
Or that'll be Jonathan when he thinks, oh, they're fantastic. | 0:22:04 | 0:22:08 | |
With just under three months to go, | 0:22:09 | 0:22:11 | |
the lilies are starting to surface | 0:22:11 | 0:22:13 | |
and so too is the question of timing for show day. | 0:22:13 | 0:22:16 | |
Trying to grow to a certain date is just really tricky | 0:22:16 | 0:22:21 | |
because you don't know what's going to happen. | 0:22:21 | 0:22:25 | |
Are you going to have a flower? | 0:22:25 | 0:22:26 | |
It's all very precise, isn't it? | 0:22:26 | 0:22:28 | |
With pests a constant challenge around the plot, | 0:22:28 | 0:22:31 | |
Rob's hoping a touch of hot pepper will keep the slugs away. | 0:22:31 | 0:22:35 | |
Just putting cayenne round my lily, | 0:22:35 | 0:22:38 | |
burns their little bottoms, so to speak. | 0:22:38 | 0:22:41 | |
My lilies' ring of fire. | 0:22:41 | 0:22:43 | |
Nine weeks until show day, | 0:22:43 | 0:22:45 | |
and there's still no sign of Alan's lilies. | 0:22:45 | 0:22:48 | |
I've made a stupid schoolboy error with my lilies. | 0:22:48 | 0:22:51 | |
I've basically put them in pots that don't have holes in the bottom. | 0:22:51 | 0:22:54 | |
Of course, what I created was a bog garden, so they have gone rotten. | 0:22:54 | 0:22:59 | |
So Alan seeks the advice of neighbour Sandra, | 0:22:59 | 0:23:02 | |
who has her own cutting garden at home. | 0:23:02 | 0:23:05 | |
These are my lilies, which I dug out of my sumped pots. | 0:23:05 | 0:23:09 | |
-Right. -And they've been in there for about four weeks. | 0:23:09 | 0:23:11 | |
Why haven't they grown at all? | 0:23:11 | 0:23:13 | |
Well, they're maybe too wet and cold. | 0:23:13 | 0:23:15 | |
-Because of the wet, sumped out pots? -Yeah, with the water. | 0:23:15 | 0:23:19 | |
You're saying it's my fault? Oh, it is my fault! | 0:23:19 | 0:23:21 | |
Well, if the water can't get away and they're just going to | 0:23:21 | 0:23:25 | |
be in wet, damp conditions, they're not going to... | 0:23:25 | 0:23:29 | |
-Oh! My goodness me! They reek! -HE LAUGHS | 0:23:29 | 0:23:33 | |
Pooh! Let me smell that one. | 0:23:33 | 0:23:36 | |
He's not as clever as he... First impressions make you think, | 0:23:36 | 0:23:40 | |
"Oh, God, he's really sorted," | 0:23:40 | 0:23:41 | |
but putting lilies in a pot without holes, you know... | 0:23:41 | 0:23:45 | |
..that's easy to make a mistake, | 0:23:47 | 0:23:49 | |
so I'm pleased to know that he makes mistakes like me. | 0:23:49 | 0:23:52 | |
-But I still want to win. -SHE LAUGHS | 0:23:52 | 0:23:54 | |
SHE GASPS | 0:24:03 | 0:24:05 | |
Something has been eating my lilies! | 0:24:05 | 0:24:08 | |
I can see something's eaten... Had a little bite at the plant, | 0:24:08 | 0:24:11 | |
you can see. Sorry, you're going to have to go, mister. Lena, dear? | 0:24:11 | 0:24:15 | |
-Yeah? -I've just had bugs on my lilies. -Bugs? | 0:24:15 | 0:24:18 | |
-Yeah, red ones. -OK. | 0:24:18 | 0:24:19 | |
So, please check yours because they were just there. | 0:24:19 | 0:24:22 | |
-OK, lovey. Thank you very much. -Make sure, make sure. | 0:24:22 | 0:24:24 | |
-Great. -They've actually eaten some of the leaves, so be careful. | 0:24:24 | 0:24:28 | |
-They've had a right good old weekend. -Yeah, they have. | 0:24:28 | 0:24:31 | |
Squash them! Got to be brutal. | 0:24:31 | 0:24:33 | |
Got to be brutal. | 0:24:33 | 0:24:35 | |
With just over a month until show day, | 0:24:37 | 0:24:39 | |
Rob and Sandra are comparing their lilies. | 0:24:39 | 0:24:42 | |
Sandra's look brilliant, but I've always said Sandra's going to be | 0:24:42 | 0:24:45 | |
definitely the one to watch for flowers. | 0:24:45 | 0:24:46 | |
One, two, three, four, five, six. | 0:24:46 | 0:24:49 | |
I'd say, from out of everyone's, hers look the best at the minute. | 0:24:49 | 0:24:53 | |
Sandra's lilies might be doing well but there's still a while to go yet. | 0:24:53 | 0:24:56 | |
Lilies flower when they feel like it | 0:24:56 | 0:24:58 | |
and when they're done, they're done, | 0:24:58 | 0:25:00 | |
so you've only really got kind of one shot at it. | 0:25:00 | 0:25:04 | |
I've got lilies that never came up. | 0:25:05 | 0:25:10 | |
I've got lilies that are experiencing | 0:25:10 | 0:25:12 | |
some kind of stunted growth here. | 0:25:12 | 0:25:14 | |
I've got lilies that are way, way, way advanced of the schedule, | 0:25:14 | 0:25:18 | |
and they're started to bloom and we've got like 41 days to go. | 0:25:18 | 0:25:21 | |
Do you know, they must get | 0:25:21 | 0:25:23 | |
so much heat here that they've just decided to come through. | 0:25:23 | 0:25:26 | |
I'm just hoping they slow down, just slow down. | 0:25:27 | 0:25:30 | |
Slow down! Just, you know... | 0:25:30 | 0:25:33 | |
chill for a bit, I don't know. | 0:25:33 | 0:25:35 | |
Oh, get on with it. Come on, open for Mummy. | 0:25:35 | 0:25:38 | |
I've got nice, big, healthy buds, I just need them to open up now.. | 0:25:38 | 0:25:42 | |
I think I can win the lilies. | 0:25:42 | 0:25:44 | |
I think I can win the lilies if they're open | 0:25:44 | 0:25:47 | |
because of the variety I've got, | 0:25:47 | 0:25:49 | |
unless flipping Rob pulls a flipping blinder, or somebody else. | 0:25:49 | 0:25:53 | |
That is, by any shadow of a doubt, the best lily I've ever grown. | 0:25:53 | 0:25:56 | |
But it's three weeks earlier. Can't I show them? | 0:25:56 | 0:25:59 | |
Can't I show them my fantastic lily that I've had to chop? | 0:25:59 | 0:26:04 | |
Everyone's having a problem with the timing. | 0:26:04 | 0:26:06 | |
Less than a week until the lilies are on the bench, some of the | 0:26:07 | 0:26:10 | |
gardeners decide there's nothing more they can do. | 0:26:10 | 0:26:14 | |
They need to be a lot more pampered than other flowers. | 0:26:14 | 0:26:17 | |
It is a fussy flower. It has put me in a dangerous position, | 0:26:17 | 0:26:21 | |
yes, it has, but... | 0:26:21 | 0:26:23 | |
..it is what it is. | 0:26:24 | 0:26:25 | |
Having planted his lilies in pots, Rob can easily move them in | 0:26:27 | 0:26:30 | |
and out of the shade to promote flowering. | 0:26:30 | 0:26:33 | |
They're getting shaded by the tomatoes, | 0:26:33 | 0:26:35 | |
so they're coming out in the day and in at night. | 0:26:35 | 0:26:39 | |
Come on, babies. Morning, Jo Jo. Are you all right? | 0:26:39 | 0:26:43 | |
I just walked past Sandra's lilies... | 0:26:43 | 0:26:46 | |
SHE SIGHS | 0:26:46 | 0:26:47 | |
..it's going to be hard to beat those. | 0:26:47 | 0:26:49 | |
They look like they've just come out of the florist's shop. | 0:26:51 | 0:26:55 | |
We are in desperate times right now. | 0:26:55 | 0:26:57 | |
After 14 weeks of hard work, it's finally time for the gardeners | 0:27:01 | 0:27:05 | |
to select their very best lilies. | 0:27:05 | 0:27:08 | |
My lilies are looking lovely, and they'd look even | 0:27:08 | 0:27:11 | |
better in about four or five days, when they'd actually opened up. | 0:27:11 | 0:27:14 | |
This is not great but this is all I have. | 0:27:14 | 0:27:17 | |
They will also need a selection of other flowers and foliage for | 0:27:17 | 0:27:20 | |
their candelabra. | 0:27:20 | 0:27:21 | |
Does smell slightly cabbage-y, but it's also quite striking. | 0:27:21 | 0:27:25 | |
Gardeners, you've brought some lovely material in, | 0:27:34 | 0:27:37 | |
there's some beautiful blooms here. | 0:27:37 | 0:27:39 | |
Jonathan, last minute advice for the terrors of a floral candelabra? | 0:27:39 | 0:27:44 | |
Well, gardeners, what I want you to do first is cut the floral foam, | 0:27:45 | 0:27:50 | |
shape it and firmly attach it to the top of the candelabra. | 0:27:50 | 0:27:54 | |
You need to soak that foam thoroughly before you begin. | 0:27:54 | 0:27:58 | |
And to finish, I don't want to see any of that foam visible. | 0:27:58 | 0:28:02 | |
Is that clear? | 0:28:02 | 0:28:04 | |
Good luck. | 0:28:04 | 0:28:06 | |
Clear as day. | 0:28:06 | 0:28:08 | |
You have 45 minutes and your time starts now. | 0:28:08 | 0:28:13 | |
Good luck, everybody. | 0:28:13 | 0:28:14 | |
The first job for the gardeners is to choose their two best lily | 0:28:16 | 0:28:20 | |
stems for Jonathan to judge. | 0:28:20 | 0:28:22 | |
That's my Landini, which is... | 0:28:22 | 0:28:26 | |
..that's your lot. | 0:28:27 | 0:28:28 | |
So, I'm just trying to make sure I brush off any loose pollen | 0:28:32 | 0:28:39 | |
cos Jonathan's eagle eyes will, I'm sure, detect it. | 0:28:39 | 0:28:43 | |
Stems selected, it's onto the candelabra, | 0:28:43 | 0:28:47 | |
a floral arrangement used commonly at weddings | 0:28:47 | 0:28:49 | |
and other special occasions. | 0:28:49 | 0:28:51 | |
This is the most difficult challenge | 0:28:51 | 0:28:52 | |
that any of the judges have set so far. | 0:28:52 | 0:28:55 | |
I don't know what to do, I'm trying to rack my brain, | 0:28:55 | 0:28:57 | |
but I don't know what to do. | 0:28:57 | 0:28:58 | |
It's quite tough if you're not familiar with floral foam, | 0:29:01 | 0:29:03 | |
and the first thing they need to do is soak it properly. | 0:29:03 | 0:29:07 | |
Put some flower food in the water | 0:29:07 | 0:29:09 | |
and then it's packed full of all those nutrients and goodness. | 0:29:09 | 0:29:11 | |
-Keeps your flowers going a lot longer, then. -Nice one, good tip. | 0:29:11 | 0:29:15 | |
I'm just trying to measure up this floral foam | 0:29:20 | 0:29:23 | |
to...erm, make sure it's all secure. | 0:29:23 | 0:29:27 | |
Well, I'm trying to just sort of create a kind of a tight ball shape. | 0:29:27 | 0:29:33 | |
This has got potential for disaster. | 0:29:33 | 0:29:35 | |
The floral foam must be tightly secured with floristry pot tape, | 0:29:36 | 0:29:40 | |
which remains sticky even when wet. | 0:29:40 | 0:29:42 | |
Erm... | 0:29:44 | 0:29:46 | |
Oh! Ain't got a clue. | 0:29:46 | 0:29:51 | |
I'm just trying to make basically, the shape of the candelabra | 0:29:51 | 0:29:57 | |
with the foam so that I can put it around the top. | 0:29:57 | 0:30:00 | |
Well, I'm just trying to do it up here. | 0:30:00 | 0:30:02 | |
You have had 15 minutes already. | 0:30:05 | 0:30:08 | |
Foliage is added evenly all the way around to create shape. | 0:30:09 | 0:30:13 | |
Too much on one side would cause the arrangement to topple over. | 0:30:13 | 0:30:17 | |
I'm just trying to make sure that I cover all the floral foam, | 0:30:17 | 0:30:20 | |
but that it's not too tight a ball. | 0:30:20 | 0:30:25 | |
Stems should be cut at 45 degrees to make them easier to insert | 0:30:27 | 0:30:31 | |
into the foam and give a greater surface area for absorbing water. | 0:30:31 | 0:30:35 | |
Jonathan, I reckon this is hardest challenge you've ever set. | 0:30:35 | 0:30:38 | |
It's hard for them to interpret. | 0:30:38 | 0:30:40 | |
Look at Rekha, she's really struggling. | 0:30:40 | 0:30:42 | |
Yeah, it's a tough one this week, Fern. | 0:30:42 | 0:30:45 | |
These candelabras are quite a challenge | 0:30:45 | 0:30:48 | |
and Rekha's not really listened to what I told her. | 0:30:48 | 0:30:51 | |
I thought it was supposed to be on the top? | 0:30:51 | 0:30:53 | |
Rekha's isn't, is it? | 0:30:54 | 0:30:55 | |
I don't know how I'm doing. I'm just doing something I think | 0:30:57 | 0:31:01 | |
I should do. I'm not sure what I'm doing here. | 0:31:01 | 0:31:03 | |
I've just not listened to the instructions. | 0:31:06 | 0:31:09 | |
Almost 25 minutes into the challenge, | 0:31:11 | 0:31:13 | |
Rekha decides to take drastic action. | 0:31:13 | 0:31:16 | |
I'm starting again, I'm definitely starting again. | 0:31:16 | 0:31:19 | |
The other gardeners add flowers to bulk out their arrangement. | 0:31:20 | 0:31:24 | |
I decided to put some roses in because roses and lilies, | 0:31:24 | 0:31:29 | |
you always see them together, so I thought they'd be quite nice. | 0:31:29 | 0:31:32 | |
Then finally, it's time to add the main feature, the lilies. | 0:31:32 | 0:31:36 | |
I thought maybe if I just put one more lily in there it might | 0:31:36 | 0:31:39 | |
look quite good, but I could be wrong, you know? | 0:31:39 | 0:31:42 | |
SHE LAUGHS | 0:31:42 | 0:31:43 | |
I don't know until I try it. | 0:31:43 | 0:31:45 | |
Yeah, I could be wrong, you never know. | 0:31:45 | 0:31:48 | |
It looks all right actually, doesn't it? It's not too bad. | 0:31:48 | 0:31:50 | |
I'm trying to keep the colours simple. I don't... | 0:31:50 | 0:31:53 | |
I've tried a few different pinks and they just look awful, so... | 0:31:53 | 0:31:56 | |
Gardeners, five minutes left. Five minutes. | 0:31:56 | 0:32:00 | |
This foliage, it clashes. Look. | 0:32:06 | 0:32:09 | |
Never thought I'd be saying that. | 0:32:09 | 0:32:10 | |
Clashing foliage, ha! | 0:32:10 | 0:32:12 | |
With only minutes left, Rekha's candelabra arrangement... | 0:32:14 | 0:32:18 | |
-Oh, gosh! -..takes a nosedive. | 0:32:18 | 0:32:19 | |
Here we go. It's just fallen. | 0:32:19 | 0:32:22 | |
I think it got too heavy and it's just fallen, | 0:32:22 | 0:32:24 | |
so I'm not even going to touch it now. I'm just going to leave it. | 0:32:24 | 0:32:27 | |
I'm just whacking things in floral foam at the moment. | 0:32:33 | 0:32:36 | |
I had a sort of an idea and I've just run out of time. | 0:32:36 | 0:32:40 | |
Gardeners, your time is up. | 0:32:48 | 0:32:51 | |
Stop working right now | 0:32:51 | 0:32:54 | |
and step away from the candelabras. | 0:32:54 | 0:32:57 | |
You can't do any more. | 0:32:57 | 0:32:58 | |
For the candelabra, Jonathan wants to see an arrangement that looks | 0:33:03 | 0:33:07 | |
good from all angles, has well secured but disguised floral foam | 0:33:07 | 0:33:11 | |
and lilies as the dominant feature. | 0:33:11 | 0:33:13 | |
The two specimen lilies should have strong stems, intact stamens | 0:33:14 | 0:33:19 | |
with no sign of pollen on the petals | 0:33:19 | 0:33:21 | |
and foliage which is clear of pest damage. | 0:33:21 | 0:33:24 | |
First to be judged is Alan. | 0:33:24 | 0:33:26 | |
Lovely, wonderful rich colour, but sadly, there is damage. | 0:33:28 | 0:33:33 | |
Are there any in your floral...? | 0:33:33 | 0:33:35 | |
Well, there are, but in quite a immature state. | 0:33:35 | 0:33:40 | |
On the positive, you've got quite a balanced shape to this | 0:33:40 | 0:33:43 | |
candelabra. Kale's an interesting choice. | 0:33:43 | 0:33:45 | |
And had the lilies been open, that fragrance would have counteracted | 0:33:45 | 0:33:49 | |
that horrendous, offensive smell of the kale, | 0:33:49 | 0:33:52 | |
which would start to deteriorate throughout the dinner party | 0:33:52 | 0:33:55 | |
or the wedding or the celebration that this candelabra was for. | 0:33:55 | 0:33:58 | |
I am a bit disappointed that this second spike of lily | 0:33:58 | 0:34:01 | |
wasn't comparable to this one. | 0:34:01 | 0:34:04 | |
Two fairly interesting spikes of lily here, | 0:34:09 | 0:34:12 | |
sadly, still tightly in bud. | 0:34:12 | 0:34:15 | |
Lilies, they like damp at the feet, they like sun on the heads. | 0:34:15 | 0:34:17 | |
What about the candelabra? | 0:34:17 | 0:34:19 | |
Actually, you've created a very romantic, very soft, | 0:34:19 | 0:34:24 | |
very sort of rhythmic design. | 0:34:24 | 0:34:26 | |
We've got some of the sweet pea, some of the saponaria there, | 0:34:26 | 0:34:30 | |
the English gypsophila, and we've also got this rather nice | 0:34:30 | 0:34:34 | |
tail of amaranthus, just cascading down there. | 0:34:34 | 0:34:37 | |
That's a wonderful thing to use in a candelabra, | 0:34:37 | 0:34:40 | |
and this, as a design, is a very pleasing piece of work. Well done. | 0:34:40 | 0:34:44 | |
So, again quite immature. | 0:34:49 | 0:34:51 | |
Sadly, they're not very dynamic in length, | 0:34:51 | 0:34:54 | |
so maybe not the best attempt. | 0:34:54 | 0:34:57 | |
And in the design, | 0:34:57 | 0:34:59 | |
the movement from the candelabra is to flow, | 0:34:59 | 0:35:02 | |
I'd be very tempted to pull all that out | 0:35:02 | 0:35:04 | |
and it would actually make the design a better shape. | 0:35:04 | 0:35:07 | |
Wonderful big heads on this lily. | 0:35:11 | 0:35:14 | |
There's wonderful fresh pollen on those stamens | 0:35:14 | 0:35:16 | |
and there's no marking, there's no blemishing around the flower. | 0:35:16 | 0:35:20 | |
It's a very pretty, very delicate, | 0:35:20 | 0:35:22 | |
very feminine candelabra design, and you've put in this wonderful | 0:35:22 | 0:35:26 | |
feathery foliage, fennel in this case. | 0:35:26 | 0:35:29 | |
So, nice and aromatic, lily fragrance and sweet pea, and lavender. | 0:35:29 | 0:35:34 | |
So, it's a feast for the senses. | 0:35:34 | 0:35:36 | |
Where shall I start? | 0:35:43 | 0:35:44 | |
Sadly, it's a great example of what you don't want to see on the show | 0:35:44 | 0:35:47 | |
bench, but you've brought a lily and this little interesting number. | 0:35:47 | 0:35:52 | |
It's got its own interpretation of movement, this. | 0:35:52 | 0:35:56 | |
-Yes! -SHE LAUGHS | 0:35:56 | 0:35:57 | |
-Gravity took control, didn't it? -Oh, yes, it did. | 0:35:57 | 0:36:01 | |
It's an interesting colour harmony, | 0:36:01 | 0:36:03 | |
and there is a colour harmony there. Let's have a positive. | 0:36:03 | 0:36:05 | |
And I like the reflection of the flame on the candle to the marigold. | 0:36:05 | 0:36:10 | |
-That was the whole point of this. -That's why that design happened. | 0:36:10 | 0:36:13 | |
-That was the whole motivation behind that, Rekha. -It was. | 0:36:13 | 0:36:16 | |
-Pretty colour on here. -It's beautiful. | 0:36:20 | 0:36:22 | |
And when you're judging a lily, you're looking at the intensity | 0:36:22 | 0:36:26 | |
of the colour, but this first flower is starting to deteriorate. | 0:36:26 | 0:36:31 | |
Looking at this, there's only one spike, I did want two. | 0:36:31 | 0:36:34 | |
That's all I had. That's all I had. | 0:36:34 | 0:36:37 | |
So, I'm guessing there's none in here, | 0:36:37 | 0:36:39 | |
but as I look in this colour harmony, | 0:36:39 | 0:36:42 | |
there is, and it's almost camouflaged. Can you spot them, Fern? | 0:36:42 | 0:36:46 | |
Oh, the spotted ones! | 0:36:46 | 0:36:47 | |
-The little speckle one, it's flore pleno, isn't it? -That's correct. | 0:36:47 | 0:36:50 | |
And the nice thing about the tiger lilies are the specks | 0:36:50 | 0:36:54 | |
on the petals, and that gives is that almost | 0:36:54 | 0:36:57 | |
chameleon-like effect as it blends into this other colour harmony. | 0:36:57 | 0:37:00 | |
Great big cups of blooms, it's what we imagine a lily to be. | 0:37:04 | 0:37:09 | |
You've done your lily research because you bought good strong bulbs. | 0:37:09 | 0:37:14 | |
-You went for the best... -Yes, I did. -..and they have rewarded you. | 0:37:14 | 0:37:18 | |
And then, the candelabra, | 0:37:18 | 0:37:20 | |
and you've allowed these beautiful lilies again to show themselves off. | 0:37:20 | 0:37:24 | |
I love the subtle touches. | 0:37:24 | 0:37:27 | |
You've used some hydrangea foliage | 0:37:27 | 0:37:29 | |
and then we've got the wonderful, deep, rich purple of that cornflower. | 0:37:29 | 0:37:33 | |
It's a very classic design, quite a safe design, I have to say, | 0:37:33 | 0:37:38 | |
but well executed. Thank you. | 0:37:38 | 0:37:41 | |
With just one Best In Show up for grabs, Jonathan will be | 0:37:41 | 0:37:45 | |
taking into consideration both the cut flowers and candelabra. | 0:37:45 | 0:37:49 | |
So, today we've learned that lilies are very tricky. | 0:37:50 | 0:37:53 | |
-They are. -Yeah. So, Jonathan, you have to decide now | 0:37:53 | 0:37:56 | |
who is your Best In Show. | 0:37:56 | 0:37:58 | |
Well, gardeners, lilies have made an appearance at different | 0:38:00 | 0:38:04 | |
levels of vigour, | 0:38:04 | 0:38:06 | |
but Sandra, your lilies, | 0:38:06 | 0:38:08 | |
they're absolutely classical blooms. | 0:38:08 | 0:38:13 | |
And the candelabra may be safe, | 0:38:13 | 0:38:15 | |
but it's perfection in its execution. | 0:38:15 | 0:38:19 | |
That it why you are my Best In Show. | 0:38:19 | 0:38:22 | |
EVERYONE CHEERS | 0:38:22 | 0:38:23 | |
Well done, everybody. That is two challenges ticked off today. | 0:38:28 | 0:38:33 | |
Your third and final one is tomorrow | 0:38:33 | 0:38:35 | |
and, of course, it is Thane's Eat challenge. | 0:38:35 | 0:38:38 | |
Off you go, good night. | 0:38:38 | 0:38:41 | |
It's fantastic to win Best In Show because if I hadn't won it, | 0:38:41 | 0:38:44 | |
I'd have gone home crying. I really, really would have. | 0:38:44 | 0:38:47 | |
That was really painful. Into the last minute the foam just fell | 0:38:47 | 0:38:51 | |
and I hadn't secured it, that's what I was. | 0:38:51 | 0:38:54 | |
I stand right at the bottom in the listings, I can see that. | 0:38:54 | 0:38:58 | |
I feel this afternoon's Make challenge has sort of pulled me | 0:38:58 | 0:39:02 | |
up a little bit, and I'm safer than I was after Grow this morning, | 0:39:02 | 0:39:06 | |
but I think there's a very real danger | 0:39:06 | 0:39:09 | |
that it could be me going home. | 0:39:09 | 0:39:10 | |
It's day two and the gardeners have one more challenge left to | 0:39:14 | 0:39:18 | |
face before the experts decide which one of them will leave the | 0:39:18 | 0:39:21 | |
allotment for good. | 0:39:21 | 0:39:23 | |
I don't think it's sunk in yet about yesterday, doing | 0:39:23 | 0:39:25 | |
so well yesterday, but no, you're only as good as your last thing. | 0:39:25 | 0:39:29 | |
Yesterday wasn't a good challenge for me, | 0:39:29 | 0:39:31 | |
but my Eat challenge, I think I can pull something off. | 0:39:31 | 0:39:34 | |
I will try my hardest and I will go out fighting. | 0:39:34 | 0:39:37 | |
I think I might be at risk of going home today. | 0:39:39 | 0:39:42 | |
My peas weren't great, my flower arrangement was only just | 0:39:42 | 0:39:46 | |
come through, but I've got to do the best I can do. | 0:39:46 | 0:39:51 | |
-Good morning, gardeners. -ALL: Morning. | 0:39:51 | 0:39:53 | |
It's time for the Eat challenge, | 0:39:53 | 0:39:55 | |
and this is your last chance to impress our experts because in a few | 0:39:55 | 0:39:59 | |
short hours, they will be deciding who is next to leave the garden. | 0:39:59 | 0:40:06 | |
Now, our Eat challenge, of course, is presided over by Thane, | 0:40:06 | 0:40:09 | |
and this week, she wants you to present dips and crisps. | 0:40:09 | 0:40:13 | |
You must each present two dips, | 0:40:13 | 0:40:16 | |
one of which must be made from the pea variety that you | 0:40:16 | 0:40:18 | |
presented to Jim yesterday in the Grow challenge. All understood? | 0:40:18 | 0:40:23 | |
Very good, go to your allotments and get everything you need. | 0:40:23 | 0:40:26 | |
Thank you. | 0:40:26 | 0:40:27 | |
I want to see two contrasting dips. Hopefully, one will be chunky | 0:40:33 | 0:40:38 | |
and one will be smooth, and I want crisp, crisp, crisps. | 0:40:38 | 0:40:41 | |
I want flavour, I want texture, I want it to be perfect. | 0:40:42 | 0:40:46 | |
Fresh dips and crisps are a great way of making immediate use | 0:40:46 | 0:40:50 | |
of a glut of produce. | 0:40:50 | 0:40:51 | |
I'm going to use beetroot, I'm going to some turnips. | 0:40:51 | 0:40:55 | |
Ingredients picked, the gardeners head into the greenhouse. | 0:40:56 | 0:41:00 | |
Gardeners, you have all your produce | 0:41:02 | 0:41:04 | |
and you will have 90 minutes to complete this challenge. | 0:41:04 | 0:41:08 | |
Good luck, and your clock starts now. | 0:41:08 | 0:41:11 | |
The gardeners start by preparing the key ingredient | 0:41:11 | 0:41:15 | |
for their first dip - peas. | 0:41:15 | 0:41:17 | |
I'm making a pea and mint dip, it's called Plotted Peas. | 0:41:17 | 0:41:22 | |
It's been made to use what I've got growing on the plot. | 0:41:22 | 0:41:26 | |
I've got coriander in it, mint, garlic, and it tastes great. | 0:41:26 | 0:41:30 | |
I am just shelling my peas for my Easy Peasy Guacamole. | 0:41:32 | 0:41:36 | |
It's something we have a lot at home | 0:41:36 | 0:41:39 | |
and we eat a lot of Mexican-inspired food, and we found that | 0:41:39 | 0:41:43 | |
substituting peas for avocados worked really well, actually. | 0:41:43 | 0:41:48 | |
Mine's called Easy Peasy Feta Cheesy. | 0:41:48 | 0:41:51 | |
It's a pea and mint dip, but it's mixed through with feta cheese | 0:41:51 | 0:41:54 | |
to give it that slight saltiness, but also the creaminess as well. | 0:41:54 | 0:41:58 | |
And then I wanted to put some of these purple podded ones in, | 0:41:58 | 0:42:00 | |
which are called Blauwschokker, | 0:42:00 | 0:42:02 | |
just because they're a little bit sweeter. | 0:42:02 | 0:42:04 | |
Look at that, that could have won on the show bench. | 0:42:04 | 0:42:06 | |
I'm making a pea houmous, but I'm just substituting the chickpea | 0:42:08 | 0:42:12 | |
with a pea. It's the texture I'm after as well, not just the taste. | 0:42:12 | 0:42:16 | |
I'm making a round pea dip. | 0:42:19 | 0:42:21 | |
Now, I've lost one! He's an escapee! | 0:42:21 | 0:42:24 | |
The gardeners blanch their peas quickly to ensure they're | 0:42:28 | 0:42:31 | |
only lightly cooked, so keeping them fresh tasting, perfect for dips. | 0:42:31 | 0:42:35 | |
What are you looking for in the perfecting pea dip? | 0:42:35 | 0:42:38 | |
Well, they grew prize-winning peas, so I want those peas to really | 0:42:38 | 0:42:43 | |
be the centre taste, but I also want them to make it more complex | 0:42:43 | 0:42:47 | |
by adding things that will enhance the flavour of peas, not hide it. | 0:42:47 | 0:42:52 | |
What is going into your dip? | 0:42:54 | 0:42:57 | |
I've decided to make a garden pea and watercress dip. | 0:42:57 | 0:43:01 | |
Where did you get watercress from? | 0:43:01 | 0:43:03 | |
I grew this in my greenhouse. | 0:43:03 | 0:43:06 | |
Excellent. | 0:43:06 | 0:43:08 | |
The next job is to blend their ingredients together. | 0:43:08 | 0:43:11 | |
Texture is key. Over-blending will turn a chunky dip into a sauce. | 0:43:11 | 0:43:16 | |
I'd like it to be relatively smooth, this, | 0:43:16 | 0:43:18 | |
because there's some quite strong flavours | 0:43:18 | 0:43:20 | |
and if they don't get mixed in properly | 0:43:20 | 0:43:22 | |
then it will be pretty disastrous. | 0:43:22 | 0:43:24 | |
The dip's going to be very fine. | 0:43:24 | 0:43:25 | |
I just want whenever somebody tastes it, | 0:43:25 | 0:43:28 | |
I'd like them to know what they're eating, not just mushed up pea. | 0:43:28 | 0:43:31 | |
How you doing, everybody? | 0:43:31 | 0:43:33 | |
Cos you've had half an hour, you've got an hour left. | 0:43:33 | 0:43:36 | |
My second dip is a crunchy pepper and tomato dip. | 0:43:36 | 0:43:40 | |
This is when you find out I don't make dips, and I don't think | 0:43:40 | 0:43:43 | |
I'll be making dips at home anymore after this either. | 0:43:43 | 0:43:45 | |
What I'm looking for is for them having gone to their allotment | 0:43:45 | 0:43:49 | |
and thought, "What have I got that's perfectly ripe | 0:43:49 | 0:43:52 | |
"that would make a tasty dip today?" | 0:43:52 | 0:43:55 | |
Beetroot, apple and whatever else I've got to put in it. | 0:43:55 | 0:44:01 | |
Right. | 0:44:01 | 0:44:02 | |
My second dip is called Mera Dip, 'mera' simply means mine. | 0:44:02 | 0:44:06 | |
I'm just putting spices in my dip. | 0:44:06 | 0:44:08 | |
When we've been for a late night and you've had a really nice kebab | 0:44:08 | 0:44:12 | |
with a really spicy sauce, I've tried | 0:44:12 | 0:44:15 | |
to figure out what's in that sauce. | 0:44:15 | 0:44:18 | |
And I hope I've got it right, but this is my version. | 0:44:18 | 0:44:22 | |
I am at risk of going, | 0:44:22 | 0:44:24 | |
but at least I'll go making something I like to make. | 0:44:24 | 0:44:28 | |
This is my caramelised onion and shallot houmous, | 0:44:29 | 0:44:33 | |
which is something that I do at home. | 0:44:33 | 0:44:36 | |
I would quite happily just eat caramelised onions out of a jar, | 0:44:36 | 0:44:40 | |
but that's frowned on, so if you add chickpeas, blend it and call | 0:44:40 | 0:44:44 | |
it houmous, that's perfectly acceptable and so that's what I do. | 0:44:44 | 0:44:47 | |
Rob is going for an unusual name and ingredient for his second | 0:44:47 | 0:44:51 | |
dip, Beta Rusticana. | 0:44:51 | 0:44:53 | |
Beta's the first bit of the name of beetroot in Latin. | 0:44:53 | 0:44:56 | |
People don't think it's a beetroot dip because it's | 0:44:56 | 0:44:58 | |
an orangey-yellow colour, rather than it being normal beetroot red. | 0:44:58 | 0:45:02 | |
Onions cooked, Alexandra adds a tin of chickpeas, while Alan is | 0:45:04 | 0:45:08 | |
going with ingredients he's grown. | 0:45:08 | 0:45:10 | |
This is Salsa with Shirley, my Shirley tomatoes. | 0:45:10 | 0:45:13 | |
Again, everything from the plot | 0:45:13 | 0:45:14 | |
bar lime juice and a bit of salt and pepper. | 0:45:14 | 0:45:17 | |
Because the tomatoes are so fresh there's quite | 0:45:17 | 0:45:19 | |
a lot of juice in there actually. | 0:45:19 | 0:45:21 | |
So it's going to be quite a loose salsa. | 0:45:21 | 0:45:24 | |
Now, gardeners, 30 minutes left. | 0:45:24 | 0:45:26 | |
Are your crisps starting? | 0:45:26 | 0:45:29 | |
Thing about a crisp is it's got to be crisp. | 0:45:29 | 0:45:31 | |
I want to be able to break it, snap it, and I don't want soggy crisps. | 0:45:31 | 0:45:35 | |
And how do you prepare it? | 0:45:35 | 0:45:37 | |
Slice them very thinly, get them as dry as possible and fry them, | 0:45:37 | 0:45:40 | |
very few at a time in your hot oil. | 0:45:40 | 0:45:43 | |
Whisk them out, put them onto some kitchen roll to drain, | 0:45:43 | 0:45:46 | |
little bit of salt and Bob's your uncle. | 0:45:46 | 0:45:48 | |
This is a Chioggia beetroot, which I thought would be rather pretty. | 0:45:48 | 0:45:53 | |
Aha! There we go. | 0:45:53 | 0:45:55 | |
I don't know about Best In Show at the moment, | 0:45:55 | 0:45:57 | |
I'm just concentrating on not taking my fingers off. | 0:45:57 | 0:45:59 | |
Are you about to do the mandolin? | 0:45:59 | 0:46:01 | |
In cooking circles, it is known as the finger slicer. | 0:46:01 | 0:46:04 | |
Just get a bit of rhythm going, I find it helps if I sway my hips. | 0:46:04 | 0:46:07 | |
THEY LAUGH | 0:46:07 | 0:46:08 | |
-That's right. -Thane! | 0:46:08 | 0:46:10 | |
-The things you try and get me to do. -Well! | 0:46:10 | 0:46:12 | |
Tell me what you're doing. | 0:46:14 | 0:46:16 | |
I've sliced my potatoes and rinsed them | 0:46:16 | 0:46:18 | |
to get most of the starch out. And I always remember, my grandma | 0:46:18 | 0:46:21 | |
used to soak them in vinegar overnight to flavour them, | 0:46:21 | 0:46:25 | |
but it also got more starch out she always said. | 0:46:25 | 0:46:28 | |
-Granny knows best. -Yeah. | 0:46:28 | 0:46:30 | |
Next is the trickiest part of this challenge, the gardeners must | 0:46:30 | 0:46:33 | |
fry their crisps at the correct temperature. | 0:46:33 | 0:46:35 | |
Too hot and they'll burn, too cool and the crisps will be soggy. | 0:46:35 | 0:46:40 | |
And the way you tell if your oil is hot enough is take some white | 0:46:40 | 0:46:43 | |
bread, fresh white bread and try popping just a tiny bit on | 0:46:43 | 0:46:47 | |
the top of your oil. If it sinks to the bottom, the oil isn't hot enough, | 0:46:47 | 0:46:50 | |
if it skitters around the top, it's perfect and if it burns, well, | 0:46:50 | 0:46:55 | |
you're just going to have to switch off the heat and wait a few moments. | 0:46:55 | 0:46:59 | |
I've actually let my oil get too hot, so I'm now having to cool | 0:46:59 | 0:47:02 | |
it down, so I'm just going to pat off my beetroot slices. | 0:47:02 | 0:47:06 | |
It'll be fine, it'll be fine. | 0:47:08 | 0:47:09 | |
I think my oil was too hot because I noticed my crisps burnt a bit, | 0:47:11 | 0:47:13 | |
but maybe cos they were thinner. | 0:47:13 | 0:47:15 | |
And that's gone over. Right, OK. | 0:47:15 | 0:47:18 | |
You've got some time, shove some more in. | 0:47:18 | 0:47:21 | |
The turnip crisps are not what I expected, so ditch those | 0:47:21 | 0:47:26 | |
and carry on with the potato. | 0:47:26 | 0:47:28 | |
No idea if these are going to be done in time, | 0:47:28 | 0:47:30 | |
I'm just going to keep my eye on them, | 0:47:30 | 0:47:32 | |
but I'm really annoyed that I burnt the first ones. | 0:47:32 | 0:47:35 | |
They go from underdone to burnt to a frazzle in seconds, | 0:47:35 | 0:47:39 | |
and it's just a nightmare. | 0:47:39 | 0:47:41 | |
My crisps are like I'd hoped they'd be, | 0:47:41 | 0:47:43 | |
like a golden brown, just crispy, I tried one. They're quite nice. | 0:47:43 | 0:47:47 | |
I took my eye off them for a moment and they're burnt, so frick! | 0:47:49 | 0:47:54 | |
With only moments to go, Alexandra has no option but to slice | 0:47:54 | 0:47:58 | |
beetroot straight into the boiling oil. | 0:47:58 | 0:48:00 | |
Two minutes, gardeners, two minutes. | 0:48:00 | 0:48:02 | |
You've got to have it plated up, your dips in the bowls, | 0:48:02 | 0:48:06 | |
everything ready in two minutes. | 0:48:06 | 0:48:08 | |
Just made some salt just to kind of flavour the crisps a little bit. | 0:48:08 | 0:48:13 | |
I hope Thane wasn't looking for more than a mouthful, | 0:48:13 | 0:48:15 | |
cos she ain't going to get it. | 0:48:15 | 0:48:17 | |
They're not quite crisp enough, but anyway, it doesn't matter. | 0:48:17 | 0:48:19 | |
These are the good ones aren't they? I meant to put the bad ones | 0:48:19 | 0:48:22 | |
down the bottom. | 0:48:22 | 0:48:23 | |
One minute left, everybody, Just one minute! | 0:48:24 | 0:48:27 | |
That's it, gardeners, your time is up. Time is up. | 0:48:38 | 0:48:42 | |
Don't do anything more, Alexandra. Stop. | 0:48:42 | 0:48:46 | |
Well done. | 0:48:47 | 0:48:48 | |
To win Best In Show, the dips should be colourful and have an even | 0:48:51 | 0:48:55 | |
texture with well-balanced flavours. | 0:48:55 | 0:48:58 | |
The crisps should be crispy and carefully seasoned. | 0:48:58 | 0:49:01 | |
First up is Alexandra with her pea and asparagus guacamole, | 0:49:01 | 0:49:05 | |
caramelised onion houmous and beetroot crisps. | 0:49:05 | 0:49:08 | |
Now then, I'm going to use one of your chips. | 0:49:08 | 0:49:10 | |
They are a bit soggy, just a little bit soggy, I'm afraid. | 0:49:10 | 0:49:13 | |
And I think the reason that they weren't crisp was that I saw | 0:49:13 | 0:49:17 | |
you using the mandolin, putting them straight into the fat. | 0:49:17 | 0:49:20 | |
They weren't dried, they weren't allowed to lose any of their moisture | 0:49:20 | 0:49:24 | |
and when you do that, the temperature of the fat just plummets. | 0:49:24 | 0:49:27 | |
I've kind of lost the flavour of peas a little bit. | 0:49:32 | 0:49:35 | |
It's just slightly underwhelming, I'm afraid, | 0:49:35 | 0:49:39 | |
so I'm going to taste this one on a spoon to give it a fair deal. | 0:49:39 | 0:49:42 | |
I'm slightly disappointed that we've got a tin of chickpeas. | 0:49:45 | 0:49:49 | |
I thought that the onion shone sufficiently that the | 0:49:49 | 0:49:53 | |
chickpea was there really just to give it the texture. | 0:49:53 | 0:49:56 | |
Unfortunately, it's a chickpea houmous that tastes | 0:49:56 | 0:49:59 | |
beautifully of caramelised onion rather than a caramelised onion dip. | 0:49:59 | 0:50:04 | |
Next comes Rekha with her pea houmous, spicy mera dip and | 0:50:04 | 0:50:08 | |
potato crisps. | 0:50:08 | 0:50:09 | |
Crisp! Crisp crisps. Now then, is the consistency of the dip right? | 0:50:10 | 0:50:15 | |
Crunch too. | 0:50:17 | 0:50:18 | |
That's very nice. What I can taste is peas, | 0:50:19 | 0:50:22 | |
and that's what I wanted to taste. It's a pea dip. | 0:50:22 | 0:50:25 | |
Now then, another crisp. | 0:50:25 | 0:50:27 | |
-And there's chilli, sorry. -Chilli? -Yes. | 0:50:30 | 0:50:33 | |
Oh, yes, there's definitely some chilli. Really nice. | 0:50:33 | 0:50:36 | |
Sorry! | 0:50:37 | 0:50:39 | |
I know my eyes are streaming but I'm very fond of chilli. | 0:50:39 | 0:50:43 | |
But the reason I like it so much is you've got a really sweet | 0:50:43 | 0:50:49 | |
-and yet spicy flavour here. Very, very nicely done. -Oh, thank you. | 0:50:49 | 0:50:54 | |
Third to face Thane is Lena, with her Round Pea and Leeny Beets | 0:50:54 | 0:50:58 | |
dips and Vegetable Delight crisps. | 0:50:58 | 0:51:00 | |
They're not totally crisp. It's a lovely colour, very pale | 0:51:01 | 0:51:05 | |
and a very smooth texture. | 0:51:05 | 0:51:06 | |
I'm not sure you've managed to really oomph up the flavour. | 0:51:10 | 0:51:13 | |
It doesn't taste of peas, and that's what I was looking for. | 0:51:13 | 0:51:16 | |
It's just a little bit mild. | 0:51:21 | 0:51:24 | |
I think a dip is something that should be 'nom-nom-nom', more-ish. | 0:51:24 | 0:51:28 | |
Something you really want to get those chips and keep going into. | 0:51:28 | 0:51:31 | |
This one has great potential, just lift it up a couple of notches | 0:51:31 | 0:51:35 | |
and do quite well. | 0:51:35 | 0:51:36 | |
Well done with some of your crisps, | 0:51:36 | 0:51:38 | |
but you should never be able to bend a crisp. | 0:51:38 | 0:51:41 | |
Jo Jo is next with garden pea and watercress, and spiced | 0:51:41 | 0:51:45 | |
beetroot dips, accompanied by salted potato and kumara crisps. | 0:51:45 | 0:51:48 | |
It's a little bit bendy. I can get some dip on my crisp. | 0:51:49 | 0:51:53 | |
It's looking a little fibrous here, | 0:51:53 | 0:51:55 | |
I'm wondering if that's the watercress. | 0:51:55 | 0:51:57 | |
It's really salty, so I've lost the peas and I've lost the watercress. | 0:51:59 | 0:52:04 | |
-And these were your prize-winning peas. -I know! | 0:52:04 | 0:52:07 | |
I'm not going to say you've let them down, but what can I say? | 0:52:07 | 0:52:10 | |
I think I was trying to flavour it and I may have overdone. | 0:52:10 | 0:52:13 | |
That's much nicer because the sweet flavour of the beetroot works | 0:52:17 | 0:52:21 | |
quite well, but I'm wondering if perhaps there's just too much | 0:52:21 | 0:52:24 | |
salt on your crisps. What we've got here is quite a salty combination. | 0:52:24 | 0:52:30 | |
Sandra has gone for a minty pea and a crunchy pepper and tomato | 0:52:30 | 0:52:34 | |
dip with sea salt crisps. | 0:52:34 | 0:52:36 | |
I have to say that don't look very appetising. | 0:52:36 | 0:52:39 | |
You've got brown peas and brown pepper sauce. | 0:52:39 | 0:52:43 | |
I loved your technique of salting your crisps. | 0:52:43 | 0:52:48 | |
You put them in a bag and shook them and it kept them crisp. | 0:52:48 | 0:52:51 | |
-Essentially, it's not very nice. -Oh, again! | 0:52:54 | 0:52:57 | |
The texture is very mealy. | 0:52:57 | 0:53:01 | |
Erm, there's way too much mint. | 0:53:01 | 0:53:03 | |
Right, another very crisp crisp. | 0:53:03 | 0:53:06 | |
You see that doesn't, I'm afraid, look very appetising, but... | 0:53:06 | 0:53:10 | |
-..dips aren't your thing, are they? -No, I don't eat dips. | 0:53:12 | 0:53:16 | |
I don't make dips. | 0:53:16 | 0:53:17 | |
It doesn't work on any level. | 0:53:17 | 0:53:19 | |
Rob has made Easy Peasy Feta Cheesy dip and Beta Rusticana to go | 0:53:20 | 0:53:25 | |
with his veggie crisps. | 0:53:25 | 0:53:26 | |
The all-important... CRISP CRACKLES | 0:53:27 | 0:53:29 | |
Oh, yes! It is crispy, crispy, crispy. | 0:53:29 | 0:53:32 | |
Slightly more feta than I would like, | 0:53:36 | 0:53:39 | |
but I think the feta and the peas work very well together. | 0:53:39 | 0:53:42 | |
Now this one is your Beta Rusticana. | 0:53:42 | 0:53:47 | |
I like the idea of it more than I like the reality of it, | 0:53:50 | 0:53:54 | |
and good on the crisps. | 0:53:54 | 0:53:57 | |
And so well done to your granny. | 0:53:57 | 0:54:00 | |
Go back and ask her for the dips. | 0:54:00 | 0:54:01 | |
-HE LAUGHS -OK, thank you. | 0:54:01 | 0:54:03 | |
Finally, it's Alan with his Plotted Pea dip, Salsa With Shirley | 0:54:05 | 0:54:09 | |
and subsurface quartet crisps. | 0:54:09 | 0:54:11 | |
Right and we've got lots of different sorts of crisps here, | 0:54:11 | 0:54:15 | |
some slightly bendy. Let's have a look at another one. | 0:54:15 | 0:54:18 | |
Some a little bit crisper. | 0:54:18 | 0:54:20 | |
Well, first of all, congratulations on using | 0:54:22 | 0:54:24 | |
so many things from your plot, but I wanted to taste the peas. | 0:54:24 | 0:54:29 | |
Right, so the next one. | 0:54:29 | 0:54:30 | |
I'm just imagining me in a very, very tense moment at the end | 0:54:30 | 0:54:34 | |
of the thriller, and this is all going to go down my shirt, isn't it? | 0:54:34 | 0:54:37 | |
It's a little non-descript because it's so wet. | 0:54:38 | 0:54:43 | |
They both need work. And your crisps... | 0:54:43 | 0:54:46 | |
-..bend. Thank you. -Thank you. | 0:54:47 | 0:54:51 | |
Well done, gardeners. Now it's up to Thane to decide who is going | 0:54:51 | 0:54:54 | |
to win her Best In Show. Have you made your decision? | 0:54:54 | 0:54:56 | |
I have. I've tasted them all and considered it, | 0:54:56 | 0:54:59 | |
and in the end it came down to Rekha. | 0:54:59 | 0:55:03 | |
Oh, wow. | 0:55:03 | 0:55:04 | |
Oh, Rekha! Come on! | 0:55:04 | 0:55:07 | |
Well done. There you are, well done! | 0:55:08 | 0:55:11 | |
Well done indeed. | 0:55:11 | 0:55:13 | |
Now, the difficult job is to decide who is going home this week. | 0:55:13 | 0:55:19 | |
Would you all like to go to the allotment? | 0:55:19 | 0:55:21 | |
Experts, you must make the decision. | 0:55:21 | 0:55:24 | |
Well done. | 0:55:24 | 0:55:26 | |
It's good, it's a nice feeling. | 0:55:26 | 0:55:27 | |
It's a really nice feeling. At least I get to feel what it's like to | 0:55:27 | 0:55:32 | |
get Best In Show. It's nice, and I'm glad I got it for what I like to do. | 0:55:32 | 0:55:35 | |
-I got one! -Little bit shellshocked after that judging. | 0:55:35 | 0:55:39 | |
I've always maintained a sort of a middle-ish ground, | 0:55:39 | 0:55:42 | |
where other people have very much peaked and dived, | 0:55:42 | 0:55:46 | |
so I just don't know how the judges are going to make their deliberation | 0:55:46 | 0:55:50 | |
in that respect. | 0:55:50 | 0:55:51 | |
That was very tense. That was quite a thing in there. | 0:55:51 | 0:55:55 | |
Deliberation time, Thane, who's worrying you? | 0:55:57 | 0:55:59 | |
Well, Alexandra. I didn't expect a tin of chickpeas. | 0:55:59 | 0:56:04 | |
The crisps were soggy, she panicked and I really didn't think her | 0:56:04 | 0:56:08 | |
Eat challenges...they've not been up to scratch for me. | 0:56:08 | 0:56:10 | |
Her candelabra did catch my eye, and she was one of the very few | 0:56:10 | 0:56:14 | |
people who could present open lilies to the show bench. | 0:56:14 | 0:56:17 | |
Jim, does Alexandra worry you? | 0:56:17 | 0:56:19 | |
-The peas yesterday were pretty poor. -What do we think about Rekha? | 0:56:19 | 0:56:22 | |
Sadly, that candelabra this week, oh, it was a disaster. | 0:56:22 | 0:56:25 | |
But today she did fulfil your brief. | 0:56:25 | 0:56:27 | |
She was very, very good. She's a good cook, Rekha. | 0:56:27 | 0:56:30 | |
Lena has won one Eat challenge and today her dips, | 0:56:30 | 0:56:35 | |
they're not quite there. | 0:56:35 | 0:56:36 | |
Has she had a good week for you, Jim? | 0:56:36 | 0:56:39 | |
Unfortunately not, she only had nine peas to choose from. | 0:56:39 | 0:56:42 | |
It was a poor challenge. | 0:56:42 | 0:56:43 | |
Well, I'm going to retreat, | 0:56:43 | 0:56:45 | |
and I'll see you in the garden when you've made your decision. | 0:56:45 | 0:56:48 | |
Thank you, gardeners, for all your hard work over these last 14 weeks. | 0:56:51 | 0:56:56 | |
This is a competition, | 0:56:56 | 0:56:58 | |
and because of that we have to lose one of you. | 0:56:58 | 0:57:01 | |
I know that the experts have found this week's decision | 0:57:01 | 0:57:04 | |
very, very tough to make. | 0:57:04 | 0:57:07 | |
But they have made their decision, | 0:57:07 | 0:57:10 | |
and the person leaving the garden for good is... | 0:57:10 | 0:57:15 | |
..Alexandra. | 0:57:21 | 0:57:23 | |
I thought it was probably going to be me, | 0:57:27 | 0:57:30 | |
and the people left are all brilliant people, | 0:57:30 | 0:57:34 | |
brilliant gardeners. I think it's time for me to go. | 0:57:34 | 0:57:38 | |
Bye! | 0:57:38 | 0:57:40 | |
My initial response is to say, | 0:57:40 | 0:57:41 | |
"When I get some, I just want to tarmac the garden and never | 0:57:41 | 0:57:44 | |
"think about it again," but I'm sure that's temporary | 0:57:44 | 0:57:47 | |
and, in a few weeks, I will be back to my old self, | 0:57:47 | 0:57:50 | |
pottering around my greenhouse. | 0:57:50 | 0:57:51 | |
Next time on The Big Allotment Challenge, the gardeners will | 0:58:00 | 0:58:03 | |
be judged on their tomatoes... | 0:58:03 | 0:58:05 | |
They've grown so much, it's crazy, they're taking over the greenhouse. | 0:58:05 | 0:58:09 | |
..rudbeckia... | 0:58:09 | 0:58:10 | |
Next week, we'll be showing these. That's the plan, guys, come on. | 0:58:10 | 0:58:14 | |
That's the plan! | 0:58:14 | 0:58:15 | |
..and sweet and savoury jams. | 0:58:15 | 0:58:18 | |
I've never ever burnt bloody jam! | 0:58:18 | 0:58:22 | |
Who will dig their way to victory and be named the winner | 0:58:22 | 0:58:26 | |
of The Big Allotment Challenge? | 0:58:26 | 0:58:27 |