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Here in the UK, we're blessed with an enormous variety of types | 0:00:02 | 0:00:04 | |
and styles of buildings that we call home - | 0:00:04 | 0:00:06 | |
from thatched cottages to 1930s Art Deco apartments, | 0:00:06 | 0:00:10 | |
from mock castles to contemporary townhouses. | 0:00:10 | 0:00:14 | |
But sometimes, while the exterior creates a wow factor, | 0:00:14 | 0:00:17 | |
the interior can be distinctly lacking. | 0:00:17 | 0:00:20 | |
So we've gathered some of the UK's most talented amateur interior | 0:00:23 | 0:00:26 | |
designers to show us what they're made of. | 0:00:26 | 0:00:29 | |
Across three knockout rounds, two designers have battled through. | 0:00:31 | 0:00:34 | |
Daniela and Oliver are now going head-to-head in the Grand Final. | 0:00:36 | 0:00:40 | |
Excited, apprehensive, nervous. | 0:00:40 | 0:00:43 | |
But there can only be one winner. | 0:00:43 | 0:00:45 | |
It is going to be stressful once again. | 0:00:45 | 0:00:47 | |
Putting them through their paces and scrutinising their every move, | 0:00:48 | 0:00:51 | |
are judges Daniel Hopwood, designer | 0:00:51 | 0:00:54 | |
and a director at the British Institute of Interior Design... | 0:00:54 | 0:00:57 | |
Oliver and Daniela might have different styles, | 0:00:58 | 0:01:00 | |
but they're both exceptional designers. | 0:01:00 | 0:01:03 | |
I think we're going to have an exciting final. | 0:01:03 | 0:01:05 | |
..and internationally renowned interior designer Kelly Hoppen. | 0:01:05 | 0:01:08 | |
Both Daniela and Oliver have designed | 0:01:09 | 0:01:11 | |
consistently brilliant schemes. | 0:01:11 | 0:01:13 | |
Now they have to pull something out of the bag that is off the charts. | 0:01:13 | 0:01:16 | |
Helping decide who will triumph, as well as piling on the pressure, | 0:01:17 | 0:01:21 | |
is our special guest judge, interior stylist Sophie Robinson. | 0:01:21 | 0:01:25 | |
In order to get to the final, | 0:01:25 | 0:01:26 | |
the designers have already proved that they know the design rules, | 0:01:26 | 0:01:29 | |
but in order to win this competition, | 0:01:29 | 0:01:31 | |
they need to show me that they can break them. | 0:01:31 | 0:01:34 | |
But it's going to take a lot of creativity and hard work to be | 0:01:34 | 0:01:37 | |
crowned winner of the Great Interior Design Challenge. | 0:01:37 | 0:01:40 | |
And the winner...is... | 0:01:40 | 0:01:42 | |
This time, we're in a mock castle in Broadstairs, | 0:01:57 | 0:01:59 | |
begun in the 18th century, | 0:01:59 | 0:02:01 | |
originally a stable block which started out as a Gothic folly. | 0:02:01 | 0:02:06 | |
Kingsgate Castle in Kent is now home to 28 apartments. | 0:02:06 | 0:02:09 | |
This is the imposing setting for our Grand Final. | 0:02:09 | 0:02:12 | |
Our finalists Oliver and Daniela will transform three rooms | 0:02:18 | 0:02:21 | |
across four days. | 0:02:21 | 0:02:23 | |
Each designer will be given a master bedroom and their first kitchen. | 0:02:24 | 0:02:28 | |
Daniela will also have a living/dining room. | 0:02:30 | 0:02:33 | |
And Oliver a study/guest room. | 0:02:33 | 0:02:35 | |
Hey! | 0:02:35 | 0:02:38 | |
With the help of a small team and a budget of £4,000... | 0:02:38 | 0:02:42 | |
Oomph! | 0:02:42 | 0:02:43 | |
..they'll have to battle till the end | 0:02:43 | 0:02:45 | |
to stand any chance of being crowned champion. | 0:02:45 | 0:02:48 | |
HE LAUGHS | 0:02:52 | 0:02:54 | |
It's a castle. Oh, my God. | 0:02:54 | 0:02:57 | |
It's fantastic. It's beautiful. | 0:02:57 | 0:02:59 | |
This time, they've three rooms, including a kitchen. | 0:02:59 | 0:03:03 | |
I mean, that's hard. The two rooms is one thing, but a kitchen is a | 0:03:03 | 0:03:06 | |
difficult thing to design at the best of times. | 0:03:06 | 0:03:09 | |
So my heart goes out to both of them. | 0:03:09 | 0:03:10 | |
Welcome, designers. It's final time. | 0:03:15 | 0:03:18 | |
By the end of all of this, one of you will be going home with this. | 0:03:18 | 0:03:21 | |
Oliver, a little bit of advice. | 0:03:21 | 0:03:23 | |
When you're given a brief, stick to it. | 0:03:23 | 0:03:26 | |
Be creative, but don't do something that is off brief. | 0:03:26 | 0:03:29 | |
And Daniela, a word of warning. | 0:03:29 | 0:03:32 | |
Remember to delegate, and once you've delegated, | 0:03:32 | 0:03:34 | |
follow that through, | 0:03:34 | 0:03:36 | |
because we want to see that project finished on time. | 0:03:36 | 0:03:38 | |
I know you won't let us, and more importantly your clients, down. | 0:03:38 | 0:03:41 | |
Right, off you go. | 0:03:41 | 0:03:42 | |
First to start is 30-year-old photographer Daniela from Essex. | 0:03:44 | 0:03:48 | |
So much hard work, so many sleepless nights. | 0:03:48 | 0:03:51 | |
I just don't want it to be for second place. | 0:03:51 | 0:03:54 | |
I want it to be for first place. | 0:03:54 | 0:03:55 | |
Right, this needs an iron, as well. | 0:03:56 | 0:03:58 | |
Yes, there, perfect, perfect. | 0:03:58 | 0:04:00 | |
Throughout the competition, | 0:04:00 | 0:04:01 | |
she's impressed the judges with her use of textures | 0:04:01 | 0:04:04 | |
and materials to layer her modern and minimal schemes. | 0:04:04 | 0:04:07 | |
With Daniela, we know she's a great designer, | 0:04:09 | 0:04:12 | |
but she does get a bit kerfuddled with the managing of people. | 0:04:12 | 0:04:15 | |
She doesn't delegate. | 0:04:15 | 0:04:17 | |
And then when she does delegate, she'll forget to go and check. | 0:04:17 | 0:04:20 | |
It has to be organised. | 0:04:20 | 0:04:22 | |
Daniela is charged with transforming three rooms | 0:04:27 | 0:04:30 | |
in Leon and Zelda's apartment. | 0:04:30 | 0:04:31 | |
They've asked for contemporary schemes which will complement | 0:04:31 | 0:04:35 | |
their converted period flat. | 0:04:35 | 0:04:37 | |
So, we've lived here nearly two years now. | 0:04:37 | 0:04:39 | |
And in terms of the amount of decorating we've done, | 0:04:39 | 0:04:42 | |
we've actually not done any at all. | 0:04:42 | 0:04:44 | |
I'm looking forward to some nice surprises. | 0:04:44 | 0:04:47 | |
Although both designers have had their briefs for just over a week, | 0:04:47 | 0:04:50 | |
this will be the first time they'll be seeing the rooms in person. | 0:04:50 | 0:04:54 | |
Wow, this is amazing. | 0:04:54 | 0:04:56 | |
Firstly, the bland and uninspiring master bedroom. | 0:04:56 | 0:05:00 | |
Oh, my goodness, that ceiling, it's so high. | 0:05:00 | 0:05:03 | |
The bedroom has got to have that calm, relaxed feeling to it, | 0:05:03 | 0:05:06 | |
as you walk in. So, warm colours would be quite nice. | 0:05:06 | 0:05:10 | |
Daniela's second room is the dated | 0:05:11 | 0:05:13 | |
and poorly laid out living/dining room. | 0:05:13 | 0:05:16 | |
This is pretty much as I expected. | 0:05:16 | 0:05:19 | |
We like urban modern and mid-century modern. | 0:05:19 | 0:05:22 | |
And finally, the tired looking kitchen. | 0:05:24 | 0:05:26 | |
The kitchen in particular is a room | 0:05:26 | 0:05:29 | |
that we'd like the designer to be | 0:05:29 | 0:05:31 | |
creative and come up with something on our behalf. | 0:05:31 | 0:05:33 | |
Scrutinising Daniela's presentation | 0:05:37 | 0:05:39 | |
are judges Kelly Hoppen and Daniel Hopwood. | 0:05:39 | 0:05:42 | |
They'll be rating how well she puts forward her design plans and how | 0:05:42 | 0:05:46 | |
adaptable she is to her clients' needs. | 0:05:46 | 0:05:49 | |
I'll start with the bedroom, I think. | 0:05:49 | 0:05:51 | |
So, you said you wanted spa, tranquil, calm. | 0:05:51 | 0:05:56 | |
So I've gone for an all white theme. | 0:05:56 | 0:06:00 | |
She wants to add a statement light fitting | 0:06:01 | 0:06:03 | |
and expose the parquet floor. | 0:06:03 | 0:06:05 | |
-Looking forward to talking about the floor. -Yeah. -Yeah. | 0:06:05 | 0:06:08 | |
So, my idea is, it wouldn't be jet black. | 0:06:09 | 0:06:13 | |
It would be a dark stain. | 0:06:13 | 0:06:15 | |
How do you feel about that? | 0:06:15 | 0:06:17 | |
Is it something you did want to keep natural? | 0:06:17 | 0:06:19 | |
It does look really clean and modern. | 0:06:19 | 0:06:21 | |
I don't know if it's something we can do a test on. | 0:06:21 | 0:06:23 | |
-Is it possible to do something like that? -Yeah. | 0:06:23 | 0:06:26 | |
Next, the sleek kitchen | 0:06:26 | 0:06:27 | |
with marble effect wallpaper and mirrored cupboard doors. | 0:06:27 | 0:06:31 | |
Now, this is going to be totally something that's experimental | 0:06:31 | 0:06:35 | |
on-site. I would like to just have bare plaster walls. | 0:06:35 | 0:06:38 | |
-Right. -Once again, I know it's quite a brave move. | 0:06:38 | 0:06:41 | |
I've worked in a lot of office blocks | 0:06:41 | 0:06:43 | |
where they go for polished concrete. | 0:06:43 | 0:06:45 | |
A lot of the time, it feels too unfinished. | 0:06:45 | 0:06:48 | |
Daniela's plans for the modern living/dining room include a change | 0:06:49 | 0:06:53 | |
of layout with a bespoke sofa and customised wall art. | 0:06:53 | 0:06:57 | |
I think the thing that's staring out at me at the minute is the walls. | 0:06:57 | 0:07:00 | |
I don't want it to be a white box, basically. | 0:07:00 | 0:07:02 | |
Yeah. Sure. Is it feeling a bit stark for you, perhaps? | 0:07:02 | 0:07:05 | |
-Yeah. -I promise it won't feel like a doctor's surgery. | 0:07:05 | 0:07:08 | |
So there's some sort of cubed theme. | 0:07:08 | 0:07:10 | |
Yes, I've created a TV cabinet. | 0:07:10 | 0:07:13 | |
When you've got the doors closed, it will just look like a gridded wall | 0:07:13 | 0:07:16 | |
with a fireplace on the bottom line. | 0:07:16 | 0:07:19 | |
I'm not too sure about the cabinet. | 0:07:19 | 0:07:21 | |
-Yeah. -Maybe we need a few minutes to think about it. -To digest. | 0:07:21 | 0:07:25 | |
For even the best designers, | 0:07:25 | 0:07:27 | |
working on a castle would be quite challenging. | 0:07:27 | 0:07:30 | |
But then we've got Daniela being playful with it and coming up | 0:07:30 | 0:07:33 | |
with an entirely new look | 0:07:33 | 0:07:35 | |
which will work with the castle but exciting, too. | 0:07:35 | 0:07:38 | |
But Daniela's really pushed the clients. | 0:07:38 | 0:07:40 | |
They've asked for a certain look, but she's gone the extra mile. | 0:07:40 | 0:07:44 | |
It will be really interesting to see how she pulls this off this time. | 0:07:44 | 0:07:47 | |
I'm going to use my persuasive design skills to make them happy. | 0:07:47 | 0:07:51 | |
They shouldn't have said they wanted to be challenged, basically. | 0:07:51 | 0:07:55 | |
While Daniela's clients ponder over her designs... | 0:07:57 | 0:08:00 | |
Got my list, like I normally do. | 0:08:00 | 0:08:03 | |
..armed with her trusty notes... | 0:08:03 | 0:08:05 | |
You love a list, don't you, Joe? | 0:08:05 | 0:08:07 | |
..work gets under way. | 0:08:07 | 0:08:09 | |
She'll now work on three rooms in just four days. | 0:08:09 | 0:08:12 | |
But both finalists have the added pressure of having to finish | 0:08:14 | 0:08:17 | |
one room by the end of day three. | 0:08:17 | 0:08:19 | |
The walls are white in here. | 0:08:19 | 0:08:21 | |
You know me, love a bit of white. | 0:08:21 | 0:08:23 | |
The room Daniela plans to finish first is the bedroom. | 0:08:23 | 0:08:27 | |
But it's going to be challenging for her team. | 0:08:27 | 0:08:29 | |
-We're doing a wallpapered ceiling again. -Oh, right, great. | 0:08:29 | 0:08:32 | |
Well, how are we going to do that | 0:08:32 | 0:08:34 | |
without ladders or platforms or...? | 0:08:34 | 0:08:37 | |
So, I think... Have we got a platform? | 0:08:37 | 0:08:39 | |
Do you have one? Cos we have our basic kit. | 0:08:39 | 0:08:43 | |
-Yes. -But with a ceiling of this height, you kind of need towers. | 0:08:43 | 0:08:46 | |
-You're going to need towers. -Yeah. | 0:08:46 | 0:08:49 | |
Meanwhile, the kitchen fitters are discovering the pitfalls | 0:08:49 | 0:08:52 | |
of working in an old building. | 0:08:52 | 0:08:55 | |
Tiles coming off, right. | 0:08:55 | 0:08:56 | |
It's hardboard tacked on top of finished wall. | 0:08:57 | 0:09:00 | |
So, I think she's going to be in for a few problems. | 0:09:01 | 0:09:03 | |
Oh, God, look at it down there. | 0:09:03 | 0:09:05 | |
There's a massive hole. | 0:09:05 | 0:09:06 | |
Over the years, little bit of bodge's been done here and there, | 0:09:06 | 0:09:09 | |
and as soon as you start touching things, | 0:09:09 | 0:09:11 | |
you're uncovering other people's dodgy bits of work. | 0:09:11 | 0:09:14 | |
-What is this? -It's a little cupboard. | 0:09:14 | 0:09:16 | |
Oh, that's really freaky. | 0:09:16 | 0:09:18 | |
Been a tough morning, actually. | 0:09:18 | 0:09:19 | |
The kitchen is an absolute state. | 0:09:19 | 0:09:21 | |
I mean, there's holes appearing everywhere. | 0:09:21 | 0:09:24 | |
I don't even want to go in there right now. | 0:09:24 | 0:09:27 | |
All right, well... | 0:09:29 | 0:09:30 | |
Next to begin is 49-year-old hairdresser Oliver | 0:09:33 | 0:09:36 | |
from North London. | 0:09:36 | 0:09:37 | |
I can't tell you how excited I am to be in the final. | 0:09:37 | 0:09:40 | |
It's like I still have to pinch myself to believe | 0:09:40 | 0:09:42 | |
it's actually real. | 0:09:42 | 0:09:43 | |
Throughout the competition, he's impressed the judges | 0:09:45 | 0:09:48 | |
with his eclectic styling and his classic and maximalist schemes. | 0:09:48 | 0:09:52 | |
With Oliver, it's all a bit of a mishmash, but then he surprises you. | 0:09:52 | 0:09:56 | |
But what I'm really expecting here is excellence. | 0:09:56 | 0:10:00 | |
He should be using that time to look at his interiors | 0:10:00 | 0:10:02 | |
and just giving them that little bit of an extra edge | 0:10:02 | 0:10:06 | |
to make them a winning scheme. | 0:10:06 | 0:10:08 | |
Oliver will be working to his client's brief. | 0:10:11 | 0:10:14 | |
Michael has lived in his apartment for just over two years. | 0:10:14 | 0:10:17 | |
He's asked for contemporary and dramatic schemes. | 0:10:17 | 0:10:21 | |
First, the study-cum-guest room. | 0:10:21 | 0:10:23 | |
A quaint little room, actually. | 0:10:24 | 0:10:26 | |
I'd like the designers to make it in keeping with the castle. | 0:10:26 | 0:10:29 | |
But to make it modern. | 0:10:29 | 0:10:31 | |
And modern bright. | 0:10:31 | 0:10:32 | |
Next, the cramped and dated galley kitchen. | 0:10:33 | 0:10:36 | |
The problem with this kitchen is, | 0:10:36 | 0:10:38 | |
because everything comes in and we've got such a huge ceiling, | 0:10:38 | 0:10:42 | |
it makes it so, so narrow. | 0:10:42 | 0:10:45 | |
Like an alleyway. | 0:10:45 | 0:10:46 | |
And finally, the grand master bedroom. | 0:10:46 | 0:10:49 | |
-All right. -I would like the designer to put a four-poster bed in there. | 0:10:49 | 0:10:53 | |
My vision of being king of the castle would be nice. | 0:10:53 | 0:10:57 | |
I can't wait to get started now. | 0:10:57 | 0:10:58 | |
Oliver's first room to be completed will be the study-cum-guest room. | 0:11:01 | 0:11:06 | |
He plans to paint the walls light blue, adding a stencilled border. | 0:11:06 | 0:11:10 | |
He also wants to introduce classical touches, | 0:11:10 | 0:11:12 | |
like a bookcase and antique writing desk. | 0:11:12 | 0:11:15 | |
Kind of go for that kind of real study look. | 0:11:15 | 0:11:17 | |
You know, sort of quite traditional. | 0:11:17 | 0:11:19 | |
Looking to the past, but still making it modern. | 0:11:19 | 0:11:22 | |
You asked for a daybed or some sort of sofa bed. | 0:11:22 | 0:11:25 | |
Yes. Does this pull-out? | 0:11:25 | 0:11:26 | |
Yep. It pulls right out. So if you have guests stay... | 0:11:26 | 0:11:29 | |
Oliver's classic style continues | 0:11:29 | 0:11:31 | |
in the opulent and grand master bedroom. | 0:11:31 | 0:11:34 | |
Bold palm print wallpaper will feature inside | 0:11:34 | 0:11:37 | |
and outside the existing panels. | 0:11:37 | 0:11:40 | |
So you want a four-poster bed? | 0:11:40 | 0:11:41 | |
-Yeah, I did, yes. -So now you've got yourself a four-poster bed. | 0:11:41 | 0:11:44 | |
Oh, crikey. | 0:11:44 | 0:11:45 | |
So you're going to feel like a king when you go to bed. | 0:11:45 | 0:11:48 | |
The kitchen is a modern take on a New England look, | 0:11:48 | 0:11:51 | |
including pale green tiles and new worktops. | 0:11:51 | 0:11:54 | |
And you've also got a little breakfast bar, as well. | 0:11:54 | 0:11:57 | |
That's right. Is that just one chair? | 0:11:57 | 0:11:58 | |
Only one. I think only one will fit. | 0:11:58 | 0:12:00 | |
-If you're happy with that... -Yep. I couldn't have done any better. | 0:12:00 | 0:12:04 | |
Glad to hear it! | 0:12:04 | 0:12:06 | |
You know, as judges we're always asking for something new, but Oliver | 0:12:06 | 0:12:10 | |
offers something old and blue. | 0:12:10 | 0:12:13 | |
And I think the way in which he's designing that wall | 0:12:13 | 0:12:16 | |
with the wallpaper, that's new, that's clever, | 0:12:16 | 0:12:19 | |
but he's gone for a very traditional type of design. | 0:12:19 | 0:12:22 | |
Maybe he'll come up with a little twist like he always does | 0:12:22 | 0:12:24 | |
to make it a little bit eclectic. | 0:12:24 | 0:12:26 | |
This is the first room that I'd like to get finished. | 0:12:30 | 0:12:33 | |
So if we could maybe all hands on deck just kind of clear it, | 0:12:33 | 0:12:36 | |
would be really helpful. | 0:12:36 | 0:12:37 | |
With the study due to be completed by the end of day three, | 0:12:39 | 0:12:42 | |
Oliver's team wastes no time clearing the room. | 0:12:42 | 0:12:44 | |
But there's a problem. | 0:12:47 | 0:12:48 | |
You're going to have your work cut out with this wallpaper. | 0:12:48 | 0:12:51 | |
It's lifting all over the shop. | 0:12:51 | 0:12:53 | |
-Yeah, it is. -Can you fix that? | 0:12:53 | 0:12:54 | |
Let's get first coat on, and see how it is. | 0:12:54 | 0:12:56 | |
-SIGHS: -All right. | 0:12:58 | 0:12:59 | |
Work is underway in our modern-day apartments, | 0:13:05 | 0:13:07 | |
but the origin of the building was far from homely. | 0:13:07 | 0:13:11 | |
The design and concept of Kingsgate Castle | 0:13:11 | 0:13:13 | |
grew from follies which the original owner had on his land. | 0:13:13 | 0:13:17 | |
Follies really began appearing in the 18th century, | 0:13:18 | 0:13:20 | |
part of the Picturesque movement. | 0:13:20 | 0:13:22 | |
Aristocrats hired designers to transform their country estates, | 0:13:22 | 0:13:26 | |
almost into private theme parks, dotted with attractions, | 0:13:26 | 0:13:30 | |
like Chinese pagodas or ancient ruined temples. | 0:13:30 | 0:13:34 | |
Kingsgate Castle was extended further in | 0:13:36 | 0:13:38 | |
the 19th and 20th centuries. | 0:13:38 | 0:13:40 | |
Today, all that remains of the original 18th-century folly | 0:13:40 | 0:13:43 | |
is this tower. | 0:13:43 | 0:13:45 | |
Over at Daniela's, while her team works in her spa-like bedroom... | 0:13:51 | 0:13:55 | |
..she's making a discovery in the living/dining room. | 0:13:56 | 0:13:59 | |
-Fingers crossed. -Big reveal. | 0:13:59 | 0:14:00 | |
Oh! It's gorgeous, isn't it? | 0:14:00 | 0:14:02 | |
So far. | 0:14:02 | 0:14:03 | |
Wow. Doesn't need sanding, does it? | 0:14:04 | 0:14:06 | |
It just needs, like, cleaning up. | 0:14:06 | 0:14:08 | |
-Yes! -Yay! -THEY LAUGH | 0:14:08 | 0:14:12 | |
Oh, my God. How gorgeous is that? | 0:14:12 | 0:14:14 | |
Why on earth would you ever cover that up with this dodgy carpet? | 0:14:14 | 0:14:17 | |
That is a massive result. | 0:14:17 | 0:14:18 | |
That's like finding the pot of gold at the end of the rainbow for me. | 0:14:18 | 0:14:23 | |
While the competition has been all-consuming | 0:14:24 | 0:14:26 | |
for both our finalists, | 0:14:26 | 0:14:28 | |
for Daniela, back home in Essex, | 0:14:28 | 0:14:30 | |
her family life has previously taken centre stage. | 0:14:30 | 0:14:33 | |
I had to leave my career behind when I had children, | 0:14:36 | 0:14:38 | |
which I was glad to do, but now I'm ready to get back out to work, | 0:14:38 | 0:14:41 | |
and hopefully this will be a great platform for me. | 0:14:41 | 0:14:44 | |
It would mean a lot for Daniela to win this. | 0:14:44 | 0:14:46 | |
The amount of work she's put in and the thought she's put in. | 0:14:46 | 0:14:49 | |
I know she's not in it to lose, that's...that's for sure. | 0:14:49 | 0:14:52 | |
Over at Oliver's, he plans to finish his study-cum-guest room first. | 0:15:00 | 0:15:05 | |
This is the fun bit, when you actually get to see | 0:15:05 | 0:15:07 | |
some colour on the walls. | 0:15:07 | 0:15:08 | |
His team wastes no time painting over the wall. | 0:15:08 | 0:15:11 | |
Hoping the paper doesn't bubble. | 0:15:11 | 0:15:13 | |
That goes in there, like so. | 0:15:14 | 0:15:17 | |
While he talks his builders through adapting his client's existing bed, | 0:15:17 | 0:15:21 | |
using staircase newel posts to create a four-poster. | 0:15:21 | 0:15:24 | |
He's a tall guy, as well. | 0:15:24 | 0:15:26 | |
He's not short. That's too low. | 0:15:26 | 0:15:28 | |
Yeah, so how much higher do we want to go? | 0:15:28 | 0:15:30 | |
I would say at least six inches. | 0:15:30 | 0:15:32 | |
If we do it like that. And that looks tall enough to me. | 0:15:33 | 0:15:36 | |
At home in North London, | 0:15:40 | 0:15:41 | |
winning the competition means much more to Oliver than just a trophy. | 0:15:41 | 0:15:45 | |
This, for me, would be actually life-changing. | 0:15:45 | 0:15:48 | |
You know, it's not just about this process. | 0:15:48 | 0:15:51 | |
It's more about going forward | 0:15:51 | 0:15:53 | |
and start making a new career for myself, | 0:15:53 | 0:15:55 | |
you know, and actually... | 0:15:55 | 0:15:57 | |
that is huge. | 0:15:57 | 0:15:59 | |
I think in order for Oliver to win, | 0:15:59 | 0:16:01 | |
I think he just has to stay true to himself. | 0:16:01 | 0:16:04 | |
Follow his heart, his instincts. | 0:16:04 | 0:16:05 | |
It's got him this far, so... | 0:16:05 | 0:16:07 | |
That's his winning formula, I think. | 0:16:08 | 0:16:10 | |
For our two finalists, it's nearly the end of the first day. | 0:16:18 | 0:16:21 | |
-So you want the back to be 40 off there, don't you? -Yeah. Cool. | 0:16:21 | 0:16:25 | |
And Daniela's bespoke sofa for the modern living/dining room | 0:16:25 | 0:16:30 | |
is beginning to take shape. | 0:16:30 | 0:16:31 | |
-That fits in nicely. -Yeah, it really does, doesn't it? | 0:16:31 | 0:16:34 | |
That's going to look good. | 0:16:34 | 0:16:35 | |
I wanted a really low, relaxed sofa. | 0:16:35 | 0:16:38 | |
I mean, it's really worked out well. | 0:16:38 | 0:16:40 | |
Perfect height. I'm really happy. | 0:16:40 | 0:16:42 | |
And checking that her team is equally happy, Daniel pays a visit. | 0:16:42 | 0:16:46 | |
You've got such a good team. | 0:16:48 | 0:16:49 | |
You need to keep them motivated. | 0:16:49 | 0:16:51 | |
You're the designer, you're the creator, you're the conductor. | 0:16:51 | 0:16:55 | |
-Yeah. -Get them working for you. | 0:16:55 | 0:16:56 | |
That's it. And that's what I've realised. | 0:16:56 | 0:16:58 | |
-Hey, Wayne. -Hello. | 0:16:58 | 0:17:00 | |
Ideally, I want to get that room finished, definitely by tomorrow. | 0:17:00 | 0:17:03 | |
I'm just purely taken on the fact of what the judges have said, | 0:17:03 | 0:17:06 | |
and I'm going to talk to my team, you know, every five, ten minutes, | 0:17:06 | 0:17:10 | |
checking up on what they're doing. | 0:17:10 | 0:17:12 | |
Just really want to make sure that tomorrow that room is done because | 0:17:12 | 0:17:15 | |
we've still got a lot to do in here. | 0:17:15 | 0:17:17 | |
Over with cool-headed Oliver, | 0:17:20 | 0:17:21 | |
his decorator prepares the bedroom for his palm print wallpaper. | 0:17:21 | 0:17:26 | |
And his builder works on the bookcase for his guest room. | 0:17:26 | 0:17:29 | |
When you've got a team of people, if you start to lose the plot, | 0:17:29 | 0:17:33 | |
then I kind of think it all filters through. | 0:17:33 | 0:17:35 | |
And then people don't have faith in you. | 0:17:35 | 0:17:37 | |
As usual, it's always calm on Oliver's projects. | 0:17:37 | 0:17:40 | |
But it's good that he's calm, that's the sign of a great designer, | 0:17:40 | 0:17:43 | |
that he can control, that he can delegate. | 0:17:43 | 0:17:45 | |
My concern is that it will just be too traditional, because what I love | 0:17:45 | 0:17:49 | |
about Oliver is the fact he has this eclectic edge where he just suddenly | 0:17:49 | 0:17:52 | |
twists it and you're not expecting it. | 0:17:52 | 0:17:55 | |
Ollie, Ollie, Ollie. | 0:18:03 | 0:18:05 | |
-Hi. -Hello, sweetie, how are you doing? | 0:18:05 | 0:18:08 | |
I'll come and cwtch with you. | 0:18:08 | 0:18:09 | |
Yeah, come on, come and sit down. | 0:18:09 | 0:18:11 | |
-How are you? -I'm doing good, yeah, I'm fine. | 0:18:11 | 0:18:14 | |
How are you? You look a bit flat. | 0:18:14 | 0:18:15 | |
Oh, I'm so wiped out. | 0:18:15 | 0:18:18 | |
-I'm going to get an early night tonight. -Yeah. | 0:18:18 | 0:18:20 | |
Not doing any work. | 0:18:20 | 0:18:21 | |
It's the beginning of the designers' second day. | 0:18:34 | 0:18:36 | |
-Whoa, amazing. -Hi. | 0:18:37 | 0:18:39 | |
Hi, there, all right? | 0:18:39 | 0:18:41 | |
With Kelly and Daniel judging their first rooms tomorrow afternoon, | 0:18:41 | 0:18:44 | |
neither finalist can afford to take their foot off the gas. | 0:18:44 | 0:18:48 | |
I'd love for one of you to come off of what you're doing this morning | 0:18:48 | 0:18:51 | |
and do the trim on the ceiling as soon as that comes in. | 0:18:51 | 0:18:54 | |
This is the way we're going to play the design. | 0:18:54 | 0:18:56 | |
I think this on the outer edge. | 0:18:56 | 0:18:57 | |
Dying to get in, actually, | 0:18:57 | 0:18:58 | |
cos yesterday we painted the first coat in the guest bedroom. | 0:18:58 | 0:19:02 | |
And I want to make sure that it's actually not bubbled, | 0:19:02 | 0:19:04 | |
cos we painted over the top of the wallpaper. | 0:19:04 | 0:19:06 | |
And if it has, then it's kind of back to the drawing board. | 0:19:06 | 0:19:09 | |
Hey. | 0:19:09 | 0:19:11 | |
Brilliant. | 0:19:11 | 0:19:12 | |
Obviously, as you can see, it's all completely flat. | 0:19:12 | 0:19:15 | |
So it's had one coat on and it's not bubbled at all. | 0:19:15 | 0:19:18 | |
And it looks brilliant. | 0:19:18 | 0:19:19 | |
Walls dry, Oliver's decorators can now add the stencil effect | 0:19:21 | 0:19:25 | |
to his classic study. | 0:19:25 | 0:19:26 | |
It's very fiddly because they just need to get the very | 0:19:26 | 0:19:28 | |
first one right. | 0:19:28 | 0:19:30 | |
As the kitchen fitters remove all the old tiles | 0:19:30 | 0:19:33 | |
and the posts for his four-poster bed | 0:19:33 | 0:19:35 | |
are being adapted by his builder... | 0:19:35 | 0:19:37 | |
I'm putting together the sleeves that are going to go around | 0:19:41 | 0:19:45 | |
the bottom of the bed post. | 0:19:45 | 0:19:46 | |
To extend them, to make them a bit longer. | 0:19:46 | 0:19:48 | |
But we've got a bit of fine tuning. | 0:19:48 | 0:19:50 | |
So you can adjust accordingly. | 0:19:50 | 0:19:53 | |
-Yeah, exactly. -Perfect. | 0:19:53 | 0:19:55 | |
It's just a little piece of MDF. | 0:19:55 | 0:19:57 | |
It's really sad, I know, | 0:19:57 | 0:19:58 | |
but when I see things like that and it looks absolutely pukka, I'm like, | 0:19:58 | 0:20:02 | |
"Oh, my God, that's amazing!" | 0:20:02 | 0:20:04 | |
..over at Daniela's, her client Leon is paying her a visit. | 0:20:09 | 0:20:13 | |
Hi, Daniela. | 0:20:13 | 0:20:14 | |
-Ah, hello. -You all right? -Yeah, I'm good. | 0:20:14 | 0:20:17 | |
He's got a list of questions regarding her designs. | 0:20:17 | 0:20:20 | |
I thought I'd come and talk to you about the TV unit. | 0:20:20 | 0:20:22 | |
Just looking at it. It still looks massive. | 0:20:22 | 0:20:26 | |
You do need some big pieces in there. | 0:20:26 | 0:20:29 | |
Yeah. | 0:20:29 | 0:20:31 | |
Next on Leon's list is the stain for the bedroom floor. | 0:20:31 | 0:20:34 | |
Right, come in and see this tester. | 0:20:35 | 0:20:38 | |
That is the colour. | 0:20:38 | 0:20:39 | |
Is that about as dark as it's going to go, then? | 0:20:39 | 0:20:41 | |
It may be a touch fuller but not necessarily darker. | 0:20:41 | 0:20:45 | |
-That's actually not as dark as I thought it was going to be. -No? | 0:20:45 | 0:20:48 | |
I've actually got a couple of other questions. | 0:20:48 | 0:20:50 | |
We do plug a few things in. | 0:20:50 | 0:20:51 | |
So, we've got phone chargers, things like that. | 0:20:51 | 0:20:53 | |
So how will that look? | 0:20:53 | 0:20:55 | |
There's not much I can do about hiding the phone chargers. | 0:20:55 | 0:20:59 | |
One of the other things that we were thinking about, light fittings? | 0:20:59 | 0:21:02 | |
He's a lovely guy, but he's just very thorough. | 0:21:02 | 0:21:04 | |
You know, he wants to know every last detail. | 0:21:04 | 0:21:05 | |
Just the last question is really around the windows. | 0:21:05 | 0:21:08 | |
He's just cautious and I think, you know, | 0:21:08 | 0:21:10 | |
he just needs to get into my headspace. | 0:21:10 | 0:21:12 | |
Where would we put the microwave? | 0:21:12 | 0:21:13 | |
My head is a little bit like, "Aaah, OK." | 0:21:13 | 0:21:16 | |
What I thought was going to be a simple chat | 0:21:16 | 0:21:18 | |
was actually a real lengthy discussion. | 0:21:18 | 0:21:20 | |
-All right. -Cheers. -Thank you. -Feeling lots better now, actually. | 0:21:20 | 0:21:24 | |
And Daniela went through everything we were concerned about, | 0:21:24 | 0:21:26 | |
so feeling a lot more comfortable now. | 0:21:26 | 0:21:29 | |
I think the issue with Daniela is, | 0:21:30 | 0:21:32 | |
she's so incredibly passionate about her work. | 0:21:32 | 0:21:36 | |
I just think she has to find that balance between | 0:21:36 | 0:21:39 | |
getting the job done, | 0:21:39 | 0:21:41 | |
keeping the integrity of the design, | 0:21:41 | 0:21:43 | |
and keeping the client happy. | 0:21:43 | 0:21:45 | |
If she's having a wobbly, | 0:21:45 | 0:21:46 | |
we're going to end up with a project either slightly unfinished, | 0:21:46 | 0:21:50 | |
which she's done before, | 0:21:50 | 0:21:52 | |
or missing all the magical bits that she adds in at the end. | 0:21:52 | 0:21:55 | |
And Daniela's hoping to add some modern-day sparkle to this medieval | 0:21:59 | 0:22:03 | |
looking castle. Kingsgate's design was based on that of a 13th century | 0:22:03 | 0:22:08 | |
Welsh castle, magically transported to the Kent coast, | 0:22:08 | 0:22:11 | |
in a very different century. | 0:22:11 | 0:22:13 | |
Its battlements and irregular asymmetrical facade | 0:22:13 | 0:22:15 | |
would have been in stark | 0:22:15 | 0:22:17 | |
contrast to the kind of neoclassical villas still being built around here | 0:22:17 | 0:22:20 | |
during the Victorian heyday of the seaside resort. | 0:22:20 | 0:22:23 | |
In 1900, the banker Lord Avebury bought the castle | 0:22:25 | 0:22:28 | |
and started a period of rebuilding and extending. | 0:22:28 | 0:22:30 | |
Lord Avebury's crest is all over the castle, | 0:22:32 | 0:22:35 | |
from the drainpipes to the stonework. | 0:22:35 | 0:22:37 | |
And pride of place on it is a pelican, | 0:22:37 | 0:22:40 | |
symbol of charity and self-sacrifice. | 0:22:40 | 0:22:42 | |
A fitting emblem for the man who introduced the bank holiday. | 0:22:42 | 0:22:46 | |
But there's no time off for our designers. | 0:22:51 | 0:22:53 | |
who must complete one of their schemes by tomorrow afternoon. | 0:22:53 | 0:22:57 | |
Sorry. Sorry! | 0:22:57 | 0:22:58 | |
Adding to the pressure, they'll also have to impress | 0:23:00 | 0:23:03 | |
guest judge Sophie Robinson. | 0:23:03 | 0:23:04 | |
No, just leave that on top of there, that's fine. | 0:23:04 | 0:23:07 | |
In Oliver's calm apartment, | 0:23:07 | 0:23:09 | |
a new carpet is being fitted in his classic and traditional study... | 0:23:09 | 0:23:12 | |
..while he's revamping the pelmets. | 0:23:14 | 0:23:16 | |
I'm just | 0:23:16 | 0:23:17 | |
appliqueing some Petersham ribbon. | 0:23:17 | 0:23:21 | |
It's really simply done. | 0:23:21 | 0:23:22 | |
It's just some ironing on webbing. | 0:23:22 | 0:23:24 | |
This is kind of like glue on a strip. | 0:23:25 | 0:23:28 | |
It's a little bit smaller than the actual ribbon,, | 0:23:28 | 0:23:30 | |
and you would just put the two together, iron over. | 0:23:30 | 0:23:33 | |
And then you actually applique the ribbon onto the fabric. | 0:23:33 | 0:23:36 | |
It's a very sort of simple, sort of half-hour little job. | 0:23:36 | 0:23:39 | |
It's very cheap, very quick. | 0:23:39 | 0:23:41 | |
Kind of instant gratification, really. | 0:23:42 | 0:23:45 | |
The judges want to see how Oliver's getting on. | 0:23:52 | 0:23:55 | |
Oliver, any problems this morning? | 0:23:55 | 0:23:57 | |
There was a problem with where we have to put a breakfast bar. | 0:23:57 | 0:24:00 | |
We've lifted out the cupboard and it's full of pipes and wires, | 0:24:00 | 0:24:04 | |
-like Spaghetti Junction. -It's a kitchen! | 0:24:04 | 0:24:06 | |
Of course there are going to be wires and pipes. | 0:24:06 | 0:24:09 | |
Anything like a kitchen or bathroom, you've got to allocate more time. | 0:24:09 | 0:24:13 | |
You must have designed countless kitchens. | 0:24:13 | 0:24:15 | |
I've never done one before. Do you know what I mean? | 0:24:15 | 0:24:17 | |
So, like, it's a huge learning curve. | 0:24:17 | 0:24:19 | |
I know, it's a learning curve, | 0:24:19 | 0:24:20 | |
but you've got to start thinking on your feet. | 0:24:20 | 0:24:23 | |
You certainly gave Oliver | 0:24:23 | 0:24:24 | |
a bit of a pep talk there, didn't you? | 0:24:24 | 0:24:27 | |
I know. He just seems so incredibly laid-back. | 0:24:27 | 0:24:29 | |
I was trying to put a bit of fire in his belly | 0:24:29 | 0:24:31 | |
and say, "Well, what do you expect if you do a kitchen | 0:24:31 | 0:24:34 | |
"and you pull a cupboard off the wall?" | 0:24:34 | 0:24:36 | |
Do you know what, I actually think this looks smaller now. | 0:24:38 | 0:24:40 | |
My client, you know, obviously, | 0:24:40 | 0:24:42 | |
he's worried that this is going to be a big overpowering item | 0:24:42 | 0:24:44 | |
in the room, it's going to be too big, | 0:24:44 | 0:24:46 | |
but it looks totally in keeping with the scale of the room. | 0:24:46 | 0:24:49 | |
Daniela's living room/dining room is taking shape, while in the kitchen, | 0:24:49 | 0:24:53 | |
the holes in the walls have been covered up | 0:24:53 | 0:24:55 | |
and the cupboards cut down to size. | 0:24:55 | 0:24:57 | |
But in the bedroom, it's all hands on deck. | 0:24:57 | 0:25:00 | |
I am being Miss Bossy Boots now, which I hate doing, | 0:25:00 | 0:25:03 | |
but it's got to be done right now. | 0:25:03 | 0:25:04 | |
I want this job finished, and this floor needs to be painted tonight, | 0:25:04 | 0:25:07 | |
otherwise disaster tomorrow. | 0:25:07 | 0:25:09 | |
So, this is going to take another 20 minutes, say. | 0:25:09 | 0:25:12 | |
It's going to take a good hour to stain our way out the door. | 0:25:12 | 0:25:15 | |
What if I brought, like, everyone in to stain it? | 0:25:15 | 0:25:17 | |
Because I need to halve that time. | 0:25:17 | 0:25:19 | |
It's late on day two, | 0:25:30 | 0:25:32 | |
and the designers will have to finish one room tomorrow. | 0:25:32 | 0:25:35 | |
Wow. | 0:25:35 | 0:25:37 | |
It's really cool. | 0:25:37 | 0:25:39 | |
At Oliver's, his guest room bookcase is being put into position. | 0:25:40 | 0:25:43 | |
Made to measure. | 0:25:44 | 0:25:46 | |
And it's the big reveal of the stencilled border. | 0:25:46 | 0:25:49 | |
Look how sharp that is. | 0:25:52 | 0:25:53 | |
-Wow. -Look at that. | 0:25:53 | 0:25:54 | |
I'm really chuffed with it. | 0:25:56 | 0:25:58 | |
So, we all had a moment where we were just sort of standing round, | 0:25:58 | 0:26:01 | |
watching her pull tape off. | 0:26:01 | 0:26:02 | |
Which, like, ordinarily wouldn't sound very exciting, | 0:26:02 | 0:26:04 | |
but we were all like little kids. | 0:26:04 | 0:26:06 | |
"Oh, look, it's really good!" | 0:26:06 | 0:26:08 | |
For Daniela, her final job of the day is staining | 0:26:16 | 0:26:19 | |
the bedroom floor. | 0:26:19 | 0:26:21 | |
The bedroom's 100% going to be finished. | 0:26:21 | 0:26:23 | |
Yeah, there's no way it's not. | 0:26:23 | 0:26:25 | |
Obviously, I've got my worries about certain things, but, yeah, | 0:26:25 | 0:26:28 | |
I'm feeling upbeat if a little emotionally drained. | 0:26:28 | 0:26:32 | |
Just the bookcase has got to be finished in there, | 0:26:36 | 0:26:38 | |
and then that room can be dressed, | 0:26:38 | 0:26:40 | |
so I'm pretty confident that actually that's going to be done | 0:26:40 | 0:26:43 | |
on time. | 0:26:43 | 0:26:44 | |
Day three, and after an emotional time yesterday for Daniela and plain | 0:26:53 | 0:26:57 | |
sailing for Oliver, | 0:26:57 | 0:26:58 | |
the real test comes later today when their clients will see their first | 0:26:58 | 0:27:02 | |
completed rooms. | 0:27:02 | 0:27:03 | |
-Hey, how you doing? -Fine, thanks. | 0:27:03 | 0:27:05 | |
OK, so we'll get some wallpaper on the walls today. | 0:27:05 | 0:27:07 | |
The pressure's going up a little bit, you know, in terms of, | 0:27:07 | 0:27:11 | |
-you've got to deliver. -Hey, Joe. | 0:27:11 | 0:27:13 | |
-Hi, morning. -You all right? Morning. | 0:27:13 | 0:27:14 | |
I actually haven't seen the floor yet this morning. | 0:27:14 | 0:27:16 | |
I'm really excited to have a look. | 0:27:16 | 0:27:18 | |
Bit of an issue. We've had to put fans on this morning cos it's still | 0:27:18 | 0:27:22 | |
-actually tacky. -Is it? | 0:27:22 | 0:27:23 | |
-Yeah. That was like, quick drying... -Well, it's water-based, wasn't it? | 0:27:23 | 0:27:27 | |
-Yes, it was. -Oh, no. | 0:27:27 | 0:27:29 | |
Yeah, the instructions haven't been carefully followed. | 0:27:29 | 0:27:32 | |
Right. Do you know what, it says 16-24 hours. | 0:27:32 | 0:27:36 | |
A much longer drying time than Daniela had bargained for | 0:27:37 | 0:27:41 | |
means work in the bedroom is put on hold. | 0:27:41 | 0:27:43 | |
I was feeling OK about the floor, but, you know, now it's going to be | 0:27:44 | 0:27:47 | |
cutting it very fine with that one, I think, actually, | 0:27:47 | 0:27:49 | |
and it's kind of getting on my nerves now. | 0:27:49 | 0:27:52 | |
Daniela's oversight could jeopardise her chances of winning the | 0:27:52 | 0:27:55 | |
competition, if the bedroom isn't finished by this afternoon. | 0:27:55 | 0:27:58 | |
You know, the thing is it's such hard work. | 0:28:05 | 0:28:08 | |
So draining(!) | 0:28:08 | 0:28:09 | |
A key element of Oliver's study is an antique writing desk, | 0:28:11 | 0:28:14 | |
bought online for £50. | 0:28:14 | 0:28:16 | |
It's a really beautiful writing desk. | 0:28:16 | 0:28:19 | |
However, there's one handle missing, | 0:28:19 | 0:28:21 | |
so I'm desperately searching for a handle to replace it. | 0:28:21 | 0:28:24 | |
If I can't find one to replace it, I'll have to replace all ten. | 0:28:24 | 0:28:27 | |
While the search continues, work in the kitchen progresses. | 0:28:29 | 0:28:32 | |
Including fitting a laminate floor to the exposed pipes under the new | 0:28:33 | 0:28:37 | |
-breakfast bar. -Excellent. | 0:28:37 | 0:28:38 | |
In the bedroom, an online purchase for £160 is revealed. | 0:28:39 | 0:28:44 | |
Oomph. | 0:28:44 | 0:28:45 | |
Is it heavy? Yeah. | 0:28:47 | 0:28:48 | |
As long as we don't have a Del Boy moment, we'll be fine. | 0:28:48 | 0:28:51 | |
Yeah, I've got it, I've got it! | 0:28:51 | 0:28:53 | |
So how are our two getting along? | 0:28:54 | 0:28:56 | |
We've got Oliver, there, steadily going forward. | 0:28:56 | 0:29:00 | |
And Daniela, it's up and down like you wouldn't believe. | 0:29:00 | 0:29:03 | |
-No cracking under pressure? -Daniela's incredibly emotional, | 0:29:03 | 0:29:06 | |
that's the way she designs. | 0:29:06 | 0:29:08 | |
It's from her heart rather than her head. | 0:29:08 | 0:29:10 | |
Whereas Oliver is more from his head. | 0:29:10 | 0:29:12 | |
The complete opposite. | 0:29:12 | 0:29:14 | |
Do you think so? I think that | 0:29:14 | 0:29:15 | |
actually Oliver does design from the heart, | 0:29:15 | 0:29:18 | |
but his organisational skills are from his head, which is probably the | 0:29:18 | 0:29:21 | |
right way round, I think, you know. | 0:29:21 | 0:29:23 | |
Daniela is not letting anything hold her up to get the bedroom ready for | 0:29:26 | 0:29:29 | |
judging later today. | 0:29:29 | 0:29:31 | |
So, yeah, I've decided that the floor being tacky | 0:29:31 | 0:29:36 | |
is the least of my worries right now. | 0:29:36 | 0:29:38 | |
The ceiling needs to get finished. | 0:29:38 | 0:29:40 | |
You know, we are protecting the floor as much as we can. | 0:29:40 | 0:29:44 | |
But, you know, we don't know | 0:29:44 | 0:29:45 | |
what's going to happen after we pull this up. | 0:29:45 | 0:29:48 | |
It might pull all the paint up. We're not sure. | 0:29:48 | 0:29:51 | |
Just one main problem is that the floor wasn't dry. | 0:29:57 | 0:30:00 | |
Mix up with the paint. | 0:30:00 | 0:30:02 | |
Did you read what it said on the tin? | 0:30:02 | 0:30:03 | |
I assumed that it was going to be the paint that I ordered. | 0:30:03 | 0:30:07 | |
It's all about the detail in knowing how long things are going to be, | 0:30:07 | 0:30:11 | |
your build, that is where it always lets you down. | 0:30:11 | 0:30:14 | |
-Yeah. -I'm really annoyed, Dan. | 0:30:14 | 0:30:17 | |
Honestly, I mean, how many times | 0:30:17 | 0:30:20 | |
does Daniela need to be told to check, | 0:30:20 | 0:30:23 | |
double check and check again? | 0:30:23 | 0:30:25 | |
Now she's running the risk of not getting that room finished | 0:30:25 | 0:30:28 | |
and disappointment, but not only disappointment but losing this. | 0:30:28 | 0:30:31 | |
I know. I'm absolutely furious. | 0:30:31 | 0:30:34 | |
I feel like I got a bit told off, to be honest, | 0:30:34 | 0:30:37 | |
about reading paint tins. But maybe that will lose me the competition, | 0:30:37 | 0:30:40 | |
do you know what I mean? | 0:30:40 | 0:30:41 | |
They do keep picking up on the little details | 0:30:41 | 0:30:43 | |
that I've perhaps missed. | 0:30:43 | 0:30:45 | |
Daniela has a lot of ground to make up if she's to rekindle the spark | 0:30:50 | 0:30:54 | |
from a more glamorous golden age. | 0:30:54 | 0:30:57 | |
After Lord Avebury's death in 1913, the castle became a hotel, | 0:30:57 | 0:31:01 | |
attracting the A-list celebs of the day - | 0:31:01 | 0:31:04 | |
Gracie Fields, John Mills, Merle Oberon, Peggy Ashcroft. | 0:31:04 | 0:31:09 | |
And their signatures are still here on the board. | 0:31:09 | 0:31:11 | |
The hotel closed after the Second World War, | 0:31:16 | 0:31:19 | |
and the castle was converted into apartments. | 0:31:19 | 0:31:22 | |
And most of the interior period details have been lost, | 0:31:22 | 0:31:24 | |
but one incredible survivor is this fabulous plasterwork in what used to | 0:31:24 | 0:31:29 | |
be one of the hotel's reception rooms. | 0:31:29 | 0:31:31 | |
Two strips, three blocks, just screw it in. | 0:31:38 | 0:31:41 | |
Daniela is racing against the clock to get her bedroom finished. | 0:31:41 | 0:31:45 | |
But there could be further problems if her floor hasn't dried. | 0:31:45 | 0:31:48 | |
Oh, it's absolutely fine, look. | 0:31:49 | 0:31:50 | |
It's fine. Yeah. It's great, and actually, it's dry now. | 0:31:50 | 0:31:54 | |
With less than an hour to go, | 0:31:54 | 0:31:55 | |
she's only just started making her central light feature. | 0:31:55 | 0:31:59 | |
What I thought was going to be nice is now stressful again. | 0:31:59 | 0:32:04 | |
-Shocker(!) -SHE GROANS LOUDLY | 0:32:04 | 0:32:07 | |
Floating bedside shelves are being fitted... | 0:32:09 | 0:32:11 | |
Just the bedside tables, and that's it. | 0:32:11 | 0:32:14 | |
..while she attaches the pendant light above the dressing table. | 0:32:14 | 0:32:17 | |
This is the next shelf that needs to go over here, | 0:32:18 | 0:32:21 | |
and then we are out of here, we are done. | 0:32:21 | 0:32:23 | |
Daniela's time is now up. | 0:32:23 | 0:32:25 | |
I actually feel quite emotional, I actually really do. | 0:32:28 | 0:32:31 | |
Daniela's brief was to create | 0:32:37 | 0:32:39 | |
a spa-like and tranquil master bedroom | 0:32:39 | 0:32:41 | |
which was sympathetic and in keeping with the grandeur of the location. | 0:32:41 | 0:32:46 | |
Two days ago, it felt dated and bland. | 0:32:48 | 0:32:50 | |
Now the layers of white create a modern, calming scheme. | 0:33:02 | 0:33:05 | |
The stained floor ties in with the furniture | 0:33:07 | 0:33:10 | |
and contrasts with the walls. | 0:33:10 | 0:33:11 | |
The large focal light feature centres the room | 0:33:13 | 0:33:16 | |
and completes the clean, minimalist look. | 0:33:16 | 0:33:18 | |
Oh, my word! | 0:33:22 | 0:33:24 | |
All right, you win. White does work, doesn't it? | 0:33:24 | 0:33:26 | |
Of course it works! You know why it works? | 0:33:26 | 0:33:28 | |
Because of the black floor. | 0:33:28 | 0:33:30 | |
It gives you that Ying and Yang. | 0:33:30 | 0:33:31 | |
I mean, it's very contrasting, so it gives you a wow when you walk in. | 0:33:31 | 0:33:36 | |
-I love it. -And her light is clever. | 0:33:36 | 0:33:37 | |
It's an MDF ring that she's gone and stapled all of these pieces | 0:33:37 | 0:33:41 | |
of string to. It's an incredibly simple idea. | 0:33:41 | 0:33:44 | |
She's managed to do this for about £45. | 0:33:44 | 0:33:46 | |
There are just some finishing touches which are really missing. | 0:33:46 | 0:33:50 | |
If she'd put a bit of cord around the top of this light fitting, | 0:33:50 | 0:33:55 | |
then it would have looked much higher quality. | 0:33:55 | 0:33:58 | |
I can see the stables from here. | 0:33:58 | 0:34:00 | |
But in the brief, they asked for something that had | 0:34:00 | 0:34:03 | |
a spa-like feeling | 0:34:03 | 0:34:04 | |
and yet was in keeping with the original interior of the room. | 0:34:04 | 0:34:08 | |
-She's nailed it. -She's nailed it. | 0:34:09 | 0:34:11 | |
Just that little bit more finishing, then we've got a winning room. | 0:34:11 | 0:34:15 | |
At the moment, without that quality control, I'm still not sure. | 0:34:15 | 0:34:20 | |
For the first time, the designers are going to show their clients | 0:34:22 | 0:34:25 | |
the finished room. | 0:34:25 | 0:34:26 | |
Daniela has been working to Leon and Zelda's brief, | 0:34:28 | 0:34:31 | |
so their opinion will be taken into consideration | 0:34:31 | 0:34:33 | |
by the judges when they make their final decision. | 0:34:33 | 0:34:37 | |
There we are. | 0:34:37 | 0:34:39 | |
The grand reveal of your new bedroom. | 0:34:39 | 0:34:41 | |
What do you think? All happy? | 0:34:41 | 0:34:43 | |
Yes, it's really good. A statement without being in your face, | 0:34:43 | 0:34:46 | |
so I really like it. | 0:34:46 | 0:34:47 | |
You know, this... at this point, | 0:34:49 | 0:34:51 | |
I want them to have some really special music, like... | 0:34:51 | 0:34:54 | |
HE HUMS | 0:34:54 | 0:34:57 | |
I'm sitting waiting for my handles. | 0:34:57 | 0:34:59 | |
Unable to find a matching handle for his antique writing desk, | 0:35:00 | 0:35:03 | |
Oliver has decided to replace all ten with new ones. | 0:35:03 | 0:35:06 | |
With just an hour to go, there's a delivery. | 0:35:08 | 0:35:10 | |
Desk handles have arrived! | 0:35:11 | 0:35:13 | |
Hurray! How good was that? | 0:35:13 | 0:35:17 | |
Just saying that I was waiting for my handles. | 0:35:17 | 0:35:19 | |
Hours of endless fun, Dickie, look. | 0:35:19 | 0:35:21 | |
No-one else in the room seems stressed, but I am, rather. | 0:35:21 | 0:35:24 | |
As his builder completes the writing desk, | 0:35:27 | 0:35:30 | |
Oliver puts the finishing touches to the new bookcase... | 0:35:30 | 0:35:33 | |
..and gives a new wingback chair a final clean. | 0:35:35 | 0:35:37 | |
All done, that's it, end of. | 0:35:40 | 0:35:42 | |
Cool. | 0:35:43 | 0:35:44 | |
Oliver was asked to create a modern, contemporary study-cum-guest room. | 0:35:48 | 0:35:52 | |
Two days ago, it was a cold, uninviting room that lacked purpose. | 0:35:54 | 0:35:58 | |
Now it's a warm and comfortable study, | 0:36:12 | 0:36:15 | |
with a large bookcase displaying his client's memorabilia. | 0:36:15 | 0:36:18 | |
An antique writing desk sits pride of place overlooking the striking | 0:36:20 | 0:36:25 | |
seascape, | 0:36:25 | 0:36:27 | |
while a new carpet adds comfort, | 0:36:27 | 0:36:29 | |
and a second-hand sofa bed provides a place for guests to stay. | 0:36:29 | 0:36:33 | |
-Wow. -What a transformation. | 0:36:37 | 0:36:39 | |
I'm not one for colour on walls, but I have to say, | 0:36:39 | 0:36:42 | |
it kind of just looks amazing with the sea | 0:36:42 | 0:36:45 | |
and the blues and the textures | 0:36:45 | 0:36:47 | |
of the curtains. I love the pelmets. | 0:36:47 | 0:36:49 | |
I kind of quite like this old vintage look. | 0:36:49 | 0:36:53 | |
Really? Wow. | 0:36:53 | 0:36:54 | |
He's doing something that he obviously likes to do a lot, | 0:36:54 | 0:36:56 | |
which is this stencilling around the wall, but it is, as always, | 0:36:56 | 0:36:59 | |
really effective. | 0:36:59 | 0:37:00 | |
This bookcase is an absolute joinery triumph, | 0:37:00 | 0:37:03 | |
because what he's done is just take some pretty standard flat-pack | 0:37:03 | 0:37:06 | |
bookcases and join them together with a bit of moulding | 0:37:06 | 0:37:10 | |
and painted it over for less than £115, | 0:37:10 | 0:37:14 | |
and they look totally classic rather than too modern. | 0:37:14 | 0:37:17 | |
-Daniel? -Oh, dear, hang on a minute. | 0:37:17 | 0:37:19 | |
If you're going to say Daniel, | 0:37:19 | 0:37:21 | |
that means there is something that concerns you hugely. | 0:37:21 | 0:37:24 | |
-Yeah. -What's that? | 0:37:24 | 0:37:25 | |
The brief was a modern interior. | 0:37:25 | 0:37:29 | |
-Something really contemporary. -Yeah. | 0:37:29 | 0:37:32 | |
And we've got something that is, quelle surprise, classic design. | 0:37:32 | 0:37:37 | |
I mean, it looks amazing, but it is not what was on the brief. | 0:37:37 | 0:37:40 | |
It's incredibly comfortable, and it's beautiful, but it isn't modern. | 0:37:40 | 0:37:44 | |
It's not modern. | 0:37:44 | 0:37:46 | |
-So, Michael. -Oh, crikey. | 0:37:52 | 0:37:54 | |
This is your new study. | 0:37:54 | 0:37:56 | |
That is fantastic. Brilliant. | 0:37:57 | 0:37:59 | |
I'm not a person that's good with words, but all I can say, | 0:37:59 | 0:38:02 | |
that is absolutely brilliant. | 0:38:02 | 0:38:03 | |
Oh, well, there you go, I'm more than happy myself, then. | 0:38:03 | 0:38:06 | |
I might sleep in here tonight! | 0:38:06 | 0:38:08 | |
Yeah, you should! You should. | 0:38:08 | 0:38:10 | |
I just feel great, isn't it? | 0:38:10 | 0:38:12 | |
It's good. It's too good for me! | 0:38:12 | 0:38:14 | |
Both finalists have completed their first rooms, | 0:38:18 | 0:38:21 | |
but the battle for the competition is far from over. | 0:38:21 | 0:38:24 | |
There's 30 bulbs in there. | 0:38:24 | 0:38:27 | |
A lot of bulbs. What's wrong with that? | 0:38:27 | 0:38:28 | |
Tomorrow is the final day, | 0:38:30 | 0:38:32 | |
when Kelly and Daniel will be joined | 0:38:32 | 0:38:34 | |
by special guest judge Sophie Robinson... | 0:38:34 | 0:38:37 | |
Oh, my God, you've done it, it's finished. | 0:38:37 | 0:38:40 | |
..and one of the designers will be crowned winner. | 0:38:40 | 0:38:43 | |
It's definitely what the future holds for me, | 0:38:44 | 0:38:46 | |
this is why I'm getting emotional, | 0:38:46 | 0:38:47 | |
because I feel like I actually have been handed like a golden ticket. | 0:38:47 | 0:38:51 | |
I feel really, like, lucky. | 0:38:51 | 0:38:53 | |
So, it's just, I feel like I've been given a second chance, I suppose, | 0:38:53 | 0:38:57 | |
to do good work, and... | 0:38:57 | 0:38:59 | |
Yeah, just, that's why I'm emotional. | 0:39:00 | 0:39:02 | |
It's the final day of what's been a long, | 0:39:18 | 0:39:20 | |
long week for our two plucky designers, but they're almost there. | 0:39:20 | 0:39:23 | |
Just two more rooms to finish each, | 0:39:23 | 0:39:25 | |
and one of them by the end of today will be going home with a trophy. | 0:39:25 | 0:39:29 | |
Right, yes, everything today is going to be like the quickest | 0:39:29 | 0:39:32 | |
you've ever seen. My final day. | 0:39:32 | 0:39:33 | |
I'm feeling pretty good. | 0:39:33 | 0:39:35 | |
It is doable, it's got to be doable. | 0:39:35 | 0:39:37 | |
Living room, not a problem, | 0:39:37 | 0:39:39 | |
but kitchen, I'm scared about, to be honest. | 0:39:39 | 0:39:41 | |
There is one problem, right? | 0:39:41 | 0:39:43 | |
Fridge cabinet doesn't fit. | 0:39:44 | 0:39:46 | |
I'd like you to do the...paint the door in the bedroom. | 0:39:46 | 0:39:49 | |
-Yep. -And there's also a brass curtain pole. | 0:39:49 | 0:39:52 | |
A huge bag of mixed emotions. | 0:39:52 | 0:39:54 | |
You know, I'm excited, apprehensive, nervous, kind of exhilarated, | 0:39:54 | 0:39:59 | |
you know, there's loads to do. | 0:39:59 | 0:40:00 | |
It's just all over the place at the moment. | 0:40:00 | 0:40:02 | |
On her way is guest judge interior stylist Sophie Robinson. | 0:40:07 | 0:40:11 | |
She'll help decide which designer will win the competition. | 0:40:11 | 0:40:15 | |
Before she meets the finalists, | 0:40:16 | 0:40:18 | |
she is casting a critical eye over their mood boards, | 0:40:18 | 0:40:20 | |
starting with Daniela's bedroom. | 0:40:20 | 0:40:23 | |
The whole point of a really good presentation | 0:40:23 | 0:40:26 | |
is to get the taste buds going, and I'm literally salivating. | 0:40:26 | 0:40:29 | |
Personally, for me, I think bedrooms should be relaxing, cosseting, | 0:40:29 | 0:40:32 | |
warming and a little bit cosy, | 0:40:32 | 0:40:34 | |
so I'm not sure she's hit the right colour scheme with this one. | 0:40:34 | 0:40:37 | |
I would really have liked to have seen | 0:40:37 | 0:40:39 | |
a little bit more colour introduced. | 0:40:39 | 0:40:40 | |
Followed by her lounge-diner. | 0:40:40 | 0:40:43 | |
An area of concern for me is how she's balanced the classical | 0:40:43 | 0:40:46 | |
with that little element of edginess. | 0:40:46 | 0:40:49 | |
And finally her kitchen. | 0:40:49 | 0:40:51 | |
These boards are absolutely sensational. | 0:40:51 | 0:40:53 | |
I mean, they're beautiful. My fear is that they might have given | 0:40:53 | 0:40:56 | |
the homeowner an unrealistic expectation. | 0:40:56 | 0:40:58 | |
Next up are Oliver's designs, | 0:40:58 | 0:41:01 | |
starting with the master bedroom. | 0:41:01 | 0:41:02 | |
When you're presenting a bedroom | 0:41:02 | 0:41:04 | |
that's supposed to feel grand and opulent | 0:41:04 | 0:41:06 | |
I think your board should look grand and opulent, too, | 0:41:06 | 0:41:08 | |
and this just doesn't. | 0:41:08 | 0:41:10 | |
Moving on to the study/guest room. | 0:41:10 | 0:41:12 | |
This is itty, bitty, really unappealing. | 0:41:12 | 0:41:16 | |
Lastly, Oliver's kitchen. | 0:41:16 | 0:41:18 | |
Interestingly, this is the design I'm most excited about | 0:41:18 | 0:41:21 | |
because I know he's got to the final for a reason, | 0:41:21 | 0:41:24 | |
and he can only exceed my expectations right now. | 0:41:24 | 0:41:27 | |
As Sophie makes her way to the castle, | 0:41:30 | 0:41:32 | |
the designers are summoned outside. | 0:41:32 | 0:41:34 | |
OK. | 0:41:35 | 0:41:37 | |
Just about to start. | 0:41:37 | 0:41:38 | |
OK. | 0:41:40 | 0:41:42 | |
Hello, designers. | 0:41:43 | 0:41:44 | |
For the all-important final, | 0:41:44 | 0:41:47 | |
our two judges, who've been so impressed | 0:41:47 | 0:41:49 | |
with how you've developed over | 0:41:49 | 0:41:50 | |
the rounds, they need a fresh perspective, a fresh pair of eyes. | 0:41:50 | 0:41:54 | |
Joining us today is one of the industry's | 0:41:54 | 0:41:56 | |
leading interior stylists. | 0:41:56 | 0:41:59 | |
With over 15 years' experience in the field, | 0:41:59 | 0:42:02 | |
she has one of the keenest eyes in the industry. | 0:42:02 | 0:42:05 | |
It's Sophie Robinson. | 0:42:05 | 0:42:06 | |
Hi, guys, lovely to meet you. | 0:42:11 | 0:42:12 | |
Now, as an interior stylist, I really know how to work a budget, | 0:42:12 | 0:42:15 | |
start from scratch and yet still deliver that high-quality finish, | 0:42:15 | 0:42:19 | |
so I am going to be a very tough judge. | 0:42:19 | 0:42:23 | |
So you're on the home stretch, the pair of you. | 0:42:23 | 0:42:25 | |
You can do it. Off you go. | 0:42:25 | 0:42:27 | |
Sophie, I couldn't believe it. | 0:42:29 | 0:42:31 | |
I'm not as freaked out... | 0:42:31 | 0:42:32 | |
Yet. | 0:42:32 | 0:42:34 | |
She does love bright colours and pattern, | 0:42:34 | 0:42:36 | |
whereas I am more neutral. | 0:42:36 | 0:42:38 | |
I think she'll prefer Oliver's. | 0:42:38 | 0:42:40 | |
First, Sophie will be judging | 0:42:43 | 0:42:44 | |
the rooms the designers finished yesterday, | 0:42:44 | 0:42:47 | |
starting with Daniela's bedroom. | 0:42:47 | 0:42:48 | |
I love the way the design has updated this room, | 0:42:49 | 0:42:51 | |
like we've got all these really fabulous, | 0:42:51 | 0:42:53 | |
traditional mouldings in this space, | 0:42:53 | 0:42:55 | |
but by painting them all out in one colour, it makes | 0:42:55 | 0:42:57 | |
the whole scheme look more up-to-date. Opting... | 0:42:57 | 0:43:01 | |
for this very striking black and white does create | 0:43:01 | 0:43:04 | |
quite a chilly vibe. | 0:43:04 | 0:43:05 | |
They've also said they'd like to introduce some colour, | 0:43:05 | 0:43:08 | |
and there is none in here. | 0:43:08 | 0:43:09 | |
Next up, Oliver's guest room. | 0:43:12 | 0:43:15 | |
What an absolutely fabulous room. | 0:43:15 | 0:43:18 | |
I'm loving the attention to detail. | 0:43:18 | 0:43:19 | |
This is such a nice little painted motif. | 0:43:19 | 0:43:21 | |
You know, quite a classical reference, | 0:43:21 | 0:43:24 | |
which I think is really in keeping with the architecture. | 0:43:24 | 0:43:26 | |
And I feel that this big blank wall behind me | 0:43:26 | 0:43:29 | |
was a real missed opportunity. | 0:43:29 | 0:43:31 | |
I would have put a lovely big piece of artwork on there. | 0:43:31 | 0:43:35 | |
In terms of a scheme, this is | 0:43:35 | 0:43:36 | |
a million miles away from the mood board. | 0:43:36 | 0:43:39 | |
I mean, quite frankly, it's not even the same room. | 0:43:39 | 0:43:41 | |
And I'm pleased to say it has | 0:43:41 | 0:43:42 | |
restored my faith in Oliver as a designer. | 0:43:42 | 0:43:44 | |
He definitely deserves to be here. This is great. | 0:43:44 | 0:43:46 | |
With Sophie's critical eye cast across their first rooms, | 0:43:48 | 0:43:51 | |
both designers are neck and neck. | 0:43:51 | 0:43:54 | |
Sofa's going well. | 0:43:54 | 0:43:56 | |
I've just got to do basically this bit of fabric here and here, | 0:43:56 | 0:44:00 | |
and then the cushions can go on, and it's all good to go then. | 0:44:00 | 0:44:03 | |
As the first designer to start, | 0:44:04 | 0:44:06 | |
Daniela has just a few hours left to complete her rooms. | 0:44:06 | 0:44:09 | |
While the living/dining room is taking shape, | 0:44:10 | 0:44:13 | |
the kitchen is a long way off. | 0:44:13 | 0:44:15 | |
I do envisage the last hour being slightly manic. | 0:44:15 | 0:44:18 | |
Meanwhile, Oliver's adapting | 0:44:20 | 0:44:22 | |
some new curtains for his four-poster bed. | 0:44:22 | 0:44:25 | |
To buy cotton velvet from a sort of haberdashers or fabric shop is | 0:44:25 | 0:44:28 | |
actually quite expensive. | 0:44:28 | 0:44:30 | |
These, I think, are under £40 for a pair. | 0:44:30 | 0:44:33 | |
It's absolutely incredible value. | 0:44:33 | 0:44:35 | |
Just about an hour in here now, guys, OK? | 0:44:38 | 0:44:41 | |
Time's running out for Daniela. | 0:44:41 | 0:44:43 | |
-Yeah, perfect. -Throughout, | 0:44:46 | 0:44:48 | |
Daniela's ambitious designs have impressed the judges. | 0:44:48 | 0:44:51 | |
Now, I want you to get this looking like it's absolutely 100%. | 0:44:51 | 0:44:55 | |
She's frantically completing the lounge/diner... | 0:44:55 | 0:44:57 | |
-So happy. -..and the kitchen. | 0:44:57 | 0:45:00 | |
So we've got all up here to paint. | 0:45:00 | 0:45:02 | |
Look, look, look. Ah! | 0:45:02 | 0:45:06 | |
Daniela's four days are up, | 0:45:06 | 0:45:08 | |
but has she done enough to impress the judges one final time? | 0:45:08 | 0:45:12 | |
Daniela's brief was to create | 0:45:17 | 0:45:18 | |
a bright and contemporary urban entertaining space, | 0:45:18 | 0:45:22 | |
which four days ago was bland and beige. | 0:45:22 | 0:45:24 | |
Now it's modern and innovative, | 0:45:37 | 0:45:40 | |
with clean lines and deep colours | 0:45:40 | 0:45:41 | |
which bring warmth to the white walls. | 0:45:41 | 0:45:44 | |
Changing the layout and a bespoke sofa | 0:45:45 | 0:45:48 | |
create a relaxing corner perfect for watching the television, | 0:45:48 | 0:45:51 | |
which is hidden inside a sleek new cabinet. | 0:45:51 | 0:45:54 | |
Mid-century furniture and a retro chandelier | 0:45:58 | 0:46:00 | |
add a classic twist, | 0:46:00 | 0:46:02 | |
complemented with bursts of colourful soft furnishings. | 0:46:02 | 0:46:05 | |
What a difference! | 0:46:10 | 0:46:12 | |
What class. It's just not what you're going to expect. | 0:46:12 | 0:46:14 | |
Everything is about lines, it's about following a line through. | 0:46:14 | 0:46:18 | |
She does this brilliantly with walls. | 0:46:18 | 0:46:20 | |
You follow those different lines, and at each little point, | 0:46:20 | 0:46:23 | |
punctuated in the room, are these lovely surprises of anarchy. | 0:46:23 | 0:46:28 | |
I do have one thing. | 0:46:28 | 0:46:29 | |
I think it just feels a little bit cold in places. | 0:46:29 | 0:46:32 | |
-Bit too clinical, maybe. -A little bit. | 0:46:32 | 0:46:34 | |
The brief in the kitchen was for an innovative update to a tired and | 0:46:36 | 0:46:39 | |
characterless room. | 0:46:39 | 0:46:41 | |
Now its contemporary, clean lines and luxurious materials create | 0:46:45 | 0:46:48 | |
sophistication. | 0:46:48 | 0:46:49 | |
Bronze-mirrored cupboard and drawer fronts add warmth and reflect the | 0:46:51 | 0:46:54 | |
exposed parquet flooring. | 0:46:54 | 0:46:56 | |
The marble print wallpaper and new worktops add depth | 0:46:58 | 0:47:01 | |
and brightness to the room... | 0:47:01 | 0:47:02 | |
..while the exposed plaster wall adds character, | 0:47:04 | 0:47:07 | |
contrasting with the smart services. | 0:47:07 | 0:47:09 | |
-Wow. -This is a bit classy, isn't it? | 0:47:12 | 0:47:15 | |
-This is fierce. Isn't it? -Fierce! | 0:47:15 | 0:47:17 | |
I mean, what have we got going on here? | 0:47:17 | 0:47:19 | |
We've got concrete. We've got, like, bronze mirror. | 0:47:19 | 0:47:22 | |
What I love is the reflection of the floor that you get. | 0:47:22 | 0:47:25 | |
It suddenly looks incredibly warm because of the wooden floor. | 0:47:25 | 0:47:29 | |
And it also creates that amazing illusion of space. | 0:47:29 | 0:47:31 | |
-Like the floor just continues all the way down there. -It's fantastic. | 0:47:31 | 0:47:34 | |
You know, one of my concerns with Daniela, a little bit stage set. | 0:47:34 | 0:47:36 | |
I mean, if you're going to do something like concrete, | 0:47:36 | 0:47:38 | |
it's got to look sharp, it's got to look urban. | 0:47:38 | 0:47:40 | |
-This is... -Yeah, I know. | 0:47:40 | 0:47:42 | |
..not working well, is it? | 0:47:42 | 0:47:44 | |
I think she's done a really good look in here that is different | 0:47:44 | 0:47:47 | |
and has actually followed the brief. | 0:47:47 | 0:47:49 | |
Her quality and certain things are not 100%, that's for sure. | 0:47:49 | 0:47:54 | |
The opinions of the clients will help the judges decide | 0:47:56 | 0:47:59 | |
who will win the competition. | 0:47:59 | 0:48:01 | |
Come on through. | 0:48:04 | 0:48:05 | |
Look... You can't avoid it. | 0:48:06 | 0:48:08 | |
-Yeah. -You can't avoid Napoleon. | 0:48:08 | 0:48:10 | |
I think my instant reaction is that that's not something that we would | 0:48:10 | 0:48:12 | |
-choose for ourselves. -How about the big unit over here? | 0:48:12 | 0:48:15 | |
I know that was one of your worries, wasn't it? | 0:48:15 | 0:48:17 | |
-Yeah. -Yeah, I think that does look very good. | 0:48:17 | 0:48:20 | |
Yeah? I really like it, yeah. | 0:48:20 | 0:48:22 | |
Is this going to be a place, you know, | 0:48:22 | 0:48:23 | |
-where you're going to hang out? -Definitely. | 0:48:23 | 0:48:25 | |
The sofa looks great. I can really see us sort of sitting here. | 0:48:25 | 0:48:28 | |
That's a massive improvement. That really changes the room. | 0:48:28 | 0:48:31 | |
Kitchen, another transformation. | 0:48:32 | 0:48:34 | |
I like it, but it wouldn't be something that I'd have gone for, | 0:48:34 | 0:48:37 | |
like in terms of the layout and the style. | 0:48:37 | 0:48:40 | |
I think she's done very well. | 0:48:40 | 0:48:42 | |
She's looked at what our likes and dislikes are, | 0:48:42 | 0:48:45 | |
but at the same time, she's put in her own creativity, her own ideas. | 0:48:45 | 0:48:50 | |
Meanwhile, Oliver's deadline is quickly approaching. | 0:48:54 | 0:48:57 | |
Go on, now. Put it on the bed, put it on the bed. | 0:48:57 | 0:49:00 | |
He's consistently impressed the judges with his eclectic designs. | 0:49:00 | 0:49:04 | |
Get out of the way. | 0:49:04 | 0:49:05 | |
As he finishes his master bedroom... | 0:49:06 | 0:49:09 | |
-Gavin. -..and his kitchen... | 0:49:09 | 0:49:11 | |
-Spot on, yeah. -..has he provided enough of a surprise | 0:49:12 | 0:49:16 | |
to impress the judges? | 0:49:16 | 0:49:17 | |
Oliver's four days are up. | 0:49:20 | 0:49:22 | |
Right then. | 0:49:22 | 0:49:23 | |
Oliver's brief was to create a fresh New England-style kitchen that was | 0:49:28 | 0:49:31 | |
light and airy. | 0:49:31 | 0:49:32 | |
72 hours ago, it was cramped and uninviting, | 0:49:34 | 0:49:38 | |
dominated by unused cupboards. | 0:49:38 | 0:49:40 | |
Now it's a welcoming, cool and breezy space. | 0:49:50 | 0:49:53 | |
Light green tiles and timber shelves | 0:49:55 | 0:49:57 | |
add texture and depth and open up the narrow room. | 0:49:57 | 0:50:01 | |
New worktops and an additional breakfast bar give the room a smart, | 0:50:02 | 0:50:06 | |
modern feel. | 0:50:06 | 0:50:07 | |
It is fresh, isn't it? | 0:50:11 | 0:50:13 | |
Really fresh. The brief asks for something that was quite Hamptons in | 0:50:13 | 0:50:18 | |
-style. -And it's very Hamptons. | 0:50:18 | 0:50:19 | |
East Coast American, laid-back, soft, | 0:50:19 | 0:50:22 | |
and I think he's managed to do that, | 0:50:22 | 0:50:24 | |
especially because he's put this open shelving in | 0:50:24 | 0:50:26 | |
rather than cupboards. | 0:50:26 | 0:50:27 | |
And he's thought about it as well. | 0:50:27 | 0:50:29 | |
He's used like textured wood, | 0:50:29 | 0:50:31 | |
so we're getting that nice, rustic, seaside element, too. | 0:50:31 | 0:50:34 | |
He's been very clever with the clock, | 0:50:34 | 0:50:36 | |
and he's drawn your eye up, because these windows are so tall. | 0:50:36 | 0:50:40 | |
And I just think it's a beautiful, small galley kitchen. | 0:50:40 | 0:50:45 | |
In the bedroom, the brief was for an opulent scheme, | 0:50:47 | 0:50:50 | |
befitting the grand proportions of the room. | 0:50:50 | 0:50:52 | |
Four days ago, it was sparse and lacked personality. | 0:50:54 | 0:50:57 | |
Now it's a dramatic, sumptuous room. | 0:51:11 | 0:51:13 | |
Oliver has used bold metallic palm print wallpaper set across the | 0:51:15 | 0:51:19 | |
panelling as a backdrop for the grand four-poster bed. | 0:51:19 | 0:51:22 | |
Antique furniture and a chandelier | 0:51:24 | 0:51:26 | |
add masculinity and drama to the scheme. | 0:51:26 | 0:51:29 | |
Wow. | 0:51:31 | 0:51:33 | |
Well, he asked for opulent, didn't he? | 0:51:33 | 0:51:35 | |
And it's certainly that. | 0:51:35 | 0:51:36 | |
I absolutely love this wallpaper. | 0:51:36 | 0:51:39 | |
-It's right up my strassa. -So rich. | 0:51:39 | 0:51:42 | |
It's sort of like a very deep turquoise colour with very warm gold | 0:51:42 | 0:51:45 | |
background, so it's really warming this room up. | 0:51:45 | 0:51:47 | |
I like the fact that he hasn't just put the wallpaper in the panels. | 0:51:47 | 0:51:50 | |
Someone who was less confident might do that. | 0:51:50 | 0:51:52 | |
He's kind of got this four-poster bed, | 0:51:52 | 0:51:54 | |
which he's done incredibly well, | 0:51:54 | 0:51:56 | |
because it was an existing bed. | 0:51:56 | 0:51:58 | |
He's painted it a great colour. | 0:51:58 | 0:51:59 | |
He's put these newel posts on either side. | 0:51:59 | 0:52:01 | |
My criticism is he hasn't gone far enough. | 0:52:01 | 0:52:03 | |
You know, we're talking opulent here. | 0:52:03 | 0:52:05 | |
You've got to have texture and throws and velvets and silks | 0:52:05 | 0:52:08 | |
and layer it all up. We want more. Well, I want more. | 0:52:08 | 0:52:11 | |
Hang on, guys. We've got velvet. | 0:52:11 | 0:52:14 | |
We've got tapestry. | 0:52:14 | 0:52:16 | |
We've got more velvet, more tapestry, we've got tassels, | 0:52:16 | 0:52:20 | |
we've got wallpaper. | 0:52:20 | 0:52:21 | |
That's why I've got such a big grin on my face. | 0:52:21 | 0:52:24 | |
I'm LOVING it. | 0:52:24 | 0:52:26 | |
I think Oliver's given us a really classic scheme. | 0:52:26 | 0:52:28 | |
I love it, and I think it works really well. | 0:52:28 | 0:52:31 | |
I just think he should have been a little bit more consistent | 0:52:31 | 0:52:33 | |
by dressing the bed a bit more, then it would have been amazing. | 0:52:33 | 0:52:37 | |
Wow. | 0:52:44 | 0:52:46 | |
It's a tricky space, obviously. | 0:52:46 | 0:52:48 | |
Long and thin. | 0:52:48 | 0:52:49 | |
By taking some cabinets down, | 0:52:49 | 0:52:50 | |
he's opened it up and made it more spacious. | 0:52:50 | 0:52:53 | |
There's so much room in here now. | 0:52:53 | 0:52:54 | |
-Got a new chair. -Got a new chair, yeah, exactly. | 0:52:54 | 0:52:57 | |
Beautiful. | 0:52:57 | 0:52:59 | |
Oh, bloody hell. Oh, my God. | 0:52:59 | 0:53:00 | |
I don't know if that's a good reaction or not. | 0:53:00 | 0:53:03 | |
"Oh, bloody hell. Oh, my God." | 0:53:03 | 0:53:04 | |
It's got that warm feeling about it, which I wanted. | 0:53:04 | 0:53:07 | |
-And the four-poster bed. -It's got your four-poster bed in it, | 0:53:08 | 0:53:10 | |
it's got the four-poster bed. | 0:53:10 | 0:53:12 | |
I'll be in there tonight. | 0:53:12 | 0:53:13 | |
It's been an exhausting four days for our finalists, | 0:53:18 | 0:53:22 | |
but their fate now rests in the hands of the judges. | 0:53:22 | 0:53:24 | |
Sophie, it's been fantastic having you with us. | 0:53:24 | 0:53:27 | |
What have you thought of the designs and the whole experience? | 0:53:27 | 0:53:29 | |
It's been absolutely brilliant, | 0:53:29 | 0:53:31 | |
and I've seen these two designers with fresh eyes. | 0:53:31 | 0:53:33 | |
I knew nothing about them, nothing about their history, | 0:53:33 | 0:53:36 | |
and I can't get over how different they are. | 0:53:36 | 0:53:38 | |
You've got two designers who do very different looks. | 0:53:38 | 0:53:41 | |
Now, how do we judge those two against each other? | 0:53:41 | 0:53:44 | |
Oliver's designs make me feel like I've gone away for a weekend | 0:53:44 | 0:53:47 | |
and I'm in some different experience, | 0:53:47 | 0:53:49 | |
and I feel very warm and content in those rooms. | 0:53:49 | 0:53:52 | |
Like putting on a comfy pair of slippers, | 0:53:52 | 0:53:54 | |
I just want to hang out in his house. | 0:53:54 | 0:53:55 | |
Dan, you've always been looking for a twist with Oliver. | 0:53:55 | 0:53:59 | |
-Did you find it this time? -I loved it. | 0:53:59 | 0:54:01 | |
I enjoyed it, but it didn't power me. | 0:54:01 | 0:54:03 | |
It didn't surprise me. | 0:54:03 | 0:54:05 | |
Well, I know you want to know what the client thought. | 0:54:05 | 0:54:07 | |
I know it's important for your decision. | 0:54:07 | 0:54:09 | |
-He adored it. -And that's why Oliver is a brilliant designer, | 0:54:10 | 0:54:13 | |
because he understands his client. He's absolutely client focused. | 0:54:13 | 0:54:18 | |
-How about Daniela? -She's unbelievably ambitious. | 0:54:18 | 0:54:20 | |
She absolutely loves design. | 0:54:20 | 0:54:23 | |
As a result, she wants to deliver so much of it. | 0:54:23 | 0:54:25 | |
-And she puts so much on her boards. -Well, that's where she's in danger, | 0:54:25 | 0:54:28 | |
because the boards are so beautiful. | 0:54:28 | 0:54:29 | |
You have really high expectations, | 0:54:29 | 0:54:31 | |
and the danger is those expectations aren't met. | 0:54:31 | 0:54:34 | |
I had a really interesting response from the client. | 0:54:34 | 0:54:36 | |
It took a few minutes, took a while to get, | 0:54:36 | 0:54:38 | |
but they really liked her original ideas. | 0:54:38 | 0:54:40 | |
Are you looking for a designer who can nail a brief | 0:54:40 | 0:54:43 | |
and create a home for a homeowner, | 0:54:43 | 0:54:44 | |
or are you looking for a designer who can push the boundaries? | 0:54:44 | 0:54:47 | |
I think we are looking for both. | 0:54:47 | 0:54:48 | |
So what we've got are two very, very different designers, | 0:54:48 | 0:54:51 | |
but very close together. | 0:54:51 | 0:54:52 | |
The judges will also need to consider the designers' projects | 0:54:55 | 0:54:58 | |
throughout the competition. | 0:54:58 | 0:55:00 | |
I'm here and I'm in the final and it's actually, | 0:55:01 | 0:55:03 | |
it's made me rethink my whole life. | 0:55:03 | 0:55:05 | |
I have given it my all. Blood, sweat and tears. | 0:55:09 | 0:55:12 | |
A lot of tears. Been away from my family, you know, | 0:55:12 | 0:55:15 | |
it's been incredibly hard. It's the first time I've done it. | 0:55:15 | 0:55:17 | |
I look back on everything, you know, so fondly, you know. | 0:55:21 | 0:55:25 | |
I've learned a lot about myself. | 0:55:25 | 0:55:27 | |
I've learned that I've got design ability. | 0:55:27 | 0:55:30 | |
Both of you have got an incredible gift. | 0:55:38 | 0:55:40 | |
It's an ability to create magic in the most important space | 0:55:40 | 0:55:44 | |
in every person's life - | 0:55:44 | 0:55:46 | |
-their home. -Oliver and Daniela, | 0:55:46 | 0:55:48 | |
what an incredible journey you have both been on, | 0:55:48 | 0:55:52 | |
and I feel so honoured to be a part of that. | 0:55:52 | 0:55:54 | |
Both of you, I've really enjoyed watching you develop, | 0:55:54 | 0:55:57 | |
and you've actually inspired me a lot. | 0:55:57 | 0:56:00 | |
It's been a complete buzz to be here today, | 0:56:00 | 0:56:03 | |
to judge all your hard-fought efforts. | 0:56:03 | 0:56:05 | |
It's been a real nailbiter, | 0:56:09 | 0:56:10 | |
both of you are incredibly talented designers in your own way. | 0:56:10 | 0:56:14 | |
But the judges have made a decision. | 0:56:14 | 0:56:16 | |
And the winner of the Great Interior Design Challenge | 0:56:17 | 0:56:21 | |
is... | 0:56:21 | 0:56:22 | |
-..Daniela. -Ah! | 0:56:28 | 0:56:31 | |
HE LAUGHS | 0:56:31 | 0:56:33 | |
I'm sorry. | 0:56:33 | 0:56:35 | |
That's cool. That's cool. | 0:56:35 | 0:56:37 | |
-This is yours. CRYING: -Thank you so much. | 0:56:37 | 0:56:40 | |
Give me a hug. | 0:56:40 | 0:56:41 | |
Thank you. | 0:56:43 | 0:56:44 | |
It was close. | 0:56:44 | 0:56:46 | |
-Don't doubt yourself. -I'm massively disappointed, of course. | 0:56:46 | 0:56:49 | |
I mean, who wouldn't be? | 0:56:49 | 0:56:50 | |
You don't go into a competition to lose, do you? | 0:56:50 | 0:56:53 | |
But, hey, that's the way it is. | 0:56:53 | 0:56:54 | |
Hello, hello. | 0:56:54 | 0:56:56 | |
It's lovely, fantastic. | 0:56:56 | 0:56:58 | |
-Thank you, Michael, it means a lot. -Thanks a lot. | 0:56:58 | 0:57:01 | |
Oliver is exceptional at designing that particular look | 0:57:01 | 0:57:05 | |
that he's good at, | 0:57:05 | 0:57:06 | |
and he will excel in the future with that. | 0:57:06 | 0:57:09 | |
But in terms of his range, for me, that was the difference. | 0:57:09 | 0:57:14 | |
Sadly, Oliver didn't win, | 0:57:14 | 0:57:15 | |
and the reason why is he just didn't go that extra mile, | 0:57:15 | 0:57:19 | |
that extra little finish and thought. | 0:57:19 | 0:57:22 | |
So... I won. | 0:57:22 | 0:57:24 | |
-Congratulations. -Congratulations, yeah. -Thank you. | 0:57:24 | 0:57:27 | |
Thank you so much. | 0:57:27 | 0:57:30 | |
-TEARFULLY: -So grateful, and, yeah, just I've really worked hard | 0:57:30 | 0:57:33 | |
and I feel like it's finally paid off, so I'm so happy. | 0:57:33 | 0:57:37 | |
She constantly surprised me, | 0:57:38 | 0:57:40 | |
showed me things I've never seen before. | 0:57:40 | 0:57:43 | |
Every single room she designed was a different feel, a different look, | 0:57:43 | 0:57:48 | |
different textures. | 0:57:48 | 0:57:49 | |
She really pushed the boundaries. | 0:57:49 | 0:57:51 | |
Thank you so much. Thank you. | 0:57:51 | 0:57:54 | |
-It's been so lovely meeting you both. -Very well done. -Thank you. | 0:57:54 | 0:57:57 | |
Some people might think that interior design is | 0:57:59 | 0:58:01 | |
just a matter of slapping some paint on or rearranging the cushions. | 0:58:01 | 0:58:04 | |
How wrong they would be. | 0:58:04 | 0:58:06 | |
As all our designers have proved, | 0:58:06 | 0:58:08 | |
it takes dedication and late nights and some real skill. | 0:58:08 | 0:58:12 | |
It is serious stuff, | 0:58:12 | 0:58:14 | |
because the most important piece of design you're ever likely to | 0:58:14 | 0:58:17 | |
experience is your home. | 0:58:17 | 0:58:19 | |
Transform that, and you can transform your entire life. | 0:58:19 | 0:58:22 | |
If you think you've got what it takes to take on | 0:58:24 | 0:58:26 | |
the Great Interior Design Challenge, e-mail us for an application form. | 0:58:26 | 0:58:30 |