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House prices are going through the roof and with banks often refusing | 0:00:02 | 0:00:05 | |
to lend, buying a home in the UK is an impossible dream for many of us. | 0:00:05 | 0:00:11 | |
We just can't get a mortgage and around here the house prices are so high. | 0:00:11 | 0:00:14 | |
But a few brave ordinary people are pursuing a radical solution to the problem. | 0:00:14 | 0:00:20 | |
Come on, baby. Trying to build their own home from scratch. | 0:00:20 | 0:00:25 | |
I haven't asked him whether he thinks I'm stupid or brave! | 0:00:25 | 0:00:28 | |
Ground-breaking architect Piers Taylor and me, Kieran Long, | 0:00:28 | 0:00:32 | |
are following six self-builders as they take on the biggest | 0:00:32 | 0:00:35 | |
gamble of their lives. I haven't got any option. | 0:00:35 | 0:00:40 | |
If you've got to do it, you've got to do it. | 0:00:40 | 0:00:42 | |
We'll try to help them create the dream home they've longed for. Wow! | 0:00:42 | 0:00:46 | |
They need to be clever with their cash and creative with design. | 0:00:48 | 0:00:51 | |
So tell me what your reaction is to this. I'm quite surprised. | 0:00:52 | 0:00:56 | |
I'm quite liking it. | 0:00:56 | 0:00:58 | |
Or you can get the whole section of the plane as a ready-made | 0:00:58 | 0:01:02 | |
bit of building. But each has their life savings at stake... | 0:01:02 | 0:01:07 | |
Oh! What have they done? ..little or no experience... | 0:01:07 | 0:01:11 | |
I've got some more drawings, actually. This is good as it gets. | 0:01:11 | 0:01:15 | |
..and a budget of less than ?100,000 to spend. | 0:01:15 | 0:01:19 | |
How much money have you got left? Let's see. But it won't be easy. | 0:01:19 | 0:01:25 | |
No point in crying over a cardboard cottage. | 0:01:25 | 0:01:28 | |
This time, unable to buy a house in their home county of Devon, | 0:01:31 | 0:01:35 | |
a young newlywed couple attempt to build their own. | 0:01:35 | 0:01:38 | |
We desperately need the house to start our family | 0:01:38 | 0:01:41 | |
in our own space. | 0:01:41 | 0:01:43 | |
They'll need ?95,000 for the build. | 0:01:43 | 0:01:46 | |
How much money have you got? 60 grand, top whack. | 0:01:46 | 0:01:50 | |
So there seems to be a problem there. | 0:01:51 | 0:01:54 | |
If this couple fails to do this, it's sending out a message that | 0:01:54 | 0:01:58 | |
good quality affordable housing is unachievable. | 0:01:58 | 0:02:01 | |
But with so much pressure on them to succeed... | 0:02:01 | 0:02:04 | |
Justin is getting very stroppy and obviously everything is my fault. | 0:02:04 | 0:02:08 | |
..how will they cope when the build stops going to plan? | 0:02:08 | 0:02:11 | |
It should be watertight but how has water managed to get in behind there? | 0:02:11 | 0:02:15 | |
I'm heading to rural Devon to meet a young couple who are facing | 0:02:30 | 0:02:33 | |
a kind of perennial problem for countryside communities. | 0:02:33 | 0:02:37 | |
How can young people afford to stay in a place where they were born? | 0:02:37 | 0:02:41 | |
In places like this, young people are simply priced out of the market | 0:02:41 | 0:02:45 | |
by people owning holiday homes and money from outside these communities. | 0:02:45 | 0:02:50 | |
24-year-old farm worker Justin | 0:02:56 | 0:02:58 | |
and 22-year-old accountant Mary are Devon born and bred. | 0:02:58 | 0:03:02 | |
It's what we know. It's why I would hate to live in a city, I'd hate to live in town. | 0:03:04 | 0:03:08 | |
I just love living out in the country. Buzz, come by! Come by! | 0:03:08 | 0:03:12 | |
Come by! Come by! | 0:03:12 | 0:03:13 | |
They go in the garden up there and she's got prize roses | 0:03:13 | 0:03:16 | |
and everything in there, so if they'd got in the garden up there, | 0:03:16 | 0:03:18 | |
we would have been dead meat! | 0:03:18 | 0:03:21 | |
Good boy, Buzz, good boy. | 0:03:21 | 0:03:23 | |
Both from local families, they've been together since school. | 0:03:23 | 0:03:28 | |
They're engaged and have a date set for their wedding within a year. | 0:03:28 | 0:03:32 | |
So they want to get out of rented accommodation | 0:03:32 | 0:03:34 | |
and into a house of their own. | 0:03:34 | 0:03:36 | |
We desperately need the house to start our family in our own space, just to be independent. | 0:03:36 | 0:03:42 | |
This property is extremely important to us. | 0:03:42 | 0:03:44 | |
It's probably the most important thing we've ever done. | 0:03:44 | 0:03:47 | |
Can't wait to move in. | 0:03:47 | 0:03:50 | |
Mary is desperate for babies! | 0:03:50 | 0:03:51 | |
Don't say that! I just did! | 0:03:53 | 0:03:57 | |
But money is tight. | 0:03:57 | 0:03:59 | |
Justin dreams of owning a farm one day | 0:03:59 | 0:04:01 | |
but unpredictable contract jobs are all he currently has. | 0:04:01 | 0:04:04 | |
Mary is just starting out in a career in accountancy | 0:04:06 | 0:04:09 | |
and her wage is the only guaranteed income they have. | 0:04:09 | 0:04:12 | |
We wouldn't be able to build a house if I didn't have a | 0:04:12 | 0:04:15 | |
full-time job as well because Justin is self-employed, | 0:04:15 | 0:04:17 | |
so obviously his is very up and down and this is much more reliable. | 0:04:17 | 0:04:22 | |
But the average house price in their part of Devon is about ?180,000. | 0:04:22 | 0:04:28 | |
They are completely priced out of the market. | 0:04:28 | 0:04:32 | |
We want to stay here and we want to keep working our own land | 0:04:32 | 0:04:36 | |
and our own sheep and everything. | 0:04:36 | 0:04:38 | |
You know, moving away wasn't really an option for us. | 0:04:38 | 0:04:41 | |
But Justin and Mary have one chance to get what they want. | 0:04:43 | 0:04:47 | |
Justin inherited a plot of land after his mother died | 0:04:47 | 0:04:50 | |
and has managed to get permission to build on it. | 0:04:50 | 0:04:53 | |
They're taking advantage of a local affordable housing scheme | 0:04:53 | 0:04:57 | |
but there are tight restrictions on size and resale. | 0:04:57 | 0:05:01 | |
There's just no other way for people our age around here | 0:05:01 | 0:05:04 | |
who want to stay here to do it, | 0:05:04 | 0:05:07 | |
so, yeah, it seems to be the only way you can do it, really. | 0:05:07 | 0:05:11 | |
Mary's dad is an architect | 0:05:12 | 0:05:15 | |
and has drawn up plans for a no-frills self-build home. | 0:05:15 | 0:05:18 | |
He knows how important this project is. | 0:05:18 | 0:05:20 | |
What is making this building so fascinating for me | 0:05:22 | 0:05:25 | |
is can we make a building really, really cheap? | 0:05:25 | 0:05:29 | |
The planning stipulates that the house can never be worth more | 0:05:29 | 0:05:32 | |
than three and a half times the local average salary of around ?25,000. | 0:05:32 | 0:05:37 | |
He hopes this can be built for just 95. | 0:05:37 | 0:05:41 | |
It's going to need a great deal of free labour from Mary and Justin | 0:05:41 | 0:05:45 | |
to hit the budget. | 0:05:45 | 0:05:48 | |
But creating a beautiful home takes more than just hard graft | 0:05:48 | 0:05:51 | |
and this is where they are real novices. | 0:05:51 | 0:05:54 | |
I haven't got absolutely no clue with design. | 0:05:55 | 0:05:58 | |
Just nice, neutral colours and things. Nothing too crazy. | 0:05:58 | 0:06:03 | |
Everything will just be simple and clean. | 0:06:03 | 0:06:05 | |
That's how we'd like it, innit, really. | 0:06:05 | 0:06:07 | |
This is the one shot at getting a home and with the foundations laid, | 0:06:12 | 0:06:16 | |
I want to see what they've got planned. | 0:06:16 | 0:06:18 | |
Hi there. Hello. | 0:06:21 | 0:06:22 | |
Hi, Mary. Hi. Hi. Hello, Kieran. Justin. Nice to meet you. | 0:06:22 | 0:06:26 | |
This is all very exciting. Yeah, it is. It looks like a building site. Where are we standing now? | 0:06:26 | 0:06:30 | |
This is our kitchen, dining room and living room. | 0:06:30 | 0:06:34 | |
And then our prized possession in here will be the wood burner Um, this is... | 0:06:34 | 0:06:38 | |
We love the wood burner, don't we, in the house we live in? | 0:06:38 | 0:06:41 | |
So this will have a back boiler | 0:06:41 | 0:06:42 | |
and it will sit back against the kitchen units. | 0:06:42 | 0:06:45 | |
It's really in the heart of the space here. It's amazing. It's going to be the hearth of your home. | 0:06:45 | 0:06:49 | |
Yes. I'm really looking forward to on a cold winter's night, lying in front | 0:06:49 | 0:06:53 | |
and a three-piece settee across there. | 0:06:53 | 0:06:55 | |
Looking at the rain hammering against that window with | 0:06:55 | 0:06:58 | |
a wood burner about here. Perfect. | 0:06:58 | 0:07:00 | |
Working on farms, we've got unlimited access to wood, basically. | 0:07:00 | 0:07:04 | |
It should be fairly cheap for us to run, really. | 0:07:04 | 0:07:08 | |
Justin and Bailey's home is simple and safe | 0:07:08 | 0:07:10 | |
in terms of design but risks being somewhat uninspiring. | 0:07:10 | 0:07:14 | |
Planning stipulates it can only be 100 square metres and | 0:07:18 | 0:07:22 | |
Mary's Dad has worked hard to create a very efficient two-bedroom house. | 0:07:22 | 0:07:26 | |
Downstairs, a central wood burner will minimise fuel costs | 0:07:28 | 0:07:31 | |
by heating the entire home. | 0:07:31 | 0:07:35 | |
The small kitchen divides off the main living area | 0:07:35 | 0:07:38 | |
and a traditional heavy-set staircase leads to the second floor. | 0:07:38 | 0:07:43 | |
There's a separate utility and shower downstairs which will | 0:07:43 | 0:07:45 | |
prevent mud from being traipsed all over the house. | 0:07:45 | 0:07:48 | |
The whole home is extremely functional | 0:07:50 | 0:07:52 | |
and designed to keep costs down. So let's talk about numbers. | 0:07:52 | 0:07:56 | |
Let's talk about budget, because that's critical on this build. | 0:07:56 | 0:08:00 | |
How much is this build going to cost to complete, first? | 0:08:00 | 0:08:03 | |
Roughly guessing, John, Mary's Dad, the architect, has done a rough | 0:08:03 | 0:08:07 | |
budget and he reckons between 90 and 95,000, everything, all in. | 0:08:07 | 0:08:12 | |
How much money have you got? | 0:08:12 | 0:08:14 | |
With everything all in, with everything we can sell off, like | 0:08:14 | 0:08:18 | |
my tractor and different things, we've got about 60 grand, tops. | 0:08:18 | 0:08:22 | |
But that is absolute top whack. So there seems to be a problem there. | 0:08:22 | 0:08:27 | |
What are you going do about the rest of the money? | 0:08:27 | 0:08:30 | |
I think we are quite good at saving and I think that | 0:08:30 | 0:08:33 | |
if we can get it watertight and then do it as and when we get money, | 0:08:33 | 0:08:37 | |
um, I think we're going to be all right, you know. | 0:08:37 | 0:08:40 | |
Just for this initial getting it up and getting it going and | 0:08:40 | 0:08:43 | |
getting us in, money is everything so it's just got to be cheap. | 0:08:43 | 0:08:48 | |
They've saved hard but a ?30,000 shortfall | 0:08:50 | 0:08:54 | |
is a bad place to start any build. | 0:08:54 | 0:08:56 | |
I'm worried they may not even get a watertight shell. | 0:08:56 | 0:09:00 | |
But this pair are desperate to settle here. | 0:09:01 | 0:09:04 | |
We're in a bit of fairyland down here, probably, | 0:09:04 | 0:09:07 | |
but we have worked hard to get where we are so | 0:09:07 | 0:09:09 | |
I always think hard work pays off and hopefully, it will for us. | 0:09:09 | 0:09:14 | |
With lack of experience, aspiration and money, I'm concerned they'll | 0:09:17 | 0:09:21 | |
squander this one chance to create a beautiful, unique home for life. | 0:09:21 | 0:09:25 | |
I'm on my way to meet award-winning architect Piers Taylor. | 0:09:29 | 0:09:33 | |
He specialises in bringing aspirational design to affordable | 0:09:33 | 0:09:37 | |
budgets and he knows that they'll only have one chance at this. | 0:09:37 | 0:09:41 | |
This site is their dream site, this is where, | 0:09:42 | 0:09:44 | |
if they could choose anywhere in the world, this is where they'd | 0:09:44 | 0:09:47 | |
build a house, and that's such an amazing opportunity. | 0:09:47 | 0:09:49 | |
The danger is it'll be six months' time, | 0:09:49 | 0:09:51 | |
they will have built it and it'll be too late | 0:09:51 | 0:09:53 | |
and then they realise it's a missed opportunity to make | 0:09:53 | 0:09:55 | |
something that is the house of their dreams that makes them | 0:09:55 | 0:09:58 | |
feel fantastic every time they go inside the door. | 0:09:58 | 0:10:00 | |
Clearly here, it's a sensible building. | 0:10:00 | 0:10:02 | |
It's well designed, it's efficiently planned and that should be applauded. | 0:10:02 | 0:10:06 | |
The thing now is to really get them to have fun, | 0:10:06 | 0:10:09 | |
to get them to enjoy this. | 0:10:09 | 0:10:10 | |
It looks like, at the moment, it's all slightly too sensible. | 0:10:10 | 0:10:14 | |
There's a myriad of ways they could try to make their home feel | 0:10:14 | 0:10:18 | |
individual without costing more. | 0:10:18 | 0:10:21 | |
I mean it might be as simple as doing something kind of interesting | 0:10:21 | 0:10:24 | |
with the staircase cos it looks like it's got to be a, sort of, | 0:10:24 | 0:10:27 | |
bespoke thing anyway so making something kind of beautiful | 0:10:27 | 0:10:29 | |
and interesting with that. | 0:10:29 | 0:10:31 | |
You know, there's a funny subdivision of an open-planned space. | 0:10:31 | 0:10:35 | |
I think it would be better if this was just more open plan. | 0:10:35 | 0:10:39 | |
One big challenge will be encouraging them to swap a | 0:10:39 | 0:10:42 | |
traditional, heavy-set staircase for something far more simple and sleek. | 0:10:42 | 0:10:46 | |
Another is taking a less conventional approach | 0:10:48 | 0:10:50 | |
to their kitchen and living area, to make the most of limited space. | 0:10:50 | 0:10:54 | |
Then raise their design aspirations and give them | 0:10:56 | 0:10:59 | |
the confidence to make it their own. | 0:10:59 | 0:11:01 | |
They need to understand that to be even slightly different | 0:11:01 | 0:11:04 | |
isn't necessarily a bad thing. | 0:11:04 | 0:11:05 | |
You know, they don't just need to conform. | 0:11:05 | 0:11:07 | |
But we need to move fast. Justin and Mary's house is taking shape. | 0:11:09 | 0:11:13 | |
The timber frame is arriving on site. | 0:11:18 | 0:11:21 | |
By the time it's up, they'll have spent over half their ?60,000 savings | 0:11:21 | 0:11:26 | |
but it'll be far from finished. | 0:11:26 | 0:11:28 | |
When they say how much we've got to pay when the frame turns up, | 0:11:28 | 0:11:32 | |
I suddenly thought, "It's quite a lot of money." | 0:11:32 | 0:11:34 | |
Mary's father is overseeing this stage of the project. | 0:11:36 | 0:11:40 | |
He chose a timber frame over traditional masonry. | 0:11:40 | 0:11:43 | |
We chose a timber frame because you know that the stuff that's | 0:11:43 | 0:11:45 | |
been built in the factory has been built properly, | 0:11:45 | 0:11:48 | |
you know that the insulation has been packed | 0:11:48 | 0:11:50 | |
into all of the little voids and of course it's extremely eco, you know? | 0:11:50 | 0:11:53 | |
It's got a good carbon footprint | 0:11:53 | 0:11:55 | |
instead of using lots of concrete blocks. | 0:11:55 | 0:11:57 | |
I mean, it's a straightforward job but, yeah, they are relying on me | 0:12:00 | 0:12:03 | |
to steer them through this and to get right. | 0:12:03 | 0:12:06 | |
While their house takes shape, | 0:12:10 | 0:12:12 | |
they're working flat out trying to pay for it. | 0:12:12 | 0:12:15 | |
Getting up at quarter to five and then milking | 0:12:17 | 0:12:20 | |
and then by the time I've milked and fed the cows and then scraped up, | 0:12:20 | 0:12:24 | |
and we done silage last week as well, so that was midnight finishing. | 0:12:24 | 0:12:28 | |
And Mary's not only holding down a full-time job, | 0:12:28 | 0:12:31 | |
she's got to deal with the next thing on their list of priorities - | 0:12:31 | 0:12:34 | |
the wedding. | 0:12:34 | 0:12:35 | |
So, what's normal with the...erm... with the hog roast, then? | 0:12:35 | 0:12:40 | |
People just sort of stand up and eat it? Yeah. | 0:12:40 | 0:12:43 | |
It's just hard to do everything, really, isn't it? | 0:12:43 | 0:12:46 | |
Having to work and then come and do things like this | 0:12:46 | 0:12:50 | |
and then Justin asking me questions about the house and everything. | 0:12:50 | 0:12:54 | |
It's very difficult to keep up with everything. | 0:12:54 | 0:12:56 | |
But Justin's been doing the house and so I've been | 0:12:58 | 0:13:01 | |
focusing on the wedding, so it's not been too bad | 0:13:01 | 0:13:04 | |
but we're both not sleeping, | 0:13:04 | 0:13:05 | |
Justin and I are both not sleeping very well | 0:13:05 | 0:13:07 | |
because we've both got things going through our heads all the time. | 0:13:07 | 0:13:11 | |
With so much to think about and all their money pressures, | 0:13:11 | 0:13:15 | |
I'm worried they'll fail to create the magical home this young couple deserve. | 0:13:15 | 0:13:20 | |
I want to prove that taking the easy option isn't the solution | 0:13:21 | 0:13:25 | |
and that it IS possible to create something extraordinary, | 0:13:25 | 0:13:29 | |
even on a tiny budget. | 0:13:29 | 0:13:31 | |
The two most pressing challenges for the self-builder, really, | 0:13:34 | 0:13:37 | |
are always limited funds - lack of money - | 0:13:37 | 0:13:39 | |
and the pressure from planners | 0:13:39 | 0:13:42 | |
to do just the same as everybody else does. | 0:13:42 | 0:13:44 | |
You know, another bungalow in a street full of bungalows. | 0:13:44 | 0:13:47 | |
But this is a house that shows with a bit of application and creativity, | 0:13:47 | 0:13:51 | |
you don't have to do that. | 0:13:51 | 0:13:52 | |
Nestled on a typical suburban street in Hull, | 0:13:58 | 0:14:01 | |
this property also had strict regulations on size | 0:14:01 | 0:14:05 | |
but was pushed to the limits of what was possible. | 0:14:05 | 0:14:08 | |
They've ended up with a home which feels unique. | 0:14:09 | 0:14:12 | |
From the street, you'd never expect to find a double height space | 0:14:14 | 0:14:17 | |
bathed in light from various different directions | 0:14:17 | 0:14:20 | |
with a mezzanine in there, | 0:14:20 | 0:14:22 | |
a grand bedroom that also looks out on the garden | 0:14:22 | 0:14:24 | |
and I think it's really clever that they've carved this space | 0:14:24 | 0:14:27 | |
out of a context that's just all bungalows, | 0:14:27 | 0:14:29 | |
where they were told they had to do a single-storey dwelling. | 0:14:29 | 0:14:31 | |
In fact, they've made something quite spectacular. | 0:14:31 | 0:14:34 | |
This building cost around ?130,000 to build | 0:14:42 | 0:14:45 | |
and that to me is fantastic value for what they've ended up with. | 0:14:45 | 0:14:48 | |
And actually, they've got space for living in | 0:14:48 | 0:14:50 | |
that's quite unique and is exactly what this client wanted, | 0:14:50 | 0:14:52 | |
which is space for family, for grandchildren, for dinners, | 0:14:52 | 0:14:55 | |
to welcome people into and also, to be connected to | 0:14:55 | 0:14:58 | |
this lovely garden that they clearly take a lot of care over. | 0:14:58 | 0:15:01 | |
I just think, you know, for 130 grand it's just brilliant value. | 0:15:01 | 0:15:04 | |
Despite the low budget, their ambition was high. | 0:15:04 | 0:15:07 | |
The owners invested time and imagination, | 0:15:07 | 0:15:09 | |
rather than simply money, to find inexpensive materials and fittings. | 0:15:09 | 0:15:13 | |
In a way it's kind of an obvious point in a modern looking | 0:15:13 | 0:15:17 | |
building like this, but there are no doors on the ground floor, | 0:15:17 | 0:15:20 | |
almost no internal doors at all. | 0:15:20 | 0:15:22 | |
This panel system is highly insulated, it's highly efficient, | 0:15:22 | 0:15:26 | |
it's not going to get cold and draughty in here - | 0:15:26 | 0:15:28 | |
this is a modern building. Justin and Mary's is just the same. | 0:15:28 | 0:15:30 | |
They're going for high levels of insulation - | 0:15:30 | 0:15:32 | |
they don't need internal doors, | 0:15:32 | 0:15:34 | |
especially in a building as small as they have. | 0:15:34 | 0:15:37 | |
The staircase proves how a single feature can make an interior unique. | 0:15:39 | 0:15:43 | |
After a quote of ?12,000 for an oak one, | 0:15:46 | 0:15:49 | |
they built this for ?650 from railway sleepers. | 0:15:49 | 0:15:53 | |
That adds a certain kind of handmade charm to this space, | 0:15:55 | 0:15:58 | |
but it also has saved them a load of money. | 0:15:58 | 0:16:01 | |
One of the stories of this building, I think, | 0:16:01 | 0:16:03 | |
is about cutting down on trades in order to cut down on cost. | 0:16:03 | 0:16:06 | |
I think one really interesting stat about this place | 0:16:10 | 0:16:12 | |
is that it's comparable to Justin and Mary's house | 0:16:12 | 0:16:15 | |
in terms of its cost per square metre. | 0:16:15 | 0:16:16 | |
I mean, that blew me away when I found out. | 0:16:16 | 0:16:18 | |
Although this is a bigger building and there are certain economies of scale, | 0:16:18 | 0:16:22 | |
there's so much more to it than Justin and Mary's design right now - | 0:16:22 | 0:16:25 | |
this amazing double height living space, | 0:16:25 | 0:16:27 | |
these quite characterful bedrooms and so on. | 0:16:27 | 0:16:29 | |
Justin and Mary have always been worried of going for | 0:16:29 | 0:16:32 | |
something fairly bog-standard. | 0:16:32 | 0:16:33 | |
Low-budget, smaller properties can be outstanding. | 0:16:35 | 0:16:39 | |
We need to inspire Justin and Mary to be more ambitious. | 0:16:39 | 0:16:42 | |
But it's a problem that has dominated the UK for years. | 0:16:44 | 0:16:48 | |
This country has been wrecked by bad low-cost buildings. | 0:16:49 | 0:16:53 | |
The key thing that we need to solve is how, as a nation, | 0:16:53 | 0:16:55 | |
can we do low-cost things in an inventive and an interesting way? | 0:16:55 | 0:16:59 | |
The lowest cost things are often the best design. | 0:17:01 | 0:17:03 | |
So, you can buy a good low-cost car, you can | 0:17:03 | 0:17:06 | |
buy a good low-cost camera, you can buy a good low-cost phone, | 0:17:06 | 0:17:09 | |
you can buy a good low-cost anything | 0:17:09 | 0:17:10 | |
but you can only buy a bad low-cost developer house. | 0:17:10 | 0:17:13 | |
I think that design really can radically change the way | 0:17:15 | 0:17:19 | |
everyone lives, everyone, even the most lowest cost thing | 0:17:19 | 0:17:23 | |
can be radically changed by really good design. | 0:17:23 | 0:17:26 | |
Piers is on his way to Devon to see if Justin and Mary are willing | 0:17:28 | 0:17:31 | |
to take some risks to have something exceptional of their own. | 0:17:31 | 0:17:35 | |
Hi there. Hello. Hi, Justin. Piers. Hi, Mary. Hi. | 0:17:36 | 0:17:41 | |
So, this is the house of your dreams? Yeah, it will be. | 0:17:41 | 0:17:43 | |
Tell me what it's going to be like. What's it going to look like? | 0:17:43 | 0:17:46 | |
A house! | 0:17:47 | 0:17:49 | |
I think we're just trying to keep everything simple | 0:17:49 | 0:17:51 | |
because that keeps the cost down. | 0:17:51 | 0:17:53 | |
What would be great to hear is how your personalities, | 0:17:53 | 0:17:56 | |
your lifestyle, your ambition for this is transforming this | 0:17:56 | 0:18:00 | |
from just a house into your house. | 0:18:00 | 0:18:01 | |
It would be nice to do it a bit different but I don't think | 0:18:01 | 0:18:04 | |
we're ever going to be able to make it that much different and | 0:18:04 | 0:18:07 | |
that much like any traditional sort of thing just because of cost. | 0:18:07 | 0:18:11 | |
Every bit of detail or anything nice costs a lot of money, doesn't it? | 0:18:11 | 0:18:15 | |
You don't kind of think it's possible to do that on a budget? | 0:18:15 | 0:18:18 | |
I'm the type of bloke, I suppose I go for the easy life a bit more, | 0:18:18 | 0:18:21 | |
so what ever gets it at an affordable price, | 0:18:21 | 0:18:24 | |
then that's the option I'll take, I suppose, isn't it? | 0:18:24 | 0:18:27 | |
I'm no designer! | 0:18:27 | 0:18:29 | |
So, let's go in. | 0:18:29 | 0:18:30 | |
Getting the frame up is a huge achievement, | 0:18:32 | 0:18:35 | |
but their hard work starts here. | 0:18:35 | 0:18:37 | |
We need to get them to realise | 0:18:37 | 0:18:39 | |
it's a blank canvas they can do anything with. | 0:18:39 | 0:18:43 | |
So, tell me what's going on the wall? | 0:18:43 | 0:18:46 | |
This presumably isn't the finish? | 0:18:46 | 0:18:48 | |
Basically, plasterboard on that and skim | 0:18:48 | 0:18:51 | |
and I don't know what colour the finish is going to be yet. | 0:18:51 | 0:18:55 | |
Magnolia... I don't know! Are you really going to paint it magnolia? | 0:18:55 | 0:18:59 | |
Yeah, I was going to really paint it magnolia. | 0:18:59 | 0:19:02 | |
But here, you're talking architrave, skirtings, plaster, magnolia, | 0:19:02 | 0:19:07 | |
why all that stuff? It's your house, you can do anything you like. | 0:19:07 | 0:19:10 | |
There's no rule book. | 0:19:10 | 0:19:11 | |
You know, you could do the most amazing thing in the world | 0:19:11 | 0:19:14 | |
that you really love here. | 0:19:14 | 0:19:16 | |
Most of it's just trying to keep it simple and cheap. | 0:19:16 | 0:19:19 | |
I would suggest, actually, buildings like this | 0:19:19 | 0:19:22 | |
don't typically need skirting, certainly don't need cornices. | 0:19:22 | 0:19:25 | |
So, magnolia doesn't need to be... | 0:19:25 | 0:19:27 | |
I mean, magnolia is a kind of, | 0:19:27 | 0:19:29 | |
it's the white sliced bread of the housing world. | 0:19:29 | 0:19:33 | |
Yeah, it would be good to see it... | 0:19:33 | 0:19:35 | |
It's having an idea of how else to do it. | 0:19:35 | 0:19:38 | |
All I know is magnolia, you know? | 0:19:38 | 0:19:40 | |
If someone showed me something completely different, | 0:19:40 | 0:19:44 | |
it's hard to imagine until you see it, isn't it? You know, it's... | 0:19:44 | 0:19:48 | |
It sounds as if it could be really useful to take you to | 0:19:48 | 0:19:50 | |
somewhere where somebody has done something a little bit different. | 0:19:50 | 0:19:54 | |
You say, you know, about everyone on a housing estate | 0:19:54 | 0:19:57 | |
does the same thing. Well, they do that because it works | 0:19:57 | 0:19:59 | |
and it's cheap and it's effective and it stays there. | 0:19:59 | 0:20:01 | |
I'm not sure that's true, actually. | 0:20:01 | 0:20:03 | |
I think they do it because developers don't give them a choice. | 0:20:03 | 0:20:06 | |
There's no issue with anyone else living here. It's for you. | 0:20:06 | 0:20:08 | |
You know, your thing, your choices, your decisions right here. | 0:20:08 | 0:20:12 | |
Yeah. Definitely. | 0:20:12 | 0:20:14 | |
THEY LAUGH NERVOUSLY | 0:20:14 | 0:20:16 | |
Like others, Justin and Mary are overwhelmed | 0:20:16 | 0:20:19 | |
by what they know rather than what they could have. | 0:20:19 | 0:20:22 | |
What's good about this is that this is actually | 0:20:24 | 0:20:27 | |
a really tangible solution to low-cost housing. | 0:20:27 | 0:20:30 | |
There's a serious issue in this country at the moment | 0:20:30 | 0:20:32 | |
that nobody knows how to build interesting low-cost housing, | 0:20:32 | 0:20:36 | |
whereas this is a model that could be rolled out | 0:20:36 | 0:20:40 | |
if you could find a way to effectively add personality to it. | 0:20:40 | 0:20:44 | |
There's no greater reminder of the need to create a wonderful home | 0:20:46 | 0:20:49 | |
than the arrival of their wedding day. | 0:20:49 | 0:20:51 | |
BELLS RING | 0:20:53 | 0:20:55 | |
With family and friends gathered, this is clearly where they belong. | 0:21:01 | 0:21:05 | |
This is like the start of our lives together now, | 0:21:19 | 0:21:21 | |
so get the house built and then that'll be us. | 0:21:21 | 0:21:25 | |
While on honeymoon, the build moves forward. | 0:21:35 | 0:21:38 | |
Between autumn showers, roofers get it closer to becoming watertight. | 0:21:38 | 0:21:43 | |
But that eats up over ?7,000. | 0:21:44 | 0:21:48 | |
Their savings are disappearing fast. | 0:21:48 | 0:21:50 | |
It's more important than ever we inspire the newlyweds | 0:21:50 | 0:21:54 | |
to create the best possible home. | 0:21:54 | 0:21:56 | |
This is Holly Barn in rural Norfolk. | 0:22:05 | 0:22:08 | |
Winner of the prestigious Manser Medal in 2006, | 0:22:11 | 0:22:14 | |
it's one of Britain's most stunning homes. | 0:22:14 | 0:22:16 | |
Clearly, this house is bigger and it's far more expensive | 0:22:19 | 0:22:22 | |
than their building, but undoubtedly in this building | 0:22:22 | 0:22:25 | |
there are all sorts of things they can take back to their house - | 0:22:25 | 0:22:28 | |
the little touches that will lift their building, | 0:22:28 | 0:22:30 | |
and I think it's those things that we've come here today to see. | 0:22:30 | 0:22:33 | |
So, architect's daughter, | 0:22:35 | 0:22:36 | |
I've brought you to a prize-winning architect-designed house. | 0:22:36 | 0:22:40 | |
You know, for its time, the best house in the United Kingdom. | 0:22:40 | 0:22:43 | |
What do you think? | 0:22:43 | 0:22:44 | |
My dad would be very jealous. | 0:22:44 | 0:22:46 | |
I must admit, I'm not really bothered, but... | 0:22:46 | 0:22:49 | |
Dad'll kill me for saying that! | 0:22:49 | 0:22:52 | |
I guess it is the "not really that bothered" thing. | 0:22:52 | 0:22:55 | |
You think that to do things different is going to mark you out as | 0:22:55 | 0:22:58 | |
the kind of crazy woman in the village, | 0:22:58 | 0:22:59 | |
who's going to live in a pink house or, you know... | 0:22:59 | 0:23:03 | |
Yeah, yeah, I suppose so, | 0:23:03 | 0:23:05 | |
but then it's easier if you're an architect, | 0:23:05 | 0:23:07 | |
so you get excited about that. | 0:23:07 | 0:23:09 | |
I'm an accountant, I would get excited about, you know... | 0:23:09 | 0:23:12 | |
That's kind of why I want to bring you here, | 0:23:12 | 0:23:15 | |
really to provoke a reaction either way. | 0:23:15 | 0:23:16 | |
You might hate it, you might love it, | 0:23:16 | 0:23:19 | |
but to kind of see what you think about this. | 0:23:19 | 0:23:21 | |
We want to convince them | 0:23:24 | 0:23:25 | |
it IS worth the effort to work hard on the design. | 0:23:25 | 0:23:28 | |
And worthwhile for anyone - architect, accountant or farmer. | 0:23:29 | 0:23:33 | |
Here, inexpensive paints and materials | 0:23:35 | 0:23:37 | |
are used throughout the house. | 0:23:37 | 0:23:40 | |
Justin spots something he likes straight away. | 0:23:40 | 0:23:43 | |
I like that, it's a good idea. Yeah. It's this acrylic sheet. | 0:23:43 | 0:23:47 | |
We've got a void above our stairs and the spare room, | 0:23:47 | 0:23:50 | |
there's not going to be much light in the spare room | 0:23:50 | 0:23:53 | |
and I think that would be a really good idea to put above the void, | 0:23:53 | 0:23:57 | |
into the spare room. | 0:23:57 | 0:23:58 | |
Really pleased that you like this and you want to do it, | 0:23:58 | 0:24:01 | |
because it's different and it's unusual, it's simple, | 0:24:01 | 0:24:04 | |
it's great for getting borrowed light in. | 0:24:04 | 0:24:06 | |
It's probably six quid or something. | 0:24:06 | 0:24:09 | |
Peers has a much bigger design alteration to suggest. | 0:24:09 | 0:24:13 | |
One of the other things this house has is an open staircase. | 0:24:13 | 0:24:16 | |
You don't necessarily need to do one just like this | 0:24:16 | 0:24:19 | |
but you can see how much more spacious this makes this place feel. | 0:24:19 | 0:24:23 | |
Undoubtedly, it lets so much light through it. | 0:24:23 | 0:24:25 | |
I'm not sure about the glass. | 0:24:25 | 0:24:26 | |
Yeah, you don't need to do glass - glass is expensive. | 0:24:26 | 0:24:29 | |
But two straight stringers with some chunky boards | 0:24:29 | 0:24:31 | |
with an upstand at the back is all you need, really. | 0:24:31 | 0:24:35 | |
I think it's a very nice idea, having the open rises. | 0:24:35 | 0:24:39 | |
Mary says it's very impractical for kids. | 0:24:39 | 0:24:42 | |
And also, we were going to have under stairs storage. | 0:24:42 | 0:24:46 | |
You could have, for example, low storage. | 0:24:46 | 0:24:48 | |
Interestingly, they've got to be building reg compliant for babies, | 0:24:48 | 0:24:52 | |
so this will have an opening that's no greater than 100mm | 0:24:52 | 0:24:56 | |
so babies can't get through there. | 0:24:56 | 0:24:59 | |
The primary thing, though, | 0:24:59 | 0:25:00 | |
is to convince you to do something beautiful and amazing | 0:25:00 | 0:25:03 | |
that is special and is yours and doesn't just default | 0:25:03 | 0:25:06 | |
to the practical option of storage, you know? | 0:25:06 | 0:25:08 | |
The staircase is the first thing you see when you come in, | 0:25:08 | 0:25:11 | |
defines that big void right at the front of the house. | 0:25:11 | 0:25:13 | |
You know, you've got to do something amazing. | 0:25:13 | 0:25:16 | |
Commitment? Yeah. | 0:25:16 | 0:25:19 | |
His other bold idea is to improve their kitchen and dining area. | 0:25:21 | 0:25:25 | |
Opening this room up will improve the sense of space and light, | 0:25:25 | 0:25:29 | |
which is exactly what they've done here. | 0:25:29 | 0:25:32 | |
So, first of all, initial reaction? | 0:25:39 | 0:25:42 | |
It's lovely, isn't it? Very open, lovely. Yeah. | 0:25:42 | 0:25:45 | |
How about the island kitchen? Yeah, I like the idea of it. | 0:25:47 | 0:25:51 | |
I don't know how we can do it particularly in ours | 0:25:51 | 0:25:54 | |
because of the wood burner. | 0:25:54 | 0:25:55 | |
But the wood burner would just be on the end. | 0:25:55 | 0:25:57 | |
I think it would work well. Yeah? Yeah, I think it is workable. | 0:25:57 | 0:26:00 | |
I think you really need to consider your kitchen, | 0:26:00 | 0:26:02 | |
stop it sort of dividing up that room. Yeah. | 0:26:02 | 0:26:05 | |
I like the table. I do like the modern look. | 0:26:05 | 0:26:08 | |
I don't like it because it's too modern. Mm. | 0:26:08 | 0:26:11 | |
'So, I think Justin was the big surprise. | 0:26:11 | 0:26:13 | |
'You know, farmers resist, kind of,' | 0:26:13 | 0:26:15 | |
things that they see that they think might be a bit girly, | 0:26:15 | 0:26:17 | |
you know, the interior design of the house, | 0:26:17 | 0:26:19 | |
your physical environment, comfort, those kind of things, | 0:26:19 | 0:26:22 | |
but Justin embraced that wholeheartedly. | 0:26:22 | 0:26:24 | |
They could end up with something that was fantastic, you know, | 0:26:24 | 0:26:27 | |
but I feel at the moment, Mary's slightly resisting that. | 0:26:27 | 0:26:30 | |
But, having realised their home can be more than four walls and a roof, | 0:26:35 | 0:26:39 | |
it may not even be that. | 0:26:39 | 0:26:41 | |
Five months after the build started, they are now weeks behind schedule. | 0:26:42 | 0:26:46 | |
A bout of terrible weather has meant | 0:26:48 | 0:26:50 | |
Justin's had to prioritise farming over building | 0:26:50 | 0:26:53 | |
and there have been major consequences for the timber frame. | 0:26:53 | 0:26:56 | |
How's water managed to get in behind there? | 0:26:58 | 0:27:00 | |
It should be watertight but that's what we're up against. | 0:27:02 | 0:27:06 | |
The house is soaked through. | 0:27:09 | 0:27:11 | |
Basically, the USB boards have blown inside, | 0:27:12 | 0:27:15 | |
so it's created a swell, | 0:27:15 | 0:27:17 | |
so when I put my board along the outside | 0:27:17 | 0:27:20 | |
there's no air gap in between, so like there, | 0:27:20 | 0:27:22 | |
there's a lovely air gap but on this one here | 0:27:22 | 0:27:25 | |
and quite a few others along this side, there won't be no air gap | 0:27:25 | 0:27:29 | |
and it'll create a damp spot in behind and eventually rot it out. | 0:27:29 | 0:27:33 | |
The frame company is telling me that it's | 0:27:33 | 0:27:35 | |
because it hasn't been covered up but the building inspector tells me | 0:27:35 | 0:27:39 | |
that it should be watertight for at least 12 months. | 0:27:39 | 0:27:43 | |
The weather has just been so atrocious down here again. | 0:27:43 | 0:27:46 | |
We've had so much rain in the last six weeks. | 0:27:46 | 0:27:47 | |
But it's just now annoying that the weather has come better now | 0:27:47 | 0:27:51 | |
we can't crack on and do what we want to do because of this problem. | 0:27:51 | 0:27:55 | |
Until this problem is resolved, the build will remain at a standstill | 0:27:56 | 0:28:00 | |
and things could get far more serious. | 0:28:00 | 0:28:03 | |
We've paid like 30 grand for this, it's all our life savings that we've | 0:28:03 | 0:28:06 | |
put into this, so I don't know how much money it's going to cost us. | 0:28:06 | 0:28:09 | |
We just need the job done so we can move forward. | 0:28:09 | 0:28:11 | |
So, there's no good us arguing about costs at the moment | 0:28:11 | 0:28:14 | |
because if we argue about it it'll take a month, two months, | 0:28:14 | 0:28:18 | |
three months down the line, so we just need to get the job done | 0:28:18 | 0:28:21 | |
and worry about it after, really - | 0:28:21 | 0:28:24 | |
argue it out after how much we're going to pay and not pay. | 0:28:24 | 0:28:27 | |
I mean, we have had an incredible amount of rain | 0:28:27 | 0:28:30 | |
in the last two or three months | 0:28:30 | 0:28:32 | |
but that's not my fault as much as it's not the timber frame's fault. | 0:28:32 | 0:28:36 | |
So, I don't know. We'll see. | 0:28:36 | 0:28:40 | |
They began with barely enough money to build a watertight shell. | 0:28:40 | 0:28:44 | |
Massive additional costs now could result in them | 0:28:44 | 0:28:47 | |
abandoning the project completely. | 0:28:47 | 0:28:49 | |
If they can't complete this low-cost build, | 0:28:50 | 0:28:53 | |
it sends out a grim message to others. | 0:28:53 | 0:28:55 | |
A month later, I head to site. | 0:29:01 | 0:29:03 | |
Thankfully, things have progressed. | 0:29:09 | 0:29:12 | |
Justin's started putting the next layer of cladding on, | 0:29:12 | 0:29:15 | |
but I want to get the latest on his dealings | 0:29:15 | 0:29:17 | |
with the timber frame company. | 0:29:17 | 0:29:18 | |
They have been very good. | 0:29:20 | 0:29:22 | |
They've come back and done the work and we haven't had a bill as of yet. | 0:29:22 | 0:29:25 | |
What kind of numbers were they talking about? | 0:29:25 | 0:29:27 | |
They didn't even give us a price but it would have been, I reckon, | 0:29:27 | 0:29:30 | |
up to five grand, it would have been. Really? | 0:29:30 | 0:29:32 | |
What affect would that have had if it had been a five grand bill? | 0:29:32 | 0:29:35 | |
Well, it would've just delayed the build | 0:29:35 | 0:29:37 | |
and probably made us go over our budget. | 0:29:37 | 0:29:39 | |
I mean, it's a tight enough build anyway without adding extra costs in | 0:29:39 | 0:29:43 | |
that you haven't catered for. | 0:29:43 | 0:29:44 | |
You've put in a lot of work on a lot of fronts right now. | 0:29:44 | 0:29:47 | |
Take me through your typical day. | 0:29:47 | 0:29:48 | |
For example, today I got up at five, | 0:29:48 | 0:29:51 | |
so I was out the door at like 20 to six and then milked 160 cows. | 0:29:51 | 0:29:55 | |
Done that, and then me and my brother moved all our own sheep around | 0:29:55 | 0:29:59 | |
and fed the sheep and moved some lambs, so it was about 11 o'clock. | 0:29:59 | 0:30:03 | |
So then I had a quick bit of breakfast | 0:30:03 | 0:30:05 | |
and then I'll spend all day here. Then I've got to milk again tonight. | 0:30:05 | 0:30:09 | |
That'll be about half four tonight, I'll go back and milk again | 0:30:09 | 0:30:12 | |
and then that'll take me to about eight o'clock | 0:30:12 | 0:30:14 | |
and by then I'll be ready for a bath, can of beer, and bed. | 0:30:14 | 0:30:17 | |
HE LAUGHS But you seem to love it. | 0:30:17 | 0:30:19 | |
Yeah, you either love it or hate it. I love it. | 0:30:19 | 0:30:23 | |
I'd love my own farm, but can't afford one. Yeah, yeah, yeah. Yeah. | 0:30:23 | 0:30:27 | |
It's an astonishing but punishing schedule. I hope he can keep it up. | 0:30:30 | 0:30:35 | |
At least his dad is rallying to help. | 0:30:35 | 0:30:37 | |
Father's on holiday, so he thought it was a good idea to get Father. | 0:30:39 | 0:30:42 | |
Cheap staff, you see. | 0:30:42 | 0:30:44 | |
It's just as important for their families that this home works. | 0:30:46 | 0:30:50 | |
Does it annoy you that for young people in areas like this, | 0:30:50 | 0:30:53 | |
it's hard to find a home and find a job? | 0:30:53 | 0:30:56 | |
Yes, it is. | 0:30:56 | 0:30:58 | |
When you've got people like Justin that want to go farming, | 0:30:58 | 0:31:01 | |
it does upset you a little bit. | 0:31:01 | 0:31:04 | |
What do you think is the effect on the communities you know around here | 0:31:04 | 0:31:08 | |
when the young people have to go elsewhere to find work? | 0:31:08 | 0:31:11 | |
It affects the schools and everything else. | 0:31:11 | 0:31:14 | |
You know, if the youngsters aren't - like Justin and Mary - | 0:31:14 | 0:31:18 | |
having a next generation to keep the schools going, | 0:31:18 | 0:31:21 | |
then the schools close. | 0:31:21 | 0:31:22 | |
Because communities need their young couples. Of course they do. | 0:31:22 | 0:31:25 | |
That is the thing. They want all the age groups to make it work. | 0:31:25 | 0:31:29 | |
But before I leave, | 0:31:30 | 0:31:32 | |
I want to know whether completing this dream is still a possibility. | 0:31:32 | 0:31:35 | |
'How much of their initial ?60,000 is left?' | 0:31:35 | 0:31:39 | |
Tell me how much of your budget is spent so far. | 0:31:39 | 0:31:41 | |
We're up to about 60 grand at the minute. | 0:31:41 | 0:31:43 | |
So all of their savings are gone. | 0:31:43 | 0:31:46 | |
Is it now your monthly money that you are trying to work with? | 0:31:46 | 0:31:49 | |
It's now got to monthly money, yeah. It is just basically... | 0:31:49 | 0:31:53 | |
So everything you have ever saved is in here now? It is, yeah. | 0:31:53 | 0:31:56 | |
Somehow, Justin is still smiling. | 0:31:56 | 0:31:59 | |
But with hand-to-mouth finances, | 0:31:59 | 0:32:01 | |
just progressing this build at all is in doubt. | 0:32:01 | 0:32:04 | |
We'll have to work even harder to come up with affordable ideas | 0:32:07 | 0:32:10 | |
to make their home special, starting with that staircase. | 0:32:10 | 0:32:13 | |
The problem on plan is that a quarter of the ground floor | 0:32:15 | 0:32:18 | |
of the building is taken up with a staircase. | 0:32:18 | 0:32:20 | |
I think the staircase as planned is too complex. You know, there's | 0:32:20 | 0:32:24 | |
newel posts and traditional bits of joinery shown, | 0:32:24 | 0:32:27 | |
whereas it just needs to be a simple, open, chunky, timber thing. | 0:32:27 | 0:32:30 | |
There isn't a big budget. | 0:32:30 | 0:32:31 | |
It needs to be low-cost, needs to be appropriate, | 0:32:31 | 0:32:34 | |
doesn't need to be overcomplicated or elaborate. | 0:32:34 | 0:32:36 | |
So I think it is a question of actually simplifying. | 0:32:36 | 0:32:39 | |
It would be really great to get them | 0:32:39 | 0:32:41 | |
to really fall in love with the idea of making this | 0:32:41 | 0:32:43 | |
beautiful bit of joinery in their house that actually transforms | 0:32:43 | 0:32:46 | |
the way that you arrive and ascend through the building. | 0:32:46 | 0:32:50 | |
But will Justin and Mary even entertain the idea of something different now? | 0:32:51 | 0:32:56 | |
With Justin back at the cottage after the evening milking, | 0:32:56 | 0:32:59 | |
they receive the designs. | 0:32:59 | 0:33:01 | |
I don't hate it. No, I don't hate it. | 0:33:03 | 0:33:05 | |
I like the wood, yeah, and I like the open staircase. | 0:33:05 | 0:33:08 | |
Yeah, it would be lovely to have an open staircase, | 0:33:08 | 0:33:10 | |
but it's making everything else practical around it, isn't it? | 0:33:10 | 0:33:14 | |
Yeah, yeah. | 0:33:14 | 0:33:16 | |
I do like that. Yeah, I like that. | 0:33:17 | 0:33:19 | |
'So, how are you getting on?' | 0:33:22 | 0:33:23 | |
Yeah, we really like it. 'Oh, good, fantastic.' | 0:33:23 | 0:33:26 | |
How much more does this sort of thing cost than a normal staircase? | 0:33:26 | 0:33:31 | |
'If you had the staircase made up as you were showing, | 0:33:31 | 0:33:35 | |
'it would've been close to 2,000. | 0:33:35 | 0:33:37 | |
'So I would have thought that if you could get this built for 1,200, 1,500 quid, | 0:33:37 | 0:33:41 | |
'including fitting, installation and the handrail, | 0:33:41 | 0:33:45 | |
'then you would be doing well.' | 0:33:45 | 0:33:47 | |
Yeah, yeah. OK, yeah, that doesn't sound too bad. | 0:33:47 | 0:33:49 | |
Justin and Mary have realised it is possible to bring something | 0:33:51 | 0:33:54 | |
special into their home, even on their budget. | 0:33:54 | 0:33:57 | |
Over the next couple of months, against the odds, | 0:34:01 | 0:34:03 | |
Justin finally manages to get the house watertight. | 0:34:03 | 0:34:06 | |
But he's also starting to look for his own | 0:34:07 | 0:34:10 | |
improvements on the interior. | 0:34:10 | 0:34:12 | |
Reflecting on his trip to Holly Barn, today on site, | 0:34:12 | 0:34:15 | |
he has become less farmer and more designer. | 0:34:15 | 0:34:18 | |
It was really worthwhile seeing a building that was so simple | 0:34:19 | 0:34:23 | |
but created so much room and space inside. | 0:34:23 | 0:34:26 | |
And there are some ideas they are going to adopt. | 0:34:26 | 0:34:29 | |
The acrylic was another thing, and we are going to use that idea. | 0:34:29 | 0:34:34 | |
Just over there. | 0:34:34 | 0:34:36 | |
We will try and use that idea to make more light in the room. | 0:34:36 | 0:34:39 | |
He's realising they can have more than four walls and a roof. | 0:34:41 | 0:34:44 | |
But it's not easy. | 0:34:44 | 0:34:46 | |
Generally, people are older than me and Mary that are building houses, | 0:34:47 | 0:34:50 | |
so they know definitely what they want and what style they want, where | 0:34:50 | 0:34:54 | |
Mary and I sort of were, "Yeah, that would be all right, that'll do." | 0:34:54 | 0:34:58 | |
But when we see stuff, we're like, "That's right for us." | 0:34:58 | 0:35:02 | |
As the house progresses, Piers heads back to site. | 0:35:06 | 0:35:10 | |
It will be the objects and ideas they bring to it next which could transform it | 0:35:10 | 0:35:14 | |
from just a low-cost and efficient shell into Justin and Mary's home. | 0:35:14 | 0:35:19 | |
This isn't just about keeping warm, keeping dry and keeping the weather | 0:35:19 | 0:35:23 | |
out, it's about really getting them excited about their environment. | 0:35:23 | 0:35:27 | |
These people are connected to this place like no other. | 0:35:27 | 0:35:30 | |
They grew up here, yet at the moment, there is | 0:35:30 | 0:35:33 | |
nothing in this that's them. | 0:35:33 | 0:35:34 | |
It has been a box that was designed for them by someone else | 0:35:34 | 0:35:37 | |
and everything about it is very good but quite bland. | 0:35:37 | 0:35:41 | |
And I really need to find a way to get them | 0:35:41 | 0:35:43 | |
to bring everything that connects them to this landscape | 0:35:43 | 0:35:46 | |
and this place and this culture into this building. | 0:35:46 | 0:35:49 | |
I'm on my way to see one way they could do it. | 0:35:54 | 0:35:57 | |
Reclaiming objects is a fashion that has snowballed in recent years. | 0:36:00 | 0:36:03 | |
And this warehouse is a high-end example, | 0:36:03 | 0:36:06 | |
created by an interior designer. | 0:36:06 | 0:36:08 | |
It's full of well-sourced items that change hands for hundreds of pounds. | 0:36:11 | 0:36:15 | |
But they do give a space a unique feeling that modern | 0:36:15 | 0:36:18 | |
mass-manufactured ones do not. | 0:36:18 | 0:36:20 | |
I think the reason we love a lot of these reclaimed things is quite | 0:36:20 | 0:36:23 | |
simply that, you know, new stuff isn't built as well, | 0:36:23 | 0:36:26 | |
isn't made of as beautiful materials. | 0:36:26 | 0:36:28 | |
A lot of these older things are made of fantastic cast metals, | 0:36:28 | 0:36:32 | |
and even in their distressed state, they can look rather beautiful. | 0:36:32 | 0:36:36 | |
I think Justin and Mary need a bit of that, because they are going | 0:36:36 | 0:36:39 | |
to have in their interior probably a world of plasterboard and paint. | 0:36:39 | 0:36:43 | |
These French industrial lights can be | 0:36:45 | 0:36:47 | |
bought for a couple of hundred pounds. | 0:36:47 | 0:36:50 | |
But if you're clever, you can find them for far less than that. | 0:36:50 | 0:36:53 | |
I mean, some of these reclaimed objects, this light, | 0:36:56 | 0:36:59 | |
really utilitarian, completely trying to express a kind of | 0:36:59 | 0:37:02 | |
functionality with this cast metal at its base and this lovely handle. | 0:37:02 | 0:37:07 | |
But I think these things do have a material quality that we | 0:37:07 | 0:37:09 | |
don't really find so much in contemporary design. | 0:37:09 | 0:37:13 | |
You know, if you can find them cheap, it's great. | 0:37:13 | 0:37:16 | |
This is just a good example of not letting good-quality | 0:37:23 | 0:37:26 | |
old things go to waste. | 0:37:26 | 0:37:28 | |
These are floorboards taken up from the bathroom of this apartment | 0:37:28 | 0:37:31 | |
when they refurbished it and just simply made into shelves. | 0:37:31 | 0:37:34 | |
There's something quite nice about them because | 0:37:34 | 0:37:36 | |
they are exactly the same colour as the floor and they fit in. | 0:37:36 | 0:37:39 | |
Somehow, this language of brick and wood that is really evident | 0:37:39 | 0:37:43 | |
in this old building is continued through these shelves. | 0:37:43 | 0:37:45 | |
It is just a nice detail. | 0:37:45 | 0:37:47 | |
What we have to take on board is that this kind of idea of reclaimed | 0:37:51 | 0:37:55 | |
stuff, you know, does tell a kind of story of something authentic. | 0:37:55 | 0:37:58 | |
Justin and Mary have the chance to make something that is really authentic. | 0:37:58 | 0:38:01 | |
Where they can find it is in their passion for farming, | 0:38:01 | 0:38:04 | |
in their passion for landscape, in their sort of identity, which is | 0:38:04 | 0:38:07 | |
so deeply tied to that area. | 0:38:07 | 0:38:09 | |
And what they are doing is trying to make a place that really | 0:38:09 | 0:38:12 | |
feels of Devon and of them. | 0:38:12 | 0:38:13 | |
If handled well, reclaimed materials can bring | 0:38:16 | 0:38:19 | |
a sense of history and authenticity to a place. | 0:38:19 | 0:38:22 | |
The challenge for Justin and Mary is to do it cheaply. | 0:38:22 | 0:38:25 | |
Hi, Justin. Hello, Piers. How are you doing? Yeah, good, thank you. | 0:38:34 | 0:38:37 | |
Piers has come to meet Justin and has a plan. | 0:38:37 | 0:38:40 | |
I've bought you a little present. A tractor seat? Absolutely, yeah. | 0:38:40 | 0:38:44 | |
And what sort of tractor do you think that's from? | 0:38:44 | 0:38:47 | |
A Massey 135 or International, I reckon, judging by the colour. | 0:38:47 | 0:38:51 | |
Massey 135, yeah. Congratulations, you've just won it. Thank you! | 0:38:51 | 0:38:55 | |
What I'd like is to talk to you about incorporating seriously | 0:38:55 | 0:38:58 | |
something like this into your house on a bigger scale than this. | 0:38:58 | 0:39:01 | |
So you could make, for example, this fantastic bench, you know, | 0:39:01 | 0:39:05 | |
out of these. Get a bit of steel welded up, bolt these on, | 0:39:05 | 0:39:07 | |
get three of these. These are 30 quid each. | 0:39:07 | 0:39:10 | |
I think this is a really good idea for just breakfast bar stools. | 0:39:10 | 0:39:14 | |
Two or three of these down that side would be really... | 0:39:14 | 0:39:16 | |
It's just something a little bit quirky that isn't bog-standard, | 0:39:16 | 0:39:21 | |
that no-one else would have. | 0:39:21 | 0:39:22 | |
Surprisingly, them seats, although they look uncomfortable, | 0:39:22 | 0:39:25 | |
they are quite comfortable. They are. Absolutely. | 0:39:25 | 0:39:28 | |
Pressure on the budget means anything | 0:39:30 | 0:39:32 | |
they can get for free will help. | 0:39:32 | 0:39:34 | |
That search begins on Justin's dad's land next door. | 0:39:34 | 0:39:38 | |
So what I was thinking is I would really like to persuade you to | 0:39:38 | 0:39:41 | |
use this for your kitchen sink. | 0:39:41 | 0:39:43 | |
It's huge! That's not a bad thing. PIERS LAUGHS | 0:39:43 | 0:39:46 | |
It would take up half of the kitchen on its own! | 0:39:46 | 0:39:48 | |
But how beautiful would it be sitting in front of your window, | 0:39:48 | 0:39:51 | |
just on some blocks, with some wood going into it? | 0:39:51 | 0:39:54 | |
I think it's a bit...overboard. | 0:39:54 | 0:39:57 | |
Any modification of found objects needs to be carried out safely | 0:39:59 | 0:40:02 | |
and in accordance with any appropriate regulations. | 0:40:02 | 0:40:05 | |
The free rustic trough may be a step too far for Justin. | 0:40:05 | 0:40:09 | |
Is this Mary coming? Oh, look, it's Mary. | 0:40:09 | 0:40:12 | |
It's a timely arrival, but having been less than responsive | 0:40:12 | 0:40:15 | |
to our ideas so far, what will she make of this one? | 0:40:15 | 0:40:18 | |
Hi, Mary! Hi. How are you doing? Fine, thank you. | 0:40:20 | 0:40:23 | |
You've come at a great time. What Justin has decided to do is... | 0:40:23 | 0:40:28 | |
He's got this, which is a...? Massey Ferguson seat. Fantastic. | 0:40:28 | 0:40:32 | |
I've brought this because I know you love tractors. | 0:40:32 | 0:40:35 | |
So I brought him this seat, and what he's going to do is make | 0:40:35 | 0:40:37 | |
a series of bar stools out of these things. | 0:40:37 | 0:40:39 | |
So, Mary, I think you like things like this. | 0:40:39 | 0:40:42 | |
Yeah, I do, yeah. Yeah. | 0:40:42 | 0:40:43 | |
Justin's dad, Justin's brother, Justin's uncles, all of them | 0:40:43 | 0:40:46 | |
would know what tractor it's off. Yeah. | 0:40:46 | 0:40:49 | |
And they would find that funny and quirky, | 0:40:49 | 0:40:51 | |
so, yeah, I do like that idea. | 0:40:51 | 0:40:53 | |
Let's talk about the kitchen and this kind of thing. | 0:40:53 | 0:40:57 | |
Even if not this trough, something like this as your kitchen sink. | 0:40:57 | 0:41:01 | |
Yeah, I do like the idea of this maybe in the bathrooms, | 0:41:01 | 0:41:04 | |
cos we need the little sinks. | 0:41:04 | 0:41:05 | |
You can get the shallow troughs quite... | 0:41:05 | 0:41:07 | |
I mean, they're at market every time we go there. | 0:41:07 | 0:41:10 | |
But I think that would be easier to do. | 0:41:10 | 0:41:12 | |
With Mary excited about more than magnolia for her interior, | 0:41:15 | 0:41:19 | |
Piers wants an update on our more ambitious suggestions. | 0:41:19 | 0:41:22 | |
So... Wow, look at this! So talk to me about the staircase. | 0:41:22 | 0:41:27 | |
We went to look at Holly Barn | 0:41:27 | 0:41:28 | |
and you liked the principle of the staircase, if not the material. | 0:41:28 | 0:41:33 | |
So I then came back and I drew this staircase, | 0:41:33 | 0:41:35 | |
e-mailed it to you, you had a look at it, you phoned me up, | 0:41:35 | 0:41:38 | |
said you liked it, and I haven't heard from you since. | 0:41:38 | 0:41:41 | |
So, what's happening? | 0:41:42 | 0:41:44 | |
From that, I've had the carpenter out and he's now pricing it up. | 0:41:44 | 0:41:50 | |
I like your quarter landings, I really like that idea. | 0:41:50 | 0:41:53 | |
So he's pricing... He thinks there's room to put a quarter landing, | 0:41:53 | 0:41:56 | |
quarter landing, and up. He hasn't come back with a price yet, | 0:41:56 | 0:42:00 | |
but it's softwood risers and then oak side rails | 0:42:00 | 0:42:04 | |
and possibly oak balustrades. | 0:42:04 | 0:42:08 | |
But I don't know if that is going to look a bit overkill with oak. | 0:42:08 | 0:42:11 | |
What I'm hearing is something that is quite heavy. | 0:42:11 | 0:42:14 | |
I'm surprised you don't like big and heavy, | 0:42:14 | 0:42:16 | |
because you're telling me about big, heavy, fat sinks and... | 0:42:16 | 0:42:19 | |
Certain things, certain things, certain things. | 0:42:19 | 0:42:22 | |
I mean, I think you probably won't like this idea, | 0:42:22 | 0:42:25 | |
but agricultural merchants... | 0:42:25 | 0:42:26 | |
Agricultural merchants sell fantastic galvanised steel or stainless | 0:42:26 | 0:42:31 | |
steel rope, stainless steel wire and turnbuckles. | 0:42:31 | 0:42:35 | |
And you can use that stuff for handrails and balustrades. | 0:42:35 | 0:42:37 | |
I mean, I have done in my place. | 0:42:37 | 0:42:39 | |
So you could put an oak balustrade and newel post | 0:42:39 | 0:42:43 | |
and then below that just use stainless steel wire | 0:42:43 | 0:42:46 | |
that you can zigzag in the infill pieces. Yeah. | 0:42:46 | 0:42:49 | |
That can look fantastic and it's very, very cheap. | 0:42:49 | 0:42:51 | |
Much cheaper than getting... | 0:42:51 | 0:42:53 | |
But then again, it's a little quirky thing, isn't it? Yeah. Yeah. | 0:42:53 | 0:42:56 | |
In the living area, the original plans had floor-to-ceiling | 0:42:57 | 0:43:00 | |
cupboards dividing the kitchen from the living room. | 0:43:00 | 0:43:04 | |
Piers had hoped they'd change their mind. | 0:43:04 | 0:43:06 | |
The way it's drawn at the moment is that these | 0:43:08 | 0:43:11 | |
walls around the fireplace seem to take up quite a lot of space. | 0:43:11 | 0:43:15 | |
And it is lovely seeing it as open as this. It feels really big. | 0:43:15 | 0:43:19 | |
My worry is that if you put these walls in around this, it will seem... | 0:43:19 | 0:43:23 | |
They're only going to be... Oh, they are? Perfect. Fantastic. | 0:43:23 | 0:43:26 | |
Yeah, it's going to be open. We changed from the architects. Sorry? | 0:43:26 | 0:43:28 | |
With the flue rising. We changed from the architects. Yeah. Good! | 0:43:28 | 0:43:31 | |
It's a bold choice, but with just their modest monthly wages | 0:43:33 | 0:43:36 | |
now funding the build, life currently has few luxuries. | 0:43:36 | 0:43:40 | |
Where's tea? | 0:43:41 | 0:43:42 | |
SHE LAUGHS It's not ready yet. | 0:43:42 | 0:43:45 | |
Having the cottage at the dairy at least means | 0:43:46 | 0:43:48 | |
they won't have to pay rent until the house is ready. | 0:43:48 | 0:43:51 | |
Hopefully we can move from here right to the house. | 0:43:51 | 0:43:54 | |
That's the plan, anyway. | 0:43:54 | 0:43:57 | |
Depending on when the house is ready. | 0:43:57 | 0:43:59 | |
Hopefully, not unless we get kicked out before it. | 0:43:59 | 0:44:02 | |
It's convenient, | 0:44:02 | 0:44:04 | |
but Mary is desperate to be in her own place, adding her own touches. | 0:44:04 | 0:44:09 | |
We can't paint any walls here or do anything, can we? So it's... | 0:44:09 | 0:44:13 | |
Yeah, I'd like to make my own... | 0:44:13 | 0:44:16 | |
Have my own stamp, so, yeah. | 0:44:16 | 0:44:17 | |
But with hardly any spare cash, every item she buys has to count. | 0:44:20 | 0:44:24 | |
Piers has managed to get them to a local reclamation yard to | 0:44:28 | 0:44:32 | |
encourage them to find character for their modern home. | 0:44:32 | 0:44:36 | |
But it will take a creative leap on their part. | 0:44:36 | 0:44:39 | |
When we came round the corner, I did hear Justin say, | 0:44:41 | 0:44:44 | |
"I've already seen something I like." | 0:44:44 | 0:44:46 | |
And that was this slate, which is here... | 0:44:46 | 0:44:48 | |
which is beautiful, you need a hearth. This is pretty good value. | 0:44:48 | 0:44:53 | |
We definitely need a slate hearth around the top of the bricks, | 0:44:53 | 0:44:56 | |
around the fireplace, just to cap the top. So, yeah, we were... | 0:44:56 | 0:45:00 | |
Well, we need that. That was our next thing, wasn't it? | 0:45:00 | 0:45:03 | |
Do you like this bath? Yeah, I do. | 0:45:06 | 0:45:09 | |
My parents have got one very similar and I like free-standing. Good. | 0:45:09 | 0:45:13 | |
Would expect they are very expensive, aren't they, to buy new. | 0:45:13 | 0:45:16 | |
This one isn't. But this isn't, no. This is a bargain. | 0:45:16 | 0:45:19 | |
How would you get, you know, rid of these sort of things? | 0:45:19 | 0:45:22 | |
You can get stuff that fills enamel cracks. You can sand that back. | 0:45:22 | 0:45:26 | |
What do you think of this sink? | 0:45:29 | 0:45:32 | |
I think I'd like that sink. | 0:45:32 | 0:45:33 | |
I mean, I'm in two frames - I like that | 0:45:33 | 0:45:35 | |
but then I'm also thinking, like, is it too big to fit where we want it? | 0:45:35 | 0:45:39 | |
I don't think it's too big for upstairs. In terms of design, | 0:45:39 | 0:45:42 | |
this is the most practical sink I've seen for a long time. Yeah. | 0:45:42 | 0:45:45 | |
But I do like that sink. Yeah, and I like the oval. Yeah. | 0:45:45 | 0:45:50 | |
So, Mary, you also like these troughs? Yeah. | 0:45:55 | 0:45:57 | |
You know, something like this is nice and deep | 0:45:57 | 0:45:59 | |
and it is narrow enough to go in the downstairs bathroom. | 0:45:59 | 0:46:02 | |
I just like that it is different. | 0:46:02 | 0:46:04 | |
You know, no-one else would have that, | 0:46:04 | 0:46:06 | |
and if it works, then I just think it looks great. Would be brilliant. | 0:46:06 | 0:46:10 | |
You sound like me! | 0:46:10 | 0:46:11 | |
This is my sales pitch and you're doing it, which is fantastic. | 0:46:11 | 0:46:16 | |
And you get this, which is great. | 0:46:16 | 0:46:17 | |
This trough in the middle... | 0:46:19 | 0:46:20 | |
But the price has to be right to prove that individual | 0:46:20 | 0:46:23 | |
items are cheaper than off-the-peg easy choices. | 0:46:23 | 0:46:27 | |
So I think they like two pieces of slate, the bath, the sink | 0:46:27 | 0:46:32 | |
and a trough. | 0:46:32 | 0:46:33 | |
555. | 0:46:33 | 0:46:35 | |
We would normally only be able to do 10% discount, | 0:46:35 | 0:46:38 | |
which brings it down to around a nice, round 500 quid. Yeah. | 0:46:38 | 0:46:42 | |
But I will knock another 40 quid off and do the whole deal for 460. | 0:46:42 | 0:46:46 | |
It's still not cheap enough for Justin. | 0:46:48 | 0:46:51 | |
450, we'll have the lot, innit? | 0:46:51 | 0:46:53 | |
That's a rounder figure than 460. Yeah, yeah. | 0:46:53 | 0:46:56 | |
I'm not going to fall out with you over ?10. | 0:46:56 | 0:46:59 | |
Well done. Ideal. Good. | 0:46:59 | 0:47:01 | |
Good day out. Yeah, good. | 0:47:02 | 0:47:05 | |
I think this has opened our eyes a lot more, actually, | 0:47:08 | 0:47:10 | |
cos it was all well and good when Piers said, "You could do this." | 0:47:10 | 0:47:13 | |
And you're thinking, "Well, I don't know if that's really practical." | 0:47:13 | 0:47:16 | |
When you come to places like this, you can see that actually you can... | 0:47:16 | 0:47:20 | |
Even if it's a reclaimed sink, it's still as good as a bought sink. | 0:47:20 | 0:47:24 | |
Today has been amazing. I never thought we would get this far. | 0:47:24 | 0:47:28 | |
It's been a real struggle, if I'm honest, | 0:47:28 | 0:47:30 | |
so far, to really get them excited. | 0:47:30 | 0:47:33 | |
And, in a way, I felt quite foolish at times pointing things out to them | 0:47:33 | 0:47:36 | |
and trying to get them to buy in. | 0:47:36 | 0:47:38 | |
And, as a last resort, I brought them here. | 0:47:38 | 0:47:40 | |
Actually, I could have just gone home. | 0:47:40 | 0:47:42 | |
They have fallen in love with this place and gone home with a truckful of stuff. | 0:47:42 | 0:47:46 | |
So it has really been transformative today. | 0:47:46 | 0:47:49 | |
But an unexpected turn of events puts new pressure on Justin | 0:47:52 | 0:47:56 | |
and Mary to finish their house. | 0:47:56 | 0:47:58 | |
The farm where Justin is a tenant farmer has changed hands. | 0:48:00 | 0:48:04 | |
They have lost the accommodation that came with the job | 0:48:04 | 0:48:06 | |
and have had to move back into Mary's parents' home. | 0:48:06 | 0:48:09 | |
I don't think anyone wants to live with their parents | 0:48:09 | 0:48:12 | |
when they are over 20, do they, really? | 0:48:12 | 0:48:13 | |
It's not what you want to be doing, | 0:48:13 | 0:48:16 | |
so, yeah, especially when you're married. | 0:48:16 | 0:48:19 | |
Now we are here pretty much every night that we can be here. | 0:48:19 | 0:48:22 | |
We're here, so get on as quick as we can, really. | 0:48:22 | 0:48:27 | |
Ten months after they started, it's still far from finished. | 0:48:27 | 0:48:31 | |
But there's never been more pressure to complete their home. | 0:48:31 | 0:48:35 | |
Every spare hour now, we're sort of running here and trying to do a bit. | 0:48:36 | 0:48:40 | |
We sort of could do with the house ASAP now, really. | 0:48:40 | 0:48:42 | |
But on the other hand, we've still got to work on our money. | 0:48:42 | 0:48:46 | |
I know Piers was saying he took five months off to do his self-build, | 0:48:46 | 0:48:50 | |
but we just haven't got the funds to do that. | 0:48:50 | 0:48:52 | |
I would love to, cos once you're into the job, it would be nice | 0:48:52 | 0:48:56 | |
to stay and spend every day at the job. | 0:48:56 | 0:48:58 | |
You know, it would be nice to, but we can't afford to. | 0:48:58 | 0:49:02 | |
With their wages already spent this month, | 0:49:04 | 0:49:06 | |
they can't afford to bring in any labour to help. | 0:49:06 | 0:49:09 | |
The house is still a forest of stud partition walls, has no electrics | 0:49:10 | 0:49:14 | |
or plumbing, and unsurprisingly, nerves are getting frayed. | 0:49:14 | 0:49:18 | |
Finished with my hammer yet, Mar'? | 0:49:18 | 0:49:20 | |
No. Still not? If you did this, it would be much quicker! | 0:49:20 | 0:49:23 | |
You could do this. | 0:49:24 | 0:49:26 | |
Justin is getting very tired with having to work | 0:49:26 | 0:49:28 | |
and then come here at the same time. | 0:49:28 | 0:49:30 | |
Therefore, he gets very stroppy and obviously, everything is my fault. | 0:49:30 | 0:49:34 | |
They've now got all the ideas they need to make their first home. | 0:49:36 | 0:49:40 | |
But can Justin and Mary even get close to making it | 0:49:40 | 0:49:43 | |
anything more than a building site? | 0:49:43 | 0:49:45 | |
Justin and Mary, like many couples in rural Britain, | 0:49:50 | 0:49:53 | |
faced the reality that they would never be able | 0:49:53 | 0:49:55 | |
to afford a house in the area where they had grown up. | 0:49:55 | 0:49:58 | |
With a wedding to plan, jobs to do, and a house to build, | 0:50:01 | 0:50:04 | |
this was their one opportunity to create | 0:50:04 | 0:50:06 | |
a unique home of their own in the area they loved. | 0:50:06 | 0:50:09 | |
'14 months after they started, | 0:50:19 | 0:50:21 | |
'Piers and I are making our final visit to the Devon countryside. | 0:50:21 | 0:50:25 | |
'With their savings run dry and all the other delays, | 0:50:26 | 0:50:29 | |
'they haven't quite moved in, | 0:50:29 | 0:50:31 | |
'but we want to see how they feel about the house they've built.' | 0:50:31 | 0:50:35 | |
Hi, there! Hi. Good to see you. How are you? Good, thank you. | 0:50:35 | 0:50:38 | |
Good to see you again. Look at this, you're finished! Yeah. | 0:50:38 | 0:50:42 | |
The dream was for you guys to be able to stay here long-term | 0:50:43 | 0:50:46 | |
in a place you love. | 0:50:46 | 0:50:47 | |
Yeah, I think we're going to stay here a long time. | 0:50:47 | 0:50:49 | |
Um, I am pregnant, so... Wow, that's great. Congratulations. | 0:50:49 | 0:50:52 | |
Yeah, fantastic. Thank you. That's fantastic news. | 0:50:52 | 0:50:55 | |
So the spare room will no longer be a spare room. | 0:50:55 | 0:50:58 | |
Does it make a difference to how you feel about this house? | 0:50:58 | 0:51:01 | |
It's going to be the house where you bring up your child. | 0:51:01 | 0:51:03 | |
Definitely, it's very special. | 0:51:03 | 0:51:05 | |
One of your interior design jobs is now a nursery. Yeah, which I love. | 0:51:05 | 0:51:08 | |
I love that. Fantastic. | 0:51:08 | 0:51:10 | |
Can we see how far you've got inside? Yeah, let's go. Great. | 0:51:10 | 0:51:14 | |
'There's still a long way to go, | 0:51:18 | 0:51:20 | |
'but this low-cost home does feel special, lofty and unique.' | 0:51:20 | 0:51:24 | |
Most small houses don't ever have a space this grand, do they? | 0:51:30 | 0:51:34 | |
I think it's a feature of the house. | 0:51:34 | 0:51:37 | |
When you get up on the ladder, you think, | 0:51:37 | 0:51:39 | |
oh, yeah, you're only in a small house. | 0:51:39 | 0:51:41 | |
Then you get up on the ladder and you look down and God, it is high! | 0:51:41 | 0:51:45 | |
One thing that helps this hallway feel special is | 0:51:45 | 0:51:48 | |
their choice of a lightweight staircase which will delight | 0:51:48 | 0:51:51 | |
rather than dominate the space. | 0:51:51 | 0:51:53 | |
You've changed the stairs. Which is fantastic. | 0:51:53 | 0:51:57 | |
Yeah, we were unsure whether we'd be able to do it cos of the space, | 0:51:57 | 0:52:00 | |
but obviously, once the carpenters came in, they said, | 0:52:00 | 0:52:02 | |
"Oh, yeah, no problem." | 0:52:02 | 0:52:04 | |
But you haven't gone for the open risers here, have you? | 0:52:04 | 0:52:07 | |
That was one of the things that changed once I got pregnant. | 0:52:07 | 0:52:11 | |
We just thought it was so much easier with little ones going | 0:52:11 | 0:52:15 | |
up and down the stairs to sort of have that extra bit of security. | 0:52:15 | 0:52:18 | |
How much did this cost? | 0:52:18 | 0:52:20 | |
It's roughly about ?1,000. For the whole thing? Yeah. That's fantastic. | 0:52:20 | 0:52:25 | |
?1,000, and you transformed this entire space. | 0:52:25 | 0:52:28 | |
This is a really nice open living space you have here. | 0:52:31 | 0:52:34 | |
It is quite different to what I remember on the early drawings | 0:52:34 | 0:52:36 | |
when it was going to be quite subdivided. | 0:52:36 | 0:52:39 | |
I think the high-level cupboards would have been the killer. | 0:52:39 | 0:52:41 | |
Walking into the kitchen would've been like walking into a cave. | 0:52:41 | 0:52:44 | |
It would have been so enclosed. | 0:52:44 | 0:52:46 | |
What you've done here is effectively what you did in the hallway - | 0:52:46 | 0:52:49 | |
you've made this space seem much more generous. | 0:52:49 | 0:52:51 | |
Was it hard sometimes telling your dad what to do? | 0:52:51 | 0:52:53 | |
Yeah, yeah, I suppose it is difficult, isn't it? | 0:52:53 | 0:52:56 | |
It's not quite the same as if it was... | 0:52:56 | 0:52:58 | |
Well, I suggest something and Mary is like, "Oh, God, can't | 0:52:58 | 0:53:01 | |
"you just leave it alone?" I'm like, "Well, it is our house as well!" | 0:53:01 | 0:53:04 | |
But this is still work in progress. | 0:53:06 | 0:53:08 | |
Piers hopes they will keep making those brave decisions. | 0:53:08 | 0:53:11 | |
What about the door? Are you going to put a door on here? | 0:53:11 | 0:53:14 | |
Well, there's a bit of a debate, because the mother-in-law said - | 0:53:14 | 0:53:18 | |
quite rightly, and I can understand - if someone comes to the door, | 0:53:18 | 0:53:22 | |
you then let all your heat out through the front door. | 0:53:22 | 0:53:25 | |
But this is a very well insulated house with a wood-burning stove here. | 0:53:25 | 0:53:28 | |
I think this room is going to be too warm. | 0:53:28 | 0:53:31 | |
Another door less is another 100 quid that is in the pot, isn't it? | 0:53:31 | 0:53:33 | |
Don't give me that! I don't believe this is just for the saving. | 0:53:33 | 0:53:36 | |
I think you really want that connection between those spaces | 0:53:36 | 0:53:39 | |
and I think you put your foot down and tell your parents! | 0:53:39 | 0:53:41 | |
I just don't see the point in having a door if it's not needed. | 0:53:41 | 0:53:44 | |
Unless it needs closing, what's the point in having a door? | 0:53:44 | 0:53:47 | |
I feel like I've thrown everything at you this last 12 months. | 0:53:53 | 0:53:57 | |
I've taken you to the other end of the country to see amazing one-off | 0:53:57 | 0:54:00 | |
houses, I've taken you to reclamation yards, all those kind of things. | 0:54:00 | 0:54:04 | |
Tell me what that has been like. | 0:54:04 | 0:54:06 | |
Sometimes, an absolute pain in the ass. | 0:54:06 | 0:54:09 | |
Yeah, I really enjoyed and appreciated going to Holly Barn. | 0:54:09 | 0:54:13 | |
That really opened our eyes | 0:54:13 | 0:54:15 | |
and I think, you know, this sort of stems from there. | 0:54:15 | 0:54:18 | |
This building does prove that it is incredibly hard, | 0:54:21 | 0:54:24 | |
unbelievably hard, to build really exceptional low-cost houses. | 0:54:24 | 0:54:28 | |
But this is a good, solid low-cost house. | 0:54:28 | 0:54:31 | |
That makes me feel incredibly proud to have been involved with | 0:54:31 | 0:54:35 | |
Justin and Mary on this journey. | 0:54:35 | 0:54:37 | |
With just monthly pay packets, it will be a few months yet | 0:54:39 | 0:54:42 | |
until they finish the house. | 0:54:42 | 0:54:44 | |
But I want to know what they have spent so far. | 0:54:44 | 0:54:46 | |
We're up to about 66,000. Right. | 0:54:48 | 0:54:51 | |
You know, obviously, the kitchen has been bought. | 0:54:51 | 0:54:54 | |
It's only the bathrooms and the last little bit of labour, plastering. | 0:54:54 | 0:54:59 | |
And then sort of the final fittings like carpets and doors and things. | 0:54:59 | 0:55:03 | |
So I feel really optimistic that we will do it. Yeah. | 0:55:03 | 0:55:06 | |
But then, to be honest, the last sort of year, | 0:55:06 | 0:55:08 | |
we haven't had any sort of savings left. | 0:55:08 | 0:55:12 | |
It's been that we've been earning it and spending it on the house. | 0:55:12 | 0:55:16 | |
So, obviously, it has taken a lot longer but, at the end of it, | 0:55:16 | 0:55:19 | |
we have no debts and we will be able to just move in | 0:55:19 | 0:55:24 | |
and not have to worry about paying a mortgage or anything | 0:55:24 | 0:55:26 | |
because we haven't had to borrow anything. That's extraordinary, | 0:55:26 | 0:55:29 | |
though, to be in your early 20s and be mortgage-free. | 0:55:29 | 0:55:32 | |
I mean, that's just fantastic. It must make you feel good. | 0:55:32 | 0:55:35 | |
Yeah, it does. We're very lucky. | 0:55:35 | 0:55:38 | |
No doubt we'll get a mortgage on a bit of land or something | 0:55:38 | 0:55:41 | |
else instead, but in some ways, it has meant we are able to do that, | 0:55:41 | 0:55:45 | |
which we wouldn't have been able to do. | 0:55:45 | 0:55:47 | |
There's still a lot of work to do, but for the moment, | 0:55:49 | 0:55:52 | |
there's a chance to celebrate with friends and family... | 0:55:52 | 0:55:54 | |
Hello! | 0:55:55 | 0:55:57 | |
..all of whom are thrilled that Justin and Mary | 0:55:57 | 0:55:59 | |
have found a way to stay where they belong. | 0:55:59 | 0:56:02 | |
For me, the relief of knowing my eldest daughter has got a house... | 0:56:09 | 0:56:15 | |
I have always worried about what our children would do about housing, | 0:56:15 | 0:56:19 | |
so that's very important. | 0:56:19 | 0:56:20 | |
But the fact that it's also a beautiful house, | 0:56:20 | 0:56:23 | |
yeah, it's really exciting. | 0:56:23 | 0:56:25 | |
Love it. Love it. | 0:56:27 | 0:56:30 | |
It looked smaller to begin with, | 0:56:31 | 0:56:33 | |
but now it's together, it's a nice house. | 0:56:33 | 0:56:36 | |
And I'm sure that it'll last them for years. Hopefully. | 0:56:36 | 0:56:40 | |
You know, a lot of worktops... | 0:56:40 | 0:56:42 | |
Yeah, I mean, what they have proved here is that | 0:56:42 | 0:56:44 | |
you can build yourself a really nice house, a nice sort of | 0:56:44 | 0:56:48 | |
super-insulated eco-house, for less than ?100,000. | 0:56:48 | 0:56:52 | |
But it's not just about getting a house for a minimal budget. | 0:57:01 | 0:57:04 | |
This is about much more than that. | 0:57:04 | 0:57:06 | |
They have solved a problem through their own resourcefulness, | 0:57:08 | 0:57:10 | |
the time they put in, and that 66 grand that is | 0:57:10 | 0:57:13 | |
really facing people across the country in rural communities. | 0:57:13 | 0:57:16 | |
They found a way to stay in a place that means something really | 0:57:16 | 0:57:20 | |
important to them. It's where their family's from and, you know, it is | 0:57:20 | 0:57:23 | |
where they want to spend the rest of their life. | 0:57:23 | 0:57:25 | |
And with a baby on the way, it is | 0:57:25 | 0:57:26 | |
really exciting to feel that they've made a place under their own | 0:57:26 | 0:57:29 | |
steam that is going to be that base for them for future generations too. | 0:57:29 | 0:57:32 | |
It's us now, isn't it? It's where we live, it's where we're going to be. | 0:57:34 | 0:57:37 | |
You know, that's ours. | 0:57:37 | 0:57:39 | |
Earlier in the series, we followed the story of Ruth and Tony as | 0:57:52 | 0:57:55 | |
they built a new farmhouse in the beautiful Shropshire countryside. | 0:57:55 | 0:58:00 | |
In one scene, we saw Tony cutting into a gas cylinder. | 0:58:00 | 0:58:04 | |
We want to remind viewers that the dismantling of gas cylinders | 0:58:04 | 0:58:07 | |
in any way is dangerous and this should never be attempted. | 0:58:07 | 0:58:10 | |
Are you planning to build the home of your dreams from scratch | 0:58:13 | 0:58:16 | |
for less than ?100,000 or are even partway through? | 0:58:16 | 0:58:19 | |
If so, we'd love to hear your story. Please visit... | 0:58:21 | 0:58:24 | |
Subtitles by Red Bee Media Ltd | 0:58:33 | 0:58:36 |