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We're in the midst of a low-cost, self-build revolution. | 0:00:02 | 0:00:05 | |
-And again. -We're going to have a house! | 0:00:05 | 0:00:07 | |
It's harder than ever to get onto the housing ladder, | 0:00:07 | 0:00:10 | |
so a few brave, ordinary people | 0:00:10 | 0:00:11 | |
-are resorting to the seemingly impossible... -Bend it. | 0:00:11 | 0:00:14 | |
-SNAPPING -Oh, OK. | 0:00:14 | 0:00:16 | |
..building their own home from scratch | 0:00:17 | 0:00:19 | |
for less than £100,000. | 0:00:19 | 0:00:22 | |
I think it's scary how quickly the money's going. | 0:00:22 | 0:00:25 | |
I'm Kieran Long and, with architect Piers Taylor, | 0:00:25 | 0:00:28 | |
we're coming to the aid of six families | 0:00:28 | 0:00:30 | |
attempting this toughest of challenges. | 0:00:30 | 0:00:33 | |
That's bowing in the middle there. | 0:00:33 | 0:00:35 | |
-I wouldn't... -No, no, no. | 0:00:35 | 0:00:37 | |
-We'll try to help them with design dilemmas... -Stop there. | 0:00:37 | 0:00:40 | |
Why wouldn't you want to make that change? | 0:00:40 | 0:00:43 | |
..challenge them to think bigger... | 0:00:43 | 0:00:45 | |
There's just so much to look at. Just kind of soaking it all in. | 0:00:45 | 0:00:48 | |
..and search out innovative solutions | 0:00:48 | 0:00:50 | |
that make the most of their meagre budgets. | 0:00:50 | 0:00:53 | |
Ooh, look at that! | 0:00:53 | 0:00:55 | |
We'll all be pushed to the limit... | 0:00:55 | 0:00:57 | |
We can't afford to stop. | 0:00:57 | 0:00:58 | |
..as we attempt to turn these ordinary self-builds | 0:00:58 | 0:01:01 | |
into outstanding homes. | 0:01:01 | 0:01:02 | |
Wow, this is amazing. | 0:01:04 | 0:01:06 | |
This time, Heidi and Steven attempt to build a house for just £70,000. | 0:01:09 | 0:01:13 | |
-What we've got is what we've got. -But will juggling family life... -No. | 0:01:15 | 0:01:18 | |
CHILD WAILS | 0:01:18 | 0:01:20 | |
STEVEN SIGHS | 0:01:20 | 0:01:21 | |
..and problems with the build... | 0:01:21 | 0:01:23 | |
It wasn't that people had given us the wrong information, | 0:01:23 | 0:01:26 | |
it was because we didn't ask the right questions. | 0:01:26 | 0:01:28 | |
..leave their home unfinished and their dream in tatters? | 0:01:28 | 0:01:31 | |
Basically, we've got about ten grand left. | 0:01:31 | 0:01:33 | |
I'm in Scotland, about 12 miles from Inverness, | 0:01:44 | 0:01:46 | |
but stunning landscapes like these | 0:01:46 | 0:01:48 | |
sometimes come with a stunning price tag. | 0:01:48 | 0:01:51 | |
But people who grew up in these areas want to come back | 0:01:51 | 0:01:54 | |
and put down roots. | 0:01:54 | 0:01:55 | |
I'm off to meet a couple who've got exactly this problem. | 0:01:55 | 0:01:58 | |
My family have been in this area since I was two. | 0:02:02 | 0:02:05 | |
They knew it was a great place to kind of grow up | 0:02:05 | 0:02:08 | |
and it's the same things that I enjoyed as child | 0:02:08 | 0:02:11 | |
that I want my own children to have. | 0:02:11 | 0:02:13 | |
I just can't see how we would be happy anywhere else, to be honest. | 0:02:13 | 0:02:18 | |
I've got a wee bit. | 0:02:18 | 0:02:19 | |
Seven years ago, | 0:02:21 | 0:02:22 | |
Heidi and Steven returned to the Highlands from Glasgow | 0:02:22 | 0:02:25 | |
with plans to settle long-term. | 0:02:25 | 0:02:28 | |
They're renting locally, but can't afford to buy, | 0:02:28 | 0:02:30 | |
so the only option to have a home of their own | 0:02:30 | 0:02:33 | |
is to build one from scratch. | 0:02:33 | 0:02:35 | |
We obviously need a home for our family. | 0:02:37 | 0:02:40 | |
We want to live close to my mum and dad... | 0:02:40 | 0:02:42 | |
- Yeah? - Nah! | 0:02:42 | 0:02:43 | |
..plus, actually, if we tried to buy a house with that space, | 0:02:43 | 0:02:47 | |
we couldn't afford it. We just couldn't afford it. | 0:02:47 | 0:02:49 | |
So when the dilapidated house next door to Heidi's parents | 0:02:52 | 0:02:55 | |
came on the market, | 0:02:55 | 0:02:56 | |
it was an opportunity the couple couldn't pass up. | 0:02:56 | 0:02:59 | |
The property that we bought originally was a two-bedroom cottage | 0:03:02 | 0:03:06 | |
and that property had to be done something with - | 0:03:06 | 0:03:08 | |
it was empty, it had rats in it. | 0:03:08 | 0:03:11 | |
Over the last month, we've got the roof off. | 0:03:11 | 0:03:14 | |
Next stage, I'll have the joyous task | 0:03:14 | 0:03:17 | |
of demolishing the internal chimney. | 0:03:17 | 0:03:20 | |
After paying 65K for the plot, | 0:03:24 | 0:03:27 | |
there's a total of just £70,000 left for the entire build. | 0:03:27 | 0:03:30 | |
Heidi and Steven put in their savings, | 0:03:33 | 0:03:35 | |
but to raise the rest, | 0:03:35 | 0:03:36 | |
Heidi's parents have taken the brave step of remortgaging their own home. | 0:03:36 | 0:03:40 | |
It can't fail, because it's so tied into everybody's finances | 0:03:42 | 0:03:47 | |
that the whole family will massively suffer | 0:03:47 | 0:03:50 | |
and we could lose my mum and dad's house | 0:03:50 | 0:03:52 | |
and that is horrendous, that is quite a stress, | 0:03:52 | 0:03:56 | |
cos I know, ultimately, that's my side of the deal. | 0:03:56 | 0:03:58 | |
I've got to manage the money and, if I don't get that right, | 0:03:58 | 0:04:02 | |
it's a big deal. | 0:04:02 | 0:04:03 | |
It's two weeks since they knocked down the old house | 0:04:05 | 0:04:08 | |
and I want to find out how they intend to construct a new one | 0:04:08 | 0:04:11 | |
for just £70,000. | 0:04:11 | 0:04:12 | |
-Hiya, guys. -Hi. -Hiya! -How are you? | 0:04:14 | 0:04:16 | |
-Good, thank you. -Nice to see you. | 0:04:16 | 0:04:18 | |
And I can see why you want to build a house in this location. | 0:04:18 | 0:04:20 | |
This is an amazing spot, isn't it? | 0:04:20 | 0:04:22 | |
-It is. -We're very fortunate. I think we're a bit spoiled, frankly. | 0:04:22 | 0:04:25 | |
It just, it's a lovely place to live. | 0:04:25 | 0:04:28 | |
I'm originally from down in Glasgow | 0:04:28 | 0:04:30 | |
and I just fell in love with the place. | 0:04:30 | 0:04:32 | |
This is where I'm going to grow old and hopefully never move again. | 0:04:32 | 0:04:37 | |
It's a beautiful site, | 0:04:39 | 0:04:40 | |
but what kind of family home can they hope to build here | 0:04:40 | 0:04:43 | |
on their tight budget? | 0:04:43 | 0:04:45 | |
This side of the house | 0:04:45 | 0:04:47 | |
will have the open-plan living room and kitchen dining room. | 0:04:47 | 0:04:51 | |
We went for a living/dining kitchen area because family life | 0:04:51 | 0:04:55 | |
all sort of centres around eating and keeping an eye on the kids | 0:04:55 | 0:04:59 | |
-and the kids running around... -Yeah. | 0:04:59 | 0:05:01 | |
..so this is just one big space that we can share. | 0:05:01 | 0:05:04 | |
These novice builders have come up | 0:05:04 | 0:05:06 | |
with the design of the house themselves. | 0:05:06 | 0:05:09 | |
They're planning a two-storey timber-framed house | 0:05:11 | 0:05:13 | |
with dormer windows. | 0:05:13 | 0:05:15 | |
Downstairs is their main living and dining area, | 0:05:17 | 0:05:20 | |
the heart of their home... | 0:05:20 | 0:05:22 | |
plus a TV room, utility room... | 0:05:22 | 0:05:25 | |
..and the only bathroom in the house. | 0:05:26 | 0:05:28 | |
A closed-in staircase leads to three bedrooms upstairs. | 0:05:30 | 0:05:34 | |
One gives the only access to a large storage cupboard, | 0:05:35 | 0:05:38 | |
housing the hot water tank. | 0:05:38 | 0:05:41 | |
It's small and compact, | 0:05:41 | 0:05:42 | |
but even building this for just £70,000 | 0:05:42 | 0:05:45 | |
is going to be extremely tough. | 0:05:45 | 0:05:47 | |
Is money going to be a challenge? | 0:05:49 | 0:05:51 | |
Oh, yeah, definitely, it's going to be a challenge, | 0:05:51 | 0:05:53 | |
but there isn't another magic pot of money. | 0:05:53 | 0:05:55 | |
What we've got is what we've got. | 0:05:55 | 0:05:58 | |
And it's not just the budget that's an issue. | 0:05:58 | 0:06:00 | |
One of the challenges is trying to put our personality into the house. | 0:06:00 | 0:06:05 | |
We can't really do much of that on the outside, | 0:06:05 | 0:06:08 | |
but certainly we've got the inside of the house to play with. | 0:06:08 | 0:06:11 | |
With a very basic design and pressure on finances, | 0:06:15 | 0:06:19 | |
I need Piers to interrogate their plans to see if he can help. | 0:06:19 | 0:06:23 | |
-Hello, nice to meet you. -How are you doing? | 0:06:23 | 0:06:25 | |
-Nice to meet you. -Pleased to meet you. | 0:06:25 | 0:06:27 | |
So an amazing spot. I mean, truly spectacular. | 0:06:27 | 0:06:29 | |
Thank you very much. | 0:06:29 | 0:06:31 | |
Heidi and Steven designed their new home, | 0:06:33 | 0:06:35 | |
but already feel it doesn't suit their needs. | 0:06:35 | 0:06:38 | |
One thing that doesn't work with this design | 0:06:38 | 0:06:41 | |
is that we don't have a bathroom upstairs. | 0:06:41 | 0:06:43 | |
Cos that's a funny recess of space. | 0:06:43 | 0:06:45 | |
That space there has a hot water tank in it. | 0:06:45 | 0:06:49 | |
Perhaps, there's going to be bits of storage we can fit around there, | 0:06:49 | 0:06:52 | |
-so... -But in theory, that could be a bathroom. | 0:06:52 | 0:06:54 | |
If it was me, I would definitely cut my stairs back to there | 0:06:54 | 0:06:59 | |
and start the stairs earlier. | 0:06:59 | 0:07:01 | |
And what that gives you the potential of in the future | 0:07:01 | 0:07:04 | |
is bringing a door in there. That could be a shower room. | 0:07:04 | 0:07:07 | |
I totally agree with you, | 0:07:07 | 0:07:08 | |
-cos that seems like a very simple thing that can be done. -Mm-hm. -Mm. | 0:07:08 | 0:07:12 | |
Now he wants to tackle the enclosed staircase | 0:07:14 | 0:07:16 | |
in the middle of the downstairs plan. | 0:07:16 | 0:07:18 | |
This area here, which is the bottom of the stairs, | 0:07:18 | 0:07:21 | |
needs to work harder, not to make that a wall, | 0:07:21 | 0:07:24 | |
but to make that part of the living space. | 0:07:24 | 0:07:28 | |
It can be a post and a lintel across and still be load-bearing above. | 0:07:28 | 0:07:32 | |
Opening that up makes this room feel bigger again. | 0:07:32 | 0:07:35 | |
Makes the staircase less dark as well. | 0:07:35 | 0:07:37 | |
It makes the staircase a lot less dark. | 0:07:37 | 0:07:39 | |
Heidi and Steven have a modest 104 square metres of usable space, | 0:07:40 | 0:07:45 | |
so Piers wants them to think outside the four walls | 0:07:45 | 0:07:48 | |
and start designing the space beyond. | 0:07:48 | 0:07:51 | |
The drama of the landscape is so immense | 0:07:51 | 0:07:52 | |
that I would be wondering, "How could I maximise that?" | 0:07:52 | 0:07:55 | |
If this is your kitchen here and this is your deck, | 0:07:55 | 0:07:58 | |
in summertime, when these doors are... | 0:07:58 | 0:08:01 | |
-Permanently open. -..permanently open, | 0:08:01 | 0:08:03 | |
your living territory is a third as much again. | 0:08:03 | 0:08:06 | |
Then I would make those all steps going down, | 0:08:06 | 0:08:09 | |
so you could sit on the edge. | 0:08:09 | 0:08:11 | |
I would be imagining how can I actually make that | 0:08:11 | 0:08:14 | |
an outside living space that I could, on a night like this, | 0:08:14 | 0:08:17 | |
just decide to cook outside? | 0:08:17 | 0:08:19 | |
-Yeah. -That could be the brick-built barbecue in there. -Exactly. | 0:08:19 | 0:08:22 | |
The poetry of how you live in a landscape like this | 0:08:22 | 0:08:25 | |
is so simple, in some ways, | 0:08:25 | 0:08:27 | |
cos all it needs is actually a piece of deck and a bigger kitchen. | 0:08:27 | 0:08:30 | |
Moving the staircase back | 0:08:34 | 0:08:35 | |
would allow for direct access from an enlarged landing | 0:08:35 | 0:08:39 | |
into the room that could become a much-needed upstairs bathroom. | 0:08:39 | 0:08:42 | |
Finding a way to remove the wall next to the staircase | 0:08:45 | 0:08:48 | |
would bring light into the stairwell and living room | 0:08:48 | 0:08:50 | |
and increase the sense of space on the ground floor. | 0:08:50 | 0:08:53 | |
And extending the kitchen out onto the deck | 0:08:55 | 0:08:58 | |
would expand the usable area of the house | 0:08:58 | 0:09:00 | |
and take advantage of the amazing view. | 0:09:00 | 0:09:02 | |
Piers has come up with lots of potential design changes, | 0:09:08 | 0:09:11 | |
but Heidi and Steven need to make decisions fast. | 0:09:11 | 0:09:14 | |
RICHARD: Smashing, thank you. | 0:09:14 | 0:09:15 | |
Just ten days later, the timber frame is going up | 0:09:15 | 0:09:19 | |
and local builder Richard has joined Steven on site | 0:09:19 | 0:09:21 | |
to help with the work. | 0:09:21 | 0:09:23 | |
It's definitely a two-man job | 0:09:26 | 0:09:28 | |
with somebody that knows a lot more about it than I do. | 0:09:28 | 0:09:32 | |
You can get a lot more done with the two of us. | 0:09:32 | 0:09:34 | |
Steven works full-time as a tree surgeon, | 0:09:36 | 0:09:39 | |
but he's spending every spare moment on the build. | 0:09:39 | 0:09:42 | |
Machinery here that I'm not used to. | 0:09:44 | 0:09:46 | |
More cautious of the nail gun than I am of a chainsaw. | 0:09:46 | 0:09:49 | |
There have been some big decisions following Piers' visit, | 0:09:55 | 0:09:58 | |
particularly on the side wall of the staircase. | 0:09:58 | 0:10:01 | |
Originally in the design, the wall would come right here solid, | 0:10:01 | 0:10:04 | |
so it would be enclosed on both sides, | 0:10:04 | 0:10:07 | |
so what Piers suggested was having this open | 0:10:07 | 0:10:10 | |
and having a post here, so then we can have more light | 0:10:10 | 0:10:14 | |
coming into the stairs and into the living room. | 0:10:14 | 0:10:16 | |
We've still just to decide | 0:10:16 | 0:10:17 | |
on how we're going to finish that opening off. | 0:10:17 | 0:10:20 | |
Heidi and Steven have already spent £29,000 | 0:10:22 | 0:10:25 | |
on the frame and foundations. | 0:10:25 | 0:10:28 | |
They need to save every penny | 0:10:28 | 0:10:30 | |
if they're to bring the build in on their 70K budget, | 0:10:30 | 0:10:32 | |
so they need to recycle and re-use materials where possible. | 0:10:32 | 0:10:37 | |
What I've got here is all the roof joists from the old house | 0:10:37 | 0:10:41 | |
and we're going to be using this as the frame for our decking. | 0:10:41 | 0:10:44 | |
We've not really planned exactly how the decking's going to be, | 0:10:44 | 0:10:49 | |
but we've certainly got enough wood to get quite a large space outside. | 0:10:49 | 0:10:54 | |
With new decking starting at about £13 per square metre, | 0:10:54 | 0:10:58 | |
this could add up to a significant saving. | 0:10:58 | 0:11:00 | |
But Steven's resourcefulness and ambition | 0:11:05 | 0:11:07 | |
are soon tested by the Scottish weather. | 0:11:07 | 0:11:09 | |
A month later, | 0:11:13 | 0:11:14 | |
he's desperately trying to get the structure watertight... | 0:11:14 | 0:11:18 | |
without success. | 0:11:18 | 0:11:20 | |
We've had gale-force winds, | 0:11:20 | 0:11:23 | |
amber storm warnings up here, flooding. | 0:11:23 | 0:11:25 | |
And some heavy rain as well. | 0:11:28 | 0:11:30 | |
Yesterday was probably the worst weather we've had | 0:11:30 | 0:11:33 | |
throughout the build. | 0:11:33 | 0:11:34 | |
It was a bit windy putting the gable ends up, | 0:11:34 | 0:11:36 | |
which was a bit hairy at some points, but we can't afford to stop. | 0:11:36 | 0:11:40 | |
It's tough going, but I'm worried they could miss the opportunity | 0:11:43 | 0:11:46 | |
to make the most out of this small house and its surroundings. | 0:11:46 | 0:11:50 | |
I want to try to help Heidi and Steven start to think about design | 0:11:55 | 0:11:58 | |
beyond the footprint of the house they're building. | 0:11:58 | 0:12:00 | |
They've been in the depths of trying to get the thing up, | 0:12:00 | 0:12:03 | |
but the most important aspect of the house is that beautiful view | 0:12:03 | 0:12:06 | |
and the beautiful landscape. | 0:12:06 | 0:12:08 | |
I'm going to show them a house today that I think elegantly | 0:12:08 | 0:12:10 | |
and beautifully solves the problem of how to connect inside and outside | 0:12:10 | 0:12:14 | |
using just a few elegant architectural techniques. | 0:12:14 | 0:12:17 | |
Mm! | 0:12:26 | 0:12:28 | |
-Wow! -Spacious. | 0:12:28 | 0:12:30 | |
Yeah, it feels really... It just feels really, really light. | 0:12:30 | 0:12:34 | |
It might be in the centre of a city, rather than a rural landscape, | 0:12:34 | 0:12:38 | |
but architects Mikhail Riches have redesigned | 0:12:38 | 0:12:41 | |
the back of this terraced house in West London | 0:12:41 | 0:12:43 | |
to cleverly extend the living area. | 0:12:43 | 0:12:45 | |
The main reason I wanted to show you this is, though, | 0:12:47 | 0:12:50 | |
because of the way that it links this beautiful room | 0:12:50 | 0:12:53 | |
and some really usable outdoor space, | 0:12:53 | 0:12:55 | |
with level thresholds, with, obviously, large areas | 0:12:55 | 0:12:58 | |
of floor-to-ceiling glazing | 0:12:58 | 0:13:00 | |
and that continuous surface of the same material. | 0:13:00 | 0:13:03 | |
Pebble resin flooring inside and out, like this, | 0:13:04 | 0:13:07 | |
costs from around £60 per square metre. | 0:13:07 | 0:13:10 | |
Here, it creates one continuous sweep, | 0:13:10 | 0:13:12 | |
leading the eye to the exterior. | 0:13:12 | 0:13:15 | |
-Makes you feel like you're outside while you're using this room. -Yeah. | 0:13:15 | 0:13:18 | |
Yeah, it's very interesting. | 0:13:18 | 0:13:20 | |
What we are looking at at the moment is polished concrete | 0:13:20 | 0:13:23 | |
all in the ground floor, but I have also thought about, | 0:13:23 | 0:13:27 | |
"Would it be nice to have concrete going all the way out?" | 0:13:27 | 0:13:31 | |
I think what's really important, | 0:13:31 | 0:13:32 | |
regardless of what we do is that we get the level, | 0:13:32 | 0:13:34 | |
that sense that you're not going down or up. | 0:13:34 | 0:13:37 | |
Eliminating the threshold as much as you can | 0:13:37 | 0:13:39 | |
is really important, I think. | 0:13:39 | 0:13:41 | |
Here, the architects and the owners | 0:13:41 | 0:13:43 | |
built up the level of the garden quite significantly. | 0:13:43 | 0:13:46 | |
It's kind of interesting to be standing in this space, | 0:13:51 | 0:13:53 | |
cos although it's quite tight, | 0:13:53 | 0:13:55 | |
proportionally it's all about that idea that you can sort of be outside | 0:13:55 | 0:13:58 | |
while cooking or being on the phone or whatever it might be. | 0:13:58 | 0:14:01 | |
I think what's interesting here | 0:14:01 | 0:14:03 | |
is just how much effort you see they've gone to | 0:14:03 | 0:14:05 | |
to try to create that continuity. | 0:14:05 | 0:14:07 | |
Even when there's a glass facade in the way, | 0:14:07 | 0:14:09 | |
this stone worktop continues outside, | 0:14:09 | 0:14:11 | |
giving you some usable barbecue station or something out there. | 0:14:11 | 0:14:15 | |
Granite worktops similar to this | 0:14:15 | 0:14:18 | |
cost from around £200 per square metre. | 0:14:18 | 0:14:20 | |
Just like the flooring, this one's been used to create the illusion | 0:14:20 | 0:14:23 | |
of one continuous space, along with other techniques. | 0:14:23 | 0:14:26 | |
The colour is used on the units inside and out and on the wall. | 0:14:27 | 0:14:31 | |
There's lots and lots of effort, I think, | 0:14:31 | 0:14:33 | |
to try to break down the boundary between inside and outside. | 0:14:33 | 0:14:37 | |
The budget for remodelling this house | 0:14:39 | 0:14:41 | |
was far more than Heidi and Steven can spend, | 0:14:41 | 0:14:43 | |
but it's a design idea which I hope they'll embrace. | 0:14:43 | 0:14:46 | |
Piers had tried to describe some of these ideas to us. | 0:14:48 | 0:14:51 | |
Getting to see them really, really helped. | 0:14:51 | 0:14:53 | |
One of the things that is quite good to be able to see there | 0:14:53 | 0:14:56 | |
is how they continued the units outside | 0:14:56 | 0:14:59 | |
and that's something we'll have to think about, | 0:14:59 | 0:15:01 | |
how we can maybe continue the kitchen island, | 0:15:01 | 0:15:04 | |
going out into the outside as well. | 0:15:04 | 0:15:06 | |
Yeah, I think having it as one space, | 0:15:06 | 0:15:08 | |
rather than two separate spaces. | 0:15:08 | 0:15:10 | |
Certainly, that's the feeling I got in there - it was just one space. | 0:15:10 | 0:15:14 | |
It's December and two months since the frame went up. | 0:15:20 | 0:15:24 | |
The under-floor heating and windows are in | 0:15:24 | 0:15:26 | |
and the roof is almost complete. | 0:15:26 | 0:15:28 | |
But costs are spiralling | 0:15:31 | 0:15:33 | |
and over £50,000 of the 70K budget has already been spent. | 0:15:33 | 0:15:37 | |
Completing everything else for just 20K is going to be impossible, | 0:15:37 | 0:15:41 | |
and, to make matters worse, | 0:15:41 | 0:15:43 | |
there's been a totally unexpected blow to the schedule and budget. | 0:15:43 | 0:15:47 | |
Aiming for a cheap and durable floor, | 0:15:49 | 0:15:52 | |
Heidi and Steven have attempted to create a concrete one themselves. | 0:15:52 | 0:15:56 | |
I saw it on the telly and thought, "Ooh, that looks lovely, | 0:15:56 | 0:16:00 | |
"that looks nice and easy. | 0:16:00 | 0:16:01 | |
"Concrete floor - that seems straightforward." | 0:16:01 | 0:16:04 | |
But their DIY efforts backfired. | 0:16:06 | 0:16:09 | |
It wasn't that people had given us the wrong information. | 0:16:09 | 0:16:11 | |
It was because we didn't ask the right questions. | 0:16:11 | 0:16:15 | |
The delivery driver was only meant to be there 35 minutes | 0:16:15 | 0:16:18 | |
and he kept on saying to us, "Yous have only got an hour left | 0:16:18 | 0:16:22 | |
"before the concrete starts to set in the machine, | 0:16:22 | 0:16:25 | |
"and if that's the case, I'm just dumping it at the front door." | 0:16:25 | 0:16:29 | |
We weren't even halfway down the house | 0:16:29 | 0:16:32 | |
getting the concrete out | 0:16:32 | 0:16:33 | |
and we were also charged a pound a minute. | 0:16:33 | 0:16:36 | |
He was there about two and a half hours over his allotted time. | 0:16:36 | 0:16:40 | |
After the rush to get in, the concrete set unevenly, | 0:16:40 | 0:16:43 | |
leaving them with an undulating floor | 0:16:43 | 0:16:45 | |
which varies in places by up to four centimetres in height. | 0:16:45 | 0:16:49 | |
We've ended up with a bit of a lumpy floor. | 0:16:49 | 0:16:52 | |
Yeah, it's about 23mm there as well. | 0:16:52 | 0:16:55 | |
-But we're grinding that down. -Mm-hmm. | 0:16:55 | 0:16:57 | |
We're hoping it will be able to be fixed. | 0:16:57 | 0:17:00 | |
It's going to take a lot of time and effort to get it pretty level | 0:17:00 | 0:17:05 | |
so our builder can get internal walls downstairs, cos at the moment, | 0:17:05 | 0:17:10 | |
he just doesn't have the levels to get any internal walls in. | 0:17:10 | 0:17:13 | |
It's delayed the whole build by two months | 0:17:16 | 0:17:19 | |
and had a big impact on their finances. | 0:17:19 | 0:17:22 | |
Tool hire, plus materials for fixing the floor, | 0:17:22 | 0:17:24 | |
have cost well over £1,000, | 0:17:24 | 0:17:26 | |
more than doubling what the couple budgeted. | 0:17:26 | 0:17:29 | |
Steven is now spending every night | 0:17:29 | 0:17:31 | |
grinding down the huge volume of concrete floor. | 0:17:31 | 0:17:34 | |
After a long day at work, coming home, it's cold, it's dark. | 0:17:35 | 0:17:39 | |
It's hard to get yourself motivated to do it. | 0:17:40 | 0:17:43 | |
Yeah, it's just... | 0:17:44 | 0:17:46 | |
..fun(!) | 0:17:48 | 0:17:50 | |
With added pressure on their build schedule and budget, | 0:18:00 | 0:18:03 | |
Piers now needs to come up with low-cost solutions | 0:18:03 | 0:18:06 | |
that will have a big impact on this build and help them move forward. | 0:18:06 | 0:18:09 | |
-Hi, Heidi, hi, Steven. How are you doing? -Hi, Piers, not bad. -Hi! | 0:18:09 | 0:18:12 | |
Wow, a house! | 0:18:12 | 0:18:13 | |
-Yes. -It's beautiful. | 0:18:13 | 0:18:16 | |
It may be beautiful, but with many costs underestimated, | 0:18:16 | 0:18:19 | |
the finished house is now expected to come in at £84,000. | 0:18:19 | 0:18:24 | |
To continue the build, | 0:18:24 | 0:18:25 | |
Heidi and Steven will have to eke out money from their wages. | 0:18:25 | 0:18:28 | |
Even so, the projected cost per square metre is still low. | 0:18:28 | 0:18:32 | |
80-something grand for a house that's 100 and something square metres | 0:18:35 | 0:18:39 | |
is a really tall order. | 0:18:39 | 0:18:41 | |
Almost no-one builds for less than £1,000 a square metre, ever. | 0:18:41 | 0:18:45 | |
Despite the pressures on the budget, | 0:18:45 | 0:18:47 | |
all the hard work attempting to fix the concrete floor | 0:18:47 | 0:18:49 | |
seems to be paying off. | 0:18:49 | 0:18:51 | |
This side of the house is pretty much done | 0:18:52 | 0:18:54 | |
and then it's basically bringing back the grinding machine | 0:18:54 | 0:18:58 | |
to get the smooth finished. | 0:18:58 | 0:18:59 | |
You can see the finish. | 0:18:59 | 0:19:00 | |
If you look over here, it's going to look really beautiful. | 0:19:00 | 0:19:04 | |
-You'll be able to see... -Mm. | 0:19:04 | 0:19:06 | |
-It's very nice. Yeah, very nice. -That's what it'll look like. | 0:19:06 | 0:19:10 | |
The concrete floor created a huge headache, | 0:19:10 | 0:19:13 | |
but the decision to lose the wall | 0:19:13 | 0:19:14 | |
between the staircase and living area | 0:19:14 | 0:19:16 | |
is already looking promising. | 0:19:16 | 0:19:19 | |
For me, it feels really exciting that you've taken this wall out | 0:19:19 | 0:19:22 | |
and, you know, previously, your eye would have stopped here | 0:19:22 | 0:19:25 | |
and this would have been the boundary to the space, | 0:19:25 | 0:19:28 | |
whereas now, it's a metre over here, which I think is great. | 0:19:28 | 0:19:31 | |
Also, just this sense of coming downstairs, seeing the view, | 0:19:31 | 0:19:34 | |
incorporating some of that upstairs into the downstairs, | 0:19:34 | 0:19:36 | |
those sorts of things I think have been really successful. | 0:19:36 | 0:19:40 | |
A conventional wooden handrail and spindles for a staircase | 0:19:43 | 0:19:46 | |
could quickly tot up to well over £100 | 0:19:46 | 0:19:49 | |
and the sky's the limit for more adventurous designs. | 0:19:49 | 0:19:53 | |
Piers wants to explore ways of doing something unconventional | 0:19:53 | 0:19:56 | |
and exciting on a modest budget. | 0:19:56 | 0:19:58 | |
You've got this Douglas fir post, your ceiling is there. | 0:19:58 | 0:20:03 | |
What I want to sort of focus on is this thing here | 0:20:03 | 0:20:07 | |
-can do anything you want. -Mm-hm. | 0:20:07 | 0:20:10 | |
It could be the most beautiful, delicate steel rods | 0:20:10 | 0:20:15 | |
that just enclosed that gap. | 0:20:15 | 0:20:18 | |
Could you not just have, instead of having this handrail here, | 0:20:18 | 0:20:21 | |
not have a handrail and maybe just have something | 0:20:21 | 0:20:23 | |
that would fill in this gap and be all different angles, perhaps? | 0:20:23 | 0:20:26 | |
That's a nice idea. That's even nicer. | 0:20:26 | 0:20:28 | |
Then you wouldn't have that breaking up your eye. | 0:20:28 | 0:20:31 | |
That is a really beautiful idea. Then you don't need a handrail at all. | 0:20:31 | 0:20:35 | |
You have one handrail the other side, | 0:20:35 | 0:20:37 | |
then this is just a spider's web, it's not a handrail at all. | 0:20:37 | 0:20:41 | |
Just very, very fine 3mm tensioned wires in a web | 0:20:41 | 0:20:47 | |
and then it's delicate enough that you look through it. | 0:20:47 | 0:20:49 | |
When you're saying about the tensioned wires, | 0:20:49 | 0:20:51 | |
I'm not always so keen on that kind of metallic finish. | 0:20:51 | 0:20:55 | |
You could use nylon rope for that. | 0:20:55 | 0:20:58 | |
It's fun and quirky and cheap. | 0:20:58 | 0:21:00 | |
-Yes. -You could build this whole thing for 50 quid, probably. | 0:21:00 | 0:21:03 | |
Which is a lot better than a handrail made out of steel | 0:21:03 | 0:21:05 | |
-that you'd have to get bespokely made. -Yep. -Absolutely, totally. | 0:21:05 | 0:21:08 | |
With the concept agreed, they'll develop the design further | 0:21:08 | 0:21:11 | |
to ensure it complies with the building regulations | 0:21:11 | 0:21:14 | |
that ensure safety. | 0:21:14 | 0:21:16 | |
Next, Piers wants to hear the current thinking | 0:21:16 | 0:21:18 | |
about the plan to extend the kitchen and living space onto the deck. | 0:21:18 | 0:21:22 | |
I know recently you went to look at that amazing house in London | 0:21:23 | 0:21:25 | |
that has that fantastic outside kitchen. | 0:21:25 | 0:21:27 | |
What did you think of that? | 0:21:27 | 0:21:29 | |
I liked some of the elements of it. | 0:21:29 | 0:21:31 | |
I liked the fact that you had that one level that went... | 0:21:31 | 0:21:34 | |
the kitchen and out, but to be honest, | 0:21:34 | 0:21:36 | |
it felt a bit strange, though. | 0:21:36 | 0:21:38 | |
You don't really have a kitchen outside. | 0:21:38 | 0:21:40 | |
I like the idea of having the sense of living outside, | 0:21:40 | 0:21:43 | |
but not actually the kitchen. We will do stuff outside, | 0:21:43 | 0:21:45 | |
but we'll just cook it in there and take it out, or put a barbecue on. | 0:21:45 | 0:21:49 | |
So Heidi's been working on an alternative plan for the kitchen. | 0:21:49 | 0:21:53 | |
It would define the whole ground floor of their family home. | 0:21:53 | 0:21:57 | |
So show me, Heidi, where the kitchen is now. | 0:21:57 | 0:21:59 | |
We've got this island, we've got this row here. | 0:21:59 | 0:22:01 | |
I think that's probably enough cabinets and, in my mind, | 0:22:01 | 0:22:04 | |
I haven't got anything on the wall. | 0:22:04 | 0:22:05 | |
I haven't got any wall cabinets, | 0:22:05 | 0:22:07 | |
and a lot of...would be to naturally stick some up, | 0:22:07 | 0:22:09 | |
but I think, if I put them up, I'm going to make the room feel smaller. | 0:22:09 | 0:22:12 | |
I think you're right, actually. I wouldn't have any cupboards up there, | 0:22:12 | 0:22:15 | |
keep everything at low level, | 0:22:15 | 0:22:17 | |
which means that you can chuck stuff in the sink and not see it | 0:22:17 | 0:22:20 | |
-and not have a sense that you're sitting in a kitchen. -Yeah. | 0:22:20 | 0:22:23 | |
Ditching wall units will maximise | 0:22:23 | 0:22:25 | |
the feeling of space on the ground floor. | 0:22:25 | 0:22:27 | |
The challenge now is to ensure this part of the house | 0:22:27 | 0:22:30 | |
reflects their character | 0:22:30 | 0:22:31 | |
and isn't dominated by a cheap, off-the-peg kitchen. | 0:22:31 | 0:22:35 | |
What Heidi and Steven could do now is just finish the house | 0:22:35 | 0:22:38 | |
in the most conventional way | 0:22:38 | 0:22:40 | |
and just go to their local DIY superstore | 0:22:40 | 0:22:42 | |
and buy off-the-shelf things for everything, but it won't be beautiful | 0:22:42 | 0:22:45 | |
and special and interesting and they don't want a really flashy house, | 0:22:45 | 0:22:48 | |
but it needs to be theirs | 0:22:48 | 0:22:50 | |
and it is a bespoke house and what Heidi and Steven need to do | 0:22:50 | 0:22:52 | |
is find a strategy for getting what they want and spending no more | 0:22:52 | 0:22:55 | |
than they would if they went down to their local DIY outlet. | 0:22:55 | 0:23:00 | |
We've got to inspire them with ideas on how to achieve this | 0:23:00 | 0:23:03 | |
on their dwindling funds and within their compact footprint. | 0:23:03 | 0:23:07 | |
BIRDS SCREECH | 0:23:07 | 0:23:09 | |
Heidi and Steven are just at the point of their build | 0:23:15 | 0:23:17 | |
where they're beginning to think now about the interior | 0:23:17 | 0:23:19 | |
and how they're going to inhabit this space they've created. | 0:23:19 | 0:23:22 | |
That's really exciting, but before they get into that, | 0:23:22 | 0:23:25 | |
I want to show them a building that makes really inventive use | 0:23:25 | 0:23:28 | |
of every square metre of a very constrained site. | 0:23:28 | 0:23:30 | |
In fact, you could say that this house | 0:23:30 | 0:23:32 | |
makes a virtue out of necessity. It is a product of its constraints | 0:23:32 | 0:23:36 | |
and I think it's one that's really going to give them loads of ideas | 0:23:36 | 0:23:39 | |
to take back to Scotland. | 0:23:39 | 0:23:40 | |
This house in North London | 0:23:45 | 0:23:46 | |
was designed by Nicholas Kirk Architects. | 0:23:46 | 0:23:49 | |
It's squeezed into the tiny plot between two existing properties, | 0:23:49 | 0:23:53 | |
but actually has almost the same square footage | 0:23:53 | 0:23:55 | |
as Heidi and Steven's home. | 0:23:55 | 0:23:56 | |
So you can see just how constrained this site is - | 0:23:59 | 0:24:02 | |
four and a half metres wide, the whole site, | 0:24:02 | 0:24:04 | |
and tapering too, but it's quite a robust | 0:24:04 | 0:24:07 | |
and I think quite welcoming space | 0:24:07 | 0:24:09 | |
and that, combined with all of the light that's coming, of course, | 0:24:09 | 0:24:12 | |
from this double-height window, | 0:24:12 | 0:24:13 | |
-it's a fantastic combination, isn't it? -Yeah. | 0:24:13 | 0:24:15 | |
Even though it's not a massive space, it's got a great quality. | 0:24:15 | 0:24:18 | |
Oh, I love it, I really love it. | 0:24:19 | 0:24:21 | |
I think what I really noticed immediately was | 0:24:21 | 0:24:24 | |
there's the concrete floor - | 0:24:24 | 0:24:25 | |
it's not pristine, it's not over-polished. | 0:24:25 | 0:24:28 | |
This is a proper kitchen where people actually cook. | 0:24:28 | 0:24:32 | |
The architect and owner have injected functionality | 0:24:32 | 0:24:35 | |
and personality. | 0:24:35 | 0:24:37 | |
The worktop was made by the owner for £400 | 0:24:37 | 0:24:39 | |
and the unique splash-back is a remainder of vintage wallpaper | 0:24:39 | 0:24:43 | |
covered with a glass sheet. | 0:24:43 | 0:24:44 | |
Every inch of this small space is utilised. | 0:24:46 | 0:24:49 | |
Each nook and cranny, each bit of wall, | 0:24:50 | 0:24:52 | |
the whole depth is used for storage | 0:24:52 | 0:24:54 | |
and I quite like the way this piece of furniture | 0:24:54 | 0:24:56 | |
is just flush with the wall and there's a little open part here, | 0:24:56 | 0:24:59 | |
where you see the edge of the plywood. | 0:24:59 | 0:25:01 | |
I really, really like it, | 0:25:01 | 0:25:02 | |
because what they've done is practically hidden stuff, | 0:25:02 | 0:25:04 | |
but kind of made something of this interest of the book. | 0:25:04 | 0:25:08 | |
By minimising expensive fittings, | 0:25:09 | 0:25:11 | |
the architect has designed a cheap, elegant kitchen. | 0:25:11 | 0:25:15 | |
-So there's no handles? -No handles. -That's really good. | 0:25:15 | 0:25:17 | |
I think plywood's such a nice material, when you see those edges. | 0:25:17 | 0:25:22 | |
The least obvious of spaces have been used to great effect. | 0:25:23 | 0:25:26 | |
This hallway's interesting, cos it doesn't look much, | 0:25:26 | 0:25:29 | |
but there's some, I think, interesting tricks here, | 0:25:29 | 0:25:31 | |
just using the depth of the wall. | 0:25:31 | 0:25:33 | |
This is quite useful stuff, isn't it? | 0:25:33 | 0:25:35 | |
This is exactly the kind of idea that we want in our entrance way, | 0:25:35 | 0:25:37 | |
and this is a really simple way of doing it, | 0:25:37 | 0:25:39 | |
where you don't have to make a big deal about it being a cupboard. | 0:25:39 | 0:25:42 | |
-It's not a cupboard, that's really important. -It's just a wee nook. | 0:25:42 | 0:25:45 | |
It's just a bit of the wall and this can be for whatever. | 0:25:45 | 0:25:47 | |
Even here, you've got really useful storage | 0:25:47 | 0:25:49 | |
-built into the staircase, it's just really handy. -Yep. | 0:25:49 | 0:25:53 | |
The stairs at the back of the property could have been | 0:25:55 | 0:25:57 | |
the darkest part of the house. | 0:25:57 | 0:25:59 | |
Just look how much light is flooding in from this slot window. | 0:25:59 | 0:26:02 | |
It must have been a lot of effort to do that, and expense, | 0:26:02 | 0:26:05 | |
but somehow, for me, just really works. | 0:26:05 | 0:26:07 | |
-It's paid off. -Yeah, it's turned this into something | 0:26:07 | 0:26:10 | |
that's an actual space, a room, almost. | 0:26:10 | 0:26:12 | |
The £700 balustrade is simple, but fun, | 0:26:13 | 0:26:16 | |
and the house is packed with practical design ideas | 0:26:16 | 0:26:19 | |
that make the most of the small footprint. | 0:26:19 | 0:26:21 | |
In the living room, | 0:26:23 | 0:26:24 | |
built-in storage is constructed out of inexpensive plywood. | 0:26:24 | 0:26:28 | |
This low unit was made by the owner for £180. | 0:26:28 | 0:26:32 | |
These are not pieces of furniture they bought | 0:26:32 | 0:26:34 | |
and put against the wall. It's all integrated. | 0:26:34 | 0:26:36 | |
And it doesn't have a cluttered feel about it at all, | 0:26:36 | 0:26:39 | |
even though there is a lot of stuff in here. | 0:26:39 | 0:26:41 | |
And this is a very family home | 0:26:41 | 0:26:43 | |
and you can feel, in this space, you feel cosy... | 0:26:43 | 0:26:46 | |
I can tell you feel quite warm about this place. | 0:26:46 | 0:26:48 | |
You seem to really respond to it. What is it about it that you like? | 0:26:48 | 0:26:51 | |
It's beautiful, yes, but that's not its key thing - it's practical | 0:26:51 | 0:26:55 | |
and that's what I really like about it | 0:26:55 | 0:26:57 | |
and that's how we're designing our home. | 0:26:57 | 0:27:00 | |
Splashes of colour add personality throughout the house | 0:27:00 | 0:27:03 | |
at very little cost. | 0:27:03 | 0:27:04 | |
This is sort of how I'd like to see our house. | 0:27:07 | 0:27:10 | |
This house shows the character of the people that live here | 0:27:10 | 0:27:13 | |
and that's what we'd really like to bring through in our house. | 0:27:13 | 0:27:17 | |
They've used some really good ideas that we'd really like to take away | 0:27:17 | 0:27:22 | |
and have a go at ourselves, I think. | 0:27:22 | 0:27:24 | |
Heidi and Steven seemed to get a lot out of today | 0:27:25 | 0:27:28 | |
and I really enjoyed spending time with them | 0:27:28 | 0:27:30 | |
in a really interesting, intricate work of architecture. | 0:27:30 | 0:27:33 | |
The challenge, though, is whether they can realise their ambitions | 0:27:33 | 0:27:36 | |
with the same kind of elegance and economy that this place has. | 0:27:36 | 0:27:39 | |
Down you go, down. | 0:27:48 | 0:27:49 | |
A crocodile? It looks like a big hole in a box. | 0:27:49 | 0:27:52 | |
CHILD: It looks like a crocodile! | 0:27:52 | 0:27:54 | |
Oh, it looks like a crocodile. | 0:27:54 | 0:27:55 | |
By May, seven months into the build, | 0:27:55 | 0:27:58 | |
enthusiasm is understandably fading. | 0:27:58 | 0:28:01 | |
Heidi is struggling to run her consultancy business, | 0:28:01 | 0:28:04 | |
be a wife and mother and project manage the build. | 0:28:04 | 0:28:07 | |
Every day, | 0:28:11 | 0:28:13 | |
we've got to do all the things that you have to do | 0:28:13 | 0:28:15 | |
in ordinary family life and then, on top of that, | 0:28:15 | 0:28:18 | |
try and find the energy and the time to get on with the house build, | 0:28:18 | 0:28:23 | |
when it feels like it's been going on forever. | 0:28:23 | 0:28:25 | |
Mmm! | 0:28:25 | 0:28:27 | |
'I feel really worn out at the moment, | 0:28:27 | 0:28:29 | |
'physically, mentally.' | 0:28:29 | 0:28:32 | |
I'm making mistakes left, right and centre, | 0:28:32 | 0:28:34 | |
I'm forgetting things... | 0:28:34 | 0:28:36 | |
Go and take your shoes off in there now, Verity! | 0:28:36 | 0:28:39 | |
-No, listen. -VERITY SCREECHES | 0:28:39 | 0:28:41 | |
'..which isn't like me.' | 0:28:41 | 0:28:42 | |
I'm usually just really quite organised | 0:28:42 | 0:28:45 | |
and I'm not enjoying that, | 0:28:45 | 0:28:46 | |
so when you start to make mistakes and stuff, | 0:28:46 | 0:28:49 | |
then you start to doubt your ability to do it | 0:28:49 | 0:28:51 | |
and that's not a pleasant place to be. | 0:28:51 | 0:28:54 | |
They've now spent 90k, well over their original budget. | 0:28:54 | 0:28:58 | |
As well as funding the build with their wages, | 0:28:58 | 0:29:00 | |
a friend is bailing out the project with a loan. | 0:29:00 | 0:29:03 | |
Steven, too, is worn out by the relentless demands on his time. | 0:29:03 | 0:29:07 | |
It was hard to begin with | 0:29:07 | 0:29:09 | |
and it's getting harder as the build goes on, | 0:29:09 | 0:29:12 | |
cos, obviously, we're more and more tired now, | 0:29:12 | 0:29:15 | |
because I've not had a break since Christmas. | 0:29:15 | 0:29:20 | |
Come and get your teeth done now. | 0:29:24 | 0:29:25 | |
VERITY WHIMPERS | 0:29:25 | 0:29:27 | |
-Come on! -I've already done my teeth! | 0:29:27 | 0:29:31 | |
Who's driving the fire engine? | 0:29:31 | 0:29:34 | |
-Is it Goat? -Slug! | 0:29:34 | 0:29:36 | |
STEVEN GROANS | 0:29:36 | 0:29:38 | |
BOY SCREECHES | 0:29:38 | 0:29:40 | |
Goodnight! | 0:29:40 | 0:29:41 | |
STEVEN SIGHS | 0:29:43 | 0:29:44 | |
With the need to limit further spending as much as possible... | 0:29:47 | 0:29:50 | |
No, I'm not pulling all that out, Heidi. | 0:29:50 | 0:29:53 | |
-You need to... -Not tonight! | 0:29:53 | 0:29:55 | |
..Heidi has sourced second-hand units free from friends. | 0:29:55 | 0:29:58 | |
She wants to use them as the basis for the new kitchen. | 0:29:58 | 0:30:02 | |
What's that like? Some sort of thin cabinet? | 0:30:02 | 0:30:04 | |
Yes. | 0:30:04 | 0:30:05 | |
You have to remember, we need to put all this back. | 0:30:07 | 0:30:11 | |
Steven, it doesn't stop me needing to know what's there, dear. | 0:30:11 | 0:30:14 | |
Well, we could always do that when they need to come out. | 0:30:14 | 0:30:16 | |
As much as, like... | 0:30:16 | 0:30:17 | |
you might want to not move it, | 0:30:17 | 0:30:19 | |
I don't want to design a kitchen and then find I don't have those units, | 0:30:19 | 0:30:23 | |
so if we just move some of them over here... | 0:30:23 | 0:30:26 | |
-There's one over here as well. -One, two, three... | 0:30:27 | 0:30:30 | |
-Four. -..four, five, six hanging wall units. | 0:30:30 | 0:30:33 | |
That would make seven, the dirty one. | 0:30:33 | 0:30:36 | |
Without taking all of this out, Heidi, I can't really tell for sure. | 0:30:36 | 0:30:39 | |
I totally appreciate that it's annoying, but... | 0:30:39 | 0:30:42 | |
No, it's not annoying, Heidi, it's impractical to do this right now. | 0:30:42 | 0:30:45 | |
I'm not pulling all this out, no way. | 0:30:45 | 0:30:47 | |
Heidi and Steven are at the end of their tether. | 0:30:50 | 0:30:53 | |
With all they're going through, | 0:30:54 | 0:30:56 | |
I want to find out if they've any money left to even finish the build. | 0:30:56 | 0:31:00 | |
What is the state of the budget? | 0:31:02 | 0:31:04 | |
How much has it cost you so far and where are you? | 0:31:04 | 0:31:06 | |
Basically, we've got about ten grand left. | 0:31:06 | 0:31:08 | |
That doesn't feel like a lot. | 0:31:08 | 0:31:11 | |
The way you did raise the money to buy the land | 0:31:11 | 0:31:14 | |
and to build the house is by borrowing it. | 0:31:14 | 0:31:17 | |
We had to go on my mum and dad's mortgage and remortgage the house. | 0:31:17 | 0:31:21 | |
They'd effectively nearly paid the whole thing off | 0:31:21 | 0:31:23 | |
and we had to put them in a massive amount of debt, | 0:31:23 | 0:31:25 | |
and ourselves. | 0:31:25 | 0:31:27 | |
The thing that I don't try and think about too much. | 0:31:27 | 0:31:30 | |
I just look at it as a project | 0:31:30 | 0:31:31 | |
and just keep going, cos otherwise, you'd just be overwhelmed. | 0:31:31 | 0:31:34 | |
With just 10K to finish the house, | 0:31:34 | 0:31:36 | |
it's crucial that Piers comes up with design ideas for the interior | 0:31:36 | 0:31:40 | |
that add personality at a very low cost. | 0:31:40 | 0:31:42 | |
A lot needs to happen in the downstairs | 0:31:53 | 0:31:55 | |
of Heidi and Steven's house for it to work | 0:31:55 | 0:31:58 | |
as a really good family living space. | 0:31:58 | 0:32:00 | |
Effectively, it's just one room | 0:32:00 | 0:32:01 | |
and I'm worried that the kitchen will dominate, | 0:32:01 | 0:32:03 | |
because I think what they're doing is just putting a normal kitchen in. | 0:32:03 | 0:32:07 | |
I want to really encourage them to actually still be bold | 0:32:07 | 0:32:10 | |
and still hang on to this sense that the house can be really exciting. | 0:32:10 | 0:32:14 | |
So here's our lovely kitchen. | 0:32:16 | 0:32:20 | |
-Here it is. -Some of it. | 0:32:20 | 0:32:22 | |
-It has seen better days, hasn't it? -Yeah. | 0:32:22 | 0:32:25 | |
That is a kitchen that you would only choose to offend nobody, | 0:32:25 | 0:32:28 | |
-but to please no-one either. -Yeah. -Ha! That's... Yeah. | 0:32:28 | 0:32:32 | |
The cupboards themselves are fine, aren't they? | 0:32:32 | 0:32:35 | |
The question is, how do these work as a cohesive whole in that room? | 0:32:35 | 0:32:39 | |
-Yeah. -How do these do more than just be kitchen cupboards? | 0:32:39 | 0:32:43 | |
-The biggest challenge is perhaps the island. -Yeah. | 0:32:43 | 0:32:46 | |
How do you make a beautiful island | 0:32:46 | 0:32:48 | |
that is a kind of dramatic piece of furniture out of these? | 0:32:48 | 0:32:51 | |
Because the main brief for that space | 0:32:51 | 0:32:53 | |
-is that it doesn't feel too kitchen-like. -Mm-hm. | 0:32:53 | 0:32:56 | |
What money do you have associated | 0:32:56 | 0:32:58 | |
with turning this into something that works as a kitchen? | 0:32:58 | 0:33:01 | |
Ah. Some money. | 0:33:03 | 0:33:06 | |
Few hundred quid. | 0:33:06 | 0:33:07 | |
You'll magically infuse us with wonderful ideas. | 0:33:09 | 0:33:12 | |
I'm not sure I can magically do it, | 0:33:12 | 0:33:14 | |
but I do have something in the car I want to show you. | 0:33:14 | 0:33:17 | |
-Sounds good. -Excellent. -Good, I'm going to go get it. | 0:33:17 | 0:33:21 | |
The conventional approach to reviving units | 0:33:21 | 0:33:23 | |
is a lick of paint or new doors, | 0:33:23 | 0:33:25 | |
but Piers has a more inventive solution - | 0:33:25 | 0:33:28 | |
acrylic sheets, | 0:33:28 | 0:33:29 | |
which can be bought in a huge range of colours and finishes. | 0:33:29 | 0:33:32 | |
That would definitely not be the colour I would go with. | 0:33:34 | 0:33:37 | |
Are you looking for something more subtle? | 0:33:37 | 0:33:39 | |
-I think architects love lime green. -Yeah! | 0:33:39 | 0:33:41 | |
-This is a kind of aqua blue. -That's lush. -I like the matt. | 0:33:41 | 0:33:45 | |
-This is matt one side. -Yeah, I like that. | 0:33:45 | 0:33:48 | |
I'm thinking that you could knock up this island in some really cheap | 0:33:48 | 0:33:52 | |
-studwork and this gets glued on to the face of it. -OK. | 0:33:52 | 0:33:55 | |
The front of the island and the fronts of the cupboards that you see | 0:33:55 | 0:33:58 | |
-behind the island. -Yeah. -Mm-hm. | 0:33:58 | 0:34:00 | |
-And for splashbacks and things like that. -Interesting. | 0:34:00 | 0:34:03 | |
I suppose I feel the rest of that space is very simple | 0:34:03 | 0:34:06 | |
and this is the jewel that sits in it. | 0:34:06 | 0:34:09 | |
And it's also the thing that zones and separates the kitchen proper | 0:34:09 | 0:34:13 | |
from the living space. So it's an important thing. | 0:34:13 | 0:34:17 | |
It's not just the kitchen that needs fresh ideas. | 0:34:18 | 0:34:21 | |
Heidi and Steven want to create an eye-catching design | 0:34:21 | 0:34:24 | |
for the side of the staircase. | 0:34:24 | 0:34:26 | |
Piers has an ingenious plan for using low-cost materials | 0:34:32 | 0:34:35 | |
and he's brought Heidi to a local marina. | 0:34:35 | 0:34:38 | |
There's a kind of richness to the way | 0:34:43 | 0:34:46 | |
that boats use material that I really like. | 0:34:46 | 0:34:50 | |
For me, it goes way beyond what you can get at a conventional | 0:34:50 | 0:34:53 | |
builders' merchant. And I think, for me as an architect, these are | 0:34:53 | 0:34:56 | |
the places that I often come to to look for inspiration. | 0:34:56 | 0:35:00 | |
You can get things in marinas and chandleries | 0:35:00 | 0:35:03 | |
that you can't get anywhere else. | 0:35:03 | 0:35:05 | |
There's tension wires with those nice turnbuckles. | 0:35:05 | 0:35:09 | |
-So this is what I wanted to show you. -Mm-hm... | 0:35:11 | 0:35:14 | |
This nylon braid. | 0:35:14 | 0:35:16 | |
So, theoretically, these could be used - strong enough - | 0:35:16 | 0:35:20 | |
-to do what we want them to do. -Absolutely. | 0:35:20 | 0:35:23 | |
Here we are, your favourite colour(!) | 0:35:25 | 0:35:27 | |
THEY LAUGH | 0:35:27 | 0:35:28 | |
Well, you never know, it might tie in with the kitchen. | 0:35:28 | 0:35:32 | |
-I like that, that kind of... -The dullest... -I like the dullest. | 0:35:32 | 0:35:36 | |
..most dour colour here. | 0:35:36 | 0:35:39 | |
This stuff is amazingly strong. This has an incredible breaking strain. | 0:35:39 | 0:35:43 | |
That is £1-something a metre. | 0:35:43 | 0:35:47 | |
The thicker it is, the more expensive it is. So this is... | 0:35:47 | 0:35:50 | |
What's that, 7mm or something, and that's about...£4.39 a metre. | 0:35:50 | 0:35:55 | |
It's kind of four times as expensive as something like that. | 0:35:55 | 0:35:58 | |
And that's, you know, | 0:35:58 | 0:36:00 | |
that's well over-specified for what you need it for. | 0:36:00 | 0:36:03 | |
-Yeah. -By the time you start to bend it and join it and tie it, | 0:36:03 | 0:36:06 | |
that might get slightly clumsy. | 0:36:06 | 0:36:09 | |
-The electric blue's nice. -It is nice, I agree with you there. | 0:36:09 | 0:36:12 | |
I do quite like that yellow. It's interesting and it's fun. | 0:36:12 | 0:36:16 | |
Interesting and fun is what I think you need to do in your house. | 0:36:16 | 0:36:21 | |
-I think we should go and play with a few ideas. -OK. -Yeah. | 0:36:21 | 0:36:25 | |
To see how the design might look, | 0:36:28 | 0:36:30 | |
Piers creates a timber frame that echoes the shape of the gap | 0:36:30 | 0:36:33 | |
next to the staircase. | 0:36:33 | 0:36:34 | |
With cord from the chandlery | 0:36:36 | 0:36:38 | |
and steel eyelets screwed in at random intervals, | 0:36:38 | 0:36:41 | |
the experiment can begin. | 0:36:41 | 0:36:43 | |
My instinct was that we should start with the brightly coloured one. | 0:36:43 | 0:36:46 | |
I thought that might be your instinct, Piers! | 0:36:46 | 0:36:49 | |
The instinct would be to go here, | 0:36:52 | 0:36:54 | |
but actually I think just pick a point and go for it. | 0:36:54 | 0:36:58 | |
-It's already looking good, isn't it? -Yes, it is, actually. | 0:37:01 | 0:37:05 | |
Damn, should have got more rope. | 0:37:05 | 0:37:08 | |
So the moral is that 12 metres of rope doesn't go very far, | 0:37:08 | 0:37:13 | |
and I hadn't realised how much we'd need. | 0:37:13 | 0:37:15 | |
It's all a learning experience. | 0:37:15 | 0:37:17 | |
But I suspect, for an opening this size, you might need 25 metres. | 0:37:17 | 0:37:20 | |
But at £1 a metre, it's pretty good value, isn't it? | 0:37:20 | 0:37:24 | |
A turnbuckle device costing just a few pounds tensions the rope. | 0:37:27 | 0:37:32 | |
I think, because we've got the other colour ropes, | 0:37:32 | 0:37:35 | |
why don't we just add in another 12 metres of another colour | 0:37:35 | 0:37:38 | |
and just see what it looks like with two colours? | 0:37:38 | 0:37:40 | |
With the blue cord also in place, | 0:37:40 | 0:37:43 | |
it's time to see how the prototype looks against the staircase. | 0:37:43 | 0:37:48 | |
So it goes about here, doesn't it? | 0:37:48 | 0:37:50 | |
Wow, that looks great! | 0:37:50 | 0:37:52 | |
Heidi and Steven will need to liaise with building control | 0:37:55 | 0:37:58 | |
before finalising the design | 0:37:58 | 0:37:59 | |
to ensure it meets all safety requirements. | 0:37:59 | 0:38:02 | |
But this test run gets the thumbs up. | 0:38:02 | 0:38:05 | |
It's so much better than having a banister... | 0:38:05 | 0:38:08 | |
big bits of wood or metal. | 0:38:08 | 0:38:10 | |
-And cheaper. -Yeah, much cheaper. | 0:38:10 | 0:38:12 | |
25 quid for the rope, the eyelets were a couple of pounds. | 0:38:12 | 0:38:16 | |
-You pay that for just one of these wooden banisters. -Yeah. | 0:38:16 | 0:38:20 | |
Much more fun! | 0:38:20 | 0:38:22 | |
-That's really exciting! -It feels really kind of bright, youthful, | 0:38:22 | 0:38:27 | |
it's lovely seeing through it, it's so much more than background - | 0:38:27 | 0:38:31 | |
it actually adds character, it's lovely. | 0:38:31 | 0:38:34 | |
When I come back hopefully you'll have done something like this, | 0:38:34 | 0:38:37 | |
but even better. | 0:38:37 | 0:38:39 | |
I think it's really exciting to begin to see | 0:38:39 | 0:38:41 | |
something beyond the building site. | 0:38:41 | 0:38:43 | |
And now there are glimmers of bright colourful things | 0:38:43 | 0:38:46 | |
that really reflect your home. | 0:38:46 | 0:38:49 | |
I think it was a worry for me - what do you do with this new house? | 0:38:49 | 0:38:53 | |
It'll be empty rather than actually we're going to go in and it's going | 0:38:53 | 0:38:56 | |
to already have character | 0:38:56 | 0:38:57 | |
and this is actually giving it its character, which is good. | 0:38:57 | 0:39:00 | |
Nine months since the frame went up, the joiner and plasterer are working | 0:39:08 | 0:39:12 | |
alongside Heidi and Steven. | 0:39:12 | 0:39:14 | |
But there's still a long way to go before the house is finished, | 0:39:16 | 0:39:19 | |
and nothing comes easy. | 0:39:19 | 0:39:21 | |
Why are all the sockets so far along? | 0:39:21 | 0:39:23 | |
-What do you mean? -That's the only place you can put the microwave. | 0:39:23 | 0:39:27 | |
The budget and schedule are being hit daily by setbacks. | 0:39:28 | 0:39:32 | |
As well as using second-hand kitchen units, | 0:39:32 | 0:39:35 | |
Heidi had planned to economise by fitting a used cooker. | 0:39:35 | 0:39:39 | |
My dad's garage flooded and our cooker got really wet. | 0:39:39 | 0:39:44 | |
So that's going to have to go to the dump. | 0:39:44 | 0:39:46 | |
Going to have to also buy a new unit. | 0:39:46 | 0:39:48 | |
Didn't have that in the budget. | 0:39:48 | 0:39:50 | |
-I'm sure you're getting greyer the more you work here. -So are you. | 0:39:50 | 0:39:54 | |
Spending is now at 95,000 | 0:39:54 | 0:39:56 | |
and the finances for completing the build are on a knife edge. | 0:39:56 | 0:40:00 | |
Heidi has been forced to put over £3,000 on credit cards... | 0:40:00 | 0:40:04 | |
I don't think I've got a future as a painter and decorator. | 0:40:05 | 0:40:09 | |
..and cash flow is fluctuating wildly. | 0:40:09 | 0:40:12 | |
With our boiler, we were part of the government scheme that allows you | 0:40:13 | 0:40:17 | |
to get an interest-free loan, so that freed up a little bit of money. | 0:40:17 | 0:40:20 | |
Freed up probably about seven grand | 0:40:20 | 0:40:22 | |
to enable us to keep going with the project. | 0:40:22 | 0:40:24 | |
Today, with the cooker, that was not in the plan. | 0:40:25 | 0:40:29 | |
Some things are working out a little bit cheaper | 0:40:29 | 0:40:32 | |
and some things are working out more expensive, | 0:40:32 | 0:40:35 | |
because things have changed on site. | 0:40:35 | 0:40:37 | |
-Oh! -Can you repair that? -No. | 0:40:37 | 0:40:40 | |
The most important job now is transforming the old kitchen units | 0:40:42 | 0:40:46 | |
into a piece of design that'll give character to the living area | 0:40:46 | 0:40:49 | |
at minimum cost. | 0:40:49 | 0:40:51 | |
The idea of using acrylic sheets went down well... | 0:40:57 | 0:41:00 | |
..so Piers has brought Heidi to a major supplier for inspiration. | 0:41:03 | 0:41:07 | |
I think the overall thing is doing something that's | 0:41:07 | 0:41:10 | |
a block of colour down at the end of the room. | 0:41:10 | 0:41:13 | |
And then what it needs to do is take some ordinary cupboards | 0:41:13 | 0:41:17 | |
and somehow repurpose them. | 0:41:17 | 0:41:19 | |
And I think using them for fronts is a really good idea. | 0:41:19 | 0:41:22 | |
I think using them for the back of the islands or the whole island | 0:41:22 | 0:41:26 | |
is something that could be explored. | 0:41:26 | 0:41:28 | |
There's a vast range of textures, shapes and colours to argue about. | 0:41:29 | 0:41:33 | |
-You love a lime green. -How could you not like that? | 0:41:33 | 0:41:36 | |
How could you not want a kitchen made out of that stuff? | 0:41:36 | 0:41:38 | |
Because I feel it's going to date. | 0:41:38 | 0:41:40 | |
-This is a bundle of amazing colours. -Look at these amazing colours. | 0:41:43 | 0:41:47 | |
-Those are rather muted colours. -No, they're not. | 0:41:47 | 0:41:50 | |
-That's your favourite colour. -Well... -Look at that! | 0:41:50 | 0:41:52 | |
-It's lovely. -Apple green. -Apple green's nice too. | 0:41:52 | 0:41:55 | |
-Like emerald - you could have Emerald City. -That is beautiful. | 0:41:55 | 0:41:59 | |
It is really clean and bright and crisp | 0:41:59 | 0:42:02 | |
It isn't just the main body of the kitchen and the fronts | 0:42:02 | 0:42:05 | |
and splashbacks and island, | 0:42:05 | 0:42:06 | |
there's the handles, all sorts of other things, | 0:42:06 | 0:42:09 | |
and these rods are fantastic. | 0:42:09 | 0:42:11 | |
Look at these rods. | 0:42:11 | 0:42:13 | |
That could be cut down into inch-length... | 0:42:13 | 0:42:16 | |
and just glue it on. | 0:42:16 | 0:42:18 | |
It's that simple and you cut it with a fine-tooth saw, a hacksaw, | 0:42:18 | 0:42:23 | |
and you can sand the end, but it is so beautiful and so unexpected | 0:42:23 | 0:42:29 | |
and simple. | 0:42:29 | 0:42:30 | |
The acrylic rod is 1.8 metres long and costs less than £12, | 0:42:30 | 0:42:34 | |
so could make lots of handles very cheaply. | 0:42:34 | 0:42:37 | |
You could go for a solid front with a clear handle. | 0:42:37 | 0:42:41 | |
-We like the blue. -Yeah, we like the blue. Really nice. -Beautiful. | 0:42:43 | 0:42:47 | |
Parts of the kitchen island could potentially include curved surfaces. | 0:42:47 | 0:42:50 | |
Piers and Heidi want to see what's possible. | 0:42:50 | 0:42:53 | |
So, can we see this curved into a gradual radius? | 0:42:56 | 0:42:59 | |
Yeah, we can put it in the oven. | 0:42:59 | 0:43:02 | |
It'll take about 15 minutes to do. | 0:43:02 | 0:43:05 | |
To create curves in acrylic, it's heated so it's malleable | 0:43:05 | 0:43:09 | |
and then left to harden over a form that gives it the desired shape. | 0:43:09 | 0:43:13 | |
It's a process called thermoforming. | 0:43:13 | 0:43:16 | |
If you took a single sheet of this and bent it to make, say, | 0:43:16 | 0:43:20 | |
three shelves going down a wall, how much would it cost per bend? | 0:43:20 | 0:43:26 | |
It varies on the thickness and size of the panel. | 0:43:26 | 0:43:29 | |
To create a shelf of your description would probably | 0:43:29 | 0:43:33 | |
cost somewhere around | 0:43:33 | 0:43:36 | |
75-125 quid. | 0:43:36 | 0:43:39 | |
The heated acrylic is now flexible enough to go on the form, | 0:43:41 | 0:43:44 | |
but it will harden again within two to three minutes. | 0:43:44 | 0:43:48 | |
Whether curves will be in the final design is up for debate. | 0:43:48 | 0:43:52 | |
If I come back with a curved kitchen Steven will not be very happy. | 0:43:53 | 0:43:56 | |
You could make a beautiful, curved chaise longue. | 0:43:56 | 0:43:59 | |
SHE LAUGHS | 0:43:59 | 0:44:02 | |
Having shown Heidi the possibilities, | 0:44:02 | 0:44:04 | |
Piers can start designing. | 0:44:04 | 0:44:06 | |
That is one colour that does that | 0:44:07 | 0:44:10 | |
and I think that'll be really easy to do, really easy to make, | 0:44:10 | 0:44:13 | |
and, if you were worried about it scratching, you could just put | 0:44:13 | 0:44:17 | |
a piece of glass on top of it. | 0:44:17 | 0:44:19 | |
But I think it is an opportunity to use another amazing colour | 0:44:19 | 0:44:23 | |
cos, as soon as you add something else to that, | 0:44:23 | 0:44:25 | |
it just really transforms the space. | 0:44:25 | 0:44:28 | |
Could you do the same colour, but in a different texture? | 0:44:28 | 0:44:30 | |
Yeah, absolutely. That's a good idea. | 0:44:30 | 0:44:32 | |
-That as a block of colour would be amazing. -Yeah. | 0:44:32 | 0:44:35 | |
And that as a piece that was folded up is enough. | 0:44:35 | 0:44:38 | |
And I think that's where you'll probably spend your money. | 0:44:38 | 0:44:40 | |
And then you really do just...use your... | 0:44:40 | 0:44:45 | |
old kitchen as a backdrop. | 0:44:45 | 0:44:46 | |
You don't need to conceal it, you just paint it white and it's fine. | 0:44:46 | 0:44:49 | |
When we looked at those rods, you've got that option, | 0:44:49 | 0:44:51 | |
if you wanted to pick out a colour, you could use those for handles. | 0:44:51 | 0:44:54 | |
-Great idea. -Yeah. -Sold to the woman in Scotland. | 0:44:54 | 0:44:57 | |
SHE LAUGHS | 0:44:57 | 0:44:59 | |
I think Heidi's going to do something really good. | 0:44:59 | 0:45:02 | |
I'm not quite sure what she's going to do, | 0:45:02 | 0:45:04 | |
but I'm really excited to see what it is. | 0:45:04 | 0:45:06 | |
Acrylic delivery. | 0:45:11 | 0:45:12 | |
Heidi and Steven are now battling to finish the family living space | 0:45:14 | 0:45:17 | |
that will define their new house. | 0:45:17 | 0:45:19 | |
Heidi has ordered £850 worth of acrylic | 0:45:23 | 0:45:26 | |
for use in various parts of the house, | 0:45:26 | 0:45:28 | |
with transformation of the bland kitchen units the top priority. | 0:45:28 | 0:45:32 | |
It's Steven's first glimpse of what's in store. | 0:45:32 | 0:45:36 | |
-No, are you not excited? -I'm...intrigued. -You're intrigued? | 0:45:36 | 0:45:41 | |
-Yeah. -I'm very excited. | 0:45:41 | 0:45:43 | |
You're just upset, cos you didn't get to go to the acrylic factory, | 0:45:43 | 0:45:47 | |
that's why. | 0:45:47 | 0:45:49 | |
You didn't get to see all the colours. | 0:45:49 | 0:45:51 | |
-Oh... -Oh, wow! | 0:45:51 | 0:45:54 | |
That's the shelves. | 0:45:54 | 0:45:56 | |
They've chosen green acrylic for the island and shelves | 0:45:56 | 0:46:00 | |
but, desperate to save wherever possible, | 0:46:00 | 0:46:03 | |
Heidi negotiated a discount by arranging to cover | 0:46:03 | 0:46:06 | |
the cupboards in whatever colours the supplier had cheap as offcuts. | 0:46:06 | 0:46:09 | |
It's a very brave decision. | 0:46:09 | 0:46:11 | |
-Oh, purple! -Pink, Heidi. | 0:46:14 | 0:46:16 | |
Oh, it's exciting. What colour's this one? | 0:46:16 | 0:46:20 | |
-White. We've got green and yellow. -Cool. Happy with that? | 0:46:20 | 0:46:23 | |
And with the colours? | 0:46:23 | 0:46:25 | |
Yeah. Well, I'll see how they are when they're up. | 0:46:25 | 0:46:29 | |
SHE LAUGHS | 0:46:29 | 0:46:31 | |
Next, Steven deals with the reality | 0:46:31 | 0:46:34 | |
of another of Heidi's design decisions. | 0:46:34 | 0:46:37 | |
Put the eyelets in this row. | 0:46:37 | 0:46:38 | |
Put the eyelets there and there and we'll work it out. | 0:46:38 | 0:46:41 | |
-So, basically, it's every 14.14. -OK. | 0:46:41 | 0:46:45 | |
Pythagoras, that chap, he's dead clever and all that, he knew it. | 0:46:45 | 0:46:49 | |
The most demanding job still lies ahead. | 0:46:49 | 0:46:52 | |
The kitchen island worktop needs to be cut to fit | 0:46:52 | 0:46:54 | |
precisely around an uneven old sink. | 0:46:54 | 0:46:57 | |
One slip and one of the most expensive pieces of acrylic | 0:46:59 | 0:47:02 | |
will be ruined. | 0:47:02 | 0:47:03 | |
You ready? | 0:47:05 | 0:47:06 | |
SAW POWERS UP | 0:47:08 | 0:47:10 | |
This is the main room, this is where everything happens. | 0:47:17 | 0:47:20 | |
It's really important that the kitchen does something interesting. | 0:47:20 | 0:47:25 | |
When it's in your living space where you've got your couch and fire, | 0:47:26 | 0:47:29 | |
you're going to be doing all your entertaining, the family's always | 0:47:29 | 0:47:32 | |
going to be around there, so you want to feel proud of that space. | 0:47:32 | 0:47:35 | |
Whoo! | 0:47:38 | 0:47:40 | |
Heidi and Steven have struggled to find every penny for this build, | 0:47:40 | 0:47:43 | |
and taken some bold and brave design decisions. | 0:47:43 | 0:47:47 | |
The question now is, will it all pay off? | 0:47:47 | 0:47:50 | |
12 months ago, Heidi and Steven took the huge decision to try to | 0:47:59 | 0:48:03 | |
build a home for their family with a budget of just £70,000. | 0:48:03 | 0:48:07 | |
It became a project that pushed them to their limits | 0:48:07 | 0:48:10 | |
and brought them to the brink of financial ruin. | 0:48:10 | 0:48:12 | |
After months of long nights and early mornings, I'm back to see | 0:48:12 | 0:48:16 | |
if they've been able to create a house that really reflects | 0:48:16 | 0:48:18 | |
who they are and the way that their family wants to live. | 0:48:18 | 0:48:22 | |
Piers and I are returning to see if they've realised the dream | 0:48:22 | 0:48:25 | |
of creating a home in an area they thought they could never afford. | 0:48:25 | 0:48:29 | |
-Hi, guys. -Hi. -Hi. -Hello, how are you doing? | 0:48:42 | 0:48:44 | |
-Good, how are you? -Great to see you. Look at this. | 0:48:44 | 0:48:48 | |
How does it feel to be standing next to a more or less finished building? | 0:48:48 | 0:48:51 | |
Feels really exciting. It's good to see it nearly there. | 0:48:51 | 0:48:55 | |
It's getting to the point where you can start to imagine | 0:48:55 | 0:48:58 | |
this is your home. | 0:48:58 | 0:48:59 | |
There's a few things left to finish, and the render is one of those, | 0:49:03 | 0:49:06 | |
but how close are you to finishing the whole thing? | 0:49:06 | 0:49:09 | |
The outside is pretty close. | 0:49:09 | 0:49:11 | |
The render has held us back due to the weather. | 0:49:11 | 0:49:13 | |
-It's either been too hot or too wet. -Well, it's Scotland. | 0:49:13 | 0:49:17 | |
THEY LAUGH | 0:49:17 | 0:49:18 | |
-I can't wait to see inside. Shall we go and have a look? -Yeah. | 0:49:18 | 0:49:21 | |
This is just such a great space. | 0:49:33 | 0:49:36 | |
Sort of sensible, ordered, well-planned, | 0:49:36 | 0:49:39 | |
but most of all with this fantastic view. | 0:49:39 | 0:49:42 | |
And it's so well planned. Your circulation is all to one side | 0:49:44 | 0:49:48 | |
so you're not constantly crossing over, whereas most house builders | 0:49:48 | 0:49:51 | |
seem to think that you add features to make a room better. | 0:49:51 | 0:49:54 | |
Here there's just the space and the light and almost nothing else. | 0:49:54 | 0:49:57 | |
There's also this, which works, | 0:49:57 | 0:49:59 | |
because it lets all of this light through. | 0:49:59 | 0:50:02 | |
This is space that you've borrowed from the stairwell | 0:50:02 | 0:50:05 | |
and brought it into this room. | 0:50:05 | 0:50:06 | |
Yeah, and it does it in an interesting way. | 0:50:06 | 0:50:08 | |
We keep saying that this now feels like a little framed piece of art. | 0:50:08 | 0:50:12 | |
'Heidi's created a unique design for around £400. | 0:50:15 | 0:50:18 | |
'The bulk of the cost is the clear acrylic panel | 0:50:18 | 0:50:21 | |
'which makes it meet building regulations | 0:50:21 | 0:50:23 | |
'without compromising the effect. | 0:50:23 | 0:50:25 | |
'Having been so busy actually building, Steven's been less | 0:50:27 | 0:50:30 | |
'involved in the design process and unsure about some of the decisions.' | 0:50:30 | 0:50:35 | |
Up until pretty much yesterday, still very sceptical about how | 0:50:35 | 0:50:40 | |
it's going to work and it's, yeah, I love it, I think it's really good. | 0:50:40 | 0:50:44 | |
And this whole sense of the move here just to reveal | 0:50:44 | 0:50:48 | |
-the staircase to the room, does that work for you? -Yeah, totally. | 0:50:48 | 0:50:50 | |
I don't even know why it was never on the plans to begin with | 0:50:50 | 0:50:53 | |
and I think Piers just sort of lit that flame under us to go, | 0:50:53 | 0:50:57 | |
"Oh, yeah, that's such a logical thing to do." | 0:50:57 | 0:51:00 | |
'Steven has contributed ideas for a design on a shoestring. | 0:51:00 | 0:51:04 | |
'This timber panel has added a unique piece of history | 0:51:04 | 0:51:06 | |
'to a brand-new house.' | 0:51:06 | 0:51:08 | |
You've unleashed your inner designer here, haven't you, | 0:51:08 | 0:51:11 | |
with this cladding? | 0:51:11 | 0:51:12 | |
One day, we've got this old tongue-and-groove | 0:51:12 | 0:51:16 | |
from the old house sitting in piles next door just doing nothing, | 0:51:16 | 0:51:19 | |
so we came up with putting it here. | 0:51:19 | 0:51:22 | |
This has got life in it, life from the old house. That cost us nothing. | 0:51:22 | 0:51:27 | |
'The centrepiece of the main living area is a remarkable kitchen. | 0:51:29 | 0:51:33 | |
'The acrylic came packed in sheets of MDF, so Heidi and Steven used | 0:51:35 | 0:51:39 | |
'this free resource to create flat surfaces on the old fronts | 0:51:39 | 0:51:43 | |
'and then glued the acrylic to the MDF. | 0:51:43 | 0:51:46 | |
'An old worktop donated by a friend sits above the spruced up cabinets.' | 0:51:46 | 0:51:51 | |
This part of the house is certainly impossible to miss, | 0:51:51 | 0:51:54 | |
impossible to ignore, it's so colourful. | 0:51:54 | 0:51:56 | |
'The kitchen island contains a reclaimed sink | 0:51:58 | 0:52:01 | |
'housed in a custom-built surround made from leftover timbers. | 0:52:01 | 0:52:04 | |
'The only major expenses were one sheet of plywood and the acrylic.' | 0:52:06 | 0:52:10 | |
Must be great to create a completely unique kitchen. | 0:52:12 | 0:52:16 | |
Yeah, no-one's got a kitchen like this, that's for sure. | 0:52:16 | 0:52:19 | |
This all started from how can you take this kitchen - | 0:52:21 | 0:52:24 | |
which was salvaged from somewhere, wasn't it? - | 0:52:24 | 0:52:26 | |
and how do you put it in pride of place in this room? | 0:52:26 | 0:52:30 | |
And what this does, this acrylic, is completely transform this room. | 0:52:30 | 0:52:33 | |
I was just going to paint the cupboards and then, | 0:52:33 | 0:52:36 | |
when we could afford something, maybe change the doors. | 0:52:36 | 0:52:38 | |
You know, the kind of thing people do. And actually it wouldn't have | 0:52:38 | 0:52:41 | |
made a statement, it wouldn't have done enough. | 0:52:41 | 0:52:43 | |
'Heidi was in the driving seat when it came to the kitchen design | 0:52:45 | 0:52:48 | |
'so what does Steven think of the result?' | 0:52:48 | 0:52:51 | |
We didn't have control over what colours we were having | 0:52:51 | 0:52:53 | |
-and I was worried about having... -Somebody else's choice. | 0:52:53 | 0:52:56 | |
..somebody else's choice and the colours not working together. | 0:52:56 | 0:53:00 | |
And I think... | 0:53:00 | 0:53:02 | |
Yeah, they do work. I... Yeah. | 0:53:02 | 0:53:04 | |
THEY LAUGH | 0:53:04 | 0:53:07 | |
Oh, my goodness! | 0:53:07 | 0:53:09 | |
'He may not be 100% convinced about the colours, | 0:53:09 | 0:53:12 | |
'but the concrete floor that nearly broke Steven is now | 0:53:12 | 0:53:15 | |
'part of a bigger design scheme that he actually likes.' | 0:53:15 | 0:53:19 | |
There's whole sections shiny new, there's old wood, | 0:53:19 | 0:53:24 | |
there's rough floor, and it all works together, I feel. | 0:53:24 | 0:53:29 | |
It's bigger than maybe we wanted to spend initially, | 0:53:33 | 0:53:36 | |
but I think it's made such a big difference. | 0:53:36 | 0:53:38 | |
They just make the whole room come alive. | 0:53:38 | 0:53:41 | |
Work to be finished includes an upstairs toilet and basin. | 0:53:43 | 0:53:47 | |
A full upstairs bathroom was too expensive, | 0:53:47 | 0:53:49 | |
so the couple settled on this compromise. | 0:53:49 | 0:53:52 | |
Clearly moving in is still some way off, | 0:53:54 | 0:53:57 | |
but how does Heidi feel about the house? | 0:53:57 | 0:54:00 | |
I still can't quite believe it's mine. I really can't. | 0:54:00 | 0:54:03 | |
I feel quite emotional looking at it. | 0:54:03 | 0:54:05 | |
I think I feel more emotional about it | 0:54:05 | 0:54:07 | |
when I think about how much Steven's done. | 0:54:07 | 0:54:09 | |
-I feel quite emotional, actually! -He's been working really hard. | 0:54:09 | 0:54:12 | |
I do feel quite emotional about it. | 0:54:12 | 0:54:13 | |
And it's just absolutely fantastic to think my children will grow up | 0:54:16 | 0:54:19 | |
right beside their grandparents. It's a lifestyle choice. | 0:54:19 | 0:54:22 | |
It's not just about us, it's about the fact I want to look after | 0:54:22 | 0:54:26 | |
my family, my parents and be close to them as they age. | 0:54:26 | 0:54:29 | |
Heidi and Steven invested a huge amount of time | 0:54:31 | 0:54:33 | |
and energy in this build. | 0:54:33 | 0:54:35 | |
But it's also been a tremendous financial strain. | 0:54:35 | 0:54:38 | |
So just how have things worked out? | 0:54:38 | 0:54:41 | |
Tell me how much money you had in the beginning for the build | 0:54:41 | 0:54:44 | |
and how much you've ended up spending. | 0:54:44 | 0:54:46 | |
We had, when we first started | 0:54:46 | 0:54:48 | |
and when we kind of demolished everything, we had 70 grand. | 0:54:48 | 0:54:51 | |
We're now at 98 and the place, it's taken us in a year, from 70 to 98, | 0:54:51 | 0:54:57 | |
we've got 20 grand that we managed to borrow from somewhere else, | 0:54:57 | 0:55:01 | |
another three grand on some credit cards, | 0:55:01 | 0:55:03 | |
and the rest of that was from our wages, basically. | 0:55:03 | 0:55:05 | |
Tell me how much you think you've still got to spend in order to get | 0:55:05 | 0:55:08 | |
-the thing finished. -I think it's going to take us to about 105. | 0:55:08 | 0:55:12 | |
Once the build is complete, | 0:55:15 | 0:55:17 | |
Heidi and Steven will get a mortgage on the new house | 0:55:17 | 0:55:19 | |
and pay off the one on her parents' house plus the other loan. | 0:55:19 | 0:55:22 | |
EXCITED CHATTER | 0:55:22 | 0:55:27 | |
Having come so far, it's time to celebrate what's been achieved, | 0:55:27 | 0:55:30 | |
and their sixth wedding anniversary. | 0:55:30 | 0:55:32 | |
INDISTINCT CHATTER | 0:55:34 | 0:55:37 | |
Heidi and Steven wanted a house that reflected their personality | 0:55:37 | 0:55:40 | |
and what's good about this house is that they haven't gone mad | 0:55:40 | 0:55:44 | |
with features everywhere, they've built a really robust, | 0:55:44 | 0:55:46 | |
well-insulated, well-built building. | 0:55:46 | 0:55:49 | |
And then, they've known where, in one or two key places, | 0:55:49 | 0:55:53 | |
to invest time and energy. | 0:55:53 | 0:55:54 | |
And that's changed this house from something fairly standard | 0:55:54 | 0:55:58 | |
into something that is really full of life and energy. | 0:55:58 | 0:56:02 | |
-Cheers, everyone! ALL: -Cheers! | 0:56:02 | 0:56:05 | |
Having put her home on the line to finance it, | 0:56:05 | 0:56:08 | |
what does Heidi's mum make of the new house? | 0:56:08 | 0:56:11 | |
I think they have built the dream, actually, and it suits | 0:56:11 | 0:56:16 | |
Heidi and Steven and it'll suit their children to grow up here. | 0:56:16 | 0:56:20 | |
Today, the children get their first look at their new bedrooms. | 0:56:20 | 0:56:24 | |
What do you think? Oh, my goodness, look at that! Is it good? | 0:56:24 | 0:56:30 | |
-Yeah? Is it good? -Yeah. -Yeah? | 0:56:30 | 0:56:33 | |
The children's rooms are given life with a patchwork | 0:56:36 | 0:56:38 | |
of wallpaper remnants that cost between 50p and £3 each. | 0:56:38 | 0:56:43 | |
-What's on your wallpapers? -Flowers! | 0:56:43 | 0:56:46 | |
And what's this? What's up here? | 0:56:46 | 0:56:49 | |
-Stripes! -Is it what you wanted? -Yeah! | 0:56:49 | 0:56:53 | |
Rabbity! I'm going to bring Rabbity in here! | 0:56:53 | 0:56:57 | |
It feels just intuitively right that a family should be able to | 0:57:00 | 0:57:03 | |
bring up their kids in a place where they grew up | 0:57:03 | 0:57:05 | |
and put down roots in the place where their family has roots. | 0:57:05 | 0:57:08 | |
But in Britain today, that's not always easy. | 0:57:08 | 0:57:11 | |
High house prices and high land values means that, sometimes, | 0:57:11 | 0:57:13 | |
that's really difficult. | 0:57:13 | 0:57:15 | |
Heidi and Steven have taken on that challenge in the only way that was | 0:57:15 | 0:57:19 | |
available to them, which is to build their own super low-cost house, | 0:57:19 | 0:57:23 | |
and I think the result they've got tackles it in fine style. | 0:57:23 | 0:57:26 | |
They've created a building like a prototype of a low-cost house. | 0:57:26 | 0:57:30 | |
But they've also found a way for them to put down roots | 0:57:30 | 0:57:32 | |
in the community they care about and want to be part of, | 0:57:32 | 0:57:35 | |
and that's a great thing for a work of architecture to achieve. | 0:57:35 | 0:57:38 | |
Next time...Sue and Tim try to build a modern masterpiece | 0:57:45 | 0:57:48 | |
in the countryside... | 0:57:48 | 0:57:50 | |
We're building walls... | 0:57:50 | 0:57:52 | |
..by making it up as they go. | 0:57:52 | 0:57:54 | |
When we build, we'll walk around and say, "What do we want?" | 0:57:54 | 0:57:57 | |
When you design a building, you design the plan of the building. | 0:57:57 | 0:58:00 | |
But as they race ahead, are they making the right choices? | 0:58:00 | 0:58:04 | |
-Is this what you want? -Haven't thought about it. | 0:58:04 | 0:58:07 | |
And how will they cope when they run into big problems? | 0:58:07 | 0:58:10 | |
It moved enough to actually be structurally unsound in the end. | 0:58:10 | 0:58:15 | |
There's an awful lot that needs to come together now | 0:58:15 | 0:58:18 | |
to have any building at all. | 0:58:18 | 0:58:20 |