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Last year, Piers Taylor and me, Kieran Long, brought architectural | 0:00:02 | 0:00:06 | |
expertise and innovative design thinking to self-builders who | 0:00:06 | 0:00:11 | |
were attempting to build a home from scratch for less than £100,000. | 0:00:11 | 0:00:15 | |
-Come on, baby. -How much money have you got left? -Er...let me see. | 0:00:15 | 0:00:20 | |
This year, we're bringing our £100,000 House experience to | 0:00:20 | 0:00:24 | |
-people that own a home already... -It's dilapidated, it's a dump. | 0:00:24 | 0:00:29 | |
..but are desperate to turn it into an extraordinary one. | 0:00:30 | 0:00:33 | |
Whoo! | 0:00:33 | 0:00:34 | |
-They too are on the tightest of budgets. -We've got £540 left. | 0:00:34 | 0:00:39 | |
We'll challenge them to embrace big ideas. | 0:00:39 | 0:00:43 | |
What you want really is exactly what this place provides. | 0:00:43 | 0:00:46 | |
-And to be more ambitious. -I don't know. | 0:00:46 | 0:00:49 | |
He's come in and he's torn up the rule book, really. | 0:00:50 | 0:00:53 | |
-But with their life savings at risk... -The hiccups are coming now. | 0:00:53 | 0:00:57 | |
If the money runs out, I'm left with half a house... | 0:00:57 | 0:01:00 | |
..can the homeowners create the house they've always wanted, | 0:01:00 | 0:01:03 | |
but believed they could never have? | 0:01:03 | 0:01:05 | |
This better fit! | 0:01:07 | 0:01:08 | |
'Tonight, a family trapped in a badly planned bungalow.' | 0:01:15 | 0:01:19 | |
It's not much of an arrival, is it? | 0:01:19 | 0:01:22 | |
'They can't afford to move.' | 0:01:22 | 0:01:23 | |
-This building is stopping you live the way you want to live. -Yeah. | 0:01:23 | 0:01:27 | |
'And can't afford their plans to change it.' | 0:01:27 | 0:01:30 | |
You've got to change this, cos you don't have enough money to finish. | 0:01:30 | 0:01:33 | |
And a home for a new family is a DIY danger zone. | 0:01:33 | 0:01:37 | |
We just have this one space that we live in. | 0:01:37 | 0:01:40 | |
'But will they be able to decide where to start?' | 0:01:40 | 0:01:43 | |
My first question is why you don't finish this space first? | 0:01:43 | 0:01:46 | |
I so want a lounge. | 0:01:46 | 0:01:47 | |
And will the problems ever end? | 0:01:47 | 0:01:49 | |
If we had a really good storm, | 0:01:49 | 0:01:51 | |
I think the chimney would've come down. | 0:01:51 | 0:01:52 | |
There's increasing pressure to get on the property ladder | 0:01:57 | 0:02:00 | |
as young as you can. | 0:02:00 | 0:02:02 | |
But for many people, that's just not possible. | 0:02:02 | 0:02:05 | |
I'm on my way to High Wycombe to meet Ronnie and Nicky, | 0:02:07 | 0:02:10 | |
who have bought their first house in their 40s | 0:02:10 | 0:02:12 | |
because they've been serving in the Armed Forces. | 0:02:12 | 0:02:15 | |
That means they've been living in staff quarters all of that time. | 0:02:15 | 0:02:19 | |
For 20 years, Ronnie worked for the RAF. | 0:02:19 | 0:02:22 | |
Nicky is also in the forces, | 0:02:22 | 0:02:24 | |
working behind the mic for British Forces Radio. | 0:02:24 | 0:02:27 | |
OK, let's check out some weather, then. | 0:02:28 | 0:02:30 | |
13 degrees in Bastian, 12 in Kandahar and 4 degrees in Kabul. | 0:02:30 | 0:02:35 | |
# Because I'm happy... # | 0:02:35 | 0:02:37 | |
Living all over the world in barracks, tents and MoD houses, | 0:02:37 | 0:02:41 | |
good architecture and design was never part of their lives. | 0:02:41 | 0:02:46 | |
That's where I lived in Kabul, in a shed with no windows. | 0:02:46 | 0:02:50 | |
We've had eight different addresses, or nine different addresses. | 0:02:50 | 0:02:54 | |
The properties we've lived in have all been almost the same design. | 0:02:54 | 0:02:57 | |
You pretty much get the same curtains, the same carpets... | 0:02:57 | 0:03:01 | |
You end up looking at magnolia walls and just thinking... | 0:03:03 | 0:03:06 | |
I want anything but magnolia! | 0:03:06 | 0:03:09 | |
Cheeky head! What's up? A bee? | 0:03:09 | 0:03:11 | |
Two years ago, Ronnie returned to civvy street, so he, Nicky | 0:03:11 | 0:03:15 | |
and their two kids moved into their very first family home... | 0:03:15 | 0:03:18 | |
..a four-bed bungalow in High Wycombe. | 0:03:20 | 0:03:22 | |
There we go, in we go. | 0:03:23 | 0:03:25 | |
Buying late, we're quite behind on the property ladder, if you like. | 0:03:25 | 0:03:28 | |
I've got friends and they're £100,000 or more ahead of us | 0:03:28 | 0:03:33 | |
in paying off their mortgages. | 0:03:33 | 0:03:35 | |
Costing £390,000, | 0:03:35 | 0:03:37 | |
the house was a huge investment. | 0:03:37 | 0:03:40 | |
But it's far from ideal. | 0:03:40 | 0:03:42 | |
I was waiting for that moment, you know, when you see other | 0:03:42 | 0:03:45 | |
people on the telly, where they have that, "Oh, I love it!" | 0:03:45 | 0:03:49 | |
And they start crying. | 0:03:49 | 0:03:50 | |
-But that definitely didn't happen coming in here! -No! | 0:03:50 | 0:03:55 | |
Almost immediately, they realised the house didn't work for them. | 0:03:56 | 0:04:00 | |
But they were stuck with it. | 0:04:00 | 0:04:01 | |
I think there is an element of feeling trapped. | 0:04:03 | 0:04:06 | |
We couldn't afford to move and solve the problem, | 0:04:06 | 0:04:09 | |
because actually, the amount we saved would be entirely eaten | 0:04:09 | 0:04:13 | |
up by the cost of stamp duty and moving house, | 0:04:13 | 0:04:17 | |
so moving actually would put us in a worse position. | 0:04:17 | 0:04:20 | |
Their only option is to transform the bungalow, | 0:04:21 | 0:04:24 | |
so while saving hard, they had plans drawn up. | 0:04:24 | 0:04:28 | |
The budget is £49,000. | 0:04:28 | 0:04:32 | |
The building work we've got planned is £49,000. | 0:04:32 | 0:04:37 | |
We haven't bought a kitchen, we haven't got a bathroom, | 0:04:37 | 0:04:41 | |
we haven't got any tiling or floor coverings or | 0:04:41 | 0:04:46 | |
anything for decorating or anything like that. | 0:04:46 | 0:04:49 | |
With little building experience and not even enough cash to | 0:04:51 | 0:04:54 | |
complete the interior, Ronnie and Nicky are taking a massive risk. | 0:04:54 | 0:04:58 | |
But they have no choice. | 0:04:59 | 0:05:01 | |
If we don't do it now, then we're never going to do it, | 0:05:02 | 0:05:05 | |
so we've got to go for it. | 0:05:05 | 0:05:07 | |
Make it our for ever home, really. | 0:05:07 | 0:05:10 | |
Ronnie and Nicky will be on an extraordinary learning curve | 0:05:16 | 0:05:19 | |
over the coming months. | 0:05:19 | 0:05:21 | |
I want to understand exactly where they're starting from. | 0:05:21 | 0:05:25 | |
-Hello, Kieran. I'm Ronnie. -Ronnie - nice to meet you. | 0:05:26 | 0:05:29 | |
-Come on in. -Great to be here. So this is your grand entrance. | 0:05:29 | 0:05:34 | |
Yes, as you can see, it's pretty tight. | 0:05:34 | 0:05:36 | |
It's not much of an arrival, is it? | 0:05:36 | 0:05:38 | |
I guess when this was built, they would have had the two main | 0:05:38 | 0:05:42 | |
living spaces at the front of the house and maybe | 0:05:42 | 0:05:45 | |
a kitchen at the back and it would have been a two-bedroom bungalow. | 0:05:45 | 0:05:50 | |
Now, I can't even see the back of your house, | 0:05:50 | 0:05:52 | |
it obviously goes back a long way. | 0:05:52 | 0:05:54 | |
This '70s bungalow has been extended at the back, creating a new bedroom, | 0:05:56 | 0:06:01 | |
dining room, lounge and enlarged kitchen, but it had the unfortunate | 0:06:01 | 0:06:06 | |
side effect of placing a dark bathroom at the heart of this home. | 0:06:06 | 0:06:11 | |
-This is the bathroom, here. -Right, so in pride of place... | 0:06:11 | 0:06:16 | |
We've got this throne room and it's so tight, as well. | 0:06:16 | 0:06:20 | |
Having the toilet facing the front door is a little bit | 0:06:20 | 0:06:23 | |
-unfortunate, isn't it? -It's embarrassing, really. | 0:06:23 | 0:06:28 | |
Especially with kids. Our postman knows us reasonably well! | 0:06:28 | 0:06:31 | |
Ronnie believes the key to redesigning their home is | 0:06:32 | 0:06:35 | |
moving this bathroom. | 0:06:35 | 0:06:38 | |
It's got to be fixed and that drives all of the drains | 0:06:38 | 0:06:41 | |
-and everything else. -Yeah. I guess that gets expensive, too. -Yes. | 0:06:41 | 0:06:46 | |
The biggest chunk of the cost is in the drains and the heating. | 0:06:46 | 0:06:50 | |
But the bathroom move is not the only major drain on their cash. | 0:06:50 | 0:06:55 | |
The current kitchen is a disaster. | 0:06:55 | 0:06:57 | |
-This is Sam. -Hi, Sam. -Hello. | 0:06:57 | 0:07:00 | |
-This is Isla. -Hello. -And this is my wife, Nicky. -Hello, hi. | 0:07:00 | 0:07:03 | |
Very nice to meet you. | 0:07:03 | 0:07:05 | |
'So they need a generous space where they can be together as a family.' | 0:07:05 | 0:07:09 | |
It's not a bad size kitchen, but when we have a table, | 0:07:09 | 0:07:12 | |
we like to eat in here together... | 0:07:12 | 0:07:15 | |
-It... We dance around the table the whole time. -I can see that. | 0:07:15 | 0:07:18 | |
I think for us, we're a quite sociable couple, the kids are always | 0:07:18 | 0:07:22 | |
having their friends here, so we'd love to have that kitchen/dining | 0:07:22 | 0:07:26 | |
room space where they come running in and out of the back doors. | 0:07:26 | 0:07:29 | |
In a way, this building is stopping you living the way you want to live. | 0:07:29 | 0:07:34 | |
Ronnie and Nicky's new plans address both these issues. | 0:07:34 | 0:07:37 | |
Radically, the intention is to move the front door to the | 0:07:38 | 0:07:42 | |
side of the house, converting the existing space into an en-suite. | 0:07:42 | 0:07:46 | |
Another en suite will fill part of the existing kitchen | 0:07:47 | 0:07:50 | |
and the new entrance hallway will face a new, | 0:07:50 | 0:07:53 | |
slightly larger bathroom. | 0:07:53 | 0:07:55 | |
To the rear, the new kitchen-diner will replace the lounge. | 0:07:56 | 0:08:00 | |
It's a huge first project. | 0:08:04 | 0:08:06 | |
The key will be a clear vision of what they want it to look, | 0:08:06 | 0:08:09 | |
but also feel, like. | 0:08:09 | 0:08:11 | |
Tell me a bit more about your taste, the things you love. | 0:08:11 | 0:08:14 | |
I can see the jukebox in the corner there, it's quite an amazing object. | 0:08:14 | 0:08:18 | |
What's most amazing is that it's next to a pretty ordinary sofa...! | 0:08:18 | 0:08:22 | |
It stands out like a sore thumb, but is this your vision? | 0:08:22 | 0:08:26 | |
Is that the stuff you really love? | 0:08:26 | 0:08:27 | |
The materials we haven't really thought of. | 0:08:27 | 0:08:29 | |
Maybe we feature the jukebox into this room... | 0:08:29 | 0:08:32 | |
But it's all pretty open right now in your minds? | 0:08:32 | 0:08:35 | |
-You haven't made any hard and fast decisions, even about the layout? -No. | 0:08:35 | 0:08:39 | |
'Beginning with so few ideas and little experience could create | 0:08:39 | 0:08:43 | |
'a disaster that costs them every penny of their hard-earned savings.' | 0:08:43 | 0:08:47 | |
I worry that once we start, like most projects, | 0:08:48 | 0:08:52 | |
there's always something that turns up. We just don't know, | 0:08:52 | 0:08:55 | |
so that worries me that we have no contingency. | 0:08:55 | 0:08:58 | |
Nicky is right to be worried. | 0:08:58 | 0:09:00 | |
Moving ahead without enough money to cover a new kitchen or | 0:09:00 | 0:09:03 | |
bathroom fittings is a risky strategy. | 0:09:03 | 0:09:06 | |
I think the biggest challenge for them is paying for, | 0:09:06 | 0:09:09 | |
with their budget, their whole ambition. | 0:09:09 | 0:09:11 | |
They've got to reconfigure this entire house. | 0:09:11 | 0:09:14 | |
All of that sounds like more than 50 grand by anyone's recognition. | 0:09:14 | 0:09:17 | |
I think getting that plan right is going to be a challenge. | 0:09:17 | 0:09:20 | |
With the builders days from starting, | 0:09:27 | 0:09:30 | |
I need to meet with Piers to find a fresh way of reconfiguring | 0:09:30 | 0:09:32 | |
this bungalow into a unique home for the money they have. | 0:09:32 | 0:09:36 | |
You just get the impression it's not a building that's really | 0:09:38 | 0:09:42 | |
addressed any pleasure of any spaces, it's not giving them | 0:09:42 | 0:09:46 | |
any qualities and in fact, it just feels like a rabbit warren - | 0:09:46 | 0:09:49 | |
a whole series of little corridors. | 0:09:49 | 0:09:51 | |
They had a plan done by a designer and that's been a really positive | 0:09:51 | 0:09:55 | |
step for them, but I'm not sure it's really solving their problems. | 0:09:55 | 0:09:58 | |
The building is a rabbit warren at the moment, | 0:09:58 | 0:10:00 | |
but what's interesting about the proposal is that it turns | 0:10:00 | 0:10:03 | |
the house around 90 degrees, which I think is a really good thing. | 0:10:03 | 0:10:06 | |
The problem with this plan is there's still this rabbit | 0:10:06 | 0:10:09 | |
warren to get into this room, which I think is a little bit crazy. | 0:10:09 | 0:10:12 | |
It also seems like three bathrooms in three separate places... | 0:10:12 | 0:10:15 | |
What this needs is to perhaps rationalise the bathrooms. | 0:10:15 | 0:10:18 | |
I'm starting to get to know Ronnie and Nicky | 0:10:18 | 0:10:20 | |
and I think there will be some challenges getting them | 0:10:20 | 0:10:23 | |
to move further away from quite conservative tastes and I think | 0:10:23 | 0:10:27 | |
that's partly because they've always lived in rental accommodation. | 0:10:27 | 0:10:30 | |
It sounds like they need to be taken to the edges of their comfort zone. | 0:10:30 | 0:10:34 | |
Piers needs to explain to Ronnie and Nicky why their current plan is | 0:10:38 | 0:10:41 | |
so expensive and how he feels it can work better and cost less to build. | 0:10:41 | 0:10:47 | |
Hi, Nicky - how're you doing? | 0:10:47 | 0:10:49 | |
What's strange is that you're moving this wet area from here to here | 0:10:49 | 0:10:55 | |
and you're making another corridor and moving walls around, | 0:10:55 | 0:11:00 | |
but you've ended up with something that is very similar. | 0:11:00 | 0:11:03 | |
Their initial design is based on the desire to move the bathroom. | 0:11:03 | 0:11:08 | |
But keeping it in the same place and instead transforming | 0:11:08 | 0:11:11 | |
the house around it could save them enough to finish this project. | 0:11:11 | 0:11:15 | |
Moving bathrooms can cost thousands, so I suspect moving this | 0:11:16 | 0:11:20 | |
bathroom will cost 3,000 or 4,000 quid at the least. | 0:11:20 | 0:11:23 | |
This is the cost of their kitchen, right here, and let's leave it here. | 0:11:23 | 0:11:27 | |
Using Ronnie and Nicky's plan to move the front door | 0:11:30 | 0:11:34 | |
to the side of the house, Piers proposes to keep the bathroom | 0:11:34 | 0:11:38 | |
in place and enlarge it. | 0:11:38 | 0:11:40 | |
He then proposes a radical rethink of the corridors, | 0:11:40 | 0:11:44 | |
removing all the right angles. | 0:11:44 | 0:11:46 | |
This solution will transform their rabbit warren corridors | 0:11:49 | 0:11:53 | |
into interesting spaces and dramatically improve | 0:11:53 | 0:11:56 | |
the flow around the dark centre of this house. | 0:11:56 | 0:11:58 | |
I've tried to make the building more interesting | 0:12:00 | 0:12:02 | |
in that these spaces are more dynamic in my mind than the building | 0:12:02 | 0:12:06 | |
you have at the moment that is these funny, long, dogleg corridors. | 0:12:06 | 0:12:10 | |
I quite like the idea of using the angle you've put there to | 0:12:10 | 0:12:14 | |
-continue it on. -Is this going to cost more money? | 0:12:14 | 0:12:17 | |
It's no more expensive to have angles. | 0:12:18 | 0:12:21 | |
They make corridors places rather than just routes to get from A to B. | 0:12:21 | 0:12:26 | |
You guys are here to make a really interesting family | 0:12:26 | 0:12:29 | |
home that is different from your neighbours, personalised for you. | 0:12:29 | 0:12:32 | |
I think the sense of fun and informality | 0:12:32 | 0:12:35 | |
that bungalows are about needs to be embraced with spades. | 0:12:35 | 0:12:40 | |
But has Piers pushed them too far too quickly? | 0:12:40 | 0:12:44 | |
See, I'm a little bit nervous to, at this stage, change the plan. | 0:12:44 | 0:12:49 | |
You've got to change this, | 0:12:49 | 0:12:51 | |
-because you don't have enough money to finish. -We've got to. | 0:12:51 | 0:12:53 | |
I know, but I'm thinking, "My God, what will the builders say?" | 0:12:53 | 0:12:56 | |
They've got a long road ahead. The hard work now begins. | 0:12:56 | 0:13:00 | |
Sitting down and working out how to change a fag packet sketch | 0:13:00 | 0:13:03 | |
into something that is structurally feasible, | 0:13:03 | 0:13:07 | |
constructionally feasible and affordable. | 0:13:07 | 0:13:09 | |
Finalising the plans isn't the only thing that Ronnie | 0:13:09 | 0:13:12 | |
and Nicky have to worry about. | 0:13:12 | 0:13:15 | |
For the duration of the build, | 0:13:15 | 0:13:16 | |
they'll have to move out of the bungalow and into a caravan. | 0:13:16 | 0:13:20 | |
Ronnie has the tricky task of manoeuvring it into place. | 0:13:22 | 0:13:25 | |
Slowly, slowly. | 0:13:26 | 0:13:28 | |
Whoa. Are we jammed? | 0:13:28 | 0:13:31 | |
We've got the caravan in, | 0:13:31 | 0:13:32 | |
but it's stuck between the wall and the shed here. | 0:13:32 | 0:13:35 | |
While the boys wrestle with the caravan, Piers is trying to | 0:13:36 | 0:13:39 | |
work out why Nicky finds it so hard to challenge her builders. | 0:13:39 | 0:13:43 | |
-You're worried about upsetting a builder. -I am! | 0:13:44 | 0:13:48 | |
I think I'm worried because we've already done the quote | 0:13:48 | 0:13:50 | |
and we're ready to move out and I'm thinking, "Can we fit this | 0:13:50 | 0:13:54 | |
"all in in the time frame that he was hoping to start?" | 0:13:54 | 0:13:57 | |
Here's a woman who's been to Afghanistan and put her life on the line and earned all this money | 0:13:57 | 0:14:01 | |
and you're coming back, "I don't want to upset the builder". | 0:14:01 | 0:14:03 | |
-You're just asking him to do his job. -Yeah. | 0:14:03 | 0:14:06 | |
But with the builders already on site, | 0:14:07 | 0:14:09 | |
Nicky will soon have to make some pretty big decisions | 0:14:09 | 0:14:12 | |
if they want to create the best home they possibly can. | 0:14:12 | 0:14:15 | |
-There we go. -Quality building! Oh, my goodness. Look at that. | 0:14:17 | 0:14:22 | |
What else could go wrong? | 0:14:24 | 0:14:25 | |
If the rest of the house is like this, we've got some serious problems. | 0:14:25 | 0:14:30 | |
Ronnie and Nicky are not alone in struggling to modernise a bungalow. | 0:14:31 | 0:14:35 | |
Between the world wars, there was a bungalow building boom. | 0:14:37 | 0:14:41 | |
The origins of the modern-day bungalow are more glamorous | 0:14:44 | 0:14:47 | |
than you might think. | 0:14:47 | 0:14:48 | |
Popular in California and the Hollywood Hills, | 0:14:48 | 0:14:51 | |
where they were homes for movie stars, | 0:14:51 | 0:14:53 | |
single-storey houses were a stylish vision of the future. | 0:14:53 | 0:14:56 | |
By the 1960s and '70s, they were where aspirational Brits could | 0:14:58 | 0:15:01 | |
park their car and relax in the generous rooms. | 0:15:01 | 0:15:04 | |
The defining feature of the bungalow is that it's all on one level. | 0:15:05 | 0:15:09 | |
That's of tremendous benefit. In a building this size, | 0:15:09 | 0:15:12 | |
you've probably got 80 or 90 square metres all on one ground floor. | 0:15:12 | 0:15:16 | |
Compare that to a typical Victorian terrace, two-up, | 0:15:16 | 0:15:19 | |
two-down worker's cottage style, that might be 70 or 80 square metres | 0:15:19 | 0:15:23 | |
on two floors, with a huge staircase taking up a load of space. | 0:15:23 | 0:15:26 | |
And it's not just about internal space - often detached, | 0:15:28 | 0:15:32 | |
but with large front gardens, bungalows afford privacy. | 0:15:32 | 0:15:36 | |
Which allows them large windows that flood rooms with light. | 0:15:37 | 0:15:40 | |
But all that comes at a cost. | 0:15:42 | 0:15:45 | |
Each bungalow uses a lot of land - a precious | 0:15:45 | 0:15:48 | |
and increasingly expensive resource. | 0:15:48 | 0:15:50 | |
Which is why so few are built today. | 0:15:51 | 0:15:53 | |
Ronnie and Nicky have the ambition to transform | 0:15:56 | 0:15:59 | |
a labyrinth of rooms into a home where their family can settle, | 0:15:59 | 0:16:02 | |
but when two families come together under one roof, the challenge is to | 0:16:02 | 0:16:06 | |
create a space that can be the heart of the home | 0:16:06 | 0:16:09 | |
for everyone living there. | 0:16:09 | 0:16:10 | |
Our second project is in Gloucestershire, where a couple's | 0:16:15 | 0:16:18 | |
dream of a beautiful family bungalow is much closer to a DIY nightmare. | 0:16:18 | 0:16:23 | |
Nigel, Kim and her two children have lived together for just over a year. | 0:16:26 | 0:16:30 | |
They first met at a jive dance class two years earlier. | 0:16:32 | 0:16:35 | |
Nige probably made the first move | 0:16:37 | 0:16:39 | |
and I really wasn't interested in another relationship at all. | 0:16:39 | 0:16:43 | |
I definitely didn't impress Kim with my footwork! | 0:16:43 | 0:16:46 | |
We were friends and dance partners for quite a while and then | 0:16:46 | 0:16:49 | |
we finally got together. | 0:16:49 | 0:16:51 | |
At the time, Kim was renting a house with her two young children. | 0:16:53 | 0:16:56 | |
While self-employed engineer Nigel was four years into a DIY | 0:16:58 | 0:17:01 | |
renovation of his three-bed 1970s bungalow. | 0:17:01 | 0:17:05 | |
It is quite slow work, doing it yourself. | 0:17:08 | 0:17:11 | |
You often come home to do some work and don't feel like it. | 0:17:11 | 0:17:14 | |
Just a long, laborious job. | 0:17:14 | 0:17:16 | |
It was a shock, seeing the house for the first time. | 0:17:18 | 0:17:21 | |
It was a building site and it smelt of cement. | 0:17:22 | 0:17:26 | |
There was no home! | 0:17:26 | 0:17:27 | |
But a change in Kim's circumstances brought them together. | 0:17:29 | 0:17:32 | |
My landlord wanted to sell his house, so we needed to be out. | 0:17:33 | 0:17:37 | |
And suddenly I found myself homeless! | 0:17:38 | 0:17:41 | |
The couple turned adversity on its head. | 0:17:44 | 0:17:47 | |
Kim and her children moved in to Nigel's half-built home. | 0:17:47 | 0:17:50 | |
Since then, they've been camping out in one room with | 0:17:52 | 0:17:55 | |
cardboard for carpet and breeze blocks for walls. | 0:17:55 | 0:17:59 | |
We just have this one space that we live in. | 0:17:59 | 0:18:02 | |
Everybody is on top of one another, aren't they? | 0:18:02 | 0:18:05 | |
It's also an accident waiting to happen. | 0:18:05 | 0:18:07 | |
I suppose it isn't very safe, is it? | 0:18:09 | 0:18:11 | |
Now determined to make more of the house usable, they've scrimped | 0:18:13 | 0:18:16 | |
and saved £7,000. | 0:18:16 | 0:18:18 | |
Nigel is planning to take time off work to tackle the project, | 0:18:18 | 0:18:23 | |
but almost every part of the house needs money spending on it. | 0:18:23 | 0:18:26 | |
-£7,000 has got to stretch... -Quite a long way. -A long way. | 0:18:27 | 0:18:31 | |
If the money runs out, that's that! We're stuck. | 0:18:31 | 0:18:34 | |
We're in limbo and we need to progress it on. | 0:18:34 | 0:18:37 | |
Finding a clear answer to such an overwhelming | 0:18:38 | 0:18:41 | |
number of problems is an enormous challenge. | 0:18:41 | 0:18:43 | |
It will be up to Piers to guide Nigel and Kim how | 0:18:46 | 0:18:49 | |
and where to spend their precious budget. | 0:18:49 | 0:18:52 | |
But living amongst the chaos | 0:18:52 | 0:18:54 | |
and doing the work themselves can make solutions hard to see. | 0:18:54 | 0:18:59 | |
My major worry here is that this project is drifting. | 0:18:59 | 0:19:02 | |
I think Nigel and Kim are too close to it. | 0:19:02 | 0:19:04 | |
They need to stand back | 0:19:06 | 0:19:07 | |
and think, what's the best way to go about finishing this building? | 0:19:07 | 0:19:11 | |
Nigel and Kim are refusing to see this project as a whole. | 0:19:13 | 0:19:17 | |
Instead, they're choosing to chop it up | 0:19:17 | 0:19:20 | |
into a series of individual rooms. | 0:19:20 | 0:19:23 | |
This room actually works better | 0:19:23 | 0:19:25 | |
if the fireplace and the TV stay over there. | 0:19:25 | 0:19:27 | |
It's more work you're making for yourself to bring it over here, | 0:19:27 | 0:19:31 | |
put it in the corner, it probably doesn't work as well, etc. | 0:19:31 | 0:19:35 | |
Rather than create work in rooms they don't use, | 0:19:35 | 0:19:37 | |
they should look for cost-effective ways to finish the vital | 0:19:37 | 0:19:41 | |
areas of the house they live in all the time. | 0:19:41 | 0:19:45 | |
I get that you're going to be here a long time, I'm not suggesting | 0:19:45 | 0:19:47 | |
you do anything in a half-baked way, but so many things need to happen. | 0:19:47 | 0:19:51 | |
I mean, everything needs to happen. I'd be wanting to finish | 0:19:51 | 0:19:54 | |
other things with those hard-earned pennies. | 0:19:54 | 0:19:56 | |
Piers thinks their £7,000 would be more wisely invested | 0:19:57 | 0:20:01 | |
in the kitchen-diner. | 0:20:01 | 0:20:03 | |
This is the area the family uses most | 0:20:03 | 0:20:05 | |
and where Nigel has done more work. | 0:20:05 | 0:20:07 | |
My first question is why you don't finish this space first? | 0:20:07 | 0:20:11 | |
I think that space we've been in | 0:20:11 | 0:20:13 | |
is a luxury that you almost can't afford to have yet, | 0:20:13 | 0:20:16 | |
because you're here. | 0:20:16 | 0:20:18 | |
This is the bit that, for me, | 0:20:18 | 0:20:20 | |
needs sorting and is actually where the heart of the house is. | 0:20:20 | 0:20:23 | |
Rather than starting on the lounge, Piers wants to present them | 0:20:23 | 0:20:27 | |
with a way to finish the work they've started. | 0:20:27 | 0:20:30 | |
This space for your dining is potentially fantastic. | 0:20:30 | 0:20:36 | |
But living amongst all the chaos, Nigel | 0:20:36 | 0:20:39 | |
and Kim crave more usable space. | 0:20:39 | 0:20:41 | |
So Piers is struggling to convince them. | 0:20:41 | 0:20:44 | |
Seven grand is a big chunk of money and you want to get the most | 0:20:44 | 0:20:48 | |
bang for your buck and that, you can do almost any time. | 0:20:48 | 0:20:51 | |
Even if it took another year, two years to do, | 0:20:51 | 0:20:53 | |
it wouldn't be a disaster. | 0:20:53 | 0:20:54 | |
I so want a lounge! | 0:20:54 | 0:20:56 | |
For so long now, Piers, we've been living in this one space. | 0:20:56 | 0:21:01 | |
Which is why fixed in our head is to do the lounge, | 0:21:01 | 0:21:05 | |
so that we can go in there and go... SHE SIGHS | 0:21:05 | 0:21:07 | |
But I... | 0:21:07 | 0:21:09 | |
I mean, I... You know, it's your house and your decision, | 0:21:09 | 0:21:12 | |
but it has to be an either/or, doesn't it? | 0:21:12 | 0:21:14 | |
I don't know, maybe... I feel that | 0:21:17 | 0:21:19 | |
maybe you need to go and have a little think. | 0:21:19 | 0:21:21 | |
At the moment, I'm not really sure how that went. | 0:21:27 | 0:21:30 | |
I've gone in there and I've really set the cat among the pigeons | 0:21:30 | 0:21:34 | |
because I've debunked this whole notion of doing that front | 0:21:34 | 0:21:37 | |
room first and really, I think it may be too much for them. | 0:21:37 | 0:21:42 | |
Piers's suggestions have thrown all our plans out of the water! | 0:21:42 | 0:21:46 | |
For the minute. | 0:21:46 | 0:21:48 | |
Whichever option we go for in the end, we need to crack on. | 0:21:48 | 0:21:54 | |
HAMMERING | 0:21:54 | 0:21:57 | |
Back in High Wycombe, Ronnie | 0:21:59 | 0:22:00 | |
and Nicky are making great headway with stripping out their bungalow. | 0:22:00 | 0:22:05 | |
Everything at the moment is to do with the build, it's 24/7. | 0:22:05 | 0:22:09 | |
Before we go to bed at night, me | 0:22:09 | 0:22:11 | |
and Ronnie are talking about tiles and doors | 0:22:11 | 0:22:13 | |
and internal doors! | 0:22:13 | 0:22:15 | |
It's all-consuming! | 0:22:16 | 0:22:18 | |
Big projects like this are subject to building control approval | 0:22:18 | 0:22:22 | |
and appropriate structural calculations. | 0:22:22 | 0:22:25 | |
With the bones of the building beginning to be revealed, | 0:22:26 | 0:22:29 | |
builder Billy can start to see what he's actually working with. | 0:22:29 | 0:22:33 | |
With having a look around and seeing it's been a DIY job previously, | 0:22:34 | 0:22:38 | |
we're not sure what we're going to find. | 0:22:38 | 0:22:40 | |
Undeterred, Ronnie has spotted an opportunity to gain extra | 0:22:40 | 0:22:44 | |
space by removing an old chimney breast. | 0:22:44 | 0:22:47 | |
Because we've saved money on the drains, we can take this out, | 0:22:47 | 0:22:51 | |
take the chimney down, which means we can lose this wall | 0:22:51 | 0:22:54 | |
and this wall and this wall | 0:22:54 | 0:22:56 | |
and all of this extra bit becomes part of our en-suite, here. | 0:22:56 | 0:23:01 | |
And it's not just Ronnie who has bathrooms on the brain. | 0:23:01 | 0:23:04 | |
Obviously we don't have a shower in here, | 0:23:04 | 0:23:07 | |
so me and Ronnie are having showers at work | 0:23:07 | 0:23:09 | |
and the kids are sort of going around people's houses. | 0:23:09 | 0:23:14 | |
Ronnie and Nicky are making big sacrifices to | 0:23:15 | 0:23:18 | |
transform their problem bungalow into an amazing family home. | 0:23:18 | 0:23:22 | |
But I'm worried their desire to just get it finished will make them | 0:23:22 | 0:23:26 | |
lose sight of how good it could be. | 0:23:26 | 0:23:28 | |
As a curator at the V&A, my job is to seek out exceptional | 0:23:30 | 0:23:33 | |
and inspirational design and I've come across a bungalow | 0:23:33 | 0:23:36 | |
conversion that I think could really raise their aspirations. | 0:23:36 | 0:23:40 | |
From the front, it's an ordinary bungalow... | 0:23:41 | 0:23:44 | |
But at the rear, it's something else. | 0:23:47 | 0:23:49 | |
This house was designed by the architects Blee Halligan. | 0:23:50 | 0:23:53 | |
The extraordinary addition at the rear has avoided all | 0:23:56 | 0:23:59 | |
the problems that plague Ronnie and Nicky's extension. | 0:23:59 | 0:24:03 | |
A previously dark and oppressive bungalow has been | 0:24:03 | 0:24:06 | |
transformed into an exciting, contemporary family home. | 0:24:06 | 0:24:10 | |
It's a million miles away from the bog-standard design | 0:24:11 | 0:24:14 | |
that the couple are used to. | 0:24:14 | 0:24:16 | |
'This is a real risk, especially for Nicky, | 0:24:18 | 0:24:20 | |
'so she might see this and completely reject it all, thinking | 0:24:20 | 0:24:23 | |
'this is for kind of sophisticates and the 1% and not for me - | 0:24:23 | 0:24:27 | |
'I want to change that opinion on her part.' | 0:24:27 | 0:24:30 | |
So, follow me. | 0:24:30 | 0:24:32 | |
The architects have opened up the original building, | 0:24:33 | 0:24:36 | |
eliminating all corridors. | 0:24:36 | 0:24:38 | |
Wow, look at that! | 0:24:40 | 0:24:41 | |
Instead, they've created a journey from the front door... | 0:24:43 | 0:24:46 | |
..through to the main living area at the back. | 0:24:47 | 0:24:51 | |
This has then been zoned into three simple areas - | 0:24:51 | 0:24:54 | |
kitchen, | 0:24:54 | 0:24:56 | |
dining area | 0:24:56 | 0:24:58 | |
and living space. | 0:24:58 | 0:25:00 | |
My hope is that Ronnie and Nicky will take inspiration from the | 0:25:02 | 0:25:05 | |
big, architectural ideas here and use them in their own renovation. | 0:25:05 | 0:25:09 | |
They've got the lights that we want! | 0:25:14 | 0:25:17 | |
That's exactly the ones we're looking at! | 0:25:17 | 0:25:20 | |
And they've got the blackboard idea, look, which we were thinking of! | 0:25:20 | 0:25:24 | |
I'm interested in little details like that. | 0:25:24 | 0:25:27 | |
Yeah, that's really cute, those little pots. | 0:25:27 | 0:25:29 | |
I think Ronnie and Nicky are kind of enthusiastic, | 0:25:31 | 0:25:33 | |
but they went immediately for fixtures and fittings, | 0:25:33 | 0:25:35 | |
lights, for bits of the kitchen. | 0:25:35 | 0:25:38 | |
I'm not interested in those things, that's just shopping. | 0:25:38 | 0:25:40 | |
I'm interested in how you make a space that creates a life for you, | 0:25:40 | 0:25:43 | |
that's a background to the life you want to live. | 0:25:43 | 0:25:45 | |
Ronnie and Nicky, I can see you're enthusiastic about this, | 0:25:45 | 0:25:48 | |
you found lots of details to enjoy. | 0:25:48 | 0:25:51 | |
Yes, the problem is, you can't just lift this and put it on our house, | 0:25:51 | 0:25:55 | |
so we have to take little ideas and I'm particularly interested... | 0:25:55 | 0:25:58 | |
I don't think you DO have to take the little ideas. | 0:25:58 | 0:26:00 | |
I think we can take the BIG ideas. Look at this place! | 0:26:00 | 0:26:03 | |
Nicky, tell me how you feel, standing in this place. | 0:26:03 | 0:26:05 | |
I love all the little quirky things. I found a nice bread bin! | 0:26:05 | 0:26:10 | |
It's the bread bin that's the problem! | 0:26:10 | 0:26:12 | |
Let's zoom out for a second. | 0:26:12 | 0:26:14 | |
Let's take a look at this beautiful space over here. | 0:26:14 | 0:26:17 | |
Ronnie, sit on that beanbag. | 0:26:22 | 0:26:25 | |
-Tell me how you feel right now. -This is... | 0:26:26 | 0:26:29 | |
I want to feel relaxed with the family in the kitchen and | 0:26:29 | 0:26:32 | |
dining area - connected, even though we might be doing different things. | 0:26:32 | 0:26:37 | |
I'd like this sort of arrangement where you've got the kitchen | 0:26:37 | 0:26:39 | |
and you've got the dining room where they can be sitting | 0:26:39 | 0:26:42 | |
doing their homework, colouring, whatever. | 0:26:42 | 0:26:44 | |
So what you want really, is exactly what this place provides. | 0:26:44 | 0:26:47 | |
Light, the connection with the outside, | 0:26:47 | 0:26:50 | |
-connection with your family. -Definitely. | 0:26:50 | 0:26:52 | |
And it all flowing into one sort of... | 0:26:52 | 0:26:55 | |
you know, heart of the home, really. | 0:26:55 | 0:26:57 | |
I think it's been so interesting here with Ronnie and Nicky, | 0:26:58 | 0:27:01 | |
that sense of them coming into a place that clearly | 0:27:01 | 0:27:04 | |
intimidated them, it felt a bit too expensive, a bit much, | 0:27:04 | 0:27:07 | |
perhaps a bit too architectural, | 0:27:07 | 0:27:09 | |
but over time, they came to love it. | 0:27:09 | 0:27:12 | |
They came to understand just what it did for the people who live here. | 0:27:12 | 0:27:15 | |
How it presents a wonderful background to family life. | 0:27:15 | 0:27:18 | |
It's just the same as what they want, | 0:27:18 | 0:27:20 | |
just in a slightly grander form. | 0:27:20 | 0:27:22 | |
At our other bungalow project in Gloucestershire, Nigel | 0:27:30 | 0:27:33 | |
and Kim have made their decision | 0:27:33 | 0:27:34 | |
and are forging ahead with their plans for the lounge. | 0:27:34 | 0:27:37 | |
Although Piers's ideas were great, we've decided that we will | 0:27:37 | 0:27:41 | |
stick to our original plan, which was to do the lounge. | 0:27:41 | 0:27:44 | |
We don't have a bottomless pit of money to spend | 0:27:44 | 0:27:47 | |
and do everything how we want it, so we're sticking to our original | 0:27:47 | 0:27:51 | |
route, which we think is best for us. | 0:27:51 | 0:27:52 | |
For Nigel and Kim, their priority is a family room to retreat to | 0:27:52 | 0:27:57 | |
before they think about tackling the rest of the house. | 0:27:57 | 0:27:59 | |
But taking on the lounge is a mammoth task, | 0:27:59 | 0:28:02 | |
with structural work, electrics, heating, new windows, | 0:28:02 | 0:28:06 | |
doors and all the finishes to complete. | 0:28:06 | 0:28:09 | |
It's not going to be easy on their seven grand budget. | 0:28:09 | 0:28:12 | |
And to add to the pressure, with each job they tackle, a new | 0:28:12 | 0:28:15 | |
and potentially costly problem is revealed. | 0:28:15 | 0:28:18 | |
The king post is actually slightly bowed. | 0:28:18 | 0:28:21 | |
It's lower in the middle than it is at either end. | 0:28:21 | 0:28:24 | |
Over time, the main ceiling joist has twisted, | 0:28:24 | 0:28:27 | |
so Nigel is reinforcing it with a piece of steel. | 0:28:27 | 0:28:30 | |
If you're OK with that... | 0:28:30 | 0:28:32 | |
With so much work stretching ahead of them, | 0:28:32 | 0:28:34 | |
-they've enlisted the help of Kim's stepdad. -Down she comes. | 0:28:34 | 0:28:38 | |
So many builds collapse because of lack of project management. | 0:28:39 | 0:28:43 | |
Time and money easily get eaten up waiting for trades and materials. | 0:28:43 | 0:28:48 | |
With this in mind, Kim has decided to draw up | 0:28:48 | 0:28:50 | |
a schedule of works to keep their build on course. | 0:28:50 | 0:28:54 | |
I put this together because to start with, it was all in Nige's head. | 0:28:54 | 0:28:59 | |
We only have a finite amount of time | 0:28:59 | 0:29:01 | |
and with any project, there needs to be a critical path. | 0:29:01 | 0:29:04 | |
Despite Kim's hard work, Nigel has got other plans. | 0:29:04 | 0:29:08 | |
He's decided instead of getting on with the flooring, | 0:29:08 | 0:29:10 | |
ceiling and electrics, | 0:29:10 | 0:29:12 | |
he'll focus all his energies on rebuilding the fireplace. | 0:29:12 | 0:29:16 | |
After Piers came, we realised the best thing to do was to keep | 0:29:17 | 0:29:22 | |
the fire in the centre of the building. | 0:29:22 | 0:29:25 | |
But I wanted to have a new fireplace built... | 0:29:25 | 0:29:28 | |
And for Kim, the pressure of living on a permanent building site | 0:29:30 | 0:29:33 | |
is finally taking its toll. | 0:29:33 | 0:29:35 | |
It's very wearing to live in mess. | 0:29:35 | 0:29:38 | |
And also, the brick dust - just incredible. | 0:29:40 | 0:29:43 | |
I've given up doing the dusting at the moment | 0:29:43 | 0:29:45 | |
because there's just no point. | 0:29:45 | 0:29:47 | |
Oh, my God - there is such a mess everywhere. | 0:29:50 | 0:29:52 | |
Back in High Wycombe, Ronnie | 0:29:56 | 0:29:58 | |
and Nicky's chimney is causing them problems, too. | 0:29:58 | 0:30:01 | |
Ronnie's hasty decision to remove an old fireplace from the kitchen | 0:30:01 | 0:30:05 | |
-looks like it might be unravelling. -Nick, you all right, pal? | 0:30:05 | 0:30:09 | |
How quickly could you turn around some calcs? | 0:30:09 | 0:30:12 | |
Billy needs to call in the help of a structural engineer because | 0:30:12 | 0:30:15 | |
he has discovered the chimney breast was built in a non-standard way. | 0:30:15 | 0:30:19 | |
The lower part of the wall was actually laid on two | 0:30:22 | 0:30:24 | |
bits of floorboards, so as we took the chimney down, | 0:30:24 | 0:30:26 | |
it lost all of its support and became really unstable. | 0:30:26 | 0:30:30 | |
The structural engineer will be able to advise Billy on how to | 0:30:30 | 0:30:34 | |
support the wobbling chimney stack. | 0:30:34 | 0:30:37 | |
They've just spanned from chimney breast to chimney breast, | 0:30:37 | 0:30:39 | |
it's not brilliant. | 0:30:39 | 0:30:41 | |
Ideally, we want to get away from using steels if possible. | 0:30:41 | 0:30:45 | |
If possible! | 0:30:45 | 0:30:46 | |
Extra steel supports would mean yet more expense and a greater | 0:30:48 | 0:30:52 | |
drain on budget, potentially putting the whole build in jeopardy. | 0:30:52 | 0:30:56 | |
Let's take some measurements. | 0:30:56 | 0:30:59 | |
But it looks like both the engineer's visit | 0:30:59 | 0:31:01 | |
and any work he suggests is going to take a large | 0:31:01 | 0:31:04 | |
and unexpected bite out of Ronnie and Nicky's funds. | 0:31:04 | 0:31:08 | |
It can make you a bit nervous because you don't know the full extent of what it's going to cost. | 0:31:08 | 0:31:12 | |
It's going to delay the time a bit if it means ordering steels - | 0:31:12 | 0:31:14 | |
they won't be in for two or three days, | 0:31:14 | 0:31:17 | |
so it could put a little hole in the job. | 0:31:17 | 0:31:19 | |
Which is the last thing this family wants to hear, | 0:31:19 | 0:31:22 | |
-currently camping out on their own back lawn. -Is that enough? Yeah? | 0:31:22 | 0:31:27 | |
However, they won't be moving out any time soon, | 0:31:29 | 0:31:31 | |
because work has been further delayed by a week. | 0:31:31 | 0:31:34 | |
A wooden support costing £675 is needed to support the chimney. | 0:31:34 | 0:31:39 | |
Slide it along. | 0:31:39 | 0:31:42 | |
This is an expensive build. | 0:31:42 | 0:31:44 | |
The majority of the budget is going on moving the front door to the side | 0:31:44 | 0:31:48 | |
of the house, knocking down internal walls and putting in the bi-folds. | 0:31:48 | 0:31:52 | |
So any additional expenses, like the wooden beam, | 0:31:56 | 0:31:59 | |
have had to come out of savings they've already made, | 0:31:59 | 0:32:01 | |
which they were hoping to spend on the kitchen. | 0:32:01 | 0:32:05 | |
-I think we've got about £5,000 now. -We can't get a kitchen for £5,000. | 0:32:05 | 0:32:11 | |
To make matters worse, Nicky has fallen in love with a design from | 0:32:11 | 0:32:15 | |
a high street kitchen company and the quote has come in at 12 grand. | 0:32:15 | 0:32:19 | |
It's vital that Piers can come up with ideas to create | 0:32:21 | 0:32:24 | |
a kitchen that the couple can actually afford | 0:32:24 | 0:32:27 | |
or the whole build will be pointless. | 0:32:27 | 0:32:29 | |
So this is the space, which is great. Where is the kitchen going? | 0:32:31 | 0:32:35 | |
At the moment, we're looking at a kitchen that goes around here. | 0:32:35 | 0:32:39 | |
-Yes. -We've kind of looked at having a mobile island. | 0:32:39 | 0:32:42 | |
I didn't realise. I said, "Oh, I like this one", | 0:32:42 | 0:32:44 | |
and so we got a quote for the most expensive out of the catalogue. | 0:32:44 | 0:32:47 | |
When I first came here, I remember you telling me that there was no budget for a kitchen. | 0:32:47 | 0:32:51 | |
-There was none left for the kitchen. -But you've magically found 12 grand now! | 0:32:51 | 0:32:55 | |
No, we haven't got 12 grand - | 0:32:55 | 0:32:57 | |
we've got somewhere between five and £9,000. | 0:32:57 | 0:32:59 | |
Piers needs a bold plan to sway Nicky from her glossy | 0:32:59 | 0:33:03 | |
-magazine kitchens. -This is such a long run of wall. | 0:33:03 | 0:33:07 | |
I suppose I'm wondering why you don't just run one simple | 0:33:07 | 0:33:11 | |
run of cupboards or worktop all along there... | 0:33:11 | 0:33:15 | |
and stick your fridge there, | 0:33:15 | 0:33:17 | |
and that's then free to have your table. | 0:33:17 | 0:33:20 | |
Your splashback can be, you know, a piece of glass spray-painted behind. | 0:33:20 | 0:33:26 | |
I would keep it very simple. | 0:33:26 | 0:33:27 | |
Big expanses of colour, big expanses of material, | 0:33:27 | 0:33:30 | |
floor-to-ceiling, wall-to-wall. It's such a kind of poppy house, | 0:33:30 | 0:33:33 | |
with your jukebox, big open spaces, big windows. | 0:33:33 | 0:33:37 | |
Sort of '50s colour somewhere in this would be great. | 0:33:37 | 0:33:41 | |
Simplicity is key if Ronnie and Nicky are to get the kitchen | 0:33:42 | 0:33:46 | |
they want. | 0:33:46 | 0:33:47 | |
It's just how you get ordinary things to meet other things | 0:33:47 | 0:33:51 | |
that transforms a building from being something very | 0:33:51 | 0:33:54 | |
standard into something really exceptional. | 0:33:54 | 0:33:56 | |
Don't just get something off-the-peg and leave it as it is, | 0:33:56 | 0:33:59 | |
you must tweak it somehow, or it will look like an off-the-peg... | 0:33:59 | 0:34:03 | |
Like everyone else's. | 0:34:03 | 0:34:04 | |
And this isn't like anyone else's house on the street now. | 0:34:04 | 0:34:08 | |
I think his ideas for a totally bespoke kitchen, | 0:34:10 | 0:34:13 | |
-some of them are really interesting. -That's different to our plan, isn't it? | 0:34:13 | 0:34:16 | |
-You're more open... -You're my quality control, aren't you? | 0:34:16 | 0:34:20 | |
The woman always wins in the end! | 0:34:20 | 0:34:22 | |
Yeah, that's true! | 0:34:22 | 0:34:24 | |
It's been nearly two months since Piers last visited Nigel and Kim. | 0:34:31 | 0:34:35 | |
Most of the ceiling is up, but the lounge still isn't looking | 0:34:35 | 0:34:38 | |
that different, apart from a brand-new fireplace. | 0:34:38 | 0:34:42 | |
With £500 on labour and bricks, 1,400 on a new wood burner | 0:34:42 | 0:34:46 | |
and a grand on a chimney flue, they've spent | 0:34:46 | 0:34:49 | |
nearly £3,000 on this one thing, | 0:34:49 | 0:34:51 | |
leaving little to finish the room. | 0:34:51 | 0:34:53 | |
So Piers is heading over to get things back on track. | 0:34:56 | 0:34:59 | |
-So that's the fireplace. -It is. -Yes. | 0:35:01 | 0:35:03 | |
I'm worried by Nigel and Kim spending pretty much | 0:35:05 | 0:35:07 | |
half their budget on rebuilding that fireplace and a new wood burner. | 0:35:07 | 0:35:12 | |
I'm worried that, in a way, | 0:35:12 | 0:35:14 | |
it's distracting them from finishing this room. | 0:35:14 | 0:35:17 | |
I need now to help Nigel | 0:35:17 | 0:35:18 | |
and Kim finish it in a way that is great and full of light. | 0:35:18 | 0:35:23 | |
I want to find one thing that really could transform that room. | 0:35:23 | 0:35:28 | |
Accepting Nigel and Kim's passion for this room, | 0:35:29 | 0:35:32 | |
Piers wants to help them create a beautiful space | 0:35:32 | 0:35:35 | |
and he thinks the answer may lie in the doorway to their garden. | 0:35:35 | 0:35:39 | |
-How much are these to replace? -They'll be quite an expensive thing. | 0:35:39 | 0:35:43 | |
We've had some quotes up in the 2,000-3,000. | 0:35:43 | 0:35:45 | |
Replacing these old doors with something new could make | 0:35:47 | 0:35:50 | |
a real difference. But the off-the-shelf units | 0:35:50 | 0:35:53 | |
they've been looking at will blow their budget. | 0:35:53 | 0:35:55 | |
You don't need to go the whole hog and buy brand-new French windows. | 0:35:55 | 0:35:59 | |
A standard glazed door with a chunky timber frame | 0:35:59 | 0:36:02 | |
and then a fixed piece of glass with no frame at all, | 0:36:02 | 0:36:05 | |
something like that, which would be very nice. | 0:36:05 | 0:36:08 | |
There's certainly potential in this room for something special, | 0:36:08 | 0:36:11 | |
but with only £4,000 left to do flooring, windows, doors, | 0:36:11 | 0:36:15 | |
heating and decoration, | 0:36:15 | 0:36:17 | |
it's incredibly tight. | 0:36:17 | 0:36:19 | |
Piers wants to show them | 0:36:20 | 0:36:21 | |
that bespoke joinery could cost less than an off-the-shelf equivalent. | 0:36:21 | 0:36:25 | |
For me, every project needs things that are bespoke and I don't think | 0:36:28 | 0:36:31 | |
that bespoke is high-end, luxury, unaffordable - it's just making | 0:36:31 | 0:36:36 | |
things in places like this that are everywhere, up and down the country. | 0:36:36 | 0:36:40 | |
Making things better than those that you can buy out of a catalogue. | 0:36:40 | 0:36:44 | |
Piers introduces them to expert joiners Pete and Steve. | 0:36:44 | 0:36:48 | |
So what's the advantage then, | 0:36:52 | 0:36:55 | |
of getting something bespokely made | 0:36:55 | 0:36:57 | |
rather than getting it off the shelf? | 0:36:57 | 0:36:59 | |
The skills going into this particular window are much | 0:36:59 | 0:37:03 | |
higher than a mass-manufactured window. | 0:37:03 | 0:37:06 | |
You can get it exactly the right size. | 0:37:06 | 0:37:08 | |
If you get something off-the-shelf, obviously it's a set, | 0:37:08 | 0:37:11 | |
-standard size and then you have to alter the opening. -OK. | 0:37:11 | 0:37:16 | |
And what about speed, because if I walked into the builders' | 0:37:16 | 0:37:19 | |
merchants, I could take it home. | 0:37:19 | 0:37:21 | |
If we have the glass ready, | 0:37:21 | 0:37:22 | |
we can have this window made in 2½ hours. | 0:37:22 | 0:37:26 | |
Wow! That's really quick! | 0:37:26 | 0:37:28 | |
Workshops like these offer a personalised service | 0:37:28 | 0:37:32 | |
and will fabricate any design. | 0:37:32 | 0:37:34 | |
Piers's idea for these made-to-measure external | 0:37:34 | 0:37:36 | |
doors should be pretty straightforward. | 0:37:36 | 0:37:39 | |
What would something like that cost, do you think? | 0:37:39 | 0:37:41 | |
This glass obviously has to be toughened and double glazed | 0:37:41 | 0:37:45 | |
and then an FLB, | 0:37:45 | 0:37:47 | |
framed, ledged and braced door, | 0:37:47 | 0:37:49 | |
I'd say you'd probably be looking at about £700. | 0:37:49 | 0:37:52 | |
Far cheaper actually, than a set of sliding patio doors that | 0:37:52 | 0:37:56 | |
you might get from your local builders' merchants. | 0:37:56 | 0:38:00 | |
I thought bespoke was going to be really expensive, and actually | 0:38:02 | 0:38:06 | |
the cost is surprisingly much lower than off-the-shelf. | 0:38:06 | 0:38:10 | |
And it opened up some more ideas to us, | 0:38:10 | 0:38:12 | |
which we hadn't thought about, either. | 0:38:12 | 0:38:14 | |
There's more stuff that we need to just mull over and chat over! | 0:38:14 | 0:38:18 | |
But three weeks later, reality bites | 0:38:21 | 0:38:23 | |
as urgent household bills | 0:38:23 | 0:38:25 | |
have dramatically eaten into Nigel and Kim's contingency fund. | 0:38:25 | 0:38:29 | |
The car needed major work to it. | 0:38:30 | 0:38:33 | |
The other car needed work to it! | 0:38:33 | 0:38:35 | |
The washing machine broke. | 0:38:35 | 0:38:37 | |
There's been quite a few others like that which are all big bills | 0:38:37 | 0:38:41 | |
that come along and just eat into the buffer fund. | 0:38:41 | 0:38:45 | |
It's always a case of we don't want to spend the money for the room | 0:38:45 | 0:38:49 | |
if we're going to struggle for paying the bills. | 0:38:49 | 0:38:53 | |
With their savings now drastically depleted, | 0:38:53 | 0:38:55 | |
it's looking like they won't be able to complete their dream project. | 0:38:55 | 0:38:59 | |
It means just slowing down the pace slightly | 0:38:59 | 0:39:02 | |
and perhaps holding back off some of the things. | 0:39:02 | 0:39:05 | |
If we just spent everything that we had, | 0:39:05 | 0:39:07 | |
there would be nothing left to live on. | 0:39:07 | 0:39:10 | |
Back at Ronnie and Nicky's build in High Wycombe, the majority | 0:39:18 | 0:39:21 | |
of the structural work is complete, but it's been a costly process. | 0:39:21 | 0:39:25 | |
They've decided that to get the kitchen Nicky really wants, | 0:39:25 | 0:39:28 | |
they will need to spend their contingency money. | 0:39:28 | 0:39:31 | |
Things are going to be tight, and they still have to buy fixtures | 0:39:31 | 0:39:34 | |
and fittings for their kitchen and bathroom, which can be costly. | 0:39:34 | 0:39:37 | |
All the way through this, the money is a concern, to be honest. | 0:39:41 | 0:39:44 | |
At the beginning, I was concerned that we'd end up with | 0:39:44 | 0:39:48 | |
the house how we wanted it, but no kitchen or bathroom. | 0:39:48 | 0:39:51 | |
We've reached a point now where I know we can fit them all... | 0:39:51 | 0:39:56 | |
How close to finished they'll be, | 0:39:56 | 0:39:58 | |
what standard the kitchen will be, | 0:39:58 | 0:40:00 | |
that's all still a bit of a question. | 0:40:00 | 0:40:03 | |
With so much work to do to finish and with their money running out, | 0:40:03 | 0:40:07 | |
Nicky and Ronnie are in danger of being unable to complete the build. | 0:40:07 | 0:40:11 | |
Nicky desperately wants to realise her dream kitchen. | 0:40:11 | 0:40:14 | |
Piers has a bold solution which could give them | 0:40:14 | 0:40:17 | |
quality without the cost. | 0:40:17 | 0:40:20 | |
I just hope they are ready to open their minds. | 0:40:20 | 0:40:23 | |
Today might be quite challenging because in a way, | 0:40:25 | 0:40:28 | |
when you go into a bathroom showroom or a kitchen showroom, | 0:40:28 | 0:40:32 | |
you're actually lulled into a sense of calm and serene safety. | 0:40:32 | 0:40:37 | |
What I want to do now is find a way to encourage them | 0:40:37 | 0:40:41 | |
to really think out of the box. | 0:40:41 | 0:40:43 | |
So, we're in a bathroom showroom and I can feel my skin crawling | 0:40:44 | 0:40:49 | |
because these places fill me with horror. | 0:40:49 | 0:40:51 | |
What I want to do is take you out of here past all these - look, | 0:40:51 | 0:40:55 | |
80 quid a pair, 60 quid a pair... | 0:40:55 | 0:40:58 | |
So here are, I think, my favourite all-time bathroom fittings, | 0:41:00 | 0:41:05 | |
and this is about the most perfectly formed tap you can buy. | 0:41:05 | 0:41:10 | |
That should be in the Design Museum. That's three quid to you. | 0:41:10 | 0:41:15 | |
Look at the quality of the milling on the inside of that tap | 0:41:15 | 0:41:17 | |
and how nice that is. | 0:41:17 | 0:41:19 | |
-Yeah. -That is a man thing! | 0:41:19 | 0:41:22 | |
I also really like the fact that it's just not pretending to | 0:41:22 | 0:41:25 | |
be glitzy or showy, it is what it is. | 0:41:25 | 0:41:28 | |
When you shut that valve it has a nice positive feel. | 0:41:28 | 0:41:31 | |
It's a bit like shutting a door on a really well-made car or something. | 0:41:31 | 0:41:35 | |
-You do need to get out more, though. -I do! -LAUGHTER | 0:41:35 | 0:41:39 | |
I do! | 0:41:39 | 0:41:41 | |
Undeterred, Piers wants to convince them | 0:41:41 | 0:41:45 | |
of the beauty of fittings usually hidden from view. | 0:41:45 | 0:41:48 | |
I mean, this looks fantastic exposed. | 0:41:48 | 0:41:51 | |
-So if you imagine that with that tap... -I'm not sure. | 0:41:51 | 0:41:55 | |
-What works ready well... -Do you like it? -I love copper. | 0:41:55 | 0:41:59 | |
I think copper is really... | 0:41:59 | 0:42:01 | |
Copper and bronze, they are just warm-coloured metals. | 0:42:01 | 0:42:05 | |
-It looks unfinished. -I don't think copper does. | 0:42:05 | 0:42:09 | |
I don't know, it might look like the plumbers haven't | 0:42:09 | 0:42:13 | |
kind of finished the job, know what I mean? | 0:42:13 | 0:42:15 | |
There's two things there - one, | 0:42:15 | 0:42:17 | |
I wouldn't worry what anyone else thinks, and two... | 0:42:17 | 0:42:19 | |
But I do worry about what everybody else thinks! | 0:42:19 | 0:42:23 | |
Well, we do all sorts of strange things with buildings now. | 0:42:23 | 0:42:26 | |
If you go into any Victorian house almost anywhere in the country, | 0:42:26 | 0:42:29 | |
the boards will be stripped and that's a strange phenomenon. | 0:42:29 | 0:42:33 | |
Stripping boards, | 0:42:33 | 0:42:35 | |
things that were typically covered up or concealed or painted | 0:42:35 | 0:42:38 | |
and there's nothing to say how a house must look, or should look. | 0:42:38 | 0:42:42 | |
Maybe I've lived too long in an MoD house and everything has been | 0:42:42 | 0:42:46 | |
the same and now I don't know how to break out of that. | 0:42:46 | 0:42:50 | |
It's been a little bit tricky at times. | 0:42:52 | 0:42:54 | |
I've really felt her assistance. | 0:42:54 | 0:42:56 | |
But I think it is a really important point, | 0:42:56 | 0:42:58 | |
how do you go beyond what you know? How do you go beyond the obvious? | 0:42:58 | 0:43:02 | |
How do you go beyond all the things you see in every normal showroom | 0:43:02 | 0:43:06 | |
up and down the country? | 0:43:06 | 0:43:07 | |
And that is what I've been trying to get them to embrace. | 0:43:07 | 0:43:11 | |
I also want them to get excited by the unconventional, | 0:43:11 | 0:43:14 | |
the extraordinary. And in a way, I really see that in Ronnie. | 0:43:14 | 0:43:18 | |
And I have worked on Nicky. | 0:43:18 | 0:43:20 | |
And I think that she's suspicious still, | 0:43:20 | 0:43:23 | |
but I think she's part of the way there. | 0:43:23 | 0:43:26 | |
-Doesn't that look fantastic? -Yeah, it looks quite... | 0:43:26 | 0:43:30 | |
-Yeah, you're convincing me more, seeing it in the flesh. -Here you go. | 0:43:30 | 0:43:34 | |
-Thank you. There's your tap! -Thanks, love! | 0:43:34 | 0:43:39 | |
You know, it's opened my mind up to trying new materials | 0:43:39 | 0:43:43 | |
and trying different things. Not just off-the-shelf, I suppose. | 0:43:43 | 0:43:47 | |
Maybe using a bit of imagination to create stuff. | 0:43:47 | 0:43:51 | |
Nigel had been working on the renovation of his bungalow | 0:44:00 | 0:44:03 | |
alone for some time. | 0:44:03 | 0:44:04 | |
But when he met Kim | 0:44:04 | 0:44:05 | |
and they formed a new family unit it was clear that something had | 0:44:05 | 0:44:08 | |
to be done about a house that didn't provide for their needs. | 0:44:08 | 0:44:11 | |
Nigel and Kim had been stuck in their bungalow building site, | 0:44:11 | 0:44:15 | |
desperate for a family space to escape the dust | 0:44:15 | 0:44:18 | |
and chaos permeating every crevice of their home. | 0:44:18 | 0:44:21 | |
Just two months ago they focused their energies on the task | 0:44:21 | 0:44:25 | |
of remodelling their lounge. | 0:44:25 | 0:44:27 | |
But with their savings dramatically drying up, | 0:44:27 | 0:44:29 | |
their family sanctuary was in danger of never been finished. | 0:44:29 | 0:44:32 | |
It's time for Piers and I to see how they got on. | 0:44:32 | 0:44:36 | |
-Hi, Nigel. Hi, Kim. -Hiya. -How's it all been going? | 0:44:36 | 0:44:38 | |
-How have you been getting on? -It's been going! | 0:44:38 | 0:44:41 | |
-You've made some progress. -We've made some progress. | 0:44:41 | 0:44:44 | |
-Nigel, how has it been for you? -Busy. I've been getting SOME sleep. | 0:44:44 | 0:44:48 | |
It's moved on quite considerably. Want to come and have a look? | 0:44:48 | 0:44:51 | |
I'm looking forward to seeing what you've done. | 0:44:51 | 0:44:53 | |
-Come on, then. -Great. | 0:44:53 | 0:44:55 | |
Previously, this junk-packed room was in complete chaos, | 0:44:55 | 0:44:59 | |
with no ceiling, flooring, | 0:44:59 | 0:45:01 | |
installation, wiring or central heating. | 0:45:01 | 0:45:04 | |
It was a mammoth task, | 0:45:04 | 0:45:05 | |
especially as Nigel was bravely tackling the whole job alone. | 0:45:05 | 0:45:09 | |
Ah, look at this! | 0:45:09 | 0:45:11 | |
-This is some transformation, I must say. -It's fantastic. | 0:45:17 | 0:45:21 | |
It feels fresh, it feels bright, it feels completely different. | 0:45:21 | 0:45:24 | |
-Well, it's a usable room! -Yes, it is. -No boxes. | 0:45:24 | 0:45:29 | |
You're not quite finished, but you're in a state | 0:45:31 | 0:45:33 | |
where you can start to see this as a usable family space. | 0:45:33 | 0:45:37 | |
It's slow but sure, but it's coming together. | 0:45:37 | 0:45:39 | |
It is a living room for the house. | 0:45:39 | 0:45:41 | |
The once cut-off, abandoned room has been cleverly connected to | 0:45:41 | 0:45:46 | |
the heart of the home by opening up the wall, | 0:45:46 | 0:45:48 | |
creating a through flow of space. | 0:45:48 | 0:45:50 | |
Being able to see from one corner of the house to the other is great. | 0:45:51 | 0:45:54 | |
But it's also really nice getting the light from there into here. | 0:45:54 | 0:45:57 | |
You can sit here with a view of the garden that way, | 0:45:57 | 0:45:59 | |
you've got one that way. | 0:45:59 | 0:46:01 | |
It feels right, yeah. | 0:46:01 | 0:46:02 | |
Nigel and Kim went with Piers's advice to keep the fireplace | 0:46:04 | 0:46:07 | |
in the centre of the building as an important focal point. | 0:46:07 | 0:46:10 | |
And now finished, its curved backdrop is a dramatic | 0:46:10 | 0:46:14 | |
and eye-catching feature with its bold steel mantelpiece. | 0:46:14 | 0:46:18 | |
I think your fireplace is very nice | 0:46:19 | 0:46:21 | |
and I like the way you actually circulate around it. | 0:46:21 | 0:46:25 | |
It just helps make this series of rooms not just a series of boxes, | 0:46:25 | 0:46:28 | |
but actually a series of lovely spaces. | 0:46:28 | 0:46:31 | |
-I also really like this mantelpiece. -It's a beautiful fireplace. | 0:46:31 | 0:46:34 | |
Kim and Nigel had a budget of £7,000, but with their fireplace | 0:46:34 | 0:46:38 | |
eating up nearly three grand of this, how have their funds survived? | 0:46:38 | 0:46:42 | |
What was your budget for this work and how much have you spent? | 0:46:42 | 0:46:45 | |
It was 7,000. | 0:46:45 | 0:46:46 | |
We've spent five. | 0:46:46 | 0:46:48 | |
We haven't spent money on the patio doors. | 0:46:49 | 0:46:52 | |
The joiners that you took us to, we loved what they did | 0:46:52 | 0:46:55 | |
and we are going to get them to make those doors. | 0:46:55 | 0:46:58 | |
-Yeah. -It'll be great. -We definitely want to do that. | 0:46:58 | 0:47:01 | |
By doing all of the work himself, | 0:47:01 | 0:47:03 | |
Nigel has been able to make incredible savings. | 0:47:03 | 0:47:06 | |
And with £2,000 left to decorate and finish this room, | 0:47:06 | 0:47:10 | |
they have money to commission those chunky timber external doors. | 0:47:10 | 0:47:14 | |
Finally having space to relax in has cleared Nigel | 0:47:15 | 0:47:19 | |
and Kim's minds and they are ready to think about what to do next. | 0:47:19 | 0:47:23 | |
Even though the materials here are unfinished, you don't need to | 0:47:23 | 0:47:26 | |
-do much more. You can just paint it and move in, really. -We could. | 0:47:26 | 0:47:30 | |
-I'd like a finished room. -Yes, I can see that. | 0:47:30 | 0:47:32 | |
I can see at all costs you will get a finished room. | 0:47:32 | 0:47:35 | |
We will have a finished room, yes! | 0:47:35 | 0:47:37 | |
Piers has made a lot of suggestions which have been great, | 0:47:40 | 0:47:43 | |
but also we know what we were trying to achieve. | 0:47:43 | 0:47:45 | |
And it's made us make the decision about what we don't want, | 0:47:45 | 0:47:49 | |
which is just as valid and just as important as what we do want. | 0:47:49 | 0:47:52 | |
The simple move which Nigel and Kim did | 0:47:54 | 0:47:56 | |
was to open up the heart of the house with a big opening, | 0:47:56 | 0:48:00 | |
and what that means is there feels a natural inevitability to | 0:48:00 | 0:48:03 | |
the way those spaces flow together, and I think that's really good. | 0:48:03 | 0:48:06 | |
Nigel and Kim may have yet to complete their build, | 0:48:08 | 0:48:11 | |
but it's a fantastic result. | 0:48:11 | 0:48:13 | |
And this was always going to be about more than just architecture. | 0:48:14 | 0:48:18 | |
This was about creating a space where their new family unit | 0:48:19 | 0:48:22 | |
could come together. | 0:48:22 | 0:48:23 | |
And I think in the lounge room now you begin to see that space | 0:48:23 | 0:48:26 | |
taking shape. | 0:48:26 | 0:48:27 | |
It has beautiful light, a fancy fireplace | 0:48:27 | 0:48:30 | |
and a connection to the rest of the house. | 0:48:30 | 0:48:31 | |
This is going to be a really good sanctuary for that family | 0:48:31 | 0:48:34 | |
into the future. | 0:48:34 | 0:48:35 | |
Back at Ronnie and Nicky's, it's four months since the build began. | 0:48:43 | 0:48:47 | |
The plastering is in progress and the insulation's going in, | 0:48:47 | 0:48:51 | |
and the money has all but run out. | 0:48:51 | 0:48:53 | |
Ronnie is trying to save on costs, so he's decided to single-handedly | 0:48:55 | 0:48:59 | |
fit underfloor heating throughout the whole of their home. | 0:48:59 | 0:49:02 | |
But he's never tackled a job like this before. | 0:49:02 | 0:49:05 | |
So that's four metres... | 0:49:07 | 0:49:09 | |
I've got about 1,000 metres to lay. | 0:49:09 | 0:49:12 | |
What am I doing?! | 0:49:13 | 0:49:15 | |
He soon realises, though, it's a far bigger job than he thought. | 0:49:16 | 0:49:20 | |
It's become apparent this isn't a one-weekend job, | 0:49:20 | 0:49:24 | |
this is an every-night-for-at-least two-weeks job. | 0:49:24 | 0:49:29 | |
After weeks living in cramped conditions in a caravan, | 0:49:29 | 0:49:33 | |
NIcky is looking forward to finally moving out. | 0:49:33 | 0:49:35 | |
It's a lot of packet food at the moment. | 0:49:35 | 0:49:38 | |
You know, I don't feel that we are living very healthily. | 0:49:38 | 0:49:42 | |
The other day I was just thinking I was looking forward to | 0:49:42 | 0:49:46 | |
being in my own bed. | 0:49:46 | 0:49:47 | |
A proper toilet, that would be nice. | 0:49:47 | 0:49:50 | |
I'm too old for living in a caravan at my age. | 0:49:50 | 0:49:53 | |
Ronnie will need to pay a trained plumber to connect | 0:49:55 | 0:49:57 | |
the underfloor heating to the main system, | 0:49:57 | 0:49:59 | |
but he's making a £2,000 saving by labouring himself. | 0:49:59 | 0:50:04 | |
It's not a simple task, though, and he's having to work | 0:50:04 | 0:50:07 | |
long into the night after a hard day's work to get the job done. | 0:50:07 | 0:50:10 | |
I really wish I could pay someone else to do it, to be quite honest. | 0:50:10 | 0:50:15 | |
And this novice's job has been made trickier by Piers's angled corridor. | 0:50:15 | 0:50:19 | |
Thanks, Piers, that was a great idea, | 0:50:19 | 0:50:21 | |
having these lovely angled walls(!) | 0:50:21 | 0:50:23 | |
It's created a nightmare for the underfloor heating. | 0:50:23 | 0:50:26 | |
The pressure of sort of keeping it going, | 0:50:29 | 0:50:32 | |
it's coming to the end of the line, really, now. | 0:50:32 | 0:50:35 | |
And now we are both working in the house every night. | 0:50:35 | 0:50:38 | |
We can't afford a decorator, | 0:50:38 | 0:50:40 | |
so I'm doing that and Ronnie is doing the underfloor heating. | 0:50:40 | 0:50:43 | |
So that's our life for the next few weeks. | 0:50:43 | 0:50:46 | |
Having lived in basic military accommodation for nearly | 0:50:52 | 0:50:55 | |
20 years, Ronnie and Nicky were late buying their first house. | 0:50:55 | 0:50:58 | |
But having moved into their bungalow, | 0:50:58 | 0:51:01 | |
they realised it wasn't the dream family home they had hoped for. | 0:51:01 | 0:51:04 | |
Just 22 weeks ago, | 0:51:04 | 0:51:06 | |
their bungalow was a rabbit warren of narrow corridors | 0:51:06 | 0:51:09 | |
and poorly proportioned rooms, with a dark and windowless central core. | 0:51:09 | 0:51:14 | |
A small and cramped kitchen meant the family had nowhere to gather | 0:51:14 | 0:51:17 | |
and the pokey family bathroom was in the middle of the house | 0:51:17 | 0:51:21 | |
directly facing the front door. | 0:51:21 | 0:51:23 | |
Their idea was to remodel the entire house, but never having done | 0:51:23 | 0:51:27 | |
anything like this before, their life savings were on the line. | 0:51:27 | 0:51:31 | |
It's not been straightforward. | 0:51:31 | 0:51:33 | |
A complete overhaul was needed and it's been a steep learning curve. | 0:51:33 | 0:51:37 | |
We are back today to see the end result. | 0:51:37 | 0:51:39 | |
-Hi, guys. -Hey, guys. | 0:51:39 | 0:51:41 | |
-How are you doing? -Hi. | 0:51:41 | 0:51:42 | |
-How are you? -Nice to see you. -How's it been going? | 0:51:42 | 0:51:46 | |
-It's been so busy, hasn't it? -Yeah. We are absolutely worn out. | 0:51:46 | 0:51:50 | |
-Have the results been worth it, though? -Yes, absolutely. | 0:51:50 | 0:51:54 | |
It's been more than worth it. I can't actually believe it's our house. | 0:51:54 | 0:51:57 | |
I can already see fundamental changes, | 0:51:57 | 0:52:00 | |
because we are meeting outside your new front door. | 0:52:00 | 0:52:02 | |
But I'm interested in how it's affected the layout of the house. | 0:52:02 | 0:52:05 | |
-Absolutely. -Well, come on in. -Fantastic. | 0:52:05 | 0:52:08 | |
-Look at this! Wow! -This is amazing. | 0:52:10 | 0:52:14 | |
It's an incredible transformation. | 0:52:17 | 0:52:20 | |
The thing I'm most excited about is that you're not faced with | 0:52:22 | 0:52:25 | |
a toilet, as you were in your original layout. | 0:52:25 | 0:52:28 | |
The fundamental problem with this bungalow was its dark centre. | 0:52:29 | 0:52:33 | |
This has been completely eradicated | 0:52:33 | 0:52:35 | |
and is now a wonderful connection of spaces, funnelling light throughout. | 0:52:35 | 0:52:40 | |
A result of Piers's plan to remove hallways | 0:52:40 | 0:52:43 | |
and dramatically angle walls. | 0:52:43 | 0:52:45 | |
This angle is a subtle thing, but for me it works really well, | 0:52:46 | 0:52:49 | |
because what it does is make this a generous hallway instead of just | 0:52:49 | 0:52:53 | |
a corridor, and it leads you down into the bedroom area. | 0:52:53 | 0:52:57 | |
The new entrance is now at the side of the house | 0:52:58 | 0:53:00 | |
and the old front one is bricked up. | 0:53:00 | 0:53:04 | |
By changing the whole layout, | 0:53:04 | 0:53:06 | |
the enlarged bathroom is no longer an eyesore. | 0:53:06 | 0:53:09 | |
-Wow! That's quite a difference. -This is much more generous. | 0:53:09 | 0:53:12 | |
And in the process they saved thousands of pounds. | 0:53:12 | 0:53:17 | |
We solved the light problem with a sun pipe. | 0:53:17 | 0:53:19 | |
So it does get some natural light, which seemed | 0:53:19 | 0:53:21 | |
so unlikely in the plans. But it is nice, yeah. | 0:53:21 | 0:53:24 | |
And I can see, through your own resourcefulness, | 0:53:26 | 0:53:29 | |
using unconventional supports for your sink. | 0:53:29 | 0:53:31 | |
You inspired me to look at normal, everyday things and use them | 0:53:31 | 0:53:34 | |
differently. They are becoming a feature of the house now. | 0:53:34 | 0:53:37 | |
-I can tell you're proud of it, too. -He loves it! | 0:53:37 | 0:53:40 | |
Before, their kitchen was awkward and confined, | 0:53:42 | 0:53:45 | |
with rooms beyond which were never used. | 0:53:45 | 0:53:48 | |
But they dreamt of that big family kitchen diner. | 0:53:48 | 0:53:51 | |
Well, they finally got it. | 0:53:54 | 0:53:56 | |
-This is fantastic in here! -It's a really beautiful space. | 0:54:01 | 0:54:05 | |
It's so generous and so light | 0:54:05 | 0:54:07 | |
because of this connection with the garden. | 0:54:07 | 0:54:09 | |
It's just delightful, I think. | 0:54:09 | 0:54:11 | |
Piers's open-plan design carries on to a contemporary, light | 0:54:11 | 0:54:15 | |
and airy living room. | 0:54:15 | 0:54:17 | |
This is a very coherent house. | 0:54:17 | 0:54:19 | |
I can see to the end of the garden. | 0:54:19 | 0:54:21 | |
I can see through your living room and I can see back down here. | 0:54:21 | 0:54:24 | |
And that's why it feels so big and spacious. | 0:54:24 | 0:54:27 | |
Everybody who visits thinks that we've built an extension | 0:54:27 | 0:54:31 | |
because they think there is more space. | 0:54:31 | 0:54:33 | |
Ronnie and Nicky have embraced Peirs's design inspiration | 0:54:35 | 0:54:38 | |
with clever touches, | 0:54:38 | 0:54:40 | |
such as adding wheels to create a flexible central island, making use | 0:54:40 | 0:54:45 | |
of copper piping to fashion taps for the utility room. | 0:54:45 | 0:54:49 | |
And creating a glass splashback echoing the colour of their jukebox. | 0:54:50 | 0:54:54 | |
I think it fits really beautifully in there. | 0:54:56 | 0:54:58 | |
It is still a conversation piece, | 0:54:58 | 0:55:00 | |
but it somehow doesn't feel like it's theming the whole place. | 0:55:00 | 0:55:03 | |
And nor does it dominate the whole room, which it did before. | 0:55:03 | 0:55:06 | |
I really like the way you seem to have taken on board | 0:55:09 | 0:55:11 | |
so much from this process. | 0:55:11 | 0:55:14 | |
We've been able to choose what we want and what colours | 0:55:14 | 0:55:17 | |
and how we want the kitchen. | 0:55:17 | 0:55:19 | |
We wanted to make different things that suit us, | 0:55:19 | 0:55:21 | |
so even if it's something we bought that we can adapt slightly - | 0:55:21 | 0:55:24 | |
put wheels on, make it our own and make it do what we want from it. | 0:55:24 | 0:55:27 | |
Ronnie has embraced your love of different kind of design! | 0:55:27 | 0:55:33 | |
-But that's really impressive. -It's been quite a revelation for me. | 0:55:33 | 0:55:36 | |
The kitchen eventually cost £4,500, which came out of a separate | 0:55:39 | 0:55:44 | |
pot of money, but was nowhere near their original 12 grand quote. | 0:55:44 | 0:55:48 | |
It's a brilliant result, but tell me | 0:55:48 | 0:55:50 | |
if you've done it for the original budget you set for yourself. | 0:55:50 | 0:55:53 | |
If you remember, our original budget was just over | 0:55:53 | 0:55:56 | |
49,000 for the building work, but we've overspent by £180. | 0:55:56 | 0:56:02 | |
That's not a bad overspend! Pretty impressive. | 0:56:02 | 0:56:05 | |
That's pretty amazing, | 0:56:05 | 0:56:06 | |
because this type of refurbishment costs around £800 or £900 | 0:56:06 | 0:56:09 | |
per square metre and you've done this for about half that. | 0:56:09 | 0:56:13 | |
But it's not just about the numbers, is it? | 0:56:13 | 0:56:15 | |
You've got the house you really wanted. | 0:56:15 | 0:56:17 | |
Yeah, I'm completely thrilled with how you've tackled this job | 0:56:17 | 0:56:20 | |
and completely transformed your attitude | 0:56:20 | 0:56:22 | |
to design in the process and with a brilliant result. | 0:56:22 | 0:56:24 | |
After years without a house to call their own, Ronnie and Nicky | 0:56:29 | 0:56:33 | |
finally have their perfect home to enjoy with family and friends. | 0:56:33 | 0:56:37 | |
Come on in! | 0:56:37 | 0:56:39 | |
Oh, it looks amazing! | 0:56:39 | 0:56:40 | |
ALL EXCLAIM | 0:56:40 | 0:56:43 | |
Ronnie and Nicky have done something amazing here, because | 0:56:43 | 0:56:46 | |
they took the bull by the horns and transformed this building. | 0:56:46 | 0:56:49 | |
They really ripped the heart out of it | 0:56:49 | 0:56:50 | |
and put it back together again in a much better way. | 0:56:50 | 0:56:53 | |
And they've done it through being really clever | 0:56:53 | 0:56:56 | |
-and really resourceful. -It's been such a lot of work, hasn't it? | 0:56:56 | 0:57:00 | |
But we've got the sort of family home we wanted. I'm so pleased. | 0:57:00 | 0:57:03 | |
-I couldn't be happier with it. -Yeah, I'm all emotional. | 0:57:03 | 0:57:06 | |
We've finally got our dream, haven't we? | 0:57:08 | 0:57:10 | |
Yeah, we got the home we wanted and a lovely area and great friends. | 0:57:10 | 0:57:14 | |
You're getting emotional, aren't you? | 0:57:14 | 0:57:16 | |
I think it's fantastic that they just... | 0:57:16 | 0:57:19 | |
Don't you start cos you'll set me off! | 0:57:19 | 0:57:21 | |
What sets this project apart, though, is how Ronnie and Nicky | 0:57:27 | 0:57:30 | |
have embraced a whole new way of thinking about interior design. | 0:57:30 | 0:57:33 | |
It no longer feels like they are camping here | 0:57:33 | 0:57:35 | |
as if it were a rental property. | 0:57:35 | 0:57:36 | |
It feels like they've thought about how they want to live | 0:57:36 | 0:57:39 | |
and oriented the spaces around that. | 0:57:39 | 0:57:41 | |
The result is a beautiful place where their family can share | 0:57:41 | 0:57:43 | |
meals, relax together, cook and enjoy the outside. | 0:57:43 | 0:57:46 | |
I think it's a great result and I'm proud of them. | 0:57:46 | 0:57:49 | |
Next week, Mikyla is facing an enormous challenge, | 0:57:56 | 0:57:59 | |
needing to make more space for her children... | 0:57:59 | 0:58:02 | |
-We're all under each other's feet. -..and her new partner. | 0:58:02 | 0:58:06 | |
It's becoming more and more apparent it's a problem. | 0:58:06 | 0:58:09 | |
And Rita is stuck in a design dead-end, | 0:58:09 | 0:58:11 | |
desperate to escape her kitchen disaster. | 0:58:11 | 0:58:15 | |
The kitchen is dilapidated, it's ugly... | 0:58:15 | 0:58:19 | |
But with only £3,000, she's going to have to take some big risks. | 0:58:19 | 0:58:23 | |
People in a New York loft will pay good money | 0:58:23 | 0:58:25 | |
-to have a floor like that. -Yes! | 0:58:25 | 0:58:27 |