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As the Americans might say, today we're in War-chester-sir-shire. | 0:00:02 | 0:00:05 | |
That's Worcestershire for you and me. | 0:00:05 | 0:00:06 | |
Jonny, there's some lovely names of places round here. | 0:00:06 | 0:00:09 | |
There's Flavell, Oddingley, Flyford, Bentley Pauncefoot, Bransford, Primsland, whatever you want. | 0:00:09 | 0:00:15 | |
That is the English countryside personified by Ed Hall there | 0:00:15 | 0:00:18 | |
and now for the personification of property shows. | 0:00:18 | 0:00:21 | |
Today we are Ministers Without Portfolio. | 0:00:30 | 0:00:33 | |
We are not governed by village or town, the whole of Worcestershire is our oyster. | 0:00:33 | 0:00:38 | |
And the rest along with it, Shropshire, Herefordshire, heck, we can go to Staffordshire if we like. | 0:00:38 | 0:00:43 | |
Today's buyers are getting out of the rat race and want to justify | 0:00:43 | 0:00:46 | |
their metaphorical four-by-four by moving to the lovely, lovely, lovely, lovely countryside. | 0:00:46 | 0:00:51 | |
So, it's going to Ed and I to scour every rural nook and crannie. | 0:00:51 | 0:00:54 | |
We shall find three rural nook and crannies and then... | 0:00:54 | 0:00:57 | |
-They can pick one that they can try... -Before they buy. | 0:00:57 | 0:01:00 | |
-Shall we show them to the viewers? -Yeah, let's do that. -Come on. | 0:01:00 | 0:01:03 | |
Alison and Andy Foxcroft. | 0:01:03 | 0:01:05 | |
-Or Andy and Allison. -What about Mr and Mrs Foxcroft? | 0:01:05 | 0:01:08 | |
I like to think of them as the two As. Anyway, | 0:01:08 | 0:01:11 | |
they're looking to move lock, stock and barrel halfway up the country. | 0:01:11 | 0:01:14 | |
They've had enough of the south and want to try the Midlands. | 0:01:14 | 0:01:17 | |
Andy has bagged a job working for an animal health agency in Worcestershire. | 0:01:17 | 0:01:20 | |
And he's been living here for the last 18 months | 0:01:20 | 0:01:23 | |
in a caravan during the week, travelling home for weekends. | 0:01:23 | 0:01:26 | |
But Allie misses her man in the week and that's where we come in. | 0:01:26 | 0:01:30 | |
Alison and Andy, we have decided to meet you at the top of a hill | 0:01:32 | 0:01:35 | |
in Worcestershire because I believe we are... | 0:01:35 | 0:01:38 | |
We are going for the country life, aren't we? | 0:01:38 | 0:01:40 | |
-Yes. -And we might as well try and get right into it from the word go. | 0:01:40 | 0:01:44 | |
-Explain to us, we're doing a relocation from Surrey? -Yes. | 0:01:44 | 0:01:47 | |
-And what is the theory behind this? -Yeah, the cattery is the main thing. | 0:01:47 | 0:01:51 | |
Now, I've heard about this cattery. | 0:01:51 | 0:01:53 | |
-Yes. -Explain to me, why... | 0:01:53 | 0:01:55 | |
Why go into the world of a cattery? | 0:01:55 | 0:01:57 | |
-Well... -It's... It's been a... A... A lifelong ambition really for us both. | 0:01:57 | 0:02:01 | |
Yeah, we've both worked... Worked in animal welfare and it's something we've always wanted to do, really. | 0:02:01 | 0:02:06 | |
So it's that, but it's also working together. | 0:02:06 | 0:02:08 | |
Is it just the two of you moving up, is there a whole brood coming with you? | 0:02:08 | 0:02:11 | |
All of us, the four children, as well. | 0:02:11 | 0:02:13 | |
Yes, Claudia is at university, Abby's doing A-levels, William's at primary | 0:02:13 | 0:02:16 | |
and Toby's six and he's going to be coming into primary, as well. | 0:02:16 | 0:02:20 | |
-So schools are very important... -Yes. -..For wherever we're going. | 0:02:20 | 0:02:23 | |
So the number of bedrooms then, a minimum of four, is it? | 0:02:23 | 0:02:26 | |
-Four, yes. Four absolute minimum. -What is it that you want? | 0:02:26 | 0:02:29 | |
We want country life, but somewhere where the children aren't cut off from everything. | 0:02:29 | 0:02:33 | |
Is land going to be important? You've got a love of animals and obviously the cattery. | 0:02:33 | 0:02:37 | |
-D'you want the cattery on the land you're going to be...? -That's important. | 0:02:37 | 0:02:40 | |
-I think so. About an acre we're thinking. -About an acre. | 0:02:40 | 0:02:43 | |
Abby's into horses, so if we can get somewhere big enough for horses as well, that will be a real bonus. | 0:02:43 | 0:02:48 | |
-Bribery and corruption. -Any other animals coming with us? -Dogs. -How many dogs? | 0:02:48 | 0:02:52 | |
-Two dogs. -You're not scared of the idea of space for where you could keep animals? -No, not at all. | 0:02:52 | 0:02:56 | |
-No. -It's more of a challenge. -The more the merrier. | 0:02:56 | 0:02:59 | |
-This is a big move for you, sort of relocating. -Yes, a scary move. | 0:02:59 | 0:03:01 | |
I mean, you've been down south for quite a number of years. | 0:03:01 | 0:03:04 | |
Does that mean that the prospect of doing work on a property is quite scary? | 0:03:04 | 0:03:07 | |
Do you want to find something that you can near enough move into? | 0:03:07 | 0:03:10 | |
I think the only scary thing about doing work on a property | 0:03:10 | 0:03:12 | |
is probably the money side of it, but, I mean, the actual work itself, I've... I've got no problems with. | 0:03:12 | 0:03:17 | |
I mean, a lot of it I can do, but because I do... Do it myself... | 0:03:17 | 0:03:20 | |
-It's time, isn't it? -It tends to take time. -I like you. | 0:03:20 | 0:03:22 | |
-So doing DIY isn't a factor at all. -No, not at all. -Location. | 0:03:22 | 0:03:26 | |
We believe that you're pretty open. | 0:03:26 | 0:03:29 | |
-We are. I think it's... It's sort of west, south and east of Worcester. -Right! | 0:03:29 | 0:03:35 | |
We're looking... We're looking for about half an hour, an hour's drive out of Worcester. | 0:03:35 | 0:03:38 | |
You are open-minded, cos to get the land within the budget you want, | 0:03:38 | 0:03:41 | |
-it won't be the easiest place to find, so we are going to have to compromise somewhere. -Yes. | 0:03:41 | 0:03:45 | |
-Yeah. -What else? What else has a property got to have? | 0:03:45 | 0:03:48 | |
-Four bedrooms minimum. -Character. | 0:03:48 | 0:03:50 | |
-We like all the nooks and crannies, don't we? All the old... -Old... | 0:03:50 | 0:03:54 | |
Old properties. Not... Not bothered about a new property at all, really. | 0:03:54 | 0:03:57 | |
-And detached, really. -Yeah. -Yeah. -OK. | 0:03:57 | 0:03:59 | |
-I think we're at the point where we've got all the information. -Yeah. | 0:03:59 | 0:04:02 | |
-The one thing we haven't got is the budget. -Right, OK. | 0:04:02 | 0:04:04 | |
400 is our maximum, isn't it? | 0:04:04 | 0:04:06 | |
-400 is the absolute maximum. -Absolute maximum. -Between 350 and four. | 0:04:06 | 0:04:09 | |
-Yeah. -OK, so you're prepared to commit to spending 400 if the property is absolutely spot-on... | 0:04:09 | 0:04:13 | |
I think we'd look at a property that was about 400 and try and get them down a bit, probably. | 0:04:13 | 0:04:17 | |
I like it. Honestly, that's what the world's doing. We encourage it daily. | 0:04:17 | 0:04:21 | |
-Ed goes in at 30% off. -Honestly. -At the very least. | 0:04:21 | 0:04:23 | |
-You're only ever going to go back up again, aren't you? -Yeah. | 0:04:23 | 0:04:26 | |
OK, that's it. We're going to get out there and start doing this | 0:04:26 | 0:04:28 | |
cos clearly we've got an awful lot of land to cover. | 0:04:28 | 0:04:31 | |
-Take in the views and we'll see you later. -Yeah. | 0:04:31 | 0:04:33 | |
-Brilliant. OK. -All right, then. See you. -Thanks very much. -Bye. | 0:04:33 | 0:04:37 | |
We might be in Worcestershire, Jonny, but I think this here house hunt | 0:04:37 | 0:04:40 | |
-is going to stretch out all across this lovely land. -Too true. | 0:04:40 | 0:04:42 | |
As we're in Worcestershire, we may as well tell them a bit about the place. | 0:04:42 | 0:04:46 | |
OK, let's go find some houses while you lot watch this small film. | 0:04:46 | 0:04:48 | |
So, Worcestershire, this county has it all, you know, it really does. | 0:04:48 | 0:04:52 | |
-Really? OK, does it have its own source? -Worcestershire sauce, check. | 0:04:52 | 0:04:56 | |
OK then, famous music composer? | 0:04:56 | 0:04:57 | |
-Land Of Hope And Glory's very own Elgar, check. -Rugby team? | 0:04:57 | 0:05:02 | |
The Guinness Premiership's own Worcester Warriors, check. | 0:05:02 | 0:05:06 | |
Well, there is literally nothing else I want out of a county. | 0:05:06 | 0:05:09 | |
At this juncture, though, we should mention Worcestershire borders | 0:05:09 | 0:05:13 | |
six other counties, so that will make our job that little bit harder today. | 0:05:13 | 0:05:16 | |
So many counties and the pick of rural Middle England. | 0:05:16 | 0:05:19 | |
But the pick of rural England will come at a price. | 0:05:19 | 0:05:22 | |
The housing market is far more robust in the sticks than it is in the city. | 0:05:22 | 0:05:25 | |
Oh, yes, the average house price in rural areas is around 235 grand, that's a whopping 15% higher | 0:05:25 | 0:05:32 | |
than you would have to pay in urban areas. | 0:05:32 | 0:05:34 | |
So what sort of place could you get in the city for today's budget of 400 grand? | 0:05:34 | 0:05:38 | |
Let's find out. | 0:05:38 | 0:05:40 | |
Firstly, north to the city of York where this impressive four storey terrace house less than a mile from | 0:05:40 | 0:05:46 | |
the city centre offers all the accommodation and space a family of little Foxcrofts would need. | 0:05:46 | 0:05:51 | |
With extravagant extras such as a cast iron roll-top bath, spiral staircase | 0:05:51 | 0:05:55 | |
and a wealth of original features it's all available for | 0:05:55 | 0:05:58 | |
just £50 below their budget at £399,950. | 0:05:58 | 0:06:02 | |
Back in the Midlands, there's this stunning penthouse apartment | 0:06:02 | 0:06:05 | |
in a prime canalside location, walking distance from Birmingham city centre. | 0:06:05 | 0:06:09 | |
It's within an hour's commute of Worcester, so would be good for our Andy, | 0:06:09 | 0:06:12 | |
but with just two bedrooms, | 0:06:12 | 0:06:15 | |
it would need bunk beds to accommodate the Foxcroft brood. | 0:06:15 | 0:06:18 | |
Price...£375,000. | 0:06:18 | 0:06:20 | |
And, lastly, set on a quiet through road close to historic Oxford city centre, this stylishly refurbished | 0:06:20 | 0:06:27 | |
three-bedroom family home may not have acres of land, but is set close to open fields and riverside walks. | 0:06:27 | 0:06:32 | |
Style and practicality all for 360 grand. | 0:06:32 | 0:06:36 | |
So, if you want to move out of the rat race and grab yourself | 0:06:36 | 0:06:39 | |
a slice of that rural idyll that you've always dreamed of. | 0:06:39 | 0:06:42 | |
Great. | 0:06:42 | 0:06:43 | |
-Fine. -No problem. | 0:06:43 | 0:06:47 | |
Super. | 0:06:47 | 0:06:48 | |
But if you're a townie and you want to move out to the sticks then you may want to consider this advice. | 0:06:48 | 0:06:55 | |
Peace and quiet is lovely, but one man's seclusion is another man's isolated and scary. | 0:06:55 | 0:07:01 | |
All that fresh air, but beware, some of that air can become a little bit too fresh, | 0:07:01 | 0:07:05 | |
especially if you're living near to a farm where the cows have had beans for breakfast. | 0:07:05 | 0:07:10 | |
The countryside is glorious on a typical summer's day, | 0:07:10 | 0:07:13 | |
especially if you like grass and trees, there's loads of it! | 0:07:13 | 0:07:16 | |
But it may not be so glorious on a cold, wet February day. | 0:07:16 | 0:07:19 | |
If it's a slower pace of life you're after, you will DEFINITELY find it out here. | 0:07:19 | 0:07:24 | |
But make sure you can still get your fix of modern life, broadband, | 0:07:24 | 0:07:28 | |
mobile phone reception and, of course, TV signal. | 0:07:28 | 0:07:32 | |
Because you wouldn't want to miss the nation's favourite property should now, would you? | 0:07:32 | 0:07:36 | |
Ladies and gentlemen, fans of the show, this episode today | 0:07:36 | 0:07:41 | |
IS the greatest episode ever of To Buy Or Not To Buy. That is a fact. | 0:07:41 | 0:07:45 | |
We talk a lot about wild cards and today's wild card is the stuff of legends, the stuff of dreams. | 0:07:45 | 0:07:50 | |
I... I... Honestly, record today's show. | 0:07:50 | 0:07:52 | |
Let's talk about the other two, we don't want to spoil the wild card, but what have you gone for first? | 0:07:52 | 0:07:56 | |
OK, I'll kick things off with my choice, property number one. | 0:07:56 | 0:07:59 | |
It is a rare and unique blend of '60s kitsch and period features that works fantastically well. | 0:07:59 | 0:08:06 | |
The property is just lovely. It's quite unique, it's only a certain amount | 0:08:06 | 0:08:09 | |
of people that are going to actually like the way it's presented as it is, but as far as the land is concerned, | 0:08:09 | 0:08:14 | |
the location, it's got everything that Alison and Andy are looking for. | 0:08:14 | 0:08:17 | |
I think they're going to like it so I'm chuffed with that, properly number one. | 0:08:17 | 0:08:20 | |
My property, property two, lovely, brilliant. | 0:08:20 | 0:08:23 | |
It's in a place called Richard's Castle, which in itself | 0:08:23 | 0:08:25 | |
is a name deserving of a wild card, but this isn't going to be the wild card. | 0:08:25 | 0:08:28 | |
-Oh, no. -It's got everything they want, room for the cattery, room for the horses, room for them. | 0:08:28 | 0:08:33 | |
-It's lovely, but it's not the wild card. -No, it's not. | 0:08:33 | 0:08:36 | |
And the wild card, we literally cannot tell you anything about it. | 0:08:36 | 0:08:40 | |
When you think about a wild card, what kind of property are you expecting? This is it. | 0:08:40 | 0:08:43 | |
-I've got one in my mind. It's that. -This is it. This is the one. | 0:08:43 | 0:08:46 | |
And the property search begins at property number one, Jonny's one. | 0:08:46 | 0:08:50 | |
Right then, you lot, my choice. | 0:08:53 | 0:08:55 | |
Set in the rolling hills of rural Shropshire close to the market town of Cleobury Mortimer, this house | 0:08:55 | 0:09:01 | |
has everything Andy and Alison require inside, but it's what's outside that sets this place apart. | 0:09:01 | 0:09:06 | |
It has its own wildflower meadow, a paddock, ornamental gardens, veg gardens, ponds and even a river, | 0:09:06 | 0:09:13 | |
not to mention the garden room with its own bathroom. | 0:09:13 | 0:09:16 | |
-You've done very well, Jonny. -Thanks, Ed. OK, then. | 0:09:16 | 0:09:19 | |
Here we are, my choice, property number one. Are you all good, Ed? | 0:09:19 | 0:09:23 | |
Honestly, I was told... Told in the Cubs never leave a gate unlocked. | 0:09:23 | 0:09:26 | |
-I've done that now. -That's right. -That's fine, don't worry. | 0:09:26 | 0:09:29 | |
The reason I've brought you to the rear of the property | 0:09:29 | 0:09:31 | |
is so you can see what a wonderful plot this property has got. It's about two acres. | 0:09:31 | 0:09:34 | |
We're lucky we're even able to view this property because in the '60s it had a demolition order on it | 0:09:34 | 0:09:39 | |
and the current vendors actually saved it, had that demolition order rescinded, | 0:09:39 | 0:09:44 | |
did all this work to it and it is absolutely fantastic, it really is. | 0:09:44 | 0:09:50 | |
You seem like open-minded people, you seem fairly relaxed, I hope you like kitsch because this property | 0:09:50 | 0:09:55 | |
has got bags of that in there, but that's enough from me, what do you think, first impressions? | 0:09:55 | 0:10:00 | |
It's a bit... The back is modern | 0:10:00 | 0:10:02 | |
and quite square but, like you say, it's the back and, yeah, the front is... | 0:10:02 | 0:10:07 | |
Got a lot of character. | 0:10:07 | 0:10:08 | |
OK, well, not quite the reaction I was hoping for, Allie, but plot and location wise, I mean, | 0:10:08 | 0:10:12 | |
-come on, this has got to be pretty much spot-on, hasn't it? -Yeah. | 0:10:12 | 0:10:15 | |
The plot is absolutely fantastic. | 0:10:15 | 0:10:17 | |
Bags of space, but it's... It's... It's... | 0:10:17 | 0:10:20 | |
It's been maintained to a very high standard and the only thing that sort of puts me off is the... | 0:10:20 | 0:10:25 | |
-Is the amount of effort that's going to be needed to keep it looking like this. -It's a challenge. -Yeah. | 0:10:25 | 0:10:29 | |
But space-wise it's just gorgeous and location - | 0:10:29 | 0:10:32 | |
it's lovely, absolutely lovely. | 0:10:32 | 0:10:34 | |
-You'll not be disappointed when you get inside. Want to go and check it out? -Yes, please. | 0:10:34 | 0:10:38 | |
-All right, see you later. -Enjoy. -OK. | 0:10:38 | 0:10:41 | |
This bit's brilliant because Abby and the kids can put all their dirty wellies and coats and stuff | 0:10:44 | 0:10:49 | |
-in there, so that's fab. -Yeah, absolutely. | 0:10:49 | 0:10:51 | |
So, if they do move in to the property and they start the cattery, | 0:10:51 | 0:10:54 | |
if you look around there, that would be covered with cats. | 0:10:54 | 0:10:56 | |
-A lawn of cats behind us. It would be lovely, wouldn't it? -I can't wait to see it. | 0:10:56 | 0:11:00 | |
Right, utility room. | 0:11:00 | 0:11:02 | |
That's perfect because I haven't been able to... | 0:11:02 | 0:11:05 | |
I don't like having the washing machine in the kitchen. | 0:11:05 | 0:11:07 | |
-Well, this is nice. It's warm. -It's warm isn't it, yeah? Good grief. | 0:11:09 | 0:11:12 | |
Yeah. It's quite elevated, isn't it? | 0:11:12 | 0:11:15 | |
We can see right over there. | 0:11:15 | 0:11:17 | |
Nice use of the word elevated there to describe the view from the... | 0:11:17 | 0:11:20 | |
I haven't heard that this series yet. | 0:11:20 | 0:11:22 | |
-I haven't. -Oh, nice size. | 0:11:22 | 0:11:26 | |
Good size, yeah. Lots of cupboard space. | 0:11:26 | 0:11:29 | |
It's quite modern as well. | 0:11:29 | 0:11:31 | |
It's nice, I like the tiles. | 0:11:31 | 0:11:33 | |
It is quite a modern kitchen. It was refitted a few years ago. | 0:11:33 | 0:11:36 | |
Lovely granite work surface in there. | 0:11:36 | 0:11:38 | |
The price of the kitchen cost more than they paid for the house when they first purchased the house. | 0:11:38 | 0:11:44 | |
I have never, ever been in a house with doors like that before ever in my life. | 0:11:44 | 0:11:49 | |
No. Wooden floor in here. | 0:11:49 | 0:11:51 | |
Yeah, floor's really nice. Yeah. But that's probably a... | 0:11:51 | 0:11:54 | |
Are we allowed to open it? | 0:11:54 | 0:11:56 | |
Yeah, so it's like... What was behind there then? | 0:11:56 | 0:12:00 | |
-The drawers open at both sides, both in the dining room and the kitchen. -I didn't notice. | 0:12:00 | 0:12:03 | |
There's a dishwasher in the kitchen, you unload it, put your cutlery in your cutlery drawer, | 0:12:03 | 0:12:07 | |
then your cutlery drawer opens up into the dining room too. | 0:12:07 | 0:12:10 | |
And an interesting partition here. | 0:12:10 | 0:12:13 | |
Between the dining room and... | 0:12:15 | 0:12:16 | |
-Very interesting. -Now it's a sort of semi open plan cos there's only this curtain thing | 0:12:16 | 0:12:20 | |
that separates the dining room from the lounge, so you have got the scope obviously just to open that all up. | 0:12:20 | 0:12:24 | |
-Just to open the curtain back. You could actually do that! -Yeah. | 0:12:24 | 0:12:27 | |
Man alive! There's scope for that? | 0:12:27 | 0:12:29 | |
-Yeah, you can open a curtain. -Good idea. -It's the future. | 0:12:29 | 0:12:32 | |
I don't know. | 0:12:32 | 0:12:33 | |
It's strange because it's a mixture of trying to do olde-worlde and then you've got really modern. | 0:12:33 | 0:12:39 | |
Yeah. Quite a nice size. | 0:12:39 | 0:12:41 | |
Oh, and look! Look, look, look! | 0:12:41 | 0:12:45 | |
Love that. | 0:12:46 | 0:12:48 | |
-Excellent. That's not a real one though, is it? -No, it's the same as ours, fake. | 0:12:48 | 0:12:52 | |
That fire in there is very much like Burt Reynolds' fire, | 0:12:52 | 0:12:56 | |
which is always used as the set for Win, Lose Or Draw. | 0:12:56 | 0:13:00 | |
The entire set is always based on Burt Reynolds' house in the 1970s, and that fire is exactly like that. | 0:13:00 | 0:13:05 | |
-Oh, really? -This staircase is... | 0:13:05 | 0:13:07 | |
I don't like that at all. | 0:13:07 | 0:13:10 | |
No, it's a bit too open. | 0:13:10 | 0:13:11 | |
But again you've got that strange mix, haven't you? | 0:13:11 | 0:13:14 | |
-I know really modern. -Modern staircase. | 0:13:14 | 0:13:16 | |
Fantastic picture, love that. | 0:13:16 | 0:13:18 | |
And then you've got the old part of the house and the marble floors, it's... | 0:13:18 | 0:13:21 | |
-A mixture of everything. -Strange mix. | 0:13:21 | 0:13:24 | |
See, those stairs are so funky! | 0:13:24 | 0:13:26 | |
-Open trade and rather than having balustrades they've got rope in there. -Yes, that, that... | 0:13:26 | 0:13:30 | |
-That's cool, I think. -It's not, really. | 0:13:30 | 0:13:32 | |
That's a very unusual sort of... | 0:13:32 | 0:13:35 | |
What would you describe this, fitted... | 0:13:35 | 0:13:37 | |
-I don't know, is a bed? -I don't know. Let's have a look. | 0:13:37 | 0:13:40 | |
I mean, this is a bed, so this is probably a bed. This is a bed. | 0:13:40 | 0:13:42 | |
Oh, it's a pull-down bed. | 0:13:42 | 0:13:44 | |
-Yeah, this is one's a pull-down bed, as well. -This is something... | 0:13:44 | 0:13:47 | |
-This is homemade this, someone has made this. -Yeah. | 0:13:47 | 0:13:49 | |
Ed and I have got an interesting story about those pull-down beds. | 0:13:49 | 0:13:52 | |
Those pull-down beds. The lady who owns the house went into a very posh store in Birmingham and went, | 0:13:52 | 0:13:56 | |
excuse me, have you got any of those pull-down beds because I think they're really nifty and jazzy? | 0:13:56 | 0:14:00 | |
-And then he said... -We don't have any of these pull-down beds, madam, we don't stock them here. | 0:14:00 | 0:14:04 | |
You should go to a camping shop or something like that. | 0:14:04 | 0:14:06 | |
The guy was from Somerset working in a shop in Birmingham. | 0:14:06 | 0:14:08 | |
The vendor was furious, stormed out of there in tears. | 0:14:08 | 0:14:11 | |
Got someone else to make the beds for her bespoke, went back in there a year later looking | 0:14:11 | 0:14:15 | |
for something else and they were selling those beds in that shop. | 0:14:15 | 0:14:19 | |
Bathroom. Oh, gosh! My parents had a bath this colour. | 0:14:19 | 0:14:23 | |
-That was when? Oh, I can't remember, '60s, late '60s, '70s? -Yeah. -Yes. | 0:14:23 | 0:14:27 | |
Look, vintage... A vintage bath. | 0:14:27 | 0:14:29 | |
You can live with this bathroom, can't you? | 0:14:29 | 0:14:30 | |
-It's functional. You can live with it as long as you... Until you want to do something else. -Absolutely. | 0:14:30 | 0:14:35 | |
-It's got everything. -Yeah. -It's perfect. | 0:14:35 | 0:14:37 | |
Yes, they're in the bathroom. | 0:14:37 | 0:14:38 | |
It is gorgeous. I mean, I know it's kind of turquoisey teal, which isn't to everybody's taste... . | 0:14:38 | 0:14:42 | |
-It's not to anyone's taste is it now... Nowadays? -But it's... | 0:14:42 | 0:14:45 | |
-If it was we'd be making those things. -It's funky and it's cool! | 0:14:45 | 0:14:47 | |
Some of you must agree with me. It's cast iron, original, beautifully made. | 0:14:47 | 0:14:50 | |
It's very strong wallpaper. | 0:14:50 | 0:14:52 | |
Yeah, very... Very loud colours. | 0:14:52 | 0:14:55 | |
More built in wardrobes. | 0:14:55 | 0:14:57 | |
-So this must be the master bedroom then. -Yeah. | 0:14:57 | 0:14:59 | |
Well, that's two bedrooms, but, yeah, it's a lovely square room. | 0:14:59 | 0:15:02 | |
Perfect. | 0:15:02 | 0:15:04 | |
-OK. -So this is the... -Bedroom number... | 0:15:04 | 0:15:06 | |
-Three. -Three. You've got Japanese... -Maybe this is the master bedroom. | 0:15:06 | 0:15:09 | |
Is this Japanese feel in here? This is... | 0:15:09 | 0:15:12 | |
Maybe this is the master bedroom. | 0:15:12 | 0:15:13 | |
It is the master bedroom with en suite. Wowee! | 0:15:13 | 0:15:16 | |
That's a bit sort of glam rock-ish. | 0:15:16 | 0:15:20 | |
-Oh, I think it's great. -Do you? | 0:15:20 | 0:15:21 | |
-Yeah. Love it. -It's not my cup of tea. It's a bit too Hollywood. | 0:15:21 | 0:15:25 | |
The en suite is super cool, though, isn't it? | 0:15:25 | 0:15:27 | |
That's my favourite washroom of the house. | 0:15:27 | 0:15:29 | |
Yeah. It's also got underfloor heating in there. | 0:15:29 | 0:15:31 | |
-It's nice-sized bedroom, look at that. -Yeah, that's... -And quite square again. | 0:15:31 | 0:15:35 | |
-This is the master bedroom. -Well, I don't know. You can have either or, can't you? | 0:15:35 | 0:15:38 | |
-You could, but I think... -Because it's got an en suite. | 0:15:38 | 0:15:41 | |
That's just a great suite. Nice big double bedroom in the master room, big en suite, | 0:15:41 | 0:15:44 | |
four-piece once again, separate shower cubicle in there. Superb. | 0:15:44 | 0:15:47 | |
Andy, three bedrooms. | 0:15:47 | 0:15:49 | |
-OK. Three bedrooms and that could be an issue. -Yes. Three... | 0:15:49 | 0:15:52 | |
I know they're big-sized bedrooms. | 0:15:52 | 0:15:53 | |
Can you imagine Claudia and Abby sharing? I don't think so. | 0:15:53 | 0:15:56 | |
Before I get your feedback about the property, let's pick up on a couple of things. | 0:15:59 | 0:16:02 | |
-Number one, bedrooms. -Yeah. | 0:16:02 | 0:16:04 | |
You're concerned that there's only three at the moment. | 0:16:04 | 0:16:06 | |
Behind us we have this lovely building here, fully insulated, fully heated and with an en suite, | 0:16:06 | 0:16:13 | |
-so that's really got potential for a bedroom for the daughter that's kind of half here, have not here. -Yeah. | 0:16:13 | 0:16:18 | |
What did you think of the place? | 0:16:18 | 0:16:20 | |
It's a funny mishmash. | 0:16:20 | 0:16:22 | |
-There's loads of fantastic things about it. -It's a fun house. | 0:16:22 | 0:16:24 | |
But, yeah, there's things that need doing as well, but it's just the location, the gardens, it's lovely. | 0:16:24 | 0:16:29 | |
-Lovely. -It works, though. -Yeah. -I mean, it just... It's... It's got a really great sort of atmosphere. | 0:16:29 | 0:16:34 | |
You know, it is a mishmash. There's all sorts of different | 0:16:34 | 0:16:36 | |
things in there, you know, all sorts of different combinations, but somehow it tends to work. | 0:16:36 | 0:16:40 | |
-It sounds like you like it a lot. -A lot, yes. -Yeah, I think that's... | 0:16:40 | 0:16:44 | |
You might be a bit nervous about the next part of the programme. | 0:16:44 | 0:16:46 | |
-I think you're right. -It's guessing the price time. -Yeah. | 0:16:46 | 0:16:49 | |
A maximum budget today... | 0:16:49 | 0:16:50 | |
-What were we playing with, was it 400? -Yes, yes, yes. | 0:16:50 | 0:16:52 | |
£400,000. This is lovely. | 0:16:52 | 0:16:54 | |
So, who wants to go first? | 0:16:54 | 0:16:57 | |
-I'll go first. -Go on, Allie, be brave. | 0:16:57 | 0:16:59 | |
Do you... Are you going to go over budget? | 0:16:59 | 0:17:01 | |
-Well, listen... -Yeah, sometimes. -OK. -Come on, you've seen the show. | 0:17:01 | 0:17:04 | |
Well, I... Looking round it and it's three bedroom, if it didn't | 0:17:04 | 0:17:07 | |
have all the grounds and stuff I'd say less, but it's got to be 400. | 0:17:07 | 0:17:10 | |
-On the knocker, you think, 400? -Yeah. | 0:17:10 | 0:17:13 | |
Probably a bit more. I don't know. | 0:17:13 | 0:17:15 | |
-But you're sticking with 400, are you? -Yeah, yeah. 400. -Andy? | 0:17:15 | 0:17:17 | |
OK, I'd have... I'd have actually gone slightly more than that. I'd have gone 450. | 0:17:17 | 0:17:21 | |
-Really? -Yeah. | 0:17:21 | 0:17:23 | |
Well, I'll surprise you both, it's actually under your top budget and it's on for £389,500. | 0:17:23 | 0:17:27 | |
-Wow! -Well, that's... | 0:17:27 | 0:17:29 | |
-That's. -Oh, here we go, look at that! | 0:17:29 | 0:17:31 | |
-There's smiles happening here. -Very surprised. | 0:17:31 | 0:17:33 | |
-This is only the first of the houses, we've got two more to go to. -Excellent. | 0:17:33 | 0:17:37 | |
-So don't buy this one just yet. -OK. -OK. -Shall we go? Property two. | 0:17:37 | 0:17:40 | |
-Yes, yes. -I think as the crow flies it's this way. | 0:17:40 | 0:17:42 | |
Okey dokey then, here is my offering, and what an offering it is. | 0:17:45 | 0:17:49 | |
This beautiful house in beautiful rolling countryside in beautiful Herefordshire | 0:17:49 | 0:17:53 | |
with a beautiful outbuilding is all ready for some beautiful cats to come and stay in, | 0:17:53 | 0:17:57 | |
all that and a beautiful paddock as well. Oh, yes! | 0:17:57 | 0:18:00 | |
-You've done very well there, Ed. -I beautiful know, I beautiful know. | 0:18:00 | 0:18:03 | |
Allie and Andy, we are in place which I think has got a brilliant name, Richard's Castle. | 0:18:03 | 0:18:08 | |
-Have you ever heard of that? -Never heard of it. | 0:18:08 | 0:18:10 | |
-No. -Neither had I until today. -It sounds good though. | 0:18:10 | 0:18:12 | |
But you could be living in Richard's Castle. | 0:18:12 | 0:18:14 | |
You could have your own castle inside Richard's Castle, which is an intriguing concept. | 0:18:14 | 0:18:17 | |
-There is the property. -Yeah. -Now, unlike Jonny's one, this is the same brick all the way round. | 0:18:17 | 0:18:22 | |
-Right. -A smaller plot. We have got room for the cattery. | 0:18:22 | 0:18:26 | |
-We've got three quarters of an acre here. -Oh, nice. | 0:18:26 | 0:18:28 | |
-We have got all four bedrooms inside the property. -Good. | 0:18:28 | 0:18:31 | |
What I want to know is what do you think about the whole feel of it. We're pretty rural as well. | 0:18:31 | 0:18:35 | |
-I'm going to go over to you, Allie, first, what do you think? -I think it's... | 0:18:35 | 0:18:38 | |
pretty, really pretty, picture box cottage and I like the location. Yeah. | 0:18:38 | 0:18:43 | |
There's no-one overlooking you at all, is there? Completely isolated. | 0:18:43 | 0:18:46 | |
-You could do whatever you wanted to in your back garden. -Yeah. | 0:18:46 | 0:18:49 | |
Andy, how is the location as regards commuting to work, is it OK? | 0:18:49 | 0:18:52 | |
OK. It's reasonable. I think it's doable | 0:18:52 | 0:18:54 | |
but I'm looking at the dog walking country at the moment and just... Just planning those... Those walks. | 0:18:54 | 0:18:59 | |
-It is fantastic, isn't it? -Absolutely superb. | 0:18:59 | 0:19:02 | |
What's beautiful about you two is you move in before you've even gone into each house and that's good. | 0:19:02 | 0:19:07 | |
The lady is currently walking her dog, she has a dog, the dog seems very healthy and happy, so while | 0:19:07 | 0:19:11 | |
she's out there crossing her fingers that you'll like it, get in there... | 0:19:11 | 0:19:14 | |
And be quick, cos the dog hates strangers! | 0:19:14 | 0:19:16 | |
-Go, go, go, quick, quick, quick! Good work. -Thank you very much. | 0:19:16 | 0:19:18 | |
It's all made of the same stone, all four bedrooms inside. | 0:19:18 | 0:19:21 | |
-And it's at a place called Richard's Castle. -Which is great. -What more could be better? | 0:19:21 | 0:19:25 | |
Ladies and gentlemen, Andy and Allie going in the house. | 0:19:25 | 0:19:30 | |
-Crossing them. -So it begins. | 0:19:30 | 0:19:32 | |
Nice little hallway, put your coat and boots, excellent. | 0:19:32 | 0:19:37 | |
-Positive. -Yeah, great. | 0:19:37 | 0:19:38 | |
-Great start. -Nice and positive. | 0:19:38 | 0:19:40 | |
-OK. -Pine doors. | 0:19:40 | 0:19:43 | |
Yeah. The old latch handles. | 0:19:43 | 0:19:44 | |
Oh, look, straight into the lounge. | 0:19:44 | 0:19:48 | |
Wow. | 0:19:48 | 0:19:49 | |
This is old, isn't it, this part? | 0:19:49 | 0:19:51 | |
-It is. -Yeah, I love it. -Really thick, yeah. Single glazed windows. | 0:19:51 | 0:19:54 | |
I like all this. | 0:19:54 | 0:19:56 | |
-That's what we wanted, isn't it, something like that? -Yeah. | 0:19:56 | 0:19:59 | |
Look, oh! | 0:19:59 | 0:20:00 | |
-Oh, that's a bread oven. -Yeah. -Yeah. | 0:20:00 | 0:20:03 | |
I wasn't aware I'd given them a bread oven. Is it an electric one? | 0:20:03 | 0:20:06 | |
-No, a proper one. -I've given them a genuine bread oven. | 0:20:06 | 0:20:08 | |
-Not like a rubbish wedding present one. -Good. | 0:20:08 | 0:20:11 | |
I like these, the beams. It's a good job we're quite short. | 0:20:11 | 0:20:13 | |
Look, that's for hanging the meat on. | 0:20:13 | 0:20:16 | |
-Oh, right. -This is interesting. | 0:20:17 | 0:20:20 | |
A pantry. There's a lovely space. | 0:20:20 | 0:20:23 | |
Fab space, isn't it? | 0:20:23 | 0:20:25 | |
What else am I going to see through here? | 0:20:25 | 0:20:27 | |
Oh, see, that's a bit of an odd arrangement, isn't it? | 0:20:30 | 0:20:33 | |
Lounge, pantry, conservatory. | 0:20:33 | 0:20:35 | |
-It is a bit. -So straight through the lounge, into that back sort of pantry, utility area. -Yes. | 0:20:35 | 0:20:40 | |
This must be the new part of the house because this smells completely different, doesn't it? | 0:20:40 | 0:20:44 | |
-It's a fresh smell. -Yeah. | 0:20:44 | 0:20:45 | |
-Yeah. I bet this... -And... | 0:20:45 | 0:20:47 | |
Well, yeah, and again the walls... | 0:20:47 | 0:20:49 | |
You can see from the walls that they're... | 0:20:49 | 0:20:51 | |
Yeah. I mean, it's very, you know... | 0:20:51 | 0:20:53 | |
-A dated kitchen. -Yeah, it's. | 0:20:53 | 0:20:55 | |
But this space isn't bad. | 0:20:55 | 0:20:58 | |
The good thing about it is cos it's old kitchen, | 0:20:58 | 0:21:00 | |
you just go in there and know you're going to rip it straight out and change it. | 0:21:00 | 0:21:03 | |
It's when a kitchen is kind of new but not new enough and good enough that it leads to problems. | 0:21:03 | 0:21:07 | |
-This is an unusual shape arch. -Again that's the stairs, isn't it? | 0:21:07 | 0:21:11 | |
-All right, nice floor in here. I like this floor. -Lovely dining room. | 0:21:11 | 0:21:14 | |
-And it's a lovely space. -That's a lovely dining room. | 0:21:14 | 0:21:16 | |
It's sort of not in keeping with the rest of the house, is it? | 0:21:16 | 0:21:19 | |
The kitchen's really, really dated | 0:21:19 | 0:21:21 | |
and then you've got this space with a really nice floor and... | 0:21:21 | 0:21:24 | |
Look at that archway there, I like that. | 0:21:24 | 0:21:26 | |
-Yeah. -It's pointy. | 0:21:26 | 0:21:27 | |
They have interesting ways of describing the decor. | 0:21:27 | 0:21:29 | |
I've been on the show a long time, "pointy's" a nice way of describing something. | 0:21:29 | 0:21:33 | |
Oh, I like the shape of this. It's a nice wood one. | 0:21:33 | 0:21:36 | |
Nice secure staircase, yeah. | 0:21:37 | 0:21:39 | |
And the white with the wood is nice, I like white and wood together. | 0:21:39 | 0:21:43 | |
I like these doors, the latch doors. | 0:21:44 | 0:21:47 | |
Yeah, they're nice. Well, it's... | 0:21:47 | 0:21:50 | |
-OK. -Small, but... -Nice and compact. | 0:21:50 | 0:21:52 | |
It's the same size as the one we've got at home, so it's perfectly OK. | 0:21:52 | 0:21:55 | |
-Yeah. -It's just... -Colour. | 0:21:55 | 0:21:58 | |
-Normal plain bathroom. It's an avocado suite. -Yeah. | 0:21:58 | 0:22:01 | |
We've kind of challenged them with the bathroom suites, though, haven't we? | 0:22:01 | 0:22:04 | |
The ones at my one were black and sort of a turquoisey colour, this one's avocado. | 0:22:04 | 0:22:08 | |
-It's not the traditional white suite that people... -It certainly isn't. -People... | 0:22:08 | 0:22:12 | |
-Crave for... -Carve, yeah! -In the noughties. | 0:22:12 | 0:22:15 | |
OK. | 0:22:15 | 0:22:16 | |
Oh, it's a nice bedroom. | 0:22:16 | 0:22:18 | |
-Oh, right. -It's a double. -OK. Yeah. -But she's got fitted wardrobes. | 0:22:18 | 0:22:22 | |
A wee peak, yeah, nice big wardrobe. | 0:22:22 | 0:22:24 | |
-Look. -Excellent, yeah. | 0:22:24 | 0:22:27 | |
-So, that's nice. -A good outlook. | 0:22:27 | 0:22:29 | |
-Double-glazed windows. -Lovely view. | 0:22:29 | 0:22:31 | |
-Right. Oh! -Bedroom number two. | 0:22:33 | 0:22:35 | |
-Oh, this is much bigger. This is nice. -Wowee! -Yeah. | 0:22:35 | 0:22:37 | |
This looks like the master bedroom, maybe. | 0:22:37 | 0:22:39 | |
It's similar to the other one because you've got these have just | 0:22:39 | 0:22:42 | |
been painted, so you've got fitted wardrobes. Oh, and an en suite! | 0:22:42 | 0:22:47 | |
-Wow! -Perfect. | 0:22:47 | 0:22:48 | |
A shower and a toilet. | 0:22:48 | 0:22:51 | |
Excellent. I like this room. | 0:22:51 | 0:22:53 | |
It's just got a nice feel about it, hasn't it? | 0:22:53 | 0:22:55 | |
Maybe it's just the colour. It's just calming and... | 0:22:55 | 0:22:58 | |
Yeah. It's really nice. I like it a lot. | 0:22:58 | 0:23:01 | |
I'm sensing Allie kind of likes it. Well, she said it, but she's sort of talking herself into it. | 0:23:01 | 0:23:05 | |
-She said it's got a nice feel to it. -So, it's a nice-sized single. | 0:23:05 | 0:23:09 | |
-Yeah, good sized. -I mean, she's got some, you know, big furniture in a little room, hasn't she? | 0:23:09 | 0:23:13 | |
-Yeah. -So, it desperately. -So you could make it, yeah... | 0:23:13 | 0:23:15 | |
You could... You could get more space out of it if you wanted. | 0:23:15 | 0:23:18 | |
-Yeah, you could. -But, again, you've got your built in wardrobes so, | 0:23:18 | 0:23:22 | |
-again, you don't need a wardrobe in here. -Yeah. | 0:23:22 | 0:23:24 | |
The focus of the bedrooms has suddenly become about wardrobe space. | 0:23:24 | 0:23:27 | |
Oh! I can walk straight in this door without having to duck at all. | 0:23:27 | 0:23:31 | |
No, I can't, I've got to duck. | 0:23:31 | 0:23:34 | |
Yeah, it's a small person's room, isn't it? | 0:23:34 | 0:23:37 | |
-It is a bit. -Once you get in it just, whoosh, straight up to the ceiling, it's a lovely high ceiling. | 0:23:37 | 0:23:41 | |
-Yeah. -Nice shape as well. | 0:23:41 | 0:23:43 | |
-Yeah. -It's got a lot of character in here, I like it. -It's a big room. Another big room. | 0:23:43 | 0:23:47 | |
You can see the thick walls as well, so you can see it's really cottagey, I like that. | 0:23:47 | 0:23:51 | |
-And a painted door this time. -Yeah. | 0:23:51 | 0:23:54 | |
I like it... I like it white with black. I like all those features. | 0:23:54 | 0:23:57 | |
That's all the cottage element, that's all the stuff you get that | 0:23:57 | 0:24:00 | |
you just don't get in new houses, and that's... That's what I want. | 0:24:00 | 0:24:02 | |
-OK. -What we want. -Absolutely. -Yeah. | 0:24:02 | 0:24:05 | |
-All right, I don't think this has gone as well as your one. -No. | 0:24:05 | 0:24:09 | |
-But when they find out the price... -Who knows? -OK. | 0:24:09 | 0:24:12 | |
Andy and Allie, now in that house listening to you out in the back garden here | 0:24:15 | 0:24:18 | |
I don't think... I don't think you were on fire about it, | 0:24:18 | 0:24:21 | |
I don't think you totally loved it, but that's because obviously it needs a little bit of TLC inside. | 0:24:21 | 0:24:27 | |
But if you imagine it was done, what do you think? | 0:24:27 | 0:24:30 | |
I mean, is the property good? | 0:24:30 | 0:24:32 | |
It's really beautiful from the front, I love it, | 0:24:32 | 0:24:35 | |
and it's got a lot of potential, but there's things there that worry me. | 0:24:35 | 0:24:38 | |
-I think it needs a lot of work. -These things are rectifiable. | 0:24:38 | 0:24:41 | |
If you could rectify it, it's possible. Yeah. | 0:24:41 | 0:24:43 | |
Andy, you had the idea of walking the dogs around here. | 0:24:43 | 0:24:45 | |
-I think maybe you were kind of, maybe more attracted to this. What do you think? -I like it. | 0:24:45 | 0:24:49 | |
I think the layout is slightly... | 0:24:49 | 0:24:52 | |
Slightly unusual in terms of the pantry being at the end of the living room, for instance. | 0:24:52 | 0:24:57 | |
Where did you get to with that? What ideas did you come up with cos it's not convenient | 0:24:57 | 0:25:01 | |
having that off the back of a lounge, is it? What would you do? | 0:25:01 | 0:25:03 | |
Perhaps making that into a study. We could get it all sorted out and then put a big conservatory on the front. | 0:25:03 | 0:25:08 | |
We've got a shed here, I don't know about catteries much, but I mean | 0:25:08 | 0:25:11 | |
does it need to be bigger than that, is that... I'm an idiot, aren't I? | 0:25:11 | 0:25:14 | |
-Could it be, maybe? No, no. -No. -It's an idea. | 0:25:14 | 0:25:16 | |
No, no, the cattery has to be specially made, purpose made. | 0:25:16 | 0:25:19 | |
But look, we've got a... It's a big structure there, you could wipe that out... | 0:25:19 | 0:25:22 | |
Storage, perfect for storage, yeah. | 0:25:22 | 0:25:24 | |
OK, so, | 0:25:24 | 0:25:26 | |
-if this costs the right amount of money we could do all of these things. -Yes. | 0:25:26 | 0:25:30 | |
Are you excited? | 0:25:30 | 0:25:32 | |
-Yeah, OK. -Who wants to go first? | 0:25:32 | 0:25:34 | |
Well, it's 1-0 to you, Allie. | 0:25:34 | 0:25:36 | |
-OK, well, before I went in I said 365. -Right. | 0:25:36 | 0:25:40 | |
But now I've gone in I'm saying 345. | 0:25:40 | 0:25:43 | |
-OK. -And I'd probably go even lower than that. I'd go | 0:25:43 | 0:25:47 | |
-probably 325 and I think that would still probably be a bit too much for me. -It's got a lot of land. | 0:25:47 | 0:25:50 | |
-I know it's got lots of land. -Three quarters of an acre. -Yeah. | 0:25:50 | 0:25:53 | |
OK. 345 versus 325. | 0:25:53 | 0:25:56 | |
Someone's out by £5,000. | 0:25:56 | 0:25:58 | |
-Me. -It is you. | 0:25:58 | 0:26:01 | |
The actual price for the property is £350,000. | 0:26:01 | 0:26:03 | |
-Now, of course, we don't need to keep saying this, but deals are to be done on properties. -Yeah. | 0:26:03 | 0:26:09 | |
And there is definitely a deal to be done. | 0:26:09 | 0:26:11 | |
-OK, we've seen two houses. -OK. | 0:26:11 | 0:26:13 | |
This is normally everybody's favourite part of the show, | 0:26:13 | 0:26:16 | |
the wild card, but today it is going to be absolutely fantastic. | 0:26:16 | 0:26:19 | |
-OK. -We are the most excited we've ever been about a wild card. -Ladies and gentlemen... | 0:26:19 | 0:26:22 | |
-I'm worried! -When we get there, it's the greatest wild card we've ever been to. | 0:26:22 | 0:26:26 | |
-Come on, this way. -OK. | 0:26:26 | 0:26:27 | |
The wild card, I love the wild card and today we are providing the epitome of a wild card. | 0:26:29 | 0:26:34 | |
Indeed we are. It has everything Mr and Mrs Foxcroft | 0:26:34 | 0:26:37 | |
have asked for, a good location, good schools and rural living. | 0:26:37 | 0:26:41 | |
And it's only a converted Grade II listed windmill! | 0:26:41 | 0:26:43 | |
-With an observatory on the top! -Every home should have one. | 0:26:43 | 0:26:46 | |
OK, Allie, Andy, ladies and gentlemen, the viewers at home, all day we've been building | 0:26:46 | 0:26:51 | |
up to this monumental moment, an opportunity to reveal to you possibly the best wild card we've ever had. | 0:26:51 | 0:26:56 | |
And contained within the greatest ever episode of To Buy Or Not To Buy. | 0:26:56 | 0:26:59 | |
Are you ready? Look at me, look at me, look at me. Keep walking. | 0:26:59 | 0:27:02 | |
-Keep walking. -Keep looking at me, keep looking at me, keep looking at me. In three, two, one, that way! | 0:27:02 | 0:27:07 | |
-The wild card. -Oh, my goodness me! | 0:27:07 | 0:27:09 | |
It looks like a lighthouse, but it's a windmill. | 0:27:09 | 0:27:11 | |
-It IS a windmill. -It is a windmill. -Yeah. -Everyone... | 0:27:11 | 0:27:14 | |
-Without... Without the... -The propeller. -In place. | 0:27:14 | 0:27:16 | |
Oh, look, it's a windmill, though! It hasn't got... | 0:27:16 | 0:27:19 | |
It hasn't got its propellers like Windy Miller's one, but you could be living in a windmill. | 0:27:19 | 0:27:23 | |
-It's a bit, yeah, Chitty Chitty Bang Bang. -Yes! | 0:27:23 | 0:27:26 | |
How amazing is this? | 0:27:26 | 0:27:28 | |
So, come on, Andy, what do you think, life in a windmill? | 0:27:28 | 0:27:31 | |
-Well, it looks nice and sturdy. -It's been in the same family for 100 years this windmill. -Wow! | 0:27:31 | 0:27:35 | |
This is an opportunity to get your own windmill and start your own legacy here. | 0:27:35 | 0:27:39 | |
All made of local sandstone. Original part of the building was done in the 18th century. | 0:27:39 | 0:27:43 | |
It is Grade II listed so there are certain restrictions from the outside, | 0:27:43 | 0:27:46 | |
but internally you've really got some got some great scope to make this place into something phenomenal. | 0:27:46 | 0:27:50 | |
-It is unbelievable. -You said you liked quirky, Allie. | 0:27:50 | 0:27:53 | |
-That is really quirky. -Is it too quirky? | 0:27:53 | 0:27:55 | |
-I'll have to go and look inside. -OK. | 0:27:55 | 0:27:57 | |
-Yeah. -Look at the buildings there. -Yeah. -Cattery. | 0:27:57 | 0:28:00 | |
-Big cattery potential. This is all yours, so that's pretty large, that. -Yeah, yeah. | 0:28:00 | 0:28:04 | |
So, we've factored everything in. | 0:28:04 | 0:28:05 | |
-Yes. -You've got a windmill, a garden that way, you've got a cattery there. Are you ready? | 0:28:05 | 0:28:09 | |
-Yeah. -Yeah, let's go. | 0:28:09 | 0:28:11 | |
-Are you excited? -Yes. -Enter the windmill. -Let's go. | 0:28:11 | 0:28:13 | |
-Right. -See you later. | 0:28:13 | 0:28:15 | |
-There we go. -We've built that up all day. | 0:28:15 | 0:28:17 | |
I think we have and, I tell you what, viewers at home, have we let you down? Of course we haven't. | 0:28:17 | 0:28:21 | |
-No! -It's a windmill on To Buy Or Not To Buy as a wild card! | 0:28:21 | 0:28:23 | |
-I'm excited about the headphones. Let's do it. -Let's do it. | 0:28:23 | 0:28:26 | |
Wow, look at this! | 0:28:30 | 0:28:31 | |
-Wowee! -It's gorgeous. | 0:28:33 | 0:28:35 | |
-There's a chance that Ed and I are possibly more excited about this than Andy and Allie, but... -No, no. | 0:28:35 | 0:28:40 | |
Everyone's excited about this. | 0:28:40 | 0:28:42 | |
-Yeah. -It's amazing, isn't it? -Absolutely wonderful. | 0:28:42 | 0:28:45 | |
That looks like a new... | 0:28:46 | 0:28:48 | |
Well, I don't know what they've done to that fireplace. It does... Maybe because it's just got a modern... | 0:28:48 | 0:28:52 | |
I don't think it is... I don't think it's a fireplace as such, it's... | 0:28:52 | 0:28:56 | |
-Well, it's just lovely. It's just got a lovely cosy sort of hobbit feel, hasn't it? -Yeah. | 0:28:56 | 0:29:00 | |
Hobbit feel it a different way of saying it's quite small, but it's not really that small. | 0:29:00 | 0:29:04 | |
-Is that which she just said? -Hobbit feel, yes. -Oh. | 0:29:04 | 0:29:07 | |
Oh, Andy, assent begins. | 0:29:07 | 0:29:11 | |
-Shall we go up? -Yeah. | 0:29:11 | 0:29:13 | |
Oh, it sort of comes in on you as you're going up. | 0:29:15 | 0:29:17 | |
Pretty steep stairs, aren't they? | 0:29:17 | 0:29:19 | |
This is lovely. | 0:29:19 | 0:29:21 | |
So the door they've just opened is the spiral staircase that works its | 0:29:21 | 0:29:24 | |
-way up the windmill itself, but there are other ways up, as well. -Two ways I counted. | 0:29:24 | 0:29:28 | |
This is... Well, it's straight into a bedroom. | 0:29:28 | 0:29:31 | |
Ah ha! That's unusual, but of course this is, you know... I mean, it's... | 0:29:31 | 0:29:35 | |
The whole purpose of this was... | 0:29:35 | 0:29:37 | |
-Was a...windmill, not a house. -But then everybody has got to come through this bedroom, haven't they? | 0:29:37 | 0:29:43 | |
-So it doesn't need to be a bedroom, maybe. -No, maybe not. | 0:29:43 | 0:29:46 | |
It could be a, you know, a study. Let's go up higher. | 0:29:46 | 0:29:50 | |
You're going to feel fit by the time you got up here. | 0:29:50 | 0:29:53 | |
The beauty of this property, aside from being lovely, is it's like a free gym membership. | 0:29:53 | 0:29:57 | |
I love the fact it's just wood and stone. | 0:29:57 | 0:30:00 | |
It's really simple and it's... Oh, right, OK. | 0:30:00 | 0:30:03 | |
-This is... -This is another room. | 0:30:03 | 0:30:06 | |
This is a nothing room at the moment. | 0:30:06 | 0:30:08 | |
You've got your lounge and you've got a bedroom, another bedroom. | 0:30:08 | 0:30:12 | |
-Yeah. -Yeah. Or a little cosy for the kids. | 0:30:12 | 0:30:15 | |
-Views are getting better. -I don't feel... I thought | 0:30:15 | 0:30:18 | |
I'd get scareder as I get higher but you don't because it's so thick and sort of comforting, isn't it? | 0:30:18 | 0:30:25 | |
Allie is scared of heights, she told us that off camera | 0:30:25 | 0:30:27 | |
after she gushed, and then she went, "I'm a little bit scared of heights, will I be all right?" | 0:30:27 | 0:30:31 | |
We went, "No, it's fine." She said, "Is it structurally sound?" | 0:30:31 | 0:30:34 | |
I went, "Yeah, yeah, it's been there for a couple of hundred years plus, it'll be fine, don't worry." | 0:30:34 | 0:30:38 | |
Yeah, again, you're getting a musty smell the further up you go, aren't you, actually? | 0:30:38 | 0:30:42 | |
-I can't smell any musty smell. -Slightly musty smell. Yeah, but you can see that on the walls. | 0:30:42 | 0:30:45 | |
Wow, another... But this is virtually the same size. It must be getting slightly smaller. | 0:30:45 | 0:30:49 | |
This is the same size as the other one, though. | 0:30:49 | 0:30:52 | |
-Yeah. -I thought this was going to be the top. | 0:30:52 | 0:30:54 | |
Andy made the point that it's getting mustier as he gets further up. | 0:30:54 | 0:30:57 | |
-It does get, you know... -But there's more work... -More work needed the higher you get. | 0:30:57 | 0:31:00 | |
Right, we get to the top. | 0:31:00 | 0:31:03 | |
These stairs are steeper again. | 0:31:03 | 0:31:07 | |
Oops, mind your head. | 0:31:07 | 0:31:08 | |
Wow, this is amazing. | 0:31:08 | 0:31:11 | |
Look at those views. | 0:31:11 | 0:31:13 | |
Yes, exactly! Gorgeous views uninterrupted, unparalleled, unprecedented dare we say? | 0:31:13 | 0:31:18 | |
I just... You know what worries me a little bit? | 0:31:18 | 0:31:20 | |
Is it sort of overlaps the top of the tower and I'm worried that if you stand on one side it might... | 0:31:20 | 0:31:24 | |
-Might fall off! -Might tilt and fall off! | 0:31:24 | 0:31:26 | |
That's just the scaredy cat in me coming out. | 0:31:26 | 0:31:29 | |
We're going to have to make this into an observatory. | 0:31:29 | 0:31:32 | |
Going to have to have chairs up here and sit up here with a glass of wine or something. It's lovely. | 0:31:32 | 0:31:36 | |
Absolutely. That sort of roof very much like a parasol, isn't it actually? | 0:31:36 | 0:31:40 | |
It would be like being outside under... | 0:31:40 | 0:31:42 | |
If you could get all this done up it would be... | 0:31:42 | 0:31:44 | |
-This would be the most fantastic room, wouldn't it? -Yeah. | 0:31:44 | 0:31:47 | |
In the olden days when windmills were been placed around the country each village | 0:31:47 | 0:31:51 | |
would have its own windmill locator, and that was defined by the boy with the longest finger in the village. | 0:31:51 | 0:31:56 | |
Obviously, because... | 0:31:56 | 0:31:57 | |
Ah, right, is that where that comes from? | 0:31:57 | 0:31:59 | |
Exactly. See where the most amount of wind is blowing from. There we go, a piece of history. | 0:31:59 | 0:32:03 | |
Not true history, but it is a piece of history. | 0:32:03 | 0:32:05 | |
Right, down we go. | 0:32:05 | 0:32:08 | |
I saw another set of doors a few flights down, so we'll go and see what's through there. | 0:32:08 | 0:32:13 | |
-OK. -If you look back over history at the people who've | 0:32:13 | 0:32:16 | |
-lived in a windmill, you've got Jonathan Creek the detective. -Yeah. | 0:32:16 | 0:32:19 | |
You've got Windy Miller the miller and you've got Rod Hull and Emu, and Grotbags. | 0:32:19 | 0:32:24 | |
It's quite an eclectic set of folk, isn't it? | 0:32:24 | 0:32:27 | |
You can imagine them living here as well, maybe they could start their own cattery detective agency. | 0:32:27 | 0:32:31 | |
Right, into the non-windmill part of the house. | 0:32:31 | 0:32:34 | |
Yeah, this is really modern all of a sudden. | 0:32:34 | 0:32:36 | |
Well, it's not modern, modern, but compared to that one it is. | 0:32:36 | 0:32:41 | |
-Right, oh! -A bedroom. | 0:32:41 | 0:32:43 | |
It's a good-sized room, isn't it? | 0:32:43 | 0:32:45 | |
-Yeah. -Yeah. I mean she's got a really heavy furniture in here, but I mean it's a good size, what? | 0:32:45 | 0:32:49 | |
A single, do you think? | 0:32:49 | 0:32:51 | |
You could fit a double bed in here, but it would be a bit squished. Single. | 0:32:51 | 0:32:54 | |
-We could put the boys in here. -Let's see what's in this one. | 0:32:54 | 0:32:57 | |
-Ah ha, bathroom. -Oh, toilet. | 0:32:59 | 0:33:02 | |
I like this old fashioned one with the cistern at the top. | 0:33:02 | 0:33:04 | |
-Yeah, good grief, yeah. -And another bedroom. This is... | 0:33:04 | 0:33:07 | |
Is this the same size or... It's bigger. It's definitely bigger. | 0:33:07 | 0:33:11 | |
-Is it? -It's got a double bed in it already. | 0:33:11 | 0:33:13 | |
-OK. -Yeah, this is perfect. That's two... | 0:33:13 | 0:33:16 | |
-Two good-sized bedrooms. -Without the windmill. -Yeah. | 0:33:16 | 0:33:19 | |
Allie loves this property the most. | 0:33:19 | 0:33:21 | |
Allie loved the first one the most, then I think Andy was a little bit, you know... Not very far behind. | 0:33:21 | 0:33:26 | |
-Yeah. -The second one Andy loved the most and Allie not so sure. | 0:33:26 | 0:33:29 | |
-This one... -This one Allie's back in charge and I don't even know what Andy's thinking. | 0:33:29 | 0:33:33 | |
No, and I like that. He's kind of... Kind of ambiguous at the moment. | 0:33:33 | 0:33:36 | |
Well, he's got too much going through his brain. | 0:33:36 | 0:33:38 | |
So, this one then looks like it goes into the windmill. | 0:33:38 | 0:33:43 | |
Which part of the windmill? | 0:33:43 | 0:33:45 | |
-Ah, the lounge. -And how many people can say they live in a windmill? | 0:33:45 | 0:33:49 | |
-Only the people that Ed listed and that wasn't many. -That's true. | 0:33:49 | 0:33:52 | |
Bathroom. | 0:33:52 | 0:33:54 | |
-A very basic bathroom. -Yeah, without a toilet. | 0:33:54 | 0:33:56 | |
But, I mean, it's a good size, isn't it? You've got... | 0:33:56 | 0:33:59 | |
-You haven't got a toilet in here. -No, there's no toilet. | 0:33:59 | 0:34:01 | |
There's a lack of toilets in this property. | 0:34:01 | 0:34:03 | |
But you could do fit one in there though, possibly. | 0:34:03 | 0:34:06 | |
-We'll see if this is a toilet in here. -Ah, good point. | 0:34:06 | 0:34:10 | |
-No. -It's the kitchen. | 0:34:10 | 0:34:12 | |
Well, there you go, I've never had anyone mistake the loo for the kitchen before. | 0:34:12 | 0:34:15 | |
Allie has just done that. | 0:34:15 | 0:34:17 | |
Doesn't seem to be pleasantly surprised, though. | 0:34:17 | 0:34:20 | |
-It's a day of firsts, isn't it? -Wow, look at that! | 0:34:20 | 0:34:23 | |
-Rayburn. -It's a bit... | 0:34:23 | 0:34:25 | |
-I just feel it's a bit odd. -Well, it's a bit bare, I think. | 0:34:25 | 0:34:28 | |
Oven stuck in the middle and then it's just not... | 0:34:28 | 0:34:32 | |
-Well, it's not... It needs massive modernising, doesn't it? -It does. | 0:34:32 | 0:34:35 | |
-What's in there? -What's in there? Pantry is it? -Oh, I like that. | 0:34:35 | 0:34:38 | |
Pantry stroke utility room. | 0:34:38 | 0:34:41 | |
-Right. -Oh, look at that. | 0:34:41 | 0:34:43 | |
-Yay! -Lovely. | 0:34:43 | 0:34:45 | |
What's in here? | 0:34:45 | 0:34:47 | |
Yay, toilet number two! | 0:34:47 | 0:34:49 | |
-Oh, right. -We do need two toilets with six people. | 0:34:49 | 0:34:52 | |
-Yeah. And you've got the same old type cistern again. -Yeah. | 0:34:52 | 0:34:57 | |
OK. And then that's the end of house. | 0:34:57 | 0:35:00 | |
I could feel you're apprehensive cos I know you're thinking that... | 0:35:00 | 0:35:03 | |
-Maintenance, maintenance, maintenance. -It's not maintenance. | 0:35:03 | 0:35:06 | |
I think it's probably... Restoration that's the main thing with this one to make it liveable. | 0:35:06 | 0:35:10 | |
-It's solid, isn't it? -Yeah. | 0:35:10 | 0:35:12 | |
And it's got a lot of good rooms. | 0:35:12 | 0:35:14 | |
It's a lot of potential, but it would require an awful lot of money to put it right. | 0:35:14 | 0:35:17 | |
Well, there we go, what a dilemma! We've either caused a massive domestic dispute | 0:35:17 | 0:35:21 | |
or they've just found the house of their dreams. | 0:35:21 | 0:35:24 | |
-Yeah, which one is it going to be? -I've not got a clue. Shall we go find out? -Yeah. | 0:35:24 | 0:35:28 | |
Allie and Andy, we've been out there listening to you. | 0:35:30 | 0:35:33 | |
What a debate you've been having in here! | 0:35:33 | 0:35:35 | |
We're almost concerned because you loved this and, Andy, you've got the... | 0:35:35 | 0:35:39 | |
You've got very much the male reservation of this might cost a bit! So, how... How do you feel? | 0:35:39 | 0:35:44 | |
What... What was it like touring the first ever windmill that we've done? | 0:35:44 | 0:35:47 | |
I can... I can just see this place perfectly down up. I can see the rattan furniture in here and I | 0:35:47 | 0:35:54 | |
can just, you know, visualise it all, so it's quite tempting. | 0:35:54 | 0:35:57 | |
You've mentally moved in already, haven't you? | 0:35:57 | 0:35:59 | |
-Yeah. -I mean, it's got bags and bags of potential. We can all clearly see that. | 0:35:59 | 0:36:02 | |
Go on, Andy, what's your concern? | 0:36:02 | 0:36:04 | |
OK, main concerns are... Well, you know, it's such a wonderful property, | 0:36:04 | 0:36:07 | |
I really do love it and I think there's masses of potential there, but I think if you're going to... | 0:36:07 | 0:36:12 | |
If you're going to do it then it needs... | 0:36:12 | 0:36:13 | |
If you're going to restore it then it needs to be restored properly | 0:36:13 | 0:36:17 | |
and you need to spend some serious money on it. | 0:36:17 | 0:36:19 | |
You know, otherwise I don't think you're going to realise the full | 0:36:19 | 0:36:22 | |
potential of the property, so for me, you know, if we... | 0:36:22 | 0:36:25 | |
If we bought it, if we wanted to restore it | 0:36:25 | 0:36:28 | |
then we'd really have to get experts in to do the work and that would cost. | 0:36:28 | 0:36:31 | |
So, it would be a labour of love really for somebody to take on? | 0:36:31 | 0:36:33 | |
-Yeah. -You've got to be passionate about it. You can't go halfway, | 0:36:33 | 0:36:36 | |
-you've really got to invest money and get it done correctly. -Yeah. | 0:36:36 | 0:36:39 | |
We have guess the price to play. | 0:36:39 | 0:36:41 | |
I don't even know what we are on this there's been so many things to think about today. | 0:36:41 | 0:36:44 | |
-Alison's winning two nil. -Oh, right, you've won already. -Yeah. -OK, this is for pride, Andy, for you. -Yeah. | 0:36:44 | 0:36:49 | |
OK, you had a maximum budget of £400,000 to play with. | 0:36:49 | 0:36:52 | |
Do you want to go first, Andy? | 0:36:52 | 0:36:55 | |
OK, I will go... I will go | 0:36:55 | 0:36:58 | |
at 340. | 0:36:58 | 0:37:01 | |
OK, you're hopefully optimistic with the money to spend doing the work and everything else. | 0:37:01 | 0:37:05 | |
I was... I was going to say 355. | 0:37:05 | 0:37:11 | |
Right, you've both being pretty optimistic on this. | 0:37:11 | 0:37:14 | |
This is a windmill, let's not forget that. | 0:37:14 | 0:37:16 | |
It's on for £395,000, OK? | 0:37:16 | 0:37:18 | |
-I think it's totally worth it. -It's the quirky factor. | 0:37:18 | 0:37:21 | |
Yeah, exactly. It's right up near the top of your budget. | 0:37:21 | 0:37:23 | |
You've got to wander off, make the biggest decision | 0:37:23 | 0:37:25 | |
of your adult lives about which one you wish to test drive. We don't know what you're going to go for. | 0:37:25 | 0:37:30 | |
-They don't know. Can you do it? Are you ready? Are you prepared? -It's going to be hard. | 0:37:30 | 0:37:33 | |
Don't fall out over this because I know you love this windmill and, Andy, if she can twist your arm... | 0:37:33 | 0:37:39 | |
All right, good luck, we'll see you later. | 0:37:39 | 0:37:41 | |
-See you in a bit. -OK. | 0:37:41 | 0:37:43 | |
-I'm praying windmill... -But I'm thinking maybe... -Number one. | 0:37:43 | 0:37:45 | |
-It's going to be my one, isn't it? -Possibly. It's a contender. It could be any of the three. | 0:37:45 | 0:37:49 | |
-Any of the three. -But while Allie and Andy are off discussing which | 0:37:49 | 0:37:52 | |
property they're going to test drive here's a reminder for you at home. | 0:37:52 | 0:37:55 | |
So, house one, my kitsch and quirky choice. | 0:37:55 | 0:37:57 | |
All the house they required plus enough land to build a few more houses on. | 0:37:57 | 0:38:01 | |
Well, even a whole village, come to think of it! | 0:38:01 | 0:38:03 | |
Three beds, summer house and the all important brook at the bottom of the paddock | 0:38:03 | 0:38:07 | |
by the wildflower meadow all for 389,500. | 0:38:07 | 0:38:09 | |
Property two, my astounding pick. | 0:38:09 | 0:38:11 | |
Rural seclusion, rolling countryside, views to die for, four beds | 0:38:11 | 0:38:14 | |
and all the character you could ever wish for. Yours for £350,000. | 0:38:14 | 0:38:21 | |
And, last but by no means least, the amazing wild card. | 0:38:21 | 0:38:24 | |
Oh, yes. We cranked it up today with a four-bed converted windmill. | 0:38:24 | 0:38:26 | |
Set in some of England's finest countryside with views of everything. | 0:38:26 | 0:38:31 | |
And a price tag of £395,000. It's a windmill, a windmill I declare! | 0:38:31 | 0:38:37 | |
Well, Andy and Alison, you've chosen my house. Hurrah! | 0:38:40 | 0:38:43 | |
That's excellent news. How close did the windmill come because we were pretty excited, Ed and I? | 0:38:43 | 0:38:47 | |
-Well, now we're back here we know we made the right choice, so no worries. -It ticks... | 0:38:47 | 0:38:50 | |
-It ticks more boxes for us. -Well, it's true and as annoyed as I am that you're not | 0:38:50 | 0:38:53 | |
going to live in a windmill, I can understand why you've gone for here. | 0:38:53 | 0:38:56 | |
-It did grab you straight away this place, didn't it? -Yeah, yeah. | 0:38:56 | 0:38:59 | |
This combination of '60s kitsch and period features. | 0:38:59 | 0:39:01 | |
-They blend well, surprisingly. -And, of course, the space. | 0:39:01 | 0:39:04 | |
-Yeah. -And this just lovely setting. | 0:39:04 | 0:39:05 | |
-Yeah, it's beautiful. -We've had the mystery To Buy Or Not To Buy surveyor | 0:39:05 | 0:39:08 | |
have a look at the property for you, give you a quick once over. | 0:39:08 | 0:39:11 | |
It's not a legally-binding survey, bear that in mind if you go ahead with the purchase, get your own done. | 0:39:11 | 0:39:15 | |
-Overall, the property's in good condition. It's been well looked after. -Good. | 0:39:15 | 0:39:19 | |
All the extensions were done in the '60s and they're all in pretty good condition. | 0:39:19 | 0:39:22 | |
You spotted the damp as well didn't you, Andy, down there? | 0:39:22 | 0:39:24 | |
It's got damp proof guarantees and everything like that, but with the... | 0:39:24 | 0:39:27 | |
With the size and the thickness of those walls, | 0:39:27 | 0:39:30 | |
one thing that he said you could do just to help dry it out and really it's tricky, is remove the pebbles | 0:39:30 | 0:39:35 | |
that are at the front of the house and just clear that area because the floor surface in the house is | 0:39:35 | 0:39:39 | |
lower down than the outside, so if you can do that then that's going to help out, but it's... | 0:39:39 | 0:39:45 | |
It's one of those things, it's got guarantees, but that will actually help it be a bit... | 0:39:45 | 0:39:49 | |
-A little bit drier. -Yeah. -Otherwise, he likes the property. -Yeah. | 0:39:49 | 0:39:51 | |
-Loves it. -It's pretty sound. Get yourselves in there, really. | 0:39:51 | 0:39:54 | |
-Get in. -Away we go. -OK. -Test drive. -We'll let you go. | 0:39:54 | 0:39:56 | |
-Brilliant. -Thank you very much. | 0:39:56 | 0:39:58 | |
-Right, what do we do? Any... Any ideas? -Do you want to play in the field? | 0:39:58 | 0:40:01 | |
-Be horses? -Do we have to? | 0:40:01 | 0:40:03 | |
-Cup of tea. -Tea and horses? | 0:40:03 | 0:40:05 | |
-Why the hell not? -I'm sold! | 0:40:05 | 0:40:07 | |
I'm not sure what part of the extensive gardens | 0:40:10 | 0:40:12 | |
Alison and Andy are in. Have you got any idea? | 0:40:12 | 0:40:15 | |
I think they're going to check out the river, mate. | 0:40:15 | 0:40:17 | |
This is just so lovely. | 0:40:17 | 0:40:20 | |
-It's perfect, isn't it? -Yeah. Can you imagine the boys down here? | 0:40:20 | 0:40:23 | |
-Yes, I think they're going to love it. -Little boys' heaven down there. | 0:40:23 | 0:40:26 | |
And big boys, Ed, I was down there for hours mucking about, catching stickleback. | 0:40:26 | 0:40:30 | |
So, past the paddock and on to the wildflower meadow. | 0:40:30 | 0:40:35 | |
I sense a chat about les chats. | 0:40:35 | 0:40:37 | |
This is perfect for the cattery. | 0:40:37 | 0:40:41 | |
Purrrfect for a cattery, priceless! | 0:40:41 | 0:40:43 | |
Ah, perusing the World Wide Web, I wonder what for? | 0:40:43 | 0:40:47 | |
-So, we're looking at... -Cleobury. | 0:40:47 | 0:40:51 | |
-Cleobury, I think it is... -Cleobury. -Mortimer schools. | 0:40:51 | 0:40:55 | |
The all important schools, Ed, of course. | 0:40:55 | 0:40:58 | |
OK, and just see what their OFSTED report's like. | 0:41:01 | 0:41:05 | |
Interesting, but how is Ed and Jonny's report going to fare? | 0:41:05 | 0:41:08 | |
So, then, you've spent some more time in the property. How was it for you? | 0:41:08 | 0:41:12 | |
-It was good. -Wonderful. -Really good. -Yeah, it just confirmed our... | 0:41:12 | 0:41:15 | |
Our choice, I suppose, really. | 0:41:15 | 0:41:17 | |
Because you've obviously got a lot of plans for this place. | 0:41:17 | 0:41:19 | |
-Yeah. -I mean, it does need some things changing to it. | 0:41:19 | 0:41:21 | |
It is quirky, but I assume that you do want to make alterations to help it fit your model, as such. | 0:41:21 | 0:41:26 | |
-Yes, we want to get in there and do it. -What's on the horizon? | 0:41:26 | 0:41:29 | |
You're not getting rid of the rope balustrades are you? I know everyone hates them. | 0:41:29 | 0:41:32 | |
-Yes, you're getting rid of them! -Yes, first thing. -Yeah? | 0:41:32 | 0:41:34 | |
-I'll send you the rope. -Seriously? -Yeah, you can have the rope. -Fine. | 0:41:34 | 0:41:37 | |
-OK. -I want to ask the question. | 0:41:37 | 0:41:39 | |
I've wanted to ask the question for 45 minutes today! | 0:41:39 | 0:41:42 | |
You didn't want the windmill, you didn't want my property, | 0:41:42 | 0:41:45 | |
but I want to gloss over that fact, we are here and Jonny's property. | 0:41:45 | 0:41:49 | |
-Yes. -It's a cracker. It's the relocation that you've hoped for. | 0:41:49 | 0:41:52 | |
Will there be a cattery here? To Buy Or Not To Buy? | 0:41:52 | 0:41:54 | |
You can't just say to buy, because we have to still do a bit of research, but... | 0:41:54 | 0:41:58 | |
You've sold your house, you've sold your house... To Buy Or Not To Buy? | 0:41:58 | 0:42:01 | |
-Yes. -Buy. -Yes! -Hurrah! -Come on! -Yeah. | 0:42:01 | 0:42:05 | |
We're going to go back and we're going to talk to the estate agent and push ours | 0:42:05 | 0:42:08 | |
-and do everything we can to get here. -Have you enjoyed yourselves? -It's been fantastic. | 0:42:08 | 0:42:12 | |
-It's been a great time. -Thank you very much. -And three... Three good properties, as well. | 0:42:12 | 0:42:16 | |
Well, thank you very much. And you know what? | 0:42:16 | 0:42:17 | |
-You've only taken part in the greatest episode we've ever made. -That's true. -Of course. | 0:42:17 | 0:42:20 | |
It's been a privilege to spend time with you. We'll see you soon. | 0:42:20 | 0:42:22 | |
-Take care, guys. -Bye-bye. -Bye-bye now. -See you later. -Thank you. | 0:42:22 | 0:42:25 | |
Subtitles by Red Bee Media Ltd | 0:42:41 | 0:42:44 |