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Hello and welcome to To Buy Or Not To Buy. | 0:00:02 | 0:00:04 | |
-What a pop-tastic property treat we've got. -Because today, I believe in life after love. | 0:00:04 | 0:00:08 | |
And something's got me started. | 0:00:08 | 0:00:10 | |
What's that I hear you say? Mick Hucknall and Cher? | 0:00:10 | 0:00:13 | |
-House-hunting? -Together? -Unbelievable. | 0:00:13 | 0:00:15 | |
What a show. When I think about it, I just want to fall from the stars. | 0:00:24 | 0:00:28 | |
This is going to be amazing! | 0:00:28 | 0:00:29 | |
-There's something I've got... -Cher and Mick Hucknall, moving to Woking. This is what I joined the BBC for. | 0:00:29 | 0:00:35 | |
-Jonny... -It was like a new flame coming into my house-hunting heart. | 0:00:35 | 0:00:38 | |
-Jonny, listen. There's something I've got to tell you. -What? | 0:00:38 | 0:00:41 | |
It's not the real Mick Hucknall and Cher. | 0:00:41 | 0:00:45 | |
-What do you mean? -Their real names are Tania and Darren Alboni. They're impersonators. | 0:00:45 | 0:00:49 | |
But what about these "Jonny Benarr relocates the stars" | 0:00:49 | 0:00:52 | |
-business cards? -Yeah, sorry about that. | 0:00:52 | 0:00:55 | |
Look, if I could turn back time, if I could find a way, I'd take back those words that... | 0:00:55 | 0:00:59 | |
-Oh, very funny. Very funny. -..and I'd make you stay. | 0:00:59 | 0:01:02 | |
Jonny. | 0:01:02 | 0:01:03 | |
I'll explain further. | 0:01:03 | 0:01:05 | |
Darren and Tania Alboni travel up and down the country, gigging in bars and clubs. | 0:01:05 | 0:01:09 | |
Indeed they do. By day, they're just an ordinary couple from Croydon... | 0:01:09 | 0:01:13 | |
But by night, they take to the stage, impersonating anyone from Amy to Elvis. | 0:01:13 | 0:01:17 | |
-It's as Mick Hucknall and Cher, though, that they met and fell in love. -What a combo. | 0:01:17 | 0:01:22 | |
Ten years on, their act is still a hit, but living in south London is giving them the blues. | 0:01:22 | 0:01:26 | |
They've had enough of the capital's traffic jams... | 0:01:26 | 0:01:28 | |
..so have called in the best property team this side of Vegas to get them on the move. | 0:01:28 | 0:01:33 | |
Thank you very much, ladies and gentlemen. | 0:01:33 | 0:01:35 | |
APPLAUSE AND CHEERING | 0:01:35 | 0:01:36 | |
So, we have a surreptitious meeting at a hotel in Woking. | 0:01:36 | 0:01:40 | |
Why are we in Woking? | 0:01:40 | 0:01:42 | |
Because a lot of our work is northbound of the M25 | 0:01:42 | 0:01:44 | |
and we very rarely do London or southbound of London, so every time | 0:01:44 | 0:01:48 | |
we go to a show, we have to go all the way round the motorway, so the petrol or the diesel we're using... | 0:01:48 | 0:01:54 | |
So really, it's for you guys to find us a place that would make it much more economical. | 0:01:54 | 0:01:59 | |
Also, we just want to get a bit more countryside and... | 0:01:59 | 0:02:02 | |
Ah, the rural calling, is it? | 0:02:02 | 0:02:04 | |
We were thinking of actually one day having sort of farmyardy | 0:02:04 | 0:02:07 | |
-in the garden, so we'd like a little bit of garden. -"Farmyardy" - that's a new word. | 0:02:07 | 0:02:12 | |
-OK, we need a garden... -That's what we'll call the house - Farmyardy. | 0:02:12 | 0:02:15 | |
Brilliant. The postman will have a lovely time. | 0:02:15 | 0:02:18 | |
Let's talk about your situation. Are you sold at the moment? Is your place on the market? | 0:02:18 | 0:02:22 | |
It's on the market - just, really. | 0:02:22 | 0:02:25 | |
They got us by saying they could sell it in a week, so we'll see how they go! | 0:02:25 | 0:02:29 | |
Good luck. I'm going to tell you this right now - estate agents - why say that?! | 0:02:29 | 0:02:33 | |
So, we know it's a location change for you, | 0:02:35 | 0:02:37 | |
you're coming away from Croydon, but what about the property change? | 0:02:37 | 0:02:41 | |
What are you coming from and what are you hoping to move to? | 0:02:41 | 0:02:45 | |
We've got a three bedroom at the moment, so it's sort of the same, really. | 0:02:45 | 0:02:49 | |
It's more of a location change than...a property upgrade. | 0:02:49 | 0:02:53 | |
Tania says that, but I believe you've got to do stepping-stones. I think if you take a move | 0:02:53 | 0:02:59 | |
you should move to move up - and I do want to move up. | 0:02:59 | 0:03:01 | |
He's not the one that has to pay the mortgage and think about it. | 0:03:01 | 0:03:06 | |
Everyone take a deep breath, relax. What style of properties? | 0:03:06 | 0:03:10 | |
Are you terraced? Detached? Semi-detached? | 0:03:10 | 0:03:13 | |
-Detached. -So you are detached. | 0:03:13 | 0:03:15 | |
You want a minimum of three bedrooms, I expect? | 0:03:15 | 0:03:18 | |
We wouldn't mind two, if there was room and planning to extend bigger later on, because then it becomes | 0:03:18 | 0:03:23 | |
sort of like a project and I can see a bigger picture. | 0:03:23 | 0:03:26 | |
-So you're not scared of a bit of work? -No, not at all. | 0:03:26 | 0:03:29 | |
That doesn't bother you, then, if we get you a... how do we put this? | 0:03:29 | 0:03:32 | |
A project? That wouldn't worry you? | 0:03:32 | 0:03:34 | |
Even if we didn't have to live there for a while to do the work, that wouldn't bother us. | 0:03:34 | 0:03:39 | |
-Yes, so if it's got a bit of potential... -If we can see the potential and also it leaves us | 0:03:39 | 0:03:43 | |
-enough with our budget to put into the work, that's not a problem, either. -I would rather do that. | 0:03:43 | 0:03:48 | |
Other things we need to bear in mind? | 0:03:48 | 0:03:50 | |
Living space, entertaining space - is that something that's more important to you? | 0:03:50 | 0:03:54 | |
-Yeah. -I think, very much so. | 0:03:54 | 0:03:56 | |
Also, because we are musicians, I've got a recording studio, | 0:03:56 | 0:04:01 | |
so we want an outbuilding or some sort of garage or something, | 0:04:01 | 0:04:05 | |
or at least a decent-sized room, where it's not got traffic going by or aeroplanes, as such. | 0:04:05 | 0:04:11 | |
Whoa, hang on, hang on, whoa. Let's just rewind on that. That's a big ask. | 0:04:11 | 0:04:14 | |
-It is a big ask. -Your moving to Woking, now let me think... -In between two airports. | 0:04:14 | 0:04:19 | |
-Heathrow, Gatwick - flight paths all over the place. -Yeah. | 0:04:19 | 0:04:22 | |
You tried to slip that one in there! You know the big question? | 0:04:22 | 0:04:25 | |
Here's the big question - budget. How much are you prepared to spend? | 0:04:25 | 0:04:29 | |
-Full budget, including any kind of changes. -Anywhere from 250 to 425. | 0:04:29 | 0:04:34 | |
425, at a push. At a big push. | 0:04:34 | 0:04:37 | |
So that's the maximum, but you've already mentioned that you want to be sensible about this. | 0:04:37 | 0:04:42 | |
-So 425 is our maximum. -To 350 would be nice. -OK. | 0:04:42 | 0:04:46 | |
As soon as you say that magic figure, the high one, we go there. | 0:04:46 | 0:04:50 | |
-Do you? -That's what we do. -That's fair enough. | 0:04:50 | 0:04:52 | |
-Yes, because we want to find you the best possible properties. -Anyone got a gag? | 0:04:52 | 0:04:57 | |
They've upset me now. | 0:04:57 | 0:04:59 | |
I'm taking my cappuccino and getting out of here. | 0:04:59 | 0:05:01 | |
Let's go. We'll see you later. | 0:05:01 | 0:05:03 | |
Excellent. All we've got to do is find a farmyardy, three-bedroom detached house that's not | 0:05:07 | 0:05:12 | |
too modern, with plenty of land, not near any flight paths, near the major commuter routes, | 0:05:12 | 0:05:17 | |
-that's got a recording studio and possibly an art studio - all for 425 grand. -Yeah. | 0:05:17 | 0:05:21 | |
-See you later? -Yeah. | 0:05:21 | 0:05:23 | |
We're focusing our search around Woking, just half an hour from the capital | 0:05:24 | 0:05:28 | |
and a stone's throw from both the M25 and the M3. | 0:05:28 | 0:05:31 | |
It's a world away from the grime and crime of the capital city. | 0:05:31 | 0:05:34 | |
But there are dangers here, namely aliens stalking the streets | 0:05:34 | 0:05:38 | |
with death, destruction and global domination on their minds. | 0:05:38 | 0:05:41 | |
Well, at least, that's the image HG Wells dreamt up, when the Woking-born sci-fi writer | 0:05:41 | 0:05:46 | |
set his hit novel, War Of The Worlds, on these mild-mannered streets. | 0:05:46 | 0:05:50 | |
Fortunately for Darren and Tania, Woking has also stirred the creative juices of musical genius, | 0:05:50 | 0:05:56 | |
giving us that The Jam, Status Quo guitarist Rick Parfitt and Matt Willis of Busted. | 0:05:56 | 0:06:00 | |
That legend(!) And if Darren's dreaming of penning his own number one hit, | 0:06:00 | 0:06:04 | |
maybe he'll find inspiration with some of Woking's other firsts. | 0:06:04 | 0:06:07 | |
Like the first purpose-built mosque in the UK. | 0:06:07 | 0:06:10 | |
And the country's first crematorium. | 0:06:10 | 0:06:12 | |
The property market here is heating up, too, with house prices running | 0:06:12 | 0:06:16 | |
at almost 30% above the national average. | 0:06:16 | 0:06:18 | |
But what could you get for 425 grand in other commuter hotspots around the country? | 0:06:18 | 0:06:24 | |
Well, in Hamilton, just 15 minutes outside Glasgow, | 0:06:24 | 0:06:27 | |
you could get this three floor, four-bedroom detached villa | 0:06:27 | 0:06:31 | |
with integrated sound system throughout. The price? Offers over... | 0:06:31 | 0:06:35 | |
In the Midlands village of Upper Broughton, there's this five-bedroom detached period property | 0:06:37 | 0:06:42 | |
right next to the motorway, making it perfect for trips to London and Leicester. | 0:06:42 | 0:06:46 | |
It's just... | 0:06:46 | 0:06:48 | |
And sticking with the period theme, if the North West's more your area, | 0:06:50 | 0:06:54 | |
this luxury house in Altrincham is just a tram ride away from Manchester city centre. | 0:06:54 | 0:06:59 | |
It's on at... | 0:06:59 | 0:07:00 | |
Now let's get right back to our property search in Woking. | 0:07:00 | 0:07:03 | |
OK, we've invaded Woking and, with HG Wells being from here, I think I've just the question. | 0:07:03 | 0:07:10 | |
If the Martians were going to land in Woking... | 0:07:10 | 0:07:13 | |
Best of luck to them! | 0:07:13 | 0:07:16 | |
-Jonny, hi. -How's it going? -Nice to meet you. -You, too. You all right? | 0:07:16 | 0:07:19 | |
-Good, thank you. -Millie, are you local? | 0:07:19 | 0:07:21 | |
No, I'm not. I'm actually from Wales, but I've been living down here for 11 years. | 0:07:21 | 0:07:26 | |
All right, OK, so you are the perfect person for me to come to? | 0:07:26 | 0:07:29 | |
-Definitely. -The expert. -The expert of Woking. | 0:07:29 | 0:07:31 | |
The bus isn't very good, we get one an hour. | 0:07:31 | 0:07:34 | |
-Nothing on a Sunday, you can't go anywhere... -That's the trouble. | 0:07:34 | 0:07:38 | |
-That's OK for them. They've got flying saucers. -Let the Martians come if they'll alter the buses. | 0:07:38 | 0:07:43 | |
A minimum of two or three bedrooms, definitely detached, | 0:07:43 | 0:07:46 | |
in the Woking surrounding area, kind of semi-rural. Does that sound reasonable? | 0:07:46 | 0:07:50 | |
Woking town centre, I'd probably say, that will be difficult. | 0:07:50 | 0:07:55 | |
-Why do we love Woking? -I don't know. | 0:07:55 | 0:07:58 | |
It's nice and flat to do your shopping. | 0:07:58 | 0:08:01 | |
-That's a good reason. -Yeah. | 0:08:01 | 0:08:03 | |
And we never get wet here, because it's all under cover. | 0:08:03 | 0:08:06 | |
So, we've got this very nice bungalow here, that's detached, | 0:08:06 | 0:08:10 | |
that's a contender, but already it's sneaking out of their budget. It's just tipped over. | 0:08:10 | 0:08:14 | |
Excellent - you get this whole book and you can pick out ones you like. | 0:08:14 | 0:08:18 | |
Excuse me, sir, we're just doing some... | 0:08:18 | 0:08:21 | |
-Phew. -You OK? You look a bit pasty. | 0:08:27 | 0:08:29 | |
Let's put it this way. I found Woking to be out of this world. | 0:08:29 | 0:08:33 | |
-That's all I'm prepared to say. Shall we get on? -OK, I'll bring you back down to Earth. | 0:08:33 | 0:08:37 | |
Today's buyers are both tribute acts, so with that in mind, | 0:08:37 | 0:08:40 | |
I thought we could use the houses to represent people within the world of showbiz. | 0:08:40 | 0:08:45 | |
OK, so my choice, property one, is Ingmar Bergman. | 0:08:45 | 0:08:47 | |
It's got a Swedish feel about it, it's kitsch, it's quirky, | 0:08:47 | 0:08:50 | |
and, despite its age, it's still very, very popular. | 0:08:50 | 0:08:53 | |
All right, then. In that case, I think mine would be Sammy Davis Jr. | 0:08:53 | 0:08:58 | |
That's it, Only small, but with a real stage presence and if it | 0:08:58 | 0:09:02 | |
opened up its potential, it will simply blow Darren and Tania away. | 0:09:02 | 0:09:07 | |
That is property two. | 0:09:07 | 0:09:08 | |
OK, now the wild card - stick with me once again - is Susan Boyle, | 0:09:08 | 0:09:13 | |
because let's just say it offers far more than first meets the eye. | 0:09:13 | 0:09:16 | |
-All right. -That's all I want to say about this place. | 0:09:16 | 0:09:19 | |
-That's the wild card. Shall we start? -Yeah, my choice, property one. | 0:09:19 | 0:09:23 | |
Right then, I'm backing this beauty. | 0:09:26 | 0:09:28 | |
It's a bit like a good cover song - a chance for Darren and Tania to transform a dated | 0:09:28 | 0:09:32 | |
-number into a contemporary classic. -You mean it's old and tired? | 0:09:32 | 0:09:36 | |
No, it's nothing like you. It's bursting with potential. A real contender. | 0:09:36 | 0:09:39 | |
With three beds, outstanding grounds and a great garage or studio, | 0:09:39 | 0:09:43 | |
it really does tick all of their boxes. | 0:09:43 | 0:09:46 | |
OK, Darren and Tania, here we are with the first property of the day. My choice, number one. | 0:09:46 | 0:09:52 | |
Now, you two being entertainers, where better to bring you to than the West End? | 0:09:52 | 0:09:56 | |
Just outside of Chobham in Woking. | 0:09:56 | 0:09:59 | |
It's a property that I think you're going to love. | 0:09:59 | 0:10:01 | |
Before I get your first reactions to this, I'm going to give you a couple of facts. | 0:10:01 | 0:10:05 | |
Number one, the garden is about 420 feet long, it is huge. | 0:10:05 | 0:10:09 | |
Number two, approximately the plot this property sits on his 0.554 acres. That's approximate. | 0:10:09 | 0:10:15 | |
They don't want to be too specific(!) | 0:10:15 | 0:10:17 | |
But what do you think. Look at the place, what do you reckon to it? | 0:10:17 | 0:10:21 | |
It looks like a German chalet. | 0:10:21 | 0:10:23 | |
-It's nice. -It's different. | 0:10:23 | 0:10:25 | |
You wanted something that had a bit of character, that was quirky, | 0:10:25 | 0:10:28 | |
and this house does tick those boxes. It's got that vibe, it really has. | 0:10:28 | 0:10:32 | |
-Are you saying that because you chose this one? -That's what I have to do, | 0:10:32 | 0:10:36 | |
I've got to sell the pants off this place. But it's really kitsch inside. | 0:10:36 | 0:10:39 | |
It does need some work, | 0:10:39 | 0:10:41 | |
but certainly nothing that would put you off straight away. | 0:10:41 | 0:10:46 | |
It's fun and it's a musician's house. You'll really feel that as you wander through. | 0:10:46 | 0:10:50 | |
Beautiful, quiet place. And what Jonny hasn't mentioned is you're minutes from the motorways - | 0:10:50 | 0:10:55 | |
three miles from the M3, 10 minutes from the M25, so it's kind of the compromise | 0:10:55 | 0:10:59 | |
you wanted, really - easy access but a nice quiet street. | 0:10:59 | 0:11:02 | |
-See, that's how you do it, Jonny. -Oh, sorry! | 0:11:02 | 0:11:05 | |
-All good with that? -Yes. -Right, off you go, get inside. | 0:11:05 | 0:11:08 | |
I've got a bone to pick with you. | 0:11:08 | 0:11:10 | |
You said the garden was 400 foot long or something. That is not... | 0:11:10 | 0:11:14 | |
-No, the back garden! -Oh, right, shall we go, then? | 0:11:14 | 0:11:16 | |
Hmm. | 0:11:22 | 0:11:23 | |
Not too sure about these tiles, that's probably hiding some defect. | 0:11:26 | 0:11:29 | |
They normally whack them up. | 0:11:29 | 0:11:31 | |
-Mmm. -Mmm, that's some record collection. | 0:11:31 | 0:11:35 | |
-I suppose this could be used as an office, couldn't it? -Small, isn't it? | 0:11:35 | 0:11:39 | |
It's perfect for an office. Because we need that, obviously with our... | 0:11:39 | 0:11:44 | |
-Well, for you to do all the filing and stuff. -Yeah. | 0:11:44 | 0:11:48 | |
Office or bedroom three, that downstairs room? | 0:11:48 | 0:11:51 | |
-Office. -You think? -Yeah, definitely. | 0:11:51 | 0:11:53 | |
-They don't need that third bedroom, they said earlier. -OK. | 0:11:53 | 0:11:56 | |
-I'd have to open this up. -Oh, yes. | 0:11:56 | 0:11:58 | |
It would have to be open, because it's very claustrophobic, | 0:11:58 | 0:12:02 | |
-but that would take no time to get that off. -No. | 0:12:02 | 0:12:05 | |
-Put a handrail up the stairs there. -Yeah, it's really squashed in. | 0:12:05 | 0:12:09 | |
It is quite small, but obviously knowing Johnny, he's got us something nice and cheap that we can work with. | 0:12:09 | 0:12:15 | |
I don't know what impression I give that he would think I would come up with the cheap option. | 0:12:15 | 0:12:21 | |
-This isn't too bad. It's quite nice. Nice light coming through. -Yeah. | 0:12:21 | 0:12:26 | |
See, this could... I don't know if these... | 0:12:26 | 0:12:28 | |
This wall could even come out here, just open up the whole stair. | 0:12:28 | 0:12:32 | |
-That would be better. -Yeah, open that whole thing up, wouldn't it? | 0:12:32 | 0:12:35 | |
Let's just knock all the walls down and start again. | 0:12:35 | 0:12:38 | |
Look, there's a bar... for entertaining. | 0:12:41 | 0:12:45 | |
I mean, it's going to need a proper lot of work, isn't it? | 0:12:47 | 0:12:50 | |
But it's definitely got potential. | 0:12:50 | 0:12:54 | |
Darren's saying a lot, but Tania is more or less silent. You know what that means in my book? | 0:12:54 | 0:12:59 | |
-They don't like the place. -That's a nice garden. Cor. -Yep. | 0:12:59 | 0:13:04 | |
-Look at that. -That is good stuff. -Beautiful. | 0:13:04 | 0:13:07 | |
I can see your chickens running around out there. | 0:13:07 | 0:13:10 | |
My chickensy - in my farmyardy? | 0:13:10 | 0:13:12 | |
-Farmyardy, isn't it? -It's definitely farmyardy. | 0:13:12 | 0:13:15 | |
There's two pigs sitting in the garden out there. | 0:13:15 | 0:13:17 | |
Did he just say there were two pigs in the garden? | 0:13:18 | 0:13:21 | |
I think...us... | 0:13:21 | 0:13:23 | |
-Us two. -Oh, the swine! | 0:13:23 | 0:13:26 | |
That's great, look at that tree. That's a beautiful tree. | 0:13:27 | 0:13:30 | |
-That makes up for anything else I'm going to see in this house. -Do you think so? -Good or bad. | 0:13:30 | 0:13:35 | |
-That garden's good. -The garden's fantastic and there is room to extend out here. -Now you're talking. | 0:13:35 | 0:13:42 | |
Because we might be able to come across later on, because that's what we need. | 0:13:42 | 0:13:46 | |
We probably will need to come out here. | 0:13:46 | 0:13:48 | |
Each actual room is so small. | 0:13:51 | 0:13:53 | |
It's finding out what walls you can just knock through, isn't it? | 0:13:53 | 0:13:57 | |
-We'd know which ones are structurally... -You would. | 0:13:57 | 0:14:00 | |
Yeah, I can do all that, that's no worries. | 0:14:00 | 0:14:02 | |
Generally it's just rip it up and start again, isn't it, really? | 0:14:02 | 0:14:06 | |
-Yeah. -There is potential. It's going to need a lot of work, but that's what we wanted. | 0:14:06 | 0:14:09 | |
That is the word, Darren, it has got potential. | 0:14:09 | 0:14:12 | |
A lot of work, yes, but nothing that you couldn't live with. | 0:14:12 | 0:14:15 | |
-Same again, this could all be one kitchen. -It's got to be. | 0:14:15 | 0:14:18 | |
Yeah. So this could be the kitchen, which is great. | 0:14:18 | 0:14:21 | |
The living room goes through into the hall and if we can get an extension out the back. | 0:14:21 | 0:14:25 | |
The whole kitchen would have to be gutted out and redone. | 0:14:25 | 0:14:28 | |
It is difficult to try and see beyond the personal clutter and belongings that are there, | 0:14:28 | 0:14:33 | |
but the size is the space and the concept to make this into | 0:14:33 | 0:14:36 | |
-a fantastic home is within the shell. -Yeah. | 0:14:36 | 0:14:39 | |
It's not too dingy, is it? | 0:14:41 | 0:14:43 | |
-That could be used for... -Storage? -Yeah. | 0:14:46 | 0:14:50 | |
-Oh, this is better, this is a bit more airy. -Light. | 0:14:50 | 0:14:53 | |
-Yeah. -Do you reckon this is the master bedroom? | 0:14:53 | 0:14:57 | |
But no, it's great. Look at that, looking into the garden, beautiful. | 0:14:57 | 0:15:01 | |
-That's good. Nice with the bigger window. -Yeah. | 0:15:01 | 0:15:06 | |
If we could extend, you could have a little balcony. | 0:15:06 | 0:15:08 | |
-Open French doors. -Breakfast on the balcony? | 0:15:08 | 0:15:11 | |
This is the bathroom. | 0:15:12 | 0:15:13 | |
-Oh, yeah. -It's quite bigger than I thought it was. -Really? | 0:15:13 | 0:15:20 | |
Yeah. At least you've got the shower and the bath. | 0:15:20 | 0:15:23 | |
Oh, yeah. It does the job. | 0:15:23 | 0:15:25 | |
Yeah, I think it more than does the job. | 0:15:25 | 0:15:28 | |
It's a separate shower, bath, toilet, sink - what more do you want? | 0:15:28 | 0:15:31 | |
-This is nice. -Oh, so this is the master bedroom. | 0:15:31 | 0:15:33 | |
It's a nice room. Still got nice light. | 0:15:33 | 0:15:37 | |
Is it much bigger than the other one? | 0:15:37 | 0:15:39 | |
It's a very similar size, actually, very similar. | 0:15:39 | 0:15:42 | |
Because I wouldn't want to stay at the front of the house. | 0:15:42 | 0:15:45 | |
I think for the master one, you'd want it at the back, | 0:15:45 | 0:15:48 | |
-looking over this gorgeous garden? -Yeah. | 0:15:48 | 0:15:50 | |
If it was on the cheaper end, then it would be worth looking at, | 0:15:50 | 0:15:53 | |
-but if it's at the higher end of the budget, I wouldn't be interested. -No, I wouldn't. | 0:15:53 | 0:15:58 | |
Let's just go and find out, eh? | 0:15:58 | 0:15:59 | |
-It's a beautiful garden, isn't it? -Beautiful, amazing. -This is, as they say, | 0:16:03 | 0:16:07 | |
-the wow factor. -It really is, yeah. | 0:16:07 | 0:16:10 | |
But before we talk about this space, when I was listening in, Darren, | 0:16:10 | 0:16:13 | |
you seemed to be very enthusiastic. | 0:16:13 | 0:16:16 | |
Tania, I don't know, you were just quiet. Talk to me. | 0:16:16 | 0:16:21 | |
Yeah, well, I think when I first saw it, it really threw me, and I | 0:16:21 | 0:16:24 | |
couldn't get my head around anything. All the rooms were really small and it just was completely | 0:16:24 | 0:16:29 | |
different to anything that I've actually been looking at, which is good, and it has been growing on me. | 0:16:29 | 0:16:35 | |
Right, OK. | 0:16:35 | 0:16:36 | |
As I've been thinking more and more about it, I've been thinking about | 0:16:36 | 0:16:40 | |
-what you could do with it. -Yeah. So, changes to be made, perhaps? -Definitely. | 0:16:40 | 0:16:44 | |
-And then, look at this. -The garden's amazing. -And it goes on again. | 0:16:44 | 0:16:47 | |
-Yeah, the garden doesn't stop at this fence here. The garden goes right on... -Unbelievable. | 0:16:47 | 0:16:52 | |
-..down to those trees there. -Could have a five-a-side pitch up there. | 0:16:52 | 0:16:56 | |
-This is one of the most farmyardy gardens I've ever seen. -Definitely. | 0:16:56 | 0:16:59 | |
All right, so, you've got a property, needs a few changes to be made to make it your own. | 0:16:59 | 0:17:05 | |
You've got a beautiful piece of land with it, a very nice spot. What's that worth? | 0:17:05 | 0:17:09 | |
Who's going to go first? | 0:17:09 | 0:17:11 | |
-Tania can go first. She can set the precedent. -I like it! | 0:17:11 | 0:17:14 | |
Erm, ooh, it's really hard, this one, do you think? | 0:17:14 | 0:17:20 | |
You go first. | 0:17:20 | 0:17:21 | |
-Right, I reckon 250. -Oh, no way! | 0:17:24 | 0:17:27 | |
-I would go 365. -Well, despite your deliberation, you're both miles out, but thanks for playing the game! | 0:17:27 | 0:17:33 | |
-Was I miles out? -Yeah. It's actually on the market right at the top of your budget, for £425,000. | 0:17:33 | 0:17:39 | |
-Wow. -But, bear this in mind - at the very back of this property, there is some free land that | 0:17:39 | 0:17:44 | |
the estate agents mentioned to us may be developed at some stage. | 0:17:44 | 0:17:50 | |
Those developers would be very interested in buying land off the various vendors on this street. | 0:17:50 | 0:17:55 | |
Though you may have to commit a fair amount to buy it, | 0:17:55 | 0:17:57 | |
you can then get some of that back, by selling off a portion of this vast plot. | 0:17:57 | 0:18:02 | |
Put that back in the coffers and that's a contribution towards the work. | 0:18:02 | 0:18:06 | |
I was thinking, maybe we could build our own plot at the back there. It's such a big, vast area. | 0:18:06 | 0:18:11 | |
Yeah, on top of 425, do the house up, build a property! | 0:18:11 | 0:18:15 | |
-Exactly, he doesn't live in the real world, him, does he?! -I know! | 0:18:15 | 0:18:18 | |
Everyone loves a little bit of Walter Mitty. | 0:18:18 | 0:18:20 | |
-Do I hold the record for the worst-ever guess? -Pretty much. -Yeah, I think you do. | 0:18:20 | 0:18:24 | |
Anyway, you can still do better than that, mate, you can probably guess even worse on property two, which is | 0:18:24 | 0:18:30 | |
my choice - and it's all the way back up the garden, I'm afraid, folks. | 0:18:30 | 0:18:34 | |
My offering is set in the picturesque and award-winning village of Pirbright. | 0:18:37 | 0:18:43 | |
-And it totally ignores what Darren and Tania asked us for. -Not true. | 0:18:43 | 0:18:48 | |
Correct me if I'm wrong, but I only see two bedrooms and it's a little, shall we say, compact. | 0:18:48 | 0:18:52 | |
At first glance it seems like an unusual option, but if they give it a chance | 0:18:52 | 0:18:56 | |
and a bit of imagination, I think it could be a fantastic family home - and a little gold mine to boot. | 0:18:56 | 0:19:03 | |
Property two today is my choice. I've got a story to tell you. | 0:19:03 | 0:19:07 | |
The mystery To Buy Or Not To Buy property team | 0:19:07 | 0:19:10 | |
couldn't decide quite which property to show you as property two. | 0:19:10 | 0:19:14 | |
I got involved and really stuck my neck out | 0:19:14 | 0:19:18 | |
and I went, "No, no, given the choice, I'm going for this one", which is this one. | 0:19:18 | 0:19:23 | |
So, in other words, if you like it, love me. | 0:19:23 | 0:19:26 | |
If you don't like it, I have nowhere to hide. What are we thinking? | 0:19:26 | 0:19:31 | |
-It looks nice. -Gingerbread - that's exactly what I'm thinking. | 0:19:31 | 0:19:34 | |
I was going to say cottagey. But I'm putting a Y on everything again. | 0:19:34 | 0:19:39 | |
-More cottagey than farmyardy, you'd say? -Yeah, cottagey. | 0:19:39 | 0:19:44 | |
I'll tell you what it is as well, it's very villagey. We are in the award-winning village of Pirbright. | 0:19:44 | 0:19:49 | |
Look, you've got the village green behind you, the local pub round the corner. | 0:19:49 | 0:19:53 | |
-Fabulous setting. -Mmm. -Taking away the cottagey | 0:19:53 | 0:19:56 | |
and the gingerbread element, what do you think? | 0:19:56 | 0:19:58 | |
Do you think, "OK, I can see why Simon has brought us here?" What are your initial thoughts? | 0:19:58 | 0:20:03 | |
-Small. -No, I like the look of it. I've got a good feel about it. -Have you? -I'm excited to look at it. | 0:20:03 | 0:20:08 | |
I'm really glad you've got a good feel about this place, | 0:20:08 | 0:20:11 | |
because you are going to need so much imagination with this place. | 0:20:11 | 0:20:14 | |
-OK. -You said you weren't scared of getting stuck in and a bit of work. | 0:20:14 | 0:20:18 | |
Project this is, as you will find out when you look around. | 0:20:18 | 0:20:21 | |
-OK. -Get in there and enjoy. | 0:20:21 | 0:20:23 | |
We've had projects on this show before, but you seem to be raising the bar. | 0:20:24 | 0:20:29 | |
Yes, this is project, with a capital P-R-O-J-E-C-T. | 0:20:29 | 0:20:34 | |
Ah, that is the right spelling, sorry. | 0:20:34 | 0:20:36 | |
Wow, this is a gingerbread house. | 0:20:42 | 0:20:44 | |
Oh...straight in. | 0:20:44 | 0:20:46 | |
I wonder what sort of... This is a real fire. It would be real? | 0:20:47 | 0:20:50 | |
RATTLE OF FLIMSY WOOD | 0:20:50 | 0:20:53 | |
Wow! | 0:20:53 | 0:20:54 | |
-Well, laughed at it. Is that good? -I don't know. | 0:20:54 | 0:20:57 | |
Showing people round houses - if people walk in and start laughing, I don't see it as a positive. | 0:20:57 | 0:21:02 | |
-Isn't it strange...? -Oops. Oh, blimey. | 0:21:04 | 0:21:06 | |
-..stepping straight into the... -Wow. -..the front room, is it? | 0:21:06 | 0:21:10 | |
It's whatever you want it to be, really, isn't it? Just use your imagination. | 0:21:10 | 0:21:14 | |
Yeah, you really can define the rooms in this property however you like. | 0:21:14 | 0:21:18 | |
You do that in a bungalow as it is, because things can be shifted around. | 0:21:18 | 0:21:22 | |
But when it needs completely renovating, nothing is defined. | 0:21:22 | 0:21:25 | |
-I like these beams. They're very nice. -Yeah. | 0:21:25 | 0:21:28 | |
-I wonder if it's a listed building. -Character... | 0:21:28 | 0:21:30 | |
Actually, they're not even real beams. Look, it's just a box. | 0:21:30 | 0:21:33 | |
What a shame. It does look authentic. | 0:21:33 | 0:21:36 | |
-It looks nice, though. -Yeah, and it's not too low, it's kind of... | 0:21:36 | 0:21:40 | |
-Ha-ha! -Oh, is it too short for your head? | 0:21:41 | 0:21:44 | |
No, it's all right, it's only the doorway, we can, er... | 0:21:44 | 0:21:47 | |
This, erm, is strange, isn't it? | 0:21:47 | 0:21:49 | |
-Having a sink in the room. -Yeah. | 0:21:49 | 0:21:53 | |
-This must have been the bedroom. -Yeah, the bedroom. | 0:21:53 | 0:21:56 | |
Yes, Darren and Tania. You are right, that is a bedroom. | 0:21:56 | 0:22:00 | |
That's the master bedroom, at the moment. | 0:22:00 | 0:22:03 | |
-"At the moment" being the operative word. -Mm-hmm. | 0:22:03 | 0:22:05 | |
Obviously we're going to have to do some extending here. | 0:22:05 | 0:22:08 | |
I don't know, being in such a quaint village and stuff. | 0:22:08 | 0:22:11 | |
-Let's see what other rooms they've got. -Yeah. | 0:22:11 | 0:22:15 | |
But, you know, two square rooms. That's OK. | 0:22:15 | 0:22:18 | |
Here we go. | 0:22:19 | 0:22:21 | |
Wow! Hang on, this is, erm...strange, isn't it? Very strange. | 0:22:24 | 0:22:28 | |
It's like a doll's house. | 0:22:28 | 0:22:30 | |
It's weird. But you know, never say never, that's what I say. | 0:22:30 | 0:22:35 | |
We have to try and open walls somewhere along the line. | 0:22:35 | 0:22:39 | |
Kitchen didn't go down that well. | 0:22:39 | 0:22:41 | |
-There's not much to love in the kitchen. -There's a sink. | 0:22:41 | 0:22:45 | |
It's like an adventure, isn't it, of the gingerbread house. | 0:22:45 | 0:22:49 | |
Oh, this is pink. | 0:22:49 | 0:22:50 | |
It's tiny! | 0:22:52 | 0:22:54 | |
-It's really small. -Mmm. | 0:22:54 | 0:22:56 | |
I don't see... What would you fit in here? You couldn't fit a settee in here, you couldn't | 0:22:56 | 0:22:59 | |
fit a bed in here, you couldn't actually swing a cat in here. | 0:22:59 | 0:23:03 | |
I don't think you can in the garden, either. | 0:23:03 | 0:23:07 | |
Yeah, this is a strange one. Maybe we could build up | 0:23:07 | 0:23:10 | |
four storeys, and this could be one room, the whole bottom floor. | 0:23:10 | 0:23:13 | |
Weird choice, Simon. | 0:23:13 | 0:23:14 | |
You think I'm mad, don't you? | 0:23:14 | 0:23:16 | |
You all think I'm mad, they think I'm mad. | 0:23:16 | 0:23:18 | |
There is method in the madness. | 0:23:18 | 0:23:20 | |
Yeah? Time will tell. | 0:23:20 | 0:23:23 | |
Right, here we go. Mmm. | 0:23:23 | 0:23:24 | |
Well done, Simon! | 0:23:24 | 0:23:26 | |
I don't...my potential, er... | 0:23:28 | 0:23:30 | |
At least you can wash your hands while you're on the toilet, and have a bath and go... | 0:23:30 | 0:23:35 | |
I can't see any potential. | 0:23:35 | 0:23:37 | |
They're not happy with the sizes - with the bathroom here, | 0:23:37 | 0:23:41 | |
with the size at my place. | 0:23:41 | 0:23:42 | |
Do they live in castle Croydon? Do they live in opulence in the City that we don't know? | 0:23:42 | 0:23:47 | |
-I know, what do they want for nearly half-a-million pounds? -Honestly. | 0:23:47 | 0:23:50 | |
This must be where they keep the horses? | 0:23:50 | 0:23:53 | |
It's the biggest conservatory I've ever been in in my life. | 0:23:53 | 0:23:56 | |
-This would be good for growing tomato plants, do you think? -Ha-ha! | 0:23:56 | 0:24:00 | |
-Cor! -I don't understand. | 0:24:02 | 0:24:04 | |
No, I don't. Right, let's go into this jungle. | 0:24:04 | 0:24:08 | |
Wow! | 0:24:08 | 0:24:10 | |
-Hmmm...! -Do you know what? | 0:24:12 | 0:24:14 | |
That is actually... | 0:24:14 | 0:24:17 | |
Is that a model building of the house, is it, or something? And the conservatory there. | 0:24:17 | 0:24:22 | |
That's your studio! | 0:24:22 | 0:24:23 | |
That's my studio! | 0:24:23 | 0:24:26 | |
Actually, I'm quite speechless. I've never been so speechless. | 0:24:26 | 0:24:29 | |
See? I know what everyone's thinking - I've lost the plot. | 0:24:29 | 0:24:34 | |
-That's what everyone's thinking. You know what? -You haven't lost the plot, the plot's fine. | 0:24:34 | 0:24:39 | |
It's just a bad choice. | 0:24:39 | 0:24:40 | |
Well, this is it, this sells it for me. It's big enough | 0:24:40 | 0:24:44 | |
to swing a cat, at least. | 0:24:44 | 0:24:46 | |
We've got an outbuilding which is the same size as the house. | 0:24:46 | 0:24:50 | |
Wow! | 0:24:52 | 0:24:53 | |
Well, it works as a recording studio. | 0:24:55 | 0:24:59 | |
-It's the tiniest house I've ever been in. -Is it? -Yeah. -I suppose it is me. | 0:25:01 | 0:25:04 | |
I've been to the model village before, that was quite cool. | 0:25:04 | 0:25:08 | |
In comparison. But no, this is a... bad move, Si. | 0:25:08 | 0:25:12 | |
Do you get the feeling they're going to need a bit of persuading about this place? | 0:25:12 | 0:25:16 | |
-Just a bit, yeah. -Ready to back me up, buddy? | 0:25:16 | 0:25:18 | |
Sure, no problem. | 0:25:18 | 0:25:21 | |
Jonnie! | 0:25:23 | 0:25:25 | |
-Jo... Hi, guys. -Hi. -You're looking at me like I'm insane. | 0:25:25 | 0:25:31 | |
I'm almost starting to believe it myself but I know | 0:25:31 | 0:25:34 | |
there is good reason why I chose this property, and I will explain myself. | 0:25:34 | 0:25:37 | |
-OK, if I turn the details over... -Wow! | 0:25:37 | 0:25:40 | |
This place comes... I'm going to change your tune. | 0:25:40 | 0:25:43 | |
I'm certainly going to change Tania's tune, I guarantee it. Are you ready? | 0:25:43 | 0:25:47 | |
-Go on. -This place comes with full planning permission to extend out sideways into that space behind you, | 0:25:47 | 0:25:53 | |
to put in another bedroom and en suite bathroom. | 0:25:53 | 0:25:56 | |
-That becomes your master bedroom. -OK. | 0:25:56 | 0:25:58 | |
You can also extend out, with the planning permission that's there, | 0:25:58 | 0:26:02 | |
out back... | 0:26:02 | 0:26:04 | |
-You'd leave yourself no land. -Let me finish. | 0:26:04 | 0:26:07 | |
You've got a lovely garden out front, and that lovely garden on the side. | 0:26:07 | 0:26:11 | |
If you did this to this property, in this gorgeous location, | 0:26:11 | 0:26:14 | |
in the award-winning village of Pirbright, | 0:26:14 | 0:26:17 | |
it would then be valued, we have good reason to believe, at around half a million pounds. | 0:26:17 | 0:26:22 | |
Wow. | 0:26:22 | 0:26:24 | |
Right, so, I want you to bear that in mind | 0:26:24 | 0:26:28 | |
as we start talking about trying to work out how much it would cost | 0:26:28 | 0:26:32 | |
to do that work, and guess the price. | 0:26:32 | 0:26:34 | |
Sorry, I just got a text message. Apparently you're struggling. | 0:26:34 | 0:26:38 | |
-Oh, did you? Thanks. -You love this place. | 0:26:38 | 0:26:40 | |
-Have you come to save us or him? -I'm not really sure! -OK. | 0:26:40 | 0:26:44 | |
-All right. -It could be the dream. It could be the one. -Yeah. | 0:26:44 | 0:26:47 | |
-It could be. -OK, right, so, it's 1-0. | 0:26:47 | 0:26:49 | |
Tania, do you want to go first, have a crack? | 0:26:49 | 0:26:51 | |
-OK, 300? -Not too bad. | 0:26:51 | 0:26:56 | |
I reckon a little bit more than that. About 329. | 0:26:56 | 0:27:01 | |
Round about that sort of price. | 0:27:01 | 0:27:03 | |
-Well, it's 1-1. -Get in. | 0:27:03 | 0:27:06 | |
Actually, you are bang on the money on this one. | 0:27:06 | 0:27:09 | |
You were a long way out on the last one, but you've got your act together. | 0:27:09 | 0:27:12 | |
-Have I? -Yeah, you're just 950 quid out on this one. | 0:27:12 | 0:27:14 | |
-How much? -950! | 0:27:14 | 0:27:16 | |
£329,950. | 0:27:16 | 0:27:19 | |
Now, then, I estimate, to implement this planning permission | 0:27:19 | 0:27:24 | |
-on this place, you would be looking at spending around £80,000. -Wow! -Do the maths. | 0:27:24 | 0:27:29 | |
MOBILE PHONE BEEPS | 0:27:29 | 0:27:30 | |
Sorry, hang on, I've just got a text. It's from the director. | 0:27:30 | 0:27:33 | |
"Simon is struggling, bail, go to the wild card now." Right... | 0:27:33 | 0:27:36 | |
Get your coat, mate. | 0:27:36 | 0:27:38 | |
If you don't want to make 90 grand, let's go. | 0:27:38 | 0:27:40 | |
Ah, yes, the wild card. | 0:27:45 | 0:27:47 | |
It's...a bungalow! | 0:27:47 | 0:27:50 | |
A bit tame, I hear you cry, but this bungalow in the suburb of Byfleet has bite. | 0:27:50 | 0:27:54 | |
It certainly does. | 0:27:54 | 0:27:57 | |
Once Darren and Tania discover what's behind the doors | 0:27:57 | 0:28:00 | |
of this one-level wonder, their lives may never be the same again. | 0:28:00 | 0:28:04 | |
OK, Darren, Tania, after the travesty that was property two... | 0:28:04 | 0:28:08 | |
Excuse me! If you don't want to make nearly 100 grand, that's up to you. Carry on. | 0:28:08 | 0:28:12 | |
It's the wild card, it's the final property. | 0:28:12 | 0:28:15 | |
It's everyone's favourite part of the show. | 0:28:15 | 0:28:17 | |
It's just a bungalow, really, that's all. There's not much to say. | 0:28:17 | 0:28:20 | |
It's just a bungalow. | 0:28:20 | 0:28:21 | |
-Yeah. -You're spot on, aren't you? | 0:28:21 | 0:28:23 | |
You seem like the kind of couple that would like to live in a bungalow. | 0:28:23 | 0:28:27 | |
We do want to grow old together, don't we? | 0:28:27 | 0:28:29 | |
-Do we? -But not just yet. | 0:28:29 | 0:28:32 | |
What are your thoughts, Tania? | 0:28:32 | 0:28:34 | |
Yeah, bungalow. | 0:28:34 | 0:28:36 | |
-Is it detached, is it? -It is detached. The garage is. | 0:28:36 | 0:28:39 | |
-It's link-detached. -OK, got you. | 0:28:39 | 0:28:41 | |
But none of the accommodations are joining, so you're fine. | 0:28:41 | 0:28:44 | |
Is that traffic? | 0:28:44 | 0:28:45 | |
Yeah, but no flight path, you see. | 0:28:45 | 0:28:47 | |
Ah, no flight path. I didn't say anything about the traffic. | 0:28:47 | 0:28:50 | |
I don't care what you say any more. You have a look. | 0:28:50 | 0:28:53 | |
-See you later. -Go on, in you go. | 0:28:53 | 0:28:55 | |
-That's the gratitude we get. You bring them to a lovely property. -They're becoming very troublesome. | 0:28:55 | 0:29:00 | |
-Shall we listen to them complain on the headphones? -Yeah. | 0:29:00 | 0:29:03 | |
-Oh, that's better. -I like the floor. | 0:29:08 | 0:29:11 | |
-Oak all the way through. -Is that what it is? | 0:29:11 | 0:29:15 | |
A bathroom. | 0:29:15 | 0:29:16 | |
That's nice, I like that sink. | 0:29:18 | 0:29:20 | |
It's nice. Bath's nice, it's got a shower in the bath. | 0:29:20 | 0:29:24 | |
-I do like that. -Yes, it's nice. | 0:29:27 | 0:29:29 | |
At long last we've found a property with a bathroom they actually like! | 0:29:29 | 0:29:33 | |
What's in this one? Aw, look at that, isn't that lovely? | 0:29:33 | 0:29:36 | |
Twins or something. | 0:29:38 | 0:29:40 | |
Don't you start getting broody. | 0:29:40 | 0:29:42 | |
-It could be for a dog. -Does that sound like a good idea? | 0:29:42 | 0:29:45 | |
-Yeah. -Yes. | 0:29:45 | 0:29:46 | |
-Sweet. -It's done lovely, the decor is nice. | 0:29:49 | 0:29:53 | |
The bedrooms are light as well, I like that. | 0:29:53 | 0:29:56 | |
I like the space. | 0:29:56 | 0:29:57 | |
It's done nice. | 0:29:57 | 0:29:59 | |
Nice little... Yeah. | 0:29:59 | 0:30:02 | |
-Depends what you want use them for but yeah. -Definitely. | 0:30:02 | 0:30:06 | |
Weird. | 0:30:09 | 0:30:12 | |
It's like a boudoir. | 0:30:12 | 0:30:14 | |
Dressing-room, wardrobe. | 0:30:14 | 0:30:17 | |
-Oh, yeah. -I like this. | 0:30:17 | 0:30:20 | |
-It's weird, what is it? -I think it's a wardrobe room. | 0:30:20 | 0:30:25 | |
It's quite a discovery, that wardrobe. | 0:30:25 | 0:30:28 | |
Absolutely ideal for this pair. | 0:30:28 | 0:30:30 | |
-Plenty of room for your Elvis costumes. -Mick Hucknall. | 0:30:30 | 0:30:32 | |
-Amy Winehouse. -Karen Carpenter. | 0:30:32 | 0:30:34 | |
Another bedroom. | 0:30:36 | 0:30:38 | |
Finally, a room with a bit of space. | 0:30:38 | 0:30:42 | |
Definitely fit our bed in this one. | 0:30:42 | 0:30:45 | |
Nice size. A lot of bedrooms. | 0:30:45 | 0:30:48 | |
It's nice. I like this mirror. | 0:30:48 | 0:30:50 | |
-They got good taste. -We'd hope so. | 0:30:50 | 0:30:52 | |
-The vendor is in fact a professional interior designer... -And I think it shows. | 0:30:52 | 0:30:57 | |
Nice wardrobes as well. | 0:30:57 | 0:30:59 | |
Big wardrobes. | 0:30:59 | 0:31:02 | |
Wow. Look. | 0:31:04 | 0:31:05 | |
-Wow. -That is a surprise. | 0:31:05 | 0:31:09 | |
-That is nice. -Isn't it? | 0:31:09 | 0:31:11 | |
-It is exactly the same things that we use in our spare room. -Yeah. | 0:31:11 | 0:31:16 | |
They didn't tell us this was here. | 0:31:16 | 0:31:18 | |
It means that if the wardrobe's in here, we don't have to use one of the other bedrooms for a wardrobe. | 0:31:18 | 0:31:24 | |
The exciting thing about this tour is they have no idea what is coming. | 0:31:24 | 0:31:27 | |
You talk about wow factor, just wait. | 0:31:27 | 0:31:30 | |
-Ooh... -Ooh! -Wow. | 0:31:32 | 0:31:35 | |
I like that. Wow! | 0:31:35 | 0:31:37 | |
That's amazing. | 0:31:37 | 0:31:40 | |
This is super, isn't it? | 0:31:40 | 0:31:44 | |
-This one will be well above our budget. -No, no way. | 0:31:44 | 0:31:47 | |
It will not be above our budget. There's no way it can be above our budget. | 0:31:47 | 0:31:53 | |
This is the great thing about the wild card. | 0:31:53 | 0:31:56 | |
You stand outside, think it's a bungalow, and it reveals itself | 0:31:56 | 0:31:59 | |
to be everything you want. | 0:31:59 | 0:32:00 | |
Wow, a playroom. It is perfect. | 0:32:00 | 0:32:03 | |
Perfect room for a dining room. Unless there is a dining room. | 0:32:03 | 0:32:08 | |
This is fantastic. | 0:32:08 | 0:32:10 | |
-It is a shame it is not detached. -It is detached! | 0:32:10 | 0:32:13 | |
It's linked detached but all the accommodation is detached. | 0:32:13 | 0:32:16 | |
This is lovely. | 0:32:16 | 0:32:18 | |
I like step-down living areas as well. | 0:32:18 | 0:32:24 | |
It does have that sense of grandeur when you step down into a living area from the kitchen. | 0:32:24 | 0:32:28 | |
The separation is great and it is opulent. | 0:32:28 | 0:32:31 | |
It is because it defines the two spaces. | 0:32:31 | 0:32:34 | |
I'm just hating that Johnny and Simon have done something quite good for once. | 0:32:34 | 0:32:40 | |
This is beautiful isn't it? | 0:32:40 | 0:32:42 | |
They have got great taste. | 0:32:42 | 0:32:44 | |
-They have, yeah. -Wow, look at that. | 0:32:45 | 0:32:47 | |
Mirrors in the garden. | 0:32:47 | 0:32:50 | |
Reflecting the light. That is mad. | 0:32:50 | 0:32:52 | |
It is very, very good. | 0:32:52 | 0:32:54 | |
Really different. | 0:32:54 | 0:32:57 | |
Wow, look at that. | 0:32:57 | 0:32:58 | |
It's like being in...somewhere in Switzerland | 0:33:00 | 0:33:04 | |
but with a big motorway on the side of it. Look at this. | 0:33:04 | 0:33:08 | |
-Oh, what a shame. -Get over it! | 0:33:08 | 0:33:10 | |
Isn't it beautiful? You'd have to put a massive fence up there. | 0:33:10 | 0:33:15 | |
Look at these lorries. | 0:33:15 | 0:33:17 | |
THEY LAUGH | 0:33:17 | 0:33:20 | |
-What a shame, this is so lovely. -Can't you put a massive big fence up there? | 0:33:20 | 0:33:25 | |
If they could let us, depending on the laws. | 0:33:25 | 0:33:28 | |
I can see that that is a major concern, the road. That is a shame because the property is fantastic. | 0:33:28 | 0:33:34 | |
It is worth investigating what you can do to insulate the sound. | 0:33:34 | 0:33:38 | |
For me, an evergreen hedge - not only does that cut down the sound but also the pollution. | 0:33:38 | 0:33:44 | |
-Recording studio. -Isn't it just? | 0:33:44 | 0:33:46 | |
It's all dressmaking tools there. Or curtains. | 0:33:51 | 0:33:54 | |
This is a perfect size for a studio. | 0:33:55 | 0:33:58 | |
This is fantastic to be honest with you. I'd live in here. | 0:33:58 | 0:34:01 | |
-You don't want to admit it, to the boys. I -will not | 0:34:01 | 0:34:04 | |
say it to them. Oh, they can hear me, can't they? Messes that one up. | 0:34:04 | 0:34:08 | |
Yes, we can hear everything, can't we, Jonny? | 0:34:08 | 0:34:12 | |
Just a bungalow, is it, Darren? | 0:34:12 | 0:34:13 | |
Yes, I think we should find out how much this is | 0:34:13 | 0:34:16 | |
because I think this sort of property should get snapped up. | 0:34:16 | 0:34:20 | |
They're obviously a design company, they have done the interior design fantastic. | 0:34:20 | 0:34:24 | |
That kitchen is marvellous. That would sell it to anyone. | 0:34:24 | 0:34:27 | |
The only reason it is not selling - | 0:34:27 | 0:34:29 | |
I don't know how long it's been on the market - is that traffic. | 0:34:29 | 0:34:32 | |
We might be able to overcome that. | 0:34:32 | 0:34:33 | |
You didn't seem to like that place much, just the standard bungalow! | 0:34:36 | 0:34:41 | |
Pandora's... That was unbelievable. | 0:34:41 | 0:34:44 | |
It opened up into everything we wanted. | 0:34:44 | 0:34:46 | |
I'll take back everything I said. | 0:34:48 | 0:34:50 | |
What's that? Another lorry. | 0:34:50 | 0:34:52 | |
OK, let's get into it. | 0:34:52 | 0:34:55 | |
We know that is the issue. | 0:34:55 | 0:34:56 | |
The property is sublime. | 0:34:56 | 0:34:58 | |
Fantastic, everything we want. | 0:34:58 | 0:35:00 | |
But you have got the road issue. I have spoken to the vendor. | 0:35:00 | 0:35:03 | |
What we do have already is extra height fencing to try and dampen the sound. | 0:35:03 | 0:35:08 | |
There is a line of trees. | 0:35:08 | 0:35:09 | |
They do grow up considerably. | 0:35:09 | 0:35:11 | |
The council cut them back and that does really dampen down the sound. | 0:35:11 | 0:35:15 | |
Also take it into your own hands. | 0:35:15 | 0:35:17 | |
Don't wait for the trees to grow back. | 0:35:17 | 0:35:20 | |
I would put in a green screen along here. | 0:35:20 | 0:35:24 | |
This tree here, copper beech, it keeps its leaves in winter. | 0:35:24 | 0:35:28 | |
It's a native tree. | 0:35:28 | 0:35:29 | |
It doesn't just dampen sound, it also cuts down pollution. | 0:35:29 | 0:35:33 | |
That is your advantage of having a green screen. | 0:35:33 | 0:35:36 | |
If you buy mature specimens, you'll soon get it covered. | 0:35:36 | 0:35:41 | |
That makes sense. | 0:35:41 | 0:35:44 | |
-Guess the price? It is one all. -Yep. | 0:35:44 | 0:35:47 | |
All to play for. | 0:35:47 | 0:35:49 | |
She is gutted. You think it's going to be unaffordable. | 0:35:49 | 0:35:53 | |
I am containing my excitement. | 0:35:53 | 0:35:56 | |
I love it so much. | 0:35:56 | 0:35:58 | |
I figure it's going to be out of our budget. | 0:35:58 | 0:36:01 | |
You guess first. | 0:36:01 | 0:36:03 | |
Top end of what we said. 425. | 0:36:03 | 0:36:05 | |
-You think 425? -More, actually. But I don't want it to be! | 0:36:05 | 0:36:09 | |
Won't change anything but I like it. Darren? | 0:36:09 | 0:36:12 | |
Woking is a more sought-after area, so it will be a bit cheaper round here. | 0:36:12 | 0:36:16 | |
Being on the motorway, it may devalue the property a bit. | 0:36:16 | 0:36:21 | |
I would have thought this would be snapped up because it is so beautiful... | 0:36:21 | 0:36:25 | |
Darren, it is a 45-minute show, mate! What do you reckon?! | 0:36:25 | 0:36:28 | |
430. | 0:36:28 | 0:36:30 | |
A bit more expensive than what Tania thought. | 0:36:30 | 0:36:33 | |
I don't want to think that but yeah... | 0:36:33 | 0:36:36 | |
-It is on the market for 499,950. -Half a million? | 0:36:36 | 0:36:40 | |
-It is considerably over your budget. -That's that then. | 0:36:40 | 0:36:43 | |
It is stunning. But I will add to this the following statement. | 0:36:43 | 0:36:47 | |
We were struggling to find detached houses near your budget. | 0:36:47 | 0:36:52 | |
A lot of bungalows on the market, which means that of all the properties selling on the market, | 0:36:52 | 0:36:58 | |
bungalows are the ones that seem to be struggling. | 0:36:58 | 0:37:01 | |
Because of that competition, you could look to get away with a cheeky offer. | 0:37:01 | 0:37:07 | |
We've shown you three very different properties. I think you'll agree. | 0:37:07 | 0:37:11 | |
-Yeah. -You've got to decide which one you'd like to spend more time in. | 0:37:11 | 0:37:16 | |
That will be hard(!) | 0:37:16 | 0:37:17 | |
Take yourselves off, put your heads together and have a good think.. | 0:37:17 | 0:37:22 | |
-While they do that... -Here is a quick recap. | 0:37:25 | 0:37:27 | |
Will today's pop pickers plump for my choice - the semi-rural chalet in the West End of Woking | 0:37:28 | 0:37:33 | |
has a farmyard garden, three beds, potential for | 0:37:33 | 0:37:37 | |
great living space and a studio, and is at the top of their budget. | 0:37:37 | 0:37:41 | |
Is there any chance it will be my property with potential to extend. | 0:37:41 | 0:37:45 | |
It is in the village of Pirbright with permission to convert to a three-bed bungalow. | 0:37:45 | 0:37:50 | |
All that for 329. | 0:37:50 | 0:37:53 | |
Last but by no means least, the beautiful Byfleet bungalow that is the wild card. | 0:37:53 | 0:38:00 | |
It's got it all - four bedrooms, designer chic and a fantastic living space that blew their mind. | 0:38:00 | 0:38:05 | |
Sadly, it also blew their budget. | 0:38:05 | 0:38:07 | |
Darren, Tania, surprise, surprise - | 0:38:13 | 0:38:15 | |
you decided to test drive the wild card. | 0:38:15 | 0:38:17 | |
Yes! | 0:38:17 | 0:38:19 | |
It wasn't just a bungalow after all? | 0:38:21 | 0:38:24 | |
I love it. If it was in our price range, I'd snap your hand off. | 0:38:24 | 0:38:27 | |
Half-a-million for something like this...it is lovely but... | 0:38:27 | 0:38:31 | |
There is always room to negotiate. | 0:38:31 | 0:38:33 | |
We might be able to help you a bit. | 0:38:33 | 0:38:35 | |
Our eagle-eyed surveyor has given this place the once-over. | 0:38:35 | 0:38:39 | |
Always a real nit-picker. It is not legally binding, and if you went ahead with | 0:38:39 | 0:38:42 | |
this place or any other, you get all the right searches and surveys done. | 0:38:42 | 0:38:47 | |
He's come up with a couple of interesting points. | 0:38:47 | 0:38:50 | |
He has indeed. This place is very contemporary and trendy and like | 0:38:50 | 0:38:54 | |
most modern trendy properties, a lot of trendy lighting. | 0:38:54 | 0:38:57 | |
It means there is a lot of wiring going through the loft. | 0:38:57 | 0:39:01 | |
What he said was make sure all the wiring is up to standard. | 0:39:01 | 0:39:05 | |
It has also displaced some of the loft insulation which would need putting back. | 0:39:05 | 0:39:10 | |
It is a professional job. Get an expert in to sort that out. | 0:39:10 | 0:39:15 | |
He really is a nit-picker because there is nothing wrong | 0:39:15 | 0:39:19 | |
with the place but he did mention that the boiler, he couldn't quite get to it at the back of the garage. | 0:39:19 | 0:39:23 | |
It looked like it might need modernising and replacing. | 0:39:23 | 0:39:27 | |
-But that is it. It is a gorgeous property. We know that, don't we? -Yeah. -It is gorgeous. | 0:39:27 | 0:39:32 | |
There is nothing else to do, so you may as well give yourself a little chore. | 0:39:32 | 0:39:36 | |
We will try it out and see whether we get a taste for the high life. | 0:39:36 | 0:39:40 | |
-This is it. You can, right now, get in there and enjoy it. See you in a bit. -See you. | 0:39:40 | 0:39:44 | |
I found this great property down the road. It is a bit derelict... | 0:39:44 | 0:39:48 | |
I'm not going anywhere with you, pal! | 0:39:48 | 0:39:51 | |
No sooner are Darren and Tania moving in than their celeb mates are popping round. | 0:39:56 | 0:40:01 | |
Who's this calling for a chat? | 0:40:01 | 0:40:03 | |
-It'll be a circus in there when she arrives. -Is she a lion tamer? | 0:40:03 | 0:40:07 | |
No, she's Britney Spears. | 0:40:07 | 0:40:09 | |
Of course. They are basically twins. | 0:40:09 | 0:40:12 | |
She's popping in to catch up with the gossip, loves the hustle and bustle of Woking, | 0:40:12 | 0:40:16 | |
before going back to the quiet backwater of LA. | 0:40:16 | 0:40:19 | |
No sooner has she left and Tania has got the kettle on for the next arrival. Which is ... | 0:40:19 | 0:40:25 | |
Posh Spice. These guys really are well connected. | 0:40:25 | 0:40:29 | |
This is nice. | 0:40:30 | 0:40:31 | |
She'll tell them what she really, really wants in a house. | 0:40:31 | 0:40:35 | |
A cup of tea and a flapjack by the looks of it. | 0:40:35 | 0:40:38 | |
It's her favourite sweet treat, Jonny. Apart from old David of course! | 0:40:38 | 0:40:41 | |
What's new with you, Posh? | 0:40:41 | 0:40:43 | |
Not a lot, really. | 0:40:44 | 0:40:46 | |
Who's this, Lauren Bacall? | 0:40:46 | 0:40:49 | |
No, that's Tania's mum. | 0:40:49 | 0:40:51 | |
And she's got a surprise package. | 0:40:51 | 0:40:53 | |
Who let the dogs out? | 0:40:53 | 0:40:55 | |
-What? -Who let the dogs out? | 0:40:55 | 0:40:57 | |
You know that song, Simon? | 0:40:57 | 0:40:59 | |
No, Jonny. Now they are trying out the luxurious living area | 0:40:59 | 0:41:03 | |
and it has struck a chord with Darren. | 0:41:03 | 0:41:05 | |
Excellent work and he has whipped out his guitar. | 0:41:05 | 0:41:08 | |
No test drive would be complete without a rousing finale. | 0:41:08 | 0:41:12 | |
Right, you lovely pair, you have now spent more time in this gorgeous property. | 0:41:15 | 0:41:20 | |
What are your feelings? | 0:41:20 | 0:41:23 | |
We still really love it, it is almost perfect. | 0:41:23 | 0:41:27 | |
But it is too much out of our price range unfortunately. | 0:41:27 | 0:41:31 | |
Question for you, has the road become less of an issue? | 0:41:31 | 0:41:35 | |
That seemed to be a big factor. | 0:41:35 | 0:41:36 | |
Pardon? | 0:41:36 | 0:41:38 | |
That's all that grey hair of yours blocking your ears... | 0:41:38 | 0:41:42 | |
Did he say great hair?! | 0:41:42 | 0:41:44 | |
Great hair, you have got great hair. | 0:41:44 | 0:41:46 | |
That was the issue you thought when you got outside that it would be a problem. | 0:41:46 | 0:41:51 | |
Fortunately, we have overcome that with the price issue. | 0:41:51 | 0:41:54 | |
-Yeah. -Basically. | 0:41:54 | 0:41:57 | |
That is the only way you could get us, at the top price. | 0:41:57 | 0:42:00 | |
It feels right? | 0:42:00 | 0:42:03 | |
It has got a nice energy. Fantastic. | 0:42:03 | 0:42:05 | |
Right then. In that case, I will ask the question but I think I already know what the answer is. | 0:42:05 | 0:42:11 | |
To buy or not to buy? | 0:42:11 | 0:42:13 | |
-Not to buy. -Not to buy. | 0:42:13 | 0:42:16 | |
It is the budget, isn't it? | 0:42:16 | 0:42:18 | |
Everything else is perfect. You've done a good job. | 0:42:18 | 0:42:21 | |
Maybe we should buy property two, make 90 grand on it, then buy this. | 0:42:21 | 0:42:25 | |
We have an answer! | 0:42:27 | 0:42:29 | |
Working the property ladder. | 0:42:29 | 0:42:32 | |
-We are not so daft, are we? -Yeah. | 0:42:32 | 0:42:34 | |
Thank you very much(!) | 0:42:34 | 0:42:35 | |
On that note, we'll leave you. It's been an absolute pleasure. It really has. Good luck. | 0:42:35 | 0:42:40 | |
See you. | 0:42:40 | 0:42:41 | |
Subtitles by Red Bee Media Ltd | 0:42:54 | 0:42:57 | |
E-mail [email protected] | 0:42:57 | 0:43:00 |