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-Welcome to To Buy Or Not To Buy. -I am very excited about today's show. | 0:00:02 | 0:00:06 | |
Yes. We have a very, very special programme today. | 0:00:06 | 0:00:09 | |
I can confirm, ladies and gentlemen, that today's budget | 0:00:09 | 0:00:13 | |
is the biggest budget ever dealt with on To Buy Or Not To Buy. | 0:00:13 | 0:00:16 | |
-Really? -It's a record! | 0:00:16 | 0:00:18 | |
-Even the Queen's watching! -Honestly? -Morning, ma'am. | 0:00:18 | 0:00:21 | |
I can't wait to get stuck in today, Jonnie. | 0:00:31 | 0:00:34 | |
I'm thinking, because today's budget is so large, | 0:00:34 | 0:00:37 | |
it's such an important show, this will require an extra-special effort | 0:00:37 | 0:00:40 | |
-from you and I. -My experience tells me | 0:00:40 | 0:00:42 | |
that big budget means big houses, big rooms. We will be very busy! | 0:00:42 | 0:00:46 | |
You look pretty busy. You've dressed for the occasion. Nice one! | 0:00:46 | 0:00:49 | |
-You've spruced up well yourself. -Have you got a job interview later? | 0:00:49 | 0:00:53 | |
'Coming up on To Buy Or Not To Buy, our grand budget provides grand visions.' | 0:00:55 | 0:00:59 | |
Now, they do say an Englishman's home is his castle. | 0:00:59 | 0:01:02 | |
How do you fancy a bit of a castle? | 0:01:02 | 0:01:04 | |
We reveal a staircase that has to be seen to be believed, | 0:01:04 | 0:01:07 | |
and we discover a big-budget wild card | 0:01:07 | 0:01:10 | |
that delivers surprise after surprise. | 0:01:10 | 0:01:14 | |
Is that a tennis court at the end? | 0:01:14 | 0:01:16 | |
Today's buyers are Alison and Simon Lillystone from North London. | 0:01:21 | 0:01:24 | |
The couple met at their local church choir 24 years ago, | 0:01:24 | 0:01:28 | |
and have shared a passion for music ever since. | 0:01:28 | 0:01:30 | |
After working most of their lives in high-flying careers, | 0:01:30 | 0:01:34 | |
they now feel that a quieter, gentler pace of life in the country is beckoning. | 0:01:34 | 0:01:38 | |
And, as we delve into the Lillystone family album, | 0:01:38 | 0:01:41 | |
we meet their three children. Piers is the eldest | 0:01:41 | 0:01:43 | |
and is living away at university. Next there's Miranda, | 0:01:43 | 0:01:47 | |
who will shortly be heading off to further her studies, too. | 0:01:47 | 0:01:50 | |
And then there's Aidan. He's the youngest of the children, | 0:01:50 | 0:01:53 | |
and from what we hear, he's very excited about a move to the country. | 0:01:53 | 0:01:57 | |
Hello, on this lovely sunny day! How are you? | 0:01:57 | 0:02:00 | |
-Hello. -Very well, thank you. -Now, very exciting day for us all. | 0:02:00 | 0:02:03 | |
You're leaving London, so we understand. | 0:02:03 | 0:02:06 | |
It's been fantastic, but we've been there 25 years, | 0:02:06 | 0:02:10 | |
-and it's time for a change. -We thought many times about moving. | 0:02:10 | 0:02:14 | |
Children are moving to university, to new schools. | 0:02:14 | 0:02:18 | |
It's probably about time we enjoyed the country life. | 0:02:18 | 0:02:21 | |
So it was one of those natural junctions in life, really? | 0:02:21 | 0:02:24 | |
It is, and our youngest son, who's going to be still at school, | 0:02:24 | 0:02:28 | |
is moving school. But actually he loves walking, dogs, | 0:02:28 | 0:02:32 | |
land, forest, that sort of thing, so it all fits, really. | 0:02:32 | 0:02:36 | |
But I'm now even more daunted, Jonnie, | 0:02:36 | 0:02:38 | |
because we know we'll be looking at some substantial properties today, | 0:02:38 | 0:02:42 | |
-but if you've been in one house for how long...? -20 years. | 0:02:42 | 0:02:46 | |
20 years! This is a big move! | 0:02:46 | 0:02:49 | |
I think we're just ready for a change, | 0:02:49 | 0:02:51 | |
and we, too, like walking and the countryside. | 0:02:51 | 0:02:54 | |
We don't want to be absolutely in the country. | 0:02:54 | 0:02:57 | |
We want to still enjoy the country pub. | 0:02:57 | 0:02:59 | |
-Right. Most important, really. -We also have quite a full house, | 0:02:59 | 0:03:02 | |
even though it's a large one. | 0:03:02 | 0:03:04 | |
-Explain. -I have quite a collection of music - | 0:03:04 | 0:03:07 | |
sheet music, that is, | 0:03:07 | 0:03:09 | |
vocal music, instrumental music, | 0:03:09 | 0:03:13 | |
and we need a bit more area | 0:03:13 | 0:03:15 | |
to house this music. | 0:03:15 | 0:03:17 | |
Every corner of the house is full of it at the moment, | 0:03:17 | 0:03:20 | |
so it would be nice to have somewhere to put it. | 0:03:20 | 0:03:22 | |
-Are we looking at a music library? -Yes, a very big one. | 0:03:22 | 0:03:25 | |
OK, then. Right! Let's start talking about this house, then. | 0:03:25 | 0:03:28 | |
Let's see if you are singing off the same hymn sheet. | 0:03:28 | 0:03:32 | |
-Is this going to be a theme all day? -Yes. I've got it in my head now. | 0:03:32 | 0:03:36 | |
-OK. -Verse two. -Let's see if we can tune in on... | 0:03:36 | 0:03:39 | |
So we want somewhere for the music library. | 0:03:39 | 0:03:42 | |
What else do we want? Start with you, Alison. | 0:03:42 | 0:03:45 | |
We want, probably, still five bedrooms at least, | 0:03:45 | 0:03:48 | |
um, and we want about three or four, probably four, reception rooms. | 0:03:48 | 0:03:54 | |
A tennis court would come in handy, I think, at the property. | 0:03:54 | 0:03:58 | |
-OK. Like a bit of tennis myself. -Er, a nice garden, | 0:03:58 | 0:04:01 | |
some outbuildings for the library and a music-performance facility. | 0:04:01 | 0:04:06 | |
-How big a garden, Alison? -Well... | 0:04:06 | 0:04:09 | |
I think at least a third of an acre. | 0:04:09 | 0:04:12 | |
It sounds like, bizarrely, | 0:04:12 | 0:04:14 | |
we're going to be concentrating on the house, | 0:04:14 | 0:04:17 | |
-maybe, rather than the location? -As far as location's concerned, | 0:04:17 | 0:04:21 | |
it's important to be in a village, so there is a community, | 0:04:21 | 0:04:24 | |
a pub, church, and also be still in striking distance of London, | 0:04:24 | 0:04:29 | |
and near a school for our son. | 0:04:29 | 0:04:31 | |
-What style of property do you like? -Basically older style. | 0:04:31 | 0:04:35 | |
-Older property. -So you're looking for a place with the ambience, | 0:04:35 | 0:04:39 | |
-with the original features? -Yeah. Good-sized rooms, tall ceilings. | 0:04:39 | 0:04:44 | |
Why Oxfordshire? | 0:04:44 | 0:04:45 | |
-We like Oxford. -I suppose links... -Yeah. Links with Oxford. | 0:04:45 | 0:04:49 | |
Oxford's a very musical city and a very beautiful city, | 0:04:49 | 0:04:53 | |
-and cultural. -And around it there are lots of beautiful towns... | 0:04:53 | 0:04:58 | |
-Yep. -..market towns. | 0:04:58 | 0:05:00 | |
I think we're beating around the bush here. | 0:05:00 | 0:05:02 | |
I've been dying to ask this question. | 0:05:02 | 0:05:05 | |
Look at us! We're all smart, we're all ready. | 0:05:05 | 0:05:07 | |
We've been told it's a very good budget. | 0:05:07 | 0:05:10 | |
You want to live in Oxfordshire, buy a beautiful period property. | 0:05:10 | 0:05:13 | |
It's going to come at a price. Crude question - | 0:05:13 | 0:05:17 | |
-that's why Simon's going to ask it. -Oh, am I? Oh, thanks! Very good. OK. | 0:05:17 | 0:05:21 | |
-THEY LAUGH -How old are you both? | 0:05:21 | 0:05:23 | |
No. Um, what IS the budget? | 0:05:23 | 0:05:26 | |
-It's one and a half million, about. -About. | 0:05:26 | 0:05:28 | |
About? | 0:05:28 | 0:05:30 | |
What do you mean, "about"? | 0:05:30 | 0:05:33 | |
I think that we are... | 0:05:33 | 0:05:34 | |
We're after a certain type of property, | 0:05:34 | 0:05:38 | |
so we don't want to be too rigid about... | 0:05:38 | 0:05:41 | |
We don't necessarily need to spend up to that | 0:05:41 | 0:05:43 | |
if there's a property that comes in below that. | 0:05:43 | 0:05:46 | |
We're not trying to necessarily spend the money. | 0:05:46 | 0:05:49 | |
Absolutely. Fair enough. We've got our work cut out here, Jonnie. | 0:05:49 | 0:05:52 | |
It's a great budget, but we're looking for a lot of things | 0:05:52 | 0:05:55 | |
-within it. So we'd better get on. -Right. See you later! | 0:05:55 | 0:05:58 | |
We'll see you later. | 0:05:58 | 0:06:00 | |
-Right, then! A house with history. -Yeah, and on this budget, | 0:06:00 | 0:06:03 | |
-no pressure on us here today. -I think we've got to work together, | 0:06:03 | 0:06:07 | |
-at least for once. -Let's conduct ourselves properly. | 0:06:07 | 0:06:10 | |
How about this - you find us some excellent properties, | 0:06:10 | 0:06:12 | |
and I will find out everything I can about them. | 0:06:12 | 0:06:15 | |
That sounds like a fair allocation of duties. I'm up for that. | 0:06:15 | 0:06:19 | |
'And so to Oxford to investigate.' | 0:06:19 | 0:06:21 | |
It's how old? OK, I'll have a look at that. | 0:06:21 | 0:06:25 | |
Thanks. | 0:06:25 | 0:06:26 | |
Some of these are older than Simon! | 0:06:26 | 0:06:29 | |
Ah! The roof of one of our properties today | 0:06:30 | 0:06:33 | |
was used during the Second World War by the Home Guard | 0:06:33 | 0:06:36 | |
to spot incoming bombers during the Blitz. | 0:06:36 | 0:06:39 | |
Yeah. I need somewhere with loads of character. | 0:06:39 | 0:06:42 | |
Yeah. | 0:06:42 | 0:06:44 | |
Mmm! One house that's caught our eye was remodelled in the 1970s | 0:06:46 | 0:06:51 | |
by master builder Norman Collinson. | 0:06:51 | 0:06:53 | |
He used influences from the Mediterranean. | 0:06:53 | 0:06:55 | |
We've got one and a half million quid here, so we're expecting good things. | 0:06:55 | 0:06:59 | |
You think so? Well, excellent. Good. | 0:06:59 | 0:07:02 | |
Well, if Simon and Alison like history, how about this? | 0:07:04 | 0:07:07 | |
One of our choices today has a gateway | 0:07:07 | 0:07:09 | |
which is over 700 years old. | 0:07:09 | 0:07:12 | |
But what will 1.5 million buy you in other shires? | 0:07:13 | 0:07:16 | |
This beautifully presented five-bed detached family home | 0:07:16 | 0:07:20 | |
in Hertfordshire comes with a separate two-bed cottage - | 0:07:20 | 0:07:23 | |
perfect for visitors or working from home - | 0:07:23 | 0:07:26 | |
all nestled within 0.6 of an acre and on the market for 1.5 million. | 0:07:26 | 0:07:30 | |
How about this six-bed converted miller's house | 0:07:30 | 0:07:32 | |
on the banks of the River Bran in Perthshire? | 0:07:32 | 0:07:35 | |
With 4.5 acres, this place even has its own woodland - | 0:07:35 | 0:07:38 | |
again, one and a half big ones. | 0:07:38 | 0:07:40 | |
Well, this gorgeous country residence in Cheshire | 0:07:40 | 0:07:43 | |
also has acres of land - well, 11, to be precise, | 0:07:43 | 0:07:46 | |
but also included in your 1.5 million | 0:07:46 | 0:07:48 | |
are all the facilities an equestrian's heart desires. | 0:07:48 | 0:07:52 | |
-Mr O'Brien, my learned friend! -There you are. I was just pondering, | 0:07:52 | 0:07:56 | |
when you look for a property on this kind of budget, | 0:07:56 | 0:07:59 | |
it's how posh the brochures are. Look at them! | 0:07:59 | 0:08:02 | |
I'm going to keep that as a table mat. | 0:08:02 | 0:08:04 | |
They're gorgeous! They cost a fortune in themselves. | 0:08:04 | 0:08:07 | |
I'll get us going, shall I? Property 1 today - | 0:08:07 | 0:08:09 | |
Simon and Alison said they wanted history. How about a property | 0:08:09 | 0:08:13 | |
that has been touched by two wars - one which tore our country apart, | 0:08:13 | 0:08:17 | |
the other which tore the world apart. But the property itself | 0:08:17 | 0:08:20 | |
fits together beautifully. You will not beat it. | 0:08:20 | 0:08:23 | |
It'll be the high point, in more ways than one, of today's search. | 0:08:23 | 0:08:26 | |
It might be touched by history, but YOU'D be touched | 0:08:26 | 0:08:29 | |
if you think you can beat mine. Look! It's two different houses, almost. | 0:08:29 | 0:08:32 | |
Dating back to 1745, it's got loads of grounds. | 0:08:32 | 0:08:36 | |
The history inside the property just speaks volumes. | 0:08:36 | 0:08:39 | |
You are going to love it. You really are. | 0:08:39 | 0:08:41 | |
One word - staircase. That's all I'm saying. Staircase. | 0:08:41 | 0:08:45 | |
OK. Staircase! Right. That's got us on the right foot, has it? | 0:08:45 | 0:08:48 | |
The wild card today... Shall I tell 'em about the wild card? | 0:08:48 | 0:08:51 | |
-Don't tell them too much. -I won't tell you too much. | 0:08:51 | 0:08:54 | |
We will say this much. Simon and Alison asked for a particular period of property. | 0:08:54 | 0:08:58 | |
Well, a bit of this house is, but the other is another period, | 0:08:58 | 0:09:03 | |
which they didn't ask for, but that's why it's the wild card. | 0:09:03 | 0:09:06 | |
-But, tennis courts - we do give 'em that. -We certainly do. | 0:09:06 | 0:09:10 | |
-Shall we get going? -Let's get yours out the way and focus on mine. | 0:09:10 | 0:09:13 | |
HE LAUGHS Property 1! | 0:09:13 | 0:09:14 | |
Property 1 is my choice, and I really feel we'll be starting | 0:09:18 | 0:09:21 | |
-on a high note here. -Oh, here we go! | 0:09:21 | 0:09:24 | |
But I suppose you're right, as the roof of this property | 0:09:24 | 0:09:27 | |
is one of the highest points in Oxfordshire. | 0:09:27 | 0:09:29 | |
No wonder, then, the Home Guard used to station themselves up there. | 0:09:29 | 0:09:33 | |
Exactly. On a clear day, you can see five counties from said rooftop. | 0:09:33 | 0:09:36 | |
But will this seven-bedroom property hit the right note | 0:09:36 | 0:09:39 | |
with Alison and Simon? | 0:09:39 | 0:09:42 | |
Alison and Simon, property 1 today is my choice. | 0:09:42 | 0:09:45 | |
Now, they do say an Englishman's home is his castle. | 0:09:45 | 0:09:48 | |
How do you fancy a bit of a castle? | 0:09:48 | 0:09:50 | |
It's a beautifully crenellated tower house. | 0:09:50 | 0:09:53 | |
We're on the edge of Souldern, a lovely village. | 0:09:53 | 0:09:56 | |
Let's get the important things out of the way first. | 0:09:56 | 0:09:59 | |
The local pub is just a mile down the road. | 0:09:59 | 0:10:01 | |
You've got the church there. But enough of me waxing lyrical! | 0:10:01 | 0:10:04 | |
-What do you think about this place? -Well, pretty unique, I'd say! | 0:10:04 | 0:10:08 | |
Looks like it's got a lot of history to it. | 0:10:08 | 0:10:11 | |
It's... Well, it's steeped in history, is how I'd describe it. | 0:10:11 | 0:10:15 | |
It's two different eras. | 0:10:15 | 0:10:17 | |
The majority's 17th century. There is a Victorian extension, | 0:10:17 | 0:10:21 | |
but it flows so beautifully, doesn't it? | 0:10:21 | 0:10:24 | |
Now, if you want period, you're period a-go-go, as some might say. | 0:10:24 | 0:10:28 | |
-Do you like the look of it? -I do. -Absolutely. | 0:10:28 | 0:10:31 | |
There's a little bit of '50s up there | 0:10:31 | 0:10:33 | |
which we can just put some tiles on. | 0:10:33 | 0:10:36 | |
As if this property wasn't big enough, | 0:10:36 | 0:10:38 | |
they extend it upwards. What will you do with all these rooms? | 0:10:38 | 0:10:42 | |
-How big are some of those rooms? -There's only one way to find out - | 0:10:42 | 0:10:45 | |
to go and enjoy this place. You say you like walking. | 0:10:45 | 0:10:49 | |
I hope you like climbing. Got a lot of stairs. | 0:10:49 | 0:10:51 | |
But they are well worth the climb, I promise you. | 0:10:51 | 0:10:54 | |
-Well worn, I imagine. -Absolutely. We'll see you in a moment. | 0:10:54 | 0:10:58 | |
-We'll look forward to it. -Off you go. | 0:10:58 | 0:11:00 | |
-There you go! -This show is all going to be about the house. | 0:11:00 | 0:11:04 | |
The location's all well and good. It's all about the house. | 0:11:04 | 0:11:07 | |
But we won't know where they are, it's so big! Have you got a map? | 0:11:07 | 0:11:11 | |
-We need a map and some headphones. -Where are they? -That way. | 0:11:11 | 0:11:15 | |
OK. | 0:11:17 | 0:11:19 | |
Gosh! | 0:11:19 | 0:11:20 | |
There's the first lance up there. Oh, there's a flagpole. | 0:11:20 | 0:11:25 | |
-Dining room. -Lovely! -Good-size room. | 0:11:25 | 0:11:28 | |
-Nice double aspect to it. -Fit our dining table perfectly. | 0:11:28 | 0:11:32 | |
Yeah, perfect. Let's have a look at the view. | 0:11:32 | 0:11:34 | |
-That's nice, isn't it? -See the fountain? -Yeah. | 0:11:35 | 0:11:38 | |
Lovely! | 0:11:38 | 0:11:40 | |
-Oh, I love this room. -Wow! -This is my sort of room, this is. | 0:11:40 | 0:11:44 | |
Gosh! So this is obviously an older part of the house. | 0:11:44 | 0:11:48 | |
-Mmm. Reminds me of my granny. -It's a good size. | 0:11:48 | 0:11:50 | |
This is a great, cosy room. Aidan would love this. | 0:11:50 | 0:11:53 | |
-Mm-hm! -Cosy. | 0:11:53 | 0:11:55 | |
Look, there's a little... minstrel's gallery up there. | 0:11:55 | 0:11:59 | |
Uh-huh? Oh! | 0:11:59 | 0:12:01 | |
-That would be good for entertaining. -Someone can play. Yeah. | 0:12:01 | 0:12:06 | |
-You know they're into singing. -Yeah. -What room have you selected | 0:12:06 | 0:12:09 | |
-for their practice? -I think it could possibly be the formal dining room, | 0:12:09 | 0:12:13 | |
-with the nice high ceilings. -Outbuildings? Any potential there? | 0:12:13 | 0:12:17 | |
There are stables, but you should never sing in stables. | 0:12:17 | 0:12:20 | |
-It'll make you "horse". -Oh, goodness me! | 0:12:20 | 0:12:23 | |
And what... Oh, right! The kitchen. Oh, this is a good size. | 0:12:23 | 0:12:27 | |
Mm, very good size. Very nice. Again, cosy. | 0:12:27 | 0:12:30 | |
-Mm-hm. It's a good layout, as well. -Yeah, I know. This is nice, too. | 0:12:30 | 0:12:35 | |
Again, nice view out of the, er, the building. | 0:12:35 | 0:12:39 | |
Do you think this is the old part of the house? | 0:12:39 | 0:12:41 | |
Um, I think it must be. Look at this! | 0:12:41 | 0:12:43 | |
-We've got, er... -It doesn't feel Victorian, somehow. | 0:12:43 | 0:12:47 | |
Yeah. | 0:12:47 | 0:12:48 | |
-Oh, right! A sort of snug. -Yeah. -And it is. | 0:12:48 | 0:12:52 | |
-Very snug. -Yeah. | 0:12:52 | 0:12:54 | |
Again, the fire, which is keeping the place warm. | 0:12:54 | 0:12:58 | |
-It looks very comfy, doesn't it? -Yes. Yeah. | 0:12:58 | 0:13:01 | |
I could imagine Aidan doing computer games, DVDs, in here. | 0:13:01 | 0:13:04 | |
I don't think you should allow DVDs in this house. It's above DVDs. | 0:13:04 | 0:13:08 | |
You should have dramatic arts and games of charades, with an open fire burning. | 0:13:08 | 0:13:12 | |
Oh, it's a little study! Wow! | 0:13:12 | 0:13:15 | |
Oh, that's good. | 0:13:15 | 0:13:17 | |
-This is where you can do your music transcription. -Yes, yes. | 0:13:17 | 0:13:20 | |
You're not allowed in here, then. And there's a... See the...? | 0:13:20 | 0:13:25 | |
-Er, there's a horse. -Is it a horse? | 0:13:25 | 0:13:27 | |
I'm not sure. It looks a bit small. Its ears... It looks like a donkey! | 0:13:27 | 0:13:32 | |
THEY LAUGH | 0:13:32 | 0:13:34 | |
-Doesn't it? I don't know. -It's a horse, Simon. | 0:13:34 | 0:13:37 | |
Alison, maybe we should live in town. | 0:13:37 | 0:13:40 | |
You won't fit in if you can't tell the difference between a donkey and a horse. | 0:13:40 | 0:13:44 | |
-You need to crib up on your equines. -These townies! | 0:13:44 | 0:13:48 | |
Lots of, er... From a bygone era. | 0:13:48 | 0:13:52 | |
We should be in a battle. | 0:13:52 | 0:13:55 | |
-Very nice bathroom. -Yeah. | 0:13:55 | 0:14:00 | |
Feminine. | 0:14:00 | 0:14:02 | |
Yeah. It's not my taste. | 0:14:02 | 0:14:04 | |
I think we'd probably refurbish this. | 0:14:04 | 0:14:07 | |
-You mean redecorate. -Redecorate. Sorry, yes. | 0:14:07 | 0:14:11 | |
-Well, I'm happy with it. -Are you? Yes. | 0:14:11 | 0:14:13 | |
Ah! This is one bedroom. Very nice and bright. | 0:14:13 | 0:14:17 | |
Again, south-facing and looking on the garden. Very nice. | 0:14:17 | 0:14:20 | |
I'm not going to make any predictions | 0:14:20 | 0:14:22 | |
about what's the master bedroom, but this is quite a cosy bedroom. | 0:14:22 | 0:14:26 | |
-Through here. -Watch your head! -Oh, yeah. | 0:14:26 | 0:14:29 | |
And even further down. Another bathroom. | 0:14:29 | 0:14:32 | |
-I think this is a kids' bathroom. -Yeah. That's good. | 0:14:32 | 0:14:35 | |
Two bathrooms. That's a lot, with one bedroom. | 0:14:35 | 0:14:38 | |
-Here's that minstrel's gallery. -Right. | 0:14:38 | 0:14:41 | |
Are you thinking what was there before? I guess a staircase. | 0:14:41 | 0:14:45 | |
I think it must be. That was the front door | 0:14:45 | 0:14:47 | |
before they had the old building - the new building. | 0:14:47 | 0:14:50 | |
Yeah. So that would have come directly up into here, | 0:14:50 | 0:14:53 | |
-which looks like a... -Wow! | 0:14:53 | 0:14:55 | |
-Very nice. This is a nice-size room. -This is very elegant. | 0:14:56 | 0:15:00 | |
-They're modest-sized rooms. -It's a good size, though. | 0:15:00 | 0:15:03 | |
Ah, nice bathroom! Big bathroom. Mmm. | 0:15:03 | 0:15:06 | |
-Ah, very nice! -How many... Oh, right! This is another bedroom. | 0:15:08 | 0:15:11 | |
-Yes. How many... -We've got three bedrooms and three bathrooms. | 0:15:11 | 0:15:15 | |
And this looks like... would you say the main bedroom? | 0:15:15 | 0:15:19 | |
It's a good-sized bedroom. Absolutely. | 0:15:19 | 0:15:22 | |
Just to get the proportions of this place in your head, | 0:15:22 | 0:15:25 | |
that looks like a standard double bed. It's not, is it? | 0:15:25 | 0:15:29 | |
No. It's massive, that bed. It's about the size of Milton Keynes. | 0:15:29 | 0:15:32 | |
It is at least six foot, two metres, across. | 0:15:32 | 0:15:36 | |
-Gosh! -This is where the children should be, maybe. | 0:15:36 | 0:15:39 | |
Oh, that's to go up to the...roof terrace. | 0:15:39 | 0:15:44 | |
-Right. -Fantastic. -All right! | 0:15:44 | 0:15:46 | |
-Wow! -Oh, right! -Here's the artist's studio. | 0:15:46 | 0:15:49 | |
Oh, look! And it's a blank canvas, as well, | 0:15:49 | 0:15:51 | |
so we can do whatever we want with it. | 0:15:51 | 0:15:54 | |
-This is beautiful, isn't it? -We've come to the top of the house. | 0:15:54 | 0:15:58 | |
How on earth are we going to guess how much it's worth? | 0:15:58 | 0:16:01 | |
I know, because it's a very unique property, isn't it? | 0:16:01 | 0:16:04 | |
-No. Just "unique". -Oh, not even "very"... | 0:16:04 | 0:16:06 | |
It's just unique. | 0:16:06 | 0:16:08 | |
-There you are! Do come and join us. -Found you! | 0:16:10 | 0:16:13 | |
Yes, indeed! | 0:16:13 | 0:16:15 | |
Before we start talking about the outside space, | 0:16:15 | 0:16:18 | |
shall we refer to it at the moment, | 0:16:18 | 0:16:21 | |
the house! Kind of got mixed signals there. | 0:16:21 | 0:16:24 | |
Yes. Well, we very much liked some of the rooms. | 0:16:24 | 0:16:28 | |
The living room and dining room were lovely. The kitchen was great. | 0:16:28 | 0:16:31 | |
And, um, I think the bedrooms were possibly... | 0:16:31 | 0:16:35 | |
There weren't any really large ones, which we like sometimes. | 0:16:35 | 0:16:39 | |
Having said that, the master bedroom, the bed in there | 0:16:39 | 0:16:42 | |
was more or less the size of Oxford. | 0:16:42 | 0:16:44 | |
We could get the whole family in that. We don't need the rest. | 0:16:44 | 0:16:48 | |
So, if you put an ordinary bed in there, | 0:16:48 | 0:16:50 | |
-that's a very big master bedroom. -Yes, and fabulous views. | 0:16:50 | 0:16:54 | |
Right. That's enough about the property. | 0:16:54 | 0:16:57 | |
-Any other questions? -We're wondering about the land. | 0:16:57 | 0:17:00 | |
Obviously it's got a very nice, well looked-after garden. | 0:17:00 | 0:17:04 | |
-Yeah. -But I think we're standing on some more land. | 0:17:04 | 0:17:07 | |
You've got just under six acres. | 0:17:07 | 0:17:10 | |
That Lipizzaner stallion doesn't come with the property. It's not a donkey, either. | 0:17:10 | 0:17:14 | |
-THEY LAUGH -Don't start! | 0:17:14 | 0:17:16 | |
But you said you didn't want lots of land. | 0:17:16 | 0:17:19 | |
I certainly wouldn't recommend selling it off, | 0:17:19 | 0:17:22 | |
because if you ever came to sell, it would be of interest | 0:17:22 | 0:17:25 | |
to equestrian-type people anyway. | 0:17:25 | 0:17:27 | |
But you've got neighbours here who have expressed interest | 0:17:27 | 0:17:31 | |
-in renting land off you. -Right. -So you've got an end user. | 0:17:31 | 0:17:34 | |
Right! So, with all that information... | 0:17:34 | 0:17:37 | |
It's a very important time of the show, | 0:17:37 | 0:17:39 | |
because it's all on you now. It's guess-the-price time. | 0:17:39 | 0:17:43 | |
Simon, you crossed your arms. You worried? | 0:17:43 | 0:17:46 | |
No, I'm not worried. Obviously, as you say, it's a unique property. | 0:17:46 | 0:17:50 | |
Um, I'm guessing... | 0:17:50 | 0:17:53 | |
-something like 1.1 million, 1.2. -Final answer, Simon? | 0:17:53 | 0:17:59 | |
Yeah. 1,250? | 0:17:59 | 0:18:02 | |
-It's going up! Quick, stop! -1.1,250, I think. | 0:18:02 | 0:18:05 | |
-OK. -I'd go rather higher than that. | 0:18:05 | 0:18:08 | |
I'd say about, er... | 0:18:08 | 0:18:10 | |
-1.35? -OK! | 0:18:10 | 0:18:12 | |
Well, | 0:18:12 | 0:18:14 | |
I think, Alison, you've been a bit foxed by the land and everything. | 0:18:14 | 0:18:19 | |
You, however, sir, are very good at this. | 0:18:19 | 0:18:21 | |
Yes? | 0:18:21 | 0:18:23 | |
It's actually on the market, this gorgeous tower, | 0:18:23 | 0:18:26 | |
highest point in Oxfordshire, all this land - £1.1 million. | 0:18:26 | 0:18:31 | |
THEY ALL CHATTER AND LAUGH | 0:18:31 | 0:18:34 | |
You just didn't look too happy about that. | 0:18:34 | 0:18:37 | |
-That's my poker face. -So we could build the extension | 0:18:37 | 0:18:40 | |
-for the concert venue. -Exactly. | 0:18:40 | 0:18:42 | |
Concert venue?! This has changed a bit. What's going on here? | 0:18:42 | 0:18:45 | |
You did mention an auditorium at some point. | 0:18:45 | 0:18:48 | |
But maybe there's a project somewhere else we haven't seen yet. | 0:18:48 | 0:18:52 | |
-That could be property 2. Follow me! -Come on. | 0:18:52 | 0:18:55 | |
Property 2 is my choice. | 0:18:58 | 0:19:01 | |
This six-bedroom house is believed to have been built | 0:19:01 | 0:19:03 | |
for the owner of Kencot Manor during the 18th century, | 0:19:03 | 0:19:06 | |
and I suspect many of these features are original. | 0:19:06 | 0:19:09 | |
I can imagine great artistic minds of the time getting inspiration | 0:19:09 | 0:19:14 | |
-from this house and grounds. -Check you out! Steady on! | 0:19:14 | 0:19:17 | |
It's just the effect this place has on me, dear boy. | 0:19:17 | 0:19:20 | |
Let's hope my property also inspires Alison and Simon's creative minds. | 0:19:20 | 0:19:24 | |
Now, then - property number 2, quite a different affair. | 0:19:24 | 0:19:27 | |
We haven't got turrets. We've got the need for a lot of imagination, | 0:19:27 | 0:19:32 | |
but we have something of ridiculous beauty inside, I think. | 0:19:32 | 0:19:37 | |
-What do you think of the outside? -Very lovely. -I'm pretty impressed. | 0:19:37 | 0:19:41 | |
-Gorgeous. -What an amazing entrance! Walled garden... | 0:19:41 | 0:19:44 | |
-You feel very grand, don't you? -Look at the lawns! | 0:19:44 | 0:19:47 | |
And this is the back entrance, you know. | 0:19:47 | 0:19:50 | |
-The front entrance is absolutely beautiful... -Wow! | 0:19:50 | 0:19:54 | |
-..out on the road there. -It's fantastic. | 0:19:54 | 0:19:56 | |
Now, what is available you can see pretty much, | 0:19:56 | 0:19:59 | |
with the exception of the land. The main house is there, obviously, | 0:19:59 | 0:20:02 | |
but you've also got these amazing outbuildings. | 0:20:02 | 0:20:05 | |
-The house itself dates back to 1745. -Wow! -You wanted history. | 0:20:05 | 0:20:09 | |
It's taken on many guises. We've heard that some of the house | 0:20:09 | 0:20:13 | |
used to maybe be part of a monastery. | 0:20:13 | 0:20:16 | |
Perhaps even the monks lived in that building there. | 0:20:16 | 0:20:19 | |
There's a clock. There's a still a bell and a cord attached to the bell. | 0:20:19 | 0:20:24 | |
I mean, if that doesn't say "choristers" to you, | 0:20:24 | 0:20:29 | |
I don't know if anything will. I mean, that is there for you. | 0:20:29 | 0:20:32 | |
If you buy that, you also get an amazing house for free. | 0:20:32 | 0:20:36 | |
There's so many rooms in that house. What do you think of how it looks? | 0:20:36 | 0:20:40 | |
-Beautiful. Lovely. Absolutely super. -When you go into this house, | 0:20:40 | 0:20:44 | |
when you go inside, there's so many things to be impressed by. | 0:20:44 | 0:20:48 | |
There's also quite a lot to be daunted by. | 0:20:48 | 0:20:50 | |
This hasn't been lived in for quite some time. | 0:20:50 | 0:20:53 | |
You said you like original features. You are in for a treat. | 0:20:53 | 0:20:57 | |
-Fantastic! -You truly, truly are. -I can't wait! | 0:20:57 | 0:21:00 | |
That is exactly what I was like. | 0:21:00 | 0:21:03 | |
When you walk through this door, | 0:21:03 | 0:21:05 | |
you'll know why we wanted to show you this property. | 0:21:05 | 0:21:08 | |
I'll need some sales particulars. I'm going to lose you in there. | 0:21:08 | 0:21:12 | |
Go for it and tell us what you think. | 0:21:12 | 0:21:14 | |
The way in is down this path here, then if you turn left | 0:21:14 | 0:21:17 | |
and go through the 13th-century gateway... | 0:21:17 | 0:21:20 | |
-Right. -..the original part, and then you're away. | 0:21:20 | 0:21:23 | |
-In you go. -Marvellous. Thank you. | 0:21:23 | 0:21:25 | |
Shall we get lost this...this...this way? | 0:21:25 | 0:21:28 | |
You can get lost any way. I'm going this way. | 0:21:28 | 0:21:30 | |
Push. | 0:21:37 | 0:21:39 | |
Oh, yes. Oh, wow! | 0:21:39 | 0:21:42 | |
-Right! This is such a vivid colour! -Stone floor. | 0:21:42 | 0:21:45 | |
Look at that fireplace, Simon. | 0:21:45 | 0:21:49 | |
-Heavens! -Very nice. -Yeah, it's a good size. | 0:21:49 | 0:21:51 | |
This is vivid! | 0:21:53 | 0:21:55 | |
Gosh! Living room. Again, nice fireplace. | 0:21:55 | 0:21:58 | |
That's a gas fireplace. | 0:21:58 | 0:22:01 | |
-That's where the children come in and out. -Yeah. | 0:22:01 | 0:22:04 | |
We'd probably just put them in the cupboard and leave them there. | 0:22:04 | 0:22:07 | |
Mmm. Um, what do you think this room was? I'm not very - | 0:22:07 | 0:22:12 | |
-A sort of snug, probably? -Look at these door handles | 0:22:12 | 0:22:16 | |
-and this brass work. -A curved door! Look at that! | 0:22:16 | 0:22:20 | |
Goodness! | 0:22:20 | 0:22:22 | |
-Wow! -My goodness! -Look at that! | 0:22:23 | 0:22:26 | |
That is quite impressive. | 0:22:26 | 0:22:28 | |
-See these features here? -Gosh! | 0:22:28 | 0:22:30 | |
I've never seen a house with a staircase like this | 0:22:30 | 0:22:33 | |
in the middle of it before. The hall curved, again. | 0:22:33 | 0:22:36 | |
-All these curves. -Right! | 0:22:36 | 0:22:39 | |
It is an amazing staircase. I could just see you... | 0:22:39 | 0:22:42 | |
I'm waiting for you at the bottom, to take you out, | 0:22:42 | 0:22:45 | |
-and there you are with your flowing ball gown, gorgeous and radiant. -Eh? | 0:22:45 | 0:22:49 | |
Lovely! | 0:22:49 | 0:22:51 | |
-Marble fireplace. Wonderful! -This is a very good - | 0:22:51 | 0:22:55 | |
This could be a dining room, a music room. | 0:22:55 | 0:22:57 | |
-It could be a music room, definitely. -Sitting room... | 0:22:57 | 0:23:00 | |
I suppose it depends what else is in the house. | 0:23:00 | 0:23:03 | |
-Yes. -It looks like there's lots. | 0:23:03 | 0:23:05 | |
Whoa, look at this! | 0:23:05 | 0:23:07 | |
-Great big room. -Another major room! -Fantastic. | 0:23:07 | 0:23:11 | |
Another very nice fireplace. | 0:23:12 | 0:23:14 | |
Yeah. Probably not original. | 0:23:14 | 0:23:18 | |
-So, not original. -Very, very nice. | 0:23:18 | 0:23:20 | |
If you thought that was the dining room, what about this? | 0:23:20 | 0:23:23 | |
This would be a living room. | 0:23:23 | 0:23:26 | |
-Yep. -A living room with a conservatory. | 0:23:26 | 0:23:29 | |
Yeah. | 0:23:29 | 0:23:30 | |
That's the summer entertaining room, | 0:23:30 | 0:23:33 | |
-because it opens out onto the conservatory. -Oh, I like it! Yeah! | 0:23:33 | 0:23:37 | |
What sort of entertaining? Tap-dancing? | 0:23:37 | 0:23:39 | |
-HE LAUGHS -No, no, no. Maybe a bit of salsa. | 0:23:39 | 0:23:43 | |
Ah, here's the kitchen. Right. | 0:23:43 | 0:23:46 | |
-This is a good size. -Good size, yes. | 0:23:46 | 0:23:48 | |
-Yeah. -Could do with a few more units, I would think. | 0:23:48 | 0:23:52 | |
-Yeah. -There's some wall space not used. | 0:23:52 | 0:23:55 | |
And that's the front of the property there, isn't it, I believe. | 0:23:55 | 0:23:59 | |
-I mean the real front of it. -I think so. -Out onto the road. | 0:23:59 | 0:24:02 | |
-What's here? Ah! It's the blue room. -Oh, I see! | 0:24:02 | 0:24:06 | |
Ah! Right. OK, then. So that would be the dining room. | 0:24:06 | 0:24:10 | |
-I think that's the main road. -But I think we've been in here. | 0:24:10 | 0:24:14 | |
We have! Oh, right. Here's the loo. | 0:24:14 | 0:24:16 | |
There's a bathroom in there, | 0:24:18 | 0:24:20 | |
and... | 0:24:20 | 0:24:22 | |
-..another bathroom. -Oh, right! | 0:24:24 | 0:24:26 | |
-And then another bathroom. -Hold on. It's all one bathroom. | 0:24:26 | 0:24:29 | |
-There are two... -Oh, I see. Right. -..into the same bathroom. | 0:24:29 | 0:24:34 | |
-Well, we could maybe rearrange that. -There must have been a wall there. | 0:24:34 | 0:24:38 | |
-We've got two bathrooms right next door to each other here. -Yeah. | 0:24:38 | 0:24:42 | |
His... Hers. | 0:24:42 | 0:24:44 | |
Although, because they're in the choir, perhaps it's hymn and her. | 0:24:44 | 0:24:48 | |
-Here's the single bedroom. -Ooh! -Although it could be a double. | 0:24:50 | 0:24:54 | |
Yeah. Well, it's not my decor. | 0:24:54 | 0:24:57 | |
No, but that again is going to be changed. | 0:24:57 | 0:25:00 | |
Gosh... | 0:25:00 | 0:25:02 | |
-Right. -This is actually... Not sure about the carpet. | 0:25:02 | 0:25:05 | |
Well, I think we've now gone through the spectrum of colours. | 0:25:05 | 0:25:09 | |
Yes. Purple. We haven't had purple yet. | 0:25:09 | 0:25:11 | |
Sort of. We've had mauve, haven't we? | 0:25:11 | 0:25:14 | |
-Oh! -Oh, wow. -En suite! | 0:25:14 | 0:25:17 | |
En-suite bathroom. Yeah. | 0:25:17 | 0:25:19 | |
-We'd probably just take this out, wouldn't we? -No! | 0:25:19 | 0:25:22 | |
We'd just make it a nicer bath, maybe a corner bath. | 0:25:22 | 0:25:26 | |
Although in terms of the light in the room, you wouldn't need - | 0:25:26 | 0:25:29 | |
Just put a screen here, a Chinese screen. | 0:25:29 | 0:25:32 | |
You could just put the wall back, couldn't you? | 0:25:32 | 0:25:35 | |
I would say just a Chinese screen, | 0:25:35 | 0:25:37 | |
something like you had in your hotel room in Brazil. | 0:25:37 | 0:25:40 | |
Let's not go into that. | 0:25:40 | 0:25:42 | |
It's very, um... It's a very public en suite, isn't it? | 0:25:43 | 0:25:47 | |
-It is indeed! -"Pass the soap, dear." "I'm sleeping!" | 0:25:47 | 0:25:51 | |
-Yeah, it's... -My goodness! | 0:25:51 | 0:25:53 | |
-Wow! -More curves! Wow! -Hey, look at this! | 0:25:53 | 0:25:55 | |
I mean, again, it's all a bit sort of dilapidated, | 0:25:55 | 0:25:59 | |
-but it's a great room. -Fabulous room. | 0:25:59 | 0:26:02 | |
-Good size, and all these curves! -Look at that. -Yeah! | 0:26:02 | 0:26:06 | |
-It's regal, almost. -Quite. Amazing. | 0:26:06 | 0:26:08 | |
The architect of this place was on something, I think. | 0:26:08 | 0:26:12 | |
THEY LAUGH | 0:26:12 | 0:26:13 | |
I was worried we might never see you again. | 0:26:16 | 0:26:19 | |
It's easier to find you in the garden than the house. | 0:26:19 | 0:26:22 | |
-And it's a big garden, as well. -It's like a labyrinth in there, | 0:26:22 | 0:26:25 | |
-lots of little corridors and curves. -A very elegant labyrinth. | 0:26:25 | 0:26:29 | |
"Elegance" is exactly the right word for this place, Jonnie. | 0:26:29 | 0:26:32 | |
-Eloquently put! -It's extraordinary. -It has great potential. | 0:26:32 | 0:26:37 | |
Well, I'm glad you said the P-word. THEY LAUGH | 0:26:37 | 0:26:39 | |
-I described it as a project, and - -It's a few. | 0:26:39 | 0:26:44 | |
It's quite a few projects. But what you've got here is... | 0:26:44 | 0:26:47 | |
This is, maybe, a slice of... almost aristocracy living, isn't it? | 0:26:47 | 0:26:53 | |
You've got no less than eight acres, a paddock at the back there, | 0:26:53 | 0:26:56 | |
-a stream I've yet to find, a pond... -Wow! | 0:26:56 | 0:26:59 | |
There's an amazing, a truly amazing, kitchen walled garden | 0:26:59 | 0:27:03 | |
-behind that yew hedge. -Fantastic! | 0:27:03 | 0:27:06 | |
And, just over the road, there is also your own copse. | 0:27:06 | 0:27:09 | |
Have your own two acres of woodland! Why not? | 0:27:09 | 0:27:12 | |
-That's just thrown in! -He's provided that for you. | 0:27:12 | 0:27:15 | |
-That's just a special present from Simon. -All these extras! | 0:27:15 | 0:27:19 | |
So, there's so much here. | 0:27:19 | 0:27:21 | |
-Are you daunted? -Yes. | 0:27:21 | 0:27:23 | |
That's going to cost quite a bit to do up. | 0:27:23 | 0:27:25 | |
-What do you think? -Absolutely. -I'm not exactly daunted, actually. | 0:27:25 | 0:27:29 | |
-I think that it's manageable. -Let's bring the family into this. | 0:27:29 | 0:27:33 | |
No matter where they go to university and end up living with work, | 0:27:33 | 0:27:37 | |
-they're going to want to come back here. What an amazing place! -It is. | 0:27:37 | 0:27:41 | |
-And this says "tennis court" all day long, doesn't it? -Yeah. | 0:27:41 | 0:27:45 | |
-And croquet. -And... Ooh! -I do like a game of croquet. | 0:27:45 | 0:27:49 | |
I will pop down and play a game of croquet if you go for this. | 0:27:49 | 0:27:52 | |
But are you going to go for this place? | 0:27:52 | 0:27:55 | |
Because, after all, everything comes down to... | 0:27:55 | 0:27:57 | |
-Bottom line. It's one-nil at the moment to you, Simon. -Yes. | 0:27:57 | 0:28:03 | |
-You were very good on the last one. -Thank you. | 0:28:03 | 0:28:06 | |
Come on, Alison. Let's start feeling our feet now. | 0:28:06 | 0:28:08 | |
Your budget, £1.5 million. | 0:28:08 | 0:28:10 | |
How much for a beautiful piece of Regency architecture? | 0:28:10 | 0:28:16 | |
OK. Well, as we've said, there's a lot of work to do, a lot to spend, | 0:28:16 | 0:28:19 | |
so I'll go for 1.25. | 0:28:19 | 0:28:23 | |
-1.25? -Right. | 0:28:23 | 0:28:25 | |
Simon? | 0:28:25 | 0:28:27 | |
Well, I think I would say about 1.3. | 0:28:27 | 0:28:31 | |
He's pretty good, isn't he? He's pretty good! | 0:28:32 | 0:28:35 | |
You win. You're closest. Well done, Simon. | 0:28:35 | 0:28:39 | |
It's on the market for £1.4 million. I've spoken to the agents, | 0:28:39 | 0:28:44 | |
and they've said there is some room to make an offer. | 0:28:44 | 0:28:47 | |
-Mm-hm. -Enough to think about there, with two properties, | 0:28:47 | 0:28:51 | |
but what are we going to give you for £1.5 million for a wild card? | 0:28:51 | 0:28:55 | |
-Shall we go and find out? -I'm looking forward to it. | 0:28:55 | 0:28:58 | |
-Come on! -Let's go. | 0:28:58 | 0:28:59 | |
The wild card - and, like all good musical performances, | 0:29:02 | 0:29:06 | |
-this house has two halves. -Indeed it has. | 0:29:06 | 0:29:08 | |
There's a Victorian base to this six-bedroom property, | 0:29:08 | 0:29:11 | |
then there's an ensemble of 1970s colour. | 0:29:11 | 0:29:14 | |
Intriguing! Although it might seem as though we're in a housing estate, | 0:29:14 | 0:29:18 | |
there's much more to this place than meets the eye. | 0:29:18 | 0:29:21 | |
This is a big-budget wild card, but truly has many hidden gems. | 0:29:21 | 0:29:25 | |
Our wild card today... Now, what shall we tell you about it? | 0:29:26 | 0:29:29 | |
-Jonnie, not much, I don't think. -What was the one period of property you wanted? | 0:29:29 | 0:29:33 | |
-Um... -Victorian? -Victorian! | 0:29:33 | 0:29:36 | |
-Well, there you go! It's a Victorian property. -Mostly. | 0:29:36 | 0:29:40 | |
-Right. -Don't say any more! Don't say any more! | 0:29:40 | 0:29:43 | |
-First impressions? -Looks nice. -A lot of it looks like it's hidden. | 0:29:43 | 0:29:47 | |
And you are right. | 0:29:47 | 0:29:50 | |
It is the most secluded of all the properties to date. | 0:29:50 | 0:29:53 | |
-That's what you'll find there. -It's so secluded, | 0:29:53 | 0:29:55 | |
I've heard that David Beckham's looking at it. | 0:29:55 | 0:29:58 | |
-THEY LAUGH -So what else are we thinking? | 0:29:58 | 0:30:00 | |
Why would this be the wild card, then? | 0:30:00 | 0:30:03 | |
I must say, we're a bit foxed on that one. | 0:30:04 | 0:30:06 | |
-Are you? -Good. -There's only one way to find out, | 0:30:06 | 0:30:09 | |
and that's by having a good look around, hopefully aghast | 0:30:09 | 0:30:12 | |
-at how amazing it is. Or otherwise! -Get in there and enjoy. | 0:30:12 | 0:30:16 | |
-Yes, it is intriguing. -What's going to be more intriguing | 0:30:16 | 0:30:19 | |
-is keeping track of where they are. -It's another labyrinth, isn't it? | 0:30:19 | 0:30:23 | |
-Got a plan? -Yeah. Come on. | 0:30:23 | 0:30:24 | |
Ooh! Nice. | 0:30:30 | 0:30:32 | |
Shall we start off in here? | 0:30:32 | 0:30:34 | |
Yeah. Let's do that. | 0:30:34 | 0:30:36 | |
So, this is the office. | 0:30:36 | 0:30:38 | |
-At the moment. -Ah, right! Very nice floor. | 0:30:38 | 0:30:43 | |
-Look at that. -Oh, yes! | 0:30:43 | 0:30:45 | |
-Marble-tiled floor. -Oh, gosh, this is rather nice. | 0:30:45 | 0:30:48 | |
Very nice! All the cornicing here still. | 0:30:48 | 0:30:50 | |
Very large. What do you think we could have here? | 0:30:50 | 0:30:54 | |
-Piano? -The grand piano, yeah? | 0:30:54 | 0:30:56 | |
Now... | 0:30:57 | 0:30:59 | |
Look at the, er, nice garden. | 0:30:59 | 0:31:01 | |
Yeah! That's, um, quite a lot of lawn there. | 0:31:01 | 0:31:04 | |
Very nice. Ooh, is that a tennis court at the end? Gosh! | 0:31:04 | 0:31:08 | |
I'm sure that's not a Victorian window over there. | 0:31:08 | 0:31:11 | |
-No. -HE LAUGHS | 0:31:11 | 0:31:13 | |
-Right, so... Yes. -Lots of windows been put in. | 0:31:13 | 0:31:16 | |
-Yeah. A big room, isn't it? -It's lovely. Yeah, very nice. | 0:31:16 | 0:31:20 | |
You could have two different areas here. | 0:31:20 | 0:31:22 | |
-Good place for singing. -Yeah. Yep. | 0:31:22 | 0:31:25 | |
I mean, I like the column, | 0:31:25 | 0:31:28 | |
but I'm not terribly sure about whether... | 0:31:28 | 0:31:30 | |
I mean, maybe it has to stay, or something has to be there, | 0:31:30 | 0:31:33 | |
-just to keep that beam up. -Shall we see if the piano's in tune? | 0:31:33 | 0:31:37 | |
-It might be locked. -No. | 0:31:37 | 0:31:40 | |
-Baby grand. Very baby grand. -Oh, there's something on the... | 0:31:40 | 0:31:44 | |
-SHE PLAYS MELODY Whoa! -Oh, this is music to my ears. | 0:31:44 | 0:31:48 | |
-SHE PLAYS TINNY NOTES -Blimey! Honky-tonk! -Oh, dear me. | 0:31:48 | 0:31:51 | |
Has Les Dawson turned up? | 0:31:54 | 0:31:56 | |
Have you been watching some Harry Lime film or something? | 0:31:56 | 0:31:59 | |
-That's Bali Ha'i. -Oh, is it Bali Ha'i? Oh, sorry! | 0:31:59 | 0:32:02 | |
-Um, from Carousel? No? -No. | 0:32:02 | 0:32:05 | |
-South Pacific. -Oh, South Pacific. I knew it was one of the two. | 0:32:05 | 0:32:09 | |
-I knew that was Bali Ha'i. It was on the tip of my tongue. -I thought it was Ballykissangel. | 0:32:09 | 0:32:14 | |
-Oh, gosh! -HE LAUGHS | 0:32:14 | 0:32:16 | |
Now... | 0:32:16 | 0:32:17 | |
this is rather peculiar. | 0:32:17 | 0:32:19 | |
-Mm. -We've got, sort of, more columns. | 0:32:19 | 0:32:22 | |
More columns. Oh, yes. And a lovely view of the garden. | 0:32:22 | 0:32:26 | |
-And we've got a pond! -Oh, yes. And there are fish in it. | 0:32:26 | 0:32:30 | |
-Oh, yeah. -Ah, right! -Gosh. | 0:32:30 | 0:32:34 | |
Aha, the kitchen! | 0:32:34 | 0:32:36 | |
-Mm. Well... -HE LAUGHS | 0:32:36 | 0:32:38 | |
-What? -Well, again, it's - -It can be replaced. | 0:32:38 | 0:32:42 | |
Yes, yes. | 0:32:42 | 0:32:44 | |
And a wooden ceiling. It's very Swiss chalet. | 0:32:44 | 0:32:47 | |
It is, yes. | 0:32:47 | 0:32:49 | |
It's not what they wanted, but it could be. Could be, could be. | 0:32:49 | 0:32:52 | |
It could be, and they must bear in mind, | 0:32:52 | 0:32:55 | |
there is a certain quality of build here | 0:32:55 | 0:32:58 | |
that you didn't always get during the '70s. | 0:32:58 | 0:33:01 | |
Wow! | 0:33:01 | 0:33:03 | |
Lovely big bedroom! Oh, very nice. | 0:33:03 | 0:33:06 | |
I mean, forget the decor, but apart from that - | 0:33:06 | 0:33:09 | |
I can almost feel a shag-pile carpet here. | 0:33:09 | 0:33:12 | |
It's a lovely big bedroom. | 0:33:12 | 0:33:14 | |
Yes! Oh, this is great. | 0:33:14 | 0:33:17 | |
Could make two bedrooms out of this. | 0:33:17 | 0:33:19 | |
Oh, gosh! It's a dressing area. | 0:33:22 | 0:33:24 | |
-Cupboards? -So don't need to put your wardrobes there. | 0:33:24 | 0:33:29 | |
-Oh, look. That's a good size. -Good size, yeah. | 0:33:29 | 0:33:32 | |
Built-in wardrobes. Just need refashioning a bit. | 0:33:32 | 0:33:36 | |
I mean, again, the redecoration of these things | 0:33:36 | 0:33:40 | |
-is quite superficial, in a way. -Not trivial cost-wise. | 0:33:40 | 0:33:43 | |
No, no. That's right. | 0:33:43 | 0:33:45 | |
Thank you, Simon! That's exactly our point, isn't it? | 0:33:45 | 0:33:48 | |
OK, the decor might not be to everyone's taste. | 0:33:48 | 0:33:50 | |
The quality of the build, the quality of the remodelling, cannot be questioned. | 0:33:50 | 0:33:55 | |
-Another bathroom. -Yeah. | 0:33:55 | 0:33:57 | |
Good size again. | 0:33:57 | 0:33:58 | |
-Needs some, um... -Again, a little project. | 0:33:58 | 0:34:02 | |
Mm. Definitely need to count up those projects, I suppose. | 0:34:02 | 0:34:06 | |
Wow! Do you know something, Simon? When I was about 16, | 0:34:06 | 0:34:10 | |
this was the sort of colour scheme I chose for my bedroom. | 0:34:10 | 0:34:13 | |
Not all over the walls, but on the carpet. | 0:34:13 | 0:34:16 | |
-It's a nice little room! -In the eaves. | 0:34:16 | 0:34:18 | |
I can imagine Aidan in here. And a bathroom! | 0:34:18 | 0:34:21 | |
-He gets his own bathroom. -Which is very good. | 0:34:21 | 0:34:24 | |
No, I think this is ideal. | 0:34:24 | 0:34:25 | |
Oh, look what we've found! Before we talk about this space, | 0:34:29 | 0:34:33 | |
there's one thing we would like to point out to you | 0:34:33 | 0:34:36 | |
that we really enjoyed about that tour. What you spotted | 0:34:36 | 0:34:39 | |
-was the quality of the place. -Mm. -OK, the decor | 0:34:39 | 0:34:42 | |
-might need a touch of, um... -Updating. -Yes. | 0:34:42 | 0:34:46 | |
THEY LAUGH | 0:34:46 | 0:34:48 | |
But come on. Now let's get back to your original desires. | 0:34:48 | 0:34:52 | |
Alison, I believe you asked for a tennis court. | 0:34:52 | 0:34:55 | |
-I know! A tennis court. Fantastic! -Lo and behold... | 0:34:55 | 0:34:58 | |
You didn't ask for a sculpture garden. You've got one. | 0:34:58 | 0:35:01 | |
-Or a rose garden. -I never promised you the rose garden. | 0:35:01 | 0:35:05 | |
-Or some glasshouses. -Or three glasshouses. | 0:35:05 | 0:35:07 | |
-Swimming pool? Did we mention the swimming pool? -That would be nice. | 0:35:07 | 0:35:11 | |
And, all in all, | 0:35:11 | 0:35:13 | |
you've got 1.6 acres of gardens, just gardens. | 0:35:13 | 0:35:17 | |
-I mean, it's very private here. -Yes. | 0:35:17 | 0:35:19 | |
The style of the property, you could have very different kinds of parties! | 0:35:19 | 0:35:23 | |
-THEY LAUGH -He's been talking about Hugh Hefner. | 0:35:23 | 0:35:27 | |
-THEY LAUGH -Let's not go there. | 0:35:27 | 0:35:29 | |
Let's go to guess-the-price, shall we? | 0:35:29 | 0:35:31 | |
-Yes. Remind us of the score, Simon. -The score is, er... -Oh, don't. | 0:35:31 | 0:35:35 | |
-I'll remind Simon of the score. Two-nil to Simon. -Is it really? | 0:35:35 | 0:35:38 | |
But we've not been far away. These have been very different properties. | 0:35:38 | 0:35:42 | |
Now, who wants to go first for the last time? | 0:35:42 | 0:35:46 | |
-You're playing for pride, Alison. -But I'm not competitive. | 0:35:46 | 0:35:50 | |
-THEY LAUGH -Right, cos you're losing. | 0:35:50 | 0:35:52 | |
I bet you're more competitive at tennis. | 0:35:52 | 0:35:55 | |
Why don't you blaze a trail here, Simon? | 0:35:55 | 0:35:58 | |
How much is this house, with all of its grounds, on the market for? | 0:35:58 | 0:36:03 | |
Right. | 0:36:03 | 0:36:06 | |
About 1.5, | 0:36:06 | 0:36:08 | |
-I think. -1.5. | 0:36:08 | 0:36:10 | |
-Yeah. -OK. Alison? | 0:36:10 | 0:36:12 | |
I think... Obviously it needs a lot of updating. | 0:36:13 | 0:36:17 | |
But I would actually put it a bit higher, at 1.6. | 0:36:18 | 0:36:21 | |
You're rubbish! THEY LAUGH | 0:36:21 | 0:36:24 | |
Thanks so much! | 0:36:24 | 0:36:26 | |
THEY LAUGH | 0:36:26 | 0:36:28 | |
-It's three-nil to Simon. -I was just thinking, | 0:36:28 | 0:36:31 | |
when you went higher, I thought, "Oh, she's got this one." | 0:36:31 | 0:36:34 | |
You kind of started on the right lines. | 0:36:34 | 0:36:36 | |
You said it needs a bit of reworking, all that kind of stuff. | 0:36:36 | 0:36:40 | |
We wouldn't overspend for you. | 0:36:40 | 0:36:42 | |
It's actually on the market at this moment for 1.35. | 0:36:42 | 0:36:46 | |
-Is it really? -Oh, right. OK. -Amazing. | 0:36:46 | 0:36:48 | |
I just thought, sort of, the location, and... | 0:36:48 | 0:36:51 | |
I think you'll agree we've shown you three very different properties | 0:36:51 | 0:36:55 | |
-for your budget. -Absolutely. -Yeah! | 0:36:55 | 0:36:57 | |
A real big mix there. You've now got to decide which one | 0:36:57 | 0:37:00 | |
-you'd like to spend a bit more time in. -Right. | 0:37:00 | 0:37:03 | |
-Tricky decision, I'm sure. -Yeah. -Go and put your heads together, | 0:37:03 | 0:37:07 | |
-and we'll see you in a moment. -Right. | 0:37:07 | 0:37:09 | |
Normally in this part of the programme, we give you a reminder | 0:37:09 | 0:37:13 | |
of all three properties, but because they're so big, it could take time. | 0:37:13 | 0:37:17 | |
-So make yourselves comfy. -Here we go. | 0:37:17 | 0:37:19 | |
Will my property hit the right note? Castellation and countryside | 0:37:19 | 0:37:23 | |
for £1.1 million. | 0:37:23 | 0:37:25 | |
Or will my property strike a chord with our choristers? | 0:37:25 | 0:37:29 | |
Their very own slice of history for £1.4 million. | 0:37:29 | 0:37:34 | |
Or will it be the wild card that is called upon for an encore? | 0:37:34 | 0:37:37 | |
All this could be theirs to the tune of £1.35 million. | 0:37:37 | 0:37:41 | |
Surprise, surprise - you've chosen to test-drive the wild card! | 0:37:46 | 0:37:50 | |
-We have. -Yes. Yeah. | 0:37:50 | 0:37:52 | |
Tell us more. What was it about this place? | 0:37:52 | 0:37:54 | |
Well, that wonderful bedroom, which really blew me away. | 0:37:54 | 0:37:58 | |
Fantastic. This one has the space inside and out. | 0:37:58 | 0:38:02 | |
There are things we'd like to change here. | 0:38:02 | 0:38:04 | |
There's some features we need to bring to our own satisfaction. | 0:38:04 | 0:38:08 | |
Now, then - our eagle-eyed surveyor has given this place the onceover, | 0:38:08 | 0:38:13 | |
and he's come up with some interesting points. | 0:38:13 | 0:38:16 | |
It is not a legally binding survey, and if you proceed with any property | 0:38:16 | 0:38:20 | |
get all your surveys and searches done. You know that. | 0:38:20 | 0:38:23 | |
The old chestnut that often comes out is the flat roofs. | 0:38:23 | 0:38:27 | |
Not too many of them, but they have a finite life. | 0:38:27 | 0:38:29 | |
This place was converted in the 1960s. | 0:38:29 | 0:38:32 | |
They've got a bit of age to them. They'll need replacing fairly soon. | 0:38:32 | 0:38:36 | |
So you'd probably need to build that into any purchase price. | 0:38:36 | 0:38:39 | |
-Right. -A little bird tells me | 0:38:39 | 0:38:42 | |
you're not that struck with the eyelid dormers up there in the roof. | 0:38:42 | 0:38:47 | |
No. We'd like to try and recreate a bit of Victorian feel | 0:38:47 | 0:38:50 | |
-to the property. -OK. | 0:38:50 | 0:38:52 | |
So, a suggestion - while you're altering those, | 0:38:52 | 0:38:56 | |
you may want to replace all the other windows, as well. | 0:38:56 | 0:38:59 | |
They are getting towards the end of their life span, | 0:38:59 | 0:39:02 | |
and they're all single glazed, so while you're doing that, | 0:39:02 | 0:39:05 | |
get double-glazed units, nice wooden frames from a sustainable source, | 0:39:05 | 0:39:09 | |
-add some value to this property. -It's fantastically built. | 0:39:09 | 0:39:12 | |
The surveyor himself agreed with all of us. | 0:39:12 | 0:39:15 | |
We all noticed the workmanship there. It's been done very well. | 0:39:15 | 0:39:19 | |
The guy that did it was a master builder. | 0:39:19 | 0:39:21 | |
But all in all, a gorgeous, substantial property, | 0:39:21 | 0:39:24 | |
very private, very secluded, so make it your own. | 0:39:24 | 0:39:27 | |
-Go on. Enjoy! See you later. -We will. -We will do. | 0:39:27 | 0:39:30 | |
-See you. -Bye-bye. | 0:39:30 | 0:39:32 | |
What shall we do - the Italian garden? Swimming pool? | 0:39:32 | 0:39:34 | |
-Tennis? Tennis! -Tennis. -Tennis. | 0:39:34 | 0:39:37 | |
So now Simon and Alison's friend David has arrived, | 0:39:39 | 0:39:43 | |
our trio of choristers is complete. | 0:39:43 | 0:39:45 | |
And before a tour of the grounds, they feel a rehearsal coming on. | 0:39:45 | 0:39:49 | |
Enough of this chat! Let's allow the singing to do the talking. | 0:39:49 | 0:39:53 | |
Couldn't agree more. | 0:39:53 | 0:39:54 | |
THEY ALL SING | 0:39:54 | 0:39:56 | |
# When the embers leave | 0:39:56 | 0:39:58 | |
# When the embers leave to glow | 0:39:58 | 0:40:01 | |
-# And the owl cries -# Tu-whit tu-who, tu-whit tu-who | 0:40:01 | 0:40:05 | |
# Tu-whit tu-who, tu | 0:40:05 | 0:40:06 | |
# Tu-whit tu-whit tu-whit tu-who | 0:40:06 | 0:40:09 | |
# When crickets do sing | 0:40:09 | 0:40:10 | |
# And mice roam about | 0:40:10 | 0:40:13 | |
# When midnight bells ring | 0:40:13 | 0:40:15 | |
-# Ring-ring -# Ring-ring | 0:40:15 | 0:40:17 | |
-# Ring-ring -# Ring-ring | 0:40:17 | 0:40:19 | |
# To call the devout # | 0:40:19 | 0:40:23 | |
Now, then, Alison and Simon, we've heard singing. | 0:40:24 | 0:40:27 | |
-THEY LAUGH -Yes! | 0:40:27 | 0:40:29 | |
Is it a musical house? Is it a house that could be a home for you guys? | 0:40:29 | 0:40:33 | |
Yes. I think... This is a lovely room here, | 0:40:33 | 0:40:36 | |
and the hall is another great area, | 0:40:36 | 0:40:39 | |
and from a singing point of view, it's very pleasant. | 0:40:39 | 0:40:42 | |
-Garden fabulous - -The acoustics OK, are they? | 0:40:42 | 0:40:44 | |
I think they have been. Maybe you should judge that. | 0:40:44 | 0:40:48 | |
-THEY LAUGH -It sounded all right to us! | 0:40:48 | 0:40:50 | |
What about... There's so many bedrooms I've almost lost count. | 0:40:50 | 0:40:54 | |
-Did you choose a master bedroom? -I think Alison has. | 0:40:54 | 0:40:57 | |
Without question. The room above here is absolutely fabulous. | 0:40:57 | 0:41:00 | |
-That's top bedroom of the whole - -A walk-in wardrobe | 0:41:00 | 0:41:04 | |
-going into the en-suite bathroom. -Absolutely. | 0:41:04 | 0:41:07 | |
And the size of the room, the triple aspect - | 0:41:07 | 0:41:09 | |
just imagine the table and chairs, looking over the garden, | 0:41:09 | 0:41:13 | |
-reading the Sunday newspaper... -And the garden itself... | 0:41:13 | 0:41:17 | |
I think we really nailed it there, | 0:41:17 | 0:41:19 | |
because I did get the feeling with the other two properties, | 0:41:19 | 0:41:23 | |
there was almost too much land, if you can have such a thing. | 0:41:23 | 0:41:27 | |
Yes. I think this is manageable. | 0:41:27 | 0:41:29 | |
-Sounds like you've had a great time here. -Yes. | 0:41:29 | 0:41:32 | |
So we're leading into the big question. | 0:41:32 | 0:41:34 | |
-Simon, get stretched off. -OK, here we go. | 0:41:34 | 0:41:37 | |
-HE SINGS PART OF A SCALE -To buy or not to buy? | 0:41:37 | 0:41:40 | |
Our feeling at the moment is, this great house, great gardens, | 0:41:40 | 0:41:45 | |
but it's not quite our dream house. There's two different styles here, | 0:41:45 | 0:41:49 | |
but fantastic wild card. | 0:41:49 | 0:41:51 | |
I'm not sure whether we could live with that... | 0:41:51 | 0:41:54 | |
-two styles, the modern part of it, ourselves. -OK. | 0:41:54 | 0:41:57 | |
So it's not our dream house, but it's definitely on the list. | 0:41:57 | 0:42:01 | |
-So as of today... -Not to buy. -Not to buy. | 0:42:01 | 0:42:04 | |
A rational argument and an honest point, I think, there. | 0:42:04 | 0:42:07 | |
Yeah. This is, you know... | 0:42:07 | 0:42:10 | |
In anyone's bank, this is a huge chunk of money, | 0:42:10 | 0:42:13 | |
so I guess it has to be absolutely right. | 0:42:13 | 0:42:15 | |
-It does. -Yeah. | 0:42:15 | 0:42:17 | |
I wish you the very best of luck. Keep in touch. | 0:42:17 | 0:42:19 | |
You might have second thoughts about this place. | 0:42:19 | 0:42:22 | |
I need to go. I've got to get a mortgage and buy property number 2. | 0:42:22 | 0:42:26 | |
-See you later. -See you later. -Bye. -Thank you. | 0:42:26 | 0:42:29 | |
I tell you what, Simon - this place is special. | 0:42:31 | 0:42:34 | |
And one day, Jonnie, perhaps all this could be yours. | 0:42:34 | 0:42:37 | |
Actually, I'd prefer property 2. That was a bit more my bag. | 0:42:37 | 0:42:41 | |
You did mention that. But all truly aspirational homes. | 0:42:41 | 0:42:44 | |
It's another lifestyle, something else. | 0:42:44 | 0:42:46 | |
If you're aspiring to your next home... | 0:42:46 | 0:42:49 | |
No matter how big or small your budget, get in touch. | 0:42:49 | 0:42:51 | |
-We would love to help you. -See you then. | 0:42:51 | 0:42:53 | |
-Can you, er, lend me 1.4 million? -No! | 0:42:53 | 0:42:56 | |
Subtitles by Red Bee Media Ltd | 0:42:56 | 0:43:00 | |
E-mail [email protected] | 0:43:00 | 0:43:04 |