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Ah, the joys, Nikki, of this green and soggy land. | 0:00:00 | 0:00:04 | |
-Isn't it beautiful? -Yes, and somewhere out there, Ed, | 0:00:04 | 0:00:08 | |
in the wild, wet West Sussex countryside, are two homebuyers | 0:00:08 | 0:00:11 | |
hoping that we will find them the perfect property. | 0:00:11 | 0:00:15 | |
They want to move here for the countryside | 0:00:15 | 0:00:18 | |
and we're getting the moist version of countryside today. | 0:00:18 | 0:00:21 | |
-Yes, but that won't stop us. -No, it won't. -Because... -What? | 0:00:21 | 0:00:25 | |
-This is To Buy Or Not To Buy. -It is. Watch out for the... | 0:00:25 | 0:00:29 | |
-Oh, sorry. -Oh! -The puddle. -Ugh! | 0:00:29 | 0:00:32 | |
The Meridian Line runs right through this stone, | 0:00:40 | 0:00:44 | |
which is here in East Grinstead. | 0:00:44 | 0:00:45 | |
Nikki, over here, is straddling a certain hemisphere | 0:00:45 | 0:00:50 | |
and I over here am straddling a completely different hemisphere. | 0:00:50 | 0:00:53 | |
Actually, you are an East End boy today | 0:00:53 | 0:00:56 | |
and I'm a West End girl, or eastern, western hemisphere. | 0:00:56 | 0:00:58 | |
You don't see that very often. "Pease touch." | 0:00:58 | 0:01:02 | |
They're a friendly bunch, these folk, | 0:01:02 | 0:01:04 | |
which why our house hunters want to live here. Have a rub of their stone. | 0:01:04 | 0:01:08 | |
Coming up on To Buy Or Not To Buy, have we fallen at the first hurdle? | 0:01:08 | 0:01:13 | |
It's not the country living that you had in mind, is it? | 0:01:13 | 0:01:15 | |
-No. -No. -No. | 0:01:15 | 0:01:18 | |
'Things get a little heated outside a property.' | 0:01:18 | 0:01:21 | |
I'm beginning to feel that I might be a little bit annoyed with you two. | 0:01:21 | 0:01:26 | |
'But is there a silver lining?' | 0:01:26 | 0:01:28 | |
-I like it. I really like it. -OK. -It's that emotional feeling. | 0:01:28 | 0:01:33 | |
I almost can walk around this house, picturing us living here and the kids running round. | 0:01:33 | 0:01:37 | |
Let's meet today's house hunters. | 0:01:37 | 0:01:40 | |
They are Robin and Claire Watts, who met at work. | 0:01:40 | 0:01:44 | |
Claire is a detective sergeant and Robin, who retired from the police, | 0:01:44 | 0:01:48 | |
is a freelance trainer. | 0:01:48 | 0:01:49 | |
They both have children from previous relationships. | 0:01:49 | 0:01:52 | |
Claire has two and Robin has three, | 0:01:52 | 0:01:54 | |
so it's pretty busy when they all get together. | 0:01:54 | 0:01:57 | |
They've not been married long, | 0:01:57 | 0:01:58 | |
so finding a place that all the family can fit into is more important than ever. | 0:01:58 | 0:02:02 | |
Robin, Claire, what's the bottle, is my first question? | 0:02:03 | 0:02:07 | |
-I think I'll leave this one to you. -Oh, OK. | 0:02:07 | 0:02:10 | |
The bottle's there because Claire and I met on a truth or dare game. | 0:02:10 | 0:02:14 | |
We were playing in a pub in Victoria and the bottle spun to me and I just said, "Truth." | 0:02:14 | 0:02:20 | |
So Claire said to me, "Is there anybody at all in the office that you fancy?" | 0:02:20 | 0:02:25 | |
-I had this idea of matchmaking him. -But not with you, then? | 0:02:25 | 0:02:30 | |
No, no, no. I'd always thought he was a nice guy but I really wasn't... | 0:02:30 | 0:02:34 | |
-Who were you going to pass him off on to, then? -I'd had a few drinks, what can I say? | 0:02:34 | 0:02:38 | |
OK, so we've got spin the bottle at the heart of our relationship. | 0:02:39 | 0:02:43 | |
-Shall we start with the first question? -Yeah. | 0:02:43 | 0:02:46 | |
OK, let's see. | 0:02:46 | 0:02:47 | |
-Oh, look, it's gone to you, Claire. -As if by magic! | 0:02:47 | 0:02:51 | |
Claire, what do we want? | 0:02:51 | 0:02:54 | |
We want four bedrooms, we're looking for space. | 0:02:54 | 0:02:57 | |
We're looking to move out from an urban area into a more countrified area. | 0:02:57 | 0:03:02 | |
Certain things are important. | 0:03:02 | 0:03:04 | |
I like the way a house looks. It's got to be right for me. | 0:03:04 | 0:03:07 | |
-What your term? It's got to have a nice face. -A nice face. | 0:03:07 | 0:03:10 | |
-What is a nice face, though? -That's not silly. | 0:03:10 | 0:03:12 | |
A lot of people want a nice-faced house. | 0:03:12 | 0:03:14 | |
I think double aspect would be good, | 0:03:14 | 0:03:17 | |
certainly a front garden, a driveway, | 0:03:17 | 0:03:20 | |
-and also the surrounding area. -A garage. -A garage. | 0:03:20 | 0:03:23 | |
-What was that out the side of your mouth? -Garage. -It's not your turn. | 0:03:23 | 0:03:27 | |
Now it's your turn. | 0:03:27 | 0:03:30 | |
-Robin? -I'd like a double garage. We haven't got one at the moment. | 0:03:30 | 0:03:34 | |
One of my old passions was just doing up old cars. | 0:03:34 | 0:03:37 | |
-The other thing that's important is to have a panic room. -A panic room. | 0:03:37 | 0:03:41 | |
-So this is from the police world? -No. -I've seen the film. | 0:03:41 | 0:03:44 | |
I know what happens when intruders get into the house, you lock down. Is that what you want? | 0:03:44 | 0:03:49 | |
-No. -No. -No. | 0:03:49 | 0:03:50 | |
You'll see that I've got quite a formidable daughter now, | 0:03:50 | 0:03:54 | |
-a three-year-old. -She gives him a hard time. | 0:03:54 | 0:03:57 | |
-I've got a formidable mother-in-law... -Uh-huh. -..and a formidable wife. | 0:03:57 | 0:04:01 | |
So when the three are there, I need to leg it. | 0:04:01 | 0:04:04 | |
I suppose another word for it would be a study. | 0:04:04 | 0:04:07 | |
Areas that we're looking in. We're kind of East Grinstead-ish. | 0:04:07 | 0:04:11 | |
Give us reasons why we're staying in East Grinstead. | 0:04:11 | 0:04:14 | |
It seemed like the best place because it has to be close to London | 0:04:14 | 0:04:18 | |
because I work in London and I need those transport links. | 0:04:18 | 0:04:21 | |
But because I work, my mum looks after my children a couple of days a week | 0:04:21 | 0:04:26 | |
and she lives in Biggin Hill and she needs to be able to... | 0:04:26 | 0:04:29 | |
-Get here easily. -..get here fairly easily. -OK. | 0:04:29 | 0:04:33 | |
Now, one of the vital things that you're not mentioning that will define our area. | 0:04:35 | 0:04:39 | |
-Yeah, schools. -There you go. | 0:04:39 | 0:04:41 | |
My boy, he's started primary school and he's really happy | 0:04:41 | 0:04:45 | |
and that's the one thing about this move that causes me anxiety. | 0:04:45 | 0:04:49 | |
There are some very good schools in this area, that much we know. | 0:04:49 | 0:04:52 | |
So we've now got to find out how much money we've got to spend | 0:04:52 | 0:04:56 | |
on this here dream. Let's see where it stops. Round and round it goes. | 0:04:56 | 0:05:01 | |
It's pointing at you, Claire. What is the budget? | 0:05:01 | 0:05:05 | |
Say, about 450,000. | 0:05:05 | 0:05:08 | |
If we found the absolute dream house, there's room for manoeuvre, up to about 475, | 0:05:08 | 0:05:14 | |
-but that would be pushing us. -OK, wish us luck. | 0:05:14 | 0:05:17 | |
-Good luck. -Good luck. -We'll see you later. -Thank you. | 0:05:17 | 0:05:20 | |
So, Claire and Robin, a lovely couple. | 0:05:20 | 0:05:23 | |
And who would have thought this could have brought them together? | 0:05:23 | 0:05:27 | |
Now, I'm going to use the bottle to define who does the next bit, | 0:05:27 | 0:05:31 | |
which is the most important part of the programme, setting up what we're about to do. OK. | 0:05:31 | 0:05:36 | |
Wouldn't want this kind of pressure on me. It's stopped on you, Nikki. | 0:05:36 | 0:05:39 | |
Oh, well, I can take pressure. | 0:05:39 | 0:05:41 | |
Their budget is £450,000. They could sneak up to £475,000. | 0:05:41 | 0:05:46 | |
They want four bedrooms, garden, double garage if possible | 0:05:46 | 0:05:50 | |
and within 20 miles of East Grinstead. | 0:05:50 | 0:05:53 | |
-Can that be achieved? Also with a panic room. -Oh, yes. | 0:05:53 | 0:05:56 | |
OK. The next bit of pressure is who's going to go for property number one? | 0:05:56 | 0:06:00 | |
I don't mind pressure but, Nikki, it's pointing at you. | 0:06:00 | 0:06:03 | |
-It isn't, because there's an extra spin. -So I'm starting with property number one. | 0:06:03 | 0:06:08 | |
But before that, let's find out more about the local area. | 0:06:08 | 0:06:12 | |
East Grinstead lies in the middle of the Weald, | 0:06:12 | 0:06:16 | |
halfway between London and the south coast. | 0:06:16 | 0:06:18 | |
It's surrounded by beautiful countryside, | 0:06:18 | 0:06:21 | |
which includes Ashdown Forest, an area of outstanding natural beauty. | 0:06:21 | 0:06:25 | |
Not all animals there are natives, though. | 0:06:25 | 0:06:28 | |
If countryside rambling sounds a tad energetic, | 0:06:28 | 0:06:32 | |
then visitors can watch the scenery go by | 0:06:32 | 0:06:34 | |
from the Bluebell steam railway. | 0:06:34 | 0:06:37 | |
While East Grinstead is a popular place to live for those commuting to London, | 0:06:37 | 0:06:42 | |
it has avoided becoming purely a dormitory town | 0:06:42 | 0:06:45 | |
and retains a community feeling, along with charm and character. | 0:06:45 | 0:06:48 | |
The High Street is home to one of the longest rows of 14th-century timber-framed buildings in the UK, | 0:06:48 | 0:06:54 | |
as well as Sackville College, a Jacobean almshouse. | 0:06:54 | 0:06:58 | |
The average price for a detached house here is £447,041, | 0:06:58 | 0:07:04 | |
which is higher than the national average of £379,950. | 0:07:04 | 0:07:10 | |
But what could today's budget of £450,000 buy you | 0:07:10 | 0:07:15 | |
in other areas that are within commutable distance of London? | 0:07:15 | 0:07:19 | |
Well, how about this barn-style property to the north of London | 0:07:19 | 0:07:24 | |
in Aylesbury, Buckinghamshire? | 0:07:24 | 0:07:25 | |
It offers flexible accommodation over two floors | 0:07:25 | 0:07:28 | |
and has a mature landscaped garden. | 0:07:28 | 0:07:30 | |
It's on the market for £469,950. | 0:07:30 | 0:07:35 | |
East of London in Hastingwood, Essex, | 0:07:35 | 0:07:38 | |
is this five bedroom, end-of-terrace cottage. | 0:07:38 | 0:07:41 | |
It's stylishly decorated with a very well-kept garden | 0:07:41 | 0:07:45 | |
and is under today's budget at £445,000. | 0:07:45 | 0:07:49 | |
To the west of London in Marlow is this detached property. | 0:07:49 | 0:07:53 | |
Modern, with clean lines, a conservatory and good-sized garden, | 0:07:53 | 0:07:58 | |
it's on the market at £469,950. | 0:07:58 | 0:08:02 | |
East Grinstead is not just attractive to today's house hunters, Robin and Claire - oh, no. | 0:08:05 | 0:08:10 | |
It is incredibly popular for commuters | 0:08:10 | 0:08:13 | |
wishing to use this little beauty to go in and out of London. | 0:08:13 | 0:08:16 | |
That's because there are 1,000 people who travel from here | 0:08:16 | 0:08:20 | |
to London during peak hours every day. | 0:08:20 | 0:08:22 | |
-There are six trains an hour... -Really? | 0:08:22 | 0:08:25 | |
-..and they only take 58 minutes. -That is amazing. | 0:08:25 | 0:08:28 | |
House prices within the London commuter belt have proven to be more robust during the economic downturn. | 0:08:32 | 0:08:37 | |
In fact, during the latter part of 2009, | 0:08:37 | 0:08:40 | |
house prices actually rose. | 0:08:40 | 0:08:42 | |
With upgraded railway lines and faster trains, | 0:08:44 | 0:08:47 | |
the commuter belt is spreading outwards. | 0:08:47 | 0:08:50 | |
A new high-speed link is making east Kent a new commuter hotspot. | 0:08:50 | 0:08:55 | |
In fact, some estate agents are predicting a 14% rise in house prices in certain areas | 0:08:55 | 0:09:01 | |
and would you ever have thought of commuting from Somerset to London? | 0:09:01 | 0:09:05 | |
A high-speed rail link now means | 0:09:05 | 0:09:09 | |
that house prices are rising there, too. | 0:09:09 | 0:09:11 | |
The so-called perceived wisdom | 0:09:13 | 0:09:15 | |
that you can get more for your money by moving out to the country doesn't hold water | 0:09:15 | 0:09:19 | |
in the commuter belt. | 0:09:19 | 0:09:21 | |
And in fact a survey has shown that here in West Sussex, | 0:09:21 | 0:09:24 | |
you actually get more value by buying in town | 0:09:24 | 0:09:27 | |
than you do in the rural areas | 0:09:27 | 0:09:29 | |
because people looking for a bolt-hole push those prices up. | 0:09:29 | 0:09:32 | |
Ladies and gentlemen, there is even a website | 0:09:32 | 0:09:35 | |
for people who wish to move out to the countryside | 0:09:35 | 0:09:38 | |
but still work in the Big Smoke. | 0:09:38 | 0:09:40 | |
This country! | 0:09:40 | 0:09:42 | |
We're back from the station. | 0:09:43 | 0:09:45 | |
I've learned a lot about East Grinstead. You've learned a bit. | 0:09:45 | 0:09:48 | |
-I've learned a bit. I've laughed a little. -You've laughed a lot. | 0:09:48 | 0:09:52 | |
We have enjoyed ourselves but I think from their budget | 0:09:52 | 0:09:56 | |
of nearing £475,000 we should be kind of OK. | 0:09:56 | 0:10:00 | |
I don't think there's going to be too many compromises. | 0:10:00 | 0:10:04 | |
But I have made a compromise with the mysterious property hunting team on property one. | 0:10:04 | 0:10:09 | |
But I think it's a compromise worth making | 0:10:09 | 0:10:12 | |
because within that property is everything, everything they want. | 0:10:12 | 0:10:17 | |
But the compromise, I think they'll get by it, I really do. | 0:10:17 | 0:10:20 | |
-I'm not going to say what the compromise is. -OK. I was going to ask but I shan't. | 0:10:20 | 0:10:24 | |
I've think I've come up with something superb | 0:10:24 | 0:10:27 | |
because not only has this got five bedrooms, | 0:10:27 | 0:10:30 | |
so one bedroom more than they thought they were going to get, | 0:10:30 | 0:10:33 | |
double garage, incredible country views - it's super. | 0:10:33 | 0:10:38 | |
-Have you made any compromises? -I don't believe in compromises, Ed. | 0:10:38 | 0:10:42 | |
All right, ladies and gentlemen, today's wild card is a cracker. | 0:10:42 | 0:10:47 | |
We've played very much the period features. | 0:10:47 | 0:10:50 | |
This is the oldest of the lot, it's Victorian. | 0:10:50 | 0:10:53 | |
It's quirky, I think they like quirky. | 0:10:53 | 0:10:55 | |
It's more of a kind of central location, a townie location. | 0:10:55 | 0:10:59 | |
I don't want to give too much more away | 0:10:59 | 0:11:02 | |
but they could commute by train very easily into London. | 0:11:02 | 0:11:05 | |
Shall we start with property number one, the one with the compromise? | 0:11:05 | 0:11:09 | |
You'll understand when you see it. | 0:11:09 | 0:11:10 | |
Today's first property, my one, is a stylish and modern family home, | 0:11:13 | 0:11:17 | |
with all the rooms which Claire is looking for, | 0:11:17 | 0:11:20 | |
plus a place for Robin to tinker with cars to his heart's delight. | 0:11:20 | 0:11:24 | |
But will it have them spinning around? | 0:11:24 | 0:11:27 | |
Robin and Claire, walk towards what I believe could be your future home, | 0:11:27 | 0:11:32 | |
what I hope will be your future home. | 0:11:32 | 0:11:35 | |
-Now... -Do you hear any of that above the noise of the traffic? | 0:11:35 | 0:11:39 | |
LAUGHTER All right, that was a particularly loud one. | 0:11:39 | 0:11:43 | |
There is the elephant in said room, the busy road. | 0:11:44 | 0:11:48 | |
It is double glazed. What do you think about the road? | 0:11:48 | 0:11:51 | |
Erm, the road is an issue for me, I have to say, | 0:11:51 | 0:11:54 | |
but I'm keeping an open mind | 0:11:54 | 0:11:56 | |
because there's a lot of bonuses to this place already. | 0:11:56 | 0:12:00 | |
I like the look of it. I like the garden, | 0:12:00 | 0:12:02 | |
the fact that it's got parking for a least two cars. | 0:12:02 | 0:12:05 | |
-And gated. -It's gated, yeah. -Very safe. -The snob in me loves that. | 0:12:05 | 0:12:10 | |
-It's gone quiet, as well. -You see? -Temporary relapse. | 0:12:10 | 0:12:14 | |
So my first impressions are mixed but I like the look of the house. | 0:12:14 | 0:12:18 | |
I like it. From the outside, I like it. | 0:12:18 | 0:12:21 | |
Single garage. I would have preferred a double garage | 0:12:21 | 0:12:24 | |
but it looks really nice. | 0:12:24 | 0:12:26 | |
The reason the lady moved here was for the schools. | 0:12:26 | 0:12:29 | |
You are two miles from East Grinstead train station. | 0:12:29 | 0:12:33 | |
-Are you ready? -We're ready. -We're ready. | 0:12:33 | 0:12:35 | |
Hold your breath and go in. | 0:12:35 | 0:12:36 | |
Mm, OK. | 0:12:40 | 0:12:41 | |
-I like the bay window. -I like the bay window, as well. | 0:12:45 | 0:12:48 | |
-Yeah. -OK, all right. | 0:12:48 | 0:12:49 | |
-What do you think about the road? -I can hear it a little bit. | 0:12:49 | 0:12:54 | |
You can, more than I would have thought. | 0:12:54 | 0:12:57 | |
It's going to get annoying, isn't it? | 0:12:57 | 0:12:59 | |
-That's with windows shut, as well. -I don't know. Possibly. | 0:12:59 | 0:13:02 | |
I could see beyond it, depending on the rest of the house. | 0:13:02 | 0:13:05 | |
Think less about the road and more about the house. | 0:13:05 | 0:13:08 | |
The people who live here are very happy. | 0:13:08 | 0:13:10 | |
Ed, no matter what you do, they don't like the road. | 0:13:10 | 0:13:15 | |
They're not really buying into your little fantasy here. | 0:13:15 | 0:13:18 | |
Can we hear the road now? Can we hear the road now? No. | 0:13:18 | 0:13:21 | |
Let's see what's in here. | 0:13:22 | 0:13:24 | |
-An office. -It's a pretty good size. -Panic room. | 0:13:25 | 0:13:29 | |
Right, he's found it. That is the panic room slash study | 0:13:29 | 0:13:33 | |
-slash dog house. -It's the dog house. -Call it what you will. | 0:13:33 | 0:13:35 | |
That is Robin's zone. And, good news, Robin, | 0:13:35 | 0:13:38 | |
it's the furthest one away from the road that you don't like. | 0:13:38 | 0:13:41 | |
-Right. What's this? -The kitchen. | 0:13:41 | 0:13:44 | |
Ah! | 0:13:44 | 0:13:45 | |
-OK. Smaller than I thought. -It's a bit small, isn't it? | 0:13:45 | 0:13:50 | |
I like the silver look. You're a bit of a silver person, aren't you? | 0:13:50 | 0:13:54 | |
-I am a silver person. -Can we see out into the garden? | 0:13:54 | 0:13:57 | |
Ed, if there's ever an advocate for black-and-white television, | 0:13:58 | 0:14:01 | |
wearing what he's wearing there is it, isn't it? | 0:14:01 | 0:14:04 | |
He said what about my jacket? | 0:14:04 | 0:14:06 | |
I think he said it was a call for black-and-white television if ever he saw one. | 0:14:06 | 0:14:11 | |
Well... | 0:14:11 | 0:14:12 | |
-Dining room. -It's not bad. It's very regular. | 0:14:12 | 0:14:15 | |
Every room is very regular. | 0:14:15 | 0:14:17 | |
-Yeah. Square? -Square, yeah. | 0:14:17 | 0:14:21 | |
There's nothing quirky, for me. | 0:14:21 | 0:14:24 | |
-Your face is giving it away. -I know, I know. | 0:14:24 | 0:14:26 | |
I can't really fault it. I can't say there's anything bad with the place | 0:14:26 | 0:14:30 | |
but it's just... There's no kind of little surprises. | 0:14:30 | 0:14:34 | |
Well, it's modern. I'll tell you what the no surprises are - you don't have to rewire it. | 0:14:34 | 0:14:39 | |
"Oh, my pipes are leaking." There's no surprises like that. It's lovely. | 0:14:39 | 0:14:43 | |
-I like the banisters. -No, I think they need to be white. | 0:14:43 | 0:14:47 | |
-No! -Yeah. -No! | 0:14:47 | 0:14:49 | |
No, no. Bedroom. One of the bedrooms. | 0:14:49 | 0:14:52 | |
Oh, this is nice. | 0:14:52 | 0:14:54 | |
-Pretty. Anna's room. -Anna's room. | 0:14:54 | 0:14:56 | |
-Anna's room. -Pink. Absolutely. | 0:14:56 | 0:14:58 | |
Do you know what my problem is again? | 0:14:58 | 0:15:00 | |
That everything's so regular. Square. | 0:15:00 | 0:15:03 | |
Do you know what comes with square, right? Functionality. | 0:15:04 | 0:15:07 | |
Yes? Thank you. This is a very functional house. | 0:15:07 | 0:15:11 | |
OK. | 0:15:11 | 0:15:13 | |
-Jacob's room. -Jacob's room. It's a bit smaller than the other one. | 0:15:13 | 0:15:16 | |
It is smaller than the other one. That's a tiny little bed, isn't it? | 0:15:16 | 0:15:19 | |
-Oh, that is. That is wee. -It's a really small bed. | 0:15:19 | 0:15:23 | |
-What do you think? -Is this the master bedroom? -Yeah. | 0:15:25 | 0:15:28 | |
-Or a guest bedroom? -I would think master. | 0:15:28 | 0:15:31 | |
-It's an en-suite. -Oh, OK. | 0:15:31 | 0:15:34 | |
-With a shower. That's good. -That's for me, then. | 0:15:34 | 0:15:36 | |
You're not a shower person, I am. | 0:15:36 | 0:15:39 | |
It's a bit small, isn't it, this room? | 0:15:39 | 0:15:42 | |
I'm beginning to get a sense that this place isn't really for me. | 0:15:42 | 0:15:46 | |
-The best thing about this house for me was the outside, looking at it. -Yeah. | 0:15:47 | 0:15:51 | |
And the gates. I did like those. | 0:15:51 | 0:15:54 | |
-Did you hear that, Ed? -Unfortunately, yes. | 0:15:54 | 0:15:56 | |
The best thing about the place is the outside and the gate. | 0:15:56 | 0:16:00 | |
-What about the square rooms? -Well, it's not that, is it? | 0:16:00 | 0:16:04 | |
-The bathroom. -The bathroom. | 0:16:04 | 0:16:06 | |
-OK. -Yeah, it's OK. I'd want to change it. | 0:16:08 | 0:16:11 | |
It's OK but it's just a little bit old fashioned. | 0:16:11 | 0:16:14 | |
Ah, this is the master bedroom. | 0:16:17 | 0:16:19 | |
-Ah, wow. -Ooh, blimey. | 0:16:19 | 0:16:22 | |
-Yes. -Another en-suite, with a bath. | 0:16:22 | 0:16:24 | |
-Ah. -Yes. -Ah, he got us there, didn't he? -Yeah. | 0:16:24 | 0:16:29 | |
This is a classic case of if I could rewind the day and start again, | 0:16:29 | 0:16:33 | |
I'd put a ladder up outside the front of the house, | 0:16:33 | 0:16:35 | |
-I'd make them come in through the master bedroom... -They'd go, "Wow!" | 0:16:35 | 0:16:39 | |
They'd have this brilliant feeling | 0:16:39 | 0:16:41 | |
and then just push them through the rooms that they don't like. | 0:16:41 | 0:16:44 | |
Hang on, though. | 0:16:44 | 0:16:46 | |
TRAFFIC ROARS | 0:16:46 | 0:16:47 | |
-It's not really the county living that you had in mind, is it? -No. -No. | 0:16:47 | 0:16:51 | |
No. | 0:16:51 | 0:16:53 | |
OK. I like this room. It's not square. I can't call this one square. | 0:16:53 | 0:16:56 | |
Yeah, yeah. This one's got a bit more about it for me. | 0:16:56 | 0:16:59 | |
-It's got everything we've asked for. -It has. | 0:16:59 | 0:17:01 | |
It has everything it's just not got that X-factor. | 0:17:01 | 0:17:04 | |
Now, Robin and Claire, I have never heard the like of which before. | 0:17:07 | 0:17:12 | |
Neither of you came out glowing from this. | 0:17:12 | 0:17:14 | |
We heard one "wow" and we heard a lot of "squares". | 0:17:14 | 0:17:18 | |
I think I can see beyond things that aren't on our checklist | 0:17:18 | 0:17:21 | |
as long as I feel that pull to a house | 0:17:21 | 0:17:23 | |
and I just didn't get it with this place. | 0:17:23 | 0:17:25 | |
-Did you feel the same, Robin? -Yeah, I did. | 0:17:25 | 0:17:28 | |
There is something lacking. I do like the house. | 0:17:28 | 0:17:31 | |
I think it's one that, if push comes to shove, I could live in. | 0:17:31 | 0:17:35 | |
We can still play guess the price, though. | 0:17:35 | 0:17:38 | |
Right, because of your earlier tale about spinning the bottle, | 0:17:38 | 0:17:42 | |
let's use the bottle to define who goes first. | 0:17:42 | 0:17:45 | |
-Oh. -Ah! -In no way was that at all fudged by me. | 0:17:48 | 0:17:51 | |
Robin... you have to go first. | 0:17:51 | 0:17:54 | |
You've got a maximum budget of up to £475,000, isn't it? | 0:17:54 | 0:17:58 | |
Well, 450, but maybe 475. | 0:17:58 | 0:18:01 | |
I think, taking into consideration the road, 450. | 0:18:01 | 0:18:05 | |
OK. I'd probably go a little bit under it but not a lot. | 0:18:05 | 0:18:09 | |
Erm... 440, I think. | 0:18:09 | 0:18:12 | |
-Mm. -Nah. | 0:18:12 | 0:18:13 | |
Right, then, now, estate agents are doing this fancy thing, | 0:18:13 | 0:18:16 | |
where they are doing a spread of prices between one and another, | 0:18:16 | 0:18:20 | |
so this property is marketed in that way. | 0:18:20 | 0:18:23 | |
I'm going to ask you, Claire. How would you like to choose? | 0:18:23 | 0:18:27 | |
Shall I find the nearest person to the lowest point or the highest point? | 0:18:27 | 0:18:32 | |
-Highest. Go highest. -Lowest, then. | 0:18:32 | 0:18:34 | |
-Lowest. We can't do what the men tell us. -Exactly. | 0:18:34 | 0:18:38 | |
-We'll go lowest, please. -Right, so you choose lowest? | 0:18:38 | 0:18:41 | |
-Lowest, definitely. -You, in that case, are the winner. -Oh, no! | 0:18:41 | 0:18:45 | |
-Thank you. -Fixed, that was, wasn't it, Robin? -That's not fair. | 0:18:45 | 0:18:48 | |
Right, this house is marketed between 440 and 500,000. | 0:18:48 | 0:18:52 | |
440 to 500. So what's... It's bigger money on the top. | 0:18:52 | 0:18:57 | |
-No, you heard the rules. -No, this isn't... | 0:18:57 | 0:18:59 | |
-I win, I win. -Robin, don't be a bad loser. | 0:18:59 | 0:19:02 | |
You're embarrassing yourself on national television. | 0:19:02 | 0:19:05 | |
But we've got two more goes at this. | 0:19:05 | 0:19:07 | |
-We could all have really fallen out by the end of this. -Yeah! | 0:19:07 | 0:19:11 | |
-Shall we go to Nikki's? -Let's go. -Let's go to mine. | 0:19:11 | 0:19:14 | |
OK, lead out that way. | 0:19:14 | 0:19:15 | |
My property is a pristine family home that I think they'll love. | 0:19:18 | 0:19:23 | |
It's got loads of great living space | 0:19:23 | 0:19:26 | |
and an extra-large play room for Robin | 0:19:26 | 0:19:28 | |
and I dare them not to like it. | 0:19:28 | 0:19:31 | |
So, Robin, Claire, we are now in the Hurston Clay area | 0:19:31 | 0:19:36 | |
of East Grinstead. | 0:19:36 | 0:19:38 | |
On the drive up here you'll have realised it's quiet. | 0:19:38 | 0:19:41 | |
-There's one car going past. -Let's say quieter. -It's very different. | 0:19:41 | 0:19:46 | |
It's not a main road. Residential. | 0:19:46 | 0:19:48 | |
Just to let you know that East Grinstead is a ten-minute walk from here, that's it. | 0:19:48 | 0:19:53 | |
-To the train station, anyway. -Perfect. | 0:19:53 | 0:19:55 | |
Eight minutes to a wonderful primary school | 0:19:55 | 0:19:58 | |
and here is property number two - my house. | 0:19:58 | 0:20:01 | |
From the outside, what do you think? | 0:20:01 | 0:20:04 | |
-I like it. -I do. I like the area. -First impressions are good. Nice garage. | 0:20:04 | 0:20:08 | |
-The road's brilliant. -Exactly. | 0:20:08 | 0:20:10 | |
-This is cruel. Some kind of fix has gone on here. -Not a fix. | 0:20:10 | 0:20:14 | |
Robin, you pointed out that it's a double garage. | 0:20:14 | 0:20:18 | |
-A double garage, yeah. -Evil. | 0:20:18 | 0:20:20 | |
-Fields beyond the house. -You've spotted that. | 0:20:20 | 0:20:23 | |
I was not going to say anything. I was going to wait until you went in | 0:20:23 | 0:20:27 | |
and we heard you go, "Oooh, ahh, look at those views." | 0:20:27 | 0:20:31 | |
It's really lovely. I think I've covered everything that you need. | 0:20:31 | 0:20:34 | |
OK. First impressions are really good. | 0:20:34 | 0:20:37 | |
Are you prepared to walk into this house, enter through its door mouth | 0:20:37 | 0:20:42 | |
and rummage round its house brain? | 0:20:42 | 0:20:45 | |
-Three, two, one, go! -Enjoy. | 0:20:45 | 0:20:47 | |
-Oh, OK, it looks good. -It's nice. | 0:20:52 | 0:20:54 | |
-Yeah, first impressions. -Look at the floor. | 0:20:54 | 0:20:57 | |
-Yeah, it's lovely, isn't it? -That's gorgeous. | 0:20:57 | 0:20:59 | |
This is really nice. | 0:20:59 | 0:21:01 | |
Come and be a pony with me, Ed. | 0:21:03 | 0:21:06 | |
Nay. | 0:21:06 | 0:21:08 | |
-This is lovely. -Mm. -This is really, really nice. | 0:21:08 | 0:21:12 | |
-I really like the fireplace. -It's absolutely gorgeous. | 0:21:12 | 0:21:16 | |
This is really nice. I really like this. | 0:21:16 | 0:21:18 | |
Nice shape, as well. It's not square, is it? | 0:21:18 | 0:21:21 | |
-No. It's not square. And look at that view. -Oh, wow. | 0:21:21 | 0:21:24 | |
-Oh, that is gorgeous. -Yeah, it is. | 0:21:24 | 0:21:27 | |
It's absolutely pristine, as well. | 0:21:27 | 0:21:29 | |
Yeah, there's a lot of care taken. | 0:21:29 | 0:21:31 | |
First impressions, Ed. | 0:21:31 | 0:21:33 | |
What a difference from the way they entered property number one. | 0:21:33 | 0:21:37 | |
Speechless. | 0:21:37 | 0:21:38 | |
-Dining room. -Lovely. | 0:21:38 | 0:21:40 | |
Nice. Square, though. It's not L-shaped, this one, is it? | 0:21:40 | 0:21:44 | |
-It's not sort of square, it is square. -But it's quirky. | 0:21:44 | 0:21:47 | |
-But it is square. -It's a quirky square. -It is a square. | 0:21:47 | 0:21:50 | |
-Quirky square? -A quirky square. | 0:21:50 | 0:21:52 | |
-I like this window. -I really like this house so far. Lovely. | 0:21:53 | 0:21:57 | |
-I'm excited to look at the rest of it. -Me, too. | 0:21:57 | 0:22:00 | |
-Where are we going now? -The kitchen. | 0:22:00 | 0:22:03 | |
Ah. | 0:22:03 | 0:22:05 | |
-Oh, wow. -Oh, OK. | 0:22:05 | 0:22:07 | |
It's a lot bigger than I thought it was from outside. | 0:22:07 | 0:22:10 | |
-Mm? It's quite galley-ish. -It is, it is. | 0:22:10 | 0:22:14 | |
But I don't know. I'm not that keen on the units but I kind of... | 0:22:14 | 0:22:18 | |
I don't know. I know it's not a massive kitchen | 0:22:18 | 0:22:22 | |
but you've got this extra space at the end of the room. | 0:22:22 | 0:22:25 | |
-Perfect for the kids, that. -Absolutely. | 0:22:25 | 0:22:27 | |
Nice breakfast room. TV, there, which I'd keep. | 0:22:27 | 0:22:30 | |
-They're seeing a future. -And they're having breakfast in that future. -Yeah. | 0:22:30 | 0:22:34 | |
What have we got here? Ah. A bedroom. | 0:22:34 | 0:22:37 | |
-What do you reckon? A guest bedroom? -Very nice. -Smallish but, yeah. | 0:22:37 | 0:22:42 | |
-It is small. Again, beautiful view. -Oh, yeah, this wonderful view. | 0:22:42 | 0:22:46 | |
Very nice. | 0:22:46 | 0:22:48 | |
Is this the en suite? Oh, no, another bedroom. | 0:22:48 | 0:22:51 | |
-Yeah. -It's a nice size. Jacob/Anna size. -Yeah. | 0:22:51 | 0:22:55 | |
It's good. | 0:22:55 | 0:22:56 | |
We're hoping it's not the master. I presume it's not. | 0:22:56 | 0:22:59 | |
-And again, if you look outside. -Square. | 0:22:59 | 0:23:02 | |
It is square, yeah. | 0:23:02 | 0:23:04 | |
But there's a nice view. Listen. | 0:23:04 | 0:23:06 | |
SILENCE | 0:23:06 | 0:23:07 | |
I know. It's lovely. It is just such a nice neighbourhood. | 0:23:07 | 0:23:12 | |
Nikki, do you know the name of the street they currently live on? | 0:23:12 | 0:23:16 | |
No. | 0:23:16 | 0:23:17 | |
They currently live at 999 Letsby Avenue. | 0:23:17 | 0:23:20 | |
-Bathroom. -Bathroom. | 0:23:22 | 0:23:24 | |
-Nice. -That's OK. -It's not big but not small. | 0:23:24 | 0:23:27 | |
Yeah. It would do me. | 0:23:27 | 0:23:29 | |
-I've just seen something that I find a bit strange. -What? | 0:23:29 | 0:23:32 | |
-Ah, they've got a blind up but... -Oh, I see. | 0:23:34 | 0:23:37 | |
The last thing I want to see in the morning is you doing your ablutions! | 0:23:37 | 0:23:40 | |
Can you remember to pull that down? | 0:23:40 | 0:23:43 | |
You can see through this window as well. It's not frosted. | 0:23:43 | 0:23:46 | |
Yeah. No-one overlooks you. | 0:23:46 | 0:23:48 | |
And if you're that worried, you can pull the blinds down. | 0:23:48 | 0:23:51 | |
-Yeah. -There you go. | 0:23:52 | 0:23:54 | |
I quite like it. | 0:23:54 | 0:23:55 | |
And thankfully, the blind is there | 0:23:55 | 0:23:57 | |
and, thankfully, for everyone's dignity, | 0:23:57 | 0:24:00 | |
even the neighbours'. | 0:24:00 | 0:24:01 | |
They don't seem to have a problem with it being just one bathroom. | 0:24:01 | 0:24:04 | |
They haven't realised. | 0:24:04 | 0:24:05 | |
Oh, mauve. | 0:24:05 | 0:24:08 | |
-Oh. -Yeah. | 0:24:09 | 0:24:11 | |
-Yeah. -Third bedroom? -Third bedroom. -Smaller size. -OK sizes. | 0:24:11 | 0:24:15 | |
-I like the bed. -That is good, actually. | 0:24:15 | 0:24:18 | |
It's a very purple room. | 0:24:18 | 0:24:20 | |
-Ah. -Oh, wow. -This is the master bedroom, then. -Yes. | 0:24:22 | 0:24:25 | |
-That's brilliant, yeah. -It's a nice size. -It's really nice. | 0:24:25 | 0:24:28 | |
We could have fitted wardrobes. | 0:24:28 | 0:24:30 | |
I don't like have a cramped bedroom and this wouldn't be, | 0:24:30 | 0:24:34 | |
even with fitted wardrobes. Yeah, I like it. | 0:24:34 | 0:24:37 | |
So, again, I'm referring it back to my property. | 0:24:37 | 0:24:40 | |
What does Claire say when she walks into that room? | 0:24:40 | 0:24:43 | |
"We could fit some fitted wardrobes in there." Mine had them! | 0:24:43 | 0:24:46 | |
-Ah! -We have got a study. -Your bunker. Yeah. -OK. | 0:24:46 | 0:24:51 | |
-Size wise? -It's smaller than the other one | 0:24:51 | 0:24:54 | |
but it's in a house that I like more, quite simply. | 0:24:54 | 0:24:58 | |
-Would you be happy in this space? -Yeah, and I like it being upstairs | 0:24:58 | 0:25:02 | |
because when the kids are downstairs playing around, it disturbs me. | 0:25:02 | 0:25:06 | |
-I like it. I really like it. -OK. -Again, it's that emotional feel. | 0:25:06 | 0:25:10 | |
I can almost walk around this house picturing us living here and the kids running round. | 0:25:10 | 0:25:15 | |
It just feels like a warm, nice place to be in. | 0:25:15 | 0:25:19 | |
So, Claire, Robin, I get the feeling | 0:25:21 | 0:25:24 | |
that you rather warmed to this particular property - | 0:25:24 | 0:25:27 | |
my property. | 0:25:27 | 0:25:28 | |
I thought it was lovely, to be honest. | 0:25:28 | 0:25:30 | |
I love the hall and that's a good starter. | 0:25:30 | 0:25:33 | |
Then that living room has so much space, that lovely wood burner, | 0:25:33 | 0:25:37 | |
the fireplace. | 0:25:37 | 0:25:39 | |
I think the difference was I was imagining my kids running round | 0:25:39 | 0:25:43 | |
-and I didn't do that in the other place. -No, unfortunately for me, you didn't. | 0:25:43 | 0:25:47 | |
But what happened was, because as you said, you get a feeling, a sensation, | 0:25:47 | 0:25:51 | |
you're there and you know it. | 0:25:51 | 0:25:52 | |
-What about yourself? -Yeah. I got the feeling that Claire liked it from the start | 0:25:52 | 0:25:56 | |
and her heart opened. | 0:25:56 | 0:25:58 | |
Do I like it? Yeah, I really do. | 0:25:58 | 0:26:00 | |
But do you connect with it on the same level? | 0:26:00 | 0:26:02 | |
-No, and I can see some negatives. -Let's hear those, then. | 0:26:02 | 0:26:06 | |
-Well, the kitchen. -Yeah. -It's smaller than what I'm used to. | 0:26:06 | 0:26:09 | |
But, Robin, your concerned with the smaller kitchen | 0:26:09 | 0:26:12 | |
and there is something that you can do. | 0:26:12 | 0:26:14 | |
First of all, you could extend out. | 0:26:14 | 0:26:16 | |
The other houses have done that. That's with planning permission. | 0:26:16 | 0:26:21 | |
-And did you have a look at the hatch and the loft? -I saw the hatch. | 0:26:21 | 0:26:25 | |
Once again, with the right planning permission, | 0:26:25 | 0:26:28 | |
-you may be able to put two rooms up there. -Mm, OK. | 0:26:28 | 0:26:32 | |
-The current owners did think about that. -It depends on the price. | 0:26:32 | 0:26:35 | |
Well, you see, it all does and with the mention of the price, | 0:26:35 | 0:26:38 | |
I shall bring out the trusty bottle, | 0:26:38 | 0:26:41 | |
the bottle that has formed love between you. | 0:26:41 | 0:26:44 | |
Be careful with it because that was our destiny, that bottle. | 0:26:44 | 0:26:47 | |
Where it stops, no-one knows | 0:26:47 | 0:26:49 | |
but who it points at, the first who goes. | 0:26:49 | 0:26:52 | |
Ooh! | 0:26:52 | 0:26:54 | |
It's a fix. | 0:26:54 | 0:26:56 | |
Now, maximum budget £475,000 to play with. | 0:26:56 | 0:27:00 | |
What do you believe this is on the market for? | 0:27:00 | 0:27:02 | |
I don't know. 470. I'm going to go 470. | 0:27:02 | 0:27:06 | |
Robin? | 0:27:06 | 0:27:07 | |
OK, well, I must say, it's nice to get back to 1-1 at last. | 0:27:07 | 0:27:11 | |
Not that I care about that | 0:27:11 | 0:27:12 | |
but I would say that this place is on the market for 475. | 0:27:12 | 0:27:16 | |
Once again, we've got a price range from the estate agents. | 0:27:16 | 0:27:19 | |
Do we take it from who is closest to the lowest price? | 0:27:19 | 0:27:22 | |
We take it so that I win, so whatever way you want to do it. | 0:27:22 | 0:27:27 | |
Because you fitted me up last time, all three of you. | 0:27:27 | 0:27:30 | |
Well, in fact, Robin, you are the closest | 0:27:30 | 0:27:33 | |
because it's on the market for a price range | 0:27:33 | 0:27:36 | |
of between £480,000 and £525,000, | 0:27:36 | 0:27:41 | |
which is above your budget | 0:27:41 | 0:27:44 | |
but that doesn't mean that you can't start lower. | 0:27:44 | 0:27:47 | |
-It's clever, what they're doing here. -Haggle zone. -Yeah. -It's a haggle zone. | 0:27:47 | 0:27:50 | |
But we have one more house with which to negotiate, | 0:27:50 | 0:27:54 | |
a house which will destroy your relationship with guess the price, | 0:27:54 | 0:27:58 | |
cos someone will win and someone will lose. | 0:27:58 | 0:28:01 | |
-He'll be unbearable if he wins. -No, no, no, no. | 0:28:01 | 0:28:04 | |
-Shall we go to the wild card? -Let's. -I'll let the bottle decide where... | 0:28:04 | 0:28:08 | |
Ooh, it's... Ooh! | 0:28:08 | 0:28:10 | |
Today's wild card is a cosy family home with loads of period qualities. | 0:28:15 | 0:28:19 | |
But like all our wild cards, it's got something extra, too. | 0:28:19 | 0:28:23 | |
Now, Robin and Claire, the wild card, the wild card, everyone loves the wild card, | 0:28:23 | 0:28:28 | |
walk towards the wild card. | 0:28:28 | 0:28:30 | |
We have played one fundamental error here, haven't we? | 0:28:30 | 0:28:33 | |
-We've got a road, again. -Yes. -But look at what we've found you. | 0:28:33 | 0:28:36 | |
This is the oldest of all the properties. | 0:28:36 | 0:28:38 | |
This is the character you want but, and this is why we've done it, | 0:28:38 | 0:28:43 | |
in commuter belts, it's genuinely cheaper in towns. | 0:28:43 | 0:28:48 | |
People who come out to commuter belts go out to the green areas. | 0:28:48 | 0:28:53 | |
And they push up the prices there. | 0:28:53 | 0:28:54 | |
So to get something this size and this lovely, | 0:28:54 | 0:28:57 | |
that's why we're in the town. | 0:28:57 | 0:28:59 | |
-Yes. -It's beautiful from the outside. I love it. -Has it got the face you want? | 0:28:59 | 0:29:03 | |
It's got the face, the door and the bell. | 0:29:03 | 0:29:06 | |
It's a really nice-looking house | 0:29:06 | 0:29:08 | |
but, a big but, totally wrong location for me. | 0:29:08 | 0:29:11 | |
OK, but here comes the thing. | 0:29:11 | 0:29:13 | |
Where it's located, you've got a choice of very good primary schools. | 0:29:13 | 0:29:17 | |
You are probably less than ten minutes' walk to the train station, | 0:29:17 | 0:29:21 | |
so we've got those positives. Any of that help? What are we thinking? | 0:29:21 | 0:29:24 | |
Yeah, I'm beginning to feel | 0:29:24 | 0:29:27 | |
-that I might be a little bit annoyed with you two. -Go on. | 0:29:27 | 0:29:31 | |
Well, I actually really like it from the outside. I agree with Claire. | 0:29:31 | 0:29:35 | |
The road and the area, the location, | 0:29:35 | 0:29:39 | |
may not be what we would want | 0:29:39 | 0:29:42 | |
and there's something, I think, from the outside, that's lacking for me, as well. | 0:29:42 | 0:29:46 | |
-Oh, it could be a double garage. -Look what they're doing. | 0:29:46 | 0:29:50 | |
-They've covered it with tarpaulin. -Yeah. | 0:29:50 | 0:29:52 | |
I can't work under that! | 0:29:52 | 0:29:55 | |
Have an umbrella. | 0:29:56 | 0:29:57 | |
Now, go in there and see what you think about it. | 0:29:57 | 0:30:00 | |
-I think you might be pleasantly surprised. -I think so, too. | 0:30:00 | 0:30:04 | |
So be positive, go in the house and be on your best behaviour. | 0:30:04 | 0:30:08 | |
Three, two, one, go. | 0:30:08 | 0:30:09 | |
-Oh. What do you think? -I think it's quite nice. | 0:30:11 | 0:30:15 | |
-What do you think of that? -That's lovely. It's a real feature. | 0:30:15 | 0:30:19 | |
It's what they feared was going to happen. | 0:30:19 | 0:30:22 | |
They've fallen in love with it. | 0:30:22 | 0:30:24 | |
-Nice. -Yeah, really nice. | 0:30:24 | 0:30:26 | |
-I like the floor. -Nice big space. Needs a bit of work, I think. | 0:30:26 | 0:30:30 | |
-Yeah, yeah. Cosmetic? -Yeah. | 0:30:30 | 0:30:33 | |
But it's a nice big space. The bay window is gorgeous. | 0:30:33 | 0:30:36 | |
-It is. And, in fairness... -It is. I know what you're going to say. | 0:30:36 | 0:30:41 | |
-It's not that noisy. -There's no cars at the moment. | 0:30:41 | 0:30:44 | |
-Yes, there is, look. -That's one. -One big one. -That's one car. | 0:30:44 | 0:30:48 | |
-Look, two. -Here's number two. | 0:30:49 | 0:30:51 | |
MUFFLED ENGINE | 0:30:51 | 0:30:53 | |
Yeah, it's pretty good, I have to say. | 0:30:53 | 0:30:55 | |
They're loving it. | 0:30:55 | 0:30:57 | |
He's saying the road's not noisy. She's saying, "Ooh..." | 0:30:57 | 0:31:00 | |
-Ooh. -Oh, wow. | 0:31:00 | 0:31:02 | |
Blimey. This is really big, isn't it? | 0:31:02 | 0:31:04 | |
Nice sort of area. | 0:31:04 | 0:31:06 | |
I'm not that keen on the kitchen, though. | 0:31:07 | 0:31:09 | |
It's just not my sort of style. | 0:31:09 | 0:31:12 | |
-I'm happy with it. It's got a country-cottage feel to me. -It is. | 0:31:12 | 0:31:16 | |
-Oh. -Oh. -OK. | 0:31:20 | 0:31:22 | |
-Not the garden. -This is strange. | 0:31:22 | 0:31:24 | |
Utility area. Oh, blimey, it keeps going. | 0:31:24 | 0:31:27 | |
Oh, OK. | 0:31:27 | 0:31:29 | |
A bedroom. A panic room. | 0:31:30 | 0:31:32 | |
That's nice and peaceful, actually. | 0:31:32 | 0:31:34 | |
This would be ideal. You'd be away from the noise of the kids. | 0:31:34 | 0:31:38 | |
Yeah, it's starting to grow on me. | 0:31:38 | 0:31:41 | |
Is it just me, right, | 0:31:41 | 0:31:42 | |
or do you think Robin is digging this one more than Claire? | 0:31:42 | 0:31:46 | |
So far, I think he is | 0:31:46 | 0:31:48 | |
and not just because he's being pleasant, | 0:31:48 | 0:31:51 | |
he's genuinely responding, isn't he? | 0:31:51 | 0:31:53 | |
I'm not sure what this room's going to be. | 0:31:53 | 0:31:55 | |
-Dining room, maybe? -Library. | 0:31:55 | 0:31:58 | |
-Oh. -Oh, wow. -Another office-type room. | 0:31:59 | 0:32:02 | |
-Nice. -Or a play room, even. -A play room would be nice. -It would. | 0:32:02 | 0:32:07 | |
-I can't get my head round the layout of this house yet. -No. | 0:32:07 | 0:32:11 | |
-It's huge. -But you did want quirky. | 0:32:11 | 0:32:13 | |
-Right, let's have a look upstairs. -There's a bit of height there. | 0:32:15 | 0:32:18 | |
Lovely high ceilings everywhere. Really nice. | 0:32:18 | 0:32:21 | |
I like it. I think it's really nice. | 0:32:21 | 0:32:24 | |
-Bathroom. -Yeah, this is nice. | 0:32:24 | 0:32:26 | |
-Yeah. -Yeah. I like the bath. -That's nice. | 0:32:26 | 0:32:29 | |
Yeah. The suite is good. | 0:32:29 | 0:32:31 | |
-It's got one of them, lovely new roll-top... -"One of them"? | 0:32:31 | 0:32:35 | |
-I tapped it, it is actually... -One of those. -Either way. | 0:32:35 | 0:32:38 | |
I tapped it. Listen, I'm a televisual estate agent. | 0:32:38 | 0:32:43 | |
It's not about what we say, it's how we say it. | 0:32:43 | 0:32:45 | |
A bedroom. | 0:32:45 | 0:32:48 | |
-A big bedroom. -A big bedroom. | 0:32:48 | 0:32:51 | |
It is, yeah. | 0:32:51 | 0:32:52 | |
-Have you seen the view? -Let's have a look. | 0:32:52 | 0:32:55 | |
It's not so good. | 0:32:55 | 0:32:57 | |
-Ah. Bricks. -That is a builder's yard. | 0:32:57 | 0:32:59 | |
I wonder how noisy that will get, there? | 0:32:59 | 0:33:01 | |
Ah, OK. | 0:33:02 | 0:33:04 | |
-Oh, the master. Nice size. -Big. | 0:33:04 | 0:33:07 | |
Again, a bay window. | 0:33:07 | 0:33:09 | |
We've definitely got the size that we wanted. | 0:33:09 | 0:33:12 | |
And it's a big bed, so if you think of the size of the room, | 0:33:12 | 0:33:15 | |
it doesn't seem to affect the size at all. | 0:33:15 | 0:33:17 | |
But it's the sort of size we're looking for the master bedroom, | 0:33:17 | 0:33:22 | |
so it's nice, I like it. | 0:33:22 | 0:33:24 | |
-Yeah, bedroom. -Again, really big. | 0:33:24 | 0:33:27 | |
-Front to back. -Oh, right, yeah. | 0:33:27 | 0:33:30 | |
I've had a count up. There's only three bedrooms up here, | 0:33:30 | 0:33:33 | |
so the one we thought could be the study at the back of the house, | 0:33:33 | 0:33:37 | |
that is your fourth bedroom. | 0:33:37 | 0:33:39 | |
That's a problem, for me. What do you think? | 0:33:39 | 0:33:41 | |
-Who's going to sleep down there? -My mother. | 0:33:41 | 0:33:44 | |
OK. | 0:33:44 | 0:33:46 | |
-"If only it had a fourth bedroom, we'd like it," right? -Yes. -Yeah? | 0:33:46 | 0:33:49 | |
-Yes. -Watch this. | 0:33:49 | 0:33:51 | |
Claire and Robin, do you feel you've seen the entire house? | 0:33:55 | 0:33:59 | |
-We think so. -Yeah. -Think so? Right, OK. | 0:33:59 | 0:34:03 | |
Follow me down this way and there is one key area | 0:34:03 | 0:34:05 | |
which I think will make you look at it in a different light. | 0:34:05 | 0:34:09 | |
Don't be scared or you can be slightly scared because... | 0:34:09 | 0:34:12 | |
it's down here. | 0:34:12 | 0:34:13 | |
Right then, follow me. | 0:34:13 | 0:34:16 | |
Is anyone scared of ghosts or cellars? | 0:34:16 | 0:34:18 | |
I don't like cellars. They're very, very spooky. | 0:34:18 | 0:34:21 | |
Come. Now, as cellars go, be honest, it's in a flux state at the moment, | 0:34:21 | 0:34:30 | |
but it ain't that bad, is it? | 0:34:30 | 0:34:32 | |
It doesn't feel like a scary cellar. Or does it, Claire? | 0:34:32 | 0:34:35 | |
I just find them... I'm just not... | 0:34:35 | 0:34:38 | |
-I thought it was a broom cupboard, for a start. -Right. | 0:34:38 | 0:34:41 | |
It's a cellar and I just find them creepy. | 0:34:41 | 0:34:44 | |
-But you will never come down here because this is man space. -It is. | 0:34:44 | 0:34:49 | |
Now, I think this does look like a panic room, | 0:34:49 | 0:34:52 | |
-as you called it earlier. -I agree. | 0:34:52 | 0:34:54 | |
A work in progress but I'm with you. | 0:34:54 | 0:34:57 | |
There was a reason we came here to this property in town - because of the price. | 0:34:57 | 0:35:01 | |
Shall we play guess the price? You want to play guess the price. | 0:35:01 | 0:35:04 | |
-Yeah. -Let's not do it now. Let's go upstairs and see Nikki. -OK. | 0:35:05 | 0:35:09 | |
Let's get out of this scary cellar. I love it. | 0:35:09 | 0:35:12 | |
-Ah, hello. -Well, hello. | 0:35:14 | 0:35:16 | |
Ah, Robin and Claire. | 0:35:16 | 0:35:19 | |
-We know what that means, don't we? -We do. -Mm. | 0:35:19 | 0:35:21 | |
This will decide who guesses the price this time. | 0:35:21 | 0:35:26 | |
-Oh! -And it's me. | 0:35:26 | 0:35:29 | |
-Erm, 435. -£435,000. | 0:35:29 | 0:35:33 | |
OK, so you think we've spent that. | 0:35:33 | 0:35:36 | |
We could have spent up to £475,000, your maximum budget, couldn't we? | 0:35:36 | 0:35:39 | |
-OK. -That's what you've done. -All right. | 0:35:39 | 0:35:41 | |
-Your go, Robin. -I'll go for it. 436. | 0:35:42 | 0:35:46 | |
Oh, no! | 0:35:46 | 0:35:47 | |
You're saying 436. OK. | 0:35:47 | 0:35:49 | |
-It's neck and neck at the moment, isn't it? -Yes. | 0:35:49 | 0:35:52 | |
This is quite important. How much does winning matter to you? | 0:35:52 | 0:35:55 | |
If I won, it would be good, yes. | 0:35:55 | 0:35:58 | |
And, Robin, if you won, it would be really good as well? | 0:35:58 | 0:36:02 | |
I just want to be able to live with her if she's won. | 0:36:02 | 0:36:05 | |
Go on, then. Put us out of our misery. | 0:36:05 | 0:36:07 | |
-Claire. -Oh! -Congratulations. | 0:36:09 | 0:36:12 | |
-The actual price, and you've won twice, here, it's 429,950. -Oh, blimey. | 0:36:12 | 0:36:17 | |
You were down the right path. | 0:36:17 | 0:36:19 | |
This is proof that you get character and you get a lot of house | 0:36:19 | 0:36:22 | |
and you get it cheaper the nearer you are to the town in the commuter belt. | 0:36:22 | 0:36:26 | |
So you get this and the cellar and everything else. | 0:36:26 | 0:36:30 | |
And you've lost. | 0:36:30 | 0:36:32 | |
What you've got to do now, though, you've got to go off | 0:36:33 | 0:36:36 | |
and decide which one you wish to test drive. | 0:36:36 | 0:36:39 | |
-OK. -Are you able to do that? -I think we are. | 0:36:39 | 0:36:42 | |
OK, wander off that way and we will see you later on. | 0:36:42 | 0:36:45 | |
-You can rub it in about the competition now. -Absolutely. | 0:36:45 | 0:36:48 | |
-Wish us good luck on this bit. -Good luck, then! -Cheers. | 0:36:48 | 0:36:51 | |
-Right. -And while they do that, here's a recap of all of today's properties. | 0:36:51 | 0:36:57 | |
I'm daring to hope that they will choose my property, number one, | 0:36:57 | 0:37:02 | |
the modern four-bedroom house in the gated development. | 0:37:02 | 0:37:05 | |
It was within budget, being marketed in the price range | 0:37:05 | 0:37:08 | |
of £440,000 to £500,000 | 0:37:08 | 0:37:10 | |
but will they be able to see beyond the road? | 0:37:10 | 0:37:13 | |
Or will they go with their true feelings and choose property number two, | 0:37:14 | 0:37:18 | |
which is mine, | 0:37:18 | 0:37:20 | |
the five-bedroom home with loads of space | 0:37:20 | 0:37:22 | |
and countryside views that made them coo? | 0:37:22 | 0:37:24 | |
It's on the market in the price range of £480-525,000. | 0:37:24 | 0:37:30 | |
The wild card is always good for those who have the bottle | 0:37:30 | 0:37:33 | |
to go for something different. | 0:37:33 | 0:37:35 | |
Well, they loved today's, the Victorian family home, | 0:37:35 | 0:37:39 | |
but will the location make them bottle out? | 0:37:39 | 0:37:41 | |
It's on the market for £429,950. | 0:37:41 | 0:37:46 | |
So, Claire, Robin, here we are again, property number two - | 0:37:53 | 0:37:58 | |
-my property. -Good, well done. | 0:37:58 | 0:38:00 | |
-Ah, thanks. -No, no. -I wasn't going to gloat. -No, don't. | 0:38:00 | 0:38:03 | |
-Us women never gloat. -It's unbecoming of a person, I feel. | 0:38:03 | 0:38:06 | |
-Absolutely. -It really is. | 0:38:06 | 0:38:08 | |
Why have you chosen this for your test drive? | 0:38:08 | 0:38:12 | |
Well, it probably would seem like it was an easy decision | 0:38:12 | 0:38:15 | |
but it wasn't | 0:38:15 | 0:38:16 | |
because we did rule out one quite quick | 0:38:16 | 0:38:19 | |
-but number three gave us a little bit of a problem. -Mm. | 0:38:19 | 0:38:23 | |
The bedroom downstairs, and you do get more for your money. | 0:38:23 | 0:38:27 | |
That said, you have picked Nikki's property | 0:38:27 | 0:38:29 | |
and we have had our mysterious To Buy Or Not To Buy surveyor give it a once over. | 0:38:29 | 0:38:34 | |
It isn't legally binding, I must stress that, | 0:38:34 | 0:38:37 | |
but it's a heads-up as to what you could get yourself into. | 0:38:37 | 0:38:41 | |
-Now, have you ever heard of the term spalling? -No. | 0:38:41 | 0:38:44 | |
-Is to do with pantiles? -Yes! | 0:38:44 | 0:38:46 | |
It's something to do with tiles. | 0:38:46 | 0:38:48 | |
You have evidence of spalling on some of the tiles on the roof. | 0:38:48 | 0:38:53 | |
Not that many. Spalling is where the frost has got the tiles. | 0:38:53 | 0:38:56 | |
It's not life-changing. You don't have to replace the roof. | 0:38:56 | 0:38:59 | |
That is not a problem. | 0:38:59 | 0:39:01 | |
And according to our mystery surveyor, | 0:39:01 | 0:39:04 | |
you see these bushes here? | 0:39:04 | 0:39:05 | |
-They're planted very close to the damp course. -Oh. | 0:39:05 | 0:39:09 | |
Pull them up and put flowers in there, | 0:39:09 | 0:39:12 | |
or put shingle down because mud can be a problem, | 0:39:12 | 0:39:15 | |
and that problem will be sorted if there was ever to be one. | 0:39:15 | 0:39:18 | |
You can see the damp course. You shouldn't get above the damp course. | 0:39:18 | 0:39:22 | |
-Exactly. -OK. -And so there you go. | 0:39:22 | 0:39:24 | |
You don't want to change your mind and go back to my one? | 0:39:24 | 0:39:27 | |
-No! -No. -I will take that as a no. | 0:39:28 | 0:39:30 | |
-In three, two, one, commence your test drive. Go! -Enjoy! | 0:39:30 | 0:39:34 | |
Blimey! How many people does it take to play spin the bottle? | 0:39:37 | 0:39:41 | |
Looks like it's all too much for Robin and Jacob. | 0:39:41 | 0:39:43 | |
Now Claire's hot-footing it out of there, too. | 0:39:47 | 0:39:50 | |
Maybe they've sent in the undercover mob to check out things for them. | 0:39:50 | 0:39:54 | |
They don't look much like undercover cops to me. | 0:39:55 | 0:39:59 | |
What a fantastic view. | 0:39:59 | 0:40:00 | |
You can see all the fields round the back, can't you? | 0:40:00 | 0:40:03 | |
You can picture the kids running round. | 0:40:03 | 0:40:05 | |
Never fear, the wanderers have returned. | 0:40:05 | 0:40:08 | |
Nikki, did you see that? They've made Robin and Claire disappear. | 0:40:08 | 0:40:12 | |
-Who said Britain hasn't got talent? -I think that's just you, Ed. | 0:40:12 | 0:40:15 | |
Here we are. Hello. Have a nice long walk? | 0:40:15 | 0:40:20 | |
-How far's the train station, then? -About ten minutes. | 0:40:20 | 0:40:23 | |
-Ten minutes. -Yeah and probably the primary school the same. | 0:40:23 | 0:40:26 | |
Time for the judges' decision. | 0:40:26 | 0:40:29 | |
So has the outside face that you described, | 0:40:31 | 0:40:34 | |
and the emotional connection you felt, | 0:40:34 | 0:40:37 | |
has it actually translated into a good test drive for you both? | 0:40:37 | 0:40:40 | |
Yeah, it has. Having come back here and sitting here, | 0:40:40 | 0:40:44 | |
it feels like home. | 0:40:44 | 0:40:45 | |
-You look very at home. -Yeah, and it's still got that nice feel. | 0:40:45 | 0:40:51 | |
I can imagine myself being here and the kids living here. | 0:40:51 | 0:40:55 | |
It's definitely got an emotional connection with me. | 0:40:55 | 0:40:58 | |
-And Robin? -Yeah, I really like the house. | 0:40:58 | 0:41:01 | |
I really like the area that it's in. | 0:41:01 | 0:41:04 | |
There's some things to think about. | 0:41:04 | 0:41:05 | |
-I could hear that in your voice. -Hesitancy. | 0:41:05 | 0:41:09 | |
So, in order for us to come to a conclusion, | 0:41:09 | 0:41:12 | |
shall we revert to the bottle that enabled you to meet in life | 0:41:12 | 0:41:16 | |
and use it to work out whether or not to buy the house? | 0:41:16 | 0:41:18 | |
-Are you ready for this answer, Nikki? -Yes, I am. | 0:41:18 | 0:41:21 | |
Robin, let's have it. | 0:41:21 | 0:41:23 | |
-That's the reason I did it like that. -Ah! | 0:41:27 | 0:41:29 | |
You have gone for the centre line. | 0:41:29 | 0:41:32 | |
We have. We're sitting on the fence. | 0:41:32 | 0:41:34 | |
What is your reason for going for the middle? | 0:41:34 | 0:41:36 | |
The reason is, do we like the house? Yeah. | 0:41:36 | 0:41:40 | |
We really like the house, the area, the views, everything you got for us was right. | 0:41:40 | 0:41:45 | |
But... And the "but" doesn't mean it's not to buy, | 0:41:45 | 0:41:49 | |
so we were talking about doing the attic, weren't we? | 0:41:49 | 0:41:54 | |
-Mm. -Putting a bedroom en-suite up in the attic | 0:41:54 | 0:41:57 | |
and then the office would be in the form of a Scandinavian-style shed in the garden. | 0:41:57 | 0:42:03 | |
-Excellent. -In keeping with the picturesque garden. | 0:42:03 | 0:42:06 | |
-These are real, huge improvements. -They are. | 0:42:06 | 0:42:09 | |
And that's why we're there because the price of the property | 0:42:09 | 0:42:14 | |
was higher than our budget. | 0:42:14 | 0:42:15 | |
So we want to give it some serious thought to get it right. | 0:42:15 | 0:42:20 | |
You are allowed to hedge around the middle of our expensive game-show board. | 0:42:20 | 0:42:24 | |
-It's a sensible thing to do. Thank you very much. -Thank you. | 0:42:24 | 0:42:28 | |
Would you say we have invaluably helped you? | 0:42:28 | 0:42:30 | |
-Yeah, you have. -Has it been illuminating? -It has. | 0:42:30 | 0:42:34 | |
-Even the wild card made us think. -Yeah. | 0:42:34 | 0:42:37 | |
-And did you have fun? -Yeah. -It's been brilliant fun. | 0:42:37 | 0:42:41 | |
-Thank you. It's been great fun. -You'll see you later. Thank you. | 0:42:41 | 0:42:44 | |
-Take care. Bye. -Bye, now. | 0:42:44 | 0:42:47 | |
Subtitles by Red Bee Media Ltd | 0:42:55 | 0:43:01 | |
Subtitles by Red Bee Media Ltd | 0:43:35 | 0:43:37 | |
E-mail [email protected] | 0:43:37 | 0:43:39 |