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-Good morning viewers, you're gonna love this. -OK. Oh, my head! | 0:00:02 | 0:00:06 | |
-Are you joking? -What? -That's the best you could come up with? | 0:00:06 | 0:00:09 | |
Yeah. It's just a little clue. I used "my head". | 0:00:09 | 0:00:13 | |
That is Simon's unsubtle way of explaining where we are today. Roll titles. | 0:00:13 | 0:00:18 | |
One second. Two things, first of all, rubbish gag. | 0:00:28 | 0:00:30 | |
Secondly, we're not in Minehead, but we're in Somerset. | 0:00:30 | 0:00:34 | |
All right then, how about this? My neck! | 0:00:34 | 0:00:36 | |
-What's that? -That's near my head. -OK. | 0:00:36 | 0:00:39 | |
Today we're in an area steeped in history, full of hostelries and hopefully houses. | 0:00:39 | 0:00:43 | |
It feels like rainy September. | 0:00:43 | 0:00:46 | |
-What do you mean? -Like when summer's set. | 0:00:46 | 0:00:49 | |
-Shall we meet today's buyers? -See we're in Somerset... -I got it. | 0:00:49 | 0:00:53 | |
Anyway, on today's To Buy Or Not To Buy, | 0:00:53 | 0:00:55 | |
we go head over heels in the topsy-turvy world of house hunting. | 0:00:55 | 0:00:58 | |
I like it but I'm not sure about coming upstairs to sit in the living room. | 0:00:58 | 0:01:02 | |
We encounter some stubborn resistance from our buyers. | 0:01:02 | 0:01:05 | |
Yep. Mm-hm. | 0:01:05 | 0:01:07 | |
You can hear in Lee that she's not happy. When somebody goes, "Mm-hm, yep, mm-hm." | 0:01:07 | 0:01:13 | |
Before last-minute salvation with the help of some fantastic features. | 0:01:13 | 0:01:16 | |
That's impressive. That is a fire and a half. | 0:01:16 | 0:01:20 | |
Here are today's buyers, Richard and Lee Turner. | 0:01:21 | 0:01:24 | |
-And the best thing about them? -They're avid To Buy Or Not To Buy viewers. | 0:01:24 | 0:01:27 | |
Well yes, but also Lee's from Liverpool. | 0:01:27 | 0:01:29 | |
-Typical. And what about Richard? -Not from Liverpool. | 0:01:29 | 0:01:32 | |
So I'm not outnumbered? | 0:01:32 | 0:01:33 | |
No, I think you'll cope. Shall we meet them? | 0:01:33 | 0:01:36 | |
Now, can you describe briefly the current house that you live in? | 0:01:36 | 0:01:41 | |
It is a five-bedroomed house. It's an old vicarage. | 0:01:41 | 0:01:45 | |
So it's got large rooms, and big back kitchen. | 0:01:45 | 0:01:49 | |
Which is important, because we spend more time in the kitchen. | 0:01:49 | 0:01:53 | |
You've got an amazing house, so why are you looking to move? | 0:01:53 | 0:01:57 | |
I'm actually based in Aldershot, live in the New Forest and work in Warwick, | 0:01:57 | 0:02:01 | |
so it's rather a big commute to see the family. | 0:02:01 | 0:02:05 | |
At the moment I only get back on the weekends to see them. | 0:02:05 | 0:02:09 | |
If we move the family closer to my work, I'll get to see them more. | 0:02:09 | 0:02:13 | |
-Family is you two and four kids? -Four boys. | 0:02:13 | 0:02:16 | |
Older boy, now, he must be getting to a point where he wants some independence? | 0:02:16 | 0:02:23 | |
Yes, he is. | 0:02:23 | 0:02:24 | |
When we're searching, are we looking for anything specific for him? | 0:02:24 | 0:02:28 | |
If we saw a property that had an annexe to it, or anything like that, | 0:02:28 | 0:02:34 | |
that would be handy for him. He's 21. | 0:02:34 | 0:02:37 | |
-He needs to do his own thing. -Yeah. | 0:02:37 | 0:02:39 | |
-Is that going to be a deal-breaker for you? -No, definitely not. | 0:02:39 | 0:02:43 | |
We'll just buy a tent, put him on the land and leave him to it. | 0:02:43 | 0:02:48 | |
Absolutely. Put him out in the woods. | 0:02:48 | 0:02:50 | |
Put him out to pasture. | 0:02:50 | 0:02:52 | |
-Is this a short-term thing? A medium-term move? -No, this will be the final move for us. | 0:02:52 | 0:02:57 | |
We don't plan to move again. | 0:02:57 | 0:02:59 | |
But we haven't set our mind on a particular property, yet. | 0:02:59 | 0:03:03 | |
-Are you fussy? What's going on? -No. | 0:03:03 | 0:03:07 | |
It's trying to find the right area. | 0:03:07 | 0:03:09 | |
Because we're going to actually stay in this one, | 0:03:09 | 0:03:12 | |
we've got to be 100 percent that this is the area that you want to be in. | 0:03:12 | 0:03:16 | |
You paint me a picture, with words, your house. | 0:03:16 | 0:03:20 | |
I think you've got quite a clear image in your mind. | 0:03:20 | 0:03:22 | |
An older property. Five bedrooms. Good-size rooms on it, | 0:03:22 | 0:03:28 | |
with not a lot, a lot of land to the point where you've got got that much land... | 0:03:28 | 0:03:33 | |
A wooded area with pastures, maybe a waterfall. | 0:03:33 | 0:03:37 | |
A couple of thousand acres. Not too much. | 0:03:37 | 0:03:41 | |
We want a bit of space so we're not on top of the neighbour. | 0:03:41 | 0:03:44 | |
We need that space around us for the family. | 0:03:44 | 0:03:49 | |
We've got a lot of boys, lot of noise, football, cricket. | 0:03:49 | 0:03:52 | |
We don't want to annoy anyone. | 0:03:52 | 0:03:54 | |
We also don't want to be too far from civilisation that I can't get to work. | 0:03:54 | 0:03:59 | |
OK. Important question. | 0:03:59 | 0:04:02 | |
Older properties, beautiful, full of character. | 0:04:02 | 0:04:07 | |
Sometimes they do need a little bit of upkeep. How are you on the DIY skills? | 0:04:07 | 0:04:12 | |
I'm not too bad, because my wife usually decides it all needs changing when we get there. | 0:04:12 | 0:04:17 | |
I mean, most people like to put their own mark on the property. | 0:04:17 | 0:04:22 | |
Colour schemes, that sort of thing. | 0:04:22 | 0:04:25 | |
-Lee is very much the interior designer. -I do all that. | 0:04:25 | 0:04:29 | |
-What is your maximum budget? -About £850,000. | 0:04:29 | 0:04:32 | |
-850? That's the maximum we can push you to? -Yes. | 0:04:32 | 0:04:35 | |
That's a decent budget. | 0:04:35 | 0:04:37 | |
-Right. -This will be fun. -It will. | 0:04:37 | 0:04:40 | |
-Pressure's on. -They're not fussy. -Sounds like they are! | 0:04:40 | 0:04:44 | |
-We'd better get going. -See you in a bit. -Thank you. | 0:04:44 | 0:04:47 | |
-Big budget. -Big houses. -Big deal. -Big responsibility. | 0:04:48 | 0:04:53 | |
-Come on! We're big enough for this. -We can do this. | 0:04:53 | 0:04:55 | |
I'm off to look at some big property details. | 0:04:55 | 0:04:58 | |
OK. I'll big up the local area. | 0:04:58 | 0:05:01 | |
It's easy to see the attraction of this area, with its lovely scenery | 0:05:02 | 0:05:06 | |
and proximity to beautiful north Devon. | 0:05:06 | 0:05:08 | |
We're also on the edge of the Exmoor National Park and the Quantock Hills, | 0:05:08 | 0:05:13 | |
so there's the best of British countryside all around. | 0:05:13 | 0:05:15 | |
This area was also home to two of the greatest poets Britain's ever produced - | 0:05:15 | 0:05:20 | |
William Wordsworth and Samuel Taylor Coleridge, | 0:05:20 | 0:05:23 | |
famed for their lyrical ballads about rural life in England in the late 18th century. | 0:05:23 | 0:05:27 | |
The two poets walked the hillsides seeking inspiration | 0:05:27 | 0:05:30 | |
before returning to local hostelries such as the Bell Inn | 0:05:30 | 0:05:32 | |
and putting their thoughts onto paper. | 0:05:32 | 0:05:34 | |
It was here that Coleridge penned The Rhyme Of The Ancient Mariner. | 0:05:34 | 0:05:40 | |
Published in 1798, it's the story of an old sailor | 0:05:40 | 0:05:42 | |
who shoots a lucky albatross that was following his ship. | 0:05:42 | 0:05:46 | |
When his ship foundered, | 0:05:46 | 0:05:47 | |
he was forced to wear the dead bird around his neck as penance, | 0:05:47 | 0:05:51 | |
giving us the idiom "to have an albatross around your neck". | 0:05:51 | 0:05:56 | |
Lest we fall into that trap, let's see what else Richard and Lee | 0:05:56 | 0:06:00 | |
could buy with their 850 grand elsewhere around the country. | 0:06:00 | 0:06:04 | |
How about this beautiful four-bed Victorian villa | 0:06:05 | 0:06:07 | |
on the banks of Loch Lomond? | 0:06:07 | 0:06:09 | |
It's on the money at... | 0:06:09 | 0:06:12 | |
Or could this magnificent six-bedroom Yorkshire property tempt you? | 0:06:12 | 0:06:16 | |
Also on the nose at... | 0:06:16 | 0:06:18 | |
Or what about this eight-bed property in Dartmoor National Park? | 0:06:18 | 0:06:21 | |
It's currently serving as a B&B and the guide price is... | 0:06:21 | 0:06:26 | |
Our couple today have got a budget of £850,000. | 0:06:30 | 0:06:34 | |
How far does that go down here? | 0:06:34 | 0:06:37 | |
They would buy a nice property at that level. | 0:06:37 | 0:06:39 | |
Certainly you would get a nice detached property | 0:06:39 | 0:06:42 | |
in a local, close-by village. | 0:06:42 | 0:06:45 | |
If, like me, you love a bit of etymology, you know, the origin of place names, | 0:06:45 | 0:06:50 | |
when you turn up in Minehead you think, easy, there used to be a mine here. | 0:06:50 | 0:06:54 | |
It's the head of the mine. Good guess, but wrong. | 0:06:54 | 0:06:58 | |
The origin of the name is the Welsh word "mynydd", meaning mountain, | 0:06:58 | 0:07:02 | |
because 12 miles as the crow flies is the Welsh coast. | 0:07:02 | 0:07:06 | |
If you're standing over there, looking back, | 0:07:06 | 0:07:08 | |
all you see is a mountain rising out of the sea. | 0:07:08 | 0:07:11 | |
How are you finding things with the bigger properties? | 0:07:12 | 0:07:16 | |
As it's a sought-after area, are they still moving? | 0:07:16 | 0:07:18 | |
One of the issues in our area is that most people are selling for a lifestyle reason | 0:07:18 | 0:07:24 | |
rather than a necessity for a job, | 0:07:24 | 0:07:26 | |
so the prices tend to be pitched a little higher, | 0:07:26 | 0:07:31 | |
and quite often are happy to sit on the market. | 0:07:31 | 0:07:34 | |
Minehead owes its existence to that all-important factor location, location, location. | 0:07:34 | 0:07:40 | |
There is evidence of a port here dating back to 1380, trading with Ireland, Wales and Bristol. | 0:07:40 | 0:07:46 | |
Over the centuries however, ships left to places much further away - | 0:07:46 | 0:07:50 | |
France, Virginia and even the West Indies. | 0:07:50 | 0:07:53 | |
Something I've seen when we've been looking around is | 0:07:54 | 0:07:58 | |
there isn't much around that 850 figure. | 0:07:58 | 0:08:01 | |
There seems to be a lot up to 700, then a gap, | 0:08:01 | 0:08:04 | |
then everything jumps up beyond a million pounds. | 0:08:04 | 0:08:08 | |
Generally, a nice quality detached house, set in nice gardens | 0:08:08 | 0:08:14 | |
will probably be up to 650-ish. | 0:08:14 | 0:08:17 | |
After that you're starting to get properties with land. | 0:08:17 | 0:08:22 | |
You're probably up to 850, and then there is a gap | 0:08:22 | 0:08:25 | |
-where we then jump to a much larger property with more acreage. -Yes. | 0:08:25 | 0:08:30 | |
We're then into 1.2 million or something of that nature. | 0:08:30 | 0:08:33 | |
But times change. These days it's tourism that brings in the money, not shipping. | 0:08:33 | 0:08:39 | |
Minehead is home to one of Britain's best loved institutions - Butlins holiday camp! | 0:08:39 | 0:08:44 | |
It's said that when this place is full, the population of Minehead virtually doubles. | 0:08:44 | 0:08:50 | |
Jonny, I have been working with my socks off today. | 0:08:54 | 0:08:57 | |
-Don't you mean working your socks off? -No. | 0:08:57 | 0:09:00 | |
Anyway, how have you got on? | 0:09:00 | 0:09:02 | |
I went to the estate agents and we are struggling to use up their entire budget, | 0:09:02 | 0:09:07 | |
as you probably found. | 0:09:07 | 0:09:08 | |
There were a couple of properties that were ideal, but we couldn't get the viewings. | 0:09:08 | 0:09:13 | |
So we've had to compromise a bit, but if they're looking to stay for the rest of their lives... | 0:09:13 | 0:09:20 | |
I couldn't agree with you more. It is very rare that I don't spend the whole budget. | 0:09:20 | 0:09:24 | |
And that is what's happened today. But property one | 0:09:24 | 0:09:27 | |
is absolutely gorgeous. | 0:09:27 | 0:09:29 | |
This is value for money. It comes with nine acres of land. | 0:09:29 | 0:09:32 | |
It is in a beautiful position, very close to those amenities that our couple want. | 0:09:32 | 0:09:36 | |
That's property one. You'll go well to beat that. | 0:09:36 | 0:09:39 | |
Now, property two, I think it looks lovely. There you go. | 0:09:39 | 0:09:41 | |
Stone barn conversion. | 0:09:41 | 0:09:44 | |
Versatile and adaptable accommodation. | 0:09:44 | 0:09:46 | |
It needs a bit of money spending on it, | 0:09:46 | 0:09:49 | |
but if you're staying somewhere for the rest of your life, you want to personalise it. | 0:09:49 | 0:09:54 | |
This gives them the money to do that. | 0:09:54 | 0:09:57 | |
Now then, the wildcard. | 0:09:57 | 0:09:59 | |
This is the most isolated of the three properties. | 0:09:59 | 0:10:01 | |
It is set in the heart of the Exmoor National Park. | 0:10:01 | 0:10:04 | |
It's a beautiful property. That's the wildcard. | 0:10:04 | 0:10:07 | |
We think they'll love it. | 0:10:07 | 0:10:09 | |
-Shall we start the tours? -Property one. -That's my choice. | 0:10:09 | 0:10:12 | |
So here is property one. Barn conversions can be tricky, | 0:10:16 | 0:10:20 | |
but this one's been done exceptionally well. | 0:10:20 | 0:10:22 | |
It has indeed, Simon. | 0:10:22 | 0:10:24 | |
Do not forget that it's a two-horse race. | 0:10:24 | 0:10:26 | |
Should you fall at the first, I'll be there to take the reins. | 0:10:26 | 0:10:30 | |
OK. Property one today is my choice. | 0:10:30 | 0:10:33 | |
Before we talk about the house, let's put ourselves on the map. | 0:10:33 | 0:10:37 | |
We are a mile | 0:10:37 | 0:10:38 | |
from the village of Williton, where you will find an excellent primary and secondary school. | 0:10:38 | 0:10:43 | |
One box ticked. | 0:10:43 | 0:10:44 | |
As far as getting onto the M5, 30 minutes, easy access | 0:10:44 | 0:10:48 | |
to the M5 to get to Warwick and the rest of the country. | 0:10:48 | 0:10:51 | |
So, location-wise, I think I've done pretty well. Property-wise, | 0:10:51 | 0:10:57 | |
beautiful, random-coursed rubble barn conversion made from local stone. Lovely pink colour. | 0:10:57 | 0:11:03 | |
What are you thinking? | 0:11:03 | 0:11:05 | |
-Beautiful stone. -Very nice. -Gorgeous, isn't it? | 0:11:05 | 0:11:10 | |
What else are you thinking? | 0:11:10 | 0:11:11 | |
-Mm-hm. -Come on. There's a little "Mm-hm". -No. -No? -Nothing like, | 0:11:11 | 0:11:17 | |
-"Those neighbours are close"! -Yep! | 0:11:17 | 0:11:20 | |
Are you not think... | 0:11:20 | 0:11:22 | |
I'm just asking the question. That's legitimate. | 0:11:22 | 0:11:25 | |
That was what I was thinking. | 0:11:25 | 0:11:28 | |
-Blame him. -It's a fair comment. That's a fair comment. | 0:11:28 | 0:11:32 | |
What we know about the neighbours, two retired couples. | 0:11:32 | 0:11:35 | |
The people who live here at the moment, | 0:11:35 | 0:11:37 | |
they rarely see each other. But you do have neighbours. | 0:11:37 | 0:11:41 | |
Besides, when you've got nine acres of land | 0:11:41 | 0:11:44 | |
with your property, including | 0:11:44 | 0:11:46 | |
-fantastic new liveried stables over here. -Yes. -All right? -Yes. | 0:11:46 | 0:11:50 | |
We'll look round all the outhouses in a bit. | 0:11:50 | 0:11:53 | |
But, first, we want to know if this barn conversion works for you. | 0:11:53 | 0:11:57 | |
-They can be a tricky thing. -Absolutely. | 0:11:57 | 0:11:59 | |
Right then, only one way to find out. | 0:11:59 | 0:12:01 | |
Get in there and enjoy. We'll be listening. | 0:12:01 | 0:12:03 | |
Thanks for bringing that up. | 0:12:03 | 0:12:05 | |
-I was being nice. -No you weren't. Your card is marked. | 0:12:05 | 0:12:08 | |
-It's nice, isn't it, the hallway? -That's nice. -Yes. | 0:12:13 | 0:12:17 | |
Shall we go into the kitchen? That's nice. | 0:12:17 | 0:12:20 | |
Very nice. Look at the cooker. | 0:12:20 | 0:12:24 | |
-You like the cooker? -Lovely, lovely cooker. | 0:12:24 | 0:12:27 | |
Look at that! | 0:12:27 | 0:12:29 | |
Fantastic. | 0:12:29 | 0:12:30 | |
Would you say this is the living room? | 0:12:31 | 0:12:33 | |
-The living area? -I'd think so. | 0:12:33 | 0:12:36 | |
One. That's one of your living areas. | 0:12:36 | 0:12:40 | |
-Very nice. -I don't think you'd need to do any decor changing. | 0:12:40 | 0:12:44 | |
-It's lovely. -Nice floors again. I like the wood floors. That'll keep it nice and clean. | 0:12:44 | 0:12:49 | |
Quite right. Practical flooring is what you need when you're living in the countryside. | 0:12:49 | 0:12:55 | |
Is that because of your hooves? | 0:12:57 | 0:12:59 | |
No, you don't bring the horses in. | 0:12:59 | 0:13:02 | |
A converted barn is just for people. | 0:13:02 | 0:13:04 | |
We'll go through into the... | 0:13:04 | 0:13:06 | |
That's your conservatory. I like that. | 0:13:06 | 0:13:09 | |
-Go back up this way? -Yeah. | 0:13:09 | 0:13:12 | |
-Look at this! Wow. -Stained-glass windows. | 0:13:13 | 0:13:17 | |
That's a feature, isn't it? | 0:13:18 | 0:13:20 | |
-It's lovely. Never expected to see this, did you? -No. | 0:13:21 | 0:13:26 | |
It is amazing, isn't it? | 0:13:26 | 0:13:27 | |
That for me is the winning feature of this property. | 0:13:27 | 0:13:31 | |
It's too easy when you redesign a place like this | 0:13:31 | 0:13:34 | |
to squeeze the space out of the hall. | 0:13:34 | 0:13:36 | |
Don't do it. It's what you want when you first walk in a place. | 0:13:36 | 0:13:39 | |
And this is a little... | 0:13:39 | 0:13:41 | |
-fantastic, an office. -Brilliant. | 0:13:41 | 0:13:43 | |
That means I can work from home. | 0:13:43 | 0:13:44 | |
They must have wireless as well. | 0:13:44 | 0:13:46 | |
The problem facing any business person living in the country - wireless connections. | 0:13:46 | 0:13:51 | |
This is a bedroom. | 0:13:51 | 0:13:54 | |
A downstairs bedroom? That's interesting. | 0:13:54 | 0:13:56 | |
I can see Anthony in here. | 0:13:56 | 0:13:58 | |
Another downstairs bedroom. OK. | 0:14:00 | 0:14:02 | |
This is a good size. | 0:14:02 | 0:14:04 | |
If this is an en-suite it'll be fantastic. Yep. | 0:14:04 | 0:14:07 | |
Big double shower. Lovely. | 0:14:07 | 0:14:10 | |
I think this will be better for Anthony. | 0:14:10 | 0:14:12 | |
-We'll put Declan in the one next door. -Definitely downstairs. | 0:14:12 | 0:14:16 | |
If they're picking bedrooms already, I'm happy. | 0:14:16 | 0:14:18 | |
Look at that! Lovely, isn't it? | 0:14:18 | 0:14:21 | |
It goes round. The boys would have good fun running round there. | 0:14:21 | 0:14:25 | |
-I can see it. -Yeah. | 0:14:25 | 0:14:26 | |
-Lovely view. -It is. -Really nice. | 0:14:26 | 0:14:30 | |
Another nice one. Bedroom, big double. | 0:14:30 | 0:14:34 | |
Look at that view. Wow. | 0:14:34 | 0:14:36 | |
-I like the stained-glass windows. Very good. -That is lovely. | 0:14:36 | 0:14:40 | |
-And then we have the en-suite. -Look at this. | 0:14:40 | 0:14:44 | |
-Burgundy, you like that. -A bath, no shower. A bath! Fantastic. | 0:14:44 | 0:14:49 | |
Another room. | 0:14:49 | 0:14:51 | |
En-suite. | 0:14:51 | 0:14:52 | |
Right. | 0:14:53 | 0:14:54 | |
So this is what, bedroom... | 0:14:54 | 0:14:57 | |
-This would be off of bedroom four. -Yeah. Brilliant. | 0:14:57 | 0:15:00 | |
So far then we've got Anthony, Declan and ourselves sorted. | 0:15:00 | 0:15:04 | |
This could be Rees's. This is a good double. | 0:15:04 | 0:15:09 | |
-Good-size double. -It's a shame all the rooms aren't that size. | 0:15:09 | 0:15:15 | |
Mm... Yeah. | 0:15:15 | 0:15:16 | |
-There's only four bedrooms and they need five. -Yeah. | 0:15:16 | 0:15:21 | |
-You've only given them four. -Yeah. | 0:15:21 | 0:15:23 | |
Goodness, look at that! | 0:15:23 | 0:15:26 | |
The other room that I was looking for downstairs. | 0:15:26 | 0:15:28 | |
That is pleasantly surprising. | 0:15:28 | 0:15:30 | |
Lovely high ceilings. | 0:15:30 | 0:15:33 | |
The fireplace. Wow. | 0:15:33 | 0:15:35 | |
-That's impressive. -This really needs to have been downstairs. | 0:15:35 | 0:15:38 | |
Touch of upside-down living here. | 0:15:38 | 0:15:40 | |
-Perfect though. -They've made the most of the fabulous views from this property. | 0:15:40 | 0:15:45 | |
I like it, but I'm not quite sure about coming upstairs to sit in the living room. | 0:15:45 | 0:15:50 | |
It's just different. | 0:15:50 | 0:15:52 | |
We haven't got that other bedroom that we need. | 0:15:52 | 0:15:56 | |
But it is lovely, and it's got potential. | 0:15:56 | 0:15:58 | |
Lee, I heard a lot of positives from you. Richard, | 0:16:00 | 0:16:03 | |
you seemed a little bit reticent. Talk to me. | 0:16:03 | 0:16:06 | |
I guess I'm a traditionalist. I couldn't get past the idea of a living room upstairs. | 0:16:06 | 0:16:11 | |
Also, I thought the bedrooms were a little small. | 0:16:11 | 0:16:15 | |
-I did ask, didn't I? -You did. | 0:16:15 | 0:16:18 | |
-What will I do with the other child? -I'm glad you asked that question. | 0:16:18 | 0:16:22 | |
That's why we're standing here. | 0:16:22 | 0:16:24 | |
We have this stable block out here. | 0:16:24 | 0:16:26 | |
It's a very modern block. Now the local feeling is | 0:16:26 | 0:16:29 | |
they're starting to get restrictive about any more outhouses being converted | 0:16:29 | 0:16:34 | |
if they have historic value. | 0:16:34 | 0:16:37 | |
This is so modern, there is a feeling that if you applied | 0:16:37 | 0:16:41 | |
you would get permission to convert this into an annexe. | 0:16:41 | 0:16:44 | |
That's answering that question. | 0:16:44 | 0:16:46 | |
-Also, then allowing him to get a foot on the property ladder. -True. | 0:16:46 | 0:16:51 | |
So, possibilities here. On the other hand, | 0:16:51 | 0:16:54 | |
if you could make the inside space work, | 0:16:54 | 0:16:57 | |
these four stables here, if you fancied a new business, | 0:16:57 | 0:17:00 | |
if you wanted to manage this livery with the school here, | 0:17:00 | 0:17:02 | |
you've got potential of 20 grand a year income. | 0:17:02 | 0:17:07 | |
-That's very appealing. -Isn't it, just? | 0:17:07 | 0:17:10 | |
I can see two boys in a bedroom. | 0:17:10 | 0:17:12 | |
HE LAUGHS | 0:17:12 | 0:17:14 | |
I like your practical mind. | 0:17:14 | 0:17:16 | |
I'm interested by your approach to this property, it is quirky. | 0:17:16 | 0:17:20 | |
You have to have the elevated lounge to ensure you maximise | 0:17:20 | 0:17:24 | |
these beautiful views from the location. | 0:17:24 | 0:17:27 | |
That's why they've put that lounge upstairs. | 0:17:27 | 0:17:30 | |
I don't see a problem with the upstairs living area because of the view. | 0:17:30 | 0:17:35 | |
It's fantastic. I can understand Richard, but... | 0:17:35 | 0:17:39 | |
There's a few issues to overcome with this property. | 0:17:39 | 0:17:42 | |
Maybe I can convince you, | 0:17:42 | 0:17:44 | |
when we play guess the price. | 0:17:44 | 0:17:47 | |
Right, your maximum budget, £850,000, | 0:17:47 | 0:17:51 | |
so how much do you think for this lovely | 0:17:51 | 0:17:55 | |
converted barn with nine acres of land? | 0:17:55 | 0:17:57 | |
-Who's going to go first? -Thank you. -Richard. | 0:17:57 | 0:18:01 | |
-I guess 725. -OK. | 0:18:03 | 0:18:06 | |
I'd say 700. | 0:18:07 | 0:18:08 | |
You would, would you? | 0:18:08 | 0:18:11 | |
-You think this is 150 grand below your maximum budget? -Yeah. | 0:18:11 | 0:18:15 | |
You're wrong, but you win. | 0:18:16 | 0:18:18 | |
It's £200,000 below your maximum budget. | 0:18:20 | 0:18:22 | |
It's been reduced massively. It's on the market for 650k. | 0:18:22 | 0:18:27 | |
1-0. | 0:18:30 | 0:18:30 | |
-That's all you're interested in. -It is. | 0:18:32 | 0:18:33 | |
These Liverpool supporters, they're so competitive. | 0:18:33 | 0:18:36 | |
For what you're getting, it's a fantastic price. | 0:18:36 | 0:18:39 | |
-You see why it appealed to us? -Definitely. | 0:18:39 | 0:18:42 | |
-Right. So, food for thought? -Absolutely. | 0:18:42 | 0:18:45 | |
That's property one out the way. | 0:18:45 | 0:18:47 | |
-Jonny, are we hot to trot? -Stop horsing around. Property two. | 0:18:47 | 0:18:51 | |
Time now for my selection, another barn conversion | 0:18:54 | 0:18:57 | |
with fantastic potential and incredible views. | 0:18:57 | 0:19:00 | |
I'm surprised there are any barns left. | 0:19:00 | 0:19:03 | |
The cows' loss is our property hunters' gain. | 0:19:03 | 0:19:06 | |
We'll see about that. | 0:19:06 | 0:19:08 | |
Lee, Richard, welcome to my choice, property two. | 0:19:08 | 0:19:11 | |
When I was paying you out about the proximity of properties to your choice, | 0:19:11 | 0:19:16 | |
I'd forgotten that the neighbours to this property are a bit close. | 0:19:16 | 0:19:22 | |
It has neighbours? It does? | 0:19:22 | 0:19:25 | |
That's what you were saying, this property has neighbours? | 0:19:26 | 0:19:29 | |
It's not as isolated as we were hoping for, but, | 0:19:29 | 0:19:33 | |
we are in Luxborough, | 0:19:33 | 0:19:35 | |
and you have four and a half acres of land. Gorgeous countryside. | 0:19:35 | 0:19:39 | |
The Exmoor National Park. | 0:19:39 | 0:19:41 | |
-What do you think of the house? -From the outside, lovely stone. | 0:19:41 | 0:19:45 | |
Richard, what are you thinking? | 0:19:45 | 0:19:47 | |
I'm thinking all the work that will be needed | 0:19:47 | 0:19:49 | |
with all the woodwork around it. | 0:19:49 | 0:19:51 | |
We love wood and stone. | 0:19:51 | 0:19:54 | |
We like lots of not work. | 0:19:54 | 0:19:56 | |
I see. Hang on a minute. | 0:19:56 | 0:19:59 | |
Can we all do one thing for me? | 0:19:59 | 0:20:01 | |
Can we all turn round? | 0:20:01 | 0:20:03 | |
Look at this. | 0:20:04 | 0:20:05 | |
This is the Exmoor National Park. | 0:20:05 | 0:20:08 | |
Beautiful rolling hills. | 0:20:08 | 0:20:09 | |
You've got four and a half acres with your own river down there. | 0:20:09 | 0:20:14 | |
-This is a gorgeous place. That's why you want to move here, isn't it? -Yeah. | 0:20:14 | 0:20:19 | |
But property-wise, it is really lovely. | 0:20:19 | 0:20:22 | |
There's a little bit of work to do. | 0:20:22 | 0:20:25 | |
It's not as daunting as you think it is. | 0:20:25 | 0:20:27 | |
-Right. -But, you know... -Come on. | 0:20:27 | 0:20:30 | |
Get in there. Keep an open mind. I can see you've already closed it. | 0:20:30 | 0:20:35 | |
Don't. Open mind, get in there, enjoy this property. | 0:20:35 | 0:20:38 | |
You'll find one thing in there that I didn't provide before. | 0:20:38 | 0:20:43 | |
-What's that? -You'll have to go and find out. | 0:20:43 | 0:20:45 | |
A-ha! Keep looking, now! | 0:20:45 | 0:20:48 | |
-Well, I didn't expect that. -That's very different. -Mm. | 0:20:53 | 0:20:57 | |
-That's very open-plan, isn't it? -Yeah. | 0:20:57 | 0:20:59 | |
Assuming Rich and Lee can hold off those negative thoughts, | 0:20:59 | 0:21:05 | |
the property itself really does tick all their boxes. | 0:21:05 | 0:21:08 | |
I like the gallery landing. | 0:21:08 | 0:21:11 | |
-Yep. Mm-hm. -Quite nice, isn't it? -Yep. | 0:21:11 | 0:21:15 | |
You can hear in Lee that she's not happy. When somebody goes, "Mm-hm, yep, mm-hm." | 0:21:15 | 0:21:21 | |
-Big dining area. -Yeah. | 0:21:21 | 0:21:23 | |
-Patio door out onto the garden. -Right. Yeah. | 0:21:23 | 0:21:26 | |
Wooden floor. Hm. | 0:21:26 | 0:21:29 | |
Jonny, that is not a good sign. | 0:21:29 | 0:21:32 | |
-What's that? -They've just whizzed round that gorgeous lounge-kitchen area | 0:21:32 | 0:21:37 | |
with the gallery, and now they're going down the corridor. | 0:21:37 | 0:21:41 | |
And then down here's... I think there's some bedrooms down here. | 0:21:41 | 0:21:46 | |
And this is a double bedroom. | 0:21:46 | 0:21:48 | |
-Have we got any en-suites? -No, just a sink. | 0:21:48 | 0:21:51 | |
So we're on the bottom level, because we came up the stairs, in, | 0:21:52 | 0:21:56 | |
kitchen, down the stairs, so we've gone back down to the bottom level where we came in. | 0:21:56 | 0:22:02 | |
-Yeah. -So we're sleeping downstairs. -Yeah. -In effect. | 0:22:02 | 0:22:07 | |
-With a door outside, so a back door. -Yeah. -In the bedroom. -Right. | 0:22:07 | 0:22:11 | |
-What? -That is so you can access the lovely gardens and countryside. | 0:22:11 | 0:22:15 | |
OK, and then in here... | 0:22:15 | 0:22:17 | |
-is a bathroom. They like their wood, don't they? They do like all their old wood. -Yeah. | 0:22:18 | 0:22:23 | |
And then we're into another bedroom. | 0:22:23 | 0:22:26 | |
Two single beds in this one. How many bedrooms have we seen now? | 0:22:26 | 0:22:29 | |
-That's one, two, isn't it? -Yeah. | 0:22:29 | 0:22:31 | |
You've got another room here, | 0:22:31 | 0:22:34 | |
which is... | 0:22:34 | 0:22:35 | |
-just another bathroom. -OK. -Yep. | 0:22:35 | 0:22:38 | |
And then I guess this must be another bedroom. | 0:22:39 | 0:22:41 | |
OK, this is a single. | 0:22:42 | 0:22:44 | |
-Very narrow, very small again. -Very small, isn't it? | 0:22:44 | 0:22:47 | |
-Hmm. -Hmm. | 0:22:47 | 0:22:49 | |
Another room. | 0:22:49 | 0:22:50 | |
-This must be the master bedroom. -OK. -Possibly. Yep. Yep. | 0:22:51 | 0:22:56 | |
-Again, no en-s... This is the master, you say? -Got to be. -There's no en-suite or anything. | 0:22:56 | 0:23:03 | |
Upstairs. | 0:23:04 | 0:23:05 | |
So we've seen the bottom, where you eat. | 0:23:07 | 0:23:11 | |
This is funny, isn't it? Look at this. | 0:23:11 | 0:23:14 | |
Wow, that is odd, isn't it? | 0:23:14 | 0:23:16 | |
Like a little room and then a bridge. | 0:23:16 | 0:23:19 | |
THEY LAUGH | 0:23:19 | 0:23:20 | |
Is it? | 0:23:20 | 0:23:21 | |
-It's a bit like a loft conversion. -Yeah. | 0:23:21 | 0:23:24 | |
Must be. Oh, and you've got like a little snooky room. | 0:23:24 | 0:23:27 | |
This must be your lounge. We haven't seen a lounge. | 0:23:27 | 0:23:30 | |
So you're downstairs to eat and then you're back upstairs. | 0:23:30 | 0:23:34 | |
Lounge upstairs, beautiful views. | 0:23:34 | 0:23:36 | |
But I do think you could have made the mezzanine bridge a bit smaller | 0:23:36 | 0:23:41 | |
-and given yourself more space up there. -I agree. | 0:23:41 | 0:23:44 | |
-It's quirky, isn't it? This is more quirkier than the first house, don't you agree? -Mm. | 0:23:44 | 0:23:50 | |
-Oh, this is another... -Oh, right, this is another lounge. | 0:23:51 | 0:23:56 | |
Would this be... I can't quite work out what this would be. | 0:23:56 | 0:24:00 | |
There's when a barn conversion doesn't work. | 0:24:00 | 0:24:02 | |
You walk through that living room, | 0:24:02 | 0:24:05 | |
but because it's the only way through to the next room, | 0:24:05 | 0:24:08 | |
it's actually just a glorified corridor. | 0:24:08 | 0:24:12 | |
We have another kitchen. | 0:24:12 | 0:24:16 | |
So this could work as an annexe for Anthony. | 0:24:16 | 0:24:18 | |
There's a lot more than I thought we'd actually see. | 0:24:18 | 0:24:22 | |
Yeah. | 0:24:22 | 0:24:23 | |
We've got another bathroom. | 0:24:23 | 0:24:25 | |
You've got like a house plus a little annexe as well. | 0:24:25 | 0:24:29 | |
-Which is good. -Shut the kids out, live in here. | 0:24:29 | 0:24:32 | |
-Give the kids the rest of the house. -Put the boys upstairs. | 0:24:32 | 0:24:35 | |
That's exactly what you've got - a family house for you and the kids | 0:24:35 | 0:24:39 | |
and an annexe for your older son. Perfect. | 0:24:39 | 0:24:42 | |
I think it's a little bit quirky for me, to be truthful. | 0:24:42 | 0:24:46 | |
The only thing that works if you use it for Anthony, | 0:24:46 | 0:24:49 | |
was he's got his own back-door entrance to this area. | 0:24:49 | 0:24:53 | |
-I want to go and tell them about something. See you in a bit. -Absolutely. | 0:24:53 | 0:24:57 | |
Just enjoy some splendid isolation. | 0:24:57 | 0:25:01 | |
-Hello, hello. -Hello. | 0:25:03 | 0:25:05 | |
Have you found the thing that I gave you that Simon didn't? | 0:25:05 | 0:25:08 | |
The separate kitchen-annexe area. | 0:25:08 | 0:25:11 | |
Just five bedrooms in the house. Now follow me. | 0:25:11 | 0:25:14 | |
Now, that is obviously a bonus because you haven't got to worry about converting barns and stables. | 0:25:14 | 0:25:21 | |
You could do it here too, because you've got that space. | 0:25:21 | 0:25:24 | |
Does he really need his own kitchen? | 0:25:24 | 0:25:27 | |
-Probably not. -I would open this entire room up. | 0:25:27 | 0:25:29 | |
Take that kitchen out, knock straight through. | 0:25:29 | 0:25:32 | |
If you knock on that wall, Lee. | 0:25:32 | 0:25:35 | |
-Stud wall. -It's just stud, and you've got vaulted ceilings. | 0:25:35 | 0:25:39 | |
You've got big windows either side. | 0:25:39 | 0:25:42 | |
He can have his own way in. Bathroom and bedroom no problem. | 0:25:42 | 0:25:46 | |
Knock the kitchen out and that would give you the kind of size lounge you want. | 0:25:46 | 0:25:51 | |
I do think the solutions are there. | 0:25:51 | 0:25:53 | |
-You're looking to stay for the rest of your lives. -Yep. | 0:25:53 | 0:25:57 | |
-Therefore you want to make it just right. -Mm-hm. | 0:25:57 | 0:26:00 | |
But all that will cost a bit of money as we know. | 0:26:00 | 0:26:03 | |
Let's find Simon, play guess the price, | 0:26:03 | 0:26:06 | |
then you can really go after me, I can see it in your eyes. | 0:26:06 | 0:26:10 | |
Come on, then, what do you think? | 0:26:12 | 0:26:15 | |
I just think there's a bit too much work to do. | 0:26:16 | 0:26:19 | |
We'd have to almost turn it upside down again | 0:26:19 | 0:26:22 | |
for the way I would want it myself, so really, | 0:26:22 | 0:26:25 | |
it's not for me. | 0:26:25 | 0:26:27 | |
It just doesn't work for us at all. | 0:26:27 | 0:26:29 | |
Because of the sort of property you want as your final home, | 0:26:29 | 0:26:33 | |
unless you build something exactly to your specification, | 0:26:33 | 0:26:37 | |
maybe you have to find something a little cheaper that you can then knock around | 0:26:37 | 0:26:42 | |
-and tailor it to what you want. -The thing is, | 0:26:42 | 0:26:46 | |
we're going to live in the house while renovating it. | 0:26:46 | 0:26:49 | |
-You've got four children... -Stables. | 0:26:49 | 0:26:52 | |
Possibility. | 0:26:52 | 0:26:54 | |
But four children and a major renovation programme to that extent | 0:26:54 | 0:26:58 | |
inside and out, and we wouldn't be happy anyway because of the proximity of the neighbours. | 0:26:58 | 0:27:04 | |
I still think it's a contender from you're saying. | 0:27:04 | 0:27:07 | |
-OK, let's move on if we can. -I'll move us on, shall I, swiftly? | 0:27:07 | 0:27:13 | |
It's guess-the-price time. | 0:27:13 | 0:27:15 | |
Now then, your maximum budget, £850,000. | 0:27:15 | 0:27:19 | |
It's 1-0 to you, Lee. | 0:27:19 | 0:27:21 | |
Who's going to go first this time? Your turn, ladies first. | 0:27:21 | 0:27:25 | |
-645. -OK. | 0:27:25 | 0:27:27 | |
-I'd say 585. -Mm. | 0:27:27 | 0:27:30 | |
Well, Lee, no competition, you have won, congratulations. | 0:27:30 | 0:27:34 | |
It's 2-0 to you and you're only five grand shy, £650,000. | 0:27:34 | 0:27:39 | |
So knowing the price and with over 200k to make the necessary changes, | 0:27:39 | 0:27:44 | |
does that swing it back at all? | 0:27:44 | 0:27:46 | |
It's still the near neighbours. | 0:27:46 | 0:27:48 | |
I think if we could have seen this on its own with a bit more land... | 0:27:48 | 0:27:54 | |
-More than four and a half acres? There's no pleasing some people! -There could be. | 0:27:54 | 0:27:59 | |
-Ah, yes, there's one more to go. -The wildcard. | 0:27:59 | 0:28:02 | |
Let's all go in again and leave by a different door. | 0:28:02 | 0:28:05 | |
So here we are at the wildcard, and it's been a long road. | 0:28:10 | 0:28:13 | |
Today's wildcard has actually taken us into the wilderness. | 0:28:13 | 0:28:17 | |
Or at least the Exmoor National Park. | 0:28:17 | 0:28:19 | |
That's pretty wild, I suppose. | 0:28:19 | 0:28:21 | |
I hope there's a barn there in case we need to take shelter. | 0:28:21 | 0:28:24 | |
OK, Rich and Lee, here we are at the wildcard. | 0:28:24 | 0:28:27 | |
Now, there is a neighbour here, | 0:28:27 | 0:28:30 | |
but Simon and I agree there is so much going on with this house, | 0:28:30 | 0:28:35 | |
a gorgeous property, fantastic views and the overall setting, | 0:28:35 | 0:28:39 | |
we thought it was a compromise worth considering. | 0:28:39 | 0:28:41 | |
That aside, if you want isolation, how does 22 acres of land grab you? | 0:28:41 | 0:28:47 | |
Very good. | 0:28:47 | 0:28:49 | |
You literally own most of Exmoor National Park. | 0:28:49 | 0:28:51 | |
-I'm sure it works out something like that. -It's a sizeable chunk. | 0:28:51 | 0:28:55 | |
We'll get to that later. First impressions of the house? | 0:28:55 | 0:28:59 | |
-Nice. -Very nice. -Stone again. | 0:28:59 | 0:29:01 | |
-Lovely stone. Mm-hm. -Yeah, very striking. -Yeah. | 0:29:01 | 0:29:05 | |
We also think the inside is beautiful. Striking is the word. We hope you'll agree. | 0:29:05 | 0:29:10 | |
Get in there and we'll be listening in. | 0:29:10 | 0:29:13 | |
It's got your Aga again. You like those, don't you? | 0:29:16 | 0:29:18 | |
And the tiles, what do you think? | 0:29:18 | 0:29:20 | |
-I like the motif. Nice, isn't it? -It's different. | 0:29:20 | 0:29:23 | |
Very nice. First impressions good. | 0:29:23 | 0:29:25 | |
Look at this. | 0:29:25 | 0:29:27 | |
-Proper wood floors. -Yeah. | 0:29:27 | 0:29:29 | |
That's great. | 0:29:29 | 0:29:31 | |
Once again, this is a kitchen that opens up into a lovely family room that forms | 0:29:31 | 0:29:36 | |
a new extension, underfloor heating, | 0:29:36 | 0:29:39 | |
beautiful materials used, it's lovely. | 0:29:39 | 0:29:41 | |
It's lovely, isn't it? | 0:29:41 | 0:29:43 | |
-It's different. -Nice and light. | 0:29:43 | 0:29:46 | |
That's lovely. They look like doors that | 0:29:46 | 0:29:48 | |
open right out so you're onto the patio. Very nice, isn't it? | 0:29:48 | 0:29:54 | |
Great first impressions. Best we've had, I'd say. | 0:29:54 | 0:29:57 | |
Stairs up. | 0:29:57 | 0:29:59 | |
Wow, look at the fire! | 0:29:59 | 0:30:03 | |
-Superb. -Wow! | 0:30:03 | 0:30:05 | |
That's impressive, isn't it? That is a fire and a half. | 0:30:06 | 0:30:10 | |
Wow, that is lovely, isn't it? | 0:30:10 | 0:30:13 | |
I love the ceilings. Gives you plenty of room and space. | 0:30:13 | 0:30:17 | |
But could be tricky to heat in the winter. Jonny? | 0:30:17 | 0:30:20 | |
There is underfloor heating to give you a good base, | 0:30:20 | 0:30:23 | |
and the fire throws up so much heat. | 0:30:23 | 0:30:27 | |
The vendor says that room is beautiful in winter. | 0:30:27 | 0:30:31 | |
And the gallery. | 0:30:31 | 0:30:33 | |
And plenty of room for the furniture. | 0:30:34 | 0:30:36 | |
-And the big telly. -And the big telly, to go with the big fireplace. -Yeah. | 0:30:36 | 0:30:41 | |
We've seen two barn conversions already today. | 0:30:41 | 0:30:45 | |
Of the three, this is the one that's been done best. | 0:30:45 | 0:30:48 | |
-I completely agree. -It really works as a space. | 0:30:48 | 0:30:51 | |
Also the shape of it, the others were very linear buildings. | 0:30:51 | 0:30:55 | |
This one has a dog-leg, which lets you develop it differently. | 0:30:55 | 0:30:59 | |
-Little... -What have we got in here? | 0:30:59 | 0:31:02 | |
-Bathroom. -There's a stairs. | 0:31:03 | 0:31:04 | |
-A stairs and a downstairs bathroom. -That's nice. | 0:31:04 | 0:31:07 | |
Isn't it? I like the tiles. Do you like the tiles? | 0:31:07 | 0:31:11 | |
-Yes, it's nice, isn't it? -That's nice. | 0:31:11 | 0:31:13 | |
-It's like a Pandora's box, isn't it? -It is, isn't it? | 0:31:13 | 0:31:19 | |
Pandora's box, of course, because... | 0:31:19 | 0:31:22 | |
What lay at the bottom of Pandora's box, Jonny? | 0:31:22 | 0:31:24 | |
-Hope. -That's what the wildcard is giving us. | 0:31:24 | 0:31:26 | |
-It's a large bedroom as well. -Yeah. | 0:31:26 | 0:31:29 | |
-Couple of windows, so you've still got plenty of light. -Yeah. | 0:31:29 | 0:31:33 | |
Brilliant. Yeah, it's good. | 0:31:33 | 0:31:35 | |
This is just like a little hallway again. | 0:31:35 | 0:31:38 | |
Bedroom, single. | 0:31:38 | 0:31:39 | |
So who would you put in here? Which of the children? | 0:31:39 | 0:31:43 | |
That we'll leave till the end, | 0:31:43 | 0:31:45 | |
because we don't know where the other bedrooms are. | 0:31:45 | 0:31:49 | |
If we had that one, we'd have to have Conor in here. | 0:31:49 | 0:31:53 | |
But we'll leave that until we see where the rest are. | 0:31:53 | 0:31:56 | |
Bit tight. | 0:32:00 | 0:32:02 | |
This place could suffer from that barn-conversion syndrome I was talking about. | 0:32:02 | 0:32:08 | |
But with the spiral staircase at one end, that problem is solved. | 0:32:08 | 0:32:12 | |
Wow, look at that, they've got a toy room up here. | 0:32:12 | 0:32:15 | |
Oh, now that is nice, isn't it? | 0:32:17 | 0:32:20 | |
Isn't that lovely? | 0:32:20 | 0:32:22 | |
Jonny, this is a done deal. | 0:32:22 | 0:32:24 | |
No. I'll tell you, as an agent, do not get too excited. | 0:32:24 | 0:32:28 | |
-OK. -Let the tour finish. -I'll try not to. | 0:32:28 | 0:32:31 | |
Just thinking whether you could make it a separate entrance for Anthony. | 0:32:31 | 0:32:36 | |
Let's see what's further on, but | 0:32:36 | 0:32:38 | |
yeah, good idea, give him his own space. | 0:32:38 | 0:32:41 | |
Yeah. | 0:32:41 | 0:32:43 | |
Oh, look at this, definitely, Anthony, here you come. | 0:32:43 | 0:32:47 | |
A bath and a toilet, but would he use the bath? | 0:32:47 | 0:32:50 | |
A-ha. | 0:32:50 | 0:32:52 | |
THEY LAUGH | 0:32:52 | 0:32:53 | |
-Possibilities. There are possibilities. -There are. | 0:32:53 | 0:32:56 | |
But we have a better idea. | 0:32:56 | 0:32:59 | |
Very nice. Look at this. | 0:32:59 | 0:33:01 | |
This could definitely be a suite. | 0:33:02 | 0:33:05 | |
Yeah. | 0:33:05 | 0:33:06 | |
Wow. | 0:33:07 | 0:33:08 | |
We could put three of them up here. Put Anthony in that little room, | 0:33:08 | 0:33:12 | |
-Declan and Rees in there and we may never see them again. -Yeah. | 0:33:12 | 0:33:17 | |
Very good. We're coming back down. | 0:33:17 | 0:33:20 | |
Here's the living room for them. | 0:33:20 | 0:33:22 | |
-Look. -Look at that. | 0:33:23 | 0:33:25 | |
The gallery over the actual living room. | 0:33:25 | 0:33:29 | |
What a lovely area. | 0:33:29 | 0:33:32 | |
-I like the idea of the office space. Fantastic. -Very good. | 0:33:32 | 0:33:35 | |
-We could put something similar so they could play games. -Yeah. | 0:33:35 | 0:33:38 | |
An upstairs apartment for the boys. | 0:33:38 | 0:33:41 | |
-Fantastic view from the top. -Yeah. It's lovely, isn't it? | 0:33:41 | 0:33:45 | |
It is great, that galleried area, and also if you're a parent, | 0:33:45 | 0:33:49 | |
-good for keeping an eye on the kids down below. -Oh... | 0:33:49 | 0:33:53 | |
Wow, another en-suite. | 0:33:54 | 0:33:56 | |
-Right, OK. -Again, really done nice, isn't it? | 0:33:57 | 0:34:00 | |
-Oh, this one's got a shower. -Look at the size of that. -Yeah. | 0:34:00 | 0:34:05 | |
So you think this could be a master suite? | 0:34:05 | 0:34:07 | |
Yep, and I think I'm right, look. | 0:34:07 | 0:34:10 | |
That's different, some stairs coming down into it. | 0:34:10 | 0:34:13 | |
Wow, really good. | 0:34:13 | 0:34:14 | |
Good size. Looks as if we've got a master suite, | 0:34:14 | 0:34:18 | |
-and another master suite further down. -Yes. | 0:34:18 | 0:34:21 | |
With two bedrooms | 0:34:21 | 0:34:24 | |
and their own bathroom, and then a small living area. | 0:34:24 | 0:34:27 | |
-Yeah. -So it flows quite well. -It does. | 0:34:27 | 0:34:30 | |
Specially for the boys. They'd have a bedroom, a bathroom and a living area. | 0:34:30 | 0:34:35 | |
So you could actually put Anthony and Declan together and then have the two little ones, | 0:34:35 | 0:34:41 | |
so they wouldn't be too far from you. | 0:34:41 | 0:34:44 | |
And then you've still got your giant big living room downstairs. Very good, lovely. | 0:34:44 | 0:34:49 | |
-They think this place works perfectly, but I can take them to another level. -Really? | 0:34:49 | 0:34:55 | |
Well, another building, anyway. | 0:34:55 | 0:34:57 | |
Come on out here, something I want to show you. Right, now then. | 0:34:57 | 0:35:01 | |
We have this extra outbuilding. This is what I want to show you. | 0:35:01 | 0:35:05 | |
Come on up. | 0:35:05 | 0:35:06 | |
-Oh, it's a big office. -Yeah, it's a big office. -A-ha. | 0:35:06 | 0:35:10 | |
-But you know what I'm thinking. -Annexe for Anthony. -That's what I'm thinking. | 0:35:10 | 0:35:15 | |
-Happy? -One day, Richard and Lee, | 0:35:19 | 0:35:22 | |
all of this will be yours, as far as the eye can see. | 0:35:22 | 0:35:26 | |
That's not true. The 22 acres goes down to the bottom of the valley. | 0:35:26 | 0:35:31 | |
Metaphorically speaking, as far as the eye can see. | 0:35:31 | 0:35:35 | |
OK, so the borders of the land spread right around the property, which is masses, | 0:35:35 | 0:35:40 | |
as Simon said. | 0:35:40 | 0:35:41 | |
He told you about the grain store, to convert that for Anthony. | 0:35:41 | 0:35:45 | |
All these things in mind, what do we think? | 0:35:45 | 0:35:49 | |
It is lovely, really nice. | 0:35:49 | 0:35:51 | |
Yeah. Got potential. | 0:35:51 | 0:35:53 | |
So, guess-the-price time, Lee, you are our winner, clearly. | 0:35:53 | 0:35:57 | |
Richard, do you want to have a go? Maximum budget £850,000. | 0:35:57 | 0:36:01 | |
-725, I think. -OK. | 0:36:01 | 0:36:04 | |
-Lee? -I would go slightly higher | 0:36:04 | 0:36:07 | |
because it's got more land. | 0:36:07 | 0:36:09 | |
I would say 755. | 0:36:09 | 0:36:13 | |
OK. Well, | 0:36:13 | 0:36:15 | |
it is a whitewash. | 0:36:15 | 0:36:17 | |
-You're so rubbish at this. -I am. | 0:36:17 | 0:36:19 | |
THEY LAUGH | 0:36:19 | 0:36:20 | |
Also a bit of wishful thinking. | 0:36:20 | 0:36:22 | |
We played down the first two where we were under budget. | 0:36:22 | 0:36:27 | |
And this really sits right on top of the budget, £850,000. | 0:36:27 | 0:36:32 | |
On the nose, yeah. | 0:36:32 | 0:36:34 | |
What do you think? | 0:36:34 | 0:36:36 | |
It's got potential, definitely. | 0:36:36 | 0:36:39 | |
Having spoken to the estate agents, | 0:36:39 | 0:36:41 | |
this is one of the very few properties within your budget | 0:36:41 | 0:36:45 | |
that ticks enough of your boxes, | 0:36:45 | 0:36:47 | |
so it's a good example of what £850,000 buys here. | 0:36:47 | 0:36:50 | |
Anyway, we've shown you three very different properties | 0:36:50 | 0:36:54 | |
in three different locations, all in the lovely area of Somerset. | 0:36:54 | 0:36:59 | |
You have to decide which one to spend more time in, so | 0:36:59 | 0:37:02 | |
take yourselves off... | 0:37:02 | 0:37:03 | |
Tell him which one basically, because he's no good at guessing. | 0:37:03 | 0:37:08 | |
Tell him which one and we'll see you in a minute. | 0:37:08 | 0:37:11 | |
-What do you reckon? Property two? -Not convinced. | 0:37:11 | 0:37:15 | |
-Quick recap? -Let's do that. | 0:37:15 | 0:37:17 | |
First up was an exquisite barn conversion with land and stables. | 0:37:18 | 0:37:22 | |
What more could you want for... | 0:37:22 | 0:37:25 | |
My choice: an exquisite barn conversion with land and stables. | 0:37:26 | 0:37:30 | |
What more could you want for... | 0:37:30 | 0:37:33 | |
Hang on... Then the wildcard. | 0:37:33 | 0:37:35 | |
An exquisite barn conv... | 0:37:35 | 0:37:37 | |
In the heart of the Exmoor National Park, with a whopping 22 acres of land and great views. | 0:37:37 | 0:37:43 | |
Yours for... | 0:37:43 | 0:37:46 | |
Well, you've decided to test-drive the wildcard, and why wouldn't you? | 0:37:49 | 0:37:55 | |
You benefit from the wisdom of our surveyor. | 0:37:55 | 0:37:58 | |
He's had a look round and come up with a few things that are worth bearing in mind. | 0:37:58 | 0:38:03 | |
Fascinating stuff, actually. If you look behind there, | 0:38:03 | 0:38:07 | |
-you can see the bedrock, can't you? -Yeah. | 0:38:07 | 0:38:09 | |
This building is built straight onto that bedrock, | 0:38:09 | 0:38:12 | |
and he thinks they might have cut away into the hill, | 0:38:12 | 0:38:17 | |
dug out the shellac | 0:38:17 | 0:38:19 | |
and built the building out of what they dug out, so | 0:38:19 | 0:38:22 | |
the building could have literally come from where it stands now. | 0:38:22 | 0:38:26 | |
With that comes a few issues. | 0:38:26 | 0:38:30 | |
Think about it. It was built as a cattle shed, as a barn, not as a dwelling place. | 0:38:30 | 0:38:37 | |
There wasn't much thought given to making it dry and habitable. | 0:38:37 | 0:38:43 | |
-Yeah. -Yeah? | 0:38:43 | 0:38:44 | |
So the issues are how you keep the damp out. | 0:38:44 | 0:38:48 | |
He thinks it's been done very well, | 0:38:48 | 0:38:50 | |
but it's something to keep an eye on. | 0:38:50 | 0:38:52 | |
The other thing is that this kind of rock is not the best stone to be building with. | 0:38:52 | 0:38:58 | |
You've got to keep an eye on it and keep it pointed up and looked after, basically, | 0:38:58 | 0:39:05 | |
but it gives it character, makes it what it is. | 0:39:05 | 0:39:08 | |
Those problems do not exist in the extension, | 0:39:08 | 0:39:10 | |
which uses the same materials but done in a modern way. | 0:39:10 | 0:39:13 | |
He loves the extension - | 0:39:13 | 0:39:15 | |
underfloor heating, well insulated, the walls are done brilliantly, double glazing, superb. | 0:39:15 | 0:39:22 | |
One last thing he said is that beautiful living room, | 0:39:22 | 0:39:27 | |
the fireplace has been done to a very high standard. | 0:39:27 | 0:39:30 | |
It's properly insulated so it will be very efficient. | 0:39:30 | 0:39:33 | |
There you go. All in all, a beautiful house. | 0:39:33 | 0:39:36 | |
A beautiful setting. | 0:39:36 | 0:39:38 | |
-Go and enjoy it. -See you later. | 0:39:38 | 0:39:40 | |
It's test-drive time and Lee and Richard take a closer look. | 0:39:44 | 0:39:48 | |
Should take some photos for the kids. | 0:39:48 | 0:39:49 | |
Look at that fireplace. Fantastic. | 0:39:53 | 0:39:55 | |
You get the full effect, with the beams and everything. | 0:39:55 | 0:39:59 | |
Where the boys would be. | 0:39:59 | 0:40:01 | |
This is good, isn't it? Really good. | 0:40:02 | 0:40:04 | |
It's all taking shape, I think. | 0:40:04 | 0:40:07 | |
Don't think we'd ever see them again, Richard. | 0:40:07 | 0:40:09 | |
And in the granary, they can plan what to do with the space. | 0:40:11 | 0:40:16 | |
Oh, this is good space, isn't it? | 0:40:16 | 0:40:18 | |
Yeah. | 0:40:18 | 0:40:19 | |
All the brickwork again, beautiful, isn't it? | 0:40:19 | 0:40:22 | |
I love that "brickwork". | 0:40:22 | 0:40:23 | |
Something tells me Lee will feel right at home here. | 0:40:23 | 0:40:26 | |
Is Richard practising how to walk? | 0:40:26 | 0:40:28 | |
While he does that, Lee takes a picture of some of the land. | 0:40:28 | 0:40:33 | |
Great potential for sledging. Oh, and for the record, Jonny, | 0:40:33 | 0:40:37 | |
-he's pacing out a swimming pool. -Ah. | 0:40:37 | 0:40:40 | |
-I'm glad you've test-driven this place. Amazing, isn't it? -Yeah. -Very nice. | 0:40:41 | 0:40:45 | |
How has the space worked for you? Would it suit your family needs? | 0:40:45 | 0:40:50 | |
Yeah. It is big enough for a family | 0:40:50 | 0:40:54 | |
of six. | 0:40:54 | 0:40:56 | |
HE LAUGHS | 0:40:56 | 0:40:58 | |
The less-than-subtle Lee, I like it. Brilliant. | 0:40:58 | 0:41:01 | |
OK, let's talk about what you did like. | 0:41:01 | 0:41:03 | |
What was working for you here? | 0:41:03 | 0:41:06 | |
I loved the living room. Beautiful. | 0:41:06 | 0:41:09 | |
And the granary. | 0:41:09 | 0:41:11 | |
You know, to be changed to a granny flat, and it could, or an annexe. | 0:41:11 | 0:41:15 | |
-A granary flat! -A granary flat! | 0:41:15 | 0:41:18 | |
I'm sorry. | 0:41:18 | 0:41:19 | |
This would be a part-time home for you anyway. | 0:41:19 | 0:41:23 | |
But the office space, the general feel of the property, how did that feel? | 0:41:23 | 0:41:28 | |
It was very bright and light, which appealed to me. | 0:41:28 | 0:41:31 | |
I liked the fireplace. I could see myself there | 0:41:31 | 0:41:34 | |
on a winter's night in front of the fire. | 0:41:34 | 0:41:37 | |
And with the galleried landing as an office space, | 0:41:37 | 0:41:40 | |
-that's a nice touch. -Yeah. -OK. | 0:41:40 | 0:41:44 | |
It's that time of the programme. The ultimate question. | 0:41:44 | 0:41:47 | |
£850,000 worth of house. | 0:41:48 | 0:41:50 | |
22 acres of land. Middle of the Exmoor National Park. | 0:41:50 | 0:41:55 | |
To buy or not to buy? | 0:41:55 | 0:41:56 | |
It's a not to buy. | 0:41:56 | 0:41:59 | |
-Right. -The proximity of the neighbours was one of our main specifications. | 0:42:00 | 0:42:06 | |
-All right, we know! -So beyond anything else, then, | 0:42:06 | 0:42:09 | |
is the isolation the thing you're not prepared to compromise on? | 0:42:09 | 0:42:14 | |
-Definitely. -Would you rather find a smaller house on its own | 0:42:14 | 0:42:19 | |
than a bigger property with neighbours nearby? | 0:42:19 | 0:42:23 | |
-No, we'd go to a bigger property. -But less land. | 0:42:23 | 0:42:26 | |
-OK. -As we've learned, we just can't seem to get... | 0:42:26 | 0:42:30 | |
-That balance is hard to find. -Very hard to find. | 0:42:30 | 0:42:34 | |
Well, it's been a pleasure wandering round Exmoor with you, and Somerset. | 0:42:34 | 0:42:39 | |
You've picked a fabulous part of the world to set up in. | 0:42:39 | 0:42:42 | |
-Good luck with your hunt. Better get back on the road, mate. -Thank you. | 0:42:42 | 0:42:47 | |
It's been a pleasure. Cheers. | 0:42:47 | 0:42:49 | |
Subtitles by Red Bee Media Ltd | 0:43:03 | 0:43:08 |