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Cease all activity for the next 45 minutes. | 0:00:02 | 0:00:04 | |
It's time to say bonjour brick fans and welcome to To Buy Or Not To Buy. | 0:00:04 | 0:00:08 | |
-Today, we're house hunting... -And ghost hunting in the county of Oxfordshire. | 0:00:08 | 0:00:13 | |
Winston Churchill, Richard the Lionheart and Tim Henman | 0:00:22 | 0:00:26 | |
were all born in Oxfordshire. | 0:00:26 | 0:00:27 | |
Yes, this county is definitely steeped in history, | 0:00:27 | 0:00:31 | |
and today's house hunters, they're not only looking for | 0:00:31 | 0:00:34 | |
the perfect pad, they're also looking for a house that has its own unique history. | 0:00:34 | 0:00:38 | |
They want somewhere...that's haunted. HE GASPS | 0:00:38 | 0:00:41 | |
Stephen Hawking was also born in Oxfordshire, | 0:00:41 | 0:00:43 | |
so let's hope today's show... starts with a big bang! | 0:00:43 | 0:00:46 | |
Sorry about him. | 0:00:47 | 0:00:49 | |
Now, today's house hunters Martin and Sharon Richardson | 0:00:49 | 0:00:52 | |
are on a mission to find a perfect home after selling their last house | 0:00:52 | 0:00:55 | |
and moving into rented accommodation two years ago. | 0:00:55 | 0:00:58 | |
They own and run a training and development company, | 0:00:58 | 0:01:01 | |
but if that isn't time-consuming enough, they also work as hypnotherapists. | 0:01:01 | 0:01:05 | |
I wonder if they hypnotically cure you, Ed, | 0:01:05 | 0:01:07 | |
of your obsession with the wildcard. | 0:01:07 | 0:01:10 | |
-No chance. -Hmm, right. | 0:01:10 | 0:01:13 | |
The Oxfordshire countryside is where we've headed, | 0:01:13 | 0:01:15 | |
and I've a sneaky feeling that today's wish list may have something on it that I, for one, | 0:01:15 | 0:01:20 | |
have never seen on a property spec. | 0:01:20 | 0:01:23 | |
Martin and Sharon, I believe you have one of the silliest requirements | 0:01:23 | 0:01:27 | |
we've ever had on this programme, | 0:01:27 | 0:01:29 | |
-and the silliest requirement - do you know what it is? -No! | 0:01:29 | 0:01:32 | |
Do you want to guess what we think is the oddest thing? | 0:01:32 | 0:01:35 | |
-A room to do alternative therapy in, hypnotherapy. -No, no, we can buy that. -That was fine. | 0:01:35 | 0:01:41 | |
-The idea about wanting to move into a house that already has a ghost in it. -Ah! -Ah! | 0:01:41 | 0:01:47 | |
Now, that's just weird, isn't it? | 0:01:47 | 0:01:49 | |
-If a ghost was there, we'd be quite happy to take it on. -It adds character. | 0:01:49 | 0:01:52 | |
Hmm, it adds interest. | 0:01:52 | 0:01:54 | |
So you've lived with ghosts before, have you? | 0:01:54 | 0:01:56 | |
Yes, we've grown up with them, so we seem to attract them. | 0:01:56 | 0:02:00 | |
Are these good ghosts or bad ghosts? Does it matter? | 0:02:00 | 0:02:04 | |
Um, they're good ones that can behave badly. | 0:02:04 | 0:02:08 | |
We love houses with character, and quite often you find character houses | 0:02:08 | 0:02:12 | |
have some sort of something in them, and I just wanted to register, | 0:02:12 | 0:02:16 | |
it makes no difference to us. | 0:02:16 | 0:02:18 | |
Tell us about this alternative therapy, then. | 0:02:18 | 0:02:20 | |
We're both hypnotherapists. | 0:02:20 | 0:02:22 | |
We work in, I suppose, different areas of hypnotherapy. | 0:02:22 | 0:02:25 | |
Sharon is also is involved in something called EFT. | 0:02:25 | 0:02:29 | |
I've no idea what that means. | 0:02:29 | 0:02:31 | |
-Is it like the Electronic Financial Times? -No, it's a... | 0:02:31 | 0:02:34 | |
Well, it could be! | 0:02:34 | 0:02:36 | |
Shared database or...? | 0:02:36 | 0:02:38 | |
It's emotional freedom techniques. | 0:02:38 | 0:02:40 | |
It's basically acupuncture without needles. | 0:02:40 | 0:02:43 | |
-So do you just poke people? -Tap them. | 0:02:43 | 0:02:45 | |
-Just tap them? -"Poke"! | 0:02:45 | 0:02:47 | |
-Tap them, yes. -Tap them. | 0:02:47 | 0:02:48 | |
It's fantastic. It works a dream for things like headaches. | 0:02:48 | 0:02:51 | |
Focusing on the emotional, the feeling, while you're tapping at | 0:02:51 | 0:02:55 | |
various points, for some reason, it just - | 0:02:55 | 0:02:57 | |
nobody really understands how it works, it just does. | 0:02:57 | 0:02:59 | |
-It just works. -Yes. | 0:02:59 | 0:03:00 | |
Let's break it down. What are the fundamentals? The rooms, bathrooms, | 0:03:00 | 0:03:04 | |
toilets, parking space, garden - what do we need? | 0:03:04 | 0:03:06 | |
-OK, four bedrooms, has to be detached. -OK. | 0:03:06 | 0:03:09 | |
The garden has to be private, so not overlooked, | 0:03:09 | 0:03:12 | |
and as large as possible, because we've got two dogs | 0:03:12 | 0:03:15 | |
and we'd like to let them out in the garden to run amok. | 0:03:15 | 0:03:19 | |
We need parking at the front because we've got two daughters with cars, | 0:03:19 | 0:03:24 | |
we've got two cars, and because we are both hypnotherapists, | 0:03:24 | 0:03:28 | |
then we need a separate room to use as a hypnotherapy therapy room, | 0:03:28 | 0:03:33 | |
ideally with a toilet nearby, | 0:03:33 | 0:03:35 | |
although that room could double up with the study if necessary. | 0:03:35 | 0:03:39 | |
I am going to sip my coffee just to boost me up for the sum of money | 0:03:39 | 0:03:44 | |
that could make our day good or bad. Are we ready? | 0:03:44 | 0:03:47 | |
How much money have you got to spend? | 0:03:47 | 0:03:49 | |
-450. -You hesitated. | 0:03:51 | 0:03:54 | |
I think that's kind of - it's not ludicrous, is it? | 0:03:54 | 0:03:58 | |
-It's not moon-on-a-stick territory. -Far from it. | 0:03:58 | 0:04:00 | |
That's perfect. | 0:04:00 | 0:04:01 | |
We're going to head out there, fingers crossed, | 0:04:01 | 0:04:04 | |
cast an incantation, you're not wizards, are you? | 0:04:04 | 0:04:07 | |
-No, no! -You think we need an exorcist. | 0:04:07 | 0:04:10 | |
This is going to be a theme that's going to run... | 0:04:10 | 0:04:13 | |
Do we have an exorcism? | 0:04:13 | 0:04:14 | |
-I'll exorcise you! -No, I don't want to EXERCISE! | 0:04:14 | 0:04:18 | |
Let's just go, cos I think we've exposed our lack of knowledge of your world. We'll see you later. | 0:04:18 | 0:04:24 | |
-Right, Ed, we have had a chat. -Oh, yes. | 0:04:24 | 0:04:26 | |
Look into my eyes. Tell me, what do Martin and Sharon want? | 0:04:26 | 0:04:31 | |
A house with a ghost in it, a therapy room, a cuddly toy... | 0:04:31 | 0:04:37 | |
Rrr-rr! Rrr-rr! | 0:04:37 | 0:04:39 | |
You've turned me into a dog! Rrr-rr! | 0:04:39 | 0:04:42 | |
I'm going to talk to... Rrr-rr! Rrr-rr! Rrr-rr! | 0:04:42 | 0:04:45 | |
I think I'm going to talk to the people of Oxfordshire. | 0:04:45 | 0:04:49 | |
I'm sure they'll be more sensible than Ed! | 0:04:49 | 0:04:51 | |
Today, we seem to be caught in a triangle between Banbury, Bicester and Aylesbury. | 0:04:51 | 0:04:56 | |
We're mainly on a mission in the county of Oxfordshire, | 0:04:56 | 0:05:00 | |
regarded as one of Britain's finest counties, | 0:05:00 | 0:05:02 | |
and is no doubt why its tourist industry is booming. | 0:05:02 | 0:05:06 | |
The Oxfordshire countryside is stunning, | 0:05:06 | 0:05:08 | |
and if you need even more rural idyll, | 0:05:08 | 0:05:10 | |
then the Cotswolds are only a stone's throw away, | 0:05:10 | 0:05:13 | |
with a charming blend of bustling market towns, picturesque villages | 0:05:13 | 0:05:17 | |
and breathtaking natural scenery. | 0:05:17 | 0:05:19 | |
But right here in the present day, let's see what £450,000 would get you around the rest of the UK. | 0:05:19 | 0:05:25 | |
In Bath, there's this four-bedroomed Edwardian terrace | 0:05:25 | 0:05:29 | |
in superb condition and located in an equally superb position. | 0:05:29 | 0:05:32 | |
It has many of its original features still oozing their former glory. | 0:05:32 | 0:05:37 | |
This house comes with a cellar, so if anyone else is on a mission to find a home with a ghost, | 0:05:37 | 0:05:41 | |
there's nothing spookier than a secret room underground. | 0:05:41 | 0:05:45 | |
In Ammanford near Leeds, this double-fronted period home | 0:05:45 | 0:05:48 | |
dates back to the early 1800s. | 0:05:48 | 0:05:51 | |
With five bedrooms, a stunning Victorian period-style bathroom and imposing brick fireplace, | 0:05:51 | 0:05:56 | |
there's plenty of charm and character to feast your eyes upon here. | 0:05:56 | 0:06:00 | |
It could be yours for 475 grand. | 0:06:00 | 0:06:03 | |
And now here's an opportunity for people in search of the spirits - | 0:06:03 | 0:06:07 | |
and I don't mean the kind you'll find in an off-licence. | 0:06:07 | 0:06:10 | |
It's this converted chapel in Stoke-on-Trent. | 0:06:10 | 0:06:12 | |
It dates back to the mid-1800s and has glorious views over open countryside. | 0:06:12 | 0:06:17 | |
Four bedrooms and a lounge make the most of this building's past life. | 0:06:17 | 0:06:21 | |
If you're singing from the same hymn sheet as this place, | 0:06:21 | 0:06:24 | |
perhaps you'd like to buy it for 450 grand. | 0:06:24 | 0:06:26 | |
But our first offer's Banbury, the most northerly part of our search, | 0:06:26 | 0:06:30 | |
and every woman needs a fancy mode of transport, | 0:06:30 | 0:06:33 | |
and mine is more than a little imaginative. | 0:06:33 | 0:06:35 | |
Right, let's find this fine lady on a white horse. | 0:06:35 | 0:06:39 | |
Hello. How are you? | 0:06:39 | 0:06:41 | |
-My name's Ian, pleased to meet you. -Hi, I'm Simon. | 0:06:41 | 0:06:44 | |
Ooh-ooh-ooh! Will he get scared if I cloppety past him? | 0:06:44 | 0:06:48 | |
INAUDIBLE REPLY | 0:06:48 | 0:06:49 | |
RANI LAUGHS | 0:06:49 | 0:06:52 | |
The first one is Thimble Cottage. | 0:06:52 | 0:06:54 | |
I love the name, I love the place. | 0:06:54 | 0:06:56 | |
It actually IS a chocolate-box cottage, formerly used as the front cover of a box of chocolates. | 0:06:56 | 0:07:03 | |
There'll be some people at home - this might make them hungry. | 0:07:03 | 0:07:06 | |
What do you think of that? | 0:07:06 | 0:07:08 | |
I couldn't use your bike, could I? It would be a lot easier. | 0:07:08 | 0:07:12 | |
Wicked. Give me a backie! | 0:07:12 | 0:07:14 | |
I'm fed up of riding this white horse. It's shattering! | 0:07:14 | 0:07:17 | |
-There's a woman knocking on the window. -That's my daughter and that's my mother! | 0:07:17 | 0:07:22 | |
Thank you. Thanks a lot(!) | 0:07:22 | 0:07:24 | |
OK. Bye, Mum! | 0:07:24 | 0:07:26 | |
THEY LAUGH | 0:07:26 | 0:07:28 | |
I'll stomp me foot. Go! | 0:07:30 | 0:07:32 | |
# Ride a cock horse to Banbury Cross | 0:07:32 | 0:07:34 | |
# To see a white lady on a white horse | 0:07:34 | 0:07:36 | |
# All the king's horses and all the... # | 0:07:36 | 0:07:38 | |
-No... -No, that's Humpty Dumpty! -I'm sorry! | 0:07:38 | 0:07:42 | |
Simon, a little bird told me that you have a catchphrase in the estate agent world. | 0:07:42 | 0:07:47 | |
I do, I have several catchphrases. | 0:07:47 | 0:07:50 | |
Can you give us a couple? | 0:07:50 | 0:07:52 | |
The first one is, um... | 0:07:52 | 0:07:56 | |
The first one is, "Everything I touch turns to SOLD." | 0:07:56 | 0:08:00 | |
IAN SNORTS | 0:08:00 | 0:08:01 | |
Ride a cock horse to Banbury Cross | 0:08:01 | 0:08:03 | |
To see a fine lady upon a white horse | 0:08:03 | 0:08:06 | |
With rings on her fingers and bells on her toes | 0:08:06 | 0:08:08 | |
She shall have music wherever she goes. | 0:08:08 | 0:08:10 | |
High five that! | 0:08:10 | 0:08:11 | |
I have another one, which is related to my name, because I'm Simon Round, | 0:08:11 | 0:08:16 | |
and it's just basically, "Choose Anchors because you're better all ROUND," | 0:08:16 | 0:08:21 | |
or, "Better value all ROUND." | 0:08:21 | 0:08:23 | |
-The first one's much better. -Yeah. I won't tell you the others, cos they're even worse. | 0:08:23 | 0:08:28 | |
-They're all based around the word "round"? -Yeah! | 0:08:28 | 0:08:31 | |
-Ed, I've been riding a cock horse all round Banbury. -I beg your pardon? | 0:08:31 | 0:08:35 | |
That's what I've been doing. | 0:08:35 | 0:08:36 | |
Are we allowed to say that on TV? | 0:08:36 | 0:08:38 | |
-That's what I've been doing. -Really? | 0:08:38 | 0:08:40 | |
I wasn't quite the fine lady on the white horse, so I was on the cock horse. | 0:08:40 | 0:08:44 | |
-That's the other way to do it! Anyway, property number one. -What a cracker, isn't it? | 0:08:44 | 0:08:49 | |
"Ooh-ooh-ooh!" is what I'm going to tell you. | 0:08:49 | 0:08:52 | |
-What?! -Ooh-ooh-ooh! -Oh, no! Has it? How many? | 0:08:52 | 0:08:55 | |
I can't tell you. It may have. And also, there is a great surprise round the back. | 0:08:55 | 0:09:00 | |
-I'm giving them character, I'm giving them what they want. -It's a cracker. OK, Amityville, house on the hill. | 0:09:00 | 0:09:05 | |
Have a look. That is scary in house form. | 0:09:05 | 0:09:08 | |
Yet also lovely, at the same time. | 0:09:08 | 0:09:10 | |
Neither Rani nor I wanted to ride this house alone, | 0:09:10 | 0:09:13 | |
so we've made it the joint choice and it's going second. | 0:09:13 | 0:09:17 | |
For the wildcard, I've taken us out of Oxfordshire and into Buckinghamshire. | 0:09:17 | 0:09:21 | |
Also, the wildcard is an absolute treat for me today because it is my choice, | 0:09:21 | 0:09:25 | |
solely my choice. I love the wildcard, so I'm not going to let you down. | 0:09:25 | 0:09:30 | |
It is Grade II listed, and it is in the village of Great Horwood. | 0:09:30 | 0:09:34 | |
If you know your north Bucks county villages, this is one of the six star villages of that area. | 0:09:34 | 0:09:40 | |
It's a belter, and I'm not going to show you any more. | 0:09:40 | 0:09:43 | |
Let's start with property number one - MY choice. | 0:09:43 | 0:09:46 | |
BOTH: Woo-oo-oo-ooh! | 0:09:46 | 0:09:49 | |
Well, welcome to stop one. | 0:09:51 | 0:09:54 | |
A former Post Office, this place is the epitome of quaint and characterful. | 0:09:54 | 0:10:00 | |
There's two surprises here - one is a secret garden, | 0:10:00 | 0:10:03 | |
and the other one is a little more discreet. Well, I hope it is, anyway. | 0:10:03 | 0:10:07 | |
OK, Sharon and Martin, this is number one. | 0:10:07 | 0:10:11 | |
This is my choice. | 0:10:11 | 0:10:12 | |
I've brought you to Milcombe in Oxfordshire. This is the property. | 0:10:12 | 0:10:16 | |
Have a look at it. It used to be a former Post Office. Tell me what you think about it. | 0:10:16 | 0:10:20 | |
-It's lovely. It's very quintessentially English. Nice. -Oh, I like it. | 0:10:20 | 0:10:26 | |
-Haunted by, I believe, the spirit of Postman Pat. -Really? | 0:10:26 | 0:10:30 | |
-I don't think that is true! -You can hear his black-and-white cat running through the rafters at night-time! | 0:10:30 | 0:10:36 | |
-Now, Martin, you would like to learn a little bit more? -Yes. | 0:10:36 | 0:10:39 | |
I have the key for you. | 0:10:39 | 0:10:41 | |
This isn't the key to the cottage, this is the key to the post box, | 0:10:41 | 0:10:45 | |
and in there, there's a letter for you. | 0:10:45 | 0:10:48 | |
-So, please, get the letter and bring it back to us. -I'm excited! | 0:10:48 | 0:10:52 | |
-It hasn't been opened for a while, that. -I tell you, that's bringing back the memories for me. | 0:10:52 | 0:10:57 | |
It turns so well. | 0:10:57 | 0:10:59 | |
Who is it addressed to? | 0:10:59 | 0:11:01 | |
It's to Mr and Mrs Richardson. | 0:11:01 | 0:11:03 | |
Which is yourselves. | 0:11:03 | 0:11:05 | |
OK, you can open that up. | 0:11:05 | 0:11:06 | |
Exciting. | 0:11:06 | 0:11:08 | |
-Whoo-hoo! -It's not even got a stamp on it. -It's franked. -Oh, good. | 0:11:08 | 0:11:11 | |
"Milcombe appears in the Domesday Book of 18...of 1085. | 0:11:11 | 0:11:18 | |
"Milcombe is a thriving community of approximately 500 people. | 0:11:18 | 0:11:21 | |
"A local landmark is the beautiful dovecote at the entrance to the village | 0:11:21 | 0:11:26 | |
"which was renovated ten years ago. | 0:11:26 | 0:11:28 | |
"This house was the old village post office and was in service until January 2007." | 0:11:28 | 0:11:34 | |
"The house is built with the local Hornton stone. | 0:11:34 | 0:11:37 | |
-"It still has an original wash-house at the back of the property." -Oh, wow! | 0:11:37 | 0:11:41 | |
-For my use, then! -THEY LAUGH | 0:11:41 | 0:11:43 | |
-Sorted! -"And finally, the property is alleged | 0:11:43 | 0:11:47 | |
-"to have a ghostly presence." -Ooh! -Postman Pat and his black and white cat. | 0:11:47 | 0:11:51 | |
-I've done the research! -Are you intrigued by this? -Yes. -Yes, indeed. | 0:11:51 | 0:11:55 | |
I want you to go in there and enjoy it. Have fun, and think potential. | 0:11:55 | 0:11:59 | |
-And think everything else! OK? The door is there. -Right. -Get in there. -Off you go. | 0:11:59 | 0:12:03 | |
Why didn't you tell me about the old post office thing? | 0:12:03 | 0:12:07 | |
-I thought it'd be a surprise! -Well, it was a surprise! -It was, wasn't it? | 0:12:07 | 0:12:11 | |
-Looks like there's more mail. -This is ridiculous. I thought this post office was closed down. | 0:12:15 | 0:12:20 | |
It's ghostly. "Ed and Rani, To Buy Or Not To Buy. | 0:12:20 | 0:12:24 | |
-"Headphones on and listen." -I've already got mine on, that's brilliant. | 0:12:24 | 0:12:28 | |
-This stone floor is gorgeous. -Isn't it? I really like that. -Real beams. | 0:12:28 | 0:12:33 | |
-The dogs wouldn't slide on it. -No. -I'm not surprised he loves that floor, | 0:12:33 | 0:12:37 | |
-it's distinctive riven Chinese slate floor. -That's some knowledge. | 0:12:37 | 0:12:40 | |
-This is... -The drawing room. -Look at that, isn't that gorgeous? | 0:12:40 | 0:12:43 | |
-And... -And real beams. No, these are... -Solid walls. Solid, thick brick walls. | 0:12:45 | 0:12:51 | |
-And this, I presume, is the old post office part. -Which they've got as a dining room. | 0:12:51 | 0:12:56 | |
-Oh, this is lovely, isn't it? -But not for tall people. | 0:12:56 | 0:12:59 | |
No. Yeah, gosh! Look, I'm just underneath this one! | 0:12:59 | 0:13:04 | |
It's got such... Lots of lovely little bits. | 0:13:04 | 0:13:07 | |
-It is full of character. -Mm. -It is definitely full of character. I love this. | 0:13:07 | 0:13:13 | |
I like Martin. I can imagine Martin as, like, a really good wizard. | 0:13:13 | 0:13:17 | |
-He's not a wizard, he's a hypnotherapist. -He's a wizard! | 0:13:17 | 0:13:20 | |
Ooh! A tiny kitchen. | 0:13:20 | 0:13:24 | |
-Again, a nice, lovely floor. -I like the floor. | 0:13:24 | 0:13:26 | |
-This is very small. -Yeah, it's very small. | 0:13:26 | 0:13:29 | |
Is this going to be big enough for you? | 0:13:29 | 0:13:31 | |
No, not really. | 0:13:31 | 0:13:33 | |
-We can find them a bigger kitchen in that house, there's plenty of rooms. -Have you got a solution? -I have. | 0:13:33 | 0:13:39 | |
Ooh! Oh, this is cute. | 0:13:39 | 0:13:42 | |
-Ah! So this is... -This is the sitting room. | 0:13:42 | 0:13:45 | |
Or is it a drawing room? | 0:13:45 | 0:13:48 | |
-These beams, these are real. -These are real beams. | 0:13:48 | 0:13:51 | |
-And again, the floor is gorgeous. Look at that fireplace. -Wow! | 0:13:51 | 0:13:55 | |
-This is a beautiful room. -Oh, look, it's very unusual. | 0:13:55 | 0:13:58 | |
-Behind that fireplace, there's an old bread oven. -Is there really? -Uh-huh. -Look at that! | 0:13:58 | 0:14:04 | |
-I love that. -This room has a very, very warm, homely feel to it. -Yeah, it does. | 0:14:04 | 0:14:10 | |
-Back in the day, they had to bake bread every morning. -Postmen have to eat, haven't they? -Yeah. | 0:14:10 | 0:14:15 | |
-People would post their letters, they'd smell the fresh bread. -Oh! "Yes, I will have some bread." | 0:14:15 | 0:14:20 | |
"You can't, we're a post office." "But I want some bread." "No." | 0:14:20 | 0:14:24 | |
-I love this room. -Yeah. | 0:14:24 | 0:14:26 | |
-It doesn't feel nasty at all. -No. There's nothing here. -Nothing nasty. -There's nothing here. | 0:14:26 | 0:14:32 | |
So Sharon's not sensing a ghost. | 0:14:32 | 0:14:34 | |
No, but she's sensing a tiny kitchen. | 0:14:34 | 0:14:36 | |
Yeah. I know. | 0:14:36 | 0:14:37 | |
This is very airy up here, isn't it? Very open. | 0:14:37 | 0:14:40 | |
-Er... -This is unexpected. -It is, actually, much more open than you'd expect. | 0:14:40 | 0:14:45 | |
Oh, and a good-sized bathroom. | 0:14:45 | 0:14:49 | |
Right... One bedroom. | 0:14:49 | 0:14:50 | |
Oh, isn't it sweet? | 0:14:53 | 0:14:55 | |
-Sweet(!) -It is! It is really sweet. | 0:14:55 | 0:14:59 | |
-I think it's just really cute, that's just the word I...! -So whose bedroom would this be? | 0:14:59 | 0:15:04 | |
-I don't know. It's a double room. -The spirits have not made themselves available to Martin or Sharon here, | 0:15:04 | 0:15:10 | |
-unless they're not letting on. -Well, possibly not. Well, you see, | 0:15:10 | 0:15:14 | |
the spirits wouldn't know, or would they know, that Martin likes spirits, cos they might try to keep themselves | 0:15:14 | 0:15:20 | |
under wraps so they buy the place, and then jump out at them on their first day. | 0:15:20 | 0:15:25 | |
This is a very big landing, compared to what you'd expect. | 0:15:25 | 0:15:29 | |
-Yes. -Right... Let's, uh, go in here... | 0:15:29 | 0:15:33 | |
-Oh, it's a diddy room. -So you'd use this as a study, possibly as a therapy room. | 0:15:33 | 0:15:39 | |
-OK! -Oh, a therapy room upstairs, that's interesting. | 0:15:39 | 0:15:42 | |
D'you know why they've had to go upstairs? | 0:15:42 | 0:15:44 | |
Cos you've not given them a downstairs toilet! | 0:15:44 | 0:15:46 | |
Another double bedroom, and a pussy cat! | 0:15:48 | 0:15:50 | |
Oh! Another sweet little room. | 0:15:50 | 0:15:54 | |
-They like it. -Yep, there's two double bedrooms at the end. | 0:15:54 | 0:15:57 | |
That used to be one big, massive room, so they could make it back into a big, huge room, | 0:15:57 | 0:16:01 | |
but they've got two kids, they need four rooms, that's why I brought them here. | 0:16:01 | 0:16:05 | |
Oh, this is a mirror-image of the last one. | 0:16:05 | 0:16:09 | |
-Oh, so you get a... -This is an unusual sort of room, isn't it? | 0:16:10 | 0:16:14 | |
Probably wouldn't get a double bed in this one, | 0:16:14 | 0:16:16 | |
-it's a little bit narrower. -No, you'd get a single in here. | 0:16:16 | 0:16:19 | |
A nice view of the garden here. | 0:16:19 | 0:16:21 | |
I can see them sitting outside, sunning themselves. | 0:16:21 | 0:16:25 | |
-Shall we go and join them? -Yeah, good idea. | 0:16:25 | 0:16:27 | |
-I hope they don't come out, I'm nice and relaxed. -Shall we go horizontal? -Go on, then. | 0:16:27 | 0:16:32 | |
Come on, guys! | 0:16:34 | 0:16:36 | |
I hear footsteps. Get up, you. Get up, get up! | 0:16:36 | 0:16:38 | |
Sharon, Martin, that was property number one. Welcome to your outside space. | 0:16:38 | 0:16:44 | |
-Do you like outside space? -We love outside space, for the dogs. | 0:16:44 | 0:16:47 | |
Now, remember in your little letter it said there was a wash-room? | 0:16:47 | 0:16:51 | |
-Ta-dah! -It is in there. But we were thinking, | 0:16:51 | 0:16:56 | |
you could probably buy Sharon a washing machine and put it in your kitchen, | 0:16:56 | 0:17:00 | |
and make this into your therapy room. | 0:17:00 | 0:17:03 | |
Nice and quiet, all tranquil out here. | 0:17:03 | 0:17:06 | |
-Hm. -Interesting idea, yes. -There's quite a bit of space in there, actually. | 0:17:06 | 0:17:10 | |
-OK. -Yeah? -Oh, he's weighing it up. Martin's weighing it up. | 0:17:10 | 0:17:13 | |
-He's thinking about it. -The thing I'm thinking is, toilet. | 0:17:13 | 0:17:16 | |
Upstairs you mentioned it, didn't you? Obviously you're thinking about the whole toilet facility. | 0:17:16 | 0:17:21 | |
I wonder how much it would cost to build such a facility out here, how far from your pipework you'd be. | 0:17:21 | 0:17:27 | |
-It might not be as big a thing as you'd think. -But I like the separate... | 0:17:27 | 0:17:32 | |
But, thinking about your dogs, maybe you need a little bit more space. | 0:17:32 | 0:17:35 | |
-Follow us. -Oh, yes. | 0:17:35 | 0:17:37 | |
-Oh, this is lovely. -This is gorgeous. -I'm giving you a little bit more. | 0:17:37 | 0:17:42 | |
-You like this? -It's lovely, this path. -Oh, I like that as well. | 0:17:42 | 0:17:45 | |
-This is stunning. -OK, keep going, because it doesn't end here. | 0:17:45 | 0:17:49 | |
-Conker tree. -As you can see, very enclosed, but it still gets the sun in nicely. | 0:17:49 | 0:17:55 | |
-Yeah. -Have you got a nice feel to this one, Martin? -I love this garden. | 0:17:55 | 0:17:59 | |
-Oh, gosh, look at this. -Hello! It's only a second part of the garden. -I just figured, | 0:17:59 | 0:18:03 | |
you know, a secret garden would need another little secretive bit. | 0:18:03 | 0:18:07 | |
SHARON LAUGHS Martin looks very pleased. | 0:18:07 | 0:18:10 | |
-This is stunning. -It is, it's gorgeous. Oh, a butterfly. -D'you know what? Keep going, | 0:18:10 | 0:18:15 | |
-because there is even more. -Crikey! -In terms of the house, there was one thing that let you down. | 0:18:15 | 0:18:20 | |
-You thought the kitchen side was a bit small. -Kitchen was a bit small. Yeah. | 0:18:20 | 0:18:24 | |
There was a potential solution offered up, the idea of taking that kitchen out | 0:18:24 | 0:18:29 | |
and then, where the old post office part of the house is, | 0:18:29 | 0:18:32 | |
-you could turn that into a kitchen-diner aspect. -Right. Yeah. | 0:18:32 | 0:18:37 | |
You could make that into an office space, so you'd still have an office separate from, your therapy room | 0:18:37 | 0:18:42 | |
-which would be at the back. -Oh! -That's another idea there for you. | 0:18:42 | 0:18:46 | |
There you go, even more of a garden! | 0:18:46 | 0:18:49 | |
The other thing I didn't hear you talk about in the house - well, you didn't sense it - | 0:18:49 | 0:18:53 | |
-a ghost. -There isn't one. -There isn't one? -Sorry to disappoint you. -Oh, Martin! | 0:18:53 | 0:18:58 | |
You're easy-breezy about ghosts, if there was one, you'd be all right. | 0:18:58 | 0:19:02 | |
The house is very clean indeed. | 0:19:02 | 0:19:04 | |
-No ghost? -No. -It's got a beautiful feel to it. | 0:19:04 | 0:19:07 | |
OK, now, I tell you what, we've only just shown you these phenomenal extra gardens that you've got, | 0:19:07 | 0:19:14 | |
who wants to go first? You've got a maximum budget today of £450,000. | 0:19:14 | 0:19:19 | |
-I think Sharon should go first. -Thank you, Martin(!) Coward! Coward! | 0:19:19 | 0:19:23 | |
-Ladies first. -She's right, you are a coward! | 0:19:23 | 0:19:26 | |
Oh, I don't know. Four... | 0:19:26 | 0:19:28 | |
449, 950. | 0:19:28 | 0:19:31 | |
-Really, right at the top? -Yeah. Yeah. | 0:19:31 | 0:19:33 | |
-I think it's going to be, cos I think the grounds are... -OK. | 0:19:33 | 0:19:37 | |
-I would go 4...6. -£460,000. | 0:19:37 | 0:19:42 | |
OK. All right. | 0:19:42 | 0:19:44 | |
They're both very good guesses, of course, you know, for a property like this with four bedrooms, | 0:19:44 | 0:19:50 | |
an old post office, no ghost, private gardens... | 0:19:50 | 0:19:53 | |
Sharon... | 0:19:54 | 0:19:56 | |
you may have gone first, you were the closest. | 0:19:56 | 0:19:58 | |
-Hurrah! -This property is actually on the market at... | 0:19:58 | 0:20:02 | |
-399,950. -Wow. | 0:20:02 | 0:20:06 | |
Well, that's a surprise. | 0:20:06 | 0:20:08 | |
-Stunned silence. -Yeah. | 0:20:08 | 0:20:09 | |
-OK, well, this is only property one. Property two is down the road. Shall we go? -Yes, indeed. | 0:20:09 | 0:20:14 | |
He doesn't want to leave this garden! | 0:20:14 | 0:20:17 | |
Enormous, gigantic, colossal. | 0:20:19 | 0:20:22 | |
I don't think any of these words underestimate the size of this property project. | 0:20:22 | 0:20:27 | |
But Martin and Sharon seem up-for-it kind of folk, and it's just as well. | 0:20:27 | 0:20:31 | |
Well, one thing I don't think they'd want to change is the superb location. | 0:20:31 | 0:20:35 | |
Our joint choice lies right in the heart of the beautiful village of Middle Barton. | 0:20:35 | 0:20:39 | |
Take a deep breath - this could either sink or swim. | 0:20:39 | 0:20:42 | |
Martin and Sharon, we'll find out very quickly at the joint choice | 0:20:42 | 0:20:45 | |
whether this gamble will pay off. | 0:20:45 | 0:20:48 | |
Do you like the location? We're in Middle Barton, a very sought-after village. | 0:20:48 | 0:20:52 | |
Love the location. | 0:20:52 | 0:20:53 | |
That is brilliant news, because if you didn't like that, what lies ahead would really cause concern | 0:20:53 | 0:20:59 | |
because as houses go, it looks great from the outside - | 0:20:59 | 0:21:03 | |
on the inside, it's not so great. | 0:21:03 | 0:21:07 | |
You guys wanted a bit of a project maybe. | 0:21:07 | 0:21:09 | |
-You would be interested in that. -If it's internal work, no problem. | 0:21:09 | 0:21:14 | |
It is. It does have bedrooms laid out - I would say, forget where everything is, | 0:21:14 | 0:21:20 | |
and think about where you would place everything. | 0:21:20 | 0:21:23 | |
As soon as you walk through the door, you'll know what we're saying. From the outside, | 0:21:23 | 0:21:28 | |
could you imagine yourself here doing all you want to do? | 0:21:28 | 0:21:31 | |
Yes. Once the work's done. | 0:21:31 | 0:21:33 | |
Are you ready? | 0:21:33 | 0:21:35 | |
-Do we need to be? -Yes. You really do. | 0:21:35 | 0:21:38 | |
-Then I am. -OK. | 0:21:38 | 0:21:39 | |
-In three, two, one... Good luck. -Thank you. -Thank you. | 0:21:39 | 0:21:42 | |
I tell you what, we were scared going in there, | 0:21:43 | 0:21:46 | |
-and I'm scared now about what they think about it. -You know what? -What? | 0:21:46 | 0:21:49 | |
-They're going to not love it. -They aren't going to love it, are they? | 0:21:49 | 0:21:54 | |
Wow. | 0:21:59 | 0:22:00 | |
It's a bit different to the last one. | 0:22:00 | 0:22:03 | |
Are you sure they're not going to like this? | 0:22:05 | 0:22:07 | |
-Not without a bit of hypnotism. -Good idea. | 0:22:07 | 0:22:10 | |
Look into my eyes, not around my eyes, look into my eyes. Martin, you love this property. | 0:22:10 | 0:22:14 | |
Oh, wow. | 0:22:14 | 0:22:16 | |
Will need to be completely refitted. | 0:22:16 | 0:22:19 | |
Yeah. It's a different colour. I've never seen that colour. | 0:22:19 | 0:22:22 | |
You rip all of it out and start again. | 0:22:22 | 0:22:25 | |
Thumbs up to Martin. I told him what to think, he's taken me up on my word, | 0:22:25 | 0:22:30 | |
and he's ripping it out and starting again. There's a song in that. | 0:22:30 | 0:22:33 | |
Utility, I suspect. | 0:22:33 | 0:22:36 | |
Definitely need...I mean, it's nice to have a utility room. | 0:22:37 | 0:22:40 | |
A downstairs bedroom. That's pretty peculiar. We've got three floors, | 0:22:40 | 0:22:44 | |
-yet we've got a downstairs bedroom. -Ah, but a hypno room. -Yes. | 0:22:44 | 0:22:49 | |
So this could be the therapy room, | 0:22:49 | 0:22:51 | |
with the toilet right next door. | 0:22:51 | 0:22:54 | |
What's the deal with hypnotherapy and a desire to go the toilet? | 0:22:54 | 0:22:58 | |
-This could be quite a nice little hypno room. -A very nice hypno room. | 0:22:58 | 0:23:02 | |
It's away from everything else. | 0:23:02 | 0:23:04 | |
I think it's like having a good sleep. When you wake up in the morning, first thing you want to do - | 0:23:04 | 0:23:08 | |
-have a wee. So, hypnotherapy session, deep sleep, first thing you want to do when you come out... -Bang. | 0:23:08 | 0:23:13 | |
-This is a surprise. -It is! | 0:23:13 | 0:23:15 | |
It's a good size. Not bad. | 0:23:15 | 0:23:18 | |
Yes, this has recently been done. | 0:23:18 | 0:23:21 | |
To be honest, you've got a great view - a view of the former ford, it's ceased to be a ford, | 0:23:21 | 0:23:26 | |
the river's got a little high. | 0:23:26 | 0:23:28 | |
-So this would be... -A lounge. | 0:23:28 | 0:23:30 | |
Or would you make this a dining room? Bearing in mind it's near the kitchen. | 0:23:30 | 0:23:34 | |
But then you haven't got a lounge. | 0:23:34 | 0:23:37 | |
-We haven't seen upstairs. -No. | 0:23:37 | 0:23:39 | |
The thing they're probably thinking, if this is their business area, how do they divide it up? | 0:23:39 | 0:23:44 | |
But I think it'd be better off a kitchen between business and home than a lounge. | 0:23:44 | 0:23:48 | |
Oh, what's this in here? | 0:23:50 | 0:23:51 | |
I assume this is supposed to be a bedroom of some sort. | 0:23:54 | 0:23:58 | |
I don't know what this is! Look at the height of the ceiling. | 0:23:59 | 0:24:03 | |
Small, isn't it? | 0:24:03 | 0:24:04 | |
-The benefit is, lower ceiling - more floors! -Yes! | 0:24:04 | 0:24:09 | |
There's something else through there. | 0:24:09 | 0:24:11 | |
Let's have a look. | 0:24:11 | 0:24:13 | |
-It's a... -Is this a bathroom? | 0:24:16 | 0:24:18 | |
Right. | 0:24:19 | 0:24:21 | |
Now that... | 0:24:21 | 0:24:22 | |
Right, that's a partition wall, so that's what you do. Knock this through and make it one room. | 0:24:22 | 0:24:28 | |
Erm, hang on, Martin, there's a door here. | 0:24:28 | 0:24:31 | |
Oh, it's a cupboard. | 0:24:33 | 0:24:36 | |
-So it's a storage space. -No it's not, it's got a staircase. | 0:24:36 | 0:24:39 | |
-Staircase?! -It's a ladder sort of stair. | 0:24:39 | 0:24:41 | |
-OK... -Right. | 0:24:41 | 0:24:43 | |
Oh, goodness. This is up into the roof. | 0:24:43 | 0:24:46 | |
Ah. This is interesting. | 0:24:50 | 0:24:52 | |
-So here we have a loft room. -Yeah. | 0:24:52 | 0:24:55 | |
In my house, he kept saying, "I love this, I love this wall", hasn't said that yet. | 0:24:55 | 0:25:02 | |
-No, and what he should be saying, the only place he can go, is "I love what this could be." -Yeah. | 0:25:02 | 0:25:07 | |
Into the next room... | 0:25:07 | 0:25:09 | |
..and we have the bedroom. | 0:25:10 | 0:25:12 | |
FLOORBOARDS CREAK | 0:25:12 | 0:25:14 | |
Floorboarded. | 0:25:14 | 0:25:16 | |
-Now, this room feels quite nice. -Yeah... | 0:25:17 | 0:25:20 | |
See the...the ceilings. They've been recently plasterboarded. | 0:25:20 | 0:25:25 | |
Yes, they have, haven't they? | 0:25:25 | 0:25:27 | |
So this must have been two cottages, and that was the dividing wall between the two. | 0:25:28 | 0:25:34 | |
Yeah. | 0:25:34 | 0:25:35 | |
-Right. -OK! -Moving on. | 0:25:37 | 0:25:40 | |
-Yes? -Yes! -What're we going to find next? | 0:25:40 | 0:25:43 | |
Up the stairs? | 0:25:44 | 0:25:46 | |
Gosh. Wouldn't want to come up here with size 14 shoes, would you? | 0:25:46 | 0:25:51 | |
-But this room is lovely. It's gorgeous. -Yep. | 0:25:51 | 0:25:54 | |
Got lovely light coming in. | 0:25:57 | 0:25:59 | |
Good rendering on the walls. | 0:25:59 | 0:26:01 | |
-Yeah. -Fantastic views. | 0:26:01 | 0:26:02 | |
They have done it. They've done what we wanted them to do it. They've appreciated the outside and inside, | 0:26:04 | 0:26:10 | |
and the perspective on that would be amazing. | 0:26:10 | 0:26:12 | |
I dunno, what would you use it for? | 0:26:12 | 0:26:14 | |
This would be the third bedroom, you think? | 0:26:14 | 0:26:17 | |
Apart from that tiny one. If we make that a bedroom, which we won't. | 0:26:17 | 0:26:21 | |
Where on Earth do they start? | 0:26:21 | 0:26:23 | |
-I'm thinking...with guess the price. -Brilliant. | 0:26:23 | 0:26:27 | |
Ah, you've returned in one piece! | 0:26:28 | 0:26:32 | |
How was it in there? | 0:26:32 | 0:26:33 | |
-Interesting. It was different. -Did we build it up too much? | 0:26:33 | 0:26:37 | |
-No, not really. -You built it up quite accurately. | 0:26:37 | 0:26:39 | |
-OK. -And talking of building... | 0:26:39 | 0:26:41 | |
-Well, you would... -So what would you do? | 0:26:41 | 0:26:44 | |
I think what I would be inclined to do | 0:26:44 | 0:26:46 | |
would be to do what happened to a house next door to ours recently. | 0:26:46 | 0:26:49 | |
They knocked it down, and they built another one. | 0:26:49 | 0:26:52 | |
-It was cheaper than refurbishing the existing one. -OK. | 0:26:52 | 0:26:55 | |
-That would be tempting. -The plot is amazing, and the size of the land you've got. | 0:26:55 | 0:26:59 | |
We've got a plum tree there...you've got everything here, it's beautiful, | 0:26:59 | 0:27:03 | |
the vision is beautiful, the village is lovely, | 0:27:03 | 0:27:06 | |
so it's something that, if the price was right, maybe... | 0:27:06 | 0:27:09 | |
Yes. We would have to investigate the costs to rebuild. | 0:27:09 | 0:27:13 | |
And it shouldn't be too difficult to get planning permission here, | 0:27:13 | 0:27:16 | |
as long as you stuck with the local stone. | 0:27:16 | 0:27:18 | |
-Which I'd want to. In fact, I'd reuse that stone. -OK. | 0:27:18 | 0:27:21 | |
And you have also got a double garage, | 0:27:21 | 0:27:23 | |
so if you wanted to go with the hypnotherapy outside - | 0:27:23 | 0:27:26 | |
I know you had some ideas there, | 0:27:26 | 0:27:27 | |
but if pull it down, and wanted to keep it separate, something to think about. | 0:27:27 | 0:27:31 | |
-Here we are. -Woo-hoo! -You're nervous. | 0:27:31 | 0:27:34 | |
What is it? That's what you're going to tell us now! | 0:27:34 | 0:27:38 | |
Is it my turn to go first? | 0:27:38 | 0:27:40 | |
Remember, you're one down. | 0:27:40 | 0:27:42 | |
No problem. I'll win on this one. | 0:27:42 | 0:27:46 | |
Bear in mind the amount of work required and the area it's in, I'll go for... | 0:27:46 | 0:27:51 | |
327,000. | 0:27:51 | 0:27:56 | |
327,000. | 0:27:56 | 0:27:58 | |
Well, I'll go slightly lower, actually. | 0:27:59 | 0:28:02 | |
I think I'll go 315. | 0:28:02 | 0:28:05 | |
315. Are they close, Ed? | 0:28:05 | 0:28:07 | |
Well, OK. You're maximum budget was £450,000. | 0:28:07 | 0:28:12 | |
-He's looking nervous! -He's not going to say it's 450,000?! | 0:28:12 | 0:28:17 | |
Erm... You're closest, Martin. | 0:28:17 | 0:28:19 | |
The actual price of this house is £445,000. | 0:28:19 | 0:28:25 | |
-Now... -No way! -Yes! | 0:28:25 | 0:28:28 | |
Well, the estate agent did say that the price is negotiable. | 0:28:28 | 0:28:32 | |
And they strongly erred on the price is negotiable. | 0:28:32 | 0:28:35 | |
I think your guessing in terms of what you want to do and spend, is accurate. | 0:28:35 | 0:28:38 | |
-Yes. -For what you would want to buy this for. | 0:28:38 | 0:28:41 | |
It's the kind of area you're paying for. | 0:28:41 | 0:28:43 | |
It's such a fantastic location and I honestly think I spoiled you as well | 0:28:43 | 0:28:48 | |
-with the first house. -Absolutely. -It was cheaper than expected | 0:28:48 | 0:28:51 | |
and I gave you everything you wanted, I think. | 0:28:51 | 0:28:53 | |
And as a joint choice, we haven't done too well, | 0:28:53 | 0:28:56 | |
-but you're contemplating it. -We've given you an option. | 0:28:56 | 0:28:59 | |
At the right price too. We've not seen the wild card yet | 0:28:59 | 0:29:02 | |
and statistically that is everyone's favourite part of the show. | 0:29:02 | 0:29:05 | |
And I think the wild card is this way. | 0:29:05 | 0:29:08 | |
-So if you come with us. -Let's go! | 0:29:08 | 0:29:10 | |
Well, it's very exciting. I'm going solo today on the wild card. | 0:29:13 | 0:29:16 | |
And clearly all the hypnotherapy in the world can't cure me | 0:29:16 | 0:29:20 | |
of my obsession with this part of the show. | 0:29:20 | 0:29:23 | |
A Grade II listed cottage, renovated to an unbelievable standard. | 0:29:23 | 0:29:26 | |
Well - it is believable - just wait a couple of minutes and you'll see. | 0:29:26 | 0:29:30 | |
Martin and Sharon, it's quite a special moment for me | 0:29:31 | 0:29:34 | |
cos I've never, ever, ever, ever, ever, ever, ever, | 0:29:34 | 0:29:38 | |
had the chance to deliver the wild card. | 0:29:38 | 0:29:40 | |
I am nervous, | 0:29:40 | 0:29:43 | |
I'm expectant, I'm hopeful. This is the favourite part for everyone, | 0:29:43 | 0:29:47 | |
and it rests on my shoulders. Here it is. | 0:29:47 | 0:29:51 | |
Have a look at it. | 0:29:51 | 0:29:52 | |
Now, being a wild card, there's often a compromise. | 0:29:52 | 0:29:55 | |
I know you said you didn't want a main road - it's not that main... | 0:29:55 | 0:29:58 | |
And I promise you, once you're in there, you can't hear it. | 0:29:58 | 0:30:01 | |
And don't count the number of bedrooms. | 0:30:01 | 0:30:04 | |
But! But, two words, sofa bed, if you do need four beds. | 0:30:04 | 0:30:10 | |
The thing is, when you get to the back of the house and you see | 0:30:10 | 0:30:13 | |
what's there, you will understand why you're here. | 0:30:13 | 0:30:17 | |
-Fingers crossed. -OK. | 0:30:17 | 0:30:18 | |
So what do you think? I'm going to go with you, Sharon. | 0:30:18 | 0:30:21 | |
It looks very quaint, actually. Very cottagey. | 0:30:21 | 0:30:24 | |
-Martin, your first impressions? -Likewise, I love the shrubbery. | 0:30:24 | 0:30:29 | |
Erm, can't see most of the house so looking forward to getting inside and having a good look. | 0:30:29 | 0:30:34 | |
Yes, go in there and enjoy. I do think you'll like this a lot. | 0:30:34 | 0:30:37 | |
I'm hoping. Fingers crossed. 3, 2, 1, get in! | 0:30:37 | 0:30:40 | |
-OK! -OK. | 0:30:40 | 0:30:43 | |
I'm nervous! I've never, ever, ever, ever... | 0:30:43 | 0:30:46 | |
-Sorry! -Back in the room! -I do rate my chance with the wild card. | 0:30:46 | 0:30:50 | |
OK, one hallway. It's nice, I like the floor. | 0:30:52 | 0:30:55 | |
You kept this quiet, didn't you? | 0:30:56 | 0:30:59 | |
Well, you don't want to blow all your tricks in one go, do ya! | 0:30:59 | 0:31:02 | |
-Little private garden! -It's absolutely lovely. | 0:31:02 | 0:31:05 | |
-Look at these beams. -Oh, I love this! | 0:31:05 | 0:31:07 | |
And that door - look at that lovely door. | 0:31:07 | 0:31:10 | |
-Aww, this is lovely. -Oh, look, this is gorgeous. | 0:31:10 | 0:31:14 | |
I know! | 0:31:14 | 0:31:15 | |
Oh, we've had the G-word flung at us! I say us, ME! | 0:31:15 | 0:31:19 | |
-Gorgeous from Sharon! -I didn't get one of those. | 0:31:19 | 0:31:22 | |
I don't think we've had one up until now, really. | 0:31:22 | 0:31:24 | |
-That's lovely. -I wonder how old this house is. -Hmm. | 0:31:24 | 0:31:29 | |
-Log-burning stove. -Yep. | 0:31:29 | 0:31:32 | |
-It's really nice. -Great fireplace. Right. Check out the floor. | 0:31:32 | 0:31:35 | |
Oh, wonderful! | 0:31:35 | 0:31:37 | |
-You have different floors in most rooms. -You do. | 0:31:37 | 0:31:40 | |
And you've got really lovely old tiles. | 0:31:40 | 0:31:43 | |
And I've heard the older tiles are easier to clean than newer tiles. | 0:31:43 | 0:31:47 | |
-Really? -Yes. | 0:31:47 | 0:31:48 | |
-Fireplace. -Is it sealed? -It can be unsealed. | 0:31:51 | 0:31:54 | |
-This is lovely. -Isn't it lovely? And the colours are just right. -Yeah. | 0:31:54 | 0:31:58 | |
The colours on the walls, they suit the house perfectly. | 0:31:58 | 0:32:01 | |
-Ooh, I love this! -Oh, dear! | 0:32:01 | 0:32:04 | |
-Oh, dear! Yes, this is... -Lovely. | 0:32:04 | 0:32:09 | |
I think we've had the L-word and the G-word. | 0:32:09 | 0:32:11 | |
-This is lovely. -I know, I know. | 0:32:11 | 0:32:14 | |
Can you hear that? | 0:32:14 | 0:32:16 | |
SILENCE | 0:32:16 | 0:32:18 | |
-No, I can't either! Can't hear the road. -No. Not at all. | 0:32:18 | 0:32:22 | |
-The road is in the distance. -Gone. | 0:32:22 | 0:32:25 | |
Right, what have we got here then? So we've done the kitchen. | 0:32:25 | 0:32:29 | |
-Wow! -What have we got here? | 0:32:29 | 0:32:31 | |
-Oh, this is lovely! -At a guess... -This would be...! | 0:32:31 | 0:32:36 | |
-What would it be?! -What do you think? -Oh... -At home, what do you think? | 0:32:36 | 0:32:40 | |
Yes, it would be. Of course, it's a therapy room. | 0:32:40 | 0:32:43 | |
-This is awesome. -This is lovely. -Absolutely beautiful. | 0:32:43 | 0:32:47 | |
We could use this as an office, we could use this as a hypno room. | 0:32:47 | 0:32:52 | |
-Shall we wander upstairs? -Yes, why not? -OK, after you. | 0:32:52 | 0:32:56 | |
Oh, wow! This is... | 0:32:58 | 0:33:01 | |
Master bedroom. | 0:33:03 | 0:33:04 | |
Oh! | 0:33:04 | 0:33:05 | |
-Do you like? -Yeah, I do! | 0:33:07 | 0:33:10 | |
See the width of these floorboards? These are the old floorboards. | 0:33:10 | 0:33:14 | |
-Look at these. The beams, they're gorgeous! -Yes! | 0:33:14 | 0:33:18 | |
En suite. | 0:33:21 | 0:33:23 | |
-Oh, fab. -Shower, toilet. | 0:33:24 | 0:33:26 | |
Oh, a nice big shower. It's lovely. Yep, that's just what we need. | 0:33:26 | 0:33:31 | |
-Think this is the first en suite we've given them? -It certainly is. | 0:33:31 | 0:33:35 | |
-And it's a very nice en suite. -A treat. | 0:33:35 | 0:33:37 | |
-They've got an office space on the landing. -I missed it when I came up. | 0:33:37 | 0:33:41 | |
I didn't notice it either. | 0:33:41 | 0:33:42 | |
That's quite nice, actually. | 0:33:42 | 0:33:44 | |
-In fact, it's ideal. -Yeah. | 0:33:44 | 0:33:46 | |
Liking the office. Liking the office. | 0:33:46 | 0:33:50 | |
Cos I was worried about three bedrooms. | 0:33:50 | 0:33:52 | |
But if they buy that bit at the top of the stairs as the office area, | 0:33:52 | 0:33:56 | |
maybe they don't need four bedrooms. | 0:33:56 | 0:33:58 | |
Wasn't one of the rooms going to be an office space? | 0:33:58 | 0:34:00 | |
They needed a separate office from their therapy. | 0:34:00 | 0:34:03 | |
You've given them a great therapy room. | 0:34:03 | 0:34:05 | |
Perhaps they use this as a dressing room, there's wardrobes in here. | 0:34:05 | 0:34:10 | |
So would you get a bed in here if you wanted one? | 0:34:10 | 0:34:12 | |
You might get a single. | 0:34:12 | 0:34:14 | |
-So this could conceivably be a bedroom? -Yes. | 0:34:16 | 0:34:19 | |
Oh, isn't this cute! | 0:34:22 | 0:34:24 | |
-Cute(!) -I think it's lovely. Look at... Oh! | 0:34:25 | 0:34:28 | |
-I love the beams in the wall. -And the way the floor slopes. | 0:34:28 | 0:34:31 | |
You can feeling it sloping down. This is lovely. | 0:34:31 | 0:34:33 | |
The wild card is delivering today. It's really exciting! | 0:34:33 | 0:34:36 | |
It's like a cupboard. Oh, it's not a cupboard. | 0:34:36 | 0:34:39 | |
It's definitely not a cupboard! | 0:34:39 | 0:34:41 | |
-Wow! -We have a lovely bathroom. -This is beautiful. | 0:34:41 | 0:34:44 | |
Look, the lovely old roll top bath. It's not got a proper shower, but... | 0:34:44 | 0:34:49 | |
But we've got a shower in the en suite. | 0:34:49 | 0:34:51 | |
Right, I was going to point that out about the shower. | 0:34:51 | 0:34:54 | |
Don't worry, Martin's done it for me. Sweet! Not a problem! | 0:34:54 | 0:34:58 | |
-I can't find anything wrong with this place apart from number of bedrooms? -Yep. | 0:34:58 | 0:35:02 | |
There's a problem, Ed. Any solutions? | 0:35:02 | 0:35:05 | |
I said it at the top and I will again. Two words, sofa bed. | 0:35:05 | 0:35:09 | |
-Hello. -Hi. | 0:35:11 | 0:35:13 | |
So, go on. Did my magical room at the back tick all your boxes? | 0:35:13 | 0:35:17 | |
-Yes. -Mmm. | 0:35:17 | 0:35:18 | |
And the property. OK, we were short a bedroom and we have the road. | 0:35:18 | 0:35:22 | |
Talk us through your feelings, you've been round it. | 0:35:22 | 0:35:25 | |
Have you fallen in love with it enough to maybe think about compromises? | 0:35:25 | 0:35:29 | |
-Yes, we've been talking of compromises. -Really? Good! -What kind of compromises? | 0:35:29 | 0:35:33 | |
The one thing that puts me off is the road and lack of car parking, | 0:35:33 | 0:35:36 | |
-but you then look at the parking on the other side of the road. -Uh-huh. | 0:35:36 | 0:35:41 | |
Lack of bedrooms, but then, the large room | 0:35:41 | 0:35:44 | |
could be used for an emergency bedroom as well... | 0:35:44 | 0:35:47 | |
-Sofa bed! -Yes, good idea, that! -Well, you know! | 0:35:47 | 0:35:50 | |
So, yes, we're thinking compromises. | 0:35:50 | 0:35:53 | |
I like it. So that's a sense of liking the property quite a bit. | 0:35:53 | 0:35:56 | |
-We do love this property. -Beautiful. -You LOVE this property! | 0:35:56 | 0:36:00 | |
-It's been very well done. -And the back garden, what do you think of that? | 0:36:00 | 0:36:04 | |
It's lovely. Lots of lovely nooks and crannies, | 0:36:04 | 0:36:07 | |
-places to go and disappear. -And it's private. | 0:36:07 | 0:36:10 | |
OK, what about guess the price? | 0:36:10 | 0:36:13 | |
-So far, it's one all, isn't it? -Sharon's turn to go first. | 0:36:13 | 0:36:16 | |
-Ohh! -Hang on, your budget is 450. -Yes. | 0:36:16 | 0:36:21 | |
-So how much do you think this baby is worth? -I think this is more. | 0:36:21 | 0:36:24 | |
I think £469,950. | 0:36:24 | 0:36:30 | |
-Martin? What are you thinking? -I think the price SHOULD be there, | 0:36:30 | 0:36:34 | |
but I think, because of the current market, | 0:36:34 | 0:36:38 | |
and because I want to beat Sharon, | 0:36:38 | 0:36:42 | |
I'm going to go less than that, | 0:36:42 | 0:36:44 | |
but very close to it. | 0:36:44 | 0:36:47 | |
I'll go bang on £450,000. | 0:36:47 | 0:36:50 | |
OK. Well, who's won? | 0:36:50 | 0:36:53 | |
You tell us! You know the answer. | 0:36:53 | 0:36:56 | |
Here we go, is there any way you can try and divine it from my mind? | 0:36:56 | 0:36:59 | |
-I've won. -No, you haven't! | 0:36:59 | 0:37:02 | |
Sharon has won! | 0:37:02 | 0:37:03 | |
The actual price is £475,000, so you're closest to that, Sharon. | 0:37:03 | 0:37:07 | |
-My first thought. -Take it as a victory. | 0:37:07 | 0:37:09 | |
Now, you have to wander off and make the most important decision of your adult lives | 0:37:09 | 0:37:14 | |
-about which one you wish to test drive. -It's a hard decision, Martin. | 0:37:14 | 0:37:18 | |
-It is tricky. -It is, it is. -We'll see you later. Good luck. | 0:37:18 | 0:37:22 | |
Sharon looks really worried there. | 0:37:22 | 0:37:24 | |
-It's a big decision. -It IS, and whilst they decide, | 0:37:24 | 0:37:27 | |
here's a reminder for you at home. | 0:37:27 | 0:37:29 | |
The first offering today was my suggestion. | 0:37:29 | 0:37:31 | |
In the village of Milcombe, this house has four bedrooms, | 0:37:31 | 0:37:34 | |
three reception rooms, a secret garden, | 0:37:34 | 0:37:36 | |
as well as a washhouse screaming, "Hypno, hypno, hypno!" | 0:37:36 | 0:37:40 | |
Let's just hope Martin and Sharon are raving about it as much as I am. | 0:37:40 | 0:37:44 | |
It's well under budget... | 0:37:44 | 0:37:47 | |
House two, our joint choice, was a gamble, | 0:37:47 | 0:37:49 | |
the responsibility for which rested on our collective shoulders. | 0:37:49 | 0:37:53 | |
These two former workers' cottages stand on a perfect plot, | 0:37:53 | 0:37:56 | |
but will the mission that lies beyond the grounds | 0:37:56 | 0:37:59 | |
prove just a bit too much for Sharon and Martin? | 0:37:59 | 0:38:02 | |
On the market for... | 0:38:02 | 0:38:04 | |
And yet I love the responsibility of being head of the wildcard today, | 0:38:04 | 0:38:08 | |
a Grade II listed cottage in the village of Great Horwood, | 0:38:08 | 0:38:12 | |
with three bedrooms, two reception rooms, and no hypnosis required! | 0:38:12 | 0:38:15 | |
I reckon they seem to love this place regardless, | 0:38:15 | 0:38:19 | |
and so do I, on the market for... | 0:38:19 | 0:38:23 | |
And the massive pressure of flying solo on the wildcard | 0:38:27 | 0:38:30 | |
has apparently paid off. They clearly can't get enough of the place. | 0:38:30 | 0:38:34 | |
OK, if you follow me into the bedroom | 0:38:34 | 0:38:37 | |
-for nothing THAT exciting! -LAUGHTER | 0:38:37 | 0:38:41 | |
It's just the information that we're going to reveal to you now | 0:38:41 | 0:38:45 | |
what our mystery To Buy Or Not To Buy surveyor has discovered about this here beautiful wildcard. | 0:38:45 | 0:38:50 | |
Don't be concerned, it's nothing to be worried about. | 0:38:50 | 0:38:54 | |
It's not legally binning, but it's a good heads-up as to what you're getting, | 0:38:54 | 0:38:58 | |
and maybe what you're walking into if you were to buy this property. | 0:38:58 | 0:39:02 | |
-What have you got? -When you were walking round the property, | 0:39:02 | 0:39:05 | |
I heard you commenting on the beams, saying how beautiful they were, | 0:39:05 | 0:39:09 | |
what great character they had in them. Well, our surveyor | 0:39:09 | 0:39:13 | |
has told us that every one of the beams in this house | 0:39:13 | 0:39:16 | |
at some point has had woodworm and weevil, but the good news is | 0:39:16 | 0:39:20 | |
it's not active at the moment and it shouldn't be, unless you got damp again, | 0:39:20 | 0:39:25 | |
meaning there's no damp. That's a good sign. | 0:39:25 | 0:39:27 | |
-OK. -As this is a very old house, | 0:39:27 | 0:39:30 | |
it is made of all natural stuff, | 0:39:30 | 0:39:32 | |
and therefore it needs to be able to breathe, | 0:39:32 | 0:39:35 | |
which I think is a ridiculous concept, but apparently | 0:39:35 | 0:39:37 | |
it is fundamental with these old properties. So if you see here, | 0:39:37 | 0:39:42 | |
you can just about notice that there are gaps in the house. | 0:39:42 | 0:39:46 | |
You might think, "Hang on a minute, I don't want that, that's rubbish." | 0:39:46 | 0:39:50 | |
But the house needs gaps in order for ventilation, to keep ventilated, | 0:39:50 | 0:39:53 | |
keep breathing, keep doing whatever it needs to do to keep alive. | 0:39:53 | 0:39:57 | |
So that's all the information. Otherwise, it's been done phenomenally well. | 0:39:57 | 0:40:01 | |
We're now going to leave you in the bedroom | 0:40:01 | 0:40:04 | |
-to begin the test drive! -Do whatever you want to do! | 0:40:04 | 0:40:09 | |
-See you later. -Try anything out you want. | 0:40:09 | 0:40:11 | |
Where do we start? | 0:40:13 | 0:40:14 | |
Well, this house was made for relaxing, | 0:40:17 | 0:40:20 | |
-and Martin and Sharon are making the most of it in the lounge. -And for one time only, | 0:40:20 | 0:40:24 | |
our mystery property-hunting team are no longer a mystery. That's Pam. | 0:40:24 | 0:40:29 | |
Martin's working his hypnotic magic on her. | 0:40:29 | 0:40:32 | |
See the relaxation starting | 0:40:34 | 0:40:36 | |
and then just spreading it down... | 0:40:36 | 0:40:39 | |
And it looks like Sharon is preparing the liquid refreshments. | 0:40:39 | 0:40:44 | |
You need to go deeper relaxed. | 0:40:46 | 0:40:48 | |
So, Martin and Sharon, you have test-driven this property. | 0:40:53 | 0:40:57 | |
-I'm over the moon, still. Are YOU still over the moon about it? -We like it. -Yes, it's very nice. | 0:40:57 | 0:41:04 | |
How did it feel in senses of... There was a little whiff of hypno going on in there. | 0:41:04 | 0:41:08 | |
Does it feel like a place that is conducive for that? | 0:41:08 | 0:41:12 | |
-Indeed. The hypnosis we did in the summer room is very, very good. It's the place to do it. -I like it. | 0:41:12 | 0:41:19 | |
-He's named the back room the summer room! -Ohh! | 0:41:19 | 0:41:22 | |
Yes, that's where he'll be hanging out in the summer! Not in the garden. | 0:41:22 | 0:41:25 | |
There was a question earlier about the idea of living with ghosts, | 0:41:25 | 0:41:29 | |
something that were you more than... Didn't bother you at all. | 0:41:29 | 0:41:32 | |
Do we have any sense of the spiritual world in there? | 0:41:32 | 0:41:36 | |
-I didn't sense anything. -I didn't. | 0:41:36 | 0:41:38 | |
Well, I suppose it's neither good nor bad, really. | 0:41:38 | 0:41:41 | |
But did it feel like a warm, friendly home? Invited you in? | 0:41:41 | 0:41:44 | |
Yes, it is a very warm and friendly home. | 0:41:44 | 0:41:47 | |
-Traffic noise. That was another concern. -Still is a concern for me. | 0:41:47 | 0:41:51 | |
-And what about the bedroom situation? -That we can accommodate. | 0:41:51 | 0:41:56 | |
-That's a very good thing. -Because we have two large-sized bedrooms | 0:41:56 | 0:42:00 | |
and, in the "summer room", | 0:42:00 | 0:42:02 | |
we could put a sofa bed, which I thought was an excellent suggestion of mine | 0:42:02 | 0:42:07 | |
-right at the beginning! -Yeah, | 0:42:07 | 0:42:09 | |
I remember you pointing out a sofa bed would be a good idea. Very good! | 0:42:09 | 0:42:13 | |
I think we're stumbling towards the inevitable, aren't we? | 0:42:13 | 0:42:16 | |
Yes, this is the big question now. | 0:42:16 | 0:42:17 | |
-Yes. -I don't know who is going to be answering it. | 0:42:17 | 0:42:21 | |
-Hmm... -The question is - | 0:42:21 | 0:42:23 | |
to buy or not to buy? | 0:42:23 | 0:42:26 | |
-Mmm. -To make an immediate decision, no. -Right. | 0:42:26 | 0:42:30 | |
-But it is something that we will actively consider. -Yes. -OK. -Yes. | 0:42:30 | 0:42:33 | |
-Give us... Can we have a percentage in terms of...or anything to give us a... -Boxes ticked? | 0:42:33 | 0:42:40 | |
-All the boxes ticked? -Yeah. -All the boxes ticked. | 0:42:40 | 0:42:43 | |
-Vast majority bar about one or two. -It has to be 80%. -Yeah. -OK. | 0:42:43 | 0:42:49 | |
We're happy with this. At the end of the day, | 0:42:49 | 0:42:52 | |
-have you had a nice time? -We've had a fantastic time. -Great time. -Excellent. | 0:42:52 | 0:42:56 | |
-We'll see you soon. Thanks very much, then. -Take care. -Thanks very much. | 0:42:56 | 0:43:00 | |
Subtitles by Red Bee Media Ltd | 0:43:11 | 0:43:17 |