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Today we are in Huddersfield in colourful West Yorkshire. | 0:00:02 | 0:00:05 | |
We certainly are - | 0:00:05 | 0:00:06 | |
looking for a characterful property for a lovely couple, | 0:00:06 | 0:00:10 | |
nestled within the bosom of the Pennines. | 0:00:10 | 0:00:12 | |
The north of England and tropical summer time, | 0:00:21 | 0:00:25 | |
yet Jonny and I find ourselves in the estate | 0:00:25 | 0:00:27 | |
where today's owners live, the houses are lovely. | 0:00:27 | 0:00:30 | |
It's exactly where they want to be, but the question is - | 0:00:30 | 0:00:33 | |
why do they want to move? | 0:00:33 | 0:00:34 | |
Well, we'll have to ask them - them being Emma and Alan. | 0:00:37 | 0:00:40 | |
They've lived in this four-bedroom house since it was built | 0:00:40 | 0:00:44 | |
-two years ago. -They've got two daughters, Rebecca and Emily, | 0:00:44 | 0:00:47 | |
and there's also two cats, a kitten and Amber the dog to consider. | 0:00:47 | 0:00:52 | |
OK, so Alan, Emma, here we are in your lovely kitchen/diner. | 0:00:52 | 0:00:55 | |
The question normally is, "Why move?" | 0:00:55 | 0:00:57 | |
but it's more accurate for me to ask, "Why don't you want to stay?" | 0:00:57 | 0:01:00 | |
-Crafty. -See what I've done. | 0:01:00 | 0:01:02 | |
I'll let you answer that one. | 0:01:02 | 0:01:04 | |
Right, we've been here two years now, | 0:01:04 | 0:01:06 | |
and although we do like the house we just find it characterless. | 0:01:06 | 0:01:10 | |
That's quite harsh to say about a house. Devoid of soul. | 0:01:10 | 0:01:14 | |
That's it. We've tried putting in some colour, | 0:01:14 | 0:01:17 | |
but there's nothing to it, we don't feel particularly settled. | 0:01:17 | 0:01:22 | |
It doesn't feel very homely. | 0:01:22 | 0:01:24 | |
What were you thinking when you moved into it?! | 0:01:24 | 0:01:26 | |
It's the most amount of money you'll ever spend in your life | 0:01:26 | 0:01:30 | |
and you've bought something you call "characterless" within two years? | 0:01:30 | 0:01:34 | |
I think the idea of having a new house appeals to everybody | 0:01:34 | 0:01:37 | |
when everything's fresh and new. | 0:01:37 | 0:01:40 | |
Emma, is it fair to say you've not settled here | 0:01:40 | 0:01:43 | |
because Alan is constantly starting jobs and never finishing them, | 0:01:43 | 0:01:47 | |
so it's never quite felt like home? | 0:01:47 | 0:01:49 | |
You could say that, definitely. He's done a very good job on the garden. | 0:01:49 | 0:01:54 | |
The decking. Rustic decking. | 0:01:54 | 0:01:56 | |
That's it, very good. But we keep thinking of ideas - | 0:01:56 | 0:02:01 | |
replace the carpets, the laminate. Nothing ever gets done. | 0:02:01 | 0:02:04 | |
And DIY is an issue, and you want to move to an old house with character, | 0:02:04 | 0:02:09 | |
surely you'll have to do more DIY. | 0:02:09 | 0:02:11 | |
That pleases me. | 0:02:11 | 0:02:14 | |
-Alan's convinced he can do it. -OK. | 0:02:14 | 0:02:16 | |
What style of property do you want? | 0:02:16 | 0:02:18 | |
What kind of age of house are we after for you? | 0:02:18 | 0:02:20 | |
We're looking for a character period sort of cottage. | 0:02:20 | 0:02:25 | |
Something you could walk up to and say, | 0:02:25 | 0:02:30 | |
-"That looks quite quaint or nookie." -Nookie? | 0:02:30 | 0:02:35 | |
-Not nookie as in nookie, but... -LAUGHTER | 0:02:35 | 0:02:39 | |
..cute! | 0:02:39 | 0:02:41 | |
Like a traditional village style cottage? A little school, I guess. | 0:02:41 | 0:02:45 | |
Definitely. | 0:02:45 | 0:02:47 | |
-Schools are very important. -Rebecca is due to start school in January. | 0:02:47 | 0:02:51 | |
We just think the whole village location where everyone knows | 0:02:51 | 0:02:54 | |
everyone is where we want to be. | 0:02:54 | 0:02:56 | |
We've got nice neighbours but it doesn't feel like a community. | 0:02:56 | 0:02:59 | |
It's a new estate this, isn't it? | 0:02:59 | 0:03:01 | |
-It takes time. -You're almost getting out just as it's starting. | 0:03:01 | 0:03:06 | |
-Possibly. -Maybe I want the day off, if I convince you to | 0:03:06 | 0:03:09 | |
stay here, that's job done. You've got a lot of space. | 0:03:09 | 0:03:11 | |
Normally with these things you get more for your money. | 0:03:11 | 0:03:14 | |
With your character world, you're probably going to get less, | 0:03:14 | 0:03:17 | |
have more, you know... | 0:03:17 | 0:03:19 | |
You will be moving to a smaller house. Does that bother you? | 0:03:19 | 0:03:22 | |
It doesn't. | 0:03:22 | 0:03:25 | |
At the moment, we're rattling around a bit anyway. | 0:03:25 | 0:03:29 | |
We acknowledge we're going to have to downsize. We got our heads round it. | 0:03:29 | 0:03:34 | |
What we're looking for is more the location. | 0:03:34 | 0:03:36 | |
What sort of rooms are you expecting within a property? | 0:03:36 | 0:03:39 | |
What do you want? Sell me the dream. | 0:03:39 | 0:03:41 | |
We just need that extra space, downstairs. | 0:03:41 | 0:03:44 | |
At the moment we've only got one reception room, so perhaps two would | 0:03:44 | 0:03:47 | |
be nice, or a larger kitchen/diner. | 0:03:47 | 0:03:50 | |
Living space is more important than bedrooms? | 0:03:50 | 0:03:52 | |
-That's right. -You talk about downsizing, | 0:03:52 | 0:03:54 | |
but you want a larger downstairs than you've currently got. | 0:03:54 | 0:03:57 | |
-That's not downsizing. You want a big-bottomed, smaller house. -Yeah. | 0:03:57 | 0:04:01 | |
-You want a J-Lo house. -Like that. | 0:04:01 | 0:04:04 | |
So kind of like a pyramid, but smaller. | 0:04:04 | 0:04:07 | |
Are you sure you're convinced about this smaller house? | 0:04:07 | 0:04:10 | |
How much is it going to cost? | 0:04:10 | 0:04:12 | |
We could push to 180,000. | 0:04:12 | 0:04:15 | |
But ideally we would like to come in a little bit lower. | 0:04:15 | 0:04:19 | |
-Stamp duty at £175,000. -That's it. | 0:04:19 | 0:04:21 | |
But I think there's a lot of flexibility in the market | 0:04:21 | 0:04:23 | |
at the moment so if we look at 180, we might bring that down. | 0:04:23 | 0:04:27 | |
So, hopefully, we spend a bit less and Alan then with | 0:04:27 | 0:04:31 | |
his wonderful, majestical DIY skills will make the house worth more. | 0:04:31 | 0:04:36 | |
You're more committed than Emma makes out. | 0:04:36 | 0:04:38 | |
That's pretty much everything we need to know. | 0:04:38 | 0:04:41 | |
-Let's look for the dream. -I'm excited. See you later. | 0:04:41 | 0:04:44 | |
Right, Huddersfield. During the Industrial Revolution, | 0:04:45 | 0:04:48 | |
it was at the centre of the textile industry. | 0:04:48 | 0:04:51 | |
The Huddersfield Broad Canal provided a lifeline for the mills, | 0:04:51 | 0:04:55 | |
bringing in coal and shipping out textiles. | 0:04:55 | 0:04:57 | |
Today, it's mainly used for leisure purposes. | 0:04:57 | 0:05:00 | |
The riches of an industrial past | 0:05:00 | 0:05:01 | |
have left a legacy of Victorian buildings. | 0:05:01 | 0:05:04 | |
The railway station's just one example of an amazing | 0:05:04 | 0:05:07 | |
1,660 listed buildings, the third largest in the country. | 0:05:07 | 0:05:11 | |
Now some of these have recently been given a new lease of life. | 0:05:11 | 0:05:16 | |
The old Titanic textile mill | 0:05:16 | 0:05:17 | |
forms part of a swanky multi-purpose apartment block | 0:05:17 | 0:05:20 | |
along with its very own eco-spa | 0:05:20 | 0:05:22 | |
which I, naturally, feel duty-bound to check out. | 0:05:22 | 0:05:26 | |
Well, I'll catch up with a local property developer then. | 0:05:26 | 0:05:29 | |
Everyone knew the market was getting difficult, but it's not a bad time | 0:05:29 | 0:05:33 | |
to get into it because people are getting keener to sell, | 0:05:33 | 0:05:37 | |
prices are coming down, which they had to do anyway. | 0:05:37 | 0:05:40 | |
This is, I guess, the north-west version of what happens | 0:05:40 | 0:05:43 | |
down in the Docklands, | 0:05:43 | 0:05:44 | |
where they've done a whole lot of regeneration. | 0:05:44 | 0:05:47 | |
Do you see that in other towns | 0:05:47 | 0:05:49 | |
throughout the West Yorkshire area as well? | 0:05:49 | 0:05:52 | |
Yeah, it is starting to get that way. | 0:05:52 | 0:05:54 | |
If you look at five years, | 0:05:54 | 0:05:55 | |
property developers have been from any walk of life, | 0:05:55 | 0:05:58 | |
buy a house, turn it round, | 0:05:58 | 0:05:59 | |
no matter what you do to it you've turned around a profit | 0:05:59 | 0:06:02 | |
because the market's risen. | 0:06:02 | 0:06:04 | |
Now it's dropping, you've got to make a better job of it. | 0:06:04 | 0:06:07 | |
Very nice indeed, beautiful example of a factory conversion - | 0:06:07 | 0:06:11 | |
chic, stylish, very contemporary. | 0:06:11 | 0:06:13 | |
I can see myself here. | 0:06:13 | 0:06:15 | |
With enough money, you can buy good properties, | 0:06:15 | 0:06:18 | |
renovate them to a good standard and sell them. | 0:06:18 | 0:06:21 | |
The selling part has just become far more difficult | 0:06:21 | 0:06:24 | |
because mortgages have become far harder to come by. | 0:06:24 | 0:06:27 | |
This is research. Now go on, go. | 0:06:27 | 0:06:30 | |
Great legs! After a bit of R&R | 0:06:36 | 0:06:37 | |
it's time to hit the road, find some houses, | 0:06:37 | 0:06:40 | |
and start the viewings, beginning with my offering, | 0:06:40 | 0:06:43 | |
a late 1920's house, three bedrooms, | 0:06:43 | 0:06:45 | |
a spacious downstairs, and a great garden for the animals. | 0:06:45 | 0:06:48 | |
I think it ticks all the boxes, but will they agree? | 0:06:48 | 0:06:52 | |
OK, well, you sold me the dream property you had in mind | 0:06:52 | 0:06:56 | |
before we got here, | 0:06:56 | 0:06:57 | |
I took those words, I've turned it into this. | 0:06:57 | 0:06:59 | |
What do you think? First impressions? Your lovely cottage. | 0:06:59 | 0:07:03 | |
-Yeah, it looks very nice on the outside. -It does. | 0:07:03 | 0:07:06 | |
I like the area, | 0:07:06 | 0:07:07 | |
a nice cul-de-sac, I saw the park at the end, perfect for the dog. | 0:07:07 | 0:07:11 | |
You're locals, this is one of the villages we spoke of, isn't it? | 0:07:11 | 0:07:15 | |
-It is. -The school is good round here as well? -Yes, it is. -Perfect. | 0:07:15 | 0:07:19 | |
So this looks smaller, let's say, than your current house, | 0:07:19 | 0:07:22 | |
so this will be...you're walking into the downsizing idea slightly, | 0:07:22 | 0:07:27 | |
to hopefully get the character that | 0:07:27 | 0:07:29 | |
Jonny will have undoubtedly given you inside it. | 0:07:29 | 0:07:32 | |
I'm going to throw out an estate agent term for you - | 0:07:32 | 0:07:35 | |
-"deceptively spacious". -Right, OK. | 0:07:35 | 0:07:37 | |
-Is that good? -From outside, it looks smaller than what we have got, | 0:07:37 | 0:07:40 | |
from the outside. | 0:07:40 | 0:07:42 | |
-Get in there and prove yourselves wrong! Go on. Have fun. -Thank you. | 0:07:42 | 0:07:46 | |
Despite your negativity | 0:07:57 | 0:07:59 | |
-and the bad weather, I've got a good feeling about this. -Really? | 0:07:59 | 0:08:02 | |
This is nice, I like this. | 0:08:02 | 0:08:04 | |
It's very bright. | 0:08:04 | 0:08:06 | |
-The fireplace is nice. -Pretty. | 0:08:06 | 0:08:09 | |
I wonder if we could turn that into a real fireplace, you know like... | 0:08:09 | 0:08:13 | |
It's got the chimney breast. | 0:08:13 | 0:08:16 | |
I expect so, yeah. I don't think it'd take that much, really. | 0:08:16 | 0:08:21 | |
It's probably gas. It would give a really homely feel, then, | 0:08:21 | 0:08:25 | |
-wouldn't it? -Yeah. | 0:08:25 | 0:08:26 | |
It isn't the character I would have imagined they wanted. | 0:08:26 | 0:08:29 | |
There is character, | 0:08:29 | 0:08:30 | |
more than they've got, but is there enough to necessitate the move? | 0:08:30 | 0:08:34 | |
-Wow! -This is lovely. -This is what I'm talking about. | 0:08:35 | 0:08:40 | |
Most definitely. | 0:08:40 | 0:08:42 | |
-The floor, that wouldn't need changing. A feature fireplace. -Yeah. | 0:08:42 | 0:08:48 | |
This is just an ideal size, this. | 0:08:48 | 0:08:52 | |
-What have we got here? Wow! A nice storage space. Lovely. -Yeah. | 0:08:52 | 0:08:59 | |
There we go, our first wow. | 0:08:59 | 0:09:01 | |
Nice and bright, though, isn't it? | 0:09:01 | 0:09:03 | |
A separate room, a study there, as well. | 0:09:03 | 0:09:05 | |
That's right. It's perfect. | 0:09:05 | 0:09:08 | |
-You don't need the extra bedroom, then. -No. | 0:09:08 | 0:09:11 | |
They're excited because this is what they wanted - | 0:09:11 | 0:09:14 | |
more downstairs space, | 0:09:14 | 0:09:15 | |
not so fussed about the upstairs space. And you've delivered. | 0:09:15 | 0:09:18 | |
-This kitchen isn't far off what we've got now, size-wise. -Yeah. | 0:09:18 | 0:09:24 | |
It's double size, isn't it? | 0:09:24 | 0:09:25 | |
It's not very different to what we've got now. | 0:09:25 | 0:09:28 | |
Well, it's actually bigger because the downstairs | 0:09:28 | 0:09:31 | |
-is pretty much what we were looking for because it is bigger. -It is. | 0:09:31 | 0:09:36 | |
You've got a large dining area, whereas ours is attached | 0:09:36 | 0:09:39 | |
at the moment, so it looks like you've got a large kitchen, | 0:09:39 | 0:09:42 | |
but this is separate. | 0:09:42 | 0:09:43 | |
So downstairs nailed. That went pretty well. | 0:09:43 | 0:09:46 | |
Yeah, I think downstairs is the most important thing, | 0:09:46 | 0:09:49 | |
and the area, realistically. | 0:09:49 | 0:09:50 | |
So you've kind of got them on the run now. If this goes well, | 0:09:50 | 0:09:54 | |
-you're hot. He's on fire. -Ow! | 0:09:54 | 0:09:56 | |
Right, I'm assuming this is the master bedroom. It's a nice size. | 0:09:56 | 0:10:00 | |
Look at the depth of those wardrobes. | 0:10:00 | 0:10:05 | |
It's deceptive, it's actually bigger than it looks. | 0:10:05 | 0:10:10 | |
Deceptive. It was deceptive. | 0:10:10 | 0:10:12 | |
Really, you're like Derren Brown, aren't you? | 0:10:12 | 0:10:15 | |
You're sowing words in their heads | 0:10:15 | 0:10:17 | |
and then when they say them, you're reaping a reward. | 0:10:17 | 0:10:20 | |
This window's huge, isn't it? | 0:10:20 | 0:10:23 | |
Lets in plenty of light. | 0:10:23 | 0:10:25 | |
I'd be tempted to bring a mirror there. | 0:10:25 | 0:10:29 | |
That would make the room look even bigger. | 0:10:29 | 0:10:33 | |
These are lovely. I wonder if they'd come in the sale. | 0:10:33 | 0:10:38 | |
The vendor selling the place has been here four years | 0:10:38 | 0:10:41 | |
and spent a lot of money giving it a lift. | 0:10:41 | 0:10:43 | |
It was as dark inside as it is outside when he first got here. | 0:10:43 | 0:10:46 | |
It's great - light, fresh, contemporary feel to the place. | 0:10:46 | 0:10:49 | |
Right, this must be the bathroom. | 0:10:49 | 0:10:51 | |
Wow. | 0:10:51 | 0:10:53 | |
That's bright. | 0:10:53 | 0:10:56 | |
Very bright. | 0:10:56 | 0:10:58 | |
It's clean, though. Nice cupboards underneath. | 0:10:58 | 0:11:01 | |
-That's something we lack in our bathroom. -That's right, yeah. | 0:11:01 | 0:11:06 | |
It's got a shower, bath, looks a bit skinny on the bath. | 0:11:06 | 0:11:09 | |
Do you think you've not given Alan enough work to do in this house? | 0:11:09 | 0:11:13 | |
Alan likes the idea of flexing the old DIY muscles. | 0:11:13 | 0:11:15 | |
-There's not much to do. -You're right. | 0:11:15 | 0:11:17 | |
-You could actually fit a larger bath there. -I would. | 0:11:17 | 0:11:20 | |
Or even a corner, you could probably fit a corner bath in. | 0:11:20 | 0:11:23 | |
A wicked bathroom, lovely and light, and Alan, with his DIY head, | 0:11:23 | 0:11:27 | |
is thinking corner bath, shower cubicle, make the most of the space. | 0:11:27 | 0:11:30 | |
It is a pretty big room. | 0:11:30 | 0:11:31 | |
-This is quite something. -It's unusual. -Very different. | 0:11:31 | 0:11:37 | |
-It's very different. -Is this the extension, then? | 0:11:37 | 0:11:42 | |
-I'm not sure. -I'm not sure either. -I'm not sure. | 0:11:42 | 0:11:45 | |
-It is different. -I actually quite like it. It looks, er... | 0:11:45 | 0:11:51 | |
-Like a feature. -Yeah, I actually quite like it. | 0:11:51 | 0:11:53 | |
-Better than your average doorway. -That's right. | 0:11:53 | 0:11:56 | |
This is what makes British people British, things like that. | 0:11:56 | 0:12:01 | |
We look at a doorway and say, "No, we could jazz that up a little bit." | 0:12:01 | 0:12:04 | |
The owner currently has, | 0:12:04 | 0:12:05 | |
and makes it look lovely, kind of like a cave almost. | 0:12:05 | 0:12:08 | |
Alan's seen it, loves it. | 0:12:08 | 0:12:10 | |
That's deceptive. | 0:12:10 | 0:12:12 | |
-I thought that was going to be smaller than what it was. -Yeah. | 0:12:12 | 0:12:17 | |
You could do a double, but we wouldn't need a double. | 0:12:17 | 0:12:20 | |
Bit of a paint job. | 0:12:20 | 0:12:22 | |
She's only small, so it would be ideal. | 0:12:22 | 0:12:24 | |
The bedroom seems all right. As they pointed out, the child's small, | 0:12:24 | 0:12:28 | |
she will grow eventually, but it's an adequate single bedroom. | 0:12:28 | 0:12:31 | |
-When she does grow, totter upstairs to bedroom number three. -I like it. | 0:12:31 | 0:12:36 | |
It's a little bit awkward, actually, | 0:12:36 | 0:12:38 | |
because it's got no railing from there. | 0:12:38 | 0:12:41 | |
-You can't grip on to anything. -Yeah. | 0:12:41 | 0:12:43 | |
-This is really pretty. -It is. | 0:12:43 | 0:12:46 | |
That's really unexpected. | 0:12:46 | 0:12:48 | |
-I think there'd be a fight for this bedroom. -Definitely. | 0:12:48 | 0:12:51 | |
There would be a fight. | 0:12:51 | 0:12:53 | |
This is so quaint and these little bits in here that | 0:12:53 | 0:12:56 | |
Rebecca could put all her books up... | 0:12:56 | 0:12:58 | |
Oh, there's a cat as well. | 0:12:58 | 0:13:00 | |
The only problem I can see is we are not adopting another cat! | 0:13:00 | 0:13:05 | |
No way! | 0:13:05 | 0:13:07 | |
OK, Alan, look, The wardrobes are staying, we know that, | 0:13:07 | 0:13:10 | |
but the cat definitely isn't. Let's go. | 0:13:10 | 0:13:12 | |
I feel pretty good about this. | 0:13:15 | 0:13:17 | |
I thought that was a pretty good tour. | 0:13:17 | 0:13:19 | |
How did it feel for you? | 0:13:19 | 0:13:21 | |
Really liked the house. | 0:13:21 | 0:13:23 | |
From the outside, I was thinking | 0:13:23 | 0:13:25 | |
this isn't going to be you at all, but you've proved me wrong. | 0:13:25 | 0:13:28 | |
You were right, Jonny. You said it was deceptively spacious. | 0:13:28 | 0:13:31 | |
The downstairs space is perfect. | 0:13:31 | 0:13:33 | |
You're not going to spend two years, if you do live in this, | 0:13:33 | 0:13:36 | |
and then say, "I hate it," because it's all of that? This is good? | 0:13:36 | 0:13:39 | |
-It's along the right lines? -Yes. | 0:13:39 | 0:13:41 | |
The garden is pet-friendly and child-friendly. | 0:13:41 | 0:13:44 | |
And Alan, as you can see out there, | 0:13:44 | 0:13:46 | |
there's enough space to fashion another rustic decking area | 0:13:46 | 0:13:50 | |
out there. You had one go. | 0:13:50 | 0:13:51 | |
-It was brilliant. -Jonny has delivered you this glorious place. | 0:13:51 | 0:13:55 | |
The question is, does it cost more than you've got? | 0:13:55 | 0:13:58 | |
Now, we are playing with a maximum budget today of £180,000. | 0:13:58 | 0:14:03 | |
We are hoping he hasn't done that because that would be awful. | 0:14:03 | 0:14:06 | |
-We don't want him to have spent more than that. -That's it. | 0:14:06 | 0:14:09 | |
Emma, what do you think? | 0:14:09 | 0:14:11 | |
I think because of the location, | 0:14:11 | 0:14:13 | |
the nice views, the extension they've done, | 0:14:13 | 0:14:16 | |
the space you've got downstairs, I would say about 175,000. | 0:14:16 | 0:14:20 | |
-OK. -And I would have probably gone a little bit lower. -Go on. | 0:14:22 | 0:14:26 | |
-Perhaps, maybe, 17... no, sorry, 168. -OK. | 0:14:26 | 0:14:32 | |
I have taken you to the top of the budget here. | 0:14:32 | 0:14:36 | |
-It's on for 179,950. -Right, OK. | 0:14:36 | 0:14:38 | |
-What do we think about that price? -I think that's not too bad. | 0:14:38 | 0:14:42 | |
With the stamp duty, everything coming down, I think we'll be able | 0:14:42 | 0:14:45 | |
to push for 175, | 0:14:45 | 0:14:47 | |
-which is what I think it's worth. -OK, we have property two, | 0:14:47 | 0:14:50 | |
as I have exposed, I thought you'd hate this. | 0:14:50 | 0:14:53 | |
You love it. I'm not holding out much hope for that. | 0:14:53 | 0:14:55 | |
Fingers crossed, I'm lying. | 0:14:55 | 0:14:57 | |
Of course I'm not not telling the truth! | 0:15:00 | 0:15:02 | |
I think they'll love it - | 0:15:02 | 0:15:04 | |
in the rural area of Longwood, an old textile village. | 0:15:04 | 0:15:07 | |
They wanted character. | 0:15:07 | 0:15:09 | |
I've found a three-storey mill-worker's cottage | 0:15:09 | 0:15:11 | |
with great views across the valley. | 0:15:11 | 0:15:13 | |
And to coin Alan's expression, I think it's got bags of nookie. | 0:15:13 | 0:15:17 | |
Here we are in lovely rainy, rainy, rainy Longwood. | 0:15:17 | 0:15:20 | |
This is the kind of area I'd imagine Compo could have come past | 0:15:20 | 0:15:24 | |
in a wheeled bath, causing all manner of trauma. | 0:15:24 | 0:15:26 | |
Now, outside Jonny's one, | 0:15:26 | 0:15:28 | |
I had reservations, cos I didn't think it had enough character, | 0:15:28 | 0:15:31 | |
If you're moving out of your house, you need to move into | 0:15:31 | 0:15:34 | |
-something quite spectacular, in order to make it worth it. -Yes. | 0:15:34 | 0:15:38 | |
I'm partially still plumping on the "stay in your own house", | 0:15:38 | 0:15:41 | |
but actually this beast behind you is a cracker. | 0:15:41 | 0:15:44 | |
OK, I want to know what you think. | 0:15:44 | 0:15:46 | |
-First impression, nice quiet road, great. -Good. -Looks like it could | 0:15:46 | 0:15:49 | |
be a little bit dark, though. | 0:15:49 | 0:15:51 | |
-I'm going to reserve judgment... -Right. | 0:15:51 | 0:15:54 | |
-..until we're inside. -OK, you're refusing to judge this book | 0:15:54 | 0:15:57 | |
by its cover. Get in the mill-worker's cottage, | 0:15:57 | 0:16:01 | |
think 1877 and have fun in that period. | 0:16:01 | 0:16:03 | |
-Think dry, have fun. -In three, two, one, and pity us, | 0:16:03 | 0:16:05 | |
-cos we're going to be out here. See you later. -OK. | 0:16:05 | 0:16:08 | |
-Oh, dear! -Ladies and gents, | 0:16:13 | 0:16:15 | |
if you're wondering why we're in the back of an estate car, | 0:16:15 | 0:16:18 | |
it's cos it's throwing it down out there. | 0:16:18 | 0:16:20 | |
Go through. Oh, this is nice. | 0:16:21 | 0:16:24 | |
I love this. | 0:16:24 | 0:16:25 | |
Look at the, er...the ceiling features, again, | 0:16:27 | 0:16:30 | |
-it's a high ceiling. -It is, yes. | 0:16:30 | 0:16:32 | |
They're having fun in there. | 0:16:32 | 0:16:34 | |
Three levels, they enter | 0:16:34 | 0:16:35 | |
the middle level here, which is quite interesting, isn't it? | 0:16:35 | 0:16:38 | |
Actually, I think that this living room's slightly smaller | 0:16:38 | 0:16:41 | |
than what we've got at the moment. | 0:16:41 | 0:16:43 | |
Negative number one, the lounge is smaller than their own lounge, | 0:16:43 | 0:16:47 | |
-and smaller than the one that I showed them. -They're downsizing. | 0:16:47 | 0:16:50 | |
-It's nice. -It's quite narrow. | 0:16:51 | 0:16:54 | |
-Yeah, I don't think that helps, that seems a bit... -No. | 0:16:54 | 0:16:57 | |
..large. Is that a front door? | 0:16:57 | 0:16:58 | |
-What's that? -Let's have a look. | 0:16:58 | 0:17:01 | |
Is it unlocked? | 0:17:01 | 0:17:03 | |
Oh. Patio. | 0:17:04 | 0:17:06 | |
Oh, wow. | 0:17:08 | 0:17:10 | |
Let's have a quick look. | 0:17:10 | 0:17:12 | |
-It's a cracking view. -That's lovely. | 0:17:12 | 0:17:15 | |
Now, views-wise, Jonny, see if you | 0:17:15 | 0:17:17 | |
can take us yourself out of the competitive area that you're in. | 0:17:17 | 0:17:20 | |
-Yeah. -That view's nice, isn't it? -Superb. | 0:17:20 | 0:17:23 | |
OK, so this is...a toilet. | 0:17:25 | 0:17:28 | |
Oh, there's a shower in here as well. | 0:17:28 | 0:17:31 | |
That's a nice shower. | 0:17:32 | 0:17:34 | |
Very clean. But I wonder if that's the only shower in the house. | 0:17:34 | 0:17:39 | |
The middle floor comprises of what? | 0:17:39 | 0:17:41 | |
Lounge, balcony, shower room... | 0:17:41 | 0:17:43 | |
And two sets of stairs, | 0:17:43 | 0:17:44 | |
stairs to take you up or to take it down. | 0:17:44 | 0:17:46 | |
-Ascending and descending. -Which way will they go? | 0:17:46 | 0:17:50 | |
OK, so this must be the top floor, | 0:17:52 | 0:17:54 | |
-cos we've come in in the middle. -In the middle, yeah. | 0:17:54 | 0:17:57 | |
OK, so this... | 0:17:57 | 0:17:59 | |
I'm not sure which room | 0:17:59 | 0:18:01 | |
this would be, whether this would be the master or... | 0:18:01 | 0:18:03 | |
It's a nice size double room, but if it's the master, | 0:18:03 | 0:18:06 | |
I think it would be a little bit small. | 0:18:06 | 0:18:09 | |
I think it's a bit cluttered! | 0:18:09 | 0:18:11 | |
-What have we got here? -Ah, so that wasn't the master bedroom! | 0:18:11 | 0:18:15 | |
-This is the master. -This is the master, this is slightly bigger. | 0:18:15 | 0:18:19 | |
-Still not... -Still not massive. | 0:18:19 | 0:18:22 | |
But again, it's quite chunky furniture, | 0:18:22 | 0:18:25 | |
which does take up a lot of room. | 0:18:25 | 0:18:27 | |
It does, yeah, yeah. | 0:18:27 | 0:18:29 | |
Very light. | 0:18:29 | 0:18:31 | |
I like the views you've got out the window. | 0:18:31 | 0:18:34 | |
-Do you think it would be too small for us? -Yeah, er... | 0:18:34 | 0:18:38 | |
-We're used to larger. -We're used to having quite a large bedroom, | 0:18:38 | 0:18:41 | |
but what we've got to remember is that we did...we were saying | 0:18:41 | 0:18:45 | |
that we weren't too much bothered about upstairs. | 0:18:45 | 0:18:49 | |
-Yeah, but it's now reality kicking in, isn't it? -Yeah. | 0:18:49 | 0:18:52 | |
Yes, they're sensing the rooms are little bit smaller, | 0:18:52 | 0:18:55 | |
but I did warn them at the start - | 0:18:55 | 0:18:56 | |
they would need to think about downsizing. | 0:18:56 | 0:18:59 | |
Ah. | 0:18:59 | 0:19:01 | |
Right, so it wasn't the only shower. | 0:19:02 | 0:19:04 | |
-That's quite a small bath. -It is. | 0:19:04 | 0:19:07 | |
Well, we haven't seen a kitchen yet so... | 0:19:07 | 0:19:10 | |
This is the basement we're going into. | 0:19:10 | 0:19:13 | |
Not sure about this for Rebecca. | 0:19:13 | 0:19:15 | |
It feels like I'm going into a dungeon. | 0:19:16 | 0:19:19 | |
Let's have a look. | 0:19:19 | 0:19:21 | |
What's in here? Oh, wow, this is nice. This is actually quite... | 0:19:21 | 0:19:25 | |
-This is unexpected. -This is quite nookie! -Yeah, it is. | 0:19:25 | 0:19:29 | |
If you've just tuned in | 0:19:29 | 0:19:30 | |
and wondered why Alan's described the basement as "nookie", | 0:19:30 | 0:19:33 | |
-it is apparently a phrase that is... -It's a colloquialism. | 0:19:33 | 0:19:37 | |
..used around these parts | 0:19:37 | 0:19:39 | |
to describe quaint, quirky, cute, lovely. | 0:19:39 | 0:19:42 | |
-There is nookie in the basement. -Yep. | 0:19:42 | 0:19:44 | |
That's lovely. That's really nice, | 0:19:44 | 0:19:46 | |
cos you've got somewhere separate for entertaining, | 0:19:46 | 0:19:49 | |
which is, I think, very important. | 0:19:49 | 0:19:51 | |
Again, the furniture feels a bit... | 0:19:51 | 0:19:53 | |
-A bit tight, cos the furniture is quite big. -It is. | 0:19:53 | 0:19:56 | |
And the rooms are quite small. | 0:19:56 | 0:19:57 | |
The current dining room could be turned into - | 0:19:57 | 0:20:01 | |
just an idea I've got - third bedroom. Catch. | 0:20:01 | 0:20:03 | |
Ah, it's hot. Do I want my bedroom next to the kitchen and dining room? | 0:20:03 | 0:20:07 | |
Yeah, I'm hungry in the night, midnight snack, where to go? | 0:20:07 | 0:20:10 | |
It's only there. | 0:20:10 | 0:20:11 | |
Oh! | 0:20:11 | 0:20:13 | |
-What...? -Now that's what I'm talking about! | 0:20:14 | 0:20:17 | |
Where's the kitchen, then? | 0:20:17 | 0:20:19 | |
-I was expecting this to be the kitchen. -Yeah. | 0:20:19 | 0:20:21 | |
This is a really nice surprise, lovely surprise. | 0:20:21 | 0:20:24 | |
Do you think they're in the middle of the game? | 0:20:24 | 0:20:26 | |
Oh, there's even a darts board. | 0:20:26 | 0:20:28 | |
-This... -You can have your own room for entertaining now, | 0:20:28 | 0:20:31 | |
you wouldn't even need that dining room. | 0:20:31 | 0:20:34 | |
You didn't even put this on your want list. Ed's done extremely well here. | 0:20:34 | 0:20:38 | |
How did he know you were into pool and darts? | 0:20:38 | 0:20:40 | |
This must be like a conservatory through here. | 0:20:40 | 0:20:43 | |
Let's have a look through. | 0:20:43 | 0:20:46 | |
Ah. | 0:20:46 | 0:20:48 | |
-This is the kitchen. -The kitchen. | 0:20:48 | 0:20:50 | |
That's very, very unusual. | 0:20:50 | 0:20:52 | |
It is, actually, isn't it? | 0:20:52 | 0:20:54 | |
I'm quite lost for words now, that's really surprised me. | 0:20:54 | 0:20:58 | |
-Never seen anything like it before. -No, I'd never have expected it. | 0:20:58 | 0:21:02 | |
-Another door into the garden. -Yes, you can go down | 0:21:02 | 0:21:05 | |
the centre of the garden there. | 0:21:05 | 0:21:06 | |
-That's really unusual, that's really surprised me. -Yeah! | 0:21:06 | 0:21:10 | |
Boo! | 0:21:13 | 0:21:14 | |
-Right, I believe... -Left you alone for a few minutes and you... | 0:21:16 | 0:21:19 | |
You made yourself quite at home here. | 0:21:19 | 0:21:21 | |
We have, yes, very much so. | 0:21:21 | 0:21:23 | |
Right, have I given you too much character? | 0:21:23 | 0:21:26 | |
That's the question, | 0:21:26 | 0:21:27 | |
-cos this has got it coming at you from all angles. -It has. | 0:21:27 | 0:21:30 | |
I love the character of the property. | 0:21:30 | 0:21:32 | |
-Very unusual. -Mm-hm. | 0:21:32 | 0:21:34 | |
The layout, it's...it's not what we were kind of imagining, | 0:21:34 | 0:21:38 | |
but the character, yeah, | 0:21:38 | 0:21:39 | |
definitely hit the nail on the head of the character, most definitely. | 0:21:39 | 0:21:43 | |
Alan, what you think? | 0:21:43 | 0:21:44 | |
I'm not convinced about the size of the rooms. | 0:21:44 | 0:21:46 | |
You're downsizing, aren't you? | 0:21:46 | 0:21:48 | |
But I think it's more the furniture, | 0:21:48 | 0:21:51 | |
there's some real large bits of furniture, | 0:21:51 | 0:21:54 | |
and I don't think some of the rooms require that much furniture, | 0:21:54 | 0:21:59 | |
and I think if you stripped all that back, you'd have larger rooms. | 0:21:59 | 0:22:03 | |
If you did like the furniture and the house, all the furniture | 0:22:03 | 0:22:06 | |
and everything in here, including...and... | 0:22:06 | 0:22:10 | |
is up for sale, all up for negotiation in with the property. | 0:22:10 | 0:22:14 | |
What do you reckon Ed's property is worth? | 0:22:14 | 0:22:17 | |
I'm going to hazard a guess at 170. | 0:22:17 | 0:22:20 | |
So £2,000 more than you thought mine was worth. | 0:22:20 | 0:22:23 | |
He likes it £2,000 more, OK. Emma? | 0:22:23 | 0:22:26 | |
I think this is top of the budget. | 0:22:26 | 0:22:29 | |
It's really characterful. | 0:22:29 | 0:22:30 | |
I think it's in a nice location, excellent schools, | 0:22:30 | 0:22:33 | |
so I would put this at the top of the budget at 180,000. | 0:22:33 | 0:22:36 | |
Ed Hall, like a scratchcard, reveal the price. | 0:22:36 | 0:22:39 | |
Erm... Oh, I didn't write it there. | 0:22:39 | 0:22:42 | |
The actual price of this is £175,000, | 0:22:42 | 0:22:46 | |
which makes this a tie for guess the price. | 0:22:46 | 0:22:51 | |
-Pool table included. -Everything. -Apple tree. | 0:22:51 | 0:22:54 | |
-Everything. -Shall we go? -Cat? | 0:22:54 | 0:22:55 | |
You don't need any more, Emma, I thought you wanted a horse! | 0:22:55 | 0:22:59 | |
Yeah, I don't think that would fit in the garden, though. | 0:22:59 | 0:23:02 | |
Right, the wild cards - yes, we did say plural - are in Almondbury. | 0:23:03 | 0:23:08 | |
Just a few miles out of Huddersfield town centre, | 0:23:08 | 0:23:11 | |
the area is an unspoilt gem and on the up. | 0:23:11 | 0:23:13 | |
We agree the location will suit, but disagree what | 0:23:13 | 0:23:15 | |
actual houses to show them. | 0:23:15 | 0:23:18 | |
-Mine is perfect for Emma, it's lush. -But, Jonny... | 0:23:18 | 0:23:21 | |
I've plenty for Emma - chickens, fields, horses, | 0:23:21 | 0:23:24 | |
and loads of scope for Alan's DIY skills to run amok at my wildcard. | 0:23:24 | 0:23:28 | |
OK, well, in that case, let's show them both, one for him | 0:23:28 | 0:23:31 | |
and one for her, you first. | 0:23:31 | 0:23:34 | |
Can you believe it? Look at the weather. | 0:23:34 | 0:23:36 | |
What has happened here today? | 0:23:36 | 0:23:38 | |
It looked like it was going to be the bleakest ever | 0:23:38 | 0:23:41 | |
To Buy Or Not To Buy on record, | 0:23:41 | 0:23:43 | |
obviously only weather-wise. OK, tout le monde aime le wildcard | 0:23:43 | 0:23:47 | |
if this show was being broadcast in French. | 0:23:47 | 0:23:49 | |
Do you love THIS wildcard? | 0:23:49 | 0:23:51 | |
It is requiring...some work, Alan. | 0:23:51 | 0:23:55 | |
-OK. -Entirely. | 0:23:55 | 0:23:57 | |
-Excellent. -Everything. | 0:23:57 | 0:23:59 | |
-Brilliant. -So we'll find out who the liar is here. -I'm happy with that. | 0:23:59 | 0:24:03 | |
Really? I bet Emma's thinking, | 0:24:03 | 0:24:05 | |
"He'll never do this, we'll be living in hell if we live here." | 0:24:05 | 0:24:08 | |
Emma, up there I've got you something - | 0:24:08 | 0:24:10 | |
not actually bought you a horse, | 0:24:10 | 0:24:12 | |
but there is a horse there you could look at, pretend it's your own, | 0:24:12 | 0:24:16 | |
-or maybe, maybe, just maybe get a horse and have it here... -Yeah. | 0:24:16 | 0:24:21 | |
..which is bad news for you, Alan - | 0:24:21 | 0:24:23 | |
you've got to do the house and buy a horse. | 0:24:23 | 0:24:25 | |
It's a nice compromise, he does the house, I look after the horse. | 0:24:25 | 0:24:28 | |
Lovely. In a rather radical twist on the show, Alan, | 0:24:28 | 0:24:31 | |
and I don't know why, because I've not got any DIY skills, | 0:24:31 | 0:24:35 | |
I'm going to go in there with you, | 0:24:35 | 0:24:37 | |
and then Jonny is going to be with Emma outside, | 0:24:37 | 0:24:40 | |
and we can just find out where the honesty is in the whole DIY story. | 0:24:40 | 0:24:43 | |
-Yeah. -I've seen this place, | 0:24:43 | 0:24:45 | |
-I'm convinced that you're not going to enjoy this at all. -OK. | 0:24:45 | 0:24:49 | |
So you stay here with me. | 0:24:49 | 0:24:51 | |
We'll listen to these two fellows talk shop DIY style in there | 0:24:51 | 0:24:55 | |
and will put the headphones on. | 0:24:55 | 0:24:57 | |
-Wish us luck. -You'll need it. | 0:24:57 | 0:24:59 | |
-See you later. -Right. Cup of tea? -Yeah. | 0:24:59 | 0:25:02 | |
Right then, Alan. | 0:25:03 | 0:25:06 | |
What do you think? | 0:25:06 | 0:25:08 | |
You weren't kidding! | 0:25:08 | 0:25:09 | |
If I give you this, then we know what we're working with. | 0:25:09 | 0:25:14 | |
Obviously what you'd have to do here is everything. | 0:25:14 | 0:25:18 | |
From scratch. | 0:25:18 | 0:25:20 | |
Yes. Have you ever done the kitchen before? | 0:25:20 | 0:25:22 | |
I have put a kitchen in before. | 0:25:22 | 0:25:25 | |
Let's come round here and work out where you would want your kitchen. | 0:25:25 | 0:25:29 | |
I think this would be easier | 0:25:29 | 0:25:30 | |
because I took a kitchen out to put a different kitchen in. | 0:25:30 | 0:25:34 | |
You've got kind of a blank canvas really, haven't you? | 0:25:34 | 0:25:37 | |
In his head, he wants a complete blank canvas, start from scratch. | 0:25:37 | 0:25:41 | |
I think practically he's thinking, "Oh, my God, what am I taking on?" | 0:25:41 | 0:25:44 | |
Yes, I agree. | 0:25:44 | 0:25:46 | |
They always say they like a sink by a window. | 0:25:46 | 0:25:49 | |
It would be a good way of getting Emma to do the washing up | 0:25:49 | 0:25:52 | |
because you pop that there, | 0:25:52 | 0:25:54 | |
she can look at the horse, Daphne, whatever the horse is called, | 0:25:54 | 0:25:57 | |
she's laughing and you get your washing done, everyone's happy. | 0:25:57 | 0:26:01 | |
Yes. | 0:26:01 | 0:26:02 | |
The situation with this property is, | 0:26:02 | 0:26:04 | |
it's on the market at the moment and it is in the process | 0:26:04 | 0:26:07 | |
of being developed, clearly at the beginning of being developed. | 0:26:07 | 0:26:11 | |
There are two options. | 0:26:11 | 0:26:12 | |
You can buy it and the developer will do it to your specification | 0:26:12 | 0:26:16 | |
or sold as seen and Alan can indulge his DIY fantasies. | 0:26:16 | 0:26:20 | |
I guess I suppose it would depend on the price, wouldn't it? | 0:26:20 | 0:26:23 | |
It is all the price dictating. | 0:26:23 | 0:26:25 | |
Is it daunting you? | 0:26:25 | 0:26:27 | |
-It's quite exciting actually. -Look at that! | 0:26:27 | 0:26:29 | |
Ladies and gentlemen, an excited Alan. Where shall we go next? | 0:26:29 | 0:26:33 | |
This is your house. Where do you want to go? | 0:26:33 | 0:26:35 | |
Might as well stay downstairs. | 0:26:35 | 0:26:38 | |
This is, I'm guessing, going to be your lounge-cum-family area. | 0:26:38 | 0:26:42 | |
Here we are. This is the old part. | 0:26:42 | 0:26:44 | |
There is an extension that side. This is the old part. | 0:26:44 | 0:26:49 | |
-Go on, let your creativity run wild. -It really opens up, doesn't it? | 0:26:49 | 0:26:54 | |
Everything needs to be stripped back even further than is already it is | 0:26:54 | 0:26:58 | |
so we can start afresh with decorations. | 0:26:58 | 0:27:00 | |
There's actually so much you can do with it in here. | 0:27:00 | 0:27:03 | |
Is it big enough? That is my one concern | 0:27:03 | 0:27:05 | |
cos I've gone slightly over-excited on the idea of doing stuff up. | 0:27:05 | 0:27:09 | |
-Do you think it is big enough? -I think it is. | 0:27:09 | 0:27:11 | |
It looks bigger because it is bare. | 0:27:11 | 0:27:14 | |
There are no kiddies or animals running around. | 0:27:14 | 0:27:17 | |
Blank sheet. Plenty you can do with it. Start with scratch. | 0:27:17 | 0:27:20 | |
How do you think Em's going to be thinking? | 0:27:20 | 0:27:23 | |
I think she's going to be terrified! | 0:27:23 | 0:27:25 | |
No, I am extremely worried. | 0:27:25 | 0:27:27 | |
Alan seems to have fallen in love with it | 0:27:27 | 0:27:30 | |
and certainly thinks he can take it on. | 0:27:30 | 0:27:32 | |
Let me take you into the bathroom. | 0:27:32 | 0:27:35 | |
As you can see, not much needs to be done here. | 0:27:35 | 0:27:37 | |
You can pretty much turn the tap on and have a...hole in the floor. | 0:27:37 | 0:27:41 | |
THEY LAUGH | 0:27:41 | 0:27:44 | |
OK, the hard thing when you are doing places up is your pipe work. | 0:27:44 | 0:27:47 | |
Here, it is all there. | 0:27:47 | 0:27:49 | |
It is kind of choosing your suite and stuff. | 0:27:49 | 0:27:51 | |
I think this would be the most exciting room for Emma. | 0:27:51 | 0:27:54 | |
She's always wanted to choose the type of bathroom | 0:27:54 | 0:27:57 | |
that SHE wants, really - corner bath, large shower. | 0:27:57 | 0:28:01 | |
Because there is nothing in here, | 0:28:01 | 0:28:03 | |
she can just go wild and choose whatever she wants. | 0:28:03 | 0:28:07 | |
Is that true? | 0:28:07 | 0:28:08 | |
It that pretty much a rock and roll Saturday night for you, | 0:28:08 | 0:28:11 | |
-choosing your own bathroom suite? -And my own colour schemes as well! | 0:28:11 | 0:28:15 | |
-Does it really do it for you? -Yeah. | 0:28:15 | 0:28:17 | |
"Oh, God, I could have a pedestal sink! No, I'll have a cabinet one." | 0:28:17 | 0:28:22 | |
-That's what he thinks. -I look forward to being married(!) | 0:28:22 | 0:28:25 | |
Let's get in this beast, shall we? | 0:28:25 | 0:28:28 | |
Right, Alan. | 0:28:28 | 0:28:30 | |
One of your bedrooms. Right? | 0:28:30 | 0:28:32 | |
-Haven't seen the others yet. -That's the thing with this. | 0:28:32 | 0:28:35 | |
You're guessing how many bedrooms. How many do you think? | 0:28:35 | 0:28:38 | |
Two or three I would've thought. | 0:28:38 | 0:28:40 | |
It's only two bedrooms which is the weakness. | 0:28:40 | 0:28:43 | |
This whole thing sounds like a risk. | 0:28:43 | 0:28:45 | |
Yeah. Could be dangerous. | 0:28:45 | 0:28:47 | |
OK. This could be two rooms. It could be bedroom number two. | 0:28:47 | 0:28:53 | |
Number one I would say. Or a bathroom, | 0:28:53 | 0:28:56 | |
as they have got the bath in here which presumably was ripped out. | 0:28:56 | 0:29:00 | |
This is actually a good size. | 0:29:00 | 0:29:02 | |
Good size, I do like this one. | 0:29:02 | 0:29:04 | |
Sell this to Emma, just by words. Describe the room to Emma | 0:29:04 | 0:29:08 | |
so she can get an appreciation of this. | 0:29:08 | 0:29:10 | |
The brand new bed you've got would fit lovely in the centre. | 0:29:10 | 0:29:14 | |
It's a blank canvas, you can do whatever you want, | 0:29:14 | 0:29:16 | |
whatever decorations. You've a perfect view out of the window, | 0:29:16 | 0:29:20 | |
you can wake up every morning and practically smell the fresh air. | 0:29:20 | 0:29:24 | |
She could look at the horse. | 0:29:25 | 0:29:27 | |
-You can look at the horse. Go for it, girl. -I like it. | 0:29:27 | 0:29:30 | |
There are the highlights. | 0:29:30 | 0:29:32 | |
He'll be moving to this house, I'll be moving to the other house. | 0:29:32 | 0:29:35 | |
We have experienced the house. You've had a look round it as well. | 0:29:38 | 0:29:42 | |
Are you as excited as Alan is? | 0:29:42 | 0:29:44 | |
Has Alan managed to bully you into excitement | 0:29:44 | 0:29:46 | |
or is it natural excitement? | 0:29:46 | 0:29:47 | |
I love the cottage. It looks like a cottage from the outside. | 0:29:47 | 0:29:51 | |
It's got some great fantastic beams and character on the inside | 0:29:51 | 0:29:54 | |
but it is pretty much starting from scratch | 0:29:54 | 0:29:57 | |
and it worries me, having a youngish family. | 0:29:57 | 0:29:59 | |
He's not worried! | 0:29:59 | 0:30:00 | |
I know, I know, but the actual location, | 0:30:00 | 0:30:03 | |
only a couple of miles from the town centre, | 0:30:03 | 0:30:05 | |
you certainly wouldn't feel it | 0:30:05 | 0:30:07 | |
or hear it and it has a rural feel to it. The location, I love. | 0:30:07 | 0:30:12 | |
The deal with this, we are playing for the prize | 0:30:12 | 0:30:15 | |
because a developer has this at the moment. | 0:30:15 | 0:30:18 | |
He has got a completed development price for this property. | 0:30:18 | 0:30:24 | |
You've got to imagine all the things that Alan said he would do | 0:30:24 | 0:30:28 | |
having already been done and then value the property at that price. | 0:30:28 | 0:30:32 | |
-This is really estate agent hats on. -Right, I see. -Right. | 0:30:32 | 0:30:36 | |
-Do you want to kick-off? -That's it, the pressure on me. | 0:30:36 | 0:30:40 | |
I think if he does it to a high specification, | 0:30:40 | 0:30:43 | |
it will look really nice | 0:30:43 | 0:30:45 | |
-and I think it will be worth about 174,000. -OK. | 0:30:45 | 0:30:50 | |
I think it would be at the top end of our budget. 180. | 0:30:50 | 0:30:55 | |
You've gone right at the top there. | 0:30:55 | 0:30:57 | |
OK, well, somebody is out by £1,000. | 0:30:57 | 0:31:03 | |
-It's me. -It is you. | 0:31:03 | 0:31:05 | |
Emma, congratulations, it is £175,000, all singing, all dancing. | 0:31:05 | 0:31:09 | |
Which leads you to believe, we mentioned the money | 0:31:09 | 0:31:14 | |
he might have to spend on this to get it up to scratch. | 0:31:14 | 0:31:16 | |
You have a rough idea if you do want to do a doer-upper project, | 0:31:16 | 0:31:22 | |
kind of how much money you should be buying a house for. | 0:31:22 | 0:31:25 | |
Normally now we'd send you off | 0:31:25 | 0:31:26 | |
-to make the biggest decision of your adult lives. -Not today! -Not today! | 0:31:26 | 0:31:31 | |
We're mixing this whole thing around. | 0:31:31 | 0:31:33 | |
You're going to see the final wild card, my choice, | 0:31:33 | 0:31:35 | |
all about you, kind of about you as well. | 0:31:35 | 0:31:38 | |
OK, my wild card is also in the village of Almondbury. | 0:31:40 | 0:31:44 | |
School's important to them so I've only gone and found them | 0:31:44 | 0:31:48 | |
a converted one with more character than you can shake a cane at. | 0:31:48 | 0:31:50 | |
Let's see how it passes the test. | 0:31:50 | 0:31:53 | |
OK, so, we've experienced...not an abomination that was Ed's wild card. | 0:31:53 | 0:31:57 | |
-It's gone down phenomenally well! -Certainly a project, let's be fair. | 0:31:57 | 0:32:01 | |
I think it's fair to say this is the opposite. This place is stunning. | 0:32:01 | 0:32:05 | |
This is a place, from a wild card point of view, you're going to love. | 0:32:05 | 0:32:09 | |
What are your first impressions? | 0:32:09 | 0:32:11 | |
From the outside, love it. | 0:32:11 | 0:32:12 | |
It's great, it ticks all the boxes, different kind of... | 0:32:12 | 0:32:16 | |
It's not a predominantly character cottage | 0:32:16 | 0:32:19 | |
and still looks like it has the period features in there. | 0:32:19 | 0:32:22 | |
-Alan, what do you reckon? -Certainly looks like it has the character. | 0:32:22 | 0:32:25 | |
Doesn't look like there's much needs doing to it. | 0:32:25 | 0:32:28 | |
I can go in with a sledgehammer and smash it around a bit. | 0:32:28 | 0:32:31 | |
The owner is going to be livid. | 0:32:31 | 0:32:32 | |
That would be vandalism but I am prepared to do that for you. | 0:32:32 | 0:32:36 | |
You must be thrilled that there's not too much | 0:32:36 | 0:32:38 | |
for Alan to get his hands into! It is a converted school. | 0:32:38 | 0:32:42 | |
Turn of the century property, | 0:32:42 | 0:32:43 | |
one of ten in this development and they're all gorgeous. | 0:32:43 | 0:32:46 | |
I won't say too much | 0:32:46 | 0:32:47 | |
but when you get upstairs, look out for that arched beam. It is superb. | 0:32:47 | 0:32:51 | |
You're going to love it so much, | 0:32:51 | 0:32:52 | |
you're both going to go in and we're going to stay here. | 0:32:52 | 0:32:55 | |
-Have a great time. We'll see you in a bit. -Enjoy. | 0:32:55 | 0:32:58 | |
-Wow. -That's nice. | 0:33:00 | 0:33:03 | |
What's in here? | 0:33:03 | 0:33:04 | |
Let's have a look. Downstairs toilet. | 0:33:04 | 0:33:06 | |
The wallpaper is quite lively. | 0:33:06 | 0:33:08 | |
Awesome, isn't it? | 0:33:08 | 0:33:11 | |
I like this. | 0:33:11 | 0:33:12 | |
-Huge windows. -Very bright. | 0:33:12 | 0:33:15 | |
I'm speechless, | 0:33:18 | 0:33:20 | |
it's completely the opposite to what we have been seeing before. | 0:33:20 | 0:33:23 | |
But it seems to work. It's a nice size... | 0:33:23 | 0:33:26 | |
I love the light you get from the windows. | 0:33:26 | 0:33:28 | |
Rebecca's going to love that window seat. | 0:33:28 | 0:33:30 | |
She will, won't she! | 0:33:30 | 0:33:32 | |
Thing is, because it's a converted school you have lovely big windows, | 0:33:32 | 0:33:36 | |
lashings of light and because of the shape of them, | 0:33:36 | 0:33:39 | |
you get the main square downstairs | 0:33:39 | 0:33:41 | |
and the beautiful arch in the bedrooms, wait and see. | 0:33:41 | 0:33:43 | |
Wow. | 0:33:43 | 0:33:45 | |
This is great. Proper separate dining area. | 0:33:45 | 0:33:48 | |
Great size. That's a huge table. | 0:33:48 | 0:33:52 | |
Emma and Alan, they are entertainers, | 0:33:52 | 0:33:54 | |
they are dinner party type people. | 0:33:54 | 0:33:56 | |
It is a perfect dinner party-sized dining room | 0:33:56 | 0:33:58 | |
This is a lovely size. | 0:33:58 | 0:34:00 | |
Not sure about the tiles. It seems to work actually. | 0:34:00 | 0:34:04 | |
The flooring as well is perfect. There's nothing to do in this house. | 0:34:04 | 0:34:09 | |
-There's nothing to do at all. -No DIY! | 0:34:09 | 0:34:11 | |
Emma's driving us along. Alan is now saying, "What can I do? | 0:34:11 | 0:34:16 | |
"I want to get my tools out. | 0:34:16 | 0:34:18 | |
-"I want to drill something." -He has left his heart at your property. | 0:34:18 | 0:34:22 | |
He kind of has. | 0:34:22 | 0:34:24 | |
So, first bedroom. | 0:34:24 | 0:34:27 | |
This is a good size office. | 0:34:30 | 0:34:33 | |
Also, they have done it with a pull-out bed. | 0:34:33 | 0:34:38 | |
This is like a guest room. | 0:34:38 | 0:34:40 | |
-I like the quirkiness. -This must be the arch beam. | 0:34:40 | 0:34:45 | |
Yes, that's the arch beam I was talking about, | 0:34:45 | 0:34:47 | |
or a king post truss, as it's officially known. | 0:34:47 | 0:34:50 | |
Ooh, this is... Windows... | 0:34:51 | 0:34:55 | |
-I'm distracted by the wallpaper. 1930's. -It's right in-your-face. | 0:34:56 | 0:35:02 | |
-Yeah, it is. -That's quite bulky. | 0:35:02 | 0:35:05 | |
It's all built-in wardrobes. | 0:35:05 | 0:35:08 | |
You've still got enough room to walk around. Oh, my God! | 0:35:08 | 0:35:12 | |
-Look at this! -How did you find that? | 0:35:12 | 0:35:15 | |
I thought it was just a wardrobe. | 0:35:15 | 0:35:16 | |
Oh, you step down into it. | 0:35:16 | 0:35:19 | |
En suite. Look at that. | 0:35:20 | 0:35:22 | |
That's gorgeous. | 0:35:22 | 0:35:24 | |
That's a lovely surprise. | 0:35:24 | 0:35:26 | |
At home, were you aware that both wild cards | 0:35:26 | 0:35:28 | |
-were going to be as exciting? -You had no idea, did you? | 0:35:28 | 0:35:31 | |
I think this could be the master. | 0:35:31 | 0:35:33 | |
-Is it? -Yeah. | 0:35:33 | 0:35:35 | |
-Look at this. -It's got another beam. | 0:35:35 | 0:35:37 | |
This is gorgeous. | 0:35:37 | 0:35:39 | |
And I actually like the colour as well. | 0:35:39 | 0:35:42 | |
Yeah, I prefer this. | 0:35:42 | 0:35:43 | |
There's little nookie bits and real sort of quirkiness there. | 0:35:43 | 0:35:47 | |
This is really unusual. | 0:35:47 | 0:35:50 | |
-I love it. -This has got to be my favourite room so far. -Love it. | 0:35:50 | 0:35:53 | |
There's plenty of room for storage. | 0:35:53 | 0:35:57 | |
Alan could build all this stuff back in my wild card. | 0:35:57 | 0:36:00 | |
Oh, wow! This bathroom's gorgeous. | 0:36:00 | 0:36:03 | |
Love it. | 0:36:03 | 0:36:05 | |
Look at the size of it! | 0:36:05 | 0:36:07 | |
I've never had a bathroom like it. | 0:36:07 | 0:36:09 | |
-It's huge. -It's very big, yeah. | 0:36:09 | 0:36:13 | |
And you've got a separate shower. | 0:36:13 | 0:36:15 | |
-Apart from changing the decorating in a few rooms... -That's it. | 0:36:15 | 0:36:18 | |
..there's nothing that you have to do here. | 0:36:18 | 0:36:20 | |
No. You could move straight into it and it would just be done. | 0:36:20 | 0:36:24 | |
I just worry about the price. I think this could be... | 0:36:24 | 0:36:29 | |
-Quite... -Yeah, over budget. | 0:36:29 | 0:36:31 | |
Don't think you can afford it? Let's find out. | 0:36:31 | 0:36:34 | |
How was this tour? | 0:36:36 | 0:36:37 | |
Gorgeous. Loved it. Love it, love it. | 0:36:37 | 0:36:40 | |
-You liked it from the word go. -Yeah, I did, yeah. | 0:36:40 | 0:36:42 | |
The question is, does grumpy old DIY man like it? | 0:36:42 | 0:36:45 | |
To be perfectly honest with you, it is the other extreme. | 0:36:45 | 0:36:49 | |
There's nothing to do apart from, you know, your personal choices. | 0:36:49 | 0:36:54 | |
It's a really nice property. It's got the character throughout. | 0:36:54 | 0:36:57 | |
You were right about the beam that goes through in every room. | 0:36:57 | 0:37:00 | |
Upstairs is just gorgeous. Really spacious as well. | 0:37:00 | 0:37:04 | |
-Where are we at? It's 2-1 to you, isn't it? -Yes. | 0:37:04 | 0:37:08 | |
So we could have the tie on this, Alan, fingers crossed. | 0:37:08 | 0:37:11 | |
Let's play "guess the price" for the fourth and final time. | 0:37:11 | 0:37:16 | |
Do you want to go first or second, Alan? | 0:37:16 | 0:37:19 | |
I'll stick with the format. | 0:37:19 | 0:37:21 | |
You can go. | 0:37:21 | 0:37:22 | |
I think this is over budget, so I would say it's 185. | 0:37:22 | 0:37:29 | |
The maximum budget was 180. Alan, what do you think? | 0:37:29 | 0:37:32 | |
I'm going to go with probably... Like one of the other properties, | 0:37:32 | 0:37:36 | |
I think this is at the top end of our budget, | 0:37:36 | 0:37:39 | |
possibly a little bit over, maybe. 180, 182. | 0:37:39 | 0:37:44 | |
OK, I'm going to lean across and give you some knuckles. Come on. | 0:37:44 | 0:37:48 | |
At long last, you're paying a victorious price. | 0:37:48 | 0:37:51 | |
This property's on the market, offers in the region of £180,000. | 0:37:51 | 0:37:55 | |
So you're right, it is bang on top of the budget. | 0:37:55 | 0:37:57 | |
Initially, your reaction to that price? | 0:37:57 | 0:38:00 | |
It's probably about what it's worth. It's a really good finish. | 0:38:00 | 0:38:03 | |
Lovely space, lovely location. | 0:38:03 | 0:38:05 | |
You could move in. You wouldn't have to do anything. | 0:38:05 | 0:38:08 | |
So I think the price is about right. I certainly think it's worth it. | 0:38:08 | 0:38:12 | |
You have now seen | 0:38:12 | 0:38:13 | |
all four properties today, which is quite a treat, | 0:38:13 | 0:38:16 | |
which makes it even harder about which one you wish to test-drive. | 0:38:16 | 0:38:20 | |
While the guys do that, here's a recap of the properties. | 0:38:20 | 0:38:23 | |
My first offer in house one in Brighouse | 0:38:23 | 0:38:26 | |
had that great open-plan living space and three bedrooms. | 0:38:26 | 0:38:30 | |
Its price, 179,950. | 0:38:30 | 0:38:33 | |
Property two was a cottage in the village of Longwood. | 0:38:33 | 0:38:36 | |
It's got more character than your face, Jonny Boy, | 0:38:36 | 0:38:39 | |
and available for 175 grand. | 0:38:39 | 0:38:42 | |
And just when I thought I couldn't do any better, I did. | 0:38:42 | 0:38:45 | |
A detached cottage in Almondbury. It needs a bit of work. | 0:38:45 | 0:38:49 | |
All right, a lot of work. But finished, | 0:38:49 | 0:38:51 | |
it would cost 175 grand. | 0:38:51 | 0:38:53 | |
Yes, but you could learn a good lesson for me, Mr Ed, | 0:38:53 | 0:38:56 | |
in my historical school conversion. | 0:38:56 | 0:38:58 | |
Features in abundance. On for offerings | 0:38:58 | 0:39:01 | |
in the region of £180,000. | 0:39:01 | 0:39:04 | |
Alan and Emma and the good viewers at home, | 0:39:07 | 0:39:11 | |
what one do you think they've chosen? | 0:39:11 | 0:39:13 | |
You've only gone and chosen it, haven't you? | 0:39:13 | 0:39:15 | |
-Yes, we have. -Alan's dream and your potential nightmare. | 0:39:15 | 0:39:18 | |
How has this happened? How have you come to this conclusion? | 0:39:18 | 0:39:21 | |
Yeah, how has this happened? | 0:39:21 | 0:39:23 | |
We love the location more than anything. | 0:39:23 | 0:39:25 | |
The location is perfect and it really does look like a cottage. | 0:39:25 | 0:39:29 | |
So what I'm trying to do is just ignore the inside at the moment... | 0:39:29 | 0:39:33 | |
-That's Alan's. -..and just go from there. | 0:39:33 | 0:39:36 | |
-Are you excited, Alan? -Yeah, absolutely. | 0:39:36 | 0:39:39 | |
-Can't wait to get in there and get the feel for the place. -I like it. | 0:39:39 | 0:39:42 | |
Before you go in, | 0:39:42 | 0:39:43 | |
we've had our To Buy Or Not To Buy surveyor give it a once-over. | 0:39:43 | 0:39:46 | |
It's not legally-binding, | 0:39:46 | 0:39:48 | |
and if you went ahead with this purchase, | 0:39:48 | 0:39:50 | |
we recommend you get a full structural survey | 0:39:50 | 0:39:53 | |
to ensure there's no problems for the future. | 0:39:53 | 0:39:56 | |
He's come up with a few things. The place is in good order. | 0:39:56 | 0:39:58 | |
It's undergoing refurbishment so there are things to do. | 0:39:58 | 0:40:02 | |
Two things to mention - there are two boilers. | 0:40:02 | 0:40:04 | |
One's sorting out the heating and one's sorting out the water. | 0:40:04 | 0:40:07 | |
Not efficient. If you were going to buy this place, get one. | 0:40:07 | 0:40:11 | |
It's much more economical. | 0:40:11 | 0:40:12 | |
The other one is, if look at the side road, | 0:40:12 | 0:40:15 | |
that is currently higher than the floor level inside the house, | 0:40:15 | 0:40:18 | |
so damp may be a problem. | 0:40:18 | 0:40:20 | |
So get someone round to check | 0:40:20 | 0:40:22 | |
if it has had all the correct damp-proofing injections, etc, | 0:40:22 | 0:40:25 | |
but it might not be a problem. | 0:40:25 | 0:40:26 | |
It's just something that is worth looking at. And there it is. | 0:40:26 | 0:40:30 | |
It is your dream, or is it? | 0:40:30 | 0:40:31 | |
Get in there and find out whether Alan can actually do this. | 0:40:31 | 0:40:35 | |
In three, two, one, test-drive the living daylights out of that house. | 0:40:35 | 0:40:38 | |
Thank you. | 0:40:38 | 0:40:39 | |
Well, it seems that Alan might | 0:40:42 | 0:40:44 | |
actually get to realise his DIY dream, | 0:40:44 | 0:40:46 | |
and he's bringing along daughter Rebecca and family friend Mel | 0:40:46 | 0:40:50 | |
to see if they'll live the dream too. | 0:40:50 | 0:40:52 | |
Maybe they will, Ed, maybe they will. | 0:40:52 | 0:40:54 | |
I think he's pinning his hopes a bit too much | 0:40:54 | 0:40:56 | |
on those horses winning them over. | 0:40:56 | 0:40:58 | |
Now, whose wild card did they choose, Jonny? I think it was mine. | 0:40:58 | 0:41:02 | |
Didn't get that wrong, did I? | 0:41:02 | 0:41:03 | |
So let's find out if we can close the deal. | 0:41:03 | 0:41:06 | |
So, you have test-driven the property. | 0:41:06 | 0:41:08 | |
We have seen the family turn up. | 0:41:08 | 0:41:10 | |
How did it go? Is it too much? | 0:41:10 | 0:41:13 | |
Have you got more...scent of developing in your nostrils | 0:41:13 | 0:41:18 | |
or are you thinking about running away? | 0:41:18 | 0:41:20 | |
I'm certainly not thinking about running away. | 0:41:20 | 0:41:23 | |
Still excited about the fact. | 0:41:23 | 0:41:24 | |
I think, being here for a while, | 0:41:24 | 0:41:26 | |
it's just given us more ideas, really, hasn't it? | 0:41:26 | 0:41:31 | |
Yeah, it has. I do certainly love the house. | 0:41:31 | 0:41:34 | |
I'm worried about the amount of work. | 0:41:34 | 0:41:36 | |
The developer's looking at refurbishing it himself | 0:41:36 | 0:41:38 | |
-or there could be a compromise there. -He wants to do it. | 0:41:38 | 0:41:42 | |
I don't know if it's worth thinking about getting certain bits... | 0:41:42 | 0:41:46 | |
-Half-and-half? -Yes. | 0:41:46 | 0:41:47 | |
So let's have the big question. Jonny, do you want to do it? | 0:41:47 | 0:41:51 | |
-To buy or not to buy? -Come on, come on! | 0:41:51 | 0:41:53 | |
I think we're going to see if our house sells, | 0:41:53 | 0:41:56 | |
and if it does, we would consider putting an offer in. | 0:41:56 | 0:41:59 | |
Is this spurring you on to push your house, try and do all you can to try | 0:41:59 | 0:42:03 | |
-and sell it? -Most definitely. | 0:42:03 | 0:42:05 | |
At the start of the show, | 0:42:05 | 0:42:07 | |
I was thinking you should still stay in your own house, | 0:42:07 | 0:42:10 | |
but you've seen the character properties and what's around. | 0:42:10 | 0:42:13 | |
-Has that made you decide even more? -Yes. | 0:42:13 | 0:42:16 | |
It's made us realise that we definitely do want to move, | 0:42:16 | 0:42:19 | |
that our house really is characterless. | 0:42:19 | 0:42:22 | |
It's a soulless, modern-build property. | 0:42:22 | 0:42:24 | |
-LAUGHTER -I liked it. | 0:42:24 | 0:42:26 | |
We're going to head out now and we're going to come back | 0:42:26 | 0:42:29 | |
maybe in six months' time. | 0:42:29 | 0:42:30 | |
And if there is a deal and you've bought this | 0:42:30 | 0:42:33 | |
and there's jobs that still need doing, Alan, you're in trouble. | 0:42:33 | 0:42:36 | |
-There will be. -You promised us you were good at DIY. | 0:42:36 | 0:42:39 | |
We need this proved, all right? | 0:42:39 | 0:42:41 | |
-We'll see you later. Thanks very much. -Bye now. | 0:42:41 | 0:42:44 | |
Subtitles by Red Bee Media Ltd | 0:42:44 | 0:42:49 |