Browse content similar to Bringing Books to Life 1. Check below for episodes and series from the same categories and more!
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QUACKING | 0:00:17 | 0:00:19 | |
FOOTSTEPS APPROACH | 0:00:26 | 0:00:27 | |
GRUNTING | 0:00:31 | 0:00:33 | |
I mean, normally grandmas are lovely and sweet | 0:00:33 | 0:00:37 | |
-and kind and smell of pretty flowers, don't they? -Yep. -Hup! | 0:00:37 | 0:00:41 | |
Well, not in this book, I mean, this grandma is 100% the opposite. | 0:00:41 | 0:00:45 | |
I mean, she shouts, she bullies, | 0:00:45 | 0:00:48 | |
she eats slugs and she's got one of those puckered-up mouths | 0:00:48 | 0:00:52 | |
-that, you know, never smiles. -Eugh! Who'd want a grandma like that? | 0:00:52 | 0:00:56 | |
Well, this lad, George, yeah? He's got no choice. Poor George. | 0:00:56 | 0:00:58 | |
That horrible crinkly old bag is so horrible to him. | 0:00:58 | 0:01:02 | |
-Ah! Until George comes up with a secret plan. -Exactly. | 0:01:02 | 0:01:07 | |
And that's what this book is all about. | 0:01:07 | 0:01:10 | |
Every day, George's grandma has to take a very special medicine, | 0:01:10 | 0:01:13 | |
so George decides to make her a brand-new medicine, | 0:01:13 | 0:01:16 | |
so he runs around the farm where he lives, | 0:01:16 | 0:01:18 | |
finding all sorts of weird ingredients. | 0:01:18 | 0:01:20 | |
Yeah, rotten old banana skins, shoe polish, shampoo, | 0:01:20 | 0:01:26 | |
extra-hot chilli sauce, oh! | 0:01:26 | 0:01:29 | |
Them. | 0:01:30 | 0:01:32 | |
BANG! | 0:01:32 | 0:01:33 | |
And he makes a brand-new mixture that he hopes will give his grandma | 0:01:33 | 0:01:37 | |
a big whopper of a surprise. | 0:01:37 | 0:01:39 | |
DICK SNIFFS Can you smell something funny? | 0:01:39 | 0:01:42 | |
BOTH: Eugh! | 0:01:42 | 0:01:44 | |
HISSING | 0:01:44 | 0:01:46 | |
JINGLING | 0:01:46 | 0:01:49 | |
I always thought in books that children were supposed to be good | 0:01:55 | 0:01:58 | |
and old ladies were really kind, but when I first read this book, | 0:01:58 | 0:02:01 | |
I couldn't believe what George was doing. | 0:02:01 | 0:02:03 | |
And who can blame him? | 0:02:03 | 0:02:04 | |
I mean, Quentin Blake's illustrations really show you | 0:02:04 | 0:02:07 | |
how disgusting that grandma really is. | 0:02:07 | 0:02:09 | |
Nasty piece of work, but what it makes you think, though, and wonder | 0:02:09 | 0:02:13 | |
is, "What's going to happen to her when she tries the medicine?" | 0:02:13 | 0:02:17 | |
You can really tell that the writer, Roald Dahl, is on George's side. | 0:02:17 | 0:02:21 | |
This is one my favourite parts of the book, when George doesn't | 0:02:21 | 0:02:24 | |
want his grandma to know that he's boiling her up a big surprise! | 0:02:24 | 0:02:28 | |
"George!" came the awful voice from the next room. | 0:02:28 | 0:02:31 | |
-"It's time for my medicine!" -"Not yet, Grandma," George called back. | 0:02:31 | 0:02:36 | |
"There's still 20 minutes before 11 o'clock!" | 0:02:36 | 0:02:39 | |
"What mischief are you up to in there now?" Granny screeched. | 0:02:39 | 0:02:43 | |
-"I hear noises!" -George thought it best not to answer this one. | 0:02:43 | 0:02:47 | |
He found a long wooden spoon in a kitchen drawer | 0:02:47 | 0:02:50 | |
and began stirring hard. | 0:02:50 | 0:02:52 | |
The stuff in the pot got hotter and hotter. | 0:02:52 | 0:02:56 | |
Soon the marvellous mixture began to froth and foam. | 0:02:56 | 0:03:00 | |
A rich blue smoke, the colour of peacocks, | 0:03:00 | 0:03:02 | |
rose from the surface of the liquid. | 0:03:02 | 0:03:04 | |
And a fiery, fearsome smell filled the kitchen. | 0:03:04 | 0:03:07 | |
It made George choke and splutter. | 0:03:07 | 0:03:10 | |
It was a smell unlike any he had smelled before. | 0:03:10 | 0:03:13 | |
It was a brutal, bewitching smell, spicy and staggering, | 0:03:13 | 0:03:16 | |
fierce and frenzied, full of wizardry and magic. | 0:03:16 | 0:03:19 | |
Whenever he got a whiff of it up his nose, | 0:03:19 | 0:03:22 | |
firecrackers went off in his skull | 0:03:22 | 0:03:24 | |
and electric prickles ran along the back of his legs. | 0:03:24 | 0:03:27 | |
It was wonderful to stand there, stirring this amazing mixture | 0:03:27 | 0:03:30 | |
and to watch it smoking blue and bubbling and frothing | 0:03:30 | 0:03:34 | |
and foaming as though it were alive. | 0:03:34 | 0:03:37 | |
Soon, George started to get really excited about his wonderful mixture. | 0:03:37 | 0:03:43 | |
At one point, he could have sworn | 0:03:43 | 0:03:44 | |
he saw bright sparks flashing in the swirling foam. | 0:03:44 | 0:03:47 | |
Suddenly, George found himself dancing around the steaming pot, | 0:03:47 | 0:03:51 | |
chanting strange words that came into his head out of nowhere. | 0:03:51 | 0:03:54 | |
BOTH: "Fiery broth and witch's brew Foamy froth and riches blue | 0:03:54 | 0:03:59 | |
"Fume and spume and spoondrift spray | 0:03:59 | 0:04:03 | |
"Frizzle, swizzle, shout hooray | 0:04:03 | 0:04:05 | |
"Watch it sloshing Swashing, sploshing | 0:04:05 | 0:04:07 | |
"Hear it hissing, squishing, spissing | 0:04:07 | 0:04:10 | |
"Grandma better start to pray!" | 0:04:10 | 0:04:12 | |
I wonder what's going to happen to her. | 0:04:12 | 0:04:15 | |
-Oh? -Oh? | 0:04:15 | 0:04:17 | |
This book still makes me laugh and until I read Roald Dahl, | 0:04:38 | 0:04:42 | |
I didn't think it was possible for a book to make you laugh | 0:04:42 | 0:04:44 | |
-so much that you fall off your chair or pee your pants laughing. -Oof! | 0:04:44 | 0:04:48 | |
Yeah, I know. There are loads of funny books out there | 0:04:48 | 0:04:50 | |
and you can see which stories make you laugh the most. | 0:04:50 | 0:04:54 | |
You know, George is a real hero in this book | 0:04:54 | 0:04:56 | |
because he has a really hard time with the whole thing, | 0:04:56 | 0:04:59 | |
but then he really fights back. | 0:04:59 | 0:05:00 | |
And you're probably wondering why Grandma ends up with her head | 0:05:00 | 0:05:04 | |
stuck through the roof. | 0:05:04 | 0:05:05 | |
And what about the chicken the size of a house? | 0:05:05 | 0:05:09 | |
BUBBLING | 0:05:09 | 0:05:12 | |
And of course, if you want to know more, you'll have to read the book. | 0:05:17 | 0:05:22 | |
Hang on, where is the book? | 0:05:22 | 0:05:23 | |
Oh, no! | 0:05:26 | 0:05:28 | |
-It's amazing... -I know the book's amazing! -..mind-blowing. | 0:05:30 | 0:05:35 | |
I know the book's mind-blowing, but now it's covered in goop. | 0:05:35 | 0:05:39 | |
BUBBLING | 0:05:42 | 0:05:44 | |
Bit more salt. | 0:05:48 | 0:05:50 | |
Yeah. Salt... | 0:05:50 | 0:05:52 | |
One of my favourite books is The Wind In The Willows. | 0:06:28 | 0:06:31 | |
JINGLING Oh! | 0:06:31 | 0:06:35 | |
Now this funny, exciting story begins with a character called Mole | 0:06:35 | 0:06:38 | |
and he decides to give up on a day of boring spring-cleaning and... | 0:06:38 | 0:06:41 | |
SQUEAK! | 0:06:42 | 0:06:43 | |
..and come here to the river bank. | 0:06:43 | 0:06:46 | |
Now, Mole, who's usually a bit shy and quiet, soon becomes best friends | 0:06:46 | 0:06:50 | |
with Ratty and they have a whole lot of adventures on the river. | 0:06:50 | 0:06:53 | |
And Ratty's neighbour Toad, he loves boats as well. | 0:06:56 | 0:06:59 | |
Well, until he decides he likes cars even more. | 0:06:59 | 0:07:02 | |
But Toad is a great friend, though, although he's an even greater poser. | 0:07:03 | 0:07:08 | |
TOAD MUTTERS | 0:07:08 | 0:07:10 | |
I read this story a very long time ago. | 0:07:20 | 0:07:22 | |
It's one that I've never forgotten. | 0:07:22 | 0:07:24 | |
I live in the city so reading Wind In The Willows, | 0:07:24 | 0:07:27 | |
it gives me my escapism to the countryside. | 0:07:27 | 0:07:30 | |
I like how the writer, Kenneth Grahame, | 0:07:30 | 0:07:31 | |
uses language that makes you feel how magical, beautiful, scary | 0:07:31 | 0:07:36 | |
the places like rivers and woods can really be. | 0:07:36 | 0:07:40 | |
Who would have thought I would care what happened to a rat? | 0:07:40 | 0:07:43 | |
Who would have thought that a toad can drive? | 0:07:43 | 0:07:46 | |
Not everybody is a friend of Ratty and Mole's in the story, though. | 0:07:49 | 0:07:52 | |
Weasels, stoats, and foxes - eugh! - | 0:07:52 | 0:07:56 | |
well, they live in the wild woods | 0:07:56 | 0:07:58 | |
and Ratty has warned Mole to stay well away... | 0:07:58 | 0:08:01 | |
..but Mole ignores Ratty | 0:08:03 | 0:08:05 | |
and one evening, walking through the woods, | 0:08:05 | 0:08:08 | |
trying to find Mr Badger, | 0:08:08 | 0:08:10 | |
all of a sudden he gets a horrible feeling... | 0:08:10 | 0:08:12 | |
..he's not alone. | 0:08:13 | 0:08:16 | |
It was over his shoulder | 0:08:21 | 0:08:23 | |
and indistinctly that he first thought he saw a face, | 0:08:23 | 0:08:26 | |
a little evil wedge-shaped face looking out at him from a hole. | 0:08:26 | 0:08:30 | |
When he turned round and confronted it, the thing had vanished. | 0:08:30 | 0:08:34 | |
He quickened his pace, telling himself cheerfully | 0:08:34 | 0:08:36 | |
not to begin imagining things or there'd be simply no end to it. | 0:08:36 | 0:08:39 | |
He passed another hole, then another and then, yes! | 0:08:39 | 0:08:43 | |
No. Yes! | 0:08:43 | 0:08:46 | |
Certainly a little narrow face with hard eyes had flashed up | 0:08:46 | 0:08:49 | |
for an instant from a hole and then it was gone. | 0:08:49 | 0:08:53 | |
He hesitated...braced himself up for an effort and strode on. | 0:08:53 | 0:08:58 | |
Then, suddenly, and as if it had been so all the time, every hole, | 0:08:58 | 0:09:01 | |
and there were hundreds of them, | 0:09:01 | 0:09:04 | |
seemed to possess its face, coming and going rapidly, | 0:09:04 | 0:09:07 | |
all fixing on him glances of malice and hatred, | 0:09:07 | 0:09:10 | |
all hard-eyed and evil and sharp. | 0:09:10 | 0:09:14 | |
If he could only get away from the holes in the banks, | 0:09:16 | 0:09:18 | |
he thought, there'd be no more faces. He swung off the path | 0:09:18 | 0:09:21 | |
and plunged into the untrodden places of the wood. | 0:09:21 | 0:09:24 | |
Then, the whistling began, | 0:09:24 | 0:09:27 | |
very faint and shrill it was, | 0:09:27 | 0:09:29 | |
and far behind him when first he heard it. | 0:09:29 | 0:09:31 | |
But somehow it made him hurry forward, | 0:09:31 | 0:09:34 | |
then, still very faint and shrill, | 0:09:34 | 0:09:36 | |
it sounded far ahead of him and made him hesitate and want to go back. | 0:09:36 | 0:09:39 | |
And as he halted in his indecision, it broke out on either side | 0:09:39 | 0:09:43 | |
and seemed to be caught up and passed on throughout | 0:09:43 | 0:09:46 | |
the whole length of the woods to its furthest limit. | 0:09:46 | 0:09:49 | |
They were up and alert and ready evidently, whoever they were... | 0:09:49 | 0:09:53 | |
..and he...he was alone | 0:09:54 | 0:09:57 | |
and unarmed and far from any help. | 0:09:57 | 0:10:00 | |
And the night was closing in. | 0:10:00 | 0:10:04 | |
WIND RUSTLES | 0:10:04 | 0:10:06 | |
BIRD CALLS | 0:10:08 | 0:10:10 | |
BIRD CALLS CONTINUE | 0:10:19 | 0:10:21 | |
If you read the book, you'll see things get a lot worse for Mole. | 0:10:21 | 0:10:25 | |
You'll also see... RAIN PATTERS | 0:10:25 | 0:10:28 | |
Ah! You'll see how he does find Badger after all. | 0:10:28 | 0:10:32 | |
Now, Badger's old and wise | 0:10:32 | 0:10:34 | |
and he's also not a fan of unexpected guests | 0:10:34 | 0:10:37 | |
so you'll have to meet him in the book. | 0:10:37 | 0:10:40 | |
Everyone who reads a story | 0:10:46 | 0:10:47 | |
will have their own favourite character but MINE...mine's Mr Toad. | 0:10:47 | 0:10:51 | |
He's a troublemaker and he's really enthusiastic about life | 0:10:51 | 0:10:54 | |
AND he can't stop talking. | 0:10:54 | 0:10:56 | |
I think reading is really important because holding a book in my hand now | 0:10:56 | 0:10:59 | |
it feels like I've got a really powerful tool, cos inside these pages | 0:10:59 | 0:11:03 | |
I'm learning about different emotions that I didn't realise existed. | 0:11:03 | 0:11:06 | |
So, you know, you don't have to go on a plane and you don't have to walk | 0:11:06 | 0:11:10 | |
hundreds of miles to go somewhere new - books can take you there. | 0:11:10 | 0:11:13 | |
So if you want to go somewhere special, | 0:11:13 | 0:11:16 | |
to a place that you've never even dreamed of, think of somewhere, | 0:11:16 | 0:11:20 | |
and I bet you there's a book been written about it. | 0:11:20 | 0:11:23 | |
So even if I'm stuck inside my house | 0:11:32 | 0:11:34 | |
or I've got loads and loads of work to do, | 0:11:34 | 0:11:36 | |
when all I want to do is go to the river bank or the wild wood - | 0:11:36 | 0:11:40 | |
I just open my book. | 0:11:40 | 0:11:42 | |
I really hope Toad knows where he's going. | 0:11:47 | 0:11:49 | |
DRAMATIC ORGAN MUSIC PLAYS | 0:12:18 | 0:12:21 | |
I've always loved this book. It's called The Worst Witch | 0:12:25 | 0:12:28 | |
and it's all about a girl called Mildred Hubble | 0:12:28 | 0:12:31 | |
who's a pupil at Miss Cackle's Academy For Witches. | 0:12:31 | 0:12:34 | |
So, it's no maths and history classes for Mildred. | 0:12:36 | 0:12:39 | |
Instead, she learns broomstick-riding... | 0:12:39 | 0:12:42 | |
potion-making, spell-casting... | 0:12:42 | 0:12:46 | |
As soon as I read The Worst Witch, I wanted to swap schools | 0:12:46 | 0:12:50 | |
and go to Miss Cackle's Academy instead. | 0:12:50 | 0:12:53 | |
I guess it's never too late to learn. | 0:12:53 | 0:12:55 | |
Mildred isn't exactly Miss Cackle's star pupil. | 0:12:55 | 0:12:59 | |
She keeps smashing her broomstick into things | 0:12:59 | 0:13:02 | |
and getting her spells mixed up. | 0:13:02 | 0:13:04 | |
And she's even afraid of the dark. | 0:13:04 | 0:13:07 | |
Not exactly ideal for a witch, is it? | 0:13:07 | 0:13:10 | |
CACKLING | 0:13:10 | 0:13:12 | |
Wow! Look at the face of Miss Hardbroom. | 0:13:14 | 0:13:17 | |
She's the strict and scary headmistress of the school. | 0:13:17 | 0:13:22 | |
She's always looking for reasons | 0:13:22 | 0:13:23 | |
to make Mildred stay behind after class or give her extra lines. | 0:13:23 | 0:13:26 | |
Even Miss Cackle, who's far nicer, doesn't think Mildred stands a chance | 0:13:26 | 0:13:31 | |
in getting her Witch's Higher Certificate. | 0:13:31 | 0:13:34 | |
Everything that happens to Mildred feels like the kind of stuff | 0:13:35 | 0:13:38 | |
that happened to me at school - | 0:13:38 | 0:13:40 | |
making mistakes in class, trying to do well, | 0:13:40 | 0:13:42 | |
but getting blamed when things go wrong. | 0:13:42 | 0:13:45 | |
I knew exactly how Mildred felt, even though I wasn't a witch. | 0:13:45 | 0:13:49 | |
Jill Murphy, the writer, makes you want to run out | 0:13:49 | 0:13:51 | |
and join the school. | 0:13:51 | 0:13:52 | |
Even though it's a gloomy building, high on a mountain, | 0:13:52 | 0:13:55 | |
it seems like such a fun place to be. | 0:13:55 | 0:13:57 | |
Who wouldn't want to know how to fly or making a laughing potion? | 0:13:57 | 0:14:01 | |
Mildred's also got the worst cat. | 0:14:01 | 0:14:04 | |
It keeps falling off her broomstick, | 0:14:04 | 0:14:06 | |
something Ethel, the know-it-all girl at school, | 0:14:06 | 0:14:09 | |
starts teasing her about one morning. | 0:14:09 | 0:14:11 | |
ZOOM! I always like reading this part. | 0:14:11 | 0:14:15 | |
"I think Miss Cackle gave you that cat on purpose," Ethel sneered. | 0:14:15 | 0:14:20 | |
"You're both as bad as each other." | 0:14:20 | 0:14:22 | |
"Oh, be quiet!" said Mildred, trying to keep her temper. | 0:14:22 | 0:14:25 | |
"Anyway, it's not a bad cat, it'll learn in time." | 0:14:25 | 0:14:28 | |
"Huh! Like you did," Ethel went on. | 0:14:28 | 0:14:32 | |
"Wasn't it only last week that you crashed into the dustbins?" | 0:14:32 | 0:14:35 | |
"Look, Ethel," Mildred said, | 0:14:35 | 0:14:37 | |
"You'd better be quiet because if you don't, I shall..." | 0:14:37 | 0:14:41 | |
"Well?" | 0:14:41 | 0:14:43 | |
"I shall have to turn you into a frog. | 0:14:43 | 0:14:47 | |
"I don't want to have to do that." | 0:14:47 | 0:14:49 | |
Ethel gave a shriek of laughter. | 0:14:49 | 0:14:51 | |
"Ah-ha-ha-ha! That's really funny!" she crowed. | 0:14:51 | 0:14:56 | |
"You don't even know the beginners' spells, let alone ones like that." | 0:14:56 | 0:14:59 | |
Mildred blushed and looked very miserable. | 0:14:59 | 0:15:03 | |
"Go on, then!" cried Ethel. "Go on, then! | 0:15:03 | 0:15:07 | |
"If you're so clever, turn me into a frog. | 0:15:07 | 0:15:12 | |
"I'm waiting." | 0:15:12 | 0:15:14 | |
It just so happens that Mildred did have an idea of that spell. | 0:15:14 | 0:15:19 | |
She'd been reading about it in the library. | 0:15:19 | 0:15:22 | |
By now, everyone had crowded round waiting to se what would happen. | 0:15:22 | 0:15:26 | |
Ethel was still jeering. It was unbearable. | 0:15:26 | 0:15:30 | |
Mildred muttered the spell under her breath and Ethel vanished. | 0:15:30 | 0:15:35 | |
In her place stood a small, pink and grey... | 0:15:35 | 0:15:40 | |
pig. SNORTING | 0:15:40 | 0:15:43 | |
Cries and shouts rent the air, "Oh, no!" | 0:15:51 | 0:15:54 | |
"That's torn it" "You've done it now, Mildred!" Mildred was horrified. | 0:15:54 | 0:16:00 | |
"Oh, Ethel," she said. "I'm sorry, but you did ask for it." | 0:16:00 | 0:16:05 | |
The pig looked furious. "Oink-oink! You beast, Mildred Hubble! Oink!" | 0:16:05 | 0:16:10 | |
it grunted. "Change me back!" | 0:16:10 | 0:16:12 | |
At that moment, Miss Hardbroom suddenly appeared | 0:16:12 | 0:16:16 | |
in the middle of the yard. | 0:16:16 | 0:16:18 | |
"Where is Ethel Hallow?" she asked. | 0:16:18 | 0:16:21 | |
"Miss Bat would like to see her about extra chanting lessons." | 0:16:21 | 0:16:25 | |
Her sharp gaze fell on the small pig | 0:16:25 | 0:16:28 | |
which was grunting softly at her feet. | 0:16:28 | 0:16:30 | |
"What is that animal doing in the yard?" she asked coldly. | 0:16:31 | 0:16:35 | |
Everyone looked at Mildred. | 0:16:35 | 0:16:38 | |
Now Mildred's got two big problems on her hands. | 0:16:40 | 0:16:42 | |
She doesn't know how to change the spell back | 0:16:42 | 0:16:45 | |
and she's made an enemy of Ethel. | 0:16:45 | 0:16:48 | |
Not a good idea. | 0:16:48 | 0:16:49 | |
I love The Worst Witch | 0:16:50 | 0:16:52 | |
because I think Mildred who's the main character in the book | 0:16:52 | 0:16:56 | |
is absolutely amazing. | 0:16:56 | 0:16:57 | |
When I was at school, there was a girl in my class called Martha | 0:16:57 | 0:17:00 | |
that looked so much like Mildred | 0:17:00 | 0:17:02 | |
that that's what made me want to be her best mate. | 0:17:02 | 0:17:04 | |
Reading's magic. It's a bit like a spell to me. | 0:17:04 | 0:17:08 | |
You get into a book and suddenly you're somebody else, | 0:17:08 | 0:17:11 | |
like a witch or a wizard or an astronaut or a jungle explorer. | 0:17:11 | 0:17:16 | |
SHE CASTS A SPELL | 0:17:21 | 0:17:25 | |
GRUNTING | 0:17:25 | 0:17:27 | |
Pfft! My disappearing spell isn't working on this pig at all. | 0:17:27 | 0:17:33 | |
Anyway, who wants to hear about how Mildred discovers | 0:17:33 | 0:17:36 | |
an evil plot from rival witches that want to take over the school? | 0:17:36 | 0:17:39 | |
Oh! I guess you'll have to find out for yourselves. | 0:17:42 | 0:17:45 | |
I think I might have done this spell the wrong way round. | 0:17:45 | 0:17:48 | |
GRUNTING | 0:17:49 | 0:17:51 | |
HE CHUCKLES | 0:18:28 | 0:18:30 | |
Oh, hey! This is one of the funniest books I've ever read. | 0:18:30 | 0:18:33 | |
It's called The Giggler Treatment. | 0:18:33 | 0:18:35 | |
It's all about the Gigglers - | 0:18:35 | 0:18:37 | |
they're these little people who look after children | 0:18:37 | 0:18:39 | |
and they're hardly ever seen, | 0:18:39 | 0:18:41 | |
but if a grown-up ever does something mean to a kid, you know, | 0:18:41 | 0:18:43 | |
like send them to bed without dinner or something like that, | 0:18:43 | 0:18:46 | |
the Gigglers will punish that grown-up. You want to know how? | 0:18:46 | 0:18:49 | |
Yep...with dog poo. | 0:18:51 | 0:18:54 | |
See, when an adult steps in a big, squelchy one, it's no accident, no! | 0:18:54 | 0:19:00 | |
They're getting the Giggler treatment and in this story, | 0:19:00 | 0:19:04 | |
Mr Mack is about to become the Gigglers' next victim. | 0:19:04 | 0:19:07 | |
What are you doing? | 0:19:12 | 0:19:14 | |
What are you doing? Leave me alone. Go on. | 0:19:14 | 0:19:17 | |
Shoo! | 0:19:17 | 0:19:19 | |
HE TUTS | 0:19:19 | 0:19:21 | |
Oh-h! Eugh! | 0:19:24 | 0:19:26 | |
Of course, it's Rover here who provides the poo... | 0:19:26 | 0:19:29 | |
..but it's the Gigglers who put it in the perfect position to cause | 0:19:31 | 0:19:34 | |
a big stink for someone like Mr Mack - | 0:19:34 | 0:19:36 | |
a nice dad, on his way home from work. | 0:19:36 | 0:19:39 | |
Oh-ho-ho-ho! | 0:19:39 | 0:19:42 | |
Come on, the biggest poo in the world was sat right there | 0:19:42 | 0:19:44 | |
in the middle of the path. | 0:19:44 | 0:19:46 | |
How could he miss it? | 0:19:46 | 0:19:48 | |
But Mr Mack got distracted. | 0:19:48 | 0:19:51 | |
Just after he turned the corner, | 0:19:52 | 0:19:55 | |
he saw a seagull sitting on the branch of a tree. | 0:19:55 | 0:19:57 | |
"You know what, mister?" said the seagull. "I hate fish!" | 0:19:57 | 0:20:01 | |
I didn't know seagulls could perch in trees, said Mister Mack. | 0:20:01 | 0:20:05 | |
He kept walking, but he looked back to have another look at the seagull | 0:20:05 | 0:20:08 | |
and this was a pity because he didn't see the dog poo | 0:20:08 | 0:20:10 | |
right in front of him on the footpath. | 0:20:10 | 0:20:12 | |
Poor Mister Mack. His shoe was headed straight for that poo. | 0:20:12 | 0:20:16 | |
Seagulls, you can't trust 'em. | 0:20:18 | 0:20:20 | |
This book has got such a nutty sense of humour. | 0:20:28 | 0:20:31 | |
I mean, have you ever heard of a chapter called Chapter Fridge? | 0:20:31 | 0:20:35 | |
The first time I read The Giggler Treatment | 0:20:35 | 0:20:37 | |
I'd never heard of the Gigglers. | 0:20:37 | 0:20:39 | |
But then, saying that, I'd never heard of | 0:20:39 | 0:20:41 | |
cream crackers that could talk or dogs who could send e-mails. | 0:20:41 | 0:20:43 | |
But all of that is in this book. | 0:20:43 | 0:20:45 | |
Crazy! | 0:20:45 | 0:20:46 | |
Meanwhile, back at the poo, Mister Mack is only seconds away. | 0:20:55 | 0:21:00 | |
Wait! | 0:21:00 | 0:21:02 | |
I forgot to tell you. | 0:21:12 | 0:21:14 | |
The Gigglers are nearby. | 0:21:14 | 0:21:17 | |
Looking out, peeking, very excited. | 0:21:17 | 0:21:21 | |
Listen. | 0:21:21 | 0:21:23 | |
They waited for the wallop. | 0:21:23 | 0:21:25 | |
Mister Mack hitting the poo. | 0:21:25 | 0:21:27 | |
They waited for the squelch. SQUELCH | 0:21:27 | 0:21:31 | |
Mister Mack stepping down on the poo. | 0:21:31 | 0:21:32 | |
They waited for the gasp. HE GASPS | 0:21:32 | 0:21:35 | |
Mister Mack seeing the poo for the first time. | 0:21:35 | 0:21:38 | |
They waited for the groan. HE GROANS | 0:21:38 | 0:21:40 | |
Mister Mack seeing that most of the poo was now on his shoe. | 0:21:40 | 0:21:45 | |
His shoe was now very, very close to the you-know-what. | 0:21:45 | 0:21:48 | |
"How close?" said the smallest Giggler. | 0:21:49 | 0:21:52 | |
"Fourteen and three-quarter inches," said the biggest Giggler. | 0:21:52 | 0:21:56 | |
"That's very close," said the middle-sized one. | 0:21:56 | 0:22:00 | |
And she shoved her fist into her mouth to trap the giggles. | 0:22:00 | 0:22:03 | |
HE BREATHES LOUDLY And they waited. | 0:22:03 | 0:22:05 | |
And I can't wait either. | 0:22:05 | 0:22:07 | |
I said Mister Mack was a nice dad, didn't I? | 0:22:07 | 0:22:10 | |
So why have the Gigglers plonked a big squelchy wet one | 0:22:10 | 0:22:13 | |
on the path for him? | 0:22:13 | 0:22:15 | |
And how does Rover become a billionaire dog? | 0:22:15 | 0:22:18 | |
You'll have to get reading. | 0:22:18 | 0:22:21 | |
HE LAUGHS Urgh! | 0:22:21 | 0:22:23 | |
Personally I think this is a book everyone should read. | 0:22:27 | 0:22:30 | |
Not other adults, of course. Don't want them knowing about the Gigglers. | 0:22:30 | 0:22:35 | |
One of the things I really love about this book | 0:22:35 | 0:22:37 | |
is that it's true, you know? | 0:22:37 | 0:22:39 | |
A lot of the time adults can be unfair towards children. | 0:22:39 | 0:22:42 | |
When I read this to my daughter she thought exactly the same thing. | 0:22:42 | 0:22:46 | |
You know, we both laughed as hard as each other. | 0:22:46 | 0:22:48 | |
And when you really enjoy a book like that, it makes you want to read | 0:22:48 | 0:22:51 | |
more and more books and The Giggler Treatment is one of the best | 0:22:51 | 0:22:54 | |
and it's because it's based on truth. | 0:22:54 | 0:22:57 | |
Cream crackers can talk. | 0:22:57 | 0:22:58 | |
Well, no, they can't talk, but the idea | 0:22:58 | 0:23:01 | |
that there's Gigglers looking out for us, that's a beautiful thing. | 0:23:01 | 0:23:04 | |
Poo. | 0:23:05 | 0:23:07 | |
GIGGLING | 0:23:07 | 0:23:09 | |
I think I can hear giggles. | 0:23:09 | 0:23:11 | |
It's a good thing I'm always nice to kids. | 0:23:11 | 0:23:12 | |
Apart from that little one I was a bit nasty to... | 0:23:12 | 0:23:16 | |
SQUELCH | 0:23:16 | 0:23:18 | |
Argh! | 0:23:19 | 0:23:21 | |
HE CHUCKLES | 0:23:21 | 0:23:24 | |
Gigglers! Gig... | 0:23:24 | 0:23:27 | |
Gigglers! Oh! | 0:23:27 | 0:23:29 | |
I LOVE this book. | 0:24:08 | 0:24:10 | |
It's called The Firework Maker's Daughter | 0:24:10 | 0:24:12 | |
and it's all about a girl called Lila. | 0:24:12 | 0:24:15 | |
Now Lila has always dreamed of being a firework maker. | 0:24:15 | 0:24:19 | |
A FIREWORK CRACKS | 0:24:19 | 0:24:21 | |
Just like her father. | 0:24:21 | 0:24:24 | |
You know, fireworks can be dangerous | 0:24:24 | 0:24:27 | |
and you have to be very careful around them. | 0:24:27 | 0:24:29 | |
But luckily for Lila, she's got an expert teacher, her dad, | 0:24:29 | 0:24:33 | |
and he shows her how to make some eye-popping fireworks, | 0:24:33 | 0:24:38 | |
like Leaping Monkeys and Golden Sneezes. | 0:24:38 | 0:24:41 | |
Honestly, before I started reading this story, | 0:24:46 | 0:24:49 | |
I'd never thought about who actually makes a firework. | 0:24:49 | 0:24:52 | |
That those explosions in the sky are actually the dreams and ideas | 0:24:52 | 0:24:57 | |
of people like Lila, bursting into life. | 0:24:57 | 0:25:01 | |
The stories that I like the best are those of personal challenges | 0:25:01 | 0:25:06 | |
and I reckon the writer of this book, Philip Pullman, would agree, | 0:25:06 | 0:25:09 | |
because Lila goes on a very dangerous adventure. | 0:25:09 | 0:25:13 | |
Lila may have done her apprenticeship but in order to become | 0:25:17 | 0:25:20 | |
a proper firework maker she has to travel to the Grotto of Razvani, | 0:25:20 | 0:25:24 | |
the Fire-Fiend, to bring back some Royal Sulphur. | 0:25:24 | 0:25:28 | |
FIREWORKS FIZZING | 0:25:28 | 0:25:30 | |
Razvani lives in the smouldering centre of Mount Merapi | 0:25:30 | 0:25:35 | |
and the journey to get there is a long and gruelling one for Lila. | 0:25:35 | 0:25:39 | |
Finally she comes face-to-face with the Fire-Fiend, Razvani. | 0:25:40 | 0:25:46 | |
This is one of my favourite parts of the story. | 0:25:46 | 0:25:49 | |
Lila is in the Grotto watching the flames rise around her. | 0:25:49 | 0:25:55 | |
And then into the heart of the light and the fire and the noise | 0:25:55 | 0:26:00 | |
leapt Razvani himself, the great Fire-Fiend, | 0:26:00 | 0:26:05 | |
whose body was a mass of flame and whose face a mask of scorching light. | 0:26:05 | 0:26:10 | |
Thousands of fire imps scattered as he landed, | 0:26:11 | 0:26:14 | |
and even the blazing flames bowed down to him. | 0:26:14 | 0:26:18 | |
And so did Lila. | 0:26:18 | 0:26:21 | |
In a voice like the roar of a forest fire, Razvani spoke. | 0:26:21 | 0:26:26 | |
SHE SHOUTS "By what right | 0:26:26 | 0:26:28 | |
"have you come to my grotto?!" | 0:26:28 | 0:26:30 | |
She swallowed hard. It was difficult to breathe, | 0:26:30 | 0:26:33 | |
because she seemed to be taking fire into her lungs as well as the air. | 0:26:33 | 0:26:38 | |
"I want to be a...firework maker," she managed to say. | 0:26:38 | 0:26:43 | |
He laughed a great laugh. | 0:26:43 | 0:26:44 | |
SHE YELLS "You? Never!" | 0:26:44 | 0:26:48 | |
Now, any firework maker visiting Razvani | 0:26:50 | 0:26:53 | |
needs to bring three special gifts, | 0:26:53 | 0:26:56 | |
and also needs the protection from the goddess of the Emerald Lake. | 0:26:56 | 0:27:02 | |
Poor Lila! She doesn't know any of this. | 0:27:02 | 0:27:05 | |
She left in such a hurry. | 0:27:05 | 0:27:07 | |
Razvani shows her the ghosts | 0:27:07 | 0:27:09 | |
of previous firework makers who failed before her. | 0:27:09 | 0:27:13 | |
The ghosts were so pale and transparent | 0:27:14 | 0:27:18 | |
that Lila could hardly see them. | 0:27:18 | 0:27:21 | |
But she heard them wailing. | 0:27:21 | 0:27:23 | |
"Beware! Look at me! | 0:27:23 | 0:27:26 | |
"I came without the three gifts. | 0:27:26 | 0:27:29 | |
"Alas! Take warning from me! | 0:27:29 | 0:27:33 | |
"I hadn't worked at the craft and I wasn't ready. | 0:27:33 | 0:27:37 | |
"Maiden, turn back. | 0:27:37 | 0:27:40 | |
"I was arrogant and headstrong. | 0:27:40 | 0:27:42 | |
"I didn't seek the water from the goddess, | 0:27:42 | 0:27:45 | |
"and I perished in the flames." | 0:27:45 | 0:27:48 | |
Wailing and weeping, the ghosts passed across the lake of fire | 0:27:48 | 0:27:53 | |
and vanished into a crack in the opposite wall. | 0:27:53 | 0:27:57 | |
"That's what happens to those who don't come prepared," said Razvani | 0:27:57 | 0:28:03 | |
"But now, you must submit yourself as they did. | 0:28:03 | 0:28:07 | |
"Walk into my flames, Lila! | 0:28:07 | 0:28:10 | |
"You have come for the royal sulphur? | 0:28:10 | 0:28:14 | |
"Receive it from my hands!" | 0:28:14 | 0:28:16 | |
Poor Lila! She must be terrified! | 0:28:16 | 0:28:19 | |
In this book, I have to admit, | 0:28:21 | 0:28:23 | |
I absolutely love Lila. | 0:28:23 | 0:28:26 | |
She is such a strong person. | 0:28:26 | 0:28:28 | |
She's determined to become a firework maker. | 0:28:28 | 0:28:32 | |
And even when everything is going against her, she doesn't give up. | 0:28:32 | 0:28:36 | |
And that's what I found inspiring about this story. | 0:28:36 | 0:28:39 | |
That, actually, if you put your mind to it, you never give up, | 0:28:39 | 0:28:43 | |
you're determined and brave, | 0:28:43 | 0:28:45 | |
you CAN achieve anything. | 0:28:45 | 0:28:47 | |
I almost forgot to tell you. | 0:28:52 | 0:28:55 | |
On her quest, Lila does get some help | 0:28:55 | 0:28:58 | |
from the worst and funniest pirates you'll ever get to read about. | 0:28:58 | 0:29:04 | |
Oh, and her best friend, Chulak, | 0:29:04 | 0:29:05 | |
and his talking white elephant, Hamlet. | 0:29:05 | 0:29:10 | |
But I'm not going to tell you how Lila's encounter with Razvani ends, | 0:29:10 | 0:29:15 | |
or how she tries to save somebody's life | 0:29:15 | 0:29:18 | |
with the most spectacular firework display. | 0:29:18 | 0:29:21 | |
With this adventure, like any other story you want to read, | 0:29:21 | 0:29:25 | |
grab yourself a book, open it up, | 0:29:25 | 0:29:29 | |
and let your imagination fizz. | 0:29:29 | 0:29:32 | |
FIREWORK WHOOSHES | 0:29:32 | 0:29:34 | |
FIREWORKS POP | 0:29:36 | 0:29:39 | |
Skulduggery Pleasant. | 0:30:03 | 0:30:07 | |
That's what this brilliant book is called. | 0:30:07 | 0:30:09 | |
Here's Stephanie, and the story kicks off | 0:30:09 | 0:30:11 | |
when her favourite uncle Gordon - | 0:30:11 | 0:30:12 | |
great guy, horror writer, mad about magic - | 0:30:12 | 0:30:15 | |
suddenly dies. | 0:30:15 | 0:30:17 | |
That's bad in SO many ways. | 0:30:17 | 0:30:19 | |
Partly because Stephanie discovers | 0:30:19 | 0:30:21 | |
that her uncle's enemies are now after her. | 0:30:21 | 0:30:24 | |
Luckily, she's got some help from her uncle's friend, Skulduggery Pleasant. | 0:30:24 | 0:30:27 | |
He's an amazing detective and master magician. | 0:30:27 | 0:30:30 | |
He's a fighter against evil and... | 0:30:30 | 0:30:33 | |
he's dead. | 0:30:33 | 0:30:35 | |
DEATH BELLS TOLL | 0:30:35 | 0:30:37 | |
Yup, a skeleton. This guy is SERIOUSLY dead. | 0:30:37 | 0:30:40 | |
But also seriously fun. | 0:30:40 | 0:30:41 | |
FLAME WHOOSHES | 0:30:43 | 0:30:46 | |
This book is scary, fantastical, and funny. | 0:30:55 | 0:30:58 | |
when I first picked it up, I couldn't stop reading it. It was like | 0:30:58 | 0:31:01 | |
my hands were glued to the page. | 0:31:01 | 0:31:02 | |
Not with actual glue. I wouldn't have been able to turn the pages | 0:31:02 | 0:31:05 | |
and find out what happened next. | 0:31:05 | 0:31:07 | |
And I WANTED to know what happened next. | 0:31:07 | 0:31:09 | |
I love this book. It's got so many crazy characters in it. | 0:31:09 | 0:31:12 | |
I think my favourite must be Ghastly Bespoke, the tailor. | 0:31:12 | 0:31:14 | |
He makes all Skulduggery's suits, and he's pretty handy at magic. | 0:31:14 | 0:31:17 | |
Plus, I kind of like the way his name sounds. | 0:31:17 | 0:31:19 | |
HE ADOPTS SPOOKY VOICE Ghastly Bespoke! | 0:31:19 | 0:31:22 | |
If there's any girls watching, | 0:31:22 | 0:31:23 | |
I think they'll associate with Stephanie. | 0:31:23 | 0:31:25 | |
Stephanie's so tough and adventurous and brave. | 0:31:25 | 0:31:28 | |
She's not scared of being friends with a dead detective. | 0:31:28 | 0:31:31 | |
And when Skulduggery knows | 0:31:31 | 0:31:33 | |
that he's leading her into danger and tries to shake her off, | 0:31:33 | 0:31:35 | |
she doesn't listen. | 0:31:35 | 0:31:36 | |
In this part of the story, Stephanie wants to pick Skulduggery's brain... | 0:31:41 | 0:31:45 | |
well, his skull, about his different magical powers. | 0:31:45 | 0:31:47 | |
So he shows her his influence over water, gets her hair soaking wet, | 0:31:47 | 0:31:51 | |
then moves on to the other elements of earth, wind, and fire. | 0:31:51 | 0:31:56 | |
Skulduggery snapped his gloved fingers and sparks flew, | 0:31:56 | 0:31:59 | |
and he curled his hand and the sparks grew to flame. | 0:31:59 | 0:32:02 | |
And he held that ball of flame in his palm as they walked. | 0:32:02 | 0:32:05 | |
The flame intensified and Stephanie could feel her hair drying. | 0:32:05 | 0:32:09 | |
"Wow!" she said. | 0:32:09 | 0:32:10 | |
"Wow, indeed," Skulduggery responded, and thrust his hand out, | 0:32:10 | 0:32:13 | |
sending a ball of fire shooting through the air. | 0:32:13 | 0:32:15 | |
It burned out and arced in the night sky, | 0:32:15 | 0:32:18 | |
and faded to nothing. | 0:32:18 | 0:32:20 | |
"What about earth?" Stephanie asked. But Skulduggery shook his head. | 0:32:20 | 0:32:24 | |
"You don't want to see that, and hopefully, you'll never have to. | 0:32:24 | 0:32:27 | |
"The earth power is purely defensive | 0:32:27 | 0:32:29 | |
"and is purely for use as a last resort." | 0:32:29 | 0:32:31 | |
"So what's the most powerful? Is it fire?" | 0:32:31 | 0:32:34 | |
"That's the flashiest. That gets all the wows. | 0:32:34 | 0:32:36 | |
"But you'd be surprised what a little air can do, | 0:32:36 | 0:32:39 | |
"if you displace it properly. | 0:32:39 | 0:32:40 | |
"Displaced air doesn't just disappear. | 0:32:40 | 0:32:42 | |
"It needs somewhere to be displaced TO." | 0:32:42 | 0:32:44 | |
"Can I see?" They reached the edge | 0:32:44 | 0:32:46 | |
of the car park and passed the low wall that encircled it. | 0:32:46 | 0:32:48 | |
Skulduggery flexed his fingers and suddenly splayed his hands, | 0:32:48 | 0:32:52 | |
snapping his palm towards the wall. | 0:32:52 | 0:32:54 | |
The air rippled and the bricks exploded outwards. | 0:32:54 | 0:32:57 | |
BRICKS FALL | 0:32:57 | 0:32:58 | |
Stephanie stared at the brand-new hole in the wall. | 0:32:58 | 0:33:02 | |
"That," she said, "is SO cool!" | 0:33:02 | 0:33:06 | |
That really WAS so cool. | 0:33:09 | 0:33:11 | |
With Skulduggery's assistance, Stephanie has to battle | 0:33:18 | 0:33:21 | |
to stop her precious key from falling into some very evil hands. | 0:33:21 | 0:33:25 | |
That's so much more exciting than maths homework! | 0:33:25 | 0:33:27 | |
And so much harder! If you read the story, you'll find out about | 0:33:27 | 0:33:30 | |
some of the friends and troublemakers she meets along the way. | 0:33:30 | 0:33:33 | |
Like the beautiful and dangerous China Sorrows. | 0:33:33 | 0:33:36 | |
Tanith Low, warrior and troll splatterer. | 0:33:36 | 0:33:40 | |
Vampire security guards. | 0:33:40 | 0:33:41 | |
Mr Bliss, with pale blue eyes and super strength. | 0:33:41 | 0:33:45 | |
The sinister army of paper-thin Hollow Men. | 0:33:45 | 0:33:47 | |
Did I say vampire security guards? | 0:33:47 | 0:33:49 | |
The power-hungry evil sorcerer, Nefarian Serpine. | 0:33:49 | 0:33:53 | |
Maybe worst of all, Stephanie's... | 0:33:53 | 0:33:55 | |
Aunt Beryl! | 0:33:55 | 0:33:57 | |
BLOODCURDLING SCREAM | 0:33:57 | 0:33:59 | |
Personally, for me, books have been | 0:34:24 | 0:34:26 | |
a brilliant way to get away from the world. | 0:34:26 | 0:34:27 | |
You can transport yourself to a different universe. | 0:34:27 | 0:34:30 | |
One day, you could be in space, | 0:34:30 | 0:34:31 | |
the other day, you could be in a crazy high school from the future. | 0:34:31 | 0:34:34 | |
I read a load of different kinds of books. | 0:34:34 | 0:34:36 | |
My favourite are actually horror books, | 0:34:36 | 0:34:38 | |
not that I'm some kind of crazy horror fiend. | 0:34:38 | 0:34:41 | |
I just think it's cool to be excited and tense and scared, | 0:34:41 | 0:34:44 | |
but then still in the comfort of your own. | 0:34:44 | 0:34:46 | |
And I think, even more so than films and music, | 0:34:46 | 0:34:48 | |
books can really generate some amazing images in your head. | 0:34:48 | 0:34:51 | |
It's great when a book can show you a secret side to the world | 0:34:51 | 0:34:54 | |
you've never seen before. | 0:34:54 | 0:34:55 | |
When it's finished, you start to think, | 0:34:55 | 0:34:57 | |
"Maybe that's what the world is actually like." | 0:34:57 | 0:34:59 | |
Books can change the way you think. | 0:34:59 | 0:35:01 | |
Maybe I should start looking out for vampire security guards. | 0:35:01 | 0:35:04 | |
HE MAKES WHOOSHING NOISES | 0:35:04 | 0:35:07 | |
FLAME WHOOSHES PAST | 0:35:10 | 0:35:13 | |
I did it! I did it! | 0:35:13 | 0:35:15 | |
Woo-hoo! Yes! Yes! Whoa! | 0:35:15 | 0:35:18 | |
Well, obviously I knew was him! | 0:35:36 | 0:35:39 | |
Just reading one of my favourite stories, The Magic Faraway Tree. | 0:36:23 | 0:36:27 | |
It's a bit about three children, Joe, Beth, and Frannie, | 0:36:27 | 0:36:31 | |
who take their cousin, Rick, to an enchanted wood near their home | 0:36:31 | 0:36:35 | |
to show him the most amazing tree you'll ever read about. | 0:36:35 | 0:36:39 | |
The Faraway Tree is so tall, | 0:36:39 | 0:36:43 | |
you can't see where it ends. | 0:36:43 | 0:36:45 | |
But if you clamber all the way to the top, | 0:36:45 | 0:36:47 | |
you'll arrive at strange and magic lands. | 0:36:47 | 0:36:49 | |
A different one each time you visit. | 0:36:49 | 0:36:53 | |
The children are experts at the climb. | 0:37:01 | 0:37:04 | |
On the way up, they know to avoid Dame Washalot, | 0:37:04 | 0:37:07 | |
who's always doing her dirty washing. | 0:37:07 | 0:37:09 | |
SPLASHING NOISE | 0:37:09 | 0:37:12 | |
And emptying the water down the tree. | 0:37:12 | 0:37:14 | |
Phew! | 0:37:14 | 0:37:15 | |
They meet lots of the people | 0:37:20 | 0:37:22 | |
like Silky the fairy, and the Saucepan Man, | 0:37:22 | 0:37:26 | |
who've all made their homes inside the trunk. | 0:37:26 | 0:37:30 | |
DOOR CREAKS OPEN | 0:37:39 | 0:37:41 | |
The tree is stuffed full of funny characters, like Mr Watzisname. | 0:37:51 | 0:37:56 | |
That's his actual name, because even HE can't remember what he's called! | 0:37:56 | 0:37:59 | |
Then there's Moonface, who has a big, round face like the moon, | 0:37:59 | 0:38:04 | |
with a huge smile on it. | 0:38:04 | 0:38:06 | |
And his best friend is the Saucepan Man, | 0:38:06 | 0:38:09 | |
who's covered in pots and kettles. | 0:38:09 | 0:38:11 | |
Can you imagine the noise he makes whenever he moves around? | 0:38:11 | 0:38:15 | |
SAUCEPAN CLANGS | 0:38:15 | 0:38:17 | |
I've always been really adventurous, so I loved reading | 0:38:17 | 0:38:20 | |
about the incredible things that happened in this book. | 0:38:20 | 0:38:24 | |
It's a bit like dreaming, | 0:38:24 | 0:38:26 | |
because there's loads of magical things that go on | 0:38:26 | 0:38:28 | |
that you'd never be able to do or see in real life. | 0:38:28 | 0:38:31 | |
There was a big tree near where I lived | 0:38:31 | 0:38:33 | |
and I used to climb it, look up, | 0:38:33 | 0:38:35 | |
and imagine the sort of adventures I might like to have. | 0:38:35 | 0:38:39 | |
On Rick's first visit, | 0:38:39 | 0:38:41 | |
the Land of Topsy-Turvy is at the end of the Faraway Tree. | 0:38:41 | 0:38:45 | |
As they climb higher and higher, Rick can't wait to see it. | 0:38:45 | 0:38:48 | |
A huge white cloud floated above them. | 0:38:50 | 0:38:53 | |
But just nearby was a hole right through the cloud. | 0:38:53 | 0:38:57 | |
"That's where we go, up that hole," | 0:38:57 | 0:38:59 | |
said Joe, "See that branch that goes up the hole? | 0:38:59 | 0:39:01 | |
"Come on!" | 0:39:01 | 0:39:04 | |
They all went up the last and topmost branch of the Faraway Tree. | 0:39:04 | 0:39:08 | |
They went up and up, | 0:39:08 | 0:39:11 | |
through the purple hole in the cloud. | 0:39:11 | 0:39:13 | |
At the very end of the branch was a little ladder. | 0:39:13 | 0:39:16 | |
Joe climbed the ladder and suddenly, | 0:39:16 | 0:39:18 | |
his head poked out into the Land of Topsy-Turvy. | 0:39:18 | 0:39:21 | |
Then, one by one, all of the others followed, | 0:39:21 | 0:39:24 | |
and soon, all seven of them stood in the curious land. | 0:39:24 | 0:39:29 | |
And what do you think they saw when they got there? | 0:39:29 | 0:39:32 | |
Well, the great thing is you don't have to guess, | 0:39:32 | 0:39:35 | |
because the writer, Enid Blyton, | 0:39:35 | 0:39:37 | |
takes you to the different worlds at the top of the tree, too. | 0:39:37 | 0:39:40 | |
So, you'll see what it's like to be topsy-turvy | 0:39:40 | 0:39:43 | |
with policemen walking around on their hands. | 0:39:43 | 0:39:46 | |
Or how about spending a day in the Land of Toys? | 0:39:46 | 0:39:49 | |
Or even better, the Land of Goodies, | 0:39:49 | 0:39:52 | |
where chocolate muffins grow on trees. | 0:39:52 | 0:39:55 | |
Of course, the magical lands | 0:39:55 | 0:39:57 | |
don't stay at the top of the tree for long, | 0:39:57 | 0:39:59 | |
so you've got to know how to get home. | 0:39:59 | 0:40:01 | |
In one story, when the children have rescued the Saucepan Man | 0:40:01 | 0:40:05 | |
from a fortress in the Land of Toys, they almost don't make it. | 0:40:05 | 0:40:08 | |
"Quick! Run! Run!" cried Joe, | 0:40:10 | 0:40:13 | |
and they all ran, fast. | 0:40:13 | 0:40:16 | |
Soldiers poured out of the fort after them. | 0:40:16 | 0:40:18 | |
Teddy bears and dolls joined in the chase, | 0:40:18 | 0:40:20 | |
and animals pattered behind on four feet. | 0:40:20 | 0:40:24 | |
"To the hole in the cloud!" shouted Joe, | 0:40:24 | 0:40:27 | |
"Run, Beth! Run, Frannie! | 0:40:27 | 0:40:29 | |
"Oh, I hope we get there in time!" | 0:40:29 | 0:40:30 | |
How the children and the others ran! | 0:40:32 | 0:40:34 | |
They knew well that if they were caught, | 0:40:34 | 0:40:36 | |
they would be put into the toy fort, | 0:40:36 | 0:40:38 | |
and then the Land of Toys would move away from the Faraway Tree | 0:40:38 | 0:40:41 | |
and goodness knows how long they might have to stay there. | 0:40:41 | 0:40:44 | |
So they ran at top speed. | 0:40:44 | 0:40:47 | |
Frannie fell behind a little, and Joe took her hand to help her along. | 0:40:47 | 0:40:51 | |
Panting and puffing, they raced down the streets of the Land of Toys, | 0:40:51 | 0:40:56 | |
trying to remember where the hole was | 0:40:56 | 0:40:58 | |
that led down through the cloud to the Faraway Tree. | 0:40:58 | 0:41:00 | |
Joe remembered the way. | 0:41:00 | 0:41:03 | |
He led them all to the hole, and there was the ladder. | 0:41:03 | 0:41:07 | |
Thank goodness! | 0:41:07 | 0:41:08 | |
You know, there are so many books out there | 0:41:12 | 0:41:14 | |
that can make your head explode with new ideas | 0:41:14 | 0:41:17 | |
and take you to places you've never imagined before. | 0:41:17 | 0:41:20 | |
I'll bet you can find a book | 0:41:20 | 0:41:21 | |
that will really get your head spinning, | 0:41:21 | 0:41:24 | |
and make your brain go topsy-turvy! | 0:41:24 | 0:41:26 | |
You know, I could read about the adventures | 0:41:29 | 0:41:31 | |
in The Faraway Tree all day. | 0:41:31 | 0:41:32 | |
SPLASHING NOISE | 0:41:32 | 0:41:35 | |
Oh, are you all right? | 0:41:35 | 0:41:38 | |
And if I can stay dry, I will. | 0:41:38 | 0:41:41 | |
Now this is my kind of book! | 0:42:20 | 0:42:22 | |
It's called The Demon Headmaster, | 0:42:22 | 0:42:24 | |
and once you've read it, you'll never forget it. And why? | 0:42:24 | 0:42:27 | |
Well, because it's just about the weirdest school you can imagine. | 0:42:27 | 0:42:32 | |
And if you don't believe me, ask Dinah. | 0:42:32 | 0:42:35 | |
She's the star of the story. | 0:42:35 | 0:42:37 | |
And she discovers on the first day of her new school | 0:42:37 | 0:42:40 | |
just how strange it really is. | 0:42:40 | 0:42:44 | |
Take the children. They're super tidy, | 0:42:44 | 0:42:47 | |
they have perfectly combed hair and smooth ties. | 0:42:47 | 0:42:50 | |
They don't laugh or play games or shout. | 0:42:50 | 0:42:52 | |
In fact, they don't do anything. | 0:42:52 | 0:42:54 | |
They just work. All the time. | 0:42:54 | 0:42:56 | |
And they march around the school in lines like, | 0:42:56 | 0:42:59 | |
well, like robots. | 0:42:59 | 0:43:00 | |
Only a few pupils seem normal. | 0:43:05 | 0:43:08 | |
Of course, there's Dinah, but also, her new foster brothers, | 0:43:08 | 0:43:12 | |
Lloyd and Harvey. | 0:43:12 | 0:43:13 | |
Maybe that's why the headmaster hates them. Good point. | 0:43:13 | 0:43:16 | |
Oh, yeah, the headmaster. Where do you start with him? He's horrible! | 0:43:16 | 0:43:19 | |
He's the strangest of the lot. | 0:43:19 | 0:43:21 | |
He's tall, thin, his hair is white, his skin is white, | 0:43:21 | 0:43:26 | |
but his glasses... | 0:43:26 | 0:43:28 | |
they're black. Like these. | 0:43:28 | 0:43:30 | |
And it seems that everyone, I mean EVERYONE... | 0:43:30 | 0:43:33 | |
..is terrified of him. | 0:43:35 | 0:43:37 | |
BELL RINGS | 0:43:37 | 0:43:39 | |
Everybody remembers their first day at school. | 0:43:41 | 0:43:43 | |
You're nervous, you don't know anybody, and there's a funny smell. | 0:43:43 | 0:43:47 | |
But when you compare the experience to Dinah's, we had it pretty easy. | 0:43:47 | 0:43:51 | |
This is a brilliant mystery story. I love them. | 0:43:51 | 0:43:54 | |
And just when you think you know what's going to happen, | 0:43:54 | 0:43:57 | |
the author goes, "Ha-ha! Fooled you!" | 0:43:57 | 0:43:59 | |
But the great thing about this book is that you get to be a detective | 0:43:59 | 0:44:03 | |
alongside Dinah, Lloyd, and Harvey, and you actually try and work out | 0:44:03 | 0:44:06 | |
what the Demon Headmaster's terrible plan is. | 0:44:06 | 0:44:09 | |
Scary, that, wasn't it?! | 0:44:09 | 0:44:11 | |
Just imagine the Demon Headmaster's staring at you | 0:44:14 | 0:44:17 | |
with these big, dark holes where his eyes should be. | 0:44:17 | 0:44:20 | |
When he invited Dinah to his office to take a test, | 0:44:20 | 0:44:23 | |
this is exactly how he watched her. | 0:44:23 | 0:44:25 | |
This is my favourite part of the story | 0:44:25 | 0:44:27 | |
where Dinah meets the headmaster for the first time. | 0:44:27 | 0:44:31 | |
The headmaster didn't seem in any hurry to get rid of her. | 0:44:32 | 0:44:35 | |
He crumpled the test paper in his hand | 0:44:35 | 0:44:38 | |
and dropped it into the rubbish bin. | 0:44:38 | 0:44:40 | |
Then slowly, he reached up a hand to take off his glasses. | 0:44:40 | 0:44:46 | |
Dinah found herself shivering. | 0:44:46 | 0:44:47 | |
Ridiculously, she expected him to have pink eyes, | 0:44:47 | 0:44:50 | |
because the rest of his face was so colourless. | 0:44:50 | 0:44:52 | |
Perhaps, no eyes at all. | 0:44:52 | 0:44:55 | |
But his eyes were not pink. | 0:44:55 | 0:44:57 | |
They were large and luminous and a peculiar sea-green colour. | 0:44:57 | 0:45:01 | |
She had never seen eyes like them before. | 0:45:01 | 0:45:03 | |
And she found herself staring into them. | 0:45:03 | 0:45:06 | |
Staring, and staring. | 0:45:06 | 0:45:09 | |
"Funny you should be so tired," | 0:45:09 | 0:45:12 | |
he said, softly, | 0:45:12 | 0:45:13 | |
"so early in the morning." | 0:45:13 | 0:45:17 | |
She opened her mouth to say that she was not tired, | 0:45:17 | 0:45:19 | |
but to her surprise, she yawned instead. | 0:45:19 | 0:45:22 | |
"So tired," crooned the headmaster, | 0:45:22 | 0:45:25 | |
his huge, extraordinary eyes fixed on her face. | 0:45:25 | 0:45:29 | |
"You can hardly move your arms and legs. | 0:45:29 | 0:45:33 | |
"You're so tired. So tired. | 0:45:33 | 0:45:36 | |
"You feel your head begin to nod, | 0:45:36 | 0:45:39 | |
"and slowly, slowly, | 0:45:39 | 0:45:42 | |
"your eyes are starting to close. | 0:45:42 | 0:45:45 | |
"So tired and sleepy." | 0:45:45 | 0:45:47 | |
"He's mad!" Dinah thought, fuzzily. | 0:45:49 | 0:45:51 | |
"The whole school's raving mad!" | 0:45:51 | 0:45:53 | |
But, she felt her eyes start to close in spite of all she could do. | 0:45:53 | 0:45:58 | |
She was drifting... Drifting. | 0:45:58 | 0:46:02 | |
All she could see was two pools. Deep green, like the sea. | 0:46:02 | 0:46:06 | |
And she seemed to sink into them | 0:46:06 | 0:46:09 | |
as she drifted off... | 0:46:09 | 0:46:11 | |
and off. | 0:46:11 | 0:46:14 | |
Whoa! That was weird! | 0:46:14 | 0:46:16 | |
OK, so, what about the other pupils? | 0:46:16 | 0:46:19 | |
Well, Dinah gets no help from them at all. | 0:46:19 | 0:46:22 | |
Everything she asks questions about the school, all they say is, | 0:46:22 | 0:46:25 | |
"The headmaster is a marvellous man, | 0:46:25 | 0:46:28 | |
"and this is the best school I've ever been to." | 0:46:28 | 0:46:32 | |
Again, and again, and again, | 0:46:32 | 0:46:35 | |
and again, and again. | 0:46:35 | 0:46:37 | |
And soon, even Dinah finds herself saying it. | 0:46:37 | 0:46:40 | |
Is she being controlled by the Demon Headmaster, too? | 0:46:40 | 0:46:43 | |
One thing I really like to do is read the same book as a friend. | 0:46:45 | 0:46:48 | |
You can find out which parts they found exciting or frightening. | 0:46:48 | 0:46:51 | |
Did they laugh at the same bits as you? | 0:46:51 | 0:46:53 | |
And the great thing is you can read the same book | 0:46:53 | 0:46:55 | |
but have a completely different experience. | 0:46:55 | 0:46:57 | |
And unlike the Demon Headmaster's robot pupils, | 0:46:57 | 0:47:01 | |
you can think for yourselves. | 0:47:01 | 0:47:02 | |
If you like a mystery like me, | 0:47:02 | 0:47:04 | |
whether you like a story that makes you laugh, or gives you the shivers. | 0:47:04 | 0:47:08 | |
Out of the thousands of great books out there, | 0:47:08 | 0:47:10 | |
you get to choose which one you're going to read next. | 0:47:10 | 0:47:13 | |
Dinah, Lloyd, and Harvey are going to have to work together | 0:47:18 | 0:47:21 | |
if they're going to fight against the headmaster. | 0:47:21 | 0:47:23 | |
That's if he doesn't get to them first. It won't be easy, bec... | 0:47:23 | 0:47:26 | |
FOOTSTEPS ON FLOORBOARDS | 0:47:26 | 0:47:27 | |
DRAMATIC MUSIC | 0:47:27 | 0:47:29 | |
(Because the Demon Headmaster | 0:47:34 | 0:47:37 | |
(always seems to know everything you're thinking. | 0:47:37 | 0:47:40 | |
(I think I better finish this at home!) | 0:47:40 | 0:47:43 | |
HE SIGHS | 0:47:46 | 0:47:49 | |
This book, The Butterfly Lion, is such a wonderful story. | 0:48:30 | 0:48:35 | |
It's about a boy called Bertie. | 0:48:35 | 0:48:37 | |
He lives with his parents on a remote farm | 0:48:37 | 0:48:40 | |
in the wild countryside of South Africa. | 0:48:40 | 0:48:43 | |
Sitting high up in a tree, or looking out of his window, | 0:48:44 | 0:48:49 | |
Bertie watches the beautiful elephants, | 0:48:49 | 0:48:52 | |
giraffes and zebras come down to the water hole. | 0:48:52 | 0:48:54 | |
But it's the lions Bertie likes best of all. | 0:48:56 | 0:48:59 | |
And when, one morning, he sees a baby lion cub trying to escape | 0:48:59 | 0:49:03 | |
from some hungry hyenas, Bertie rushes out to rescue it. | 0:49:03 | 0:49:07 | |
He threw open the gate and charged down the hill towards the water hole, | 0:49:13 | 0:49:17 | |
yelling and screaming and waving his arms like a wild thing. | 0:49:17 | 0:49:20 | |
Startled at this sudden intrusion, the hyenas turned tail and ran - | 0:49:20 | 0:49:24 | |
but not far. | 0:49:24 | 0:49:26 | |
Once within range, Bertie hurled a broadside of pebbles at them | 0:49:26 | 0:49:28 | |
and they ran off again. | 0:49:28 | 0:49:30 | |
But, again, not far. | 0:49:30 | 0:49:32 | |
Then he was at the water hole and between the lion cub | 0:49:32 | 0:49:35 | |
and the hyenas, shouting at them to go away. | 0:49:35 | 0:49:39 | |
They didn't. | 0:49:39 | 0:49:40 | |
They stood and watched, uncertain for a while, | 0:49:40 | 0:49:43 | |
then they began to circle again. | 0:49:43 | 0:49:45 | |
Closer, closer. | 0:49:45 | 0:49:47 | |
GROWLING | 0:49:47 | 0:49:49 | |
That was when the shot rang out. GUNSHOT | 0:49:49 | 0:49:51 | |
The hyenas bolted into the long grass and were gone. | 0:49:51 | 0:49:55 | |
When Bertie turned around, he saw his mother in her nightgown, | 0:49:55 | 0:49:58 | |
rifle in hand, running towards him down the hill. | 0:49:58 | 0:50:02 | |
He had never seen her run before. | 0:50:02 | 0:50:05 | |
Between them, they gathered up the mud-matted cub and brought him home. | 0:50:05 | 0:50:09 | |
After five baths, he was finally clean. | 0:50:17 | 0:50:21 | |
And completely white. | 0:50:22 | 0:50:24 | |
Have you ever seen a white lion before? | 0:50:24 | 0:50:27 | |
No? | 0:50:27 | 0:50:29 | |
Well, you've probably never seen a lion live in a house before, | 0:50:32 | 0:50:35 | |
but that's what he ends up doing. | 0:50:35 | 0:50:38 | |
He even sleeps at the end of Bertie's bed. | 0:50:38 | 0:50:41 | |
Sometimes, I read quickly. Other times, I read slowly. | 0:50:50 | 0:50:54 | |
But this was a book I read in one whole go, | 0:50:54 | 0:50:56 | |
because you get so involved with the story, | 0:50:56 | 0:50:59 | |
you have to know what happens next. | 0:50:59 | 0:51:01 | |
We've all suddenly made a new friend - I expect you have - | 0:51:02 | 0:51:06 | |
and Michael Morpurgo, the writer of this brilliant story, | 0:51:06 | 0:51:09 | |
knows how that friendship can change the way you feel | 0:51:09 | 0:51:13 | |
about, well, everything. | 0:51:13 | 0:51:16 | |
Bertie and the lion become the best of friends. Listen. | 0:51:21 | 0:51:26 | |
Wherever Bertie went, the lion cub went, too. | 0:51:27 | 0:51:30 | |
Even to the bathroom, where he would watch Bertie have his bath | 0:51:30 | 0:51:34 | |
and lick his legs dry afterwards. | 0:51:34 | 0:51:36 | |
They were never apart. | 0:51:36 | 0:51:38 | |
It was Bertie who saw to the feeding - milk, four times a day, | 0:51:38 | 0:51:41 | |
from one of his father's beer bottles - until later on, | 0:51:41 | 0:51:44 | |
when the lion cub lapped from a soup bowl. | 0:51:44 | 0:51:47 | |
There was impala meat whenever he wanted it and as he grew | 0:51:47 | 0:51:51 | |
- and he grew fast - he wanted more and more of it. | 0:51:51 | 0:51:55 | |
For the first time in his life, Bertie was totally happy. | 0:51:57 | 0:52:02 | |
But it doesn't last. | 0:52:02 | 0:52:06 | |
Soon, Bertie is sent away to a school in England | 0:52:06 | 0:52:09 | |
and the lion cub is sold to a circus in France. | 0:52:09 | 0:52:14 | |
PURRING | 0:52:14 | 0:52:17 | |
As an actress, I read scripts all of the time, | 0:52:17 | 0:52:20 | |
but I never get tired of reading, because I feel it's as if, | 0:52:20 | 0:52:23 | |
each page you turn, you're discovering something new. | 0:52:23 | 0:52:27 | |
Just grab any story and, once you've finished it, | 0:52:27 | 0:52:31 | |
think about all the new things and all the new people | 0:52:31 | 0:52:34 | |
that you've learned about just because you picked up that book. | 0:52:34 | 0:52:38 | |
Some books make you laugh, don't they? | 0:52:38 | 0:52:40 | |
And other books make you hold your breath | 0:52:40 | 0:52:42 | |
because you can't believe what's about to happen. | 0:52:42 | 0:52:44 | |
Other books make you feel sad | 0:52:44 | 0:52:46 | |
because the writer has made you care for the characters so much. | 0:52:46 | 0:52:52 | |
Well, I have to tell you that this book has all of that. | 0:52:52 | 0:52:56 | |
I'm never going to forget reading this book and if you read it, | 0:52:56 | 0:53:00 | |
I'm sure you won't either. | 0:53:00 | 0:53:02 | |
Before he leaves South Africa, Bertie promises that one day, | 0:53:06 | 0:53:10 | |
no matter what it takes, he will find his lion again. | 0:53:10 | 0:53:14 | |
Do you think he does? | 0:53:16 | 0:53:18 | |
Well, many years later, a schoolboy discovers the answer | 0:53:18 | 0:53:23 | |
when he sees another lion on the side of a hill in England. | 0:53:23 | 0:53:27 | |
So what's the connection between Bertie | 0:53:39 | 0:53:42 | |
and this magical butterfly lion? | 0:53:42 | 0:53:44 | |
I'll let you read the story and find out for yourself. | 0:53:46 | 0:53:49 | |
I love running and I love reading. | 0:54:29 | 0:54:31 | |
But in this book, Robo-Runners, | 0:54:31 | 0:54:33 | |
a robot called Crank isn't running for fun, he's running for his life. | 0:54:33 | 0:54:37 | |
No wonder he looks frightened. | 0:54:43 | 0:54:45 | |
At the start of this story, Crank's about to be recycled. | 0:54:45 | 0:54:48 | |
HE WHIMPERS | 0:54:48 | 0:54:50 | |
Some robots - like his friend, Al - don't think this is such a bad thing. | 0:54:55 | 0:54:59 | |
After all, the broken robots go into the recycling plant | 0:54:59 | 0:55:02 | |
and come out shiny and new. | 0:55:02 | 0:55:03 | |
But Crank doesn't want to be melted down. Crank wants to be free. | 0:55:03 | 0:55:07 | |
But the horrible Tin Man's got other ideas. | 0:55:07 | 0:55:10 | |
He captures all the old robots... | 0:55:21 | 0:55:23 | |
..and takes them to a huge recycling plant - | 0:55:24 | 0:55:27 | |
Crushem & Smeltem Incorporated. | 0:55:27 | 0:55:29 | |
Crank does everything he can do to avoid getting caught | 0:55:36 | 0:55:39 | |
and at this point in the story, | 0:55:39 | 0:55:41 | |
finally the Tin Man roars away on his engine-powered robo-mule. | 0:55:41 | 0:55:45 | |
Crank stayed hidden in the alleyway | 0:55:46 | 0:55:48 | |
until the sounds of the engine had disappeared into the distance. | 0:55:48 | 0:55:51 | |
The Tin Man had gone. Crank had spent his whole life | 0:55:51 | 0:55:54 | |
working like a slave for other people, | 0:55:54 | 0:55:56 | |
always doing as he was told, but now, for the first time ever, | 0:55:56 | 0:55:59 | |
Crank was free to do what he wanted to do. | 0:55:59 | 0:56:02 | |
But what would he do? Where would he go? | 0:56:02 | 0:56:04 | |
Crank decided to head for the centre of Metrocity, | 0:56:04 | 0:56:07 | |
he felt sure no-one would notice one more robot wandering around | 0:56:07 | 0:56:11 | |
and he'd be able to decide where to go from there. | 0:56:11 | 0:56:13 | |
Crank left the alleyway, turned into the street... | 0:56:13 | 0:56:16 | |
..and came face to face with the Tin Man. | 0:56:17 | 0:56:19 | |
"And where do you think you're going?" growled the Tin Man, | 0:56:19 | 0:56:22 | |
grabbing hold of Crank's neck. He lifted Crank into the air | 0:56:22 | 0:56:25 | |
with one gloved hand and shook him like a rag doll. | 0:56:25 | 0:56:28 | |
"No junk gets away from me!" said the Tin Man, | 0:56:28 | 0:56:30 | |
and threw Crank into the transport trailer, | 0:56:30 | 0:56:33 | |
where he landed with a crunch. | 0:56:33 | 0:56:35 | |
We don't know what the future's going to look like, do we? | 0:56:37 | 0:56:40 | |
The nice thing about stories is they can give us some ideas. | 0:56:40 | 0:56:43 | |
This book is set in the future, where robots are everywhere. | 0:56:43 | 0:56:46 | |
The sad thing is, though, people don't seem to really care | 0:56:46 | 0:56:49 | |
what happens to them when they get rusty or a little bit shabby. | 0:56:49 | 0:56:53 | |
The great thing about this book is it's exciting, fast and funny. | 0:56:53 | 0:56:57 | |
One of my favourite characters is a little maintenance robot | 0:56:57 | 0:57:00 | |
called Sparks. He looks like a crab | 0:57:00 | 0:57:03 | |
and he keeps getting sat on by all the other characters. | 0:57:03 | 0:57:05 | |
Al and Crank also make a brilliant double act. | 0:57:05 | 0:57:08 | |
Al's always trying to be really polite and helpful, | 0:57:08 | 0:57:11 | |
so that one time, Crank gets his foot stuck | 0:57:11 | 0:57:13 | |
and Al pulls him so hard, his whole leg comes off. | 0:57:13 | 0:57:15 | |
Crank and his friends soon discover the recycling factory. | 0:57:31 | 0:57:35 | |
Run by the Tin Man and his army of fierce regulators, | 0:57:35 | 0:57:38 | |
it's a robot's worst nightmare. | 0:57:38 | 0:57:39 | |
Have you ever been picked up by a giant claw | 0:57:39 | 0:57:42 | |
and held over a boiling, stinking bath? | 0:57:42 | 0:57:44 | |
Cos that's what happens to Crank. | 0:57:44 | 0:57:46 | |
Bubbles erupted fiercely below him | 0:57:47 | 0:57:49 | |
and clouds of foul-smelling gas rose into the air. | 0:57:49 | 0:57:52 | |
Crank was sure the bath was full of acid | 0:57:52 | 0:57:54 | |
and he was about to be dissolved. | 0:57:54 | 0:57:56 | |
"Aargh!" he screamed, | 0:57:56 | 0:57:58 | |
as the steel claw lowered him into the bath, "I'm melting!" | 0:57:58 | 0:58:00 | |
BUBBLING | 0:58:00 | 0:58:02 | |
And that's just the start of it. | 0:58:09 | 0:58:11 | |
There's all sorts of contraptions, with spikes on them, and blades, | 0:58:11 | 0:58:14 | |
and a giant crushing machine. | 0:58:14 | 0:58:15 | |
Yeah, just like that. | 0:58:20 | 0:58:21 | |
Reading this book really made me think about | 0:58:29 | 0:58:31 | |
what our world might be like in the future. | 0:58:31 | 0:58:34 | |
And wouldn't it be really cool if there were loads of robots? | 0:58:34 | 0:58:36 | |
Especially like these ones - they've got really cool personalities. | 0:58:36 | 0:58:40 | |
I loved reading as a kid. I really liked taking the time | 0:58:40 | 0:58:42 | |
to get to know different characters and their worlds, | 0:58:42 | 0:58:45 | |
and if you put the time in, you'll find it as well. | 0:58:45 | 0:58:47 | |
Find the books you like - whether it's an action book, | 0:58:47 | 0:58:50 | |
something about the future or something about the past. | 0:58:50 | 0:58:52 | |
I think books are great. | 0:58:52 | 0:58:55 | |
If Crank and his friends can escape the Tin Man, | 0:59:00 | 0:59:02 | |
they dream of running away to Robotika, | 0:59:02 | 0:59:04 | |
a city where robots can be free. | 0:59:04 | 0:59:07 | |
You'll have to read the first book in the series - | 0:59:17 | 0:59:20 | |
Robo-Runners: The Tin Man - to find out what happens next. | 0:59:20 | 0:59:23 | |
But don't stop there. There's all sorts of books | 0:59:23 | 0:59:25 | |
with loads of different futures that you can read. | 0:59:25 | 0:59:29 | |
Like I said, reading's like doing sport, | 0:59:31 | 0:59:34 | |
and avoiding giant robot crushers - | 0:59:34 | 0:59:36 | |
You always get better with practice. | 0:59:36 | 0:59:39 | |
Time to run. | 0:59:39 | 0:59:41 | |
Subtitles by Red Bee Media Ltd | 0:59:50 | 0:59:53 |