Browse content similar to Bringing Books to Life 2. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Ice creams! Get your ice creams! | 0:00:27 | 0:00:29 | |
It's a lovely sunny day! | 0:00:29 | 0:00:32 | |
I don't think I'm fooling anyone. Have you ever told a little lie? | 0:00:35 | 0:00:40 | |
How about a big one? | 0:00:40 | 0:00:42 | |
Well, I bet it's not as big as the whopper that starts off this brilliant book, Cosmic. | 0:00:42 | 0:00:46 | |
Liam, he's the boy who's told the whopper, | 0:00:49 | 0:00:52 | |
leaves this phone message for his mum and dad. | 0:00:52 | 0:00:55 | |
"Mum, Dad, if you're listening, | 0:00:56 | 0:00:59 | |
"you know I said I was going to the South Lakeland Outdoor Activity Centre with the school? | 0:00:59 | 0:01:04 | |
"To be completely honest, I'm not exactly in the Lake District. | 0:01:04 | 0:01:08 | |
"To be completely honest, I'm more sort of... in space. | 0:01:08 | 0:01:13 | |
"I'm on this rocket, the Infinite Possibility. | 0:01:13 | 0:01:16 | |
"I'm about 200,000 miles above the surface of the Earth." | 0:01:16 | 0:01:20 | |
Yep, you heard right, Liam is supposed to be on a school trip. | 0:01:20 | 0:01:24 | |
Instead, he's on a rocket. | 0:01:24 | 0:01:27 | |
A rocket with a kind of intergalactic ice cream van attached to it. | 0:01:27 | 0:01:31 | |
-In space! Imagine how he must be feeling. -BEEPING | 0:01:31 | 0:01:34 | |
RUMBLING | 0:01:34 | 0:01:37 | |
What?! Argh! Argh! | 0:01:37 | 0:01:42 | |
Argh! Wargh! I guess, a little bit like this! Argh! Argh!! | 0:01:47 | 0:01:53 | |
Whoa! Whoa! | 0:01:53 | 0:01:56 | |
Liam only gets to go on the rocket cos he's so tall he tells everyone he's a grown-up. | 0:02:05 | 0:02:09 | |
I know, another lie! | 0:02:09 | 0:02:11 | |
But can you blame him? | 0:02:11 | 0:02:14 | |
I mean, look at that! | 0:02:19 | 0:02:22 | |
Liam says it better than me. | 0:02:24 | 0:02:27 | |
"When you're in it, space looks like the biggest fireworks display ever, | 0:02:29 | 0:02:33 | |
"except it's on pause. It looks like freeze-frame fireworks. | 0:02:33 | 0:02:37 | |
"Even if you're completely doomed, you've got to be impressed." | 0:02:37 | 0:02:41 | |
Is Liam doomed? He's on a rocket being sucked into the moon's orbit | 0:02:42 | 0:02:46 | |
and almost certainly going to end up circling in space for ever. | 0:02:46 | 0:02:50 | |
I'd say that's pretty high on the doom-ometer. | 0:02:50 | 0:02:52 | |
Oh, and I nearly forgot, Liam's not alone up there. | 0:02:58 | 0:03:00 | |
The first five kids ever to go into space are on the rocket with him. | 0:03:00 | 0:03:04 | |
Of course, really there are six, but Liam's pretending to be an adult, remember? | 0:03:04 | 0:03:07 | |
One of the other kids, Florida, she's got her own reasons for being on board. | 0:03:07 | 0:03:11 | |
She's thinks that going into space will make her a world famous celebrity. | 0:03:11 | 0:03:15 | |
A word of warning - if you read this book you will want to go into space. | 0:03:17 | 0:03:21 | |
But you'll find out there's a lot of training involved. | 0:03:21 | 0:03:24 | |
Liam and the others have to find out what it's like to be weightless, so they all go on the Vomit Comet! | 0:03:24 | 0:03:29 | |
Want to know why it's called that? I'll leave it to your imagination. | 0:03:29 | 0:03:34 | |
The book's not about boggly-eyed aliens and UFOs flying all over the place, there's real facts in it. | 0:03:34 | 0:03:40 | |
There's even a real astronaut, Mr Alan Bean, he was the fourth man to walk on the moon. | 0:03:40 | 0:03:45 | |
That's right, Mr Bean has walked on the moon! | 0:03:45 | 0:03:48 | |
Once the rocket mission's gone wrong, it's just the five kids, | 0:03:51 | 0:03:54 | |
a hi-tech ice cream van, that's another problem all together, | 0:03:54 | 0:03:58 | |
and everyone hoping that Liam can get them home. | 0:03:58 | 0:04:01 | |
After all, they think he's a grown-up, | 0:04:01 | 0:04:03 | |
and he is having to grow up, fast! | 0:04:03 | 0:04:05 | |
But lost in the universe, Liam can't help thinking of his dad. | 0:04:05 | 0:04:09 | |
"When you're a kid you think your dad can do anything. It's different now. | 0:04:11 | 0:04:16 | |
"If you ask me now if I think Dad's going to pop up at the controls of this rocket, | 0:04:16 | 0:04:20 | |
"200,000 miles above the surface of the Earth, and fly us back to Bootle, I'd say... probably not. | 0:04:20 | 0:04:26 | |
"I suppose that means I'm not a kid any more." | 0:04:26 | 0:04:29 | |
I really hate it when you're about to start a book and then someone tells you the ending. | 0:04:40 | 0:04:44 | |
Like if I was to tell you that at the end of this book, Liam ends up living on Mars. | 0:04:44 | 0:04:48 | |
Ha-ha! Only joking. | 0:04:48 | 0:04:51 | |
It's Venus! No, no, it isn't. | 0:04:51 | 0:04:54 | |
It is! No, no, no, it's not. Or is it? | 0:04:54 | 0:04:58 | |
I think that when you read a book, it becomes part of you, it's locked away in your brain | 0:05:00 | 0:05:04 | |
and then years later, bits of it can pop into your head when you least expect it. | 0:05:04 | 0:05:07 | |
If I were some sort of stuffy professor, I'd probably say, "We are the books we read!" | 0:05:07 | 0:05:13 | |
But I'm not, so I won't. | 0:05:13 | 0:05:16 | |
EERIE NOISE | 0:05:16 | 0:05:17 | |
HE WHIMPERS | 0:05:17 | 0:05:19 | |
Phew! | 0:05:29 | 0:05:32 | |
Of course, the only way to find out if Liam makes it home | 0:05:32 | 0:05:35 | |
is to read the book. I think you'll like it. And that's not a lie. | 0:05:35 | 0:05:40 | |
Right, let's try this again. | 0:05:40 | 0:05:44 | |
CHIMES PLAY | 0:05:44 | 0:05:46 | |
On second thoughts, I'll just get a burger. | 0:05:46 | 0:05:50 | |
I'm out here in some very spooky woods with a fantastic book. | 0:05:56 | 0:05:59 | |
And do you want to know why? | 0:05:59 | 0:06:01 | |
HOWLING | 0:06:01 | 0:06:03 | |
-Stick around and you'll find out more. Mummy! -THUNDER | 0:06:03 | 0:06:06 | |
We're all a bit naughty sometimes, aren't we? | 0:06:16 | 0:06:19 | |
You should meet this girl. She's called My Naughty Little Sister. | 0:06:19 | 0:06:23 | |
BELL TINKLES | 0:06:23 | 0:06:28 | |
My Naughty Little Sister is the number one expert | 0:06:36 | 0:06:39 | |
at getting into trouble and this is a whole book of stories all about her. | 0:06:39 | 0:06:43 | |
She could be at the funfair, in the garden, | 0:06:50 | 0:06:52 | |
fishing or even at the dentist. | 0:06:52 | 0:06:55 | |
But wherever she is, she's usually making mischief, | 0:06:55 | 0:06:58 | |
making a mess or causing chaos, usually at the same time. | 0:06:58 | 0:07:02 | |
Now, the thing is, she's not trying to be deliberately bad, | 0:07:02 | 0:07:06 | |
she just wants to have a bit of fun. | 0:07:06 | 0:07:08 | |
And we all know how that feels, don't we? | 0:07:08 | 0:07:11 | |
I used to read these stories, almost every night. | 0:07:16 | 0:07:19 | |
It's probably one of my favourite books from when I was younger. | 0:07:19 | 0:07:22 | |
The stories are told by an older sister | 0:07:22 | 0:07:24 | |
and I like the funny way they show the new responsibility of having a younger sister, | 0:07:24 | 0:07:29 | |
because even though we all love our younger brother and sisters, | 0:07:29 | 0:07:33 | |
we all know they can be a real pain sometimes too. | 0:07:33 | 0:07:36 | |
I have two sisters, one twin sister and one 11-year-old sister. | 0:07:36 | 0:07:41 | |
The 11-year-old's quite sensible, quite well-behaved, | 0:07:41 | 0:07:45 | |
but I think me and the twin were the naughty ones. | 0:07:45 | 0:07:48 | |
Yeah, we were definitely the naughty ones. | 0:07:48 | 0:07:50 | |
In one of my favourite stories, at a birthday party, | 0:08:01 | 0:08:03 | |
My Naughty Little Sister and her best friend, Bad Harry, | 0:08:03 | 0:08:07 | |
sneak away from the other children to have a look at a delicious trifle decorated with sweets. | 0:08:07 | 0:08:12 | |
"'Ring-a-ring-a-roses,' sang the good party children. | 0:08:15 | 0:08:20 | |
"'Nice jelly sweets,' said My Naughty Little Sister. | 0:08:20 | 0:08:23 | |
"'Nice silver balls.' And she looked at that terribly Bad Harry and he looked at her. | 0:08:23 | 0:08:28 | |
"'Take one,' said that naughty boy, and My Naughty Little Sister did take one, | 0:08:30 | 0:08:35 | |
"she took a red jelly sweet from the top of the trifle. | 0:08:35 | 0:08:38 | |
"Before long, that trifle was disappearing fast, | 0:08:40 | 0:08:44 | |
"because once My Naughty Little Sister and Bad Harry started eating, they found they couldn't stop. | 0:08:44 | 0:08:49 | |
"They took a spoon each and scraped off the creamy stuff and ate it | 0:08:51 | 0:08:55 | |
"and then they began to eat the nice, spongy inside. | 0:08:55 | 0:08:58 | |
"Bad Harry said, 'Now we've made the trifle look so untidy, | 0:08:58 | 0:09:02 | |
"'no-one else will want any, so we may as well eat it all up.' | 0:09:02 | 0:09:06 | |
"So they dug away into the spongy inside of the trifle and found lots of nice fruit bits inside. | 0:09:06 | 0:09:12 | |
"It was a very big trifle, but those greedy children ate and ate. | 0:09:12 | 0:09:17 | |
"Then, just as they had nearly finished the whole big trifle, | 0:09:17 | 0:09:22 | |
"the ring-a-rose-ing stopped and Bad Harry's mother called, | 0:09:22 | 0:09:28 | |
"'Where are you two? We're ready for tea.' | 0:09:28 | 0:09:31 | |
"Then My Naughty Little Sister was very frightened." | 0:09:31 | 0:09:36 | |
SHE SIGHS | 0:09:36 | 0:09:37 | |
I don't blame her. I mean, how's she supposed to explain all that? | 0:09:37 | 0:09:42 | |
BELCHING | 0:09:42 | 0:09:44 | |
And how am I going to explain this?! SHE SIGHS | 0:09:44 | 0:09:48 | |
I still love to read a lot and I think that all started | 0:09:51 | 0:09:54 | |
because I was reading a lot of books when I was growing up. | 0:09:54 | 0:09:57 | |
It's great when you find a book like My Naughty Little Sister | 0:09:57 | 0:10:00 | |
when you read about a character you actually recognise. | 0:10:00 | 0:10:03 | |
And I'm sure the more you read, you'll find a book about a character who's just like you. | 0:10:03 | 0:10:08 | |
When I was little I used to have a friend just like Bad Harry. | 0:10:08 | 0:10:11 | |
We used to get into all kinds of mischief. | 0:10:11 | 0:10:14 | |
And I think that's another reason | 0:10:14 | 0:10:16 | |
I used to relate to the stories so well. | 0:10:16 | 0:10:18 | |
A lot of the stories are about ordinary days | 0:10:18 | 0:10:20 | |
and the kind I remember when you're stuck indoors, or you're not | 0:10:20 | 0:10:24 | |
very well, or you're playing in the garden by yourself. | 0:10:24 | 0:10:27 | |
And then, before you know it, you're off having an adventure just | 0:10:27 | 0:10:30 | |
like My Naughty Little Sister, and who knows where that'll take you? | 0:10:30 | 0:10:34 | |
Mmm, looks so tasty, doesn't it? | 0:10:40 | 0:10:42 | |
I just don't understand what's going on. | 0:11:04 | 0:11:07 | |
But I know who'll get the blame for it. | 0:11:08 | 0:11:11 | |
Aimee? Aimee? | 0:11:11 | 0:11:12 | |
You know, I really need to take some more tips | 0:11:13 | 0:11:16 | |
from My Naughty Little Sister! | 0:11:16 | 0:11:18 | |
BICYCLE BELL | 0:11:29 | 0:11:30 | |
Cannonballs pounded into the water, | 0:11:36 | 0:11:38 | |
making the ship rock with each blast. | 0:11:38 | 0:11:39 | |
A missile whizzed overhead and smashed into one of the topsails. | 0:11:39 | 0:11:43 | |
Nat Carver and his pet dog, Woody, are in trouble. | 0:12:20 | 0:12:23 | |
Running for their lives trouble. | 0:12:23 | 0:12:25 | |
Hair-raising fangs and evil monsters trouble! | 0:12:25 | 0:12:28 | |
And it's all in this great book here - Wolven. | 0:12:28 | 0:12:31 | |
Although I might have said Woody was Nat's pet dog | 0:12:36 | 0:12:38 | |
that was only half true. | 0:12:38 | 0:12:41 | |
He has white fur, strange yellow eyes and he doesn't bark he howls. | 0:12:41 | 0:12:45 | |
WOLF HOWL | 0:12:45 | 0:12:49 | |
On a full moon he changes into a boy. | 0:12:49 | 0:12:53 | |
So he might be Nat's pet, but he's definitely no dog. | 0:12:53 | 0:12:57 | |
He's Wolven a shape-shifting wolf, | 0:12:57 | 0:12:59 | |
one of a very special race of animals. | 0:12:59 | 0:13:02 | |
And he might end up being the last! | 0:13:02 | 0:13:04 | |
Nat discovers Woody's run away from a top secret government project, | 0:13:06 | 0:13:11 | |
and some very scary people are determined to get him back. | 0:13:11 | 0:13:14 | |
And when I say very scary people, what I actually mean is werewolves. | 0:13:15 | 0:13:20 | |
BLOODCURDLING SCREAM | 0:13:20 | 0:13:22 | |
Why do they want Woody so much? He might look like a scruffy mongrel, | 0:13:24 | 0:13:28 | |
with breath that smells of old pancakes. | 0:13:28 | 0:13:30 | |
And that's because he is! | 0:13:30 | 0:13:32 | |
But Woody is also Wolven, a legendary creature, | 0:13:32 | 0:13:35 | |
a fearless, intelligent, telepathic warrior. | 0:13:35 | 0:13:38 | |
Yeah, that's right, I forgot to mention Woody's telepathic | 0:13:38 | 0:13:41 | |
he can read people's minds. | 0:13:41 | 0:13:43 | |
And all this makes him very valuable to evil scientist, Dr Gruber. | 0:13:43 | 0:13:48 | |
Gruber wants to create a new creature, | 0:13:48 | 0:13:50 | |
coming the ancient skills of the Wolven, with the cruelty | 0:13:50 | 0:13:53 | |
of the werewolves and he will stop at nothing to get what he wants. | 0:13:53 | 0:13:57 | |
He wants Woody back at the secret project, whatever it takes. | 0:13:57 | 0:14:00 | |
What I really like is that there are funny moments and scary | 0:14:07 | 0:14:10 | |
moments, there's bits where you're on the edge of your seat, | 0:14:10 | 0:14:12 | |
and there's a chase going and you're like, "Go on, Nat, go on, Woody!" | 0:14:12 | 0:14:15 | |
Then there's other really funny scenes, | 0:14:15 | 0:14:17 | |
I think one of my favourites was when Nat enters Woody into a dog show, | 0:14:17 | 0:14:21 | |
and he causes absolute chaos. | 0:14:21 | 0:14:22 | |
And I think it might be the only book, as far as I remember, | 0:14:22 | 0:14:25 | |
where a farmer's wife uses her big bottom to take on a werewolf, | 0:14:25 | 0:14:29 | |
and wins it's brilliant! | 0:14:29 | 0:14:31 | |
I think everyone can relate to Wolven, | 0:14:31 | 0:14:33 | |
because one of the main morals within it is friendship | 0:14:33 | 0:14:35 | |
and everyone has either got that Nat or Woody in their life. | 0:14:35 | 0:14:38 | |
And I also have my own pet dog, Bella, and I might not have had to | 0:14:38 | 0:14:41 | |
save her from werewolves, but I've definitely helped her in other ways. | 0:14:41 | 0:14:44 | |
And although the book's full of adventure and mystery, ultimately | 0:14:44 | 0:14:48 | |
it's all about helping each other and looking out for one another. | 0:14:48 | 0:14:51 | |
This is one of my favourite parts in the book. | 0:15:03 | 0:15:05 | |
Nat and Woody are now on the run in the creepy East Woods. | 0:15:05 | 0:15:08 | |
Nat's exhausted but he knows he mustn't stop | 0:15:08 | 0:15:11 | |
because those werewolves aren't far behind. | 0:15:11 | 0:15:13 | |
Nat's feeling of claustrophobia increased. | 0:15:15 | 0:15:17 | |
In the unhealthy, humid atmosphere, his skin felt clammy | 0:15:17 | 0:15:21 | |
and itchy, as if insects were crawling all over him. | 0:15:21 | 0:15:24 | |
His backpack seemed to get heavier, and the tiny pinpricks of sunlight | 0:15:24 | 0:15:27 | |
flickered through the trees and into his eyes, almost hypnotising him. | 0:15:27 | 0:15:32 | |
Nat's eyelids began to droop. | 0:15:32 | 0:15:33 | |
Aaaahhhooowwww! | 0:15:33 | 0:15:36 | |
WOLVES ANSWER HIS HOWL | 0:15:36 | 0:15:38 | |
The voices of werewolves brought Woody back to Nat's side, | 0:15:40 | 0:15:43 | |
his nostrils flaring, his eyes molten, | 0:15:43 | 0:15:46 | |
hackles as stiff as stalagmites. | 0:15:46 | 0:15:48 | |
"We're so dead," cried Nat. | 0:15:48 | 0:15:50 | |
"There's two of them." | 0:15:50 | 0:15:52 | |
Woody tore off ahead, then came back, then tore off again. | 0:15:52 | 0:15:56 | |
Nat gave a small sob of defeat. He was all but done in. | 0:15:56 | 0:15:59 | |
He doubted if Woody could take on two werewolves and win. | 0:15:59 | 0:16:03 | |
"I can't run as fast as you," | 0:16:03 | 0:16:04 | |
he said. "You go on, I'll try my best to keep up." | 0:16:04 | 0:16:07 | |
Woody ran behind Nat, pushing him with his body, | 0:16:07 | 0:16:10 | |
then ran up ahead, yipping and whining. | 0:16:10 | 0:16:12 | |
Nat took a deep, shaky breath. | 0:16:12 | 0:16:15 | |
"I cant do it," he said, sulkily, "I'm too tired." | 0:16:15 | 0:16:18 | |
WOLF HOWLS | 0:16:18 | 0:16:21 | |
It was as though someone had lit fireworks beneath Nat's feet. | 0:16:24 | 0:16:28 | |
His tiredness evaporated at the chilling howl, | 0:16:28 | 0:16:30 | |
and he took off behind Woody as fast as a ballistic missile. | 0:16:30 | 0:16:33 | |
Branches tore at him, | 0:16:33 | 0:16:35 | |
blood mixing with the sweat running down his face. | 0:16:35 | 0:16:37 | |
He was aware of nothing except his heart | 0:16:37 | 0:16:39 | |
pumping the blood around his body, | 0:16:39 | 0:16:40 | |
and the rhythm of his feet flying across the soft floor of the wood. | 0:16:40 | 0:16:44 | |
Books are just a great conversation starter, | 0:16:55 | 0:16:57 | |
if you just met someone and you're like, "All right?" | 0:16:57 | 0:16:59 | |
Just bring up at book, even if they haven't read it, | 0:16:59 | 0:17:01 | |
explain to them, get them to want to read it, | 0:17:01 | 0:17:03 | |
and you can go, "You know what? | 0:17:03 | 0:17:05 | |
"I've done a good job." | 0:17:05 | 0:17:06 | |
Reading's just great all round and if you don't love reading, | 0:17:06 | 0:17:10 | |
you, my friends, people watching, you're missing out! | 0:17:10 | 0:17:12 | |
Cos reading is the best and you pick up a good book, | 0:17:12 | 0:17:15 | |
and you'll get lost in it, | 0:17:15 | 0:17:16 | |
and when you get lost in a book you're on to a winner. | 0:17:16 | 0:17:21 | |
What do you think will happen to Nat and Woody? | 0:17:26 | 0:17:29 | |
Will they destroy the secret government project | 0:17:29 | 0:17:31 | |
before it destroys them? | 0:17:31 | 0:17:33 | |
Sometimes with a story, it's best not to know what's round the corner. | 0:17:34 | 0:17:38 | |
SOMETHING GROWLS But with this book you can guarantee | 0:17:38 | 0:17:40 | |
it's probably something really horrible! | 0:17:40 | 0:17:43 | |
Time for you to get reading. | 0:17:45 | 0:17:46 | |
Time for me to get out of here! | 0:17:46 | 0:17:49 | |
WOLVES HOWL | 0:17:49 | 0:17:53 | |
Stay where you are, because coming up I'll tell you | 0:17:59 | 0:18:01 | |
about a boy from Africa, whose life is going to change for ever. | 0:18:01 | 0:18:05 | |
I love adventures! So does the hero of this book, Sam Silver. | 0:18:15 | 0:18:20 | |
Imagine this one day Sam's sat in his bedroom above his parents' | 0:18:20 | 0:18:23 | |
fish and chip shop, polishing his gold doubloon. | 0:18:23 | 0:18:26 | |
The next he's time-travelled backwards 300 years to a ship. | 0:18:26 | 0:18:29 | |
Shiver me timbers! Me too! And not just any ship. | 0:18:32 | 0:18:36 | |
A pirate ship! The Sea Wolf. | 0:18:37 | 0:18:41 | |
Better keep an eye out some pirates think | 0:18:44 | 0:18:47 | |
girls bring bad luck to a ship. | 0:18:47 | 0:18:49 | |
I don't want to end up walking the plank! | 0:18:49 | 0:18:51 | |
But then again Sam's a boy and the crew | 0:18:51 | 0:18:53 | |
don't exactly give him a warm welcome either. | 0:18:53 | 0:18:55 | |
At first, Sam thinks this must all be a weird joke. | 0:18:59 | 0:19:03 | |
More pirates were gathering round. | 0:19:03 | 0:19:05 | |
A short, stout man stomped up, his wooden leg thumping on the deck. | 0:19:05 | 0:19:10 | |
He pulled at Sam's t-shirt, with its picture of | 0:19:10 | 0:19:12 | |
a Formula 1 racing car, and peered at his jeans and trainers. | 0:19:12 | 0:19:16 | |
"Strap me, they be strange clothes." | 0:19:16 | 0:19:18 | |
"Not as strange as yours," laughed Sam. | 0:19:20 | 0:19:22 | |
"Maybe he's a spy for the Governor," sneered Fernando. | 0:19:24 | 0:19:27 | |
"Or a thief," called a gruff voice. | 0:19:27 | 0:19:29 | |
"Throw him overboard," shouted the short, stout man. | 0:19:29 | 0:19:33 | |
"That's right, Mr Hopp," said Fernando. | 0:19:33 | 0:19:35 | |
The crew pressed forwards. | 0:19:35 | 0:19:37 | |
To Sam's horror, he suddenly found himself bundled onto the rail | 0:19:37 | 0:19:41 | |
and staring down at the deep water below. | 0:19:41 | 0:19:43 | |
This joke wasn't so funny any more. | 0:19:43 | 0:19:46 | |
"Avast!" barked Captain Blade. "We'll hear his story first." | 0:19:46 | 0:19:50 | |
"Aye, Captain," said Harry Hopp, with a nasty grin. | 0:19:50 | 0:19:53 | |
"The sharks won't mind waiting." | 0:19:53 | 0:19:55 | |
The pirates are all set to throw Sam overboard | 0:20:03 | 0:20:06 | |
as a tasty lunchtime snack. | 0:20:06 | 0:20:07 | |
Until he shows them a treasure map | 0:20:13 | 0:20:15 | |
from his pirate ancestor, Joseph Silver. | 0:20:15 | 0:20:17 | |
The tiniest chance of treasure changes everything. | 0:20:17 | 0:20:20 | |
Now Sam's not shark food he's an honorary crew member. | 0:20:21 | 0:20:25 | |
He's a fellow buccaneer! He's a pirate! | 0:20:25 | 0:20:27 | |
I've always wondered what it would feel like to be a pirate. | 0:20:31 | 0:20:34 | |
And this book really gives you that experience. | 0:20:34 | 0:20:37 | |
You really feel like you're up in the crow's nest, | 0:20:37 | 0:20:39 | |
and climbing the rigging, | 0:20:39 | 0:20:41 | |
and sailing the ship through the dangerous seas. | 0:20:41 | 0:20:43 | |
There are some wicked characters in the story. | 0:20:43 | 0:20:46 | |
There's Abel Wagstaff, who's bit of an ancient sea dog, | 0:20:46 | 0:20:48 | |
probably the oldest sailor in the Caribbean. | 0:20:48 | 0:20:51 | |
And then there's Sinbad, the most fearsome in the crew, | 0:20:51 | 0:20:54 | |
and he eats rats. | 0:20:54 | 0:20:56 | |
I've met some pretty scary creatures in my time, | 0:20:56 | 0:20:58 | |
but I reckon pirates are in my top ten. | 0:20:58 | 0:21:00 | |
If you're thinking that pirate | 0:21:05 | 0:21:07 | |
stories are all about boys - forget it! | 0:21:07 | 0:21:09 | |
In this story, you'll see that girls | 0:21:09 | 0:21:11 | |
make brave and tough pirates too. | 0:21:11 | 0:21:12 | |
Ship ahoy! The Grinning Skull! | 0:21:12 | 0:21:15 | |
Just as well because when your deadliest enemies are out | 0:21:17 | 0:21:19 | |
on the ocean ready to do battle, you're gonna need all hands on deck. | 0:21:19 | 0:21:23 | |
Now this is my kind of adventure! | 0:21:23 | 0:21:26 | |
As Sam climbed down the rigging to help, | 0:21:26 | 0:21:28 | |
his heart hammered in his chest with fear. | 0:21:28 | 0:21:31 | |
They were being chased by the most villainous pirate crew | 0:21:31 | 0:21:34 | |
to sail the Caribbean. | 0:21:34 | 0:21:35 | |
Until this adventure, the scariest thing he'd ever done was to | 0:21:35 | 0:21:38 | |
play Attack Of The Deadly Zargons, on his computer. | 0:21:38 | 0:21:41 | |
But this was real. | 0:21:41 | 0:21:43 | |
This was totally real, and about to get very dangerous too. | 0:21:43 | 0:21:47 | |
The Sea Wolf began to turn, but it was taking too long. | 0:21:47 | 0:21:50 | |
The Grinning Skull was bearing down on them, | 0:21:50 | 0:21:53 | |
and ripples of fear were running through the crew. Boom! | 0:21:53 | 0:21:55 | |
The sound of the enemy cannon made Sam feel as | 0:21:55 | 0:21:58 | |
if all his teeth had come loose in his head. | 0:21:58 | 0:22:01 | |
It was even louder than the time the oven had exploded at home, | 0:22:01 | 0:22:03 | |
and they'd had to call the fire brigade. | 0:22:03 | 0:22:05 | |
Cannonballs pounded into the water, | 0:22:08 | 0:22:09 | |
making the ship rock with each blast. | 0:22:09 | 0:22:11 | |
A missile whizzed over their heads, | 0:22:11 | 0:22:14 | |
and smashed into one of the topsails. | 0:22:14 | 0:22:17 | |
The sail was ripped from its tether and flapped uselessly. | 0:22:17 | 0:22:20 | |
"Get that repaired," ordered the Captain. | 0:22:20 | 0:22:22 | |
"We need all the sail we can muster." | 0:22:22 | 0:22:24 | |
I really like reading, because I love my imagination being exercised, | 0:22:29 | 0:22:34 | |
and taken to places that I wouldn't be able to go in real life, | 0:22:34 | 0:22:37 | |
and meeting people that I've never met before. | 0:22:37 | 0:22:40 | |
Whenever I read a book, | 0:22:40 | 0:22:41 | |
I like to think about which character I would like to be. | 0:22:41 | 0:22:43 | |
I suppose my favourite character in this book is the girl | 0:22:43 | 0:22:46 | |
she's really feisty, and she's got guts, and that's what I like. | 0:22:46 | 0:22:50 | |
She's also got a massive secret, but I just can't tell you | 0:22:50 | 0:22:53 | |
what that is, so I'm going to keep my mouth shut, and let you find out. | 0:22:53 | 0:22:57 | |
I really like books that take me on an adventure, like going through | 0:22:57 | 0:23:01 | |
space and meeting aliens, or going the jungle | 0:23:01 | 0:23:03 | |
and meeting crazy animals, | 0:23:03 | 0:23:04 | |
or even going through the oceans and meeting some fearless pirates. | 0:23:04 | 0:23:08 | |
Why don't you find a story that | 0:23:08 | 0:23:10 | |
takes you on your favourite adventure? | 0:23:10 | 0:23:11 | |
If you grab a copy of the first Sam Silver book - Skeleton Island, | 0:23:15 | 0:23:19 | |
then you can join Sam and his pirate crew as they search | 0:23:19 | 0:23:22 | |
for Joseph Silver's treasure, and go on some amazing pirate adventures. | 0:23:22 | 0:23:26 | |
Talking of which, time for me to go home. | 0:23:26 | 0:23:29 | |
Er, where are the crew? | 0:23:29 | 0:23:32 | |
Hello? | 0:23:32 | 0:23:34 | |
Hello? | 0:23:34 | 0:23:36 | |
HELLO? | 0:23:36 | 0:23:37 | |
Everyone around you has a story if you just stop and ask them | 0:24:12 | 0:24:16 | |
and books are a brilliant way to discover some of those stories. | 0:24:16 | 0:24:20 | |
Stories like Alem's, in this book, called Refugee Boy. | 0:24:20 | 0:24:25 | |
Alem's mother is from Eritrea, a country in Africa, | 0:24:25 | 0:24:29 | |
and Alem's father is from Ethiopia, the country just over the border. | 0:24:29 | 0:24:35 | |
When a war breaks out between these two countries, neither place | 0:24:35 | 0:24:39 | |
is safe for Alem and his parents. | 0:24:39 | 0:24:41 | |
Alem is just 14, | 0:24:43 | 0:24:44 | |
and is in real danger. | 0:24:45 | 0:24:46 | |
Alem looked on terrified as the soldier shot a number | 0:24:53 | 0:24:56 | |
of bullets into the floor around the feet of his mother and father. | 0:24:56 | 0:25:00 | |
His father screamed with fear. | 0:25:01 | 0:25:04 | |
"Please, leave us! | 0:25:04 | 0:25:07 | |
"We only want peace." | 0:25:08 | 0:25:09 | |
The soldier continued shouting, "Are you Eritrean or Ethiopian? | 0:25:10 | 0:25:16 | |
"Tell us, we want to know." | 0:25:16 | 0:25:18 | |
"I am an African," Alem's mother replied. | 0:25:20 | 0:25:24 | |
The soldier raised his rifle, and pointed it at Alem's mother. | 0:25:26 | 0:25:31 | |
"You are a traitor." | 0:25:31 | 0:25:33 | |
He turned and pointed the rifle at Alem's father. | 0:25:33 | 0:25:37 | |
"And he is the enemy." | 0:25:37 | 0:25:38 | |
Then he turned and pointed the rifle at Alem's forehead. | 0:25:40 | 0:25:43 | |
"And he is a mongrel." | 0:25:43 | 0:25:46 | |
With hatred and war all around them, | 0:25:53 | 0:25:55 | |
Alem's dad does something very brave. | 0:25:55 | 0:25:58 | |
He brings Alem to Britain and leaves him here | 0:25:58 | 0:26:01 | |
so he won't die in the fighting back at home. | 0:26:01 | 0:26:04 | |
Britain isn't Alem's home so he must become a refugee here | 0:26:06 | 0:26:10 | |
and that life is hard. | 0:26:10 | 0:26:12 | |
Full of shocks | 0:26:12 | 0:26:13 | |
and new experiences, appearing in court in front of judges, | 0:26:13 | 0:26:17 | |
having his fingerprints taken and questions. | 0:26:17 | 0:26:20 | |
Questions all the time. | 0:26:20 | 0:26:21 | |
Then there's new lessons at the new school. New people, new music. | 0:26:21 | 0:26:27 | |
Even the diet is new. | 0:26:27 | 0:26:29 | |
Meet and two veg and gravy just to keep the food wet. | 0:26:29 | 0:26:33 | |
But Alem does get a new foster family here where | 0:26:33 | 0:26:37 | |
I am in Manor Park in East London. | 0:26:37 | 0:26:40 | |
These are the streets that Alem walks taking it one | 0:26:40 | 0:26:44 | |
day at a time but never forgetting everything he has left behind. | 0:26:44 | 0:26:48 | |
Alem missed seeing animals that weren't just pets. | 0:26:50 | 0:26:54 | |
He missed the sounds of home, he missed the smell of its earth, | 0:26:54 | 0:26:58 | |
the smell of its people and even the smell of its cities. | 0:26:58 | 0:27:04 | |
But the home Alem loves is a war zone. | 0:27:04 | 0:27:08 | |
Suddenly, he can't believe it. | 0:27:08 | 0:27:10 | |
Alem discovers his new home - Britain - may be about to send him back there. | 0:27:10 | 0:27:15 | |
While Alem is facing all of these new challenges, he's slowly | 0:27:19 | 0:27:22 | |
starting to make new friends. | 0:27:22 | 0:27:24 | |
I really like this part of the book, with Alem | 0:27:24 | 0:27:27 | |
and his foster sister, Ruth. | 0:27:27 | 0:27:28 | |
Alem shows Ruth a photo of him and his parents. | 0:27:28 | 0:27:32 | |
"How old were you when this was taken?" | 0:27:32 | 0:27:35 | |
she asked, looking at the happiness on the faces. | 0:27:35 | 0:27:38 | |
"12," Alem replied. | 0:27:38 | 0:27:40 | |
"Do you have any more photos?" | 0:27:40 | 0:27:42 | |
"'No, just that one, and that one is wearing out because it has | 0:27:44 | 0:27:47 | |
"been in my bag, in my pockets, under my pillow, and I keep holding it." | 0:27:47 | 0:27:52 | |
"Come here and watch me," Ruth said, smiling. | 0:27:52 | 0:27:55 | |
Alem stood over her as she booted up the computer and began to work. | 0:27:56 | 0:28:00 | |
Her speed and expertise astounded him. | 0:28:00 | 0:28:02 | |
Within 20 minutes, she had scanned in the photo | 0:28:02 | 0:28:05 | |
and made it into his desktop image. | 0:28:05 | 0:28:07 | |
"There you go"' she said, leaning back to admire her handiwork. | 0:28:07 | 0:28:11 | |
"From now on, every time you boot up your computer, | 0:28:12 | 0:28:16 | |
"that's what you'll get." | 0:28:16 | 0:28:17 | |
Alem thought it was wonderful. | 0:28:18 | 0:28:20 | |
I really wanted to read that part of the book to you because this story | 0:28:22 | 0:28:26 | |
is about acceptance, for Alem to be accepted as part of Britain but, | 0:28:26 | 0:28:30 | |
in that particular section, Alem gets accepted by his foster sister, Ruth. | 0:28:30 | 0:28:34 | |
And from that moment onwards, their relationship does blossom. | 0:28:34 | 0:28:41 | |
So this book might seem like a serious read | 0:28:41 | 0:28:43 | |
but I assure you it's not. | 0:28:43 | 0:28:46 | |
It's full of humour, | 0:28:46 | 0:28:47 | |
and the roller-coaster ride that you go on with Alem. | 0:28:47 | 0:28:51 | |
It's definitely, definitely one to read. | 0:28:51 | 0:28:55 | |
Alem is honest and brave. He fights to stay alive. | 0:28:57 | 0:29:02 | |
He fights back. So do his new friends, here in Manor Park. | 0:29:02 | 0:29:08 | |
So if you read Refugee Boy, you can meet Alem | 0:29:09 | 0:29:12 | |
and discover the rest of his story yourself. | 0:29:12 | 0:29:16 | |
I think that's why books are so fantastic. | 0:29:17 | 0:29:20 | |
Because the stories of extraordinary people. | 0:29:20 | 0:29:23 | |
People I bet you see around you every day. | 0:29:23 | 0:29:26 | |
And you're one of those people too. | 0:29:26 | 0:29:28 | |
So, after reading someone else's story, | 0:29:28 | 0:29:30 | |
why not sit down and write one of your own? | 0:29:30 | 0:29:33 | |
A story about you. | 0:29:34 | 0:29:36 | |
If you love stories about giant, hairy, squelchy, fuzzy monsters, | 0:29:39 | 0:29:44 | |
then stick around! | 0:29:44 | 0:29:45 | |
I think they're lurking around here somewhere. | 0:29:46 | 0:29:49 | |
This great book is called The Kick Off. | 0:30:28 | 0:30:30 | |
It's all about a boy called Jamie Johnson. | 0:30:30 | 0:30:32 | |
Jamie Johnson is completely nuts about football. | 0:30:32 | 0:30:35 | |
He loves it and I know how he feels! | 0:30:35 | 0:30:37 | |
When you play for England and Team GB like me | 0:30:37 | 0:30:40 | |
you find yourself thinking about football every minute of the day. | 0:30:40 | 0:30:44 | |
Just can't help it! | 0:30:45 | 0:30:47 | |
Jamie dreams of the big time too | 0:30:49 | 0:30:51 | |
but first of all, he needs to make it into his school football team. | 0:30:51 | 0:30:54 | |
Reading this book, I can tell that Jamie's got lots of natural | 0:30:54 | 0:30:57 | |
ability. He's got a good left foot. | 0:30:57 | 0:30:59 | |
But to make it to the top, it's not enough to just be good, | 0:30:59 | 0:31:02 | |
he needs total dedication. | 0:31:02 | 0:31:04 | |
And that's tough when he still needs to go to parties, | 0:31:04 | 0:31:07 | |
go out with his friends and pass his exams. | 0:31:07 | 0:31:09 | |
At the start of the story, Jamie's not having much luck. | 0:31:12 | 0:31:15 | |
It's the trials for the Kingfield school team. Jamie's all set | 0:31:15 | 0:31:18 | |
to take a penalty but a divot in the pitch makes him | 0:31:18 | 0:31:20 | |
completely lose his balance. | 0:31:20 | 0:31:22 | |
Here's someone else who loves football to tell you how he gets on. | 0:31:22 | 0:31:26 | |
As he was falling to the ground, | 0:31:34 | 0:31:36 | |
he flung his foot towards the ball so desperately, | 0:31:36 | 0:31:39 | |
so violently, that his left boot actually flew off his foot. | 0:31:39 | 0:31:43 | |
It shot right up into the air. Jamie yelled out in horror. | 0:31:43 | 0:31:47 | |
His boot rocketed skywards, doing somersaults as it went. | 0:31:47 | 0:31:50 | |
Meanwhile, the ball that should have been | 0:31:50 | 0:31:52 | |
flying into the back of the net was rolling slowly and painfully | 0:31:52 | 0:31:55 | |
along the ground towards the goalkeeper's waiting hands. | 0:31:55 | 0:31:58 | |
Jamie could not believe it. This was his worst nightmare. | 0:31:58 | 0:32:02 | |
He started to hear something behind him. It was laughter. | 0:32:03 | 0:32:06 | |
He turned around and saw that all the players on both sides | 0:32:06 | 0:32:09 | |
were laughing at him. | 0:32:09 | 0:32:11 | |
Can you imagine how embarrassing that must be? | 0:32:13 | 0:32:16 | |
And in a trial game too? | 0:32:16 | 0:32:17 | |
But Jamie's obsessed, remember? He's not going to give up. | 0:32:17 | 0:32:21 | |
Jamie puts a lot of pressure on himself, sometimes he scores, | 0:32:25 | 0:32:28 | |
sometimes he misses and I know how that feels. | 0:32:28 | 0:32:33 | |
It's all worth it when you're winning | 0:32:33 | 0:32:35 | |
and when you're winning, it's an incredible feeling. | 0:32:35 | 0:32:38 | |
When I was younger, I loved football but I also loved reading. | 0:32:38 | 0:32:43 | |
I'd spend all my time training but it didn't stop me | 0:32:43 | 0:32:46 | |
getting into some great books. | 0:32:46 | 0:32:48 | |
Jamie's granddad used to be a pro himself. | 0:32:51 | 0:32:54 | |
He gave Jamie this scrapbook that he once used. | 0:32:54 | 0:32:56 | |
It's packed full of tips and exercises to improve every aspect of your game. | 0:32:56 | 0:33:01 | |
Jamie spends the whole summer practising everything in it | 0:33:01 | 0:33:03 | |
and soon he's playing out of his skin. | 0:33:03 | 0:33:06 | |
Books and football, great combination! | 0:33:08 | 0:33:11 | |
Jamie's had some good matches. | 0:33:20 | 0:33:22 | |
Like this one when his school team, Kingfield, met St Anthony's. | 0:33:22 | 0:33:25 | |
Score so far? 1-1 draw. | 0:33:25 | 0:33:28 | |
Until Jamie comes alive on the pitch. | 0:33:28 | 0:33:31 | |
Slaloming in and out of the desperate tackles, | 0:33:31 | 0:33:33 | |
Jamie's feet wove a spell as they sped forward. | 0:33:33 | 0:33:36 | |
Soon he'd single-handedly beaten practically all the defenders | 0:33:36 | 0:33:39 | |
St Anthony's had on the pitch. | 0:33:39 | 0:33:41 | |
Now he was through, one-on-one with the goalkeeper. | 0:33:41 | 0:33:44 | |
Marcusfield was desperately calling for the ball | 0:33:44 | 0:33:46 | |
but Jamie couldn't hear him. | 0:33:46 | 0:33:48 | |
Or at least he wasn't listening. | 0:33:48 | 0:33:50 | |
Jamie looked at the keeper and drew his foot back for a venomous strike. | 0:33:50 | 0:33:54 | |
Then, at the very last minute, just as his boot was about to | 0:33:54 | 0:33:57 | |
swipe through the ball, he checked and stopped dead. | 0:33:57 | 0:34:01 | |
The goalkeeper had gone for it | 0:34:01 | 0:34:02 | |
though. He'd bought the dummy and dived. | 0:34:02 | 0:34:05 | |
For a second, Jamie felt like the only player on the pitch. | 0:34:05 | 0:34:08 | |
There he was all alone in front of an empty goal with the ball | 0:34:08 | 0:34:12 | |
at his feet and the goalkeeper left sprawled on the ground. | 0:34:12 | 0:34:15 | |
There was nothing left to do but pass it into the net. | 0:34:15 | 0:34:18 | |
It was 2-1 to Kingfield, thanks to the best goal Jamie had ever scored. | 0:34:21 | 0:34:25 | |
Becoming a great footballer isn't easy. | 0:34:31 | 0:34:33 | |
Some of the kids don't think Jamie can do it | 0:34:33 | 0:34:35 | |
but he's determined to prove them wrong. | 0:34:35 | 0:34:37 | |
He wants to be the best. What do you think? | 0:34:37 | 0:34:39 | |
Can he do it? | 0:34:39 | 0:34:40 | |
The only way to find out is to get stuck in and start reading. | 0:34:40 | 0:34:43 | |
I think reading books is a great thing to do so grab a book | 0:34:51 | 0:34:53 | |
and get reading. | 0:34:53 | 0:34:55 | |
Wow, today has gone so quickly. | 0:35:29 | 0:35:31 | |
I've been reading this brilliant book. | 0:35:31 | 0:35:33 | |
It's called Nelly The Monster Sitter. | 0:35:33 | 0:35:36 | |
I just can't put it down! | 0:35:36 | 0:35:38 | |
So this book is all about Nelly. She is super smart. | 0:35:38 | 0:35:42 | |
She's realised there's a reason why you never see monsters out and about. | 0:35:42 | 0:35:47 | |
They're all stuck at home. | 0:35:47 | 0:35:49 | |
They can't get babysitters. | 0:35:51 | 0:35:53 | |
Nelly's solution is very simple. | 0:35:53 | 0:35:56 | |
She decides she's going to become a monster sitter. | 0:35:56 | 0:35:59 | |
But, you know, looking after monsters isn't an easy task. | 0:35:59 | 0:36:04 | |
For a start, the monster parents living in each house | 0:36:04 | 0:36:07 | |
come in all shapes and sizes and I really do mean all shapes and sizes. | 0:36:07 | 0:36:12 | |
At number 55, Nelly meets a couple of slimy Squurms | 0:36:17 | 0:36:20 | |
called Dollop and Splat. | 0:36:20 | 0:36:23 | |
They were like slugs, giant, orange, upright slugs, | 0:36:23 | 0:36:27 | |
with moist, glistening bodies and wet, foaming mouths. | 0:36:27 | 0:36:31 | |
All over their heads, soft, yellow eyes nestled like egg yolks. | 0:36:31 | 0:36:36 | |
And from their cheeks, stiff, black whiskers bristled | 0:36:36 | 0:36:40 | |
like burnt sparklers. | 0:36:40 | 0:36:42 | |
They seemed very pleased to see Nelly. | 0:36:42 | 0:36:44 | |
"Give us a squonk, Nelly the Monster Sitter!" gurgled Splat. | 0:36:44 | 0:36:48 | |
Nelly braced herself as two spaghetti-like feelers suddenly | 0:36:48 | 0:36:53 | |
sprang from the Squurm's chest and planted themselves on Nelly's nose. | 0:36:53 | 0:36:58 | |
Nelly's face tingled with cold as two more feelers sprung | 0:36:58 | 0:37:02 | |
forward from Dollop's shoulders and fastened themselves to her cheeks. | 0:37:02 | 0:37:06 | |
She'd never been kissed Squurm style before. | 0:37:06 | 0:37:10 | |
It was like having your face pressed into a bowl full of cold jelly. | 0:37:10 | 0:37:14 | |
Ughh! | 0:37:16 | 0:37:18 | |
The great thing about this book is it gets you to really | 0:37:18 | 0:37:21 | |
think about monsters as normal people so now when I'm | 0:37:21 | 0:37:25 | |
walking down my road, I'm imagining that maybe there's a couple of | 0:37:25 | 0:37:28 | |
monsters live there and if I did see like a green, slimy tentacle coming | 0:37:28 | 0:37:32 | |
out of a letter box, I wouldn't be so hasty to run away and scream. | 0:37:32 | 0:37:35 | |
I'd probably think they might be quite nice. | 0:37:35 | 0:37:37 | |
They might be like the Water Greeps. | 0:37:37 | 0:37:39 | |
What I love about Nelly is that she's so brave | 0:37:39 | 0:37:42 | |
and even though her sister, Asti, is really critical of everything | 0:37:42 | 0:37:45 | |
she does, Nelly kind of stands up for herself and she stands | 0:37:45 | 0:37:49 | |
up for the monsters as well. I really like that, that she sticks | 0:37:49 | 0:37:53 | |
up for other people which is quite difficult sometimes but she does it! | 0:37:53 | 0:37:57 | |
Green, prickly, fuzzy, purple, massive, hairy, squelchy. | 0:37:57 | 0:38:02 | |
Every job and every monster is different. | 0:38:02 | 0:38:07 | |
Imagine a dog with five tails, six legs and two tongues. | 0:38:12 | 0:38:17 | |
That's Glug, one of the monsters Nelly has to look after. | 0:38:17 | 0:38:21 | |
Nelly tries playing fetch with Glug, but it isn't too successful. | 0:38:21 | 0:38:28 | |
Nelly jumped back in alarm as Glug's jaws | 0:38:28 | 0:38:31 | |
clamped down ferociously onto the branch and his head began to shake. | 0:38:31 | 0:38:35 | |
His jaws shook with such force, | 0:38:35 | 0:38:38 | |
his two orange tongues actually blurred into one. | 0:38:38 | 0:38:42 | |
In a slobbering, slavering frenzy of snarls, | 0:38:42 | 0:38:47 | |
he reduced the branch to sawdust. | 0:38:47 | 0:38:50 | |
Nelly stood motionless in the garden for a moment, | 0:38:51 | 0:38:54 | |
trying to banish thoughts of what jaws like that could do to | 0:38:54 | 0:38:58 | |
her legs should Glug become prematurely peckish. | 0:38:58 | 0:39:02 | |
Still, at least Nelly knows it's nearly Glug's dinnertime! | 0:39:02 | 0:39:05 | |
With a twist of her wrist she peered down at her watch. | 0:39:05 | 0:39:09 | |
It was 6.45. Alligator chunks. | 0:39:09 | 0:39:13 | |
Alligator chunks in 15 minutes, she smiled. | 0:39:13 | 0:39:17 | |
Alligator chunks? Urghh. | 0:39:18 | 0:39:22 | |
Course, monsters eating you is one thing, | 0:39:23 | 0:39:27 | |
but when Glug runs away, Nelly knows she's in even bigger trouble. | 0:39:27 | 0:39:33 | |
Imagine telling two monster parents that you've | 0:39:33 | 0:39:37 | |
lost their precious baby. | 0:39:37 | 0:39:39 | |
Eeek! | 0:39:39 | 0:39:41 | |
I loved being read aloud to when I was little and I remember my mum | 0:39:46 | 0:39:50 | |
and dad were really good at doing different voices. | 0:39:50 | 0:39:53 | |
And then I went to my friend's house and her dad read us | 0:39:53 | 0:39:55 | |
the same book but he didn't do the voices. I was really disappointed. | 0:39:55 | 0:40:00 | |
What I love about reading is you imagine a character one way | 0:40:00 | 0:40:03 | |
and somebody else might imagine it differently. It's up to the | 0:40:03 | 0:40:06 | |
reader to decide how the character talks and what they look like. | 0:40:06 | 0:40:10 | |
Nelly keeps a secret diary of all her monster-sitting jobs. | 0:40:10 | 0:40:15 | |
Which she makes sure her snotty sister Asti never finds. | 0:40:15 | 0:40:19 | |
And in this book, there's a great map showing where all the monsters live. | 0:40:19 | 0:40:24 | |
It's brilliant. | 0:40:24 | 0:40:26 | |
When I started this book, I imagined Nelly would be terrified! | 0:40:26 | 0:40:30 | |
Ooh, thank you... | 0:40:30 | 0:40:32 | |
SHE SCREAMS | 0:40:32 | 0:40:33 | |
But in fact, every time she goes monster-sitting, | 0:40:33 | 0:40:36 | |
she has an amazing adventure. | 0:40:36 | 0:40:39 | |
I mean, the monsters may be green, prickly, fuzzy, purple, | 0:40:39 | 0:40:42 | |
massive, hairy, ugly and squelchy. | 0:40:42 | 0:40:44 | |
But do you know what? | 0:40:44 | 0:40:45 | |
They're actually really lovely and you soon get used to them. | 0:40:45 | 0:40:50 | |
I know I have. Get your tentacle off the cushion! | 0:40:52 | 0:40:56 | |
Sorry. Cheeky! | 0:40:56 | 0:40:59 | |
That's Lizzie. | 0:41:05 | 0:41:07 | |
She's the star of this fantastic book | 0:41:07 | 0:41:09 | |
by Jacqueline Wilson, called Lizzie Zipmouth. | 0:41:09 | 0:41:13 | |
I'm reading Tom's Midnight Garden. What a fantastic book. Here's Tom. | 0:41:36 | 0:41:41 | |
Now, Tom's staying at his aunt and uncle's flat. | 0:41:41 | 0:41:44 | |
He's lonely, he's bored and right now, he's lying awake in the | 0:41:44 | 0:41:48 | |
middle of the night stuck listening to the crazy old grandfather clock | 0:41:48 | 0:41:51 | |
downstairs striking all the wrong hours as usual. | 0:41:51 | 0:41:55 | |
11, 12. "Fancy striking midnight twice in one night," jeered Tom, sleepily. | 0:41:56 | 0:42:04 | |
13, proclaimed the clock. Then stopped striking. 13. | 0:42:04 | 0:42:11 | |
Tom's mind gave a jerk. Had it really struck 13? | 0:42:11 | 0:42:16 | |
Of course, there is no such time as 13. | 0:42:16 | 0:42:20 | |
Is there? | 0:42:22 | 0:42:24 | |
The stillness had become an expectant one. | 0:42:27 | 0:42:30 | |
The house seemed to hold its breath. | 0:42:30 | 0:42:33 | |
The darkness pressed up to him, pressing him with the question, | 0:42:33 | 0:42:38 | |
"Come on, Tom, the clock has struck 13. | 0:42:38 | 0:42:40 | |
"What are you going to do about it?" | 0:42:40 | 0:42:43 | |
I'll tell you what Tom did about it. | 0:42:43 | 0:42:47 | |
He rushes downstairs and he checks the grandfather clock and whilst | 0:42:47 | 0:42:51 | |
he does this, he opens a door that he's never bothered with before. | 0:42:51 | 0:42:54 | |
Why would she? It just leads out to a small yard full of rubbish and bins. | 0:42:54 | 0:42:59 | |
But not tonight. | 0:42:59 | 0:43:02 | |
Tonight, that door opens into a garden, a huge, beautiful garden. | 0:43:02 | 0:43:08 | |
The type that is filled with trees to climb, | 0:43:08 | 0:43:10 | |
places to explore, adventures to have around every corner. | 0:43:10 | 0:43:15 | |
And now, that garden is Tom's to visit every single night. | 0:43:15 | 0:43:21 | |
But only when the time was exactly right. | 0:43:21 | 0:43:25 | |
I loved this book when I first read it. | 0:43:29 | 0:43:31 | |
And I suppose I was a little bit like Tom, you know, | 0:43:31 | 0:43:34 | |
always looking for adventures, easily bored. | 0:43:34 | 0:43:38 | |
Tom had to keep this book a secret, I'm not sure | 0:43:38 | 0:43:40 | |
if I could have done that. | 0:43:40 | 0:43:41 | |
I really would have wanted to show off the garden to my friends. | 0:43:41 | 0:43:45 | |
It's amazing how the writer describes all the adventures in the garden in | 0:43:45 | 0:43:49 | |
so much detail. It's like you get to know the garden as well as Tom does. | 0:43:49 | 0:43:53 | |
It's like it's your own personal place and I wouldn't mind that. | 0:43:53 | 0:43:57 | |
Ade's Midnight Garden. How cool would that be? | 0:43:57 | 0:44:00 | |
Tom gets frustrated | 0:44:04 | 0:44:06 | |
because he can't open any of the doors in the Midnight Garden. | 0:44:06 | 0:44:09 | |
But he's not going to let that stop him. | 0:44:09 | 0:44:11 | |
He tries pushing hard against one of the solid wooden doors. | 0:44:11 | 0:44:15 | |
Now, if he can't open it, Tom's going to try going through it! | 0:44:15 | 0:44:20 | |
At first, the body came through evenly from top to bottom. | 0:44:22 | 0:44:27 | |
Then, the upper part seemed to stop, | 0:44:27 | 0:44:30 | |
and the bottom part came through in its entirety, legs first. | 0:44:30 | 0:44:35 | |
Then one arm came through, then another. | 0:44:35 | 0:44:39 | |
Finally, everything was through except the head. | 0:44:39 | 0:44:43 | |
The truth was that Tom was now a little lacking in courage. | 0:44:43 | 0:44:47 | |
The passing through the door of so much of his body had not been | 0:44:47 | 0:44:50 | |
without enormous effort and peculiar, | 0:44:50 | 0:44:53 | |
if indescribable, sensations. | 0:44:53 | 0:44:56 | |
"I'm just resting a minute," said Tom's head, | 0:44:56 | 0:44:59 | |
on the garden side of the door, | 0:44:59 | 0:45:01 | |
yet he knew that he was really delaying because he was nervous. | 0:45:01 | 0:45:05 | |
His stomach, for instance, | 0:45:05 | 0:45:07 | |
had felt most uncomfortable as it passed through the door. | 0:45:07 | 0:45:11 | |
What would the experience be like for his head, his eyes, his ears? | 0:45:11 | 0:45:16 | |
Pushing your head through a door? | 0:45:16 | 0:45:18 | |
I told you this was an unusual garden. | 0:45:18 | 0:45:21 | |
And here's another puzzler. | 0:45:32 | 0:45:34 | |
Night after night, Tom spends hours | 0:45:34 | 0:45:37 | |
and hours exploring the garden. But when he hurries back to | 0:45:37 | 0:45:40 | |
the flat, it's still only a few minutes past midnight. | 0:45:40 | 0:45:44 | |
One night, Tom sees a fir tree fall to the ground in a massive storm. | 0:45:44 | 0:45:48 | |
But the next night, the tree's standing again. | 0:45:48 | 0:45:51 | |
So is time going backwards? | 0:45:51 | 0:45:55 | |
And if Tom can see other people's footprints in the dew-covered | 0:45:55 | 0:45:58 | |
grass, why do his own feet leave no mark at all? | 0:45:58 | 0:46:02 | |
I love reading books that actually make time fly. Have you ever had that? | 0:46:08 | 0:46:13 | |
It's such a cool feeling. You know you're so in the world of the | 0:46:13 | 0:46:17 | |
book that you don't notice your food going cold, you don't notice | 0:46:17 | 0:46:21 | |
it going dark, you actually don't ever want to put the book down. | 0:46:21 | 0:46:26 | |
Time. There's never enough of it for Tom! | 0:46:30 | 0:46:32 | |
Not when he wants to figure out the true | 0:46:32 | 0:46:35 | |
secrets of the Midnight Garden before he has to go back home again. | 0:46:35 | 0:46:38 | |
Why not grab a few magic hours yourself? | 0:46:38 | 0:46:41 | |
You could read this amazing book and, like Tom, | 0:46:41 | 0:46:43 | |
you could solve the mystery of the Midnight Garden. | 0:46:43 | 0:46:46 | |
That's Lizzie. | 0:47:30 | 0:47:31 | |
She's the star of this fantastic book by Jacqueline Wilson | 0:47:31 | 0:47:35 | |
called Lizzie Zipmouth. | 0:47:35 | 0:47:38 | |
Lizzie's not having a great time at the start of this book. | 0:47:42 | 0:47:46 | |
She's on the move...again. | 0:47:46 | 0:47:49 | |
She's off to live with her mother's new boyfriend, Sam, | 0:47:49 | 0:47:52 | |
and his two sons, Rory and Jake. | 0:47:52 | 0:47:55 | |
Thing is, Liz was perfectly happy with it being just her mum | 0:47:55 | 0:48:00 | |
and herself. | 0:48:00 | 0:48:01 | |
They were like two best friends. | 0:48:02 | 0:48:04 | |
So why did everything have to change? | 0:48:04 | 0:48:06 | |
That's what she wants to know. | 0:48:07 | 0:48:09 | |
Lizzie doesn't get upset, well, not in the way that you'd expect. | 0:48:18 | 0:48:22 | |
She just stops speaking. | 0:48:22 | 0:48:23 | |
And I don't just mean for a few hours, I mean for days and days. | 0:48:24 | 0:48:29 | |
Maybe for good. | 0:48:30 | 0:48:32 | |
That's why, when Lizzie moves into her new house, Jake very | 0:48:33 | 0:48:37 | |
unkindly calls her Lizzie Zipmouth. | 0:48:37 | 0:48:40 | |
It's pretty clear that Lizzie hates everything about being | 0:48:45 | 0:48:48 | |
in the new house. | 0:48:48 | 0:48:50 | |
I hated it in my room, too. All that bright red and purple hurt my eyes. | 0:48:51 | 0:48:56 | |
I opened up my new wardrobe and shut myself inside. | 0:48:56 | 0:49:01 | |
It was lonely in the wardrobe. | 0:49:01 | 0:49:03 | |
I put my slippers on my hands and made them do a dance in the dark. | 0:49:03 | 0:49:07 | |
I couldn't think of any other games I could play. | 0:49:07 | 0:49:10 | |
After a while, I heard Rory calling for me | 0:49:10 | 0:49:13 | |
and then Mum and Sam and even Jake. | 0:49:13 | 0:49:17 | |
"Lizzie! Lizzie, where are you? Lizzie Zipmouth!" | 0:49:17 | 0:49:21 | |
They shouted and shouted and shouted and shouted. | 0:49:23 | 0:49:27 | |
I still didn't say anything at all. | 0:49:27 | 0:49:29 | |
I kept my mouth well and truly zipped. | 0:49:29 | 0:49:31 | |
After all the trouble about hiding in the wardrobe, | 0:49:36 | 0:49:39 | |
Lizzie curls up under her duvet. | 0:49:39 | 0:49:42 | |
Have you ever done that? | 0:49:42 | 0:49:44 | |
I have sometimes and I've taken a little torch and a book. | 0:49:44 | 0:49:48 | |
But Lizzie's not reading under there, she's just there, | 0:49:48 | 0:49:52 | |
by herself, feeling a little bit lost. | 0:49:52 | 0:49:55 | |
What I love about this book is that I really understand what | 0:49:56 | 0:49:59 | |
Lizzie's going through. You sympathise with her. You want | 0:49:59 | 0:50:03 | |
to help her but you can't. You just have to keep reading. | 0:50:03 | 0:50:07 | |
Because what I love about books is that you put | 0:50:07 | 0:50:09 | |
yourself in the character's situation and then think, what would I do? | 0:50:09 | 0:50:14 | |
It's not a sad book though. Everything's in this story! | 0:50:14 | 0:50:17 | |
Good days when everything's really good and bad days | 0:50:17 | 0:50:20 | |
when things are horrible, but that's what's so brilliant about it. | 0:50:20 | 0:50:25 | |
It's about real people like you and me | 0:50:25 | 0:50:27 | |
and the problems that we face and how we get through things. | 0:50:27 | 0:50:30 | |
Lizzie's new stepdad, Sam, tries to be friendly. | 0:50:30 | 0:50:34 | |
But Lizzie remembers her first stepdad was friendly too for a while. | 0:50:34 | 0:50:38 | |
Until he started shouting. So Lizzie just keeps her mouth tight shut. | 0:50:38 | 0:50:43 | |
And it stays shut. Even when Sam drives them all to visit Rory | 0:50:43 | 0:50:48 | |
and Jake's great-gran. | 0:50:48 | 0:50:50 | |
Great-Gran seems scary and strict | 0:50:59 | 0:51:01 | |
and meeting her isn't exactly on Lizzie's wish list of things to do. | 0:51:01 | 0:51:05 | |
"Say hello to Rory and Jake's great-gran, Lizzie," | 0:51:11 | 0:51:14 | |
said Mum, though she knew I wouldn't. | 0:51:14 | 0:51:17 | |
And I didn't. I stared at the doormat. It said "Welcome". | 0:51:17 | 0:51:21 | |
The doormat was telling fibs. Great-Gran tutted. | 0:51:23 | 0:51:26 | |
"Well, you'd better come in," she said. | 0:51:26 | 0:51:29 | |
Mum held my hand tight and we stepped inside. "Dear, dear! | 0:51:29 | 0:51:33 | |
"Wipe your feet! Watch my beige carpet," Great-Gran fussed. | 0:51:33 | 0:51:37 | |
But I wasn't watching her carpet. | 0:51:38 | 0:51:41 | |
I was staring all around the walls in a daze. | 0:51:41 | 0:51:45 | |
Hundred of shining eyes were staring back at me. | 0:51:45 | 0:51:49 | |
Can you guess what those shining eyes were? | 0:51:49 | 0:51:53 | |
All I'm going to say is that Lizzie was in the car all the time | 0:51:53 | 0:51:58 | |
after that because she wanted Sam to drive her to Great-Gran's flat. | 0:51:58 | 0:52:01 | |
Are you surprised? | 0:52:01 | 0:52:04 | |
Great-Gran was super stubborn, just like Lizzie, | 0:52:04 | 0:52:07 | |
but she could turn out to be the one person | 0:52:07 | 0:52:09 | |
that would help Lizzie settle into her new life. | 0:52:09 | 0:52:12 | |
When I was little, my dad used to travel a lot, | 0:52:13 | 0:52:16 | |
because he worked for the airlines, so I got into reading, | 0:52:16 | 0:52:18 | |
because it was a way of escaping missing him. | 0:52:18 | 0:52:21 | |
And then I just fell in love with it. | 0:52:21 | 0:52:23 | |
Did you know, Jacqueline Wilson | 0:52:23 | 0:52:25 | |
wrote her first story when she was nine? | 0:52:25 | 0:52:27 | |
Now, do you have a story or an idea in your head? | 0:52:27 | 0:52:30 | |
There's no reason to wait - start writing it now. | 0:52:30 | 0:52:32 | |
You'll be surprised what you can do. | 0:52:32 | 0:52:34 | |
So, do you think Lizzie does decide to talk? | 0:52:40 | 0:52:43 | |
I'm not saying a word - you'll just have to read the book. | 0:52:44 | 0:52:47 | |
And then you'll also discover how soon, | 0:52:47 | 0:52:51 | |
Great-Gran needs help to talk, too. | 0:52:51 | 0:52:52 | |
And how sometimes, when you're least expecting it, | 0:52:57 | 0:53:00 | |
you can make a new friend. | 0:53:00 | 0:53:03 | |
POLICE SIRENS WAIL | 0:53:44 | 0:53:47 | |
Diamond Brothers - what do we know about them? | 0:53:49 | 0:53:51 | |
They're two private detectives in this brilliant book, | 0:53:51 | 0:53:55 | |
-The Falcon's Malteser. -Right... | 0:53:55 | 0:53:57 | |
Tim is the older brother - pretty much the worst detective ever. | 0:53:57 | 0:54:01 | |
-Lucky for him, he's got his kid brother for a partner. -Nick. | 0:54:01 | 0:54:05 | |
Now, Nick is great, because he's smart, he's brave and... | 0:54:05 | 0:54:09 | |
he really knows when trouble walks through the door. | 0:54:09 | 0:54:12 | |
Which it does, in the shape of this, | 0:54:12 | 0:54:14 | |
a package they're asked to look after. | 0:54:14 | 0:54:16 | |
PACKAGE RATTLES | 0:54:16 | 0:54:18 | |
-It sounds like a box of chocolates. -It IS a box of chocolates. | 0:54:18 | 0:54:21 | |
And it also plunges Nick and Tim into a whole world of danger. | 0:54:21 | 0:54:25 | |
It turns out that those chocolates are worth £3.5 million. | 0:54:30 | 0:54:35 | |
Soon, the brothers are being pursued | 0:54:35 | 0:54:37 | |
by some of the scariest villains in the world, | 0:54:37 | 0:54:39 | |
who all want to get hold of that package. | 0:54:39 | 0:54:41 | |
Villains like The Fat Man, the world's thinnest master criminal. | 0:54:41 | 0:54:44 | |
He gives them a deadline to hand it over, and the key word here is... | 0:54:44 | 0:54:48 | |
-dead. -DOOR SLAMS SHUT | 0:54:48 | 0:54:50 | |
LIGHT SWITCH CLICKS | 0:54:50 | 0:54:51 | |
I can wait all of 48 hours, but if I haven't heard from you | 0:54:51 | 0:54:55 | |
in two days, you may wake up to find | 0:54:55 | 0:54:56 | |
something very unpleasant has happened to you. | 0:54:56 | 0:54:59 | |
Like, you no longer have any feet. | 0:54:59 | 0:55:01 | |
-Nice guy(!) -I love the fact he meets them in Trafalgar Square in London, | 0:55:01 | 0:55:05 | |
-so he can feed the pigeons. -Yeah, with poisoned corn. | 0:55:05 | 0:55:09 | |
Nick only realises that once The Fat Man has driven off in his Rolls. | 0:55:09 | 0:55:12 | |
Listen... | 0:55:12 | 0:55:14 | |
A few feet away, a pigeon suddenly gurgled and keeled over | 0:55:15 | 0:55:19 | |
on its side, and a moment later, | 0:55:19 | 0:55:21 | |
two more joined it, their feet sticking up in the air. | 0:55:21 | 0:55:25 | |
By the time the Rolls-Royce had reached the corner | 0:55:25 | 0:55:28 | |
of Trafalgar Square, and turned off towards Hyde Park, | 0:55:28 | 0:55:30 | |
we were surrounded by corpses. CHURCH BELL TOLLS | 0:55:30 | 0:55:33 | |
"Do you think he's trying to tell us something?" I said. | 0:55:33 | 0:55:36 | |
I'd say it's pretty clear - today it's pigeons, | 0:55:36 | 0:55:39 | |
next time it's them. | 0:55:39 | 0:55:41 | |
There's so many great characters in the book. | 0:55:48 | 0:55:50 | |
You've got Nick and Tim, then The Fat Man, the Rich Widow, | 0:55:50 | 0:55:54 | |
-the Professor... -Also, the two henchmen, | 0:55:54 | 0:55:56 | |
who I think are really well-described by the writer, Anthony Horowitz, | 0:55:56 | 0:56:00 | |
because at one point they're making tea, playing the piano, | 0:56:00 | 0:56:03 | |
and the next minute they're tying Nick up in a chair. | 0:56:03 | 0:56:06 | |
We're used to adult detectives being really clever. | 0:56:06 | 0:56:08 | |
Or pretending they are. | 0:56:08 | 0:56:10 | |
This time we've got Nick - he's 13 and he's just way ahead of everyone. | 0:56:10 | 0:56:13 | |
Soon, the owner of the chocolates is dead. | 0:56:13 | 0:56:17 | |
Tim is blamed and thrown in jail. | 0:56:17 | 0:56:19 | |
And Nick's left with a mystery to solve. | 0:56:19 | 0:56:21 | |
All while being threatened by the police, by some heavies... | 0:56:21 | 0:56:24 | |
Oh, yeah, and don't forget - by a rich widow's alligator. | 0:56:24 | 0:56:28 | |
The last time I saw an alligator, it was hanging on some rich woman's arm | 0:56:36 | 0:56:39 | |
with lipsticks and purses inside. | 0:56:39 | 0:56:41 | |
But this one was no handbag, it was very alive, | 0:56:43 | 0:56:46 | |
waddling out of the pool, | 0:56:46 | 0:56:48 | |
its ugly, black eyes fixed on the plate of meat. | 0:56:48 | 0:56:50 | |
-"Don't worry..." -The widow said. | 0:56:50 | 0:56:53 | |
"He's very fond of strangers." | 0:56:53 | 0:56:55 | |
"Yeah? Cooked or raw?" I asked. | 0:56:55 | 0:56:57 | |
I mean, when someone tells you they've got a pet called Fido, | 0:56:57 | 0:57:01 | |
you're not expecting that kind of pet, are you? | 0:57:01 | 0:57:03 | |
I pointed at the alligator. | 0:57:05 | 0:57:07 | |
It was getting too close for comfort. As far as I was concerned, | 0:57:07 | 0:57:10 | |
100 miles would have been too close for comfort! | 0:57:10 | 0:57:13 | |
"Do you have a license for that thing?" I asked. | 0:57:13 | 0:57:15 | |
-"I don't know..." -She said. -"It was a present from my late husband." | 0:57:15 | 0:57:19 | |
"Have you ever thought about pussy cats?" | 0:57:19 | 0:57:21 | |
"Fido ate the pussy cats." | 0:57:21 | 0:57:24 | |
I thought of turning and running, | 0:57:24 | 0:57:25 | |
but I couldn't be sure I'd make it to the door. | 0:57:25 | 0:57:27 | |
The alligator had short, wrinkled legs, | 0:57:27 | 0:57:30 | |
but at that moment, I can't say mine felt much better. | 0:57:30 | 0:57:33 | |
'You're listening to the BBC World Service...' | 0:57:38 | 0:57:41 | |
One thing I love doing when I'm reading is | 0:57:41 | 0:57:44 | |
stopping halfway through and trying to guess | 0:57:44 | 0:57:46 | |
where all the different stories are going to end up. | 0:57:46 | 0:57:48 | |
You're trying to figure out the same clues as Nick at the same time? | 0:57:48 | 0:57:51 | |
I think this is a great book to do that with. Maybe next time | 0:57:51 | 0:57:54 | |
you're reading, put the book down, play detective a little | 0:57:54 | 0:57:57 | |
and see if you can work out what might happen next. | 0:57:57 | 0:58:00 | |
Poor Nick! | 0:58:01 | 0:58:03 | |
He's attacked, knocked out, | 0:58:03 | 0:58:06 | |
tied down and almost blown up! | 0:58:06 | 0:58:09 | |
Imagine how that must feel! | 0:58:09 | 0:58:11 | |
So, who is the Falcon? | 0:58:18 | 0:58:20 | |
Why is...is this package worth so much money? | 0:58:20 | 0:58:22 | |
Is Nick going to stay alive long enough to figure it all out? | 0:58:22 | 0:58:25 | |
-Read the book. -I have! | 0:58:25 | 0:58:27 | |
-I'm talking to these guys! -Oh...yeah. | 0:58:27 | 0:58:31 | |
So, read the book to find out all the answers. | 0:58:31 | 0:58:34 | |
And keep the secret to yourself. | 0:58:34 | 0:58:36 | |
You never know who might be listening. | 0:58:36 | 0:58:38 | |
Subtitles by Red Bee Media Ltd | 0:58:55 | 0:58:59 |