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Every day of the week, 200 million children around the world | 0:00:02 | 0:00:05 | |
go out to work. | 0:00:05 | 0:00:08 | |
Kids who work in circuses in Russia. | 0:00:08 | 0:00:10 | |
Kids who work on chocolate plantations in Africa. | 0:00:11 | 0:00:14 | |
Kids who work in Bollywood. | 0:00:15 | 0:00:19 | |
And kids who want to be Africa's next big football star. | 0:00:19 | 0:00:22 | |
Welcome to the world of Children At Work. | 0:00:23 | 0:00:25 | |
I'm Zach, I'm 21 and I'm from London | 0:00:30 | 0:00:32 | |
and for the next week I'm going to investigate | 0:00:32 | 0:00:35 | |
the world of children who work in circuses. | 0:00:35 | 0:00:37 | |
I'm in this crazy world where bears are driving cars. | 0:00:37 | 0:00:41 | |
I'm going to live and work with one of Russia's busiest performing families. | 0:00:43 | 0:00:47 | |
I'll find out how growing up in a circus | 0:00:49 | 0:00:51 | |
affects kids who start training as toddlers | 0:00:51 | 0:00:53 | |
I'll discover how they juggle life on tour with the demands of school | 0:00:54 | 0:00:59 | |
and friendships at home. | 0:00:59 | 0:01:01 | |
And I'll make by big top debut in front of almost 1,000 people. | 0:01:01 | 0:01:05 | |
I've travelled almost 2,000 miles from home to Kharkov, | 0:01:10 | 0:01:13 | |
the second largest city in Ukraine. | 0:01:13 | 0:01:16 | |
I can't really identify what anything is. | 0:01:16 | 0:01:19 | |
Everything looks really industrial | 0:01:19 | 0:01:21 | |
and I can't see any signs that I recognise. | 0:01:21 | 0:01:26 | |
They use a different alphabet here, the Cyrillic alphabet. | 0:01:26 | 0:01:30 | |
It's like I've stepped into a different world. | 0:01:33 | 0:01:35 | |
I'm here to live inside one of the most iconic communities in the world - | 0:01:38 | 0:01:42 | |
the circus. | 0:01:42 | 0:01:44 | |
My mum used to be a clown in British touring circuses. | 0:01:46 | 0:01:49 | |
Even though she stopped performing when I was a year old, | 0:01:49 | 0:01:52 | |
the circus was a big part of my life when I was growing up. | 0:01:52 | 0:01:55 | |
I'm excited. | 0:02:00 | 0:02:02 | |
I'm more excited than nervous. | 0:02:03 | 0:02:05 | |
(DRIVER SPEAKS RUSSIAN) | 0:02:07 | 0:02:09 | |
Er... Da. | 0:02:09 | 0:02:10 | |
This is Kharkov's purpose-built circus | 0:02:12 | 0:02:16 | |
and I'm sure those signs really do say circus. | 0:02:16 | 0:02:19 | |
It's an unbelievable minus 22 degrees outside, | 0:02:19 | 0:02:23 | |
so traditional tented circuses just wouldn't work in this weather. | 0:02:23 | 0:02:27 | |
But that's not the only reason that Kharkov has a permanent circus. | 0:02:27 | 0:02:31 | |
Ukraine used to be part of the Soviet Union, | 0:02:31 | 0:02:33 | |
a communist republic of 15 countries, | 0:02:33 | 0:02:36 | |
ruled from Moscow, the capital of Russia. | 0:02:36 | 0:02:38 | |
Its leader, Lenin, pronounced circus the people's art form | 0:02:38 | 0:02:42 | |
because it appealed to every member of society. | 0:02:42 | 0:02:44 | |
He was determined to give it the same cultural importance | 0:02:44 | 0:02:47 | |
as opera, ballet and theatre. | 0:02:47 | 0:02:50 | |
The Soviet Union collapsed in 1991 | 0:02:53 | 0:02:55 | |
and Ukraine is now an independent country | 0:02:55 | 0:02:58 | |
but buildings like this are still used across the old Soviet region. | 0:02:58 | 0:03:02 | |
-Oh, hello. -Hello. | 0:03:02 | 0:03:04 | |
-I'm Zach. -Artem. -Nice to meet you. -It's nice to meet you. | 0:03:04 | 0:03:08 | |
-This place is huge. -Yeah, it is. | 0:03:08 | 0:03:11 | |
This is Artem. He's 15 and been performing in the circus since he was 2 years old. | 0:03:11 | 0:03:16 | |
His family is in the middle of a three-month run here in Kharkov, | 0:03:19 | 0:03:23 | |
almost 500 miles from their home in Moscow. | 0:03:23 | 0:03:26 | |
(SPEAKS RUSSIAN) | 0:03:28 | 0:03:31 | |
Some British circuses still use performing animals | 0:03:34 | 0:03:37 | |
but popular opinion is against them in the UK. | 0:03:37 | 0:03:39 | |
There's no such issue over here | 0:03:39 | 0:03:42 | |
and this circus has performing horses, poodles, | 0:03:42 | 0:03:45 | |
ferrets and even bears. | 0:03:45 | 0:03:47 | |
-It smells here. -Yeah, it does smell. | 0:03:48 | 0:03:50 | |
Be careful. | 0:03:52 | 0:03:54 | |
Is the only place or do they have places to run around? | 0:03:54 | 0:03:58 | |
I've just seen where their horses are kept | 0:04:05 | 0:04:08 | |
and the cages are so small and some of the animals are pacing | 0:04:08 | 0:04:13 | |
and it's just... It's... | 0:04:13 | 0:04:15 | |
They're obviously well treated, well groomed, | 0:04:15 | 0:04:18 | |
and it's just... It's very different, it's very different. | 0:04:18 | 0:04:22 | |
'Kharkov's circus is small by Russian standards.' | 0:04:22 | 0:04:25 | |
Wow. | 0:04:25 | 0:04:27 | |
There are around 15 acts and 20 stage crew | 0:04:29 | 0:04:31 | |
and they put on four shows a week to almost 1,000 people. | 0:04:31 | 0:04:35 | |
I've been told by the crew that I'm going to be helping you in your act. | 0:04:40 | 0:04:44 | |
Can you tell me what I'm going to be doing? | 0:04:44 | 0:04:46 | |
Do you trust me? I wouldn't trust me to throw cups. | 0:04:51 | 0:04:54 | |
I'm worried about breaking you. Your head. | 0:04:56 | 0:04:59 | |
Oh! | 0:04:59 | 0:05:01 | |
I guess we'll see how it goes later on in rehearsals. | 0:05:02 | 0:05:06 | |
It sounds quite dangerous. | 0:05:06 | 0:05:08 | |
But at least I'm not being asked to do that. | 0:05:10 | 0:05:12 | |
Artem's dad Andrei is a clown and his mum Olga used to be an acrobat | 0:05:12 | 0:05:17 | |
but now she trains and performs with the family's ferrets. | 0:05:17 | 0:05:20 | |
When the poodles have finished rehearsing, it's our turn in the ring. | 0:05:20 | 0:05:24 | |
And we're in rehearsals now. | 0:05:24 | 0:05:26 | |
We're just waiting for... | 0:05:26 | 0:05:29 | |
They've got a little sausage dog that kind of rounds up the ferrets | 0:05:30 | 0:05:35 | |
like a sheepdog. | 0:05:35 | 0:05:36 | |
It actually bites it. But just like on the back of the neck. | 0:05:36 | 0:05:41 | |
I'd love to be in an act with the ferrets. | 0:05:41 | 0:05:44 | |
I think I look a bit like a ferret right now, so... | 0:05:44 | 0:05:47 | |
(TALKS IN RUSSIAN) | 0:05:47 | 0:05:49 | |
But before I'm shown the act, I'm rushed into the dressing room | 0:05:49 | 0:05:53 | |
for a circus makeover. | 0:05:53 | 0:05:54 | |
A little bit the same. | 0:05:54 | 0:05:56 | |
Check out my jacket. | 0:05:58 | 0:06:00 | |
I've got hat hair. | 0:06:01 | 0:06:02 | |
I like the yellow one but... | 0:06:04 | 0:06:06 | |
-You clown. -Mm-hm? -You clown. -OK. -No problem. | 0:06:06 | 0:06:10 | |
I'm going to be a clown. | 0:06:10 | 0:06:12 | |
OK. | 0:06:17 | 0:06:19 | |
I can't help but wonder why I'm the only one in costume. | 0:06:19 | 0:06:22 | |
Still, it's my first day and I'm too polite to ask. | 0:06:23 | 0:06:26 | |
MAN SPEAKING RUSSIAN | 0:06:28 | 0:06:30 | |
Artem and his dad take me through the act | 0:06:35 | 0:06:37 | |
that they normally perform together. | 0:06:37 | 0:06:40 | |
I'll be taking his dad's place, | 0:06:40 | 0:06:42 | |
throwing cups and saucers up to Artem on the top of his enormous unicycle. | 0:06:42 | 0:06:46 | |
Bad throw. Sorry. | 0:06:48 | 0:06:49 | |
'All he has to do is catch them and then flip them onto his head...' | 0:06:49 | 0:06:53 | |
That's very good. That was good. | 0:06:53 | 0:06:55 | |
'..with his foot. | 0:06:55 | 0:06:57 | |
'Oh, and that's not all. | 0:06:57 | 0:06:59 | |
'After he's built a tower of cups and saucers | 0:06:59 | 0:07:01 | |
'he adds sugar and a teaspoon. | 0:07:01 | 0:07:03 | |
'Simple, really. | 0:07:03 | 0:07:06 | |
'He told me it took him a year to perfect this act.' | 0:07:06 | 0:07:08 | |
I'm having enough trouble throwing the plates to you | 0:07:17 | 0:07:20 | |
and you're on a three-high unicycle, balancing them on your head. | 0:07:20 | 0:07:25 | |
-It's pretty amazing, man. -Thank you. | 0:07:26 | 0:07:30 | |
-For first day, it's very good. -Good. That's good to hear. | 0:07:30 | 0:07:34 | |
I won't cry myself to sleep tonight. | 0:07:34 | 0:07:36 | |
I think that I was going to be, you know, like this. | 0:07:36 | 0:07:40 | |
-I think you were, a little bit. -No, no. | 0:07:40 | 0:07:43 | |
-It's OK. -Good. | 0:07:43 | 0:07:45 | |
How do you find it, moving around all the time? | 0:07:46 | 0:07:49 | |
Are you ever on shows where there are other younger people? | 0:08:07 | 0:08:11 | |
When they're on tour, Artem and his family stay in a special circus hotel | 0:08:22 | 0:08:27 | |
and I'll be staying here, too. | 0:08:27 | 0:08:28 | |
When we get back from rehearsals, | 0:08:32 | 0:08:35 | |
we joined by Artem's older brother, Andrei. | 0:08:35 | 0:08:37 | |
This is my mum as a clown. Her name was Matilda Clutterbuck. | 0:08:37 | 0:08:42 | |
SHE SPEAKS RUSSIAN | 0:08:44 | 0:08:47 | |
Circus children have special permission to perform with their families | 0:08:48 | 0:08:52 | |
as it's against Russian law to employ under-14s. | 0:08:52 | 0:08:55 | |
So Artem and his brother started much younger. | 0:08:55 | 0:08:58 | |
So strong for a six-year-old. | 0:09:06 | 0:09:08 | |
And flexible. | 0:09:09 | 0:09:12 | |
It might look extreme but it's considered essential | 0:09:15 | 0:09:18 | |
for children to start training early if they're to succeed. | 0:09:18 | 0:09:22 | |
They look really young. How young do you start training them? | 0:09:22 | 0:09:27 | |
ANDREI SPEAKS | 0:09:27 | 0:09:29 | |
There is a price to pay | 0:09:29 | 0:09:32 | |
but Russian circus artists are considered some of the most highly skilled in the world. | 0:09:32 | 0:09:36 | |
-Six year, two year. -Gosh. | 0:09:38 | 0:09:41 | |
How do you get a child to be that disciplined? | 0:09:41 | 0:09:44 | |
When I was that age, I was just picking my nose | 0:09:44 | 0:09:47 | |
and running round eating worms. | 0:09:47 | 0:09:49 | |
This makes the wonder about the pressure | 0:09:59 | 0:10:01 | |
that Artem and Andrei were under to train. | 0:10:01 | 0:10:04 | |
After the first rehearsal, I have a bit of time to reflect. | 0:10:18 | 0:10:21 | |
Seeing Artem today, it's made me wonder a little bit | 0:10:22 | 0:10:26 | |
about the kind of reality of life, | 0:10:26 | 0:10:30 | |
the life that he lives, in a hotel. | 0:10:30 | 0:10:33 | |
It must be hard to not have anyone his own age around | 0:10:33 | 0:10:37 | |
and just working constantly, 24-7, with his mum and dad. | 0:10:37 | 0:10:42 | |
The idea of travelling around from city to city sounds really glamorous | 0:10:42 | 0:10:47 | |
but in actuality, this room's pretty bare and depressing. | 0:10:47 | 0:10:55 | |
It could feel quite lonely, I guess. | 0:10:55 | 0:10:58 | |
Children who grow up in the circus have to study on their own | 0:10:59 | 0:11:02 | |
when they're on tour | 0:11:02 | 0:11:04 | |
and return to their schools for exams. | 0:11:04 | 0:11:06 | |
Artem's school is almost 500 miles away in Moscow, | 0:11:10 | 0:11:13 | |
so the family has to take an overnight train | 0:11:13 | 0:11:16 | |
every time Artem has an exam. | 0:11:16 | 0:11:19 | |
After 14 hours on the train and not the best night's sleep, | 0:11:21 | 0:11:24 | |
we're just about to arrive in Moscow. | 0:11:24 | 0:11:27 | |
Artem's trips to school are a rare chance | 0:12:09 | 0:12:12 | |
for the family to spend time at home in Moscow. | 0:12:12 | 0:12:15 | |
It's a massive city, with a population of over 10 million people, | 0:12:16 | 0:12:22 | |
almost twice as many people as Scotland | 0:12:22 | 0:12:24 | |
crammed into area 72 times smaller. | 0:12:24 | 0:12:27 | |
Like the vast majority of Muscovites, | 0:12:28 | 0:12:30 | |
the family live in one of these identikit tower blocks. | 0:12:30 | 0:12:34 | |
They're part of the legacy of Soviet leader Joseph Stalin, | 0:12:34 | 0:12:37 | |
whose communist government provided housing for every family. | 0:12:37 | 0:12:41 | |
Even modern housing developments in Moscow | 0:12:42 | 0:12:45 | |
don't look too different to this. | 0:12:45 | 0:12:47 | |
Artem's school is just a few minutes walk from his front door. | 0:12:49 | 0:12:53 | |
The majority of schools in Russia, like Artem's, | 0:12:56 | 0:12:59 | |
take students from the age of five right through to 18 | 0:12:59 | 0:13:04 | |
but in some cases, they can leave at 15. | 0:13:04 | 0:13:07 | |
At the end of general education, | 0:13:09 | 0:13:11 | |
successful students are awarded a diploma. | 0:13:11 | 0:13:14 | |
It's the most important qualification of their lives. | 0:13:14 | 0:13:17 | |
Without it, they can't get into university | 0:13:17 | 0:13:19 | |
and often can't even get a job. | 0:13:19 | 0:13:21 | |
If Artem ever leaves the circus, he will need his diploma | 0:13:21 | 0:13:26 | |
but his dad told me the family will be happy | 0:13:26 | 0:13:28 | |
with whatever grades he gets. | 0:13:28 | 0:13:30 | |
All of these decisions that in Britain a 15-year-old would be starting to think about, | 0:13:45 | 0:13:52 | |
what their career might be in the future, they've been made | 0:13:52 | 0:13:56 | |
and you're doing it. | 0:13:56 | 0:13:57 | |
Do you feel limited by that? | 0:13:57 | 0:13:59 | |
SPEAKING RUSSIAN | 0:14:33 | 0:14:36 | |
11-year-old Dacha is also from a circus family. | 0:14:40 | 0:14:44 | |
Her parents perform in the same show as Artem | 0:14:44 | 0:14:47 | |
but Dacha doesn't have to balance performing and studying | 0:14:47 | 0:14:51 | |
because her parents won't let her on stage | 0:14:51 | 0:14:53 | |
until she's finished school. | 0:14:53 | 0:14:55 | |
When they're at home in Moscow, Dacha goes to a regular school | 0:15:01 | 0:15:05 | |
but when they're on tour, she studies with her parents. | 0:15:05 | 0:15:08 | |
Do you feel different from other children your age? | 0:15:08 | 0:15:11 | |
Is it your dream to be in the circus? | 0:15:21 | 0:15:23 | |
-Da. -Yeah? | 0:15:23 | 0:15:24 | |
Have you ever thought about doing anything else? | 0:15:24 | 0:15:27 | |
How would your parents feel, do you think, if you decided | 0:15:36 | 0:15:39 | |
to be a sports journalist? Would they be happy? | 0:15:39 | 0:15:41 | |
Are you working on an act? | 0:15:49 | 0:15:51 | |
-Maybe we could do an act together. -OK. | 0:15:56 | 0:15:58 | |
Dacha's family decided that she shouldn't work in the circus | 0:16:02 | 0:16:05 | |
until she's finished school | 0:16:05 | 0:16:08 | |
but when Artem and Andrei were her age, they were experienced performers. | 0:16:08 | 0:16:13 | |
They were also earning a wage. | 0:16:13 | 0:16:15 | |
-Do you give some money to your parents? -Yeah, yeah. | 0:16:15 | 0:16:18 | |
-You're helping the family by working. -Yeah, yeah. | 0:16:23 | 0:16:27 | |
Yeah. I help the family, you know. | 0:16:27 | 0:16:31 | |
They probably can't work without me, you know? | 0:16:31 | 0:16:35 | |
BUMPING AND RATTLING | 0:16:35 | 0:16:37 | |
-It's like a roller coaster. -Yeah, yeah. | 0:16:37 | 0:16:41 | |
How do you think I did in rehearsal yesterday? | 0:16:41 | 0:16:43 | |
I think it's not bad. We have good progress, you know? | 0:16:43 | 0:16:47 | |
-I don't want your dad to be disappointed in me. -No, I don't think so. | 0:16:47 | 0:16:51 | |
Back at the circus, it's time for the first matinee of the week | 0:17:00 | 0:17:03 | |
and the crowds are gathering. | 0:17:03 | 0:17:06 | |
BELL RINGS | 0:17:10 | 0:17:12 | |
I've still got a lot of work to do before I'm allowed in the ring, | 0:17:12 | 0:17:16 | |
so I join the audience to see the family do their thing | 0:17:16 | 0:17:19 | |
for the very first time. | 0:17:19 | 0:17:21 | |
BAND PLAYS FANFARE AND MARCH | 0:17:22 | 0:17:25 | |
Artem and his family work really hard. | 0:17:40 | 0:17:43 | |
Their acts make up about half of the show. | 0:17:43 | 0:17:45 | |
His dad in on stage more than anyone else | 0:17:48 | 0:17:50 | |
and the audience seem to really love his clown act. | 0:17:50 | 0:17:54 | |
It's amazing. We're watching the show. We've seen three acts. | 0:17:54 | 0:17:59 | |
I've seen Artem performing. He's amazing. He's a good little mover. | 0:17:59 | 0:18:03 | |
Andrei is just about to perform now with his wife. | 0:18:03 | 0:18:07 | |
It's crazy seeing them all on stage because I've seen them rehearsing | 0:18:15 | 0:18:19 | |
but they didn't perform. | 0:18:19 | 0:18:21 | |
Now they've got style and it's brilliant. | 0:18:21 | 0:18:24 | |
They're all amazing. They're all amazing. | 0:18:24 | 0:18:27 | |
Even the ferrets performed. | 0:18:27 | 0:18:28 | |
I don't have to wait long until Artem's big act. | 0:18:31 | 0:18:35 | |
ANNOUNCER: Artem Averyushkin! | 0:18:35 | 0:18:38 | |
And his dad is making my job look like child's play. | 0:18:40 | 0:18:44 | |
I should be taking notes. That's what I'm going to be doing. | 0:18:44 | 0:18:48 | |
Whoo! | 0:18:52 | 0:18:54 | |
-Whoo! -Artem got a scream! | 0:18:56 | 0:18:59 | |
APPLAUSE AND CHEERS | 0:19:00 | 0:19:02 | |
-That was amazing. You were great. -Thank you. | 0:19:02 | 0:19:06 | |
-It was really good. -I feel the same. | 0:19:06 | 0:19:09 | |
I was watching your dad with his dance moves. Should I try that? | 0:19:09 | 0:19:13 | |
-You can try the moves you can feel. -Yeah. | 0:19:13 | 0:19:15 | |
-He dancing how he feel. -Mm-hm. -You have to dance how you feel. | 0:19:15 | 0:19:20 | |
I'm in this crazy world where people are juggling on wires | 0:19:22 | 0:19:28 | |
and doing handstands on bikes and bears are driving cars | 0:19:28 | 0:19:33 | |
but I'm loving it. | 0:19:33 | 0:19:35 | |
It's crazy listening to Artem | 0:19:35 | 0:19:37 | |
but it's quite moving that he has this outlook on life | 0:19:37 | 0:19:41 | |
that is just so beyond his years. | 0:19:41 | 0:19:43 | |
I just wonder if children in the circus might miss out | 0:19:43 | 0:19:48 | |
on a certain exploration and excitement of choosing their own path | 0:19:48 | 0:19:52 | |
because it's kind of been chosen already for them. | 0:19:52 | 0:19:55 | |
But at the same time they're talented people | 0:19:55 | 0:19:58 | |
and all of these doors are open to them | 0:19:58 | 0:20:00 | |
just because this path's been chosen for them already, so... | 0:20:00 | 0:20:04 | |
The mind boggles. | 0:20:05 | 0:20:08 | |
My big top debut is fast approaching | 0:20:10 | 0:20:12 | |
and we've been rehearsing hard to get me ready for the show. | 0:20:12 | 0:20:16 | |
It's mad. I'm being directed by someone I can't understand at all | 0:20:25 | 0:20:29 | |
but at the same time, he's such an amazing teacher | 0:20:29 | 0:20:32 | |
that I can understand his body and... | 0:20:32 | 0:20:35 | |
It's crazy but I'm really excited. | 0:20:35 | 0:20:38 | |
I'm doing things that I never get an opportunity to do otherwise. | 0:20:38 | 0:20:42 | |
This was the best time. That's very good. OK? | 0:20:42 | 0:20:45 | |
Yeah! | 0:20:45 | 0:20:47 | |
'But Artem spoke too soon.' | 0:20:47 | 0:20:50 | |
So far, I've seen circus life from the point of view | 0:20:58 | 0:21:01 | |
of people who choose to be there. | 0:21:01 | 0:21:03 | |
But not everyone has had the same experience. | 0:21:03 | 0:21:06 | |
I'm on my way to meet Albina, | 0:21:06 | 0:21:08 | |
who was born into the circus and decided to leave when she was 20 | 0:21:08 | 0:21:12 | |
to start a family and become a photographer. | 0:21:12 | 0:21:14 | |
What was it like, growing up in the circus as a young child? | 0:21:14 | 0:21:18 | |
Why did you decide to leave the circus? | 0:21:30 | 0:21:33 | |
Do you think there's pressure on young people | 0:21:45 | 0:21:48 | |
to help their parents out with the family business? | 0:21:48 | 0:21:52 | |
Do you miss the circus? | 0:22:07 | 0:22:09 | |
Albina chose a family over the circus. | 0:22:21 | 0:22:24 | |
But Artem's parents don't think you need to choose. | 0:22:25 | 0:22:28 | |
You can have both. | 0:22:28 | 0:22:30 | |
Back in their dressing room, | 0:22:34 | 0:22:36 | |
I ask them how they manage to juggle circus life | 0:22:36 | 0:22:39 | |
and family life. | 0:22:39 | 0:22:41 | |
Would it have been difficult | 0:23:03 | 0:23:04 | |
if your children had just decided not to be part of the circus? | 0:23:04 | 0:23:09 | |
They seem to all be really well in tune as a family | 0:24:05 | 0:24:09 | |
and know exactly what's going on with one another. | 0:24:09 | 0:24:13 | |
They work and they live and they play and it's all together | 0:24:14 | 0:24:18 | |
and it works really beautifully. | 0:24:18 | 0:24:20 | |
The moment I've been waiting for is almost here. | 0:24:25 | 0:24:28 | |
In less than one hour I'll be on stage in front of 1,000 people. | 0:24:28 | 0:24:32 | |
I'm feeling scared. | 0:24:33 | 0:24:35 | |
It's weird, the circus has a kind of quiet lull to it - | 0:24:35 | 0:24:39 | |
it feels like the quiet before the storm. | 0:24:39 | 0:24:42 | |
Now I've got the look right, | 0:25:06 | 0:25:08 | |
I'm sent out to test my clowning techniques on the audience. | 0:25:08 | 0:25:11 | |
My first job is not to make the children cry. | 0:25:15 | 0:25:19 | |
I just realised today that I've never practised | 0:25:24 | 0:25:27 | |
with the music and my costume together, | 0:25:27 | 0:25:30 | |
so I'm a bit nervous. | 0:25:30 | 0:25:33 | |
But I've got no time for nerves. | 0:25:38 | 0:25:39 | |
Artem's dad has given me the huge honour of opening the show, | 0:25:39 | 0:25:43 | |
so I've got to leg it onto stage. | 0:25:43 | 0:25:45 | |
CROWD CHATTERING | 0:25:54 | 0:25:57 | |
DRUM ROLL | 0:26:01 | 0:26:04 | |
BAND PLAYS MARCH | 0:26:05 | 0:26:09 | |
That was amazing! It was brilliant to hear the kids laugh at you | 0:26:09 | 0:26:13 | |
and they recognise you from when you were out with the balloons | 0:26:13 | 0:26:16 | |
and it was really, really good. I feel really pumped. | 0:26:16 | 0:26:20 | |
After the ferrets, after the horses and after poodles, | 0:26:20 | 0:26:24 | |
it's time for my big moment. | 0:26:24 | 0:26:26 | |
DRUM ROLL | 0:26:26 | 0:26:29 | |
APPLAUSE | 0:26:29 | 0:26:32 | |
CHEERS | 0:26:41 | 0:26:43 | |
And it all goes really well until I drop one of the cups. | 0:26:43 | 0:26:47 | |
The audience doesn't seem to mind, though, | 0:26:49 | 0:26:51 | |
so we all move on and everything else goes brilliantly. | 0:26:51 | 0:26:55 | |
APPLAUSE | 0:27:01 | 0:27:04 | |
TENSE HUSH | 0:27:14 | 0:27:16 | |
OK, this was very good, very good. | 0:27:21 | 0:27:25 | |
-He got the spoon first time as well. -Yeah. -It was really good. | 0:27:25 | 0:27:28 | |
-Just one dropped. -Yeah, the first one dropped. | 0:27:28 | 0:27:31 | |
But it's OK, it's OK. | 0:27:31 | 0:27:33 | |
SPEAKING RUSSIAN | 0:27:33 | 0:27:35 | |
Wow! | 0:27:35 | 0:27:36 | |
OK! | 0:27:37 | 0:27:39 | |
OK? | 0:27:42 | 0:27:44 | |
Bye-bye. | 0:27:44 | 0:27:46 | |
It's been really great to see this strong family working together | 0:27:46 | 0:27:50 | |
and I feel really privileged to have been included in that | 0:27:50 | 0:27:53 | |
and they have such an amazing bond | 0:27:53 | 0:27:56 | |
and I've seen how important the family is when you're in the circus | 0:27:56 | 0:28:01 | |
and how important the circus is to this family. | 0:28:01 | 0:28:04 | |
The circus isn't right for everyone. | 0:28:05 | 0:28:08 | |
After all, that's why Albina chose to leave. | 0:28:08 | 0:28:11 | |
Artem and other circus kids have to make so many sacrifices - | 0:28:15 | 0:28:20 | |
not seeing their friends, not studying at school | 0:28:20 | 0:28:23 | |
and being away from home for months at a time. | 0:28:23 | 0:28:25 | |
But the circus is intoxicating | 0:28:25 | 0:28:28 | |
and I can see how the best parts of life here | 0:28:28 | 0:28:31 | |
make up for those sacrifices. | 0:28:31 | 0:28:33 | |
I've had the most fantastic time in Kharkov. | 0:28:35 | 0:28:38 | |
I've been welcomed into a great family | 0:28:38 | 0:28:40 | |
and I've learnt so much. | 0:28:40 | 0:28:42 | |
But there's no question that circus life has a big impact on young performers. | 0:28:42 | 0:28:46 | |
Subtitles by Red Bee Media Ltd | 0:29:07 | 0:29:09 |