Browse content similar to Media Studies - Television Genres. Check below for episodes and series from the same categories and more!
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CLOCK BELLS CHIME | 0:00:32 | 0:00:34 | |
PERSON WHISTLES "MAYBE IT'S BECAUSE I'M A LONDONER" | 0:00:37 | 0:00:43 | |
Oh, good evening. | 0:01:07 | 0:01:09 | |
When you're a copper, you get a view of people in all walks of life. | 0:01:09 | 0:01:14 | |
The criminal population isn't confined to one section. | 0:01:14 | 0:01:17 | |
When you get to the bottom of a case you can get a Dickens of a surprise. | 0:01:17 | 0:01:22 | |
-You little rat! -You can't do that. -Can't I? | 0:01:22 | 0:01:25 | |
I came here with the intention of helping you. | 0:01:25 | 0:01:28 | |
You're young and I don't like to see coppers in trouble. | 0:01:28 | 0:01:32 | |
But you're not worth it. | 0:01:32 | 0:01:34 | |
You cheated Murray. You're nothing but a dirty cheap little swindler. | 0:01:34 | 0:01:39 | |
-Come on. We'll go and talk to the Inspector. -I've committed no crime. | 0:01:39 | 0:01:44 | |
You're the criminal. Busting in, accusing me of being a crook. | 0:01:44 | 0:01:48 | |
-I could arrest you. -Try it. -I wouldn't soil my hands. | 0:01:48 | 0:01:52 | |
Let's talk to the Inspector. He'll find out, then it'll be curtains. | 0:01:52 | 0:01:57 | |
He might give you another chance if you own up. | 0:01:57 | 0:02:01 | |
That bookie don't deserve his money. You can't claim for gambling debts. | 0:02:01 | 0:02:06 | |
"Alderman F Mayhew. | 0:02:13 | 0:02:15 | |
"From his many friends on the Dock Green Council." | 0:02:15 | 0:02:20 | |
The break-ins. | 0:02:20 | 0:02:22 | |
-You! -Look, Mr Dixon. I can explain that. | 0:02:22 | 0:02:26 | |
You used your uniform for this? | 0:02:26 | 0:02:29 | |
I had to have money, see? I did it the first time as a lark. | 0:02:29 | 0:02:33 | |
-Nobody suspected a copper... -Shut up! Tell me at the station. | 0:02:33 | 0:02:37 | |
There's nothing worse than a rotten copper. Nothing! | 0:02:37 | 0:02:42 | |
It's the lowest thing that crawls on God's earth. | 0:02:42 | 0:02:45 | |
Take off that uniform. Take it off! | 0:02:45 | 0:02:48 | |
And put on something different. | 0:02:51 | 0:02:53 | |
Then I'll arrest you. | 0:02:53 | 0:02:56 | |
I'm taking you in, Carr, but not in that tunic. | 0:02:56 | 0:03:00 | |
That was the only bad copper I ever met. | 0:03:11 | 0:03:14 | |
We're not angels, and they say you get a bad apple in every barrel. | 0:03:14 | 0:03:18 | |
The papers print a page about one bad policeman and never mention the thousands who do their job honestly. | 0:03:18 | 0:03:25 | |
When we find a bad'un, we're down on him like a ton of bricks. | 0:03:25 | 0:03:29 | |
I've got be on my way. See you next week. Ta-ta. | 0:03:29 | 0:03:33 | |
PERSON WHISTLES "MAYBE IT'S BECAUSE I'M A LONDONER" | 0:03:33 | 0:03:38 | |
THEME TUNE PLAYS | 0:03:56 | 0:03:59 | |
BRAKES SCREECH | 0:04:17 | 0:04:19 | |
SIRENS BLARE | 0:04:19 | 0:04:21 | |
Well, go on! | 0:05:59 | 0:06:01 | |
Do to me what I did to him! | 0:06:01 | 0:06:04 | |
Go on! | 0:06:04 | 0:06:05 | |
Why don't you? | 0:06:05 | 0:06:07 | |
Your kids are a bit upset. | 0:06:54 | 0:06:56 | |
-What the matter with them? -Missing their old dad. | 0:06:56 | 0:07:00 | |
Still, they'll have plenty of time to get used to it. | 0:07:00 | 0:07:04 | |
What about the gun? What do you have in mind for it? | 0:07:06 | 0:07:10 | |
-Look, I was just minding it for someone. -Some you met in a pub? | 0:07:11 | 0:07:16 | |
It's always the same, i'nit? | 0:07:16 | 0:07:18 | |
What about these? | 0:07:21 | 0:07:23 | |
If you want a deal, | 0:07:23 | 0:07:25 | |
start sticking up some answers, the sort I want to hear. | 0:07:25 | 0:07:30 | |
Otherwise, you're not going to see your family for a long, long time. | 0:07:30 | 0:07:35 | |
Can we have a deal? | 0:07:41 | 0:07:44 | |
Depends on what you're giving. | 0:07:44 | 0:07:46 | |
The shooter drops right out. | 0:07:46 | 0:07:49 | |
My guv'nor might agree, if you come up with something worthwhile. | 0:07:51 | 0:07:56 | |
I don't know nothing about Walthamstow. | 0:07:59 | 0:08:02 | |
They deserve nicking, do that guard? No. | 0:08:02 | 0:08:05 | |
But if you're interested in Jack Lynn, | 0:08:09 | 0:08:12 | |
if he's out there, I can probably find out what he's having. | 0:08:12 | 0:08:17 | |
You'll be out before I get a result. | 0:08:18 | 0:08:20 | |
I can't 'ave it away. I've got me family. | 0:08:20 | 0:08:24 | |
I can't take me wife and kids on the trot! | 0:08:24 | 0:08:27 | |
I believe you, Clifford. I'm a trusting soul. | 0:08:27 | 0:08:31 | |
But it's down to my guv'nor. | 0:08:31 | 0:08:33 | |
As a gesture of faith, you'd better put up the gun dealer. | 0:08:35 | 0:08:39 | |
There's a greengrocer in Finsbury Park named Wally Marks. | 0:08:57 | 0:09:01 | |
He does a bit of dabbling on the side. | 0:09:04 | 0:09:07 | |
All right? | 0:09:07 | 0:09:10 | |
THEME TUNE PLAYS | 0:09:25 | 0:09:28 | |
Clark? | 0:10:02 | 0:10:04 | |
-Yes, sir. -How did it go? -All right. | 0:10:06 | 0:10:09 | |
-I'll interview and charge him this morning. -Good. | 0:10:09 | 0:10:12 | |
-Why were we called in? -The Police Complaints Authority wanted us. | 0:10:12 | 0:10:16 | |
-How did the PCA know at 2am? -I told them. | 0:10:16 | 0:10:19 | |
-Morning, Clark. -Morning, sir. | 0:10:23 | 0:10:25 | |
David, um... | 0:10:29 | 0:10:31 | |
Mr Squeaky bloody Clean! Mr... | 0:10:37 | 0:10:41 | |
Mr Graves? | 0:10:41 | 0:10:43 | |
Mr Bloody Keen Machine rang the PCA at 2am to volunteer us for that job! | 0:10:43 | 0:10:48 | |
At if there isn't enough proper CIB stuff! | 0:10:48 | 0:10:51 | |
-What the bloody hell is all this? -Bloody Argyl Street, guv. | 0:10:51 | 0:10:56 | |
Questionable expenses, overtime scams. | 0:10:56 | 0:10:59 | |
There's over 100 bloody officers. Thousands of notebooks. | 0:10:59 | 0:11:03 | |
-Custody records, accident reports. -Who's doing it? | 0:11:03 | 0:11:08 | |
Whoever finishes first. | 0:11:09 | 0:11:11 | |
Right, the Lindsay case. Leave no stone unturned. | 0:11:13 | 0:11:17 | |
My thoughts entirely, guv. | 0:11:17 | 0:11:19 | |
My name is Sam Tyler. I had an accident and I woke up in 1973. | 0:11:27 | 0:11:32 | |
Am I mad? In a coma? Or back in time? | 0:11:32 | 0:11:35 | |
It's like I've landed on a different planet. | 0:11:35 | 0:11:39 | |
Maybe if I can work out the reason, I can get home. | 0:11:39 | 0:11:42 | |
Anything happens to this motor and I stamp on all your toys. Got it? | 0:11:59 | 0:12:04 | |
Good kids. | 0:12:05 | 0:12:07 | |
Hello, love. CID. | 0:12:11 | 0:12:13 | |
We're looking for this woman. | 0:12:16 | 0:12:18 | |
Approximately five foot two, curly brown hair, hazel eyes, | 0:12:18 | 0:12:23 | |
fake topaz necklace. | 0:12:23 | 0:12:25 | |
We're looking for a short skinny bird, wears a big coat, lots of gob. | 0:12:28 | 0:12:33 | |
Excellent work, ladies and gentlemen. | 0:12:34 | 0:12:37 | |
COINS JANGLE | 0:12:37 | 0:12:39 | |
THEME TUNE PLAYS | 0:12:49 | 0:12:53 | |
NATIONAL ANTHEM COMES TO A CLOSE | 0:13:08 | 0:13:11 | |
Oh, God love us! Sit down! | 0:13:20 | 0:13:22 | |
It's a mark of respect, i'nit? | 0:13:23 | 0:13:26 | |
It's your national anthem, you great hairy nellie! | 0:13:26 | 0:13:29 | |
-You've got to stand. -Don't be daft, Dad. | 0:13:31 | 0:13:34 | |
It ain't daft, you ignorant little... | 0:13:34 | 0:13:37 | |
-It's a mark of respect to 'er. -And 'im! -Her Majesty! | 0:13:37 | 0:13:40 | |
It's what you stand for, out of respect to 'er! | 0:13:40 | 0:13:44 | |
-And 'im as well. -That's what you stand for. | 0:13:44 | 0:13:48 | |
-You stand for 'im, too. -I mean, look... | 0:13:48 | 0:13:51 | |
She is your monarch, isn't she? Head of your state, your sovereign. | 0:13:53 | 0:13:57 | |
-That's what you're standing for. -He's got to be stood for, too. | 0:13:57 | 0:14:02 | |
You're supposed to stand for any of royalty. | 0:14:02 | 0:14:06 | |
Not in front of your television set in your own home! | 0:14:06 | 0:14:09 | |
That's carrying patriotism a bit far. | 0:14:09 | 0:14:12 | |
Listen, you traitorous Scouse git! | 0:14:12 | 0:14:16 | |
I got a bit of respect for Her Majesty. | 0:14:16 | 0:14:19 | |
She has to have her Christmas dinner late cos of that speech. | 0:14:19 | 0:14:23 | |
-She has to go up to the BBC... -They keep it warm for her, though. | 0:14:23 | 0:14:28 | |
-She has to go up to the BBC... -They put it in the oven for her. | 0:14:28 | 0:14:33 | |
-Go up to the studio... -He'd see to that. | 0:14:33 | 0:14:36 | |
-She has to go... -He'd make sure it was kept hot. | 0:14:36 | 0:14:39 | |
Shut up, you silly moo! | 0:14:39 | 0:14:42 | |
THEME TUNE PLAYS | 0:14:50 | 0:14:53 | |
-Crackers? -Crackers! | 0:15:10 | 0:15:11 | |
C-rackers! | 0:15:11 | 0:15:14 | |
# Dun-ta-da! # | 0:15:14 | 0:15:16 | |
-Good God! -None of your shop-bought rubbish. | 0:15:16 | 0:15:19 | |
There's a trick with these. | 0:15:19 | 0:15:21 | |
They're perfectly sound except they do not go bang. And... | 0:15:21 | 0:15:25 | |
-BOTH: Bang! -You're crackers. | 0:15:25 | 0:15:28 | |
Come on, Jerry. One, two, three... | 0:15:28 | 0:15:31 | |
BOTH: Bang! | 0:15:31 | 0:15:33 | |
Come on, Margo. One, two, three. | 0:15:33 | 0:15:36 | |
-Bang! -Oh, come on, Margo. | 0:15:36 | 0:15:38 | |
If you can't beat 'em, join 'em. One, two, three... | 0:15:38 | 0:15:41 | |
Crack. | 0:15:41 | 0:15:43 | |
Not "bang"? | 0:15:43 | 0:15:45 | |
No. I see "crack" as a more pertinent word. | 0:15:45 | 0:15:49 | |
-It is the stem of cracker. -You can't argue with that. | 0:15:49 | 0:15:53 | |
What have you all got? | 0:15:53 | 0:15:55 | |
The inside of a roll of lavatory paper. | 0:15:55 | 0:15:58 | |
-Inside that! -Oh, yes. | 0:15:59 | 0:16:03 | |
Wellington or Nelson? | 0:16:03 | 0:16:06 | |
All the nice girls love a sailor. You'd better be Nelson! | 0:16:07 | 0:16:12 | |
Mind you, there's something about a soldier! | 0:16:12 | 0:16:15 | |
Read your motto. | 0:16:15 | 0:16:17 | |
TOM LAUGHS | 0:16:17 | 0:16:19 | |
JERRY LAUGHS | 0:16:19 | 0:16:21 | |
BARBARA LAUGHS | 0:16:22 | 0:16:25 | |
-You said they were clean. -Come on, Margo! Get your hat on! | 0:16:25 | 0:16:29 | |
But this is the Daily Mirror. | 0:16:29 | 0:16:32 | |
I am terribly sorry, Margo. Please, have the Telegraph. | 0:16:33 | 0:16:38 | |
Now, then. My motto. | 0:16:42 | 0:16:44 | |
"The ooh-aah bird is so called because it lays square eggs." | 0:16:45 | 0:16:50 | |
I don't understand that. | 0:16:58 | 0:17:01 | |
THEME TUNE PLAYS | 0:17:09 | 0:17:12 | |
# Stick a pony in me pocket | 0:17:12 | 0:17:15 | |
# I'll fetch the suitcase from the van | 0:17:16 | 0:17:18 | |
# Cos if you want the best-uns But you don't ask questions | 0:17:19 | 0:17:23 | |
# Then, brother, I'm your man | 0:17:23 | 0:17:26 | |
# Cos where it all comes from is a mystery | 0:17:27 | 0:17:30 | |
# It's like the changing of the seasons and the tides of the sea | 0:17:30 | 0:17:34 | |
# But here's the one that's driving me berserk | 0:17:34 | 0:17:38 | |
# Why do only fools and horses work? | 0:17:38 | 0:17:41 | |
# La-la la la | 0:17:41 | 0:17:43 | |
# La-la la la la.... # | 0:17:43 | 0:17:45 | |
-ON TV: -'Just touching the cone. | 0:17:46 | 0:17:49 | |
'And also, just touching the plane. | 0:17:49 | 0:17:54 | |
'The two points where the spheres touch the plane...' | 0:17:57 | 0:18:01 | |
That is where our future lies, Rodney. | 0:18:03 | 0:18:06 | |
Secondhand motors. This time next year, we'll be millionaires. | 0:18:06 | 0:18:11 | |
I dreamed I was drowning last night. | 0:18:11 | 0:18:13 | |
The way I see it is the government has to ban the import of foreign cars to save our own car industry. | 0:18:13 | 0:18:21 | |
The unions won't stand for that. It smacks of racialism. | 0:18:21 | 0:18:25 | |
-They'll go on strike. You won't be able to buy a new car for love nor money. -No? -No. | 0:18:25 | 0:18:32 | |
That is it, Rodney. Britain's future lies in the secondhand car game. | 0:18:32 | 0:18:37 | |
What did you say? You dreamed that you were drowning? | 0:18:38 | 0:18:42 | |
You trying to tell us that last night you wet the bed? | 0:18:42 | 0:18:46 | |
# Ooh, gotta get up, gotta get out | 0:18:53 | 0:18:56 | |
# Grab the world by the throat and shout | 0:18:56 | 0:18:59 | |
# Gotta find it, get us a share | 0:18:59 | 0:19:02 | |
# Making bread out of nothing but air | 0:19:02 | 0:19:05 | |
# Riding high, then hitting the ground | 0:19:05 | 0:19:08 | |
# Catching the penny but missing the pound | 0:19:08 | 0:19:11 | |
# Doesn't matter cos we'll soon turn it around | 0:19:11 | 0:19:15 | |
# Soon as we get home B-b-bread | 0:19:15 | 0:19:17 | |
# We make it and we take it home B-b-bread | 0:19:17 | 0:19:20 | |
# And nothing's gonna break it, home | 0:19:20 | 0:19:24 | |
# We'll keep it in the family | 0:19:24 | 0:19:27 | |
# We'll be right at home. # | 0:19:27 | 0:19:29 | |
Prayers. | 0:19:29 | 0:19:30 | |
I don't see why we have to have prayers. | 0:19:30 | 0:19:34 | |
We're thanking God for what we are about to receive. | 0:19:34 | 0:19:37 | |
We earned the money to buy the food. I went to fetch it. You cooked it. | 0:19:37 | 0:19:42 | |
-What's God got to do with it? -Close your eyes, Jack. | 0:19:42 | 0:19:47 | |
We thank thee God for giving us the skill | 0:19:49 | 0:19:52 | |
to earn the money to buy the food. | 0:19:52 | 0:19:55 | |
For giving our Jack the strength to carry it from the market. | 0:19:57 | 0:20:02 | |
For giving me the will to cook it. | 0:20:02 | 0:20:05 | |
And for giving us all a gob to eat it. | 0:20:05 | 0:20:08 | |
Send us good health, good heart and good thoughts. Amen. | 0:20:09 | 0:20:13 | |
But please don't send us any more tomatoes! | 0:20:13 | 0:20:18 | |
OK, so I got paid in tomatoes! | 0:20:18 | 0:20:20 | |
-We don't all have your luck. -Not luck, sunshine. Skill. | 0:20:20 | 0:20:24 | |
It doesn't matter what you bring as long as you bring something. | 0:20:24 | 0:20:28 | |
THEME TUNE PLAYS | 0:20:36 | 0:20:38 | |
Here we go. | 0:21:09 | 0:21:11 | |
-Spudgun, one potato or two? -Two, please. | 0:21:11 | 0:21:15 | |
No. One. | 0:21:15 | 0:21:17 | |
No, two. | 0:21:17 | 0:21:19 | |
No. One. | 0:21:19 | 0:21:21 | |
-OK. One. -All right. That's better. | 0:21:21 | 0:21:24 | |
Changed my mind. None. | 0:21:27 | 0:21:29 | |
Excuse fingers. | 0:21:29 | 0:21:31 | |
And help yourself to sprouts. | 0:21:32 | 0:21:34 | |
-Oh, no! Not sprouts? -Sprouts? So it IS Christmas, then? | 0:21:34 | 0:21:39 | |
Now, then! Who likes stuffing? | 0:21:39 | 0:21:41 | |
Oh. No-one. Worth it for the joke, eh? | 0:21:47 | 0:21:50 | |
Cor! What a magnificent bird! ALL: Where? | 0:21:50 | 0:21:54 | |
Gets them every year! | 0:21:54 | 0:21:56 | |
Hey! Who's for a lovely juicy bit of breast? | 0:22:00 | 0:22:04 | |
I LOVE Christmas. Eddie, are you a leg or a breast man? | 0:22:06 | 0:22:11 | |
Would you like a magazine while he goes through his repertoire of jokes? | 0:22:11 | 0:22:16 | |
It's all academic as I made a slight miscalculation with the timing. | 0:22:16 | 0:22:21 | |
Oh, well! Let's get straight on to the pudding. | 0:22:24 | 0:22:26 | |
-Eddie, switch out the lights. -Right-o. | 0:22:26 | 0:22:29 | |
-Eddie, switch the lights back on. -Right-o. | 0:22:32 | 0:22:35 | |
-There I am. Eddie, wait till I get to the pudding. -Right-o. | 0:22:35 | 0:22:39 | |
Wait wait wait. Just smearing the vodka margarine on it! | 0:22:39 | 0:22:43 | |
You're sure it will sustain a flame? | 0:22:43 | 0:22:46 | |
It should do. It's been soaking for two weeks. | 0:22:46 | 0:22:50 | |
-Here goes. Eddie, switch off the lights. -Right-o. | 0:22:50 | 0:22:54 | |
Well! | 0:23:27 | 0:23:28 | |
Same time next year, lads? Merry Christmas. | 0:23:28 | 0:23:31 | |
No, no. Come on. | 0:23:31 | 0:23:33 | |
THEME TUNE PLAYS | 0:23:41 | 0:23:44 | |
# I would like to leave this city | 0:23:46 | 0:23:50 | |
# This old town don't smell too pretty and | 0:23:50 | 0:23:55 | |
# I can feel the warning signs | 0:23:55 | 0:23:59 | |
# Running around my mind | 0:23:59 | 0:24:02 | |
# So, what do you say? | 0:24:03 | 0:24:06 | |
# You can't give me the dreams that were mine anyway | 0:24:06 | 0:24:11 | |
# You're half the world away | 0:24:11 | 0:24:14 | |
# Half the world away. # | 0:24:15 | 0:24:19 | |
-Mary next door's got a microwave. -Me and Dave's getting a microwave. | 0:24:25 | 0:24:30 | |
Should I get a food processor? | 0:24:30 | 0:24:33 | |
Just stick to the old chip pan. | 0:24:33 | 0:24:35 | |
We're not going to have chips every night. | 0:24:35 | 0:24:38 | |
-What are you going to have, then? -I don't know. Pasta. | 0:24:38 | 0:24:42 | |
-Pasta my arse! -Does Dave know about this? | 0:24:42 | 0:24:45 | |
-Yeah. -He still wants to marry you? | 0:24:45 | 0:24:48 | |
He's not marrying me for what I'm like in the kitchen. | 0:24:48 | 0:24:51 | |
-It's what you're like in the bedroom! -Get it out, you! | 0:24:51 | 0:24:56 | |
Who threw you nuts? | 0:24:56 | 0:24:58 | |
What I'm going to do is make a lasagna, | 0:24:58 | 0:25:01 | |
freeze it, then he can heat it up in the microwave when he gets home. | 0:25:01 | 0:25:07 | |
You've got it all mapped out! I wish I was like you! | 0:25:07 | 0:25:11 | |
-When I was your age we knew nothing. -Only stuff I've read in magazines. | 0:25:11 | 0:25:16 | |
-Who's getting you a freezer, then? -I'll put it on the wedding list. | 0:25:16 | 0:25:20 | |
With the microwave. And I'm gonna put a food processor on and all. | 0:25:20 | 0:25:25 | |
Is there nowt cheaper on this bloody wedding list? | 0:25:25 | 0:25:29 | |
I'm gonna get a dishwasher and all. | 0:25:32 | 0:25:34 | |
If Dave thinks I'm doing pots every night he's got another think coming. | 0:25:34 | 0:25:39 | |
They're going right in that dishwasher. | 0:25:39 | 0:25:42 | |
Mrs Ward, in our emergency accommodation, well, it's not very nice. | 0:25:53 | 0:25:59 | |
Some of the people are a little...rough. | 0:25:59 | 0:26:03 | |
-Are you sure you want to go in? -Look we've been here for six hours. | 0:26:03 | 0:26:08 | |
-If I had a choice, would I have stayed? -All right. Sit down. | 0:26:08 | 0:26:13 | |
Mr Ward, please. | 0:26:13 | 0:26:15 | |
Have you got a bit of chocolate to keep him quiet, Cath? | 0:26:18 | 0:26:22 | |
I'd like to check one or two facts, please. | 0:26:25 | 0:26:28 | |
-You and your wife lived at your mother's house up to what date? -January '62. | 0:26:28 | 0:26:34 | |
-What address would that be? -97 Maysole Street. | 0:26:34 | 0:26:39 | |
-Really? Not Mayberry? -No. Maysole. | 0:26:39 | 0:26:43 | |
-Do you have any sisters? -No. | 0:26:43 | 0:26:46 | |
-Oh, I thought... -My teenage sister, but she hasn't got a house. | 0:26:46 | 0:26:51 | |
-Grandmother or grandfather? -I've got a grandfather, but he's in a home. | 0:26:51 | 0:26:55 | |
Mr Ward, how many rooms does your mother occupy at Maysole Road? | 0:26:55 | 0:27:00 | |
One bedroom and a living room, but there are three adults living there. | 0:27:00 | 0:27:05 | |
The accommodation is for wives only. We can't accommodate husbands. | 0:27:05 | 0:27:10 | |
But why can't you accommodate husbands? | 0:27:10 | 0:27:12 | |
We used to but we had to discontinue the practice. | 0:27:12 | 0:27:16 | |
They used to tear up the sheets. | 0:27:16 | 0:27:19 | |
We have no objection to you coming on a weekday evening, provided you are gone by eight. | 0:27:23 | 0:27:29 | |
The front entrance must not be used by you homeless. There's a very good reason. It upsets the old people. | 0:27:29 | 0:27:36 | |
Of course, this accommodation really was meant for them. | 0:27:36 | 0:27:41 | |
No alcohol in the building. About this, we are very strict. | 0:27:41 | 0:27:45 | |
Inmates are expected to take a regular bath and get fresh air. | 0:27:45 | 0:27:49 | |
Rent, we charge five shillings a night for each adult | 0:27:49 | 0:27:53 | |
and three bob for a child, payable in advance. | 0:27:53 | 0:27:57 | |
There are other rules but you'll pick them up as you go along. | 0:27:57 | 0:28:01 | |
-Any questions? -Well, I don't think very much of it. | 0:28:01 | 0:28:05 | |
In many places, families are not kept together. | 0:28:05 | 0:28:08 | |
They're broken up, children put in care et cetera. | 0:28:08 | 0:28:12 | |
If we rehoused homeless families, | 0:28:12 | 0:28:15 | |
it would be an easy way to jump the queue. | 0:28:15 | 0:28:18 | |
We can't do it for obvious reasons. | 0:28:18 | 0:28:20 | |
It must be strictly understood that this accommodation is temporary. | 0:28:20 | 0:28:25 | |
After three months, make no mistake, we turn you out. | 0:28:25 | 0:28:28 | |
So keep searching. | 0:28:28 | 0:28:30 | |
-RADIO: -'Units of the 10th airborne division which parachuted into Iran | 0:28:39 | 0:28:44 | |
'have taken up defensive positions designed to block any possible move | 0:28:44 | 0:28:50 | |
'towards the oil fields of the Persian Gulf. | 0:28:50 | 0:28:53 | |
'Squadrons of American B52 bombers have been arriving...' | 0:28:53 | 0:28:58 | |
-All right, then? -All right, then. | 0:28:58 | 0:29:00 | |
'..together with three early warning aircraft | 0:29:00 | 0:29:03 | |
'as a supporting role in the Middle East task force...' | 0:29:03 | 0:29:06 | |
All right, John? | 0:29:06 | 0:29:09 | |
-Come to give me a hand? -No chance. I'm knackered. | 0:29:12 | 0:29:16 | |
-Not too knackered to be going out! -It's different, i'nt it? | 0:29:16 | 0:29:20 | |
I need a break. I've been down at house every night this week. | 0:29:20 | 0:29:24 | |
How's it coming on? | 0:29:24 | 0:29:26 | |
Not too bad. Trying to get the bedroom finished before we move in. | 0:29:26 | 0:29:31 | |
ENGINE ROARS | 0:29:31 | 0:29:33 | |
Mother says will you take some flowers down? | 0:29:36 | 0:29:40 | |
-Five since teatime. -Aye. | 0:29:41 | 0:29:43 | |
-Where they going to? -Finningley, I suppose. | 0:29:45 | 0:29:48 | |
Pop down to WH Smith and buy an aircraft spotter's book. | 0:29:48 | 0:29:52 | |
-It'll make a change from gardening. -There's summat going on! | 0:29:52 | 0:29:57 | |
-There'll be summat going on when I've had a few pints. -Don't go mad. | 0:29:57 | 0:30:01 | |
-It's not just yourself to think about now. -I'll enjoy myself while I'm single. | 0:30:01 | 0:30:07 | |
-Not long to go now, you know. -You could be right there. | 0:30:07 | 0:30:11 | |
Power cuts have thrown | 0:30:46 | 0:30:48 | |
much of the Southeast and Midlands into darkness. | 0:30:48 | 0:30:52 | |
The Home Secretary has declared a state of emergency. | 0:30:52 | 0:30:55 | |
The Government advises people not to leave their homes unless necessary. | 0:30:55 | 0:30:59 | |
Once the Government has assessed the extent of this type of power out | 0:30:59 | 0:31:05 | |
they would declare a state of emergency. | 0:31:05 | 0:31:08 | |
This would enable them to cancel all public and sporting events | 0:31:08 | 0:31:13 | |
to minimise the number of people moving around and gathering | 0:31:13 | 0:31:17 | |
without formal electricity. | 0:31:17 | 0:31:19 | |
'In Downing Street, the lights are still burning. | 0:31:19 | 0:31:24 | |
'Deep inside the Cabinet Office, the Prime Minister has convened a meeting of COBRA, | 0:31:24 | 0:31:30 | |
'the top-level committee designed to coordinate the Government's response to the emergency.' | 0:31:30 | 0:31:37 | |
Heathrow, Stansted and Gatwick remain closed. | 0:31:37 | 0:31:41 | |
The City's unlikely to function at all within the next 12 hours. | 0:31:41 | 0:31:45 | |
The implications in terms of the economy are obvious. | 0:31:45 | 0:31:50 | |
'I suggest that, if we had a major blackout in London for 24 hours, | 0:31:50 | 0:31:54 | |
'the consequential loss, people not getting to work, trading stopping,' | 0:31:54 | 0:31:59 | |
would run into billions of pounds. | 0:31:59 | 0:32:02 | |
The next 12 hours will be crucial, in terms of public safety. | 0:32:02 | 0:32:07 | |
While the situation remains unclear, people will hoard food and supplies. | 0:32:07 | 0:32:12 | |
So we must expect localised disturbances, looting and opportunistic crime. | 0:32:12 | 0:32:20 | |
SIREN WAILS | 0:32:20 | 0:32:22 | |
CAR CRASHES | 0:32:22 | 0:32:25 | |
Cold is still, of course, the primary concern. | 0:32:25 | 0:32:29 | |
Generators are being issued to Local Authorities. | 0:32:29 | 0:32:32 | |
We're working with social services to search buildings where the vulnerable may be undetected. | 0:32:32 | 0:32:38 | |
Even today, the Highlands are remarkably remote. | 0:32:48 | 0:32:52 | |
You can walk up a glen like this for hours and you won't see a soul. | 0:32:52 | 0:32:57 | |
In this terrain and weather - one of the wettest places in Britain - | 0:32:57 | 0:33:02 | |
Government soldiers were out of their element. | 0:33:02 | 0:33:05 | |
And they stuck out like sore thumbs in their bright red coats. | 0:33:05 | 0:33:10 | |
With every passing day, we'd get a wee bit more apprehensive. | 0:33:10 | 0:33:14 | |
You constantly felt you're being watched. | 0:33:17 | 0:33:21 | |
You felt very isolated. You felt very vulnerable. | 0:33:22 | 0:33:26 | |
'For the Highlanders, this was home ground. | 0:33:38 | 0:33:42 | |
'They travelled light and slept in the heather. | 0:33:42 | 0:33:45 | |
'The whole army could melt away into the countryside.' | 0:33:45 | 0:33:49 | |
They were playing tricks with our heads. | 0:33:49 | 0:33:53 | |
With every passing day in enemy foreign territory, | 0:33:53 | 0:33:56 | |
we would get more frustrated and less confident. | 0:33:56 | 0:33:59 | |
You wanted to face them, man-to-man. | 0:34:01 | 0:34:04 | |
"Here we are. Let's do battle." | 0:34:04 | 0:34:06 | |
But...where were they? | 0:34:06 | 0:34:09 | |
Where were they? | 0:34:09 | 0:34:11 | |
'For the men, it turned into a game of cat and mouse. | 0:34:11 | 0:34:16 | |
'They marched deeper into the Highlands, searching for the rebels. | 0:34:16 | 0:34:21 | |
'They never found them.' | 0:34:21 | 0:34:24 | |
THEME TUNE PLAYS | 0:34:33 | 0:34:35 | |
-Do you think Jack and Lily are all right? -Oh, yeah. Doing splendid. | 0:34:51 | 0:34:56 | |
Oh, it does look nice. It's all so lovely and peaceful. | 0:34:56 | 0:35:00 | |
I am not here for you to play jokes on! | 0:35:19 | 0:35:22 | |
-What's up, Gran? -You threw that ball at me. | 0:35:22 | 0:35:26 | |
-What ball? -Don't pretend you don't know. | 0:35:26 | 0:35:29 | |
-I've been trying to get the bloomin' deckchair up. -You threw that ball! | 0:35:29 | 0:35:34 | |
Just enjoy the sun on your body. | 0:35:34 | 0:35:38 | |
What part? | 0:35:38 | 0:35:40 | |
-May we have the ball, please? -It was you, was it? | 0:35:40 | 0:35:44 | |
Ooh! I was not aware this was a nudist's camp. | 0:35:44 | 0:35:49 | |
-It isn't, Gran. -Why are you parading, then? | 0:35:49 | 0:35:53 | |
We've got on very respectable bathing costumes. Come on! | 0:35:53 | 0:35:58 | |
-I'm going to play cricket. -Be careful of your back, dear. | 0:36:00 | 0:36:04 | |
THEME TUNE PLAYS | 0:36:12 | 0:36:14 | |
I'm afraid you've had the worry. | 0:36:17 | 0:36:19 | |
I can't think why you got in such a stew, Mummy. I'm over 15. | 0:36:19 | 0:36:24 | |
I'll be more careful what I say at these school prize givings. | 0:36:24 | 0:36:29 | |
You don't think I'm any good after all? | 0:36:29 | 0:36:32 | |
You've got a long way to go before you're a professional. | 0:36:32 | 0:36:36 | |
One of the first things to get is a decent education. | 0:36:36 | 0:36:40 | |
That's exactly what I say. | 0:36:40 | 0:36:42 | |
I've been trying to impress on Rosemary that she'll have to learn | 0:36:42 | 0:36:46 | |
all the things in the school curriculum that will be of value. | 0:36:46 | 0:36:50 | |
Things like English and French. | 0:36:50 | 0:36:53 | |
Do you mind if I tell you something? I think you've behaved like a clot. | 0:36:53 | 0:36:58 | |
-You're 15, aren't you? -Yes. -You want to go on the stage? -Yes. | 0:36:58 | 0:37:03 | |
What did you expect to achieve by running away to London? | 0:37:03 | 0:37:07 | |
Somebody was going to discover you and put you on the stage? | 0:37:07 | 0:37:12 | |
If you really want to take up the career of an actor | 0:37:12 | 0:37:16 | |
it's got to be done professionally. | 0:37:16 | 0:37:18 | |
If you want to be a doctor, you have to study for seven years. | 0:37:18 | 0:37:22 | |
To be an actor, you do the same thing. | 0:37:22 | 0:37:25 | |
When you're 16, 17, 18, if you're serious, | 0:37:25 | 0:37:29 | |
your mother will send you to a drama academy and you'll learn the trade. | 0:37:29 | 0:37:33 | |
Prior to that, you've got to get your background of education. | 0:37:33 | 0:37:38 | |
You've just chucked it all away. That's stupid. | 0:37:38 | 0:37:41 | |
I don't know how we are going to persuade her headmistress to take her back. | 0:37:41 | 0:37:47 | |
THEME TUNE PLAYS | 0:37:55 | 0:37:57 | |
-What do you know about heroin? -Heroin? Nothing. | 0:38:31 | 0:38:34 | |
Only what I've seen on the telly. | 0:38:34 | 0:38:37 | |
Drug dealers mix other things in with it, gives them a bigger profit. | 0:38:37 | 0:38:41 | |
-What sort of things? -Any powder that looks like heroin. | 0:38:41 | 0:38:46 | |
-Talc, flour, detergent. -Detergent? -Yeah. Stupid, ain't it? | 0:38:46 | 0:38:51 | |
-It's white powder, isn't it? -I think so. I don't know. | 0:38:51 | 0:38:54 | |
White? Grey? But why? | 0:38:54 | 0:38:57 | |
All right? | 0:38:57 | 0:38:59 | |
-He should be here by now. -Should be, yes. | 0:39:01 | 0:39:04 | |
-He's taken the afternoon off. -I'm not so sure. | 0:39:04 | 0:39:08 | |
A couple of other people should be back by now. | 0:39:08 | 0:39:12 | |
-Kevin Baylon and Jacqueline Wright. -Ah. Any ideas? | 0:39:12 | 0:39:16 | |
Hm. | 0:39:16 | 0:39:18 | |
Pay attention. | 0:39:18 | 0:39:21 | |
I should be back within the next ten minutes. | 0:39:21 | 0:39:24 | |
If I'm not, start making your way over to the gym. | 0:39:24 | 0:39:28 | |
Oh, and, er...good luck, everybody. | 0:39:28 | 0:39:32 | |
You've got something to tell us. | 0:39:36 | 0:39:39 | |
-I thought you had something to tell me. -All right. | 0:39:39 | 0:39:42 | |
-There are two coppers here and guess who they've come to see? -Me. | 0:39:42 | 0:39:48 | |
-Your mum called them. -What for? -Cos of her cash card going missing. | 0:39:48 | 0:39:52 | |
-Everyone thinks it's me. -You were seen using it, Zammo. | 0:39:52 | 0:39:56 | |
-By who? -That ain't important. | 0:39:56 | 0:39:58 | |
Anyone can say they've seen me with a cash card. | 0:39:58 | 0:40:01 | |
Everyone assumes I'm buying drugs, take it for granted I'm lying. | 0:40:01 | 0:40:06 | |
My mum calling the law! And you, after all I told you! | 0:40:06 | 0:40:10 | |
And you don't believe me, my best mate. Well, here! | 0:40:10 | 0:40:14 | |
See how much heroin you can find! Satisfied? Do you want me to strip? | 0:40:16 | 0:40:21 | |
-Don't fiddle with that! It's broken. -What harm can I do? | 0:40:21 | 0:40:25 | |
-Just don't fiddle with it. -We've got history this afternoon, not maths. | 0:40:25 | 0:40:30 | |
-Leave it, Zammo. -Out the way, Kev. | 0:40:30 | 0:40:33 | |
-Calm down. -Move! | 0:40:33 | 0:40:35 | |
Move, I said! | 0:40:35 | 0:40:37 | |
Zammo! | 0:40:40 | 0:40:42 | |
-We're not playing games now! -That's what it was this morning! A game! | 0:40:42 | 0:40:46 | |
-Don't tell me I'm wrong! -Just give me it, all right? | 0:40:46 | 0:40:52 | |
Why? You're off drugs now! You proved it to me, remember? | 0:40:52 | 0:40:56 | |
Maguire! | 0:40:58 | 0:41:00 | |
Zammo! | 0:41:00 | 0:41:01 | |
All right, son. | 0:41:02 | 0:41:04 | |
SOBBING > | 0:41:04 | 0:41:07 | |
It's all right. It's all right. > | 0:41:07 | 0:41:10 | |
SIRENS APPROACH | 0:41:10 | 0:41:12 | |
THEME TUNE PLAYS | 0:41:21 | 0:41:25 | |
-Gran? -Yes, love? | 0:41:51 | 0:41:53 | |
Do you remember what you said to Mum when she found out she was pregnant? | 0:41:54 | 0:42:00 | |
Yes, I do. | 0:42:00 | 0:42:02 | |
Why? | 0:42:02 | 0:42:04 | |
I told her straight. | 0:42:06 | 0:42:08 | |
She should get rid of it. | 0:42:10 | 0:42:12 | |
Is that what you did in your day, when you were a girl? | 0:42:12 | 0:42:17 | |
Too right. | 0:42:17 | 0:42:19 | |
Went down to Granny Gregory's down... | 0:42:19 | 0:42:23 | |
What was it? | 0:42:23 | 0:42:25 | |
Manotty Street. That's it. | 0:42:25 | 0:42:27 | |
It's not there any more, of course. | 0:42:27 | 0:42:30 | |
-Any way... -KNOCKS CHAIR | 0:42:30 | 0:42:33 | |
..knock at the door, there she was, crochet hook in hand. | 0:42:33 | 0:42:38 | |
Course, that was the days of boiling hot baths and a pint of gin. | 0:42:39 | 0:42:45 | |
Salty old cows they were, messy and dangerous. | 0:42:46 | 0:42:51 | |
A lot of them died. | 0:42:52 | 0:42:55 | |
Like I said to your mum, | 0:42:55 | 0:42:58 | |
the only contraception there is | 0:42:58 | 0:43:01 | |
is that little word "no"! | 0:43:01 | 0:43:05 | |
I was furious with her. | 0:43:10 | 0:43:12 | |
Livid, I was. | 0:43:13 | 0:43:15 | |
That baby's gorgeous. | 0:43:17 | 0:43:19 | |
Is that what you're trying to tell me, love? | 0:43:27 | 0:43:31 | |
THEME TUNE PLAYS | 0:43:50 | 0:43:52 | |
I know I've been all round the houses. | 0:44:18 | 0:44:21 | |
But what I want to tell you is... | 0:44:24 | 0:44:27 | |
..they want to send you home. | 0:44:28 | 0:44:31 | |
They want me to have you here. | 0:44:32 | 0:44:35 | |
And they want me to cope. | 0:44:36 | 0:44:39 | |
To be strong, | 0:44:40 | 0:44:43 | |
when I ain't got no strength left. | 0:44:43 | 0:44:46 | |
And I can't! | 0:44:47 | 0:44:50 | |
God forgive me! But I can't! | 0:44:51 | 0:44:54 | |
You see, I nursed Ethel. | 0:44:56 | 0:44:58 | |
And I watched her die in me arms. | 0:44:58 | 0:45:01 | |
And I've buried me husband. | 0:45:01 | 0:45:04 | |
And me grandson. And I doubt I'll ever see my Nick again. | 0:45:04 | 0:45:08 | |
What I'm saying is... | 0:45:08 | 0:45:11 | |
I could cope with losing you, | 0:45:11 | 0:45:14 | |
cos I never expected anything different. | 0:45:14 | 0:45:18 | |
I know how to be on me own. | 0:45:18 | 0:45:20 | |
But...to have you here... | 0:45:21 | 0:45:25 | |
..and not here. | 0:45:29 | 0:45:31 | |
I don't think I've got it in me. | 0:45:33 | 0:45:36 | |
Not any more. | 0:45:38 | 0:45:41 | |
I'm better on me own. | 0:45:43 | 0:45:45 | |
Where I've always been. | 0:45:50 | 0:45:52 | |
ORCHESTRA BEGINS | 0:45:52 | 0:45:54 | |
# You ask me why I'm always teasing you | 0:45:57 | 0:46:01 | |
# You hate to have me call you pretty, baby | 0:46:02 | 0:46:06 | |
# I really thought that I was pleasing you | 0:46:06 | 0:46:10 | |
# For you're just a baby to me | 0:46:10 | 0:46:14 | |
# Your funny little dimples and your baby stare | 0:46:15 | 0:46:19 | |
# Your baby talk and baby walk and curly hair | 0:46:19 | 0:46:24 | |
# Your baby smile makes life worthwhile | 0:46:24 | 0:46:28 | |
# You're just as sweet as you can be | 0:46:28 | 0:46:32 | |
# Everybody loves a baby that's why I'm in love with you | 0:46:32 | 0:46:37 | |
# Pretty baby | 0:46:37 | 0:46:39 | |
# Pretty baby | 0:46:39 | 0:46:41 | |
# And I'd like to be your sister, brother, dad and mother too... # | 0:46:41 | 0:46:46 | |
BIG BAND MUSIC | 0:46:54 | 0:46:57 | |
APPLAUSE | 0:47:17 | 0:47:20 | |
Welcome to the grand final of the 1974 series of Come Dancing, | 0:47:20 | 0:47:25 | |
before an enthusiastic audience in the Lyceum Ballroom, London. | 0:47:25 | 0:47:30 | |
'There's a great audience who have probably never heard | 0:47:37 | 0:47:41 | |
'Ponchielli's Dance Of The Hours played as a Cha-cha-cha. | 0:47:41 | 0:47:46 | |
'This is the first year that 16-year-old Royston Shepherd | 0:47:46 | 0:47:50 | |
'and Karen Webb have appeared. | 0:47:50 | 0:47:52 | |
'Roy is from Aldershot, Karen from Reading. | 0:47:52 | 0:47:55 | |
'She's wearing a dress of cherry red velvet with chiffon frills. | 0:47:55 | 0:48:00 | |
'Roy and Karen have yet to reach the finals of a major championship.' | 0:48:00 | 0:48:05 | |
You know our judges, if you're a ballroom dance lover. | 0:48:09 | 0:48:12 | |
Meet them again - Bill Irvine, Peggy Spencer, Harry Smith-Hampshire. | 0:48:12 | 0:48:18 | |
APPLAUSE | 0:48:18 | 0:48:20 | |
They have the onerous task of marking the Latin American. | 0:48:22 | 0:48:26 | |
The marks for England's Cha-cha-cha. | 0:48:26 | 0:48:29 | |
CHEERING AND APPLAUSE Oh! High marks. | 0:48:30 | 0:48:34 | |
THEME TUNE PLAYS | 0:48:41 | 0:48:43 | |
AUDIENCE CLAP ALONG | 0:48:43 | 0:48:46 | |
'Live, from London, | 0:49:05 | 0:49:08 | |
'this is Strictly Come Dancing! | 0:49:08 | 0:49:11 | |
'Please welcome your hosts Bruce Forsyth | 0:49:11 | 0:49:15 | |
'and Tess Daly.' | 0:49:15 | 0:49:17 | |
-Bruno. -Rav! | 0:49:28 | 0:49:30 | |
First one out and you manage to ravage the tango! | 0:49:30 | 0:49:35 | |
AUDIENCE CHEERS | 0:49:35 | 0:49:37 | |
They're absolutely right. You went for it, and it's good. | 0:49:37 | 0:49:42 | |
But refinement. You have what it takes but take all of her direction. | 0:49:42 | 0:49:47 | |
And listen to the music. I felt you were off the music. | 0:49:47 | 0:49:52 | |
-Yes. -That doesn't help in dancing. | 0:49:52 | 0:49:55 | |
'Time to collect the scores from the judges...' | 0:49:55 | 0:49:59 | |
THEME TUNE PLAYS | 0:50:21 | 0:50:24 | |
Let's get on to this business of being famous, | 0:50:41 | 0:50:44 | |
which is where you're leading the conversation. | 0:50:44 | 0:50:48 | |
Apart from critical appreciation of your work as a playwright, | 0:50:48 | 0:50:52 | |
have you any hankering after personal publicity? | 0:50:52 | 0:50:56 | |
-No. -You're honest enough to have analysed yourself. | 0:50:56 | 0:51:00 | |
I wonder whether you do, deep down, | 0:51:00 | 0:51:03 | |
have a desire to be a figure of hate with the public? | 0:51:03 | 0:51:07 | |
Yes. I know what you mean. | 0:51:07 | 0:51:10 | |
Er...I don't THINK so. | 0:51:10 | 0:51:12 | |
I mean, I think there was a time, | 0:51:12 | 0:51:15 | |
there was a period when I courted publicity, to some extent. | 0:51:15 | 0:51:22 | |
Even then, it was to a limited extent | 0:51:22 | 0:51:25 | |
because... | 0:51:25 | 0:51:28 | |
Um... | 0:51:30 | 0:51:32 | |
One did it because... from one's show business instinct. | 0:51:33 | 0:51:38 | |
You thought the way to get people in | 0:51:38 | 0:51:41 | |
was to get as many lines as possible. | 0:51:41 | 0:51:45 | |
Then, of course, after that point was reached, | 0:51:45 | 0:51:49 | |
the intrusion into one's life became so intense | 0:51:49 | 0:51:53 | |
and so unpleasant, | 0:51:53 | 0:51:57 | |
that one made every effort to avoid it. | 0:51:57 | 0:52:02 | |
THEME TUNE PLAYS | 0:52:10 | 0:52:13 | |
You never wanted to be anything else but a footballer. | 0:52:39 | 0:52:43 | |
I was always asked by my teachers what I wanted to be when I grew up | 0:52:43 | 0:52:49 | |
and the only thing I used to say was a footballer. | 0:52:49 | 0:52:53 | |
I'm sure they had their doubts, but I never had my doubts | 0:52:53 | 0:52:57 | |
about becoming a professional footballer and I love every minute. | 0:52:57 | 0:53:02 | |
Were you always naturally gifted? | 0:53:02 | 0:53:04 | |
Erm...I was because sometimes I used to get kicked all over the place. | 0:53:04 | 0:53:09 | |
Bruises from head to toe. | 0:53:09 | 0:53:11 | |
I used to get quite a bit of stick at school, | 0:53:11 | 0:53:15 | |
but I was never one to turn round and say I was really good at football when I was 10, 11. | 0:53:15 | 0:53:21 | |
I left that for other people. | 0:53:21 | 0:53:24 | |
My dad never really told me I was that good. | 0:53:24 | 0:53:27 | |
But I think, deep down, he knew that I had a bit of ability. | 0:53:27 | 0:53:32 | |
It's that thing that you're as good as the amount that you practise. | 0:53:32 | 0:53:37 | |
-You've always practised from being a young kid. -Yeah. | 0:53:37 | 0:53:40 | |
When young kids ask questions to me, that's the first thing I always say. | 0:53:40 | 0:53:46 | |
Practice gets you to the top. | 0:53:46 | 0:53:48 | |
Obviously, you've got to have a certain amount of ability. | 0:53:48 | 0:53:53 | |
It's something my dad drummed into me since I was eight, nine, 10. | 0:53:53 | 0:53:59 | |
THEME TUNE PLAYS | 0:54:07 | 0:54:09 | |
APPLAUSE | 0:54:20 | 0:54:23 | |
How hard is it to find people? They all look pretty good to me in the early stages. | 0:54:28 | 0:54:34 | |
There seems to be a lot of people who are up to the task. | 0:54:34 | 0:54:38 | |
Is there a big difference between people who nail those leading roles | 0:54:38 | 0:54:43 | |
and the people who are not quite star quality? | 0:54:43 | 0:54:47 | |
-Couldn't just about anyone do it? -Star quality is difficult to find. -Tell me about it. | 0:54:47 | 0:54:53 | |
Sorry, I... But a leading man who could star in the West End | 0:54:53 | 0:54:57 | |
or a leading girl, | 0:54:57 | 0:54:59 | |
you begin to run out. | 0:54:59 | 0:55:01 | |
Elaine Paige, great. Fantastic. | 0:55:01 | 0:55:04 | |
John, you could sell out. Michael Ball. | 0:55:04 | 0:55:08 | |
I think, Connie Fisher. It's hard to find kids you can say that about. | 0:55:08 | 0:55:13 | |
I look at it from the fact that if I'm in an audience, watching them, | 0:55:13 | 0:55:18 | |
if I feel my attention is drawn to them, that's star quality. | 0:55:18 | 0:55:23 | |
If I'm going like this... "Finish the song." It's not the star. | 0:55:23 | 0:55:27 | |
THEME TUNE PLAYS | 0:55:35 | 0:55:38 | |
For an industry used to banner headlines and emotive descriptions, | 0:56:12 | 0:56:17 | |
the motor trade has excelled itself over a piece of equipment | 0:56:17 | 0:56:21 | |
not much bigger than your speedometer. | 0:56:21 | 0:56:25 | |
It's a tachograph to some, a spy in the cab to others. | 0:56:25 | 0:56:29 | |
This is what it looks like. | 0:56:29 | 0:56:31 | |
The tachograph is a clock-speedometer combination | 0:56:31 | 0:56:35 | |
which records on a disc in the back | 0:56:35 | 0:56:38 | |
the distance a vehicle travels, the time it's used | 0:56:38 | 0:56:42 | |
and the speed at which it travels. | 0:56:42 | 0:56:45 | |
It gives an accurate record without the need for manual records or logs. | 0:56:45 | 0:56:51 | |
It starts to work as soon as I switch on. | 0:56:51 | 0:56:54 | |
THEME TUNE PLAYS | 0:57:17 | 0:57:21 | |
This CAN happen. | 0:57:41 | 0:57:44 | |
Oh, and it just has. Here we go! | 0:57:48 | 0:57:50 | |
Good grip. | 0:57:56 | 0:57:59 | |
Power! | 0:57:59 | 0:58:01 | |
I am breaking the speed limit indoors! | 0:58:03 | 0:58:06 | |
He's right on my tail! | 0:58:06 | 0:58:09 | |
This is where front-wheel drive comes in. | 0:58:10 | 0:58:14 | |
Round the palm tree! | 0:58:14 | 0:58:17 | |
He's taken out Costa Coffee! | 0:58:20 | 0:58:23 | |
The baddie has made the classic baddie error. | 0:58:23 | 0:58:27 | |
He's got too much power. | 0:58:27 | 0:58:29 | |
I've got 120 horsepower in this. You don't want any more on marble. | 0:58:30 | 0:58:36 | |
Subtitles by Red Bee Media Ltd | 0:58:49 | 0:58:52 |