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Hello, children, what are you doing? | 0:00:25 | 0:00:27 | |
We're sticking our pictures up on the wall. | 0:00:27 | 0:00:30 | |
That's great, | 0:00:30 | 0:00:31 | |
but have you ever thought about how important walls are? | 0:00:31 | 0:00:35 | |
That wall doesn't just hold your pictures up, | 0:00:35 | 0:00:37 | |
it's holding up the roof above our heads and the whole school. | 0:00:37 | 0:00:42 | |
It has to be very strong to do that. | 0:00:42 | 0:00:44 | |
Do you know what it's made of? | 0:00:44 | 0:00:46 | |
Is it made out of bricks? | 0:00:46 | 0:00:48 | |
That's right. But what are bricks made from? | 0:00:48 | 0:00:51 | |
Mm... I don't know. | 0:00:51 | 0:00:53 | |
Bricks start their journey in the ground, as clay. | 0:00:53 | 0:00:56 | |
Clay is a type of rock. | 0:00:56 | 0:00:58 | |
In fact, clay is made up of tiny bits of rock, | 0:00:58 | 0:01:02 | |
smaller than a grain of sand. | 0:01:02 | 0:01:04 | |
The clay is dug up by big diggers in quarries. | 0:01:04 | 0:01:06 | |
Clay is special because when it is mixed with water, | 0:01:08 | 0:01:12 | |
it becomes very sticky and it can be made into lots of different shapes. | 0:01:12 | 0:01:17 | |
This is why it can be used to make lots of things | 0:01:17 | 0:01:19 | |
like plates, cups and bricks. | 0:01:19 | 0:01:22 | |
Clay is the main ingredient to make a brick, | 0:01:22 | 0:01:25 | |
but a lot has to be done to the clay before it can hold up a building. | 0:01:25 | 0:01:29 | |
Would you like to find out more? | 0:01:29 | 0:01:32 | |
BOTH: Yes, please! | 0:01:32 | 0:01:34 | |
Off you go to the brick factory to find out more from my friend Graham. | 0:01:34 | 0:01:38 | |
Hello, children. My name is Graham. | 0:01:45 | 0:01:47 | |
I run this brick factory. | 0:01:47 | 0:01:49 | |
Would you like us to show you how we make our bricks? | 0:01:49 | 0:01:51 | |
BOTH: Yeah! | 0:01:51 | 0:01:52 | |
Come on, then. Let's see what we can find. | 0:01:52 | 0:01:55 | |
All the clay comes to the factory from local quarries, | 0:01:55 | 0:01:59 | |
ready to be made into bricks. | 0:01:59 | 0:02:01 | |
The first thing to do is to move the clay from the yard into the factory. | 0:02:01 | 0:02:06 | |
Wow! | 0:02:11 | 0:02:12 | |
It travels on a conveyor, way up in the air. | 0:02:12 | 0:02:16 | |
You can follow it to see what happens next. | 0:02:16 | 0:02:19 | |
There's the conveyor belt, | 0:02:19 | 0:02:20 | |
so the clay was there and it goes all the way up into the factory. | 0:02:20 | 0:02:24 | |
Wow! | 0:02:25 | 0:02:26 | |
The next stage is to get rid of all the lumps. | 0:02:26 | 0:02:30 | |
The conveyor takes the clay to a big machine that crushes it. | 0:02:30 | 0:02:34 | |
To see inside the crusher, you need to climb up all these stairs. | 0:02:34 | 0:02:37 | |
Careful now! | 0:02:37 | 0:02:39 | |
There you go. If you look in, | 0:02:42 | 0:02:44 | |
those big rollers are crushing up the clay, can you see? | 0:02:44 | 0:02:47 | |
BOTH: Yeah. | 0:02:47 | 0:02:49 | |
Each one of those weighs about ten tonnes. | 0:02:49 | 0:02:51 | |
Wow! | 0:02:52 | 0:02:53 | |
Now the clay is smoother, water is added. | 0:02:54 | 0:02:57 | |
So the big mixer we saw up there, that's crushing the clay. | 0:02:59 | 0:03:03 | |
And we also start adding some water to the clay. | 0:03:03 | 0:03:06 | |
Why do you add water? | 0:03:06 | 0:03:08 | |
We have to make sure the clay is nice and soft | 0:03:08 | 0:03:10 | |
so that we can mould it into bricks. | 0:03:10 | 0:03:13 | |
To see how soft the clay needs to be, | 0:03:13 | 0:03:15 | |
Keith can show you how he makes bricks by hand. | 0:03:15 | 0:03:18 | |
Hello, kids. My name's Keith. | 0:03:21 | 0:03:23 | |
I'm going to show you now how to make a handmade brick, OK? | 0:03:23 | 0:03:26 | |
BOTH: Yeah! | 0:03:26 | 0:03:27 | |
What we do, we get the clay, | 0:03:27 | 0:03:29 | |
which is the same as the clay they use down in the factories. | 0:03:29 | 0:03:33 | |
We get enough clay to make the brick. | 0:03:33 | 0:03:35 | |
Then, we roll it in the sand. | 0:03:35 | 0:03:37 | |
Why do you roll it in the sand? | 0:03:39 | 0:03:41 | |
I roll it in the sand so when we make the brick, | 0:03:41 | 0:03:44 | |
it doesn't stick in the mould. | 0:03:44 | 0:03:46 | |
So if we didn't do that, we wouldn't be able to get the bricks out | 0:03:46 | 0:03:49 | |
and they wouldn't be no good. | 0:03:49 | 0:03:51 | |
OK. Then we pick it up, place it in there. | 0:03:52 | 0:03:56 | |
This is the noisy bit. | 0:03:56 | 0:03:58 | |
OK? | 0:04:01 | 0:04:02 | |
Then, we cut that off. | 0:04:03 | 0:04:05 | |
We use that to make another brick. | 0:04:05 | 0:04:07 | |
And we turn it over, | 0:04:07 | 0:04:08 | |
give it a little tap, like that. | 0:04:08 | 0:04:11 | |
Then we put it on here, look. | 0:04:11 | 0:04:13 | |
And lift it up. | 0:04:13 | 0:04:15 | |
And that's the brick. | 0:04:15 | 0:04:17 | |
It's amazing. | 0:04:17 | 0:04:19 | |
Who wants to make a brick? | 0:04:19 | 0:04:21 | |
Me, me, me! | 0:04:21 | 0:04:23 | |
Put it on top of there, that's it. | 0:04:23 | 0:04:26 | |
Pat it down. | 0:04:26 | 0:04:27 | |
That's it. | 0:04:30 | 0:04:31 | |
That's it. Pat it on top. | 0:04:34 | 0:04:37 | |
That's it, pull it towards you. | 0:04:41 | 0:04:42 | |
Bring it over here. | 0:04:44 | 0:04:46 | |
There we are, there we go. | 0:04:49 | 0:04:51 | |
These are how bricks have been made for thousands of years, | 0:04:57 | 0:05:00 | |
but now the majority of them are made in the factories. | 0:05:00 | 0:05:03 | |
We can't make enough for all the houses | 0:05:03 | 0:05:05 | |
that are being built nowadays. | 0:05:05 | 0:05:07 | |
What happens next? | 0:05:07 | 0:05:09 | |
Well, Graham will show you what happens next. | 0:05:09 | 0:05:12 | |
-Shall we go and see him? -BOTH: Yeah! | 0:05:12 | 0:05:14 | |
Come on, then. | 0:05:14 | 0:05:16 | |
In order to make lots of bricks in the factory, | 0:05:18 | 0:05:21 | |
a massive machine is used. | 0:05:21 | 0:05:23 | |
Just like Keith, the machine squeezes the clay into moulds. | 0:05:25 | 0:05:28 | |
Each rectangle shape makes a brick. | 0:05:28 | 0:05:31 | |
So this is actually bricks being made, | 0:05:38 | 0:05:40 | |
where the soft, sticky clay is coming down through the machine | 0:05:40 | 0:05:43 | |
and the press block there is just | 0:05:43 | 0:05:46 | |
squeezing the right amount of clay into the mould. | 0:05:46 | 0:05:49 | |
So very, very soft, sticky clay. | 0:05:49 | 0:05:51 | |
Lovely to play with. | 0:05:51 | 0:05:52 | |
The bricks are pushed out of the mould using sand. | 0:05:57 | 0:05:59 | |
This is exactly the same as Keith and his handmade bricks. | 0:05:59 | 0:06:03 | |
But the sand has another really important job. | 0:06:03 | 0:06:07 | |
We use different types of sand to give us different colours of bricks. | 0:06:07 | 0:06:10 | |
So we can make purple bricks, black bricks, red bricks. | 0:06:10 | 0:06:14 | |
In fact, the bricks we're making today, | 0:06:14 | 0:06:16 | |
that you've seen all the clay coming into the factory, | 0:06:16 | 0:06:18 | |
will actually come out yellow. | 0:06:18 | 0:06:20 | |
So a nice buff clay, yellow sand and stain will make a yellow brick. | 0:06:20 | 0:06:25 | |
Red sand with a red clay. | 0:06:25 | 0:06:27 | |
And then we can even put a colorant on the brick. | 0:06:27 | 0:06:30 | |
So lots and lots of different sands, colours, stains | 0:06:30 | 0:06:33 | |
will make lots of pretty different-coloured bricks. OK? | 0:06:33 | 0:06:37 | |
Now, the bricks have to be made hard | 0:06:39 | 0:06:40 | |
and the first part of this is to dry them. | 0:06:40 | 0:06:43 | |
Once we've made our bricks, we then have to dry them. | 0:06:46 | 0:06:49 | |
So we put them into dryers. | 0:06:49 | 0:06:51 | |
They're in the dryers for about 24 hours. | 0:06:51 | 0:06:53 | |
The temperature of the dryers is up to 100 degrees Celsius, | 0:06:53 | 0:06:57 | |
so very, very hot. | 0:06:57 | 0:06:58 | |
That's why there's sometimes steam coming out of the dryers, | 0:06:58 | 0:07:01 | |
cos that's the water coming out of the bricks. | 0:07:01 | 0:07:04 | |
Why do you remove the water? | 0:07:04 | 0:07:06 | |
If we didn't remove the water before they go into the kiln, | 0:07:06 | 0:07:09 | |
they would actually explode. The water would get trapped | 0:07:09 | 0:07:12 | |
in the middle of the brick and they'd shatter. | 0:07:12 | 0:07:14 | |
And we don't like shattered bricks. We like perfect bricks. | 0:07:14 | 0:07:17 | |
OK, shall we go and see the next stage and the kiln? | 0:07:17 | 0:07:20 | |
Yes, please. | 0:07:20 | 0:07:21 | |
Once the bricks are nice and dry, they go to the kiln to be fired. | 0:07:23 | 0:07:26 | |
So these have just come through the kiln, | 0:07:40 | 0:07:42 | |
and the kiln is a really, really hot oven. | 0:07:42 | 0:07:45 | |
It's a hot temperature of 1,080 degrees centigrade. | 0:07:45 | 0:07:48 | |
So, in a minute, the doors will automatically open, | 0:07:48 | 0:07:51 | |
and we'll see all the red-hot bricks inside. | 0:07:51 | 0:07:54 | |
Oh, yeah. | 0:07:55 | 0:07:58 | |
Wow! | 0:07:58 | 0:08:00 | |
It looks really hot. | 0:08:01 | 0:08:03 | |
That's right, children. Those flames are firing the bricks, | 0:08:03 | 0:08:06 | |
hardening them so they're strong enough to hold up a house. | 0:08:06 | 0:08:09 | |
That's the end of our day. | 0:08:20 | 0:08:22 | |
This is where the bricks are finally selected. | 0:08:22 | 0:08:24 | |
We package them up and send them off all over the UK | 0:08:24 | 0:08:27 | |
for people to build houses, hospitals and schools. | 0:08:27 | 0:08:30 | |
So you now know exactly how to make bricks, | 0:08:30 | 0:08:32 | |
so you can go off now and tell Curious Cat all about it, can't you? | 0:08:32 | 0:08:36 | |
BOTH: Yeah! | 0:08:36 | 0:08:38 | |
So, children, how was your journey? | 0:08:38 | 0:08:41 | |
It was great. | 0:08:41 | 0:08:42 | |
We made our own bricks! See? | 0:08:42 | 0:08:45 | |
That's fantastic! What did you learn? | 0:08:45 | 0:08:48 | |
Bricks are made of clay and water. | 0:08:48 | 0:08:51 | |
The water makes the clay easy to mould. | 0:08:51 | 0:08:54 | |
The mixture is squished and squashed so it is all the same. | 0:08:54 | 0:08:58 | |
It's put into a mould to make a brick shape. | 0:08:58 | 0:09:01 | |
It is dried to get rid of all the water so it wouldn't explode. | 0:09:01 | 0:09:07 | |
It gets really hot in the kiln and this makes the brick really strong. | 0:09:07 | 0:09:12 | |
The bricks are packed up to go to building sites. | 0:09:12 | 0:09:15 | |
Well done, children! | 0:09:15 | 0:09:17 | |
Now you know how clay becomes strong enough | 0:09:17 | 0:09:19 | |
to hold up the school and your houses. | 0:09:19 | 0:09:22 | |
It's time to say goodbye. | 0:09:22 | 0:09:24 | |
BOTH: Bye-bye, Curious Cat. | 0:09:24 | 0:09:26 | |
Goodbye, children! | 0:09:26 | 0:09:30 | |
Hello, children. | 0:09:57 | 0:09:58 | |
BOTH: Hello, Curious Cat! | 0:09:58 | 0:10:00 | |
-What are you doing? -We're watching a programme on TV. | 0:10:00 | 0:10:03 | |
Do you know how TV is made? | 0:10:03 | 0:10:05 | |
BOTH: No. | 0:10:05 | 0:10:07 | |
Well, go and meet my friend Steve who can tell you all about it. | 0:10:07 | 0:10:10 | |
-Hi! -Hi, Louis. Hi, Kai. -Hi! | 0:10:17 | 0:10:19 | |
-Would you like to see how we make television? -BOTH: Yes, please! | 0:10:19 | 0:10:22 | |
Follow me. | 0:10:22 | 0:10:24 | |
It all starts in the television studio, where programmes are filmed. | 0:10:26 | 0:10:30 | |
For live TV, the studio is connected to a special room, | 0:10:30 | 0:10:34 | |
where everything is controlled. | 0:10:34 | 0:10:36 | |
The people who run the show sit in here telling everyone, | 0:10:36 | 0:10:40 | |
including the presenters, what to do. | 0:10:40 | 0:10:42 | |
Coming to camera three, then. Last ten seconds... | 0:10:42 | 0:10:46 | |
In three, two, one... | 0:10:46 | 0:10:47 | |
That bit is the important bit, yeah? | 0:10:51 | 0:10:54 | |
Let's find out what a presenter does. | 0:10:54 | 0:10:57 | |
-Hello! -Hello, how lovely to see you. | 0:11:00 | 0:11:02 | |
Welcome to my studio. | 0:11:02 | 0:11:04 | |
Kai and Louis, this is Matt. | 0:11:04 | 0:11:06 | |
He presents The One Show live for BBC. | 0:11:06 | 0:11:08 | |
He's going to tell us what being a live presenter is all about. | 0:11:08 | 0:11:11 | |
-Ahh! -What is being a live presenter all about? | 0:11:11 | 0:11:14 | |
Well, it's a very good question. | 0:11:14 | 0:11:15 | |
Basically, you've got half an hour | 0:11:15 | 0:11:17 | |
to get loads of information into a show. | 0:11:17 | 0:11:20 | |
We've got lots of different films. And the key is knowing your guest. | 0:11:20 | 0:11:24 | |
Right, lads, you see this? | 0:11:24 | 0:11:25 | |
This is a special little tool that all presenters have | 0:11:25 | 0:11:28 | |
and it's called an earpiece. | 0:11:28 | 0:11:29 | |
And this fastens, it's a bit like a walkie-talkie system, OK? | 0:11:29 | 0:11:33 | |
And this is like, you'd go, "Cccrr, hello," right? | 0:11:33 | 0:11:35 | |
But what you do is you fasten that to the end | 0:11:35 | 0:11:37 | |
and then you stick this bit in your ear, | 0:11:37 | 0:11:40 | |
tuck it all in behind so no-one can see it, | 0:11:40 | 0:11:42 | |
and you can hear what people are saying in the gallery. | 0:11:42 | 0:11:45 | |
And this is a special room where lots of people are talking. | 0:11:45 | 0:11:48 | |
So Steve sits in there, he's the director. | 0:11:48 | 0:11:51 | |
From this special room, Steve can talk to Matt in his earpiece. | 0:11:51 | 0:11:55 | |
But Matt uses another clever piece of technology | 0:11:55 | 0:11:58 | |
that tells him what to say. | 0:11:58 | 0:12:00 | |
It's called an autocue. | 0:12:00 | 0:12:02 | |
We've seen how Matt and the professionals do it. | 0:12:03 | 0:12:06 | |
They read the words on the screen in front of the camera. | 0:12:06 | 0:12:09 | |
Lots of people have helped to write for them. | 0:12:09 | 0:12:11 | |
The screen is see-through and the camera is hidden behind it. | 0:12:11 | 0:12:15 | |
This means the presenters are looking directly at the camera | 0:12:15 | 0:12:19 | |
as they read their words. | 0:12:19 | 0:12:20 | |
It must be really hard listening and reading at the same time. | 0:12:20 | 0:12:25 | |
Why don't you have a go! | 0:12:25 | 0:12:27 | |
Kai, you read the words from the autocue. | 0:12:27 | 0:12:30 | |
And, Louis, you tell him things to do, | 0:12:30 | 0:12:32 | |
just like the people talking to Matt in his earpiece. | 0:12:32 | 0:12:36 | |
We've got you on camera. Action! | 0:12:36 | 0:12:38 | |
Today, we will learn how TV is made. | 0:12:38 | 0:12:41 | |
Put your right arm up. | 0:12:41 | 0:12:42 | |
We are on the set of The One Show... | 0:12:42 | 0:12:45 | |
Put your left arm up. | 0:12:45 | 0:12:46 | |
We are filming behind the scenes... | 0:12:46 | 0:12:49 | |
Put your right arm down. | 0:12:49 | 0:12:51 | |
Here, we will learn about filming a live TV show... | 0:12:51 | 0:12:53 | |
Put your left arm down. | 0:12:53 | 0:12:55 | |
Next, we will see how the show is sent to TVs... | 0:12:55 | 0:12:58 | |
Put both arms up. | 0:12:58 | 0:13:00 | |
..all around the country. | 0:13:00 | 0:13:01 | |
Put both arms down. | 0:13:01 | 0:13:04 | |
You've had a go at reading and listening at the same time. | 0:13:04 | 0:13:07 | |
It's difficult, isn't it? BOTH: Yeah. | 0:13:07 | 0:13:09 | |
While Matt is listening to his earpiece and reading the autocue, | 0:13:09 | 0:13:13 | |
the cameras are recording his image and sound. | 0:13:13 | 0:13:16 | |
Why don't you have a go on the cameras? | 0:13:16 | 0:13:18 | |
Studio cameras are really big. | 0:13:25 | 0:13:27 | |
They have a screen to see what you're filming | 0:13:27 | 0:13:29 | |
and buttons to control them. | 0:13:29 | 0:13:32 | |
They also have wheels so they can move around the studio. | 0:13:32 | 0:13:36 | |
I like being a cameraman. | 0:13:38 | 0:13:40 | |
Next, the pictures and sound | 0:13:46 | 0:13:48 | |
recorded on the cameras in the studio | 0:13:48 | 0:13:51 | |
go to a special room full of TVs. | 0:13:51 | 0:13:54 | |
This is where everything is controlled. | 0:13:54 | 0:13:57 | |
It's called the gallery. | 0:13:57 | 0:13:58 | |
This is the gallery or control room, | 0:13:58 | 0:14:00 | |
where everything is controlled on live transmissions. | 0:14:00 | 0:14:03 | |
The producer talks to Matt in his earpiece. | 0:14:03 | 0:14:05 | |
And I sit here trying to make sure the show goes out smoothly. | 0:14:05 | 0:14:08 | |
The producer is in charge, | 0:14:08 | 0:14:10 | |
and they control everything from this room using the TVs and buttons. | 0:14:10 | 0:14:14 | |
Steve is the director, and he tells the cameramen what to do. | 0:14:14 | 0:14:20 | |
Some of the TVs show what each of the studio cameras are recording. | 0:14:20 | 0:14:24 | |
This one is for the final programme that you watch on your TV at home. | 0:14:24 | 0:14:30 | |
Let's find out what the buttons do. | 0:14:30 | 0:14:33 | |
As you press the buttons on this row, here, it changes what happens. | 0:14:33 | 0:14:37 | |
Can we use these? The lever? | 0:14:37 | 0:14:40 | |
You can use the lever. Louis, if you just move that lever... See? | 0:14:40 | 0:14:44 | |
That's something called a mix effect. | 0:14:44 | 0:14:46 | |
So, the buttons and levers control what you see on the screens. | 0:14:46 | 0:14:53 | |
What happens next? | 0:14:53 | 0:14:55 | |
-Shall we go and find out? -Yes. -Yes, please. | 0:14:55 | 0:14:59 | |
Once the programme is ready, it can be sent | 0:15:03 | 0:15:06 | |
to all the houses across the country. | 0:15:06 | 0:15:08 | |
Once the programme is finished, it comes | 0:15:08 | 0:15:10 | |
to the control room and gets sent all across the country. | 0:15:10 | 0:15:14 | |
If you look there, you can see the programmes on air live on the BBC. | 0:15:14 | 0:15:18 | |
So, how does it get to the people's homes? | 0:15:18 | 0:15:20 | |
-I'll show you. Follow me. -OK. | 0:15:20 | 0:15:22 | |
So, to send the picture to your homes, | 0:15:27 | 0:15:29 | |
we first have to turn it into waves. | 0:15:29 | 0:15:32 | |
I've got a really good way of showing you that. | 0:15:32 | 0:15:34 | |
If I talk into this microphone, and you look at the screen, | 0:15:34 | 0:15:37 | |
see the line moving? | 0:15:37 | 0:15:39 | |
-Yes. -If I talk quietly, see, it's quite small? | 0:15:39 | 0:15:41 | |
And then if I talk loudly, see, it goes really big? | 0:15:41 | 0:15:45 | |
-Yeah. -That's the sound being turned into a wave. | 0:15:45 | 0:15:47 | |
-Do you want to have a go? -Yes, please. | 0:15:47 | 0:15:50 | |
Ahhhhhhh. | 0:15:50 | 0:15:51 | |
Looooooooooaaarrr. | 0:15:51 | 0:15:52 | |
Once we've turned it into waves, we send it to your house. | 0:15:55 | 0:15:58 | |
Once the pictures and sounds have been changed into waves, | 0:15:58 | 0:16:02 | |
they're sent to special machine called a satellite dish. | 0:16:02 | 0:16:05 | |
This is where we broadcast all of the BBC channels from, like CBBC. | 0:16:12 | 0:16:16 | |
We have to broadcast 365 days a year, 24 hours a day. | 0:16:16 | 0:16:18 | |
If we didn't, there wouldn't be any telly. | 0:16:18 | 0:16:21 | |
Why do they have to point upwards, though? | 0:16:21 | 0:16:24 | |
So they can see a satellite in space. | 0:16:24 | 0:16:26 | |
That's right, and Steve's got a really good way | 0:16:26 | 0:16:29 | |
of demonstrating why satellite dishes point upwards. | 0:16:29 | 0:16:32 | |
So, imagine that light, there, is a satellite dish. | 0:16:34 | 0:16:39 | |
The TV signals travel in a straight line to your home. | 0:16:39 | 0:16:41 | |
This mug's your home. | 0:16:41 | 0:16:43 | |
If the dishes were on the ground, any big building | 0:16:44 | 0:16:47 | |
like my hand or a tree would block the signal. You see the shadow? | 0:16:47 | 0:16:51 | |
That's the signal blocking, so people wouldn't get a good picture. | 0:16:51 | 0:16:54 | |
We don't send it from the dish on the ground directly to people's homes. | 0:16:54 | 0:16:59 | |
Instead the dish points up at a satellite. | 0:16:59 | 0:17:02 | |
It's pointing at the satellite way up in space | 0:17:08 | 0:17:12 | |
and that beams down to people's homes, | 0:17:12 | 0:17:16 | |
and if you put your hands there, see? | 0:17:16 | 0:17:18 | |
The signal's not blocked. | 0:17:18 | 0:17:20 | |
There's no shadow. | 0:17:20 | 0:17:22 | |
So, that's why we use a satellite - | 0:17:22 | 0:17:24 | |
to get the signals down to everybody at once. | 0:17:24 | 0:17:26 | |
So, the TV waves are beamed from the satellite dish | 0:17:26 | 0:17:30 | |
up to a satellite in space, which sends them back down to your houses. | 0:17:30 | 0:17:35 | |
What do the TV waves do next? | 0:17:35 | 0:17:38 | |
They get converted back into sound and pictures, | 0:17:38 | 0:17:40 | |
-so you can watch them on your television. -Clever idea. -Very clever. | 0:17:40 | 0:17:44 | |
Hello, children. How was your journey? | 0:17:48 | 0:17:51 | |
It was really fun. We went behind the scenes at The One Show, | 0:17:51 | 0:17:54 | |
and we met the presenter, who told us all about his job. | 0:17:54 | 0:17:59 | |
The presenters listen to the producers in their earpiece | 0:17:59 | 0:18:03 | |
and they tell them what to do. | 0:18:03 | 0:18:06 | |
I read from the autocue and Louis told me stuff to do. | 0:18:06 | 0:18:11 | |
It was very hard to read and listen at the same time. | 0:18:11 | 0:18:14 | |
We filmed stuff on the big cameras and it was really fun. | 0:18:14 | 0:18:18 | |
The pictures and sounds go into a special room where | 0:18:18 | 0:18:22 | |
they put together the programmes. | 0:18:22 | 0:18:24 | |
Then the programme is made into a wave which can travel really far | 0:18:24 | 0:18:28 | |
in a straight line. | 0:18:28 | 0:18:31 | |
Waves can't go round objects, | 0:18:31 | 0:18:34 | |
so they're sent up to a satellite in space. | 0:18:34 | 0:18:37 | |
Then the waves are sent down to all the TVs in the UK. | 0:18:37 | 0:18:40 | |
That's great, children. So, now you know all about how TV is made. | 0:18:40 | 0:18:45 | |
It's time to say goodbye. | 0:18:45 | 0:18:47 | |
BOTH: Goodbye, Curious Cat. | 0:18:47 | 0:18:49 | |
Goodbye, children. | 0:18:49 | 0:18:53 | |
Hello, children. | 0:19:16 | 0:19:18 | |
BOTH: Hello, Curious Cat. | 0:19:18 | 0:19:21 | |
What are you doing? | 0:19:21 | 0:19:22 | |
We're drawing pictures with crayons. | 0:19:22 | 0:19:24 | |
We've drawn pictures of you. | 0:19:24 | 0:19:26 | |
Wow, that's great. | 0:19:26 | 0:19:28 | |
Crayons can be all sorts of different colours, | 0:19:28 | 0:19:31 | |
not just orange and purple. | 0:19:31 | 0:19:32 | |
Do you know what they're made of? | 0:19:32 | 0:19:34 | |
Are they made of wax? | 0:19:34 | 0:19:36 | |
Yes, that's right. | 0:19:36 | 0:19:38 | |
And wax is made from oil, | 0:19:38 | 0:19:40 | |
a black, shiny liquid that comes from underground. | 0:19:40 | 0:19:44 | |
Oil is found in rocks which have lots of little holes in them | 0:19:44 | 0:19:49 | |
like a sponge. | 0:19:49 | 0:19:51 | |
These rocks, filled with oil, are deep under the sea, | 0:19:51 | 0:19:56 | |
or are in the ground under our feet. | 0:19:56 | 0:19:58 | |
Big machines drill down to where the oil is and take it out. | 0:19:58 | 0:20:03 | |
Oil is really useful for all sorts of things. | 0:20:03 | 0:20:07 | |
It goes to a factory, | 0:20:07 | 0:20:08 | |
where it's made into all sorts of stuff, | 0:20:08 | 0:20:12 | |
including petrol for cars, the chemicals which make plastics, | 0:20:12 | 0:20:15 | |
and the main ingredient for crayons | 0:20:15 | 0:20:17 | |
which is called paraffin wax. | 0:20:17 | 0:20:20 | |
Do you want to find out what happens to the wax next, | 0:20:20 | 0:20:23 | |
to make it into different-coloured crayons? | 0:20:23 | 0:20:26 | |
Yes, please! | 0:20:26 | 0:20:27 | |
OK, then, off you go! | 0:20:27 | 0:20:30 | |
Liam runs the only children's crayon factory in the UK. | 0:20:34 | 0:20:38 | |
They can make all your favourite colours. | 0:20:38 | 0:20:41 | |
He'll tell you where it all starts. | 0:20:41 | 0:20:45 | |
Wax is the main ingredient we use to make crayons. | 0:20:45 | 0:20:48 | |
It arrives in small flakes, so it's easier to heat up and melt. | 0:20:48 | 0:20:53 | |
It feels a bit hard and squishy. | 0:20:55 | 0:20:58 | |
That's right, but the wax is too hard to write on paper, | 0:20:58 | 0:21:01 | |
so we add a chemical, | 0:21:01 | 0:21:03 | |
which makes the wax softer, so it can draw on paper. | 0:21:03 | 0:21:07 | |
It's very soft. | 0:21:07 | 0:21:10 | |
Next, we put the two ingredients in this big pot, | 0:21:10 | 0:21:12 | |
which heats and melts it into a liquid, like ice cream in the sun. | 0:21:12 | 0:21:15 | |
It heats it up 120 degrees, which is hotter than a boiling kettle. | 0:21:15 | 0:21:20 | |
Wow, that sounds really hot. | 0:21:20 | 0:21:23 | |
When the wax gets that hot, it melts into a liquid | 0:21:23 | 0:21:26 | |
that can be poured into a bucket ready for what happens next. | 0:21:26 | 0:21:29 | |
Why is the wax really watery? | 0:21:37 | 0:21:40 | |
It does look like water, doesn't it? | 0:21:40 | 0:21:43 | |
The wax becomes clear when it melts, so it looks just like water. | 0:21:43 | 0:21:47 | |
Now the wax is ready, we need to add some colour. | 0:21:51 | 0:21:53 | |
But it's difficult to add colour to wax so we need to force it together. | 0:21:53 | 0:21:57 | |
Would you like to see? BOTH: Yes, please. | 0:21:57 | 0:22:00 | |
So, here are the colours. They are incredibly strong. | 0:22:07 | 0:22:10 | |
If you touched the powder, | 0:22:10 | 0:22:12 | |
you wouldn't be able to wash it off for a long time. | 0:22:12 | 0:22:15 | |
And these are the four main colours we use - | 0:22:15 | 0:22:18 | |
red, blue, green and yellow. | 0:22:18 | 0:22:20 | |
Where do those colours come from? | 0:22:20 | 0:22:22 | |
For thousands of years, colours came from plants and animals. | 0:22:22 | 0:22:26 | |
Red used to come from crushed spiders, | 0:22:26 | 0:22:29 | |
yellow comes from plants and animal wee, | 0:22:29 | 0:22:32 | |
and blue comes from the indigo plant. | 0:22:32 | 0:22:35 | |
But today, we use chemicals to make our colours. | 0:22:35 | 0:22:38 | |
That's right, the chemicals can make all sorts of colours, | 0:22:38 | 0:22:42 | |
but they don't mix well with wax. | 0:22:42 | 0:22:45 | |
So, the next thing to do is to make the colour ready to add to the wax. | 0:22:45 | 0:22:49 | |
A little bit of hot wax and colour are mixed, | 0:22:51 | 0:22:57 | |
and put through a machine which squeezes them together. | 0:22:57 | 0:23:04 | |
And out comes blue colour ready to add to the wax to make crayons. | 0:23:04 | 0:23:10 | |
-The colour is still warm, careful when you touch it! -Ah-ah-ah! | 0:23:10 | 0:23:15 | |
-Smell it, Martin. -Ewwww. -Smells like paint. | 0:23:15 | 0:23:20 | |
The colour cools down and becomes hard, ready to make crayons. | 0:23:21 | 0:23:26 | |
This is where the colour is added to the hot wax. | 0:23:26 | 0:23:31 | |
Andrew is making green crayons. | 0:23:32 | 0:23:35 | |
What is the white stuff for? | 0:23:38 | 0:23:41 | |
We add the white powder to the crayons to keep them strong, | 0:23:41 | 0:23:45 | |
otherwise, when you write with them, they would break. | 0:23:45 | 0:23:47 | |
The white powder is another chemical added to the crayon mixture. | 0:23:47 | 0:23:52 | |
The colour has now melted into the wax | 0:23:54 | 0:23:58 | |
to make a lot of green crayon mixture. | 0:23:58 | 0:24:00 | |
Next the crayons are made. | 0:24:00 | 0:24:02 | |
Next, we pour the wax on, and it sinks into the little holes, | 0:24:02 | 0:24:05 | |
Can you see the holes? BOTH: Yes. | 0:24:05 | 0:24:07 | |
Well, each of the holes makes a crayon. | 0:24:07 | 0:24:09 | |
The hot wax pours down into each hole to make a crayon. | 0:24:09 | 0:24:13 | |
Now this is the clever bit - | 0:24:13 | 0:24:15 | |
we circulate cold water around each crayon | 0:24:15 | 0:24:18 | |
to make sure it cools at just the right temperature. | 0:24:18 | 0:24:21 | |
If it cools too quickly, | 0:24:21 | 0:24:23 | |
we end up with a very bumpy crayon, | 0:24:23 | 0:24:25 | |
and they break easily. | 0:24:25 | 0:24:27 | |
The cold water inside the machine cools each crayon | 0:24:27 | 0:24:31 | |
in just the right way. | 0:24:31 | 0:24:32 | |
After a couple of minutes | 0:24:42 | 0:24:44 | |
the liquid wax has cooled into a solid crayon | 0:24:44 | 0:24:46 | |
and we scrape the rest of the wax off. | 0:24:46 | 0:24:48 | |
That wax goes back in the pot to be used again and again. | 0:24:56 | 0:24:59 | |
But where are the crayons? | 0:25:03 | 0:25:06 | |
If you go and pull that lever next to Andrew, you'll see. | 0:25:06 | 0:25:09 | |
Wow, that's clever! | 0:25:25 | 0:25:28 | |
Let's find out what happens next. | 0:25:28 | 0:25:31 | |
The last part of the process is one of the hardest, | 0:25:31 | 0:25:35 | |
and that's picking up all the crayons without dropping any. | 0:25:35 | 0:25:38 | |
Now, that may look easy, but, Hari, why don't you give it a try? | 0:25:43 | 0:25:46 | |
Oh, dear, Hari. It isn't as easy as it looks. | 0:25:52 | 0:25:55 | |
Next the crayons are labelled. | 0:25:55 | 0:25:59 | |
Can you see how the labelling machine works? | 0:26:07 | 0:26:11 | |
The crayons all line up ready. | 0:26:11 | 0:26:13 | |
The labels are made sticky with glue | 0:26:13 | 0:26:14 | |
and are stuck on, one crayon at a time. | 0:26:14 | 0:26:19 | |
And out roll the crayons ready to go into boxes! | 0:26:19 | 0:26:23 | |
So, Martin, pick three colours that you'd like | 0:26:26 | 0:26:29 | |
in your own box of crayons. | 0:26:29 | 0:26:31 | |
Green, blue and yellow. | 0:26:32 | 0:26:38 | |
-Thank you. Hari, would you like to choose three? -Yes. | 0:26:40 | 0:26:43 | |
Green, blue and yellow. | 0:26:45 | 0:26:50 | |
Thank you. | 0:26:50 | 0:26:52 | |
So, now you each have your own pack of crayons | 0:26:52 | 0:26:54 | |
to take back and show Curious Cat. | 0:26:54 | 0:26:56 | |
-Cool! -That's great! | 0:26:56 | 0:26:59 | |
So, children, how was the crayon factory? | 0:27:01 | 0:27:04 | |
It was great and fun. | 0:27:04 | 0:27:06 | |
We got our own box of crayons! | 0:27:06 | 0:27:08 | |
Brilliant! And what did you learn? | 0:27:08 | 0:27:11 | |
The crayons are made out of wax | 0:27:11 | 0:27:14 | |
and another thing to make it soft enough to draw on paper. | 0:27:14 | 0:27:17 | |
The mixture is heated up really hot | 0:27:17 | 0:27:20 | |
and it becomes a runny liquid like water. | 0:27:20 | 0:27:24 | |
Next, the colours are added. | 0:27:24 | 0:27:26 | |
They don't mix well with wax, | 0:27:26 | 0:27:28 | |
so they are forced together in a special machine. | 0:27:28 | 0:27:31 | |
The colour block is added with something to make the crayons hard. | 0:27:31 | 0:27:37 | |
The mould is cooled with water. | 0:27:37 | 0:27:39 | |
The extra wax is scraped off | 0:27:39 | 0:27:43 | |
and used again. | 0:27:43 | 0:27:44 | |
The crayons come up out of the mould, | 0:27:44 | 0:27:47 | |
and then they are put in boxes. | 0:27:47 | 0:27:49 | |
They are labelled and loads of bright colours go in each box. | 0:27:49 | 0:27:54 | |
That sounds great! | 0:27:54 | 0:27:55 | |
Now you can draw lots more pictures with your crayons. | 0:27:55 | 0:27:57 | |
Time to say goodbye. | 0:27:57 | 0:27:59 | |
BOTH: Bye-bye, Curious Cat. | 0:27:59 | 0:28:02 | |
Goodbye, children. | 0:28:02 | 0:28:05 | |
Subtitles by Red Bee Media Ltd | 0:28:25 | 0:28:30 |