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Inside each and every one of us is the most marvellous | 0:00:05 | 0:00:09 | |
and complicated object in the known universe - the human brain. | 0:00:09 | 0:00:14 | |
This great big blancmange of hardware is responsible for | 0:00:15 | 0:00:19 | |
everything from our personality to our potential, | 0:00:19 | 0:00:24 | |
but have you ever used to your brain to wonder | 0:00:24 | 0:00:27 | |
why don't men ask for directions? | 0:00:27 | 0:00:30 | |
Why are zombies scary? | 0:00:30 | 0:00:32 | |
And can I trust my brain? | 0:00:32 | 0:00:34 | |
Join me as we venture deep inside the landscape of your mind | 0:00:36 | 0:00:40 | |
to discover the things you need to know about the human brain. | 0:00:40 | 0:00:46 | |
Starting with... | 0:00:47 | 0:00:49 | |
Well, according to Aristotle, you don't really use it at all. | 0:00:52 | 0:00:56 | |
He thought it was just a radiator for keeping us cool. | 0:00:56 | 0:00:59 | |
But modern science now knows that even though it looks like a wobbly walnut, | 0:00:59 | 0:01:04 | |
you use all of your brain all of the time. | 0:01:04 | 0:01:07 | |
In fact, even though it's only 2% of your body mass, | 0:01:07 | 0:01:10 | |
this machine devours nearly a quarter of your energy. | 0:01:10 | 0:01:15 | |
To only use 10% of its capability | 0:01:15 | 0:01:18 | |
would be like buying a Sherman tank for the school run. | 0:01:18 | 0:01:23 | |
This idea that we only use 10% has been perpetuated | 0:01:24 | 0:01:29 | |
by some psychics and self-help gurus for many years. | 0:01:29 | 0:01:33 | |
They claim that the untapped 90% is where | 0:01:33 | 0:01:36 | |
we will find our superhuman powers. | 0:01:36 | 0:01:39 | |
However... | 0:01:39 | 0:01:41 | |
..it simply isn't true. | 0:01:45 | 0:01:46 | |
It would be madness if we only used 10% of our brains. | 0:01:46 | 0:01:50 | |
Our brains have evolved for some reason to be the size that they are. | 0:01:50 | 0:01:53 | |
Our brains are huge and they're extremely complex. | 0:01:53 | 0:01:57 | |
And in fact, it's dangerous that they're the size that they are. | 0:01:57 | 0:02:00 | |
We're a species where childbirth can be very, very dangerous | 0:02:00 | 0:02:02 | |
and that is because of the size of the baby's head. | 0:02:02 | 0:02:05 | |
I did a first aid course about 15 years ago | 0:02:05 | 0:02:07 | |
and it was taught on the course that head injuries aren't serious | 0:02:07 | 0:02:10 | |
because we only use 10% of our brains. | 0:02:10 | 0:02:12 | |
And I was thinking, "What?!" I mean, this is incredible. | 0:02:12 | 0:02:15 | |
This was being said by somebody who was standing up and talking, | 0:02:15 | 0:02:18 | |
knowing his name, breathing, | 0:02:18 | 0:02:20 | |
all of that being made possible by his brain working extremely hard. | 0:02:20 | 0:02:23 | |
Right now, your brain is powering 100 billion neurons. | 0:02:23 | 0:02:29 | |
There's over 100,000 miles of this electric spaghetti at work | 0:02:29 | 0:02:34 | |
in your brain, enough to go around the world four times. | 0:02:34 | 0:02:39 | |
Even the simple act of drinking tea | 0:02:39 | 0:02:42 | |
creates a lightning storm of activity. | 0:02:42 | 0:02:44 | |
But first, you need to know what tea is. | 0:02:44 | 0:02:48 | |
So your hippocampus calls up old memories of drinking tea. | 0:02:48 | 0:02:54 | |
Then your visual cortex cleverly picks out the cup from the saucer, | 0:02:54 | 0:02:58 | |
before your motor cortex lifts the cup to your mouth. | 0:02:58 | 0:03:02 | |
Mmm! | 0:03:02 | 0:03:04 | |
And while these bits of your brain are enjoying a tea break, | 0:03:04 | 0:03:07 | |
the rest of your brain is hard at work supporting these neurons. | 0:03:07 | 0:03:11 | |
We tend to think that the brain is made up of neurons, | 0:03:11 | 0:03:14 | |
which are the brain cells that do all the work in your brain. | 0:03:14 | 0:03:17 | |
But actually the vast majority of cells in your brain are glial cells | 0:03:17 | 0:03:20 | |
and they are there to support the neurones. | 0:03:20 | 0:03:23 | |
It's like the neurones are thoroughbreds | 0:03:23 | 0:03:25 | |
and they need a whole team of people to look after them. | 0:03:25 | 0:03:27 | |
So, there's an underlying army of cells that provide insulation, | 0:03:27 | 0:03:31 | |
food and protection, and sweep up dead neurons. | 0:03:31 | 0:03:36 | |
All in, you have about one trillion brain cells. | 0:03:36 | 0:03:40 | |
In fact, there are more cells in your head, | 0:03:40 | 0:03:42 | |
than there are stars in the entire galaxy. | 0:03:42 | 0:03:45 | |
So, we're already using the entire brain, | 0:03:45 | 0:03:49 | |
but what if we fancy a bit of an upgrade? | 0:03:49 | 0:03:52 | |
How can we get more out of what we've got? | 0:03:52 | 0:03:55 | |
How can I boost my brain? | 0:03:55 | 0:03:57 | |
You can train your body, but is there a workout for your brain? | 0:03:58 | 0:04:02 | |
Before you invest in the latest | 0:04:02 | 0:04:04 | |
brain-training games by Dr Do-Very-Little, | 0:04:04 | 0:04:08 | |
you might want to consider this recent research | 0:04:08 | 0:04:11 | |
from the University of Cambridge. | 0:04:11 | 0:04:13 | |
They took eight scientists, 12 brain-training games | 0:04:13 | 0:04:15 | |
and over 11,000 volunteers through a six-week mental workout, | 0:04:15 | 0:04:21 | |
and found no improvement to intelligence whatsoever. | 0:04:21 | 0:04:26 | |
Another myth is the so-called Mozart effect. | 0:04:26 | 0:04:30 | |
This is the idea that by listening to the musical genius you will | 0:04:30 | 0:04:34 | |
somehow boost your own brilliance, | 0:04:34 | 0:04:36 | |
and you do, but only by a very tiny amount | 0:04:36 | 0:04:39 | |
and it only lasts for about 15 minutes. | 0:04:39 | 0:04:41 | |
So you'd probably get the same effect by having a nice cup of tea. | 0:04:41 | 0:04:46 | |
It's been shown that this can work with all sorts of music, | 0:04:46 | 0:04:49 | |
it hasn't got to be Mozart. | 0:04:49 | 0:04:50 | |
Basically, you can boost your brainpower with certain sorts of tasks | 0:04:50 | 0:04:54 | |
for about 15 minutes with the U2 effect, the Blur effect, whatever you like. | 0:04:54 | 0:04:58 | |
You can do it with music cos music just basically energises you a bit. | 0:04:58 | 0:05:01 | |
There's nothing special about Mozart. | 0:05:01 | 0:05:03 | |
But there is one way to get maximum brain gain. | 0:05:04 | 0:05:08 | |
Playing any musical instrument, | 0:05:09 | 0:05:12 | |
even the drums. | 0:05:12 | 0:05:14 | |
You see, your brain is a bit like plasticine. | 0:05:14 | 0:05:17 | |
It's shaped and moulded by the things you do. | 0:05:17 | 0:05:20 | |
Musicians have more connections between the two sides. | 0:05:20 | 0:05:23 | |
They've got bigger cerebellums and up to 130% more grey matter. | 0:05:23 | 0:05:28 | |
And that's because intense concentration and co-ordination | 0:05:28 | 0:05:32 | |
physically improves the brain. | 0:05:32 | 0:05:34 | |
Learning to play a musical instrument basically involves | 0:05:34 | 0:05:37 | |
activity throughout the entire brain, | 0:05:37 | 0:05:39 | |
getting all different brain areas talking to each other. | 0:05:39 | 0:05:42 | |
Playing music can change your brain because there's this neuroplasticity, | 0:05:42 | 0:05:46 | |
we form new brain connections when you do something like, say, learn to play piano. | 0:05:46 | 0:05:51 | |
It's essentially the perfect work-out for the brain. | 0:05:51 | 0:05:54 | |
But before you dust off that saxophone, there's something you should know. | 0:05:54 | 0:05:57 | |
It takes about 10,000 hours to become an expert in something. | 0:05:57 | 0:06:02 | |
And your plasticine brain starts to stiffen as you get older. | 0:06:03 | 0:06:08 | |
But there is another way to boost your brain, | 0:06:08 | 0:06:11 | |
and you don't have to start young. | 0:06:11 | 0:06:13 | |
London cabbies are required to learn 25,000 streets | 0:06:13 | 0:06:17 | |
within a six-mile radius of Charing Cross. | 0:06:17 | 0:06:20 | |
Some scientists got under their bonnets with a brain scanner, | 0:06:20 | 0:06:24 | |
and they found their memory centre was actually bigger. | 0:06:24 | 0:06:28 | |
The hippocampus had grown to accommodate all that extra knowledge. | 0:06:28 | 0:06:32 | |
But they still have trouble working out the correct change. | 0:06:32 | 0:06:36 | |
So, those London cabbies have a natural advantage when it comes to navigation. | 0:06:39 | 0:06:45 | |
But what about the rest of us? How do we get from A to B? | 0:06:45 | 0:06:49 | |
And more importantly... | 0:06:49 | 0:06:51 | |
Navigation doesn't come easily to human brains, | 0:06:54 | 0:06:59 | |
or indeed jellyfish, who haven't got any. | 0:06:59 | 0:07:02 | |
No, nature's great navigator is the Arctic Tern. | 0:07:02 | 0:07:07 | |
They clock up an incredible 44,000 air miles every year. | 0:07:07 | 0:07:12 | |
Their tiny brains contain biomagnetite, | 0:07:12 | 0:07:16 | |
which can sense the earth's magnetic field. | 0:07:16 | 0:07:19 | |
A bit like having a compass in your own head. | 0:07:19 | 0:07:22 | |
Humans don't have that luxury. | 0:07:22 | 0:07:24 | |
But we're not all slaves to sat nav just yet. | 0:07:24 | 0:07:27 | |
Some trends suggest that men and women have developed different ways of getting about | 0:07:27 | 0:07:32 | |
and it might be down to the way we use our brains. | 0:07:32 | 0:07:35 | |
Now, if you've ever been in a car with a member of the opposite sex, | 0:07:36 | 0:07:41 | |
I'm sure you'll agree we have | 0:07:41 | 0:07:43 | |
very different opinions about which way to go. | 0:07:43 | 0:07:47 | |
So, you're off on a trip, in a race to the airport. | 0:07:47 | 0:07:50 | |
It's thought that women tend to use each brain hemisphere equally, | 0:07:50 | 0:07:54 | |
making them better at language. | 0:07:54 | 0:07:57 | |
They like to navigate using landmarks that can be described. | 0:07:57 | 0:08:01 | |
Go past the big clock and turn left at the shoe shop. | 0:08:01 | 0:08:05 | |
However, research suggests that men tend to use their right brains more. | 0:08:05 | 0:08:09 | |
It's slightly bigger than the left | 0:08:09 | 0:08:11 | |
and isn't really interested in talking, | 0:08:11 | 0:08:13 | |
preferring instead to create a 3D model of the surroundings. | 0:08:13 | 0:08:18 | |
Men tend to be much better than women on visuospatial | 0:08:18 | 0:08:21 | |
and navigation tasks, such as rotating 3D objects in your head, | 0:08:21 | 0:08:25 | |
wayfinding on maze tasks and also other mental rotation tasks. | 0:08:25 | 0:08:30 | |
Men think about places as points on a compass. | 0:08:30 | 0:08:34 | |
They just want to head south. | 0:08:34 | 0:08:36 | |
So, who's right? | 0:08:36 | 0:08:38 | |
The female method would be more efficient. | 0:08:38 | 0:08:41 | |
Using landmarks, you might get to your destination quicker, | 0:08:41 | 0:08:45 | |
and with fewer wrong turns. | 0:08:45 | 0:08:47 | |
That is until the sun goes down. | 0:08:47 | 0:08:49 | |
Unable to see the landmarks, you've had it, | 0:08:49 | 0:08:52 | |
although there is some doubt about this theory. | 0:08:52 | 0:08:55 | |
It's pretty controversial. | 0:08:55 | 0:08:56 | |
You can see these differences, but they tend to be trends | 0:08:56 | 0:08:59 | |
and sometimes we read more into these trends, | 0:08:59 | 0:09:01 | |
maybe because we want there to be interesting differences. | 0:09:01 | 0:09:04 | |
If you get a load of people to do some visuospatial tasks, | 0:09:04 | 0:09:07 | |
then 75% of the people who do really, really well on them will be male. | 0:09:07 | 0:09:11 | |
But that doesn't mean that there aren't some women who are really, really good at it, as well. | 0:09:11 | 0:09:16 | |
So, why don't men ask for directions? | 0:09:16 | 0:09:20 | |
Because we're not lost. | 0:09:20 | 0:09:22 | |
Even when we are. | 0:09:22 | 0:09:24 | |
Hiya! | 0:09:28 | 0:09:29 | |
We humans really are clever, aren't we? | 0:09:29 | 0:09:32 | |
We're able to represent three-dimensional space in our mind's eye, | 0:09:32 | 0:09:37 | |
manipulate it and then use it to travel over really long distances, | 0:09:37 | 0:09:41 | |
which sort of leads to an interesting question... | 0:09:41 | 0:09:44 | |
Your brain will do practically anything to keep your body alive. | 0:09:47 | 0:09:52 | |
However, for a lot of life's problems, | 0:09:52 | 0:09:54 | |
it's only got one answer. | 0:09:54 | 0:09:56 | |
Food poisoning - vomit. | 0:09:56 | 0:09:59 | |
You're pregnant - vomit. | 0:09:59 | 0:10:02 | |
Even a bumpy road - you guessed it, puke city. | 0:10:02 | 0:10:05 | |
Vomiting is your body's answer to quite a lot of problems. | 0:10:07 | 0:10:11 | |
Bangs on the head, ingested poisons, vomiting is the answer. | 0:10:11 | 0:10:15 | |
It's your body trying to get rid of things it thinks could be causing the problem, | 0:10:15 | 0:10:20 | |
things that might be poisoning you. | 0:10:20 | 0:10:22 | |
The trouble is your brain is sometimes wrong, and here's why. | 0:10:22 | 0:10:28 | |
Buried deep inside your inner ear, you've got a motion detector. | 0:10:28 | 0:10:33 | |
It's called the vestibular system and it's basically | 0:10:33 | 0:10:36 | |
three fluid-filled chambers full of microscopic hairs. | 0:10:36 | 0:10:40 | |
When you move, the fluid sloshes about. | 0:10:41 | 0:10:45 | |
It bends the hairs to let your brain know which way you're going. | 0:10:45 | 0:10:49 | |
So, as you bounce along in the back of a car, | 0:10:50 | 0:10:54 | |
the fluid in your inner ear is splashing about, | 0:10:54 | 0:10:58 | |
but your eyes tell a different story. | 0:10:58 | 0:11:00 | |
Seeing the inside of a car, | 0:11:00 | 0:11:02 | |
they think your body is completely stationary. | 0:11:02 | 0:11:04 | |
Your brain can't agree on what you feel and what you see, | 0:11:05 | 0:11:10 | |
so it jumps to the only logical conclusion - you've been poisoned. | 0:11:10 | 0:11:15 | |
Your brain heroically steps in to save the day. | 0:11:15 | 0:11:18 | |
It tells your stomach to contract, forcing its contents back out. | 0:11:18 | 0:11:23 | |
Try explaining that to the owner of the car. | 0:11:23 | 0:11:26 | |
Something that really seems to help with travel sickness | 0:11:26 | 0:11:28 | |
is to be able to look at some fixed point like the horizon | 0:11:28 | 0:11:31 | |
or something far in front of you. | 0:11:31 | 0:11:32 | |
This seems to be why drivers don't get sick, | 0:11:32 | 0:11:34 | |
because that's what they're doing when they drive. | 0:11:34 | 0:11:37 | |
It's not just car travel that affects your vestibular system. | 0:11:37 | 0:11:42 | |
A similar thing happens when you drink too much. | 0:11:42 | 0:11:45 | |
Alcohol is a bit of a sly one. | 0:11:45 | 0:11:47 | |
Its tiny molecules sneak into your inner ear. | 0:11:47 | 0:11:50 | |
It's much lighter than water, thinning the fluid, | 0:11:50 | 0:11:54 | |
causing it to become massively over-sensitive. | 0:11:54 | 0:11:57 | |
The result is the dreaded spin, | 0:11:58 | 0:12:01 | |
and more vomit. | 0:12:01 | 0:12:03 | |
That's the annoying thing about alcohol - once you've had a few, | 0:12:06 | 0:12:09 | |
you're too drunk to remember that you've already had enough. | 0:12:09 | 0:12:12 | |
But what if your memory's already a bit random even without the booze? | 0:12:12 | 0:12:17 | |
Or to put it another way... | 0:12:17 | 0:12:18 | |
So, you're at the office party and you've just met your dream girl. | 0:12:21 | 0:12:26 | |
But there's a problem - you've already forgotten her name, | 0:12:26 | 0:12:30 | |
and everyone else's. | 0:12:30 | 0:12:32 | |
Don't worry, you're not losing your marbles, | 0:12:32 | 0:12:35 | |
just your chance of a date. | 0:12:35 | 0:12:37 | |
When you meet someone for the first time, there is so much activity | 0:12:37 | 0:12:41 | |
going on in the brain to do with governing that social interaction. | 0:12:41 | 0:12:44 | |
It's all about "What am I going to say next? | 0:12:44 | 0:12:47 | |
"What are they going to think of me?" | 0:12:47 | 0:12:49 | |
The last thing you're thinking about is the person's name, | 0:12:49 | 0:12:52 | |
so of course you forget it. | 0:12:52 | 0:12:54 | |
Making memories is tricky. | 0:12:54 | 0:12:55 | |
Your neurons have to forge new connections. | 0:12:55 | 0:12:59 | |
If you remembered everything you heard, | 0:12:59 | 0:13:01 | |
you'd soon run out of brain space. | 0:13:01 | 0:13:04 | |
So your mind deliberately makes it hard. | 0:13:04 | 0:13:07 | |
First, you have to get through your working memory, | 0:13:07 | 0:13:10 | |
which is constantly being rewritten | 0:13:10 | 0:13:13 | |
because it can only hold about seven things. | 0:13:13 | 0:13:16 | |
That's why it's hard to remember anything longer than a phone number. | 0:13:16 | 0:13:20 | |
But, if important, | 0:13:20 | 0:13:21 | |
it gets stored in your long-term memory by your hippocampus. | 0:13:21 | 0:13:26 | |
Usually, though, there's no logic to names, | 0:13:26 | 0:13:28 | |
which makes them hard to keep hold of. | 0:13:28 | 0:13:31 | |
Names can be difficult because they can be so arbitrary, | 0:13:33 | 0:13:36 | |
because there's not necessarily meaning to help you. | 0:13:36 | 0:13:38 | |
So here's a John. Well, there's not necessarily anything Johnish about John. | 0:13:38 | 0:13:42 | |
There could be lots of Johns, | 0:13:42 | 0:13:44 | |
they won't necessarily have anything in common with each other. | 0:13:44 | 0:13:47 | |
So all you've got to go on is to remember the link itself. | 0:13:47 | 0:13:50 | |
There's nothing else to help you. | 0:13:50 | 0:13:52 | |
Now, if this new girl's name was King Kong, | 0:13:53 | 0:13:56 | |
and she looked like a massive gorilla, | 0:13:56 | 0:13:59 | |
then she'd be almost impossible to forget. | 0:13:59 | 0:14:02 | |
Luckily, she's not. | 0:14:02 | 0:14:04 | |
But you get the idea. | 0:14:04 | 0:14:05 | |
So to help, you need hold on tight to new names by repeating them to yourself, over and over. | 0:14:05 | 0:14:11 | |
But remembering Anne is only half the battle. | 0:14:11 | 0:14:14 | |
You then you need to find her name again, | 0:14:14 | 0:14:16 | |
and your brain is like a messy bedroom, | 0:14:16 | 0:14:19 | |
with memories scattered all over the place. | 0:14:19 | 0:14:22 | |
However, there is a trick. | 0:14:22 | 0:14:23 | |
You can create a "memory palace". | 0:14:23 | 0:14:26 | |
To do this, you link new names with the memories you've already got, | 0:14:26 | 0:14:30 | |
like objects around your home. | 0:14:30 | 0:14:33 | |
So, to remember Anne, give her a spray tan, | 0:14:33 | 0:14:35 | |
and mentally put her in the back of your van. | 0:14:35 | 0:14:38 | |
By creating this rich visual imagery, | 0:14:38 | 0:14:41 | |
your neurons make more connections | 0:14:41 | 0:14:43 | |
and you might stand a chance of getting that date after all. | 0:14:43 | 0:14:47 | |
As well as being good for remembering names and places, | 0:14:56 | 0:15:01 | |
your brain has a dark side, | 0:15:01 | 0:15:03 | |
because it controls one of our most automatic responses... | 0:15:03 | 0:15:07 | |
..fear. | 0:15:09 | 0:15:10 | |
So, why are zombies scary? | 0:15:10 | 0:15:13 | |
If you didn't fear things, you wouldn't live for very long. | 0:15:15 | 0:15:18 | |
You'd forever be walking into oncoming traffic | 0:15:18 | 0:15:22 | |
or picking fights with tigers. | 0:15:22 | 0:15:25 | |
And evolution prefers the activities that keep you alive | 0:15:25 | 0:15:29 | |
by staying well away from the brain-hungry reanimated undead. | 0:15:29 | 0:15:34 | |
But how does fear work? | 0:15:34 | 0:15:36 | |
If there's a sudden bang, even newborn babies will jump, | 0:15:36 | 0:15:40 | |
and this is the startle reflex that they're born with. | 0:15:40 | 0:15:43 | |
Fear is something that's so crucial to all of us. | 0:15:43 | 0:15:46 | |
So, if you hear an almighty crash, | 0:15:46 | 0:15:49 | |
you'll jump. | 0:15:49 | 0:15:51 | |
The sound goes straight to your amygdala, | 0:15:51 | 0:15:55 | |
the emotional part of your brain. | 0:15:55 | 0:15:57 | |
It's a bit trigger-happy, | 0:15:57 | 0:15:58 | |
and initiates your fear response without really knowing the score. | 0:15:58 | 0:16:02 | |
This sends your brain into overdrive, | 0:16:02 | 0:16:05 | |
releasing up to 30 different hormones | 0:16:05 | 0:16:07 | |
that cause a physiological response, | 0:16:07 | 0:16:10 | |
so your pupils dilate to let in more light. | 0:16:10 | 0:16:14 | |
Your digestions shuts down and saliva production grinds to a halt. | 0:16:14 | 0:16:19 | |
Your mouth goes dry. | 0:16:19 | 0:16:21 | |
Rapid breathing sends more oxygen into your bloodstream. | 0:16:21 | 0:16:25 | |
Your heart beats faster and veins constrict, | 0:16:25 | 0:16:28 | |
forcing blood and more energy to your arms and legs. | 0:16:28 | 0:16:31 | |
And all this happens in just one fifth of a second, | 0:16:31 | 0:16:35 | |
before you're even consciously aware of what's going on. | 0:16:35 | 0:16:39 | |
Meanwhile, as the shuffling silhouette comes into focus, | 0:16:41 | 0:16:44 | |
the pictures get beamed to your visual cortex. | 0:16:44 | 0:16:47 | |
Your hippocampus flicks through your memory bank | 0:16:47 | 0:16:50 | |
and finds all those old horror films. | 0:16:50 | 0:16:53 | |
You correctly recognise the unidentified intruder as "zombie". | 0:16:53 | 0:16:58 | |
The really scary thing about zombies | 0:16:59 | 0:17:01 | |
is that they're a little bit too like us. | 0:17:01 | 0:17:03 | |
But we know deep down that they're fundamentally different. | 0:17:03 | 0:17:06 | |
They're revolting, but they are very human at the same time. | 0:17:06 | 0:17:09 | |
They're not really there. | 0:17:09 | 0:17:11 | |
There's some absence of humanity behind the eyes. | 0:17:11 | 0:17:14 | |
There's something missing. | 0:17:14 | 0:17:15 | |
So, your amygdala was right. | 0:17:15 | 0:17:17 | |
Finally, you're ready to fight for your life or to run like hell. | 0:17:17 | 0:17:23 | |
But there's no rush. | 0:17:23 | 0:17:25 | |
All this happened in just a fifth of a second, | 0:17:25 | 0:17:28 | |
and zombies are slow. | 0:17:28 | 0:17:29 | |
Fortune may favour the brave, | 0:17:33 | 0:17:35 | |
but evolution definitely favours those who keep out of trouble. | 0:17:35 | 0:17:40 | |
And to help you with this, | 0:17:42 | 0:17:43 | |
your brain has another trick up its sleeve - pain. | 0:17:43 | 0:17:46 | |
But have you ever wondered... | 0:17:48 | 0:17:50 | |
Sphenopalatine ganglioneuralgia to give its scientific name, | 0:17:53 | 0:17:59 | |
characterised by a sharp pain to the forehead | 0:17:59 | 0:18:02 | |
while having an ice cream or very cold drink. | 0:18:02 | 0:18:06 | |
But first things first. What is pain? | 0:18:06 | 0:18:09 | |
Your average Egyptian thought | 0:18:09 | 0:18:11 | |
it was caused by spirits getting in through his nostrils. | 0:18:11 | 0:18:14 | |
So he sported a nose ring, not for fashion, | 0:18:14 | 0:18:18 | |
but to ward off the evil apparitions. | 0:18:18 | 0:18:21 | |
Science didn't catch up until 1906, | 0:18:21 | 0:18:23 | |
when the first pain receptor was discovered. | 0:18:23 | 0:18:27 | |
And it turns out there's an army of up to 80,000 of them beneath your skin. | 0:18:27 | 0:18:32 | |
When disturbed, they send word to your cortex, | 0:18:32 | 0:18:35 | |
which registers the source of the attack. | 0:18:35 | 0:18:38 | |
It's your body's way of telling your brain that you're in danger. | 0:18:38 | 0:18:42 | |
Believe it or not, pain is actually a good thing | 0:18:42 | 0:18:46 | |
because it alerts you to potential sources of harm. | 0:18:46 | 0:18:49 | |
So, what's so dangerous about tucking into a rum and fudge sundae? | 0:18:49 | 0:18:54 | |
Well, when the cold stuff hits the roof of your mouth, | 0:18:54 | 0:18:57 | |
the tiny blood vessels contract so rapidly, | 0:18:57 | 0:19:00 | |
a small pain message is sent to your brain. | 0:19:00 | 0:19:02 | |
But the message intersects with an eight-lane mega-highway, | 0:19:02 | 0:19:06 | |
running from your forehead. | 0:19:06 | 0:19:08 | |
By the time it's arrived at your cortex, | 0:19:08 | 0:19:10 | |
your brain thinks it's come from all over your head, | 0:19:10 | 0:19:13 | |
and that's where you feel the crippling pain. | 0:19:13 | 0:19:16 | |
Pain is a really interesting sensation | 0:19:16 | 0:19:19 | |
because it's highly subjective. | 0:19:19 | 0:19:21 | |
So, you could be either picking up a kettle and it's really, really hot. | 0:19:21 | 0:19:25 | |
If it's empty you'll drop it. | 0:19:25 | 0:19:26 | |
If you're picking up a kettle that's full of boiling water, | 0:19:26 | 0:19:29 | |
and it's really, really hot, | 0:19:29 | 0:19:31 | |
you'll place it back down rather than drop it, | 0:19:31 | 0:19:33 | |
because hurling boiling water all over yourself would be worse. | 0:19:33 | 0:19:36 | |
So, how best to deal with pain? | 0:19:36 | 0:19:39 | |
Scientists think swearing might be the answer. | 0:19:39 | 0:19:42 | |
When given permission to shout a four-letter word of your choice, | 0:19:42 | 0:19:46 | |
you can withstand pain for up twice as long. | 0:19:46 | 0:19:49 | |
But the people around you | 0:19:52 | 0:19:53 | |
might prefer it if you just took a couple of aspirin instead. | 0:19:53 | 0:19:57 | |
You don't need to go far to find a painkiller. | 0:20:02 | 0:20:05 | |
Inside your brain is a private pharmacy making its own. | 0:20:05 | 0:20:09 | |
They're called endorphins. | 0:20:09 | 0:20:11 | |
But there's one human activity that generates even more brain chemicals than this - | 0:20:11 | 0:20:16 | |
love. | 0:20:16 | 0:20:18 | |
Plato thought he knew a thing or two about love. | 0:20:20 | 0:20:24 | |
He reckoned that men and women were originally joined together. | 0:20:24 | 0:20:29 | |
A super-being with four arms and two heads, | 0:20:29 | 0:20:33 | |
we tried to overthrow the gods. | 0:20:33 | 0:20:35 | |
But they didn't take kindly to that sort of thing, | 0:20:35 | 0:20:39 | |
so Zeus split us in two | 0:20:39 | 0:20:41 | |
and we've been trying to get back together ever since. | 0:20:41 | 0:20:45 | |
A nice story perhaps, but the truth is far more powerful. | 0:20:45 | 0:20:49 | |
When it comes to love, | 0:20:50 | 0:20:52 | |
we are completely at the mercy of our brain's biochemistry. | 0:20:52 | 0:20:56 | |
Wait till you get a load of these guys. | 0:20:56 | 0:20:59 | |
Cupid's arrow comes dipped in a heady cocktail of brain chemicals. | 0:20:59 | 0:21:04 | |
They are literally addictive, like cocaine, | 0:21:04 | 0:21:07 | |
and they work in three different stages throughout the course of your life. | 0:21:07 | 0:21:12 | |
Amongst the first is dopamine and testosterone. | 0:21:12 | 0:21:15 | |
They give you the racing heart, sleeplessness, | 0:21:15 | 0:21:18 | |
and the butterflies in your stomach when you meet someone you fancy. | 0:21:18 | 0:21:22 | |
But that's just the warm-up act, lust. | 0:21:24 | 0:21:27 | |
If you look at the brain chemically in the early stages of love, | 0:21:27 | 0:21:31 | |
the absolute head-over-heels area of it, | 0:21:31 | 0:21:34 | |
it's interesting that the levels of serotonin, | 0:21:34 | 0:21:36 | |
which makes people feel happy, are actually low, | 0:21:36 | 0:21:39 | |
which is surprising and is what you would see in somebody | 0:21:39 | 0:21:42 | |
with an obsessive compulsive disorder. | 0:21:42 | 0:21:44 | |
The second stage of love pushes you head over heels into romantic love, | 0:21:44 | 0:21:50 | |
and enter the real star of the love parade - oxytocin. | 0:21:50 | 0:21:55 | |
This is released when you have sex, | 0:21:55 | 0:21:57 | |
and creates that special bond. | 0:21:57 | 0:21:59 | |
It's the superglue that holds you together. | 0:21:59 | 0:22:03 | |
But around three years after your first date, | 0:22:04 | 0:22:07 | |
dopamine production slows down and the romantic gestures die off. | 0:22:07 | 0:22:12 | |
The third and final stage of your relationship | 0:22:12 | 0:22:15 | |
depends on endorphins to keep you together. | 0:22:15 | 0:22:18 | |
These are your natural painkillers | 0:22:18 | 0:22:20 | |
and give you that sense of well-being and security, | 0:22:20 | 0:22:24 | |
potentially for the rest of your life. | 0:22:24 | 0:22:26 | |
Actually, the frenzied brain activity we see in the lovestruck | 0:22:29 | 0:22:33 | |
has similarities with mental illness. | 0:22:33 | 0:22:36 | |
Your brain is driving you mad, | 0:22:36 | 0:22:38 | |
which leads me to ask... | 0:22:38 | 0:22:40 | |
Do you see strange things in the corner of your eye, | 0:22:46 | 0:22:49 | |
or mistake one thing for another? | 0:22:49 | 0:22:52 | |
Do not adjust your brain! | 0:22:52 | 0:22:54 | |
There is a problem with reality. | 0:22:54 | 0:22:57 | |
There's just too much information out there, | 0:22:57 | 0:23:00 | |
and your brain can't take it all in. | 0:23:00 | 0:23:03 | |
If it did, your head would be so big, | 0:23:03 | 0:23:05 | |
your neck couldn't support your expanding cranium. | 0:23:05 | 0:23:08 | |
So, to make sense of the world, your brain takes a few shortcuts, | 0:23:10 | 0:23:14 | |
and sometimes it gets it wrong. | 0:23:14 | 0:23:17 | |
For starters, only 1% of what you see is actually in focus. | 0:23:17 | 0:23:23 | |
Everything else is a blur. | 0:23:23 | 0:23:25 | |
Hold your hand out like this. | 0:23:26 | 0:23:29 | |
Look at the end of your thumb. | 0:23:29 | 0:23:32 | |
That little bit there represents everything that you can see clearly. | 0:23:32 | 0:23:36 | |
Everything else is just a blur. | 0:23:36 | 0:23:38 | |
You can't necessarily trust your brain | 0:23:38 | 0:23:41 | |
because although the things that you can see and hear can feel real, | 0:23:41 | 0:23:45 | |
actually the majority of that is your brain filling in all kinds of details all the time, | 0:23:45 | 0:23:50 | |
because you don't see that much and you don't hear that much. | 0:23:50 | 0:23:53 | |
In fact, your eyes are constantly on the move, | 0:23:53 | 0:23:57 | |
so your brain takes snapshots, three per second, | 0:23:57 | 0:24:01 | |
to build a composite picture, piece by piece. | 0:24:01 | 0:24:04 | |
It can't capture everything | 0:24:04 | 0:24:06 | |
so it fills the blanks with memories and guesswork. | 0:24:06 | 0:24:09 | |
Test it out. | 0:24:12 | 0:24:13 | |
Take a look at this flashing image. | 0:24:13 | 0:24:16 | |
Your brain is only taking in the important bits of this scene, | 0:24:16 | 0:24:21 | |
so things get missed. | 0:24:21 | 0:24:22 | |
Did you notice the change? | 0:24:22 | 0:24:24 | |
It's called "change blindness", | 0:24:24 | 0:24:27 | |
and it proves that you can't take in everything all of the time. | 0:24:27 | 0:24:32 | |
So, if your eyes are constantly on the move, | 0:24:32 | 0:24:35 | |
how come the world isn't one big blur? | 0:24:35 | 0:24:38 | |
Well, your brain cleverly turns your eyes off every time they move, | 0:24:38 | 0:24:43 | |
leaving you in the dark for 200 milliseconds at a time, | 0:24:43 | 0:24:47 | |
which adds up. | 0:24:47 | 0:24:48 | |
For about two hours a day, you are blind. | 0:24:48 | 0:24:53 | |
One of the reasons we know so much about things such as | 0:24:56 | 0:24:59 | |
time perception, and memory and fear is because we've been able to study | 0:24:59 | 0:25:04 | |
those unfortunate people who, | 0:25:04 | 0:25:05 | |
for one reason or another, have bits of their brains missing, | 0:25:05 | 0:25:10 | |
and that brings me to my final question... | 0:25:10 | 0:25:13 | |
There's a very simple way to figure out how important | 0:25:17 | 0:25:21 | |
certain brain bits are. | 0:25:21 | 0:25:23 | |
Take a piece out and see what happens. | 0:25:23 | 0:25:26 | |
You'll quickly discover which sections make you happy... | 0:25:27 | 0:25:31 | |
..or remember where you live, | 0:25:33 | 0:25:36 | |
and the bits that know the difference between your dad | 0:25:36 | 0:25:39 | |
and a daisy. | 0:25:39 | 0:25:41 | |
But removing perfectly good brain parts to see what happens isn't cool. | 0:25:41 | 0:25:47 | |
However, that sometimes happened by accident. | 0:25:47 | 0:25:50 | |
Nowadays, we use brain scanners to understand how the human brain works, | 0:25:50 | 0:25:54 | |
but up until 20 years ago, | 0:25:54 | 0:25:56 | |
the only real way we could find out more about what the human brain did | 0:25:56 | 0:26:00 | |
was by working with patients who had some sort of damage to their brain, | 0:26:00 | 0:26:04 | |
nature's accidents if you like. | 0:26:04 | 0:26:05 | |
In 1953, one of those accidents | 0:26:05 | 0:26:08 | |
left a man unable to make any new memories. | 0:26:08 | 0:26:12 | |
But, on the upside, this allowed us | 0:26:12 | 0:26:14 | |
to identify the hippocampus as the bookkeeper to our memory banks. | 0:26:14 | 0:26:19 | |
But perhaps the strangest story is that of Phineas Gage. | 0:26:19 | 0:26:23 | |
In 1848, in the USA, | 0:26:23 | 0:26:24 | |
demolition man Phineas was blasting his way through solid rock, | 0:26:24 | 0:26:29 | |
making way for a new railroad, | 0:26:29 | 0:26:32 | |
ramming gunpowder into a hole with an iron bar. | 0:26:32 | 0:26:36 | |
Health and safety hadn't really taken off yet. | 0:26:36 | 0:26:39 | |
Unsurprisingly, the gunpowder went off, | 0:26:39 | 0:26:42 | |
sending the bar straight through his face. | 0:26:42 | 0:26:45 | |
It landed around 100 feet away, having removed his frontal lobe | 0:26:45 | 0:26:50 | |
and his inhibitions. | 0:26:50 | 0:26:51 | |
Talk about a bad day at work. | 0:26:51 | 0:26:54 | |
According to the records, he sprang back to his feet and vomited, | 0:26:54 | 0:26:58 | |
which caused even more of his brain to fall out onto the ground. | 0:26:58 | 0:27:02 | |
Amazingly, he survived, but with dramatic consequences. | 0:27:02 | 0:27:07 | |
He went from being a nice guy to short-tempered and rude. | 0:27:07 | 0:27:11 | |
He even lost his job. | 0:27:11 | 0:27:13 | |
If it wasn't for him, | 0:27:13 | 0:27:14 | |
we wouldn't have known what this prefrontal cortex does. | 0:27:14 | 0:27:17 | |
The man goes from being incredibly disciplined, | 0:27:17 | 0:27:21 | |
reliable individual, to totally socially inept, | 0:27:21 | 0:27:24 | |
having a conversation, starting to urinate in front of people. | 0:27:24 | 0:27:28 | |
He was absolutely unable to control his impulsive behavior. | 0:27:28 | 0:27:33 | |
So, Phineas' personality switch proved, for the first time ever, | 0:27:33 | 0:27:38 | |
that your grey matter defines who you are. | 0:27:38 | 0:27:42 | |
In spite of all the wondrous and surprising things | 0:27:42 | 0:27:45 | |
the human brain can do, | 0:27:45 | 0:27:47 | |
I think it's fair to say that | 0:27:47 | 0:27:49 | |
most of us wander around blissfully unaware that we even have one. | 0:27:49 | 0:27:53 | |
You don't need to know you have a brain. | 0:27:53 | 0:27:57 | |
It's just there. | 0:27:57 | 0:27:59 | |
But if you stop and think about it for a second, | 0:27:59 | 0:28:02 | |
you realise that it's your brain that makes you truly human. | 0:28:02 | 0:28:07 | |
It makes you you | 0:28:07 | 0:28:09 | |
and not me, | 0:28:09 | 0:28:11 | |
and you should be happy about that | 0:28:11 | 0:28:13 | |
because I appear to have had my head cut off. | 0:28:13 | 0:28:16 | |
Goodbye. | 0:28:16 | 0:28:18 | |
Subtitles by Red Bee Media Ltd | 0:28:40 | 0:28:43 |