Browse content similar to Episode 1. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
ORCHESTRA TUNES UP | 0:00:02 | 0:00:04 | |
MUSIC: "Fifth Symphony" By Beethoven | 0:00:16 | 0:00:23 | |
Sound familiar? | 0:00:23 | 0:00:25 | |
Some people say these eight notes | 0:00:25 | 0:00:28 | |
could be the most famous line of music ever written. | 0:00:28 | 0:00:31 | |
PLAYS INTRO | 0:00:31 | 0:00:36 | |
It's not exactly a shy start, is it? | 0:00:36 | 0:00:39 | |
PLAYS INTRO | 0:00:39 | 0:00:45 | |
This is music that lets you know it's arrived. | 0:00:45 | 0:00:48 | |
But where is it taking you? | 0:00:48 | 0:00:50 | |
MUSIC: "Fifth Symphony" By Beethoven | 0:00:50 | 0:00:55 | |
Can you hear that repeating pattern of notes? | 0:00:58 | 0:01:00 | |
'That's called a motif, and it moves all around the orchestra.' | 0:01:00 | 0:01:03 | |
The notes sound like birds escaping, flying off in all directions, | 0:01:03 | 0:01:07 | |
shooting high in the air like mountains, | 0:01:07 | 0:01:09 | |
or swooping low down below your feet. | 0:01:09 | 0:01:11 | |
But it also sounds to me like it could be two men | 0:01:19 | 0:01:21 | |
arguing about who's the best dancer. | 0:01:21 | 0:01:23 | |
The first one goes "Hey look at me." | 0:01:23 | 0:01:27 | |
The second one goes, "What is it now?" | 0:01:27 | 0:01:30 | |
And then he starts to dance. | 0:01:30 | 0:01:31 | |
De-de-de-la-de-de-de-la- de-de-de-la... | 0:01:31 | 0:01:35 | |
De-de-de-la-de-de-de-la- de-de-de-la... | 0:01:35 | 0:01:38 | |
Then he goes, "Wow that was good, what about this?" | 0:01:44 | 0:01:48 | |
And then HE starts dancing. | 0:01:48 | 0:01:49 | |
And just when you're looking for somewhere to catch your breath, | 0:01:49 | 0:01:52 | |
the music starts again, driving forwards. | 0:01:52 | 0:01:54 | |
It's like a whirlwind. | 0:01:54 | 0:01:55 | |
Just when you think you're through the other side, | 0:01:55 | 0:01:57 | |
the music taps you on the shoulder and says, | 0:01:57 | 0:01:59 | |
"Eh, not so fast, the ride isn't over yet." | 0:01:59 | 0:02:02 | |
For me, this music is full of fire and passion, | 0:02:03 | 0:02:07 | |
just like the guy who wrote it - Ludwig Van Beethoven. | 0:02:07 | 0:02:09 | |
He was born in 1770, | 0:02:09 | 0:02:11 | |
and at the age of 22, he moved to Vienna in Austria, | 0:02:11 | 0:02:14 | |
ready to change music forever. | 0:02:14 | 0:02:16 | |
Beethoven was a wild, angry musical storm, rushing through the city. | 0:02:19 | 0:02:23 | |
So do you think when the rich people asked him to play piano | 0:02:23 | 0:02:26 | |
at their parties, he gave them the nice, pretty music | 0:02:26 | 0:02:29 | |
they were expecting? | 0:02:29 | 0:02:31 | |
PLAYS CHEERFUL TUNE | 0:02:31 | 0:02:32 | |
Not a chance. This was Beethoven. | 0:02:32 | 0:02:34 | |
He gave them dramatic and exciting music. | 0:02:34 | 0:02:37 | |
PLAYS DRAMATIC CHORDS | 0:02:37 | 0:02:42 | |
Music that matched the way he was feeling while he was playing it. | 0:02:42 | 0:02:44 | |
And anything that got in the way, | 0:02:44 | 0:02:46 | |
whether it was candlesticks or drinks, even people, | 0:02:46 | 0:02:49 | |
were sent flying. | 0:02:49 | 0:02:50 | |
Beethoven didn't care. He wasn't there to make them feel nice. | 0:02:50 | 0:02:53 | |
He was there to make them feel alive! | 0:02:53 | 0:02:55 | |
MUSIC: "Fifth Symphony" By Beethoven | 0:02:55 | 0:03:03 | |
A symphony is a big piece of music written for the whole orchestra, | 0:03:08 | 0:03:12 | |
and Beethoven composed nine of them at his piano. | 0:03:12 | 0:03:14 | |
But by the time he was composing his fifth symphony, | 0:03:14 | 0:03:17 | |
the one we're hearing now, something terrible was happening to him. | 0:03:17 | 0:03:21 | |
Beethoven, a man who loved making music | 0:03:21 | 0:03:24 | |
more than anything else in the world, was going deaf. | 0:03:24 | 0:03:28 | |
Can you imagine that? | 0:03:28 | 0:03:30 | |
PLAYS MUTED NOTES | 0:03:30 | 0:03:33 | |
SPEECH MUTED | 0:03:33 | 0:03:35 | |
-SOUND RETURNS -Oh, that's better. | 0:03:35 | 0:03:37 | |
But Beethoven was brave, and he was determined, | 0:03:37 | 0:03:40 | |
and every day he would sit at his piano working out his symphonies, | 0:03:40 | 0:03:43 | |
even though he couldn't hear them. | 0:03:43 | 0:03:45 | |
Think about that. | 0:03:45 | 0:03:47 | |
Beethoven had to remember the sound of the flute. | 0:03:47 | 0:03:50 | |
He had to hear the sound of every single instrument of the orchestra | 0:03:50 | 0:03:54 | |
in his head. | 0:03:54 | 0:03:55 | |
That's like asking an artist to paint a picture of a landscape | 0:03:55 | 0:03:59 | |
without showing it to them first. | 0:03:59 | 0:04:00 | |
That's exactly what Beethoven did with music. | 0:04:00 | 0:04:03 | |
He was a genius. | 0:04:03 | 0:04:04 | |
MUSIC: "Fifth Symphony" By Beethoven | 0:04:04 | 0:04:08 | |
How amazing is that? | 0:04:11 | 0:04:13 | |
Beethoven took years to write the Fifth Symphony, | 0:04:14 | 0:04:17 | |
cos he couldn't quite finish it off. | 0:04:17 | 0:04:18 | |
He would go away and write other pieces of music, | 0:04:18 | 0:04:21 | |
and then come back to it. So it's not just an epic piece of music. | 0:04:21 | 0:04:23 | |
It took him an epic amount of time to write it. | 0:04:23 | 0:04:25 | |
MUSIC: "Fifth Symphony" By Beethoven | 0:04:25 | 0:04:29 | |
I like Beethoven in particular | 0:04:29 | 0:04:31 | |
because his music is his personality. | 0:04:31 | 0:04:33 | |
You don't have to describe the kind of guy he is, | 0:04:33 | 0:04:35 | |
just listen to what he has created. That's Beethoven. | 0:04:35 | 0:04:38 | |
MUSIC: "Fifth Symphony" By Beethoven | 0:04:38 | 0:04:44 | |
Beethoven's fifth symphony is full of twists and turns. | 0:04:52 | 0:04:55 | |
And all the way through, the musical notes, just like birds, | 0:04:55 | 0:04:58 | |
are trying to find a place to rest together. | 0:04:58 | 0:05:01 | |
And at the end, it's triumphant and happy. | 0:05:01 | 0:05:03 | |
Almost like all the instruments have finally found their way home. | 0:05:03 | 0:05:06 | |
MUSIC: "Fifth Symphony" By Beethoven | 0:05:06 | 0:05:09 | |
But what do you think? | 0:05:24 | 0:05:26 | |
How do you feel after Beethoven's musical journey? | 0:05:26 | 0:05:29 | |
MUSIC: "Fifth Symphony" By Beethoven | 0:05:29 | 0:05:34 | |
MUSIC: "Mars, The Bringer of War" By Gustav Holst | 0:05:51 | 0:05:58 | |
How does this music make you feel? | 0:06:08 | 0:06:10 | |
Very strong or very scared? | 0:06:23 | 0:06:26 | |
Are you preparing for a battle or running from your enemy? | 0:06:26 | 0:06:30 | |
MUSIC: "Mars, The Bringer of War" By Gustav Holst | 0:06:30 | 0:06:34 | |
I get so excited knowing that music can make you see things | 0:06:53 | 0:06:56 | |
you'll never see in real life. | 0:06:56 | 0:06:58 | |
Listening to this piece, | 0:06:58 | 0:07:01 | |
I think I'm an astronaut travelling through space, | 0:07:01 | 0:07:03 | |
maybe with one of the first creatures to be sent up there, | 0:07:03 | 0:07:06 | |
like Laika the dog. | 0:07:06 | 0:07:08 | |
DOG WHIMPERS | 0:07:08 | 0:07:10 | |
Laika and I travel to Mars, full of excitement. | 0:07:10 | 0:07:15 | |
When we get there, we discover an orchestra | 0:07:15 | 0:07:18 | |
deep in one of the underground caves on Mars, playing this very piece. | 0:07:18 | 0:07:22 | |
MUSIC: "Mars, The Bringer of War" By Gustav Holst | 0:07:22 | 0:07:28 | |
Can you believe music this loud and fiery | 0:07:32 | 0:07:35 | |
was written by a quiet and shy Englishman? | 0:07:35 | 0:07:39 | |
His name was Gustav Holst, | 0:07:39 | 0:07:41 | |
and as well as writing music, he was a teacher in a school. | 0:07:41 | 0:07:44 | |
He was also interested in astrology - | 0:07:44 | 0:07:47 | |
the idea that the different planets up in the sky | 0:07:47 | 0:07:50 | |
might affect how we feel down here on earth. | 0:07:50 | 0:07:54 | |
Holst thought music would be the perfect way | 0:07:58 | 0:08:00 | |
to show these different moods. | 0:08:00 | 0:08:02 | |
He started off with Mars, | 0:08:02 | 0:08:04 | |
a planet which was named after the Roman god of war. | 0:08:04 | 0:08:08 | |
For this planet, Holst wanted to create music that felt powerful, | 0:08:08 | 0:08:11 | |
strong, and even angry. | 0:08:11 | 0:08:13 | |
He decided to call this piece "Mars, The Bringer of War." | 0:08:13 | 0:08:17 | |
MUSIC: "Mars, The Bringer of War" By Gustav Holst | 0:08:17 | 0:08:23 | |
Holst wrote Mars in 1914, before the First World War started, | 0:08:44 | 0:08:48 | |
but it wasn't played until the war was over in 1918. | 0:08:48 | 0:08:53 | |
That war must have been a horrible and frightening experience, | 0:08:53 | 0:08:56 | |
and I wonder if some of the audience were thinking of those experiences | 0:08:56 | 0:09:00 | |
when they heard this terrifying piece of music for the first time. | 0:09:00 | 0:09:04 | |
So, does this music make you think of war? | 0:09:04 | 0:09:07 | |
Maybe the marching rhythm reminds you of an army preparing to fight. | 0:09:07 | 0:09:12 | |
And what about the booming beats on the big drums? | 0:09:12 | 0:09:15 | |
They're called timpani, and Holst uses them a lot. | 0:09:15 | 0:09:18 | |
What do those timpani sound like to you? | 0:09:18 | 0:09:21 | |
MUSIC: "Mars, The Bringer of War" By Gustav Holst | 0:09:21 | 0:09:25 | |
Holst wrote a different composition for each planet. | 0:09:28 | 0:09:32 | |
You can hear this one for Venus sounds very different. | 0:09:32 | 0:09:37 | |
Holst called this "Venus, The Bringer of Peace." | 0:09:37 | 0:09:40 | |
How do you feel listening to this? | 0:09:40 | 0:09:43 | |
MUSIC: "Venus, The Bringer of Peace" By Gustav Holst | 0:09:43 | 0:09:50 | |
I used to listen to classical music by candlelight, | 0:09:55 | 0:09:57 | |
and it was so powerful, because I couldn't see anything, | 0:09:57 | 0:10:00 | |
it was complete darkness, and with a candle, | 0:10:00 | 0:10:02 | |
my mum would be at the piano playing beautiful pieces of music | 0:10:02 | 0:10:06 | |
that were very moving and very inspiring. | 0:10:06 | 0:10:08 | |
And I couldn't believe that something | 0:10:08 | 0:10:10 | |
that I couldn't see or touch was making me feel such strong emotions. | 0:10:10 | 0:10:15 | |
Modern film composers often write music like Mars for movies, | 0:10:15 | 0:10:19 | |
and I bet you've heard pieces like this in the cinema, | 0:10:19 | 0:10:22 | |
perhaps while battles in space or invasions of Earth | 0:10:22 | 0:10:24 | |
are happening on screen. | 0:10:24 | 0:10:26 | |
Some of the melodies and chords in this music | 0:10:27 | 0:10:30 | |
are so tense and colourful, I'm frightened. | 0:10:30 | 0:10:34 | |
But I'm imagining things in my mind and heart, | 0:10:34 | 0:10:36 | |
and like when you watch a scary movie, | 0:10:36 | 0:10:38 | |
I love the feeling of being on the edge of my seat. | 0:10:38 | 0:10:41 | |
This is just my reaction, though, | 0:10:41 | 0:10:43 | |
and you may hear the sound of space or war, | 0:10:43 | 0:10:45 | |
or hear the music in a completely different way. | 0:10:45 | 0:10:48 | |
That's the great thing - it's your music. | 0:10:48 | 0:10:50 | |
The only thing you really need to know is how to press play, | 0:10:50 | 0:10:53 | |
and then after that you can let the orchestra | 0:10:53 | 0:10:55 | |
take you wherever you want. | 0:10:55 | 0:10:57 | |
MUSIC: "Mars, The Bringer of War" By Gustav Holst | 0:10:57 | 0:11:02 | |
Mars finishes with an explosion of music - | 0:11:02 | 0:11:05 | |
music that sounds as big as a planet to me. | 0:11:05 | 0:11:08 | |
At first, the melody seems to fade away into the distance. | 0:11:08 | 0:11:14 | |
MUSIC: "Mars, The Bringer of War" By Gustav Holst | 0:11:14 | 0:11:19 | |
But then, listen for the surprise attack. | 0:11:19 | 0:11:21 | |
MUSIC CRESCENDOES | 0:11:21 | 0:11:23 | |
It's loud enough to make your bones rattle. | 0:11:23 | 0:11:26 | |
I wonder how you feel at the end? | 0:11:30 | 0:11:33 | |
Are you running for your life, | 0:11:33 | 0:11:35 | |
or safe and strong on top of the world? | 0:11:35 | 0:11:38 | |
MUSIC: "Mars, The Bringer of War" By Gustav Holst | 0:11:38 | 0:11:43 | |
MUSIC: "Four Seasons: Winter" By Antonio Vivaldi | 0:11:55 | 0:12:01 | |
Can music sound like the world around you? | 0:12:16 | 0:12:19 | |
Can it sound like the wind? | 0:12:21 | 0:12:22 | |
Or a summer afternoon? | 0:12:26 | 0:12:29 | |
Listening to this music, do you feel chilly or warm? | 0:12:30 | 0:12:36 | |
MUSIC: "Four Seasons: Winter" By Antonio Vivaldi | 0:12:36 | 0:12:39 | |
Well, I feel cold. | 0:12:53 | 0:12:56 | |
The violins sound like dripping icicles, | 0:12:56 | 0:12:59 | |
and freezing cold air biting at my skin. | 0:12:59 | 0:13:03 | |
But this music can take you right through the year, | 0:13:03 | 0:13:06 | |
because now I can hear the sound of the spring sun | 0:13:06 | 0:13:11 | |
bursting through the clouds. | 0:13:11 | 0:13:13 | |
MUSIC: "Four Seasons: Spring" By Antonio Vivaldi | 0:13:13 | 0:13:20 | |
Until in the heat of the summer, a fierce storm approaches. | 0:13:20 | 0:13:25 | |
Now the cellos sound like thunder, | 0:13:25 | 0:13:27 | |
and the violins are wind and rain, swirling around me. | 0:13:27 | 0:13:31 | |
This is the kind of music | 0:13:31 | 0:13:34 | |
that changes as fast as the British weather. | 0:13:34 | 0:13:37 | |
And has just as many moods. | 0:13:37 | 0:13:42 | |
MUSIC: "Four Seasons: Summer" By Antonio Vivaldi | 0:13:42 | 0:13:46 | |
All of this music came from the imagination | 0:13:59 | 0:14:02 | |
of an Italian man called Antonio Vivaldi. | 0:14:02 | 0:14:05 | |
He had a head that was so covered in bright ginger hair | 0:14:05 | 0:14:08 | |
that people that people referred to him as the Red Priest. | 0:14:08 | 0:14:11 | |
But it was also a head that was bursting with musical ideas. | 0:14:11 | 0:14:16 | |
'One day, in 1723, Vivaldi sat down to write four pieces of music, | 0:14:16 | 0:14:21 | |
'each based on a poem describing a season of the year.' | 0:14:21 | 0:14:24 | |
We now call those pieces The Four Seasons. | 0:14:24 | 0:14:28 | |
MUSIC: "Four Seasons: Spring" By Antonio Vivaldi | 0:14:28 | 0:14:31 | |
VIOLIN PLAYS | 0:14:36 | 0:14:38 | |
Vivaldi was also an amazing violinist. | 0:14:41 | 0:14:44 | |
He liked to try and get as many different sounds | 0:14:44 | 0:14:46 | |
out of the violin as possible. | 0:14:46 | 0:14:48 | |
VIOLIN PLAYS | 0:14:48 | 0:14:52 | |
But we've all seen violinists move their bows backwards and forwards. | 0:14:52 | 0:14:55 | |
He asked in The Four Seasons that they use their finger | 0:14:55 | 0:14:58 | |
to pluck the strings. | 0:14:58 | 0:15:00 | |
PLUCKS STRINGS | 0:15:00 | 0:15:05 | |
This is called pizzicato. | 0:15:06 | 0:15:09 | |
What kind of weather does it remind you of? | 0:15:09 | 0:15:12 | |
MUSIC: "Four Seasons: Winter" By Antonio Vivaldi | 0:15:12 | 0:15:15 | |
For me, it's the most magical winter rain that I've ever heard. | 0:15:15 | 0:15:19 | |
Vivaldi wrote The Four Seasons as violin concertos. | 0:15:19 | 0:15:23 | |
A concerto is a piece of music | 0:15:23 | 0:15:25 | |
where an instrument takes a solo lead role. | 0:15:25 | 0:15:28 | |
And, in this case, the violin is definitely the star of the show. | 0:15:28 | 0:15:32 | |
MUSIC: "Four Seasons: Summer" By Antonio Vivaldi | 0:15:32 | 0:15:37 | |
In each of the seasons, the violin has a kind of musical conversation | 0:15:37 | 0:15:40 | |
with the rest of the orchestra. | 0:15:40 | 0:15:42 | |
Listen to this chase across the fields in autumn. | 0:15:42 | 0:15:44 | |
What's the mood of the conversation here? | 0:15:44 | 0:15:46 | |
MUSIC: "Four Seasons: Autumn" By Antonio Vivaldi | 0:15:46 | 0:15:49 | |
The violin is one of those instruments | 0:15:57 | 0:15:59 | |
that is pretty tricky to master. | 0:15:59 | 0:16:00 | |
However, once you've got the hang of it, it can sound beautiful. | 0:16:00 | 0:16:04 | |
Vivaldi really did know what he was doing | 0:16:04 | 0:16:06 | |
when it came to writing for the violin, | 0:16:06 | 0:16:07 | |
and The Four Seasons just shows it off to perfection. | 0:16:07 | 0:16:10 | |
I was very fortunate, | 0:16:16 | 0:16:17 | |
because I was born into a line of six generations | 0:16:17 | 0:16:19 | |
of classical musicians, so for me, | 0:16:19 | 0:16:21 | |
classical music was always in my household. | 0:16:21 | 0:16:23 | |
But if you're new to classical music, don't be frightened of it. | 0:16:23 | 0:16:27 | |
All it is is bigger pieces, sometimes without words, | 0:16:27 | 0:16:30 | |
that you just have to paint the pictures | 0:16:30 | 0:16:32 | |
and put the story in for yourself. | 0:16:32 | 0:16:34 | |
'I think that The Four Seasons is the perfect piece to start off with | 0:16:41 | 0:16:44 | |
'if you're not used to classical music, because it's so evocative. | 0:16:44 | 0:16:46 | |
'You can hear with the pizzicato and the strings | 0:16:46 | 0:16:49 | |
'that they sound like raindrops. | 0:16:49 | 0:16:50 | |
'You can make your own story up to it and still never get it wrong.' | 0:16:50 | 0:16:53 | |
Vivaldi's music has so much of the world in it. | 0:16:55 | 0:16:59 | |
If you listen to The Four Seasons, | 0:16:59 | 0:17:00 | |
you'll hear it's packed with the sounds of life - | 0:17:00 | 0:17:03 | |
dogs barking, teeth chattering, ice cracking up, cuckoos, parties, | 0:17:03 | 0:17:09 | |
you'll even hear mosquitoes buzzing. | 0:17:09 | 0:17:12 | |
D'you know, it's so cold right now, I can't wait to escape the winter. | 0:17:12 | 0:17:17 | |
And of course, with Vivaldi's help, I can. | 0:17:17 | 0:17:19 | |
Time to switch seasons! Can you guess which one I've gone for? | 0:17:19 | 0:17:23 | |
MUSIC: "Four Seasons: Spring" By Antonio Vivaldi | 0:17:23 | 0:17:26 | |
MUSIC: "Rhapsody in Blue" By George Gershwin | 0:17:36 | 0:17:41 | |
What's that sound? | 0:17:48 | 0:17:51 | |
MUSIC: "Rhapsody in Blue" By George Gershwin | 0:17:51 | 0:17:57 | |
For me, that clarinet wailing | 0:18:20 | 0:18:22 | |
is like a big, massive yawn first thing in the morning. | 0:18:22 | 0:18:25 | |
The trumpet's half asleep too. | 0:18:25 | 0:18:28 | |
MUSIC: "Rhapsody in Blue" By George Gershwin | 0:18:28 | 0:18:34 | |
But the music sneaks up on you, because soon, it's time to wake up. | 0:18:45 | 0:18:48 | |
MUSIC: "Rhapsody in Blue" By George Gershwin | 0:18:48 | 0:18:54 | |
This is like a musical energy rush. | 0:19:12 | 0:19:14 | |
I can hear the sounds of people hurrying down the streets | 0:19:14 | 0:19:17 | |
to work or to school. | 0:19:17 | 0:19:18 | |
It's like they're being chased by the piano. | 0:19:18 | 0:19:21 | |
MUSIC: "Rhapsody in Blue" By George Gershwin | 0:19:21 | 0:19:27 | |
The other instruments join the race. | 0:19:27 | 0:19:29 | |
MUSIC: "Rhapsody in Blue" By George Gershwin | 0:19:29 | 0:19:32 | |
This is music about going places - | 0:19:43 | 0:19:44 | |
the traffic racing by, lifts going to the top of buildings, | 0:19:44 | 0:19:47 | |
faster and faster. | 0:19:47 | 0:19:48 | |
The piano is the engine of this music. | 0:19:55 | 0:19:58 | |
PIANO PLAYS | 0:19:58 | 0:20:00 | |
That's because it was written by George Gershwin. | 0:20:00 | 0:20:03 | |
As a boy, he loved playing the piano, | 0:20:03 | 0:20:05 | |
and he loved living in New York City. | 0:20:05 | 0:20:07 | |
All the noise and bustle sounded like music to him. | 0:20:10 | 0:20:13 | |
So, in 1924, he wrote it down, and we're listening to the result. | 0:20:13 | 0:20:16 | |
He called it Rhapsody in Blue. | 0:20:16 | 0:20:19 | |
A rhapsody is the name for one piece of music | 0:20:19 | 0:20:22 | |
with lots of different moods - | 0:20:22 | 0:20:23 | |
perfect for Gershwin, because he wanted to mix together | 0:20:23 | 0:20:26 | |
all his different feelings that he had about his home. | 0:20:26 | 0:20:29 | |
Gershwin throws in lots of playful jazz piano, | 0:20:32 | 0:20:34 | |
that was heard in New York's parties and nightclubs, | 0:20:34 | 0:20:37 | |
and mixes it up with more serious, proud orchestral fanfares. | 0:20:37 | 0:20:42 | |
Listen carefully to this bit, and see if you can hear both. | 0:20:42 | 0:20:45 | |
MUSIC: "Rhapsody In Blue" By George Gershwin | 0:20:45 | 0:20:47 | |
And can you spot the big American train | 0:20:47 | 0:20:49 | |
that comes rushing through the middle? | 0:20:49 | 0:20:51 | |
MUSIC: "Rhapsody In Blue" By George Gershwin | 0:20:51 | 0:20:54 | |
But this is a rhapsody, remember. | 0:21:26 | 0:21:28 | |
Gershwin can change the mood at any moment. | 0:21:28 | 0:21:30 | |
So, suddenly, there's a new theme. | 0:21:30 | 0:21:32 | |
Does this sound like a different kind of city to you? | 0:21:32 | 0:21:35 | |
MUSIC: "Rhapsody In Blue" By George Gershwin | 0:21:35 | 0:21:39 | |
Gershwin wrote about what he knew, | 0:21:56 | 0:21:58 | |
and I think that's a really good thing, | 0:21:58 | 0:22:00 | |
especially as a singer-songwriter like myself. | 0:22:00 | 0:22:02 | |
It's a good way to be able to express yourself. | 0:22:02 | 0:22:04 | |
I can relate to Gershwin's pieces | 0:22:08 | 0:22:10 | |
because they've kind of got something in common | 0:22:10 | 0:22:13 | |
which a lot of artists do - | 0:22:13 | 0:22:14 | |
is that they write about what they feel or what they see. | 0:22:14 | 0:22:17 | |
I bet you've heard music that makes you think of where you live. | 0:22:20 | 0:22:23 | |
Rhapsody in Blue is like a musical postcard from America - | 0:22:23 | 0:22:27 | |
from Gershwin to us. | 0:22:27 | 0:22:29 | |
The piece may have started with a sleepy, lazy clarinet, | 0:22:29 | 0:22:32 | |
but it finishes in quite a different mood. | 0:22:32 | 0:22:34 | |
Listen to Gershwin's big finale. | 0:22:34 | 0:22:37 | |
How do you think he feels about the place he calls home? | 0:22:37 | 0:22:40 | |
MUSIC: "Rhapsody In Blue" By George Gershwin | 0:22:42 | 0:22:50 | |
MUSIC: "Fanfare for the Common Man" By Aaron Copland | 0:23:15 | 0:23:20 | |
Imagine waking up in the morning to this. | 0:23:38 | 0:23:41 | |
What's going on? A celebration? | 0:23:41 | 0:23:45 | |
An emergency? | 0:23:45 | 0:23:46 | |
Whatever it is, do you think you'd be going back to sleep? | 0:23:46 | 0:23:50 | |
MUSIC: "Fanfare for the Common Man" By Aaron Copland | 0:23:50 | 0:23:55 | |
I feel excited and nervous and frightened when I hear this music, | 0:24:21 | 0:24:26 | |
because it means that trouble's coming. | 0:24:26 | 0:24:28 | |
It's almost like the trumpets are telling me | 0:24:30 | 0:24:33 | |
that there's danger ahead, and it's time to fight on. | 0:24:33 | 0:24:36 | |
I feel like David in the biblical story, | 0:24:36 | 0:24:38 | |
about to face the huge giant Goliath. | 0:24:38 | 0:24:42 | |
GIANT ROARS | 0:24:42 | 0:24:44 | |
I imagine marathons, great contests and impossible challenges ahead. | 0:24:46 | 0:24:51 | |
I can hear the brass instruments trying to lift my spirits. | 0:24:51 | 0:24:55 | |
The drums are like cannons making my heart beat faster. | 0:24:55 | 0:24:58 | |
The music tells me I'm about to face a great battle. | 0:25:07 | 0:25:11 | |
But I don't know how it ends... | 0:25:11 | 0:25:13 | |
yet. | 0:25:13 | 0:25:15 | |
In fact, when this piece was first performed in 1943, | 0:25:15 | 0:25:18 | |
there was a huge battle under way - | 0:25:18 | 0:25:20 | |
the Second World War being fought by countries all around the world. | 0:25:20 | 0:25:23 | |
'An American composer called Aaron Copland wrote this piece | 0:25:23 | 0:25:26 | |
'to pay tribute to all the Americans | 0:25:26 | 0:25:28 | |
'who were fighting and working so hard during the war. | 0:25:28 | 0:25:30 | |
But he thought everyone deserved to be remembered. | 0:25:30 | 0:25:33 | |
'He didn't want us to just think about the people | 0:25:33 | 0:25:35 | |
'who were on the battlefield, | 0:25:35 | 0:25:37 | |
'but also the ordinary or common men and women | 0:25:37 | 0:25:40 | |
'who were suffering and helping during the war.' | 0:25:40 | 0:25:42 | |
And that's why he called the piece Fanfare for the Common Man. | 0:25:42 | 0:25:47 | |
MUSIC: "Fanfare for the Common Man" By Aaron Copland | 0:25:47 | 0:25:52 | |
Throughout history, fanfares were used to get people's attention | 0:25:52 | 0:25:55 | |
for the arrival of powerful people like kings | 0:25:55 | 0:25:58 | |
or for the start of a grand event. | 0:25:58 | 0:26:00 | |
'But Copland's fanfare is for you and me, | 0:26:00 | 0:26:02 | |
'but he makes it sound just as big and impressive, | 0:26:02 | 0:26:05 | |
'because we're important too.' | 0:26:05 | 0:26:07 | |
MUSIC: "Fanfare for the Common Man" By Aaron Copland | 0:26:07 | 0:26:09 | |
Copland begins the piece with a trumpet, | 0:26:09 | 0:26:12 | |
which is traditionally used for a fanfare. | 0:26:12 | 0:26:14 | |
Why do you think that is? | 0:26:18 | 0:26:19 | |
Can you hear Copland adding another brass instrument? | 0:26:27 | 0:26:30 | |
MUSIC: "Fanfare for the Common Man" By Aaron Copland | 0:26:30 | 0:26:34 | |
Those are French horns. | 0:26:34 | 0:26:37 | |
MUSIC: "Fanfare for the Common Man" By Aaron Copland | 0:26:37 | 0:26:45 | |
Now listen out for the trombones making their entrance. | 0:26:52 | 0:26:56 | |
MUSIC: "Fanfare for the Common Man" By Aaron Copland | 0:26:56 | 0:27:00 | |
'Why do you think Copland gradually keeps adding instruments like this?' | 0:27:00 | 0:27:05 | |
To me, each instrument is another person standing beside me, | 0:27:05 | 0:27:09 | |
like an army making me stronger. | 0:27:09 | 0:27:13 | |
I love Fanfare for the Common Man, | 0:27:14 | 0:27:16 | |
because it really gives me this feeling of suspense and tension, | 0:27:16 | 0:27:22 | |
and the way that the music grows | 0:27:22 | 0:27:24 | |
makes me feel like I can do anything. | 0:27:24 | 0:27:26 | |
And so I use it sometimes when I'm feeling nervous about something, | 0:27:26 | 0:27:29 | |
and I need something to give me the confidence - | 0:27:29 | 0:27:31 | |
that's what I love about this piece of music. | 0:27:31 | 0:27:33 | |
Now, those massive drums sound like something else to me. | 0:27:35 | 0:27:39 | |
The sound of victory. | 0:27:39 | 0:27:41 | |
ROCK CRUMBLES | 0:27:50 | 0:27:52 | |
GIANT ROARS | 0:27:54 | 0:27:56 | |
'It's amazing how music can make you feel like you can do anything.' | 0:28:02 | 0:28:06 | |
You know who did used to start their day with this piece of music? | 0:28:10 | 0:28:14 | |
American astronauts. | 0:28:14 | 0:28:16 | |
They would have Fanfare for the Common Man played to them | 0:28:16 | 0:28:19 | |
in their space shuttle first thing in the morning. | 0:28:19 | 0:28:22 | |
I wonder what they were feeling | 0:28:23 | 0:28:24 | |
when they heard this music all the way up there in space? | 0:28:24 | 0:28:29 | |
MUSIC: "Fanfare for the Common Man" By Aaron Copland | 0:28:29 | 0:28:35 | |
Subtitles by Red Bee Media Ltd | 0:28:46 | 0:28:49 |