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Episode 2

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ORCHESTRAL INSTRUMENTS BEING TUNED

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FRANTIC VIOLIN MUSIC PLAYING

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It's midnight...

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and something's out there...

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..but what...

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..or who?

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HORNS BLASTING

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Listen to those whirling strings. Sounds like a storm is on the way.

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For tonight's the night all things evil are coming out to play.

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WHOOSHING

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It's party time for witches, and demons, and little beasties...

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Whee!

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..and this music's tough, and hard -

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so I'm not just imagining wrinkly old ladies on broomsticks!

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Oh, no, the witches in my imagination

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are serious bruisers, ready to swoop down out of the sky and attack you.

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Can you hear that big stomping tune?

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I think that's the witches circling and diving,

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dancing around and around.

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And they are fighting too!

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Those cymbals crashing sound like swords smashing together.

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What do you think would make someone write a wild,

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scary piece of music like this?

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Well, this piece of music starts with a story.

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A story that the Russian composer Modest Mussorgsky once heard.

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There was a real mountain Mussorgsky knew, there were no trees on it

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so everyone called it the Bare Mountain.

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One night every year, so the story said,

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witches flew from all over the land to celebrate on the mountain.

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So, this piece of music is called A Night On The Bare Mountain.

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And guess what?

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Mussorgsky finished writing it in 1867, on the night of 23 June.

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The very same night the story said the witches came.

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CYMBALS CRASHING

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MUSIC STOPS

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OBOES PLAYING PRANCINGLY

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The quieter and the louder music sound to me

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like there's a battle going on between light and darkness.

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ROARING FLAMES

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As the witches are dancing the symbols are crashing,

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the brass instruments are getting louder

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and darkness seems, finally, to have won.

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It's as if a pot of black ink has been thrown over a page

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and I can see a spider drowning in paint, thrashing across the surface.

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But wait...suddenly...

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there's a church bell in the nearby village.

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Can you hear it ring six times?

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That's the sound of a new day beginning.

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Time for witches and beasties to vanish.

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HE GASPS

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HE SIGHS

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Well, the reason why I like classical music

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is because it's vast and it's epic.

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It reminds me of when I was very small,

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when I went to the cinema for the first time

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and sitting in the darkness, in the seats,

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and then all of a sudden,

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before even the pictures had come on the screen,

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this fast soundtrack, this huge wave of sound

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came towards me and already you could feel it

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in the pit of your stomach.

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The strings sliding in and it made you very excited about what

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was about to happen on screen but you don't need a film

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to appreciate a piece of classical music.

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If you close your eyes and listen to a piece of orchestral music

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you can see your own film inside your head because the music

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will take you to places that you didn't realise existed before.

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This piece, A Night On Bare Mountain, is amazingly dramatic

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and it really makes me, sort of, quite nervous and scared,

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to start off, but then it's like coming out of a nightmare.

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When you're lying in bed, in the dark,

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and terrifying things are happening all around you,

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and you're squeezing up your eyes very tight,

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and trying to block them out.

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And then, at the end, you can really hear the rays of sunshine

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coming through the window and waking you up, and making you realise that,

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actually, everything's OK and it was just a dream.

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FLUTES PLAYING SLOWLY

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Mussorgsky takes us from darkness to complete daylight.

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The witches have fled, the mountain is peaceful

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and I'm just realising quite how nervous I been up until now.

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It's like the calm you get after a crazy thunderstorm.

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The flute and harp sound, to me, like rays of sunshine...

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..but how do the wild night and the peaceful morning sound to you?

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Listen to this music.

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In your head, where are you right now?

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Are you on a rocket about to lift off?

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On a horse galloping across a field?

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On a roller-coaster climbing higher and higher?

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Or about to ride a superfast home-made car?

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TRUMPETS PLAYING RHYTHMICALLY

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What? You weren't really going to expect me to stay still

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with this kind of music playing, were you?

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ROCKETS WHOOSHING

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ENGINE REVVING

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Can you hear that pattern of sounds repeating over and over?

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Yeah, that's the rhythm. I like to think of it like an engine.

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You know, it keeps pushing me along. Faster! Faster!

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The musical notes become like real objects in the road,

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racing towards me and then "Whoosh! Bap!"

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It shoots straight past my ears.

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Wah-ha-ho!

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RATTLING

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Can you hear those big timpani drums? The cymbals?

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I know the roads getting bumpy when they arrive.

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ENGINE REVVING

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Ha-ha, the rhythms never stop!

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And now I'm picking up speed!

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ENGINE REVVING

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Swerving, ducking, dodging, racing!

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Faster! Faster!

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The orchestra are playing higher notes

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and they're playing them louder.

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It's like the wind's whistling through my wheels.

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Everything is shaking and shuddering.

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I can even hear horns, car horns. Go, get out of the way! Ha-ha-ha!

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This car is out of control!

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ENGINE SLOWING DOWN

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STEAM HISSING

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No wonder this piece of music is called

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A Short Ride In A Fast Machine.

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And no wonder the man who wrote it, John Adams,

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said that he got the idea

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when he took a ride in his friend's crazy sports car

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and wished he hadn't.

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You know, that's probably why Adams wanted to create that whole effect

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of being on a musical ride that you just can't stop.

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Hey, can you hear that simple woodblock beat

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that kicks the whole piece of music off?

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It's like a ticking clock that won't stop...

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..and not one of the other instruments

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are allowed to slow the music down.

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They've all got to join in with that beat on the woodblock.

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My ears are, kind of, telling me two different things at once.

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I mean, Adams seems to be using notes that sound all happy,

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so they get me nice and excited,

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whilst the brass and the drums are, kind of, spiky and jumpy.

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So, that makes me feel a bit nervous too.

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It's sort of like bombing down a hill with no brakes.

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It's great but it can't last for long.

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And then all the volume starts to get louder.

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DRILL WHIZZING

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And one thing that I just love is that woodblock.

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You can still hear it, right?

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It's like it's forcing everybody on.

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I like listening to A Short Ride In A Fast Machine

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because I like the way that the music

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actually takes you on a journey.

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In my generation, classical music is always stereotyped

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as the boring music that is for old people.

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But if you take the time to find good songs by good composers,

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classical music can be pretty, pretty amazing.

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ENGINE REVVING

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As you reach the end of this piece, it's like the brass instruments

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start playing longer, more stretched out notes.

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It's like you're leaving the ground behind or taking off.

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I'm a big fan of music that really makes you feel something, yeah?

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Whoa!

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Oh-ho-ho!

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You know, John Adams' music definitely has me feeling things.

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Like you're racing along or speeding out of control

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but you might feel something completely different

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when you listen to it.

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So, if you were coming up with your own title for this music,

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what would it be?

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MUSIC: "Dance Of The Knights" by Sergei Prokofiev

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This is dance music,

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music to move to.

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But what kind of dance would it make YOU do?

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Something happy?

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Something elegant?

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Or something just a little more frightening?

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Just listen to those brass instruments.

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I'm not hearing a dance party, more of a dance battle.

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And I start breathing in time to the rhythm of those deep

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double bass notes.

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I want to join in with big, strong, striding steps.

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I know I'm not alone.

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But am I dancing with a friend...

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or an enemy?

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STRIDENT DRAMATIC STRING MUSIC

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Can you hear that pulsating beat?

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It's back.

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I can't escape it.

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And one wrong step could mean disaster.

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You may have heard this exciting music on TV shows

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like The Apprentice.

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But did you know it was originally inspired

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by William Shakespeare's play, Romeo And Juliet?

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Romeo and Juliet are two teenagers who fall in love,

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but because their two families are bitter enemies,

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Romeo and Juliet's love story is soon full of rivalry, poison and death.

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In the 1930s,

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a Russian composer called Sergei Prokofiev

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decided that Shakespeare's play would make a great ballet.

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Ballets use dance to tell a story on stage,

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so Prokofiev composed very dramatic music to help the ballet dancers

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show emotions like love, anger, jealousy,

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all through their physical movements.

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PROKOFIEV SCORE CONTINUES

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This piece of music called Dance Of The Knights,

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plays as Juliet's family dance at a magnificent party.

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Listen to that double bass.

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Imagine you are Romeo, watching this dance.

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How does this music make you feel about Juliet's family?

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HAUNTING STRIDENT SCORE STOPS

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MUTED BRASS SECTION

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Can you hear the atmosphere suddenly change?

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Who do you think is dancing now?

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SINGLE HORN PLAYS

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It's Juliet.

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What kind of music does her dance make you think of?

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DREAMY ETHEREAL MUSIC PLAYS

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I love classical and dance music,

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the vast range of instruments really can explore

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so many different emotions without needing any lyrics.

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Music has played a massive role in my life, particularly classical music,

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as that's where I first found my love for dance.

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Music is a form of escapism, but also helps you relate to your true

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feelings, whether they be happy or sad.

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As the dance ends, Juliet's delicate and gentle music

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is playing, but wait, can you hear a familiar theme on the saxophone?

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It seems to be trying to take over.

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I think it's the sound of Juliet's family,

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sworn enemies of Romeo's family.

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It's the sound of danger.

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Because remember, I said this isn't just a ballet about love,

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but also about death.

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Listen to the music.

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How do you think Romeo and Juliet's story will end?

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STRINGS CRESCENDO

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It's dark.

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There's not a sound.

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And then you hear...

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music.

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MUSIC: "Zadok The Priest" by George Frederic Handel

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So, where are you?

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Me? I'm in a tunnel.

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And now colours are appearing.

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RHYTHMIC STRINGS BUILD

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And there's a light up ahead.

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Inside, I'm nervous. Those strings are putting me on edge.

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But I can feel something is going to happen

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and that light's getting nearer.

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What do you think it is?

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VIOLIN MUSIC

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Now everything changes.

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More colours rush in.

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I see where I am.

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And I feel great.

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Proud and full of energy.

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OK. Firstly I might be imagining basketball,

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but you could be imaging anything.

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And, if it is sport, it might be football

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because did you know a version of this music

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is used as the theme for the UEFA Champions League?

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And no wonder.

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This is the type of music that makes you feel like a champion,

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like a hero.

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Maybe that's because way back in 1727,

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it was written for the nation's top dog, the king.

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The composer, George Frideric Handel, was asked to write the music

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for the coronation,

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the ceremony in which George II would be crowned.

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Handel wasn't going to turn down a gig like that.

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He dreamt up music that made sure everyone watching

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knew that this event was very special and very important,

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just like His Majesty.

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So, it's not surprising, is it, that with music like this playing

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I feel like...

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..king of the basketball court.

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# Zadok the priest

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# And Nathan the prophet #

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This choir are singing about another coronation in the Bible

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where Zadok the priest and Nathan the prophet

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crowned Solomon as their new king.

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Why do you think Handel wants everyone to think about that?

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# Zadok the priest

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# And Nathan the prophet... #

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CHOIR CONTINUES

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Now the choir becomes the king's supporters, cheering on their hero.

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It's time to rejoice.

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# Rejoiced

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# And all the people rejoiced

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# Rejoiced... #

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But why do you think that Handel repeats the words

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over and over again?

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It sounds to me as if the voices are competing with one another

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to see who can get the most excited.

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And now the trumpets join in, too, celebrating with the choir.

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# Rejoiced and said... #

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And, of course, Handel wrote this to be sung in a huge cathedral.

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He wants all his words and music to climb higher and higher

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reaching the very top of the roof

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and then, as if the church is a giant radio,

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sent out across the whole country.

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When I was growing up, classical music and choirs

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were not something you admitted to you friends.

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You wouldn't say,

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"Oh, I was listening to George Frideric Handel today."

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But what really surprised me when I got into sport

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was the amount of top athletes that listened to classical music

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to get themselves focused for a big game.

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So, next time you're watching football with your mum and dad

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why don't you tell them

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it was George Frideric Handel that wrote the song in 1727.

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They'll be well impressed.

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# Long live the King!

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# God save the King... #

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This music, Zadok The Priest, was just what King George II wanted.

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Handel had a hit on his hands.

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And it's been performed at every coronation since.

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By the end of the piece, Handel wants to blow the roof off.

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It's like the roar of the crowd at a big sports game

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or a cheer when I come out on to the basketball court.

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The sound is so grand that I can't help but feel small,

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but at the same time important

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because I know something big is going to happen.

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That's why Handel makes me feel strong and ready.

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What about you?

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# Amen

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# Hallelujah, hallelujah #

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CLAPPING

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What's making that music?

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It's you and me.

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Because music is something we can all get stuck into.

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I mean, we are instruments.

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We can clap.

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We can click.

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We can pat and we can stamp.

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Anyone can have a go at making this body percussion.

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Have you ever tried beatboxing?

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It's a way of making percussion noises using your mouth and voice.

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-HE BEATBOXES:

-Ba-da-da-duh

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Pft-pft-pft-pft

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Whoo-tt-tt-tt

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Bah-ba-bow-bow

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Bow ba-duh-duh

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WHISTLING NOISE

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Whoo-bow-bow

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Tt-tt

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Bow-ba-ba-ba-ba-ba

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Bow-bow.

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ALL SOUNDS COMBINE

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Who'd have thought you could make so much music just using your own body?

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Well, this lot for a start.

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GROUP CLAPPING

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The whole orchestra putting down their flutes, tubas,

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clarinets, drums, everything

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and using their body parts to create a world of sound.

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You're probably used to clapping at the end of music,

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but with this piece you can join in right from the start.

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CLAPPING

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That rhythm sounds to me like hundreds of teeth

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chomping down on crisps

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or giant buildings shooting up out of the ground brick by brick.

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This is Anna Merideth.

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She composed this amazing piece of music.

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Can you tell us how you came up with the idea?

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So, this piece is commissioned from the National Youth Orchestra,

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which is made up entirely of teenagers aged between 12 and 18.

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They wanted a piece of music that would explore all the other

0:25:200:25:23

kinds musicianship they could do.

0:25:230:25:25

Basically everything apart from the instruments.

0:25:250:25:28

How did you come up with the name?

0:25:280:25:30

I guess the words Handsfree implies that you've got your hands spare.

0:25:300:25:33

They put down their instruments and do other stuff -

0:25:330:25:36

movement, body percussion, which is all using their hands.

0:25:360:25:39

If you think that orchestral music is just abut violins

0:25:470:25:50

and trombones, then think again.

0:25:500:25:53

The music that orchestras make is always changing

0:25:530:25:56

and always full of surprises, like this.

0:25:560:25:58

HUMMING

0:25:580:26:01

Without the body percussion,

0:26:010:26:03

suddenly I feel like I'm floating in the night.

0:26:030:26:07

But our voices are incredible things. Suddenly it's all change.

0:26:070:26:11

VOICES GET LOUDER

0:26:130:26:18

VOICES FADE AND RISE

0:26:190:26:25

NOTE IS HELD

0:26:250:26:31

ALL: Boom-tss-pah-ch-ch!

0:26:310:26:33

What does this remind you of?

0:26:330:26:35

ALL: Boom-tss-pah-ch-ch!

0:26:350:26:39

To me the whole orchestra sounds like an engine now.

0:26:390:26:45

The orchestra even starts to look like a machine.

0:26:450:26:49

Can you see the incredible shapes the music is making?

0:26:490:26:52

So I can hear biting and breathing and tapping and all sorts.

0:26:530:26:57

Was that the intention?

0:26:570:26:59

The idea for this piece is that you can hear whatever you want in it.

0:26:590:27:02

Your ears are your own and you can take your own journey through it.

0:27:020:27:07

Why is it important to listen to classical music?

0:27:070:27:10

There's something really special about the sounds of these instruments

0:27:100:27:13

which have developed over hundreds of years.

0:27:130:27:15

They make unique sounds when you watch them being played.

0:27:150:27:18

Also, just to be able to have music that's been written today

0:27:180:27:21

by real live composers is exciting,

0:27:210:27:23

because it's this brand-new fresh music, written by people who

0:27:230:27:26

are living in the same world as you. That's really exciting.

0:27:260:27:29

How did you get into classical music?

0:27:290:27:31

I didn't know composers existed.

0:27:310:27:34

I knew that traditionally Beethoven and Mozart was composers

0:27:340:27:37

but I didn't know it was something people did as a current job.

0:27:370:27:41

I got into music by playing recorder and clarinet

0:27:410:27:44

and drums while I was at school, and gradually

0:27:440:27:47

I wanted to get more involved and started to make music

0:27:470:27:50

as well as play other people's and it started from there.

0:27:500:27:53

BODY PERCUSSION PIECE PLAYS

0:27:530:27:59

Handsfree reminds me that,

0:28:040:28:05

even though there's a lot of music out there

0:28:050:28:08

with all sorts of names - dance, classical, pop -

0:28:080:28:12

in the end, all music has one thing in common.

0:28:120:28:15

It comes from inside us, which means nothing can stop you from making it.

0:28:150:28:21

So, why not get started right now?

0:28:210:28:24

ALL: YEAH, YEAH!

0:28:240:28:29

CLAPPING AND CHANTING "YEAH"

0:28:290:28:36

Subtitles by Red Bee Media Ltd

0:28:410:28:44

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