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Hello, welcome to The Gaitherin and we're heading to the heart of East Belfast. | 0:00:02 | 0:00:05 | |
Today we're under the shadow of Samson and Goliath. | 0:00:05 | 0:00:08 | |
Our young pipers, Zoe and Kyle - they're heading in the | 0:00:08 | 0:00:11 | |
right direction. | 0:00:11 | 0:00:12 | |
That's Scotland. Back there's Northern Ireland, | 0:00:12 | 0:00:14 | |
-don't want to go there, right? -OK. -Scotland, it is. | 0:00:14 | 0:00:17 | |
Tim McGarry's language course takes him to the market. | 0:00:17 | 0:00:20 | |
-Any chance of you buying me one? -Well, we'll see about that. | 0:00:20 | 0:00:23 | |
Typical Ulster-Scot. | 0:00:23 | 0:00:25 | |
And we find where King Billy sat... | 0:00:25 | 0:00:27 | |
and it's not on a horse. | 0:00:27 | 0:00:29 | |
So that's the chair that King Billy used | 0:00:29 | 0:00:31 | |
when he attended the service here. | 0:00:31 | 0:00:32 | |
All that plus Dan Gordon, world champions and | 0:00:32 | 0:00:36 | |
Ulster-Scots' inventions. | 0:00:36 | 0:00:38 | |
Welcome to The Gaitherin. | 0:00:38 | 0:00:39 | |
CHEERING AND APPLAUSE | 0:01:04 | 0:01:06 | |
Welcome to the Skainos Centre in East Belfast. | 0:01:12 | 0:01:16 | |
What a wonderful display from our drum majors - champions one and all. | 0:01:34 | 0:01:40 | |
And they were brought together specially by former world champion | 0:01:40 | 0:01:43 | |
Brian Wilson for the Belfast Tattoo | 0:01:43 | 0:01:46 | |
and that's one of the reasons why we are here. | 0:01:46 | 0:01:49 | |
The Belfast Tattoo took place just down the road at the | 0:01:49 | 0:01:53 | |
Odyssey Arena and this was one of the events - | 0:01:53 | 0:01:55 | |
so, could we have a big round of applause for our drum majors? | 0:01:55 | 0:01:59 | |
CHEERING | 0:01:59 | 0:02:01 | |
What other Ulster-Scots links do we have with East Belfast? | 0:02:03 | 0:02:06 | |
And there's no better person to ask about that than | 0:02:06 | 0:02:09 | |
historian Jonathan Bardon. | 0:02:09 | 0:02:11 | |
So, Jonathan, if you were to try and explain | 0:02:11 | 0:02:13 | |
to us those links, where would you start? | 0:02:13 | 0:02:16 | |
In 1605 the Lord of Clandeboye Conn O'Neill | 0:02:16 | 0:02:20 | |
was forced to give up two thirds of his estates | 0:02:20 | 0:02:22 | |
to Sir Hugh Montgomery and to Sir James Hamilton | 0:02:22 | 0:02:26 | |
and they brought in tens of thousands of Scots to make the most | 0:02:26 | 0:02:30 | |
successful British colonisation of the 17th century in North Down. | 0:02:30 | 0:02:35 | |
But how did they start then to make a move | 0:02:35 | 0:02:38 | |
into this part of the world? And what was it that | 0:02:38 | 0:02:40 | |
-was driving that, Jonathan? -They kept coming - | 0:02:40 | 0:02:42 | |
mostly to farm and sometimes to weave - in particular in the 1690s you | 0:02:42 | 0:02:47 | |
have a great influx of about 80,000 Scots coming in. | 0:02:47 | 0:02:51 | |
And then, as industry began to establish itself | 0:02:51 | 0:02:54 | |
in East Belfast, it was then the township of Ballymacarrett, | 0:02:54 | 0:02:58 | |
it didn't become part of Belfast until 1840. | 0:02:58 | 0:03:02 | |
So, the Ulster-Scots had quite a strong community | 0:03:02 | 0:03:04 | |
-in Ballymacarrett, then? -Yes, they had a strong, er, | 0:03:04 | 0:03:08 | |
farming tradition there. They were farming on the | 0:03:08 | 0:03:12 | |
Beer's Bridge Road planting oats as late as 1850. | 0:03:12 | 0:03:16 | |
And, of course, there was a glasshouse built at the end | 0:03:16 | 0:03:19 | |
of the long bridge, which connected Belfast with Ballymacarrett | 0:03:19 | 0:03:24 | |
and there, er, they made all kinds of watch glasses | 0:03:24 | 0:03:28 | |
and bottles and so on which were very successful. | 0:03:28 | 0:03:30 | |
But you mentioned there the Industrial Revolution, | 0:03:30 | 0:03:33 | |
that really drove migration, didn't it? Into this part of Belfast. | 0:03:33 | 0:03:38 | |
Yes, it was simply a rural place until the Industrial Revolution | 0:03:38 | 0:03:42 | |
got going in the early 19th century, starting off with | 0:03:42 | 0:03:45 | |
Catholic weavers who settled in Short Strand and then | 0:03:45 | 0:03:48 | |
followed by foundry workers - most of them UlsterScots in | 0:03:48 | 0:03:52 | |
-the Laggan Foundry. -And the shipyards have a big part | 0:03:52 | 0:03:56 | |
in that story as they were developing. | 0:03:56 | 0:03:59 | |
Yes, in the 1840s the Victoria Channel was dug | 0:03:59 | 0:04:02 | |
and the sleet or mud from there was dumped in East Belfast | 0:04:02 | 0:04:05 | |
and became Queen's Island. | 0:04:05 | 0:04:07 | |
Here shipbuilding began in the 1850s - | 0:04:07 | 0:04:11 | |
a 23-year-old from Scarborough getting things going, Edward Harland. | 0:04:11 | 0:04:15 | |
Alongside the shipyard there were lots of other industries developing. | 0:04:15 | 0:04:19 | |
Rope works, there was glass, well, of course, there was linen, we can't forget that | 0:04:19 | 0:04:23 | |
and there were Ulster-Scots workers who | 0:04:23 | 0:04:25 | |
came in to fill many of those jobs. | 0:04:25 | 0:04:27 | |
They did. Earlier in the century they mostly came from Mid Ulster | 0:04:27 | 0:04:31 | |
but in the later 19th century they mostly came from North Down, | 0:04:31 | 0:04:35 | |
many of them Ulster-Scots and working in mills like the Owen O'Cork mills | 0:04:35 | 0:04:40 | |
and the great rope works founded in the 1870s, and, of course, | 0:04:40 | 0:04:45 | |
whiskey distilling was also very important. | 0:04:45 | 0:04:48 | |
You have the Connswater Distillery producing two million | 0:04:48 | 0:04:51 | |
gallons of whiskey a year. | 0:04:51 | 0:04:53 | |
Jonathan, thanks very much. Now, we've been following | 0:04:53 | 0:04:56 | |
the fledgling piping career of young Kyle Sawyers and Zoe Somerville | 0:04:56 | 0:05:00 | |
and they play with the Ulster-Scots Agency Juvenile Band | 0:05:00 | 0:05:04 | |
and since we last saw them they have headed off to compete | 0:05:04 | 0:05:06 | |
with the best of the best at the world championships, in Glasgow. | 0:05:06 | 0:05:10 | |
Kyle, Zoe, I'm delighted to finally meet yous. | 0:05:10 | 0:05:13 | |
This is it, we're on our way to Scotland | 0:05:13 | 0:05:15 | |
and this is the big one now, this is the world's. | 0:05:15 | 0:05:17 | |
You've been practising for this one, haven't you? | 0:05:17 | 0:05:20 | |
That's understating it, cos you've really been going for it, | 0:05:20 | 0:05:22 | |
how much practice have you been doing for this? | 0:05:22 | 0:05:24 | |
Been practising every day for about 15/20 minutes or so. | 0:05:24 | 0:05:28 | |
-Every day in the run-up to this? -Yeah. | 0:05:28 | 0:05:31 | |
So, tomorrow you've got to deliver, haven't you? | 0:05:31 | 0:05:33 | |
You've got to do it - all the practice has to come together - it's all on tomorrow. | 0:05:33 | 0:05:37 | |
I've lined up something special for you, all right? | 0:05:38 | 0:05:41 | |
Do you want to go somewhere a bit different? | 0:05:41 | 0:05:43 | |
-Take your mind off tomorrow? -OK. -Excellent, let's go. | 0:05:43 | 0:05:46 | |
-How cool is this? Eh? What? Are you impressed? -Yeah. -Yeah. -Brilliant. | 0:05:47 | 0:05:52 | |
Got to have a hat, get the hats on, guys, let me see. | 0:05:52 | 0:05:55 | |
Oh, very smart, very smart, very cool. Get the badge up - | 0:05:55 | 0:05:58 | |
look at that, that's proper. Right, here's the good news - | 0:05:58 | 0:06:01 | |
you're going to do all the steering, you're going to get us there, right? Here's a tip - I'm no expert, | 0:06:01 | 0:06:05 | |
but that's Scotland. Back there's Northern Ireland. | 0:06:05 | 0:06:08 | |
-Don't want to go there today, right? -OK. -Right? | 0:06:08 | 0:06:10 | |
Scotland it is. You happy? BOTH: Yeah. | 0:06:10 | 0:06:12 | |
Go for it... | 0:06:12 | 0:06:13 | |
PIPE MUSIC | 0:06:19 | 0:06:22 | |
OK, guys, blow up, play whatever you want. | 0:06:27 | 0:06:30 | |
Well, guys, this is it, Glasgow, the world's. | 0:06:30 | 0:06:32 | |
This is the big moment. Any nerves today? | 0:06:32 | 0:06:35 | |
I'm a bit nervous but, erm, it's kind of sunk in, | 0:06:35 | 0:06:38 | |
the thought of it. | 0:06:38 | 0:06:40 | |
What do you hope happens when you go out there, what are you hoping for? | 0:06:40 | 0:06:44 | |
Hopefully qualify. | 0:06:44 | 0:06:45 | |
-And get through to the next bit? -Yeah. | 0:06:45 | 0:06:48 | |
This is huge, obviously, it's the world's so it's the pinnacle | 0:06:52 | 0:06:55 | |
of piping but, in terms of scale, there's thousands of people here, | 0:06:55 | 0:06:58 | |
that must add to the pressure for them. | 0:06:58 | 0:07:00 | |
I would imagine 20/30,000 people will be at this event. | 0:07:00 | 0:07:03 | |
The world's is so important for them, you can see a huge | 0:07:03 | 0:07:05 | |
change in them the week before the world's | 0:07:05 | 0:07:07 | |
because it is...they don't want to let themselves down. | 0:07:07 | 0:07:10 | |
And today I couldn't have expected any more of them. | 0:07:11 | 0:07:13 | |
You know, it wasn't great weather for the kids | 0:07:13 | 0:07:16 | |
and they feel the cold a wee bit more than the adults. | 0:07:16 | 0:07:18 | |
But they've done really, really well. | 0:07:18 | 0:07:20 | |
I wouldn't say I'm confident but I'm more confident than I was | 0:07:24 | 0:07:26 | |
-this time last year. -Good, well, I think they did great anyway | 0:07:26 | 0:07:29 | |
and I know you're a proud man today so we'll just wait and see, will we? | 0:07:29 | 0:07:32 | |
Fingers crossed. | 0:07:32 | 0:07:34 | |
Step short, step short. | 0:07:34 | 0:07:36 | |
Well, guys, firstly congratulations - how do you think it went for you? | 0:07:38 | 0:07:42 | |
Well, we played really, really well but it doesn't really matter | 0:07:42 | 0:07:45 | |
if we get placed or not cos there's bands that have played for | 0:07:45 | 0:07:47 | |
five years and some of us have only joined the band, so, | 0:07:47 | 0:07:50 | |
as long as we've done well I'm really happy. | 0:07:50 | 0:07:53 | |
What about the rain, Zoe? Cos it was quite heavy when you guys were on, | 0:07:53 | 0:07:56 | |
did it make it hard for yous? | 0:07:56 | 0:07:58 | |
Yeah, it made it tougher cos where I was standing the wind was just | 0:07:58 | 0:08:02 | |
blowing and I thought my pipes were about to fall at some stages. | 0:08:02 | 0:08:05 | |
-You frozen, were you? -Yeah. -Listen, good luck, guys, | 0:08:05 | 0:08:07 | |
we wish you all the best, you've just got to wait and see | 0:08:07 | 0:08:10 | |
what the judges think now but I think you did great - well done. | 0:08:10 | 0:08:12 | |
APPLAUSE | 0:08:12 | 0:08:14 | |
Wonderful - and, do you know, I can't wait to find out - | 0:08:30 | 0:08:32 | |
-how did you get on? -Well, you can ask Andy that. | 0:08:32 | 0:08:35 | |
-Right. So, how did they get on, Andy? -They done really well, | 0:08:35 | 0:08:38 | |
unfortunately they never qualified but the pipers came ninth and tenth | 0:08:38 | 0:08:43 | |
out of 15 but the drum corp came second. | 0:08:43 | 0:08:45 | |
And what about yourselves? You know, you've been to the | 0:08:45 | 0:08:48 | |
world championships now - do you say, "Well, I've done that | 0:08:48 | 0:08:51 | |
"with my life, I'll do something else"? Or do you keep playing? | 0:08:51 | 0:08:53 | |
Well, we'll keep playing with the Ulster-Scots | 0:08:53 | 0:08:55 | |
and any concerts that come up we'll play at them | 0:08:55 | 0:08:58 | |
and we'll go to the world's next year, hopefully. | 0:08:58 | 0:09:00 | |
Zoe, did your friends know what you were doing? | 0:09:00 | 0:09:02 | |
And what do they think about you and your wonderful hobby? | 0:09:02 | 0:09:05 | |
Yeah, they thought it was good and they were all waiting for it, | 0:09:05 | 0:09:09 | |
looking at me on the TV and everything. | 0:09:09 | 0:09:12 | |
And we are so proud of you, coming in the top ten! | 0:09:12 | 0:09:15 | |
In the whole of the world! | 0:09:15 | 0:09:17 | |
CHEERING | 0:09:17 | 0:09:19 | |
Time for some more music now with the Hank Williams' | 0:09:22 | 0:09:25 | |
I Saw The Light, the Low Country Boys. | 0:09:25 | 0:09:27 | |
CHEERING | 0:09:27 | 0:09:29 | |
MUSIC: I Saw The Light | 0:09:29 | 0:09:31 | |
# I wandered so aimless | 0:09:35 | 0:09:37 | |
# Life full of sin | 0:09:37 | 0:09:40 | |
# I wouldn't let my dear Saviour in | 0:09:40 | 0:09:44 | |
# Then Jesus came like | 0:09:44 | 0:09:46 | |
# A stranger in the night | 0:09:46 | 0:09:48 | |
# Praise the Lord I saw the light | 0:09:48 | 0:09:52 | |
# I saw the light, I saw the light | 0:09:53 | 0:09:58 | |
# No more darkness, no more night | 0:09:58 | 0:10:02 | |
# Now I'm so happy No sorrow in sight | 0:10:02 | 0:10:06 | |
# Praise the Lord, I saw the light | 0:10:06 | 0:10:10 | |
# I was a fool to wander and stray | 0:10:12 | 0:10:16 | |
# For straight is the gate And narrow the way | 0:10:16 | 0:10:20 | |
# Now I have traded The wrong for the right | 0:10:20 | 0:10:25 | |
# Praise the Lord, I saw the light | 0:10:25 | 0:10:30 | |
# I saw the light | 0:10:30 | 0:10:32 | |
# I saw the light | 0:10:32 | 0:10:34 | |
# No more darkness | 0:10:34 | 0:10:36 | |
# No more night | 0:10:36 | 0:10:39 | |
# Now I'm so happy | 0:10:39 | 0:10:41 | |
# No sorrow in sight | 0:10:41 | 0:10:43 | |
# Praise the Lord, I saw the light | 0:10:43 | 0:10:46 | |
# Praise the Lord | 0:10:49 | 0:10:51 | |
# I saw the light. # | 0:10:51 | 0:10:56 | |
CHEERING | 0:10:57 | 0:11:00 | |
They're great - the Low Country Boys. And we'll be hearing more | 0:11:02 | 0:11:05 | |
from them later on. Now, I've come to join actor, writer, | 0:11:05 | 0:11:09 | |
director Dan Gordon. And this part of Belfast for you, Dan, | 0:11:09 | 0:11:13 | |
has really strong family connections. | 0:11:13 | 0:11:15 | |
Yes, I mean, I grew up around here, | 0:11:15 | 0:11:17 | |
you can hear it all going on in the background, | 0:11:17 | 0:11:19 | |
it's a heavy industrial area. Got my school uniform on the road | 0:11:19 | 0:11:22 | |
-and my father worked in the shipyard. -It goes further back than that, | 0:11:22 | 0:11:25 | |
-doesn't it? -Oh, yeah. My grandfather came from the countryside | 0:11:25 | 0:11:28 | |
into Glasgow and got a job in the shipyards on the Clyde, in Govan, | 0:11:28 | 0:11:33 | |
and Harland and Wolff had a partner shipyard | 0:11:33 | 0:11:36 | |
so over he came, started a family - there were six brothers, | 0:11:36 | 0:11:40 | |
two sisters, all the brothers had an opportunity in some way, | 0:11:40 | 0:11:42 | |
to work in the shipyard. My... one uncle, Andy, did 50 years, | 0:11:42 | 0:11:46 | |
another uncle did 30. My father worked there on and off | 0:11:46 | 0:11:49 | |
and all the brothers, at some stage. They brought the language with them as well, the syntax | 0:11:49 | 0:11:53 | |
and the semantics, they... he would use phrases... you know, | 0:11:53 | 0:11:55 | |
a lot of complimentary things like - "You big hallion. | 0:11:55 | 0:11:58 | |
"You big skitter. You big glipe." And, "You big..." whatever. | 0:11:58 | 0:12:01 | |
The Ulster-Scots were a fairly entrepreneurial lot | 0:12:01 | 0:12:04 | |
and some great inventors amongst them. | 0:12:04 | 0:12:06 | |
Like John Getty McGee who invented the Sherlock Holmes coat, | 0:12:06 | 0:12:10 | |
the Ulster coat it's known as. Because the Victorian coats | 0:12:10 | 0:12:13 | |
at the time were very cumbersome so he got a cape and sleeves | 0:12:13 | 0:12:17 | |
and Sherlock Holmes was seen and fog-bound taxi | 0:12:17 | 0:12:19 | |
drivers in the old stories. | 0:12:19 | 0:12:21 | |
With the cape...yeah. | 0:12:21 | 0:12:22 | |
And there was also a woman's version, it was called the ulsterette | 0:12:22 | 0:12:26 | |
and the material they used was ulstering | 0:12:26 | 0:12:29 | |
and if you wore one of the coats you'd been ulstered. | 0:12:29 | 0:12:31 | |
Then you have, er, someone like John Boyd Dunlop | 0:12:31 | 0:12:34 | |
who is, in my mind, a big UlsterScot. He came over from | 0:12:34 | 0:12:38 | |
Ayrshire about 1840. He was in Downpatrick, he was a veterinary. | 0:12:38 | 0:12:43 | |
He set up a practice there and then he came to Belfast | 0:12:43 | 0:12:45 | |
and it was there in May Street that he | 0:12:45 | 0:12:48 | |
has a son with a little tricycle bike. | 0:12:48 | 0:12:51 | |
It was too bumpy for him and he thought - | 0:12:51 | 0:12:52 | |
"What way can I make this better?" And he invented the | 0:12:52 | 0:12:55 | |
pneumatic tyre, he got sheet rubber, he filled it with air, | 0:12:55 | 0:12:58 | |
put it on the bicycle - it was originally on a wooden disc, he realised it worked so much better. | 0:12:58 | 0:13:02 | |
A guy called Willie Hume, | 0:13:02 | 0:13:03 | |
who was the captain of the Belfast Cruisers Club cyclists, | 0:13:03 | 0:13:08 | |
won every race he entered, apart from one in Liverpool, I think... | 0:13:08 | 0:13:12 | |
Cos he had these pneumatic tyres on his bike? | 0:13:12 | 0:13:13 | |
Because of the pneumatic tyre. Sadly, John Boyd Dunlop, | 0:13:13 | 0:13:17 | |
he did patent it but there was another Scotsman had | 0:13:17 | 0:13:20 | |
patented it in France and America years before | 0:13:20 | 0:13:22 | |
so he didn't make his fortune but his name was on the company. | 0:13:22 | 0:13:26 | |
Dan, thank you so much. | 0:13:26 | 0:13:28 | |
Now, there are a lot of really good, historical walking tours | 0:13:28 | 0:13:31 | |
around the city of Belfast, but you know, there's not a specific | 0:13:31 | 0:13:34 | |
one for Ulster-Scots. | 0:13:34 | 0:13:36 | |
So, especially for The Gaitherin, we asked local historian | 0:13:36 | 0:13:40 | |
Raymond O'Regan to compose a whistle-stop tour | 0:13:40 | 0:13:44 | |
of some of the Ulster-Scots' churches | 0:13:44 | 0:13:45 | |
and the people who made their mark on Belfast. | 0:13:45 | 0:13:48 | |
This actual building, the Exchange & Assembly Building, | 0:13:50 | 0:13:52 | |
in 1786 a man called Waddell Cunningham, | 0:13:52 | 0:13:56 | |
he calls a meeting of rich merchants and the idea was... | 0:13:56 | 0:13:59 | |
you buy a ship, | 0:13:59 | 0:14:01 | |
take goods from Belfast to the Gold Coast. | 0:14:01 | 0:14:03 | |
You pick up your captured slaves, cross to the West Indies | 0:14:03 | 0:14:06 | |
and to the Southern Carolinas and you bring back molasses. | 0:14:06 | 0:14:09 | |
Thomas McCabe, he hears what they're up to, | 0:14:09 | 0:14:12 | |
goes along to the meeting and stands up | 0:14:12 | 0:14:13 | |
and speaks to them the way I'm talking to you now | 0:14:13 | 0:14:16 | |
and part of what he said was - "May God wither the hand | 0:14:16 | 0:14:19 | |
"of anybody who signs that document." | 0:14:19 | 0:14:20 | |
This was an Ulster-Scots Presbyterian and member of that church. Discovers... | 0:14:20 | 0:14:24 | |
one person, goes along and stops these really important merchants. | 0:14:24 | 0:14:27 | |
So, this is the particular building, it eventually became a bank | 0:14:27 | 0:14:30 | |
but it has a great history. | 0:14:30 | 0:14:32 | |
This is a very historic site. | 0:14:35 | 0:14:37 | |
It actually goes back to the 10th century. | 0:14:37 | 0:14:39 | |
You've heard of the Battle of the Boyne? 1690? | 0:14:39 | 0:14:42 | |
King William is in Ireland to fight King James at the | 0:14:42 | 0:14:44 | |
Battle of the Boyne. He arrives on the Saturday | 0:14:44 | 0:14:46 | |
and on the Sunday he attends a service in the | 0:14:46 | 0:14:49 | |
Corporation Church and the chair that he used is in the church. | 0:14:49 | 0:14:53 | |
So that's the chair that King Billy used | 0:14:53 | 0:14:56 | |
when he attended the service here | 0:14:56 | 0:14:58 | |
in 1690 before he headed off to the Battle of the Boyne. | 0:14:58 | 0:15:01 | |
Now, people say, "Oh, it's very small." | 0:15:01 | 0:15:03 | |
He was only 4'9". | 0:15:03 | 0:15:05 | |
So, if they had made a big, big chair he would have looked like a child! | 0:15:05 | 0:15:08 | |
1695, the Reverend McBride has leased this land, | 0:15:14 | 0:15:18 | |
this is him here, actually. And they build the first church. | 0:15:18 | 0:15:21 | |
From 1702 to 1714 Queen Anne is on the throne | 0:15:21 | 0:15:25 | |
and she is what you call a very High Tory, a very High Anglican | 0:15:25 | 0:15:28 | |
and she detests the dissenters, the Presbyterians, | 0:15:28 | 0:15:31 | |
more than the Catholics. | 0:15:31 | 0:15:32 | |
This particular Reverend McBride, because he held public office - | 0:15:32 | 0:15:36 | |
there's a notice of abjuration and, basically, you had to sign this. | 0:15:36 | 0:15:40 | |
There was parts of it he disagreed with in principle, | 0:15:40 | 0:15:42 | |
so he wouldn't sign it, so on four different occasions | 0:15:42 | 0:15:45 | |
he had to escape to Scotland otherwise | 0:15:45 | 0:15:47 | |
he would have been arrested. | 0:15:47 | 0:15:48 | |
One particular time, the mayor comes round with soldiers to arrest him. | 0:15:48 | 0:15:52 | |
Can't find him in the church, goes into the manse, | 0:15:52 | 0:15:54 | |
the house next door where he lived, couldn't find him there, | 0:15:54 | 0:15:57 | |
but in his bedroom he finds McBride's portrait, so what does he do? | 0:15:57 | 0:16:00 | |
"Well, you're not here, but your portrait..." So he takes out his sword | 0:16:00 | 0:16:04 | |
and stabs the portrait. | 0:16:04 | 0:16:06 | |
Just to explain why we're talking about Ulster-Scots in Belfast... | 0:16:07 | 0:16:11 | |
in 1603 Queen Elizabeth decides to defeat Ulster Gaels, | 0:16:11 | 0:16:15 | |
they were Catholics. | 0:16:15 | 0:16:16 | |
A man called Sir Arthur Chichester from Devon, | 0:16:16 | 0:16:19 | |
as a reward for his part in defeating the Ulster Gaels he is given Belfast. | 0:16:19 | 0:16:23 | |
1607 - he plants people from Lowland Scotland who are Presbyterians | 0:16:23 | 0:16:28 | |
and he takes people from Cornwall and Devon, his area, Anglicans. | 0:16:28 | 0:16:31 | |
So you had a mixture in Belfast from 1607 onwards of Anglicans from | 0:16:31 | 0:16:36 | |
the south of England and Presbyterians from Scotland. | 0:16:36 | 0:16:40 | |
As we go through into the 1640s Presbyterians tend to become more | 0:16:40 | 0:16:44 | |
in the majority. | 0:16:44 | 0:16:46 | |
That's the finish of it, hopefully you enjoyed it. | 0:16:46 | 0:16:48 | |
Thanks a lot. | 0:16:48 | 0:16:50 | |
APPLAUSE | 0:16:50 | 0:16:51 | |
Historian Jonathan Bardon - do you have any particular favourites? | 0:16:51 | 0:16:54 | |
I think the interior of the Rosemary Street Presbyterian Church | 0:16:54 | 0:16:57 | |
always delights me. | 0:16:57 | 0:16:59 | |
-Why? -Erm, because it's a bit like Wedgwood pottery | 0:16:59 | 0:17:03 | |
in its design, the oval shape, the gracefulness of it. | 0:17:03 | 0:17:08 | |
Any other buildings? | 0:17:08 | 0:17:09 | |
Well, Belfast being a young city it hasn't got | 0:17:09 | 0:17:12 | |
many 18th-century buildings | 0:17:12 | 0:17:14 | |
but the finest is the Belfast Charitable Society, | 0:17:14 | 0:17:17 | |
in Clifton Street, and that is splendid both in and out. | 0:17:17 | 0:17:21 | |
I'm very fond of Robinson and Cleaver's with its | 0:17:21 | 0:17:24 | |
little statues of Queen Victoria and the Maharaja | 0:17:24 | 0:17:28 | |
and the Crown Prince of Germany. | 0:17:28 | 0:17:30 | |
But if you think of the buildings and then think of | 0:17:30 | 0:17:34 | |
the names in Belfast... | 0:17:34 | 0:17:35 | |
Ulster-Scots names that have made their mark... | 0:17:35 | 0:17:38 | |
Well, I think of actors and artists - people like James Ellis, | 0:17:38 | 0:17:41 | |
James Young, Frank Carson, erm... | 0:17:41 | 0:17:44 | |
these are all with Ulster-Scots names, of course, | 0:17:44 | 0:17:47 | |
er... Isabella Tod, the educationalist... | 0:17:47 | 0:17:49 | |
Helen Waddell, the translator and poet. | 0:17:49 | 0:17:53 | |
Harry Ferguson, who enrolled in the Tech in 1906 and | 0:17:53 | 0:17:56 | |
flew the first plane in Ireland in 1910. | 0:17:56 | 0:17:59 | |
Well, I know of the Mackies, the great, great engineers with, erm, | 0:17:59 | 0:18:02 | |
flax-spinning plants all across the country. | 0:18:02 | 0:18:05 | |
-James Mackie came across as a Scot... -Uh-hm. | 0:18:05 | 0:18:08 | |
..in the early 19th century to found, er, | 0:18:08 | 0:18:10 | |
the firm which became the largest flax-machinery works in the world. | 0:18:10 | 0:18:16 | |
And, of course, there was Samuel Davidson | 0:18:16 | 0:18:18 | |
who came back from his tea plantations in Assam | 0:18:18 | 0:18:21 | |
to fund the Sirocco works, the biggest fan-making business | 0:18:21 | 0:18:25 | |
in the world, tea-drying machinery, even German warships | 0:18:25 | 0:18:28 | |
-were fitted with them. -Oh, really?! | 0:18:28 | 0:18:31 | |
The German fleet scuttled itself at Scapa Flow in the Orkneys. | 0:18:31 | 0:18:34 | |
They were raised at the end of the war with compressed air | 0:18:34 | 0:18:36 | |
and then it was discovered that their fans were from the | 0:18:36 | 0:18:39 | |
Sirocco works in East Belfast. | 0:18:39 | 0:18:41 | |
Thank you very, very much, Jonathan, thank you. | 0:18:41 | 0:18:44 | |
So far, we have been watching Tim McGarry, you know, struggle a little | 0:18:44 | 0:18:47 | |
bit with his Ulster-Scots pronunciations | 0:18:47 | 0:18:50 | |
in his quest to learn the language and then present | 0:18:50 | 0:18:53 | |
a stand-up routine in Ulster-Scots before the end of the series. | 0:18:53 | 0:18:57 | |
So, to help him along linguist and coach Ian Parsley | 0:18:57 | 0:19:01 | |
took him to St George's Market for a little bit of retail therapy. | 0:19:01 | 0:19:05 | |
Right, Tim, the pressure's on, we've only got one more go at this. | 0:19:05 | 0:19:08 | |
I've been doing some homework, Ian, I want you to know that. | 0:19:08 | 0:19:11 | |
But I have a serious question now - some people will say Ulster-Scots | 0:19:11 | 0:19:14 | |
-is, basically, English in a Scottish accent. -Yeah. | 0:19:14 | 0:19:16 | |
-There is more to it than that, isn't there? -A lot more to it. | 0:19:16 | 0:19:19 | |
There's a whole grammatical structure, | 0:19:19 | 0:19:20 | |
there are idioms and phrases and there are some words of | 0:19:20 | 0:19:23 | |
-various origins that we all use, day and daily. -But you've brought me here...why? | 0:19:23 | 0:19:27 | |
Well, really to see in daily life in Northern Ireland what sort of | 0:19:27 | 0:19:30 | |
Ulster-Scots terms and words we use even here in the centre of Belfast at St George's Market. | 0:19:30 | 0:19:34 | |
And some will have good comedy value, I hope? | 0:19:34 | 0:19:37 | |
Well, that's for you to decide. | 0:19:37 | 0:19:38 | |
That's a nice bread here, you've brought me to buy me | 0:19:40 | 0:19:42 | |
-a breakfast, have you, Ian? -Well, we'll see about that, | 0:19:42 | 0:19:45 | |
but, erm, what I actually brought you to talk about | 0:19:45 | 0:19:47 | |
was the origins of some of these breads | 0:19:47 | 0:19:49 | |
cos a lot of them are actually Ulster-Scots. | 0:19:49 | 0:19:51 | |
In the corner here we have the Belfast bap. | 0:19:51 | 0:19:54 | |
A bap is the Scots word for any sort of bread roll. | 0:19:54 | 0:19:56 | |
Of course, it's come into English - it specifically means a burger bap. | 0:19:56 | 0:19:59 | |
And then we have the wheaten farl. Farl is from the old Scots word | 0:19:59 | 0:20:04 | |
fardel, which means quarter or fourth part, | 0:20:04 | 0:20:06 | |
and, look, he's even cut them into quarters for us here. | 0:20:06 | 0:20:09 | |
-Oh. Any chance of you buying me one? -Well, we'll see about that. | 0:20:09 | 0:20:12 | |
Typical Ulster-Scot. | 0:20:12 | 0:20:14 | |
-What words am I going to learn now? -We've got, first of all, | 0:20:16 | 0:20:19 | |
-neeps and tatties. -Well, I know tatties are potatoes. -Yep. | 0:20:19 | 0:20:21 | |
-Neeps are... -Turnips. -Turnips. -You get that in your Burns' feasts | 0:20:21 | 0:20:25 | |
every 25th of January. And then over here we have kale. | 0:20:25 | 0:20:28 | |
-Cabbage? -Kale is Ulster-Scots and it's also the plural, | 0:20:28 | 0:20:31 | |
you never talk about kales. In English you talk about cabbages. | 0:20:31 | 0:20:33 | |
-Right. -Sometimes you have to think about how | 0:20:33 | 0:20:35 | |
you use words as well as what words are. | 0:20:35 | 0:20:38 | |
And then we've something I've bought you. | 0:20:38 | 0:20:40 | |
You've finally bought me something. What have you bought me? | 0:20:40 | 0:20:43 | |
-Goosegabs. -Gooseberries? Goosegab in UlsterScots? -Goosegab. | 0:20:43 | 0:20:49 | |
-Red ones, too. -Red ones, they can be green or red | 0:20:49 | 0:20:51 | |
but we thought we'd go for red. | 0:20:51 | 0:20:53 | |
Tough job I have. | 0:20:55 | 0:20:57 | |
So, Ian, some breads, vegetables, now we're at fish. | 0:21:00 | 0:21:04 | |
We're at fish and in Scots your fishing rod is called your | 0:21:04 | 0:21:07 | |
-fishing wand as in magic wand. -OK. | 0:21:07 | 0:21:09 | |
And if you happen to magic up a sole fish of any sort... | 0:21:09 | 0:21:12 | |
-a sole fish is usually called a fleuk. -A fleuk? -A fleuk. | 0:21:12 | 0:21:16 | |
-And usually that refers to plaice. -This is plaice here? | 0:21:16 | 0:21:18 | |
-This is plaice here. -Oh, that's slimy. | 0:21:18 | 0:21:21 | |
And if you want to refer specifically to plaice | 0:21:21 | 0:21:23 | |
rather than any sort of other sole fish, | 0:21:23 | 0:21:25 | |
you might use - just say what you see. | 0:21:25 | 0:21:27 | |
-Er... well, it's fairly flat. -Fairly flat. So you might call it | 0:21:27 | 0:21:30 | |
-a flattie. -Well, a flattie. -You can refer to lots of things | 0:21:30 | 0:21:33 | |
as a flattie, you know, a saucer that you might have under your tea | 0:21:33 | 0:21:35 | |
is a flattie as well, so it's very often about just saying what you see. | 0:21:35 | 0:21:39 | |
Well, thanks very much, that's been really good... | 0:21:39 | 0:21:41 | |
OK, Tim, you need to focus, you need to plan, you need to | 0:21:43 | 0:21:46 | |
be ready. Next time we meet is your last chance before the event itself. | 0:21:46 | 0:21:50 | |
He's an awful hallion, isn't he? | 0:21:50 | 0:21:52 | |
So, Ian, you are having good fun when you're out and about with Tim? | 0:21:53 | 0:21:56 | |
But it is going to get an awful lot more difficult for him, isn't it? | 0:21:56 | 0:21:59 | |
There's no harm in having fun | 0:21:59 | 0:22:00 | |
but it only gets tougher from here because learning | 0:22:00 | 0:22:03 | |
UlsterScots, like any other language, | 0:22:03 | 0:22:04 | |
isn't just about learning different words. | 0:22:04 | 0:22:06 | |
It's about learning a different grammatical structure | 0:22:06 | 0:22:09 | |
and Ulster-Scots has its own grammatical structure, distinct from standard English. | 0:22:09 | 0:22:13 | |
In what sense? How do you mean it's got its grammar? | 0:22:13 | 0:22:15 | |
Well, if you take things that we may even be familiar with... | 0:22:15 | 0:22:18 | |
for example, if we say - "Do you know is he here?" | 0:22:18 | 0:22:20 | |
Instead of "Do you know if he's here?" "Do you know if he's here?" is standard English, | 0:22:20 | 0:22:23 | |
"Do you know is he here?" is from Scots and Northumbrian, | 0:22:23 | 0:22:26 | |
comes across from that direction so that would be | 0:22:26 | 0:22:28 | |
regarded as correct in Ulster-Scots but it's not correct in standard English. | 0:22:28 | 0:22:31 | |
How do you mean? Like in French and German? You have to construct the sentence differently...? | 0:22:31 | 0:22:35 | |
Just the same and also how to use the different words. | 0:22:35 | 0:22:38 | |
Some of the words, at least in traditional Ulster-Scots, | 0:22:38 | 0:22:41 | |
have different plurals. The plural of coo, for cow, is kye, not coos. | 0:22:41 | 0:22:44 | |
The plural of shoe for shoes is shuin, not shoes. | 0:22:44 | 0:22:48 | |
So, there's other complications as well. | 0:22:48 | 0:22:51 | |
Is, sort of, developing his language skill about understanding | 0:22:51 | 0:22:55 | |
the origins of the language more, do you think? | 0:22:55 | 0:22:57 | |
Well, I think it's very helpful to understand | 0:22:57 | 0:22:59 | |
the origins of any language and if we look at the origins of English | 0:22:59 | 0:23:02 | |
and Ulster-Scots they both | 0:23:02 | 0:23:05 | |
originate in the north-west of Germany, | 0:23:05 | 0:23:07 | |
round about the 500s. They came across to the east of England, | 0:23:07 | 0:23:10 | |
to the east of Scotland, at that stage...and there was a big division | 0:23:10 | 0:23:13 | |
in England at that time, around the River Humber | 0:23:13 | 0:23:15 | |
and north of that was Northumbrian and south of that was Mercian. | 0:23:15 | 0:23:18 | |
Standard English derives from Mercian and standard Scots, | 0:23:18 | 0:23:21 | |
as was spoken in medieval Scotland, derives from Northumbrian. | 0:23:21 | 0:23:24 | |
So you had a distinction there which was recognised | 0:23:24 | 0:23:27 | |
-throughout the medieval period. -It's a fascinating story of the | 0:23:27 | 0:23:30 | |
movement of people and them carrying their language with them. | 0:23:30 | 0:23:34 | |
Yes, and they moved about Great Britain, but then, of course, | 0:23:34 | 0:23:36 | |
they moved from both England and Scotland to what is now Northern Ireland | 0:23:36 | 0:23:40 | |
and they brought with them both standard English but also Lowland Scots. | 0:23:40 | 0:23:44 | |
And that's where Ulster-Scots comes from. | 0:23:44 | 0:23:47 | |
And, indeed, some of them kept going and remarkably, as recently as | 0:23:47 | 0:23:49 | |
the 1820s there was poetry written in Ulster-Scots | 0:23:49 | 0:23:52 | |
in the United States, not only written but also sold and bought | 0:23:52 | 0:23:55 | |
by subscribers in the United States. | 0:23:55 | 0:23:57 | |
It is fair to say, though, that Ulster-Scots is perceived as | 0:23:57 | 0:24:00 | |
a rural language, you know, is that it? | 0:24:00 | 0:24:02 | |
Well, I think what happens is - when you have a language | 0:24:02 | 0:24:05 | |
and then you have the global language - English | 0:24:05 | 0:24:08 | |
coming in and being the language of administration, | 0:24:08 | 0:24:10 | |
inevitably the other language, in this case Ulster Scots, is put | 0:24:10 | 0:24:13 | |
on the back foot so it does tend to recede into more rural, | 0:24:13 | 0:24:16 | |
coastal areas. | 0:24:16 | 0:24:17 | |
Having said that, there are aspects of our daily speech | 0:24:17 | 0:24:20 | |
for everybody in Northern Ireland, which are really Ulster-Scots | 0:24:20 | 0:24:24 | |
rather than standard English. From the word "wee" | 0:24:24 | 0:24:26 | |
right through to phrases like you used to hear in the shipyards here - | 0:24:26 | 0:24:29 | |
"Me and him's friends," is very bad grammar in standard English but it's very good in Ulster-Scots. | 0:24:29 | 0:24:34 | |
We were chatting to Dan Gordon earlier on and he's | 0:24:34 | 0:24:36 | |
actually written plays in Ulster-Scots | 0:24:36 | 0:24:39 | |
about the shipyards. And we have an extract from The Boat Factory | 0:24:39 | 0:24:42 | |
by the children of Cregagh Primary School. | 0:24:42 | 0:24:45 | |
They actually presented it in Scotland quite recently. | 0:24:45 | 0:24:48 | |
CHEERING AND APPLAUSE | 0:24:48 | 0:24:50 | |
-This is the story of Willie McPhee. -A likely wee lad, as smart as can be. | 0:24:50 | 0:24:53 | |
At the shipyard in Belfast he's startin' the day. | 0:24:53 | 0:24:56 | |
Left school at 14... | 0:24:56 | 0:24:58 | |
BOTH: ..and into the fray. | 0:24:58 | 0:24:59 | |
IMITATE HORN BOTH: We're late for the yard! | 0:24:59 | 0:25:01 | |
Jings, cribbens, help my boab, I'm late! | 0:25:01 | 0:25:04 | |
We're comin', we're comin'. | 0:25:04 | 0:25:07 | |
You'd better hurry or McQuillan give you a tonnin'. | 0:25:07 | 0:25:11 | |
Why's it Bob? He hasn't a baldy what we get up to. | 0:25:11 | 0:25:13 | |
You're a blether. | 0:25:13 | 0:25:14 | |
No, no, I'll hit him, sure I'm no fearty, | 0:25:14 | 0:25:17 | |
-he can't even kick back doors. -Oh, really? | 0:25:17 | 0:25:19 | |
THEY MOCK | 0:25:19 | 0:25:21 | |
Oh, Mr McQuillan, sorry we're late, we're just clocking in now. | 0:25:21 | 0:25:24 | |
Mr McQuillan? | 0:25:24 | 0:25:26 | |
THEY LAUGH | 0:25:26 | 0:25:28 | |
-Got you! -They only called him. | 0:25:28 | 0:25:29 | |
Now, come on and stop standing in your ain light. | 0:25:29 | 0:25:32 | |
Hey, boy, I'm over here... | 0:25:32 | 0:25:34 | |
-beside the boat. -What do you want? -Are you Willie McCandless the | 0:25:34 | 0:25:37 | |
-new joiner's apprentice. -Aye, you're Mr McQuillan, the foreman. | 0:25:37 | 0:25:41 | |
-Don't be such an eejit, do you see me wearing a boulder hat? -No. | 0:25:41 | 0:25:44 | |
Well, then, I'm not Mr McQuillan and I'm Tucker Riley. | 0:25:44 | 0:25:48 | |
-And you, Willie McCandless, are late. -I got off the tram too | 0:25:48 | 0:25:51 | |
-early and I got a bit lost. -No excuses. | 0:25:51 | 0:25:53 | |
That Mr McQuillan will have your guts for glider if you don't | 0:25:53 | 0:25:56 | |
-come up with a better one than that. -What's glider? | 0:25:56 | 0:25:58 | |
It's the black, slippery slide that slips the boats | 0:25:58 | 0:26:01 | |
-down the slipway. -Where would I find him? -At the timekeeper's hut. | 0:26:01 | 0:26:04 | |
-Where's that? -Boy's a dear... | 0:26:04 | 0:26:06 | |
You really are an eejit, hold on a minute and I'll show you. | 0:26:06 | 0:26:10 | |
Tucker, is that Willie McCandless, the new joiner's apprentice? | 0:26:10 | 0:26:13 | |
Yup, none other. | 0:26:13 | 0:26:14 | |
Well, Willie McCandless, apprentice, | 0:26:14 | 0:26:16 | |
I've got a very important job for you. | 0:26:16 | 0:26:18 | |
Get over to them boys | 0:26:18 | 0:26:19 | |
and ask them for a big tin of tartan paint for Mr Harland. | 0:26:19 | 0:26:23 | |
ALL LAUGH | 0:26:23 | 0:26:25 | |
-What have you to bring? -A big tin of tartan paint for Mr Harland. | 0:26:25 | 0:26:28 | |
LAUGHTER | 0:26:28 | 0:26:30 | |
Good lad. Here, give us your piece. | 0:26:30 | 0:26:32 | |
BOTH: Oh, here comes Mr McQuillan, run! Quick! | 0:26:32 | 0:26:35 | |
LAUGHTER | 0:26:35 | 0:26:37 | |
APPLAUSE | 0:26:37 | 0:26:39 | |
That was absolutely fantastic, well done. | 0:26:41 | 0:26:44 | |
-Let's meet the team. Your name is...? -Owenie. -Well done. -Lois. -Loved it. | 0:26:44 | 0:26:48 | |
-Jonathan. -Jonathan. -Nathan. -Nathan. | 0:26:48 | 0:26:50 | |
-Nice to meet you. -Colby. -It was absolutely fantastic. | 0:26:50 | 0:26:52 | |
Now, tell me, what was it like going to Scotland to perform this play? | 0:26:52 | 0:26:56 | |
It was really good, just the whole experience and stuff of it. | 0:26:56 | 0:26:59 | |
And what about speaking in Ulster-Scots? | 0:26:59 | 0:27:01 | |
-How comfortable did that feel for you? -It was OK. | 0:27:01 | 0:27:04 | |
Are you going to keep some of those words going? | 0:27:04 | 0:27:07 | |
-Yeah. -Make sure you do, it was absolutely lovely. | 0:27:07 | 0:27:09 | |
Would you give another lovely round of applause for our actors | 0:27:09 | 0:27:12 | |
from The Boat Factory? | 0:27:12 | 0:27:14 | |
Thank you very, very much. | 0:27:14 | 0:27:15 | |
Time for a little bit more music, this is the | 0:27:15 | 0:27:18 | |
Low Country Boys with Wild Wood Flower. | 0:27:18 | 0:27:20 | |
CHEERING | 0:27:20 | 0:27:22 | |
MUSIC: Wild Wood Flower | 0:27:22 | 0:27:25 | |
Well, that's all we have time for, thanks very much to everyone | 0:27:41 | 0:27:45 | |
here and to the East Belfast Mission for letting us in. | 0:27:45 | 0:27:48 | |
Next month we'll be in Coleraine and if you would | 0:27:48 | 0:27:51 | |
like to be in the studio audience then contact | 0:27:51 | 0:27:53 | |
the address on the screen now. | 0:27:53 | 0:27:56 | |
That's all we've time for, we must go. | 0:27:56 | 0:27:58 | |
But, from everyone here, bye-bye. | 0:27:58 | 0:28:00 | |
CHEERING | 0:28:51 | 0:28:53 |