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Welcome to Leith, minutes from Princes Street, but some feel it's a million miles from Festival fever. | 0:00:16 | 0:00:22 | |
My friends Ros, Brad and I are determined to prove that Leith is the place to be during the Festival. | 0:00:22 | 0:00:28 | |
We're members of Strange Town Youth Theatre based in Out Of The Blue. | 0:00:28 | 0:00:32 | |
This year, Out Of The Blue is a venue for Leith On The Fringe and Strange Town is performing here. | 0:00:32 | 0:00:38 | |
Time to bring out the big guns. In our corner, we have local boy made good, | 0:00:38 | 0:00:44 | |
Strange Town supporter and world famous author - Irvine Welsh. | 0:00:44 | 0:00:48 | |
He's always been a big fan of Leith. | 0:00:48 | 0:00:51 | |
I used to come to the BB's here years ago | 0:00:51 | 0:00:54 | |
and do my kind of goose-stepping along the sort of floorboards | 0:00:54 | 0:00:58 | |
and saluting the Queen and all that kind of stuff. | 0:00:58 | 0:01:01 | |
But it's much better suited to its purpose now. | 0:01:01 | 0:01:05 | |
Out Of The Blue is a community space run by an educational trust. | 0:01:05 | 0:01:09 | |
It houses artists' studios, rehearsal rooms, performance and exhibition areas. | 0:01:09 | 0:01:15 | |
It is a great place to meet, create, experience, learn and relax. | 0:01:15 | 0:01:20 | |
We spoke to Rob Hoon, its co-ordinator. | 0:01:20 | 0:01:23 | |
What do you think Out Of The Blue offers people in Leith? | 0:01:24 | 0:01:28 | |
We work with groups of people to introduce them to photography | 0:01:28 | 0:01:33 | |
or dance or different creative forms. | 0:01:33 | 0:01:37 | |
But we tend to not do it in isolation. | 0:01:37 | 0:01:40 | |
It fits into everything else that we're doing locally. | 0:01:40 | 0:01:43 | |
On the other hand, there's just things on the programme going on that people come to. | 0:01:43 | 0:01:48 | |
Some of them are artistic, some of them are just initiatives that fire the imagination like the flea market | 0:01:48 | 0:01:55 | |
and arts markets and exhibitions. | 0:01:55 | 0:01:57 | |
Some just come in to use the cafe. | 0:01:57 | 0:01:59 | |
-What are you hoping Leith On The Fringe will achieve? -Sometimes during the Festival, | 0:01:59 | 0:02:05 | |
you just feel totally detached from the action, | 0:02:05 | 0:02:08 | |
so this is a chance to be a part of the Festival and use it as a platform | 0:02:08 | 0:02:13 | |
for people working away in Edinburgh all year round and a chance for them to reach an international audience. | 0:02:13 | 0:02:19 | |
We decided to ask some locals on Leith Walk what the Festival means to them. | 0:02:19 | 0:02:25 | |
-What are your thoughts about the Edinburgh Festival? -Mostly the Tattoo. That's all I ever use... | 0:02:30 | 0:02:36 | |
-That's all you get involved in? -Yeah. -Have you heard of Out Of The Blue? -Who? -At the Drill Hall. -No. | 0:02:36 | 0:02:43 | |
There's a production by Strange Town Youth Theatre called After You've Gone about the two world wars. | 0:02:43 | 0:02:49 | |
-Would you consider coming? -Yes, I certainly would because it's local. I'll take one of your programmes. | 0:02:49 | 0:02:55 | |
The Edinburgh Festival, there's a little bit too much | 0:02:55 | 0:02:58 | |
to make a rational selection, really. I tend to stay out the way. | 0:02:58 | 0:03:03 | |
It's good for certain people in Edinburgh, but it doesn't benefit Leith very much. | 0:03:03 | 0:03:08 | |
It's the city centre, then it might be down on the shore, so this bit in between gets left out. | 0:03:08 | 0:03:13 | |
Publicans and hoteliers do very well out of it, | 0:03:13 | 0:03:16 | |
but the general person in Edinburgh probably finds it an inconvenience. | 0:03:16 | 0:03:20 | |
By bus, it takes an extra 30 minutes to get through Princes Street. | 0:03:20 | 0:03:24 | |
We make lots of money in the month of August and the month after it | 0:03:24 | 0:03:29 | |
from tourists, from people coming over to buy stuff. | 0:03:29 | 0:03:32 | |
Poor people can rent out their scummy little flats for vast amounts of money to middle-class tourists. | 0:03:32 | 0:03:39 | |
I'd like to see the figures about who actually goes to the Festival. | 0:03:39 | 0:03:43 | |
It's become very expensive. | 0:03:43 | 0:03:45 | |
My 11-year-old daughter wanted to go and see some shows, | 0:03:45 | 0:03:49 | |
but she's got to pay £15 for an hour, my wife's got to pay £15, | 0:03:49 | 0:03:53 | |
so it's £30 for an hour for a kids' show and you don't know what it's like. It's becoming very expensive. | 0:03:53 | 0:04:00 | |
Dear for £15 to go and see a play in the Traverse? I personally don't think so. | 0:04:00 | 0:04:06 | |
-What do you think of the Festival? -I've never been to one. | 0:04:06 | 0:04:09 | |
I think the Festival's for everyone. | 0:04:09 | 0:04:12 | |
I can't imagine that you'd come here just for the Festival. | 0:04:12 | 0:04:16 | |
There's so much more in Edinburgh other than the Festival. | 0:04:16 | 0:04:20 | |
Get out there, enjoy it, there's plenty of free stuff. | 0:04:20 | 0:04:23 | |
There's a great deal of street art going on and the performers in the street. It's for everybody. Enjoy it. | 0:04:23 | 0:04:30 | |
I'm always slagging off the Edinburgh Festival just because it's like... | 0:04:30 | 0:04:34 | |
I just think somebody needs to be the kind of bad boy sometimes and just sort of... | 0:04:34 | 0:04:40 | |
But I think it's great that it's in the city | 0:04:40 | 0:04:43 | |
and I kind of, you know... I love coming here during the Festival. | 0:04:43 | 0:04:47 | |
I think the city needs it and it gives the place a buzz and an identity. | 0:04:47 | 0:04:52 | |
I would just like to see a lot more things going on outside the Festival. | 0:04:52 | 0:04:56 | |
And that's one of the things that I think is kind of... | 0:04:56 | 0:05:00 | |
It's been neglected in a sense. | 0:05:00 | 0:05:02 | |
If everything goes into the Festival, what happens for the other 48 weeks of the year? | 0:05:02 | 0:05:09 | |
Out Of The Blue is not just a centre for theatre and acrobatics. | 0:05:09 | 0:05:13 | |
It's also home to craft and design workshops like the Precious Metals Workshop run by Ian Nicholson. | 0:05:13 | 0:05:19 | |
I've always lived in this area and the opportunity came to take a workspace in Out Of The Blue. | 0:05:19 | 0:05:25 | |
It's a fantastic unit and it was the right choice for me to move here. | 0:05:25 | 0:05:29 | |
What can your company offer Leith workshop-wise and product-wise? | 0:05:29 | 0:05:33 | |
We run evening classes, one-day workshops. | 0:05:33 | 0:05:36 | |
I push the Precious Metals Workshop | 0:05:36 | 0:05:39 | |
as Edinburgh's leading independent educational resource workshop for jewellers and silversmiths, | 0:05:39 | 0:05:45 | |
so we've always got different classes running. | 0:05:45 | 0:05:48 | |
What are you trying to achieve? | 0:05:48 | 0:05:51 | |
The ultimate goal for the Precious Metals Workshop is to expand with its resources, | 0:05:51 | 0:05:57 | |
so that we can accommodate as many different jewellers, silversmiths, crafters and hobbyists as possible | 0:05:57 | 0:06:05 | |
and get the place up to more of a university grade of tools and equipment. | 0:06:05 | 0:06:11 | |
How do you feel about the Festivals? | 0:06:11 | 0:06:13 | |
I love the Festival. It's sort of the month where Edinburgh lets its hair down. | 0:06:13 | 0:06:18 | |
It's not a good time to try and drive around the city, | 0:06:18 | 0:06:22 | |
but walking around the place, seeing what happens, it's just a lovely, vibrant change. | 0:06:22 | 0:06:27 | |
What can a new project called Leith On The Fringe offer the locals | 0:06:29 | 0:06:34 | |
and will it change people's view? | 0:06:34 | 0:06:37 | |
This room is home to the organisers of Leith On The Fringe and headed by producer Natasha Lee-Walsh. | 0:06:37 | 0:06:43 | |
How did you get involved in organising Leith On The Fringe? | 0:06:43 | 0:06:46 | |
The idea came from a conversation that John and I had in a pub. | 0:06:46 | 0:06:51 | |
-Are we allowed to say that? -Yes. | 0:06:51 | 0:06:53 | |
About what we could do to get Leith more involved because it's fast becoming a place where things happen. | 0:06:53 | 0:06:59 | |
As you guys know, art and everything is starting to take a hold here | 0:06:59 | 0:07:03 | |
and give people something to do, something to aspire to. | 0:07:03 | 0:07:07 | |
We wanted to make sure Leith takes its place in the Festival and benefits economically and socially. | 0:07:07 | 0:07:13 | |
How do you select the acts performing? | 0:07:13 | 0:07:16 | |
This being Year Minus One, as we fondly like to call it, | 0:07:16 | 0:07:20 | |
we put a call out to a lot of our friends and people that we know who work in the industry | 0:07:20 | 0:07:25 | |
and told them about what we were trying to do. | 0:07:25 | 0:07:28 | |
We specifically wanted it to be more of an aerial and circus venue | 0:07:28 | 0:07:32 | |
because that's an area of the arts that's coming up in Scotland. | 0:07:32 | 0:07:37 | |
What inspired you to use Out Of The Blue as a venue? | 0:07:37 | 0:07:41 | |
It being one of the most established sort of arts complexes here. | 0:07:41 | 0:07:45 | |
The staff work really hard. They've got a fantastic relationship with the community. | 0:07:45 | 0:07:50 | |
They've managed to get lots of things happening. It's a great venue. | 0:07:50 | 0:07:54 | |
It's a huge space with a fantastic roof and it lends itself to aerial, | 0:07:54 | 0:07:58 | |
as well as the community lilt as it's got that following. | 0:07:58 | 0:08:01 | |
It was important that the community take a sense of ownership of it | 0:08:01 | 0:08:06 | |
and they get involved with workshops that we like to offer | 0:08:06 | 0:08:09 | |
and that we get them onside and make them realise it's as much for them as anyone else. | 0:08:09 | 0:08:15 | |
I heard something about the cherry picker breaking? | 0:08:15 | 0:08:18 | |
That just happens. You have to build in contingency. Cherry pickers are a law unto themselves. | 0:08:18 | 0:08:24 | |
It means that the drapes took two days to hang instead of one, | 0:08:24 | 0:08:28 | |
but at least no-one was stuck at the top of one over the weekend! | 0:08:28 | 0:08:33 | |
-Have you got anything else on your to-do list today? -Plenty. | 0:08:33 | 0:08:37 | |
-An example? -Quite a lot. | 0:08:37 | 0:08:39 | |
There's still quite a lot to do with making sure that everyone's comfortable when they arrive. | 0:08:39 | 0:08:45 | |
Jessica, our box office manager, is putting together welcome packs for everyone, | 0:08:45 | 0:08:50 | |
so they know where to go shopping, where to go to the pub and to eat. | 0:08:50 | 0:08:54 | |
And we've managed to get a lot of the local traders to sort of put on offers | 0:08:54 | 0:09:01 | |
for the audience, as well as the participants, to make them realise what's on offer here, | 0:09:01 | 0:09:06 | |
to encourage people to spend time and money in Leith. | 0:09:06 | 0:09:09 | |
What are you aiming to achieve by the end of this? | 0:09:09 | 0:09:13 | |
This year, we hope to have got a set of quantifiable results, | 0:09:13 | 0:09:17 | |
so from box office ticket sales and through the offers that the local shops are running, | 0:09:17 | 0:09:22 | |
them keeping a record of that, | 0:09:22 | 0:09:24 | |
we hope to show how much we've increased footfall in Leith by having the venue here | 0:09:24 | 0:09:30 | |
and how many of those people we've encouraged to spend their money with local businesses. | 0:09:30 | 0:09:35 | |
That will help us decide how best to move forward for next year in the areas where we need to work on more | 0:09:35 | 0:09:41 | |
or where we're better spending our marketing budget to make this a resounding success. | 0:09:41 | 0:09:47 | |
-What could get in the way of these results? -It's where we are. | 0:09:47 | 0:09:51 | |
We're under no illusion that we're in Leith | 0:09:51 | 0:09:54 | |
and we know that because also this year with the closure of the Assembly Rooms on George Street, | 0:09:54 | 0:10:00 | |
everything is so much more centred up around George Square, | 0:10:00 | 0:10:04 | |
so we know we're sort of fighting... | 0:10:04 | 0:10:07 | |
-To get in? -Yeah, we're fighting against that. | 0:10:07 | 0:10:10 | |
Equally, it works to our advantage because it's a bit of a haven away from all of that | 0:10:10 | 0:10:15 | |
and the programme offers something slightly different. | 0:10:15 | 0:10:18 | |
It offers stuff to do and aerial and circus work. | 0:10:18 | 0:10:22 | |
In fact, I think we're the only Fringe venue that can offer ten metres of height. | 0:10:22 | 0:10:28 | |
I think that makes us unique and we hope that that and the word of mouth thing will get people to come down. | 0:10:28 | 0:10:34 | |
Finally, it is time to find out about our theatre group Strange Town. | 0:10:37 | 0:10:41 | |
We followed them during the read-through, technical rehearsal, first night and last night, | 0:10:41 | 0:10:47 | |
plus we got to interview our director Steve Small. | 0:10:47 | 0:10:50 | |
What is Strange Town aiming to achieve? | 0:10:53 | 0:10:56 | |
Strange Town aims to give children and young people across Edinburgh | 0:10:56 | 0:11:01 | |
an opportunity to be creative, | 0:11:01 | 0:11:03 | |
to make shows, to come together, to meet people from different backgrounds, to have a good time | 0:11:03 | 0:11:09 | |
and to give them an opportunity that we think they need to have. | 0:11:09 | 0:11:13 | |
What's it like having Out Of The Blue rehearsal space for Strange Town? | 0:11:13 | 0:11:19 | |
It's really important to us to be based here. | 0:11:19 | 0:11:22 | |
When Ruth and I set up this second version of Strange Town, | 0:11:22 | 0:11:26 | |
it was to be based in Leith and we like Out Of The Blue. | 0:11:26 | 0:11:29 | |
Can you tell us a bit more about the show? | 0:11:29 | 0:11:32 | |
After You've Gone is a show we've done before. We did it in June. | 0:11:32 | 0:11:35 | |
It's part of our theme which we've been running since January with all the groups about time and the past | 0:11:35 | 0:11:42 | |
and about it being all around us. | 0:11:42 | 0:11:44 | |
It's a collection of stories that are all put together in a period of time | 0:11:44 | 0:11:50 | |
that runs from 1916, the middle of the First World War, to the start of the Second World War. | 0:11:50 | 0:11:55 | |
-How are rehearsals going? -It's been quite short and we've had some people drop out at the last minute. | 0:11:55 | 0:12:02 | |
And we've had some people come and help us out, | 0:12:02 | 0:12:05 | |
so for some people, it's a real rush | 0:12:05 | 0:12:08 | |
and hopefully, they enjoy it, and other people, they've done it before. | 0:12:08 | 0:12:13 | |
Sometimes it's hard with young actors to explain to them that we need to see what they can do in rehearsals, | 0:12:13 | 0:12:19 | |
not on the night, because we can't risk that they won't pull it out of the bag. | 0:12:19 | 0:12:25 | |
Also, they struggle a lot of the time with reviving stuff. Their kind of initial energy burst has gone. | 0:12:25 | 0:12:31 | |
It's a bit chaotic because we've had to re-cast for the Fringe a bit. | 0:12:31 | 0:12:35 | |
So we're now sorting out all the costumes | 0:12:35 | 0:12:39 | |
and working out if the people who have been newly cast fit the costumes. A wee bit stressed. | 0:12:39 | 0:12:46 | |
I'm feeling quite excited to be taking part in the Fringe. | 0:12:46 | 0:12:50 | |
It's really nice that it's with Strange Town. | 0:12:50 | 0:12:53 | |
It's all my friends and all the lovely people that I like. | 0:12:53 | 0:12:57 | |
It's really different to anything we've done before. | 0:12:57 | 0:13:00 | |
It's really weird sitting down and watching | 0:13:00 | 0:13:03 | |
because it's the first Strange Town show that I've not been in since it started | 0:13:03 | 0:13:09 | |
and it's going to be a bit sad. | 0:13:09 | 0:13:11 | |
It's been re-cast, but with their casting skills, I think it'll go OK. | 0:13:15 | 0:13:19 | |
It's just nerve-wracking because we have to re-block it, etcetera. | 0:13:19 | 0:13:23 | |
The question is, will they have learnt their lines | 0:13:23 | 0:13:27 | |
before they move to Out Of The Blue for the technical rehearsal? | 0:13:27 | 0:13:31 | |
Have there been any production problems or technical hitches? | 0:13:34 | 0:13:39 | |
The nature of the Fringe is that all the venues are trying to get lots of different shows in quickly. | 0:13:39 | 0:13:44 | |
And it's quite tight. | 0:13:44 | 0:13:46 | |
We are sitting waiting to go into our tech. The last show's been out late. | 0:13:46 | 0:13:50 | |
We're just waiting. We're all really excited. | 0:13:50 | 0:13:54 | |
-They're here. -Are they? -Yeah. -Right, everyone... | 0:13:54 | 0:13:58 | |
We're just sort of setting up with costumes, getting props checked. | 0:13:59 | 0:14:04 | |
We're then going to go in and go for the opening scene and do sound and light checks. | 0:14:04 | 0:14:09 | |
These are my props. I supplied most of the stuff here. | 0:14:09 | 0:14:13 | |
Cos my parents love old things. | 0:14:13 | 0:14:15 | |
I feel a lot of pressure on the lines. There's a lot of them and mine were recently all changed. | 0:14:15 | 0:14:22 | |
So I hope I don't mess it up. I don't want to ruin it for everyone else. We've all worked really hard | 0:14:22 | 0:14:29 | |
and I don't want to be messing up. So hopefully that goes well. | 0:14:29 | 0:14:34 | |
We were supposed to start at five and it's now quarter to six. | 0:14:34 | 0:14:38 | |
We've only got until seven and we're supposed to squish the whole show into that time. | 0:14:38 | 0:14:44 | |
-How long do you usually have? -In a perfect world, a whole day. | 0:14:44 | 0:14:49 | |
But it never does. We're not a professional company working in professional conditions. | 0:14:49 | 0:14:54 | |
We normally have three hours. | 0:14:54 | 0:14:56 | |
It's very strange seeing everybody doing this and not being part of it. | 0:14:56 | 0:15:00 | |
You've set your wheelbarrow on the wrong side, OK? | 0:15:00 | 0:15:04 | |
I never set my wheelbarrow. | 0:15:04 | 0:15:06 | |
The previous show finished at five and they had to get their flying stuff out of the way | 0:15:06 | 0:15:12 | |
and their audience out. So we're doing Fringe time, which is no time, | 0:15:12 | 0:15:16 | |
-but that's the same for everybody so it's OK. -How long have we got? -Until seven. | 0:15:16 | 0:15:22 | |
Our problem is if we top and tail from scene to scene, we have costume changes, | 0:15:22 | 0:15:28 | |
so we have to know if they work. | 0:15:28 | 0:15:31 | |
But there's no point in getting cross or shouting and screaming. | 0:15:31 | 0:15:36 | |
There just isn't any point. Oh...that isn't what we want. | 0:15:36 | 0:15:40 | |
-How was the technical rehearsal? -It went OK. We needed more time. | 0:15:40 | 0:15:45 | |
It's a very busy venue because it's got a cafe and a lot of noise. | 0:15:45 | 0:15:50 | |
It's quite difficult to see and hear from up in the box. I'm cuing the lighting guy, who's never seen it, | 0:15:50 | 0:15:57 | |
and somebody's operating the back projections, who's never seen it, and I'm cuing, so it's quite scary. | 0:15:57 | 0:16:04 | |
I think it went OK. I would have liked to get through a bit more, | 0:16:05 | 0:16:09 | |
but everything will be all right on the night, won't it? | 0:16:09 | 0:16:14 | |
You've already interviewed me. | 0:16:14 | 0:16:16 | |
-How did it go? -It went OK, I think. -Did it? Honestly? | 0:16:16 | 0:16:21 | |
Yeah, I was just a bit confused about everything. | 0:16:21 | 0:16:25 | |
We couldn't hear at the back sometimes, which is a problem. | 0:16:25 | 0:16:29 | |
People who have done the show before feel like they know it, | 0:16:29 | 0:16:33 | |
so they're relaxed and mucking up on lines and cues. They think they know it, but they don't. | 0:16:33 | 0:16:39 | |
It's the first night of After You've Gone and there's quite a lot of people coming in. | 0:16:39 | 0:16:45 | |
Everybody's quite excited. We didn't expect this many people. | 0:16:45 | 0:16:49 | |
Everybody's a bit stressed backstage but when they see how many people there are, hopefully it'll boost... | 0:16:49 | 0:16:55 | |
boost their confidence and it'll be nice and loud and amazing. | 0:16:55 | 0:16:59 | |
-I've never been to this venue before. -What do you think of it? | 0:16:59 | 0:17:03 | |
Well, I've just got here. Let me think. | 0:17:03 | 0:17:07 | |
Impressive. | 0:17:07 | 0:17:09 | |
Impressive, yes. | 0:17:09 | 0:17:11 | |
All I know about Leith is Easter Road happens to be there. | 0:17:11 | 0:17:16 | |
Home of Hibernian FC. | 0:17:16 | 0:17:19 | |
Often you don't go up the town and a lot of Edinburgh people are disconnected from the festivals. | 0:17:19 | 0:17:26 | |
-So probably having local things is better. -It's very good where it is. | 0:17:26 | 0:17:31 | |
It's bang in the middle of a very working class area. It isnae one of the posher ends of the town. | 0:17:31 | 0:17:36 | |
You'll get a lot more people from Leith, who wouldn't go up the town. | 0:17:36 | 0:17:41 | |
It's a very welcoming place. This is the first time I've been to a show. | 0:17:41 | 0:17:46 | |
I'm very nervous. | 0:17:46 | 0:17:48 | |
-Why are you nervous? -Because we've only just really got the tech done. | 0:17:48 | 0:17:54 | |
The cast are unaware that they have a large paying audience waiting to see their first night's performance. | 0:17:56 | 0:18:03 | |
MUSIC STARTS | 0:18:09 | 0:18:11 | |
# Rule Britannia Britannia rules the waves | 0:18:16 | 0:18:20 | |
# Britons never, never, never shall be slaves... # | 0:18:20 | 0:18:25 | |
They often talk in their own private language, which they invented to exclude Donald and everybody else. | 0:18:25 | 0:18:31 | |
Shirley Temple! | 0:18:31 | 0:18:34 | |
It's ironic, by the way. | 0:18:34 | 0:18:36 | |
-We mainly just hang aboot, though, eh? -I go hiking. | 0:18:36 | 0:18:40 | |
-Yes, we go hiking, don't we, Susan? -We do, Moira. -Get tae...! | 0:18:40 | 0:18:46 | |
APPLAUSE | 0:18:46 | 0:18:47 | |
-Whoo! -Thank God it's over. | 0:18:50 | 0:18:52 | |
Very well acted, eh, historical drama centring around various local families. | 0:18:52 | 0:18:59 | |
And very enjoyable, I thought. | 0:18:59 | 0:19:02 | |
All these young people putting so much effort into that. What a contrast to the streets in England. | 0:19:02 | 0:19:08 | |
-How do you feel after that? -Awful! | 0:19:08 | 0:19:11 | |
I did this line and totally forgot it. It threw everyone off. | 0:19:11 | 0:19:15 | |
Oh...can't believe I did that! | 0:19:15 | 0:19:17 | |
-Do you know you were half an hour more? It's seven o'clock. -Seriously? | 0:19:17 | 0:19:21 | |
Wow. Seriously? Sorry, I was about to swear there. | 0:19:21 | 0:19:26 | |
-I don't know why it was so long. -I don't know. Oh, my God. | 0:19:26 | 0:19:30 | |
I learned it so well, but I forgot the line and we had to walk back and there was a big bit of silence. | 0:19:30 | 0:19:36 | |
I was like, "Oh, my God! I'm so sorry!" I messed it up for everyone. | 0:19:36 | 0:19:41 | |
And then I cut off Donald at the end. Great, Alison(!) | 0:19:41 | 0:19:45 | |
-But you've still got two nights. -True! I'll be perfect tomorrow! I'll be going, "I was amazing!" | 0:19:45 | 0:19:51 | |
I thought it was very, very well done. Very talented young people. | 0:19:51 | 0:19:56 | |
I thoroughly enjoyed it and I'd come back to another show. | 0:19:56 | 0:20:01 | |
Leith on the Fringe has attracted a number of international acts. | 0:20:03 | 0:20:08 | |
We caught up with Angels Aerials from Germany and were amazed by their Learn To Fly Workshop. | 0:20:08 | 0:20:15 | |
Leith on the Fringe at Out of the Blue is | 0:20:16 | 0:20:20 | |
just the most beautiful venue that could have happened to us. | 0:20:20 | 0:20:24 | |
For performing in the air, it's really high and they've made everything we needed possible. | 0:20:24 | 0:20:31 | |
We have quite weird things that we need - a hook there and a rigging point here. | 0:20:31 | 0:20:38 | |
And they've done it all. And it's beautiful outside. | 0:20:38 | 0:20:42 | |
Performing at the Edinburgh Fringe is basically a dream come true. | 0:20:42 | 0:20:47 | |
It's the last night of After You've Gone and they've almost got a full house. It's really exciting. | 0:20:49 | 0:20:55 | |
A mix of emotions. Everybody's excited on the last night, but getting a wee bit emotional as well. | 0:20:55 | 0:21:01 | |
It's a lot of people's last show. It's the first time I've watched and not been in it. I'll get teary! | 0:21:01 | 0:21:08 | |
It's quite sad. I'm really sad to be leaving the show. We've been with it for eight months now. | 0:21:22 | 0:21:28 | |
Last show. Hopefully a good one. | 0:21:28 | 0:21:31 | |
"Death was instantaneous and without any suffering. | 0:21:37 | 0:21:42 | |
"The Company was caught in a counter attack during which your husband was killed. | 0:21:44 | 0:21:50 | |
"John was a great personal friend of mine and his loss is felt deeply | 0:21:50 | 0:21:55 | |
"by myself and all in the Company." | 0:21:55 | 0:21:58 | |
# God save the King. # | 0:21:58 | 0:22:02 | |
I'm feeling really good. I'm high. Don't do drugs, do theatre! | 0:22:11 | 0:22:15 | |
It's true! | 0:22:17 | 0:22:19 | |
It was fantastic. I was, like, in tears. | 0:22:21 | 0:22:26 | |
-Why were you in tears? -Cos it was so sad! I'm in tears again! | 0:22:26 | 0:22:31 | |
A total sense of achievement, | 0:22:31 | 0:22:34 | |
but yeah, it's quite sad that people are leaving, but...I'm sure we'll get over it! | 0:22:34 | 0:22:40 | |
-OK, that's the show over. How are you feeling? -Tired. | 0:22:40 | 0:22:44 | |
-Do you want more than that? -Yeah. Relieved or...? -No. | 0:22:44 | 0:22:48 | |
It doesn't hit you until a day later and you think, "I won't see those people again for a while | 0:22:48 | 0:22:54 | |
-"and won't work on that script again." You always think of things you'd have done differently. -Yeah? | 0:22:54 | 0:23:00 | |
But, you know, it's a huge job and they did amazingly well | 0:23:00 | 0:23:05 | |
-and we got massive audiences for the Fringe. -Absolutely. | 0:23:05 | 0:23:09 | |
We had 65 on the first day, 86 yesterday and about the same today. | 0:23:09 | 0:23:14 | |
-Your average Fringe audience is three. So that's pretty good. -That's fantastic, definitely. | 0:23:14 | 0:23:20 | |
-Em... -Any reviews? | 0:23:20 | 0:23:23 | |
No reviews. We don't need reviews. | 0:23:23 | 0:23:25 | |
-No, we've had no reviews, but... -You've had a positive reception. -And that's the main thing. | 0:23:25 | 0:23:33 | |
It's quite an interesting space. | 0:23:33 | 0:23:35 | |
It's really set up for trapeze stuff, | 0:23:35 | 0:23:39 | |
so if we do it again, this venue, we'll think about something that fits this a bit better. | 0:23:39 | 0:23:46 | |
It's the last day of Leith on the Fringe. How successful was it? | 0:23:46 | 0:23:50 | |
It's been rather marvellous. | 0:23:50 | 0:23:52 | |
Yeah, we've had quite a few people through the door, lots of comments and lots of compliments. | 0:23:52 | 0:23:58 | |
The high point was our award. Somebody noticed what we were doing and recognised us for it, | 0:23:58 | 0:24:04 | |
which is awesome! And something we weren't expecting. | 0:24:04 | 0:24:09 | |
We were sitting at this very table and Paddy got us in and said, "You have to be here then." | 0:24:09 | 0:24:15 | |
So we came in and got presented with the world! With a little engraving on it. | 0:24:15 | 0:24:20 | |
And it nearly made me cry and think, "It's all been worth it!" | 0:24:20 | 0:24:24 | |
We were so tired and numbers had started to drop off again. "Oh, God! Is no one listening?" | 0:24:24 | 0:24:31 | |
-What would you do differently next year? -Next year... | 0:24:31 | 0:24:36 | |
We've got to solve the sound issues with the cafe. | 0:24:36 | 0:24:40 | |
There's a lot of hard surfaces in here and you can hear quite well everything that's said in the cafe. | 0:24:40 | 0:24:48 | |
So that's the first thing. | 0:24:48 | 0:24:50 | |
You started with a set of goals. To what extent have you achieved them? | 0:24:50 | 0:24:55 | |
They're pretty much there. We've had great press, great interest. | 0:24:55 | 0:25:00 | |
We've had a lot of exposure and that's reflected in ticket sales and audience feedback. | 0:25:00 | 0:25:06 | |
We've got figures to collate at the end, which will be whether people took up our offers in the programme | 0:25:06 | 0:25:12 | |
to benefit the businesses or not. Then we'll meet them and discuss how to do that better next year. | 0:25:12 | 0:25:18 | |
What does the future hold? | 0:25:18 | 0:25:21 | |
Onwards and upwards, bigger and better. | 0:25:21 | 0:25:24 | |
We've had more publicity. We had one and a half million tweets on Neil Gaiman's Twitter thing | 0:25:24 | 0:25:31 | |
-recommending Hex. I don't know whether that means anything. -A lot. Neil Gaiman's pretty cool. | 0:25:31 | 0:25:38 | |
Yeah, so I'm told. And we've been hanging out with Irvine Welsh, and he's been amazing, actually. | 0:25:38 | 0:25:44 | |
A really nice guy, really helpful. | 0:25:44 | 0:25:47 | |
Why do you think groups like Strange Town are important? | 0:25:47 | 0:25:51 | |
I think really because if you look at the way things are going, | 0:25:51 | 0:25:56 | |
employment-wise, over the next 20 years, | 0:25:56 | 0:26:00 | |
practically the only thing that is expanding is the entertainment industry, | 0:26:00 | 0:26:06 | |
the cultural industries, if you want to call them that. | 0:26:06 | 0:26:10 | |
And there's so many more opportunities for people to act and write and direct | 0:26:10 | 0:26:17 | |
and film and do all that stuff. | 0:26:17 | 0:26:20 | |
So much more now than there used to be. The media seems to be expanding all the time. | 0:26:20 | 0:26:26 | |
It's something that used to be regarded as a bit kind of poncey and self-indulgent. | 0:26:26 | 0:26:32 | |
It's now the most vocational kind of thing you could probably do. | 0:26:32 | 0:26:36 | |
And even if people don't go on to work in these areas, | 0:26:36 | 0:26:41 | |
the skills are transferable. Inter-personal skills, communication skills, | 0:26:41 | 0:26:46 | |
working with other people and getting to know them. | 0:26:46 | 0:26:50 | |
They're transferable to just about any kind of employment or personal business venture people go into. | 0:26:50 | 0:26:57 | |
The recent Edinburgh Festivals Impact Study showed that the Fringe annually generates £142 million | 0:26:58 | 0:27:05 | |
for the Scottish economy. The study also showed that 89% of Edinburgh respondents | 0:27:05 | 0:27:11 | |
said that the Fringe and other festivals increased local pride. | 0:27:11 | 0:27:15 | |
Choose life! Choose theatre! | 0:27:15 | 0:27:19 | |
Choose performing. | 0:27:19 | 0:27:21 | |
Choose the arts. | 0:27:21 | 0:27:24 | |
Choose Leith! | 0:27:26 | 0:27:28 | |
This programme was made by Grace, Brad and Rosalind of Strange Town Youth Theatre | 0:27:29 | 0:27:35 | |
in conjunction with The LAB at BBC Scotland. | 0:27:35 | 0:27:38 | |
If your school or community group would like to learn about filmmaking and are looking for some pointers, | 0:27:38 | 0:27:44 | |
contact The LAB at BBC Scotland. | 0:27:44 | 0:27:46 | |
www.bbc.co.uk/labscotland | 0:27:46 | 0:27:52 | |
And get creative! | 0:27:52 | 0:27:54 |